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Items where Division is "English and Comparative Literature"

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Number of items at this level: 1994.

Barber, Ros, ed. 2015. 30-Second Shakespeare. Ivy Press. ISBN 978-1782402602 [Edited Book]

Byrne, James P.; Kirwan, Padraig and O'Sullivan, Michael, eds. 2009. Affecting Irishness: Negotiating Cultural Identity Within and Beyond the Nation. Oxford: Peter Lang. ISBN 978-3-03911-830-4 [Edited Book]

Anim-Addo, Joan, ed. 1999. Another Doorway: Visible Inside the Museum. London: Mango Publishing. ISBN 978-1902294018 [Edited Book]

Stevenson, Guy, ed. 2020. Anti-Humanist Modernisms, Textual Practice, 34(9). 0950-236X [Edited Journal]

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Baldick, Chris and Desmarais, Jane H., eds. 2017. Arthur Symons: Selected Early Poems. Cambridge: Modern Humanities Research Association. ISBN 9781781880999 [Edited Book]

Desmarais, Jane H. and Baldick, Chris, eds. 2017. Arthur Symons: Selected Early Poems, eds. Jane Desmarais and Chris Baldick. Cambridge: Modern Humanities Research Association. ISBN 9781781880999 [Edited Book]

Shinn, Abigail; Hadfied, Andrew and Dimmock, Matthew, eds. 2014. The Ashgate Research Companion to Popular Culture in Early Modern England. Farnham, Surrey: Ashgate. ISBN 9781409436843 [Edited Book]

McDonald, Russ and Cowen Orlin, Lena, eds. 2014. The Bedford Shakespeare. Boston: Bedford St. Martins. ISBN 978-0312439637 [Edited Book]

Kapos, Martha and Dooley, Tim, eds. 2014. The Best of Poetry London: Poetry and Prose 1988-2013. Carcanet Press Ltd. ISBN 978-1847772497 [Edited Book]

Platt, Len and McHale, Brian, eds. 2016. The Cambridge History of Postmodern Literatutre. New York: Cambridge University Press. ISBN 978 107 14027 1 [Edited Book]

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Creighton, Nicola and Kramer, Andreas, eds. 2012. Carl Einstein und die europäische Avantgarde / Carl Einstein and the European Avant-Garde. Berlin and Boston: De Gruyter. ISBN 9783110291155 [Book]

Anim-Addo, Joan, ed. 2002. Centre of Remembrance: Memory and Caribbean Women’s Literature. London: Mango Publishing. ISBN 978-1902294025 [Edited Book]

Boldrini, Lucia and Mussgnug, Florian, eds. 2008. Comparative Critical Studies: Folly, Comparative Critical Studies, 5(2-3). 1744-1854 [Edited Journal]

Downie, Alan (J. A.) and Parnell, Tim, eds. 2006. Constructing Christopher Marlowe. Cambridge: Cambridge University Press. ISBN 978-0521030519 [Edited Book]

Shinn, Abigail and Vine, Angus, eds. 2014. The Copious Text: Encyclopaedic Books in Early Modern England, Renaissance Studies, 28(2). 0269-1213 [Edited Journal]

Spufford, Francis and Uglow, Jenny, eds. 1997. Cultural Babbage: Technology, Time and Invention. Faber & Faber. ISBN 978-0571172436 [Edited Book]

Moore-Gilbert, Bart J. and Seed, John, eds. 1992. Cultural Revolution?: Challenge of the Arts in the 1960's. London: Routledge. ISBN 978-0415078252 [Edited Book]

Desmarais, Jane H. and Weir, David, eds. 2019. Decadence and Literature. Cambridge: Cambridge University Press. ISBN 9781108550826 [Edited Book]

Desmarais, Jane H. and Condé, Alice, eds. 2017. Decadence and the Senses. Oxford: Legenda. ISBN 978-1-78188-481-2 [Edited Book]

Gossling, Jessica and Condé, Alice, eds. 2018. Decadence, Magic(k), and the Occult, Volupté: Interdisciplinary Journal of Decadence Studies, 1(2). [Edited Journal]

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Desmarais, Jane H. and Baldick, Chris, eds. 2011. Decadence: An annotated anthology. Manchester and New York: Manchester University Press. ISBN 978-0719075513 [Edited Book]

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Alston, Adam and Desmarais, Jane H., eds. 2024. Decadent Plays, 1890-1930. London: Bloomsbury. ISBN 9781350171824 [Edited Book]

Cogo, Alessia, ed. 2023. ELT Journal, ELT Journal, . 0951-0893 [Edited Journal]

Spufford, Francis and Kolbert, Elizabeth, eds. 2007. The Ends of the Earth: An Anthology of the Finest Writing on the Arctic and the Antarctic. Granta Books. ISBN 978-1862079779 [Edited Book]

Boldrini, Lucia and Novak, Julia, eds. 2017. Experiments in Life-Writing: Intersections of Auto/Biography and Fiction. London: Palgrave Macmillan. ISBN 978-3-319-55413-6 [Edited Book]

Krause, Frank, ed. 2010. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: Vandenhoeck & Ruprecht unipress. ISBN 3899717171 [Edited Book]

Krause, Frank and Eichhorn, Kristin, eds. 2023. Expressionismus 18 (2023): Riechen und Gerüche, Expressionismus, (18). 2363-5592 [Edited Journal]

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Howe, LeAnne and Kirwan, Padraig, eds. 2020. Famine Pots: The Choctaw Irish Gift Exchange, 1847-Present. East Lansing, Michigan: Michigan State University Press. ISBN 9781611863697 [Edited Book]

Boldrini, Lucia and Sweeney, Carole, eds. 2013. Fractured, Travelling, Transformed Narratives, Comparative Critical Studies, 10(3-supp). 1744-1854 [Edited Journal]

Krause, Frank, ed. 2008. France and German Expressionism / Frankreich und der deutsche Expressionismus. Göttingen: Vandenhoeck & Ruprecht unipress. ISBN 899713648 [Edited Book]

Popova, Gergana; Aarts, Bas; Denison, David and Keizer, Evelien, eds. 2004. Fuzzy Grammar: A Reader. Oxford: Oxford University Press. ISBN 978-0199262571 [Edited Book]

Pichler, Pia and Eppler, Eva, eds. 2009. Gender and Spoken Interaction. Palgrave Macmillan. ISBN 978-0230574021 [Edited Book]

Williams, Gianna; Williams, Paul; Ravenscroft, Kent and Desmarais, Jane H., eds. 2003. The Generosity of Acceptance: Exploring Eating Disorders in Adolescents. London: Karnac. ISBN 9781855752610 [Edited Book]

Williams, Gianna; Williams, Paul; Ravenscroft, Kent and Desmarais, Jane H., eds. 2003. The Generosity of Acceptance: Exploring Feeding Difficulties in Children. London: Karnac. ISBN 9781855759343 [Edited Book]

Krause, Frank, ed. 2005. Georg Kaiser and Modernity. Göttingen: Vandenhoeck and Ruprecht. ISBN 978-3-89971-245-2 [Edited Book]

Krause, Frank; Bluhdorn, Ingolfur and Scharf, Thomas, eds. 1995. The Green Agenda: Environmental Politics and Policy in Germany. Keele: Keele University Press. ISBN 978-1853311406 [Edited Book]

Downie, Alan (J. A.), ed. 2008. Henry Fielding In Our Time: Papers Presented at the Tercentenary Conference. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781847189875 [Edited Book]

El-Rayess, Miranda and Reeve, Neil, eds. Henry James, The Beast in the Jungle and Other Tales. Cambridge: Cambridge University Press. [Edited Book] (Forthcoming)

Osborne, Deirdre, ed. 2012. Hidden Gems Volume II. London: Oberon Books. ISBN 9781849431484 [Edited Book]

Dooley, Maura, ed. 2003. The Honey Gatherers: an anthology of love poems. Bloodaxe Books Ltd. ISBN 978-1852243593 [Edited Book]

Dooley, Maura, ed. 2000. How Novelists Work. Seren. ISBN 978-1854111920 [Edited Book]

Anim-Addo, Joan and Scafe, Suzanne, eds. 2007. I am Black, White, Yellow: An Introduction to the Black Body in Europe. London: Mango Publishing. ISBN 978-1902294315 [Edited Book]

Condé, Alice and Gossling, Jessica, eds. 2019. In Cynara's Shadow: Collected Essays on Ernest Dowson. Oxford: Peter Lang. ISBN 9781787076266 [Edited Book]

Bowles, Hugo and Cogo, Alessia, eds. 2015. International Perspectives on English as a Lingua Franca: pedagogical insights. Basingstoke: Palgrave Macmillan. ISBN 9781137398079 [Edited Book]

Tubridy, Derval, ed. 2008. Irish Studies Review: Thomas Kinsella Special Issue, Irish Studies Review, 16(3). 0967-0882 [Edited Journal]

Coates, Jennifer and Pichler, Pia, eds. 2011. Language and Gender. A Reader. Second Edition. John Wiley & Sons; 2nd Edition. ISBN 978-1405191449 [Edited Book]

Mooney, Annabelle; Peccei, Jean; LaBelle, Suzanne; Eppler, Eva; Irwin, Anthea; Soden, Satori and Pichler, Pia, eds. 2011. The Language, Society and Power Reader. Routledge. ISBN 978-0415430838 [Edited Book]

Archibald, Alasdair; Cogo, Alessia and Jenkins, Jennifer, eds. 2011. Latest Trends in ELF Research. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 978-1-4438-3299-1 [Edited Book]

Dooley, Maura, ed. 1997. Making for Planet Alice: New Women Poets. Bloodaxe Press. ISBN 978-1852243982 [Edited Book]

Barnsley, Sarah, ed. 2024. Mary Barnard - Complete Poems. Albany, New York: SUNY Press. [Edited Book] (Forthcoming)

Natarajan, Uttara; Paulin, Tom and Wu, Duncan, eds. 2015. Metaphysical Hazlitt: Bicentenary Essays. London: Routledge. ISBN 978-1138010253 [Edited Book]

Morrison, Blake; Weldon, Fay and Roberts, Michele, eds. 1996. Mind Readings. Minerva. [Edited Book]

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Desmarais, Jane H.; Postle, Martin and Vaughan, Martin, eds. 2006. Model and Supermodel: The Artist’s Model in British Art and Culture. Manchester University Press. ISBN 978-0-7190-6662-7 [Edited Book]

Gilmour, Rachael and Steinitz, Tamar, eds. 2018. Multilingual Currents in Literature, Translation, and Culture. New York: Routledge. ISBN 9781138120532 [Edited Book]

Shinn, Abigail and Mazur, Peter, eds. 2013. Narrating Conversion in the Early Modern World, Journal of Early Modern History, (17). 1385-3783 [Edited Journal]

Boldrini, Lucia; Grishakova, Marina and Reynolds, Matthew, eds. 2013. New Work in Comparative Literature in Europe, CLCWeb: Comparative Literature amd Culture, 15(7). [Edited Journal]

Morrison, Blake; Rogers, Jane and Adebayo, Diran, eds. 2003. New Writing 12. Picador. [Edited Book]

Baldick, Chris, ed. 2009. The Oxford Book of Gothic Tales. Oxford: OUP. ISBN 978-0199561537 [Edited Book]

Baldick, Chris, ed. 2015. The Oxford Dictionary of Literary Terms. Oxford: OUP. ISBN 978-0198715443 [Edited Book]

Morrison, Blake and Motion, Andrew, eds. 1986. The Penguin Book of Contemporary British Poetry. Penguin Books Ltd. ISBN 978-0140585520 [Edited Book]

Natarajan, Uttara, ed. 2007. Plain Speaking: A Sudra’s Story. Delhi: Permanent Black. ISBN 978-8178241814 [Edited Book]

Platt, Len; Becker, Tobias and Linton, David, eds. 2014. Popular Musical Theatre in London and Berlin, 1890 to 1939. Cambridge: Cambridge University Press. ISBN 9781107051003 [Edited Book]

Platt, Len and Upstone, Sara, eds. 2015. Postmodern Literature and Race. Cambridge: Cambridge UniversityPlace. ISBN 9781107042483 [Edited Book]

Rossell, Deac (W. F. D.) and French, Philip, eds. 1991. Press Observed and Projected. BFI Publishing. ISBN 978-0851703268 [Edited Book]

Bate, Jonathan; Rasmussen, Eric and Scott, Charlotte, eds. 2006. The RSC Shakespeare: The Complete Works. Palgrave Macmillan. ISBN 978-0230200951 [Edited Book]

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Osborne, Deirdre; Howe, Leila Hassan and Peacock, Margaret, eds. 2023. Race Today: A Luta Continua. London: Darcus Howe Legacy Collective. ISBN 9781399949613 [Edited Book]

Canova-Green, Marie-Claude, ed. 2010. Racine et l'Histoire. Narr Dr. Gunter. ISBN 978-3823360544 [Edited Book]

Natarajan, Uttara, ed. 2007. The Romantic Poets: A Guide to Criticism. Oxford: Wiley-Blackwell. ISBN 978-0631229315 [Edited Book]

McDonald, Russ; Nace, Nicholas and Williams, Travis D, eds. 2012. Shakespeare Up Close: Reading Early Modern Texts. London: Bloomsbury/Arden. ISBN 978-1408158784 [Edited Book]

McDonald, Russ, ed. 2003. Shakespeare: An Anthology of Criticism and Theory, 1945-2000. Wiley-Blackwell. ISBN 978-0631234883 [Edited Book]

Ng, Julia and Martel, James, eds. 2024. Singularity's -abilities: Special dossier on Samuel Weber, Modern Language Notes: Comparative Literature issue, . 0026-7910 [Edited Journal] (Forthcoming)

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Herold, Katharina and Krause, Frank, eds. 2021. Smell and Social Life. Aspects of English, French and German Literature (1880-1939). Munich: iudicium. ISBN 9780854572809 [Edited Book]

Cogo, Alessia and Vettorel, Paola, eds. 2019. Special Section: Negotiating Meaning in Business English as a Lingua Franca, Iperstoria, 13. [Edited Journal]

Ng, Julia, ed. 2022. Special issue on 'Derrida's Geschlecht III', Paragraph, 45(3). 0264-8334 [Edited Journal]

Craps, Stef and Crownshaw, Richard, eds. 2018. Studies in the Novel Special Issue: The Rising Tide of Climate Change Fiction, Studies in the Novel, 50(1). 0039-3827 [Edited Journal]

Canova-Green, Marie-Claude and Le Calvez, Eric, eds. 1997. Texte(s) et Intertexte(s). Brill | Rodopi. ISBN 978-9042003552 [Edited Book]

Simpson, Michael and Goff, Barbara, eds. 2011. Thinking the Olympics: the Classical Tradition and the Modern Games. Bristol Classical Press. ISBN 978-0715639306 [Edited Book]

Franchini, Livia and Mercer, Lucy, eds. 2023. Too Little/Too Hard: Writers on the intersections of work, time and value, Too Little/Too Hard, . [Edited Journal]

Crownshaw, Richard, ed. 2014. Transcultural Memory. London and NY: Routledge. ISBN 978-0415824484 [Edited Book]

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Coste, Bénédicte and Desmarais, Jane H., eds. 2024. Translating Decadence, Quaderni di LEA - Scrittore e Scritture d'Oriente e d'Occidente, 6. 1824-484X [Edited Journal]

Boyle, Catherine and Maitland, Sarah, eds. 2024. Translation as Advocacy: Perspectives on Practice, Performance and Publishing. London: John Murray Learning. ISBN 9781399816151 [Edited Book]

Salzman, Eva and Kneale, Nick, eds. 2007. True to Life: Memoirs from 'The Working Class College', Ruskin College, Oxford. Heaventree Press. ISBN 978-0854531783 [Edited Book]

Barnsley, Sarah; Houghton, Robin and Kenny, Peter, eds. 2018. Truths: A Telltale Press Anthology. Eastbourne: Telltale Press. ISBN 978-0-9928555-5-0 [Edited Book]

Anim-Addo, Joan and Ross, Jacob, eds. 1999. Voice Memory Ashes: Lest We Forget. London: Mango Publishing. ISBN 978-1902294049 [Edited Book]

Ng, Julia and Rochelle, Tobias, eds. 2012. Walter Benjamin, Gershom Scholem, and the Marburg School, Modern Language Notes, 127(3). 0026-7910 [Edited Journal]

Ng, Julia and Fenves, Peter, eds. 2020. Werner Hamacher. Two Studies of Friedrich Hölderlin. Stanford, California: Stanford University Press. ISBN 9781503611115 [Edited Book]

Blamires, Alcuin; Marx, C W and Pratt, Karen, eds. 1992. Woman Defamed and Woman Defended: An Anthology of Medieval Texts. Oxford: OUP. ISBN 978-0198710394 [Edited Book]

Salzman, Eva and Wack, Amy, eds. 2008. Women’s Work: Modern Women Poets Writing in English. Seren. ISBN 978-1854114310 [Edited Book]

Moore-Gilbert, Bart J., ed. 1996. Writing India, 1757-1990: Literature of British India. Manchester: Manchester University Press. ISBN 978-0719042669 [Edited Book]

Canova-Green, Marie-Claude and Andrews, Jean, eds. 2013. Writing Royal Entries in early Modern Europe. Turnhout, Belgium: Brepols. ISBN 978-2-503-53602-6 [Edited Book]

Kanz, Christine and Krause, Frank, eds. 2015. Zwischen Demontage und Sakralisierung. Revisionen des europäischen Familienmodells in der europäischen Moderne (1880-1945). Würzburg: Königshausen & Neumann. ISBN 978-3-8260-5674-1 [Edited Book]

Ahmed, Sara; Anim-Addo, Joan; Bernard, Claudia A.; Mirza, Heidi; Puwar, Nirmal and Thobani, Sunera. 2013. 'Screening and Panel Discussion on the work of Angela Davis, Free Angela and Other Political Prisoners'. In: Centre for Feminist Research Screening and Panel Discussion. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Alston, Adam; Condé, Alice and Prashar-Savoie, Anjali. 2022. Decadence @ Iklectik. In: "Decadence @ Iklectik", Iklectik Arts Lab, London, United Kingdom, 29 July 2022. [Performance]

Alston, Adam; Desmarais, Jane H. and Meth, Jonathan. 2021. Decadent Plays. In: "Decadent Plays", The Albany, London, United Kingdom, 10 November 2021. [Performance]

Anim-Addo, Joan. 2000. The African-Caribbean Woman Writer’s Project: Merle Collins and Alecia McKenzie. In: Carla Locatelli, ed. Co(n)texts: implicazioni testuali. (47) Trento: Dipartimento di scienze filologiche e storiche, pp. 131-150. [Book Section]

Anim-Addo, Joan. 1998. Anguish and The Absurd: "Key Moments," Recreated Lives and the Emergence of New Figures of Black Womanhood in the Narrative Works of Beryl Gilroy. In: Adele S. Newson and Linda Strong-Leek, eds. Winds of Change : The Transforming Voices of Caribbean Women Writers and Scholars. New York: Peter Lang, pp. 131-144. ISBN 9780820437156 [Book Section]

Anim-Addo, Joan. 1998. “Another Doorway? Black Women Writing The Museum Experience”. Journal of Museum Ethnography(10), pp. 93-104. ISSN 0954–7169 [Article]

Anim-Addo, Joan. 2008. Autobiograpical Negotiation in Selected Novels by Beryl Gilroy and Joan Riley: Black Women Narrating the Post-Windrush Self. In: Marta Sofia Lopez, ed. Afroeurope@ns, Cultures and Identities. Newcastle upon Tyne: Cambridge Scholars Press, pp. 156-166. ISBN 978-1847185020 [Book Section]

Anim-Addo, Joan. 2005. Caribbean Women’s History. In: Prem Poddar and David Johnson, eds. An Historical Companion to Postcolonial Literatures in English. Edinburgh: Edinburgh University Press, pp. 496-502. ISBN 9780748618552 [Book Section]

Anim-Addo, Joan. 2000. The Colour of Silence. In: Courttia Newland and Kadija Sesay, eds. IC3: The Penguin Book of New Black Writing in Britain. Penguin Books. ISBN 978-0140287332 [Book Section]

Anim-Addo, Joan. 2008. Daughter and his housekeeper. Edinburgh Review, 123, pp. 65-71. [Article]

Anim-Addo, Joan, ed. 1996. Framing The Word: Gender & Genre in Caribbean Women’s Writing. London: Whiting & Birch. ISBN 978-1871177916 [Edited Book]

Anim-Addo, Joan. 2013. Gendering Creolisation: creolising affect. Feminist Review, 104(1), pp. 5-23. ISSN 0141-7789 [Article]

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Anim-Addo, Joan. 1998. Haunted by History: Poetry. London: Mango Publishing. ISBN 978-1902294032 [Book]

Anim-Addo, Joan. 2008. Her Own Woman – Opal Palmer Adisa, Daughter and his Housekeeper. Edinburgh Review(128), pp. 65-71. ISSN 0267-6672 [Article]

Anim-Addo, Joan. 2012. Hija y su ama de llaves. Revolución y Cultura, pp. 55-58. [Article]

Anim-Addo, Joan. 2013. I, Daughter”: Auto/Biography, Fractured Histories, and Familial Quest for “Scotch Blood” in Grenada and the Grenadines. In: Carla Sassi and Theo van Heijnsbergen, eds. Within and Without Empire: Scotland Across the (Post)colonial Borderline. New Castle: Cambridge Scholars Publishing, pp. 168-194. ISBN 9781443855679 [Book Section]

Anim-Addo, Joan. 2003. Imoinda Birthing the Creole Nation: Rewriting Aphra Behn’s Oroonoko. In: Margarete Rubik; Jorge Figueroa-Dorrego and Bernard Dhuicq, eds. Revisiting and reinterpreting Aphra Behn : proceedings of the Aphra Behn Europe Seminar, ESSE Conference, Strasbourg, 2002. Entrevaux: Bilingua GA, pp. 75-82. ISBN 9782846560047 [Book Section]

Anim-Addo, Joan. 2003. Imoinda: or She Who Will Lose Her Name: A play for twelve voices in three acts/ Imoinda, colei che perder√† il nome: Opera per dodici voci in tre atti. In: Giovanna Covi, ed. Voci femminili caraibiche e interculturalità. Universita degli Studi di Trento, p. 162. ISBN 8888430429 [Book Section]

Anim-Addo, Joan. 2007. Inventing the Self: An introduction to the Black Woman Subject/Object in Britain from 1507. In: Joan Anim-Addo and Suzanne Scafe, eds. I am Black, White, Yellow: An Introduction to the Black Body in Europe. London: Mango Publishing, pp. 17-36. ISBN 978-1902294315 [Book Section]

Anim-Addo, Joan. 2005. Pan-Africanist Women, Modernity, Silence: Amy Ashwood Garvey, and Other Invisible Activists. In: Giovanna Covi, ed. Modernist Women Race Nation: Networking Women 1890-1950, Circum-Atlantic Connections. Mango, pp. 96-117. ISBN 1902294297 [Book Section]

Anim-Addo, Joan. 2003. Queen Victoria’s Black Daughter. In: Gretchen Gerzina, ed. Black Victorians/Black Victoriana. New Brunswick, N.J.: Rutgers University Press. ISBN 978-0813532158 [Book Section]

Anim-Addo, Joan. 2004. Sister Goose's sisters: African-Caribbean women's nineteenth-century testimony. Women a Cultural Review, 15(1), pp. 35-56. ISSN 09574042 [Article]

Anim-Addo, Joan. 2003. Small Ironies: Jamaica Kincaid’s A Small Place as Travel Writing. BMa: The Sonia Sanchez Literary Review, 9(1), pp. 199-203. [Article]

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Anim-Addo, Joan. 1996. Sugar, Spices and Human Cargo: An Early Black History of Greenwich. Greenwich Leisure Services. ISBN 978-0904399219 [Book]

Anim-Addo, Joan. 2003. "To Begin Our Knowing": The Claiming of Authority and the Writing of "Imoinda". In: Giovanna Covi, ed. Voci feminili caraibiche e interculturalità. (68) Trento: Università degli Studi di Trento, Dipartimento di Scienze Filologiche e Storiche. ISBN 9788884430427 [Book Section]

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Anim-Addo, Joan. 2007. Touching The Body: History, Language and African-Caribbean Women’s Writing. London: Mango Publishing. ISBN 9781902294230 [Book]

Anim-Addo, Joan. 2008. Towards a Post-Western Humanism Made to the Measure of Those Recently Recognized as Human. In: Mina Karavanta and Nina Morgan, eds. Edward Said and Jacques Derrida: Reconstellating Humanism and the Global Hybrid. New Castle: Cambridge Scholars Publishing, pp. 250-273. ISBN 9781847186164 [Book Section]

Anim-Addo, Joan. 2009. Tracing Knowledge, Culture and Power: Towards an Intercultural approach to Literary Studies. In: Joan Anim-Addo; Giovanna Covi and Mina Karavanta, eds. Interculturality and Gender. London: Mango Publishing. ISBN 9781902294407 [Book Section]

Anim-Addo, Joan. 2013. 'Translational Space and Creolising Aesthetics in Three Women’s Novels: the Diasporic Turn'. In: Perspectives from 'Other' Cultures Translating Cultures. Goldsmiths, University of London, United Kingdom 20-22 September. [Conference or Workshop Item]

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Anim-Addo, Joan. 2015. Translational Space and Creolising Aesthetics in Three Women’s Novels: the Radical Diasporic (Re)turn. Synthesis: an Anglophone Journal of Comparative Literary Studies(7), pp. 7-22. ISSN 1791-5155 [Article]

Anim-Addo, Joan. 2015. Travelling with Imoinda: Art, Authorship, and Critique. Callaloo, 38(3), pp. 570-581. ISSN 0161-2492 [Article]

Anim-Addo, Joan. 2008. “We Sleeping Volcanoes; We Women”: Writing Self, Memory and Diaspora. In: Wolfgang Zach and Michael Kenneally, eds. Imoinda or She Who Will Lose Her Name. Stauffenburg Verlag Brigitte, pp. 253-260. [Book Section]

Anim-Addo, Joan. 2008. “We Sleeping Volcanoes; We Women”: Writing Self, Memory and Diaspora in Imoinda or She Who Will Lose Her Name. In: Wolfgang Zach and Michael Kenneally, eds. Literatures in English : Prioritie s of Research. Tübingen: Stauffenburg, pp. 253-260. ISBN 978-3-86057-321-1 [Book Section]

Anim-Addo, Joan. 2000. Windrush Children and Broken Attachments. Race and Cultural Education in Counselling (RACE)(23), pp. 11-17. [Article]

Anim-Addo, Joan. 2008. Women Activists against Enslavement. In: Arthur Torrington; Rita McLean; Victoria Osborne and Ian Grosvenor, eds. Equiano: Enslavement, Resistance & Abolition. London: Equiano Society and Birmingham Museums & Art Gallery, pp. 70-77. ISBN 9780709302575 [Book Section]

Anim-Addo, Joan. 2013. Writing and Resistance: Tracing Grenada’s Written Literary Tradition. In: N. Faraclas; R. Severing; C. Weijer; E. Echteld and M. Hinds-Layne, eds. Transcultural Roots Uprising: The Rhizomatic Languages, Literatures and Cultures of the Caribbean. Willemstad: University of Curaçao and Fundashon pa Planifikashon di Idioma, pp. 17-32. ISBN 9789990423174 [Book Section]

Anim-Addo, Joan. 2016. A screech in the dark. Short Fiction in Theory & Practice, 6(1), pp. 77-83. ISSN 2043-0701 [Article]

Anim-Addo, Joan; Osborne, Deirdre and Sesay, Kadija. 2021. This is the Canon: Decolonize Your Bookshelf in 50 Books. London: Quercus Editions. ISBN 9781529414592 [Book]

Anim-Addo, Joan and Scafe, Suzanne. 2013. Affect and Gendered Creolisation. Feminist Review, 104(1), pp. 1-4. ISSN 0141-7789 [Article]

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Aridi, Farah. 2020. Re-Imagining Counter-Discourse: Socio-Spatial Transgressions in Poswar Lebanese Literary Productions. Doctoral thesis, Goldsmiths, University of London [Thesis]

Autieri, Arianna. 2023. 'Experimenting with practice: translation and/as music performance'. In: Translation and Creative Practice: An in-person symposium on building capacity for practice research. Goldsmiths, University of London, United Kingdom 10 May 2023. [Conference or Workshop Item]

Autieri, Arianna. 2023. 'Interdisciplinary Joyce: Prisms, Translations and Experimentations'. In: The XVI James Joyce Italian Foundation Conference. “Prismatic Joyce”. Rome, Italy 31 January - 2 February 2024. [Conference or Workshop Item]

Autieri, Arianna. 2019. James Joyce e la «verbal music». Letteratura e Letterature, 13, pp. 15-32. ISSN 1973-2600 [Article]

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Autieri, Arianna. 2019. La ‘verbal music’ di James Joyce in traduzione. Ticontre: Teoria Testo Traduzione, 11, pp. 407-429. ISSN 2284-4473 [Article]

Autieri, Arianna. 2023. 'Performing Music, translating texts'. In: Radical Translation (s) / Translating the Radical: 3rd Annual Conference of the Translation Studies Network of Ireland. University College Cork, Ireland 27 - 28 April 2023. [Conference or Workshop Item]

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Autieri, Arianna. 2022. Review of Margherita Zanoletti, eds., Noonuccal Oodgeroo. My People/La mia gente. (Milano: Mimesis, 2021). Anglistica AION: An Interdisciplinary Journal, 24(2), pp. 129-131. ISSN 2035-8504 [Article]

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Autieri, Arianna. 2019. Translating Joyce’s Musical Language: ‘The Dead’. James Joyce Studies in Italy, 21, pp. 95-112. ISSN 2281-373X [Article]

Autieri, Arianna. 2023. 'Translating or performing? Joyce’s fugue in experimental translation'. In: Experiential Translation Network. Online Seminar. Online, United Kingdom 22 March 2024. [Conference or Workshop Item]

Autieri, Arianna. 2023. 'Translation and Globalization'. In: Global Connections: A Transdisciplinary Approach. University of Warwick, Institute for Advanced Teaching and Learning (IATL), United Kingdom. [Conference or Workshop Item]

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Autieri, Arianna and Niskanen, Lauri A. 2024. Translating the songs of the “Sirens” in James Joyce’s Ulysses. Studia Translatorica(15), pp. 235-259. ISSN 2084-3321 [Article]

Bajorek, Jennifer. 2003. Animadversions: Tekhne After Capital / Life After Work. diacritics, 33(1), pp. 42-59. ISSN 10806539 [Article]

Bajorek, Jennifer. 2006. Holding Fast to Ruins: The Air War in Brecht's Kriegsfibel. In: W. Wilms and W. Rasch, eds. Bombs Away! Representing the Air War over Europe and Japan. Rodopi, pp. 97-111. ISBN 9042017597 [Book Section]

Bajorek, Jennifer. 2005. The Offices of Homeland Security, or, Hölderlin's Terrorism. Critical Inquiry, 31(4), pp. 874-902. ISSN 15397858 [Article]

Baldick, Chris. 2006. 1928, London: A Strange Interlude. In: B. McHale and R. Stevenson, eds. The Edinburgh Companion to Twentieth-Century Literatures in English. Edinburgh University Press, pp. 73-81. ISBN 0748620117 [Book Section]

Baldick, Chris. 1996. Criticism and Literary Theory 1890 to the Present. Routledge. ISBN 978-0582033832 [Book]

Baldick, Chris. 2006. Literature and the academy. In: P. Waugh, ed. Literary Theory and Criticism: An Oxford Guide. Oxford University Press, pp. 85-95. ISBN 0199258368 [Book Section]

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Baldick, Chris. 2012. Literature of the 1920s: Writers Among the Ruins. Edinburgh: Edinburgh University Press. ISBN 9780748627301 [Book]

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Baldick, Chris. 2004. The Modern Movement (The Oxford English Literary History, Volume 10: 1900-1940). Oxford University Press. ISBN 0198183100 [Book]

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Baldick, Chris. 2019. Modern Prophetic Poetry and the Decadence of Empires: From Kipling to Auden. In: Jane H. Desmarais and David Weir, eds. Decadence and Literature. Cambridge: Cambridge University Press, pp. 347-361. ISBN 9781108550826 [Book Section]

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Baldick, Chris. 2014. Modernist Criticism. In: David. E. Chinitz and Gail McDonald, eds. A Companion to Modernist Poetry. Chichester: Wiley-Blackwell, pp. 185-196. ISBN 9780470659816 [Book Section]

Baldick, Chris. 2015. The Novel in Theory, 1900–1965. In: Stephen Arata; Madigan Haley; J. Paul Hunter and Jennifer Wicke, eds. A Companion to the English Novel. London: Wiley, pp. 256-270. ISBN 9781405194457 [Book Section]

Baldick, Chris. 2013. Poetry and Modern Criticism. In: , ed. UNSPECIFIED [Book Section]

Baldick, Chris. 2011. Political Novels and Utopian Romances. In: Patrick Parrinder and Andrzej Gasiorek, eds. The Reinvention of the British and Irish Novel 1880-1940 (Oxford History of the Novel in English, Volume 4). England: Oxford University Press, p. 197. ISBN 978-0-19-955933-6 [Book Section]

Baldick, Chris. 2001. Post-mortem: Lawrence's critical and cultural legacy. In: A. Fernihough, ed. The Cambridge Companion to D. H. Lawrence. Cambridge University Press, pp. 253-269. ISBN 052162617X [Book Section]

Baldick, Chris. 1983. The Social Mission of English Criticism 1848-1932. Oxford: Clarendon Press. ISBN 978-0198128212 [Book]

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Barber, Ros. 2019. 2 Henry VI and the Ashford Cage. Notes and Queries, 66(3), pp. 409-410. ISSN 0029-3970 [Article]

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Barber, Ros. 2015. Bardolph and Poins. Notes and Queries, 62(1), pp. 104-107. ISSN 0029-3970 [Article]

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Barber, Ros. 2021. Big Data or Not Enough? Zeta Test Reliability and the Attribution of Henry VI. Digital Scholarship in the Humanities, 36(3), pp. 542-564. ISSN 0268-1145 [Article]

Barber, Ros. 2016. Blank Verse. In: Nigel McLoughlin, ed. The Portable Poetry Workshop. Palgrave MacMillan. ISBN 978-0230522305 [Book Section]

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Barber, Ros. 2016. Christopher Marlowe and Gervase Markham. Notes and Queries, 63(3), pp. 390-393. ISSN 0029-3970 [Article]

Barber, Ros. 2015. Devotion. London: Oneworld. ISBN 9781780747286 [Book]

Barber, Ros. 2014. Did Shakespeare Visit Italy? The London Magazine, ISSN 0024-6085 [Article]

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Barber, Ros. 2010. Exploring biographical fictions: the role of imagination in writing and reading narrative. Rethinking History, 14(2), pp. 165-187. ISSN 1364-2529 [Article]

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Barber, Ros. 2020. Function Word Adjacency Networks and Early Modern Plays. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 33(2-3), pp. 204-213. ISSN 0895-769X [Article]

Barber, Ros. 2004. How Things Are On Thursday. Anvil Press Poetry. ISBN 978-0856463747 [Book]

Barber, Ros. 2012. The Marlowe Papers. Sceptre. ISBN 978-1444737387 [Book]

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Barber, Ros. 2019. Marlowe and Overreaching: A Misuse of Stylometry. Digital Scholarship in the Humanities, 34(1), pp. 1-12. ISSN 0268-1145 [Article]

Barber, Ros. 2008. Material. Anvil Press Poetry. ISBN 978-0856464102 [Book]

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Barber, Ros. 2018. My Shakespeare: Christopher Marlowe. In: W Leahy, ed. My Shakespeare. Brighton: Edward Everett Root Publishing, pp. 85-112. ISBN 9781911454540 [Book Section]

Barber, Ros. 2009. Shakespeare Authorship Doubt in 1593. Critical Survey, 21(2), ISSN 0011-1570 [Article]

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Barber, Ros. 2016. Shakespeare and Warwickshire Dialect. Journal of Early Modern Studies, 5, pp. 91-118. ISSN 2285-6382 [Article]

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Barber, Ros. 2018. Shakespeare and Warwickshire Dialect Claims. Notes and Queries, 65(4), pp. 549-551. ISSN 0029-3970 [Article]

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Barber, Ros. 2015. Shakespeare's 'Honey-Stalks'. Notes and Queries, 62(1), pp. 92-93. ISSN 1471-6941 [Article]

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Barber, Ros. 2017. ''Tongue-tied by authority': Shakespeare Silenced'. In: Shakespeare Lives. Yasar University, Turkey. [Conference or Workshop Item]

Barber, Ros. 2010. Was Marlowe a Violent Man? In: Sarah K Scott, ed. Christopher Marlowe the Craftsman. Ashgate, pp. 47-61. ISBN 978-0-7546-6983-8 [Book Section]

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Barber, Rosalind. 2015. Sir John Davies as Guilpin’s Fuscus. Notes and Queries, 62(4), pp. 553-554. ISSN 0029-3970 [Article]

Barnsley, Sarah. 2021. Body found in garden after confession [POEM]. Poetry News, 2021(Spring), p. 11. ISSN 1353-7237 [Article]

Barnsley, Sarah. 2020. Contemporary policemen in their homes [POEM]. Finished Creatures(4), pp. 56-57. [Article]

Barnsley, Sarah. 2021. Excavation [POEM]. Finished Creatures(5), p. 68. [Article]

Barnsley, Sarah. 2015. The Fire Station. Lewes: Telltale Press. ISBN 9780992855536 [Book]

Barnsley, Sarah. 2018. The Fugitive [POEM]. Under the Radar, 21, pp. 8-9. ISSN 1758-3357 [Article]

Barnsley, Sarah. 2020. HELP WALLY! [POEM]. The White Review, Jul 20(28), p. 78. [Article]

Barnsley, Sarah. 2018. The Heebie-Jeebies [POEM]. Brittle Star, 43, pp. 76-77. ISSN 1467-6230 [Article]

Barnsley, Sarah. 2022. The Human Nervous System Has No Delete Button [Poem]. The Frogmore Papers(100), p. 19. ISSN 0956-0106 [Article]

Barnsley, Sarah. 2020. I agree to read all the terms and conditions [POEM]. Shearsman, 2020(123-4), p. 59. [Article]

Barnsley, Sarah. 2018. I carry a suitcase of whippets [POEM]. Under the Radar, 21, p. 10. ISSN 1758-3357 [Article]

Barnsley, Sarah. 2018. I prefer to get my information from unreliable sources [POEM]. Truths: A Telltale Press Anthology, p. 32. [Article]

Barnsley, Sarah. 2018. Lane closed for material curing [POEM]. Antiphon, 22, p. 10. ISSN 2058-7627 [Article]

Barnsley, Sarah. 2016. Late Modernism in Manhattan: Mary Barnard and May Swenson. Women: A Cultural Review, 26(3), pp. 254-269. ISSN 0957-4042 [Article]

Barnsley, Sarah. 2023. Listen to the nightwatchman of the body [POEM]. Finished Creatures(8), p. 70. [Article]

Barnsley, Sarah. 2013. Mary Barnard, American Imagist. State University of New York Press. ISBN 978-1-4384-4855-8 [Book]

Barnsley, Sarah. 2018. My stay in that hotel was just out of a magazine [POEM]. In: , ed. Live Canon 2018 Anthology. Live Canon, pp. 38-39. ISBN 9781909703360 [Book Section]

Barnsley, Sarah. 2018. Newly in love, distracted neuroscientists HEART [POEM]. Poetry News, Aut.(2018), p. 11. [Article]

Barnsley, Sarah. 2023. OCD, metaphor, and me: the horse that can’t eat apples. The Lancet Psychiatry, 10(3), pp. 170-171. ISSN 2215-0366 [Article]

Barnsley, Sarah. 2020. Ode in the wrong time and place [POEM]. In: , ed. Live Canon Anthology 2020. Live Canon, p. 56. ISBN 9781909703841 [Book Section]

Barnsley, Sarah. 2015. ‘The Outsider’ [POEM]. Envoi(170), p. 38. ISSN 0013-9394 [Article]

Barnsley, Sarah. 2020. Poem on checks [POEM]. The White Review, Jul 20(28), p. 79. [Article]

Barnsley, Sarah. 2020. Private and confidential [POEM]. Fenland Poetry Journal, Spring(2), pp. 52-53. ISSN 2632-8259 [Article]

Barnsley, Sarah. 2019. Safety-seeking behaviours [POEM]. Tears in the Fence, 70, p. 88. ISSN 0266-5816 [Article]

Barnsley, Sarah. 2022. Tainted Ode [Poem]. The North(67), p. 100. ISSN 0269-9885 [Article]

Barnsley, Sarah. 2016. Think of it in terms of geometry [POEM]. Under the Radar(18), pp. 12-13. ISSN 1758-3357 [Article]

Barnsley, Sarah. 2016. This Horse [POEM[]. Under the Radar(18), pp. 10-11. ISSN 1758 3357 [Article]

Barnsley, Sarah. 2020. The Thoughts [POEM]. Poetry Wales, 56(2), p. 25. ISSN 03322202 [Article]

Barnsley, Sarah. 2022. The Thoughts. Sheffield: Smith|Doorstop. ISBN 9781914914027 [Book]

Barnsley, Sarah. 2017. Today you went to lunch with a cave [POEM]. The Rialto, 89, p. 26. ISSN 0268-5981 [Article]

Barnsley, Sarah. 2022. Two Vancouvers [POEM]. The Frogmore Papers(100), p. 19. ISSN 0956-0106 [Article]

Barnsley, Sarah. 2020. Virginia Woolf has fallen over [POEM]. The White Review, Jul 20(28), p. 80. [Article]

Barnsley, Sarah. 2017. We have made a number of key appointments [POEM]. Orbis, 180, p. 42. ISSN 0300-4425 [Article]

Barnsley, Sarah. 2022. White Bears and Pink Elephants [POEM]. The North, 67, p. 100. ISSN 0268-9885 [Article]

Barnsley, Sarah. 2015. A Zoology of London [POEM]. The Stinging Fly, 31(2), [Article]

Barnsley, Sarah. 2018. The day my brain broke [POEM]. Brittle Star, 43, p. 25. ISSN 1467-6230 [Article]

Barnsley, Sarah. 2020. The other side of the quarter panel mirror [POEM]. Shearsman, 2020(123-4), pp. 60-61. [Article]

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Bell, Natasha. 2024. The Liminality of Autofiction: Deep and Dark Play in the Search for the Writing Self. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Benjamin, Elizabeth and Corser, Sophie. 2014. Introduction. Literature and Art: Conversations and Collaborations - MHRA Working Papers in the Humanities, 9, pp. 1-8. [Article]

Blamires, Alcuin. 1998. The Case for Women in Medieval Culture. Oxford: OUP. ISBN 978-0198186304 [Book]

Blamires, Alcuin. 2010. 'Chaucer's Troilus and Criseyde'. In: Corinne Saunders, ed. Companion to Medieval Poetry. Wiley-Blackwell, pp. 435-451. ISBN 978-1405159630 [Book Section]

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Blamires, Alcuin. 2006. Chaucer, Ethics, and Gender. Oxford University Press. ISBN 9780199248674 [Book]

Blamires, Alcuin. 2010. 'May in January's Tree: Genealogical Space in The Merchant's Tale'. Chaucer Review, 45(1), pp. 106-117. ISSN 0009-2002 [Article]

Blamires, Alcuin. 2010. Medieval Individuality. In: Elaine Treharne and Greg Walker, eds. Oxford Handbook of Medieval Literature. Oxford: OUP, pp. 478-495. ISBN 978-0199229123 [Book Section]

Blamires, Alcuin. 2007. Philosophical Sleaze? The 'strok of thought' in the Miller's Tale and Chaucerian Fabliau. Modern Language Review, 102(3), pp. 621-640. ISSN 00267937 [Article]

Blamires, Alcuin. 2005. 'Sexuality'. In: Steve Ellis, ed. Chaucer: An Oxford Guide. Oxford: OUP, pp. 208-223. ISBN 978-0199259120 [Book Section]

Blamires, Alcuin. 2005. 'Women and Creative Intelligence in Medieval Thought'. In: Linda Olson and Kathryn Kerby-Fulton, eds. Voices in Dialogue: Reading Women in the Middle Ages. University of Notre Dame Press, pp. 213-230. ISBN 978-0268037178 [Book Section]

Blamires, Alcuin. 2004. The twin demons of aristocratic society in Sir Gowther. Manchester University Press. ISBN 0719063191 [Book]

Blamires, Alcuin. 2004. The twin demons of aristocratic society in Sir Gowther. In: N. McDonald, ed. Pulp fictions of medieval England: Essays in popular romance. Manchester University Press, pp. 45-62. ISBN 0719063191 [Book Section]

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Blamires, Alcuin and Holian, G.. 2002. The Romance of the Rose Illuminated: Manuscripts at the National Library of Wales, Aberystwyth. Arizona Center for Medieval and Renaissance Studies. ISBN 0866982655 [Book]

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Blinder, C. 2017. Smokescreens to Smokestacks: True Detective and the American Sublime. In: Scott Ortolano, ed. Popular Modernism and its Legacies: From Pop Literature to Video Games. London: Bloomsbury Academic, pp. 183-202. ISBN 9781501354595 [Book Section]

