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Items where Division is "English and Comparative Literature"

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Number of items at this level: 1275.

Barber, Ros, ed. 2015. 30-Second Shakespeare. Ivy Press. ISBN 978-1782402602 [Edited Book]

Byrne, James P.; Kirwan, Padraig and O'Sullivan, Michael, eds. 2009. Affecting Irishness: Negotiating Cultural Identity Within and Beyond the Nation. Oxford: Peter Lang. ISBN 978-3-03911-830-4 [Edited Book]

Lloyd, Christopher; Brinded, Nicolas and Vandivinit, Gilles, eds. 2014. American Exceptionalism in the Twenty-First Century, European Journal of American Culture, 33(3). 1466-0407 [Edited Journal]

Anim-Addo, Joan, ed. 1999. Another Doorway: Visible Inside the Museum. London: Mango Publishing. ISBN 978-1902294018 [Edited Book]

Scott, Charlotte and McDonald, Russ, eds. 2016. An Anthology of Critcisim, 1945. Blackwell. [Edited Book] (Forthcoming)

Desmarais, Jane H. and Baldick, Chris, eds. 2017. Arthur Symons: Selected Early Poems, eds. Jane Desmarais and Chris Baldick. Cambridge: Modern Humanities Research Association. ISBN 978-1-781880-99-9 [Edited Book]

Shinn, Abigail; Hadfied, Andrew and Dimmock, Matthew, eds. 2014. The Ashgate Research Companion to Popular Culture in Early Modern England. Farnham, Surrey: Ashgate. ISBN 9781409436843 [Edited Book]

McDonald, Russ and Cowen Orlin, Lena, eds. 2014. The Bedford Shakespeare. Boston: Bedford St. Martins. ISBN 978-0312439637 [Edited Book]

Kapos, Martha and Dooley, Tim, eds. 2014. The Best of Poetry London: Poetry and Prose 1988-2013. Carcanet Press Ltd. ISBN 978-1847772497 [Edited Book]

Platt, Len and McHale, Brian, eds. 2016. The Cambridge History of Postmodern Literatutre. New York: Cambridge University Press. ISBN 978 107 14027 1 [Edited Book]

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Creighton, Nicola and Kramer, Andreas, eds. 2012. Carl Einstein und die europäische Avantgarde / Carl Einstein and the European Avant-Garde. Berlin and Boston: De Gruyter. ISBN 9783110291155 [Book]

Anim-Addo, Joan, ed. 2002. Centre of Remembrance: Memory and Caribbean Women’s Literature. London: Mango Publishing. ISBN 978-1902294025 [Edited Book]

Boldrini, Lucia and Mussgnug, Florian, eds. 2008. Comparative Critical Studies: Folly, Comparative Critical Studies, 5(2-3). 1744-1854 [Edited Journal]

Downie, Alan (J. A.) and Parnell, Tim, eds. 2006. Constructing Christopher Marlowe. Cambridge University Press. ISBN 978-0521030519 [Edited Book]

Parnell, Tim and Downie, Alan (J. A.), eds. 2006. Constructing Christopher Marlowe. Cambridge: Cambridge University Press. ISBN 978-0521030519 [Edited Book]

Shinn, Abigail and Vine, Angus, eds. 2014. The Copious Text: Encyclopaedic Books in Early Modern England, Renaissance Studies, 28(2). 0269-1213 [Edited Journal]

Spufford, Francis and Uglow, Jenny, eds. 1997. Cultural Babbage: Technology, Time and Invention. Faber & Faber. ISBN 978-0571172436 [Edited Book]

Moore-Gilbert, Bart J. and Seed, John, eds. 1992. Cultural Revolution?: Challenge of the Arts in the 1960's. London: Routledge. ISBN 978-0415078252 [Edited Book]

Desmarais, Jane H. and Condé, Alice, eds. 2017. Decadence and the Senses. Oxford: Legenda. ISBN 978-1-78188-481-2 [Edited Book]

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Desmarais, Jane and Baldick, Chris, eds. 2011. Decadence: An annotated anthology. Manchester and New York: Manchester University Press. ISBN 978-0719075513 [Edited Book]

Desmarais, Jane H. and Weir, David, eds. 2019. Decadence: Cambridge Critical Concepts series. Cambridge: Cambridge University Press. [Edited Book] (Forthcoming)

Hunnekuhl, Philipp, ed. 2018. The Early Diaries of Henry Crabb Robinson. Oxford: OUP. [Edited Book] (Forthcoming)

Spufford, Francis and Kolbert, Elizabeth, eds. 2007. The Ends of the Earth: An Anthology of the Finest Writing on the Arctic and the Antarctic. Granta Books. ISBN 978-1862079779 [Edited Book]

Boldrini, Lucia and Novak, Julia, eds. 2017. Experiments in Life-Writing: Intersections of Auto/Biography and Fiction. London: Palgrave Macmillan. ISBN 978-3-319-55413-6 [Edited Book]

Krause, Frank, ed. 2010. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: Vandenhoeck & Ruprecht unipress. ISBN 3899717171 [Edited Book]

Krause, Frank, ed. 2008. France and German Expressionism / Frankreich und der deutsche Expressionismus. Göttingen: Vandenhoeck & Ruprecht unipress. ISBN 899713648 [Edited Book]

Popova, Gergana; Aarts, Bas; Denison, David and Keizer, Evelien, eds. 2004. Fuzzy Grammar: A Reader. Oxford: Oxford University Press. ISBN 978-0199262571 [Edited Book]

Pichler, Pia and Eppler, Eva, eds. 2009. Gender and Spoken Interaction. Palgrave Macmillan. ISBN 978-0230574021 [Edited Book]

Williams, Gianna; Williams, Paul; Ravenscroft, Kent and Desmarais, Jane H., eds. 2003. The Generosity of Acceptance: Exploring Eating Disorders in Adolescents. London: Karnac. ISBN 9781855752610 [Edited Book]

Williams, Gianna; Williams, Paul; Ravenscroft, Kent and Desmarais, Jane H., eds. 2003. The Generosity of Acceptance: Exploring Feeding Difficulties in Children. London: Karnac. ISBN 9781855759343 [Edited Book]

Krause, Frank, ed. 2005. Georg Kaiser and Modernity. Göttingen: Vandenhoeck and Ruprecht. ISBN 978-3-89971-245-2 [Edited Book]

Krause, Frank; Bluhdorn, Ingolfur and Scharf, Thomas, eds. 1995. The Green Agenda: Environmental Politics and Policy in Germany. Keele: Keele University Press. ISBN 978-1853311406 [Edited Book]

Downie, Alan (J. A.), ed. 2008. Henry Fielding In Our Time: Papers Presented at the Tercentenary Conference. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781847189875 [Edited Book]

El-Rayess, Miranda and Reeve, Neil, eds. 2015. Henry James, The Beast in the Jungle and Other Tales. Cambridge: CUP. [Edited Book] (Forthcoming)

Dooley, Maura, ed. 2003. The Honey Gatherers: an anthology of love poems. Bloodaxe Books Ltd. ISBN 978-1852243593 [Edited Book]

Dooley, Maura, ed. 2000. How Novelists Work. Seren. ISBN 978-1854111920 [Edited Book]

Anim-Addo, Joan and Scafe, Suzanne, eds. 2007. I am Black, White, Yellow: An Introduction to the Black Body in Europe. London: Mango Publishing. ISBN 978-1902294315 [Edited Book]

Bowles, Hugo and Cogo, Alessia, eds. 2015. International Perspectives on English as a Lingua Franca: pedagogical insights. Basingstoke: Palgrave Macmillan. ISBN 9781137398079 [Edited Book] (In Press)

Tubridy, Derval, ed. 2008. Irish Studies Review: Thomas Kinsella Special Issue, Irish Studies Review, 16(3). 0967-0882 [Edited Journal]

Coates, Jennifer and Pichler, Pia, eds. 2011. Language and Gender. A Reader. Second Edition. John Wiley & Sons; 2nd Edition. ISBN 978-1405191449 [Edited Book]

Mooney, Annabelle; Peccei, Jean; LaBelle, Suzanne; Eppler, Eva; Irwin, Anthea; Soden, Satori and Pichler, Pia, eds. 2011. The Language, Society and Power Reader. Routledge. ISBN 978-0415430838 [Edited Book]

Archibald, Alasdair; Cogo, Alessia and Jenkins, Jennifer, eds. 2011. Latest Trends in ELF Research. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-3299-1 [Edited Book]

Parnell, Tim, ed. 2015. Laurence Sterne: A Literary Life. Palgrave. [Edited Book] (Forthcoming)

Dooley, Maura, ed. 1997. Making for Planet Alice: New Women Poets. Bloodaxe Press. ISBN 978-1852243982 [Edited Book]

Natarajan, Uttara; Paulin, Tom and Wu, Duncan, eds. 2015. Metaphysical Hazlitt: Bicentenary Essays. London: Routledge. ISBN 978-1138010253 [Edited Book]

Morrison, Blake; Weldon, Fay and Roberts, Michele, eds. 1996. Mind Readings. Minerva. [Edited Book]

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Desmarais, Jane H.; Postle, Martin and Vaughan, Martin, eds. 2006. Model and Supermodel: The Artist’s Model in British Art and Culture. Manchester University Press. ISBN 978-0-7190-6662-7 [Edited Book]

Gilmour, Rachael and Steinitz, Tamar, eds. 2018. Multilingual Currents in Literature, Translation, and Culture. New York: Routledge. ISBN 9781138120532 [Edited Book]

Shinn, Abigail and Mazur, Peter, eds. 2013. Narrating Conversion in the Early Modern World, Journal of Early Modern History, (17). 1385-3783 [Edited Journal]

Boldrini, Lucia; Grishakova, Marina and Reynolds, Matthew, eds. 2013. New Work in Comparative Literature in Europe, CLCWeb: Comparative Literature amd Culture, 15(7). [Edited Journal]

Morrison, Blake; Rogers, Jane and Adebayo, Diran, eds. 2003. New Writing 12. Picador. [Edited Book]

Baldick, Chris, ed. 2009. The Oxford Book of Gothic Tales. Oxford: OUP. ISBN 978-0199561537 [Edited Book]

Baldick, Chris, ed. 2015. The Oxford Dictionary of Literary Terms. Oxford: OUP. ISBN 978-0198715443 [Edited Book]

Morrison, Blake and Motion, Andrew, eds. 1986. The Penguin Book of Contemporary British Poetry. Penguin Books Ltd. ISBN 978-0140585520 [Edited Book]

Natarajan, Uttara, ed. 2007. Plain Speaking: A Sudra’s Story. Delhi: Permanent Black. ISBN 978-8178241814 [Edited Book]

Platt, Len; Becker, Tobias and Linton, David, eds. 2014. Popular Musical Theatre in London and Berlin, 1890 to 1939. Cambridge: Cambridge University Press. ISBN 9781107051003 [Edited Book]

Platt, Len and Upstone, Sara, eds. 2015. Postmodern Literature and Race. Cambridge: Cambridge UniversityPlace. ISBN 9781107042483 [Edited Book]

Rossell, Deac (W. F. D.) and French, Philip, eds. 1991. Press Observed and Projected. BFI Publishing. ISBN 978-0851703268 [Edited Book]

Bate, Jonathan; Rasmussen, Eric and Scott, Charlotte, eds. 2006. The RSC Shakespeare: The Complete Works. Palgrave Macmillan. ISBN 978-0230200951 [Edited Book]

Canova-Green, Marie-Claude, ed. 2010. Racine et l'Histoire. Narr Dr. Gunter. ISBN 978-3823360544 [Edited Book]

Natarajan, Uttara, ed. 2007. The Romantic Poets: A Guide to Criticism. Oxford: Wiley-Blackwell. ISBN 978-0631229315 [Edited Book]

Parnell, Tim and Jack, Ian, eds. 2008. A Sentimental Journey and Other Writings. Oxford: OUP Oxford; New edition. ISBN 978-0199537181 [Edited Book]

McDonald, Russ; Nace, Nicholas and Williams, Travis D, eds. 2012. Shakespeare Up Close: Reading Early Modern Texts. London: Bloomsbury/Arden. ISBN 978-1408158784 [Edited Book]

McDonald, Russ, ed. 2003. Shakespeare: An Anthology of Criticism and Theory, 1945-2000. Wiley-Blackwell. ISBN 978-0631234883 [Edited Book]

Canova-Green, Marie-Claude and Le Calvez, Eric, eds. 1997. Texte(s) et Intertexte(s). Brill | Rodopi. ISBN 978-9042003552 [Edited Book]

Simpson, Michael and Goff, Barbara, eds. 2011. Thinking the Olympics: the Classical Tradition and the Modern Games. Bristol Classical Press. ISBN 978-0715639306 [Edited Book]

Crownshaw, Richard, ed. 2014. Transcultural Memory. London and NY: Routledge. ISBN 978-0415824484 [Edited Book]

Salzman, Eva and Kneale, Nick, eds. 2007. True to Life: Memoirs from 'The Working Class College', Ruskin College, Oxford. Heaventree Press. ISBN 978-0854531783 [Edited Book]

Anim-Addo, Joan and Ross, Jacob, eds. 1999. Voice Memory Ashes: Lest We Forget. London: Mango Publishing. ISBN 978-1902294049 [Edited Book]

Blamires, Alcuin; Marx, C W and Pratt, Karen, eds. 1992. Woman Defamed and Woman Defended: An Anthology of Medieval Texts. Oxford: OUP. ISBN 978-0198710394 [Edited Book]

Salzman, Eva and Wack, Amy, eds. 2008. Women’s Work: Modern Women Poets Writing in English. Seren. ISBN 978-1854114310 [Edited Book]

Moore-Gilbert, Bart J., ed. 1996. Writing India, 1757-1990: Literature of British India. Manchester: Manchester University Press. ISBN 978-0719042669 [Edited Book]

Canova-Green, Marie-Claude and Andrews, Jean, eds. 2013. Writing Royal Entries in early Modern Europe. Turnhout, Belgium: Brepols. ISBN 978-2-503-53602-6 [Edited Book]

Kanz, Christine and Krause, Frank, eds. 2015. Zwischen Demontage und Sakralisierung. Revisionen des europäischen Familienmodells in der europäischen Moderne (1880-1945). Würzburg: Königshausen & Neumann. ISBN 978-3-8260-5674-1 [Edited Book]

Ahmed, Sara; Anim-Addo, Joan; Bernard, Claudia A.; Mirza, Heidi; Puwar, Nirmal and Thobani, Sunera. 2013. 'Screening and Panel Discussion on the work of Angela Davis, Free Angela and Other Political Prisoners'. In: Centre for Feminist Research Screening and Panel Discussion. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Anim-Addo, Joan. 2000. The African-Caribbean Woman Writer’s Project: Merle Collins and Alecia McKenzie. In: Carla Locatelli, ed. Co(n)texts: implicazioni testuali. (47) Trento: Dipartimento di scienze filologiche e storiche, pp. 131-150. [Book Section]

Anim-Addo, Joan. 1998. Anguish and The Absurd: "Key Moments," Recreated Lives and the Emergence of New Figures of Black Womanhood in the Narrative Works of Beryl Gilroy. In: Adele S. Newson and Linda Strong-Leek, eds. Winds of Change : The Transforming Voices of Caribbean Women Writers and Scholars. New York: Peter Lang, pp. 131-144. ISBN 9780820437156 [Book Section]

Anim-Addo, Joan. 1998. “Another Doorway? Black Women Writing The Museum Experience”. Journal of Museum Ethnography(10), pp. 93-104. ISSN 0954–7169 [Article]

Anim-Addo, Joan. 2008. Autobiograpical Negotiation in Selected Novels by Beryl Gilroy and Joan Riley: Black Women Narrating the Post-Windrush Self. In: Marta Sofia Lopez, ed. Afroeurope@ns, Cultures and Identities. Newcastle upon Tyne: Cambridge Scholars Press, pp. 156-166. ISBN 978-1847185020 [Book Section]

Anim-Addo, Joan. 2005. Caribbean Women’s History. In: Prem Poddar and David Johnson, eds. An Historical Companion to Postcolonial Literatures in English. Edinburgh: Edinburgh University Press, pp. 496-502. ISBN 9780748618552 [Book Section]

Anim-Addo, Joan. 2000. The Colour of Silence. In: Courttia Newland and Kadija Sesay, eds. IC3: The Penguin Book of New Black Writing in Britain. Penguin Books. ISBN 978-0140287332 [Book Section]

Anim-Addo, Joan. 2008. Daughter and his housekeeper. Edinburgh Review, 123, pp. 65-71. [Article]

Anim-Addo, Joan, ed. 1996. Framing The Word: Gender & Genre in Caribbean Women’s Writing. London: Whiting & Birch. ISBN 978-1871177916 [Edited Book]

Anim-Addo, Joan. 2013. Gendering Creolisation: creolising affect. Feminist Review, 104(1), pp. 5-23. ISSN 0141-7789 [Article]

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Anim-Addo, Joan. 1998. Haunted by History: Poetry. London: Mango Publishing. ISBN 978-1902294032 [Book]

Anim-Addo, Joan. 2008. Her Own Woman – Opal Palmer Adisa, Daughter and his Housekeeper. Edinburgh Review(128), pp. 65-71. ISSN 0267-6672 [Article]

Anim-Addo, Joan. 2012. Hija y su ama de llaves. Revolución y Cultura, pp. 55-58. [Article]

Anim-Addo, Joan. 2013. I, Daughter”: Auto/Biography, Fractured Histories, and Familial Quest for “Scotch Blood” in Grenada and the Grenadines. In: Carla Sassi and Theo van Heijnsbergen, eds. Within and Without Empire: Scotland Across the (Post)colonial Borderline. New Castle: Cambridge Scholars Publishing, pp. 168-194. ISBN 9781443855679 [Book Section]

Anim-Addo, Joan. 2003. Imoinda Birthing the Creole Nation: Rewriting Aphra Behn’s Oroonoko. In: Margarete Rubik; Jorge Figueroa-Dorrego and Bernard Dhuicq, eds. Revisiting and reinterpreting Aphra Behn : proceedings of the Aphra Behn Europe Seminar, ESSE Conference, Strasbourg, 2002. Entrevaux: Bilingua GA, pp. 75-82. ISBN 9782846560047 [Book Section]

Anim-Addo, Joan. 2003. Imoinda: or She Who Will Lose Her Name: A play for twelve voices in three acts/ Imoinda, colei che perder√† il nome: Opera per dodici voci in tre atti. In: Giovanna Covi, ed. Voci femminili caraibiche e interculturalità. Universita degli Studi di Trento, p. 162. ISBN 8888430429 [Book Section]

Anim-Addo, Joan. 2007. Inventing the Self: An introduction to the Black Woman Subject/Object in Britain from 1507. In: Joan Anim-Addo and Suzanne Scafe, eds. I am Black, White, Yellow: An Introduction to the Black Body in Europe. London: Mango Publishing, pp. 17-36. ISBN 978-1902294315 [Book Section]

Anim-Addo, Joan. 2005. Pan-Africanist Women, Modernity, Silence: Amy Ashwood Garvey, and Other Invisible Activists. In: Giovanna Covi, ed. Modernist Women Race Nation: Networking Women 1890-1950, Circum-Atlantic Connections. Mango, pp. 96-117. ISBN 1902294297 [Book Section]

Anim-Addo, Joan. 2003. Queen Victoria’s Black Daughter. In: Gretchen Gerzina, ed. Black Victorians/Black Victoriana. New Brunswick, N.J.: Rutgers University Press. ISBN 978-0813532158 [Book Section]

Anim-Addo, Joan. 2004. Sister Goose's sisters: African-Caribbean women's nineteenth-century testimony. Women a Cultural Review, 15(1), pp. 35-56. ISSN 09574042 [Article]

Anim-Addo, Joan. 2003. Small Ironies: Jamaica Kincaid’s A Small Place as Travel Writing. BMa: The Sonia Sanchez Literary Review, 9(1), pp. 199-203. [Article]

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Anim-Addo, Joan. 1996. Sugar, Spices and Human Cargo: An Early Black History of Greenwich. Greenwich Leisure Services. ISBN 978-0904399219 [Book]

Anim-Addo, Joan. 2003. "To Begin Our Knowing": The Claiming of Authority and the Writing of "Imoinda". In: Giovanna Covi, ed. Voci feminili caraibiche e interculturalità. (68) Trento: Università degli Studi di Trento, Dipartimento di Scienze Filologiche e Storiche. ISBN 9788884430427 [Book Section]

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Anim-Addo, Joan. 2007. Touching The Body: History, Language and African-Caribbean Women’s Writing. London: Mango Publishing. ISBN 9781902294230 [Book]

Anim-Addo, Joan. 2008. Towards a Post-Western Humanism Made to the Measure of Those Recently Recognized as Human. In: Mina Karavanta and Nina Morgan, eds. Edward Said and Jacques Derrida: Reconstellating Humanism and the Global Hybrid. New Castle: Cambridge Scholars Publishing, pp. 250-273. ISBN 9781847186164 [Book Section]

Anim-Addo, Joan. 2009. Tracing Knowledge, Culture and Power: Towards an Intercultural approach to Literary Studies. In: Joan Anim-Addo; Giovanna Covi and Mina Karavanta, eds. Interculturality and Gender. London: Mango Publishing. ISBN 9781902294407 [Book Section]

Anim-Addo, Joan. 2013. 'Translational Space and Creolising Aesthetics in Three Women’s Novels: the Diasporic Turn'. In: Perspectives from 'Other' Cultures Translating Cultures. Goldsmiths, University of London, United Kingdom 20-22 September. [Conference or Workshop Item]

Anim-Addo, Joan. 2008. “We Sleeping Volcanoes; We Women”: Writing Self, Memory and Diaspora. In: Wolfgang Zach and Michael Kenneally, eds. Imoinda or She Who Will Lose Her Name. Stauffenburg Verlag Brigitte, pp. 253-260. [Book Section]

Anim-Addo, Joan. 2008. “We Sleeping Volcanoes; We Women”: Writing Self, Memory and Diaspora in Imoinda or She Who Will Lose Her Name. In: Wolfgang Zach and Michael Kenneally, eds. Literatures in English : Prioritie s of Research. Tübingen: Stauffenburg, pp. 253-260. ISBN 978-3-86057-321-1 [Book Section]

Anim-Addo, Joan. 2000. Windrush Children and Broken Attachments. Race and Cultural Education in Counselling (RACE)(23), pp. 11-17. [Article]

Anim-Addo, Joan. 2008. Women Activists against Enslavement. In: Arthur Torrington; Rita McLean; Victoria Osborne and Ian Grosvenor, eds. Equiano: Enslavement, Resistance & Abolition. London: Equiano Society and Birmingham Museums & Art Gallery, pp. 70-77. ISBN 9780709302575 [Book Section]

Anim-Addo, Joan. 2013. Writing and Resistance: Tracing Grenada’s Written Literary Tradition. In: N. Faraclas; R. Severing; C. Weijer; E. Echteld and M. Hinds-Layne, eds. Transcultural Roots Uprising: The Rhizomatic Languages, Literatures and Cultures of the Caribbean. Willemstad: University of Curaçao and Fundashon pa Planifikashon di Idioma, pp. 17-32. ISBN 9789990423174 [Book Section]

Anim-Addo, Joan and Scafe, Suzanne. 2013. Affect and Gendered Creolisation. Feminist Review, 104(1), pp. 1-4. ISSN 0141-7789 [Article]

Bajorek, Jennifer. 2003. Animadversions: Tekhne After Capital / Life After Work. diacritics, 33(1), pp. 42-59. ISSN 10806539 [Article]

Bajorek, Jennifer. 2006. Holding Fast to Ruins: The Air War in Brecht's Kriegsfibel. In: W. Wilms and W. Rasch, eds. Bombs Away! Representing the Air War over Europe and Japan. Rodopi, pp. 97-111. ISBN 9042017597 [Book Section]

Bajorek, Jennifer. 2005. The Offices of Homeland Security, or, Hölderlin's Terrorism. Critical Inquiry, 31(4), pp. 874-902. ISSN 15397858 [Article]

Baldick, Chris. 2006. 1928, London: A Strange Interlude. In: B. McHale and R. Stevenson, eds. The Edinburgh Companion to Twentieth-Century Literatures in English. Edinburgh University Press, pp. 73-81. ISBN 0748620117 [Book Section]

Baldick, Chris. 1996. Criticism and Literary Theory 1890 to the Present. Routledge. ISBN 978-0582033832 [Book]

Baldick, Chris. 2006. Literature and the academy. In: P. Waugh, ed. Literary Theory and Criticism: An Oxford Guide. Oxford University Press, pp. 85-95. ISBN 0199258368 [Book Section]

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Baldick, Chris. 2012. Literature of the 1920s: Writers Among the Ruins. Edinburgh: Edinburgh University Press. ISBN 9780748627301 [Book]

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Baldick, Chris. 2004. The Modern Movement (The Oxford English Literary History, Volume 10: 1900-1940). Oxford University Press. ISBN 0198183100 [Book]

Baldick, Chris. 2013. Poetry and Modern Criticism. In: , ed. UNSPECIFIED UNSPECIFIED. [Book Section]

Baldick, Chris. 2011. Political Novels and Utopian Romances. In: Patrick Parrinder and Andrzej Gasiorek, eds. The Reinvention of the British and Irish Novel 1880-1940 (Oxford History of the Novel in English, Volume 4). England: Oxford University Press, p. 197. ISBN 978-0-19-955933-6 [Book Section]

Baldick, Chris. 2001. Post-mortem: Lawrence's critical and cultural legacy. In: A. Fernihough, ed. The Cambridge Companion to D. H. Lawrence. Cambridge University Press, pp. 253-269. ISBN 052162617X [Book Section]

Baldick, Chris. 1983. The Social Mission of English Criticism 1848-1932. Oxford: Clarendon Press. ISBN 978-0198128212 [Book]

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Barber, Ros. 2015. Bardolph and Poins. Notes and Queries, 62(1), pp. 104-107. ISSN 0029-3970 [Article]

Barber, Ros. 2016. Blank Verse. In: Nigel McLoughlin, ed. The Portable Poetry Workshop. Palgrave MacMillan. ISBN 978-0230522305 [Book Section]

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Barber, Ros. 2016. Christopher Marlowe and Gervase Markham. Notes and Queries, ISSN 0029-3970 [Article]

Barber, Ros. 2015. Devotion. London: Oneworld. ISBN 978-1780747286 [Book]

Barber, Ros. 2014. Did Shakespeare Visit Italy? The London Magazine, ISSN 0024-6085 [Article]

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Barber, Ros. 2010. Exploring biographical fictions: the role of imagination in writing and reading narrative. Rethinking History, 14(2), pp. 165-187. ISSN 1364-2529 [Article]

Barber, Ros. 2004. How Things Are On Thursday. Anvil Press Poetry. ISBN 978-0856463747 [Book]

Barber, Ros. 2012. The Marlowe Papers. Sceptre. ISBN 978-1444737387 [Book]

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Barber, Ros. 2018. Marlowe and Overreaching: A Misuse of Stylometry. Digital Scholarship in the Humanities, ISSN 0268-1145 [Article] (In Press)

Barber, Ros. 2008. Material. Anvil Press Poetry. ISBN 978-0856464102 [Book]

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Barber, Ros. 2018. My Shakespeare: Christopher Marlowe. In: W Leahy, ed. My Shakespeare. Brighton: Edward Everett Root Publishing, pp. 85-112. ISBN 9781911454540 [Book Section]

Barber, Ros. 2009. Shakespeare Authorship Doubt in 1593. Critical Survey, 21(2), ISSN 0011-1570 [Article]

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Barber, Ros. 2016. Shakespeare and Warwickshire Dialect. Journal of Early Modern Studies(5), pp. 91-118. ISSN 2285-6382 [Article]

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Barber, Ros. 2015. Shakespeare's 'Honey-Stalks'. Notes and Queries, 62(1), pp. 92-93. ISSN 1471-6941 [Article]

Barber, Ros. 2010. Was Marlowe a Violent Man? In: Sarah K Scott, ed. Christopher Marlowe the Craftsman. Ashgate, pp. 47-61. ISBN 978-0-7546-6983-8 [Book Section]

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Barber, Rosalind. 2015. Sir John Davies as Guilpin’s Fuscus. Notes and Queries, 62(4), pp. 553-554. ISSN 0029-3970 [Article]

Barnsley, Sarah. 2015. The Fire Station. U.K.: Telltale Press. ISBN 978-0-9928555-3-6 [Book]

Barnsley, Sarah. 2013. Mary Barnard, American Imagist. State University of New York Press. ISBN 978-1-4384-4855-8 [Book]

Barnsley, Sarah. 2015. ‘The Outsider’ [POEM]. Envoi(170), p. 38. ISSN 0013-9394 [Article]

Barnsley, Sarah. 2016. Think of it in terms of geometry [POEM]. Under the Radar(18), pp. 12-13. [Article]

Barnsley, Sarah. 2016. This Horse [POEM[]. Under the Radar(18), pp. 10-11. ISSN 1758 3357 [Article]

Barnsley, Sarah. 2015. A Zoology of London [POEM]. The Stinging Fly, 31(2), [Article]

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Benjamin, Elizabeth and Corser, Sophie. 2014. Introduction. Literature and Art: Conversations and Collaborations - MHRA Working Papers in the Humanities, 9, pp. 1-8. [Article]

Blamires, Alcuin. 1998. The Case for Women in Medieval Culture. Oxford: OUP. ISBN 978-0198186304 [Book]

