Items where Division is "Visual Cultures"
Number of items at this level: 1450. 2020
2019
Andrews, Jorella G. and Durner, Leah.
2019.
Painting, Largesse and Life: A Conversation with Leah Durner.
New York: Leah Durner.
[Book]
Crone, Bridget and Gunkel, Henriette.
2019.
"Future" in The Bloomsbury Handbook of 21st Century Feminist Theory.
In: Robin Truth Goodman, ed.
The Bloomsbury Handbook of 21st Century Feminist Theory.
London, UK: Bloomsbury Academic.
ISBN 9781350032408
[Book Section]
(In Press)
Gaur, Meenu and Madani, Adnan.
2019.
The Ghost in the Projector: New Pakistani Cinema and its Hauntings.
In: Vazira Zamindar and Asad Ali, eds.
Love, War and Other Longings.
Oxford University Press Pakistan.
[Book Section]
(In Press)
Grant, Catherine.
2019.
The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London.
In: Allyson Mitchell and Cait McKinney, eds.
Killjoy's Kastle.
Canada: University of British Columbia Press and The Art Gallery of York University Press.
[Book Section]
(In Press)
Martinon, Jean-Paul.
2019.
Marx 1845 or the Fateful Rejection of Anschauung.
CR: The New Centennial Review, 18(3),
pp. 73-96.
ISSN 1539-6630
[Article]
Martinon, Jean-Paul.
2019.
Race and Universality: Meillassoux Meets Eze and Wiredu.
Pli: The Warwick Journal of Philosophy, 30,
ISSN 1367-3769
[Article]
(In Press)
Rosamond, Emily.
2019.
Developing an Experimental Retreat-Based Model for Fine Art Theory-Practice Teaching and Learning.
Creative Pedagogies, 1(2),
pp. 1-8.
[Article]
Rosamond, Emily.
2019.
Techniques of Aberrant Extraction: Transacting Surplus Acts in an Age of Speculation.
In: Marsha Bradfield; Metod Blejec; Cinzia Cremona; Verina Gfader; Amy McDonnell and Eva Sajovic, eds.
A Market of Values: Transacting.
Bristol: Intellect Books.
[Book Section]
(Forthcoming)
Rosamond, Emily; Charlesworth, Dave; Cove, Ben; Estna, Merike; Gainan, Justin; Goodwin, Katie; Hughes, Catherine; Kiernander, Trevor; Pathan, Alia; Selby, Lisa; Systems House, M.; Taylor, Ross; Tilley, Annabel; Whatmore, Poppy and Zaharia, Madalina.
2019.
Mimesis; Narrative; Against Hegemony!.
In: "Mimesis; Narrative; Against Hegemony!", A.P.T. Gallery, London, United Kingdom, 25 January - 16 February 2019.
[Show/Exhibition]
2018
Andrews, Jorella G..
2018.
'The Courage to Persevere: Contemporary re-interrogations of faith and their public implications'.
In: The Faiths and Civil Society Unit Public Programme: Faith and the Future of Civil Society. Goldsmiths, University of London, United Kingdom.
[Conference or Workshop Item]
Andrews, Jorella G..
2018.
How to find great galleries and exhibitions (and what to do when you get there).
[Printed Ephemera]
Andrews, Jorella G..
2018.
'Using Phenomenology in Contemporary Arts Research and Pedagogy (Handbook for 3-day Workshop led by Jorella Andrews)'.
In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24-26 September 2018.
[Conference or Workshop Item]
Andrews, Jorella G. and Martinon, Jean-Paul.
2018.
'A Fearless Look at the Unspeakable: Visual Cultures Public Programme Sping Term 2018'.
In: Visual Cultures Public Programme. Goldsmiths, University of London, United Kingdom Jan-Feb 2018.
[Conference or Workshop Item]
Blas, Zach.
2018.
Informatic Opacity.
In: Rosi Braidotti and Maria Hlavajova, eds.
Posthuman Glossary.
London: Bloomsbury Academic.
ISBN 9781350030244
[Book Section]
Blas, Zach.
2018.
Is the internet a urinal?.
In: "Is the internet a urinal?", MU, United Kingdom.
[Performance]
Blas, Zach.
2018.
The Jubilee of 2033.
GLQ: A Journal of Lesbian and Gay Studies, 24(4),
ISSN 1064-2684
[Article]
Chilver, John and Rosamond, Emily.
2018.
'John Chilver in conversation with Emily Rosamond'.
In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018.
[Conference or Workshop Item]
Crone, Bridget.
2018.
Time and Entanglement in Comparative Monument (Shellal).
In: A Barikin and H Hughes, eds.
Tom Nicholson: Lines towards Another.
Berlin: Sternberg Press, pp. 131-136.
ISBN 978-3-95679-397-4
[Book Section]
Crone, Bridget.
2018.
Wounds of Unbecoming: an introduction to the work of Tai Shani.
In: , ed.
Our Fatal Magic.
Cambridge, MA: Strange Attractor / The MIT Press.
[Book Section]
(Submitted)
Dyangani Ose, Elvira.
2018.
'States of Opacity. Lahore Biennial'.
In: States of Opacity. Lahore Biennial. Lahore, Pakistan March 18 to March 31 2018.
[Conference or Workshop Item]
Fisher, Andrew.
2018.
The Production of a Factographic Object.
In: Rebecca Jagoe and Sharon Kivland, eds.
On Violence.
London: Ma Bibliotheque, pp. 139-148.
ISBN 9781910055410
[Book Section]
Graham, Janna.
2018.
Grammars of the Possible:
Moving Beyond Binaries of Representation and Non-Representation in Gallery Education.
In: Carmen Mörsch; Sigrid Schade and Sophie Vögele, eds.
Representing Art Education. On the Representation of Pedagogical Work in the Art Field: .
Wien: Zaglossus, pp. 369-408.
[Book Section]
Graham, Janna.
2018.
‘Where are we when we think?’ Space, time and emancipatory education in galleries.
International Journal of Lifelong Education, 37(1),
pp. 21-39.
ISSN 0260-1370
[Article]
Grant, Catherine.
2018.
Returning to Riddles.
In: Lucy Reynolds, ed.
Women Artists, Feminism and the Moving Image.
London: I B Tauris.
ISBN 9781784537005
[Book Section]
(Forthcoming)
Gunkel, Henriette.
2018.
Rückwärts in Richtung queerer Zukunft.
In: Dagmar Brunow and Simon Dickel, eds.
Queer Cinema.
Mainz: Ventil Verlag, pp. 68-81.
[Book Section]
(In Press)
Hylton, Richard.
2018.
A Labour of Love: The Politics of Presenting Contemporary Art as Part of Commemorations to Mark the United Kingdom’s Bicentenary of the Abolition of the Slave Trade Act 1807- 2007.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Ji, Gaeun.
2018.
Mapping the Sisyphean Archives: Archival/Anarchival
Performativity of Repetition and Failure in Contemporary
Archival Art.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Lovett, Matthew.
2018.
Outside on the Inside: Musical improvisation according to contemporary materialist thought.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Madani, Adnan.