Blinder, Caroline. 2008. All things Either Good or Ungood: American Pictures Revisited in Jacob Holdt’s United States 1970-1975. In: Brett Rogers, ed. Deutsche Borse Photography Prize 2008. London: Photographers' Gallery, pp. 69-72. ISBN 978-0907879831 [Book Section]

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Blinder, Caroline. 2016. American Alphabet: Photo-Textual Politics in Paul Strand and Nancy Newhall's Time in New England (1950). Journal of American Studies, 50(1), pp. 143-165. ISSN 0021-8758 [Article]

Blinder, Caroline. 2019. The American Photo-Text 1930-1960. Edinburgh: Edinburgh University Press. ISBN 9781474404129 [Book]

Blinder, Caroline. 2010. Animating the Gudgers : On the Problems of a Cinematic Aesthetic in Let Us Now Praise Famous Men. In: Caroline Blinder, ed. New Critical Essays on James Agee and Walker Evans : Perspectives on Let Us Now Praise Famous Men. New York, NY: Palgrave Macmillan, pp. 145-164. ISBN 9780230102927 [Book Section]

Blinder, Caroline. 2009. The Bachelor’s Drawer: Art and Artefact in the Work of Wright Morris. In: Mick Gidley, ed. Writing With Light – Words and Photographs in American Texts. London: Peter Lang, pp. 63-81. ISBN 978-3039115723 [Book Section]

Blinder, Caroline. 1999. ‘Between the Unimagined and the Imagined: Photographic Aesthetics and Literary Illumination in James Agee’s Let Us Now Praise Famous Men’. In: Wim Tigges, ed. Moments of Moment: Aspects of the Literary Epiphany. Amsterdam/Atlanta: Brill | Rodopi. ISBN 978-9042006362 [Book Section]

Blinder, Caroline. 2011. ‘Brassaï’s Chair , Henry Miller and The Eye of Paris’. In: Natasha Gregorian, ed. Text and Image Relations in Modern European Culture. Indiana: U. of Purdue Press. [Book Section]

Blinder, Caroline. 2006. Entries on Anais Nin, Erskine Caldwell, and Surrealism. In: Gaëtan Brulotte and John Phillips, eds. The Encyclopaedia of Erotic Literature. London: Routledge. ISBN 978-1579584412 [Book Section]

Blinder, Caroline. 2005. Entries on André Breton, Jack Kerouac, and Edgar Allan Poe. In: Bill Marshall, ed. France and the Americas: Culture, Politics, and History (Transatlantic Relations). ABC –Clio Publications. ISBN 978-1851094110 [Book Section]

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Blinder, Caroline. 2016. Fragments of the Future: Walker Evans’s Polaroids. In: Catherine Gander and Sarah Garland, eds. Mixed Messages: American Correspondences in Visual and Verbal Practices. Manchester: Manchester University Press. ISBN 978-1-5261-0180-8 [Book Section]

Blinder, Caroline. 2010. Introduction. In: Caroline Blinder, ed. New Critical Essays on James Agee and Walker Evans: Perspectives on Let Us Now Praise Famous Men. New York: Palgrave Macmillan, pp. 1-22. ISBN 978-0230102927 [Book Section]

Blinder, Caroline. 2005. Its Beautiful Visual Entirety: Kerouac's introduction to Frank's The Americans. In: D. Cunningham; A. Fisher and S. Mays, eds. Photography and Literature in the Twentieth Century. Cambridge Scholars Press, pp. 109-122. ISBN 1904303463 [Book Section]

Blinder, Caroline. 2012. James Agee. In: Mark Durden and Henry Bond, eds. Fifty Key Writers on Photography. London: Routledge, pp. 3-7. ISBN 978-0415549455 [Book Section]

Blinder, Caroline. 2006. A Kind of Patriotism: Jack Kerouac's Introduction to Robert Frank's The Americans. In: Rui Carvalho Homem and Maria de Fatima Lambert, eds. Writing and Seeing: Essays on Word and Image. (95) Amsterdam and New York: Rodopi, pp. 235-244. ISBN 9042016981 [Book Section]

Blinder, Caroline. 1998. La Révolte Enfantine: On Georges Bataille's “La Morale de Miller” and Jean-Paul Sartre's “Un Nouveau Mystique”. Critique: Studies in Contemporary Fiction, 40(1), pp. 39-47. ISSN 0011-1619 [Article]

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Blinder, Caroline. 2018. Looking for Harlem: The absent Narrator in Roy DeCarava and Langston Hughes' The Sweet Flypaper of Life (1955). CoSMo - Comparative Studies in Modernism(13), ISSN 2281-6658 [Article]

Blinder, Caroline. 2005. `Looking for Love in all the Wrong Places': Brassaï in André Breton's 'Mad Love'. History of Photography, 29(2), pp. 114-122. ISSN 03087298 [Article]

Blinder, Caroline. 2005. ‘Love Under the Sky: On Robert Frank and Jack Kerouac’. In: Rui Carvalho Homen and Maria d Fatima Lambert, eds. Writing and Seeing: Essays on Literature and the Visual Arts. Amsterdam: Rodopi, pp. 215-234. [Book Section]

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Blinder, Caroline. 2023. The Lyrical Gaze: On James Agee and Helen Levitt’s 1944 film In The Street. In: Michael A. Lofaro, ed. James Agee in Context: New Literary, Visual, Cultural, and Historical Essays. Knoxville: University of Tennessee Press, pp. 154-178. ISBN 9781621907428 [Book Section]

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Blinder, Caroline. 2020. ‘No Ideas but in Seeing’: Jim Jarmusch’s Paterson (2016). In: Andreas Kramer and Jan Röhnert, eds. Poetry and Film: Lyrik und Film. Abbas Kiarostami and Jim Jarmusch. Frankfurt am Main: Edition Faust, pp. 187-199. ISBN 9783945400760 [Book Section]

Blinder, Caroline. 2009. ‘Not so Innocent: Vision and Culpability in Weegee’s Photographs of Children’. In: Marlene Kadar; Jeanne Perreault and Linda Warley, eds. Photographs, Histories, and Meanings. New York: Palgrave Macmillan, pp. 9-25. ISBN 978-0230617704 [Book Section]

Blinder, Caroline. 2013. The Radical Camera: New York's Photo League 1936–1951: Mason Klein and Catherine Evans (eds). Photography and Culture, 6(1), pp. 107-112. ISSN 1751-4517 [Article]

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Blinder, Caroline. 2020. Richard Misrach and Kate Orff's Petrochemical America: Cartographies of the Picturesque. Journal of American Studies, 54(3), pp. 582-603. ISSN 0021-8758 [Article]

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Blinder, Caroline. 2017. Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men. In: Michael A. Lofaro, ed. Let Us Now Praise Famous Men at 75: Anniversary Essays. Knoxville: University of Tennessee Press. ISBN 9781621902614 [Book Section]

Blinder, Caroline. 2017. ‘Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men’. In: Michael Lofaro, ed. Let Us Now Praise Famous Men at 75. Knoxville: U. of Tennessee Press. [Book Section]

Blinder, Caroline. 2011. Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau. In: Sascha Bru; Laurence Nuijs; Benedikt Hjartarson; Peter Nicholls; Tania Ørum and Hubert Berg, eds. Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture. (2) Berlin, Germany: Walter de Gruyter, pp. 191-204. ISBN 9783110274691 [Book Section]

Blinder, Caroline. 2012. Sitting Pretty: Municipal Chairs in the Photography of Doisneau and Kertész. In: , ed. The Everyday in Modernist Practice. London: European Modernism Association. [Book Section]

Blinder, Caroline. 2012. Through an American Lens : Camera Work (1903-17); 291 (1915-16); Manuscripts (1922-3). In: Peter Brooker and Andrew Thacker, eds. The Oxford Critical and Cultural History of Modernist Magazines Volume II: North America 1894-1960. Oxford, UK: Oxford University Press, pp. 271-292. ISBN 9780199545810 [Book Section]

Blinder, Caroline. 2004. The Transparent Eyeball: On Emerson and Walker Evans. Mosaic, 37(4), pp. 149-163. ISSN 00271276 [Article]

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Blinder, Caroline. 2023. An Unmade Book: Walker Evans’s 1970s Letter Polaroids. In: Paul Ernest Michael Edwards, ed. The Photobook World: Artists’ Books and Forgotten Social Objects. Manchester: Manchester University Press, pp. 173-183. ISBN 9781526167576 [Book Section]

Blinder, Caroline. 2012. Wright Morris. In: Mark Durden, ed. Fifty Key Writers on Photography. London: Routledge, pp. 175-180. ISBN 978-0415549455 [Book Section]

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Blinder, Caroline and Lloyd, Christopher. 2020. US Topographics: Imaging National Landscapes. Journal of American Studies, 54(3), pp. 461-469. ISSN 0021-8758 [Article]

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Boldrini, Lucia. 2004. "Allowing it to speak out of him": The Heterobiographies of David Malouf, Antonio Tabucchi and Marguerite Yourcenar. Comparative Critical Studies, 1(3), pp. 243-263. ISSN 1744-1854 [Article]

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Boldrini, Lucia. 2014. Among Schoolchildren: Joyce's "Night Lesson" and Chaucer's Treatise on the Astrolabe. In: Haun Saussy and Gerald Gillespie, eds. Intersections, Interfaces, Interdisciplines: Literature with Other Arts. 30 Brussels: Peter Lang, pp. 35-46. ISBN 9782875741561 [Book Section]

Boldrini, Lucia. 2009. The Anamorphosis of Photography in Michael Ondaatje’s The Collected Works of Billy the Kid. In: Carmen Concilio and Richard J. Lane, eds. Image Technologies in Canadian Literature: Narrative, Film and Photography. Brussels: Peter Lang, pp. 31-46. ISBN 978-90-5201-474-6 [Book Section]

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Boldrini, Lucia. 2009. Anna Banti and Virginia Woolf: A Grammar of Responsibility. Journal of Anglo-Italian Studies, 10, pp. 135-149. ISSN 1560-2168 [Article]

Boldrini, Lucia. 1998. The Artist Paring His Quotations: Aesthetic and Ethical Implications of the Dantean Intertext in Dubliners. In: Harold Mosher and Rosa Maria Bollettieri Bosinelli, eds. Re-Joycing: New Readings of Joyce’s Dubliners. Lexington: University Press of Kentucky, pp. 228-246. ISBN 0813120578 [Book Section]

Boldrini, Lucia. 2012. Autobiographies of Others: Historical Subjects and Literary Fiction. New York: Routledge. ISBN 978-0-415-50737-0 [Book]

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Boldrini, Lucia. 2022. Biofiction, Heterobiography and the Ethics of Speaking of, for and as Another. Interdisciplinary Studies of Literature, 6(1), pp. 18-37. ISSN 2520-4920 [Article]

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Boldrini, Lucia. 2024. Biographical Fictions and the Writing of the World. Recherche littéraire / Literary Research, 39, pp. 33-53. ISSN 0849–0570 [Article]

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Boldrini, Lucia. 2021. Biographical Fiction’s Challenge to Realism: Patricia Duncker’s Sophie and the Sibyl and Alicia Giménez Bartlett’s Una habitación ajena. In: Dirk Göttsche; Rosa Mucignat and Robert Weninger, eds. Mapping Realism (Volume I of Landscapes of Realism Rethinking Literary Realism(s) in Global Comparative Perspective. Amsterdam: John Benjamins, pp. 775-791. ISBN 9789027208064 [Book Section]

Boldrini, Lucia. 2009. 'Carey’s True History of the Kelly Gang. Whose Story is It?'. In: English Research Seminar Series. Plymouth, United Kingdom. [Conference or Workshop Item]

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Boldrini, Lucia. 2023. Chapter 22. Introduction (World Literature). In: Péter Hajdu and Xiaohing Zhang, eds. Literatures of the World and the Future of Comparative Literature: Proceedings of the 22nd Congress of the International Comparative Literature Association. 102 Leiden: Brill, pp. 273-283. ISBN 9789004538498 [Book Section]

Boldrini, Lucia. 2008. 'Comparative Literature and Translation: Can the Past Teach Us Something About the Future?'. In: VI Congresso Nacional Associação Portuguesa de Literatura Comparada / X Colóquio de Outono Comemorativo das Vanguardas. Braga, Portugal 6-8 November 2008. [Conference or Workshop Item]

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Boldrini, Lucia. 2006. Comparative Literature in the Twenty-First Century: A View from Europe and the UK. Comparative Critical Studies, 3(1-2), pp. 13-23. ISSN 1744-1854 [Article]

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Boldrini, Lucia. 2014. Comparative Literature, Ancient Rome, and the Crisis of Modern European History. CLCWeb: Comparative Literature and Culture, 15(7), 3. ISSN 1481-4374 [Article]

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Boldrini, Lucia. 2010. Comparative literature and translation, historical breaks and continuing debates: Can the past teach us something about the future? diacrítica. Dossier Literatura Comparada,, 24(3), pp. 181-199. ISSN 0808-8967 [Article]

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Boldrini, Lucia. 2020. Constructing Character in an Unequal World: Nadine Gordimer’s The Pickup and the Necessity of World Literature. Foreign Language and Literature Research, 2020(4), pp. 9-28. ISSN 1003-6822 [Article]

Boldrini, Lucia. 2011. Drunkards, Simoniac Preachers and Unjust Stewards: A Chaucerian Intertext for “Grace”. In: Raffaella Baccolini; Delia Chiaro; Chris Rundle and Sam Whitsitt, eds. A Joyceful of Talkatalka. From Friendshapes for Rosa Maria Bollettieri Bosinelli. Bologna: Bononia University Press, pp. 45-53. ISBN 978-88-7395-570-2 [Book Section]

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Boldrini, Lucia. 2010. 'European Civilization and Barbarism: Some Considerations on Historical Categories and Myths.'. In: AICLA / ICLA Triennial International Conference, Expanding the Frontiers of Comparative Literature, Seoul, Korea. Seoul, Korea, Republic of 15-21 August 2010. [Conference or Workshop Item]

Boldrini, Lucia. 2003. Ex Sterco Dantis: Dante's Post-Babelian Linguistics in the Wake. In: Laurent Milesi, ed. James Joyce and the Difference of Language. Cambridge: Cambridge University Press, pp. 180-194. ISBN 9780521623377 [Book Section]

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Boldrini, Lucia. 2024. Familiar Ghosts: Imagining Lives, Re-imagining the Nation, Inventing the Future. Journal of Foreign Languages and Cultures, 8(2), pp. 31-47. ISSN 2096-4374 [Article]

Boldrini, Lucia. 2008. 'Fictional Auto/Biography on the Frontier of the Law'. In: Lecture Series: Fictional Auto/Biography on the Frontier of the Law.. Turin, Italy 15-21 April 2009. [Conference or Workshop Item]

Boldrini, Lucia. 2003. 'Heterobiographies, or, The Delirium of Autobiography'. In: Autobiografictions. Goldsmiths, United Kingdom 8-10 September 2003. [Conference or Workshop Item]

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Boldrini, Lucia. 2009. Heterobiography, Hypocriticism, and the Ethics of Authorial Responsibility. Primerjalna književnost, special issue: The Author: Who or What is Writing Literature?(3), pp. 249-259. ISSN 0351-1189 [Article]

Boldrini, Lucia. 2003. 'Intimations of proximate dawn': re-viewing Joyce's Ulysses through the eye of Kubrick's Space Odyssey. In: Mario Curreli and Fausto Ciompi, eds. Many-voicèd fountains: Studi di anglistica e comparatistica in onore di Elsa Linguanti. Pisa: ETS, pp. 360-371. ISBN 8846707885 [Book Section]

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Boldrini, Lucia. 2001. Joyce, Dante, and the Poetics of Literary Relations: Language and Meaning in Finnegans Wake. Cambridge, UK: Cambridge University Press. ISBN 9780521792769 [Book]

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Boldrini, Lucia. 2007. 'Keeping our nerve': Scientific and historical paradigms in John Banville's Doctor Copernicus. Primerjalna Knjizevnost, 30, pp. 141-157. ISSN 0351-1189 [Article]

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Boldrini, Lucia. 2002. Let Dante Be Silent: Finnegans Wake and the Medieval Theory of Polysemy. In: Lucia Boldrini, ed. Medieval Joyce. (13) Amsterdam and Atlanta: Rodopi, pp. 199-218. ISBN 9789042014091 [Book Section]

Boldrini, Lucia. 2007. Literature and Science. Full Stop? Colloquium Helveticum, 37, pp. 55-72. ISSN 01793780 [Article]

Boldrini, Lucia. 2010. '“L’esprit humain, qui semble voyager d’un pays à l’autre”: Considerations on the historical relationships between translation and comparative literature'. In: II Simpósio Internacional de Literatura Comparada e Tradução. Florianopolis, Brazil. [Conference or Workshop Item]

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Boldrini, Lucia. 2020. Making assumptions in Nadine Gordimer’s The Pickup. In: Paula Alexandra Guimarães, ed. Intercultural Poetics: Literary Representations of the Foreign Other / Poéticas Interculturais. Representações Literárias do Outro como Estrangeiro. Braga: Húmus Edition, pp. 25-38. ISBN 9789897554476 [Book Section]

Boldrini, Lucia, ed. 2002. Medieval Joyce. Amsterdam ; New York, NY: Rodopi. ISBN 9789042014091 [Edited Book]

Boldrini, Lucia. 2009. 'Mental Landscapes, Places of Exile: Literary History and European Comparatism'. In: REELC-ENCLS 3rd European Conference: Transformations of the European landscape: Encounters between the self and the other. Vilnius, Lithuania. [Conference or Workshop Item]

Boldrini, Lucia. 1991. 'Narrative and Theatrical Fiction in Finnegans Wake'. In: UNSPECIFIED. Nice, France. [Conference or Workshop Item]

Boldrini, Lucia. 1999. The Ragged Edge of Miracles; or, A Word or Two On Those Jack Hodgins Novels. In: Elsa Linguanti; Francesco Casotti and Carmen Concilio, eds. Coterminous Worlds: Magical Realism and Contemporary Post-Colonial Literature in English. Amesterdam: Rodopi, pp. 83-101. ISBN 9789042004481 [Book Section]

Boldrini, Lucia. 2011. Rattling the Cage of Meaning: Primo Levi’s The Periodic Table, the Two Cultures, and the Ethical Duty of the Writer. In: Cedric Barfoot and Valeria Tinkler Villani, eds. Restoring the Mystery of the Rainbow: Literature’s Refraction of Science. 47 Amsterdam: Rodopi, pp. 187-206. ISBN 978-90-420-3325-2 [Book Section]

Boldrini, Lucia. 2007. Review of Emily Apter, The Translation Zone: A New Comparative Literature. Textual Practice, 21(1), pp. 155-159. ISSN 0950236X [Article]

Boldrini, Lucia. 1990. Review of Joyce’s Ulysses: An Anatomy of the Soul, by T. C. Theoharis. James Joyce Broadsheet(33), p. 3. ISSN 01436333 [Article]

Boldrini, Lucia. 1990. Review: Italian translations of Ulysses. James Joyce Broadsheet(32), p. 3. ISSN 01436333 [Article]

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Boldrini, Lucia. 2021. Rock, Mirror, Mirage: Europe, Elsewhere. In: Vladimir Biti; Joep Leerssen and Vivian Liska, eds. The Idea of Europe: The Clash of Projections. Leiden: Brill, pp. 99-120. ISBN 9789004449442 [Book Section]

Boldrini, Lucia. 1990. 'The Rule of Analogy and Contrapasso: Babel, Dante, Joyce, and the Redemption of Language'. In: International James Joyce Symposium. Monaco, Monaco June. [Conference or Workshop Item]

Boldrini, Lucia. 1998. The Rule of Analogy and Contrappasso: Babel, Dante, Joyce and the Redemption of Language. In: Clive Hart; George Sandulescu; Bonnie Kime Scott and Fritz Senn, eds. Images of Joyce: Proceedings of the XII International James Joyce Symposium. 1 Gerrards Cross: Colin Smythe, pp. 183-187. ISBN 0861404092 [Book Section]

Boldrini, Lucia. 1991. ”The Sisters” and the Inferno: An Intertextual Network. Style, 25(3), pp. 453-465. ISSN 0039-4238 [Article]

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Boldrini, Lucia. 2003. Translating the Middle Ages: Modernism and the Ideal of the Common Language. Translation and Literature, 12(1), pp. 41-68. ISSN 0968-1361 [Article]

Boldrini, Lucia. 2013. The Uncertain Mediterranean Borders of Comparative Literature. In: Adnan Karaismailoğlu and Yusuf Öz, eds. IV Uluslararasi Karşilaştirmali Edebiyat Bilimi Kongresi, "Kültürler ve Değerler Buluşması" / IV International Comparative Literature Congress, "Meeting of Cultures and Values", Bildiriler / Proceedings. Kırıkkale: Kırıkkale Universitesi Yayilari [Kırıkkale University Publications], pp. 441-454. ISBN 978-975-8626-04-5 [Book Section]

Boldrini, Lucia and Davies, Peter, eds. 2003. Comparative Critical Studies: Autobiografictions. Comparatist Essays, Comparative Critical Studies, 1(3). 1744-1854 [Edited Journal]

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Boldrini, Lucia; Grishakova, Marina and Reynolds, Matthew. 2013. Introduction to New Work in Comparative Literature in Europe. CLCWeb: Comparative Literature and Culture, 15(7), pp. 1-8. [Article]

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Boldrini, Lucia and Mussgnug, Florian. 2008. Guest Editors' Introduction. Comparative Critical Studies, 5(2-3), pp. 115-124. ISSN 1744-1854 [Article]

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Bond, Lucy. 2012. Retracing Rupture: Remembering 9/11 in Theory and Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Borodale, Jane. 2024. Feasts of the Dead (novel) and The Material Imagination (critical thesis). Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bowie, Jill and Popova, Gergana. 2019. Grammar and Discourse. In: Bas Aarts; Jill Bowie and Gergana Popova, eds. The Oxford Handbook of English Grammar. Oxford: Oxford University Press, pp. 554-580. ISBN 9780198755104 [Book Section]

Boyce, Brynhildur. 2012. Impulse and Impediment: Communication in the Radio Plays of Samuel Beckett. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Brent, Trevor Lovelock. 2005. The Politics and Philosophy of Wyndham Lewis's Representations of the Body. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bright, Brittain. 2015. Beyond the Scene of the Crime: Investigating Place in Golden Age Detective Fiction. Doctoral thesis, Goldsmiths, University of London [Thesis]

Bright, Brittain. 2015. ‘The Maturity of Lord Peter Wimsey and Authorial Innovation within a Series’. In: Carolina Miranda; Jean Anderson and Barbara Pezzotti, eds. Serial Crime Fiction: Dying for More. Basingstoke: Palgrave, pp. 87-98. ISBN 978-1-137-48368-3 [Book Section]

Bright, Brittain. 2012. The Transforming Aesthetic of the Crime Scene Photograph: Evidence, News, Fashion, and Art. Concentric Literary and Cultural Studies, 38(1), pp. 79-102. [Article]

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Brooke, Diana. 2016. Daniel Defoe : The Family Instructor. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Brown, Dunstan; Chumakina, Marina; Corbett, Greville G.; Popova, Gergana and Spencer, Andrew. 2012. Defining periphrasis: key notions. Morphology, 22(2), pp. 233-275. ISSN 1871-5621 [Article]

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Bull, Leif. 2010. A Thing Made of Words: The Reflexive Realism of Richard Yates. Doctoral thesis, Goldsmiths, University of London [Thesis]

Bush, Courtney and Underwood, Jack. 2024. Thirteen Morissettes. Glasgow: SPAM Press. ISBN 9781915049230 [Book]

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Butler, Season. 2019. Towards an Intersectional Approach to Creative Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

Byrne, James P; O'Sullivan, Michael and Kirwan, Padraig. 2009. Introduction. In: James P Byrne; Michael O'Sullivan and Padraig Kirwan, eds. Affecting Irishness: Negotiating Cultural Identity Within and Beyond the Nation. Oxford: Peter Lang. ISBN 978-3039118304 [Book Section]

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Calvo, Luciana; Cogo, Alessia; El Kadri, Michele and Gimenez, Telma. 2023. “English gradually” and multilingual support in EMI: insights from lecturers in two Brazilian universities. Journal of English as a Lingua Franca, ISSN 2191-9216 [Article]

Canova-Green, Marie-Claude. 2013. Ambivalent fictions: the Bordeaux celebrations of the wedding of Louis XIII and Anne d'Autriche. In: margaret m. mcgowan, ed. Dynastic Marriages 1612-1615. A celebration of the Habsburg and Bourbon Unions. Farnham: Ashgate, pp. 179-199. ISBN 9781409457251 [Book Section]

Canova-Green, Marie-Claude. 2012. ‘Au carrefour des langues et des cultures: Psyché’. In: Claudine Nedelec and jean-pierre martin, eds. Traduire, trahir, travestir: Etudes sur la réception de l’Antiquité. Arras: Presses de l'universite d'Artois, pp. 283-298. ISBN 978-2848321448 [Book Section]

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Canova-Green, Marie-Claude. 2015. D'une interpretation l'autre. Les entrees provencales de Louis XIII a l'automne 1622 et leurs relations. In: Pierre Zoberman, ed. Interpretation in/of the Seventeenth Century. Cambridge Scholars Publishing, pp. 15-28. ISBN 978-1-4438-7180-8 [Book Section]

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Canova-Green, Marie-Claude. 2021. “Dancing Queen”: The Court Ballets of Anne of Austria, Queen of France (1615-1635). The Castle Chronicles. Annals, 8(74), ISSN 0239-4898 [Article]

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Canova-Green, Marie-Claude. 2020. De Dieu et du roi dans l’entrée solennelle sous Louis XIII. In: Peter Bennett and Bernard Dompnier, eds. Cérémonial politique et cérémonial religieux dans l’Europe moderne: Échanges et métissages. Paris: Classiques Garnier, pp. 87-104. ISBN 9782406097518 [Book Section]

Canova-Green, Marie-Claude. 2012. ‘Douceur, gracieuseté, débonnaireté, ou comment dire la clémence’. In: helene baby and josiane rieu, eds. Douceur en litterature de l'Antiquite au XVIIe siecle. Paris: Garnier, pp. 121-135. ISBN 978-2-8124-0608-9 [Book Section]

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Canova-Green, Marie-Claude. 2023. Du vainqueur de la Fronde a l'Imperator triomphant: la medaille du retour du roi a Paris en 1652. In: Yvan Loskoutoff, ed. Les médailles de Louis XIV et leur livre II. Rouen: PURH. ISBN 9791024017235 [Book Section]

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Canova-Green, Marie-Claude. 2017. Du voyage à l’exil. L'Histoire de Henry duc de Rohan. In: M. C. Pioffet; L. Desjardins and R. Roy, eds. L’errance au XVIIe siècle. Tübingen: Narr Verlag, pp. 57-70. ISBN 978-3-8233-8044-3 [Book Section]

Canova-Green, Marie-Claude. 2009. Entre vérité et fiction: le Discours de l'Entrée triomphante du Duc de Rohan en la ville de Castres, apres la publication de la Paix (1626). In: John Nassichuk, ed. Vérité et fiction dans les entrées solennelles à la Renaissance et à l'âge classique. Québec: Presses de l'Université Laval, pp. 231-244. ISBN 9782763786872 [Book Section]

Canova-Green, Marie-Claude. 2015. 'Faire le roi, ou les habits de Louis XIII'. In: alain montandon and carine barbafieri, eds. Sociopoetique du textile a l'age classique. Paris: Hermann, pp. 48-65. ISBN 978 2 7056 91448 [Book Section]

Canova-Green, Marie-Claude. 2018. Faire le roi. L'autre corps de Louis XIII. Paris: Fayard. ISBN 9782213709383 [Book]

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Canova-Green, Marie-Claude. 2020. Faire savoir, faire admirer. Le "livre" du ballet au XVIIe siecle. In: Yann Lignereux, ed. La propagande existe-t-elle? De la pertinence de la notion pour les epoques medievale et moderne. Rennes: Presses de l'Universite de Rennes. [Book Section] (Forthcoming)

Canova-Green, Marie-Claude. 2004. Festivals Commemorating the Defeat of Protestantism in La Rochelle. In: J. Mulryne; H. Watanabe-O'Kelly and M. Shewring, eds. Europa Triumphans: Court and Civic Festivals in Early Modern Europe. MHRA/Ashgate, pp. 119-236. ISBN 0754638731 [Book Section]

Canova-Green, Marie-Claude. 2013. From object of curiosity to subject of conversation: Mlle de Scudery and the Paris entry of Louis XIV and Maria Teresa (1660). In: Marie-Claude Canova-Green and jean andrews, eds. Writing royal entries in early modern europe. Turnhout: Brepols, pp. 323-339. ISBN 978-2-503-53602-6 [Book Section]

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Canova-Green, Marie-Claude. 2018. Histoires de plumes. Pouvoir, mode et galanterie à la cour de Louis XIII. In: Marine Roussillon; Sylvaine Guyot; Dominic Glynn and Marie-Madeleine Fragonard, eds. Littéraire. Pour Alain Viala. Arras: Arras Artois Presses Université, pp. 233-242. ISBN 9782848323138 [Book Section]

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Canova-Green, Marie-Claude. 2019. "Il faut parer le personage": dentelles, jupons et eventails de la dame en noir. In: Mathieu Da Vinha and Nathalie Grande, eds. Madame de Maintenon (1719-2019). Rennes: Presses univeritaires de Rennes. [Book Section] (Submitted)

Canova-Green, Marie-Claude; Chaouche, Sabine; Courtes, Noemie and Requemora, Sylvie, eds. 2015. Jean-Francois Regnard, Theatre francais, vol. 1. Paris: Garnier. ISBN 978-2-8124-3303-0 [Edited Book]

Canova-Green, Marie-Claude. 2010. L'Entree dans la ville ou le corps eclate du roi. In: Sabine Chaouche, ed. Le Theatral de la France d'Ancien Regime. Paris: Champion, pp. 171-183. ISBN 9782745318909 [Book Section]

Canova-Green, Marie-Claude. 1993. La Politique-spectacle au grand siècle. Papers on French Seventeenth Century Studies. ISBN 978-2864910909 [Book]

Canova-Green, Marie-Claude. 2004. 'La Rochelle and the Defeat of Protestantism'. In: J R Mulryne; Helen Watanabe-O'Kelly; Margaret Shewring; Elizabeth Goldring and Sarah Knight, eds. Europa Triumphans: Court And Civic Festivals In Early Modern Europe. Ashgate Pub Ltd. ISBN 978-0754638735 [Book Section]

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Canova-Green, Marie-Claude. 2019. La medaille de Saint-Cyr ou la piete du roi. In: Yvan Loskoutoff, ed. Le livre des medailles de Louis XIV. Vol. 3. Le Havre: Presses universitaires du Havre. [Book Section] (Submitted)

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Canova-Green, Marie-Claude. 2016. La medaille, la mort, l'immortalite: Louis XIV et le livre des "Medailles sur les principaux evenements de son regne". In: , ed. Les médailles de Louis XIV et leur livre. Rouen: PURH, pp. 247-258. ISBN 9791024005911 [Book Section]

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Canova-Green, Marie-Claude. 2017. La ville, la province et le roi. Les entrees provencales de Louis XIII a l'automne 1622. In: Sylvie Requemora-Gros, ed. Voyages, rencontres, échanges au XVIIe siècle: Marseille carrefour. Tübingen: Narr Francke Attempto Verlag GmbH + Co. KG, pp. 399-411. ISBN 9783823379669 [Book Section]

Canova-Green, Marie-Claude. 2011. Le Jeu du fermé et de l’ouvert dans les comédies-ballets de Molière’. In: george forestier and lise michel, eds. La scène et la coulisse dans le théâtre du XVIIe siècle en France. Paris: PUPS, pp. 261-277. ISBN 978-2-84050-642-3 [Book Section]

Canova-Green, Marie-Claude. 2009. Le Spectacle de Psyché à Londres. In: , ed. UNSPECIFIED Silvana Editoriale, pp. 143-157. ISBN 978-88-366-1278-9 [Book Section]

Canova-Green, Marie-Claude. 1997. 'Le XVIIIe siècle: un siècle du théâtre'. In: Alain Viala, ed. Le Théâtre en France. Presses Universitaires de France - PUF. ISBN 978-2130571957 [Book Section]

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Canova-Green, Marie-Claude. 2018. 'Le ballet a l'Arsenal ou la magie du roi' (1635-1636). In: Élise Dutray-Lecoin; Martine Lefèvre and Danielle Muzerelle, eds. Les Plaisirs de l’Arsenal Poésie: musique, danse et érudition au xviie et au xviiie siècle. 12 Paris: Classiques Garnier, pp. 127-140. ISBN 9782406081371 [Book Section]

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Canova-Green, Marie-Claude. 2014. Le don du roi ou les vingt ans du Grand Dauphin. Seventeenth-Century French Studies, 36(1), pp. 28-37. ISSN 0265-1068 [Article]

Canova-Green, Marie-Claude. 2020. Le récit de la fête : du livret-programme au livre cadeau. In: A. Fennetaux; A. M. Miller Blaise and N. Oddo, eds. Objets nomades: Circulations matérielles, appropriations et formation des identités à l'ère de la première mondialisation, XVIe-XVIIIe siècles. Turnhout, Belgium: Brepols, pp. 50-63. ISBN 9782503587073 [Book Section]

Canova-Green, Marie-Claude. 2013. 'Lepanto revisited: Water fights and the Turkish Threat in Early Modern Europe'. In: Margaret Shewring, ed. Waterborne pageants and festivities in the Renaissance. Farnham: Ashgate, pp. 177-198. ISBN 978-1409400233 [Book Section]

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Canova-Green, Marie-Claude. 2019. Les Facheux: debut ou fin d'un genre. In: J.M. Muratore, ed. Moliere re-envisioned: renouveau et renouvellements molieresque. Paris: Hermann, pp. 251-266. ISBN 9791037001054 [Book Section]

Canova-Green, Marie-Claude. 2009. Les Nations à la scène: caractères ou caricature? Watteau au confluent des arts, pp. 471-482. [Article]

Canova-Green, Marie-Claude. 2002. Les Triomphes de Louis le Juste (1649): une une épopée du discontinu. Seventeenth-Century French Studies, 24, pp. 29-41. ISSN 02651068 [Article]

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Canova-Green, Marie-Claude. 2018. Les années 1610 vues par Henri, duc de Rohan: Brouilleries, passions et « interêts particuliers ». L’Acier de mes vers: Les Tragiques, 1616-2016, Albineana, 30, pp. 85-98. ISSN 1154-5852 [Article]

Canova-Green, Marie-Claude. 2009. Moliere et la cartographie du Tendre. In: , ed. UNSPECIFIED Dolmens, pp. 329-347. ISBN 978-2-35780-011-3 [Book Section]

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Canova-Green, Marie-Claude. 2016. Moliere ou comment ne pas reconnaitre sa dette: le theatre dela Restauration en Angleterre. In: , ed. La France et l'Europe du Nord au XVIIe siecle. Germany: Narr Francke Attempto Verlag, p. 109. [Book Section]

Canova-Green, Marie-Claude. 2014. ‘On ne naît pas roi, on le devient: Louis XIV au miroir de ses Mémoires’. In: Matthieu Da Vinha; Alexandre Maraval and Nicolas Milanovic, eds. Louis XIV, l'image et le mythe. Rennes: Presses Universitaires de Rennes, pp. 33-44. ISBN 2753533695 [Book Section]

Canova-Green, Marie-Claude. 2013. 'Peuple et entrée royale sous Louis XIII'. In: Sylvie Requemora and Philippe Chomety, eds. Gueux, frondeurs, utopiens. Autres et ailleurs du XVIIe siecle. Aix-en-Provence: Presses Universitaires de Provence, pp. 73-80. ISBN 978 2853 999076 [Book Section]

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Canova-Green, Marie-Claude. 2020. Quand les spectatrices entrent dans la danse: masque et ballet de cour au XVIIe siecle. In: , ed. Spectatrices: les femmes au spectacle de l'antiquite a nos jours. [Book Section] (Forthcoming)

Canova-Green, Marie-Claude. 2012. ‘Romans et ballets de cour dans la France du Grand Siècle’. In: frank greiner and catherine douzou, eds. Le roman mis en scene. Paris: Garnier, pp. 159-174. ISBN 978-2-8124-0809-0 [Book Section]

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Canova-Green, Marie-Claude. 2020. Sens et fonctions de l’ornement dans l’entrée royale en France au XVIIe siècle. Arti dello spettacolo / Performing Arts Journal, 6, pp. 174-180. ISSN 2421-2679 [Article]

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Canova-Green, Marie-Claude. 2017. Transformed Gardens: The Trompe-l’oeil Scenery of the Versailles Festivals (1664–1674). In: J.R. Mulryne; Krista De Jonge; Pieter Martens and R.L.M. Morris, eds. Architectures of Festival in Early Modern Europe: Fashioning and Re-fashioning Urban and Courtly Space. Abingdon and New York: Routledge, pp. 181-201. ISBN 9781472432001 [Book Section]

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Canova-Green, Marie-Claude. 2015. 'Warrior King or King of War? Louis XIII's Entries into his bonnes villes (1620-1629)'. In: J.R. Mulryne; Maria Ines Aliverti and Anna Maria Testaverde, eds. Ceremonial entries in early modern europe. The iconography of power. Farnham: Ashgate, pp. 77-98. ISBN 9781472432032 [Book Section]

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Canova-Green, Marie-Claude. 2021. À quoi sert un livret de ballet de cour au XVIIe siècle? (1610-1681). In: Marie Cleren; Caroline Mounier-Vehier; Laura Soudy-Quazuguel and Celine Torrent, eds. Formes, emplois et évolution du livret de ballet de la Renaissance à nos jours. Paris: Classiques Garnier, pp. 55-69. ISBN 9782406120025 [Book Section]

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Canova-Green, Marie-Claude and Matsumoto, Naomi. 2024. Exoticism or Eclecticism? Carnival at Court and the Mascarade du Roy de la Chine. In: Marie-Claude Canova-Green, ed. Spectacular Orientalism in Early Modern Europe. Turnhout, Belgium: Brepols. ISBN 9782503610566 [Book Section] (In Press)

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Canova-Green, Marie-Claude and Nedelec, Claudine. 2012. Ballets pour Louis XIII. Danse et jeux de transgression (1622-1638). Toulouse: Société de Littératures Classiques. ISBN 978-2-908728-69-9 [Book]

Canova-Green, Marie-Claude and Wolfson, Sara, eds. 2020. The Wedding of Charles I and Henrietta Maria, 1625. Celebrations and Controversy. Turnhout, Belgium: Brepols Publishers. ISBN 9782503585321 [Edited Book]

Canova-Green, Marie-Claude and de Benserade, Isaac. 1997. Ballets pour Louis XIV. Société de Littératures Classiques. ISBN 978-2908728170 [Book]

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Carlton, Angela. 2020. Representations of the Female Bildungsroman in Modern Narratives of Travel. Doctoral thesis, Goldsmiths, University of London [Thesis]

Carr, Helen. 1990. From My Guy to Sci-Fi: Genre and Women's Writing in the Postmodern World. London: Pandora Press. ISBN 978-0044404088 [Book]

Carr, Helen. 2011. Jean Rhys (Writers & Their Work). Northcote House Publishers Ltd; 2nd Revised edition edition. ISBN 978-0746311639 [Book]

Carr, Helen. 2003. Jean Rhys: West Indian intellectual. In: Bill Schwarz, ed. West Indian intellectuals in Britain. Manchester University Press, pp. 93-113. ISBN 9780719064746 [Book Section]

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Carr, Helen. 2003. Jean Rhys: West Indian intellectual. Manchester University Press. ISBN 9780719064746 [Book]

Carr, Helen. 2002. Modernism and Travel (1880-1940). In: Hulme and T. Youngs, eds. The Cambridge Companion to Travel Writing. Cambridge University Press, pp. 70-86. ISBN 0521786525 [Book Section]

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Carr, Helen. 2002. Modernism and Travel (1880-1940). Cambridge University Press. ISBN 0521786525 [Book]

Carr, Helen. 2006. T. E. Hulme and the `Spiritual Dread of Space'. Ashgate. ISBN 0754640884 [Book]

Carr, Helen. 2006. T. E. Hulme and the `Spiritual Dread of Space'. In: Comentale and A. Gasiorek, eds. T. E. Hulme and the Question of Modernism. Ashgate, pp. 93-112. ISBN 0754640884 [Book Section]

Carr, Helen. 2009. The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists. London: Jonathan Cape; New Ed edition. ISBN 978-0224040303 [Book]

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Carr, Helen. 2007. A history of women's writing. Cambridge University Press. ISBN 9780521852555 [Book]

Carr, Helen. 2007. A history of women's writing. In: G. Plain and S. Sellers, eds. A History of Feminist Literary Criticism. Cambridge University Press, pp. 120-137. ISBN 9780521852555 [Book Section]

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Casby, Aoife. 2021. God's Little Cow & An Argument for Hybridity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Chaudhuri, Soma; Dooley, Maura; Johnson, Dan; Beaty, Roger and Bhattacharya, Joydeep. 2024. Evaluation of poetic creativity: Predictors and the role of expertise—A multilevel approach. Psychology of Aesthetics, Creativity, and the Arts, ISSN 1931-3896 [Article] (In Press)

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Chitty, Antonia Mary Willes. 2021. Blindsided. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Chourrout, Chloé. 2022. Performing Authorship: The case of Louis-Ferdinand Céline and Michel Houellebecq. Other thesis, Goldsmiths, University of London [Thesis]

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Coates, Jennifer and Pichler, Pia. 2023. Gender and discourse analysis. In: Michael Handford and James Paul Gee, eds. The Routledge Handbook of Discourse Analysis, 2nd edition. Abingdon: Routledge, pp. 187-202. ISBN 9780367473839 [Book Section]

Cogo, Alessia. 2009. Accommodating difference in ELF Conversations: A study of pragmatic strategies. In: Anna Mauranen and Elina Ranta, eds. English as a Lingua Franca: Studies and Findings. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 254-273. ISBN 978-1-4438-1296-2 [Book Section]

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Cogo, Alessia. 2015. Complexity, negotiability and ideologies: A response to Zhu, Pitzl and Kankaanranta et al. Journal of English as a Lingua Franca, 4(1), pp. 149-155. ISSN 2191-9216 [Article]

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Cogo, Alessia. 2015. Complexity, negotiability and ideologies: a response to Zhu, Pitzl, and Kankaanranta et al. Journal of English as a Lingua Franca, 4(1), pp. 149-155. ISSN 2191-933X [Article]

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Cogo, Alessia. 2016. Conceptualizing ELF as a translanguaging phenomenon: Covert and overt resources in a transnational workplace. Waseda Working papers in ELF, 5, pp. 61-77. ISSN 2187-994X [Article]

Cogo, Alessia. 2018. Cultural Elements in English as a Lingua Franca. In: John I. Liontas, ed. The TESOL Encyclopedia of English Language Teaching. Hoboken: Wiley. ISBN 9781118784228 [Book Section]

Cogo, Alessia. 2020. ELF and Translanguaging: Covert and Overt Resources in a Transnational Workplace. In: Kumiko Murata, ed. ELF Research Methods and Approaches to Data and Analyses: Theoretical and Methodological Underpinnings. Abingdon: Routledge, pp. 38-54. ISBN 9780367898793 [Book Section]

Cogo, Alessia. 2018. ELF and multilingualism. In: Jennifer Jenkins; Will Baker and Martin Dewey, eds. The Routledge Handbook of English as a Lingua Franca. Abingdon: Routledge, pp. 357-368. ISBN 9781138855328 [Book Section]

Cogo, Alessia. 2012. ELF and super-diversity: a case study of ELF multilingual practices from a business context. Journal of English as a Lingua Franca, 1(2), pp. 287-313. ISSN 2191-933X [Article]

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Cogo, Alessia. 2024. English as a Lingua Franca and language teaching. In: Carol A. Chapelle, ed. The Encyclopedia of Applied Linguistics. Hoboken: Wiley. ISBN 9781405198431 [Book Section] (Forthcoming)

Cogo, Alessia. 2016. English as a Lingua Franca in Europe. In: Andrew Linn, ed. Investigating English in Europe. Berlin: De Gruyter, pp. 79-89. ISBN 978-1-61451-890-7 [Book Section]

Cogo, Alessia. 2012. English as a Lingua Franca: concepts, use, and implications. ELT journal, 66(1), pp. 97-105. ISSN 0951-0893 [Article]

Cogo, Alessia. 2015. English as a Lingua Franca: descriptions, domains and applications. In: Hugo Bowles and Alessia Cogo, eds. International Perspectives on English as a Lingua Franca: Pedagogical Insights. Basingstoke: Palgrave Macmillan, pp. 1-12. ISBN 978-1-137-39809-3 [Book Section]

Cogo, Alessia. 2008. English as a Lingua Franca: form follows function. English Today, 24(3), pp. 58-61. ISSN 0266-0784 [Article]

Cogo, Alessia. 2012. ‘French is French, English is English’: standard language ideology in ELF debates. In: Patrick Studer and Iwar Werlen, eds. Linguistic Diversity in Europe. Berlin: De Gruyter, pp. 233-256. ISBN 978-3-11-027088-4 [Book Section]

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Cogo, Alessia. 2022. From global English to Global Englishes: questioning current approaches to ELT materials. In: Julie Norton and Heather Buchanan, eds. Routledge Handbook of Materials Development for Language Teaching. Abingdon: Routledge, pp. 93-108. ISBN 9780815382577 [Book Section]