Blamires, Alcuin. 2010. 'Chaucer's Troilus and Criseyde'. In: Corinne Saunders, ed. Companion to Medieval Poetry. Wiley-Blackwell, pp. 435-451. ISBN 978-1405159630 [Book Section]

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Blamires, Alcuin. 2006. Chaucer, Ethics, and Gender. Oxford University Press. ISBN 9780199248674 [Book]

Blamires, Alcuin. 2010. 'May in January's Tree: Genealogical Space in The Merchant's Tale'. Chaucer Review, 45(1), pp. 106-117. ISSN 0009-2002 [Article]

Blamires, Alcuin. 2010. Medieval Individuality. In: Elaine Treharne and Greg Walker, eds. Oxford Handbook of Medieval Literature. Oxford: OUP, pp. 478-495. ISBN 978-0199229123 [Book Section]

Blamires, Alcuin. 2007. Philosophical Sleaze? The 'strok of thought' in the Miller's Tale and Chaucerian Fabliau. Modern Language Review, 102(3), pp. 621-640. ISSN 00267937 [Article]

Blamires, Alcuin. 2005. 'Sexuality'. In: Steve Ellis, ed. Chaucer: An Oxford Guide. Oxford: OUP, pp. 208-223. ISBN 978-0199259120 [Book Section]

Blamires, Alcuin. 2005. 'Women and Creative Intelligence in Medieval Thought'. In: Linda Olson and Kathryn Kerby-Fulton, eds. Voices in Dialogue: Reading Women in the Middle Ages. University of Notre Dame Press, pp. 213-230. ISBN 978-0268037178 [Book Section]

Blamires, Alcuin. 2004. The twin demons of aristocratic society in Sir Gowther. Manchester University Press. ISBN 0719063191 [Book]

Blamires, Alcuin. 2004. The twin demons of aristocratic society in Sir Gowther. In: N. McDonald, ed. Pulp fictions of medieval England: Essays in popular romance. Manchester University Press, pp. 45-62. ISBN 0719063191 [Book Section]

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Blamires, Alcuin and Holian, G.. 2002. The Romance of the Rose Illuminated: Manuscripts at the National Library of Wales, Aberystwyth. Arizona Center for Medieval and Renaissance Studies. ISBN 0866982655 [Book]

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Blinder, C. 2017. Smokescreens to Smokestacks: True Detective and the American Sublime. In: Scott Ortolano, ed. Popular Modernism and its Legacies. London: Bloomsbury Press, pp. 183-203. ISBN 9781501325120 [Book Section]

Blinder, Caroline. 2008. All things Either Good or Ungood: American Pictures Revisited in Jacob Holdt’s United States 1970-1975. In: Brett Rogers, ed. Deutsche Borse Photography Prize 2008. London: Photographers' Gallery, pp. 69-72. ISBN 978-0907879831 [Book Section]

Blinder, Caroline. 2017. The American Photo-Text 1930-1960. Edinburgh University Press. ISBN 978-1474404105 [Book] (Forthcoming)

Blinder, Caroline. 2010. Animating the Gudgers : On the Problems of a Cinematic Aesthetic in Let Us Now Praise Famous Men. In: Caroline Blinder, ed. New Critical Essays on James Agee and Walker Evans : Perspectives on Let Us Now Praise Famous Men. New York, NY: Palgrave Macmillan, pp. 145-164. ISBN 9780230102927 [Book Section]

Blinder, Caroline. 2009. The Bachelor’s Drawer: Art and Artefact in the Work of Wright Morris. In: Mick Gidley, ed. Writing With Light – Words and Photographs in American Texts. London: Peter Lang, pp. 63-81. ISBN 978-3039115723 [Book Section]

Blinder, Caroline. 1999. ‘Between the Unimagined and the Imagined: Photographic Aesthetics and Literary Illumination in James Agee’s Let Us Now Praise Famous Men’. In: Wim Tigges, ed. Moments of Moment: Aspects of the Literary Epiphany. Amsterdam/Atlanta: Brill | Rodopi. ISBN 978-9042006362 [Book Section]

Blinder, Caroline. 2011. ‘Brassaï’s Chair , Henry Miller and The Eye of Paris’. In: Natasha Gregorian, ed. Text and Image Relations in Modern European Culture. Indiana: U. of Purdue Press. [Book Section]

Blinder, Caroline. 2006. Entries on Anais Nin, Erskine Caldwell, and Surrealism. In: Gaëtan Brulotte and John Phillips, eds. The Encyclopaedia of Erotic Literature. London: Routledge. ISBN 978-1579584412 [Book Section]

Blinder, Caroline. 2005. Entries on André Breton, Jack Kerouac, and Edgar Allan Poe. In: Bill Marshall, ed. France and the Americas: Culture, Politics, and History (Transatlantic Relations). ABC –Clio Publications. ISBN 978-1851094110 [Book Section]

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Blinder, Caroline. 2016. Fragments of the Future: Walker Evans’s Polaroids. In: Catherine Gander and Sarah Garland, eds. Mixed Messages: American Correspondences in Visual and Verbal Practices. Manchester: Manchester University Press. ISBN 978-1-5261-0180-8 [Book Section]

Blinder, Caroline. 2010. Introduction. In: Caroline Blinder, ed. New Critical Essays on James Agee and Walker Evans: Perspectives on Let Us Now Praise Famous Men. New York: Palgrave Macmillan, pp. 1-22. ISBN 978-0230102927 [Book Section]

Blinder, Caroline. 2005. Its Beautiful Visual Entirety: Kerouac's introduction to Frank's The Americans. In: D. Cunningham; A. Fisher and S. Mays, eds. Photography and Literature in the Twentieth Century. Cambridge Scholars Press, pp. 109-122. ISBN 1904303463 [Book Section]

Blinder, Caroline. 2012. James Agee. In: Mark Durden and Henry Bond, eds. Fifty Key Writers on Photography. London: Routledge, pp. 3-7. ISBN 978-0415549455 [Book Section]

Blinder, Caroline. 2006. A Kind of Patriotism: Jack Kerouac's Introduction to Robert Frank's The Americans. In: Rui Carvalho Homem and Maria de Fatima Lambert, eds. Writing and Seeing: Essays on Word and Image. (95) Amsterdam and New York: Rodopi, pp. 235-244. ISBN 9042016981 [Book Section]

Blinder, Caroline. 1998. La Révolte Enfantine: On Georges Bataille's “La Morale de Miller” and Jean-Paul Sartre's “Un Nouveau Mystique”. Critique: Studies in Contemporary Fiction, 40(1), pp. 39-47. ISSN 0011-1619 [Article]

Blinder, Caroline. 2005. `Looking for Love in all the Wrong Places': Brassaï in André Breton's 'Mad Love'. History of Photography, 29(2), pp. 114-122. ISSN 03087298 [Article]

Blinder, Caroline. 2005. ‘Love Under the Sky: On Robert Frank and Jack Kerouac’. In: Rui Carvalho Homen and Maria d Fatima Lambert, eds. Writing and Seeing: Essays on Literature and the Visual Arts. Amsterdam: Rodopi, pp. 215-234. [Book Section]

Blinder, Caroline. 2009. ‘Not so Innocent: Vision and Culpability in Weegee’s Photographs of Children’. In: Marlene Kadar; Jeanne Perreault and Linda Warley, eds. Photographs, Histories, and Meanings. New York: Palgrave Macmillan, pp. 9-25. ISBN 978-0230617704 [Book Section]

Blinder, Caroline. 2013. The Radical Camera: New York's Photo League 1936–1951: Mason Klein and Catherine Evans (eds). Photography and Culture, 6(1), pp. 107-112. ISSN 1751-4517 [Article]

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Blinder, Caroline. 2017. Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men. In: , ed. 75 Years Later: The Centenary Edition of Let Us Now Praise Famous Men. Knoxville: U.of Tennessee Press. [Book Section] (Forthcoming)

Blinder, Caroline. 2017. ‘Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men’. In: Michael Lofaro, ed. Let Us Now Praise Famous Men at 75. Knoxville: U. of Tennessee Press. [Book Section]

Blinder, Caroline. 2011. Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau. In: Sascha Bru; Laurence Nuijs; Benedikt Hjartarson; Peter Nicholls; Tania Ørum and Hubert Berg, eds. Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture. (2) Berlin, Germany: Walter de Gruyter, pp. 191-204. ISBN 9783110274691 [Book Section]

Blinder, Caroline. 2012. Sitting Pretty: Municipal Chairs in the Photography of Doisneau and Kertész. In: , ed. The Everyday in Modernist Practice. London: European Modernism Association. [Book Section]

Blinder, Caroline. 2012. Through an American Lens : Camera Work (1903-17); 291 (1915-16); Manuscripts (1922-3). In: Peter Brooker and Andrew Thacker, eds. The Oxford Critical and Cultural History of Modernist Magazines Volume II: North America 1894-1960. Oxford, UK: Oxford University Press, pp. 271-292. ISBN 9780199545810 [Book Section]

Blinder, Caroline. 2004. The Transparent Eyeball: On Emerson and Walker Evans. Mosaic, 37(4), pp. 149-163. ISSN 00271276 [Article]

Blinder, Caroline. 2012. Wright Morris. In: Mark Durden, ed. Fifty Key Writers on Photography. London: Routledge, pp. 175-180. ISBN 978-0415549455 [Book Section]

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Boldrini, Lucia. 2004. "Allowing it to speak out of him": The Heterobiographies of David Malouf, Antonio Tabucchi and Marguerite Yourcenar. Comparative Critical Studies, 1(3), pp. 243-263. ISSN 1744-1854 [Article]

Boldrini, Lucia. 2014. Among Schoolchildren: Joyce's "Night Lesson" and Chaucer's Treatise on the Astrolabe. In: Haun Saussy and Gerald Gillespie, eds. Intersections, Interfaces, Interdisciplines: Literature with Other Arts. 30 Brussels: Peter Lang, pp. 35-46. ISBN 978-2-87574-156-1 [Book Section]

Boldrini, Lucia. 2009. The Anamorphosis of Photography in Michael Ondaatje’s The Collected Works of Billy the Kid. In: Carmen Concilio and Richard J. Lane, eds. Image Technologies in Canadian Literature: Narrative, Film and Photography. Brussels: Peter Lang, pp. 31-46. ISBN 978-90-5201-474-6 [Book Section]

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Boldrini, Lucia. 2009. Anna Banti and Virginia Woolf: A Grammar of Responsibility. Journal of Anglo-Italian Studies, 10, pp. 135-149. ISSN 1560-2168 [Article]

Boldrini, Lucia. 1998. The Artist Paring His Quotations: Aesthetic and Ethical Implications of the Dantean Intertext in Dubliners. In: Harold Mosher and Rosa Maria Bollettieri Bosinelli, eds. Re-Joycing: New Readings of Joyce’s Dubliners. Lexington: University Press of Kentucky, pp. 228-246. ISBN 0813120578 [Book Section]

Boldrini, Lucia. 2012. Autobiographies of Others: Historical Subjects and Literary Fiction. New York: Routledge. ISBN 978-0-415-50737-0 [Book]

Boldrini, Lucia. 2009. 'Carey’s True History of the Kelly Gang. Whose Story is It?'. In: English Research Seminar Series. Plymouth, United Kingdom. [Conference or Workshop Item]

Boldrini, Lucia. 2008. 'Comparative Literature and Translation: Can the Past Teach Us Something About the Future?'. In: VI Congresso Nacional Associação Portuguesa de Literatura Comparada / X Colóquio de Outono Comemorativo das Vanguardas. Braga, Portugal 6-8 November 2008. [Conference or Workshop Item]

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Boldrini, Lucia. 2006. Comparative Literature in the Twenty-First Century: A View from Europe and the UK. Comparative Critical Studies, 3(1-2), pp. 13-23. ISSN 1744-1854 [Article]

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Boldrini, Lucia. 2013. Comparative Literature, Ancient Rome, and the Crisis of Modern European History. CLCWeb: Comparative Literature and Culture, 15(7), pp. 1-8. [Article]

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Boldrini, Lucia. 2010. Comparative literature and translation, historical breaks and continuing debates: Can the past teach us something about the future? diacrítica. Dossier Literatura Comparada,, 24(3), pp. 181-199. ISSN 0808-8967 [Article]

Boldrini, Lucia. 2011. Drunkards, Simoniac Preachers and Unjust Stewards: A Chaucerian Intertext for “Grace”. In: Raffaella Baccolini; Delia Chiaro; Chris Rundle and Sam Whitsitt, eds. A Joyceful of Talkatalka. From Friendshapes for Rosa Maria Bollettieri Bosinelli. Bologna: Bononia University Press, pp. 45-53. ISBN 978-88-7395-570-2 [Book Section]

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Boldrini, Lucia. 2010. 'European Civilization and Barbarism: Some Considerations on Historical Categories and Myths.'. In: AICLA / ICLA Triennial International Conference, Expanding the Frontiers of Comparative Literature, Seoul, Korea. Seoul, Korea, Republic of 15-21 August 2010. [Conference or Workshop Item]

Boldrini, Lucia. 2003. Ex Sterco Dantis: Dante's Post-Babelian Linguistics in the Wake. In: Laurent Milesi, ed. James Joyce and the Difference of Language. Cambridge: Cambridge University Press, pp. 180-194. ISBN 9780521623377 [Book Section]

Boldrini, Lucia. 2008. 'Fictional Auto/Biography on the Frontier of the Law'. In: Lecture Series: Fictional Auto/Biography on the Frontier of the Law.. Turin, Italy 15-21 April 2009. [Conference or Workshop Item]

Boldrini, Lucia. 2003. 'Heterobiographies, or, The Delirium of Autobiography'. In: Autobiografictions. Goldsmiths, United Kingdom 8-10 September 2003. [Conference or Workshop Item]

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Boldrini, Lucia. 2009. Heterobiography, Hypocriticism, and the Ethics of Authorial Responsibility. Primerjalna književnost, special issue: The Author: Who or What is Writing Literature?(3), pp. 249-259. ISSN 0351-1189 [Article]

Boldrini, Lucia. 2003. 'Intimations of proximate dawn': re-viewing Joyce's Ulysses through the eye of Kubrick's Space Odyssey. In: Mario Curreli and Fausto Ciompi, eds. Many-voicèd fountains: Studi di anglistica e comparatistica in onore di Elsa Linguanti. Pisa: ETS, pp. 360-371. ISBN 8846707885 [Book Section]

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Boldrini, Lucia. 2001. Joyce, Dante, and the Poetics of Literary Relations: Language and Meaning in Finnegans Wake. Cambridge, UK: Cambridge University Press. ISBN 9780521792769 [Book]

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Boldrini, Lucia. 2007. 'Keeping our nerve': Scientific and historical paradigms in John Banville's Doctor Copernicus. Primerjalna Knjizevnost, 30, pp. 141-157. ISSN 0351-1189 [Article]

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Boldrini, Lucia. 2002. Let Dante Be Silent: Finnegans Wake and the Medieval Theory of Polysemy. In: Lucia Boldrini, ed. Medieval Joyce. (13) Amsterdam and Atlanta: Rodopi, pp. 199-218. ISBN 9789042014091 [Book Section]

Boldrini, Lucia. 2007. Literature and Science. Full Stop? Colloquium Helveticum, 37, pp. 55-72. ISSN 01793780 [Article]

Boldrini, Lucia. 2010. '“L’esprit humain, qui semble voyager d’un pays à l’autre”: Considerations on the historical relationships between translation and comparative literature'. In: II Simpósio Internacional de Literatura Comparada e Tradução. Florianopolis, Brazil. [Conference or Workshop Item]

Boldrini, Lucia, ed. 2002. Medieval Joyce. Amsterdam ; New York, NY: Rodopi. ISBN 9789042014091 [Edited Book]

Boldrini, Lucia. 2009. 'Mental Landscapes, Places of Exile: Literary History and European Comparatism'. In: REELC-ENCLS 3rd European Conference: Transformations of the European landscape: Encounters between the self and the other. Vilnius, Lithuania. [Conference or Workshop Item]

Boldrini, Lucia. 1991. 'Narrative and Theatrical Fiction in Finnegans Wake'. In: UNSPECIFIED. Nice, France. [Conference or Workshop Item]

Boldrini, Lucia. 1999. The Ragged Edge of Miracles; or, A Word or Two On Those Jack Hodgins Novels. In: Elsa Linguanti; Francesco Casotti and Carmen Concilio, eds. Coterminous Worlds: Magical Realism and Contemporary Post-Colonial Literature in English. Amesterdam: Rodopi, pp. 83-101. ISBN 9789042004481 [Book Section]

Boldrini, Lucia. 2011. Rattling the Cage of Meaning: Primo Levi’s The Periodic Table, the Two Cultures, and the Ethical Duty of the Writer. In: Cedric Barfoot and Valeria Tinkler Villani, eds. Restoring the Mystery of the Rainbow: Literature’s Refraction of Science. 47 Amsterdam: Rodopi, pp. 187-206. ISBN 978-90-420-3325-2 [Book Section]

Boldrini, Lucia. 2007. Review of Emily Apter, The Translation Zone: A New Comparative Literature. Textual Practice, 21(1), pp. 155-159. ISSN 0950236X [Article]

Boldrini, Lucia. 1990. Review of Joyce’s Ulysses: An Anatomy of the Soul, by T. C. Theoharis. James Joyce Broadsheet(33), p. 3. ISSN 01436333 [Article]

Boldrini, Lucia. 1990. Review: Italian translations of Ulysses. James Joyce Broadsheet(32), p. 3. ISSN 01436333 [Article]

Boldrini, Lucia. 1990. 'The Rule of Analogy and Contrapasso: Babel, Dante, Joyce, and the Redemption of Language'. In: International James Joyce Symposium. Monaco, Monaco June. [Conference or Workshop Item]

Boldrini, Lucia. 1998. The Rule of Analogy and Contrappasso: Babel, Dante, Joyce and the Redemption of Language. In: Clive Hart; George Sandulescu; Bonnie Kime Scott and Fritz Senn, eds. Images of Joyce: Proceedings of the XII International James Joyce Symposium. 1 Gerrards Cross: Colin Smythe, pp. 183-187. ISBN 0861404092 [Book Section]

Boldrini, Lucia. 1991. ”The Sisters” and the Inferno: An Intertextual Network. Style, 25(3), pp. 453-465. ISSN 0039-4238 [Article]

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Boldrini, Lucia. 2003. Translating the Middle Ages: Modernism and the Ideal of the Common Language. Translation and Literature, 12(1), p. 41. ISSN 0968-1361 [Article]

Boldrini, Lucia. 2013. The Uncertain Mediterranean Borders of Comparative Literature. In: Adnan Karaismailoğlu and Yusuf Öz, eds. IV Uluslararasi Karşilaştirmali Edebiyat Bilimi Kongresi, "Kültürler ve Değerler Buluşması" / IV International Comparative Literature Congress, "Meeting of Cultures and Values", Bildiriler / Proceedings. Kırıkkale: Kırıkkale Universitesi Yayilari [Kırıkkale University Publications], pp. 441-454. ISBN 978-975-8626-04-5 [Book Section]

Boldrini, Lucia and Davies, Peter, eds. 2003. Comparative Critical Studies: Autobiografictions. Comparatist Essays, Comparative Critical Studies, 1(3). 1744-1854 [Edited Journal]

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Boldrini, Lucia; Grishakova, Marina and Reynolds, Matthew. 2013. Introduction to New Work in Comparative Literature in Europe. CLCWeb: Comparative Literature and Culture, 15(7), pp. 1-8. [Article]

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Boldrini, Lucia and Mussgnug, Florian. 2008. Guest Editors' Introduction. Comparative Critical Studies, 5(2-3), pp. 115-124. ISSN 1744-1854 [Article]

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Bond, Lucy. 2012. Retracing Rupture: Remembering 9/11 in Theory and Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Boyce, Brynhildur. 2012. Impulse and Impediment: Communication in the Radio Plays of Samuel Beckett. Doctoral thesis, Goldsmiths, University of London [Thesis]

Bright, Brittain, ed. 2015. Dying for More: Studies in Serial Crime Fiction. Palgrave. [Edited Book] (Forthcoming)

Bright, Brittain. 2015. ‘The Maturity of Lord Peter Wimsey and Authorial Innovation within a Series’. In: Carolina Miranda; Jean Anderson and Barbara Pezzotti, eds. Serial Crime Fiction: Dying for More. Basingstoke: Palgrave, pp. 87-98. ISBN 978-1-137-48368-3 [Book Section]

Bright, Brittain. 2012. The Transforming Aesthetic of the Crime Scene Photograph: Evidence, News, Fashion, and Art. Concentric Literary and Cultural Studies, 38(1), pp. 79-102. [Article]

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Brooke, Diana. 2016. Daniel Defoe : The Family Instructor. Doctoral thesis, Goldsmiths, University of London [Thesis]

Brown, Dunstan; Chumakina, Marina; Corbett, Greville G.; Popova, Gergana and Spencer, Andrew. 2012. Defining periphrasis: key notions. Morphology, 22(2), pp. 233-275. ISSN 1871-5621 [Article]

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Bull, Leif. 2010. A Thing Made of Words: The Reflexive Realism of Richard Yates. Doctoral thesis, Goldsmiths, University of London [Thesis]

Byrne, James P; O'Sullivan, Michael and Kirwan, Padraig. 2009. Introduction. In: James P Byrne; Michael O'Sullivan and Padraig Kirwan, eds. Affecting Irishness: Negotiating Cultural Identity Within and Beyond the Nation. Oxford: Peter Lang. ISBN 978-3039118304 [Book Section]

Canova-Green, Marie-Claude. 2013. Ambivalent fictions: the Bordeaux celebrations of the wedding of Louis XIII and Anne d'Autriche. In: margaret m. mcgowan, ed. Dynastic Marriages 1612-1615. A celebration of the Habsburg and Bourbon Unions. Farnham: Ashgate, pp. 179-199. ISBN 9781409457251 [Book Section]

Canova-Green, Marie-Claude. 2012. ‘Au carrefour des langues et des cultures: Psyché’. In: Claudine Nedelec and jean-pierre martin, eds. Traduire, trahir, travestir: Etudes sur la réception de l’Antiquité. Arras: Presses de l'universite d'Artois, pp. 283-298. ISBN 978-2848321448 [Book Section]

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Canova-Green, Marie-Claude. 2015. D'une interpretation l'autre. Les entrees provencales de Louis XIII a l'automne 1622 et leurs relations. In: Pierre Zoberman, ed. Interpretation in/of the Seventeenth Century. Cambridge Scholars Publishing, pp. 15-28. ISBN 978-1-4438-7180-8 [Book Section]

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Canova-Green, Marie-Claude. 2016. Dieu et le roi dans l'entree solennelle sous Louis XIII. In: , ed. Sacred/secular. Paris: Editions Garnier. [Book Section] (In Press)

Canova-Green, Marie-Claude. 2012. ‘Douceur, gracieuseté, débonnaireté, ou comment dire la clémence’. In: helene baby and josiane rieu, eds. Douceur en litterature de l'Antiquite au XVIIe siecle. Paris: Garnier, pp. 121-135. ISBN 978-2-8124-0608-9 [Book Section]

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Canova-Green, Marie-Claude. 2017. Du voyage a l'exil. L'Histoire de Henry duc de Rohan. In: lucie desjardins; marie-christine Pioffet and roxane roy, eds. L'errance au XVIIe siecle. Tubingen: Narr Francke Attempto Verlag, pp. 57-70. ISBN 978-3-8233-8044-3 [Book Section]

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Canova-Green, Marie-Claude. 2016. Du voyage a l'exil: la Vie d'Henry duc de Rohan. Biblio 17, ISSN 1434-6397 [Article] (In Press)

Canova-Green, Marie-Claude. 2009. Entre vérité et fiction: le Discours de l'Entrée triomphante du Duc de Rohan en la ville de Castres, apres la publication de la Paix (1626). In: John Nassichuk, ed. Vérité et fiction dans les entrées solennelles à la Renaissance et à l'âge classique. Québec: Presses de l'Université Laval, pp. 231-244. ISBN 9782763786872 [Book Section]

Canova-Green, Marie-Claude. 2015. 'Faire le roi, ou les habits de Louis XIII'. In: alain montandon and carine barbafieri, eds. Sociopoetique du textile a l'age classique. Paris: Hermann, pp. 48-65. ISBN 978 2 7056 91448 [Book Section]

Canova-Green, Marie-Claude. 2018. Faire le roi. L'autre corps de Louis XIII. Paris, France: Fayard. [Book] (In Press)

Canova-Green, Marie-Claude. 2004. Festivals Commemorating the Defeat of Protestantism in La Rochelle. In: J. Mulryne; H. Watanabe-O'Kelly and M. Shewring, eds. Europa Triumphans: Court and Civic Festivals in Early Modern Europe. MHRA/Ashgate, pp. 119-236. ISBN 0754638731 [Book Section]

Canova-Green, Marie-Claude. 2013. From object of curiosity to subject of conversation: Mlle de Scudery and the Paris entry of Louis XIV and Maria Teresa (1660). In: Marie-Claude Canova-Green and jean andrews, eds. Writing royal entries in early modern europe. Turnhout: Brepols, pp. 323-339. ISBN 978-2-503-53602-6 [Book Section]

Canova-Green, Marie-Claude; Chaouche, Sabine; Courtes, Noemie and Requemora, Sylvie, eds. 2015. Jean-Francois Regnard, Theatre francais, vol. 1. Paris: Garnier. ISBN 978-2-8124-3303-0 [Edited Book]

Canova-Green, Marie-Claude. 2010. L'Entree dans la ville ou le corps eclate du roi. In: Sabine Chaouche, ed. Le Theatral de la France d'Ancien Regime. Paris: Champion, pp. 171-183. ISBN 9782745318909 [Book Section]

Canova-Green, Marie-Claude. 1993. La Politique-spectacle au grand siècle. Papers on French Seventeenth Century Studies. ISBN 978-2864910909 [Book]

Canova-Green, Marie-Claude. 2004. 'La Rochelle and the Defeat of Protestantism'. In: J R Mulryne; Helen Watanabe-O'Kelly; Margaret Shewring; Elizabeth Goldring and Sarah Knight, eds. Europa Triumphans: Court And Civic Festivals In Early Modern Europe. Ashgate Pub Ltd. ISBN 978-0754638735 [Book Section]

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Canova-Green, Marie-Claude. 2016. La medaille, la mort, l'immortalite: Louis XIV et le livre des "Medailles sur les principaux evenements de son regne". In: , ed. Les médailles de Louis XIV et leur livre. Rouen: PURH, pp. 247-258. ISBN 979-10-240-0591-1 [Book Section]

Canova-Green, Marie-Claude. 2011. Le Jeu du fermé et de l’ouvert dans les comédies-ballets de Molière’. In: george forestier and lise michel, eds. La scène et la coulisse dans le théâtre du XVIIe siècle en France. Paris: PUPS, pp. 261-277. ISBN 978-2-84050-642-3 [Book Section]

Canova-Green, Marie-Claude. 2009. Le Spectacle de Psyché à Londres. In: , ed. UNSPECIFIED Silvana Editoriale, pp. 143-157. ISBN 978-88-366-1278-9 [Book Section]

Canova-Green, Marie-Claude. 1997. 'Le XVIIIe siècle: un siècle du théâtre'. In: Alain Viala, ed. Le Théâtre en France. Presses Universitaires de France - PUF. ISBN 978-2130571957 [Book Section]

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Canova-Green, Marie-Claude. 2014. Le don du roi ou les vingt ans du Grand Dauphin. Seventeenth-Century French Studies, 36(1), pp. 28-37. ISSN 0265-1068 [Article]

Canova-Green, Marie-Claude. 2013. 'Lepanto revisited: Water fights and the Turkish Threat in Early Modern Europe'. In: Margaret Shewring, ed. Waterborne pageants and festivities in the Renaissance. Farnham: Ashgate, pp. 177-198. ISBN 978-1409400233 [Book Section]

Canova-Green, Marie-Claude. 2009. Les Nations à la scène: caractères ou caricature? Watteau au confluent des arts, pp. 471-482. [Article]

Canova-Green, Marie-Claude. 2002. Les Triomphes de Louis le Juste (1649): une une épopée du discontinu. Seventeenth-Century French Studies, 24, pp. 29-41. ISSN 02651068 [Article]

Canova-Green, Marie-Claude. 2009. Moliere et la cartographie du Tendre. In: , ed. UNSPECIFIED Dolmens, pp. 329-347. ISBN 978-2-35780-011-3 [Book Section]

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Canova-Green, Marie-Claude. Moliere ou comment ne pas reconnaitre sa dette: le theatre dela Restauration en Angleterre. In: , ed. La France et l'Europe du Nord au XVIIe siecle. Germany: Narr Francke Attempto Verlag, p. 109. [Book Section] (Forthcoming)

Canova-Green, Marie-Claude. 2014. ‘On ne naît pas roi, on le devient: Louis XIV au miroir de ses Mémoires’. In: Matthieu Da Vinha; Alexandre Maraval and Nicolas Milanovic, eds. Louis XIV, l'image et le mythe. Rennes: Presses Universitaires de Rennes, pp. 33-44. ISBN 2753533695 [Book Section]

Canova-Green, Marie-Claude. 2013. 'Peuple et entrée royale sous Louis XIII'. In: Sylvie Requemora and Philippe Chomety, eds. Gueux, frondeurs, utopiens. Autres et ailleurs du XVIIe siecle. Aix-en-Provence: Presses Universitaires de Provence, pp. 73-80. ISBN 978 2853 999076 [Book Section]