2018.
Cloud Memories, Desert Dreams.
Hybrid, Journal of Visual Culture, 1(1),
[Article]
Madani, Adnan.
2018.
The frame as borderland: Secular gazes and believing bodies in Bani Abidi’s The Distance From Here (2010).
The Moving Image Review & Art Journal (MIRAJ), 7(2),
pp. 236-250.
ISSN 2045-6298
[Article]
Martinon, Jean-Paul.
2018.
The Birth of Language or the Necessity of Rule.
Bulletin of the School of Oriental and African Studies, 81(3),
pp. 413-424.
ISSN 0041-977X
[Article]
O'Sullivan, Simon D..
2018.
Fictioning the Landscape.
Journal of Aesthetics and Phenomenology, 5(1),
ISSN 2053-9320
[Article]
Prendeville, Brendan.
2018.
‘Democratic light: phenomenology and the worldliness of painting’.
In: Malcolm Baker and Andrew Hemingway, eds.
Art as Worldmaking: Critical essays on Realism and Naturalism.
Manchester: Manchester University Press, pp. 165-180.
ISBN 978-1-5261-1490-7
[Book Section]
(Forthcoming)
Roberdeau, Wood.
2018.
After Baruchello: Agricultural Encounters in Contemporary Art.
In: Ben Stringer, ed.
Rurality Re-imagined: Villagers, Farmers, Wanderers and Wild Things.
Novato, California: ORO Editions/Applied Research & Design.
ISBN 978-1-940743-34-9
[Book Section]
(Forthcoming)
Roberdeau, Wood.
2018.
Scalar Aesthetics of Ecocinema: The Wall and The Survivalist.
Transformations Journal of Media, Culture and Technology(32),
[Article]
Rogoff, Irit.
2018.
Becoming Research.
In: , ed.
What Do Museums Research.
Seoul, Republic of Korea: MMCA (National Museum of Modern & Contemporary Art) Korea, pp. 25-40.
[Book Section]
(Forthcoming)
Rosamond, Emily.
2018.
'Choreopolitics in the Age of Big Data'.
In: Choreopolitics in the Age of Big Data. The Place, London, United Kingdom.
[Conference or Workshop Item]
Rosamond, Emily.
2018.
'Distortions'.
In: Conspiracy of the Real. Tenderpixel, London, United Kingdom 3 May, 2018.
[Conference or Workshop Item]
Rosamond, Emily.
2018.
Inflation.
Catalogue essay, Adrienne Spier, Lump, Slump, Sunk, Hamilton Artists Inc,
[Article]
Rosamond, Emily.
2018.
'The Investment-Image of Contemporary Art'.
In: Post-Capitalist Photography Now!. The Photographers' Gallery, London, United Kingdom 24 November 2018.
[Conference or Workshop Item]
Rosamond, Emily.
2018.
'It Sees'.
In: Moneylab #4: Art, Culture and Financial Activism. Somerset House, United Kingdom 18 January 2018.
[Conference or Workshop Item]
Rosamond, Emily.
2018.
'Profiling and Predictive Cultures'.
In: Brookes Fine Art Lecture Series. Oxford Brookes University, United Kingdom 6 February 2018.
[Conference or Workshop Item]
Rosamond, Emily.
2018.
'Respondent, Art After Money, Money After Art'.
In: Art After Money, Money After Art. Furtherfield Commons, United Kingdom 9 December 2018.
[Conference or Workshop Item]
Rosamond, Emily.
2018.
'Second Selves: Auto/Biography, Figuration and the Financial Subject'.
In: Tenth Critical Finance Studies Conference. University of Gothenburg, Sweden 9-11 August 2018.
[Conference or Workshop Item]
Rosamond, Emily.
2018.
The Sketch in the Work of Frances Stark, Jacolby Satterwhite, and Sue Tompkins.
Esse, 93,
pp. 38-49.
ISSN 0831-859X
[Article]
Rosamond, Emily.
2018.
Small Things Considered - Ceteris Paribus.
In: "Small Things Considered - Ceteris Paribus", Leu Gallery, Belmont University, Nashville, Tennessee, United States, 12 March - 4 May 2018.
[Show/Exhibition]
Rosamond, Emily.
2018.
'Surveillance Capitalist Aesthetics'.
In: A Modest Proposal Symposium. Royal College of Art, United Kingdom 27 October, 2018.
[Conference or Workshop Item]
Rosamond, Emily.
2018.
Surveillance Capitalist Aesthetics.
In: Katleen Vermeir and Ronny Heiremans, eds.
A Modest Proposal.
Brussels: Jubilee vzw, pp. 31-35.
ISBN 9789082966206
[Book Section]
Rosamond, Emily.
2018.
'Testing'.
In: Guest Lecture, PC Certificate Course in the Management of Teaching and Learning in Higher Education. Goldsmiths, United Kingdom 18 November 2018.
[Conference or Workshop Item]
Rosamond, Emily.
2018.
'Volatile Measurement Environments'.
In: New Narratives 2: Thinking Economics Differently. Kunstgebaude, Stuttgart, Germany 15 April, 2018.
[Conference or Workshop Item]
Rosamond, Emily; Milne, Alexis and Oi, Lu Ma.
2018.
Zine//o//morph.
In: "Zine//o//morph", ASC Studios, Empson Street, London, United Kingdom, 26 January 2018.
[Performance]
Rosamond, Emily; Skinner, Kristie; Weeks, Harry and Gregory, Karen.
2018.
The Common Sense - Q+A.
The Two-Way Patch,
[Article]
Schuppli, Susan.
2018.
Space of Flows.
In: "Space of Flows", Krakow, Poland, 24.05.2018 – 24.06.2018.
[Show/Exhibition]
Sitharan, Roopesh.
2018.
Unravelling Malaysian Subjectivity: Political Identification and Bodily Experience in New Media Art.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Turner, Lynn.
2018.
'In lieu of conclusion: the bloodless coups of White God'.
In: Derrida Today 6. Concordia University, Canada 23-26 May 2018.
[Conference or Workshop Item]
(In Press)
Turner, Lynn.
2018.
Voice.
In: Lynn Turner; Undine Sellbach and Ron Broglio, eds.
The Edinburgh Companion to Animal Studies.
Edinburgh: Edinburgh University Press.
ISBN 9781474418416
[Book Section]
Turner, Lynn; Broglio, Ronald and Sellbach, Undine.
2018.
Introducing The Edinburgh Companion to Animal Studies.
In: , ed.
The Edinburgh Companion to Animal Studies.
(592)
Edinburgh, Scotland.: Edinburgh University Press, pp. 1-12.
ISBN 1474418414
[Book Section]
Vergara Vivanco, Leire.
2018.
Dispositifs of Touching: A Curatorial Study on the Plazas of Sovereignty.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Wolf, Nicole.
2018.
Is this just a story? Friendships and fictions for speculative alliances. The Yugantar film collective (1980-83).
Moving Image Review & Art Journal, 7(2),
pp. 252-266.