Cogo, Alessia. 2011. L’ identità e appartenenza nella pragmatica dell’ inglese come lingua franca (ELF). In: R. Bombi; M. D’Agostino; S. Dal Negro and M. Franceschini, eds. Lingue e culture in contatto. Atti del X Congresso dell’AItLA (Bolzano, 18-19 febbraio 2010). Perugia: Guerra edizioni, pp. 105-123. [Book Section]

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Cogo, Alessia, ed. 2023. Special Section on Critical Pedagogy, ELT Journal, 77(2). 0951-0893 [Edited Journal]

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Cogo, Alessia. 2010. Strategic use and Perceptions of English as a Lingua Franca. Poznán Studies in Contemporary Linguistics, 46(3), pp. 295-312. ISSN 0137-2459 [Article]

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Cogo, Alessia. 2016. “They all take the risk and make the effort”: Intercultural accommodation and multilingualism in a BELF community of practice. In: L. Lopriore and E. Grazzi, eds. Intercultural Communication: New Perspectives from ELF. Roma: Roma TrE-Press, pp. 365-383. ISBN 9788897524632 [Book Section]

Cogo, Alessia. 2016. Visibility and absence: ideologies of ‘diversity’ in BELF. In: Marie-Luise Pitzl and Ruth Osimk-Teasdale, eds. English as a Lingua Franca: Perspectives and Prospects. Contributions in Honour of Barbara Seidlhofer. 24 Berlin: De Gruyter Mouton, pp. 39-48. ISBN 978-1-5015-0317-7 [Book Section]

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Cogo, Alessia. 2020. The role of translanguaging in ELF advice sessions for asylum seekers. In: Anna Mauranen and Svetlana Vetchinnikova, eds. Language Change: The Impact of English as a Lingua Franca. Cambridge: Cambridge University Press, pp. 336-355. ISBN 9781108675000 [Book Section]

Cogo, Alessia; Crookes, Graham and Siqueira, Savio. 2023. English for a Critical Mind: Language pedagogy for social justice. Stuttgart: Delta Publishing. ISBN 9783125017436 [Book]

Cogo, Alessia; Dewey; Althehenger-Smith; Suzuki and Philips. 2006. Symposium on Intercultural Communication. In: Briony Beaven, ed. IATEFL 2006 Harrogate Conference Selections. IATEFL. ISBN 978-1901095098 [Book Section]

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Cogo, Alessia and Dewey, Martin. 2012. Analysing English as a Lingua Franca: a Corpus-driven Investigation. London: Continuum. ISBN 9781441154965 [Book]

Cogo, Alessia and Dewey, Martin. 2006. Efficiency in ELF Communication: From Pragmatic Motives to Lexico-grammatical Innovation. Nordic Journal of English Studies, 5(2), pp. 59-93. ISSN 1502-7694 [Article]

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Cogo, Alessia; Fang, Fan; Kordia, Stefania; Sifakis, Nicos and Siqueira, Sávio. 2022. Developing ELF Research for Critical Language Education. AILA Review, 34(2), pp. 187-211. ISSN 1461-0213 [Article]

Cogo, Alessia and House, Juliane. 2018. The pragmatics of ELF. In: Jennifer Jenkins; Will Baker and Martin Dewey, eds. The Routledge Handbook of English as a Lingua Franca. Abingdon: Routledge, pp. 210-223. ISBN 9781138855328 [Book Section]

Cogo, Alessia and Jenkins, Jennifer. 2010. English as a lingua franca in Europe: A mismatch between policy and practice. European Journal of Language Policy, 2(2), pp. 271-293. ISSN 1757-6822 [Article]

Cogo, Alessia and Pitzl, Marie-Luise. 2016. Pre-empting and signalling non-understanding in ELF. ELT journal, 70(3), pp. 339-345. ISSN 0951-0893 [Article]

Cohen, Josh. 2005. Aesthetic Theory, Psychoanalysis and the Ironic End of Art. Parallax, 11(4), pp. 71-80. ISSN 13534645 [Article]

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Cohen, Josh. 2014. Bruce Nauman, Jean Laplanche and the Art of Helplessness. In: John Fletcher and Nicholas Ray, eds. Seductions and Enigmas: Laplanche, Theory, Culture. London: Lawrence & Wishart Ltd, pp. 326-343. ISBN 9781909831087 [Book Section]

Cohen, Josh. 2001. ‘Dialectic of Entanglement: Adorno, Auschwitz and the Contradictions of Representation’. In: Holger Briel and Andreas Kramer, eds. In Practice: Adorno, Critical Theory and Cultural Studies. Berg: Peter Lang, pp. 15-29. ISBN 978-3906766850 [Book Section]

Cohen, Josh. 2002. ‘“A Different Insignificance”: The Poet and the Witness in Agamben’. Paragraph: A Journal of Modern Critical Theory, 25(2), pp. 36-51. ISSN 0264-8334 [Article]

Cohen, Josh. 1998. ‘“Disgrace of Revelation”: I.B. Singer’s Holocaust Impiety’. Textual Practice, 12(3), pp. 443-457. ISSN 0950-236X [Article]

Cohen, Josh. 1993. ‘Film, Postmodernity, Systems in Don DeLillo’s White Noise’. Over Here: A European Journal of American Culture, 13(1), pp. 115-124. [Article]

Cohen, Josh. 1998. The Holocaust and Representation: Three Philosophical Perspectives. In: V Viklund, ed. Bilden av Förintelsen. Stockholm: Swedish Film Institute, pp. 47-58. [Book Section]

Cohen, Josh. 2005. How to Read Freud. Granta Books. ISBN 978-1862077638 [Book]

Cohen, Josh. 2007. ‘“I-Not-I”: Narcissism Beyond the One and the Other’. In: Anastasios Gaitanides and Polona Curk, eds. Narcissism: A Critical Reader. London: Karnac Books, pp. 31-46. ISBN 978-1855754539 [Book Section]

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Cohen, Josh. 2003. Interrupting Auschwitz: Art, Religion, Philosophy. Continuum. ISBN 9780826455512 [Book]

Cohen, Josh. 2003. Interrupting Auschwitz: Art, Religion, Philosophy. London and New York: Continnuum-3PL. ISBN 978-0826455512 [Book]

Cohen, Josh. 1998. ‘James Ellroy, Los Angeles and the Spectacular Crisis of Masculinity’. In: Peter Messent, ed. Criminal Proceedings: The Contemporary American Crime Novel. London: Pluto Press, pp. 160-178. ISBN 978-0745310169 [Book Section]

Cohen, Josh. 1996. ‘James Ellroy, Los Angeles and the Spectacular Crisis of Masculinity’. Women: A Cultural Review, 7(1), pp. 1-15. ISSN 0957-4042 [Article]

Cohen, Josh. 1997. ‘Joan Didion, Los Angeles and the Opacity of Urban Spectacle’. Over Here: A European Journal of American Culture, 16(1), pp. 18-29. [Article]

Cohen, Josh. 2006. ‘No Matter: Aesthetic Theory and the Self-Annihilating Artwork’. In: D Rudrum, ed. Literature and Philosophy. Basingstoke: Palgrave. [Book Section]

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Cohen, Josh. 2014. 'No room for truth': On the Precariousness of Life and Narrative in The Last of the Just. European Judaism, 47(1), pp. 15-25. ISSN 0014-3006 [Article]

Cohen, Josh. 2019. Not Working: Why We Have to Stop. London: Granta. ISBN 9781783782062 [Book]

Cohen, Josh. 1998. ‘Phenomenologies of Mourning: Gillian Rose and Walter Benjamin’. Women: A Cultural Review, 9(1), pp. 47-61. ISSN 0957-4042 [Article]

Cohen, Josh. 2002. ‘Philosophy and the Holocaust: Representing, Remembering, Thinking’. Jewish Quarterly, 49(3), pp. 73-74. ISSN 0449-010X [Article]

Cohen, Josh. 2006. ‘Post-Holocaust Philosophy’. In: Dan Stone, ed. The Historiography of the Holocaust. Palgrave Schol, pp. 469-483. ISBN 978-1403999276 [Book Section]

Cohen, Josh. 2014. The Private Life: Why We Remain in the Dark. Granta Books. ISBN 978-1847085306 [Book]

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Cohen, Josh. 2017. Psychic Life: A New Focus on Early Infancy. In: Gregorio Kohon, ed. British Psychoanalysis: The Independent Tradition. Abingdon: Routledge, pp. 73-87. ISBN 9781138579057 [Book Section]

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Cohen, Josh. 2015. 'Psychoanalytic Bodies'. In: David Hillman and Ulrika Maude, eds. The Cambridge Companion to the Body in Literature. Cambridge, UK: Cambridge University Press, pp. 214-229. ISBN 9781107048096 [Book Section]

Cohen, Josh. 2015. Psychoanalytic Bodies: Psychic and “Actual” Bodies in Modern Literature. In: David Hillman and Ulrika Maude, eds. The Cambridge Companion to the Body in Literature. Cambridge: Cambridge University Press, pp. 214-229. ISBN 978-1107644397 [Book Section]

Cohen, Josh. 2002. RELIGION AGAINST POLITICS: Versions of the State in modern Jewish thought. Jewish Quarterly, 49(4), pp. 23-28. ISSN 0449-010X [Article]

Cohen, Josh. 2010. Reflexive Incomprehension: On Lydia Davis. Textual Practice, 24(3), pp. 501-516. ISSN 0950-236X [Article]

Cohen, Josh. 2002. Review of Andrew Benjamin, Philosophy’s Literature. Textual Practice, 16, ISSN 0950-236X [Article]

Cohen, Josh. 2008. Review of M. Jay and T. Brennan (eds.), Vision in Context. Textual Practice, 12(2), pp. 349-421. ISSN 0950-236X [Article]

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Cohen, Josh. 2007. Roth's Doubles. In: , ed. UNSPECIFIED Cambridge University Press. ISBN 9780521864305 [Book Section]

Cohen, Josh. 2007. Roth's Doubles. In: T. Parrish, ed. The Cambridge Companion to Philip Roth. Cambridge University Press, pp. 82-93. ISBN 9780521864305 [Book Section]

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Cohen, Josh. 2022. ‘Something extra’: In defence of an uncanny humanism. Journal of Philosophy of Education, 56(1), pp. 173-179. ISSN 0309-8249 [Article]

Cohen, Josh. 2008. 'The Strange Unlike' : Wallace Stevens' Poetics of Resemblance. In: Bart Eeckhout and Edward Ragg, eds. Wallace Stevens across the Atlantic. New York: Palgrave Macmillan, pp. 107-118. ISBN 9780230535848 [Book Section]

Cohen, Josh. 2008. The Strangeness in the Strangeness. Static, 7, ISSN 1754-5374 [Article]

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Cohen, Josh. 2017. The Support-Worker's Tale'. In: David Herd and Anna Pincus, eds. Refugee Tales Volume 2. 2 Manchester: Comma Press, pp. 73-83. ISBN 978-1910974308 [Book Section]

Cohen, Josh. 2014. The Trouble You Reported. The Times Literary Supplement, [Article]

Cohen, Josh. 2002. Unfolding: Reading after Romanticism. In: Beatrice Hanssen and Andrew Benjamin, eds. Walter Benjamin and Romanticism. London and New York: Continuum, pp. 98-108. ISBN 0826460216 [Book Section]

Cohen, Josh. 2002. Unfolding: Reading after Romanticism. In: , ed. UNSPECIFIED Continuum. ISBN 0826460216 [Book Section]

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Collins, Sally. 2006. Representations of Italy and Italians in British Fiction and Travel Writing, 1900-1930. Doctoral thesis, Goldsmiths, University of London [Thesis]

Condé, Alice. 2013. 'A. C. Swinburne and the masochistic fantasy of the cruel woman'. In: London Nineteenth-Century Seminar. Senate House, United Kingdom 2 February 2013. [Conference or Workshop Item]

Condé, Alice. 2021. Contemporary Contexts: Decadence Today and Tomorrow. In: Jane H. Desmarais and David Weir, eds. The Oxford Handbook of Decadence. Oxford: Oxford University Press, pp. 96-114. ISBN 9780190066956 [Book Section]

Condé, Alice. 2019. Decadence and Popular Culture. In: Jane H. Desmarais and David Weir, eds. Decadence and Literature. Cambridge: Cambridge University Press, pp. 379-399. ISBN 9781108426244 [Book Section]

Condé, Alice. 2012. 'The Decadent cruel woman, masochism, and the dynamics of control'. In: Goldsmiths Literature Seminar (GLITS). Goldsmiths, United Kingdom 15 March 2012. [Conference or Workshop Item]

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Condé, Alice. 2015. Incorporeal Punishment : Writing Masochism and the Cruel Woman in English Decadence, 1860-1900. Doctoral thesis, Goldsmiths, University of London [Thesis]

Condé, Alice. 2013. 'Mirrors, shadows, dancing girls: the Decadent woman in Arthur Symons’s London Nights'. In: Goldsmiths Literature Seminar (GLITS). Goldsmiths, United Kingdom 21 February 2013. [Conference or Workshop Item]

Condé, Alice. 2022. Review of Decadence: A Literary History. Ed. Alex Murray. Cambridge: Cambridge University Press, 2020. 415 pp. £84.99. Studies in Walter Pater and Aestheticism, 6, pp. 148-151. ISSN 2445-5962 [Article]

Condé, Alice. 2017. Sensory Nullification in the Poetry of Ernest Dowson. In: Jane H. Desmarais and Alice Condé, eds. Decadence and the Senses. Cambridge: Legenda, pp. 200-218. ISBN 9781781884812 [Book Section]

Condé, Alice. 2022. Walt Ruding, An Evil Motherhood (1895). In: Simon Reynolds, ed. An 1890s Miscellany. London: Greenwich Exchange. [Book Section] (Forthcoming)

Condé, Alice. 2011. 'Writing masochism in nineteenth-century Decadence'. In: Goldsmiths Postgraduate Symposium. Goldsmiths, United Kingdom 20 May 2011. [Conference or Workshop Item]

Condé, Alice. 2010. 'Writing the cruelty of female sexuality in Wilde’s Salomé'. In: Transgression and its Limits. University of Stirling, United Kingdom 30 May 2010. [Conference or Workshop Item]

Condé, Alice. 2017. 'The afterlife of the Decadent femme fatale: Phantasmal delusion in Ben Hecht’s Fantazius Mallare (1922)'. In: Neo-Victorian Decadences. Durham University, United Kingdom 8-9 September 2017. [Conference or Workshop Item]

Condé, Alice. 2012. 'The masochistic game in nineteenth-century Decadence, and why Oscar Wilde’s Salomé cannot play along'. In: LUDUS: The Narrative of Games and the Art of Play. Goldsmiths, United Kingdom 22 June 2012. [Conference or Workshop Item]

Condé, Alice. 2016. '"The pale roses expire": Dowson’s Decadent diminuendo'. In: Ernest Dowson (1867-1900): Poet, translator, novelist. Goldsmiths, United Kingdom 15 April 2016. [Conference or Workshop Item]

Condé, Alice. 2022. A “shadow of a white rose in a mirror of silver”: The disembodied femme fatale in Oscar Wilde’s Salome. In: Laura Giovannelli and Pierpaolo Martino, eds. Wilde World. Una tavola rotonda su Oscar Wilde. Pisa: Edizioni ETS, pp. 69-96. ISBN 9788846763853 [Book Section]

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Condé, Alice and Gossling, Jessica. 2018. The Devil in the Detail: An Introduction to Decadent Occultism from the Editors. Volupté: Interdisciplinary Journal of Decadence Studies, 1(2), i-ix. [Article]

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Corser, Sophie. 2018. Against Joyce: Ulysses, Authorship, and the Authority of the Reader. Doctoral thesis, Goldsmiths, University of London [Thesis]

Corser, Sophie. 2017. Lovers’ Discourses: Marcel Proust’s Swann in Love and E. M. Forster’s A Room with a View. In: , ed. Narrating the Passions: New Perspectives from Modern and Contemporary Literature. Oxford: Peter Lang. ISBN 978-1-78707-121-6 [Book Section]

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Corser, Sophie and Russell, Lucy. 2015. 'Introduction'. Critiquing Criticism: From the Ancient to the Digital - MHRA Working Papers in the Humanities, 10, pp. 1-9. [Article]

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Coste, Bénédicte and Desmarais, Jane H.. 2024. Introduction. Quaderni di LEA - Scrittore e Scritture d'Oriente e d'Occidente(6), pp. 7-10. ISSN 1824-484X [Article]

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Coughlan, David William. 2002. Written Somewhere: The Social Space of Text. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Covi, Giovanna; Anim-Addo, Joan; Borghi, Liana; Gomez Garcia, Luz; Goodman, Sara; Grenz, Sabine and Karavanta, Mina. 2006. ReSisters in Conversation: Representation Responsibility Complexity Pedagogy. York: Raw Nerve Press. ISBN 978-0955358609 [Book]

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Covi, Giovanna; Anim-Addo, Joan; Pollard, Velma and Sassi, Carla. 2007. Caribbean-Scottish Relations: Colonial and Contemporary Inscriptions in History, Language and Literature. London: Mango Publishing. ISBN 978-1902294346 [Book]

Craps, Stef and Crownshaw, Richard. 2018. Introduction: The Rising Tide of Climate Change Fiction. Studies in the Novel, 50(1), pp. 1-8. ISSN 0039-3827 [Article]

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Crownshaw, Richard. 2010. The Afterlife of Holocaust Memory in Contemporary Literature and Culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230581876 [Book]

Crownshaw, Richard. 2000. Blacking out Holocaust memory in Saul Bellow's The victim. Saul Bellow Journal, 17(1-2), pp. 253-279. ISSN 0735-1550 [Article]

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Crownshaw, Richard. 2017. Climate Change Fiction and the Future of Memory: Speculating on Nathaniel Rich's Odds against Tomorrow. Resilience: A Journal of the Environmental Humanities, 4(2-3), pp. 127-146. ISSN 2330-8117 [Article]

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Crownshaw, Richard. 2017. Climate Change Fiction and the Future of Memory: Speculating on Nathaniel Rich’s Odds Against Tomorrow. Resilience: A Journal of the Environmental Humanities, 4(2-3), pp. 127-146. ISSN 2330-8117 [Article]

Crownshaw, Richard. 2020. Climate Change Perpetrators: Ecocriticism, Implicated Subjects, and Anthropocene Fiction. In: Susanne C. Knittel and Zachary J. Goldberg, eds. The Routledge International Handbook of Perpetrator Studies. Abingdon: Routledge. ISBN 9781138103245 [Book Section]

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Crownshaw, Richard. 2016. Cultural Memory Studies in the Epoch of the Anthropocene. In: Lucy Bond; Stef Craps and Pieter Vermeulen, eds. Memory Unbound: Tracing the Dynamics of Memory Studies. Oxford: Berghahn. ISBN 978-1-78533-300-2 [Book Section]

Crownshaw, Richard. 2014. Depoliticizing and Repoliticizing Holocaust Memory. In: Jenni Adams, ed. The Bloomsbury Companion to Holocaust Literature. London: Bloomsbury Academic, pp. 219-236. ISBN 978-1441129086 [Book Section]

Crownshaw, Richard. 2011. Deterritorializing the “Homeland” in American Studies and American Fiction after 9/11. Journal of American Studies, 45(4), pp. 757-776. ISSN 0021-8758 [Article]

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Crownshaw, Richard. 2023. The Entangled Times of COVID, Climate, and Race in the US Reading the “Heterotemporality” of Colson Whitehead's Zone One. In: Sibylle Baumbach and Birgit Neumann, eds. Temporalities in/of Crises of Anglophone Literatures. New York: Routledge, pp. 61-79. ISBN 9781003348122 [Book Section]

Crownshaw, Richard. 1999. Ethnic Identity and Cultural Heritage: Belsen in the Museum. In: Jane Stokes and Anna Reading, eds. The Media in Britain: Current Debates and Developments (Media, Culture & Society). Palgrave Macmillan, pp. 295-302. ISBN 978-0333730638 [Book Section]

Crownshaw, Richard. 2010. ‘The Future of Memory’. In: Richard Crownshaw; Jane Kilby and Antony Rowland, eds. The Future of Memory. Berghahn Books. ISBN 978-1845456931 [Book Section]

Crownshaw, Richard. 2006. ‘German suffering or ‘narrative fetishism?’: W. G. Sebald’s ‘Air War and Literature: Zurich Lectures’. In: Lisa Patt and Vance Bell, eds. Searching for Sebald. Los Angeles: Institute for Cultural Inquiry. ISBN 978-1889917115 [Book Section]

Crownshaw, Richard. 1998. ‘Gravity’s Rainbow: Thomas Pynchon’s Holocaust Allegory,’. Pynchon Notes(42-43), pp. 199-212. ISSN 0278-1891 [Article]

Crownshaw, Richard. 2011. Introduction. Parallax, 17(4), pp. 1-3. ISSN 1353-4645 [Article]

Crownshaw, Richard. 2022. Meta-Critical Climate Change Fiction: Claire Vaye Watkins' Gold Fame Citrus. In: Sarah Ensor and Susan Scott Parrish, eds. The Cambridge Companion to American Literature and the Environment. Cambridge: Cambridge University Press, pp. 105-119. ISBN 9781108841900 [Book Section]

Crownshaw, Richard. 2014. A Natural History of Testimony? In: Antony Rowland and Jane Kilby, eds. The Future of Testimony: Interdisciplinary Perspectives on Witnessing. Abingdon: Routledge, pp. 160-177. ISBN 9780415854450 [Book Section]

Crownshaw, Richard. 2009. On reading Sebald criticism: witnessing the text. Journal of Romance Studies, 9(3), pp. 10-22. ISSN 14733536 [Article]

Crownshaw, Richard. 2000. Performing Memory in Holocaust Museums. Performance Research, 5(3), pp. 18-27. [Article]

Crownshaw, Richard. 2011. Perpetrator Fictions and Transcultural Memory. Parallax, 17(4), pp. 75-89. ISSN 1353-4645 [Article]

Crownshaw, Richard. 2007. ‘Photography and Memory in Holocaust Museums’. Mortality, 12(2), pp. 176-192. ISSN 1357-6275 [Article]

Crownshaw, Richard. 2013. Reading in the Library of Catastrophe: W. G. Sebald’s The Rings of Saturn. In: Sas Mays, ed. Libraries, Literatures, and Archives. London and New York: Routledge, pp. 80-96. ISBN 9780415843874 [Book Section]

Crownshaw, Richard. 2023. Remembering the Anthropocene in the Literature of War: Tim O'Brien's The Things They Carried. In: Lucy Bond and Jessica Rapson, eds. New Directions in Literature and Memory. Palgrave Macmillan. [Book Section] (Forthcoming)

Crownshaw, Richard. 2009. Rereading Der Vorleser, Remembering the Perpetrator. In: Stuart Taberner and Karina Berger, eds. Germans as Victims in the Literary Fiction of the Berlin Republic. 33 Suffolk: Boydell & Brewer, pp. 147-161. ISBN 9781571133939 [Book Section]

Crownshaw, Richard. 2009. ‘Review Essay of Roger Luckhurst, The Trauma Question’. Textual Practice, 23(3), pp. 503-504. ISSN 0950-236X [Article]

Crownshaw, Richard. 1999. Review Essay: The Archaeology of Memory: Martin Gilbert’s Holocaust Journey. Rethinking History, 3(3), pp. 367-370. ISSN 1364-2529 [Article]

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Crownshaw, Richard. 2017. Speculative memory, the planetary and genre fiction. Textual Practice, 31(5), pp. 887-910. ISSN 0950-236X [Article]

Crownshaw, Richard. 2018. Speculative memory, the planetary, and genre fiction. In: Lucy Bond; Ben De Bruyn and Jessica Rapson, eds. Planetary Memory in Contemporary American Fiction. Abingdon: Routledge, pp. 35-58. ISBN ‎9781138494411 [Book Section]

Crownshaw, Richard and Leydesdorff, Selma. 2005. Introduction. In: Luisa Passerini, ed. Memory and Totalitarianism (Memory and Narrative). Transaction Publishers; New edition. ISBN 978-1412804653 [Book Section]

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Darwin, Emma Lucie. 2010. A SECRET ALCHEMY. Doctoral thesis, Goldsmiths, University of London [Thesis]

Desmarais, Jane H.. 2001. Anorexic and Passive Resistance in Melville’s “Bartleby” (1853): A Literary Case Study’. Soundings: A Journal of Politics and Culture, 18, pp. 82-93. ISSN 1362-6620 [Article]

Desmarais, Jane H.. 2014. Arthur William Symons. The Literary Encyclopedia, [Article]

Desmarais, Jane H.. 1990. The Bentham Project. UCL News, [Article]

Desmarais, Jane H.. 2004. Charles Baudelaire’. In: Christopher John Murray, ed. Encyclopedia of the Romantic Era 1760–1850 Vol 1. 1 London: Fitzroy Dearborn, pp. 59-61. ISBN 978-1579583613 [Book Section]

Desmarais, Jane H.. 2016. A Cultural History of Decadence. Cambridge: Polity Press. ISBN 978-0745626000 [Book]

Desmarais, Jane H.. 2019. Decadence and the Critique of Modernity. In: Jane H. Desmarais and David Weir, eds. Decadence and Literature. Cambridge: Cambridge University Press, pp. 98-114. ISBN 9781108550826 [Book Section]

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Desmarais, Jane H.. 2024. Decadent Aesthetics in Cyril Scott’sTranslations and Song Settings. Quaderni di LEA - Scrittore e Scritture d'Oriente e d'Occidente, 6, pp. 81-100. ISSN 1824-484X [Article]

Desmarais, Jane H.. 2016. Du Maurier and the Artist’s Model’. In: Paul Goldman and Simon Cooke, eds. George du Maurier: Illustrator, Critic, Author: Beyond Svengali. Farnham: Ashgate. ISBN 9781472431592 [Book Section]

Desmarais, Jane H.. 2015. Ernest Christopher Dowson. Literary Encyclopaedia, [Article]

Desmarais, Jane H.. 1997. Honoré de Balzac’. In: , ed. The Novel. University of London. ISBN 07187 14342 [Book Section]

Desmarais, Jane H., ed. 1999. Irish Bulls in The Novels and selected Works of Maria Edgeworth Volume 1. Pickering and Chatto. ISBN 978 1 85196 188 7 [Edited Book]

Desmarais, Jane H.. 2014. John Henry Gray. The Literary Encyclopedia, [Article]

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Desmarais, Jane H.. 2001. ‘Judge a Book by Its Cover’. In: Warwick Gould, ed. Yeats and the Nineties Yeats Annual No 14: A Special Number. 14 Palgrave Macmillan, pp. 365-371. ISBN 978-0-333-71640-3 [Book Section]

Desmarais, Jane H.. 2017. Kenneth Grahame. Literary Encyclopedia, ISSN 1747-678X [Article]

Desmarais, Jane H.. 2017. Kenneth Grahame: The Wind in the Willows. Literary Encyclopedia, ISSN 1747-678X [Article]

Desmarais, Jane H.. 2004. Le Salon de 1846. In: Christopher John Murray, ed. Encyclopedia of the Romantic Era 1760–1850 Vol 2. 2 London: Fitzroy Dearborn, pp. 985-986. ISBN 978-1579583613 [Book Section]

Desmarais, Jane H.. 2014. Lionel Johnson. The Literary Encyclopedia, [Article]

Desmarais, Jane H.. 2014. Lord Alfred Douglas. Literary Encyclopedia, [Article]

Desmarais, Jane H.. 1998. Maria Edgeworth 1768-1849. In: Joanne Shattock, ed. The Cambridge Bibliography of English Literature Volume 4. 1800–1900. 4 Cambridge University Press, pp. 901-907. ISBN 9780521391009 [Book Section]

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Desmarais, Jane H.. 2011. 'Memory and desire in Arthur Symons’ London Nights (1895)'. In: Decadent Poetics. University of Exeter, United Kingdom. [Conference or Workshop Item]

Desmarais, Jane H.. 2006. 'Model on the Writers' Block'. In: Jane H. Desmarais; Martin Postle and Martin Vaughan, eds. Model and Supermodel: The Artist’s Model in British Art and Culture. Manchester: Manchester University Press. ISBN 978-0-7190-6662-7 [Book Section]

Desmarais, Jane H.. 2005. The Model: Susannah Gregory in conversation with Jane Desmarais. In: Jane H. Desmarais; Martin Postle and William Vaughan, eds. Model and Supermodel: The Artist’s Model in British Art and Culture. Manchester: Manchester University Press, pp. 151-161. ISBN 978-0-7190-6662-7 [Book Section]

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Desmarais, Jane H.. 2015. 'The Musical Aesthetics (‘such as it is’) of Arthur Symons (1865-1945)'. In: Arthur Symons: Writing Across Arts and Cultures. IUAV, Venice, Italy. [Conference or Workshop Item]

Desmarais, Jane H.. 1997. The Musical Analogy in Beardsley Criticism 1898-1914. Journal of Pre-Raphaelite Studies, 6, pp. 64-90. ISSN 1060-149X [Article]

Desmarais, Jane H.. 2001. The Paradox of Passive Resistance in Herman Melville's "Bartleby". Journal of the Short Story in English, 36, pp. 25-39. [Article]

Desmarais, Jane H.. 2015. Perfume Clouds: Olfaction, Memory, and Desire in Arthur Symons’s London Nights (1895). In: Jane Ford; Kim Edward Keates and Patricia Pulham, eds. Economies of Desire at the Victorian Fin de Siècle: Libidinal Lives. Abingdon: Routledge, pp. 62-79. ISBN 9781138826342 [Book Section]

Desmarais, Jane H.. 2001. Preferring not to: The Paradox of Passive Resistance in Herman Melville's 'Bartleby'. Journal of the Short Story in English, 36, pp. 25-39. ISSN 0294-0442 [Article]

Desmarais, Jane H.. 2018. ‘Prig’s prattling’ at the Fin de Siècle: Haldane MacFall and the Decay of English Art’. In: Bénédicte Coste, ed. Politics and Aestheticism. [Book Section] (Submitted)

Desmarais, Jane H.. 2015. Review: Kostas Boyiopoulos. The Decadent Image: The Poetry of Wilde, Symons and Dowson. Review of English Studies, 67(279), pp. 393-394. ISSN 0034-6551 [Article]

Desmarais, Jane H.. 2005. Shrinking the Stereotype of Psychoanalysis. Psychotherapy Section Review, 38, pp. 27-36. [Article]

Desmarais, Jane H.. 2019. 'Symons, Beardsley, and the "Minims and Crotchets" of Art'. In: Stefano Evangelista and Elisa Bizzotto, eds. Arthur Symons: Poet, Critic, Vagabond. 44 Oxford: Legenda, pp. 30-41. ISBN 9781781884973 [Book Section]

Desmarais, Jane H.. 2021. Touch: Unfeeling Decadence. In: Jane Desmarais and David Weir, eds. The Oxford Handbook of Decadence. New York and London: Oxford University Press. ISBN 9780190066956 [Book Section]

Desmarais, Jane H.. 2016. Without Memory or desire: the model's progress in du Maurier's Trilby. In: Paul Goldman and Simon Cooke, eds. George du Maurier: Illustrator, Critic, Author. Ashgate Publishing Limited; New edition. ISBN 978-1472431592 [Book Section]

Desmarais, Jane H.. 2006. The model on the writers' block: The model in fiction from Balzac to du Maurier. In: Jane H. Desmarais; Martin Postle and Martin Vaughan, eds. Model and supermodel: The artists' model in British art and culture. Manchester: Manchester University Press. ISBN 071906662X [Book Section]

Desmarais, Jane H.. 2006. The model on the writers' block: The model in fiction from Balzac to du Maurier. In: Jane H. Desmarais; M. Postle and W. Vaughan, eds. Model and Supermodel: The Artist's Model in British Art and Culture. Manchester University Press, pp. 47-60. ISBN 071906662X [Book Section]

Desmarais, Jane H.. 2019. 'The quintessence of quintessence': Music and Musicality in Ernest Dowson’s Verse. In: Alice Condé and Jessica Gossling, eds. In Cynara's Shadow: Collected Essays on Ernest Dowson. Oxford: Peter Lang, pp. 245-272. ISBN 9781787076259 [Book Section]

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Desmarais, Jane H. and Butler, Marilyn, eds. 2007. An Essay on Irish Bulls. University College Dublin Press. ISBN 9781904558750 [Edited Book]

Desmarais, Jane H. and Weir, David. 2020. Introduction: Decadence, Culture, and Society. In: Jane Desmarais and David Weir, eds. The Oxford Handbook of Decadence. New York and London: Oxford University Press. ISBN 9780190066956 [Book Section]

Desmarais, Jane H. and Weir, David. 2021. Taste: Savoring Decadence. In: Jane Desmarais and David Weir, eds. The Oxford Handbook of Decadence. New York and London: Oxford University Press. ISBN 9780190066956 [Book Section]

Dewey, Martin and Cogo, Alessia. 2009. Adopting an ELF perspective in ELT. IATEFL Voices(199), ISSN 1814-3830 [Article]

Dooley, Maura. 1991. Explaining Magnetism. Bloodaxe Books Ltd. ISBN 978-1852241377 [Book]

Dooley, Maura. 2006. From Malachite and Verdigris. In: L. Greenlaw and H. Habila, eds. NW14: The Anthology of New Writing: v. 14. Granta, pp. 231-235. ISBN 1862078505 [Book Section]

Dooley, Maura. 2006. From Malachite and Verdigris. Granta. ISBN 1862078505 [Book]

Dooley, Maura. 1986. Ivy Leaves and Arrows. Bloodaxe Books Ltd. ISBN 978-1852240028 [Book]

Dooley, Maura. 1996. Kissing a Bone. Bloodaxe. ISBN 978-1852243739 [Book]

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Dooley, Maura. 2008. Life Under Water. Northumberland, UK: Bloodaxe Books. ISBN 9781852248178 [Book]

Dooley, Maura. 2015. A Quire of Paper. Sheffield: Smith Doorstop Press. ISBN 9781910367414 [Book]

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Dooley, Maura. 2016. The Silvering. Hexham: Bloodaxe Books. ISBN 9781780370941 [Book]

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Dooley, Maura. 2002. Sound Barrier. Bloodaxe. ISBN 1852245786 [Book]

Dooley, Maura. 2004. Transit. Poetry, 184, p. 190. ISSN 00322032 [Article]

Dooley, Maura. 1988. Turbulence. Giant Steps. ISBN 978-0948727054 [Book]

Dooley, Tim. 1985. Article on Peter Levi. In: Trudier Harris and Thadious Davis, eds. The Dictionary of Literary Biography. Cengage Gale. ISBN 978-0810317192 [Book Section]

Dooley, Tim. 2010. Imagined Rooms. Salt Publishing. ISBN 978-1844717705 [Book]

Dooley, Tim. 2010. Imagined Rooms (Salt Modern Poets). Salt Publishing. ISBN 978-1844717705 [Book]

Dooley, Tim. 1985. The Interrupted Dream: Poems 1971-1984. Anvil Press Poetry. ISBN 978-0856461439 [Book]

Dooley, Tim. 2009. Keeping Time. Salt Publishing. ISBN 978-1844717316 [Book]

Dooley, Tim. 2014. Review of The Poetry of Derek Walcott 1948-2003. Poetry Review, 104(3), [Article]

Dooley, Tim. 2007. The Secret Ministry. Smith/Doorstop Books. ISBN 978-1902382340 [Book]

Dooley, Tim. 2004. Tenderness. Smith/Doorstep Books. [Book]

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Dossett, Kate; Joseph-Gabriel, Annette K; Jeffries, Hasan Kwame; King, Nicole; Plath, Lydia; Rice, Alan and Salt, Karen. 2018. Teaching African American Studies in the US and the UK. Journal of American Studies, 52(2), 528 -554. ISSN 0021-8758 [Article]

Downie, Alan (J. A.). 2012. Biographical Form in the Novel. In: Robert L. Caserio and Clement Hawes, eds. The Cambridge History of the English Novel. Cambridge: Cambridge University Press, pp. 30-45. ISBN 978-0-251-19495-2 [Book Section]

Downie, Alan (J. A.). 2014. The Chronology of Mansfield Park. Modern Philology, 112(2), pp. 427-434. ISSN 0026-8232 [Article]

Downie, Alan (J. A.). 2023. Daniel Defoe and the Social Structure of Pre-Industrial England. In: Nicholas Seager and Alan (J. A.) Downie, eds. The Oxford Handbook of Daniel Defoe. Oxford: Oxford University Press, pp. 232-248. ISBN 9780198827177 [Book Section]

Downie, Alan (J. A.). 1995. 'Defoe's Early Writings'. The Review of English Studies, XLVI(182), pp. 225-230. ISSN 1471-6968 [Article]

Downie, Alan (J. A.). 2011. English Literature: Early Novelists, Historicism and the World Wide Web. Journal for Eighteenth-Century Studies, 34(4), pp. 471-478. ISSN 1754-0194 [Article]

Downie, Alan (J. A.). 2008. “Gulliver’s Fourth Voyage and Locke’s Essay concerning Human Understanding”. In: , ed. Reading Swift: Papers from the Fifth Münster Symposium on Jonathan Swift. Munich, Germany: Wilhelm Fink, pp. 453-464. ISBN 978-3-7705-4402-8 [Book Section]

Downie, Alan (J. A.). 2008. “Gulliver’s Travels, the Contemporary Debate on the Financial Revolution, and the Bourgeois Public Sphere”. In: , ed. Money, Power, and Print: Interdisciplinary Studies on the Financial Revolution in the British Isles. Newark, Delaware: University of Delaware Press, pp. 115-134. ISBN 978-0-87413-027-0 [Book Section]

Downie, Alan (J. A.). 2008. Henry Fielding, Magistrate. In: , ed. Henry Fielding In Our Time: Papers Presented at the Tercentenary Conference. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 113-131. ISBN 9781847189875 [Book Section]

Downie, Alan (J. A.). 1995. I'd Rather Be Reading Jane Austen: The Appeal of the Augustans. Goldsmiths, University of London. ISBN 978-0901542830 [Book]

Downie, Alan (J. A.). 2000. 'Johnson's Politics'. In: Paul J Korshin and Jack Lynch, eds. The Age of Johnson: A Scholarly Annual, Vol. 11. Ams Pr Inc, pp. 81-104. ISBN 978-0404627614 [Book Section]

Downie, Alan (J. A.). 1985. Jonathan Swift, Political Writer. Routledge. ISBN 978-0710207692 [Book]

Downie, Alan (J. A.). 2006. 'Literature and Drama'. In: H T Dickinson, ed. Eighteenth Century Britain (Blackwell Companions to British History). John Wiley & Sons; New Ed, pp. 329-343. ISBN 978-1405149631 [Book Section]

Downie, Alan (J. A.). 1997. 'The Making of the English Novel'. Eighteenth-Century Fiction, 9(3), pp. 249-266. [Article]

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Downie, Alan (J. A.). 2007. Marlowe, May 1593, and the 'Must-Have' Theory of Biography. The Review of English Studies, 58(235), pp. 245-267. ISSN 0034-6551 [Article]

Downie, Alan (J. A.). 2006. 'Marlowe: Facts and Fictions'. In: Tim Parnell, ed. Constructing Christopher Marlowe. Cambridge University Press, pp. 13-29. ISBN 978-0521030519 [Book Section]

Downie, Alan (J. A.). 2001. 'New Wine in Old Bottles: The "New Historicism" and the Eighteenth Century'. In: Kevin Cope and Rudiger Ahrens, eds. Talking Forward, Talking Back: Critical Dialogues with the Enlightenment (AMS Studies in the Eighteenth-Century). AMS Press, pp. 265-279. ISBN 978-0404635350 [Book Section]

Downie, Alan (J. A.). 2008. Periodicals, the Book Trade, and the 'Bourgeois Public Sphere'. Media History, 14(3), pp. 261-274. ISSN 1368-8804 [Article]

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Downie, Alan (J. A.). 2009. A Political Biography of Henry Fielding. London, UK: Pickering & Chatto. ISBN 9781851969159 [Book]

Downie, Alan (J. A.). 2002. 'The Political Significance of Gulliver's Travels'. In: Alberto J Riverio, ed. Jonathan Swift, 'Gulliver's Travels': A Norton Critical Edition. NY and London: W. W. Norton & Co, pp. 334-352. ISBN 978-0393957242 [Book Section]

Downie, Alan (J. A.). 2013. Printing for the Author in the Long Eighteenth Century. In: Sandro Jung, ed. British Literature and Print Culture. 2013 London: Boydell & Brewer, pp. 58-77. ISBN 978-1-84384-343-6 [Book Section]

Downie, Alan (J. A.). 2005. Public and Private: The Myth of the Bourgeois Public Sphere. In: C. Wall, ed. A Concise Companion to the Restoration and the Eighteenth Century. Blackwell, pp. 58-79. ISBN 1405101172 [Book Section]

Downie, Alan (J. A.). 2005. Public opinion and the political pamphlet. Cambridge University Press. ISBN 0521781442 [Book]

Downie, Alan (J. A.). 2005. Public opinion and the political pamphlet. In: J. Richetti, ed. The Cambridge History of English Literature, 1660-1780. Cambridge University Press, pp. 549-571. ISBN 0521781442 [Book Section]

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Downie, Alan (J. A.). 2010. Rehabilitating Sir Thomas Bertram. SEL Studies in English Literature, 50(4), pp. 739-758. ISSN 0039-3657 [Article]

Downie, Alan (J. A.). 2010. 'Reviewing What We Think We Know about Christopher Marlowe, Again'. In: Sarah K Scott and M L Stapleton, eds. Christopher Marlowe the Craftsman. Farnham and Burlington, VT: Ashgate, pp. 33-46. ISBN 978-0754669838 [Book Section]

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Downie, Alan (J. A.). 2008. Robert Harley and the press: propaganda and public opinion in the age of Swift and Defoe. Cambridge: Cambridge University Press. ISBN 9780521070744 [Book]

Downie, Alan (J. A.). 1999. Shakespeare: Hamlet. London: Goldsmiths College. ISBN 978-0902986534 [Book]

Downie, Alan (J. A.). 1997. 'Swift and Jacobitism'. ELH: English Literary History, 64(4), pp. 887-901. ISSN 0013-8304 [Article]

Downie, Alan (J. A.). 1998. 'Swift and Locke's Two Treatises of Government'. In: Rudolf Freiburg; Arno Löffler; Wolfgang Zach and Jan Schnitker, eds. Swift: The enigmatic dean : Festschrift for Hermann Josef Real (Studies in English and comparative literature). Stauffenburg, pp. 27-34. ISBN 978-3860573129 [Book Section]

Downie, Alan (J. A.). 2013. The Topicality of A Tale of a Tub 2013. In: Kirsten Juhas; Hermann J Real and Sandra Simon, eds. Reading Swift: Papers from the Fourth Münster Symposium on Jonathan Swift. Wilhelm Fink, pp. 133-148. ISBN 978-3770554300 [Book Section]

Downie, Alan (J. A.). 2013. The Topicality of A Tale of a Tub. In: Kirsten Juhas; Herman J Real and Sandra Simon, eds. Reading Swift: Papers from The Sixth Münster Symposium on Jonathan Swift. Munich: Wilhelm Fink, pp. 133-147. ISBN 978-3-7705-5430-0 [Book Section]

Downie, Alan (J. A.). 2018. ‘The best of Poets in that age’: Christopher Marlowe’s Posthumous Reputation. In: Kirk Melnikoff and Roslyn L. Knutson, eds. Christopher Marlowe, Theatrical Commerce, and the Book Trade. Cambridge: Cambridge University Press, pp. 258-271. ISBN 9781107126206 [Book Section]

Dunstan, Angela. 2010. ‘“I am Plain Morris”: Reimagining the Everyday William Morris. In: Wendy Parkins, ed. White Rose and the Red’, in William Morris and the Art of Everyday Life. Newcastle: Cambridge Scholars Publishing; New edition, pp. 155-174. ISBN 978-1443817578 [Book Section]

Dunwoodie, Peter. 2006. Assimilation, Cultural Identity, and Permissible Deviance in Francophone Algerian Writing of the Interwar years. In: Patricia M. E. Lorcin, ed. Algeria and France 1800-2000: Identity, Memory, Nostalgia. Syracuse: Syracuse University Press, pp. 63-83. ISBN 0815630743 [Book Section]

Dunwoodie, Peter. 1985. Camus: L’Envers et l’Endroit et l’Exil et le Royaume. Grant & Cutler; First Edition edition. ISBN 978-0729302241 [Book]

Dunwoodie, Peter. 2010. Colonizing Space: Louis Bertrand’s Algeria in 'Le Sang des races' and 'Sur les routes du Sud’. Modern Language Review, 105(4), pp. 997-1014. ISSN 00267937 [Article]

Dunwoodie, Peter. 2006. From Noces to L'Etranger. In: E. Hughes, ed. The Cambridge Companion to Camus. Cambridge University Press, pp. 147-164. ISBN 9780521840484 [Book Section]

Dunwoodie, Peter. 2006. From Noces to L'Etranger. Cambridge University Press. ISBN 9780521840484 [Book]

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Dunwoodie, Peter. 2020. 'Ma vraie patrie' : Camus and Algeria. In: Matthew Sharpe; Maciej Kaluza and Peter Francev, eds. Brill's Companion to Camus: Camus among the Philosophers. Leiden/Boston: Brill, pp. 386-412. ISBN 9789004401747 [Book Section]