Canova-Green, Marie-Claude. 2012. ‘Romans et ballets de cour dans la France du Grand Siècle’. In: frank greiner and catherine douzou, eds. Le roman mis en scene. Paris: Garnier, pp. 159-174. ISBN 978-2-8124-0809-0 [Book Section]

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Canova-Green, Marie-Claude. 2018. Transformed Gardens. The Trompe-l'oeil Scenery of the Versailles Festivals (1664-1674). In: J.R. Mulryne; Krista De Jonge; Pieter Martens and R.L.M. Morris, eds. Architectures of Festival in Early Modern Europe. Abingdon and New York: Routledge, pp. 181-201. ISBN 9781472432001 [Book Section]

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Canova-Green, Marie-Claude. 2015. 'Warrior King or King of War? Louis XIII's Entries into his bonnes villes (1620-1629)'. In: J.R. Mulryne; Maria Ines Aliverti and Anna Maria Testaverde, eds. Ceremonial entries in early modern europe. The iconography of power. Farnham: Ashgate, pp. 77-98. ISBN 978 147243032 [Book Section]

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Canova-Green, Marie-Claude and Nedelec, Claudine. 2012. Ballets pour Louis XIII. Danse et jeux de transgression (1622-1638). Toulouse: Société de Littératures Classiques. ISBN 978-2-908728-69-9 [Book]

Canova-Green, Marie-Claude and de Benserade, Isaac. 1997. Ballets pour Louis XIV. Société de Littératures Classiques. ISBN 978-2908728170 [Book]

Carr, Helen. 1990. From My Guy to Sci-Fi: Genre and Women's Writing in the Postmodern World. London: Pandora Press. ISBN 978-0044404088 [Book]

Carr, Helen. 2011. Jean Rhys (Writers & Their Work). Northcote House Publishers Ltd; 2nd Revised edition edition. ISBN 978-0746311639 [Book]

Carr, Helen. 2003. Jean Rhys: West Indian intellectual. In: Bill Schwarz, ed. West Indian intellectuals in Britain. Manchester University Press, pp. 93-113. ISBN 9780719064746 [Book Section]

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Carr, Helen. 2003. Jean Rhys: West Indian intellectual. Manchester University Press. ISBN 9780719064746 [Book]

Carr, Helen. 2002. Modernism and Travel (1880-1940). In: Hulme and T. Youngs, eds. The Cambridge Companion to Travel Writing. Cambridge University Press, pp. 70-86. ISBN 0521786525 [Book Section]

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Carr, Helen. 2002. Modernism and Travel (1880-1940). Cambridge University Press. ISBN 0521786525 [Book]

Carr, Helen. 2006. T. E. Hulme and the `Spiritual Dread of Space'. Ashgate. ISBN 0754640884 [Book]

Carr, Helen. 2006. T. E. Hulme and the `Spiritual Dread of Space'. In: Comentale and A. Gasiorek, eds. T. E. Hulme and the Question of Modernism. Ashgate, pp. 93-112. ISBN 0754640884 [Book Section]

Carr, Helen. 2009. The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists. London: Jonathan Cape; New Ed edition. ISBN 978-0224040303 [Book]

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Carr, Helen. 2007. A history of women's writing. Cambridge University Press. ISBN 9780521852555 [Book]

Carr, Helen. 2007. A history of women's writing. In: G. Plain and S. Sellers, eds. A History of Feminist Literary Criticism. Cambridge University Press, pp. 120-137. ISBN 9780521852555 [Book Section]

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Castro Gutiérrez, Felipe. 2012. Rituals of Defiance: Past Resistance, Present Ambiguity. In: John Gledhill and Patience Schell, eds. New Approaches to Resistance in Brazil and Mexico. Durham NC: Duke University Press, pp. 44-62. ISBN 978-0822351870 [Book Section]

Cogo, Alessia. 2009. Accommodating difference in ELF Conversations: A study of pragmatic strategies. In: Anna Mauranen and Elina Ranta, eds. English as a Lingua Franca: Studies and Findings. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 254-273. ISBN 978-1-4438-1296-2 [Book Section]

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Cogo, Alessia. 2015. Complexity, negotiability and ideologies: A response to Zhu, Pitzl and Kankaanranta et al. Journal of English as a Lingua Franca, 4(1), pp. 149-155. ISSN 2191-9216 [Article]

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Cogo, Alessia. 2015. Complexity, negotiability and ideologies: a response to Zhu, Pitzl, and Kankaanranta et al. Journal of English as a Lingua Franca, 4(1), pp. 149-155. ISSN 2191-933X [Article]

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Cogo, Alessia. 2016. Conceptualizing ELF as a translanguaging phenomenon: Covert and overt resources in a transnational workplace. Waseda Working papers in ELF, 5, pp. 61-77. [Article] (Forthcoming)

Cogo, Alessia. 2016. Cultural elements in English as a Lingua Franca. In: J. Liontas, ed. The TESOL Encyclopedia of English Language Teaching. Wiley. [Book Section] (Submitted)

Cogo, Alessia. 2012. ELF and super-diversity: a case study of ELF multilingual practices from a business context. Journal of English as a Lingua Franca, 1(2), pp. 287-313. ISSN 2191-933X [Article]

Cogo, Alessia. 2016. English as a Lingua Franca in Europe. In: Andrew Linn, ed. Investigating English in Europe. Berlin: De Gruyter, pp. 79-89. ISBN 978-1-61451-890-7 [Book Section]

Cogo, Alessia. 2012. English as a Lingua Franca: concepts, use, and implications. ELT journal, 66(1), pp. 97-105. ISSN 0951-0893 [Article]

Cogo, Alessia. 2015. English as a Lingua Franca: descriptions, domains and applications. In: Hugo Bowles and Alessia Cogo, eds. International Perspectives on English as a Lingua Franca: Pedagogical Insights. Basingstoke: Palgrave Macmillan, pp. 1-12. ISBN 978-1-137-39809-3 [Book Section]

Cogo, Alessia. 2008. English as a Lingua Franca: form follows function. English Today, 24(3), pp. 58-61. ISSN 0266-0784 [Article]

Cogo, Alessia. 2012. ‘French is French, English is English’: standard language ideology in ELF debates. In: Patrick Studer and Iwar Werlen, eds. Linguistic Diversity in Europe. Berlin: De Gruyter, pp. 233-256. ISBN 978-3-11-027088-4 [Book Section]

Cogo, Alessia. 2011. L’ identità e appartenenza nella pragmatica dell’ inglese come lingua franca (ELF). In: R. Bombi; M. D’Agostino; S. Dal Negro and M. Franceschini, eds. Lingue e culture in contatto. Atti del X Congresso dell’AItLA (Bolzano, 18-19 febbraio 2010). Perugia: Guerra edizioni, pp. 105-123. [Book Section]

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Cogo, Alessia. 2010. Strategic use and Perceptions of English as a Lingua Franca. Poznán Studies in Contemporary Linguistics, 46(3), pp. 295-312. ISSN 0137-2459 [Article]

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Cogo, Alessia. 2016. “They all take the risk and make the effort”: Intercultural accommodation and multilingualism in a BELF community of practice. In: L. Lopriore and E. Grazzi, eds. Intercultural Communication: New Perspectives from ELF. Roma: Roma TrE-Press. [Book Section] (In Press)

Cogo, Alessia. 2016. Visibility and absence: ideologies of ‘diversity’ in BELF. In: Marie-Luise Pitzl and Ruth Osimk-Teasdale, eds. English as a Lingua Franca: Perspectives and Prospects. Contributions in Honour of Barbara Seidlhofer. 24 Berlin: De Gruyter Mouton, pp. 39-48. ISBN 978-1-5015-0317-7 [Book Section]

Cogo, Alessia; Dewey, ; Althehenger-Smith, ; Suzuki, and Philips, . 2006. Symposium on Intercultural Communication. In: Briony Beaven, ed. IATEFL 2006 Harrogate Conference Selections. IATEFL. ISBN 978-1901095098 [Book Section]

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Cogo, Alessia and Dewey, Martin. 2012. Analysing English as a Lingua Franca: a Corpus-driven Investigation. London: Continuum. ISBN 9781441154965 [Book]

Cogo, Alessia and Dewey, Martin. 2006. Efficiency in ELF Communication: From Pragmatic Motives to Lexico-grammatical Innovation. Nordic Journal of English Studies, 5(2), pp. 59-93. ISSN 1502-7694 [Article]

Cogo, Alessia and Jenkins, Jennifer. 2010. English as a lingua franca in Europe: A mismatch between policy and practice. European Journal of Language Policy, 2(2), pp. 271-293. ISSN 1757-6822 [Article]

Cogo, Alessia and Pitzl, Marie-Luise. 2016. Pre-empting and signalling non-understanding in ELF. ELT journal, 70(3), ISSN 0951-0893 [Article]

Cohen, Josh. 2005. Aesthetic Theory, Psychoanalysis and the Ironic End of Art. Parallax, 11(4), pp. 71-80. ISSN 13534645 [Article]

Cohen, Josh. 2014. Bruce Nauman, Jean Laplanche and the Art of Helplessness. In: John Fletcher and Nicholas Ray, eds. Seductions and Enigmas: Laplanche, Theory, Culture. London: Lawrence & Wishart Ltd, pp. 326-343. ISBN 978-1909831087 [Book Section]

Cohen, Josh. 2001. ‘Dialectic of Entanglement: Adorno, Auschwitz and the Contradictions of Representation’. In: Holger Briel and Andreas Kramer, eds. In Practice: Adorno, Critical Theory and Cultural Studies. Berg: Peter Lang, pp. 15-29. ISBN 978-3906766850 [Book Section]

Cohen, Josh. 2002. ‘“A Different Insignificance”: The Poet and the Witness in Agamben’. Paragraph: A Journal of Modern Critical Theory, 25(2), pp. 36-51. ISSN 0264-8334 [Article]

Cohen, Josh. 1998. ‘“Disgrace of Revelation”: I.B. Singer’s Holocaust Impiety’. Textual Practice, 12(3), pp. 443-457. ISSN 0950-236X [Article]

Cohen, Josh. 1993. ‘Film, Postmodernity, Systems in Don DeLillo’s White Noise’. Over Here: A European Journal of American Culture, 13(1), pp. 115-124. [Article]

Cohen, Josh. 1998. The Holocaust and Representation: Three Philosophical Perspectives. In: V Viklund, ed. Bilden av Förintelsen. Stockholm: Swedish Film Institute, pp. 47-58. [Book Section]

Cohen, Josh. 2005. How to Read Freud. Granta Books. ISBN 978-1862077638 [Book]

Cohen, Josh. 2007. ‘“I-Not-I”: Narcissism Beyond the One and the Other’. In: Anastasios Gaitanides and Polona Curk, eds. Narcissism: A Critical Reader. London: Karnac Books, pp. 31-46. ISBN 978-1855754539 [Book Section]

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Cohen, Josh. 2003. Interrupting Auschwitz: Art, Religion, Philosophy. Continuum. ISBN 9780826455512 [Book]

Cohen, Josh. 2003. Interrupting Auschwitz: Art, Religion, Philosophy. London and New York: Continnuum-3PL. ISBN 978-0826455512 [Book]

Cohen, Josh. 1998. ‘James Ellroy, Los Angeles and the Spectacular Crisis of Masculinity’. In: Peter Messent, ed. Criminal Proceedings: The Contemporary American Crime Novel. London: Pluto Press, pp. 160-178. ISBN 978-0745310169 [Book Section]

Cohen, Josh. 1996. ‘James Ellroy, Los Angeles and the Spectacular Crisis of Masculinity’. Women: A Cultural Review, 7(1), pp. 1-15. ISSN 0957-4042 [Article]

Cohen, Josh. ‘Joan Didion, Los Angeles and the Opacity of Urban Spectacle’. Over Here: A European Journal of American Culture, 16(1), pp. 18-29. [Article]

Cohen, Josh. 2006. ‘No Matter: Aesthetic Theory and the Self-Annihilating Artwork’. In: D Rudrum, ed. Literature and Philosophy. Basingstoke: Palgrave. [Book Section]

Cohen, Josh. 1998. ‘Phenomenologies of Mourning: Gillian Rose and Walter Benjamin’. Women: A Cultural Review, 9(1), pp. 47-61. ISSN 0957-4042 [Article]

Cohen, Josh. 2002. ‘Philosophy and the Holocaust: Representing, Remembering, Thinking’. Jewish Quarterly, 49(3), pp. 73-74. ISSN 0449-010X [Article]

Cohen, Josh. 2006. ‘Post-Holocaust Philosophy’. In: Dan Stone, ed. The Historiography of the Holocaust. Palgrave Schol, pp. 469-483. ISBN 978-1403999276 [Book Section]

Cohen, Josh. 2014. The Private Life: Why We Remain in the Dark. Granta Books. ISBN 978-1847085306 [Book]

Cohen, Josh. 2015. Psychoanalytic Bodies: Psychic and “Actual” Bodies in Modern Literature. In: David Hillman and Ulrika Maude, eds. The Cambridge Companion to the Body in Literature. Cambridge: Cambridge University Press, pp. 214-229. ISBN 978-1107644397 [Book Section]

Cohen, Josh. 2002. RELIGION AGAINST POLITICS: Versions of the State in modern Jewish thought. Jewish Quarterly, 49(4), pp. 23-28. ISSN 0449-010X [Article]

Cohen, Josh. 2010. Reflexive Incomprehension: On Lydia Davis. Textual Practice, 24(3), pp. 501-516. ISSN 0950-236X [Article]

Cohen, Josh. 2002. Review of Andrew Benjamin, Philosophy’s Literature. Textual Practice, 16, ISSN 0950-236X [Article]

Cohen, Josh. 2008. Review of M. Jay and T. Brennan (eds.), Vision in Context. Textual Practice, 12(2), pp. 349-421. ISSN 0950-236X [Article]

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Cohen, Josh. 2007. Roth's Doubles. Cambridge University Press. ISBN 9780521864305 [Book]

Cohen, Josh. 2007. Roth's Doubles. In: T. Parrish, ed. The Cambridge Companion to Philip Roth. Cambridge University Press, pp. 82-93. ISBN 9780521864305 [Book Section]

Cohen, Josh. 2008. 'The Strange Unlike' : Wallace Stevens' Poetics of Resemblance. In: Bart Eeckhout and Edward Ragg, eds. Wallace Stevens across the Atlantic. New York: Palgrave Macmillan, pp. 107-118. ISBN 9780230535848 [Book Section]

Cohen, Josh. 2008. The Strangeness in the Strangeness. Static, 7, p. 1. ISSN 1754-5374 [Article]

Cohen, Josh. 2014. The Trouble You Reported. The Times Literary Supplement, [Article]

Cohen, Josh. 2002. Unfolding: Reading after Romanticism. In: Beatrice Hanssen and Andrew Benjamin, eds. Walter Benjamin and Romanticism. London and New York: Continuum, pp. 98-108. ISBN 0826460216 [Book Section]

Cohen, Josh. 2002. Unfolding: Reading after Romanticism. Continuum. ISBN 0826460216 [Book]

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Collins, Sally. 2006. Representations of Italy and Italians in British Fiction and Travel Writing, 1900-1930. Doctoral thesis, Goldsmiths, University of London [Thesis]

Condé, Alice. 2013. 'A. C. Swinburne and the masochistic fantasy of the cruel woman'. In: London Nineteenth-Century Seminar. Senate House, United Kingdom 2 February 2013. [Conference or Workshop Item]

Condé, Alice. 2012. 'The Decadent cruel woman, masochism, and the dynamics of control'. In: Goldsmiths Literature Seminar (GLITS). Goldsmiths, United Kingdom 15 March 2012. [Conference or Workshop Item]

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Condé, Alice. 2015. Incorporeal Punishment : Writing Masochism and the Cruel Woman in English Decadence, 1860-1900. Doctoral thesis, Goldsmiths, University of London [Thesis]

Condé, Alice. 2013. 'Mirrors, shadows, dancing girls: the Decadent woman in Arthur Symons’s London Nights'. In: Goldsmiths Literature Seminar (GLITS). Goldsmiths, United Kingdom 21 February 2013. [Conference or Workshop Item]

Condé, Alice. 2017. Sensory Nullification in the Poetry of Ernest Dowson. In: Jane H. Desmarais and Alice Condé, eds. Decadence and the Senses. Cambridge: Legenda, pp. 200-218. ISBN 9781781884812 [Book Section]

Condé, Alice. 2011. 'Writing masochism in nineteenth-century Decadence'. In: Goldsmiths Postgraduate Symposium. Goldsmiths, United Kingdom 20 May 2011. [Conference or Workshop Item]

Condé, Alice. 2010. 'Writing the cruelty of female sexuality in Wilde’s Salomé'. In: Transgression and its Limits. University of Stirling, United Kingdom 30 May 2010. [Conference or Workshop Item]

Condé, Alice. 2017. 'The afterlife of the Decadent femme fatale: Phantasmal delusion in Ben Hecht’s Fantazius Mallare (1922)'. In: Neo-Victorian Decadences. Durham University, United Kingdom 8-9 September 2017. [Conference or Workshop Item]

Condé, Alice. 2012. 'The masochistic game in nineteenth-century Decadence, and why Oscar Wilde’s Salomé cannot play along'. In: LUDUS: The Narrative of Games and the Art of Play. Goldsmiths, United Kingdom 22 June 2012. [Conference or Workshop Item]

Condé, Alice. 2016. '"The pale roses expire": Dowson’s Decadent diminuendo'. In: Ernest Dowson (1867-1900): Poet, translator, novelist. Goldsmiths, United Kingdom 15 April 2016. [Conference or Workshop Item]

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Corser, Sophie. 2018. Against Joyce: Ulysses, Authorship, and the Authority of the Reader. Doctoral thesis, Goldsmiths, University of London [Thesis]

Corser, Sophie. 2017. Lovers’ Discourses: Marcel Proust’s Swann in Love and E. M. Forster’s A Room with a View. In: , ed. Narrating the Passions: New Perspectives from Modern and Contemporary Literature. Oxford: Peter Lang. ISBN 978-1-78707-121-6 [Book Section]

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Corser, Sophie and Russell, Lucy. 2015. 'Introduction'. Critiquing Criticism: From the Ancient to the Digital - MHRA Working Papers in the Humanities, 10, pp. 1-9. [Article]

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Covi, Giovanna; Anim-Addo, Joan; Borghi, Liana; Gomez Garcia, Luz; Goodman, Sara; Grenz, Sabine and Karavanta, Mina. 2006. ReSisters in Conversation: Representation Responsibility Complexity Pedagogy. York: Raw Nerve Press. ISBN 978-0955358609 [Book]

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Covi, Giovanna; Anim-Addo, Joan; Pollard, Velma and Sassi, Carla. 2007. Caribbean-Scottish Relations: Colonial and Contemporary Inscriptions in History, Language and Literature. London: Mango Publishing. ISBN 978-1902294346 [Book]

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Crownshaw, Richard. 2010. The Afterlife of Holocaust Memory in Contemporary Literature and Culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230581876 [Book]

Crownshaw, Richard. 2000. Blacking out Holocaust memory in Saul Bellow's The victim. Saul Bellow Journal, 17(1-2), pp. 253-279. ISSN 0735-1550 [Article]

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Crownshaw, Richard. 2017. Climate Change Fiction and the Future of Memory: Speculating on Nathaniel Rich’s Odds Against Tomorrow. Resilience: A Journal of the Environmental Humanities, 4(2-3), pp. 127-146. ISSN 2330-8117 [Article]

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Crownshaw, Richard. 2016. Cultural Memory Studies in the Epoch of the Anthropocene. In: Lucy Bond; Stef Craps and Pieter Vermeulen, eds. Memory Unbound: Tracing the Dynamics of Memory Studies. Oxford: Berghahn. ISBN 978-1-78533-300-2 [Book Section]

Crownshaw, Richard. 2014. Depoliticizing and Repoliticizing Holocaust Memory. In: Jenni Adams, ed. The Bloomsbury Companion to Holocaust Literature. London: Bloomsbury Academic, pp. 219-236. ISBN 978-1441129086 [Book Section]

Crownshaw, Richard. 2011. Deterritorializing the “Homeland” in American Studies and American Fiction after 9/11. Journal of American Studies, 45(4), pp. 757-776. ISSN 0021-8758 [Article]

Crownshaw, Richard. 1999. Ethnic Identity and Cultural Heritage: Belsen in the Museum. In: Jane Stokes and Anna Reading, eds. The Media in Britain: Current Debates and Developments (Media, Culture & Society). Palgrave Macmillan, pp. 295-302. ISBN 978-0333730638 [Book Section]

Crownshaw, Richard. 2010. ‘The Future of Memory’. In: Richard Crownshaw; Jane Kilby and Antony Rowland, eds. The Future of Memory. Berghahn Books. ISBN 978-1845456931 [Book Section]

Crownshaw, Richard. 2006. ‘German suffering or ‘narrative fetishism?’: W. G. Sebald’s ‘Air War and Literature: Zurich Lectures’. In: Lisa Patt and Vance Bell, eds. Searching for Sebald. Los Angeles: Institute for Cultural Inquiry. ISBN 978-1889917115 [Book Section]

Crownshaw, Richard. 1998. ‘Gravity’s Rainbow: Thomas Pynchon’s Holocaust Allegory,’. Pynchon Notes(42-43), pp. 199-212. ISSN 0278-1891 [Article]

Crownshaw, Richard. 2011. Introduction. Parallax, 17(4), pp. 1-3. ISSN 1353-4645 [Article]

Crownshaw, Richard. 2011. Introduction. Parallax, 17(4), pp. 1-3. ISSN 1353-4645 [Article]

Crownshaw, Richard. 2014. A Natural History of Testimony? In: Jane Kilby and Antony Rowland, eds. The Future of Testimony: Interdisciplinary Perspectives on Witnessing. London and NY: Routledge, pp. 160-177. ISBN 978-0415854450 [Book Section]

Crownshaw, Richard. 2009. On reading Sebald criticism: witnessing the text. Journal of Romance Studies, 9(3), pp. 10-22. ISSN 14733536 [Article]

Crownshaw, Richard. 2000. Performing Memory in Holocaust Museums. Performance Research, 5(3), pp. 18-27. [Article]

Crownshaw, Richard. 2011. Perpetrator Fictions and Transcultural Memory. Parallax, 17(4), pp. 75-89. ISSN 1353-4645 [Article]

Crownshaw, Richard. 2007. ‘Photography and Memory in Holocaust Museums’. Mortality, 12(2), pp. 176-192. ISSN 1357-6275 [Article]

Crownshaw, Richard. 2013. Reading in the Library of Catastrophe: W. G. Sebald’s The Rings of Saturn. In: Sas Mays, ed. Libraries, Literatures, and Archives. London and New York: Routledge, pp. 80-96. ISBN 9780415843874 [Book Section]

Crownshaw, Richard. 2009. Rereading Der Vorleser, Remembering the Perpetrator. In: Stuart Taberner and Karina Berger, eds. Germans as Victims in the Literary Fiction of the Berlin Republic. 33 Suffolk: Boydell & Brewer, pp. 147-161. ISBN 9781571133939 [Book Section]

Crownshaw, Richard. 2009. ‘Review Essay of Roger Luckhurst, The Trauma Question’. Textual Practice, 23(3), pp. 503-504. ISSN 0950-236X [Article]

Crownshaw, Richard. 1999. Review Essay: The Archaeology of Memory: Martin Gilbert’s Holocaust Journey. Rethinking History, 3(3), pp. 367-370. ISSN 1364-2529 [Article]

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Crownshaw, Richard. 2017. Speculative memory, the planetary, and genre fiction. Textual Practice, 31(5), pp. 887-910. ISSN 0950-236X [Article]

Crownshaw, Richard and Leydesdorff, Selma. 2005. Introduction. In: Luisa Passerini, ed. Memory and Totalitarianism (Memory and Narrative). Transaction Publishers; New edition. ISBN 978-1412804653 [Book Section]

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Darwin, Emma Lucie. 2010. A SECRET ALCHEMY. Doctoral thesis, Goldsmiths, University of London [Thesis]

Desmarais, Jane H.. 2001. Anorexic and Passive Resistance in Melville’s “Bartleby” (1853): A Literary Case Study’. Soundings: A Journal of Politics and Culture, 18, pp. 82-93. ISSN 1362-6620 [Article]

Desmarais, Jane H.. 2014. Arthur William Symons. The Literary Encyclopedia, [Article]

Desmarais, Jane H.. 1990. The Bentham Project. UCL News, [Article]

Desmarais, Jane H.. 2004. Charles Baudelaire’. In: Christopher John Murray, ed. Encyclopedia of the Romantic Era 1760–1850 Vol 1. 1 London: Fitzroy Dearborn, pp. 59-61. ISBN 978-1579583613 [Book Section]

Desmarais, Jane H.. 2016. A Cultural History of Decadence. Cambridge: Polity Press. ISBN 978-0745626000 [Book]

Desmarais, Jane H.. 2016. Du Maurier and the Artist’s Model’. In: Paul Goldman and Simon Cooke, eds. George du Maurier: Illustrator, Critic, Author: Beyond Svengali. Farnham: Ashgate. ISBN 9781472431592 [Book Section]

Desmarais, Jane H.. 2015. Ernest Christopher Dowson. Literary Encyclopaedia, [Article]

Desmarais, Jane H.. 1997. Honoré de Balzac’. In: , ed. The Novel. University of London. ISBN 07187 14342 [Book Section]

Desmarais, Jane H., ed. 1999. Irish Bulls in The Novels and selected Works of Maria Edgeworth Volume 1. Pickering and Chatto. ISBN 978 1 85196 188 7 [Edited Book]

Desmarais, Jane H.. 2014. John Henry Gray. The Literary Encyclopedia, [Article]

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Desmarais, Jane H.. 2001. ‘Judge a Book by Its Cover’. In: Warwick Gould, ed. Yeats and the Nineties Yeats Annual No 14: A Special Number. 14 Palgrave Macmillan, pp. 365-371. ISBN 978-0-333-71640-3 [Book Section]

Desmarais, Jane H.. 2017. Kenneth Grahame. Literary Encyclopedia, ISSN 1747-678X [Article]

Desmarais, Jane H.. 2017. Kenneth Grahame: The Wind in the Willows. Literary Encyclopedia, ISSN 1747-678X [Article]

Desmarais, Jane H.. 2004. Le Salon de 1846. In: Christopher John Murray, ed. Encyclopedia of the Romantic Era 1760–1850 Vol 2. 2 London: Fitzroy Dearborn, pp. 985-986. ISBN 978-1579583613 [Book Section]

Desmarais, Jane H.. 2014. Lionel Johnson. The Literary Encyclopedia, [Article]

Desmarais, Jane H.. 2014. Lord Alfred Douglas. Literary Encyclopedia, [Article]

Desmarais, Jane H.. 1998. Maria Edgeworth 1768-1849. In: Joanne Shattock, ed. The Cambridge Bibliography of English Literature Volume 4. 1800–1900. 4 Cambridge University Press, pp. 901-907. ISBN 9780521391009 [Book Section]

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Desmarais, Jane H.. 2011. 'Memory and desire in Arthur Symons’ London Nights (1895)'. In: Decadent Poetics. University of Exeter, United Kingdom. [Conference or Workshop Item]

Desmarais, Jane H.. 2006. 'Model on the Writers' Block'. In: Jane H. Desmarais; Martin Postle and Martin Vaughan, eds. Model and Supermodel: The Artist’s Model in British Art and Culture. Manchester: Manchester University Press. ISBN 978-0-7190-6662-7 [Book Section]

Desmarais, Jane H.. 2005. The Model: Susannah Gregory in conversation with Jane Desmarais. In: Jane H. Desmarais; Martin Postle and William Vaughan, eds. Model and Supermodel: The Artist’s Model in British Art and Culture. Manchester: Manchester University Press, pp. 151-161. ISBN 978-0-7190-6662-7 [Book Section]

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Desmarais, Jane H.. 2015. 'The Musical Aesthetics (‘such as it is’) of Arthur Symons (1865-1945)'. In: Arthur Symons: Writing Across Arts and Cultures. IUAV, Venice, Italy. [Conference or Workshop Item]

Desmarais, Jane H.. 1997. The Musical Analogy in Beardsley Criticism 1898-1914. Journal of Pre-Raphaelite Studies, 6, pp. 64-90. ISSN 1060-149X [Article]

Desmarais, Jane H.. 2001. The Paradox of Passive Resistance in Herman Melville's "Bartleby". Journal of the Short Story in English, 36, pp. 25-39. [Article]

Desmarais, Jane H.. 2016. Perfume Clouds: Olfaction, Memory, and Desire in Arthur Symons’s London Nights (1895). In: Jane Ford; Kim Edward Keates and Patricia Pulham, eds. Economies of Desire at the Victorian Fin de Siècle: Libidinal Lives. London: Routledge, pp. 62-79. ISBN 978-1-13-882634-2 [Book Section]

Desmarais, Jane H.. 2001. Preferring not to: The Paradox of Passive Resistance in Herman Melville's 'Bartleby'. Journal of the Short Story in English, 36, pp. 25-39. ISSN 0294-0442 [Article]

Desmarais, Jane H.. 2018. ‘Prig’s prattling’ at the Fin de Siècle: Haldane MacFall and the Decay of English Art’. In: Bénédicte Coste, ed. Politics and Aestheticism. UNSPECIFIED. [Book Section] (Submitted)

Desmarais, Jane H.. 2015. Review: Kostas Boyiopoulos. The Decadent Image: The Poetry of Wilde, Symons and Dowson. Review of English Studies, 67(279), pp. 393-394. ISSN 0034-6551 [Article]