ISSN 2045-6298
[Article]
2017
Gunkel, Henriette; Hameed, Ayesha and O'Sullivan, Simon D., eds.
2017.
Futures and Fictions.
London: Repeater.
ISBN 9781910924631
[Edited Book]
(Forthcoming)
Crone, Bridget, ed.
2017.
The Sensible Stage:Staging and the Moving Image.
Bristol UK: Intellect Books.
ISBN 978-1-78320-769-5
[Edited Book]
Awan, Nishat.
2017.
Mapping Otherwise: Imagining other futures and other possibilities.
In: Meike Schalk; Thérèse Kristiansson and Ramia Mazé, eds.
Feminist Futures of Spatial Practice: Materialisms, Activisms, Dialogues, Pedagogies, Projections.
Baunach: AADR, pp. 19-27.
ISBN 9783887784898
[Book Section]
Brar, Dhanveer Singh and Gamble, Lee.
2017.
Atmosphere and Architecture in the Distributed Intelligence of Soundsystems: Glass Bead in conversation with Lee Gamble and Dhanveer Singh Brar.
Glass Bead, 1,
[Article]
Crone, Bridget.
2017.
Comparative Monument (Shellal): Steadfastness and the Temporal Body.
di'van: a journal of accounts, 1(2),
pp. 54-80.
ISSN 2207-1563
[Article]
Crone, Bridget.
2017.
Flicker Time and Fabulation.
In: G Gunkel; A Hameed and S O'Sullivan, eds.
Futures and Fictions.
London, UK: Repeater Books, pp. 268-294.
ISBN 9781910924631
[Book Section]
Crone, Bridget.
2017.
Notes Towards a Sensible Stage.
In: Bridget Crone, ed.
The Sensible Stage: Staging and the Moving Image.
University of Chicago Press / Intellect Books.
ISBN 978-1783207695
[Book Section]
Crone, Bridget.
2017.
Propositions for a stage: 24 frames of a beautiful heaven.
[Exhibition Catalogue]
Crone, Bridget.
2017.
Propositions for a stage: 24 frames of a beautiful heaven.
In: "Propositions for a stage: 24 frames of a beautiful heaven", Institute for Contemporary Arts, Singapore, 29 July to 22 October 2017.
[Show/Exhibition]
Crone, Bridget.
2017.
Spectral Ecologies.
In: "Spectral Ecologies", Mildura Arts Centre, Australia, 6 April to 18 June 2017.
[Show/Exhibition]
Damaso, Mafaldo.
2017.
Unstable Mediation – Regarding the United Nations as a Visual Entity.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Dasgupta, Anshuman.
2017.
Project Borderland: A Multi-Sited Curatorial and Anthropological Probing in Selected Parts of India.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Donnelly, Ryann.
2017.
Radical Bodies in Music Video: Feminism, Queerness, and Subversive Performance of Gender.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Dyangani Ose, Elvira.
2017.
‘Becoming Post-apartheid and other history-related consideration in the collective work of Kemang Wa Lehulere.
In: , ed.
Kemang Wa Lehulere. Bird Song.
Berlin, Germany: Hatje Cantz Verlag.
ISBN 978-3-7757-4280-1
[Book Section]
El Baroni, Bassam.
2017.
Post-Agonistics: Pluralism, Realism and the Image.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Ellul, Hannah.
2017.
Picturing Politics: Drawing Out the Histories of Collective Political Action in Contemporary Art.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Fisher, Andrew.
2017.
Imaginative Variation: Photographic Scale & Photographic Horizons.
In: Florian Dombois and Julie Harboe, eds.
Too Big to Scale: On Scaling Space, Number, Time and Energy.
Zurich: Scheidegger & Spiess Verlag, pp. 17-32.
ISBN 9783858817938
[Book Section]
Graham, Janna.
2017.
Dos relatos sobre un «nosotros»
Malestar en las fronteras entre arte, educación e investigación.
Errata: Revista de Artes Visuales(16),
[Article]
Graham, Janna.
2017.
Technologies for Living Otherwise: Arts Pedagogy as Social Reproduction and Movement Building.
In: , ed.
Creativity Exercises.
UNSPECIFIED.
[Book Section]
(In Press)
Graham, Janna.
2017.
‘“A strong curatorial vision for the neighbourhood”: Countering the diplomatic condition of the arts in urban neighbourhoods’,.
Art and the Public Sphere, 6(1),
pp. 33-49.
ISSN 2042-793X
[Article]
Gunkel, Henriette and McGeorge, Eline.
2017.
Companions Meet as Spaces Fold. A Conversation.
In: Eline McGeorge, ed.
As Spaces Fold, Companions Meet.
London: Dent-De-Leone, pp. 167-175.
ISBN 978-1-907908-41-5
[Book Section]
Martinon, Jean-Paul.
2017.
Edging Disciplines.
Journal of Curatorial Studies, 6(2),
pp. 221-229.
ISSN 2045-5836
[Article]
Martinon, Jean-Paul.
2017.
Time Unshackled.
New Formations, 92,
pp. 11-24.
ISSN 0950-2378
[Article]
McAuliffe, Sam.
2017.
'Decorum and Insolence in Robert Walser’s Dialectic of Manners'.
In: Play, Recreation, and Experimentation: Literature and the Arts since the Early Modern Times. University of Kent, United Kingdom.
[Conference or Workshop Item]
McAuliffe, Sam.
2017.
Fable.
In: , ed.
Symptoms of the Planetary Condition: A Critical Vocabulary.
Lüneburg: Meson Press, pp. 55-59.
ISBN 9783957960856
[Book Section]
McAuliffe, Sam.
2017.
'The Imagination of Detail: Barthes and the Politics of Utopia'.
In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017.
[Conference or Workshop Item]
McAuliffe, Sam.
2017.
Inner Voice.
In: Mercedes Bunz; Birgit Mara Kaiser and Kathrin Thiele, eds.
Symptoms of the Planetary Condition: A Critical Vocabulary.
Lüneburg: Meson Press, pp. 73-77.
ISBN 978-3-95796-085-6
[Book Section]
Meneses Romero, Mariana.
2017.
Women cooking art: Hospitality and contemporary art practices.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Moon, Je Yun.
2017.
Choreo-graphy: The Deinstitutionalisation of the Body and the Event of Writing.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Moreno, Louis.
2017.
David Harvey.
In: A Latham and R Kock, eds.
Key Thinkers on Cities.
Sage Publishing.
ISBN 9781473907751
[Book Section]
O'Sullivan, Simon D..
2017.
Accelerationism, Hyperstition and Myth-Science.
Cyclops(2),
pp. 11-44.
ISSN 2398-2705
[Article]
O'Sullivan, Simon D..
2017.
Accelerationism, Prometheanism and Mythotechnesis.
In: Baylee Brits; Prudence Gibson and Amy Ireland, eds.
Aesthetics After Finitude.
Melbourne: re.press, pp. 171-189.
ISBN 9780980819793
[Book Section]
O'Sullivan, Simon D..
2017.
The Finite-Infinite Relation: A Conversation with Simon O’Sullivan.