Dunwoodie, Peter. 2008. Negotiation or Confrontation? Camus, Memory and the Colonial Chronotope. In: , ed. Albert Camus in the 21st Century. (308) Amsterdam - New York: Rodopi, pp. 45-60. ISBN 978-90-420-2358-1 [Book Section]

Dunwoodie, Peter. 2003. 'Nos ancêtres les...' : le roman francophone algérien de l’entre-deux-guerres. Expressions Maghrébines, 2(1), pp. 5-22. ISSN 1540 0085 [Article]

Dunwoodie, Peter. 2006. Postface: History, Memory and Identity. Today's Crisis, Yesterday's Issue. French History, 20(3), pp. 318-332. ISSN 02691191 [Article]

Dunwoodie, Peter. 2008. Untimely Rewriting: Memory and Self-Censorship in Camus' "Le Premier Homme". Primerjalna knjizevnost Ljubljana, 31(1), pp. 271-281. ISSN 0351-1189 [Article]

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Dunwoodie, Peter. 1998. Writing French Algeria. Oxford: Clarendon Press. ISBN 978-0-19-815972-8 [Book]

Dunwoodie, Peter and Hughes, Edward J., eds. 1998. Constructing Memories: Camus, Algeria and 'Le Premier Homme'. Stirling: Stirling French Studies. ISBN 1-85769-0559 [Edited Book]

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Edwin, Marl'ene. 2023. Reputation of [her] pen: Retrieving the black female body from the margins of the page and the stage. In: Rachel Carroll and Fiona Tolan, eds. The Routledge Companion to Literature and Feminism. Abingdon: Routledge, pp. 183-200. ISBN 9780367410261 [Book Section]

El-Rayess, Miranda. 2010. Consumer Culture. In: David McWhirter, ed. Henry James in Context. Cambridge: Cambridge University Press. ISBN 9780521514613 [Book Section]

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El-Rayess, Miranda. 2014. Henry James and the Culture of Consumption. Cambridge: Cambridge University Press. ISBN 9781107039056 [Book]

El-Rayess, Miranda. 2006. 'Henry James and the Shop Window'. In: Literature and the City. City University of New York, United States 2006. [Conference or Workshop Item]

El-Rayess, Miranda. 2010. 'James, Sargent and the Suffragette'. In: Public Lecture. The National Gallery, United Kingdom. [Conference or Workshop Item]

El-Rayess, Miranda. 2008. '"Something in the ballads which they sang": James's "Rose-Agathe" and Tennyson's The Princess'. In: Henry James's Europe. First International Conference of the European Society of Jamesian Studies. American University of Paris, France 2009. [Conference or Workshop Item]

El-Rayess, Miranda. 2010. Something in the ballads which they sang"’: James’s ‘Rose-Agathe’ and Tennyson’s The Princess'. Symbiosis: A Journal of Anglo-American Literary Relations, 14(1), pp. 43-61. [Article]

El-Rayess, Miranda. 2015. '"[T]heir backward space": Placing the Past in James's Turn-of-the-Century Fiction'. In: Henry James and Memory. The British Library, United Kingdom 14-16 April 2016. [Conference or Workshop Item]

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El-Rayess, Miranda. 2011. The Violence of Representation: James, Sargent and the Suffragette. Critical Quarterly, 53(2), pp. 30-45. ISSN 0011-1562 [Article]

El-Rayess, Miranda. 2012. '"A pastoral landscape under the smoky sky": Four Encounters in London Parks'. In: Placing Henry James. International conference. University of Notre Dame, United Kingdom. [Conference or Workshop Item]

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El-Rayess, Miranda and Shepley, Nick. 2010. Punctuation Guide. [Digital]

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Farrant, Marc. 2019. Life After Beckett: J.M. Coetzee and the Politics of Literary Thinking. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Farrell, Maria. 2023. The Law of Kindness: What can past and future selves learn from each other?. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Filipovic, Zlatan. 2009. De Man, That Dangerous Supplement. Doctoral thesis, Goldsmiths, University of London [Thesis]

Franchini, Livia. 2022. 'An Abundance' and 'The Professor'. In: Jess Chandler, ed. Prototype 4. London: Prototype Press, pp. 154-155. ISBN 9781913513252 [Book Section]

Franchini, Livia. 2018. 'Bark' [Poem]. In: Sarah Shin and Rebecca Tamás, eds. Spells: 21st-Century Occult Poetry. London: Ignota Books, pp. 26-27. ISBN 9781999675905 [Book Section]

Franchini, Livia. 2018. 'Bullies of America'. In: Lizzie Huxley-Jones, ed. On Bodies: An Anthology. London: 3 of Cups Press, pp. 135-148. ISBN ‎ 9781999877637 [Book Section]

Franchini, Livia. 2018. 'Cari cari' and 'On Complicity'. In: Ágnes Lehóczky and J. T. Welsch, eds. Wretched Strangers: Borders Movement Homes. Norwich: Boiler House Press, pp. 100-101. ISBN 9781911343387 [Book Section]

Franchini, Livia. 2024. 'The Dragoon Affair'. In: Kirsten Irving and Jon Stone, eds. Ten Poets Get to the Bottom of Some Grisly Crimes. London: Sidekick Books, pp. 22-29. ISBN 9781909560352 [Book Section] (Forthcoming)

Franchini, Livia. 2022. 'Estate'; 'Della complicità'; 'conclusioni'. In: Marta Arnaldi and Luca Paci, eds. Alibi. Prima antologia bilingue di poesia italiana nel Regno Unito. Rome: Ensemble Edizioni, pp. 79-87. ISBN 9788868817428 [Book Section]

Franchini, Livia. 2023. 'The Frog Wife' [Poem]. Propel Magazine, London. [Other]

Franchini, Livia. 2024. 'Green Flesh' [Poem]. Porridge Magazine, London. [Other]

Franchini, Livia. 2020. Gusci. Milan: Libri Mondadori. ISBN 9788804722373 [Book]

Franchini, Livia. 2018. 'La soluzione della mosca' and 'Strategie stabili per manager di fascia media'. In: Claudia Durastanti and Veronica Raimo, eds. Le visionarie: Fantascienza, fantasy e femminismo. Italy: NERO Editions. ISBN 9788880560074 [Book Section]

Franchini, Livia. 2019. Our available magic. London: Makina Books. ISBN 9781916060807 [Book]

Franchini, Livia. 2019. Shelf Life. London: Doubleday. ISBN 9780857526663 [Book]

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Franchini, Livia. 2021. Shelf Life & Critical Commentary. Doctoral thesis, Goldsmiths, University of London [Thesis]

Franchini, Livia. 2023. The Sky Is Falling [Translation]. London: Another Gaze Editions. ISBN 9781399937351 [Book]

Franchini, Livia. 2021. 'Sticky Trap'. The London Magazine. [Other]

Franchini, Livia. 2024. We Will Be Forest [Translation]. London: Whitefox Publishing. ISBN 9781916797147 [Book]

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Franklin, Sarah; Boyce, P; Gonzalez-Polledo, EJ and Posocco, S. 2019. Conceptuality in Relation: Sarah Franklin in Conversation with Silvia Posocco, Paul Boyce, and EJ Gonzalez-Polledo. In: Paul Boyce; EJ Gonzalez-Polledo and Silvia Posocco, eds. Queering Knowledge: Analytics, Devices and Investments after Marilyn Strathern. London: Routledge. ISBN 9781138230989 [Book Section]

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Genew-Puhalewa, Iliana and Popova, Gergana. 2023. Bulgarian Evidential Forms and Wierzbicka’s NSM. Slavia Meridionalis, 23, 2938. ISSN 1233-6173 [Article]

Ghahreman, Azita; Dooley, Maura and Shakerifar, Elhum. 2018. Negative of a Group Photograph [Translation]. Hexham: Bloodaxe Books. ISBN 9781780374369 [Book]

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Gibbs, Joanna Bridget. 2000. Anglo-Scots Relations and Representations of Women, 1560-1612. Doctoral thesis, Goldsmiths, University of London [Thesis]

Gilbert, Francis. 2012. 'But sir, I lied – The value of autobiographical discourse in the classroom'. English in Education, 46(2), pp. 198-211. ISSN 0425-0494 [Article]

Gilbert, Francis. 2012. Novel extract from Who Do You Love? Glits-e: a Journal of Criticism, 2, [Article]

Gilbert, Francis. 2014. 'Sacked': Extract from the novel Who Do You Love? Glits-e: a Journal of Criticism, 4, [Article]

Gilmour, Rachael and Steinitz, Tamar. 2018. Introduction. In: Rachael Gilmour and Tamar Steinitz, eds. Multilingual Currents in Literature, Translation, and Culture. New York: Routledge, pp. 1-15. ISBN 9781138120532 [Book Section]

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Gimenez, Telma; Cogo, Alessia; Cabrini Simões Calvo, Luciana and Salles El Kadri, Michele. 2024. English Language Hegemonies in the Internationalization of Two State Universities in Brazil: Unintended Consequences of English Medium Instruction. Revista Brasileira de Linguística Aplicada, 24(2), e40232. ISSN 1984-6398 [Article]

Goff, Barbara and Simpson, Michael. 2020. Introduction. In: Barbara Goff and Michael Simpson, eds. Classicising Crisis: The Modern Age of Revolutions and the Greco-Roman Repertoire. Abingdon: Routledge, pp. 1-18. ISBN 9780815361770 [Book Section]

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Goldie, Lawrence and Desmarais, Jane H.. 2013. Presence of Mind in Neurophysiological Processes. Karnac Books. ISBN 9781855758858 [Book]

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Goldie, Lawrence and Desmarais, Jane H.. 2005. Psychotherapy and the Treatment of Cancer Patients: Bearing Cancer in Mind. London: Routledge. ISBN 9781583918579 [Book]

Gossling, Jessica. 2023. 'Annie Horniman: In Conversation'. In: Annie Horniman: In Conversation. Goldsmiths, University of London, United Kingdom 13 July 2023. [Conference or Workshop Item]

Gossling, Jessica. 2012. 'Dislocations, Correspondences and the Hothouse: Baudelaire’s Prose Poems'. In: Goldsmiths Literature Seminar (GLITS). Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Gossling, Jessica. 2024. French Decadence. In: Sarah Parker, ed. Michael Field in Context. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

Gossling, Jessica. 2016. 'From the Drawer to the Cloister: Ernest Dowson's 'Poésie Schublade'. In: Ernest Dowson (1867-1900): Poet, translator, novelist. Goldsmiths, University of London, United Kingdom 15 April 2016. [Conference or Workshop Item]

Gossling, Jessica. 2024. 'Keats: Romantic, Decadent, Modern'. In: School Outreach Activity. Mulberry Academy Shoreditch, United Kingdom. [Conference or Workshop Item]

Gossling, Jessica. 2022. 'Re-viewing Beardsley'. In: AB 150: The Artist Resurgent. St Bride Foundation, London, United Kingdom 21 August 2022. [Conference or Workshop Item]

Gossling, Jessica. 2017. 'Things worldly and things spiritual': Joris-Karl Huysmans’s A rebours and the house at Fontenay. In: Alice Condé and Jane H. Desmarais, eds. Decadence and the Senses. Oxford: Legenda, pp. 66-82. ISBN 978-1-781884-81-2 [Book Section]

Gossling, Jessica. 2014. '"Things worldly and things spiritual”: The Motif of the Hothouse in J.-K. Huysmans’s À rebours'. In: Decadence and the Senses. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

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Gossling, Jessica. 2015. The Thinking Space: The Café as a Cultural Institution in Paris, Italy and Vienna. Urban History, 42(01), pp. 172-173. ISSN 0963-9268 [Article]

Gossling, Jessica. 2018. 'White Stains: Aleister Crowley’s Decadent Minimalism'. In: Decadence, Magic(k), and the Occult. Goldsmiths, University of London 19-20 July 2018. [Conference or Workshop Item]

Gossling, Jessica. 2023. The rise of the posh goth. The Times, London. [Other]

Gossling, Jessica and Condé, Alice. 2023. Aestheticism and Decadence. In: Isobel Hurst and Gill Gregory, eds. UoLW Undergraduate Study in English: Victorians. London: University of London, pp. 65-67. [Book Section]

Gossling, Jessica and Kunkel, Sam. 2024. The Decadent Bestiary. London: Strange Attractor Press. [Book] (Forthcoming)

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Gregory, Matthew. 2018. Full Colour & Splendour and Fatigue. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hall, Alan. 2021. Riding the Waves. [Audio]

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Harma, Tanguy. 2015. '‘‘All Wet Black Sunken Earth Danger’: Cosmic Alienation and Disintegration in Jack Kerouac’s Big Sur''. In: ‘Environments: Landscapes and the Mind’. Goldsmiths, London, United Kingdom. [Conference or Workshop Item]

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Harma, Tanguy. 2013. ''Allen Ginsberg's 'Howl': A Spenglerian Re-reading of the Poem''. In: Third International BAKEA Symposium (Western Cultural and Literary Studies). University of Gaziantep, Turkey 9-11 October 2013. [Conference or Workshop Item]

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Harma, Tanguy. 2014. '‘A Commitment to Self-Destruction: The Glamorisation of Death in Jack Kerouac’s Tristessa through the Phenomenon of the Sublime’'. In: GLITS. Goldsmiths, University of London, United Kingdom Weekly seminar every Thursday evening. [Conference or Workshop Item]

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Harma, Tanguy. 2021. 'Counterculture, Counterpower? "Disengagement: The Art of the Beat Generation"'. In: The Present and Future of Beat Studies 2021: Tenth Anniversary Conference of the European Beat Studies Network, The Present and Future of Beat Studies. Online 29 - 31 October 2021. [Conference or Workshop Item]

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Harma, Tanguy. 2018. '‘The Figure of Thanatos: Processes of Self-creation and Self-destruction in Jack Kerouac and Allen Ginsberg’'. In: Séminaire EMMA (Études Montpelliéraines du Monde Anglophone). Université Paul Valéry - Montpellier 3, France 13 February 2018. [Conference or Workshop Item]

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Harma, Tanguy. 2013. ''From Co-optation to Self-referentiality: Corrupting Sign Systems in William Gaddis’s Carpenter’s Gothic, Bret Easton Ellis’s American Psycho and Don DeLillo’s Cosmopolis''. In: 'American Exceptionalism(s)’. Goldsmiths, University of London, United Kingdom 15 June 2013. [Conference or Workshop Item]

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Harma, Tanguy. 2022. From Kerouac back to Thoreau: The Pull towards Nature, a Revolt against Culture? JAST – Journal of American Studies of Turkey(57), pp. 53-70. ISSN 1300-6606 [Article]

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Harma, Tanguy. 2015. 'From Sartre to Mailer: Civilisational Nothingness, Commitment, and the Immanence of the here-and-now in Allen Ginsberg’s 'Howl''. In: 4th Annual Meeting of the European Beat Studies Network. Univversité Libre de Bruxelles, Belgium 28-31 October 2015. [Conference or Workshop Item]

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Harma, Tanguy. 2016. ''The Intuitive Self Made Supreme: An Existentialist Reading of Emersonian Transcendentalism through Sartre’s Concepts of Nothingness and Engagement''. In: GLITS. Goldsmiths, University of London, United Kingdom 13 October 2016. [Conference or Workshop Item]

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Harma, Tanguy. 2018. Jack Kerouac: Book of Dreams. Literary Encyclopedia, [Article]

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Harma, Tanguy. 2017. 'Kerouac’s Vision of Anguish: An Interpretation of the Dynamics of Dis-integration in Big Sur'. In: EBSN 6th Annual Conference, Paris. Paris, France 20-22 Sept 2017. [Conference or Workshop Item]

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Harma, Tanguy. 2022. '‘Mind is shapely, Art is shapely': The Intuitive Poetics of Allen Ginsberg'. In: 15th International IDEA Conference. Hatay Mustafa Kemal University, Hatay, Turkey 11–13 May 2022. [Conference or Workshop Item]

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Harma, Tanguy. 2021. Norman Mailer's Existentialism; Or, the Divine Essence of Psychopathy. Academia Letters, 3250. ISSN 2771-9359 [Article]

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Harma, Tanguy. 2019. 'Outsiders Atomised: Beat, the Subversion from Within'. In: GLITS Annual Interdisciplinary Conference 2019. Goldsmiths, University of London, United Kingdom 5 June 2019. [Conference or Workshop Item]

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Harma, Tanguy. 2012. '‘Reclaiming Autonomy: The Rhetoric of Contrary’'. In: 2012 Goldsmiths Postgraduate Symposium. Goldsmiths, London, United Kingdom. [Conference or Workshop Item]

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Harma, Tanguy. 2018. '‘A Sense of Dooming Boom’: Kerouac’s Psychopathic Aesthetics of Speed in Big Sur'. In: 12th International IDEA Conference. Akdeniz University, Antalya, Turkey 18 - 20 April 2018. [Conference or Workshop Item]

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Harma, Tanguy. 2016. ''A Song of Beauty and Death: Kerouac’s Music of Sublimity in Tristessa''. In: 5th Annual Meeting of the European Beat Studies Network (EBSN). Manchester, United Kingdom 27-29 June 2016. [Conference or Workshop Item]

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Harma, Tanguy. 2013. 'A Spenglerian Re-reading of Allen Ginsberg's 'Howl''. BAKEA - History in Western Literature, pp. 519-526. [Article]

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Harma, Tanguy. 2020. 'Transatlantic Ontologies: From Sartre Back to Emerson, Towards an American Existentialism'. In: 'Over the Horizon: Comparative Perspectives on Literature'. Birkbeck, University of London, United Kingdom 28 March 2020. [Conference or Workshop Item]

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Harma, Tanguy. 2019. 'Tripping on the Threshold of the Doors: The Difficult Negotiation of the Visionary in Ginsberg’s Drug Poems'. In: 8th Annual Conference of the European Beat Studies Network (EBSN). Nicosia, Cyprus 9-12 October 2019. [Conference or Workshop Item]

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Harma, Tanguy. 2018. 'Vers un Existentialisme Beat?'. In: , ed. Beat Generation: L'Inservitude Volontaire. Paris: Olivier Penot-Lacassagne, CNRS Editions, pp. 109-118. ISBN 978-2-271-09517-6 [Book Section]

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Harma, Tanguy. 2014. 'The Words I Put in Your Mouth: The Sexual Politics of Rambling, Direct and Indirect Style in Kerouac's Tristessa'. Procedia - Social and Behavioral Sciences, 158, pp. 337-342. ISSN 1877-0428 [Article]

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Harma, Tanguy. 2014. '‘The Words I Put in your Mouth: The Sexual Politics of Rambling and Direct Style in Jack Kerouac’s Tristessa’'. In: 14th International Language, Literature and Stylistics Symposium (ILLS). Dokuz Eylul University, Izmir, Turkey 15-17 October 2014. [Conference or Workshop Item]

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Heath, David and Maitland, Sarah. 2020. A new modality of audiovisual translation? Covert translation of presenter scripts in Japan's globally aired English-language TV music show. Bulletin of the Society of Humanities Kanto Gakuin University, 143, pp. 183-214. ISSN 2189-8987 [Article]

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Heller, Maya. 2017. An Aesthetic Consciousness: An Existentialist Reading of William Faulkner’s Fiction. Other thesis, Goldsmiths, University of London [Thesis]

Herold, Katharina. 2018. "Against Civilisation": Symons, the Gypsy Lore and politicised Aestheticism. In: Elisa Bizzotto and Stefano Evangelista, eds. Arthur Symons: Poet, Critic, Vagabond. Cambridge: Legenda. ISBN 9781781884973 [Book Section]

Herold, Katharina. 2017. Dancing the Image – Sensoriality and kinaesthetics in the poetry of Stéphane Mallarmé and Arthur Symons. In: Jane H. Desmarais and Alice Condé, eds. Decadence and the Senses. Cambridge: Legenda. ISBN 978-1-781884-82-9 [Book Section]

Hickman, Patsy. 2011. 'The Saints'. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hill, Justin. 2019. Viking Fire: A Practical and Theoretical Exploration of the Historical Novel. Doctoral thesis, Goldsmiths, University of London [Thesis]

Howe, LeAnne and Kirwan, Padraig. 2021. The Choctaw Gift. In: Christine Kinealy; Jason King and Gerard Moran, eds. Heroes of Ireland's Great Hunger. Hamden, Connecticut; Cork: Quinnipiac University Press; Cork University Press, pp. 263-275. ISBN 9781736171202 [Book Section]

Humble, Catherine. 2008. ‘Consider the Lobster: David Foster Wallace'. Times Literary Supplement, p. 26. [Article]

Humble, Catherine. 2012. Crossing the Threshold: The Ethics of Literary Transgression in the Unedited Raymond Carver. In: Aspasia Stephanou; Matt Foley and Neil McRobert, eds. Transgression and its Limits. Cambridge: Cambridge Scholars Publishing, pp. 133-144. ISBN 978-1443837293 [Book Section]

Humble, Catherine. 2008. Death Knock. Writloud Anthology Online, [Article]

Humble, Catherine. 2002. A Drawn Out Journey. In: , ed. Cambridge University Creative Writing Anthology. Cambridge: CUA, pp. 56-60. [Book Section]

Humble, Catherine. 2014. ‘Everyday Intimacy: Talking About Love in Raymond Carver’. In: Jennifer Cooke, ed. Scenes of Intimacy: Writing, Reading, Theorising in Contemporary Literature. London: Bloomsbury Academic; Reprint edition, pp. 115-134. ISBN 978-1472587572 [Book Section]

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Humble, Catherine. 2015. Everyday otherness : the edited and unedited Raymond Carver. Doctoral thesis, Goldsmiths, University of London [Thesis]

Humble, Catherine. 2005. ‘Heidegger and the Place of Ethics: Michael Lewis'. Times Literary Supplement, p. 29. [Article]

Humble, Catherine. 2008. ‘On Violence: Slavoj Žižek'. Times Literary Supplement, p. 27. [Article]

Humble, Catherine. 2007. ‘What it Means to Feel Real: on Remainder by Tom McCarthy'. Sunday Telegraph Seven Magazine, p. 12. [Article]

Humble, Catherine. 2005. Whispers on the Flesh. Diacritics, pp. 12-16. ISSN 0300-7162 [Article]

Hunnekuhl, Philipp. 2012. Conference Report, 'The 11th Hazlitt Day School. British Association for Romantic Studies Bulletin and Review, 40, pp. 8-9. [Article]

Hunnekuhl, Philipp. 2014. Conference Report, 'The 12th Hazlitt Day School'. The Hazlitt Review, 7, ISSN 1757-8299 [Article]

Hunnekuhl, Philipp. 2013. 'Hazlitt and Crabb Robinson: The Common Pursuit'. The Hazlitt Review, 6, pp. 13-34. [Article]

Hunnekuhl, Philipp. 2012. 'Reconstructing the Voice of the Mediator: Henry Crabb Robinson's Literary Criticism'. In: James Vigus, ed. Informal Romanticism. Trier: Wissenschaftlicher Verlag, pp. 61-76. [Book Section]

Hunnekuhl, Philipp. 2011. Review of Henry Crabb Robinson in Germany by Eugene Stelzig. The Coleridge Bulletin, 38, pp. 129-133. [Article]

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Hurst, Isobel. 2025. ‘All the allurements of beauty and eloquence’: Aspasia of Miletus and the Intellectual Woman in the Nineteenth Century. In: Emily Hauser and Helena Taylor, eds. Women Creating Classics: A History. Bloomsbury Academic. [Book Section] (Forthcoming)

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Hurst, Isobel. 2010. Ancient and Modern Women in the Woman’s World. Victorian Studies, 52(1), pp. 42-51. ISSN 0042-5222 [Article]

Hurst, Isobel. 2015. Arthur Hugh Clough. In: Norman Vance and Jennifer Wallace, eds. Oxford History of Classical Reception in English Literature, Vol. 4: 1780-1880. Oxford: Oxford University Press, pp. 495-508. ISBN 978-0199594603 [Book Section]

Hurst, Isobel. 2024. Classical Antiquity. In: Lisa Rodensky, ed. Oxford Bibliographies in Victorian Literature. Oxford: Oxford University Press. ISBN 9780199799558 [Book Section]

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Hurst, Isobel. 2011. Classical Daughters: Elizabeth Barrett Browning and Margaret Fuller. Women's Studies, 40(4), pp. 448-468. ISSN 00497878 [Article]

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Hurst, Isobel. 2019. Classics in Education after 1880. In: Kenneth Haynes, ed. The Oxford History of Classical Reception in English Literature: Volume 5: After 1880. Oxford: Oxford University Press, pp. 23-41. ISBN 9780199585106 [Book Section]

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Hurst, Isobel. 2025. The Classics. In: Juliette Atkinson and Elisha Cohn, eds. The Oxford Handbook of George Eliot. Oxford: Oxford University Press. ISBN 9780192856593 [Book Section] (In Press)

Hurst, Isobel. 2015. Elizabeth Barrett Browning. In: Norman Vance and Jennifer Wallace, eds. Oxford History of Classical Reception in English Literature, Vol. 4: 1790-1880. Oxford: Oxford University Press, pp. 449-470. ISBN 9780198859222 [Book Section]

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Hurst, Isobel. 2021. The Epic Tradition. Oxford Bibliographies in Victorian Literature, [Article]

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Hurst, Isobel. 2022. Epic and Performance. The Classical Review, 72(1), pp. 314-317. ISSN 0009-840X [Article]

Hurst, Isobel. 2005. 'The Feminine of Homer': Elizabeth Barrett Browning's Casa Guidi Windows. In: Rachel Langford, ed. Depicting desire : gender, sexuality and the family in nineteenth century Europe : literary and artistic perspectives. 21 Oxford: Peter Lang, pp. 181-196. ISBN 978-3-03910-321-8 [Book Section]

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Hurst, Isobel. 2015. Freedom to Invent: Graves’s Iconoclastic Approach to Antiquity. In: Alisdair Gibson, ed. Robert Graves and the Classical Tradition. Oxford: Oxford University Press, pp. 201-220. ISBN 9780198738053 [Book Section]

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Hurst, Isobel. 2018. From Epic to Monologue: Tennyson and Homer. In: Silvio Bär and Emily Hauser, eds. Reading Poetry, Writing Genre: English Poetry and Literary Criticism in Dialogue with Classical Scholarship. London: Bloomsbury Academic, pp. 117-137. ISBN 9781350039322 [Book Section]

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Hurst, Isobel. 2012. The Historical Novel. Oxford Bibliographies Online: Victorian Literature, [Article]

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Hurst, Isobel. 2024. Long Ago and Sapphic Poetics. In: Sarah Parker, ed. Michael Field in Context. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

Hurst, Isobel. 2012. 'Love and blackmail': Demeter and Persephone. Classical Receptions Journal, 4(2), pp. 176-189. ISSN 1759-5134 [Article]

Hurst, Isobel. 2005. 'Maenads dancing before the Martyrs' memorial': Oxford women writers and the classical tradition. International Journal of the Classical Tradition, 12(2), pp. 163-182. ISSN 1073-0508 [Article]

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Hurst, Isobel. 2019. Monologue and Dialogue: The Odyssey in Contemporary Women’s Poetry. In: Fiona Cox and Elena Theodorakopoulos, eds. Homer's Daughters. Oxford: Oxford University Press, pp. 177-192. ISBN 9780198802587 [Book Section]

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Hurst, Isobel. 2019. Nineteenth-Century Literary and Artistic Responses to Roman Decadence. In: Jane H. Desmarais and David Weir, eds. Decadence and Literature. Cambridge: Cambridge University Press, pp. 47-65. ISBN 9781108426244 [Book Section]

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Hurst, Isobel. 2017. Pater as Professional Classicist. In: Charles Martindale; Stefano Evangelista and Elizabeth Prettejohn, eds. Pater the Classicist: Classical Scholarship, Reception, and Aestheticism. Oxford: Oxford University Press, pp. 33-46. ISBN 9780198723417 [Book Section]

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Hurst, Isobel. 2019. Plutarch and the Victorians. In: Sophia Xenophontos and Katerina Oikonomopoulou, eds. Brill's Companion to the Reception of Plutarch. Leiden: Brill, pp. 564-572. ISBN 9789004409446 [Book Section]

Hurst, Isobel. 2007. 'Reanimating the Romans: Mary Shelley's Response to Roman Ruins'. In: Richard Wrigley, ed. Regarding Romantic Rome. Oxford: Peter Lang, pp. 125-136. ISBN 978-3-03911-120-6 [Book Section]

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Hurst, Isobel. 2017. 'Tragedy in the disguise of mirth': Robert Browning, George Eliot and Wilde. In: Kathleen Riley; Alastair J. L. Blanshard and Iarla Manny, eds. Oscar Wilde and Classical Antiquity. Oxford: Oxford University Press, pp. 127-140. ISBN 9780198789260 [Book Section]

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Hurst, Isobel. 2010. Victorian Literature and the Reception of Greece and Rome. Literature Compass, 7(6), pp. 484-495. [Article]

Hurst, Isobel. 2013. Victorian Poetry and the Classics. In: Matthew Bevis, ed. The Oxford Handbook of Victorian Poetry. Oxford: Oxford University Press, pp. 149-165. ISBN 978-0-19-957646-3 [Book Section]

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Hurst, Isobel. 2009. 'We’ll all be Penelopes then': Art and Domesticity in American Women’s Poetry, 1958-1996. In: S. J. Harrison, ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Oxford: Oxford University Press, pp. 275-294. ISBN 978 0 19 923373 1 [Book Section]

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Hurst, Isobel. 2020. ‘What’s the Roman Republic to me, or I to the Roman Republic?’: Victorian Classicism and the Italian Risorgimento. In: Barbara Goff and Michael Simpson, eds. Classicising Crisis: The Modern Age of Revolutions and the Greco-Roman Repertoire. Abingdon: Routledge, pp. 109-127. ISBN 9780815361770 [Book Section]

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Hurst, Isobel. 2022. An autumnal underworld: Louise Glück’s Averno. Letteratura e Letterature, 16, pp. 75-85. ISSN 1971-906X [Article]

Hurst, Isobel. 2007. 'A fleet of … inexperienced Argonauts': Oxford women and the Classics, 1873-1920. In: Christopher Stray, ed. Oxford Classics: Teaching and Learning 1800-2000. Duckworth, pp. 14-27. ISBN 9781472537829 [Book Section]

Inghilleri, Moira. 2002. Britton and Bernstein on Vygotsky: divergent views on mind and language in the pedagogic context. Pedagogy Culture and Society, 10(3), pp. 467-482. ISSN 14681366 [Article]

Inghilleri, Moira. 2003. Habitus, field and discourse: Interpreting as a socially-situated activity. Target: International Journal of Translation Studies, 15(2), pp. 243-268. ISSN 09241884 [Article]

Jenkins, Jennifer; Cogo, Alessia and Dewey, Martin. 2011. Review of developments in research into English as a lingua franca. Language Teaching, 44(3), pp. 281-315. ISSN 0261-4448 [Article]

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Jerome, Isabelle. 2023. Banal Insomnia: The Ethics of Sleeplessness. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kanz, Christine and Krause, Frank. 2015. Zwischen Demontage und Sakralisierung. Revisionen des europäischen Familienmodells in der europäischen Moderne (1880-1945). Einführende Überlegungen. In: Christine Kanz and Frank Krause, eds. Zwischen Demontage und Sakralisierung. Würzburg: Königshausen & Neumann, pp. 7-20. ISBN 978-3-8260-5674-1 [Book Section]

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Khattab, Mona. 2022. The Hesitating Text: The Fantastic and Magical Realism. Other thesis, Goldsmiths, University of London [Thesis]

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King, Nicole. 2001. C. L. R. James and creolization: circles of influence. Jackson, MS: University of Mississippi Press. ISBN 978-1-934110-49-2 [Book]

King, Nicole. 2006. ‘C.L.R. James, Genre and Cultural Politics.’. In: Christopher Gair, ed. Beyond Boundaries: C.L.R. James and Postnational Studies. London: Pluto Press, pp. 13-38. ISBN 9780745323428 [Book Section]

King, Nicole. 2009. ‘Creolisation and On Beauty: form, character and the goddess Erzulie'. Women: A Cultural Review, 20(3), pp. 262-276. ISSN 0957-4042 [Article]

King, Nicole. 2017. 'Getting in Conversation': Teaching African American Literature and Training Critical Thinkers. In: Ben Knights, ed. Teaching Literature: Text and Dialogue in the English Classroom. London: Palgrave Macmillan UK, pp. 81-98. ISBN 9781137311085 [Book Section]

King, Nicole. 2008. ‘Performance and Tradition in Earl Lovelace’s A Brief Conversion: The Drama of the Everyday’. In: Bill Schwarz, ed. Caribbean Literature After Independence: The Case of Earl Lovelace. London: Institute for the Study of the Americas, pp. 111-129. ISBN 9781900039918 [Book Section]

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King, Nicole. 2022. Reading Black Childhoods in Chains and Crongton Knights. Wasafiri, 37(3), pp. 57-67. ISSN 0269-0055 [Article]

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King, Nicole. 2017. Response to Deborah Willis's “The Black Civil War Soldier: Conflict and Citizenship”. Journal of American Studies, 51(02), pp. 331-338. ISSN 0021-8758 [Article]

King, Nicole. 2003. ‘“A colored woman in another country pleading for justice in her own”: Examining Ida B. Wells in the United Kingdom’. In: Gretchen Holbrook Gerzina, ed. Black Victorians/Black Victoriana. Rutgers University Press, pp. 88-109. ISBN 978-0813532158 [Book Section]

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Kirwan, Padraig. 2017. Choctaw Tales: An Interview with LeAnne Howe. Women: A Cultural Review, 27(3), pp. 265-279. ISSN 0957-4042 [Article]

Kirwan, Padraig. 2007. 'Elizabeth Cook-Lynn,' 'Carter Revard' and 'W.S. Penn,'. In: Alan R Velie and Jennifer McClinton Temple, eds. Encyclopedia of American Indian Literature. New York: Facts On File Inc. ISBN 978-0816056569 [Book Section]

Kirwan, Padraig. 2021. An Indian’s Journey and Tribal Memory: David Treuer’s Rez Life. In: Gordon Henry Jr.; Margaret Noodin and David Stirrup, eds. Enduring Critical Poses: The Legacy and Life of Anishinaabe Literature and Letters. New York: SUNY Press, pp. 51-77. ISBN 9781438482538 [Book Section]

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Kirwan, Padraig. 2020. Introduction. In: LeAnne Howe and Padraig Kirwan, eds. Famine Pots: The Choctaw Irish Gift Exchange 1847-Present. East Lansing, Michigan: Michigan State University Press, xix-xxxv. ISBN 9781611863697 [Book Section]

Kirwan, Padraig. 2021. The Irish and Choctaw. In: Marie-Claire Logue, ed. Being Irish: New Views on Irish Identity Today. Dublin: The Liffey Press. ISBN 9781838359348 [Book Section]

Kirwan, Padraig. 2009. Language and Signs: An Interview with Ojibwe Novelist David Treuer. Journal of American Studies, 43(1), pp. 71-88. ISSN 0021-8758 [Article]

Kirwan, Padraig. 2015. ‘Mind the Gap’: Journeys in Indigenous Sovereignty and Nationhood. Comparative American Studies, 13(1-2), pp. 42-57. ISSN 1477-5700 [Article]

Kirwan, Padraig. 2002. "Native American Individuality and Cultural Chronology in Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven". In: Karen Vandevelde, ed. New Voices in Irish Criticism 3. 3 Dublin: Four Courts Press, pp. 143-156. ISBN 9781851826339 [Book Section]

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Kirwan, Padraig. 2020. Recognition, Resilience & Relief: The Meaning of Gift. In: LeAnne Howe and Padraig Kirwan, eds. Famine Pots: The Choctaw Irish Gift Exchange, 1847-Present. East Lansing, Michigan: Michigan State University Press. ISBN 9781611863697 [Book Section]

Kirwan, Padraig. 2007. Remapping Place and Narrative in Native American Literature: David Treuer's "The Hiawatha". American Indian Culture and Research Journal, 31(2), pp. 1-24. ISSN 0161-6463 [Article]

Kirwan, Padraig. 2011. Transatlantic Irishness: Irish and American Frontiers in Patrick McCabe's The Butcher Boy. Comparative Literature, 63(1), pp. 3-24. ISSN 0010-4124 [Article]

Kirwan, Padraig. 2000. Type(ing) Cast: Early Euro-American Literary Representations of the Native American. In: Fiona O'Sullivan and Hilary Lennon, eds. ROPES. 8 Galway: National University of Ireland, Galway, pp. 12-25. ISBN OCLC 52752316 [Book Section]

Kirwan, Padraig and Stirrup, David. 2013. “'I'm indiginous, I'm indiginous, I'm indiginous': Indigenous Rights, British Nationalism, and the European Far Right". In: Padraig Kirwan and David Stirrup, eds. Tribal Fantasies: Native Americans in the European Imaginary, 1900-2010. Basingstoke: Palgrave Macmillan, pp. 59-84. ISBN 978-1-137-28881-3 [Book Section]

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Knight, Stephen E.. 2023. All That You Can't Leave Behind. Literary Review(519), p. 48. ISSN 0144-4360 [Article]

Knight, Stephen E.. 2016. Are We There Yet? [poem]. Times Literary Supplement, ISSN 0307-661 [Article]

Knight, Stephen E.. 2019. Art playing a part. The Times Literary Supplement(6066), pp. 15-16. ISSN 0307-661X [Article]

Knight, Stephen E.. 2016. As I Live and Breathe [Poem]. Times Literary Supplement, ISSN 0307-661 [Article]

Knight, Stephen E.. 2022. At the Replica Bus Stop [Poem]. Literary Review, Issue 512, Page 54, London. [Other]

Knight, Stephen E.. 1997. Dream City Cinema. Bloodaxe Books Ltd. ISBN 978-1852243760 [Book]

Knight, Stephen E.. 2020. Drizzle Mizzle Downpour Deluge. London: CB editions. ISBN 9781909585317 [Book]

Knight, Stephen E.. 2019. Echolalia Park [Poem]. Poetry Wales, Bridgend, Wales. [Other]

Knight, Stephen E.. 1993. Flowering Limbs. Bloodaxe Books Ltd. ISBN 978-1852242466 [Book]

Knight, Stephen E.. 2019. Happy Families [Poem]. Times Literary Supplement, London. [Other]

Knight, Stephen E.. 2020. Ho Ho He He Ha Ha [Poem]. The North, Issue 63, Sheffield. [Other]

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Knight, Stephen E.. 2023. Home Truths. Literary Review(515), p. 49. ISSN 0144-4360 [Article]

Knight, Stephen E.. 2018. In My Other Life [Poem]. Poetry Ireland Review, Issue 126, Dublin. [Other]

Knight, Stephen E.. 2018. In Which We Are Cast As Ourselves [Poem]. Times Literary Supplement, ISSN 0307-661 [Article]

Knight, Stephen E.. 2019. The Last Bus [Poem]. Poetry Wales, Volume 55, Issue 2, Bridgend. [Other]

Knight, Stephen E.. 2018. Long Before The End [poem]. Poetry Wales, 54(1), ISSN 0332-2202 [Article]

Knight, Stephen E.. 2023. Memoirs of the Rhondda. The Times Literary Supplement(6295), p. 25. ISSN 0307-661X [Article]

Knight, Stephen E.. 2001. Mr Schnitzel. Penguin Books Ltd. ISBN 978-0140287318 [Book]

Knight, Stephen E.. 2020. My Father's Father's News [Poem]. In: Paul Munden; Alvin Pang and Shane Strange, eds. No News: 90 Poets Reflect on a Unique BBC Newscast. Watson, ACT, Australia: Recent Work Press, pp. 27-34. ISBN 9780648685388 [Book Section]

Knight, Stephen E.. 2023. Port Talbot/The Heart of Saturday Night/At the Foot of Division Four/A Swansea Adolescence/In This Dream of Swansea. In: Mike Jenkins, ed. Yer Ower Voices!: Dialect Poems in Welsh and English from Cymru. Newcastle: Culture Matters, pp. 27-34. ISBN 9781912710546 [Book Section]

Knight, Stephen E.. 2015. A Portable Joye [poem]. Poetry London(81), ISSN 1479-2591 [Article]

Knight, Stephen E.. 2020. A Powim [Poem]. Literary Review, Issue 491, Page 52, London. [Other]

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Knight, Stephen E.. 2012. The Prince of Wails. London: CB editions. ISBN 9780956735966 [Book]

Knight, Stephen E.. 2019. Rail Replacement Bus Service [Poem]. Times Literary Supplement, London. [Other]

Knight, Stephen E.. 1996. The Sandfields Baudelaire. Smith/Doorstop Books. ISBN 978-1869961787 [Book]

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Knight, Stephen E.. 2004. Sardines and Other Poems. Young Picador. ISBN 0330413562 [Book]

Knight, Stephen E.. 2015. Sh [poem]. Poetry Review, 105(2), ISSN 0032-2156 [Article]

Knight, Stephen E.. 2017. A Swansea Love Song. Sheffield: Smith/Doorstop Books. ISBN 9781910367773 [Book]

Knight, Stephen E.. 2015. Swimming for Beginners [poem]. Times Literary Supplement, ISSN 0307661 [Article]

Knight, Stephen E.. 2017. Where This Train Terminates [Poem]. London Review of Books, 39(12), p. 40. ISSN 0260-9592 [Article]

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Koo, Crystal. 2023. Small empires (novel) and Large-scale representations of humanity and the fantastic mode (critical commentary). Doctoral thesis, Goldsmiths, University of London [Thesis]

Kramer, Andreas. 2013. Between Art and Activism: Pan (1895-1900, 1910-15); Die weissen Blätter (1913-21); Das neue Pathos (1913-19); and Marsyas (1917-19). In: Peter Brooker; Sascha Bru; Andrew Thacker and Christian Weikop, eds. The Oxford Critical and Cultural History of Modernist Magazines, Vol. III: Europe, 1880-1940. Oxford: Oxford University Press, pp. 750-772. ISBN 9780199681310 [Book Section]

Kramer, Andreas. 2012. Chicago. In: Jan Roehnert and Gunter Geduldig, eds. Rolf Dieter Brinkmann: Seine Gedichte in Einzelinterpretationen, vol. 2. Berlin and Boston: De Gruyter, pp. 420-430. ISBN 0783110223620 [Book Section]

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Kramer, Andreas. 2020. Citoyen du rêve: traces du romantisme chez Yvan Goll (translator Georges Bloess). In: Georges Bloess and Nicole Gabriel, eds. Les surréalistes français et l‘Allemagne: visions croisées, emprise et dialogue critique. Paris: Éditions Mélusine, pp. 97-116. [Book Section]

Kramer, Andreas. 2021. 'Dada Smells Like Nothing': Sniffing out the Dada Corpus. In: Katharina Herold and Frank Krause, eds. Smell and Social Life. Aspects of English, French and German Literature (1880-1939). Munich: iudicium, pp. 210-226. ISBN 9780854572809 [Book Section]

Kramer, Andreas. 2010. Der lyrische Blick nach Westen und zurück: Deutsche London-Gedichte des 20. Jahrhunderts. In: Andreas Kramer and Jan Röhnert, eds. Literatur – Universalie und Kulturenspezifikum. Göttingen: Universitätsverlag Göttingen, pp. 232-243. [Book Section]

Kramer, Andreas. 2012. "Die Erdteile in Bewegung": Geographische Diskurse bei Carl Einstein und in der Avantgarde. In: Nicola Creighton and Andreas Kramer, eds. Carl Einstein und die europäische Avantgarde / Carl Einstein and the European Avant-Garde. 30 Berlin and Boston: De Gruyter, pp. 223-241. ISBN 9783110291155 [Book Section]

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Kramer, Andreas. 2019. Eine pazifistische Internationale: Rene Schickele und Die Weißen Blätter. In: , ed. Pacifist and Anti-Militarist Writing in German, 1889-1928: From Bertha von Suttner to Erich Maria Remarque. 16 Munich: Iudicium, pp. 241-253. ISBN 9783862056224 [Book Section]

Kramer, Andreas. 2010. Entgrenzte Moderne: Kafkas Kurzprosa im Kontext des Expressionismus. In: Manfred Engel and Ritchie Robertson, eds. Kafka und die kleine Prosa der Moderne. Kafka and Short Modernist Prose. 1 Würzburg: Könighausen & Neumann, pp. 195-208. ISBN ISBN978-3826040290 [Book Section]

Kramer, Andreas. 2021. ‘Erdteile in Bewegung'. Geografische Entwürfe bei Carl Einstein und im Projekt Avantgarde. In: Jasmin Grande; Eva Wiegmann and Kristin Eichhorn, eds. Carl Einstein und die Avantgarde. Berlin: Neofelis Verlag, pp. 75-84. ISBN 9783958083394 [Book Section]

Kramer, Andreas. 2014. ‘Everyman His Own Football’: Dada and Sport. In: , ed. Virgin Microbe: Essays on Dada. Evanston, IL: Northwestern University Press. ISBN 978-0810129399 [Book Section]

Kramer, Andreas. 2016. Flights out of Time: Dada and Heterochronia. In: J. Baetens; S. Bru; D. De Geest; D. Martens; B. Van den Bossche and R. Vogelzang, eds. Time and Temporality in Literary Modernism (1900-1950). Leuven: Peeters, pp. 111-124. ISBN 9789042933651 [Book Section]