Desmarais, Jane H.. 2005. Shrinking the Stereotype of Psychoanalysis. Psychotherapy Section Review, 38, pp. 27-36. [Article]

Desmarais, Jane H.. 2018. 'Symons, Beardsley, and the "Minims and Crotchets" of Art'. In: Stefano Evangelista and Elisa Bizzotto, eds. Arthur Symons: Poet, Critic, Vagabond. Oxford: Legenda, pp. 30-41. ISBN 978-1-781884-97-3 [Book Section] (In Press)

Desmarais, Jane H.. 2016. Without Memory or desire: the model's progress in du Maurier's Trilby. In: Paul Goldman and Simon Cooke, eds. George du Maurier: Illustrator, Critic, Author. Ashgate Publishing Limited; New edition. ISBN 978-1472431592 [Book Section]

Desmarais, Jane H.. 2006. The model on the writers' block: The model in fiction from Balzac to du Maurier. In: Jane H. Desmarais; Martin Postle and Martin Vaughan, eds. Model and supermodel: The artists' model in British art and culture. Manchester: Manchester University Press. ISBN 071906662X [Book Section]

Desmarais, Jane H.. 2006. The model on the writers' block: The model in fiction from Balzac to du Maurier. In: Jane H. Desmarais; M. Postle and W. Vaughan, eds. Model and Supermodel: The Artist's Model in British Art and Culture. Manchester University Press, pp. 47-60. ISBN 071906662X [Book Section]

Desmarais, Jane H.. ”The quintessence of quintessence”: Ernest Dowson, music and beauty. In: , ed. UNSPECIFIED UNSPECIFIED. [Book Section] (Forthcoming)

Desmarais, Jane H.. 2018. “The quintessence of quintessence”: music and musicality in Ernest Dowson’s Verse’. In: Alice Condé and Jessica Gossling, eds. ‘Betwixt the Bounds of Life and Death’: Selected essays on Ernest Dowson (1867-1900). Oxford: Peter Lang. [Book Section] (Forthcoming)

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Desmarais, Jane H. and Butler, Marilyn, eds. 2007. An Essay on Irish Bulls. University College Dublin Press. ISBN 9781904558750 [Edited Book]

Dewey, Martin and Cogo, Alessia. 2009. Adopting an ELF perspective in ELT. IATEFL Voices(199), ISSN 1814-3830 [Article]

Dooley, Maura. 1991. Explaining Magnetism. Bloodaxe Books Ltd. ISBN 978-1852241377 [Book]

Dooley, Maura. 2006. From Malachite and Verdigris. In: L. Greenlaw and H. Habila, eds. NW14: The Anthology of New Writing: v. 14. Granta, pp. 231-235. ISBN 1862078505 [Book Section]

Dooley, Maura. 2006. From Malachite and Verdigris. Granta. ISBN 1862078505 [Book]

Dooley, Maura. 1986. Ivy Leaves and Arrows. Bloodaxe Books Ltd. ISBN 978-1852240028 [Book]

Dooley, Maura. 1996. Kissing a Bone. Bloodaxe. ISBN 978-1852243739 [Book]

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Dooley, Maura. 2008. Life Under Water. Northumberland, UK: Bloodaxe Books. ISBN 9781852248178 [Book]

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Dooley, Maura. 2002. Sound Barrier. Bloodaxe. ISBN 1852245786 [Book]

Dooley, Maura. 2004. Transit. Poetry, 184, p. 190. ISSN 00322032 [Article]

Dooley, Maura. 1988. Turbulence. Giant Steps. ISBN 978-0948727054 [Book]

Dooley, Tim. 1985. Article on Peter Levi. In: Trudier Harris and Thadious Davis, eds. The Dictionary of Literary Biography. Cengage Gale. ISBN 978-0810317192 [Book Section]

Dooley, Tim. 2010. Imagined Rooms. Salt Publishing. ISBN 978-1844717705 [Book]

Dooley, Tim. 2010. Imagined Rooms (Salt Modern Poets). Salt Publishing. ISBN 978-1844717705 [Book]

Dooley, Tim. 1985. The Interrupted Dream: Poems 1971-1984. Anvil Press Poetry. ISBN 978-0856461439 [Book]

Dooley, Tim. 2009. Keeping Time. Salt Publishing. ISBN 978-1844717316 [Book]

Dooley, Tim. 2014. Review of The Poetry of Derek Walcott 1948-2003. Poetry Review, 104(3), [Article]

Dooley, Tim. 2007. The Secret Ministry. Smith/Doorstop Books. ISBN 978-1902382340 [Book]

Dooley, Tim. 2004. Tenderness. Smith/Doorstep Books. [Book]

Downie, Alan (J. A.). 2012. Biographical Form in the Novel. In: Robert L. Caserio and Clement Hawes, eds. The Cambridge History of the English Novel. Cambridge: Cambridge University Press, pp. 30-45. ISBN 978-0-251-19495-2 [Book Section]

Downie, Alan (J. A.). 2014. The Chronology of Mansfield Park. Modern Philology, 112(2), pp. 427-434. ISSN 0026-8232 [Article]

Downie, Alan (J. A.). 1995. 'Defoe's Early Writings'. The Review of English Studies, XLVI(182), pp. 225-230. ISSN 1471-6968 [Article]

Downie, Alan (J. A.). 2011. English Literature: Early Novelists, Historicism and the World Wide Web. Journal for Eighteenth-Century Studies, 34(4), pp. 471-478. ISSN 1754-0194 [Article]

Downie, Alan (J. A.). 2008. “Gulliver’s Fourth Voyage and Locke’s Essay concerning Human Understanding”. In: , ed. Reading Swift: Papers from the Fifth Münster Symposium on Jonathan Swift. Munich, Germany: Wilhelm Fink, pp. 453-464. ISBN 978-3-7705-4402-8 [Book Section]

Downie, Alan (J. A.). 2008. “Gulliver’s Travels, the Contemporary Debate on the Financial Revolution, and the Bourgeois Public Sphere”. In: , ed. Money, Power, and Print: Interdisciplinary Studies on the Financial Revolution in the British Isles. Newark, Delaware: University of Delaware Press, pp. 115-134. ISBN 978-0-87413-027-0 [Book Section]

Downie, Alan (J. A.). 2008. Henry Fielding, Magistrate. In: , ed. Henry Fielding In Our Time: Papers Presented at the Tercentenary Conference. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 113-131. ISBN 9781847189875 [Book Section]

Downie, Alan (J. A.). 1995. I'd Rather Be Reading Jane Austen: The Appeal of the Augustans. Goldsmiths, University of London. ISBN 978-0901542830 [Book]

Downie, Alan (J. A.). 2000. 'Johnson's Politics'. In: Paul J Korshin and Jack Lynch, eds. The Age of Johnson: A Scholarly Annual, Vol. 11. Ams Pr Inc, pp. 81-104. ISBN 978-0404627614 [Book Section]

Downie, Alan (J. A.). 1985. Jonathan Swift, Political Writer. Routledge. ISBN 978-0710207692 [Book]

Downie, Alan (J. A.). 2006. 'Literature and Drama'. In: H T Dickinson, ed. Eighteenth Century Britain (Blackwell Companions to British History). John Wiley & Sons; New Ed, pp. 329-343. ISBN 978-1405149631 [Book Section]

Downie, Alan (J. A.). 1997. 'The Making of the English Novel'. Eighteenth-Century Fiction, 9(3), pp. 249-266. [Article]

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Downie, Alan (J. A.). 2007. Marlowe, May 1593, and the 'Must-Have' Theory of Biography. The Review of English Studies, 58(235), pp. 245-267. ISSN 0034-6551 [Article]

Downie, Alan (J. A.). 2006. 'Marlowe: Facts and Fictions'. In: Tim Parnell, ed. Constructing Christopher Marlowe. Cambridge University Press, pp. 13-29. ISBN 978-0521030519 [Book Section]

Downie, Alan (J. A.). 2001. 'New Wine in Old Bottles: The "New Historicism" and the Eighteenth Century'. In: Kevin Cope and Rudiger Ahrens, eds. Talking Forward, Talking Back: Critical Dialogues with the Enlightenment (AMS Studies in the Eighteenth-Century). AMS Press, pp. 265-279. ISBN 978-0404635350 [Book Section]

Downie, Alan (J. A.). 2008. Periodicals, the Book Trade, and the 'Bourgeois Public Sphere'. Media History, 14(3), pp. 261-274. ISSN 1368-8804 [Article]

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Downie, Alan (J. A.). 2009. A Political Biography of Henry Fielding. London, UK: Pickering & Chatto. ISBN 9781851969159 [Book]

Downie, Alan (J. A.). 2002. 'The Political Significance of Gulliver's Travels'. In: Alberto J Riverio, ed. Jonathan Swift, 'Gulliver's Travels': A Norton Critical Edition. NY and London: W. W. Norton & Co, pp. 334-352. ISBN 978-0393957242 [Book Section]

Downie, Alan (J. A.). 2013. Printing for the Author in the Long Eighteenth Century. In: Sandro Jung, ed. British Literature and Print Culture. 2013 London: Boydell & Brewer, pp. 58-77. ISBN 978-1-84384-343-6 [Book Section]

Downie, Alan (J. A.). 2005. Public and Private: The Myth of the Bourgeois Public Sphere. In: C. Wall, ed. A Concise Companion to the Restoration and the Eighteenth Century. Blackwell, pp. 58-79. ISBN 1405101172 [Book Section]

Downie, Alan (J. A.). 2005. Public opinion and the political pamphlet. Cambridge University Press. ISBN 0521781442 [Book]

Downie, Alan (J. A.). 2005. Public opinion and the political pamphlet. In: J. Richetti, ed. The Cambridge History of English Literature, 1660-1780. Cambridge University Press, pp. 549-571. ISBN 0521781442 [Book Section]

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Downie, Alan (J. A.). 2010. Rehabilitating Sir Thomas Bertram. SEL Studies in English Literature, 50(4), pp. 739-758. ISSN 0039-3657 [Article]

Downie, Alan (J. A.). 2010. 'Reviewing What We Think We Know about Christopher Marlowe, Again'. In: Sarah K Scott and M L Stapleton, eds. Christopher Marlowe the Craftsman. Farnham and Burlington, VT: Ashgate, pp. 33-46. ISBN 978-0754669838 [Book Section]

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Downie, Alan (J. A.). 2008. Robert Harley and the press: propaganda and public opinion in the age of Swift and Defoe. Cambridge: Cambridge University Press. ISBN 9780521070744 [Book]

Downie, Alan (J. A.). 1999. Shakespeare: Hamlet. London: Goldsmiths College. ISBN 978-0902986534 [Book]

Downie, Alan (J. A.). 1997. 'Swift and Jacobitism'. ELH: English Literary History, 64(4), pp. 887-901. ISSN 0013-8304 [Article]

Downie, Alan (J. A.). 1998. 'Swift and Locke's Two Treatises of Government'. In: Rudolf Freiburg; Arno Löffler; Wolfgang Zach and Jan Schnitker, eds. Swift: The enigmatic dean : Festschrift for Hermann Josef Real (Studies in English and comparative literature). Stauffenburg, pp. 27-34. ISBN 978-3860573129 [Book Section]

Downie, Alan (J. A.). 2013. The Topicality of A Tale of a Tub 2013. In: Kirsten Juhas; Hermann J Real and Sandra Simon, eds. Reading Swift: Papers from the Fourth Münster Symposium on Jonathan Swift. Wilhelm Fink, pp. 133-148. ISBN 978-3770554300 [Book Section]

Downie, Alan (J. A.). 2013. The Topicality of A Tale of a Tub. In: Kirsten Juhas; Herman J Real and Sandra Simon, eds. Reading Swift: Papers from The Sixth Münster Symposium on Jonathan Swift. Munich: Wilhelm Fink, pp. 133-147. ISBN 978-3-7705-5430-0 [Book Section]

Dunstan, Angela. 2010. ‘“I am Plain Morris”: Reimagining the Everyday William Morris. In: Wendy Parkins, ed. White Rose and the Red’, in William Morris and the Art of Everyday Life. Newcastle: Cambridge Scholars Publishing; New edition, pp. 155-174. ISBN 978-1443817578 [Book Section]

Dunwoodie, Peter. 2006. Assimilation, Cultural Identity, and Permissible Deviance in Francophone Algerian Writing of the Interwar years. In: Patricia M. E. Lorcin, ed. Algeria and France 1800-2000: Identity, Memory, Nostalgia. Syracuse: Syracuse University Press, pp. 63-83. ISBN 0815630743 [Book Section]

Dunwoodie, Peter. 1985. Camus: L’Envers et l’Endroit et l’Exil et le Royaume. Grant & Cutler; First Edition edition. ISBN 978-0729302241 [Book]

Dunwoodie, Peter. 2010. Colonizing Space: Louis Bertrand’s Algeria in 'Le Sang des races' and 'Sur les routes du Sud’. Modern Language Review, 105(4), pp. 997-1014. ISSN 00267937 [Article]

Dunwoodie, Peter. 2006. From Noces to L'Etranger. In: E. Hughes, ed. The Cambridge Companion to Camus. Cambridge University Press, pp. 147-164. ISBN 9780521840484 [Book Section]

Dunwoodie, Peter. 2006. From Noces to L'Etranger. Cambridge University Press. ISBN 9780521840484 [Book]

Dunwoodie, Peter. 2008. Negotiation or Confrontation? Camus, Memory and the Colonial Chronotope. In: , ed. Albert Camus in the 21st Century. (308) Amsterdam - New York: Rodopi, pp. 45-60. ISBN 978-90-420-2358-1 [Book Section]

Dunwoodie, Peter. 2003. 'Nos ancêtres les...' : le roman francophone algérien de l’entre-deux-guerres. Expressions Maghrébines, 2(1), pp. 5-22. ISSN 1540 0085 [Article]

Dunwoodie, Peter. 2006. Postface: History, Memory and Identity. Today's Crisis, Yesterday's Issue. French History, 20(3), pp. 318-332. ISSN 02691191 [Article]

Dunwoodie, Peter. 2008. Untimely Rewriting: Memory and Self-Censorship in Camus' "Le Premier Homme". Primerjalna knjizevnost Ljubljana, 31(1), pp. 271-281. ISSN 0351-1189 [Article]

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Dunwoodie, Peter. 1998. Writing French Algeria. Oxford: Clarendon Press. ISBN 978-0-19-815972-8 [Book]

Dunwoodie, Peter and Hughes, Edward J., eds. 1998. Constructing Memories: Camus, Algeria and 'Le Premier Homme'. Stirling: Stirling French Studies. ISBN 1-85769-0559 [Edited Book]

El-Rayess, Miranda. 2010. Consumer Culture. In: David McWhirter, ed. Henry James in Context. Cambridge: CUP. ISBN 978-0521514613 [Book Section]

El-Rayess, Miranda. 2014. Henry James and the Culture of Consumption. Cambridge: CUP. ISBN 978-1107039056 [Book]

El-Rayess, Miranda. 2010. Something in the ballads which they sang"’: James’s ‘Rose-Agathe’ and Tennyson’s The Princess'. Symbiosis: A Journal of Anglo-American Literary Relations, 14(1), pp. 43-61. [Article]

El-Rayess, Miranda. 2011. The Violence of Representation: James, Sargent and the Suffragette. Critical Quarterly, 53(2), pp. 30-45. ISSN 0011-1562 [Article]

Gilbert, Francis. 2012. 'But sir, I lied – The value of autobiographical discourse in the classroom'. English in Education, 46(2), pp. 198-211. ISSN 0425-0494 [Article]

Gilbert, Francis. 2012. Novel extract from Who Do You Love? Glits-e: a Journal of Criticism, 2, [Article]

Gilbert, Francis. 2014. 'Sacked': Extract from the novel Who Do You Love? Glits-e: a Journal of Criticism, 4, [Article]

Gilmour, Rachael and Steinitz, Tamar. 2018. Introduction. In: Rachael Gilmour and Tamar Steinitz, eds. Multilingual Currents in Literature, Translation, and Culture. New York: Routledge, pp. 1-15. ISBN 9781138120532 [Book Section]

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Goldie, Lawrence and Desmarais, Jane H.. 2013. Presence of Mind in Neurophysiological Processes. Karnac Books. ISBN 9781855758858 [Book]

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Goldie, Lawrence and Desmarais, Jane H.. 2005. Psychotherapy and the Treatment of Cancer Patients: Bearing Cancer in Mind. London: Routledge. ISBN 9781583918579 [Book]

Gossling, Jessica. 2012. 'Dislocations, Correspondences and the Hothouse: Baudelaire’s Prose Poems'. In: Goldsmiths Literature Seminar (GLITS). Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Gossling, Jessica. 2016. 'From the Drawer to the Cloister: Ernest Dowson's 'Poésie Schublade'. In: Ernest Dowson (1867-1900): Poet, translator, novelist. Goldsmiths, University of London, United Kingdom 15 April 2016. [Conference or Workshop Item]

Gossling, Jessica. 2017. 'Things worldly and things spiritual': Joris-Karl Huysmans’s A rebours and the house at Fontenay. In: Alice Condé and Jane H. Desmarais, eds. Decadence and the Senses. Oxford: Legenda, pp. 66-82. ISBN 978-1-781884-81-2 [Book Section]

Gossling, Jessica. 2014. '"Things worldly and things spiritual”: The Motif of the Hothouse in J.-K. Huysmans’s À rebours'. In: Decadence and the Senses. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

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Gossling, Jessica. 2015. The Thinking Space: The Café as a Cultural Institution in Paris, Italy and Vienna. Urban History, 42(01), pp. 172-173. ISSN 0963-9268 [Article]

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Harma, Tanguy. 2015. '‘‘All Wet Black Sunken Earth Danger’: Cosmic Alienation and Disintegration in Jack Kerouac’s Big Sur''. In: ‘Environments: Landscapes and the Mind’. Goldsmiths, London, United Kingdom. [Conference or Workshop Item]

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Harma, Tanguy. 2013. ''Allen Ginsberg's 'Howl': A Spenglerian Re-reading of the Poem''. In: Third International BAKEA Symposium (Western Cultural and Literary Studies). University of Gaziantep, Turkey 9-11 October 2013. [Conference or Workshop Item]

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Harma, Tanguy. 2014. '‘A Commitment to Self-Destruction: The Glamorisation of Death in Jack Kerouac’s Tristessa through the Phenomenon of the Sublime’'. In: GLITS. Goldsmiths, University of London, United Kingdom Weekly seminar every Thursday evening. [Conference or Workshop Item]

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Harma, Tanguy. 2018. '‘The Figure of Thanatos: Processes of Self-creation and Self-destruction in Jack Kerouac and Allen Ginsberg’'. In: Séminaire EMMA (Études Montpelliéraines du Monde Anglophone). Université Paul Valéry - Montpellier 3, France 13 February 2018. [Conference or Workshop Item]

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Harma, Tanguy. 2013. ''From Co-optation to Self-referentiality: Corrupting Sign Systems in William Gaddis’s Carpenter’s Gothic, Bret Easton Ellis’s American Psycho and Don DeLillo’s Cosmopolis''. In: 'American Exceptionalism(s)’. Goldsmiths, University of London, United Kingdom 15 June 2013. [Conference or Workshop Item]

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Harma, Tanguy. 2015. 'From Sartre to Mailer: Civilisational Nothingness, Commitment, and the Immanence of the here-and-now in Allen Ginsberg’s 'Howl''. In: 4th Annual Meeting of the European Beat Studies Network. Univversité Libre de Bruxelles, Belgium 28-31 October 2015. [Conference or Workshop Item]

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Harma, Tanguy. 2016. ''The Intuitive Self Made Supreme: An Existentialist Reading of Emersonian Transcendentalism through Sartre’s Concepts of Nothingness and Engagement''. In: GLITS. Goldsmiths, University of London, United Kingdom 13 October 2016. [Conference or Workshop Item]

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Harma, Tanguy. 2017. 'Kerouac’s Vision of Anguish: An Interpretation of the Dynamics of Dis-integration in Big Sur'. In: EBSN 6th Annual Conference, Paris. Paris, France 20-22 Sept 2017. [Conference or Workshop Item]

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Harma, Tanguy. 2012. '‘Reclaiming Autonomy: The Rhetoric of Contrary’'. In: 2012 Goldsmiths Postgraduate Symposium. Goldsmiths, London, United Kingdom. [Conference or Workshop Item]

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Harma, Tanguy. 2018. '‘A Sense of Dooming Boom’: Kerouac’s Psychopathic Aesthetics of Speed in Big Sur'. In: 12th International IDEA Conference. Akdeniz University, Antalya, Turkey 18 - 20 April 2018. [Conference or Workshop Item]

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Harma, Tanguy. 2016. ''A Song of Beauty and Death: Kerouac’s Music of Sublimity in Tristessa''. In: 5th Annual Meeting of the European Beat Studies Network (EBSN). Manchester, United Kingdom 27-29 June 2016. [Conference or Workshop Item]

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Harma, Tanguy. 2013. 'A Spenglerian Re-reading of Allen Ginsberg's 'Howl''. BAKEA - History in Western Literature, pp. 519-526. [Article]

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Harma, Tanguy. 2018. 'Vers un Existentialisme Beat?'. In: , ed. Beat Generation: L'Inservitude Volontaire. Paris: Olivier Penot-Lacassagne, CNRS Editions, pp. 109-118. ISBN 978-2-271-09517-6 [Book Section]

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Harma, Tanguy. 2014. 'The Words I Put in Your Mouth: The Sexual Politics of Rambling, Direct and Indirect Style in Kerouac's Tristessa'. Procedia - Social and Behavioral Sciences, 158, pp. 337-342. ISSN 1877-0428 [Article]

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Harma, Tanguy. 2014. '‘The Words I Put in your Mouth: The Sexual Politics of Rambling and Direct Style in Jack Kerouac’s Tristessa’'. In: 14th International Language, Literature and Stylistics Symposium (ILLS). Dokuz Eylul University, Izmir, Turkey 15-17 October 2014. [Conference or Workshop Item]

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Heller, Maya. 2017. An Aesthetic Consciousness: An Existentialist Reading of William Faulkner’s Fiction. Other thesis, Goldsmiths, University of London [Thesis]

Herold, Katharina. 2018. "Against Civilisation": Symons, the Gypsy Lore and politicised Aestheticism. In: Elisa Bizzotto and Stefano Evangelista, eds. Arthur Symons: Poet, Critic, Vagabond. Cambridge: Legenda. [Book Section] (Forthcoming)

Herold, Katharina. 2017. Dancing the Image – Sensoriality and kinaesthetics in the poetry of Stéphane Mallarmé and Arthur Symons. In: Jane H. Desmarais and Alice Condé, eds. Decadence and the Senses. Cambridge: Legenda. ISBN 978-1-781884-82-9 [Book Section]

Hickman, Patsy. 2011. 'The Saints'. Doctoral thesis, Goldsmiths, University of London [Thesis]

Humble, Catherine. 2008. ‘Consider the Lobster: David Foster Wallace'. Times Literary Supplement, p. 26. [Article]

Humble, Catherine. 2012. Crossing the Threshold: The Ethics of Literary Transgression in the Unedited Raymond Carver. In: Aspasia Stephanou; Matt Foley and Neil McRobert, eds. Transgression and its Limits. Cambridge: Cambridge Scholars Publishing, pp. 133-144. ISBN 978-1443837293 [Book Section]

Humble, Catherine. 2008. Death Knock. Writloud Anthology Online, [Article]

Humble, Catherine. 2002. A Drawn Out Journey. In: , ed. Cambridge University Creative Writing Anthology. Cambridge: CUA, pp. 56-60. [Book Section]

Humble, Catherine. 2014. ‘Everyday Intimacy: Talking About Love in Raymond Carver’. In: Jennifer Cooke, ed. Scenes of Intimacy: Writing, Reading, Theorising in Contemporary Literature. London: Bloomsbury Academic; Reprint edition, pp. 115-134. ISBN 978-1472587572 [Book Section]

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Humble, Catherine. 2015. Everyday otherness : the edited and unedited Raymond Carver. Doctoral thesis, Goldsmiths, University of London [Thesis]

Humble, Catherine. 2005. ‘Heidegger and the Place of Ethics: Michael Lewis'. Times Literary Supplement, p. 29. [Article]

Humble, Catherine. 2008. ‘On Violence: Slavoj Žižek'. Times Literary Supplement, p. 27. [Article]

Humble, Catherine. 2007. ‘What it Means to Feel Real: on Remainder by Tom McCarthy'. Sunday Telegraph Seven Magazine, p. 12. [Article]

Humble, Catherine. 2005. Whispers on the Flesh. Diacritics, pp. 12-16. ISSN 0300-7162 [Article]

Hunnekuhl, Philipp. 2012. Conference Report, 'The 11th Hazlitt Day School. British Association for Romantic Studies Bulletin and Review, 40, pp. 8-9. [Article]

Hunnekuhl, Philipp. 2014. Conference Report, 'The 12th Hazlitt Day School'. The Hazlitt Review, 7, ISSN 1757-8299 [Article]

Hunnekuhl, Philipp. 2013. 'Hazlitt and Crabb Robinson: The Common Pursuit'. The Hazlitt Review, 6, pp. 13-34. [Article]

Hunnekuhl, Philipp. 2012. 'Reconstructing the Voice of the Mediator: Henry Crabb Robinson's Literary Criticism'. In: James Vigus, ed. Informal Romanticism. Trier: Wissenschaftlicher Verlag, pp. 61-76. [Book Section]

Hunnekuhl, Philipp. 2011. Review of Henry Crabb Robinson in Germany by Eugene Stelzig. The Coleridge Bulletin, 38, pp. 129-133. [Article]

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Hurst, Isobel. 2010. Ancient and Modern Women in the Woman’s World. Victorian Studies, 52(1), pp. 42-51. ISSN 0042-5222 [Article]

Hurst, Isobel. 2015. Arthur Hugh Clough. In: Norman Vance and Jennifer Wallace, eds. Oxford History of Classical Reception in English Literature, Vol. 4: 1780-1880. Oxford: Oxford University Press, pp. 495-508. ISBN 978-0199594603 [Book Section]

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Hurst, Isobel. 2011. Classical Daughters: Elizabeth Barrett Browning and Margaret Fuller. Women's Studies, 40(4), pp. 448-468. ISSN 00497878 [Article]

Hurst, Isobel. 2015. Elizabeth Barrett Browning. In: Norman Vance and Jennifer Wallace, eds. Oxford History of Classical Reception in English Literature, Vol. 4: 1780-1880. Oxford: Oxford University Press, pp. 449-470. ISBN 978-0199594603 [Book Section]

Hurst, Isobel. 2005. 'The Feminine of Homer': Elizabeth Barrett Browning's Casa Guidi Windows. In: Rachel Langford, ed. Depicting desire : gender, sexuality and the family in nineteenth century Europe : literary and artistic perspectives. 21 Oxford: Peter Lang, pp. 181-196. ISBN 978-3-03910-321-8 [Book Section]

Hurst, Isobel. 2015. Freedom to Invent: Graves’s Iconoclastic Approach to Antiquity. In: Alisdair Gibson, ed. Robert Graves and the Classics. Oxford: Oxford University Press, pp. 201-220. ISBN 978-0198738053 [Book Section]

Hurst, Isobel. 2012. The Historical Novel. Victorian Literature, Oxford Bibliographies Online: Victorian Literature, [Article]

Hurst, Isobel. 2012. 'Love and blackmail': Demeter and Persephone. Classical Receptions Journal, 4(2), pp. 176-189. ISSN 1759-5134 [Article]

Hurst, Isobel. 2005. 'Maenads dancing before the Martyrs' memorial': Oxford women writers and the classical tradition. International Journal of the Classical Tradition, 12(2), pp. 163-182. ISSN 1073-0508 [Article]

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Hurst, Isobel. 2017. Pater as Professional Classicist. In: Charles Martindale; Stefano Evangelista and Elizabeth Prettejohn, eds. Pater the Classicist: Classical Scholarship, Reception, and Aestheticism. Oxford: Oxford University Press, pp. 33-46. ISBN 9780198723417 [Book Section]

Hurst, Isobel. 2007. 'Reanimating the Romans: Mary Shelley's Response to Roman Ruins'. In: Richard Wrigley, ed. Regarding Romantic Rome. Oxford: Peter Lang, pp. 125-136. ISBN 978-3-03911-120-6 [Book Section]

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Hurst, Isobel. 2017. 'Tragedy in the disguise of mirth': Robert Browning, George Eliot and Wilde. In: Kathleen Riley; Alastair J. L. Blanchard and Iarla Manny, eds. Oscar Wilde and Classical Antiquity. Oxford: Oxford University Press, pp. 127-140. ISBN 9780198789260 [Book Section]

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Hurst, Isobel. 2010. Victorian Literature and the Reception of Greece and Rome. Literature Compass, 7(6), pp. 484-495. [Article]

Hurst, Isobel. 2013. Victorian Poetry and the Classics’. In: Matthew Bevis, ed. The Oxford Handbook of Victorian Poetry. Oxford: Oxford University Press, pp. 149-165. ISBN 978-0-19-957646-3 [Book Section]

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Hurst, Isobel. 2009. 'We’ll all be Penelopes then': Art and Domesticity in American Women’s Poetry, 1958-1996. In: S. J. Harrison, ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Oxford: Oxford University Press, pp. 275-294. ISBN 978 0 19 923373 1 [Book Section]

Hurst, Isobel. 2007. 'A fleet of … inexperienced Argonauts': Oxford women and the Classics, 1873-1920. In: Christopher Stray, ed. Oxford Classics: Teaching and Learning 1800-2000. Duckworth, pp. 14-27. ISBN 9781472537829 [Book Section]