In: Anthony Morgan, ed.
The Kantian Catastrophe: Conversations on Finitude and the Limits of Philosophy.
Newcastle: Bigg Books, pp. 209-221.
ISBN 97819998413
[Book Section]
O'Sullivan, Simon D..
2017.
From Science Fiction to Science Fictioning: SF’s Traction on the Real.
Foundation: The International Review Of Science Fiction,
ISSN 0306-4964
[Article]
(Forthcoming)
O'Sullivan, Simon D..
2017.
Myth-Science as Residual Culture and Magical Thinking.
postmedieval: a journal of medieval cultural studies,
ISSN 2040-5960
[Article]
(In Press)
O'Sullivan, Simon D..
2017.
Mythopoesis or Fiction as Mode of Existence: Three Case Studies from Contemporary Art.
Visual Culture in Britain, 18(2),
pp. 292-311.
ISSN 1471-4787
[Article]
Pavlovits, Daniel Imre.
2017.
The Verb, Noun and Dash of Consciousness: on two aspects of the quotidian condition.
Other thesis, Goldsmiths, University of London
[Thesis]
Prendeville, Brendan.
2017.
Competing futures, precarious community: realism in post-war Britain.
In: Andrew Hemingway and Alex Potts, eds.
Kunst und Politik 19: Realism in Modern British and American Art.
19
Göttingen: V & R Unipress, pp. 59-71.
ISBN 978-3-8471-0815-3
[Book Section]
Ramos Martinez, Manuel.
2017.
An Accidental Document of the Beginnings of the Civil War in Madrid: Notes on Carne de Fieras.
La Furia Umana(30),
[Article]
Roberdeau, Wood.
2017.
Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time.
Dada/Surrealism, 21,
ISSN 0084-9537
[Article]
Roberdeau, Wood.
2017.
A Withdrawing Vital Material.
TAKE on art magazine, 3(1),
[Article]
Rodrigues, Joana Trigueiros Rafael Sampaio.
2017.
Keeping in Reserve: Rethinking Earth Crises through Acts and
Architectures of Reservation.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Rogoff, Irit.
2017.
Who do WE face?
In: Maria Hlavajova and Simon Sheikh, eds.
FORMER WEST: Art and the Contemporary after 1989.
Amsterdam, Netherlands: BAK, basis voor actuele kunst and MIT Press.
ISBN 9780262533836
[Book Section]
Rosamond, Emily.
2017.
Developing Student-Centred Metacognitive Parameters for Writing Feedback.
Creative Pedagogies, 1(1),
pp. 15-19.
[Article]
Rosamond, Emily.
2017.
'Financial Vision and the Disinterested Gaze of Power'.
In: Intersections of Finance and Society. City, University of London, United Kingdom 2-3 November, 2017.
[Conference or Workshop Item]
Rosamond, Emily.
2017.
'The Future-Oracular: Prediction, Divination and the Politics of Certainty'.
In: AUB Research Conference. Arts University Bournemouth, United Kingdom 3 April, 2017.
[Conference or Workshop Item]
Rosamond, Emily.
2017.
'Identity Trouble'.
In: Identity Trouble (on the blockchain). Goethe Institute, London, United Kingdom 23 November, 2017.
[Conference or Workshop Item]
Rosamond, Emily.
2017.
It Sees (Notes Toward a Cultural History of Financial Vision).
In: Inte Gloerich; Geert Lovink and Patricia de Vries, eds.
Moneylab Reader Reader 2: Overcoming the Hype.
Amsterdam: Institute of Network Cultures, pp. 101-114.
ISBN 978-94-92302-19-9
[Book Section]
Rosamond, Emily.
2017.
'New Fluidities: Borders in the Age of Continuous Transformation'.
In: Uncertain Identities. Haus Für Kunst Uri, Altdorf, Switzerland 30 September, 2017.
[Conference or Workshop Item]
Rosamond, Emily.
2017.
'On Reputation and Addiction'.
In: Are We All Addicts Now? Symposium and Book Launch. Central St Martins, United Kingdom 7 November.
[Conference or Workshop Item]
Rosamond, Emily.
2017.
Plymouth Contemporary.
In: "Plymouth Contemporary", Karst, Plymouth, United Kingdom.
[Show/Exhibition]
Rosamond, Emily.
2017.
'Removing the Cap: Institutional Affectivity and the Financialization of British Art Education'.
In: Ninth Critical Finance Studies Conference. University of Leicester, United Kingdom.
[Conference or Workshop Item]
Rosamond, Emily.
2017.
Reputation Addiction.
In: Vanessa Bartlett and Henrietta Bowden-Jones, eds.
Are We All Addicts Now?
Liverpool: Liverpool University Press, pp. 96-103.
ISBN 978-1-78694-081-0
[Book Section]
Rosamond, Emily.
2017.
'Reputation Capital/Reputation Warfare: Two Versions of the Optimal'.
In: All Things Optimal. Centre for Interdisciplinary Methodologies, University of Warwick, United Kingdom 25 October, 2017.
[Conference or Workshop Item]
Rosamond, Emily.
2017.
'Reputation Management, Surveillance Capitalism and the Politics of Nudging'.
In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017.
[Conference or Workshop Item]
Rosamond, Emily.
2017.
'Reputation Power'.
In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom.
[Conference or Workshop Item]
Rosamond, Emily.
2017.
Theatre of Information.
In: Sam Smith and Andrea Zucchini, eds.
Here the Sun does not enter.
London: Assembly Point.
ISBN 978-0-9957691-0-6
[Book Section]
Rosamond, Emily.
2017.
To sort, to match and to share: addressivity in online dating platforms.
Journal of Aesthetics & Culture, 10(3),
pp. 32-42.
[Article]
Rosamond, Emily and Zubillaga, Luciano.
2017.
'Discussion: Telepathy as Feminist Methodology'.
In: Post-Cyber Feminist International. ICA, London, United Kingdom 19 November, 2017.
[Conference or Workshop Item]
Schuppli, Susan.
2017.
Computing the Law / Searching for Justice.
In: Boris Buden,; Maria Hlavajova and Simon Sheikh, eds.
Former West Art and the Contemporary after 1989.
MIT Press: MIT Press.
ISBN 9780262533836
[Book Section]
Schuppli, Susan.
2017.
Ex-Ante.
In: "Ex-Ante", Auckland, New Zealand, 27 October – 22 December 2017.
[Show/Exhibition]
Schuppli, Susan.
2017.
The Images of War.
In: "The Images of War", Stockholm, Sweden, 20 September 2017 – 14 January 2018.
[Show/Exhibition]
(Forthcoming)
Schuppli, Susan.
2017.
Le subterfuge des écrans / The Subterfuge of Screens.
[Exhibition Catalogue]
Schuppli, Susan.
2017.
Material Truths.
In: "Material Truths", Site Gallery, Sheffield, United Kingdom.
[Show/Exhibition]
Schuppli, Susan.
2017.
Ural Industrial Biennial.
In: "New Literacy", Ural, Russian Federation, 14.09 - 12.11.2017.