Kramer, Andreas. 2018. Geographies of Futurism: Mapping the First Avant-garde. In: John London, ed. One Hundred Years of Futurism: Aesthetics, Politics, and Performance. Bristol: Intellect, pp. 49-78. ISBN 9781783208425 [Book Section]

Kramer, Andreas. 2024. Geographies of Peripheral Modernism: The Case of the Russian Avant-Garde (Khlebnikov, Eisenstein, Tretyakov). In: Katia Pizzi and Roberta Gefter Wondrich, eds. Rethinking Peripheral Modernisms. Cham, Switzerland: Palgrave Macmillan, pp. 121-139. ISBN 9783031355455 [Book Section]

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Kramer, Andreas. 2002. Goethe and the Cultural Project of German Modernism: Steiner, Kandinsky, Friedlaender, Schwitters and Benjamin. Publications of the English Goethe Society, 71, pp. 18-36. ISSN 09593683 [Article]

Kramer, Andreas. 2020. ‘”I like how the circles are all different”. Some thoughts on poetry and circulation in Jarmusch’s Paterson. In: Andreas Kramer and Jan Röhnert, eds. Poetry and Film: Lyrik und Film. Abbas Kiarostami and Jim Jarmusch. Frankfurt am Main: Edition Faust, pp. 163-186. ISBN 9783945400760 [Book Section]

Kramer, Andreas. 2016. “Jedermann sein eigner Fussball”: Die Dadaisten und der Sport. Hugo-Ball-Almanach. Studien und Texte zu Dada, 7, pp. 1-33. [Article]

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Kramer, Andreas. 2018. Liebes Leben. Formen des erotischen Vitalismus in Georg Heyms nachgelassener Kurzprosa. Literatur für Leser, 41(3), pp. 189-198. ISSN 2364-7183 [Article]

Kramer, Andreas. 2012. Radikale Sachlichkeit: Ein unbekannter Text von Klaus Mann über Franz Kafka. Aus dem Antiquariat, Neue Folge, 10(3-4), pp. 3-8. ISSN 0343-186X [Article]

Kramer, Andreas. 2010. Rilke and modernism. In: Karen Leeder and Robert Vilain, eds. The Cambridge Companion to Rilke. Cambridge: Cambridge University Press, pp. 113-130. ISBN 9780521705080 [Book Section]

Kramer, Andreas. 2019. Sachliche Träume: Alfons Paquet, Fluggast über Europa. Ein Roman der langen Strecken (1934). In: , ed. Die Phänomenologie der Flugreise. Cologne: Böhlau. ISBN 9783412500849 [Book Section]

Kramer, Andreas. 2013. "Schrift zagt blasses Unbekannt": The Poetry of August Stramm (1874-1915). Oxford German Studies, 42(1), pp. 38-56. ISSN 0078-7191 [Article]

Kramer, Andreas. 2012. Sommer (Aus dem Amerikanischen). In: Jan Roehnert and Gunter Geduldig, eds. Rolf Dieter Brinkmann: Seine Gedichte in Einzelinterpretationen, vol. 2. Berlin and Boston: De Gruyter, pp. 758-766. ISBN 9783110223620 [Book Section]

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Kramer, Andreas. 2011. Speaking Dada: The Politics of Language. In: Elza Adamowicz and Eric Robertson, eds. Dada and Beyond. Volume 1: Dada Discourses. 26 Amsterdam - New York: Rodopi, pp. 201-213. ISBN 0789042033559 [Book Section]

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Kramer, Andreas. 2019. Sport in Expressionist Art. International Journal of the History of Sport, 35(17-18), pp. 1692-1709. ISSN 0952-3367 [Article]

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Kramer, Andreas. 2019. Sport und literarischer Expressionismus. Göttingen: V&R unipress GmbH. ISBN 9783847109396 [Book]

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Kramer, Andreas. 2009. The Traffic of Gender in Expressionist Prose Writing. In: Frank Krause, ed. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: V & R unipress, pp. 45-60. ISBN 9783899717174 [Book Section]

Kramer, Andreas. 2021. 'Vive le sport!' German Expressionism and Dada. In: Andreas Kramer and Przemyslaw Strozek, eds. Sport and the European Avant-Garde (1900-1945). 39 Leiden: Brill, pp. 108-133. ISBN 9789004449855 [Book Section]

Kramer, Andreas. 2003. Von Beat bis 'Acid': Zur Rezeption amerikanischer und britischer Literatur in den sechziger Jahren". In: J. Schfer, ed. Pop-Literatur. Text und Kritik, pp. 26-40. ISBN 3883777358 [Book Section]

Kramer, Andreas. 2014. “Von mir ist doch nicht die Rede.” Das Ich und der Krieg in Alfred Döblins autobiographischen Schriften. In: Jan Röhnert, ed. Autobiographie und Krieg: Ästhetik, Autofiktion und Erinnerungskultur seit 1914. 64 Heidelberg: Universitätsverlag Winter, pp. 139-150. ISBN 9783825363529 [Book Section]

Kramer, Andreas. 2012. Westwärts. In: Jan Roehnert and Gunter Geduldig, eds. Rolf Dieter Brinkmann: Seine Gedichte in Einzelinterpretationen, vol. 2. Berlin and Boston: De Gruyter, pp. 825-835. ISBN 9783110223620 [Book Section]

Kramer, Andreas. 2010. 'Westwärts – und zurück: Zu London-Texten von Jörg Fauser und Rolf Dieter Brinkmann'. In: Angus Nicholls; Michael John Kooy and Rudiger Gorner, eds. Angermion: Yearbook for Anglo-German Literary Criticism, Intellectual History and Cultural Transfers/Jahrbuch fur deutsch-britische Kulturbeziehungen 2010: Vol. 3. Walter de Gruyter & Co, pp. 51-68. ISBN 978-3110222708 [Book Section]

Kramer, Andreas. 2012. Westwärts, Teil 2. In: Jan Roehnert and Gunter Geduldig, eds. Rolf Dieter Brinkmann: Seine Gedichte in Einzelinterpretationen, vol. 2. Berlin and Boston: De Gruyter, pp. 836-846. ISBN 9783110223620 [Book Section]

Kramer, Andreas. 2012. "die Geschichte einer Vermehrung“: Paulus Böhmer und die Tradition des langen Gedichts. die horen: Zeitschrift für Literatur, Grafik und Kritik(247), pp. 137-149. ISSN 0018-4942 [Article]

Kramer, Andreas. 2004. 'die unerheblichkeit berlins': Contemporary German Poetry and the Re-Writing of Regionalism. In: J. Preece and O. Durrani, eds. Cityscapes and Countryside in Contemporary German Literature. Peter Lang, pp. 107-125. ISBN 3039100653 [Book Section]

Kramer, Andreas and Röhnert, Jan. 2009. ‚Auf allen Köpfen lag des Lichtes Traum' (Heym): Das Paradigma des Films im expressionistischen Gedicht. Euphorion. Zeitschrift für Literaturgeschichte, 103(4), pp. 509-550. ISSN ISSN 0014-2328 [Article]

Kramer, Andreas and Röhnert, Jan, eds. 2020. Poetry and Film: Lyrik und Film. Abbas Kiarostami and Jim Jarmusch. Frankfurt am Main: Edition Faust. ISBN 9783945400760 [Edited Book]

Kramer, Andreas and Strozek, Przemyslaw, eds. 2021. Sport and the European Avant-Garde (1900-1945). Leiden: Brill. ISBN 9789004449855 [Edited Book]

Krause, Frank. 2015. Aufbaumodul 3. In: , ed. Literarischer Expressionismus. Göttingen: V&R Unipress, pp. 223-281. ISBN 9783847103639 [Book Section]

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Krause, Frank. 2023. Avantgarde, Olfaktion und Vernetzung: Die Vergiftung (1920) von Maria Lazar (1895-1948). Zagreber germanistische Beiträge, 32, pp. 97-114. ISSN 1330-0946 [Article]

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Krause, Frank. 2024. Barthold Heinrich Brockes and Nature Writing. In: Gabriele Dürbeck and Christine Kanz, eds. German-Language Nature Writing from Eighteenth Century to the Present: Controversies, Positions, Perspectives. Cham, Switzerland: Palgrave Macmillan, pp. 37-57. ISBN 9783031509094 [Book Section]

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Krause, Frank. 2021. Barthold Heinrich Brockes und das Nature Writing. In: Christine Kanz and Gabriele Dürbeck, eds. Deutschsprachiges Nature Writing von Goethe bis zur Gegenwart – Kontroversen, Positionen, Perspektiven. Stuttgart: J.B. Metzler, pp. 39-55. ISBN 9783662622124 [Book Section]

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Krause, Frank. 2024. Barthold Heinrich Brockes’ Physico-Theology of Smell. ESPES. The Slovak Journal of Aesthetics, 13(1), pp. 48-63. ISSN 1339-1119 [Article]

Krause, Frank. 2010. Expressionismus und Geschlecht: Themen und Probleme der Forschung. In: , ed. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: Vandenhoeck & Ruprecht unipress, pp. 11-20. ISBN 978-3899717174 [Book Section]

Krause, Frank. 2018. Family Virtues and Social Critique: Andreas Latzko’s Anti-War Prose (1917-1918). In: Ritchie Robertson and Andreas Kramer, eds. Pacifist and Anti-Militarist Writing in German, 1892-1928: From Bertha von Suttner to Erich Maria Remarque. Munich: iudicium. ISBN 9783862056224 [Book Section]

Krause, Frank. 2021. 'Follow the scent: one will seldom err': The Stench of Failed Nietzschean Practice in André Gide's The Immoralist (1902) and Thomas Mann's Death in Venice (1912). In: Katharina Herold and Frank Krause, eds. Smell and Social Life. Aspects of French, English and German Literature (1880-1939). XVII Munich: iudicium, pp. 67-84. ISBN 9780854572809 [Book Section]

Krause, Frank. 2022. Georg Kaiser. Von morgens bis mitternachts. Stück in zwei Teilen. In: Marcel Lepper and Hendrikje Schauer, eds. Night Shift. Ein Wörterbuch um Mitternacht. 7 Berlin and Weimar: Works & Nights, pp. 85-88. ISBN 9783981940640 [Book Section]

Krause, Frank. 2011. Georg Kaisers öffentliche Wirkung. Kunst und Leben. Georg Kaiser (1878-1945), pp. 195-205. [Article]

Krause, Frank. 2010. Gerettete Mütterlichkeit. Zur Symbolik ambivalenter Geschlechter-Inszenierungen in der expressionistischen Moderne. In: , ed. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: Vandenhoeck & Ruprecht unipress, pp. 61-81. ISBN 978-3899717174 [Book Section]

Krause, Frank. 2019. Geruch der Utopie. Messianische Baumeister in Schriften der „Gläsernen Kette“ (1919/20). In: Thomas Schleper; Dagmar Kift and Joachim Henneke, eds. Die welt neu denken. Beiträge aus dem Eröffnungssymposion "100 jahre bauhaus im westen". Munich: Aschendorff. ISBN 9783402246481 [Book Section]

Krause, Frank. 2023. Geruch und Glaube in der Literatur. Selbst und Natur in deutschsprachigen Texten von Brockes bis Handke. Berlin: De Gruyter / Düsseldorf University Press. ISBN 9783111108568 [Book]

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Krause, Frank. 2018. ‘Getarnte Vitalität. Von Alfred Doves Caracosa (1894) zu Georg Heyms Bagrow (1911)‘. Literatur für Leser, 41(3), pp. 175-188. ISSN 2364-7183 [Article]

Krause, Frank. 2005. Gustav Landauer über Georg Kaiser. Jahrbuch der Deutschen Schillergesellschaft, XLIX, pp. 51-72. [Article]

Krause, Frank. 2005. Gustav Landauer's Contribution to Georg Kaiser's Notion of Literature. In: Frank Krause, ed. Georg Kaiser and Modernity. Goettingen: Vandenhoeck and Ruprecht, pp. 89-101. ISBN 978-3-89971-245-2 [Book Section]

Krause, Frank. 2015. "Herrlich Mensch, der in Sackgassen irrt": Zusammenhänge von Familie und expressionistischer Moderne im Werk von Georg Kaiser. In: Christine Kanz and Frank Krause, eds. Zwischen Demontage und Sakralisierung. Würzburg: Königshausen & Neumann, pp. 107-117. ISBN 978-3-8260-5674-1 [Book Section]

Krause, Frank. 2008. Immaculate Misconceptions: Georg Kaiser's Oktobertag and Paul Demasy's L'Homme de nuit. In: Frank Krause, ed. France and German Expressionism. Göttingen: V&R unipress GmbH, pp. 161-180. ISBN 9783899713640 [Book Section]

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Krause, Frank. 2008. Literarischer Expressionismus. Paderborn: UTB Fink. ISBN 978-3-8252-2999-3 [Book]

Krause, Frank. 2015. Literarischer Expressionismus. V&r Unipress. ISBN 978-3847103639 [Book]

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Krause, Frank. 2024. Sinnliche Neigung und geistige Bindung. Zur Komposition von Richard Dehmels Weib und Welt (1896). In: Nikolas Immer and Julia Ilgner, eds. Richard-Dehmel-Handbuch. Berlin: De Gruyter. [Book Section] (Forthcoming)

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Krause, Frank. 2021. Smell-Sound Synaesthesia as Revelatory Medium: A Brief History with Emphasis on German Literature (1900-1930). In: Érika Wicky and Jean-Alexandre Perras, eds. Mediality of Smells. Bern: Peter Lang. ISBN 9781789976069 [Book Section]

Krause, Frank. 2024. Spätexpressionismus. In: Maren Lickhardt and Robert Krause, eds. Handbuch Weimarer Republik. Literatur und Kultur. Stuttgart: J B Metzler Verlag, pp. 79-87. ISBN 9783476059505 [Book Section]

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Krause, Frank. 2017. ‘The Stench of Corpses: On the Poetic Coding of Smell in the Literature of the Great War (1914-1933)’. In: , ed. The Intellectual Response to the Great War. Eastborne: Sussex Academic Press, pp. 171-184. ISBN 978-1-84519-824-4 [Book Section]

Krause, Frank. 2001. Stoische Ungeduld. Johann Christoph Gottsched: Der sterbende Cato (1732). German Life and Letters, 54(3), pp. 191-209. ISSN 00168777 [Article]

Krause, Frank. 2013. Varieties of Gender War in the Literature of German Expressionism (1910–1925): The Female Stabber in El Hor’s “The She-Fool” (“Die Närrin”) (1914). In: Ulrike Zitzlsperger, ed. Gender, Agency and Violence: European Perspectives from Early Modern Times to the Present Day. Newcastle-upon-Tyne: Cambridge Scholars, pp. 132-150. ISBN 1-4438-5037-3 [Book Section]

Krause, Frank. 2012. Vom Embryo Emil zum ‘bébé bouquin’: Geburtsphantasien in Carl Einsteins Bebuquin. In: Andreas Kramer, ed. Carl Einstein und die europäische Avantgarde/Carl Einstein and the European Avant-Garde. Berlin: de Gruyter, p. 31. ISBN 978-3-11-029115-5 [Book Section]

Krause, Frank. 2008. Von Kaiser zu Brecht: Drama und Prosa. In: , ed. "Verwisch die Spuren!". Bertolt Brecht’s Work and Legacy. (66) Amsterdam: Rodopi, pp. 101-113. ISBN 9 042 02432 1 [Book Section]

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Krause, Frank. 2016. ‚Weib‘ und ‚Geist‘ im Großen Krieg: Pazifismus und Geschlecht im Expressionismus. Expressionismus, 4, pp. 13-28. ISSN 2363-5592 [Article]

Krause, Frank. 2010. Zur Problematisierung von Geschlechterpositionen im Expressionismus. In: Frank Krause, ed. Expressionism and Gender / Expressionismus und Geschlecht. Göttingen: Vandenhoeck & Ruprecht unipress, pp. 159-181. ISBN 978-3899717174 [Book Section]

Krause, Frank. 2014. ‘Über zerbrochenem Männergebein / Die stille Mönchin.’ Krieger und Kriege im lyrischen Werk Georg Trakls (1887-1914)’. In: Burcu Dogramaci and Friederike Weimar, eds. Sie starben jung! Künstler und Dichter, Ideen und Ideale vor dem Ersten Weltkrieg. Berlin: Gebr. Mann Verlag, pp. 59-67. ISBN 978-3-7861-2704-8 [Book Section]

Krause, Frank and Herold, Katharina. 2021. Introduction. In: Katharina Herold and Frank Krause, eds. Smell and Social Life. Aspects of French, English and German Literature (1880-1939). XVII Munich: iudicium, pp. 10-21. ISBN 9780854572809 [Book Section]

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Kuteva, Tania; Aarts, Bas; Popova, Gergana and Abbi, Anvita. 2019. The grammar of 'non-realization'. Studies in Language, 43(4), pp. 850-895. ISSN 0378-4177 [Article]

Kyriacou, Chris; Reed, Beatrice Szczepek; Said, Fatma Faisal Saad and Davies, Ian. 2017. British Muslim university students’ perceptions of Prevent and its impact on their sense of identity. Education, Citizenship and Social Justice, 12(2), pp. 97-110. ISSN 1746-1979 [Article]

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Lambert, Sonia. 2021. While You Are in England: A Novel and Commentary about the Refugees of 1938-40. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lavis, Grahame J.. 2015. Pastoral Modes in the Poetry and Prose Fiction of WG Sebald. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Law, Christopher. 2019. Unnameable Text: Life, Critique and Uncriticizability from Kant to Benjamin. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lee, Sze Wah Sarah. 2016. Aesthetics of Experiment: Imagism, Vorticism and the European Avant-Garde. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lee, Thomas. 2016. Big Cat: A collection of short stories. Doctoral thesis, Goldsmiths, University of London [Thesis]

Lee, Tom. 2017. The Alarming Palsy of James Orr. London: Granta. ISBN 9781783783946 [Book]

Lee, Tom. 2015. Big Cat. Vanguard, London. [Other]

Lee, Tom. 2024. The Bullet: A Memoir. London: Granta Books. ISBN 9781783785049 [Book]

Lee, Tom. 2013. The Creaking Door. The Dublin Review(51), pp. 72-90. [Article]

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Lee, Tom. 2022. The Current. [Audio]

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Lee, Tom. 2022. How I Write. [Audio]

Lee, Tom. 2024. How my 22-day coma saved my mental health. The Telegraph, ISSN 0307-1235 [Article]

Lee, Tom. 2022. My father's asylum. The Dublin Review(89), pp. 14-31. ISSN 1393-998X [Article]

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Lee, Tom. 2022. Rejection. [Audio]

Lee, Tom. 2018. The Resortist. The Dublin Review(72), ISSN 1393-998X [Article]

Lee, Tom. 2018. The Swimmer. Granta, Granta Online. [Other]

Lee, Tom. 2015. The invader and the antidote. The Dublin Review(57), pp. 26-45. ISSN 1393-998X [Article]

Lee, Tom. 2015. A porta enferrujada. In: Isabel Fernandes; Maria de Jesus Cabral; Teresa Casal; Alda Correia and Diana V. Almeida, eds. Contar (com) a Medicina. Portugal: Edicoes Pedago, pp. 267-285. ISBN 9789899655516 [Book Section]

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Lesley, Hilling; Ivano, Darra; Walter Graham, Reed and Derval, Tubridy. 2013. The Enigmatic World of Joseph Boshier. In: "The Uncovering of Joseph Boshier", Standpoint Gallery, United Kingdom, 8 November 2013 - 6 December 2013. [Show/Exhibition]

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Lewis, Jenny. 2021. Translating Epic from an Unfamiliar Language: Gilgamesh Retold. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lewis, Katriona. 2022. Bodies of Water: Reimagining the Eulogist. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lin, Tzu Yu Allison. 2010. Narrative Aesthetics and the Visual Arts in Virginia Woolf's London Writings. Doctoral thesis, Goldsmiths, University of London [Thesis]

Lloyd, Christopher. 2014. Dave Eggers’ Zeitoun and Katrina’s Southern Biopolitics. In: Mary Ruth Marotte and Glenn Jellenik, eds. Literature Ten Years After Katrina. Lanham: Lexington Books. ISBN 978-0739192689 [Book Section]

Lloyd, Christopher. 2014. Introduction: American Exceptionalism, a Reconsideration. European Journal of American Culture, 33(3), pp. 159-164. ISSN 1466-0407 [Article]

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Lloyd, Christopher. 2013. Rooting Memory, Rooting Place: Regionalism in the Twenty-First-Century American South. Doctoral thesis, Goldsmiths, University of London [Thesis]

Lloyd, Christopher. 2017. Southern Gothic. In: Jason Haslam and Joel Faflak, eds. American Gothic Culture: An Edinburgh Companion. Edinburgh: Edinburgh University Press. ISBN 978-1474401616 [Book Section]

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Loewy, Monika. 2017. Body Integrity Identity Disorder and the Phantom Limb: Reflections on the Bodily Text. Doctoral thesis, Goldsmiths, University of London [Thesis]

Loewy, Monika. 2014. Lunar Park: From Ashes to Ashes'. European Journal of American Culture, 33(3), pp. 209-222. ISSN 14660407 [Article]

Loewy, Monika. 2016. Psychoanalysis and Ethics in Documentary Film by Agnieszka Piotrowska Routledge, London, 2013. The International Journal of Psychoanalysis, 97(1), pp. 225-228. ISSN 0020-7578 [Article]

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Logotheti, Anastasia. 2002. From Storytelling to Historia: the Fiction of Graham Swift. Doctoral thesis, Goldsmiths, University of London [Thesis]

Maddern, Carole. 2012. A Guide to Answering Commentary Questions. London: University of London. [Book]

Maddern, Carole. 2014. Literature of the Later Middle Ages. University Of London. [Book]

Maddern, Carole. 2010. York Notes Companions: Medieval Literature. London: Pearson. ISBN 978-1408204757 [Book]

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Maitland, Sarah. 2024. Advocacy as legal argument: The judicial interpretive task of the translator. In: Catherine Boyle and Sarah Maitland, eds. Translation as Advocacy: Perspectives on Practice, Performance and Publishing. London: John Murray Learning, pp. 1-26. ISBN 9781399816144 [Book Section]

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Maitland, Sarah. 2023. Afterword. A reader's response. In: Catherine Boyle and Renata Brandão, eds. Multilingual Narratives of a Pandemic: Covid-19 and Worldmaking. London: John Murray Learning. ISBN 9781399812504 [Book Section]

Maitland, Sarah. 2009. Agrippina, by Fermín Cabal, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Rose Theatre. In: "Agrippina, by Fermín Cabal, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Rose Theatre", Rose Theatre, United Kingdom. [Performance]

Maitland, Sarah. 2009. Agrippina, by Fermín Cabal, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Unicorn Theatre. In: "Agrippina, by Fermín Cabal, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Unicorn Theatre", Unicorn Theatre, United Kingdom. [Performance]

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Maitland, Sarah. 2014. The Cartographer. Warszawa, 1:400.000, Juan Mayorga, translated by Sarah Maitland. In: Estela Schindel and Pamela Colombo, eds. Space and the Memories of Violence: Landscapes of Erasure, Disappearance and Exception. Basingstoke: Palgrave Macmillan. ISBN 978-1-137-38090-6 [Book Section]

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Maitland, Sarah. 2023. Coming to terms: Towards a hermeneutics of expectation in theatre surtitling. In: Vasiliki Misiou and Loukia Kostopoulou, eds. New Paths in Theatre Translation and Surtitling. New York: Routledge, pp. 30-49. ISBN 9781032213309 [Book Section]

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Maitland, Sarah. 2024. Constitution is not identity: on equivalence relations in translation of performance and translation for performance. JoSTrans: The Journal of Specialised Translation, ISSN 1740-357X [Article] (Forthcoming)

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Maitland, Sarah. 2015. Culture in Translation: The Case of British Pathé News. Perspectives, 23(4), pp. 570-585. ISSN 0907-676X [Article]

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Maitland, Sarah. 2011. Diccionario-guía de traducción español-inglés, inglés-español. Jostrans: The Journal of Specialised Translation(16), pp. 258-259. [Article]

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Maitland, Sarah. 2019. Does interpreting 'steal' conflict? A translational perspective on power and restorative justice. Translation and Interpreting, 11(1), pp. 22-42. ISSN 1836-9324 [Article]

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Maitland, Sarah. 2024. Foreword. In: Catherine Boyle and Sarah Maitland, eds. Translation as Advocacy: Perspectives on Practice, Performance and Publishing. London: John Murray Learning. ISBN 9781399816144 [Book Section]

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Maitland, Sarah. 2022. (Forthcoming) The judgement of the translator. In: Susan Bassnett and David Johnston, eds. Debates on Translation Studies. Abingdon: Routledge. [Book Section] (Forthcoming)

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Maitland, Sarah. 2019. Hybridity. In: Mona Baker and Gabriela Saldanha, eds. Routledge Encyclopedia of Translation Studies (3rd Edition). Abingdon: Routledge. ISBN 9781138933330 [Book Section]

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Maitland, Sarah. 2019. Imagining otherness: on translation, harm and border logic. The Translator, 25(3), pp. 204-217. ISSN 1355-6509 [Article]

Maitland, Sarah. 2011. Inside the Earth, by Paco Bezerra, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Rose Theatre. In: "Inside the Earth, by Paco Bezerra, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Rose Theatre", Rose Theatre, United Kingdom, 31 May 2011-2 June 2011. [Performance]

Maitland, Sarah. 2011. Inside the Earth, by Paco Bezerra, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, the New Diorama Theatre. In: "Inside the Earth, by Paco Bezerra, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, the New Diorama Theatre", New Diorama Theatre, United Kingdom, 3 June 2011. [Performance]

Maitland, Sarah. 2007. Mad King Ludwig, Lourdes Ortiz, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Rose Theatre. In: "Mad King Ludwig, Lourdes Ortiz, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Rose Theatre", Rose Theatre, United Kingdom. [Performance]

Maitland, Sarah. 2008. Mad King Ludwig, by Lourdes Ortíz, translated by Sarah Maitland. Madrid: Caos Editorial. ISBN 978-84-95683-53-3 [Book]

Maitland, Sarah. 2018. Masters of the Universe, by Almudena Ramírez-Pantanella, translated by Sarah Maitland. Performance of translation, directed by Almudena Ramírez-Pantanella, Cervantes Theatre. In: "Masters of the Universe, by Almudena Ramírez-Pantanella, translated by Sarah Maitland. Performance of translation, directed by Almudena Ramírez-Pantanella, Cervantes Theatre", Cervantes Theatre, United Kingdom, 5 July 2018. [Performance]

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Maitland, Sarah. 2017. Mendoza, by Antonio Zúñiga and Juan Carrillo, translated by Sarah Maitland. Commissioned by the CASA Latin American Theatre Festival. [Book]

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Maitland, Sarah. 2017. Mendoza, by Antonio Zúñiga and Juan Carrillo, translated by Sarah Maitland. Performance of translation, directed by Juan Carillo, Southwark Playhouse. In: "Mendoza, by Antonio Zúñiga and Juan Carrillo, translated by Sarah Maitland. Performance of translation, directed by Juan Carillo, Southwark Playhouse", Southwark Playhouse, United Kingdom, 24-28 October 2017. [Performance]

Maitland, Sarah. 2007. Nina, by José Ramón Fernández, translated by Sarah Maitland. Madrid: Caos Editorial. ISBN 978-84-95683-47-2 [Book]

Maitland, Sarah. 2006. Nina, by José Ramón Fernández, translated by Sarah Maitland, Performance of translation, directed by Iain Reekie, Rose Theatre. In: "Nina, by José Ramón Fernández, translated by Sarah Maitland, Performance of translation, directed by Iain Reekie, Rose Theatre", Rose Theatre, United Kingdom. [Performance]

Maitland, Sarah. 2015. Nina, by José Ramón Fernández, translated by Sarah Maitland. Performance of translation, directed by Andy Dickinson, Spanish Theatre Company. In: "Nina, by José Ramón Fernández, translated by Sarah Maitland. Performance of translation, directed by Andy Dickinson, Spanish Theatre Company.", Spanish Theatre Company, Canada Water Cultural Space, London, United Kingdom. [Performance]

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Maitland, Sarah. 2016. No Direction, by Miguel Alcantud and Santiago Molero, translated by Sarah Maitland. Performance of translation, directed by Debra Caplan, Baruch College, City University of New York. In: "No Direction, by Miguel Alcantud and Santiago Molero, translated by Sarah Maitland. Performance of translation, directed by Debra Caplan, Baruch College, City University of New York", Martin E. Segal Theater New York, United States. [Performance]

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Maitland, Sarah. 2010. ‘Objects in the midst of other objects’: Cultural Translation and the Anxieties of ‘Otherness’. The International Journal of the Humanities: Annual Review, 8(7), pp. 77-86. ISSN 1447-9508 [Article]

Maitland, Sarah. 2005. On the Rock, by Ernesto Caballero, translated by Sarah Maitland. Madrid: Caos Editorial. ISBN 84-95683-40-7 [Book]

Maitland, Sarah. 2005. On the Rock, by Ernesto Caballero, translated by Sarah Maitland. Performance of translation, directed by Ben Jancovich, Rose Theatre. In: "On the Rock, by Ernesto Caballero, translated by Sarah Maitland. Performance of translation, directed by Ben Jancovich, Rose Theatre", Rose Theatre, United Kingdom. [Performance]

Maitland, Sarah. 2010. On the Rock, by Ernesto Caballero, translated by Sarah Maitland. Performance of translation, directed by Sarah Maitland, Brian Friel Theatre. In: "On the Rock, by Ernesto Caballero, translated by Sarah Maitland. Performance of translation, directed by Sarah Maitland, Brian Friel Theatre", Brian Friel Theatre, United Kingdom, 26 November 2010. [Performance]

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Maitland, Sarah. 2020. Operating Theatre, by Almudena Ramírez-Pantanella, translated by Sarah Maitland. Commissioned by the author and the Spanish Society of Authors and Publishers [Sociedad General de Autores y Editores, SGAE]. [Book]

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Maitland, Sarah. 2012. Performing Difference: Bodas de sangre and the Philosophical Hermeneutics of the Translated Stage. Quaderns: Revista de Traducció, 19, pp. 53-67. ISSN 1138-5790 [Article]

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Maitland, Sarah. 2015. Performing recognition: El castigo sin venganza and the politics of the 'literal' translation. Bulletin of the Comediantes, 67(1), pp. 37-56. ISSN 0007-5108 [Article]

Maitland, Sarah. 2014. Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. Performance of adaptation of translation by Meredith Oakes, directed by Laurence Boswell, Arcola Theatre. In: "Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. Performance of adaptation of translation by Meredith Oakes, directed by Laurence Boswell, Arcola Theatre", Arcola Theatre, London, United Kingdom, 11 January-15 March 2014. [Performance]

Maitland, Sarah. 2014. Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. Performance of adaptation of translation by Meredith Oakes, directed by Laurence Boswell, Belgrade Theatre. In: "Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. Performance of adaptation of translation by Meredith Oakes, directed by Laurence Boswell, Belgrade Theatre", Belgrade Theatre, Coventry, United Kingdom, 28 March-19 April 2014. [Performance]

Maitland, Sarah. 2013. Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. Performance of adaptation of translation by Meredith Oakes, directed by Laurence Boswell, Theatre Royal Bath. In: "Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. Performance of adaptation of translation by Meredith Oakes, directed by Laurence Boswell, Theatre Royal Bath", Theatre Royal Bath, Bath, United Kingdom, 26 September-21 December 2013. [Performance]

Maitland, Sarah. 2019. The Reality (2019), by Denise Despeyroux, translated by Sarah Maitland. Performance of translation, directed by Raymi Renee. In: "The Reality, by Denise Despeyroux, translated by Sarah Maitland. Performance of translation, directed by Raymi Renee", Cervantes Theatre, London, United Kingdom, 1-18 May 2019. [Performance]

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Maitland, Sarah. 2018. The Reality, by Denise Despeyroux, translated by Sarah Maitland. Commissioned by the Cervantes Theatre. [Book]

Maitland, Sarah. 2018. The Reality, by Denise Despeyroux, translated by Sarah Maitland. Performance of translation, directed by Raymi Renee, Cervantes Theatre. In: "The Reality, by Denise Despeyroux, translated by Sarah Maitland. Performance of translation, directed by Raymi Renee, Cervantes Theatre", Cervantes Theatre, United Kingdom, 2 June 2018. [Performance]

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Maitland, Sarah. 2017. A Review of Textbooks in Translation Studies. In: Lawrence Venuti, ed. Teaching Translation: Programs, Courses, Pedagogies. Abingdon: Routledge, pp. 216-226. ISBN 9781138654617 [Book Section]

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Maitland, Sarah. 2012. Rituals of Defiance: Past Resistance, Present Ambiguity, by Felipe Castro Gutiérrez, translated by Sarah Maitland. In: John Gledhill and Patience Schell, eds. New Approaches to Resistance in Brazil and Mexico. Durham NC: Duke University Press, pp. 44-62. ISBN 978-0822351870 [Book Section]

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Maitland, Sarah. 2019. The Translator on Stage. The Translator, 25(1), pp. 78-82. ISSN 1355-6509 [Article]

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Maitland, Sarah. 2024. Twelve notes on cultural translation. Cultus: The Journal of Intercultural Mediation and Communication, ISSN 2035-2948 [Article] (Forthcoming)

Maitland, Sarah. 2019. Untitled Theatre Translation Commission for Playful Productions. London: Playful Productions. [Book] (Submitted)

Maitland, Sarah. 2017. What is Cultural Translation? London: Bloomsbury Academic. ISBN 9781472526861 [Book]

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Maitland, Sarah. 2016. The World on Stage: Micro-Plays in Translation. Words without Borders, 2016(Dec), [Article]

Maitland, Sarah; Tietze, Susanne and Heath, David. 2022. Multinational corporations as cultural translators: Interpreting difference in diversity and inclusion. Journal of Translation and Language Studies, 3(2), pp. 16-36. ISSN 2189-8987 [Article]

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Malkmus, Marie-Louise. 2010. Telling Untold Tales: Concealed Family Stories in Contemporary Fiction. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Mannix, Aoife. 2014. Contemporary Irish Life Writing – How Fictional Is The Truth?. Doctoral thesis, Goldsmiths, University of London [Thesis]

Marl'ene, Edwin. 2011. 'Living the Archive: Joan Anim-Addo and the Case of Imoinda'. In: Islands in Between Conference: Language, Literature and Culture of the Eastern Caribbean. Saint George's, Grenada 3-5 November. [Conference or Workshop Item]

Mars-Jones, Adam. 2017. Batlava Lake. Areté, Oxford. [Other]

Mars-Jones, Adam. 2020. Box Hill. London: Fitzcarraldo Editions. ISBN 9781913097233 [Book]

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Mars-Jones, Adam. 2012. Cedilla. London: Faber. ISBN 9780571245376 [Book]

Mars-Jones, Adam. 2016. Kid Gloves: A Voyage Round My Father. London: Penguin. ISBN 9781846148774 [Book]

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Mason, Andrea. 2020. The Cremation Project with Ada & Carter and Art in/to Writing in Kenneth Goldsmith’s Fidget and Day. Doctoral thesis, Goldsmiths, University of London [Thesis]

Mayorga, Juan and Maitland, Sarah. 2009. The Cartographer, by Juan Mayorga, translated by Sarah Maitland. Commissioned by the Centro Dramático Nacional, pp. 91-104. ISBN 978-1-137-38090-6 [Book]

McDonald, Gail. 2007. American Literature and Culture, 1900-1960. Oxford: Blackwell. ISBN 978-1405101264 [Book]

McDonald, Gail. 2012. American Scholars: Pound and Emerson. In: Steven Yao and Michael Coyle, eds. Ezra Pound and Education. Orono, Maine: Natlonal Poetry Foundation, pp. 3-21. ISBN 978-0943373775 [Book Section]

McDonald, Gail. 2009. 'Eliot and the New Critics'. In: David Chinitz, ed. A Companion to T. S. Eliot. Oxford: Wiley-Blackwell, pp. 411-422. ISBN 978-1405162371 [Book Section]

McDonald, Gail. 2005. Entries on 'Personal Education' and 'Philosophy of Education'. In: Stephen J Adams and Demetres Tryphonopoulos, eds. The Ezra Pound Encyclopedia. Westport, Connecticut: Greenwood Press. ISBN 978-0313304484 [Book Section]

McDonald, Gail. 2007. 'A Homemade Heaven: Modernist Poetry and the Social Gospel'. In: Roger Lundin, ed. There Before Us: Religion, Literature, and Culture from Ralph Waldo Emerson to Wendell Berry. Grand Rapids, Michigan: Wm. B. Eerdmans Publishing Co, pp. 194-215. ISBN 978-0802829634 [Book Section]

McDonald, Gail. 2002. 'Hypertext and the Teaching of Modernist Difficulty'. Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture, 2(1), pp. 17-30. ISSN 1531-4200 [Article]

McDonald, Gail. 1993. Learning to be Modern: Pound, Eliot, and the American University. Oxford: Clarendon Press. ISBN 978-0198119807 [Book]

McDonald, Gail. 2002. 'The Mind a Department Store: Reconfiguring Space in the Gilded Age,'. Modern Language Quarterly, 63(2), pp. 227-249. ISSN 0026-7929 [Article]

McDonald, Gail. 2006. Product Placement: Literary Modernism and Crisco. Modernist Cultures, 2(1), pp. 21-30. ISSN 2041-1022 [Article]

McDonald, Gail. 1998. 'Sentimental Education: Randall Jarrell Among the Women,'. Modernism/Modernity, 5(1), pp. 1-21. ISSN 1071-6068 [Article]

McDonald, Gail. 2004. 'Through Schoolhouse Windows: Women, the Academy, and T.S. Eliot'. In: Cassandra Laity and Nancy Gish, eds. Gender, Sexuality and Desire in T. S. Eliot. Cambridge: Cambridge University Press, pp. 177-194. ISBN 978-0521039468 [Book Section]

McDonald, Russ. 2001. Bedford Companion to Shakespeare: An Introduction with Documents. Palgrave Macmillan; 2nd Edition. ISBN 978-0333947111 [Book]

McDonald, Russ. 2016. “Ben Jonson” and miscellaneous entries on Rhetoric. In: Patricia Parker, ed. The Shakespeare Encyclopedia: Life, Works, World, and Legacy. Westport: Greenwood Press,. ISBN 9780313336393 [Book Section]

McDonald, Russ. 2012. Benjamin Britten’s Dreams. Shakespeare Survey, 65, pp. 138-146. ISSN 0080-9152 [Article]

McDonald, Russ. 1982. “Comedy and Flannery O'Connor,”. South Atlantic Quarterly, 81, pp. 188-201. ISSN 0038-2876 [Article]

McDonald, Russ. 2007. Compar or parison: Measure for Measure. In: Sylvia Adamson; Gavin Alexander and Katrin Ettenhuber, eds. Renaissance Figures of Speech. Cambridge: Cambridge University Press, pp. 33-58. ISBN 9780521866408 [Book Section]

McDonald, Russ. 2007. Compar or parison: Measure for Measure. Cambridge University Press. ISBN 9780521866408 [Book]

McDonald, Russ. 1998. Explication Checklist. Shakespeare Magazine, II(1), [Article]

McDonald, Russ. 2005. Fashion: Shakespeare and Beaumont and Fletcher. In: Richard Dutton and Jean E Howard, eds. A Companion to Shakespeare's Works: The Poems, Problem Comedies, Late Plays:. 4 John Wiley & Sons, pp. 150-174. ISBN 978-1405136082 [Book Section]

McDonald, Russ. 1988. Fear of Farce. In: Maurice Charney, ed. Bad Shakespeare: Revaluations of the Shakespeare Canon. Fairleigh Dickinson Univ Pr, pp. 77-90. ISBN 978-0838633106 [Book Section]

McDonald, Russ. 2006. The Flaw in the Flaw. In: Peggy O'Brien, ed. Shakespeare Set Free: Teaching Romeo & Juliet, Macbeth & Midsummer Night. Simon & Schuster, pp. 8-11. ISBN 978-0743288507 [Book Section]

McDonald, Russ. 2008. High Seriousness and Popular Form: The Case of The Maid of Honour. In: Douglas Howard, ed. Philip Massinger: A Critical Reassessment. Cambridge: Cambridge University Press, pp. 83-116. ISBN 978-0521065429 [Book Section]

McDonald, Russ. 2000. Jonson and Shakespeare and the Rhythm of Verse. In: Stanley Stewart and Richard Harp, eds. The Cambridge Companion to Ben Jonson. Cambridge: Cambridge University Press, pp. 103-118. ISBN 978-0521646789 [Book Section]

McDonald, Russ. 1981. Jonsonian Comedy and the Value of Sejanus. Studies in English Literature 1500-1900, 21, pp. 287-305. [Article]

McDonald, Russ. 2013. The Language of Tragedy. In: Russ McDonald, ed. The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge University Press, pp. 23-50. ISBN 978-1107019775 [Book Section]

McDonald, Russ. 2013. The Language of Tragedy. In: Claire McEachern, ed. The Cambridge Companion to Shakespearean Tragedy. Cambridge: Cambridge University Press, pp. 23-49. ISBN 978-1107643321 [Book Section]

McDonald, Russ. 1994. Late Shakespeare: Style and the Sexes. In: Stanley Wells, ed. Shakespeare Survey 46. Cambridge University Press, pp. 91-106. ISBN 978-0521450270 [Book Section]

McDonald, Russ. 2004. Late Shakespeare: Style and the Sexes. In: Catherine M. Alexander, ed. Shakespeare and Language. Cambridge University Press: Cambridge University Press, pp. 266-288. ISBN 978-0521539005 [Book Section]

McDonald, Russ. 1994. Late Shakespeare: Style and the Sexes. In: Stanley Wells, ed. Shakespeare Survey 46. Cambridge: Cambridge University Press. ISBN 978-0521450270 [Book Section]

McDonald, Russ. 2019. Macbeth and the Power of Poetry. In: Paul Menzer and Amy R. Cohen, eds. Shakespeare in the Light: Essays in Honor of Ralph Alan Cohen. Lanham, Maryland: Rowman & Littlefield, pp. 53-62. ISBN 9781683931645 [Book Section]

McDonald, Russ. 2004. “Marlowe and Style,”. In: Patrick Cheney, ed. The Cambridge Companion to Marlowe. Cambridge University Press, pp. 55-69. ISBN 978-0521820349 [Book Section]

McDonald, Russ. 1997. “Odious Tandem,” Introduction to Shakespeare and Jonson / Jonson and Shakespeare. In: Robert Watson, ed. Critical Essays on Ben Jonson. G K Hall. ISBN 978-0783800431 [Book Section]

McDonald, Russ. 2016. Ornament. In: Bruce Smith, ed. The Cambridge Guide to the Worlds of Shakespeare. New York: Cambridge University Press. ISBN 9781107057258 [Book Section]

McDonald, Russ. 2011. “Orpheus Among the Savages: Handel in London,”. In: , ed. Glyndebourne Program Essay. [Book Section]

McDonald, Russ. 1979. Othello, Thorello, and the Problem of the Foolish Hero. Shakespeare Quarterly, 30, pp. 51-67. ISSN 0037-3222 [Article]

McDonald, Russ. 2013. Peggy of Anjou. In: Gordon McMullan; Lena Cowen Orlin and Virginia Mason Vaughan, eds. Women Making Shakespeare: Text, Reception and Performance. London: Bloomsbury. ISBN 9781408185339 [Book Section]

McDonald, Russ. 2008. “Planned Obsolescence, or Working at the Words,”. In: G B Shand, ed. Teaching Shakespeare: Passing It On. Blackwell Publishing,, pp. 27-42. ISBN 978-1405140461 [Book Section]

McDonald, Russ. 1985. Poetry and Plot in The Winter's Tale. Shakespeare Quarterly, 36, pp. 315-329. ISSN 0037-3222 [Article]

McDonald, Russ. 2015. Poetry and Plot in The Winter's Tale. In: Maurice Hunt, ed. The Winter's Tale: Critical Essays. Routledge. ISBN 978-1138864221 [Book Section]

McDonald, Russ. 2001. Poetry and Plot in The Winter's Tale. In: , ed. Shakespeare Yearbook. Gale Press. [Book Section]

McDonald, Russ. 2013. ‘Pretty Rooms’: Shakespeare’s Sonnets, Elizabethan Architecture, and Early Modern Visual Design. In: Jonathan Post, ed. The Oxford Handbook of Shakespeare's Poetry. Oxford, UK: Oxford University Press, pp. 486-504. ISBN 9780199607747 [Book Section]

McDonald, Russ. 2013. ‘Pretty Rooms’: Shakespeare’s Sonnets, Elizabethan Architecture, and Early Modern Visual Design. In: Jonathan Post, ed. The Oxford Handbook of Shakespeare's Poetry. Oxford: OUP Oxford, pp. 486-503. ISBN 978-0199607747 [Book Section]

McDonald, Russ. 1991. Reading The Tempest. In: Stanley Wells, ed. Shakespeare Survey: Volume 43, The Tempest and After. Cambridge: Cambridge University Press, pp. 15-28. ISBN 978-0521395298 [Book Section]

McDonald, Russ. 1992. Reading The Tempest. In: , ed. Shakespeare Yearbook. Gale Press. [Book Section]