Inghilleri, Moira. 2002. Britton and Bernstein on Vygotsky: divergent views on mind and language in the pedagogic context. Pedagogy Culture and Society, 10(3), pp. 467-482. ISSN 14681366 [Article]

Inghilleri, Moira. 2003. Habitus, field and discourse: Interpreting as a socially-situated activity. Target: International Journal of Translation Studies, 15(2), pp. 243-268. ISSN 09241884 [Article]

Jenkins, Jennifer; Cogo, Alessia and Dewey, Martin. 2011. Review of developments in research into English as a lingua franca. Language Teaching, 44(3), pp. 281-315. ISSN 0261-4448 [Article]

Kanz, Christine and Krause, Frank. 2015. Zwischen Demontage und Sakralisierung. Revisionen des europäischen Familienmodells in der europäischen Moderne (1880-1945). Einführende Überlegungen. In: Christine Kanz and Frank Krause, eds. Zwischen Demontage und Sakralisierung. Würzburg: Königshausen & Neumann, pp. 7-20. ISBN 978-3-8260-5674-1 [Book Section]

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King, Nicole. 2001. C. L. R. James and creolization: circles of influence. Jackson, MS: University of Mississippi Press. ISBN 978-1-934110-49-2 [Book]

King, Nicole. 2006. ‘C.L.R. James, Genre and Cultural Politics.’. In: Christopher Gair, ed. Beyond Boundaries: C.L.R. James and Postnational Studies. London: Pluto Press, pp. 13-38. ISBN 9780745323428 [Book Section]

King, Nicole. 2009. ‘Creolisation and On Beauty: form, character and the goddess Erzulie'. Women: A Cultural Review, 20(3), pp. 262-276. ISSN 0957-4042 [Article]

King, Nicole. 2017. Getting in Conversation: Teaching African American Literature and Training Critical Thinkers. In: Ben Knights, ed. Teaching Literature: Text and Dialogue in the English Classroom. London: Palgrave Macmillan UK, pp. 81-98. ISBN 978-1-137-31108-5 [Book Section]

King, Nicole. 2008. ‘Performance and Tradition in Earl Lovelace’s A Brief Conversion: The Drama of the Everyday’. In: Bill Schwarz, ed. Caribbean Literature After Independence: The Case of Earl Lovelace. London: Institute for the Study of the Americas, pp. 111-129. ISBN 9781900039918 [Book Section]

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King, Nicole. 2017. Response to Deborah Willis's “The Black Civil War Soldier: Conflict and Citizenship”. Journal of American Studies, 51(02), pp. 331-338. ISSN 0021-8758 [Article]

King, Nicole. 2003. ‘“A colored woman in another country pleading for justice in her own”: Examining Ida B. Wells in the United Kingdom’. In: Gretchen Holbrook Gerzina, ed. Black Victorians/Black Victoriana. Rutgers University Press, pp. 88-109. ISBN 978-0813532158 [Book Section]

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King, Nicole; Dossett, Kate; Joseph-Gabriel, Annette; Jeffries, Hasan Kwame; Plath, Lydia; Rice, Alan and Salt, Karen. 2018. “Teaching African American Studies in the US and the UK: An Exchange”. Journal of American Studies, ISSN 0021-8758 [Article] (Submitted)

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Kirwan, Padraig. 2017. Choctaw Tales: An Interview with LeAnne Howe. Women: A Cultural Review, 27(3), pp. 265-279. ISSN 0957-4042 [Article]

Kirwan, Padraig. 2007. 'Elizabeth Cook-Lynn,' 'Carter Revard' and 'W.S. Penn,'. In: Alan R Velie and Jennifer McClinton Temple, eds. Encyclopedia of American Indian Literature. New York: Facts On File Inc. ISBN 978-0816056569 [Book Section]

Kirwan, Padraig. 2017. “AN INDIAN’S JOURNEY” & TRIBAL MEMOIR(Y): David Treuer’s Rez Life. In: Gordon Henry and David Stirrup, eds. Enduring Critical Poses. New York: SUNY Press. [Book Section] (Forthcoming)

Kirwan, Padraig. 2009. Language and Signs: An Interview with Ojibwe Novelist David Treuer. Journal of American Studies, 43(1), pp. 71-88. ISSN 0021-8758 [Article]

Kirwan, Padraig. 2015. ‘Mind the Gap’: Journeys in Indigenous Sovereignty and Nationhood. Comparative American Studies, 13(1-2), pp. 42-57. ISSN 1477-5700 [Article]

Kirwan, Padraig. 2002. "Native American Individuality and Cultural Chronology in Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven". In: Karen Vandevelde, ed. New Voices in Irish Criticism 3. 3 Dublin: Four Courts Press, pp. 143-156. ISBN 9781851826339 [Book Section]

Kirwan, Padraig. 2007. Remapping Place and Narrative in Native American Literature: David Treuer's "The Hiawatha". American Indian Culture and Research Journal, 31(2), pp. 1-24. ISSN 0161-6463 [Article]

Kirwan, Padraig. 2011. Transatlantic Irishness: Irish and American Frontiers in Patrick McCabe's The Butcher Boy. Comparative Literature, 63(1), pp. 3-24. ISSN 0010-4124 [Article]

Kirwan, Padraig. 2000. Type(ing) Cast: Early Euro-American Literary Representations of the Native American. In: Fiona O'Sullivan and Hilary Lennon, eds. ROPES. 8 Galway: National University of Ireland, Galway, pp. 12-25. ISBN OCLC 52752316 [Book Section]

Kirwan, Padraig and Stirrup, David. 2013. “'I'm indiginous, I'm indiginous, I'm indiginous': Indigenous Rights, British Nationalism, and the European Far Right". In: Padraig Kirwan and David Stirrup, eds. Tribal Fantasies: Native Americans in the European Imaginary, 1900-2010. Basingstoke: Palgrave Macmillan, pp. 59-84. ISBN 978-1-137-28881-3 [Book Section]

Knight, Stephen E.. 1997. Dream City Cinema. Bloodaxe Books Ltd. ISBN 978-1852243760 [Book]

Knight, Stephen E.. 1993. Flowering Limbs. Bloodaxe Books Ltd. ISBN 978-1852242466 [Book]

Knight, Stephen E.. 2001. Mr Schnitzel. Penguin Books Ltd. ISBN 978-0140287318 [Book]

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Knight, Stephen E.. 2012. The Prince of Wails. London: CB editions. ISBN 9780956735966 [Book]

Knight, Stephen E.. 1996. The Sandfields Baudelaire. Smith/Doorstop Books. ISBN 978-1869961787 [Book]

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Knight, Stephen E.. 2004. Sardines and Other Poems. Young Picador. ISBN 0330413562 [Book]

Knight, Stephen E.. 2017. A Swansea Love Song. Sheffield: Smith/Doorstop Books. ISBN 978-1910367773 [Book] (Forthcoming)

Kramer, Andreas. 2013. Between Art and Activism: Pan (1895-1900, 1910-15); Die weissen Blätter (1913-21); Das neue Pathos (1913-19); and Marsyas (1917-19). In: Peter Brooker; Sascha Bru; Andrew Thacker and Christian Weikop, eds. The Oxford Critical and Cultural History of Modernist Magazines, Vol. III: Europe, 1880-1940. Oxford: Oxford University Press, pp. 750-772. ISBN 9780199681310 [Book Section]

Kramer, Andreas. 2012. Chicago. In: Jan Roehnert and Gunter Geduldig, eds. Rolf Dieter Brinkmann: Seine Gedichte in Einzelinterpretationen, vol. 2. Berlin and Boston: De Gruyter, pp. 420-430. ISBN 0783110223620 [Book Section]

Kramer, Andreas. 2010. Der lyrische Blick nach Westen und zurück: Deutsche London-Gedichte des 20. Jahrhunderts. In: Andreas Kramer and Jan Röhnert, eds. Literatur – Universalie und Kulturenspezifikum. Göttingen: Universitätsverlag Göttingen, pp. 232-243. [Book Section]

Kramer, Andreas. 2012. "Die Erdteile in Bewegung": Geographische Diskurse bei Carl Einstein und in der Avantgarde. In: Nicola Creighton and Andreas Kramer, eds. Carl Einstein und die europäische Avantgarde / Carl Einstein and the European Avant-Garde. 30 Berlin and Boston: De Gruyter, pp. 223-241. ISBN 9783110291155 [Book Section]

Kramer, Andreas. 2010. Entgrenzte Moderne: Kafkas Kurzprosa im Kontext des Expressionismus. In: Manfred Engel and Ritchie Robertson, eds. Kafka und die kleine Prosa der Moderne. Kafka and Short Modernist Prose. 1 Würzburg: Könighausen & Neumann, pp. 195-208. ISBN ISBN978-3826040290 [Book Section]

Kramer, Andreas. 2014. ‘Everyman His Own Football’: Dada and Sport. In: , ed. Virgin Microbe: Essays on Dada. Evanston, IL: Northwestern University Press. ISBN 978-0810129399 [Book Section]

Kramer, Andreas. 2015. Flights out of Time: Dada and Heterochronia. In: , ed. Time and Temporality in the European Avant-Garde. Leuven: Peeters. [Book Section] (Forthcoming)

Kramer, Andreas. 2015. Geographies of Peripheral Modernism: The Case of the Russian Avant-Garde. In: Patria McNeill and Katia Pizzi, eds. Peripheral Modernism. Oxford: Legenda. [Book Section] (Forthcoming)

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Kramer, Andreas. 2002. Goethe and the Cultural Project of German Modernism: Steiner, Kandinsky, Friedlaender, Schwitters and Benjamin. Publications of the English Goethe Society, 71, pp. 18-36. ISSN 09593683 [Article]

Kramer, Andreas. 2012. Radikale Sachlichkeit: Ein unbekannter Text von Klaus Mann über Franz Kafka. Aus dem Antiquariat, Neue Folge, 10(3-4), pp. 3-8. ISSN 0343-186X [Article]

Kramer, Andreas. 2010. Rilke and modernism. In: Karen Leeder and Robert Vilain, eds. The Cambridge Companion to Rilke. Cambridge: Cambridge University Press, pp. 113-130. ISBN 9780521705080 [Book Section]

Kramer, Andreas. 2013. "Schrift zagt blasses Unbekannt": The Poetry of August Stramm (1874-1915). Oxford German Studies, 42(1), pp. 38-56. ISSN 0078-7191 [Article]

Kramer, Andreas. 2012. Sommer (Aus dem Amerikanischen). In: Jan Roehnert and Gunter Geduldig, eds. Rolf Dieter Brinkmann: Seine Gedichte in Einzelinterpretationen, vol. 2. Berlin and Boston: De Gruyter, pp. 758-766. ISBN 9783110223620 [Book Section]

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Kramer, Andreas. 2011. Speaking Dada: The Politics of Language. In: Elza Adamowicz and Eric Robertson, eds. Dada and Beyond. Volume 1: Dada Discourses. 26 Amsterdam - New York: Rodopi, pp. 201-213. ISBN 0789042033559 [Book Section]

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Kramer, Andreas. 2009. The Traffic of Gender in Expressionist Prose Writing. In: Frank Krause, ed. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: V & R unipress, pp. 45-60. ISBN 9783899717174 [Book Section]

Kramer, Andreas. 2003. Von Beat bis 'Acid': Zur Rezeption amerikanischer und britischer Literatur in den sechziger Jahren". In: J. Schfer, ed. Pop-Literatur. Text und Kritik, pp. 26-40. ISBN 3883777358 [Book Section]

Kramer, Andreas. 2012. Westwärts. In: Jan Roehnert and Gunter Geduldig, eds. Rolf Dieter Brinkmann: Seine Gedichte in Einzelinterpretationen, vol. 2. Berlin and Boston: De Gruyter, pp. 825-835. ISBN 9783110223620 [Book Section]

Kramer, Andreas. 2010. 'Westwärts – und zurück: Zu London-Texten von Jörg Fauser und Rolf Dieter Brinkmann'. In: Angus Nicholls; Michael John Kooy and Rudiger Gorner, eds. Angermion: Yearbook for Anglo-German Literary Criticism, Intellectual History and Cultural Transfers/Jahrbuch fur deutsch-britische Kulturbeziehungen 2010: Vol. 3. Walter de Gruyter & Co, pp. 51-68. ISBN 978-3110222708 [Book Section]

Kramer, Andreas. 2012. Westwärts, Teil 2. In: Jan Roehnert and Gunter Geduldig, eds. Rolf Dieter Brinkmann: Seine Gedichte in Einzelinterpretationen, vol. 2. Berlin and Boston: De Gruyter, pp. 836-846. ISBN 9783110223620 [Book Section]

Kramer, Andreas. 2012. "die Geschichte einer Vermehrung“: Paulus Böhmer und die Tradition des langen Gedichts. die horen: Zeitschrift für Literatur, Grafik und Kritik(247), pp. 137-149. ISSN 0018-4942 [Article]

Kramer, Andreas. 2004. 'die unerheblichkeit berlins': Contemporary German Poetry and the Re-Writing of Regionalism. In: J. Preece and O. Durrani, eds. Cityscapes and Countryside in Contemporary German Literature. Peter Lang, pp. 107-125. ISBN 3039100653 [Book Section]

Kramer, Andreas and Röhnert, Jan. 2009. ‚Auf allen Köpfen lag des Lichtes Traum' (Heym): Das Paradigma des Films im expressionistischen Gedicht. Euphorion. Zeitschrift für Literaturgeschichte, 103(4), pp. 509-550. ISSN ISSN 0014-2328 [Article]

Krause, Frank. 2010. Expressionismus und Geschlecht: Themen und Probleme der Forschung. In: , ed. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: Vandenhoeck & Ruprecht unipress, pp. 11-20. ISBN 978-3899717174 [Book Section]

Krause, Frank. 2011. Georg Kaisers öffentliche Wirkung. Kunst und Leben. Georg Kaiser (1878-1945), pp. 195-205. [Article]

Krause, Frank. 2010. Gerettete Mütterlichkeit. Zur Symbolik ambivalenter Geschlechter-Inszenierungen in der expressionistischen Moderne. In: , ed. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: Vandenhoeck & Ruprecht unipress, pp. 61-81. ISBN 978-3899717174 [Book Section]

Krause, Frank. 2016. Geruchslandschaften mit Kriegsleichen. Deutsche, englische und französische Prosa zum Ersten Weltkrieg. Göttingen: Vandenhoeck & Ruprecht Academic. ISBN 978-3-8471-0612-8 [Book]

Krause, Frank. 2005. Gustav Landauer über Georg Kaiser. Jahrbuch der Deutschen Schillergesellschaft, XLIX, pp. 51-72. [Article]

Krause, Frank. 2005. Gustav Landauer's Contribution to Georg Kaiser's Notion of Literature. In: Frank Krause, ed. Georg Kaiser and Modernity. Goettingen: Vandenhoeck and Ruprecht, pp. 89-101. ISBN 978-3-89971-245-2 [Book Section]

Krause, Frank. 2015. "Herrlich Mensch, der in Sackgassen irrt": Zusammenhänge von Familie und expressionistischer Moderne im Werk von Georg Kaiser. In: Christine Kanz and Frank Krause, eds. Zwischen Demontage und Sakralisierung. Würzburg: Königshausen & Neumann, pp. 107-117. ISBN 978-3-8260-5674-1 [Book Section]

Krause, Frank. 2008. Immaculate Misconceptions: Georg Kaiser's Oktobertag and Paul Demasy's L'Homme de nuit. In: Frank Krause, ed. France and German Expressionism. Göttingen: V&R unipress GmbH, pp. 161-180. ISBN 9783899713640 [Book Section]

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Krause, Frank. 2008. Literarischer Expressionismus. Paderborn: UTB Fink. ISBN 978-3-8252-2999-3 [Book]

Krause, Frank. 2015. Literarischer Expressionismus. V&r Unipress. ISBN 978-3847103639 [Book]

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Krause, Frank. 2017. ‘The Stench of Corpses: On the Poetic Coding of Smell in the Literature of the Great War (1914-1933)’. In: , ed. The Intellectual Response to the Great War. Eastborne: Sussex Academic Press, pp. 171-184. ISBN 978-1-84519-824-4 [Book Section]

Krause, Frank. 2001. Stoische Ungeduld. Johann Christoph Gottsched: Der sterbende Cato (1732). German Life and Letters, 54(3), pp. 191-209. ISSN 00168777 [Article]

Krause, Frank. 2013. Varieties of Gender War in the Literature of German Expressionism (1910–1925): The Female Stabber in El Hor’s “The She-Fool” (“Die Närrin”) (1914). In: Ulrike Zitzlsperger, ed. Gender, Agency and Violence: European Perspectives from Early Modern Times to the Present Day. Newcastle-upon-Tyne: Cambridge Scholars, pp. 132-150. ISBN 1-4438-5037-3 [Book Section]

Krause, Frank. 2012. Vom Embryo Emil zum ‘bébé bouquin’: Geburtsphantasien in Carl Einsteins Bebuquin. In: Andreas Kramer, ed. Carl Einstein und die europäische Avantgarde/Carl Einstein and the European Avant-Garde. Berlin: de Gruyter, p. 31. ISBN 978-3-11-029115-5 [Book Section]

Krause, Frank. 2008. Von Kaiser zu Brecht: Drama und Prosa. In: , ed. "Verwisch die Spuren!". Bertolt Brecht’s Work and Legacy. (66) Amsterdam: Rodopi, pp. 101-113. ISBN 9 042 02432 1 [Book Section]

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Krause, Frank. 2016. ‚Weib‘ und ‚Geist‘ im Großen Krieg: Pazifismus und Geschlecht im Expressionismus. Expressionismus, 4, pp. 13-28. ISSN 2363-5592 [Article]

Krause, Frank. 2010. Zur Problematisierung von Geschlechterpositionen im Expressionismus. In: Frank Krause, ed. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: Vandenhoeck & Ruprecht unipress, pp. 159-181. ISBN 978-3899717174 [Book Section]

Krause, Frank. 2014. ‘Über zerbrochenem Männergebein / Die stille Mönchin.’ Krieger und Kriege im lyrischen Werk Georg Trakls (1887-1914)’. In: Burcu Dogramaci and Friederike Weimar, eds. Sie starben jung! Künstler und Dichter, Ideen und Ideale vor dem Ersten Weltkrieg. Berlin: Gebr. Mann Verlag, pp. 59-67. ISBN 978-3-7861-2704-8 [Book Section]

Lavis, Grahame. 2010. Pastoral Modes in the Poetry and Prose Fiction of W.G.Sebald. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lavis, Grahame J.. 2015. Pastoral Modes in the Poetry and Prose Fiction of WG Sebald. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lee, Sze Wah Sarah. 2016. Aesthetics of Experiment: Imagism, Vorticism and the European Avant-Garde. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lee, Thomas. 2016. Big Cat: A collection of short stories. Doctoral thesis, Goldsmiths, University of London [Thesis]

Lee, Tom. 2017. The Alarming Palsy of James Orr. Granta. ISBN 978-1783783939 [Book]

Lee, Tom. 2013. The Creaking Door. The Dublin Review(51), pp. 72-90. [Article]

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Lesley, Hilling; Ivano, Darra; Walter Graham, Reed and Derval, Tubridy. 2013. The Enigmatic World of Joseph Boshier. In: "The Uncovering of Joseph Boshier", Standpoint Gallery, United Kingdom, 8 November 2013 - 6 December 2013. [Show/Exhibition]

Lloyd, Christopher. 2014. Dave Eggers’ Zeitoun and Katrina’s Southern Biopolitics. In: Mary Ruth Marotte and Glenn Jellenik, eds. Literature Ten Years After Katrina. Lanham: Lexington Books. ISBN 978-0739192689 [Book Section]

Lloyd, Christopher. 2014. Introduction: American Exceptionalism, a Reconsideration. European Journal of American Culture, 33(3), pp. 159-164. ISSN 1466-0407 [Article]

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Lloyd, Christopher. 2013. Rooting Memory, Rooting Place: Regionalism in the Twenty-First-Century American South. Doctoral thesis, Goldsmiths, University of London [Thesis]

Lloyd, Christopher. 2017. Southern Gothic. In: Jason Haslam and Joel Faflak, eds. American Gothic Culture: An Edinburgh Companion. Edinburgh: Edinburgh University Press. ISBN 978-1474401616 [Book Section]

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Loewy, Monika. 2017. Body Integrity Identity Disorder and the Phantom Limb: Reflections on the Bodily Text. Doctoral thesis, Goldsmiths, University of London [Thesis]

Loewy, Monika. 2014. Lunar Park: From Ashes to Ashes'. European Journal of American Culture, 33(3), pp. 209-222. ISSN 14660407 [Article]

Maddern, Carole. 2012. A Guide to Answering Commentary Questions. London: University of London. [Book]

Maddern, Carole. 2014. Literature of the Later Middle Ages. University Of London. [Book]

Maddern, Carole. 2010. York Notes Companions: Medieval Literature. London: Pearson. ISBN 978-1408204757 [Book]

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Maitland, Sarah. 2018. Hybridity. In: , ed. Routledge Encyclopedia of Translation Studies. Routledge. [Book Section] (Submitted)

Maitland, Sarah. 2018. Masters of the Universe, by Almudena Ramírez-Pantanella, translated by Sarah Maitland. Performance of translation, directed by Almudena Ramírez-Pantanella, Cervantes Theatre. In: "Masters of the Universe, by Almudena Ramírez-Pantanella, translated by Sarah Maitland. Performance of translation, directed by Almudena Ramírez-Pantanella, Cervantes Theatre", Cervantes Theatre, United Kingdom, 5 July 2018. [Performance]

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Maitland, Sarah. 2017. Mendoza, by Antonio Zúñiga and Juan Carrillo, translated by Sarah Maitland. Comissioned by CASA Latin American Theatre Festival. [Book]

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Maitland, Sarah. 2017. Mendoza, by Antonio Zúñiga and Juan Carrillo, translated by Sarah Maitland. Performance of translation, directed by Juan Carillo, Southwark Playhouse. In: "Mendoza, by Antonio Zúñiga and Juan Carrillo, translated by Sarah Maitland. Performance of translation, directed by Juan Carillo, Southwark Playhouse", Southwark Playhouse, United Kingdom, 24-28 October 2017. [Performance]

Maitland, Sarah. 2015. Nina, by José Ramón Fernández, translated by Sarah Maitland. Performance of translation, directed by Andy Dickinson, Spanish Theatre Company.. In: "Nina, by José Ramón Fernández, translated by Sarah Maitland. Performance of translation, directed by Andy Dickinson, Spanish Theatre Company.", Spanish Theatre Company, Canada Water Cultural Space, London, United Kingdom. [Performance]

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Maitland, Sarah. 2016. No Direction, by Miguel Alcantud and Santiago Molero, translated by Sarah Maitland. Performance of translation, directed by Debra Caplan, Baruch College, City University of New York. In: "No Direction, by Miguel Alcantud and Santiago Molero, translated by Sarah Maitland. Performance of translation, directed by Debra Caplan, Baruch College, City University of New York", Martin E. Segal Theater New York, United States. [Performance]

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Maitland, Sarah. 2010. "Objects in the midst of other objects": Cultural translation and the anxieties of otherness. International Journal of the Humanities, 8(7), pp. 77-86. ISSN 1447-9508 [Article]

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Maitland, Sarah. 2012. Performing Difference: Bodas de sangre and the Philosophical Hermeneutics of the Translated Stage. Quaderns: Revista de Traducció, 19, pp. 53-67. ISSN 1138-5790 [Article]

Maitland, Sarah. 2018. The Reality, by Denise Despeyroux, translated by Sarah Maitland. Performance of translation, directed by Raymi Renee, Cervantes Theatre. In: "The Reality, by Denise Despeyroux, translated by Sarah Maitland. Performance of translation, directed by Raymi Renee, Cervantes Theatre", Cervantes Theatre, United Kingdom, 2 June 2018. [Performance]

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Maitland, Sarah. 2016. A Review of Textbooks in Translation Studies. In: Lawrence Venuti, ed. Teaching Translation: Programs, Courses, Pedagogies. Routledge. ISBN 978-1138654617 [Book Section]

Maitland, Sarah. 2017. What is cultural translation? Bloomsbury Academic. ISBN 9781472526861 [Book]

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Mannix, Aoife. 2014. Contemporary Irish Life Writing – How Fictional Is The Truth?. Doctoral thesis, Goldsmiths, University of London [Thesis]

Marl'ene, Edwin. 2011. 'Living the Archive: Joan Anim-Addo and the Case of Imoinda'. In: Islands in Between Conference: Language, Literature and Culture of the Eastern Caribbean. Saint George's, Grenada 3-5 November. [Conference or Workshop Item]

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Mars-Jones, Adam. 2012. Cedilla. London: Faber. ISBN 9780571245376 [Book]

Mayorga, Juan. 2014. The Cartographer. Warsaw, 1:400.000. In its first English translation by Sarah Maitland. In: Estela Schindel and Pamela Colombo, eds. Space and the Memories of Violence: Landscapes of Erasure, Disappearance and Exception. Basingstoke: Palgrave Macmillan. ISBN 978-1-137-38090-6 [Book Section]

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Mayorga, Juan and Maitland, Sarah. 2014. The Cartographer, by Juan Mayorga, translated by Sarah Maitland. In: E. Schindel and P. Colombo, eds. Space and the Memories of Violence: Landscapes of Erasure, Disappearance and Exception. Palgrave Macmillan UK, pp. 91-104. ISBN 978-1-137-38090-6 [Book Section]

McDonald, Gail. 2007. American Literature and Culture, 1900-1960. Oxford: Blackwell. ISBN 978-1405101264 [Book]

McDonald, Gail. 2012. American Scholars: Pound and Emerson. In: Steven Yao and Michael Coyle, eds. Ezra Pound and Education. Orono, Maine: Natlonal Poetry Foundation, pp. 3-21. ISBN 978-0943373775 [Book Section]

McDonald, Gail. 2009. 'Eliot and the New Critics'. In: David Chinitz, ed. A Companion to T. S. Eliot. Oxford: Wiley-Blackwell, pp. 411-422. ISBN 978-1405162371 [Book Section]

McDonald, Gail. 2005. Entries on 'Personal Education' and 'Philosophy of Education'. In: Stephen J Adams and Demetres Tryphonopoulos, eds. The Ezra Pound Encyclopedia. Westport, Connecticut: Greenwood Press. ISBN 978-0313304484 [Book Section]

McDonald, Gail. 2007. 'A Homemade Heaven: Modernist Poetry and the Social Gospel'. In: Roger Lundin, ed. There Before Us: Religion, Literature, and Culture from Ralph Waldo Emerson to Wendell Berry. Grand Rapids, Michigan: Wm. B. Eerdmans Publishing Co, pp. 194-215. ISBN 978-0802829634 [Book Section]

McDonald, Gail. 2002. 'Hypertext and the Teaching of Modernist Difficulty'. Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture, 2(1), pp. 17-30. ISSN 1531-4200 [Article]

McDonald, Gail. 1993. Learning to be Modern: Pound, Eliot, and the American University. Oxford: Clarendon Press. ISBN 978-0198119807 [Book]

McDonald, Gail. 2002. 'The Mind a Department Store: Reconfiguring Space in the Gilded Age,'. Modern Language Quarterly, 63(2), pp. 227-249. ISSN 0026-7929 [Article]

McDonald, Gail. 2006. Product Placement: Literary Modernism and Crisco. Modernist Cultures, 2(1), pp. 21-30. ISSN 2041-1022 [Article]

McDonald, Gail. 1998. 'Sentimental Education: Randall Jarrell Among the Women,'. Modernism/Modernity, 5(1), pp. 1-21. ISSN 1071-6068 [Article]

McDonald, Gail. 2004. 'Through Schoolhouse Windows: Women, the Academy, and T.S. Eliot'. In: Cassandra Laity and Nancy Gish, eds. Gender, Sexuality and Desire in T. S. Eliot. Cambridge: Cambridge University Press, pp. 177-194. ISBN 978-0521039468 [Book Section]

McDonald, Russ. 2001. Bedford Companion to Shakespeare: An Introduction with Documents. Palgrave Macmillan; 2nd Edition. ISBN 978-0333947111 [Book]

McDonald, Russ. “Ben Jonson” and miscellaneous entries on Rhetoric. In: Patricia Parker, ed. The Shakespeare Encyclopedia. UNSPECIFIED. [Book Section] (Forthcoming)

McDonald, Russ. 2012. Benjamin Britten’s Dreams. Shakespeare Survey, 65, pp. 138-146. ISSN 0080-9152 [Article]

McDonald, Russ. 1982. “Comedy and Flannery O'Connor,”. South Atlantic Quarterly, 81, pp. 188-201. ISSN 0038-2876 [Article]

McDonald, Russ. 2007. Compar or parison: Measure for Measure. In: Sylvia Adamson; Gavin Alexander and Katrin Ettenhuber, eds. Renaissance Figures of Speech. Cambridge: Cambridge University Press, pp. 33-58. ISBN 9780521866408 [Book Section]

McDonald, Russ. 2007. Compar or parison: Measure for Measure. Cambridge University Press. ISBN 9780521866408 [Book]

McDonald, Russ. 1998. Explication Checklist. Shakespeare Magazine, II(1), [Article]

McDonald, Russ. 2005. Fashion: Shakespeare and Beaumont and Fletcher. In: Richard Dutton and Jean E Howard, eds. A Companion to Shakespeare's Works: The Poems, Problem Comedies, Late Plays:. 4 John Wiley & Sons, pp. 150-174. ISBN 978-1405136082 [Book Section]