[Show/Exhibition]
Shaw, Jonathan Keith.
2017.
Subjectility : On Reading Artaud.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Turner, Lynn.
2017.
'‘Give them some more time’: the ends of sacrifice in White God'.
In: Out of Time, SLSA annual conference. Arizona State University, United States 9-12 Nov 2017.
[Conference or Workshop Item]
(Forthcoming)
Turner, Lynn.
2017.
'The Oestrus Complex: soliciting the sexual contract of whale song'.
In: Animal Utterances. University of Bristol, United Kingdom 25-26 May 2016.
[Conference or Workshop Item]
Turner, Lynn.
2017.
'Podcasting: The Becoming-Space of Voices’'.
In: Wild Minds. ICA, London, United Kingdom 31 March 2017.
[Conference or Workshop Item]
2016
Andrews, Jorella G..
2016.
The Socialities of Things.
In: Barbara Kapusta; Rocco Pagel and Jenni Tischer, eds.
Dinge und Dialoge.
Berlin and Vienna: Saprophyt, pp. 10-15.
[Book Section]
Awan, Nishat.
2016.
Digital Narratives and Witnessing: The Ethics of Engaging with Places at a Distance.
Geohumanities, 2(2),
pp. 311-330.
ISSN 2373-566X
[Article]
Awan, Nishat.
2016.
Edges of Europe: Visuality, ethics and witnessing in social research.
Working Paper.
Independent Social Research Foundation, London.
[Report]
Blas, Zach.
2016.
Opacities: An Introduction.
Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92),
pp. 149-153.
ISSN 0270-5346
[Article]
Blas, Zach.
2016.
“Vacuoles of Noncommunication: From Invisible Adversary to Invisible Revolt".
In: Lauren Cornell and Tom Eccles, eds.
Invisible Adversaries.
Annandale-on-Hudson: Center for Curatorial Studies, Bard College.
ISBN 1936192500
[Book Section]
Blas, Zach and Gaboury, Jacob.
2016.
"Biometrics and Opacity: A Conversation".
Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92),
pp. 155-165.
ISSN 0270-5346
[Article]
Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal.
2016.
On Forensic Architecture: A Conversation with Eyal Weizman.
October(156),
pp. 116-140.
ISSN 0162-2870
[Article]
Brar, Dhanveer Singh.
2016.
Architekture and Teklife in the Hyperghetto: The Sonic Ecology of Footwork.
Social Text, 34(1),
pp. 21-48.
ISSN 0164-2472
[Article]
Crone, Bridget.
2016.
'Modern Art Oxford | Dr Bridget Crone on Mona Hatoum's early performance work'.
In: Re-Visit: 1998 / Mona Hatoum. Modern Art Oxford, United Kingdom.
[Conference or Workshop Item]
Crone, Bridget.
2016.
Opera as Method in the Work of Grace Schwindt.
In: Agar Ledo, ed.
Grace Schwindt: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts.
Vigo, Spain: Foundation MARCO / Goethe Institute, Madrid, pp. 148-161.
ISBN 978-84-943529-1-2
[Book Section]
Dimitriou, Orsalia.
2016.
The Politics of Public Space and the Emergence of the Commons in Contemporary Athens.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Doussan, Jenny.
2016.
Writing Lines: Agamben contra Nietzsche.
Cultural Critique, 92,
pp. 114-136.
ISSN 0882-4371
[Article]
Dyangani Ose, Elvira.
2016.
Hypothesis for an Institution.
In: Mario Mainetti, ed.
Recto Verso Quaderno.
#4
Milano: Fondazione Prada.
[Book Section]
Dyangani Ose, Elvira.
2016.
Theaster Gates - True Value.
In: "True Value", Fondazione Prada Milano, Italy, July - September 2016.
[Show/Exhibition]
Dyangani Ose, Elvira and Mainetti, Mario.
2016.
Quaderno: Template Temples of Tenacity: Nástio Mosquito.
[Exhibition Catalogue]
Eshun, Kodwo.
2016.
'On Opacity in Senghor and Glissant, States of Opacity: Art, Politics and New Social Imaginaries'.
In: International Symposium. Dak’ Art, Dakar Biennial, Senegal 7 - 8 May 2016.
[Conference or Workshop Item]
Fisher, Andrew.
2016.
On the Scales of Photographic Abstraction.
Photographies, 9(2),
pp. 203-214.
ISSN 1754-0763
[Article]
Graham, Janna.
2016.
The Anatomy of an AND.
In: Carmen Mörsch; Angeli Sachs and Thomas Sieber, eds.
Curating and Museum Education.
Bielefeld: Transcript Verlag, pp. 188-202.
ISBN 978-3-8376-3080-0
[Book Section]
Graham, Janna; Grazianao, V and Kelly, Susan.
2016.
The Educational Turn in Art: Rewriting the Hidden Curriculum.
Performance Research, Vol.(6),
pp. 29-35.
ISSN 1352-8165
[Article]
Grant, Catherine.
2016.
A Time of One's Own.
Oxford Art Journal, 39(3),
pp. 357-376.
ISSN 0142-6540
[Article]
Lindblom, Jon.
2016.
Technihil: The Cultural Import of Cognitive Neuroscience.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Martin, David L.
2016.
"To prophesy post hoc": the curious afterlives of oddball archives.
In: Jonathan P Eburne and Judith Roof, eds.
The year's work in the oddball archive.
Bloomington: Indiana University Press, pp. 391-408.
ISBN 978-0-253-01835-9
[Book Section]
Millner-Larsen, Nadja.
2016.
Kalliopi Lemos's Sculpture of Subjection.
In: , ed.
Kalliopi Lemos: In Balance.
London: Gazelli Art House.
[Book Section]
O'Sullivan, Simon D..
2016.
Deleuze Against Control: from Fictioning to Myth-Science.
Theory, Culture and Society, 33(7/8),
pp. 1-16.
ISSN 0263-2764
[Article]
O'Sullivan, Simon D..
2016.
Myth-Science and the Fictioning of Reality.
Paragrana, 25(2),
pp. 80-93.
ISSN 0938-0116
[Article]
O'Sullivan, Simon D. and Burrows, David.
2016.
Plastique Fantastique Review of the Kibbo Kift: Seven Celebrations/Seven Critiques/Seven Parallels.
Visual Culture in Britain, 17(2),
pp. 225-233.
ISSN 1471-4787
[Article]
Pekun, Didem.
2016.
First Person as Molecular Subjectivities: Turkey and Turkishness.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Ramos Martinez, Manuel.
2016.
“Actors Simply Explode”: To Act in the Cinema of Jean-Marie Straub and Danièle Huillet.
Camera Obscura, 31(2),
pp. 93-117.
ISSN 0270-5346
[Article]
Ramos Martinez, Manuel.
2016.
Nombrar, Resistir – de los títulos en el cine de Straub y Huillet.
In: , ed.
Jean-Marie Straub y Danièle Huillet: Hacer la revolucion es volver a colocar en su sitio cosas muy antiguas pero olvidadas.
Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 127-143.
ISBN 9788480265430
[Book Section]
Ramos Martinez, Manuel.