McDonald, Russ. 1997. Reading The Tempest. In: Donald Kesey, ed. Contexts for Criticism. McGraw-Hill Humanities/Social Sciences/Languages; 3 edition. ISBN 978-1559348447 [Book Section]

McDonald, Russ. 1998. Reading The Tempest. In: Virginia Vaughan and Alden Vaughan, eds. Critical Essays on “The Tempest. New York: G. K. Hall. [Book Section]

McDonald, Russ. 2002. Reading The Tempest. In: Donald Kesey, ed. Contexts for Criticism. McGraw-Hill Humanities/Social Sciences/Languages; 4 edition. ISBN 978-0767422963 [Book Section]

McDonald, Russ. 2003. Reading The Tempest. In: Catherine M. Alexander, ed. The Cambridge Shakespeare Library 3 Volume Hardback Set: Shakespeare's Times, Texts and Stages. Cambridge: Cambridge University Press. ISBN 978-0521824330 [Book Section]

McDonald, Russ. 2017. Rhetoric and Theater. In: Michael MacDonald, ed. The Oxford Companion to Rhetoric. Oxford: Oxford University Press, pp. 449-460. ISBN 9780199731596 [Book Section]

McDonald, Russ. 1989. Richard III and the Tropes of Treachery. Philological Quarterly, 68(4), pp. 465-483. ISSN 0031-7977 [Article]

McDonald, Russ. 2010. Sarah Siddons. In: Peter Holland and Adiran Poole, eds. Garrick, Kemble, Siddons, Kean: Great Shakespeareans Volume II. London, UK: Continuum. ISBN 9781441157874 [Book Section]

McDonald, Russ. 1981. Sceptical Visions: Shakespeare's Tragedies and Jonson's Comedies. In: Stanley Wells, ed. Shakespeare Survey, 34. Cambridge: Cambridge University Press, pp. 131-147. ISBN 978-0521523721 [Book Section]

McDonald, Russ. 2006. Sex, Lies, and Shakespearean Drama. In: Peggy O'Brien, ed. Teaching Twelfth Night and Othello: Shakespeare Set Free. Simon & Schuster, pp. 3-10. ISBN 978-0743288514 [Book Section]

McDonald, Russ. 1995. Shakespeare Goes to High School: Some Current Practices in the American Classroom. Shakespeare Quarterly, 46, pp. 18-27. ISSN 0037-3222 [Article]

McDonald, Russ. 2009. “Shakespeare Transposed: Falstaff”. In: , ed. Glyndebourne Program Essay. [Book Section]

McDonald, Russ. 1997. Shakespeare With Tears. Shakespeare Magazine, I(3), [Article]

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McDonald, Russ. 2001. Shakespeare and the Arts of Language. Oxford University Press. ISBN 0198711719 [Book]

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McDonald, Russ. 2006. Shakespeare's Late Style. Cambridge University Press. ISBN 9780521820684 [Book]

McDonald, Russ. 2003. Shakespeare’s Verse. In: Stanley Wells and Lena Orlin, eds. Shakespeare: An Oxford Guide. Oxford: OUP Oxford, pp. 79-92. ISBN 978-0199245222 [Book Section]

McDonald, Russ. 2016. Sounds and Sweet Airs. Opera, 67(1), pp. 4-14. ISSN 1657-8651 [Article]

McDonald, Russ. 2012. Telling Stories. In: Russ McDonald; Nicholas Nace and Travis D Williams, eds. Shakespeare Up Close: Reading Early Modern Texts. London: Arden Shakespeare, pp. 216-224. ISBN 978-1408158784 [Book Section]

McDonald, Russ. 2010. “‘To Serve the Poet’: Verdi’s Macbeth,”. In: , ed. Glyndebourne Program Essay. [Book Section]

McDonald, Russ. 2009. 'You speak a language that I understand not': listening to the last plays. In: Catherine M. S. Alexander, ed. The Cambridge Companion to Shakespeare's Last Plays. Cambridge, UK: Cambridge University Press, pp. 91-112. ISBN 9780521881784 [Book Section]

McDonald, Russ. 2009. “‘You speak a language that I understand not’: The Poetry of the Romances,”. In: Catherine M. Alexander, ed. The Cambridge Companion to Shakespeare’s Romances. Cambridge University Press. [Book Section]

McDonald, Russ and Wright, George T. 2012. English Prosody. In: Stephen Cushman; Clare Cavanagh; Jahan Ramazani and Paul Rouzer, eds. The Princeton Encyclopedia of Poetry and Poetics 4th edition. Princeton: Princeton University Press, pp. 432-434. ISBN 978-0691133348 [Book Section]

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Mieszkowski, Jan and Ng, Julia. 2021. Introduction: No Time for Linear Time. CR: The New Centennial Review, 21(1), pp. 1-10. ISSN 1532-687X [Article]

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Miller, Katherine. 2012. The Observances (new poems) and Observations of Walks by the Sea. Doctoral thesis, Goldsmiths, University of London [Thesis]

Moore-Gilbert, Bart J.. 1994. The Arts in the 1970s: Cultural Closure. London: Routledge. ISBN 978-0415099066 [Book]

Moore-Gilbert, Bart J.. 2012. From "the Politics of Recognition" to "the Policing of Recognition" : Writing Islam in Hanif Kureishi and Mohsin Hamid. In: Rehana Ahmed; Peter Morey and Amina Yaqin, eds. Culture, Diaspora, and Modernity in Muslim Writing. (38) New York, NY: Routledge, pp. 183-199. ISBN 9780415896771 [Book Section]

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Moore-Gilbert, Bart J.. 2001. Hanif Kureishi. Manchester University Press. ISBN 0719055342 [Book]

Moore-Gilbert, Bart J.. 2002. I am going to rewrite Kipling's Kim: Kipling and Postcolonialism. The Journal of Commonwealth Literature, 37(2), pp. 39-58. ISSN 0021-9894 [Article]

Moore-Gilbert, Bart J.. 2014. Kipling and "Orientalism". London: Routledge. ISBN 978-1138799165 [Book]

Moore-Gilbert, Bart J.. 2011. Kipling and postcolonial literature. In: Howard Booth, ed. The Cambridge Companion to Kipling. Cambridge: Cambridge University Press, pp. 155-168. ISBN 978-0-521-13663-1 [Book Section]

Moore-Gilbert, Bart J.. 2003. Olive Schreiner's Story of an African Farm: Reconciling Feminism and Anti-Imperialism? Women a Cultural Review, 14(1), pp. 85-103. ISSN 09574042 [Article]

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Moore-Gilbert, Bart J.. 2009. Postcolonial Life-Writing: Culture, Politics and Self-Representation. Abingdon and New York: Routledge. ISBN 978-0-415-44300-5 [Book]

Moore-Gilbert, Bart J.. 1997. Postcolonial Theory: Contexts, Practices, Politics. London: Verso Books. ISBN 978-1859840344 [Book]

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Moore-Gilbert, Bart J.. 2014. Time bandits: Temporality and the politics of form in Palestinian women's life-writing. Journal of Postcolonial Writing, 50(2), pp. 189-201. ISSN 17449855 [Article]

Morrison, Blake. 2007. And When Did You Last See Your Father. Granta Books. ISBN 978-1862079786 [Book]

Morrison, Blake. 2011. As If. Granta Books. ISBN 978-1862070035 [Book]

Morrison, Blake. 1987. The Ballad of the Yorkshire Ripper. Chatto & Windus. ISBN 978-0701132279 [Book]

Morrison, Blake. 2005. 'Black Marks and Blue Pencils'. Guardian Yearbook, [Article]

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Morrison, Blake. 2019. Call Yourself English? In: Susheila Nasta, ed. Brave New Words. UK: Myriad, pp. 33-50. ISBN 9781912408207 [Book Section]

Morrison, Blake. 1995. The Cracked Pot. In: "The Cracked Pot", West Yorkshire Playhouse. [Performance]

Morrison, Blake. 1989. Dark Glasses. Chatto & Windus; Revised & Expanded Edition edition. ISBN 978-0701128753 [Book]

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Morrison, Blake. 2012. A Discoverie of Witches. Sheffield: Litfest & Smith/Doorstop. ISBN 978-0-9540880-8-8 [Book]

Morrison, Blake. 1998. Dr Ox's Experiment, libretto for opera performed at Coliseum. In: "Dr Ox's Experiment", Coliseum, United Kingdom, June 1998. [Performance]

Morrison, Blake. 2007. Elephant and Castle. In: "Elephant and Castle", Aldeburgh Festival, United Kingdom, June 2007. [Performance]

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Morrison, Blake. 2018. The Executor. London: Chatto & Windus. ISBN 9781784707231 [Book]

Morrison, Blake. 1987. 'The Filial Art: A Reading of Contemporary British Poetry'. The Yearbook of English Studies, 17, pp. 179-217. [Article]

Morrison, Blake. 1996. Foreword to Anthony Burgess, A Clockwork Orange. In: , ed. A Clockwork Orange. Penguin, vii-xxiv. [Book Section]

Morrison, Blake. 2006. Foreword to D. H. Lawrence, Sons and Lovers. In: , ed. Sons and Lovers. Penguin Classics, xi-xxvi. [Book Section]

Morrison, Blake. 2006. Foreword to James Agee, A Death in the Family (Penguin, 2006). In: , ed. A Death in the Family. Penguin, v-xii. ISBN 978-0141187969 [Book Section]

Morrison, Blake. 2006. Foreword to James Agee, Let Us Now Praise Famous Men. In: , ed. Let Us Now Praise Famous Men. Penguin, vii-xii. [Book Section]

Morrison, Blake. 1998. Foreword to The Gospel According to St John. In: , ed. The Gospel According to St John. Canongate, vii-xvi. [Book Section]

Morrison, Blake. 2018. Harrison as Elegist. In: Edith Hall, ed. New Light on Tony Harrison. London: British Academy, pp. 3-11. [Book Section]

Morrison, Blake. 2011. Introduction to D. H. Lawrence, Lady Chatterley's Lover. In: , ed. Lady Chatterley's Lover. Vintage, vii-xiv. [Book Section]

Morrison, Blake. 2000. The Justification of Johann Gutenberg. Chatto & Windus. ISBN 978-0385259842 [Book]

Morrison, Blake. 2018. Lamentable Thumbs. London Review of Books, 40(12), pp. 37-39. [Article]

Morrison, Blake. 2010. The Last Weekend. London: Chatto & Windus. ISBN 9780701184841 [Book]

Morrison, Blake. 2007. Lisa's Sex Strike. In: "Lisa's Sex Strike", Octagon Theatre, Bolton, United Kingdom, Sept-Nov 2007. [Performance]

Morrison, Blake. 2010. A Little, Aloud: An anthology of prose and poetry for reading aloud to someone you care for. In: Angela Macmillan, ed. A Little, Aloud: An anthology of prose and poetry for reading aloud to someone you care for. Chatto & Windus, pp. 1-5. ISBN 978-0701185633 [Book Section]

Morrison, Blake. 2006. The Man with Two Gaffers, new version of Goldoni's stage-play Il Servitore di Due Padroni, performed by Northern Broadsides. In: "The Man with Two Gaffers", Northern Broadsides, United Kingdom, Aug-Dec 2006. [Performance]

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Morrison, Blake. 2003. Oedipus and Antigone by Sophocles. Northern Broadsides. ISBN 0954642201 [Book]

Morrison, Blake. 2004. Portraits. catalogue of BP Portrait Award 2004, pp. 8-16. [Article]

Morrison, Blake. 2008. 'The Reading Cure'. Guardian Review, [Article]

Morrison, Blake. 1992. Seamus Heaney (Contemporary writers). Routledge. ISBN 978-0415098786 [Book]

Morrison, Blake. 2015. Shingle Street. London: Chatto & Windus. ISBN 9780701188771 [Book]

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Morrison, Blake. 2007. South of the River. Chatto & Windus. ISBN 9780701180461 [Book]

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Morrison, Blake. 2003. Things my mother never told me. Vintage. ISBN 0099440725 [Book]

Morrison, Blake. 1999. Too True. Granta Books. ISBN 978-1862072428 [Book]

Morrison, Blake. 2019. We Are Three Sisters: The Lives of the Brontës as a Chekhovian Play. In: Alexandra Lewis, ed. The Brontes and the Idea of the Human. London: Cambridge University Press, pp. 260-268. ISBN 9781316651063 [Book Section]

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Morrison, Blake. 2011. We are Three Sisters. London: Nick Hern Books. ISBN 9781848422148 [Book]

Morrison, Blake. 2004. When I last saw him. In: I. Jack, ed. Granta. 87 Granta, pp. 279-290. ISBN 090314171X [Book Section]

Morrison, Blake and Rego, Paula. 2002. Pendle Witches. Enitharmon Press; illustrated edition edition. ISBN 978-1900564458 [Book]

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Natarajan, Uttara. 2020. Charles Dickens’s Realism and the Romantic Essayists. SEL Studies in English Literature 1500-1900, 60(4), pp. 761-781. ISSN 0039-3657 [Article]

Natarajan, Uttara. 2005. Circle of Sympathy: Shelley's Hazlitt. In: Uttara Natarajan; Tom Paulin and Duncan Wu, eds. Metaphysical Hazlitt: Bicentenary Essays. Oxon: Routledge, pp. 111-122. ISBN 9781138010253 [Book Section]

Natarajan, Uttara. 2015. The Connell Guide to Charles Dickens's Hard Times. London: Connell Guides Publishing. ISBN 9781907776281 [Book]

Natarajan, Uttara. 1998. Hazlitt and the Reach of Sense. Oxford: Clarendon Press. ISBN 978-0198184379 [Book]

Natarajan, Uttara. 2009. Hazlitt's Common Sense. Nineteenth-Century Prose, 36(1), pp. 13-26. ISSN 1052-0406 [Article]

Natarajan, Uttara. 2006. Pater and the genealogy of Hardy's modernity. SEL Studies in English Literature 1500-1900, 46(4), pp. 849-61. ISSN 1522 9270 [Article]

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Natarajan, Uttara. 2017. Ruskin on Imagination: A Via Negativa. Philological Quarterly, 96(3), pp. 373-394. ISSN 0031-7977 [Article]

Natarajan, Uttara. 2012. The Spirit of His Age: Hazlitt and Pater on Lamb. Nineteenth-Century Literature, 66(4), pp. 449-64. ISSN 0891-9356 [Article]

Natarajan, Uttara. 2024. Styling the Other: Hazlitt's 'The Indian Jugglers'. In: Charlotte Grant and Alistair Robinson, eds. Cultures of London: Legacies of Migration. London: Bloomsbury, pp. 41-47. ISBN 9781350242036 [Book Section]

Natarajan, Uttara. 2024. The Urban Familiar Essay of the Romantic Era. In: Denise Gigante and Jason Childs, eds. The Cambridge History of the British Essay. Cambridge: Cambridge University Press, pp. 275-288. ISBN 9781316516508 [Book Section]

Natarajan, Uttara. 2010. William Hazlitt. In: Adrian Poole, ed. Great Shakespeareans, Volume IV: Lamb, Hazlitt, Keats. 4 London: Continuum, pp. 64-108. ISBN 9780826424365 [Book Section]

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Natarajan, Uttara. 2024. 'Willingness for the Everyday': Ordinariness and Agency in Three Romantic Prefaces. Romanticism, 30(3), pp. 283-292. ISSN 1354-991X [Article]

Natarajan, Uttara. 2003. The veil of familiarity: Romantic philosophy and the familiar essay. Studies in Romanticism, 42(1), pp. 27-44. ISSN 00393762 [Article]

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Neeves, Mairi. 2008. Apartheid Haunts: Postcolonial Trauma in Lisa Fugard’s "Skinner's Drift". Studies in the Novel, 40(1-2), pp. 108-126. ISSN 0039-3827 [Article]

Neeves, Mairi. 2009. 'The Pursuit of Selfhood: Writing the Absurd in Palestinian Autobiography'. In: Meg Jensen and Jane Jordan, eds. Life Writing: The Spirit of the Age and the State of the Art. Cambridge: Cambridge Scholars Publishing, pp. 52-63. ISBN 978-1443805261 [Book Section]

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Neeves, Mairi Emma. 2009. The Negotiation of Trauma in Postcolonial Culture. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ng, Julia. 2016. '+1'. Scholem e i paradossi dell'infinito. In: Tamara Tagliacozzo, ed. Walter Benjamin, Gershom Scholem e il linguaggio. Milan: Mimesis. ISBN 9788857537528 [Book Section]

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Ng, Julia. 2014. ‘+1’: Scholem and the Paradoxes of the Infinite. Rivista italiana di filosofia del linguaggio, 8(2), pp. 196-210. ISSN 2036-6728 [Article]

Ng, Julia. 2015. 'The Action of Non-Action: Benjamin, Daoism, and the Image'. In: Daoism and Capitalism: A Workshop.. Goldsmiths, University of London, United Kingdom 10 March 2015. [Conference or Workshop Item]

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Ng, Julia. 2023. The Action of Non-Action: Walter Benjamin, Wu Wei and the Nature of Capitalism. Theory, Culture & Society (Special Issue: Against Ontology: Chinese Thought and François Jullien), 40(4–5), pp. 219-238. ISSN 0263-2764 [Article]

Ng, Julia. 2015. 'Acts of Time: Cohen and Benjamin on Mathematics and History'. In: Hermann-Cohen-Gesellschaft Conference on “Critical Idealism and Messianism: From Hermann Cohen to Walter Benjamin and beyond,” University of Rome Tre and University of Turin. Rome, Italy 19-20 Oct 2015. [Conference or Workshop Item]

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Ng, Julia. 2017. Acts of Time: Cohen and Benjamin on Mathematics and History. Paradigmi. Rivista di critica filosofica, 1, pp. 41-60. ISSN 2035-357X [Article]

Ng, Julia. 2014. Agamben, Giorgio. In: Michael Kelly, ed. The [Oxford] Encyclopedia of Aesthetics 2nd edition. Oxford: Oxford University Press. [Book Section]

Ng, Julia. 2016. 'Benjamin’s Theater of the Irrational.'. In: Theatre of the A-human, Institute for Theatre, Film and Media Studies. Goethe Universität Frankfurt am Main, Germany 12-13 Feb 2016. [Conference or Workshop Item]

Ng, Julia. 2014. 'Body, Force, Right: figures of life after nature'. In: SEP/FEP 2014: After Nature. University of Utrecht, Netherlands 2-6 Sep 2014. [Conference or Workshop Item]

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Ng, Julia. 2018. Coffee and Donuts. Syndicate Lit, ISSN 2378-1769 [Article]

Ng, Julia. 2023. 'Completion as Self-Cultivation: Benjamin, Bloch, Zhuangzi'. In: Philosophy of Self-Cultivation. Department of Politics, International Relations, and Philosophy, Royal Holloway, University of London, United Kingdom 22 - 23 June 2023. [Conference or Workshop Item]

Ng, Julia. 2023. 'Daoism and Capitalism: Modern German Jewish Philosophy’s Encounter with China'. In: Department of German Graduate Research Seminar Series. University of Cambridge, United Kingdom 1 June 2023. [Conference or Workshop Item]

Ng, Julia. 2016. 'Daoism and Critical Theory'. In: Center for International Research in the Humanities and Social Sciences. New York University, United States 31 Oct 2016. [Conference or Workshop Item]

Ng, Julia. 2022. 'Daoism, Organization, Experimentation: The Case of Rosenzweig and Benjamin'. In: Center for Jewish History–Fordham University Lecture Series 2022-23. Fordham University, United States 8 December 2022. [Conference or Workshop Item]

Ng, Julia. 2024. 'Daoism, Pluritemporality, Critique'. In: Experiment and Experience: A Polyphonic Seminar on the Dao of Indeterminacy. Collège International de Philosophie, France 14 March 2024. [Conference or Workshop Item]

Ng, Julia. 2009. Descartes Instrument: Geometrischer Raum und die Verschmitztheit militärischer Architekturdarstellungen. In: Butis Butis, ed. Goofy History: Fehler Machen Geschichte. Böhlau-Verlag Gmbh. ISBN 978-3412204266 [Book Section]

Ng, Julia. 2015. 'Die höchste Kontinuität: Philologie und der Begriff der Zeit'. In: Internationale Vereinigung für Germanistik. Shanghai, China 23-31 Aug 2015. [Conference or Workshop Item]

Ng, Julia. 2014. 'Drawing and Governance'. In: Myers Symposium in Honor of David Van Zanten, Art Institute of Chicago and Graham Foundation for Advanced Studies in the Fine Arts. Chicago, IL, United States 17-18 Oct 2014. [Conference or Workshop Item]

Ng, Julia. 2011. Each Thing a Thief: Walter Benjamin on the Agency of Objects. Philosophy and Rhetoric, 44(4), pp. 382-402. ISSN 0031-8213 [Article]

Ng, Julia. 2016. 'Freiheitszusammenhang: Benjamin and the Theatre of the Irrational'. In: Postgraduate Research Seminar, Department of English. Queen Mary University of London, United Kingdom 31 Mar 2016. [Conference or Workshop Item]

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Ng, Julia. 2017. Gershom Scholem. In: Adam Kotsko and Carlo Salzani, eds. Agamben's Philosophical Lineage. Edinburgh: Edinburgh University Press. ISBN 9781474423649 [Book Section]

Ng, Julia. 2016. 'The Highest Continuity: Philology and the Concept of Time'. In: ICLA. Vienna, Austria 21-27 July 2016. [Conference or Workshop Item]

Ng, Julia. 2016. '“Intellectual history and critical theory,” Panel on “Methodologies” (with Quentin Skinner, Barbara Taylor, Lea Ypi)'. In: London Summer School in Intellectual History. UCL, United Kingdom 7 Sep 2016. [Conference or Workshop Item]

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Ng, Julia. 2020. Introduction. Symposium on Daniel Heller-Roazen, No One's Ways. Syndicate Lit, ISSN 2378-1769 [Article]

Ng, Julia. 2016. Justicia (Gerechtigkeit). In: Esther Cohen, ed. Glosario Walter Benjamin: conceptos y figuras. Mexico: UNAM. ISBN 9786070283239 [Book Section]

Ng, Julia. 2024. 'Kafka's De and the Reverse of Return'. In: Chinese Modernity in German Jewish Thought. Senate House, London, United Kingdom 3 May 2024. [Conference or Workshop Item]

Ng, Julia. 2012. Kant's Theory of Experience at the End of the War: Scholem and Benjamin read Cohen. Modern Language Notes, 127(3), pp. 462-484. ISSN 0026-7910 [Article]

Ng, Julia. 2019. '[Keynote lecture] Surrealism and Catastrophe (Harnack, Auerbach, Benjamin)'. In: Futures of Catastrophe: Conceiving Crisis, Disaster and Prophecy from Interwar Germany to Contemporary Politics. Institute of Philosophy, KU Leuven, Belgium 11 December 2019. [Conference or Workshop Item]

Ng, Julia. 2015. 'The Most Precise Tangency: Benjamin and the Lumières'. In: GSA. Washington, DC, United States 1-4 Oct 2015. [Conference or Workshop Item]

Ng, Julia. 2006. The Museum, the Street, and the Virtual Landscape of Berlin. In: Christoph Lindner, ed. Urban Space and Cityscapes: Perspectives from Modern and Contemporary Culture. Routledge, pp. 137-154. ISBN 9780415366533 [Book Section]

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Ng, Julia. 2018. Now, Hamacher. Philosophy Today, 61(4), pp. 1013-1022. ISSN 0031-8256 [Article]

Ng, Julia. 2016. 'Nur zu Zeiten: Philology and the Word in Time (Klopstock, Hölderlin, George)'. In: Yale German Department Lecture Series. Yale University, United States 3 Nov 2016. [Conference or Workshop Item]

Ng, Julia. 2016. 'Philologies of the Crisis'. In: Economies of the Crisis, Kandersteg Seminar, Remarque Institute NYU. Kandersteg, Switzerland 13-17 April 2016. [Conference or Workshop Item]

Ng, Julia. 2013. 'Picturing Pure Power (with Benjamin)'. In: Mathematics, Philosophy, and Literature, Mahindra Humanities Center. Harvard University, United States 11-12 April 2013. [Conference or Workshop Item]

Ng, Julia. 2015. 'The Poverty in Art'. In: Distinguished Friends of Yonsei University Lecture Series, Underwood International College, Yonsei University. Seoul, Korea, Republic of 3 Sep 2015. [Conference or Workshop Item]

Ng, Julia. 2014. 'The Poverty in Art'. In: MFA Lecture Series, Department of Art, Goldsmiths. Goldsmiths, University of London, United Kingdom 1 Dec 2014. [Conference or Workshop Item]

Ng, Julia. 2019. Rechtsphilosophie after the War: A Commentary on §§4-6 of 'Zur Kritik der Gewalt'. Critical Times: Interventions in Global Critical Theory, 2(2), pp. 239-251. [Article]

Ng, Julia. 2023. 'Reversal / fǎn: Kafka, Benjamin, Laozi'. In: American Comparative Literature Association Annual Meeting. Chicago, Illinois, United States 16-19 March, 2023. [Conference or Workshop Item]

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Ng, Julia. 2022. Sapphic Sociability. diacritics (Special issue on 'Women in Theory', ed. Erin Graff Zivin), 49(2), pp. 25-32. ISSN 0300-7162 [Article]

Ng, Julia. 2015. 'Scholem and the ‘Zionistic Point of Mathematics'. In: Society for Contemporary Jewish Philosophy Annual Meeting, Society for Phenomenological and Existential Philosophy. Atlanta, GA, United States 8-10 Oct 2015. [Conference or Workshop Item]

Ng, Julia. 2016. 'Sincerity as a Political Emotion (Roundtable discussant)'. In: Concepts of Passions and Politics, Institute of Advanced Studies. UCL, United Kingdom 3 June 2016. [Conference or Workshop Item]

Ng, Julia. 2016. 'Sketching the Sky Torn Asunder'. In: Gesture: A Workshop. Warburg Institute, London, United Kingdom 2 Dec 2016. [Conference or Workshop Item]

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Ng, Julia. 2020. Theory on Theory. The Year's Work in Critical and Cultural Theory, 28(1), pp. 169-189. ISSN 1077-4254 [Article]

Ng, Julia. 2009. Translation: “Romantic Politics and Society,” by Ethel Matala de Mazza. Translated from the German by Julia Ng (with Ladislaus Loeb). In: Nicholas Saul, ed. The Cambridge Companion to German Romanticism. Cambridge University Press, pp. 191-208. ISBN 9781139002554 [Book Section]

Ng, Julia. 2024. 'Unlikely Possibility'. In: Time and Language: An Encounter Between Philosophy and Philology. University of California, Los Angeles, United States 10 - 11 May 2024. [Conference or Workshop Item]

Ng, Julia. 2023. 'Unnatural Means: Max Reinhardt’s A Midsummer Night’s Dream and the Dialectical Task of Becoming Unromantic'. In: Thinking about Shakespeare and Film, Shakespeare in Philosophy Seminar. Garrick’s Temple to Shakespeare, United Kingdom 2 September 2023. [Conference or Workshop Item]

Ng, Julia. 2020. Versing, Ending: Hölderlin in 1971. In: Julia Ng and Peter Fenves, eds. Werner Hamacher. Two Studies of Friedrich Hölderlin. Stanford, California: Stanford University Press, pp. 1-18. ISBN 9781503611115 [Book Section]

Ng, Julia. 2012. Walter Benjamin's and Gershom Scholem's Reading Group Around Hermann Cohen's Kants Theorie der Erfahrung in 1918: An Introduction. Walter Benjamin, Gershom Scholem, and the Marburg School, Special Issue of the Modern Language Notes: German Issue, 127(3), pp. 433-439. ISSN 0026-7910 [Article]

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Ng, Julia. 2024. Whistling Lillabullero. Modern Language Notes (Comparative Literature Issue), ISSN 0026-7910 [Article] (Forthcoming)

Ng, Julia. 2013. 'Zettelkästen: Benjamin’s Jean Paul and the Afterlife of the Aesthetic'. In: International Walter Benjamin Congress: On the Concept of History/Writing History. Goethe Universität Frankfurt am Main, Germany 12-15 Dec 2013. [Conference or Workshop Item]

Ng, Julia. 2023. '‘The ultimate undecidability of all legal problems’: Translating Benjamin’s Philosophy of Law'. In: Translation and the Archive in the Continental Tradition. Royal Holloway, University of London, Centre for Continental Philosophy, Senate House, United Kingdom 19 May 2023. [Conference or Workshop Item]

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Ng, Julia and Hamacher, Werner. 2018. Translation: "The One Right No One Ever Has" by Werner Hamacher. Translated from the German by Julia Ng. Philosophy Today, 61(4), pp. 947-962. ISSN 0031-8256 [Article]

Ng, Julia and Hamacher, Werner. 2020. [Translation] Version of Meaning: A Study of Hölderlin's Late Lyric. In: Julia Ng and Peter Fenves, eds. Werner Hamacher. Two Studies of Friedrich Hölderlin. Stanford, California: Stanford University Press, pp. 19-116. ISBN 9781503611115 [Book Section]

Ng, Julia and Hölderlin, Friedrich. 2020. [Translation] The Only One. Third Version. In: Julia Ng and Peter Fenves, eds. Werner Hamacher. Two Studies of Friedrich Hölderlin. Stanford, California: Stanford University Press, pp. 181-184. ISBN 9781503611115 [Book Section]

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Ng, Julia and Martel, James. 2024. Samuel Weber at 80. Modern Language Notes (Comparative Literature Issue), ISSN 0026-7910 [Article] (Forthcoming)

Ng, Julia and Tobias, Rochelle. 2012. Introduction to the Special Issue: Walter Benjamin, Gershom Scholem, and the Marburg School. Modern Language Notes, 127(3), pp. 427-432. ISSN 0026-7910 [Article]

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Ng, Julia and Waltham-Smith, Naomi. 2022. Tender Violence, Coercive Simplicity, Geschlecht III: An Introduction. Paragraph, 45(3), pp. 267-284. ISSN 0264-8334 [Article]

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Ng, Soo Nee. 2010. (Re)configurations of power and identities in twenty-first century fiction. Doctoral thesis, Goldsmiths, University of London [Thesis]

Nichols, Grace and Osborne, Deirdre. 2020. 'Breath' by Grace Nichols. Goldsmiths, New Cross. [Other]

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Niskanen, Lauri A. and Autieri, Arianna. 2024. The Geno-song and Pheno-song of the "Sirens": The Finnish, Swedish, and Italian (Re)Translations of the Musical Prose of "Sirens". James Joyce Quarterly, 61(3-4), pp. 277-298. ISSN 0021-4183 [Article]

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Noel, James. 2017. Floating Stages: Racial Performance in Herman Melville’s 1850s Texts. Doctoral thesis, Goldsmiths, University of London [Thesis]

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O'Donnell, Laphatrada. 2024. Translation Workflow and Translated Texts: Thai Culture-Specific Items in Community-Based Tourism Brochures. Doctoral thesis, Goldsmiths, University of London [Thesis]

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O'Mahony, Sarah Louise. 2009. Representations of Childhood and Youth in Postcolonial Life-writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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O'Shea, Johanna. 2018. Nomadic Passions: Encounters with Difference and Troubling Affect in the Novels of Jean Rhys. Doctoral thesis, Goldsmiths, University of London [Thesis]

Osborne, Deirdre. 2017. 'Becoming and Un-becoming: Securing ‘selves’ in the memoir-fiction of Maxine Beneba Clarke'. In: Caribbean In/Securities and Creativity: Diasporic Dialogues. The British Library, London, United Kingdom 25 June 2017. [Conference or Workshop Item]

Osborne, Deirdre. 2015. '‘Being alone together’ (Pinney 2006): Ego-histoire and Black British Writers’ Adoption Aesthetics'. In: Northeast Modern Languages Association Annual Conference. Toronto, Canada. [Conference or Workshop Item]

Osborne, Deirdre. 2016. 'Beyond Mary Prince: Black Women in Dialogue'. In: What’s Happening in Black British History? : V. Institute of Historical Research, University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2018. 'Billy Blue and “Billy Skywonkie”: representing intra-colonial blackness and inter-raciality in nineteenth-century Australia'. In: Settler Social Identities: Rational Recreation in the Long Nineteenth Century. University College Dublin, Ireland 25 July 2018. [Conference or Workshop Item]

Osborne, Deirdre. 2020. "Civis Romana sum”: Bernardine Evaristo’s The Emperor’s Babe and the Emancipatory Poetics of (Multi-) Cultural Citizenship. In: Jean Wyatt and Sheldon George, eds. Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form. Abingdon: Routledge. ISBN 9780367189280 [Book Section]

Osborne, Deirdre. 2014. A Conversation with Bonnie Greer. Wasafiri, 29(3), pp. 16-21. ISSN 0269-0055 [Article]

Osborne, Deirdre. 2013. Determination, Dedication, Dynamism: An Interview with Diane Abbott. Women: A Cultural Review, 24(2-3), pp. 169-178. ISSN 0957-4042 [Article]

Osborne, Deirdre. 2018. 'Didactic Poetics : Critical, Creative, Consequentialist'. In: Race and Poetics and Poetry in the UK: Legacies of Colonialism. Queen's College, University of Cambridge, United Kingdom 26 October 2018. [Conference or Workshop Item]

Osborne, Deirdre. 2018. 'Ego-histoire and Adoption Aesthetics'. In: Formations: Thinking Kinship through Adoption. Association for Studies in Adoption and Culture (ASAC), Seventh Biennial Conference, Oakland, Marriott Center Hotel, California, United States 19 October 2018. [Conference or Workshop Item]

Osborne, Deirdre. 2014. 'Embodiment and Embedding: the MA in Black British Writing; Through a Pedagogy of Blackness'. In: Black British Women’s Writing: Tracing the Tradition and New Directions, Black British Women’s Writing Network. University of Brighton, United Kingdom. [Conference or Workshop Item]

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Osborne, Deirdre. 2021. Emecheta, Florence Onyebuchi [Buchi] (1944–2017). In: David Cannadine, ed. Oxford Dictionary of National Biography. Oxford: Oxford University Press. [Book Section]

Osborne, Deirdre. 2014. 'Genre and its “Diss”contents: Teaching Twenty-First Century Black British Writing on Page and Stage'. In: Genre in Twenty-First Century Teaching, Higher Education Academy conference. University of Brighton, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2012. Introduction to Hidden Gems Volume II. In: Deirdre Osborne, ed. Hidden Gems Volume II. London: Oberon Books, pp. 11-19. ISBN 9781849431484 [Book Section]

Osborne, Deirdre. 2014. 'Landmark Poetics: Cultural Capital and the Capital'. In: Capitals, American Comparative Literature Association annual conference. New York University, United States. [Conference or Workshop Item]

Osborne, Deirdre. 2022. ‘“Less is More”: The power of one in writing for women’s solo performance’. In: Patricia Cornelius and Benjamin Nichol, eds. RUNT and kerosene. Sydney, Australia: Currency Press, pp. 1-14. ISBN 9781760628000 [Book Section]

Osborne, Deirdre. 2015. 'Male Authors and their Female Spies in Novels of Occupied France'. In: Spying on Spies: Popular Representations of Spies and Espionage. University of Warwick Business School at The Shard, London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre. 2022. A New Introduction to The Awakening by Kate Chopin. In: Deirdre Osborne, ed. The Awakening. London: Flame Tree 451, pp. 5-52. ISBN 9781804172438 [Book Section]

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Osborne, Deirdre. 2021. Rewriting History. Museums Journal, 121(5), pp. 51-53. ISSN 0027-416X [Article]

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Osborne, Deirdre. 2023. “The Rule of Three”: Textual Triads, Trialogues, and Women’s Voices in Sylvia Plath, Jackie Kay, and debbie tucker green. In: Rachel Carroll and Fiona Tolan, eds. The Routledge Companion to Literature and Feminism. Abingdon: Routledge, pp. 244-262. ISBN 9780367410261 [Book Section]

Osborne, Deirdre. 2022. Sites and Sightlines: Staging Andrea Levy’s Small Island. In: , ed. UNSPECIFIED 53 (1-2) Johns Hopkins University Press, pp. 219-255. [Book Section]

Osborne, Deirdre. 2005. The State of the Nation: Contemporary Black British Theatre and the Staging of the UK. In: Christoph Houswitschka and Anja Muller-Muth, eds. Staging Displacement, Exile and Diaspora: Papers given on the occasion of the thirteenth annual conference of the German Society for Contemporary Theatre and Drama in English. Trier: Wissenschaftlicher Verlag Trier, pp. 129-149. ISBN 3884767518 [Book Section]

Osborne, Deirdre. 2017. 'You think remembering me is enough. It’s not” (from ‘At the Grave of the Unknown African, Henbury Parish Church’): The Landmark Poetics of Fred D’Aguiar and Dorothea Smartt'. In: The Complete Works Diversity in UK Poetry Conference. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Osborne, Deirdre and Neumann, Birgit. 2018. 'On Whose Terms?: Ten Years On... (in Critical Negotiations in Black British Literature and the Arts)'. In: On Whose Terms?: Ten Years On... (in Critical Negotiations in Black British Literature and the Arts). Goldsmiths, University of London, United Kingdom 22 - 23 March 2018. [Conference or Workshop Item]

Page, Jocelyn. 2015. Anniversary Poem [Poem]. Poetry Salzburg, No. 28. [Other]

Page, Jocelyn. 2015. Every So Often, a Letter [Poem]. Poetry Ireland Review. [Other]

Page, Jocelyn. 2011. Franklin Mushroom Farm, 1980 [Poem]. The Shuffle Press. [Other]

Page, Jocelyn. 2013. Genetics [Poem]. Magma Poetry, Issue 55, Carshalton. [Other]

Page, Jocelyn. 2015. Ice Cream [Poem]. Ambit. [Other]

Page, Jocelyn. 2012. In Case of Fire [Poem]. The Poetry Review. [Other]

Page, Jocelyn. 2016. It Was the Sort of Thing Pa Would Delight In [Poem]. The Spectator, Volume 331, Number 9807. [Other]

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Page, Jocelyn. 2016. Lawns of America & On My Mind: The Shared Vision of Collaboration in absentia. Doctoral thesis, Goldsmiths, University of London [Thesis]

Page, Jocelyn. 2008. The Meat Factory [Poem]. The Interpreter's House. [Other]

Page, Jocelyn. 2020. Neighbourhood [Poem]. Greatest Happiness. [Other]

Page, Jocelyn. 2023. The Nets to Catch Words are Made of Words. Writing in Education, ISSN 1361-8539 [Article]

Page, Jocelyn. 2012. Poem. Casagrande. [Other]

Page, Jocelyn. 2024. Slow Reading in a Time of Crisis. In: , ed. The Art & the Craft: Papers on writing and creativity. Arnhem: European Association of Creative Writing Programmes (EACWP), pp. 33-37. [Book Section]

Page, Jocelyn. 2022. Universality in Specificity. Artemis Poetry(29), ISSN 2045-4686 [Article]

Page, Jocelyn. 2017. Virgil [Poem]. Poem: International English Language Quarterly. [Other]

Page, Jocelyn. 2016. The Wake [Poem]. Iodine Poetry Journal. [Other]

Page, Jocelyn. 2009. Wednesday Morning [Poem]. tall-lighthouse. [Other]

Page, Jocelyn. 2016. The Winter of Virgo [Poem]. The South Carolina Review. [Other]

Page, Jocelyn. 2015. You've Got to Wait Till the Man you Trust Says Go. London: The Argent Press. ISBN 9780993466205 [Book]

Page, Jocelyn. 2010. smithereens. London: tall-lighthouse. ISBN 9781904551812 [Book]

Page, Jocelyn and Drake, Cath. 2020. I Dream of Houses All the Time [Poem]. Magma Poetry, Issue 78, Carshalton. [Other]

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Page, Jocelyn and Enright, Bernadette. 2021. Reclaim. [Art Object]

Palmer, Helen. 2010. 'Parallel Universes, Parallel Worlds: The Translation of Neologisms'. Proceedings from Archipelagos Symposium, [Article]

Palmer, Helen. 2018. 'Smudged Lines: Reading Deleuze and Guattari’s “Three Novellas”. In: Henry Somers-Hall; Jeffrey A. Bell and James Williams, eds. A Thousand Plateaus and Philosophy. Edinburgh: Edinburgh University Press. ISBN 978-0748697281 [Book Section]

Palmer, Helen. 2012. A manifesto for nonsense: the Futurist drive in Deleuze’s poetics. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Pansegrau, Petra and Popova, Gergana. 2018. Framing Science: Discourses and Representations in UK and Germany. In: Martin Bauer; Petra Pansergrau and Rajesh Shukla, eds. The Cultural Authority of Science: Comparing Across Europe, Asia, Africa and the Americas. London: Routledge, pp. 105-121. ISBN 9781138059924 [Book Section]

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Parise, Ida. 2023. English as a Lingua Franca for Tourism: A Pragmatic Study in the Italian Context. Doctoral thesis, Goldsmiths, University of London [Thesis]

Parnell, Tim. 2007. From Hack to Eccentric Genius: Tristram Shandy and A Tale of a Tub, Again. Swift Studies, 22(1), pp. 146-160. ISSN 09388036 [Article]

Parnell, Tim. 2006. Laurence Sterne and the Problem of Belief (1). The Shandean, 17, pp. 121-139. ISSN 09563083 [Article]

Parnell, Tim. 2013. 'Laurence Sterne, Author of the Tale?'. In: Kirsten Juhas; Hermann J. Real and Sandra Simon, eds. Reading Swift: Papers from the Sixth Munster Symposium on Jonathan Swift. Munich: Wilhelm Fink Verlag, pp. 581-593. ISBN 9783770554300 [Book Section]

Parnell, Tim. 2020. Laurence Sterne: A Literary Life. Palgrave. [Book] (Forthcoming)

Parnell, Tim. 1996. 'Salman Rushdie: from Colonial Politics to Postmodern Poetics'. In: Bart J. Moore-Gilbert, ed. Writing India 1757-1990: The Literature of British India. Manchester: Manchester University Press. ISBN 978-0719042669 [Book Section]

Parnell, Tim. 1996. ‘Sterne and Kundera: The Novel of Variations and the “noisy foolishness of human certainty”’. In: David Pierce and Peter de Voogd, eds. Laurence Sterne in Modernism and Postmodernism. Brill | Rodopi, pp. 147-156. ISBN 978-9042000025 [Book Section]

Parnell, Tim. 2007. Sterne and Young's Conjectures on Original Composition. The Eighteenth-Century Intelligencer, 21(2), pp. 12-17. [Article]

Parnell, Tim. 2016. Sterne’s Fiction and the Mid-Century Novel: The ‘Vast Empire of Biographical Freebooters’ and the ‘Crying Volume’. In: Alan Downie, ed. The Oxford Handbook of the Eighteenth-Century Novel. Oxford: Oxford University Press, pp. 264-281. ISBN 9780199566747 [Book Section]

Parnell, Tim. 1998. Swift and Lucian. In: Hermann J Real and Helgard Stöver-Leidig, eds. Reading Swift: Papers from the third Münster Symposium on Jonathan Swift. Wilhelm Fink. ISBN 978-3770532988 [Book Section]

Parnell, Tim. 1994. Swift, Sterne, and the Skeptical Tradition. Studies in Eighteenth-Century Culture, 23, pp. 221-242. ISSN 0360-2370 [Article]

Parnell, Tim. 2000. Tristram Shandy by Laurence Sterne. London: [Critical Edition] Everyman Paperback, J. M. Dent. [Book]

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Parnell, Tim and Jack, I. 2003. A Sentimental Journey and other writings by Laurence Sterne. [Critical Edition] Oxford University Press [Oxford World's Classics]. ISBN 9780192839961 [Book]

Pester, Holly. 2013. Bark Leather. London: Veer Press. ISBN 978-1907088629 [Book]

Pester, Holly. 2016. The Body and the Page in Poetry Readings as Remembrance of Composition. In: Sebastian Groes, ed. Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities, and Sciences. London: Palgrave Macmillan, pp. 271-275. ISBN 9781137520579 [Book Section]

Pester, Holly. 2011. Bury Poems. In: Tony Trehy, ed. Bury Poems. Greater Manchester: Bury Art Museum. [Book Section]

Pester, Holly. 2009. City State: New London Poetry. In: Tom Chivers, ed. City State: New London Poetry. London: Penned in the Margins. ISBN 978-0955384684 [Book Section]

Pester, Holly. 2013. The Dark Would: Language Art Anthology. In: Philip Davenport, ed. The Dark Would: v. 1: Language Art Anthology. Manchester: Apple Pie Publishing. ISBN 978-1909388000 [Book Section]

Pester, Holly. 2012. Distance vision test – a play? In: Nathan Hamilton, ed. Dear World and Everyone in It. London: Bloodaxe Books. ISBN 978-1852249496 [Book Section]

Pester, Holly. 2015. Enemigos. In: Rocio Ceron, ed. UNSPECIFIED Mexico City: EBL-Cielo Abierto. [Book Section]

Pester, Holly. 2014. Folkslop. London: Veer Press. [Book]

Pester, Holly. 2015. Go to Reception and Ask for Sara in Red Felt Tip. London: Book Works. ISBN 978-1906012663 [Book]

Pester, Holly. 2011. Hoofs! Manchester: if p then q Press. ISBN 978-0955864193 [Book]