McDonald, Russ. 1988. Fear of Farce. In: Maurice Charney, ed. Bad Shakespeare: Revaluations of the Shakespeare Canon. Fairleigh Dickinson Univ Pr, pp. 77-90. ISBN 978-0838633106 [Book Section]

McDonald, Russ. 2006. The Flaw in the Flaw. In: Peggy O'Brien, ed. Shakespeare Set Free: Teaching Romeo & Juliet, Macbeth & Midsummer Night. Simon & Schuster, pp. 8-11. ISBN 978-0743288507 [Book Section]

McDonald, Russ. 2008. High Seriousness and Popular Form: The Case of The Maid of Honour. In: Douglas Howard, ed. Philip Massinger: A Critical Reassessment. Cambridge: Cambridge University Press, pp. 83-116. ISBN 978-0521065429 [Book Section]

McDonald, Russ. 2000. Jonson and Shakespeare and the Rhythm of Verse. In: Stanley Stewart and Richard Harp, eds. The Cambridge Companion to Ben Jonson. Cambridge: Cambridge University Press, pp. 103-118. ISBN 978-0521646789 [Book Section]

McDonald, Russ. 1981. Jonsonian Comedy and the Value of Sejanus. Studies in English Literature 1500-1900, 21, pp. 287-305. [Article]

McDonald, Russ. 2013. The Language of Tragedy. In: Russ McDonald, ed. The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge University Press, pp. 23-50. ISBN 978-1107019775 [Book Section]

McDonald, Russ. 2013. The Language of Tragedy. In: Claire McEachern, ed. The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge University Press, pp. 23-49. ISBN 978-1107643321 [Book Section]

McDonald, Russ. 1994. Late Shakespeare: Style and the Sexes. In: Stanley Wells, ed. Shakespeare Survey 46. Cambridge University Press, pp. 91-106. ISBN 978-0521450270 [Book Section]

McDonald, Russ. 2004. Late Shakespeare: Style and the Sexes. In: Catherine M. Alexander, ed. Shakespeare and Language. Cambridge University Press: Cambridge University Press, pp. 266-288. ISBN 978-0521539005 [Book Section]

McDonald, Russ. 1994. Late Shakespeare: Style and the Sexes. In: Stanley Wells, ed. Shakespeare Survey 46. Cambridge: Cambridge University Press. ISBN 978-0521450270 [Book Section]

McDonald, Russ. 'Macbeth, Macbeth, Macbeth: The Power of Poetry'. In: Amy Cohen and Paul Menzer, eds. Essays in Honor of Ralph Alan Cohen. University of Delaware Press. [Book Section] (In Press)

McDonald, Russ. 2004. “Marlowe and Style,”. In: Patrick Cheney, ed. The Cambridge Companion to Marlowe. Cambridge University Press, pp. 55-69. ISBN 978-0521820349 [Book Section]

McDonald, Russ. 1997. “Odious Tandem,” Introduction to Shakespeare and Jonson / Jonson and Shakespeare. In: Robert Watson, ed. Critical Essays on Ben Jonson. G K Hall. ISBN 978-0783800431 [Book Section]

McDonald, Russ. 2016. Ornament. In: Bruce Smith, ed. The Cambridge Guide to the Worlds of Shakespeare. New York: Cambridge University Press. ISBN 9781107057258 [Book Section]

McDonald, Russ. 2011. “Orpheus Among the Savages: Handel in London,”. In: , ed. Glyndebourne Program Essay. UNSPECIFIED. [Book Section]

McDonald, Russ. 1979. Othello, Thorello, and the Problem of the Foolish Hero. Shakespeare Quarterly, 30, pp. 51-67. ISSN 0037-3222 [Article]

McDonald, Russ. 2013. Peggy of Anjou. In: Gordon McMullan; Lena Cowen Orlin and Virginia Mason Vaughan, eds. Women Making Shakespeare: Text, Reception and Performance. London: Bloomsbury. ISBN 9781408185339 [Book Section]

McDonald, Russ. 2008. “Planned Obsolescence, or Working at the Words,”. In: G B Shand, ed. Teaching Shakespeare: Passing It On. Blackwell Publishing,, pp. 27-42. ISBN 978-1405140461 [Book Section]

McDonald, Russ. 1985. Poetry and Plot in The Winter's Tale. Shakespeare Quarterly, 36, pp. 315-329. ISSN 0037-3222 [Article]

McDonald, Russ. 2015. Poetry and Plot in The Winter's Tale. In: Maurice Hunt, ed. The Winter's Tale: Critical Essays. Routledge. ISBN 978-1138864221 [Book Section]

McDonald, Russ. 2001. Poetry and Plot in The Winter's Tale. In: , ed. Shakespeare Yearbook. Gale Press. [Book Section]

McDonald, Russ. 2013. ‘Pretty Rooms’: Shakespeare’s Sonnets, Elizabethan Architecture, and Early Modern Visual Design. In: Jonathan Post, ed. The Oxford Handbook of Shakespeare's Poetry. Oxford, UK: Oxford University Press, pp. 486-504. ISBN 9780199607747 [Book Section]

McDonald, Russ. 2013. ‘Pretty Rooms’: Shakespeare’s Sonnets, Elizabethan Architecture, and Early Modern Visual Design. In: Jonathan Post, ed. The Oxford Handbook of Shakespeare's Poetry. Oxford: OUP Oxford, pp. 486-503. ISBN 978-0199607747 [Book Section]

McDonald, Russ. 1991. Reading The Tempest. In: Stanley Wells, ed. Shakespeare Survey: Volume 43, The Tempest and After. Cambridge: Cambridge University Press, pp. 15-28. ISBN 978-0521395298 [Book Section]

McDonald, Russ. 1992. Reading The Tempest. In: , ed. Shakespeare Yearbook. Gale Press. [Book Section]

McDonald, Russ. 1997. Reading The Tempest. In: Donald Kesey, ed. Contexts for Criticism. McGraw-Hill Humanities/Social Sciences/Languages; 3 edition. ISBN 978-1559348447 [Book Section]

McDonald, Russ. 1998. Reading The Tempest. In: Virginia Vaughan and Alden Vaughan, eds. Critical Essays on “The Tempest. New York: G. K. Hall. [Book Section]

McDonald, Russ. 2002. Reading The Tempest. In: Donald Kesey, ed. Contexts for Criticism. McGraw-Hill Humanities/Social Sciences/Languages; 4 edition. ISBN 978-0767422963 [Book Section]

McDonald, Russ. 2003. Reading The Tempest. In: Catherine M. Alexander, ed. The Cambridge Shakespeare Library 3 Volume Hardback Set: Shakespeare's Times, Texts and Stages. Cambridge: Cambridge University Press. ISBN 978-0521824330 [Book Section]

McDonald, Russ. 2015. “Renaissance Rope Tricks: Rhetoric in the Theater,”. In: Michael MacDonald, ed. The Oxford Companion to Rhetoric. Oxford: Oxford University Press. [Book Section] (Forthcoming)

McDonald, Russ. 1989. Richard III and the Tropes of Treachery. Philological Quarterly, 68(4), pp. 465-483. ISSN 0031-7977 [Article]

McDonald, Russ. 2010. Sarah Siddons. In: Peter Holland and Adiran Poole, eds. Garrick, Kemble, Siddons, Kean: Great Shakespeareans Volume II. London, UK: Continuum. ISBN 9781441157874 [Book Section]

McDonald, Russ. 1981. Sceptical Visions: Shakespeare's Tragedies and Jonson's Comedies. In: Stanley Wells, ed. Shakespeare Survey, 34. Cambridge: Cambridge University Press, pp. 131-147. ISBN 978-0521523721 [Book Section]

McDonald, Russ. 2006. Sex, Lies, and Shakespearean Drama. In: Peggy O'Brien, ed. Teaching Twelfth Night and Othello: Shakespeare Set Free. Simon & Schuster, pp. 3-10. ISBN 978-0743288514 [Book Section]

McDonald, Russ. 1995. Shakespeare Goes to High School: Some Current Practices in the American Classroom. Shakespeare Quarterly, 46, pp. 18-27. ISSN 0037-3222 [Article]

McDonald, Russ. 2009. “Shakespeare Transposed: Falstaff”. In: , ed. Glyndebourne Program Essay. UNSPECIFIED. [Book Section]

McDonald, Russ. 1997. Shakespeare With Tears. Shakespeare Magazine, I(3), [Article]

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McDonald, Russ. 2001. Shakespeare and the Arts of Language. Oxford University Press. ISBN 0198711719 [Book]

McDonald, Russ. 2015. “Shakespeare and the History of the Bookish,”. In: Catherine Loomis and Sid Ray, eds. Proceedings of the Seventh Blackfriars Conference. UNSPECIFIED. [Book Section] (Forthcoming)

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McDonald, Russ. 2006. Shakespeare's Late Style. Cambridge University Press. ISBN 9780521820684 [Book]

McDonald, Russ. 2003. Shakespeare’s Verse. In: Stanley Wells and Lena Orlin, eds. Shakespeare: An Oxford Guide. Oxford: OUP Oxford, pp. 79-92. ISBN 978-0199245222 [Book Section]

McDonald, Russ. 2016. Sounds and Sweet Airs. Opera, 67(1), pp. 4-14. ISSN 1657-8651 [Article]

McDonald, Russ. 2012. Telling Stories. In: Russ McDonald; Nicholas Nace and Travis D Williams, eds. Shakespeare Up Close: Reading Early Modern Texts. London: Arden Shakespeare, pp. 216-224. ISBN 978-1408158784 [Book Section]

McDonald, Russ. 2010. “‘To Serve the Poet’: Verdi’s Macbeth,”. In: , ed. Glyndebourne Program Essay. UNSPECIFIED. [Book Section]

McDonald, Russ. 2009. 'You speak a language that I understand not': listening to the last plays. In: Catherine M. S. Alexander, ed. The Cambridge Companion to Shakespeare's Last Plays. Cambridge, UK: Cambridge University Press, pp. 91-112. ISBN 9780521881784 [Book Section]

McDonald, Russ. 2009. “‘You speak a language that I understand not’: The Poetry of the Romances,”. In: Catherine M. Alexander, ed. The Cambridge Companion to Shakespeare’s Romances. Cambridge University Press. [Book Section]

McDonald, Russ and Wright, George T. 2012. English Prosody. In: Stephen Cushman; Clare Cavanagh; Jahan Ramazani and Paul Rouzer, eds. The Princeton Encyclopedia of Poetry and Poetics 4th edition. Princeton: Princeton University Press, pp. 432-434. ISBN 978-0691133348 [Book Section]

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Miller, Katherine. 2012. The Observances (new poems) and Observations of Walks by the Sea. Doctoral thesis, Goldsmiths, University of London [Thesis]

Moore-Gilbert, Bart J.. 1994. The Arts in the 1970s: Cultural Closure. London: Routledge. ISBN 978-0415099066 [Book]

Moore-Gilbert, Bart J.. 2012. From "the Politics of Recognition" to "the Policing of Recognition" : Writing Islam in Hanif Kureishi and Mohsin Hamid. In: Rehana Ahmed; Peter Morey and Amina Yaqin, eds. Culture, Diaspora, and Modernity in Muslim Writing. (38) New York, NY: Routledge, pp. 183-199. ISBN 9780415896771 [Book Section]

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Moore-Gilbert, Bart J.. 2001. Hanif Kureishi. Manchester University Press. ISBN 0719055342 [Book]

Moore-Gilbert, Bart J.. 2002. I am going to rewrite Kipling's Kim: Kipling and Postcolonialism. The Journal of Commonwealth Literature, 37(2), pp. 39-58. ISSN 0021-9894 [Article]

Moore-Gilbert, Bart J.. 2014. Kipling and "Orientalism". London: Routledge. ISBN 978-1138799165 [Book]

Moore-Gilbert, Bart J.. 2011. Kipling and postcolonial literature. In: Howard Booth, ed. The Cambridge Companion to Kipling. Cambridge: Cambridge University Press, pp. 155-168. ISBN 978-0-521-13663-1 [Book Section]

Moore-Gilbert, Bart J.. 2003. Olive Schreiner's Story of an African Farm: Reconciling Feminism and Anti-Imperialism? Women a Cultural Review, 14(1), pp. 85-103. ISSN 09574042 [Article]

Moore-Gilbert, Bart J.. Palestine and Postcolonialism. UNSPECIFIED. [Book] (Forthcoming)

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Moore-Gilbert, Bart J.. 2009. Postcolonial Life-Writing: Culture, Politics and Self-Representation. Abingdon and New York: Routledge. ISBN 978-0-415-44300-5 [Book]

Moore-Gilbert, Bart J.. 1997. Postcolonial Theory: Contexts, Practices, Politics. London: Verso Books. ISBN 978-1859840344 [Book]

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Moore-Gilbert, Bart J.. 2014. Time bandits: Temporality and the politics of form in Palestinian womens life-writing. Journal of Postcolonial Writing, 50(2), pp. 189-201. ISSN 17449855 [Article]

Morrison, Blake. 2007. And When Did You Last See Your Father. Granta Books. ISBN 978-1862079786 [Book]

Morrison, Blake. 2011. As If. Granta Books. ISBN 978-1862070035 [Book]

Morrison, Blake. 1987. The Ballad of the Yorkshire Ripper. Chatto & Windus. ISBN 978-0701132279 [Book]

Morrison, Blake. 2005. 'Black Marks and Blue Pencils'. Guardian Yearbook, [Article]

Morrison, Blake. 1995. The Cracked Pot. In: "The Cracked Pot", West Yorkshire Playhouse. [Performance]

Morrison, Blake. 1989. Dark Glasses. Chatto & Windus; Revised & Expanded Edition edition. ISBN 978-0701128753 [Book]

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Morrison, Blake. 2012. A Discoverie of Witches. Sheffield: Litfest & Smith/Doorstop. ISBN 978-0-9540880-8-8 [Book]

Morrison, Blake. 1998. Dr Ox's Experiment, libretto for opera performed at Coliseum. In: "Dr Ox's Experiment", Coliseum, United Kingdom, June 1998. [Performance]

Morrison, Blake. 2007. Elephant and Castle. In: "Elephant and Castle", Aldeburgh Festival, United Kingdom, June 2007. [Performance]

Morrison, Blake. 1987. 'The Filial Art: A Reading of Contemporary British Poetry'. The Yearbook of English Studies, 17, pp. 179-217. [Article]

Morrison, Blake. 1996. Foreword to Anthony Burgess, A Clockwork Orange. In: , ed. A Clockwork Orange. Penguin, vii-xxiv. [Book Section]

Morrison, Blake. 2006. Foreword to D. H. Lawrence, Sons and Lovers. In: , ed. Sons and Lovers. Penguin Classics, xi-xxvi. [Book Section]

Morrison, Blake. 2006. Foreword to James Agee, A Death in the Family (Penguin, 2006). In: , ed. A Death in the Family. Penguin, v-xii. ISBN 978-0141187969 [Book Section]

Morrison, Blake. 2006. Foreword to James Agee, Let Us Now Praise Famous Men. In: , ed. Let Us Now Praise Famous Men. Penguin, vii-xii. [Book Section]

Morrison, Blake. 1998. Foreword to The Gospel According to St John. In: , ed. The Gospel According to St John. Canongate, vii-xvi. [Book Section]

Morrison, Blake. 2011. Introduction to D. H. Lawrence, Lady Chatterley's Lover. In: , ed. Lady Chatterley's Lover. Vintage, vii-xiv. [Book Section]

Morrison, Blake. 2000. The Justification of Johann Gutenberg. Chatto & Windus. ISBN 978-0385259842 [Book]

Morrison, Blake. 2010. The Last Weekend. London: Chatto & Windus. ISBN 9780701184841 [Book]

Morrison, Blake. 2007. Lisa's Sex Strike. In: "Lisa's Sex Strike", Octagon Theatre, Bolton, United Kingdom, Sept-Nov 2007. [Performance]

Morrison, Blake. 2010. A Little, Aloud: An anthology of prose and poetry for reading aloud to someone you care for. In: Angela Macmillan, ed. A Little, Aloud: An anthology of prose and poetry for reading aloud to someone you care for. Chatto & Windus, pp. 1-5. ISBN 978-0701185633 [Book Section]

Morrison, Blake. 2006. The Man with Two Gaffers, new version of Goldoni's stage-play Il Servitore di Due Padroni, performed by Northern Broadsides. In: "The Man with Two Gaffers", Northern Broadsides, United Kingdom, Aug-Dec 2006. [Performance]

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Morrison, Blake. 2003. Oedipus and Antigone by Sophocles. Northern Broadsides. ISBN 0954642201 [Book]

Morrison, Blake. 2004. Portraits. catalogue of BP Portrait Award 2004, pp. 8-16. [Article]

Morrison, Blake. 2008. 'The Reading Cure'. Guardian Review, [Article]

Morrison, Blake. 1992. Seamus Heaney (Contemporary writers). Routledge. ISBN 978-0415098786 [Book]

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Morrison, Blake. 2007. South of the River. Chatto & Windus. ISBN 9780701180461 [Book]

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Morrison, Blake. 2003. Things my mother never told me. Vintage. ISBN 0099440725 [Book]

Morrison, Blake. 1999. Too True. Granta Books. ISBN 978-1862072428 [Book]

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Morrison, Blake. 2011. We are Three Sisters. London: Nick Hern Books. ISBN 9781848422148 [Book]

Morrison, Blake. 2004. When I last saw him. In: I. Jack, ed. Granta. 87 Granta, pp. 279-290. ISBN 090314171X [Book Section]

Morrison, Blake and Rego, Paula. 2002. Pendle Witches. Enitharmon Press; illustrated edition edition. ISBN 978-1900564458 [Book]

Natarajan, Uttara. 2005. Circle of Sympathy: Shelley's Hazlitt. In: Uttara Natarajan; Tom Paulin and Duncan Wu, eds. Metaphysical Hazlitt: Bicentenary Essays. Oxon: Routledge, pp. 111-122. ISBN 9781138010253 [Book Section]

Natarajan, Uttara. 1998. Hazlitt and the Reach of Sense. Oxford: Clarendon Press. ISBN 978-0198184379 [Book]

Natarajan, Uttara. 2009. Hazlitt's Common Sense. Nineteenth-Century Prose, 36(1), pp. 13-26. ISSN 1052-0406 [Article]

Natarajan, Uttara. 2006. Pater and the genealogy of Hardy's modernity. SEL Studies in English Literature 1500-1900, 46(4), pp. 849-61. ISSN 1522 9270 [Article]

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Natarajan, Uttara. 2017. Ruskin on Imagination: A Via Negativa. Philological Quarterly, [Article]

Natarajan, Uttara. 2012. The Spirit of His Age: Hazlitt and Pater on Lamb. Nineteenth-Century Literature, 66(4), pp. 449-64. ISSN 0891-9356 [Article]

Natarajan, Uttara. 2010. William Hazlitt. In: Adrian Poole, ed. Great Shakespeareans, Volume IV: Lamb, Hazlitt, Keats. 4 London: Continuum, pp. 64-108. ISBN 9780826424365 [Book Section]

Natarajan, Uttara. 2003. The veil of familiarity: Romantic philosophy and the familiar essay. Studies in Romanticism, 42(1), pp. 27-44. ISSN 00393762 [Article]

Neeves, Mairi. 2008. 'Apartheid Haunts: Postcolonial Trauma in Lisa Fugard’s Skinner’s Drift'. Studies in the Novel, 40(1-2), pp. 108-126. ISSN 0039-3827 [Article]

Neeves, Mairi. 2009. 'The Pursuit of Selfhood: Writing the Absurd in Palestinian Autobiography'. In: Meg Jensen and Jane Jordan, eds. Life Writing: The Spirit of the Age and the State of the Art. Cambridge: Cambridge Scholars Publishing, pp. 52-63. ISBN 978-1443805261 [Book Section]

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Ng, Julia. 2016. '+1'. Scholem e i paradossi dell'infinito. In: Tamara Tagliacozzo, ed. Walter Benjamin, Gershom Scholem e il linguaggio. Milano-Udine: Mimesis. ISBN 978-88-5753-752-8 [Book Section] (In Press)

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Ng, Julia. 2014. ‘+1’: Scholem and the Paradoxes of the Infinite. Rivista italiana di filosofia del linguaggio, 8(2), pp. 196-210. ISSN 2036-6728 [Article]

Ng, Julia. 2015. 'The Action of Non-Action: Benjamin, Daoism, and the Image'. In: Daoism and Capitalism: A Workshop.. Goldsmiths, University of London, United Kingdom 10 March 2015. [Conference or Workshop Item]

Ng, Julia. 2015. 'Acts of Time: Cohen and Benjamin on Mathematics and History'. In: Hermann-Cohen-Gesellschaft Conference on “Critical Idealism and Messianism: From Hermann Cohen to Walter Benjamin and beyond,” University of Rome Tre and University of Turin. Rome, Italy 19-20 Oct 2015. [Conference or Workshop Item]

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Ng, Julia. 2017. Acts of Time: Cohen and Benjamin on Mathematics and History. [Peer reviewed] Paradigmi. Rivista di critica filosofica, special issue on Critical Idealism and Messianism. From Hermann Cohen to Walter Benjamin and beyond, ed. Tamara Tagliacozzo, Reinier Munk, and Andrea Poma, 1, pp. 41-60. [Article]

Ng, Julia. 2014. Agamben, Giorgio. In: Michael Kelly, ed. The [Oxford] Encyclopedia of Aesthetics 2nd edition. Oxford: Oxford University Press. [Book Section]

Ng, Julia. 2016. 'Benjamin’s Theater of the Irrational.'. In: Theatre of the A-human, Institute for Theatre, Film and Media Studies. Goethe Universität Frankfurt am Main, Germany 12-13 Feb 2016. [Conference or Workshop Item]

Ng, Julia. 2014. 'Body, Force, Right: figures of life after nature'. In: SEP/FEP 2014: After Nature. University of Utrecht, Netherlands 2-6 Sep 2014. [Conference or Workshop Item]

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Ng, Julia. 2018. Coffee and Donuts. Syndicate Lit, ISSN 2378-1769 [Article]

Ng, Julia. 2016. 'Daoism and Critical Theory'. In: Center for International Research in the Humanities and Social Sciences. New York University, United States 31 Oct 2016. [Conference or Workshop Item]

Ng, Julia. 2009. Descartes Instrument: Geometrischer Raum und die Verschmitztheit militärischer Architekturdarstellungen. In: Butis Butis, ed. Goofy History: Fehler Machen Geschichte. Böhlau-Verlag Gmbh. ISBN 978-3412204266 [Book Section]

Ng, Julia. 2015. 'Die höchste Kontinuität: Philologie und der Begriff der Zeit'. In: Internationale Vereinigung für Germanistik. Shanghai, China 23-31 Aug 2015. [Conference or Workshop Item]

Ng, Julia. 2014. 'Drawing and Governance'. In: Myers Symposium in Honor of David Van Zanten, Art Institute of Chicago and Graham Foundation for Advanced Studies in the Fine Arts. Chicago, IL, United States 17-18 Oct 2014. [Conference or Workshop Item]

Ng, Julia. 2011. Each Thing a Thief: Walter Benjamin on the Agency of Objects. Philosophy and Rhetoric, 44(4), pp. 382-402. ISSN 0031-8213 [Article]

Ng, Julia. 2016. 'Freiheitszusammenhang: Benjamin and the Theatre of the Irrational'. In: Postgraduate Research Seminar, Department of English. Queen Mary University of London, United Kingdom 31 Mar 2016. [Conference or Workshop Item]

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Ng, Julia. 2017. Gershom Scholem. In: Adam Kotsko and Carlo Salzani, eds. Agamben's Philosophical Lineage. Edinburgh: Edinburgh University Press. ISBN 9781474423649 [Book Section]

Ng, Julia. 2016. 'The Highest Continuity: Philology and the Concept of Time'. In: ICLA. Vienna, Austria 21-27 July 2016. [Conference or Workshop Item]

Ng, Julia. 2016. '“Intellectual history and critical theory,” Panel on “Methodologies” (with Quentin Skinner, Barbara Taylor, Lea Ypi)'. In: London Summer School in Intellectual History. UCL, United Kingdom 7 Sep 2016. [Conference or Workshop Item]

Ng, Julia. 2016. Justicia (Gerechtigkeit). In: Esther Cohen, ed. Glosario Walter Benjamin: conceptos y figuras. Mexico: UNAM. [Book Section] (In Press)

Ng, Julia. 2012. Kant's Theory of Experience at the End of the War: Scholem and Benjamin read Cohen. Modern Language Notes, 127(3), pp. 462-484. ISSN 0026-7910 [Article]

Ng, Julia. 2015. 'The Most Precise Tangency: Benjamin and the Lumières'. In: GSA. Washington, DC, United States 1-4 Oct 2015. [Conference or Workshop Item]

Ng, Julia. 2006. The Museum, the Street, and the Virtual Landscape of Berlin. In: Christoph Lindner, ed. Urban Space and Cityscapes: Perspectives from Modern and Contemporary Culture. Routledge, pp. 137-154. ISBN 9780415366533 [Book Section]

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Ng, Julia. 2018. Now, Hamacher. Philosophy Today, 61(4), ISSN 0031-8256 [Article]

Ng, Julia. 2016. 'Nur zu Zeiten: Philology and the Word in Time (Klopstock, Hölderlin, George)'. In: Yale German Department Lecture Series. Yale University, United States 3 Nov 2016. [Conference or Workshop Item]

Ng, Julia. 2016. 'Philologies of the Crisis'. In: Economies of the Crisis, Kandersteg Seminar, Remarque Institute NYU. Kandersteg, Switzerland 13-17 April 2016. [Conference or Workshop Item]

Ng, Julia. 2013. 'Picturing Pure Power (with Benjamin)'. In: Mathematics, Philosophy, and Literature, Mahindra Humanities Center. Harvard University, United States 11-12 April 2013. [Conference or Workshop Item]

Ng, Julia. 2015. 'The Poverty in Art'. In: Distinguished Friends of Yonsei University Lecture Series, Underwood International College, Yonsei University. Seoul, Korea, Republic of 3 Sep 2015. [Conference or Workshop Item]

Ng, Julia. 2014. 'The Poverty in Art'. In: MFA Lecture Series, Department of Art, Goldsmiths. Goldsmiths, University of London, United Kingdom 1 Dec 2014. [Conference or Workshop Item]

Ng, Julia. 2015. 'Scholem and the ‘Zionistic Point of Mathematics'. In: Society for Contemporary Jewish Philosophy Annual Meeting, Society for Phenomenological and Existential Philosophy. Atlanta, GA, United States 8-10 Oct 2015. [Conference or Workshop Item]

Ng, Julia. 2016. 'Sincerity as a Political Emotion (Roundtable discussant)'. In: Concepts of Passions and Politics, Institute of Advanced Studies. UCL, United Kingdom 3 June 2016. [Conference or Workshop Item]

Ng, Julia. 2016. 'Sketching the Sky Torn Asunder'. In: Gesture: A Workshop. Warburg Institute, London, United Kingdom 2 Dec 2016. [Conference or Workshop Item]

Ng, Julia. 2009. Translation: “Romantic Politics and Society,” by Ethel Matala de Mazza. Translated from the German by Julia Ng (with Ladislaus Loeb). In: Nicholas Saul, ed. The Cambridge Companion to German Romanticism. Cambridge University Press, pp. 191-208. ISBN 9781139002554 [Book Section]

Ng, Julia. 2012. Walter Benjamin's and Gershom Scholem's Reading Group Around Hermann Cohen's Kants Theorie der Erfahrung in 1918: An Introduction. Walter Benjamin, Gershom Scholem, and the Marburg School, Special Issue of the Modern Language Notes: German Issue, 127(3), pp. 433-439. ISSN 0026-7910 [Article]

Ng, Julia. 2013. 'Zettelkästen: Benjamin’s Jean Paul and the Afterlife of the Aesthetic'. In: International Walter Benjamin Congress: On the Concept of History/Writing History. Goethe Universität Frankfurt am Main, Germany 12-15 Dec 2013. [Conference or Workshop Item]

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Ng, Julia; Hamacher, Werner and UNSPECIFIED. 2018. Translation: "The One Right No One Ever Has" by Werner Hamacher. Translated from the German by Julia Ng. Philosophy Today, 61(4), pp. 947-962. ISSN 0031-8256 [Article]

Ng, Julia and Tobias, Rochelle. 2012. Introduction to the Special Issue: Walter Benjamin, Gershom Scholem, and the Marburg School. Modern Language Notes, 127(3), pp. 427-432. ISSN 0026-7910 [Article]

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Ng, Soo Nee. 2010. (Re)configurations of power and identities in twenty-first century fiction. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Noel, James. 2017. Floating Stages: Racial Performance in Herman Melville’s 1850s Texts. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Page, Jocelyn. 2016. Lawns of America & On My Mind: The Shared Vision of Collaboration in absentia. Doctoral thesis, Goldsmiths, University of London [Thesis]

Palmer, Helen. 2015. ‘Heralding the Heifers of Eos’, Accelerofeminisms. Inter/Alia: A Journal of Queer Studies, [Article] (Forthcoming)

Palmer, Helen. 2010. 'Parallel Universes, Parallel Worlds: The Translation of Neologisms'. Proceedings from Archipelagos Symposium, [Article]

Palmer, Helen. 2018. 'Smudged Lines: Reading Deleuze and Guattari’s “Three Novellas”. In: Henry Somers-Hall; Jeffrey A. Bell and James Williams, eds. A Thousand Plateaus and Philosophy. Edinburgh: Edinburgh University Press. ISBN 978-0748697281 [Book Section]