2016.
People Fever, On the Popular Passions of Peter Watkins' La Commune (Paris 1871).
Screen, 57(2),
pp. 197-217.
ISSN 0036-9543
[Article]
Rito, Carolina.
2016.
Exposing the Event. A Curatorial Investigation of the Aesthetics of Novelty in the Portuguese Revolution.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Rogoff, Irit.
2016.
An Anecdoted Archive of Exhibition Lives.
In: "An Anecdoted Archive of Exhibition Lives", Bergen Assembly, Norway.
[Show/Exhibition]
Rogoff, Irit.
2016.
Starting in the Middle: NGOs and Emergent Forms For Cultural Institutions.
In: Johanna Burton; Shannon Jackson and Dominic Willsdon, eds.
Public Servants Art and the Crisis of the Common Good.
MIT Press.
ISBN 9780262034814
[Book Section]
Rogoff, Irit and Attia, Kader.
2016.
Counter Knowledges and Permissions.
In: Susanne Gaensheimer and Klaus Görner, eds.
Kader Attia: Sacrifice and Harmony.
Kerber Verlag.
ISBN 978-3-7356-0255-8
[Book Section]
Rogoff, Irit; Moreno, Louis; Mallona, Massomilliano; Harney, Stefano and Sternfeld, Nora.
2016.
Infrastructure.
In: "Infrastructure", Bergen Aseembly, Norway.
[Show/Exhibition]
Rogoff, Irit and Sonderegger, Ruth.
2016.
Counter Knowledges.
In: David Blamey, ed.
Specialism.
Open Editions, pp. 122-137.
ISBN 978-0-949004-01-7
[Book Section]
Rosamond, Emily.
2016.
'Algorithmic Witnesses'.
In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
'Algorithmic Witnesses'.
In: 8th Beyond Humanism Conference. Universidad Complutense de Madrid, Spain 25-27 May 2016.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
All Data is Credit Data: Reputation, Regulation and Character in the Entrepreneurial Imaginary.
Paragrana, 25(2),
pp. 112-124.
ISSN 0938-0116
[Article]
Rosamond, Emily.
2016.
'Character, Creditworthiness and Reputation: on Representational Logics of Control in the Surveillance Economy'.
In: Control. Stockholm University, Sweden 14-17 June 2016.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
'Dating Big Data: OkCupid's OkTrends'.
In: Love's Archive. Arts University Bournemouth, United Kingdom 14-15 March 2016.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
Decision Aperture in Light Heat (simmer in the measure).
[Art Object]
Rosamond, Emily.
2016.
'Financial Witness: Investing in Rehabilitation in an Actuarial Age'.
In: MoneyLab #3. Institute of Network Cultures, Amsterdam, Netherlands.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
'First Person Finance'.
In: Abstract Cities, Spatial Practices and the Urban Commons. Tenderpixel, London, United Kingdom 13 April - 4 June 2016.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
Francis Alÿs, Ciudad Juárez Projects.
Esse, 88,
pp. 110-111.
ISSN 0831-859X
[Article]
Rosamond, Emily.
2016.
Ghosted Clients, Oriented Strands: Composites and Class in Ian Gonczarow's Painting.
Ian Gonczarow, Mr. and Mrs. Andrews,
[Article]
Rosamond, Emily.
2016.
'Office/Surface/Tension'.
In: Tensegrity - and Other Contradictory Complicities. Tenderpixel, London, United Kingdom 18-19 November 2018.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
A Premonition of the Act, Rose English / with, and, or, without, Florian Roithmayr, Camden Arts Centre.
Esse(87),
pp. 112-113.
ISSN 0831-859X
[Article]
Rosamond, Emily.
2016.
'Risky Behaviour: Social Impact Bonds and the Financialization of Rehabilitation'.
In: Risking Everything: The Computational Politics of Prediction, Security and Secrecy. Goldsmiths, University of London 20 May 2016.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
Shared Stakes, Distributed Investment: Socially Engaged Art and the Financialization of Social Impact.
Finance and Society, 2(2),
pp. 111-126.
ISSN 2059-5999
[Article]
Rosamond, Emily.
2016.
'Socially Engaged Art and the Financialization of Social Impact'.
In: 8th Critical Finance Studies Conference. University of Southampton, United Kingdom 4-6 August 2016.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
The Surveillance Economy: Toward a Geopolitics of Personalization.
Geopolitics, 86,
pp. 22-29.
ISSN 0831-859x
[Article]
Rosamond, Emily.
2016.
That's one way of belonging, that's one way of getting the future to circle around the sharkifin of the present.
[Art Object]
Rosamond, Emily.
2016.
'What Moves Us: Immersive Economies and Composite Bodies'.
In: Banner Repeater New Materialisms Reading Group. Banner Repeater, United Kingdom 8 June, 2016.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
'What is Reputation Capital? Character, Power and the Reputation Economy'.
In: Capital as Power: Broadening the Vista. York University, Canada 28-30 September, 2016.
[Conference or Workshop Item]
Rosamond, Emily.
2016.
The premise does its job and then it's rolled up, it's rolled up like a carpet.
[Art Object]
Rosamond, Emily.
2016.
A trigger for each of the oracle's moods, as if she could cut through the thick through the thick crust.
[Art Object]
Rosamond, Emily; Craig, Kit; Lawler, Alex; Prevett, Jim; Selby, Lisa; Harris, Rowena and Zaharia, Madalina.
2016.
Say What?.
In: "Say What?", ASC Gallery, London, United Kingdom, 9 September - 28 October 2016.
[Show/Exhibition]
Rosamond, Emily; Harris, Rowena; Prevett, James; Zaharia, Madalina and Craig, Kit.
2016.
You must answer in the form of a question!.
In: "You must answer in the form of a question!", ASC Gallery, London, United Kingdom, 3 October 2016.
[Performance]
Savina, Anastasiya.
2016.
Demystifying Japanese Uniqueness. Representations of Life and Death in Contemporary Japanese Fiction Cinema.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Schuppli, Susan.
2016.
The Sun Placed in the Abyss.
In: "The Sun Placed in the Abyss", Columbus, Ohio, United States, October 7, 2016 to January 8, 2017.
[Show/Exhibition]
Spillane, Jeremiah and Sahin, Ozden.
2016.
Interview with Eyal Weizman and Stefan Laxness on the theme of 'Open in Action' Open Access Week 2016.
[Film/Video]
Truskolaski, Sebastian.
2016.
Bilderverbot: Adorno and the Ban on Images.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Tubridy, Derval.
2016.
'An Unforgettable Image': Staging Beckett’s Short Plays.
In: David Tucker and Trish McTighe, eds.
Staging Beckett in Great Britain.
London: Bloomsbury Methuen Drama, pp. 135-155.
ISBN 978-1-4742-4017-8
[Book Section]
Turner, Lynn.
2016.
Interviewee: Lynn Turner. Interviewer: Ron Broglio.
Antennae: The Journal of Nature in Visual Culture(38),
pp. 30-36.
ISSN 1756-9575
[Article]
Turner, Lynn.