Pester, Holly. 2013. ‘I did not know till afterwards: Curating an Archive Installation’. In: Tony Lopez, ed. The Text Festivals: Language Art and Material Poetry. University of Plymouth Press. ISBN 978-1841023595 [Book Section]

Pester, Holly. 2012. Katrina Sequence. London: Intercapillary Editions. [Book]

Pester, Holly. 2011. New Definitions of Intermedia. Journal of British and Irish Innovative Poetry, 3(2), ISSN 1758-2733 [Article]

Pester, Holly. 2012. Review of Robert Shepherd’s When Bad Times Made Good Poetry. Journal of British and Irish Innovative Poetry, 4(2), ISSN 1758-2733 [Article]

Pester, Holly. 2012. Serpentine Poetry Marathon Catalogue. In: , ed. Serpentine Poetry Marathon Catalogue. London: Koenig Books. ISBN 978-1-905190-44-7 [Book Section]

Pester, Holly. 2012. Sucking on Words Sounds Like This: “Information as Material”, Sound poetry and DIY Press. The Blue Notebook: Journal for artists' books, 7(1), ISSN 1751-1712 [Article]

Pester, Holly. 2012. Visual Poetics and a Play on Shortness. Dandelion Journal, 3(1), [Article]

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Phillip, Cydney. 2023. Twenty-first Century Narratives of the Plantationocene from the U.S. Gulf Coast. Doctoral thesis, Goldsmiths, University of London [Thesis]

Pichler, Pia. 2009. All I’ve gotta do is wank on about some bollocky poem: cool and socially aware positions in the talk of London private school girls. In: Pia Pichler and E. Eppler, eds. Gender and Spoken Interaction. Houndmills, Baskingstoke, UK: Palgrave Macmillan, pp. 87-114. ISBN 0230013287 [Book Section]

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Pichler, Pia. 2023. Beyond heteronormativity and towards Intersectionality. In: Pia Pichler, ed. Language and Gender. London: University of London.. [Book Section]

Pichler, Pia. 2008. Gender, ethnicity and religion in spontaneous talk and ethnographic-style interviews: balancing perspectives of researcher and researched. In: K. Harrington; L. Litosseliti; H. Sauntson and J. Sunderland, eds. Language and Gender Research Methodologies. Houndmills, Baskingstoke: Palgrave Macmillan, pp. 56-70. ISBN 0-230-55069-X [Book Section]

Pichler, Pia. 2015. 'Hipsters in the hood: authenticating indexicalities in young men’s hip hop talk'. In: DiscourseNet Congress. Bremen University, Germany 23-26 September 2015. [Conference or Workshop Item]

Pichler, Pia. 2008. Hybrid or in between cultures: traditions of marriage in a group of British Bangladeshi girls. In: Jose Santaemilia and Patricia Bon, eds. Gender and Sexual Identities in Transition: Cross-cultural Perspectives. Cambridge: Cambridge Scholars Press., 199-218.. ISBN 9781847186683 [Book Section]

Pichler, Pia. 2011. Hybrid or in between cultures: traditions of marriage in a group of British Bangladeshi girls. In: Jennifer Coates and Pia Pichler, eds. Language and Gender: A Reader. 2nd Ed Oxford: Wiley-Blackwell, pp. 236-249. ISBN 9781405191449 [Book Section]

Pichler, Pia. 2017. '‘I am not being funny but you don’t half look like Lionel’: humour, hair and fashion style in a group of young South London men'. In: 15th International Pragmatics Conference. Belfast, United Kingdom 16-21 July 2017. [Conference or Workshop Item]

Pichler, Pia. 2021. '“I got a daughter now man it’s clean man”: heteroglossic and intersectional constructions of fatherhood in the spontaneous talk of a group of young southeast London men'. In: International Gender and Language Association Conference (IGALA 11). Queen Mary, University of London, United Kingdom 22 - 24 June 2021. [Conference or Workshop Item]

Pichler, Pia. 2019. '‘I was trying to do the P Diddy step’: Conversational humour, verbal duelling and cultural concepts as resources for the construction of authentic black hip hop masculinities'. In: Research on Languages and Linguistics at Sussex (ROLLS). University of Sussex, United Kingdom 13 March 2019. [Conference or Workshop Item]

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Pichler, Pia. 2021. Intersections of class, race and place: language and gender perspectives from the UK. Gender and Language, 15(4), pp. 569-581. ISSN 1747-6321 [Article]

Pichler, Pia. 2013. Language and Gender. London: University of London. [Book]

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Pichler, Pia. 2015. Language, gender and identity. In: Nancy Bonvillain, ed. The Routledge Handbook of Linguistic Anthropology. Abingdon: Routledge, pp. 191-205. ISBN 9780415834100 [Book Section]

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Pichler, Pia. 2006. Multifunctional teasing as a resource for identity construction in the talk of British Bangladeshi girls. Journal of Sociolinguistics, 10(2), pp. 225-249. ISSN 13606441 [Article]

Pichler, Pia. 2018. 'Performing Power Symposium'. In: Performing Power Symposium. Glasgow's Women's Library, United Kingdom 24 March 2018. [Conference or Workshop Item]

Pichler, Pia. 2018. 'Rapport in three ethnographic studies of language and gender in private contexts'. In: 11th BAAL Language, Gender and Sexuality SIG Event: Ethnographies of Language, Gender & Sexuality. Goldsmiths, University of London, United Kingdom 26 April 2018. [Conference or Workshop Item]

Pichler, Pia. 2007. Talking Traditions of Marriage: Negotiating Young British Bangladeshi Femininities. Women s Studies International Forum, 30(3), pp. 201-216. ISSN 02775395 [Article]

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Pichler, Pia. 2009. Talking Young Femininities. Houndmills, Baskingstoke, UK: Palgrave Macmillan. ISBN 9780230013285 [Book]

Pichler, Pia. 2007. '"This sex thing is such a big issue now": Sex talk and identities in three groups of adolescent girls'. In: Sakis Kyratzis and Helen Sauntson, eds. Sexual Identities and Desires across Cultures. Palgrave Macmillan, pp. 68-95. ISBN 978-1403933270 [Book Section]

Pichler, Pia. 2016. '‘You are stupid, you are cupid’: alternative expressions of affection in couples’ talk'. In: Sociolinguistic Symposium. University of Murcia, Spain 15-18 June 2016. [Conference or Workshop Item]

Pichler, Pia. 2005. The effect of social class and ethnicity on the discursive negotiation of feminities in the talk of British Bangladeshi girls. In: Janet Cotterill and Anne Ife, eds. Language across Boundaries. Continuum; New edition, pp. 25-46. ISBN 978-0826478733 [Book Section]

Pichler, Pia and Preece, Siân. 2011. Language and Gender. In: Annabelle Mooney; Jean Stilwell Peccei; Suzanne LaBelle; Berit Engøy Henriksen; Eva Eppler; Anthea Irwin; Pia Pichler and Siân Preece, eds. Language, Society and Power: An Introduction, Third Edition. Abingdon: Routledge, pp. 91-112. ISBN 9780415576598 [Book Section]

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Pichler, Pia and Soden, Satori. 2012. Varieties of English. London: University of London. [Book]

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Pichler, Pia and Williams, Nathanael. 2016. Hipsters in the hood: authenticating indexicalities in young men’s hip hop talk. Language in Society, 45(4), pp. 557-581. ISSN 0047-4045 [Article]

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Platt, Len. 2008. 'Altogether better-bred looking': Race and Romance in the Australian Novels of Rosa Praed. Journal of the Association for the Study of Australian Literature, 8, pp. 31-44. ISSN 1447-8986 [Article]

Platt, Len. 1989. The Buckeen and the Dogsbody: Aspects of History and Culture in 'Telemachus'. James Joyce Quarterly, 27(1), pp. 77-86. ISSN 00214183 [Article]

Platt, Len. 1999. Corresponding with the Greeks: An overview of Ulysses as an Irish Epic. James Joyce Quarterly, 36(3), pp. 507-523. ISSN 00214183 [Article]

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Platt, Len. 2016. 'Eating Gull Since Friday': Estuary Grotesque, Seaside Noir. Critique: Studies in Contemporary Fiction, 58(1), pp. 1-11. ISSN 0011-1619 [Article]

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Platt, Len. 2015. 'How Scottish I Am': Alistair Gray, Race and Neo-nationalism. In: Len Platt and Sara Upstone, eds. Postmodern Literature and Race. Cambridge: Cambridge University Press, pp. 129-144. ISBN 9781107337022 [Book Section]

Platt, Len. 1996. 'If Brian Boru Could But Come Back Now and See Old Dublin Now' - Materialism, The National Culture and Ulysses 17. In: Andrew Gibson, ed. Joyce's 'Ithaca'. 6 Amsterdam: Rodopi, pp. 105-132. ISBN 9042000899 [Book Section]

Platt, Len. 1992. Joyce and the Anglo-Irish Revival: The Triestine Lectures. James Joyce Quarterly, 29(2), pp. 259-266. ISSN 00214183 [Article]

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Platt, Len. 2007. Joyce, Race and Finnegans Wake. Cambridge University Press. ISBN 052186884X [Book]

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Platt, Len. 2004. Musical Comedy on the West End Stage, 1890-1939. Palgrave Macmillan. ISBN 1403932255 [Book]

Platt, Len. 2006. No Such Race: The Wake and Aryanism. In: A. Gibson; Len Platt and S. Knowles, eds. Joyce, Ireland, Britain. University Press of Florida, pp. 155-177. ISBN 0813030153 [Book Section]

Platt, Len. 1998. Pisgah Sights: The National Press and the Catholic Middle Class in 'Aeolus'. James Joyce Quarterly, 35/36, pp. 735-746. ISSN 00214183 [Article]

Platt, Len. 1994. Ulysses 15 and the Irish Literary Theatre. In: Andrew Gibson, ed. Reading Joyce's 'Circe'. 3 Amsterdam: Rodopi, pp. 33-62. ISBN 9051835469 [Book Section]

Platt, Len and Becker, Tobias. 2013. Popular Musical Theatre, Cultural Transfer, Modernities: London/Berlin, 1890-1930. Theatre Journal, 65(1), pp. 1-18. ISSN 0192-2882 [Article]

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Popa, Maya C. 2023. Wild Unsayable: Wonder in Romantic and Contemporary Poetry. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Popoola, Olumide. 2013. Also by Mail. Muenster/ Germany: edition assemblage. ISBN 978-3-942885-38-6 [Book]

Popoola, Olumide. 2010. this is not about sadness. Unrast Verlag. ISBN 978-3897716025 [Book]

Popova, Gergana. 2006. Aspect In the Morphological Paradigm. Doctoral thesis, University of Essex [Thesis]

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Popova, Gergana. 2019. Book review: Thomas W. Stewart, Contemporary morphological theories: A user's guide, 2016. Folia Linguistica, 53(2), pp. 585-591. ISSN 0165-4004 [Article]

Popova, Gergana. 2004. Bulgarian Aspect in Paradigm-Function Morphology. York Papers in Linguistics, 2(2), pp. 79-92. ISSN 1758-0315 [Article]

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Popova, Gergana. 2017. Constructions, grammatical status and morphologization. Studies in Language, 41(1), pp. 1-32. ISSN 0378-4177 [Article]

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Popova, Gergana. 2020. Derivational Networks in English. In: Lívia Körtvélyessy; Alexandra Bagasheva and Pavol Štekauer, eds. Derivational Networks Across Languages. Berlin: Mouton de Gruyter, pp. 147-155. ISBN 9783110686494 [Book Section]

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Popova, Gergana. 2018. 'English Compounds with ing-form heads'. In: The 11th Mediterranean Morphology Meeting. Nicosia, Cyprus 22-25 June 2017. [Conference or Workshop Item]

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Popova, Gergana. 2022. English participles in the derivational paradigm. In: Alba E. Ruz; Cristina Fernández-Alcaina and Cristina Lara-Clarez, eds. Paradigms in Word Formation. Amsterdam: John Benjamins Publishing Company, pp. 319-340. ISBN 9789027257420 [Book Section]

Popova, Gergana. 2010. Features in periphrastic constructions. In: Anna Kibort and Greville G Corbett, eds. Features: Perspectives on a Key Notion in Linguistics. Oxford: Oxford University Press, pp. 166-184. ISBN 9780199577743 [Book Section]

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Popova, Gergana. 2024. From Syntax to Morphology. In: Peter Arkadiev and Franz Rainer, eds. The Oxford Handbook of Historical Morphology. Oxford: Oxford University Press. [Book Section] (Forthcoming)

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Popova, Gergana. 2016. 'Inflected and periphrastic features: issues of comparison and modelling'. In: Tenth Mediterranean Morphology Meeting (MMM10). Haifa, Israel 7-10 September 2015. [Conference or Workshop Item]

Popova, Gergana. 2005. ‘Integrating Nominalisations into a (Generalised) Paradigm Function Model of Morphology’. In: Gergana Popova; Ryo Otoguro and Andrew Spencer, eds. Essex Research Reports in Linguistics 47. Department of Language and Linguistics. University of Essex. [Book Section]

Aarts, Bas; Bowie, Jill and Popova, Gergana, eds. 2019. The Oxford Handbook of English Grammar. Oxford: Oxford University Press. ISBN 9780198755104 [Edited Book]

Popova, Gergana; Aarts, Bas; Denison, David and Keizer, Evelien. 2004. ‘The Nature of Grammatical Categories and Their Representation’. In: Gergana Popova; Bas Aarts; David Denison and Evelien Keizer, eds. Fuzzy Grammar: A Reader. Oxford: Oxford University Press, pp. 1-28. ISBN 978-0199262571 [Book Section]

Otoguro, Ryo; Popova, Gergana and Spencer, Andrew, eds. 2005. Proceedings of the York-Essex Morphology Meeting 2, Essex Research Reports in Linguistics. Departmenty of Language and Linguistics, . [Edited Journal]

Popova, Gergana; Simov, Kiril and Osenova, Petya. 2002. ‘An HPSG-based Syntactic Treebank of Bulgarian (BulTreeBank)’. In: Anthony McEnery; Paul Rayson and Andrew Wilson, eds. A Rainbow of corpora: Corpus Linguistics and the Languages of the world. Munich: Lincom Europa, pp. 135-142. ISBN 978-3895868726 [Book Section]

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Popova, Gergana and Spencer, Andrew. 2013. Relatedness in periphrasis. In: Marina Chumakina and Greville G. Corbett, eds. Periphrasis: The Role of Syntax and Morphology in Paradigms. Oxford: Oxford University Press for the British Academy, pp. 191-225. ISBN 9780197265253 [Book Section]

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Popova, Gergana and Spencer, Andrew. 2020. Stacked Periphrases. In: Teodora Radeva-Bork and Peter Kosta, eds. Current development in Slavic linguistics: Twenty years after. Frankfurt: Peter Lang, pp. 217-228. ISBN 9783631676738 [Book Section]

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Popova, Gergana and Spencer, Andrew. 2020. Volitional mood in South Slavic with a focus on Bulgarian: a paradigmatic view. Linguistica, 60(1), pp. 61-81. ISSN 0024-3922 [Article]

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Radović, Mina. 2023. The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography. Historical Journal of Film, Radio and Television, 43(3), pp. 789-809. ISSN 0143-9685 [Article]

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Radović, Mina. 2022. “Das ist Walter”: The Evolving Figure of the Archetypal Hero Embodied by Velimir Bata Živojinović in the Yugoslav War Film. Studies in Eastern European Cinema, 13(2), pp. 162-179. ISSN 2040-350X [Article]

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Radović, Mina. 2024. Framing Totalitarianism: Language and Film in Nazi Germany. Doctoral thesis, Goldsmiths, University of London [Thesis]

Raisin, Ross. 2017. Bearded. In: John Freeman, ed. Freeman's: The Future of New Writing. London: Grove Press. ISBN 9781611855135 [Book Section]

Raisin, Ross. 2015. Holy Island. In: Belinda McKeon, ed. A Kind of Compass: Stories on Distance. Dublin: Tramp Press. ISBN 9780992817053 [Book Section]

Raisin, Ross. 2017. A Natural. Jonathan Cape. ISBN 9781911214496 [Book]

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Raisin, Ross. 2018. Read This if you Want to be a Great Writer. International: Laurence King. ISBN 9781786271976 [Book]

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Randall, James P.. 2018. Posthumous temporality and encrypted historical time in fiction and life writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

Rattray, Jacqueline. 2008. 'Analyzing Surrealist Madness through the Poetry of Salvador Dalí,'. Comparative Critical Studies, 5(2-3), pp. 207-220. ISSN 1744-1854 [Article]

Rattray, Jacqueline. 2006. Crossing the French-Spanish border with José Maria Hinojosa. In: Elza Adamowicz, ed. Surrealism: Crossings/Frontiers. 18 Bern: Peter Lang, pp. 151-170. ISBN 3039103288 [Book Section]

Rattray, Jacqueline. 2004. 'El ojo mutilado en el surrealismo: "Cuando llueve en el desierto" de José María Hinojosa y Un Chien andalou de Buñuel y Dalí'. In: , ed. José María Hinojosa (1904-1936): Entre dos luces, exhibition catalogue. Malaga: Centro Cultural de la Generación del 27, pp. 124-128. [Book Section]

Rattray, Jacqueline. 2004. '"Granadas de fuego": Un ejemplo literario del método paranoico-crítico'. In: , ed. José María Hinojosa (1904-1936): Entre dos luces, exhibition catalogue. Malaga: : Centro Cultural de la Generación del 27, pp. 118-123. [Book Section]

Rattray, Jacqueline. 2000. 'The Hallucinogenic Power of Language: José María Hinojosa's "Textos Oníricos"'. In: Ramona Fotiade, ed. André Breton: The Power of Language. Exeter: Intellect Ltd, pp. 161-172. ISBN 978-1902454061 [Book Section]

Rattray, Jacqueline. 1996. 'José María Hinojosa and Surrealist Visuality’. In: I Pisonero del Amo; Jose Gamez Fuentes and G Hainge, eds. Actas del IV Congreso de postgraduados en estudios hispánicos. London: Embajada de España, pp. 159-166. [Book Section]

Rattray, Jacqueline. 2005. La mitología surrealista de José Maria Hinojosa. In: J. Neira and A. Gonzalez, eds. Escondido en la Luz: Congreso Internacional José Maria Hinojosa y su tiempo. Centro Cultural de la Generacion del 27, pp. 101-112. ISBN 8477856990 [Book Section]

Rattray, Jacqueline. 2001. 'The Metamorphosis of Vision in the Surrealist Text: José María Hinojosa's "Granadas de fuego"'. In: Michael Syrotinski and Ian Maclachlan, eds. Sensual Reading: New Approaches to Reading in its Relations to the Senses. Lewisburg, PA: Bucknell University Press, pp. 166-176. ISBN 978-1611481334 [Book Section]

Rattray, Jacqueline. 2014. "Painting with Words: The Surrealist Poetry of the Catalan Artist, Àngel Planells". In: Christopher Townsend; Alex Trott and Rhys Davies, eds. Across the Great Divide: Modernism's Intermedialities, from Futurism to Fluxus. Newcastle upon Tyne: Cambridge Scholars, pp. 81-99. ISBN 9781443854788 [Book Section]

Rattray, Jacqueline. 2010. 'Pintor de soleares: Manuel Ángeles Ortiz y sus Albaycines,'. EntreRios. Revista de arte y letras, V(11-12), pp. 175-182. [Article]

Rattray, Jacqueline. 2004. 'Surrealist Poetry in Motion: José María Hinojosa and Luis Buñuel'. In: Isabel Santaolalla, ed. Buñuel. Siglo XXI. Zaragoza: Prensas Universitarias de Zaragoza e Institución Fernando el Católico, pp. 429-437. ISBN 978-8477336945 [Book Section]

Rattray, Jacqueline. 2003. 'The Theory of Surrealist Collage Through Image and Text: Àngel Planells and José María Hinojosa'. In: Federico Bonaddio and Xon de Ros, eds. Crossing Fields in Modern Spanish Culture. Oxford: EHRC, pp. 118-134. ISBN 978-1900755870 [Book Section]

Rattray, Jacqueline. 2004. 'Àngel Planells: esbós d’un poeta'; 'Àngel Planells: esbozo de un poeta'; 'Àngel Planells: Sketch of a Poet'. In: , ed. Planellsurrealista. Blanes: Fundació Àngel Planells, pp. 35-39. [Book Section]

Rattray, Jacqueline; Miro, Joan and Hinojosa, Jose Maria. 2004. 'A Delicious Imaginary Journey with Joan Miró and José María Hinojosa'. In: Robert Havard, ed. A Companion to Surrealism in Spain. London: Tamesis Books, pp. 33-48. ISBN 978-1855661042 [Book Section]

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Read, Jacinta. 2018. Patchwork Someone: A Memoir, and Religious Memoir in a Secular Age: Critical Commentary. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Reed, Beatrice Szczepek; Said, Fatma Faisal Saad and Davies, Ian. 2017. Heritage schools: a lens through which we may better understand citizenship and citizenship education. Citizenship Teaching & Learning, 12(1), pp. 67-89. ISSN 1751-1917 [Article]

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Reed, Beatrice Szczepek; Said, Fatma Faisal Saad; Davies, Ian and Bengsch, Geraldine. 2020. Arabic complementary schools in England: language and Fundamental British Values. Language, Culture and Curriculum, 33(1), pp. 50-65. ISSN 0790-8318 [Article]

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Reynolds, Simon. 2000. Shakespeare and Heliodorus. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Richards, Jasmine. 2013. Arachne’s Daughters: Towards a Feminist Poetics of Creative Autonomy. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Richards, Jasmine. 2019. Rereading Penelope’s Web: The Anxieties of Female Authorship in Margaret Atwood’s The Penelopiad. In: Fiona Cox and Theodorakopoulos Elena, eds. Homer's Daughters: Women’s Responses to Homer in the Twentieth Century and Beyond. Oxford: Oxford University Press. ISBN 9780198802587 [Book Section]

Richardson, Phyllis. 2011. Nano House: Innovations for Small Dwellings. London: Thames and Hudson Ltd. ISBN 978-0500342732 [Book]

Richardson, Phyllis. 2004. New Sacred Architecture. London: Laurence King Publishing. ISBN 978-1856693844 [Book]

Richardson, Phyllis. 2014. Superlight: Lightness in House Design. Thames and Hudson. ISBN 978-0500342961 [Book]

Richardson, Phyllis. 2007. XS Green: Green Ideas, Small Buildings. London and New York: Thames & Hudson. ISBN 978-0500342305 [Book]

Richardson, Phyllis. 2001. XS: Big Ideas, Small Buildings. London and New York: Thames & Hudson. ISBN 978-0500341810 [Book]

Richardson, Phyllis and Powell, Kenneth. 2014. Skywood House and the Architecture of Graham Phillips. London: Thames and Hudson Ltd. ISBN 978-0500342923 [Book]

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Roberts, Mark Patrick Davidson. 2014. The Guilty Influence: Philip Larkin among the poets. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Rosen, Michael. 2013. Alphabetical: How Every Letter Tells a Story. London: John Murray. ISBN 9781848548862 [Book]

Rossell, Deac (W. F. D.). 2009. '‘“...the Air fill’d with all sorts of Birds...”: the magic lantern as educator and entertainer’'. In: Large Auditorium, The National Gallery of Art, Washington, DC. The National Gallery of Art, Washington, DC, United States 13 July 2008. [Conference or Workshop Item]

Rossell, Deac (W. F. D.). 1998. Beyond Messter -- Aspects of Early Cinema in Berlin. Film History, 10(1), pp. 52-69. ISSN 0892-2160 [Article]

Rossell, Deac (W. F. D.). 2013. Chronophotography in the context of moving pictures. Early Popular Visual Culture, 11(1), pp. 10-27. ISSN 1746-0654 [Article]

Rossell, Deac (W. F. D.). 1991. Dal realismo East Coast ai generi West Coast. In: Emanuela Martini, ed. Innamorati e lecca lecca. Indipendenti americani anni '60. Lindau. ISBN 978-8871800493 [Book Section]

Rossell, Deac (W. F. D.). 2014. Demolition dun mur: The social construction of technology and early cinema projection systems. Early Popular Visual Culture, 12(3), pp. 304-341. ISSN 1746-0654 [Article]

Rossell, Deac (W. F. D.). 2006. Die Laterna Magica. Steidl. ISBN 3882438568 [Book]

Rossell, Deac (W. F. D.). 2006. Die Laterna Magica. In: B. von Dewitz and W. Nekes, eds. Ich sehe was, was Du nicht siehst! Steidl, pp. 134-145. ISBN 3882438568 [Book Section]

Rossell, Deac (W. F. D.). 1999. Die soziale Konstruktion früher technischer Systeme der Filmprojektion. : KINtop-Jahrbuch zur Erforschung des frühen Films, 8, [Article]

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Rossell, Deac (W. F. D.). 1998. Double Think: The Cinema and Magic Lantern Culture. In: John Fullerton, ed. Celebrating 1895. The Centenery of the Cinema. Sydney: John Libbey Cinema and Animation. ISBN 978-1864620153 [Book Section]

Rossell, Deac (W. F. D.). 2013. Double Think: The Cinema and Magic Lantern Culture. In: Richard Abel, ed. Encyclopedia of Early Cinema. Routledge; Reprint edition. ISBN 978-0415513807 [Book Section]

Rossell, Deac (W. F. D.). 1996. Eadweard Muybridge et la culture de l’image en mouvement. In: , ed. Marey / Muybridge - pionniers du Cinéma - rencontre Beaune / Stanford. Conseil régional de Bourgogne/Ville de Beaune/Université de Stanford, pp. 24-43. ISBN 978-2950956729 [Book Section]

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Rossell, Deac (W. F. D.). 2002. Exploding Teeth, Unbreakable Sheets and Continuous Casting: Nitrocellulose from Gun-Cotton to Early Cinema. Brussels: Fédération Internationale des Archives du Film. ISBN 2960029607 [Book]

Rossell, Deac (W. F. D.). 2002. Exploding Teeth, Unbreakable Sheets and Continuous Casting: Nitrocellulose from Gun-Cotton to Early Cinema. In: R. Smither, ed. This Film is Dangerous: A Celebration of Nitrate Film. Fédération Internationale des Archives du Film, pp. 37-51. ISBN 2960029607 [Book Section]

Rossell, Deac (W. F. D.). 2002. Exploding Teeth, Unbreakable Sheets and Continuous Casting: Nitrocellulose from Guncotton to Early Cinema. In: Roger Smither and Carol Surowiec, eds. This Film is Dangerous. Indiana University Press. ISBN 978-2960029604 [Book Section]

Rossell, Deac (W. F. D.). 1979. The Fourth Estate and the Seventh Art. In: Bernard Rubin, ed. Questioning Media Ethics. New York: Praeger Publishers Inc. ISBN 978-0030461316 [Book Section]

Rossell, Deac (W. F. D.). 1997. Jenseits Messter -- die ersten Berliner Kinematographen-Anbieter in Berlin. KINtop 6, Jahrbuch zur Erforschung des frühen Films, ISSN 1024-1906 [Article]

Rossell, Deac (W. F. D.). 1998. ‘Living Pictures.’ The Origins of the Cinema. State University of New York Press. ISBN 978-0791437681 [Book]

Rossell, Deac (W. F. D.). 2003. Nuernberg and the Bull's-Eye Magic Lantern. New Magic Lantern Journal, 9(5), [Article]

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Rossell, Deac (W. F. D.). 2012. Nuernberg and the Bull's-Eye Magic Lantern. The Magic Lantern Society, [Article]

Rossell, Deac (W. F. D.). 1997. Ottomar Anschütz and his Electrical Wonder. The Projection Box. ISBN 978-0952394181 [Book]

Rossell, Deac (W. F. D.). 2011. 'Paradigm Shifts in Vision'. In: Roundtable discussion in the series Muybridge and Moving Image History, organized by the Kingston Museum and Kingston University. Kingston University, Knights Park Campus, United Kingdom 27 January 2011. [Conference or Workshop Item]

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Rossell, Deac (W. F. D.). 1999. Serpentine Dance: Inter-National Connections in Early Cinema. Occasional Papers in Modern Languages, Culture and Society(1), [Article]

Rossell, Deac (W. F. D.). 1997. Trescientos años de entretenimiento cinematografico. Revista Archivos de la Filmoteca, 25-26, [Article]

Rossell, Deac (W. F. D.). 2008. '‘“...divers Personages running at the Ring...”: the magic lantern and moving pictures’'. In: Walter Reade Theatre, Lincoln Center, New York City. Walter Reade Theatre, Lincoln Center, New York City, United Kingdom 9 July 2008. [Conference or Workshop Item]

Rossell, Deac (W. F. D.). 2008. '‘“...so natural and lively a representation...”: the artistry of the magic lantern’.'. In: Remis Auditorium, Museum of Fine Arts, Boston. Museum of Fine Arts, Boston, United States 5 July 2008. [Conference or Workshop Item]

Sackville, Amy. 2022. The Cheapside Hoard. In: "The Goldsmiths Gallery", New Museum of London, United Kingdom. [Show/Exhibition] (Forthcoming)

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Sackville, Amy. 2020. I am not reading. I am not writing. This is not normal. The Guardian, ISSN 0261-3077 [Article]

Sackville, Amy. 2021. In Saint-Paul-de-Vence. In: Dawn Lyon, ed. Rhythmanalysis: Place, Mobility, Disruption and Performance. Bingley: Emerald Publishing Limited, pp. 139-152. ISBN 9781839099731 [Book Section]

Sackville, Amy. 2022. Manifest. [Digital]

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Sackville, Amy. 2019. Optic Nerve by María Gainza review: art critic's profound debut. The Guardian, ISSN 0261-3077 [Article]

Sackville, Amy. 2014. Orkney. London: Granta. ISBN 9781847086655 [Book]

Sackville, Amy. 2019. Painter to the King. London: Granta. ISBN 9781783783922 [Book]

Sackville, Amy. 2010. The Still Point. London: Granta. ISBN 9781846272301 [Book]

Sackville, Amy. 2021. The Stowaway's Tale. In: David Herd and Anna Pincus, eds. Refugee Tales Volume IV. Manchester: Comma Press. ISBN 9781912697489 [Book Section]

Sackville, Amy and Flusfeder, David. 2021. A Journey Around Our Rooms. [Digital]

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Sackville, Amy; Moss, Sarah; Kavenna, Joanna and Crumey, Andrew. 2018. Thinking through Thinking through Fiction: a round table. New Writing, 15(1), pp. 119-123. ISSN 1479-0726 [Article]

Said, Fatma Faisal Saad. 2011. “Ahyaanan I text in English ‘ashaan it’s ashal ”: Language Crisis or Linguistic Development? The Case of How Gulf Arabs Perceive the Future of their Language, Culture, and Identity. In: Ahmad Al-Issa and Laila S. Dahan, eds. Global English and Arabic: Issues of Language, Culture, and Identity. 31 Oxford: Peter Lang, pp. 179-212. ISBN 9783035301205 [Book Section]

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Said, Fatma Faisal Saad. 2018. Discourses of Multilingualism, Identity and Belonging: The View of Arabic Bilinguals in the UK. Journal of Social Science Education, 17(4), pp. 84-101. ISSN 1611-9665 [Article]

Said, Fatma Faisal Saad. 2012. Review: Language and identity: An introduction. Key topics in sociolinguistics, by Edwards, J. Journal of Language, Identity & Education, 11(5), pp. 348-351. ISSN 1534-8458 [Article]

Said, Fatma Faisal Saad. 2015. A sociolinguistic study of multilingual talk at mealtimes. Doctoral thesis, Birkbeck, University of London [Thesis]

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Said, Fatma Faisal Saad and Zhu, Hua. 2019. “No, no Maama! Say ‘Shaatir ya Ouledee Shaatir’!” Children’s agency in language use and socialisation. International Journal of Bilingualism, 23(3), pp. 771-785. ISSN 1367-0069 [Article]

Said, Fatma Faisal Saad and Zhu, Hua. 2017. The Strategic Use of Address Terms in Multilingual Interactions during Family Mealtimes. In: Anna De Fina; Didem Ikizoglu and Jeremy Wegner, eds. Diversity and Super-diversity: Sociocultural Linguistic Perspectives. Washintgon, USA: Georgetown University Press, pp. 81-96. ISBN 9781626164239 [Book Section]

Salzman, Eva. 1999. Bargain with the Watchman. Oxford Paperbacks. ISBN 978-0192832573 [Book]

Salzman, Eva. 2003. Centre-Stage. Opera Now, [Article]

Salzman, Eva. 2004. Double Crossing: New & Selected Poems. Bloodaxe Books Ltd. ISBN 978-1852246617 [Book]

Salzman, Eva. 1992. The English Earthquake. Bloodaxe Books Ltd. ISBN 978-1852241773 [Book]

Salzman, Eva. 2008. Introduction. In: Eva Salzman and Amy Wack, eds. Women’s Work: Modern Women Poets Writing in English. Seren. ISBN 978-1854114303 [Book Section]

Salzman, Eva. 2010. Metaphor & Dance: Ego & Id. Poetry Review, [Article]

Salzman, Eva. 2014. Sonneral. Times Literary Supplement, [Article]

Salzman, Eva. 2010. With Regrets: Derek Walcott. Poetry London, [Article]

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Sapochnik, Carlos. 2020. Drawing from the site of absence – Observing, forgetting, and representing groups. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Scott, Charlotte. 2018. The Child in Shakespeare. Oxford: Oxford University Press. ISBN 9780198828556 [Book]

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Scott, Charlotte. 2011. Dark Matter: Shakespeare's Foul Dens and Forests. Shakespeare Survey, ISSN 0080-1952 [Article]

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Scott, Charlotte. 2017. Incapable and Shallow Innocents. In: Richard Preiss and Deanne Williams, eds. Childhood and Education on the Early Modern Stage. Cambridge: Cambridge University Press, pp. 58-78. ISBN 9781107094185 [Book Section]

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Scott, Charlotte. 2015. Polyolbion. In: , ed. The Faerie Land and Poly Olbion. Oxford: Flash of Splendour. [Book Section]

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Scott, Charlotte. 2012. Reading Strange Matter: Shakespeare's Last Plays and the Book of Revelation. In: Andrew Powers, ed. Late Shakespeare, 1608–1613. Cambridge: Cambridge University Press, pp. 158-171. ISBN 9781107016194 [Book Section]

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Scott, Charlotte. 2016. Shakespeare Lives. [Film/Video]

Scott, Charlotte. 2008. 'Shakespeare's Books: Reading Dumb Eloquence and Speaking Breasts'. Literature Compass, 5(3), pp. 603-617. ISSN 1741-4113 [Article]

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Scott, Charlotte. 2014. Shakespeare's Nature: From Cultivation to Culture. Oxford: Oxford University Press. ISBN 9780199685080 [Book]

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Scott, Charlotte. 2017. Shakespeare's Theatre, Company and Rivals. In: Kirilka Stavreva, ed. British Literature Volume 4. Farmington Hills, MI: Gale. [Book Section]

Scott, Charlotte. 2008. Still Life? Anthropocentrism and the Fly in Titus Andronicus and Volpone. Shakespeare Survey, 61, pp. 256-268. ISSN 0080-9152 [Article]

Scott, Charlotte. 2008. 'Still Life?: Anthropocentrism and the Fly in Titus Andronicus and Volpone'. In: Peter Holland, ed. Shakespeare Survey, 61. Cambridge: Cambridge University Press. ISBN 978-0521898881 [Book Section]

Scott, Charlotte. 2012. Strange Matter: Shakespeare's Late Plays and the Book of Revelation. In: , ed. Shakespeare’s Late Plays: Texts and Contexts. Cambridge: Cambridge University Press. [Book Section]

Scott, Charlotte. 2019. Talking back to Shakespeare: theatre in women’s prisons. Red Pepper(226), pp. 52-55. ISSN 1353-7024 [Article]

Scott, Charlotte. 2013. '"To show ... and so to publish": Reading, Writing and Performing in the Narrative Poems'. In: Jonathan Post, ed. The Oxford Handbook of Shakespeare's Poetry. Oxford: Oxford University Press, pp. 377-395. ISBN 978-0199607747 [Book Section]

Scott, Charlotte. 2011. 'To show ... and so to publish': Reading, Writing and Performing in the Narrative Poems. In: Jonathan Post, ed. The Oxford Companion to Shakespeare's Poetry. Oxford: Oxford University Press, xx. [Book Section]

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Scott, Charlotte. 2009. William Shakespeare. In: Jay Parini, ed. Great British Writers, Retrospective supplement. III Andover: Gale, Cengage Learning, pp. 269-288. [Book Section]

Scott, Charlotte. 2009. 'William Shakespeare'. In: Jay Parini, ed. British Writers: Retrospective Supplement III. Charles Scribners & Sons. ISBN 978-0684315997 [Book Section]

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Scott, Charlotte. 2021. The opposite of white: apollo's crow and learning to be silent in King Lear’. Textual Practice, 35(12), pp. 1895-1908. ISSN 0950-236X [Article]

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Scott, Charlotte. 2020. ‘The story shall be changed’: antique fables and agency in A Midsummer Night’s Dream. Shakespeare Survey, 73, pp. 119-128. ISSN 0080-9152 [Article]

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Scott, Richard. 2021. 'Amethyst' [Poem]. In: Matt Bates; Golnoush Nour; Sarah Beal and Kate Beal, eds. Queer Life, Queer Love. London: Muswell Press, pp. 19-20. ISBN 9781838110161 [Book Section]

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Scott, Richard. 2019. 'Dancing Bear' & 'from Oh My Soho!' [Poems]. In: Chris McCabe and Mimi Khalvati, eds. The Forward Book of Poetry 2019. London: Bookmark, pp. 34-37. ISBN 9780571347674 [Book Section]

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Scott, Richard. 2023. Fishmonger [Poem]. In: Michael Mackmin, ed. Poetry with an Axe to Grind. Norwich: The Rialto, p. 25. ISBN 9781909632141 [Book Section]

Scott, Richard. 2020. 'Glasgow Green Redux' [commissioned poem]. In: "The Concrete World of Edwin Morgan", Online, United Kingdom. [Performance]

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Scott, Richard. 2023. Lapidary [Poem]. In: Wendy Allen and Charley Barnes, eds. Under Your Pillow. Uttoxeter: Victorina Press, p. 3. ISBN 9781739580179 [Book Section]

Scott, Richard. 2024. 'Peridot' [Poem]. Academy of American Poets. [Other]

Scott, Richard. 2024. 'Red Tourmaline' [Poem]. Magma, 88, Carshalton. [Other]

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Scott, Richard. 2015. Sandcastles [Poem]. In: Sophie Hannah, ed. The Poetry of Sex. London: Penguin, pp. 69-70. ISBN 9780241962633 [Book Section]

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Scott, Richard. 2018. Soho. London: Faber & Faber. ISBN 9780571338917 [Book]

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Scott, Richard. 2016. Wound. Norwich: The Rialto. ISBN 9781909632059 [Book]

Scott, Richard. 2019. 'centaur' [commissioned poem]. [Professional Activity]

Scott, Richard. 2017. 'crocodile' [Poem]. Poetry London, Issue 88, London. [Other]

Scott, Richard. 2024. 'from Coy'. [Poem]. The Poetry Review. Vol 114, No 2, London. [Other]

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Scott, Richard. 2021. le jardin secret. Berlin: Hochroth. ISBN 9783903182691 [Book]

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Scott, Richard. 2022. 'love version of' [Poem]. In: Mary Jean Chan and Andrew McMillan, eds. 100 Queer Poems. London: Vintage, p. 31. ISBN 9781529115321 [Book Section]

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Scott, Richard. 2020. 'pastoral', 'stupid love', sertraline 50mg', 'in the style of richard scott' and 'other people's dreams are boring' [Poems]. In: Laurent Fourcaut, ed. Place De La Sorbonne 10: Revue internationale de poésie de Sorbonne Université. Paris: Sorbonne Universite Presses, pp. 172-183. ISBN 9791023106763 [Book Section]

Scott, Richard. 2016. 'twenty love poems after Paul Verlaine' [Poems]. PN Review 229. Volume 42, No 5, Manchester. [Other]

Seager, Nicholas and Downie, Alan (J. A.), eds. 2023. The Oxford Handbook of Daniel Defoe. Oxford: Oxford University Press. ISBN 9780198827177 [Edited Book]

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Shinn, Abigail. 2023. “All poetry is born of play”: Spenser with Johan Huizinga. Spenser Studies, 37, pp. 265-281. ISSN 0195-9468 [Article]

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Shinn, Abigail. 2024. Animal/fable. In: Charlotte Scott, ed. Shakespeare/Nature: Contemporary Readings in the Human and Non-human. London: Bloomsbury, pp. 189-204. ISBN 9781350259836 [Book Section]

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Shinn, Abigail. 2023. 'Come to my house': The Architecture of Conversion and Marlowe's The Jew of Malta. Modern Philology, 120(4), pp. 419-443. ISSN 0026-8232 [Article]

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Shinn, Abigail. 2023. Conversion. In: Margaret King, ed. Oxford Bibliographies in Renaissance and Reformation. Oxford: Oxford University Press. [Book Section]

Shinn, Abigail. 2018. Conversion Narratives in Early Modern England: Tales of Turning. Houndmills, Basingstoke: Palgrave Macmillan. ISBN 9783319965772 [Book]

Shinn, Abigail. 2014. Cultures of Mending. In: Abigail Shinn; Andrew Hadfield and Matthew Dimmock, eds. The Ashgate Research Companion to Popular Culture in Early Modern England. Farnham, Surrey: Ashgate, pp. 235-252. ISBN 978-1-4094-3684-3 [Book Section]

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Shinn, Abigail. 2017. Dreaming Converts in the Seventeenth Century: The Case of Philip Dandulo and Thomas Warmstry's The Baptized Turk. Journal for Early Modern Cultural Studies, 17(1), pp. 97-119. ISSN 1553-3786 [Article]

Shinn, Abigail. 2009. 'Extraordinary discourses of vnnecessarie matter': Spenser's Shepheardes Calender and the Almanac Tradition. In: Andrew Hadfield and Matthew Dimmock, eds. Literature and Popular Culture in Early Modern England. Farnham, Surrey: Ashgate, pp. 137-150. ISBN 978-0-7546-6580-9 [Book Section]

Shinn, Abigail. 2017. Father Figures: Paternal Politics in the Conversion Narratives of Thomas Gage and James Wadsworth. In: Hannah Crawforth and Sarah Lewis, eds. Family Politics in Early Modern Literature. London: Palgrave Macmillan, pp. 211-228. ISBN 978-1-137-51143-0 [Book Section]

Shinn, Abigail. 2017. Gender and Reproduction in the Spirituall Experiences. In: Helen Smith and Simon Ditchfield, eds. Conversions: Gender and Religious Change in Early Modern Europe. Manchester: Manchester University Press, pp. 81-104. ISBN 978-0-7190-9915-1 [Book Section]

Shinn, Abigail. 2014. Managing Copiousness for Pleasure and Profit: William Painter's Palace of Pleasure. Renaissance Studies, 28(2), pp. 205-224. ISSN 0269-1213 [Article]

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Shinn, Abigail. 2018. Searching for Spenser's Popular Voice. Spenser Review, 48(1.3), [Article]

Shinn, Abigail. 2018. The Senses and the Seventeenth-Century English Conversion Narrative. In: Robin Macdonald; Emilie Murphy and Elizabeth Swann, eds. Sensing the Sacred in Medieval and Early Modern Culture,. Abingdon, OXON: Routledge, pp. 99-116. ISBN 1472454669 [Book Section]

Shinn, Abigail. 2013. Spenser's Popular Intertexts. In: Emma Smith and Andy Kesson, eds. The Elizabethan Top Ten: Defining Print Popularity in Early Modern England. Farnham, Surrey: Ashgate, pp. 157-168. ISBN 978-1-4094-4029-1 [Book Section]

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Shinn, Abigail. 2024. Spenser’s ‘apish crue’: Aping in Prosopopoia or Mother Hubberds Tale. In: Rachel Stenner and Abigail Shinn, eds. Edmund Spenser and Animal Life. Cham, Switzerland: Palgrave, pp. 117-138. ISBN 9783031426407 [Book Section]

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Shuangyu, Li; Said, Fatma Faisal Saad; O'Neill, Bernadette; Ancarno, Clyde and Niksic, Maja. 2016. Using linguistic methods in clinical communication education. MedEdPublish, [Article]

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Simon, Angie. 2010. The Question of the Human in Holocaust Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

Simpson, Michael. 2003. 'Behind Harold’s Bloomsday Book: Gothic Secrets in Literary History'. Women: A Cultural Review, 14(3), pp. 229-247. ISSN 0957-4042 [Article]

Simpson, Michael. 1997. 'Buried and (P)Raised: Joseph Brodsky, William Peter and the Anglo-Irish Union'. Textual Practice, 11(2), pp. 275-284. ISSN 0950-236X [Article]

Simpson, Michael. 2007. Byron in theory and theatre land: finding the right address. In: Jane Stabler, ed. Byron Studies. Palgrave Macmillan, pp. 191-212. ISBN 9781403945921 [Book Section]

Simpson, Michael. 2009. Byron's Manfred and the King's Head: Having Words with Bodies. The Byron Journal, 37(1), pp. 43-54. ISSN 0301-7257 [Article]

Simpson, Michael. 2012. Classical Greek Drama. In: Fred Burwick, ed. The Encyclopedia of Romantic Literature. Wiley-Blackwell. ISBN 978-1405188104 [Book Section]