Palmer, Helen. 2012. A manifesto for nonsense: the Futurist drive in Deleuze’s poetics. Doctoral thesis, Goldsmiths, University of London [Thesis]

Parnell, Tim. 2007. From Hack to Eccentric Genius: Tristram Shandy and A Tale of a Tub, Again. Swift Studies, 22(1), pp. 146-160. ISSN 09388036 [Article]

Parnell, Tim. 2006. Laurence Sterne and the Problem of Belief (1). The Shandean, 17, pp. 121-139. ISSN 09563083 [Article]

Parnell, Tim. 1996. 'Salman Rushdie: from Colonial Politics to Postmodern Poetics'. In: Bart J. Moore-Gilbert, ed. Writing India 1757-1990: The Literature of British India. Manchester: Manchester University Press. ISBN 978-0719042669 [Book Section]

Parnell, Tim. 1996. ‘Sterne and Kundera: The Novel of Variations and the “noisy foolishness of human certainty”’. In: David Pierce and Peter de Voogd, eds. Laurence Sterne in Modernism and Postmodernism. Brill | Rodopi, pp. 147-156. ISBN 978-9042000025 [Book Section]

Parnell, Tim. 2007. Sterne and Young's Conjectures on Original Composition. The Eighteenth-Century Intelligencer, 21(2), pp. 12-17. [Article]

Parnell, Tim. 2016. 'Sterne and mid-century fiction: the "vast empire of biographical freebooters", and the "crying volume". In: Alan (J. A.) Downie, ed. The Oxford Handbook of the Eighteenth-Century Novel. Oxford: OUP Oxford. ISBN 978-0199566747 [Book Section]

Parnell, Tim. 1998. Swift and Lucian. In: Hermann J Real and Helgard Stöver-Leidig, eds. Reading Swift: Papers from the third Münster Symposium on Jonathan Swift. Wilhelm Fink. ISBN 978-3770532988 [Book Section]

Parnell, Tim. 1994. Swift, Sterne, and the Skeptical Tradition. Studies in Eighteenth-Century Culture, 23, pp. 221-242. ISSN 0360-2370 [Article]

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Parnell, Tim and Jack, I.. 2003. A Sentimental Journey and other writings by Laurence Sterne. Oxford University Press [Oxford World's Classics]. ISBN 9780192839961 [Book]

Pester, Holly. 2013. Bark Leather. London: Veer Press. ISBN 978-1907088629 [Book]

Pester, Holly. 2015. 'Beats, Heaps and Scruff’. In: Dennis Duncan, ed. Essays on the Work of Tom McCarthy. Canterbury: Gylphi. [Book Section] (Forthcoming)

Pester, Holly. 2011. Bury Poems. In: Tony Trehy, ed. Bury Poems. Greater Manchester: Bury Art Museum. [Book Section]

Pester, Holly. 2009. City State: New London Poetry. In: Tom Chivers, ed. City State: New London Poetry. London: Penned in the Margins. ISBN 978-0955384684 [Book Section]

Pester, Holly. 2013. The Dark Would: Language Art Anthology. In: Philip Davenport, ed. The Dark Would: v. 1: Language Art Anthology. Manchester: Apple Pie Publishing. ISBN 978-1909388000 [Book Section]

Pester, Holly. 2012. Distance vision test – a play? In: Nathan Hamilton, ed. Dear World and Everyone in It. London: Bloodaxe Books. ISBN 978-1852249496 [Book Section]

Pester, Holly. 2015. Enemigos. In: Rocio Ceron, ed. UNSPECIFIED Mexico City: EBL-Cielo Abierto. [Book Section]

Pester, Holly. 2014. Folkslop. London: Veer Press. [Book]

Pester, Holly. 2015. Go to Reception and Ask for Sara in Red Felt Tip. London: Book Works. ISBN 978-1906012663 [Book]

Pester, Holly. 2011. Hoofs! Manchester: if p then q Press. ISBN 978-0955864193 [Book]

Pester, Holly. 2013. ‘I did not know till afterwards: Curating an Archive Installation’. In: Tony Lopez, ed. The Text Festivals: Language Art and Material Poetry. University of Plymouth Press. ISBN 978-1841023595 [Book Section]

Pester, Holly. 2012. Katrina Sequence. London: Intercapillary Editions. [Book]

Pester, Holly. 2016. Memory, Hither Come: Habitual Memory in Contemporary Poetic Practice. In: Sebastian Groes, ed. Memory in the Twenty-First Century: Critical Perspectives from Sciences and Arts and Humanities. London: Palgrave Macmillan. ISBN 978-1137520579 [Book Section] (Forthcoming)

Pester, Holly. 2011. New Definitions of Intermedia. Journal of British and Irish Innovative Poetry, 3(2), ISSN 1758-2733 [Article]

Pester, Holly. 2012. Review of Robert Shepherd’s When Bad Times Made Good Poetry. Journal of British and Irish Innovative Poetry, 4(2), ISSN 1758-2733 [Article]

Pester, Holly. 2012. Serpentine Poetry Marathon Catalogue. In: , ed. Serpentine Poetry Marathon Catalogue. London: Koenig Books. ISBN 978-1-905190-44-7 [Book Section]

Pester, Holly. 2012. Sucking on Words Sounds Like This: “Information as Material”, Sound poetry and DIY Press. The Blue Notebook: Journal for artists' books, 7(1), ISSN 1751-1712 [Article]

Pester, Holly. 2012. Visual Poetics and a Play on Shortness. Dandelion Journal, 3(1), [Article]

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Peters, Virginia. 2015. Have you seen Simone?. Doctoral thesis, Goldsmiths, University of London [Thesis]

Pichler, Pia. 2009. All I’ve gotta do is wank on about some bollocky poem: cool and socially aware positions in the talk of London private school girls. In: Pia Pichler and E. Eppler, eds. Gender and Spoken Interaction. Houndmills, Baskingstoke, UK: Palgrave Macmillan, pp. 87-114. ISBN 0230013287 [Book Section]

Pichler, Pia. 2008. Gender, ethnicity and religion in spontaneous talk and ethnographic-style interviews: balancing perspectives of researcher and researched. In: K. Harrington; L. Litosseliti; H. Sauntson and J. Sunderland, eds. Language and Gender Research Methodologies. Houndmills, Baskingstoke: Palgrave Macmillan, pp. 56-70. ISBN 0-230-55069-X [Book Section]

Pichler, Pia. 2008. Hybrid or in between cultures: traditions of marriage in a group of British Bangladeshi girls. In: Jose Santaemilia and Patricia Bon, eds. Gender and Sexual Identities in Transition: Cross-cultural Perspectives. Cambridge: Cambridge Scholars Press., 199-218.. ISBN 9781847186683 [Book Section]

Pichler, Pia. 2011. Hybrid or in between cultures: traditions of marriage in a group of British Bangladeshi girls. In: Jennifer Coates and Pia Pichler, eds. Language and Gender: A Reader. 2nd Ed Oxford: Wiley-Blackwell, pp. 236-249. ISBN 9781405191449 [Book Section]

Pichler, Pia. 2015. Language, gender and identity. In: Nancy Bonvillain, ed. The Routledge Handbook of Linguistic Anthropology. Routledge, pp. 191-205. ISBN 978-0415834100 [Book Section]

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Pichler, Pia. 2006. Multifunctional teasing as a resource for identity construction in the talk of British Bangladeshi girls. Journal of Sociolinguistics, 10(2), pp. 225-249. ISSN 13606441 [Article]

Pichler, Pia. 2007. Talking Traditions of Marriage: Negotiating Young British Bangladeshi Femininities. Women s Studies International Forum, 30(3), pp. 201-216. ISSN 02775395 [Article]

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Pichler, Pia. 2009. Talking Young Femininities. Houndmills, Baskingstoke, UK: Palgrave Macmillan. ISBN 9780230013285 [Book]

Pichler, Pia. 2007. '"This sex thing is such a big issue now": Sex talk and identities in three groups of adolescent girls'. In: Sakis Kyratzis and Helen Sauntson, eds. Sexual Identities and Desires across Cultures. Palgrave Macmillan, pp. 68-95. ISBN 978-1403933270 [Book Section]

Pichler, Pia. 2005. The effect of social class and ethnicity on the discursive negotiation of feminities in the talk of British Bangladeshi girls. In: Janet Cotterill and Anne Ife, eds. Language across Boundaries. Continuum; New edition, pp. 25-46. ISBN 978-0826478733 [Book Section]

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Pichler, Pia and Williams, Nathanael. 2016. Hipsters in the hood: authenticating indexicalities in young men’s hip hop talk. Language in Society, 45(4), pp. 557-581. ISSN 0047-4045 [Article]

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Platt, Len. 2008. 'Altogether better-bred looking': Race and Romance in the Australian Novels of Rosa Praed. Journal of the Association for the Study of Australian Literature, 8, pp. 31-44. ISSN 1447-8986 [Article]

Platt, Len. 1989. The Buckeen and the Dogsbody: Aspects of History and Culture in 'Telemachus'. James Joyce Quarterly, 27(1), pp. 77-86. ISSN 00214183 [Article]

Platt, Len. 1999. Corresponding with the Greeks: An overview of Ulysses as an Irish Epic. James Joyce Quarterly, 36(3), pp. 507-523. ISSN 00214183 [Article]

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Platt, Len. 2016. 'Eating Gull Since Friday': Estuary Grotesque, Seaside Noir. Critique: Studies in Contemporary Fiction, 58(1), pp. 1-11. ISSN 0011-1619 [Article]

Platt, Len. 2015. 'How Scottish I Am': Alistair Gray, Race and Neo-nationalism. In: Len Platt and Sara Upstone, eds. Postmodern Literature and Race. Cambridge: Cambridge University Press, pp. 129-144. ISBN 9781107337022 [Book Section]

Platt, Len. 1996. 'If Brian Boru Could But Come Back Now and See Old Dublin Now' - Materialism, The National Culture and Ulysses 17. In: Andrew Gibson, ed. Joyce's 'Ithaca'. 6 Amsterdam: Rodopi, pp. 105-132. ISBN 9042000899 [Book Section]

Platt, Len. 1992. Joyce and the Anglo-Irish Revival: The Triestine Lectures. James Joyce Quarterly, 29(2), pp. 259-266. ISSN 00214183 [Article]

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Platt, Len. 2007. Joyce, Race and Finnegans Wake. Cambridge University Press. ISBN 052186884X [Book]

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Platt, Len. 2004. Musical Comedy on the West End Stage, 1890-1939. Palgrave Macmillan. ISBN 1403932255 [Book]

Platt, Len. 2006. No Such Race: The Wake and Aryanism. In: A. Gibson; Len Platt and S. Knowles, eds. Joyce, Ireland, Britain. University Press of Florida, pp. 155-177. ISBN 0813030153 [Book Section]

Platt, Len. 1998. Pisgah Sights: The National Press and the Catholic Middle Class in 'Aeolus'. James Joyce Quarterly, 35/36, pp. 735-746. ISSN 00214183 [Article]

Platt, Len. 1994. Ulysses 15 and the Irish Literary Theatre. In: Andrew Gibson, ed. Reading Joyce's 'Circe'. 3 Amsterdam: Rodopi, pp. 33-62. ISBN 9051835469 [Book Section]

Platt, Len and Becker, Tobias. 2013. Popular Musical Theatre, Cultural Transfer, Modernities: London/Berlin, 1890-1930. Theatre Journal, 65(1), pp. 1-18. ISSN 0192-2882 [Article]

Platt, Len and Upstone, Sara. 2015. Introduction. In: Len Platt and Sara Upstone, eds. Postmodern Literarue and Race. Cambridge: Cambridge University Press, pp. 1-10. ISBN 9781107337022 [Book Section]

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Popoola, Olumide. 2013. Also by Mail. Muenster/ Germany: edition assemblage. ISBN 978-3-942885-38-6 [Book]

Popoola, Olumide. 2010. this is not about sadness. Unrast Verlag. ISBN 978-3897716025 [Book]

Popova, Gergana. 2006. Aspect In the Morphological Paradigm. Doctoral thesis, Goldsmiths, University of London [Thesis]

Popova, Gergana. 2004. Bulgarian Aspect in Paradigm-Function Morphology. York Papers in Linguistics, 2(2), pp. 79-92. ISSN 1758-0315 [Article]

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Popova, Gergana. 2017. Constructions, grammatical status and morphologization. Studies in Language, 41(1), pp. 1-32. ISSN 0378-4177 [Article]

Popova, Gergana. 2010. Features in periphrastic constructions. In: Anna Kibort and Greville G Corbett, eds. Features: Perspectives on a Key Notion in Linguistics. Oxford: Oxford University Press, pp. 166-184. ISBN 9780199577743 [Book Section]

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Popova, Gergana. 2016. 'Inflected and periphrastic features: issues of comparison and modelling'. In: Tenth Mediterranean Morphology Meeting (MMM10). Haifa, Israel 7-10 September 2015. [Conference or Workshop Item]

Popova, Gergana. 2005. ‘Integrating Nominalisations into a (Generalised) Paradigm Function Model of Morphology’. In: Gergana Popova; Ryo Otoguro and Andrew Spencer, eds. Essex Research Reports in Linguistics 47. Department of Language and Linguistics. University of Essex. [Book Section]

Popova, Gergana; Aarts, Bas; Denison, David and Keizer, Evelien. 2004. ‘The Nature of Grammatical Categories and Their Representation’. In: Gergana Popova; Bas Aarts; David Denison and Evelien Keizer, eds. Fuzzy Grammar: A Reader. Oxford: Oxford University Press, pp. 1-28. ISBN 978-0199262571 [Book Section]

Otoguro, Ryo; Popova, Gergana and Spencer, Andrew, eds. 2005. Proceedings of the York-Essex Morphology Meeting 2, Essex Research Reports in Linguistics. Departmenty of Language and Linguistics, . [Edited Journal]

Popova, Gergana; Simov, Kiril and Osenova, Petya. 2002. ‘An HPSG-based Syntactic Treebank of Bulgarian (BulTreeBank)’. In: Anthony McEnery; Paul Rayson and Andrew Wilson, eds. A Rainbow of corpora: Corpus Linguistics and the Languages of the world. Munich: Lincom Europa, pp. 135-142. ISBN 978-3895868726 [Book Section]

Popova, Gergana and Spencer, Andrew. 2015. ‘Periphrasis and Inflection’. In: Matthew Baerman, ed. The Oxford Handbook of Inflection. Oxford: Oxford University Press, pp. 197-232. ISBN 978-0199591428 [Book Section]

Popova, Gergana and Spencer, Andrew. 2013. Relatedness in periphrasis. In: Marina Chumakina and Greville G. Corbett, eds. Periphrasis: The Role of Syntax and Morphology in Paradigms. Oxford: Oxford University Press for the British Academy, pp. 191-225. ISBN 9780197265253 [Book Section]

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Popova, Geri. 2017. 'English Compounds with ing-form heads'. In: The 11th Mediterranean Morphology Meeting. Nicosia, Cyprus. [Conference or Workshop Item] (Submitted)

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Randall, James P.. 2018. Posthumous temporality and encrypted historical time in fiction and life writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

Rattray, Jacqueline. 2008. 'Analyzing Surrealist Madness through the Poetry of Salvador Dalí,'. Comparative Critical Studies, 5(2-3), pp. 207-220. ISSN 1744-1854 [Article]

Rattray, Jacqueline. 2006. Crossing the French-Spanish border with José Maria Hinojosa. In: Elza Adamowicz, ed. Surrealism: Crossings/Frontiers. 18 Bern: Peter Lang, pp. 151-170. ISBN 3039103288 [Book Section]

Rattray, Jacqueline. 2004. 'El ojo mutilado en el surrealismo: "Cuando llueve en el desierto" de José María Hinojosa y Un Chien andalou de Buñuel y Dalí'. In: , ed. José María Hinojosa (1904-1936): Entre dos luces, exhibition catalogue. Malaga: Centro Cultural de la Generación del 27, pp. 124-128. [Book Section]

Rattray, Jacqueline. 2004. '"Granadas de fuego": Un ejemplo literario del método paranoico-crítico'. In: , ed. José María Hinojosa (1904-1936): Entre dos luces, exhibition catalogue. Malaga: : Centro Cultural de la Generación del 27, pp. 118-123. [Book Section]

Rattray, Jacqueline. 2000. 'The Hallucinogenic Power of Language: José María Hinojosa's "Textos Oníricos"'. In: Ramona Fotiade, ed. André Breton: The Power of Language. Exeter: Intellect Ltd, pp. 161-172. ISBN 978-1902454061 [Book Section]

Rattray, Jacqueline. 1996. 'José María Hinojosa and Surrealist Visuality’. In: I Pisonero del Amo; Jose Gamez Fuentes and G Hainge, eds. Actas del IV Congreso de postgraduados en estudios hispánicos. London: Embajada de España, pp. 159-166. [Book Section]

Rattray, Jacqueline. 2005. La mitología surrealista de José Maria Hinojosa. In: J. Neira and A. Gonzalez, eds. Escondido en la Luz: Congreso Internacional José Maria Hinojosa y su tiempo. Centro Cultural de la Generacion del 27, pp. 101-112. ISBN 8477856990 [Book Section]

Rattray, Jacqueline. 2001. 'The Metamorphosis of Vision in the Surrealist Text: José María Hinojosa's "Granadas de fuego"'. In: Michael Syrotinski and Ian Maclachlan, eds. Sensual Reading: New Approaches to Reading in its Relations to the Senses. Lewisburg, PA: Bucknell University Press, pp. 166-176. ISBN 978-1611481334 [Book Section]

Rattray, Jacqueline. 2014. 'Painting with Words: The Surrealist Poetry of the Catalan Artist, Àngel Planells'. In: Christopher Townsend; Alex Trott and Rhys Davies, eds. Across the Great Divide: Modernism's Intermedialities, from Futurism to Fluxus. Newcastle upon Tyne: Cambridge Scholars, pp. 81-99. ISBN 978-1443854788 [Book Section]

Rattray, Jacqueline. 2010. 'Pintor de soleares: Manuel Ángeles Ortiz y sus Albaycines,'. EntreRios. Revista de arte y letras, V(11-12), pp. 175-182. [Article]

Rattray, Jacqueline. 2004. 'Surrealist Poetry in Motion: José María Hinojosa and Luis Buñuel'. In: Isabel Santaolalla, ed. Buñuel. Siglo XXI. Zaragoza: Prensas Universitarias de Zaragoza e Institución Fernando el Católico, pp. 429-437. ISBN 978-8477336945 [Book Section]

Rattray, Jacqueline. 2003. 'The Theory of Surrealist Collage Through Image and Text: Àngel Planells and José María Hinojosa'. In: Federico Bonaddio and Xon de Ros, eds. Crossing Fields in Modern Spanish Culture. Oxford: EHRC, pp. 118-134. ISBN 978-1900755870 [Book Section]

Rattray, Jacqueline. 2004. 'Àngel Planells: esbós d’un poeta'; 'Àngel Planells: esbozo de un poeta'; 'Àngel Planells: Sketch of a Poet'. In: , ed. Planellsurrealista. Blanes: Fundació Àngel Planells, pp. 35-39. [Book Section]

Rattray, Jacqueline; Miro, Joan and Hinojosa, Jose Maria. 2004. 'A Delicious Imaginary Journey with Joan Miró and José María Hinojosa'. In: Robert Havard, ed. A Companion to Surrealism in Spain. London: Tamesis Books, pp. 33-48. ISBN 978-1855661042 [Book Section]

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Richards, Jasmine. 2013. Arachne’s Daughters: Towards a Feminist Poetics of Creative Autonomy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Richardson, Phyllis. 2011. Nano House: Innovations for Small Dwellings. London: Thames and Hudson Ltd. ISBN 978-0500342732 [Book]

Richardson, Phyllis. 2004. New Sacred Architecture. London: Laurence King Publishing. ISBN 978-1856693844 [Book]

Richardson, Phyllis. 2014. Superlight: Lightness in House Design. Thames and Hudson. ISBN 978-0500342961 [Book]

Richardson, Phyllis. 2007. XS Green: Green Ideas, Small Buildings. London and New York: Thames & Hudson. ISBN 978-0500342305 [Book]

Richardson, Phyllis. 2001. XS: Big Ideas, Small Buildings. London and New York: Thames & Hudson. ISBN 978-0500341810 [Book]

Richardson, Phyllis and Powell, Kenneth. 2014. Skywood House and the Architecture of Graham Phillips. London: Thames and Hudson Ltd. ISBN 978-0500342923 [Book]

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Roberts, Mark Patrick Davidson. 2014. The Guilty Influence: Philip Larkin among the poets. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Rosen, Michael. 2013. Alphabetical: How Every Letter Tells a Story. London: John Murray. ISBN 9781848548862 [Book]

Rossell, Deac (W. F. D.). 2009. '‘“...the Air fill’d with all sorts of Birds...”: the magic lantern as educator and entertainer’'. In: Large Auditorium, The National Gallery of Art, Washington, DC. The National Gallery of Art, Washington, DC, United States 13 July 2008. [Conference or Workshop Item]

Rossell, Deac (W. F. D.). 1998. Beyond Messter -- Aspects of Early Cinema in Berlin. Film History, 10(1), pp. 52-69. ISSN 0892-2160 [Article]

Rossell, Deac (W. F. D.). 2013. Chronophotography in the context of moving pictures. Early Popular Visual Culture, 11(1), pp. 10-27. ISSN 1746-0654 [Article]

Rossell, Deac (W. F. D.). 1991. Dal realismo East Coast ai generi West Coast. In: Emanuela Martini, ed. Innamorati e lecca lecca. Indipendenti americani anni '60. Lindau. ISBN 978-8871800493 [Book Section]

Rossell, Deac (W. F. D.). 2014. Demolition dun mur: The social construction of technology and early cinema projection systems. Early Popular Visual Culture, 12(3), pp. 304-341. ISSN 1746-0654 [Article]

Rossell, Deac (W. F. D.). 2006. Die Laterna Magica. Steidl. ISBN 3882438568 [Book]

Rossell, Deac (W. F. D.). 2006. Die Laterna Magica. In: B. von Dewitz and W. Nekes, eds. Ich sehe was, was Du nicht siehst! Steidl, pp. 134-145. ISBN 3882438568 [Book Section]

Rossell, Deac (W. F. D.). 1999. Die soziale Konstruktion früher technischer Systeme der Filmprojektion. : KINtop-Jahrbuch zur Erforschung des frühen Films, 8, [Article]

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Rossell, Deac (W. F. D.). 1998. Double Think: The Cinema and Magic Lantern Culture. In: John Fullerton, ed. Celebrating 1895. The Centenery of the Cinema. Sydney: John Libbey Cinema and Animation. ISBN 978-1864620153 [Book Section]

Rossell, Deac (W. F. D.). 2013. Double Think: The Cinema and Magic Lantern Culture. In: Richard Abel, ed. Encyclopedia of Early Cinema. Routledge; Reprint edition. ISBN 978-0415513807 [Book Section]

Rossell, Deac (W. F. D.). 1996. Eadweard Muybridge et la culture de l’image en mouvement. In: , ed. Marey / Muybridge - pionniers du Cinéma - rencontre Beaune / Stanford. Conseil régional de Bourgogne/Ville de Beaune/Université de Stanford, pp. 24-43. ISBN 978-2950956729 [Book Section]

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Rossell, Deac (W. F. D.). 2002. Exploding Teeth, Unbreakable Sheets and Continuous Casting: Nitrocellulose from Gun-Cotton to Early Cinema. Brussels: Fédération Internationale des Archives du Film. ISBN 2960029607 [Book]

Rossell, Deac (W. F. D.). 2002. Exploding Teeth, Unbreakable Sheets and Continuous Casting: Nitrocellulose from Gun-Cotton to Early Cinema. In: R. Smither, ed. This Film is Dangerous: A Celebration of Nitrate Film. Fédération Internationale des Archives du Film, pp. 37-51. ISBN 2960029607 [Book Section]

Rossell, Deac (W. F. D.). 2002. Exploding Teeth, Unbreakable Sheets and Continuous Casting: Nitrocellulose from Guncotton to Early Cinema. In: Roger Smither and Carol Surowiec, eds. This Film is Dangerous. Indiana University Press. ISBN 978-2960029604 [Book Section]

Rossell, Deac (W. F. D.). 1979. The Fourth Estate and the Seventh Art. In: Bernard Rubin, ed. Questioning Media Ethics. New York: Praeger Publishers Inc. ISBN 978-0030461316 [Book Section]

Rossell, Deac (W. F. D.). 1997. Jenseits Messter -- die ersten Berliner Kinematographen-Anbieter in Berlin. KINtop 6, Jahrbuch zur Erforschung des frühen Films, ISSN 1024-1906 [Article]

Rossell, Deac (W. F. D.). 1998. ‘Living Pictures.’ The Origins of the Cinema. State University of New York Press. ISBN 978-0791437681 [Book]

Rossell, Deac (W. F. D.). 2003. Nuernberg and the Bull's-Eye Magic Lantern. New Magic Lantern Journal, 9(5), [Article]

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Rossell, Deac (W. F. D.). 2012. Nuernberg and the Bull's-Eye Magic Lantern. The Magic Lantern Society, [Article]

Rossell, Deac (W. F. D.). 1997. Ottomar Anschütz and his Electrical Wonder. The Projection Box. ISBN 978-0952394181 [Book]

Rossell, Deac (W. F. D.). 2011. 'Paradigm Shifts in Vision'. In: Roundtable discussion in the series Muybridge and Moving Image History, organized by the Kingston Museum and Kingston University. Kingston University, Knights Park Campus, United Kingdom 27 January 2011. [Conference or Workshop Item]

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Rossell, Deac (W. F. D.). 1999. Serpentine Dance: Inter-National Connections in Early Cinema. Occasional Papers in Modern Languages, Culture and Society(1), [Article]

Rossell, Deac (W. F. D.). 1997. Trescientos años de entretenimiento cinematografico. Revista Archivos de la Filmoteca, 25-26, [Article]

Rossell, Deac (W. F. D.). 2008. '‘“...divers Personages running at the Ring...”: the magic lantern and moving pictures’'. In: Walter Reade Theatre, Lincoln Center, New York City. Walter Reade Theatre, Lincoln Center, New York City, United Kingdom 9 July 2008. [Conference or Workshop Item]

Rossell, Deac (W. F. D.). 2008. '‘“...so natural and lively a representation...”: the artistry of the magic lantern’.'. In: Remis Auditorium, Museum of Fine Arts, Boston. Museum of Fine Arts, Boston, United States 5 July 2008. [Conference or Workshop Item]

Salzman, Eva. 1999. Bargain with the Watchman. Oxford Paperbacks. ISBN 978-0192832573 [Book]

Salzman, Eva. 2003. Centre-Stage. Opera Now, [Article]

Salzman, Eva. 2004. Double Crossing: New & Selected Poems. Bloodaxe Books Ltd. ISBN 978-1852246617 [Book]

Salzman, Eva. 1992. The English Earthquake. Bloodaxe Books Ltd. ISBN 978-1852241773 [Book]

Salzman, Eva. 2008. Introduction. In: Eva Salzman and Amy Wack, eds. Women’s Work: Modern Women Poets Writing in English. Seren. ISBN 978-1854114303 [Book Section]

Salzman, Eva. 2010. Metaphor & Dance: Ego & Id. Poetry Review, [Article]

Salzman, Eva. 2014. Sonneral. Times Literary Supplement, [Article]

Salzman, Eva. 2010. With Regrets: Derek Walcott. Poetry London, [Article]

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Scott, Charlotte. 2018. The Child in Shakespeare. Oxford: Oxford University Press. ISBN 9780198828556 [Book] (Forthcoming)

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Scott, Charlotte. 2011. Dark Matter: Shakespeare's Foul Dens and Forests. Shakespeare Survey, ISSN 0080-1952 [Article]

Scott, Charlotte. 2011. 'Dark Matter: the Forest in Titus Andronicus and A Midsummer Night's Dream'. In: , ed. Shakespeare Survey. UNSPECIFIED. [Book Section]

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Scott, Charlotte. 2017. Incapable and Shallow Innocents. In: Richard Preiss and Deanne Williams, eds. Childhood and Education on the Early Modern Stage. Cambridge: Cambridge University Press, pp. 58-78. ISBN 9781107094185 [Book Section]

Scott, Charlotte. 2017. 'Incapable and shallow innocents'. In: Richard Williams and Deanne Pries, eds. The Cambridge Companion to Childhood and Education on the early Modern Stage. Cambridge: Cambridge University Press, pp. 58-78. ISBN 9781316145685 [Book Section]

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Scott, Charlotte. 2015. Polyolbion. The Faerie Land and Poly Olbion, [Article] (In Press)

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Scott, Charlotte. 2012. Reading Strange Matter: Shakespeare's Last Plays and the Book of Revelation. In: Andrew Powers, ed. Late Shakespeare, 1608–1613. Cambridge: Cambridge University Press, pp. 158-171. ISBN 9781107016194 [Book Section]

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Scott, Charlotte. 2016. Shakespeare Lives. [Film/Video]

Scott, Charlotte. 2008. Shakespeare's Books: Reading Dumb Eloquence and Speaking Breasts. Literature Compass, 5(3), pp. 603-617. [Article]

Scott, Charlotte. 2008. 'Shakespeare's Books: Reading Dumb Eloquence and Speaking Breasts'. Literature Compass, 5(3), pp. 603-617. ISSN 1741-4113 [Article]