2016.
'Voice (podcasting)'.
In: Derrida Today. Goldsmiths, United Kingdom 08-11 June 2016.
[Conference or Workshop Item]
Turner, Lynn and Anderson, Nicole.
2016.
'Derrida Today'.
In: Derrida Today. Goldsmiths, United Kingdom 8-11 June 2016.
[Conference or Workshop Item]
Waldmeier, Martin.
2016.
The Artist as Translator.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2015
Aloi, Giovanni.
2015.
Botched Taxidermy: New Animal Bodies in Contemporary Art.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Amir, Maayan.
2015.
Extraterritorial Images: Visual Presence and Absence
in the Representation of the Gaza Freedom Flotilla.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Andrews, Jorella G..
2015.
This is Cézanne.
London: Laurence King Publishing.
ISBN 978-1780674780
[Book]
Arinc, Cihat.
2015.
Postcolonial Ghosts in New Turkish Cinema: A Deconstructive
Politics of Memory in Dervis Zaim’s ‘The Cyprus Trilogy’.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Awan, Nishat and Hoskyns, Teresa.
2015.
Mapping Occupy.
Architecture and Culture, 2(1),
pp. 130-140.
ISSN 2050-7828
[Article]
Brar, Dhanveer Singh.
2015.
“Black Outbreak”.
In: Sophie Fuggle and Tom Henri, eds.
Return to the Street.
London: Pavement Books.
ISBN 978-0-9571470-5-8
[Book Section]
Brar, Dhanveer Singh.
2015.
Ghetto Thermodynamics.
Cesura // Acceso: Journal for Music, Politics and Poetics, 1,
[Article]
Brar, Dhanveer Singh.
2015.
'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup.
Popular Music, 34(3),
pp. 471-484.
ISSN 0261-1430
[Article]
Dyangani Ose, Elvira.
2015.
A Story Within a Story. Catalogue. 8th edition of the Göteborg International Biennial for Contemporary Art (GIBCA).
[Exhibition Catalogue]
Dyangani Ose, Elvira.
2015.
'A Tendency to Forget, An Urgency to Remember' Introduction and Interview to Angela Ferreira.
In: Ferreira de Carvalho Nuno, ed.
NOVO BANCO Photo 2015: Ângela Ferreira, Ayrson Heráclito, Edson Chagas.
Lisboa Portugal: Museu Coleção Berardo.
ISBN 978-989-8239-46-4
[Book Section]
Dyangani Ose, Elvira; Bashar, Shumon; Liber, Cédric and Roelstraete, Dieter.
2015.
RECTO VERSO.
In: "RECTO VERSO", Fondazione Prada Milan, Italy, 3 December 2015 – 14 February 2016.
[Show/Exhibition]
Grant, Catherine.
2015.
Feminism Lives! (Again).
Photoworks Annual(22),
pp. 196-206.
[Article]
Heller, Charles.
2015.
Liquid Trajectories : Documenting Illegalised Migration and the Violence of Borders.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Licha, Jacques Emanuel.
2015.
War Hotels.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Lipschitz, Ruth Adele.
2015.
Animality and Alterity : Species Discourse and the Limits of 'the Human' in Contemporary South African Art..
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Martinon, Jean-Paul.
2015.
The Equivocal Concept: The Work of Bourahima Ouattara.
International Journal of Francophone Studies, 18(2-3),
ISSN 1936-6280
[Article]
Martinon, Jean-Paul.
2015.
Im-Mundus or Nancy’s Globalizing-World-Formation.
In: Sanja Dejanovic, ed.
Nancy and the Political.
Edinburgh: Edinburgh University Press, pp. 219-244.
ISBN 978-0748683185
[Book Section]
Mende, Doreen.
2015.
The Itinerant: On the delayed arrival of images from International Solidarity with Palestine that resonate towards a geopolitical exigency in exhibiting processes under globalising conditions.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Mörtenböck, Peter.
2015.
Global Informality: Bottom-Up Trade and Transnational Realignments.
In: Peter Mörtenböck; Helge Mooshammer; Teddy Cruz and Fonna Forman, eds.
Informal Market Worlds: The Architecture of Economic Pressure (Reader).
Rotterdam: nai010 Publishers, pp. 105-118.
ISBN 9789462081956
[Book Section]
Mörtenböck, Peter and Mooshammer, Helge.
2015.
Informal Market Worlds: The Architecture of Economic Pressure - ATLAS.
Rotterdam: nai010 publishers.
ISBN 978-94-6208-194-9
[Book]
Mörtenböck, Peter; Mooshammer, Helge; Cruz, Teddy and Forman, Fonna.
2015.
Informal Market Worlds: The Architecture of Economic Pressure - READER.
Rotterdam: nai010 publishers.
ISBN 978-94-6208-195-6
[Book]
Pezzani, Lorenzo.
2015.
Liquid Traces. Spatial practices, aesthetics and humanitarian dilemmas at the maritime borders of the EU.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Pierce, Sarah.
2015.
It's time man. It feels Imminent. Politics at the moment of exposition.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Ramos Martinez, Manuel.
2015.
Book Review: TJ Demos, The Migrant Image: The Art and Politics of Documentary during Global Crisis.
Journal of Visual Culture, 14(1),
pp. 116-118.
ISSN 1470-4129
[Article]
Ramos Martinez, Manuel.
2015.
The Oxidation of the Documentary – The Politics of Rust in Wang Bing’s Tie Xi Qu: West of the Tracks.
Third Text,
ISSN 0952-8822
[Article]
Rogoff, Irit.
2015.
Oblique Points of Entry.
In: Hamid Keshmirshekan, ed.
Contemporary Art from the Middle East: Regional Interactions with Global Art Discourses: Volume 18.
I.B.Tauris & Co Ltd.
ISBN 9781784530020
[Book Section]
Rosamond, Emily.
2015.
The Background Speaks: David Mabb's Announcer and the Emergence of Information.
Message, 2(1),
pp. 20-25.
[Article]
Rosamond, Emily.
2015.
'Character in the Age of Big Data'.
In: Commonwealth Scholars Regional Network Conference. University of Nottingham, United Kingdom 20 July 2015.
[Conference or Workshop Item]
Rosamond, Emily.
2015.
'Economies of (Mis)Trust: Reputation as Capital in the Digital Age'.
In: Seventh Critical Finance Studies Conference. Copenhagen Business School, Denmark 19-21 August 2015.
[Conference or Workshop Item]
Rosamond, Emily.
2015.
'Phantom Limbs and the Image-Object: Toward a Feminist Materialist Account of the Points of Contact Between Tangible and Digital Space'.
In: Material Environments: Sensing Time And Matter In Digital And Visual Culture, University of Greenwich. University of Greenwich, United Kingdom 24-25 July 2015.
[Conference or Workshop Item]
Rosamond, Emily.
2015.
'Politics of the Shared Interior: on Digital Intimacy and Tangible Space'.
In: Intimacies. Goldsmiths, United Kingdom 1-2 June, 2015.
[Conference or Workshop Item]
Rosamond, Emily.