Simpson, Michael. 2007. 'The Curse of the Canon: Ola Rotimi’s The Gods Are Not to Blame'. In: Lorna Hardwick and Carol Gillespie, eds. Classics in Post-Colonial Worlds. Oxford: OUP, pp. 86-100. ISBN 978-0199296101 [Book Section]

Simpson, Michael. 1997. 'Hyped Text: The Rhetoric of Virtual Space in Critical Prose'. Prose Studies, 20(3), pp. 79-105. ISSN 0144-0357 [Article]

Simpson, Michael. 2013. Labour and the Classics : Plato and Crossman in Dialogue. In: Lorna Hardwick and Stephen Harrison, eds. Classics in the Modern World : A Democratic Turn? Oxford: Oxford University Press, pp. 63-78. ISBN 9780199673926 [Book Section]

Simpson, Michael. 2011. Oedipus, Suez, and Hungary : T. S. Eliot's Tradition and The Elder Statesman. Comparative Drama, 44(4), pp. 509-528. ISSN 0010-4078 [Article]

Simpson, Michael. 2020. Of Minotaurs and Macroeconomics: Greek myth and common currency. In: Barbara Goff and Michael Simpson, eds. Classicising Crisis: the Modern Age of Revolutions and the Greco-Roman Repertoire. Abingdon: Routledge, pp. 168-185. ISBN 9780815361770 [Book Section]

Simpson, Michael. 2013. On Byron's Famous Fanes: Ruined Temples and Reformed Theatres. The Byron Journal, 41(2), pp. 145-158. ISSN 0301-7257 [Article]

Simpson, Michael. 1999. 'Re-Opening after the Old Price Riots: War and Peace at Drury Lane'. Texas Studies in Literature and Language, 41(4), ISSN 0040-4691 [Article]

Simpson, Michael, ed. 1999. ‘Romantic Drama in Place’, Texas Studies in Literature and Language, 41(4). 0040-4691 [Edited Journal]

Simpson, Michael. 2008. Telling Lives to Children : Young versus New Historicism. In: Damian Walford Davies, ed. Romanticism, History, Historicism: Essays on an Orthodoxy. Oxon: Routledge, pp. 60-78. ISBN 9780415961127 [Book Section]

Simpson, Michael. 2011. Trailing the Olympic Epic: Black Modernity and the Athenian Arena, 2004. In: Michael Simpson and Barbara Goff, eds. Thinking the Olympics: the Classical Tradition and the Modern Games. Bristol Classical Press. ISBN 978-0715639306 [Book Section]

Simpson, Michael. 2005. Wavering on Europe: Walter Scott and the Equilibrium of the Empires. Romanticism, 11(2), pp. 127-142. ISSN 1354991X [Article]

Simpson, Michael. 2015. Yesterday's Men: Labour's Modernising Elite from the 1960s to Classical Times. In: Henry Stead and Edith Hall, eds. Greek and Roman Classics in the British Struggle for Social Reform. London: Bloomsbury Academic, pp. 269-291. ISBN 9781472584267 [Book Section]

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Simpson, Michael and Goff, B.. 2007. Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the African Diaspora. Oxford University Press. ISBN 9780199217182 [Book]

Simpson, Michael and Goff, Barbara. 2015. 'New Worlds, Old Dreams? Postcolonial Theory and Reception of Greek Drama'. In: Kathryn Bosher; Fiona Macintosh; Justine McConnell and Patrice Rankine, eds. Oxford Handbook of Greek Drama in the Americas. Oxford: OUP Oxford. ISBN 978-0199661305 [Book Section]

Simpson, Michael and Goff, Barbara. 2011. 'Voice from the Black Box: Sylvain Bemba's Black Wedding Candles for Blessed Antigone'. In: Erin Mee and Helene Foley, eds. Antigone on the Contemporary World Stage. Oxford: OUP Oxford, pp. 324-341. ISBN 978-0199586196 [Book Section]

Sokol, B. J.. 2003. A Brave New World of Knowledge: Shakespeare's The Tempest and Early Modern Epistemology. Fairleigh Dickinson University Press. ISBN 978-1611472264 [Book]

Sokol, B. J.. 2014. Cerimon's "rough and woeful music" in Pericles. Shakespeare, 10(1), pp. 46-55. ISSN 1745-0918 [Article]

Sokol, B. J.. 2003. Margaret Cavendish's Poems and Fancies and Thomas Harriot's Treatise on Infinity. In: Stephen Clucas, ed. A Princely Brave Woman: Essays on Margaret Cavendish, Duchess of Newcastle. Aldershot: Ashgate Publishing Limited, pp. 151-163. ISBN 978-0754604648 [Book Section]

Sokol, B. J.. 2015. Shylock and Marsyas. Shakespeare, 11(4), pp. 337-361. ISSN 1745-0918 [Article]

Sokol, B. J. and Sokol, Mary. 2005. Shakespeare's Legal Language: A Dictionary. Continnuum-3PL; New edition edition. ISBN 978-0826477781 [Book]

Sokol, B. J. and Sokol, Mary. 2006. Shakespeare, Law and Marriage. Cambridge University Press. ISBN 978-0521024907 [Book]

Sokol, B. J. and Sokol, Mary. 2002. Where Are We in Legal-Historical Studies of Shakespeare? The Case of Marriage and Property. In: W R Elton and John M Mucciolo, eds. The Shakespearean International Yearbook: v. 2: Where are We Now in Shakespearean Studies? Aldershot: Ashgate Publishing Limited, pp. 249-271. ISBN 978-0754602354 [Book Section]

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Spencer, Andrew and Popova, Gergana. 2024. Morphology and Syntax in Competition: The Place of Inflectional Periphrasis. In: Adam Ledgeway; Edith Aldridge; Anne Breitbarth; Katalin Kiss É.; Joseph Salmons and Alexandra Simonenko, eds. The Wiley Blackwell Companion to Diachronic Linguistics. Wiley Blackwell. ISBN 9781119898016 [Book Section] (Forthcoming)

Spencer, Andrew and Popova, Gergana. 2015. Periphrasis and Inflection. In: Matthew Baerman, ed. The Oxford Handbook of Inflection. Oxford: Oxford University Press, pp. 197-232. ISBN 9780199591428 [Book Section]

Spufford, Francis. 1989. The Chatto Book of Cabbages and Kings: Lists in Literature. Chatto & Windus. ISBN 978-0701134877 [Book]

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Spufford, Francis. 2002. The Child That Books Built. Faber. ISBN 9780571214679 [Book]

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Spufford, Francis. 2016. Golden Hill. London: Faber & Faber. ISBN 9780571225194 [Book]

Spufford, Francis. 1996. I May Be Some Time: Ice and the English Imagination. Faber & Faber. ISBN 978-0571144877 [Book]

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Spufford, Francis. 2012. Red Plenty. Minneapolis, MN: Graywolf Press. ISBN 9781555976040 [Book]

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Spufford, Francis. 2017. True Stories and Other Essays. London/New Haven CT: Yale University Press. ISBN 9780300230055 [Book]

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Steinitz, Tamar. 2013. Back Home: Translation, Conversion and Domestication in Leila Aboulela's The Translator. Interventions: International Journal of Postcolonial Studies, 15(3), pp. 365-382. ISSN 1369-801X [Article]

Steinitz, Tamar. 2008. 'In Other Words: Jakov Lind’s Translingual Autobiography'. In: Falco Pfalzgraf and Felicity Rash, eds. Anglo-German Linguistic Relations. Oxford: Verlag Peter Lang, pp. 161-173. ISBN 978-3039116560 [Book Section]

Stenner, Rachel and Shinn, Abigail. 2024. Edmund Spenser and Animal Life. Cham, Switzerland: Palgrave Macmillan. ISBN 9783031426407 [Book]

Stevens, Nell. 2017. Bleaker House. London: Picador. ISBN 9781509824403 [Book]

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Stevens, Nell. 2018. The Minutes. In: Stig Abel, ed. The BBC National Short Story Award 2018. Manchester: Comma Press. ISBN 9781910974414 [Book Section]

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Stevenson, Guy. 2018. Alexander Trocchi. In: Jay Parini, ed. British Writers: Supplement XXV. 25th Edition. New York: Charles Scribner's Sons. [Book Section]

Stevenson, Guy. 2020. Anti-Humanism in the Counterculture. London: Palgrave Macmillan. ISBN 9783030477592 [Book]

Stevenson, Guy. 2015. 'Blackballed by the Radicals: The Exclusionary Criteria of the Post-1945 American Avant-Garde'. In: BAAS (British Association of American Studies)/IAAS (Irish Association of American Studies) Joint Conference. Queens University, Belfast, United Kingdom 7 - 9 April 2016. [Conference or Workshop Item]

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Stevenson, Guy. 2015. Blast and Bless : Radical Aesthetics in the Writings of Henry Miller and Ezra Pound. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stevenson, Guy. 2017. 'The Brutal Tap: Anti-Humanist Legacies in the Counterculture'. In: Modernism Today: Modernist Studies Association Annual Conference (MSA). Amsterdam, Netherlands 10 - 13 August 2017. [Conference or Workshop Item]

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Stevenson, Guy. 2021. 'Counterculture 2.0: Grotesques of Transgression after Trump (Visiting Lecture)'. In: WoW Visiting Lecture Series. University of Bedfordshire, United Kingdom. [Conference or Workshop Item]

Stevenson, Guy. 2025. Countercultures: From Beat to Punk. In: Oliver Harris; Davis Schneiderman and Alex Wermer-Colan, eds. William S. Burroughs in Context. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

Stevenson, Guy. 2014. Cultural Studies. The Times Literary Supplement, [Article]

Stevenson, Guy. 2020. Diluting Holy Writ: From the ‘Men of 1914’ to the Beat Generation. Textual Practice, 34(9), pp. 1575-1598. ISSN 0950-236X [Article]

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Stevenson, Guy. 2016. 'Disdaining the Tribe: The Anti-Humanist Basis of Marshall McLuhan’s ‘The Medium is the Message'. In: Modernist Studies Association (MSA) Annual Conference. Pasadena, California,, United States 17 - 20 November 2016. [Conference or Workshop Item]

Stevenson, Guy. 2021. Fascism, Iconoclasm and the Global Village. In: Aaron Jaffe; Michael F. Miller and Rodrigo Martini, eds. Understanding Flusser, Understanding Modernism. London: Bloomsbury Academic. ISBN 9781501348433 [Book Section]

Stevenson, Guy. 2022. Fear of Letting Go, Review of Jitney by August Wilson at the Old Vic. The Times Literary Supplement(6222), p. 15. ISSN 0307-661X [Article]

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Stevenson, Guy. 2021. Fighting Talk, Review of Beyond Order: 12 More Rules for Life by Jordan Peterson. Literary Review(495), p. 42. ISSN 0144-4360 [Article]

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Stevenson, Guy. 2019. 'From Modernism to the Counterculture: Reassessing the 1962 Edinburgh International Writers’ Conference'. In: Susan Manning Workshop. The Institute for Advanced Studies in the Humanities, University of Edinburgh, United Kingdom 23 May 2019. [Conference or Workshop Item]

Stevenson, Guy. 2014. I do need that little word. The Times Literary Supplement, [Article]

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Stevenson, Guy. 2020. Introduction ('Anti-Humanist Modernisms'). Textual Practice, 34(9), pp. 1405-1418. ISSN 0950-236X [Article]

Stevenson, Guy. 2015. Miller and Morality. In: Louis Renza; James Decker and Indrek Manniste, eds. Henry Miller: New Perspectives. Bloomsbury Academic USA; Reprint edition, pp. 63-74. ISBN 978-1628921236 [Book Section]

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Stevenson, Guy. 2016. Mocking Charlatans: Review of 'On Writing' by Charles Bukowski. The Times Literary Supplement(5884), p. 21. ISSN 0307-661X [Article]

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Stevenson, Guy. 2019. “Money and how it gets that way”: Ezra Pound, Henry Miller and the economic process of the 1930s. In: Ralf Lüfter and Roxana Preda, eds. A Companion to Ezra Pound’s Economics. Nordhausen: Verlag Traugott Bautz, pp. 97-110. ISBN 9783959483810 [Book Section]

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Stevenson, Guy. 2023. The Other Physicist, Review of The Maniac by Benjamín Labatut. Literary Review(524), p. 53. ISSN 0144-4360 [Article]

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Stevenson, Guy. 2019. 'Perils of Expansion: Aldous Huxley and the Counterculture'. In: Modernism and Alternative Spiritualities Symposium. Royal College of Art, London, United Kingdom 10 January 2020. [Conference or Workshop Item]

Stevenson, Guy. 2021. Review of Aaron Jaffe’s 'Spoiler Alert'. Modernism/Modernity, 28(2), pp. 390-391. ISSN 1080-6601 [Article]

Stevenson, Guy. 2016. Review of Shame and Wonder by David Searcy. The Times Literary Supplement(5901), p. 27. ISSN 0307-661X [Article]

Stevenson, Guy. 2022. Review of We Need Snowflakes by Hannah Jewell. The Times Literary Supplement(6208), p. 25. ISSN 0307-661X [Article]

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Stevenson, Guy. 2017. 'Rummaging through the Bone-Heap: Beat Writing and Reactionary Modernist Aesthetics'. In: European Beat Studies Network Annual Conference (Paris Interzone). University of Chicago Center, Paris, France 20 -22 September 2017. [Conference or Workshop Item]

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Stevenson, Guy. 2015. 'Sacrifice and Expenditure: The Mad Sexual Economics of Georges Bataille and Ezra Pound'. In: European Association of American Literature (EAAS) Biannual Conference. Constanta, Romania 22 - 25 April 2016. [Conference or Workshop Item]

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Stevenson, Guy. 2017. Sacrifice and Expenditure: The Sexual Economics of Georges Bataille and Ezra Pound. European Journal of English Studies, 21(1), pp. 76-92. ISSN 1382-5577 [Article]

Stevenson, Guy. 2025. Sade in the Counterculture: The Progressive Defence of a Horror Show. In: James Martell, ed. Understanding Sade, Understanding Modernism. New York: Bloomsbury. ISBN 9798765109151 [Book Section] (In Press)

Stevenson, Guy. 2022. So It Goes, Unstuck in Time (Kurt Vonnegut) dir. by Bob Weide. The Times Literary Supplement(6227), p. 15. ISSN 0307-661X [Article]

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Stevenson, Guy. 2023. Some Like It Hot, Review of The Enchanters by James Ellroy. Literary Review(522), p. 51. ISSN 0144-4360 [Article]

Stevenson, Guy. 2017. 'The Spiritual Medium Is The Message: Some Notes on Marshall McLuhan and Siegfried Zielinski'. In: Media Thinking: MSA Pre-Conference Symposium. Amsterdam Institute for Humanities Research (AIHR), University of Amsterdam, Netherlands 9 August 2017. [Conference or Workshop Item]

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Stevenson, Guy. 2018. Straw Gods: A Cautious Response to Jordan B. Peterson. Los Angeles Review of Books, [Article]

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Stevenson, Guy. 2022. Summer of Adultery, Review of Free Love by Tessa Hadley. Literary Review(505), p. 51. ISSN 0144-4360 [Article]

Stevenson, Guy. 2015. Tombs, Review of Walking New York by Stephen Miller. The Times Literary Supplement(5855), p. 25. ISSN 0307-661X [Article]

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Stevenson, Guy. 2017. 'Trolling the Enlightenment: Lewis, Marinetti & the Modernist precedent for America’s 'Alt-Right' (Invited Paper)'. In: Futurism-Formism-Witkacy. The Centre for Avant-Garde Studies at the Faculty of Polish Studies, Jagiellonian University, Poland. [Conference or Workshop Item]

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Stevenson, Guy. 2019. 'The Tyranny of Cool: Anti-Humanism in the Counterculture'. In: Annual Conference of ECHIC (European Consortium for Humanities Institutes and Centres). The Byzantine Museum, Athens, Greece 4 -6 April 2019. [Conference or Workshop Item]

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Stevenson, Guy. 2021. The Tyranny of Cool: Orthodoxy, Heresy and the 1960s Counterculture. In: Karina Jakubowicz and Robert Dickins, eds. Heresy and Borders in the Twentieth Century. Abingdon: Routledge, pp. 123-140. ISBN 9780367545031 [Book Section]

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Stevenson, Guy. 2022. 'Understanding the Culture Wars: How the 60s Explain Our Divided Age (Visiting Lecture)'. In: UVA English Department Guest Lecture Series: Understanding the Culture Wars. Amsterdam Institute for Humanities Research (AIHR), University of Amsterdam, Netherlands 25 April 2023. [Conference or Workshop Item]

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Stevenson, Guy. 2018. 'Understanding the Shock Tactics of the Alt Right (Invited Talk)'. In: Chess Club Talks. The Chess Club (Society for Arts & Culture), London, United Kingdom. [Conference or Workshop Item]

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Stevenson, Guy and Garland, Sarah. 2018. 'The Reality of the Counterculture'. In: 6th International Conference of the EAM (European Network of Avant-Garde & Modernism Studies): "Realism(s) of the Avant-Garde and Modernism". University of Münster, Germany 5 - 7 September 2018. [Conference or Workshop Item]

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Sutherland, Catherine. 1991. The Lyric Poetry of Johann Christian Gunther as a Paradigm of the Transition from Baroque to Enlightenment. Doctoral thesis, Goldsmiths, University of London [Thesis]

Sweeney, Carole. 2016. 'After Beauvoir: French Feminism and The Question of Difference'. In: Stuart Sim, ed. The Edinburgh Companion to Critical Theory. Edinburgh: Edinburgh University Press. ISBN 9780748693399 [Book Section]

Sweeney, Carole. 2016. After de Beauvoir: 'French' Feminism & Sexual Difference. In: Stuart Sim, ed. The Edinburgh Companion to Critical Theory. Edinburgh: Edinburgh University Press. ISBN 9780748693399 [Book Section]

Sweeney, Carole. 2012. “And yet some free time remains. . . .”: Post-Fordism and Writing in Michel Houellebecq's Whatever. Journal of Modern Literature, 33(4), pp. 41-56. ISSN 0022-281X [Article]

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Sweeney, Carole. 2020. Brigid Brophy, The Dissenting Feminist. In: Richard Canning and Gerri Kimber, eds. Brigid Brophy: Avant-Garde Writer, Critic, Activist. Edinburgh: Edinburgh University Press. ISBN 9781474462662 [Book Section]

Sweeney, Carole. 1997. C.E. Gittings Imperialism and Gender and Bruce King ed. National And Postcolonial Literature. In: Jean Howard; Alan Sinfield and Lindsay Smith, eds. Textual Practice: Volume 11 Issue 2: Vol 11, Issue 2. Routledge, pp. 349-352. ISBN 978-0415161763 [Book Section]

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Sweeney, Carole. 2020. Cadaverised girls: the writing of Anna Kavan. Textual Practice, 34(4), pp. 647-668. ISSN 0950-236X [Article]

Sweeney, Carole. 2000. ‘Diasporic Voices in Pre-Negritude Paris’. Southampton Papers in Language and Culture, 1, [Article]

Sweeney, Carole. 2007. Experimental Nations: Or, the Invention of the Maghreb. Comparative Literature Studies, 44(1-2), pp. 208-211. ISSN 0010-4132 [Article]

Sweeney, Carole. 2011. Fin de millénaire French Fiction: The Aesthetics of Crisis. Modern and Contemporary France, 19(3), pp. 367-368. ISSN 0963-9489 [Article]

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Sweeney, Carole. 2004. From Fetish to Subject: Race, Modernism and Primitivism, 1919-1935. Greenwood Press. ISBN 0275977471 [Book]

Sweeney, Carole. 2013. Introduction: Fractured, Travelling, and Transformed Narratives. Comparative Critical Studies, 10(Supp), pp. 1-10. ISSN 1744-1854 [Article]

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Sweeney, Carole. 2021. I’m a Woman Experimental Writer … Get Me Out of Here! In: Andrew Radford and Hannah Van Hove, eds. British Experimental Women’s Fiction, 1945—1975: Slipping Through the Labels. Cham, Switzerland: Palgrave Macmillan, pp. 279-284. ISBN 9783030727659 [Book Section]

Sweeney, Carole. 2005. ‘Josephine Baker’, ‘Haiti’, ‘Joseph Zobel’, ‘Claude McKay’. In: Bill Marshall, ed. France and the Americas: Culture, Politics, and History (Transatlantic Relations). ABC-CLIO Ltd. ISBN 978-1851094110 [Book Section]

Sweeney, Carole. 2001. La Revue Nègre: négrophilie, modernity and colonialism in inter-war France. Journal of Romance Studies, 1(2), pp. 1-14. ISSN 1473-3536 [Article]

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Sweeney, Carole. 2019. ‘Le mot déclin est presque trop doux’: Michel Houellebecq’s (Euro)déclinisme. Modern and Contemporary France, 27(1), pp. 45-59. ISSN 0963-9489 [Article]

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Sweeney, Carole. 2013. Michel Houellebecq and the Literature of Despair. London: Bloomsbury Academic. ISBN 9780826422620 [Book]

Sweeney, Carole. 2012. Natural Women? Anti-Feminism and Michel Houellebecq's Plateforme. Modern & Contemporary France, 20(3), pp. 323-336. ISSN 0963-9489 [Article]

Sweeney, Carole. 2005. `One of them, but white': The Disappearance of Negro: An anthology (1934). Women a Cultural Review, 16(1), pp. 93-107. ISSN 09574042 [Article]

Sweeney, Carole. 2010. Race, Modernism and Institutions. In: Nicky Marsh and Peter Middleton, eds. Teaching Modernist Poetry. Basingstoke: Palgrave Macmillan, pp. 77-93. ISBN 9780230202320 [Book Section]

Sweeney, Carole. 2010. 'Race, Writing and Institutions'. In: Nick Marsh and Peter Middleton, eds. Teaching Modernist Poetry. London: Palgrave MacMillan. ISBN 978-0230202337 [Book Section]

Sweeney, Carole. 2004. Resisting the Primitive: The Nardal Sisters, La Revue du Monde Noir and La Dépêche Africaine. Nottingham French Studies, 43(2), pp. 45-55. ISSN 0029-4586 [Article]

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Sweeney, Carole. 2023. See the old ladies decently: 'Ageing and Embodiment in Christine Brooke-Rose’s Life, End Of.'. Polish Journal of English Studies, ISSN 2545-0131 [Article] (Forthcoming)

Sweeney, Carole. 2020. Vagabond Fictions: Gender and Experiment in British Women's Fiction, 1945-1970. Edinburgh: Edinburgh University Press. ISBN 9781474426176 [Book]

Sweeney, Carole. 2003. Vestimentary identities: the politics of dress in everyday life. Journal of Romance Studies, 3(2), pp. 95-101. ISSN 1473-3536 [Article]

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Sweeney, Carole. 2018. "Why This Rather Than That?": The Delightful Perversity of Brigid Brophy. Contemporary Womens Writing, 12(2), pp. 233-247. ISSN 1754-1476 [Article]

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Sweeney, Carole-Anne. 2024. This Reality Thing: Anna Kavan’s Mid-Century Writing. Women: A Cultural Review, 35(2), pp. 160-162. ISSN 0957-4042 [Article]

Sweeney, Carole and Clarke, Jackie. 2005. France and America: Introduction. Nottingham French Studies, 44(3), pp. 1-3. ISSN 0029-4586 [Article]

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Sykes, Thomas. 2018. Searching for Manila : Personal and Political Journeys in an Asian Megacity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ting, Shawnea Sum Pok. 2023. Patient communication with ethnic minorities in Hong Kong: A Medical English as a Lingua Franca (MELF) perspective. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ting, Sum Pok and Cogo, Alessia. 2022. Repetition and Rephrasing in English as a Lingua Franca Medical Consultations in Hong Kong. In: M. Gregory Tweedie and Robert C. Johnson, eds. Perspectives on Medical English as a Lingua Franca. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 1-26. ISBN 9781527584808 [Book Section]

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Totaro, Paola. 2023. The Sea Palace and the Golden Bee. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Tubridy, Derval. 2006. "The Absence of Origin”: Beckett and Contemporary French Philosophy. In: David Rudrum, ed. Contemporary Debates in Literature and Philosophy. London: Palgrave macmillan, pp. 24-36. ISBN 1403947732 [Book Section]

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Tubridy, Derval. 2017. Adjacency. In: "Adjacency", no format gallery, Arch 29, Rolt Street, Deptford, London SE8 5JB, United Kingdom, 23 March 2017 - 1 April 2017. [Show/Exhibition]

Tubridy, Derval. 2021. Beckett and Giacometti: An Absolute Regard / Beckett et Giacometti: un regard absolu. In: Daniel Hugo, ed. Giacometti / Beckett: Rater encore, rater mieux. Lyon: Fage éditions, pp. 37-48. ISBN ‎9782849756584 [Book Section]

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Tubridy, Derval. 2010. Beckett's Spectral Silence: Breath and the Sublime. Limit(e) Beckett, 1(1), pp. 102-122. ISSN 2105-1119 [Article]

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Tubridy, Derval. 2010. Beckett, Feldman, Salcedo… Neither. In: Daniela Caselli, ed. Beckett and Nothing: Trying to understand Beckett. Manchester: Manchester University Press, pp. 143-159. ISBN 978-0-7190-8019-7 [Book Section]

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Tubridy, Derval. 2023. Beckett, Neurodiversity and the Prosthetic: the Posthuman Turn in Contemporary Art. In: Jonathan Bignell; Anna McMullan and Pim Verhulst, eds. Beckett's Afterlives: Adaptation, Remediation, Appropriation. Manchester: Manchester University Press, pp. 126-139. ISBN 9781526153791 [Book Section]

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Tubridy, Derval. 2013. Bun-Ching Lam's and Samuel Beckett's Quatre Poèmes/Four Songs: Music, Image, Text. In: Kathryn Brown, ed. The Art Book Tradition in Twentieth-Century Europe. Surrey: Ashgate, pp. 59-71. ISBN 978-1-4094-2065-1 [Book Section]

Tubridy, Derval. 2001. Difficult Migrations: The Dinnseanchas of Thomas Kinsella's Later Poetry. Irish University Review, 31(1), pp. 172-186. ISSN 00211427 [Article]

Tubridy, Derval. 2024. Disability and Diversity in the Beckettian Body. In: Mark Nixon and Dirk Van Hulle, eds. The Oxford Handbook of Samuel Beckett. Oxford: Oxford University Press. [Book Section] (Forthcoming)

Tubridy, Derval. 2011. The Dolmen Press: “A Hazardous Venture”. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book Vol. 5: The Irish Book in English, 1891-2000. 5 Oxford: Oxford University Press, pp. 576-591. ISBN 978-0-19-924911-4 [Book Section]

Tubridy, Derval. 2008. “In his secondmouth language”: Joyce and Irish Poetry. In: Richard Brown, ed. A Companion to James Joyce. Oxford: Blackwell, pp. 341-358. ISBN 978140511044 [Book Section]

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Tubridy, Derval. 2018. Incommensurable Corporealities? Touretteshero's Not I. Contemporary Theatre Review, 28(1), ISSN 1048-6801 [Article]

Tubridy, Derval. 2005. National Identity and Urban Topography in Joyce's and Kinsella's Dublin. In: L. Harte; Y. Whelan and P. Crotty, eds. Ireland: Space, Text, Time. The Liffey Press, pp. 35-44. ISBN 1904148832 [Book Section]

Tubridy, Derval. 2012. Power, Politics, and Polis in Beckett's What Where. In: James Carney; Leonard Madden; Michael O'Sullivan and Karl White, eds. Beckett Re-membered: After the Centenary. Newcastle upon Tyne: Cambridge Scholars, pp. 166-179. ISBN 978-1-4438-3500-8 [Book Section]

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Tubridy, Derval. 2014. Samuel Beckett and Performance Art. Journal of Beckett Studies, 23(1), pp. 34-53. ISSN 0309-5207 [Article]

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Tubridy, Derval. 2017. Samuel Beckett and Sonic Art. In: Robert Reginio; David Houston Jones and Katherine Weiss, eds. Samuel Beckett and Contemporary Art. Ibidem Press. ISBN 9783838210797 [Book Section]

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Tubridy, Derval. 2018. Samuel Beckett and the Language of Subjectivity. Cambridge: Cambridge University Press. ISBN 9781316981221 [Book]

Tubridy, Derval. 2007. Sounding Spaces: Aurality in Beckett, Nauman and Cardiff. Performance Research, 12(1), pp. 5-11. ISSN 1352-8165 [Article]

Tubridy, Derval. 2025. Terra Incognita: Beckett’s Anthropo(s)cene in Contemporary Art. In: Trish McTighe; Celine Thobois-Gupta and Nicholas E. Johnson, eds. Samuel Beckett and Ecology. London: Bloomsbury Academic. [Book Section] (In Press)

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Tubridy, Derval. 2018. Theatre and Installation: Perspectives on Beckett. Contemporary Theatre Review, 28(1), pp. 68-81. ISSN 1048-6801 [Article]

Tubridy, Derval. 2004. Thomas Kinsella and the Peppercanister Poems. In: Hutton Clare, ed. The Irish Book in the Twentieth Century. Dublin and Portland Or: Irish Academic Press, pp. 102-115. ISBN ISBN 0716527804, 0716533359 [Book Section]

Tubridy, Derval. 2024. Thomas Kinsella and the Visual Arts. In: Adrienne Leavey, ed. Where Love and Imagination Colour the Dark: Essays on Thomas Kinsella. Winston-Salem, NC: Wake Forest University Press. [Book Section] (Forthcoming)

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Tubridy, Derval. 2001. Thomas Kinsella: The Peppercanister Poems. Dublin: University of Dublin Press. ISBN 1900621525, 1900621533 [Book]

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Tubridy, Derval. 2024. Toward a Politics of Vocal Expression: Beckett and Video Art. Journal of Beckett Studies, ISSN 0309-5207 [Article] (Forthcoming)

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Tubridy, Derval. 2016. 'An Unforgettable Image': Staging Beckett's Short Plays. In: David Tucker and Trish McTighe, eds. Staging Beckett in Great Britain. London: Bloomsbury Methuen Drama, pp. 135-155. ISBN 9781474240178 [Book Section]

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Tubridy, Derval. 1998. Vain Reasonings: Not I. In: Jennifer Jeffers, ed. Samuel Beckett: A Casebook. New York and London: Garland, pp. 111-131. ISBN 0815325517 [Book Section]

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Tubridy, Derval. 2014. Visual Culture. In: David Tucker, ed. The Year's Work in Critical and Cultural Theory. Oxford: Oxford University Press, pp. 290-303. [Book Section]

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Tubridy, Derval. 2013. Visual Culture. In: David Tucker, ed. The Year's Work in Critical and Cultural Theory. Oxford: Oxford University Press, pp. 291-307. [Book Section]

Tubridy, Derval. 2000. "Words Pronouncing Me Alive”: Beckett and Incarnation. In: Mary Bryden; Lance St John Butler; Marius Buning and Matthijs Engelberts, eds. Samuel Beckett Today/Aujourd’hui: Beckett and Religion; Beckett/Aesthetics/Politics. (9) Amsterdam; Atlanta GA: Rodopi, pp. 93-104. ISBN 9042014040 [Book Section]

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Tubridy, Derval; Austin, Sandra and Archer, Daan. 2005. Cardiac. [Art Object]

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Underwood, J W. 2016. Instead of Bad News about a Person I Love. POETRY FOUNDATION, Chicago. [Other]

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Underwood, J W. 2016. I’m on the boating lake with Sean. POETRY FOUNDATION, Chicago. [Other]

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Underwood, J W. 2016. The Man with the Blue Guitar. POETRY FOUNDATION, Chicago. [Other]

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Underwood, J W. 2018. On Poetry and Uncertain Subjects. Poetry, 213(1), ISSN 0032-2032 [Article]

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Underwood, J W. 2017. On Poetry and uncertain Subjects. The Poetry Review(107:4), ISSN 2514-4456 [Article]

Underwood, J W. 2015. Poets Reading: Jack Underwood on Jennifer L Knox. The Poetry Review, 105(2), ISSN 0032-2156 [Article]

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Underwood, J W. 2018. Solo for Mascha Voice/Tenuous Rooms. London: Test Centre. ISBN 9780993569371 [Book]

Underwood, J W. 2018. A Year in the New Life. Poetry Foundation, Chicago. [Other]

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Underwood, Jack. 2020. Alpha Step. 'Poetry', The Poetry Foundation, Chicago, USA. [Other]

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Underwood, Jack. 2019. Breckland. Poetry London, London. [Other]

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Underwood, Jack. 2009. Faber New Poets 4. London: Faber. ISBN 9780571249985 [Book]

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Underwood, Jack. 2018. Fifteen Babies In My Garden. The Rialto, Aylsham, Norfolk. [Other]

Underwood, Jack. 2015. Happiness. London: Faber & Faber. ISBN 9780571313617 [Book]

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Underwood, Jack. 2015. I Guess You Had To Be There. Five Dials, 37, [Article]

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Underwood, Jack. 2019. Lambs. Poetry London, London. [Other]

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Underwood, Jack. 2021. Long Live Patience. PORT(27), pp. 172-174. ISSN 2046-052X [Article]

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Underwood, Jack. 2015. Mirror-Witihin-Mirror. The Poetry Review, 105(1), [Article]

Underwood, Jack. 2021. NOT EVEN THIS: Parenthood, Poetry & Living Uncertainly. London: Corsair. ISBN 9781472156082 [Book]

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Underwood, Jack. 2020. The Novel [Poem]. Granta, Issue 150, London. [Other]

Underwood, Jack. 2009. One of the poets in - Voice Recognition: 21 Poets for the 21st Century. In: James Byrne and Clare Pollard, eds. Voice Recognition: 21 Poets for the 21st Century. Bloodaxe Books Ltd. ISBN 978-1852248383 [Book Section]

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Underwood, Jack. 2020. Poem Beginning with Lines by Elizabeth Barret Browning [Poem]. 'Poetry', The Poetry Foundation, Chicago, USA. [Other]

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Underwood, Jack. 2023. The Poets of Gascony. The Poetry Review, London. [Other]

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Underwood, Jack. 2018. Prolactin. The Rialto, Aylsham, Norfolk. [Other]

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Underwood, Jack. 2021. A Room, a Predicament. INQUE, 2, ISSN 2754-7787 [Article]

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Underwood, Jack. 2020. The Situation. 'Poetry', The Poetry Foundation, Chicago, USA. [Other]

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Underwood, Jack. 2021. A Song About Singularities. Granta (online edition), [Article]

Underwood, Jack. 2024. Song of My Having [Poem]. The Nation. [Other]

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Underwood, Jack. 2024. Song of New Friendship [Poem]. The Poetry Review, London. [Other] (Forthcoming)

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Underwood, Jack. 2024. Song of the Academy Awards [Poem]. The Poetry Review, London. [Other] (Forthcoming)

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Underwood, Jack. 2024. Song of the Debit Card [Poem]. The Poetry Review, London. [Other] (Forthcoming)

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Underwood, Jack. 2024. Song of the Disgraced Person [Poem]. New York Review of Books. [Other]

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Underwood, Jack. 2023. Song of the Duvet [Poem]. Bath Magg, Issue 12. [Other]

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Underwood, Jack. 2024. Song of the Luxury Skin Product [Poem]. The Poetry Review, London. [Other] (Forthcoming)

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Underwood, Jack. 2020. A Story. Poetry Foundation Blog, [Article]

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Underwood, Jack. 2020. This Time [Poem]. Granta, Issue 150, London. [Other]

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Underwood, Jack. 2019. This has no sound. Poetry London, London. [Other]

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Underwood, Jack. 2010. Wakefield and Other Poems / Sense and Inaudibility. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Underwood, Jack. 2019. Whatever I have done that was good, I have done at the bidding of my voices.. University of Massachusetts, Amherst, Massachusetts. [Other]

Underwood, Jack. 2021. A Year in the New Life. London: Faber & Faber. ISBN 9780571367252 [Book]

Underwood, Jack; Allen, Rachael and Marshall, Hannah. 2018. Faber Poetry Podcast: Episode 1: Emily Berry & Momtaza Mehri. [Audio]

Underwood, Jack; Allen, Rachael and Marshall, Hannah. 2018. Faber Poetry Podcast: Episode 3: Richard Scott & Jane Yeh. [Audio]

Underwood, Jack; Allen, Rachael and Marshall, Hannah. 2018. Faber Poetry Podcast: Episode 5: Holly Pester & Sam Riviere. [Audio]

Underwood, Jack; Allen, Rachael and Marshall, Hannah. 2019. Faber Poetry Podcast: Episode 9: Fiona Benson & Julia Copus. [Audio]

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Ursitti, Filippo. 2024. Reinterpreting Günther Anders’ Polemics with Adorno and Heidegger Through the Prism of Anders’ Musicology. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Vakil, Ardashir (Ardu). 1997. 'Beach Boy'. London: Hamish Hamilton Ltd. ISBN 0-241-13760-8 [Book]

Vakil, Ardashir (Ardu). 2007. Chapter 7. In: Betsy Karel, ed. Bombay Jadoo. Gottingen, Germany: Steidl, pp. 83-84. ISBN 978-3-86521-376-1 [Book Section]

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Vakil, Ardashir (Ardu). 2013. Darius and Xerxes. Raritan: A Quarterly Review, xxxill(1), pp. 1-15. [Article]

Vakil, Ardashir (Ardu). 2006. Eva. Edizione Corraini and Illystories. [Book]

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Vakil, Ardashir (Ardu). 2014. Impromptu. Raritan, XXXIII(4), pp. 112-126. ISSN 0275-1607 [Article]

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Vakil, Ardashir (Ardu). 2012. 'Jhumpa Lahiri and the influence of Homer'. In: Ancient Greek Myth and Modern Conflict in Modern Fiction since 1989. British Academy, United Kingdom 5-6 July. [Conference or Workshop Item]

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Vakil, Ardashir (Ardu). 2015. Last Time. Raritan, XXXIV(4), pp. 133-153. ISSN 0275-1607 [Article]

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Vakil, Ardashir (Ardu). 2013. Truthful Fictions:How Dreams Can Help You Write. Changing English: Studies in Culture and Education, 20(4), pp. 415-427. ISSN 1358-684X [Article]

Vakil, Ardashir (Ardu). 1998. Who Else Can I Talk To? Mosaic, British Council abd Penguin. [Book]

Vakil, Ardashir (Ardu). 1999. The Whole Biryani. In: , ed. Fourth Estate. [Book Section]

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Venables, Kate. 2019. Birds of the Western Palearctic [Poem]. The Frogmore Papers, 93, p. 30. [Article]

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Venables, Kate. 2021. Meat. Shooter Literary Magazine(13), ISSN 2057-3162 [Article]

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Venables, Kate. 2021. A Necessary Disposition. The Mechanics’ Institute Review, [Article]

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Venables, Kate. 2021. Takeaway. ASP Literary Journal(4), [Article]

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Venables, Kate. 2021. Two Cultures, Again. Porridge, ISSN 2517-4916 [Article]

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Venables, Katherine. 2022. A First Class Man. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Venables, Katherine M. 2021. Harry Walker, 1918-1959: an Illustration of the Mid-Twentieth Century History of Anaesthesia. Middlesbrough, Edinburgh, Burma. The History of Anaesthesia Society Proceedings, 53, pp. 42-53. ISSN 1360-6891 [Article]

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Venables, Katherine M. 2023. Surgery on the battlefield: Mobile surgical units in the Second World War and the memoirs they produced. Journal of Medical Biography, 31(3), pp. 202-211. ISSN 0967-7720 [Article]

Wade, Chloe. 2013. 'Whose history? Diasporic remembering in Dorothea Smartt's ship shape'. In: Perspectives from ‘Other’ Cultures Translating Culture’. Goldsmiths, University of London, United Kingdom 20-22 September. [Conference or Workshop Item]

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Wagner, Erica. 2017. Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge. New York: Bloomsbury. ISBN 9781620400517 [Book]

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Wagner, Erica. 2019. Crossing Brooklyn Bridge. Jane by the grey attic. [Other]

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Wagner, Erica. 2020. Delaware & Raritan. 1850. 'Blackbird', Virginia Commonwealth University Department of English and New Virginia Review, Inc., Richmond, Virginia. [Other]

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Wagner, Erica. 2017. Exclusive interview with Jodie Foster. Harper's Bazaar, ISSN 0017-7873 [Article]

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Wagner, Erica. 2018. Exclusive interview with author Barbara Kingsolver. Harper's Bazaar, ISSN 0017-7873 [Article]

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Wagner, Erica. 2019. Explosive. Boundless, United Kingdom. [Other]

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Wagner, Erica, ed. 2016. First Light: A Celebration of Alan Garner. UK: Unbound. ISBN 978-1-78352-252-1 [Edited Book]

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Wagner, Erica. 2018. The German-American Family Who Built the Brooklyn Bridge. Zocalo Public Square, [Article]

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Wagner, Erica. 2018. How the “mighty woman with a torch” came into being. The Economist, ISSN 0013-0613 [Article]

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Wagner, Erica. 2018. "In sorrow and in anger". New Statesman, p. 69. ISSN 1364-7431 [Article]

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Wagner, Erica. 2017. Inside the Secret World of "The Muppet Show". The Daily Beast, [Article]

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Wagner, Erica. 2018. Is it time to rethink our attitude to mortality? The Financial Times, ISSN 0307-1766 [Article]

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Wagner, Erica. 2017. The Many Selves of Sylvia Plath. The New Statesman, October 6, 2017, pp. 44-46. ISSN 13647431 [Article]

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Wagner, Erica. 2017. Norway and Nigeria’s unlikely bibliophilic collaboration. The Economist, ISSN 0013-0613 [Article]

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Wagner, Erica. 2018. Private griefs, national tragedies. New Statesman, ISSN 1364-7431 [Article]

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Wagner, Erica. 2020. Review of "Sylvia Plath in Context", ed. Tracy Brain (Cambridge University Press, 2019). American Literary History, pp. 1-3. ISSN 0896-7148 [Article]

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Wagner, Erica. 2020. The Ship Aground. The New Statesman, United Kingdom. [Other]

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Wagner, Erica. 2018. Where Shall We Run to? by Alan Garner — ‘I don’t find me interesting’. The Financial Times, ISSN 0307-1766 [Article]

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Wagner, Erica. 2018. Writer Claire Tomalin: ‘You begin to see certain patterns’. The Financial Times, ISSN 0307-1766 [Article]

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Wagner, Erica. 2018. The legacy of Philip Roth. The Financial Times, ISSN 0307-1766 [Article]

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Watson, Susan. 2018. From Floor to Ceiling Crowded Shelves: Writing About Reading. Doctoral thesis, Goldsmiths, University of London [Thesis]

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White, Rachel. 2020. All this is for you and contemporary uses of omniscient narration: theories and case studies. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Whittle, Philip. 2023. David Foster Wallace Learns How to Live. Other thesis, Goldsmiths, University of London [Thesis]

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Williams, Eley and Stevens, Nell. 2020. The Goldsmiths Writers' Centre Presents Eley Williams. In: "The Goldsmiths Writers' Centre Presents", Goldsmiths, 12-02-2020. [Show/Exhibition]

Wilson, Frances. 2016. Guilty Thing: A Life of Thomas De Quincey. London: Bloomsbury. ISBN 9781408839768 [Book]

Wilson, Frances. 2011. How To Survive the Titanic or, The Sinking of J. Bruce Ismay. London: Bloomsbury. ISBN 9781408809228 [Book]

Wilson, Frances. 2019. Introduction: Confessions of an English Opium-Eater. In: Thomas De Quincey, ed. Confessions of an English Opium-Eater. London: Macmillan Collector's Library. ISBN 9781509899791 [Book Section]

Wilson, Frances. 2014. Romantic Autobiography. In: Maria DiBattista and Emily O. Wittman, eds. The Cambridge Companion to Autobiography. Cambridge: Cambridge University Press, pp. 71-86. ISBN 9781139235686 [Book Section]

Wilson, Frances. 2015. Wordsworth's Sweating Pages: The Love Letters of William and Mary Wordsworth. In: Jonathan Ellis, ed. Letter Writing Among Poets: From William Wordsworth to Elizabeth Bishop. Edinburgh: Edinburgh University Press, pp. 81-94. ISBN 9780748681327 [Book Section]

Wingate, Ursula; Andon, Nick and Cogo, Alessia. 2011. Embedding academic writing instruction into subject teaching: A case study. Active Learning in Higher Education, 12(1), pp. 69-81. ISSN 1469-7874 [Article]

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Wood, Naomi. 2014. Mrs. Hemingway. London: Picador. ISBN 9781447226864 [Book]

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Woolley, Benjamin. 2015. The Angel of Ferrara. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Worman, Jeremy. 2021. The Way to Hornsey Rise: a Memoir. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Yoshino, Yuri. 2004. Voices, Identities, and Nations in the Narratives of Maria Edgeworth (1767-1849). Doctoral thesis, Goldsmiths, University of London [Thesis]

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Zhang, Meiping. 2018. ‘Everything … as a Gloss on Everything Else' : Life and Work in Paul Auster. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Zhang, Yang. 2023. Exploring Chinese Men’s Friendship Talk: Discourses, Identities and Masculinities. Doctoral thesis, Goldsmiths, University of London [Thesis]

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von Zwehl, Bettina and Cohen, Josh. 2016. Lament. [Artist's Book]

This list was generated on Thu Dec 19 02:53:32 2024 GMT.