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Scott, Charlotte. 2013. Shakespeare's Nature and the Cultivation of Culture. Oxford: Oxford University Press. ISBN 978-0-19-968508-0 [Book]

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Scott, Charlotte. 2016. Shakespeare's Theatre, Company and Rivals. In: Kirilka Stavreva, ed. British Literature Volume 4. Farmington Hills, MI: Gale. [Book Section] (In Press)

Scott, Charlotte. 2008. Still Life? Anthropocentrism and the Fly in Titus Andronicus and Volpone. Shakespeare Survey, 61, pp. 256-268. ISSN 0080-9152 [Article]

Scott, Charlotte. 2008. 'Still Life?: Anthropocentrism and the Fly in Titus Andronicus and Volpone'. In: Peter Holland, ed. Shakespeare Survey, 61. Cambridge: Cambridge University Press. ISBN 978-0521898881 [Book Section]

Scott, Charlotte. 2012. Strange Matter: Shakespeare's Late Plays and the Book of Revelation. In: , ed. Shakespeare’s Late Plays: Texts and Contexts. Cambridge: Cambridge University Press. [Book Section]

Scott, Charlotte. 2013. '"To show ... and so to publish": Reading, Writing and Performing in the Narrative Poems'. In: Jonathan Post, ed. The Oxford Handbook of Shakespeare's Poetry. Oxford: Oxford University Press, pp. 377-395. ISBN 978-0199607747 [Book Section]

Scott, Charlotte. 2011. 'To show ... and so to publish': Reading, Writing and Performing in the Narrative Poems. In: Jonathan Post, ed. The Oxford Companion to Shakespeare's Poetry. Oxford: Oxford University Press, xx. [Book Section]

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Scott, Charlotte. 2009. William Shakespeare. In: Jay Parini, ed. Great British Writers, Retrospective supplement. III Andover: Gale, Cengage Learning, pp. 269-288. [Book Section]

Scott, Charlotte. 2009. 'William Shakespeare'. In: Jay Parini, ed. British Writers: Retrospective Supplement III. Charles Scribners & Sons. ISBN 978-0684315997 [Book Section]

Shinn, Abigail. 2018. Conversion Narratives in Early Modern England: Tales of Turning. Houndmills, Basingstoke: Palgrave Macmillan. [Book] (Forthcoming)

Shinn, Abigail. 2014. Cultures of Mending. In: Abigail Shinn; Andrew Hadfield and Matthew Dimmock, eds. The Ashgate Research Companion to Popular Culture in Early Modern England. Farnham, Surrey: Ashgate, pp. 235-252. ISBN 978-1-4094-3684-3 [Book Section]

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Shinn, Abigail. 2017. Dreaming Converts in the Seventeenth Century: The Case of Philip Dandulo and Thomas Warmstry's The Baptized Turk. Journal for Early Modern Cultural Studies, 17(1), pp. 97-119. ISSN 1553-3786 [Article]

Shinn, Abigail. 2009. 'Extraordinary discourses of vnnecessarie matter': Spenser's Shepheardes Calender and the Almanac Tradition. In: Andrew Hadfield and Matthew Dimmock, eds. Literature and Popular Culture in Early Modern England. Farnham, Surrey: Ashgate, pp. 137-150. ISBN 978-0-7546-6580-9 [Book Section]

Shinn, Abigail. 2017. Father Figures: Paternal Politics in the Conversion Narratives of Thomas Gage and James Wadsworth. In: Hannah Crawforth and Sarah Lewis, eds. Family Politics in Early Modern Literature. London: Palgrave Macmillan, pp. 211-228. ISBN 978-1-137-51143-0 [Book Section]

Shinn, Abigail. 2017. Gender and Reproduction in the Spirituall Experiences. In: Helen Smith and Simon Ditchfield, eds. Conversions: Gender and Religious Change in Early Modern Europe. Manchester: Manchester University Press, pp. 81-104. ISBN 978-0-7190-9915-1 [Book Section]

Shinn, Abigail. 2014. Managing Copiousness for Pleasure and Profit: William Painter's Palace of Pleasure. Renaissance Studies, 28(2), pp. 205-224. ISSN 0269-1213 [Article]

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Shinn, Abigail. 2018. Searching for Spenser's Popular Voice. Spenser Review, 48(1.3), [Article]

Shinn, Abigail. 2018. The Senses and the Seventeenth-Century English Conversion Narrative. In: Robin Macdonald; Emilie Murphy and Elizabeth Swann, eds. Sensing the Sacred in Medieval and Early Modern Culture,. Abingdon, OXON: Routledge, pp. 99-116. ISBN 1472454669 [Book Section]

Shinn, Abigail. 2013. Spenser's Popular Intertexts. In: Emma Smith and Andy Kesson, eds. The Elizabethan Top Ten: Defining Print Popularity in Early Modern England. Farnham, Surrey: Ashgate, pp. 157-168. ISBN 978-1-4094-4029-1 [Book Section]

Simpson, Michael. 2003. 'Behind Harold’s Bloomsday Book: Gothic Secrets in Literary History'. Women: A Cultural Review, 14(3), pp. 229-247. ISSN 0957-4042 [Article]

Simpson, Michael. 1997. 'Buried and (P)Raised: Joseph Brodsky, William Peter and the Anglo-Irish Union'. Textual Practice (, 11(2), pp. 275-284. ISSN 0950-236X [Article]

Simpson, Michael. 2007. Byron in theory and theatre land: finding the right address. In: Jane Stabler, ed. Byron Studies. Palgrave Macmillan, pp. 191-212. ISBN 9781403945921 [Book Section]

Simpson, Michael. 2009. Byron's Manfred and the King's Head: Having Words with Bodies. The Byron Journal, 37(1), pp. 43-54. ISSN 0301-7257 [Article]

Simpson, Michael. 2012. Classical Greek Drama. In: Fred Burwick, ed. The Encyclopedia of Romantic Literature. Wiley-Blackwell. ISBN 978-1405188104 [Book Section]

Simpson, Michael. 2007. 'The Curse of the Canon: Ola Rotimi’s The Gods Are Not to Blame'. In: Lorna Hardwick and Carol Gillespie, eds. Classics in Post-Colonial Worlds. Oxford: OUP, pp. 86-100. ISBN 978-0199296101 [Book Section]

Simpson, Michael. 1997. 'Hyped Text: The Rhetoric of Virtual Space in Critical Prose'. Prose Studies, 20(3), pp. 79-105. ISSN 0144-0357 [Article]

Simpson, Michael. 2013. Labour and the Classics : Plato and Crossman in Dialogue. In: Lorna Hardwick and Stephen Harrison, eds. Classics in the Modern World : A Democratic Turn? Oxford: Oxford University Press, pp. 63-78. ISBN 9780199673926 [Book Section]

Simpson, Michael. 2011. Oedipus, Suez, and Hungary : T. S. Eliot's Tradition and The Elder Statesman. Comparative Drama, 44(4), pp. 509-528. ISSN 0010-4078 [Article]

Simpson, Michael. 2013. On Byron's Famous Fanes: Ruined Temples and Reformed Theatres. The Byron Journal, 41(2), p. 145. ISSN 0301-7257 [Article]

Simpson, Michael. 2013. On Byron’s Famous Fanes: Ruined Temples and Reformed Theatres. The Byron Journal, 41(2), pp. 145-157. ISSN 0301-7257 [Article]

Simpson, Michael. 1999. 'Re-Opening after the Old Price Riots: War and Peace at Drury Lane'. Texas Studies in Literature and Language, 41(4), ISSN 0040-4691 [Article]

Simpson, Michael, ed. 1999. ‘Romantic Drama in Place’, Texas Studies in Literature and Language, 41(4). 0040-4691 [Edited Journal]

Simpson, Michael. 2008. Telling Lives to Children : Young versus New Historicism. In: Damian Walford Davies, ed. Romanticism, History, Historicism: Essays on an Orthodoxy. Oxon: Routledge, pp. 60-78. ISBN 9780415961127 [Book Section]

Simpson, Michael. 2011. Trailing the Olympic Epic: Black Modernity and the Athenian Arena, 2004. In: Michael Simpson and Barbara Goff, eds. Thinking the Olympics: the Classical Tradition and the Modern Games. Bristol Classical Press. ISBN 978-0715639306 [Book Section]

Simpson, Michael. 2005. Wavering on Europe: Walter Scott and the Equilibrium of the Empires. Romanticism, 11(2), pp. 127-142. ISSN 1354991X [Article]

Simpson, Michael. 2015. 'Yesterday's Men: Labour's Modernising Elite from the 1960s to Classical Times'. In: Henry Stead and Edith Hall, eds. Greek and Roman Classics in the British Struggle for Social Reform. Bloomsbury Academic. ISBN 978-1472584267 [Book Section]

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Simpson, Michael and Goff, B.. 2007. Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the African Diaspora. Oxford University Press. ISBN 9780199217182 [Book]

Simpson, Michael and Goff, Barbara. 2015. 'New Worlds, Old Dreams? Postcolonial Theory and Reception of Greek Drama'. In: Kathryn Bosher; Fiona Macintosh; Justine McConnell and Patrice Rankine, eds. Oxford Handbook of Greek Drama in the Americas. Oxford: OUP Oxford. ISBN 978-0199661305 [Book Section]

Simpson, Michael and Goff, Barbara. 2011. 'Voice from the Black Box: Sylvain Bemba's Black Wedding Candles for Blessed Antigone'. In: Erin Mee and Helene Foley, eds. Antigone on the Contemporary World Stage. Oxford: OUP Oxford, pp. 324-341. ISBN 978-0199586196 [Book Section]

Sokol, B. J.. 2003. A Brave New World of Knowledge: Shakespeare's The Tempest and Early Modern Epistemology. Fairleigh Dickinson University Press. ISBN 978-1611472264 [Book]

Sokol, B. J.. 2014. Cerimon's "rough and woeful music" in Pericles. Shakespeare, 10(1), pp. 46-55. ISSN 1745-0918 [Article]

Sokol, B. J.. 2003. Margaret Cavendish's Poems and Fancies and Thomas Harriot's Treatise on Infinity. In: Stephen Clucas, ed. A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle. Aldershot: Ashgate Publishing Limited, pp. 151-163. ISBN 978-0754604648 [Book Section]

Sokol, B. J.. 2014. Shylock and Marsyas. Shakespeare, ISSN 1745-0918 [Article]

Sokol, B. J. and Sokol, Mary. 2005. Shakespeare's Legal Language: A Dictionary. Continnuum-3PL; New edition edition. ISBN 978-0826477781 [Book]

Sokol, B. J. and Sokol, Mary. 2006. Shakespeare, Law and Marriage. Cambridge University Press. ISBN 978-0521024907 [Book]

Sokol, B. J. and Sokol, Mary. 2002. Where Are We in Legal-Historical Studies of Shakespeare? The Case of Marriage and Property. In: W R Elton and John M Mucciolo, eds. The Shakespearean International Yearbook: v. 2: Where are We Now in Shakespearean Studies? Aldershot: Ashgate Publishing Limited, pp. 249-271. ISBN 978-0754602354 [Book Section]

Spufford, Francis. 1989. The Chatto Book of Cabbages and Kings: Lists in Literature. Chatto & Windus. ISBN 978-0701134877 [Book]

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Spufford, Francis. 2002. The Child That Books Built. Faber. ISBN 9780571214679 [Book]

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Spufford, Francis. 2016. Golden Hill. London: Faber & Faber. ISBN 9780571225194 [Book]

Spufford, Francis. 1996. I May Be Some Time: Ice and the English Imagination. Faber & Faber. ISBN 978-0571144877 [Book]

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Spufford, Francis. 2012. Red Plenty. Minneapolis, MN: Graywolf Press. ISBN 9781555976040 [Book]

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Spufford, Francis. 2017. True Stories and Other Essays. London/New Haven CT: Yale University Press. ISBN 9780300230055 [Book]

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Steinitz, Tamar. 2013. Back Home: Translation, Conversion and Domestication in Leila Aboulela's The Translator. Interventions: International Journal of Postcolonial Studies, 15(3), pp. 365-382. ISSN 1369-801X [Article]

Steinitz, Tamar. 2013. 'Back Home: Translation, Conversion and Domestication in Leila Aboulela's The Translator', Interventions. Interventions: International Journal of Postcolonial Studies, 15(3), pp. 365-382. ISSN 1369-801X [Article]

Steinitz, Tamar. 2008. 'In Other Words: Jakov Lind’s Translingual Autobiography'. In: Falco Pfalzgraf and Felicity Rash, eds. Anglo-German Linguistic Relations. Oxford: Verlag Peter Lang, pp. 161-173. ISBN 978-3039116560 [Book Section]

Sterne, Laurence. 2000. Tristram Shandy (Everyman Paperback). London: J. M. Dent. [Book]

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Stevenson, Guy. 2017. Alexander Trocchi. In: Jay Parini, ed. British Writers: Supplement XXV. 25th Edition. New York: Charles Scribner's Sons. [Book Section] (Forthcoming)

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Stevenson, Guy. 2015. Blast and Bless : Radical Aesthetics in the Writings of Henry Miller and Ezra Pound. Doctoral thesis, Goldsmiths, University of London [Thesis]

Stevenson, Guy. 2014. Cultural Studies. The Times Literary Supplement, [Article]

Stevenson, Guy. 2014. I do need that little word. The Times Literary Supplement, [Article]

Stevenson, Guy. 2015. 'Miller and Morality'. In: Louis Renza; James Decker and Indrek Manniste, eds. Henry Miller: New Perspectives. Bloomsbury Academic USA; Reprint edition, pp. 63-74. ISBN 978-1628921236 [Book Section]

Stevenson, Guy. 2014. Monster land. The Times Literary Supplement, [Article]

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Stevenson, Guy. 2017. Sacrifice and Expenditure: The Sexual Economics of Georges Bataille and Ezra Pound. European Journal of English Studies, 21(1), pp. 76-92. ISSN 1382-5577 [Article]

Sweeney, Carole. 2016. 'After Beauvoir: French Feminism and The Question of Difference'. In: Stuart Sim, ed. The Edinburgh Companion to Critical Theory. Edinburgh University Press. ISBN 978-0748693399 [Book Section] (Forthcoming)

Sweeney, Carole. 2012. “And yet some free time remains. . . .”: Post-Fordism and Writing in Michel Houellebecq's Whatever. Journal of Modern Literature, 33(4), pp. 41-56. ISSN 0022-281X [Article]

Sweeney, Carole. 1997. C.E. Gittings Imperialism and Gender and Bruce King ed. National And Postcolonial Literature. In: Jean Howard; Alan Sinfield and Lindsay Smith, eds. Textual Practice: Volume 11 Issue 2: Vol 11, Issue 2. Routledge, pp. 349-352. ISBN 978-0415161763 [Book Section]

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Sweeney, Carole. 2016. 'Cadaverized Girls: The Writing of Anna Kavan'. Textual Practice, ISSN 0950-236X [Article] (Forthcoming)

Sweeney, Carole. 2000. ‘Diasporic Voices in Pre-Negritude Paris’. Southampton Papers in Language and Culture, 1, [Article]

Sweeney, Carole. 2007. Experimental Nations: Or, the Invention of the Maghreb. Comparative Literature Studies, 44(1-2), pp. 208-211. ISSN 0010-4132 [Article]

Sweeney, Carole. 2011. Fin de millénaire French Fiction: The Aesthetics of Crisis. Modern and Contemporary France, 19(3), pp. 367-368. ISSN 0963-9489 [Article]

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Sweeney, Carole. 2004. From Fetish to Subject: Race, Modernism and Primitivism, 1919-1935. Greenwood Press. ISBN 0275977471 [Book]

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Sweeney, Carole. "'Happy Babels": Christine Brooke-Rose and Brigid Brophy'. Textual Practice, ISSN 0950-236X [Article] (Submitted)

Sweeney, Carole. 2013. Introduction: Fractured, Travelling, and Transformed Narratives. Comparative Critical Studies, 10(Supp), pp. 1-10. ISSN 1744-1854 [Article]

Sweeney, Carole. 2005. ‘Josephine Baker’, ‘Haiti’, ‘Joseph Zobel’, ‘Claude McKay’. In: Bill Marshall, ed. France and the Americas: Culture, Politics, and History (Transatlantic Relations). ABC-CLIO Ltd. ISBN 978-1851094110 [Book Section]

Sweeney, Carole. 2001. La Revue Nègre: négrophilie, modernity and colonialism in inter-war France. Journal of Romance Studies, 1(2), pp. 1-14. ISSN 1473-3536 [Article]

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Sweeney, Carole. 2013. Michel Houellebecq and the Literature of Despair. London: Bloomsbury Academic. ISBN 9780826422620 [Book]

Sweeney, Carole. 2012. Natural Women? Anti-Feminism and Michel Houellebecq's Plateforme. Modern & Contemporary France, 20(3), pp. 323-336. ISSN 0963-9489 [Article]

Sweeney, Carole. 2005. `One of them, but white': The Disappearance of Negro: An anthology (1934). Women a Cultural Review, 16(1), pp. 93-107. ISSN 09574042 [Article]

Sweeney, Carole. 2010. Race, Modernism and Institutions. In: Nicky Marsh and Peter Middleton, eds. Teaching Modernist Poetry. Basingstoke: Palgrave Macmillan, pp. 77-93. ISBN 9780230202320 [Book Section]

Sweeney, Carole. 2010. 'Race, Writing and Institutions'. In: Nick Marsh and Peter Middleton, eds. Teaching Modernist Poetry. London: Palgrave MacMillan. ISBN 978-0230202337 [Book Section]

Sweeney, Carole. 2004. Resisting the Primitive: The Nardal Sisters, La Revue du Monde Noir and La Dépêche Africaine. Nottingham French Studies, 43(2), pp. 45-55. ISSN 0029-4586 [Article]

Sweeney, Carole. 2018. 'Submit or Die: Michel Houellebecq's Europessimismus'. Modern and Contemporary France, ISSN 0963-9489 [Article] (Submitted)

Sweeney, Carole. 2003. Vestimentary identities: the politics of dress in everyday life. Journal of Romance Studies, 3(2), pp. 95-101. ISSN 1473-3536 [Article]

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Sweeney, Carole. 2016. '"Why this rather than that?’: The Delightful Perversity of Brigid Brophy'. Journal of Contemporary Womens Writing, ISSN 1754-1476 [Article] (Forthcoming)

Sweeney, Carole and Clarke, Jackie. 2005. France and America: Introduction. Nottingham French Studies, 44(3), pp. 1-3. ISSN 0029-4586 [Article]

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Sykes, Thomas. 2018. Searching for Manila : Personal and Political Journeys in an Asian Megacity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Tubridy, Derval. 2006. "The Absence of Origin”: Beckett and Contemporary French Philosophy. In: David Rudrum, ed. Contemporary Debates in Literature and Philosophy. London: Palgrave macmillan, pp. 24-36. ISBN 1403947732 [Book Section]

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Tubridy, Derval. 2017. Adjacency. In: "Adjacency", no format gallery, Arch 29, Rolt Street, Deptford, London SE8 5JB, United Kingdom, 23 March 2017 - 1 April 2017. [Show/Exhibition]

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Tubridy, Derval. 2010. Beckett's Spectral Silence: Breath and the Sublime. Limit(e) Beckett, 1(1), pp. 102-122. ISSN 2105-1119 [Article]

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Tubridy, Derval. 2010. Beckett, Feldman, Salcedo… Neither. In: Daniela Caselli, ed. Beckett and Nothing: Trying to understand Beckett. Manchester: Manchester University Press, pp. 143-159. ISBN 978-0-7190-8019-7 [Book Section]

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Tubridy, Derval. 2013. Bun-Ching Lam's and Samuel Beckett's Quatre Poèmes/Four Songs: Music, Image, Text. In: Kathryn Brown, ed. The Art Book Tradition in Twentieth-Century Europe. Surrey: Ashgate, pp. 59-71. ISBN 978-1-4094-2065-1 [Book Section]

Tubridy, Derval. 2001. Difficult Migrations: The Dinnseanchas of Thomas Kinsella's Later Poetry. Irish University Review, 31(1), pp. 172-186. ISSN 00211427 [Article]

Tubridy, Derval. 2011. The Dolmen Press: “A Hazardous Venture”. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book Vol. 5: The Irish Book in English, 1891-2000. 5 Oxford: Oxford University Press, pp. 576-591. ISBN 978-0-19-924911-4 [Book Section]

Tubridy, Derval. 2008. “In his secondmouth language”: Joyce and Irish Poetry. In: Richard Brown, ed. A Companion to James Joyce. Oxford: Blackwell, pp. 341-358. ISBN 978140511044 [Book Section]

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Tubridy, Derval. 2018. Incommensurable Corporealities? Touretteshero's Not I. Contemporary Theatre Review, ISSN 1048-6801 [Article] (Forthcoming)

Tubridy, Derval. 2005. National Identity and Urban Topography in Joyce's and Kinsella's Dublin. In: L. Harte; Y. Whelan and P. Crotty, eds. Ireland: Space, Text, Time. The Liffey Press, pp. 35-44. ISBN 1904148832 [Book Section]

Tubridy, Derval. 2012. Power, Politics, and Polis in Beckett's What Where. In: James Carney; Leonard Madden; Michael O'Sullivan and Karl White, eds. Beckett Re-membered: After the Centenary. Newcastle upon Tyne: Cambridge Scholars, pp. 166-179. ISBN 978-1-4438-3500-8 [Book Section]

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Tubridy, Derval. 2014. Samuel Beckett and Performance Art. Journal of Beckett Studies, 23(1), pp. 34-53. ISSN 0309-5207 [Article]

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Tubridy, Derval. 2017. Samuel Beckett and Sonic Art. In: Robert Reginio; David Houston Jones and Katherine Weiss, eds. Samuel Beckett and Contemporary Art. Ibidem Press. ISBN 9783838210797 [Book Section]

Tubridy, Derval. 2018. Samuel Beckett and the Language of Subjectivity. Cambridge: Cambridge University Press. [Book] (In Press)

Tubridy, Derval. 2007. Sounding Spaces: Aurality in Beckett, Nauman and Cardiff. Performance Research, 12(1), pp. 5-11. ISSN 1352-8165 [Article]

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Tubridy, Derval. 2018. Theatre and Installation: Perspectives on Beckett. Contemporary Theatre Review, 27(4), ISSN 1048-6801 [Article] (Submitted)

Tubridy, Derval. 2004. Thomas Kinsella and the Peppercanister Poems. In: Hutton Clare, ed. The Irish Book in the Twentieth Century. Dublin and Portland Or: Irish Academic Press, pp. 102-115. ISBN ISBN 0716527804, 0716533359 [Book Section]

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Tubridy, Derval. 2001. Thomas Kinsella: The Peppercanister Poems. Dublin: University of Dublin Press. ISBN 1900621525, 1900621533 [Book]

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Tubridy, Derval. 2016. 'An Unforgettable Image': Staging Beckett’s Short Plays. In: David Tucker and Trish McTighe, eds. Staging Beckett in Great Britain. London: Bloomsbury Methuen Drama, pp. 135-155. ISBN 978-1-4742-4017-8 [Book Section]

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Tubridy, Derval. 1998. Vain Reasonings: Not I. In: Jennifer Jeffers, ed. Samuel Beckett: A Casebook. New York and London: Garland, pp. 111-131. ISBN 0815325517 [Book Section]

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Tubridy, Derval. 2014. Visual Culture. In: David Tucker, ed. The Year's Work in Critical and Cultural Theory. Oxford: Oxford University Press, pp. 290-303. [Book Section]

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Tubridy, Derval. 2013. Visual Culture. In: David Tucker, ed. The Year's Work in Critical and Cultural Theory. Oxford: Oxford University Press, pp. 291-307. [Book Section]

Tubridy, Derval. 2000. "Words Pronouncing Me Alive”: Beckett and Incarnation. In: Mary Bryden; Lance St John Butler; Marius Buning and Matthijs Engelberts, eds. Samuel Beckett Today/Aujourd’hui: Beckett and Religion; Beckett/Aesthetics/Politics. (9) Amsterdam; Atlanta GA: Rodopi, pp. 93-104. ISBN 9042014040 [Book Section]

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Tubridy, Derval; Austin, Sandra and Archer, Daan. 2005. Cardiac. [Art Object]

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Underwood, J W. 2016. Instead of Bad News about a Person I Love. POETRY FOUNDATION, Chicago. [Other]

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Underwood, J W. 2016. I’m on the boating lake with Sean. POETRY FOUNDATION, Chicago. [Other]

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Underwood, J W. 2016. The Man with the Blue Guitar. POETRY FOUNDATION, Chicago. [Other]

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Underwood, J W. 2018. On Poetry and Uncertain Subjects. Poetry, 213(1), ISSN 0032-2032 [Article] (Forthcoming)

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Underwood, Jack. 2009. Faber New Poets 4. London: Faber. ISBN 9780571249985 [Book]

Underwood, Jack. 2015. Happiness. London: Faber & Faber Ltd. ISBN 978-0-571-31361-7 [Book]

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Underwood, Jack. 2015. I Guess You Had To Be There. Five Dials, 37, [Article]

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Underwood, Jack. 2015. Mirror-Witihin-Mirror. The Poetry Review, 105(1), [Article]

Underwood, Jack. 2009. One of the poets in - Voice Recognition: 21 Poets for the 21st Century. In: James Byrne and Clare Pollard, eds. Voice Recognition: 21 Poets for the 21st Century. Bloodaxe Books Ltd. ISBN 978-1852248383 [Book Section]

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Underwood, Jack. 2010. Wakefield and Other Poems / Sense and Inaudibility. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Vakil, Ardashir (Ardu). 1997. 'Beach Boy'. London: Hamish Hamilton Ltd. ISBN 0-241-13760-8 [Book]

Vakil, Ardashir (Ardu). 2007. Chapter 7. In: Betsy Karel, ed. Bombay Jadoo. Gottingen, Germany: Steidl, pp. 83-84. ISBN 978-3-86521-376-1 [Book Section]

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Vakil, Ardashir (Ardu). 2013. Darius and Xerxes. Raritan: A Quarterly Review, xxxill(1), pp. 1-15. [Article]

Vakil, Ardashir (Ardu). 2006. Eva. Edizione Corraini and Illystories. [Book]

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Vakil, Ardashir (Ardu). 2012. 'Jhumpa Lahiri and the influence of Homer'. In: Ancient Greek Myth and Modern Conflict in Modern Fiction since 1989. British Academy, United Kingdom 5-6 July. [Conference or Workshop Item]

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Vakil, Ardashir (Ardu). 2015. Last Time. Raritan, XXXIV(4), pp. 133-153. ISSN 0275-1607 [Article]

Vakil, Ardashir (Ardu). A New Leaf. In: , ed. Changing English, Studies in Reading and Culture. UNSPECIFIED. [Book Section]

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Vakil, Ardashir (Ardu). 2013. Truthful Fictions:How Dreams Can Help You Write. Changing English: Studies in Culture and Education, 20(4), pp. 415-427. ISSN 1358-684X [Article]

Vakil, Ardashir (Ardu). 1998. Who Else Can I Talk To? Mosaic, British Council abd Penguin. [Book]

Vakil, Ardashir (Ardu). 1999. The Whole Biryani. In: , ed. Fourth Estate. UNSPECIFIED. [Book Section]

Wade, Chloe. 2013. 'Whose history? Diasporic remembering in Dorothea Smartt's ship shape'. In: Perspectives from ‘Other’ Cultures Translating Culture’. Goldsmiths, University of London, United Kingdom 20-22 September. [Conference or Workshop Item]

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Wagner, Erica. 2017. Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge. USA, UK: Bloomsbury. ISBN 978-1620400517 [Book]

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Wagner, Erica. 2017. Exclusive interview with Jodie Foster. Harper's Bazaar, ISSN 0017-7873 [Article]

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Wagner, Erica, ed. 2016. First Light: A Celebration of Alan Garner. UK: Unbound. ISBN 978-1-78352-252-1 [Edited Book]

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Wagner, Erica. 2018. The German-American Family Who Built the Brooklyn Bridge. Zocalo Public Square, [Article]

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Wagner, Erica. 2017. Inside the Secret World of "The Muppet Show". The Daily Beast, [Article]

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Wagner, Erica. 2018. Is it time to rethink our attitude to mortality? The Financial Times, ISSN 0307-1766 [Article]

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Wagner, Erica. 2017. The Many Selves of Sylvia Plath. The New Statesman, October 6, 2017, pp. 44-46. ISSN 13647431 [Article]

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Wagner, Erica. 2017. Norway and Nigeria’s unlikely bibliophilic collaboration. The Economist, ISSN 0013-0613 [Article]

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Wagner, Erica. 2018. Writer Claire Tomalin: ‘You begin to see certain patterns’. The Financial Times, ISSN 0307-1766 [Article]

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Wagner, Erica. 2018. The legacy of Philip Roth. The Financial Times, ISSN 0307-1766 [Article]

Wingate, Ursula; Andon, Nick and Cogo, Alessia. 2011. Embedding academic writing instruction into subject teaching: A case study. Active Learning in Higher Education, 12(1), pp. 69-81. ISSN 1469-7874 [Article]

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Wood, Naomi. 2014. Mrs. Hemingway. Picador. ISBN 978144722686401 [Book]

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Woolley, Benjamin. 2015. The Angel of Ferrara. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Zhang, Meiping. 2018. ‘Everything … as a Gloss on Everything Else' : Life and Work in Paul Auster. Doctoral thesis, Goldsmiths, University of London [Thesis]

This list was generated on Sun Jul 15 02:46:00 2018 BST.