2015.
Rafael Lozano-Hemmer: Obra Sonora.
Esse, 83,
pp. 72-75.
ISSN 0831-859X
[Article]
Rosamond, Emily.
2015.
Speculative Labour: On the Work of Charlotte Warne Thomas.
In: Margarida Bröco Amorim; Alejandro J. Ball; Miriam La Rosa and Stefania Sorrentino, eds.
In Transition: The Artistic and Curatorial Residency.
London: CTC Press, pp. 24-33.
ISBN 9780993358708
[Book Section]
Rosamond, Emily.
2015.
'Surveillance, Preemption and the Production of Character in the Age of Big Data'.
In: London Conference in Critical Thought 2015. University College London, United Kingdom 26-27 June 2015.
[Conference or Workshop Item]
Rosamond, Emily.
2015.
Technologies of Attribution: Characterizing the Citizen-Consumer in Surveillance Performance.
International Journal of Performance Arts and Digital Media, 11(2),
pp. 148-164.
ISSN 1479-4713
[Article]
Rosamond, Emily.
2015.
Transfusing Abstraction: Darren Harvey-Regan's Metalepsis.
Esse, 83,
pp. 14-21.
ISSN 0831-859x
[Article]
Rosamond, Emily.
2015.
'The Umwelt and the Operational Image'.
In: Nematode. Wysing Arts Centre, United Kingdom 9 May, 2015.
[Conference or Workshop Item]
Rosamond, Emily.
2015.
'Weathervane'.
In: Questioning Practice: Art/CRA Research Seminar. Goldsmiths, University of London 2 March 2015.
[Conference or Workshop Item]
Samuel, Flora; Awan, Nishat; Butterworth, Carolyn; Handler, Sophie and Lintonbon, Jo.
2015.
Cultural Value of Architecture in Homes and Neighbourhoods.
Project Report.
Arts and Humanities Research Council.
[Report]
Schmetterling, Astrid.
2015.
‘Biographien jüdischer Frauen: Zur Aktualität Charlotte Salomons’.
Medaon – Magazin für jüdisches Leben in Forschung und Bildung, 9(17),
pp. 1-5.
[Article]
Schuppli, Susan.
2015.
10th Shanghai Biennale.
In: "The Social Factory", Shanghai, China, November 23 2014 – March 31 2015.
[Show/Exhibition]
Schuppli, Susan.
2015.
“Slick Images: The Photogenic Surface of Disaster.”.
In: , ed.
Extra City.
Antwerp: Extra City.
[Book Section]
Singer, Manuel.
2015.
Indefinite Workings : What Dwellings Elicit and On What Architecture Depends.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Stewart, Jay.
2015.
Trans on Telly: Popular Documentary and the Production of Transgender Knowledge.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Szynkarczuk, Pawel.
2015.
Intercorporeality - Merleau-Ponty’s Ontology of Flesh and Butoh Dance Practice.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Turner, Lynn.
2015.
‘Animal Melancholia: on the scent of Dean Spanley’.
In: Michael Lawrence and Laura McMahon, eds.
Animal Life and the Moving Image.
London: Bloomsbury/British Film Institute.
ISBN 9781844578993
[Book Section]
Turner, Lynn.
2015.
Critical Companions: Derrida, Haraway & Other Animals.
In: Julian Wolfreys, ed.
Introducing Criticism in the 21st Century, 2nd Edition.
Edinburgh: Edinburgh University Press.
ISBN 9780748695294
[Book Section]
Turner, Lynn.
2015.
Fort Spa: In at the Deep End with Derrida and Ferenczi.
In: Simon Morgan Wortham and Chiara Alfano, eds.
Desire in Ashes: Deconstruction, Psychoanalysis, Philosophy.
London: Bloomsbury.
ISBN 1472529138
[Book Section]
Töpfner, Christian.
2015.
Subjects of Creation. On Materialist Abstraction and the Enactment of Ideas.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2014
Gunkel, Henriette and Stieglitz, Olaf, eds.
2014.
'Sport und Körper' [Sport and the Body],
Body Politics – Zeitschrift für Körpergeschichte, 2(3).
[Edited Journal]
Andrews, Jorella G..
2014.
Showing Off: A Philosophy of Image.
London: Bloomsbury.
ISBN 9781848858923
[Book]
Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina.
2014.
New Keywords: Migration and Borders.
Cultural Studies, 29(1),
pp. 55-87.
ISSN 0950-2386
[Article]
Condorelli, Céline.
2014.
In Support: A Theoretical and Practical Investigation into Forms of Display.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Crone, Bridget.
2014.
Book Review: Pascal Gielen, Instituting Art in a Flat World.
Journal of Curatorial Studies, 3(2-3),
ISSN 2045-5836
[Article]
, ed.
2014.
The Cinemas Project: Exploring the Spectral Spaces of Cinema.
Melbourne, Australia: National Exhibitions Touring Support (Victoria).
ISBN 9780980297706
[Edited Book]
Fisher, Andrew.
2014.
Photo-surveillance and the emplaced déraciné.
Photographies, 7(1),
pp. 53-65.
ISSN 1754-0763
[Article]
Marques Florencio, Joao Pedro.
2014.
Strange Encounters:Performance in the Anthropocene.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Moreira, Inês.
2014.
Performing Building Sites : Curating in/on/through space.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Pennell, Jacqueline D..
2014.
Perfect Day.
In: "Symbiosis", Goldsmiths, United Kingdom, 11 December 2014.
[Show/Exhibition]
Rosamond, Emily.
2014.
'Economic Figuration'.
In: Critical Finance Studies VI. University of Amsterdam, Netherlands 13-15 August, 2014.
[Conference or Workshop Item]
Rosamond, Emily.
2014.
'Futures of the Future: Agriculture Between Business and Culture'.
In: Vertical Farming and the Future of Food Conference. Foundation for Art and Creative Technology, Liverpool, United Kingdom 10 October, 2014.
[Conference or Workshop Item]
Rosamond, Emily.
2014.
Species of Futurity in Business, Law and Finance.
Who Thinks the Future?,
pp. 7-11.
[Article]
Rosamond, Emily; Pickering, Kate and Ounanian, Steven.
2014.
before breakfast we talked about the furthest visible point before it all disappeared.
In: "before breakfast we talked about the furthest visible point before it all disappeared", Tenderpixel, London, United Kingdom, 27 June - 26 July 2014.
[Show/Exhibition]
Turner, Lynn.
2014.
'Telefoam'.
In: 4th Derrida Today conference. Fordham University, United States 28 May - 31 May 2014.
[Conference or Workshop Item]
Turner, Lynn.
2014.
Telefoam: species on the shores of Derrida and Cixous.
European Journal of English Studies, 18(2),
pp. 158-171.
ISSN 1382-5577
[Article]
2013
Turner, Lynn and Kelley, Lindsay, eds.
2013.
Bon Appetit,
Parallax, 19(1). 1353-4645
[Edited Journal]
Martinon, Jean-Paul, ed.
2013.
The Curatorial: A Philosophy of Curating.
London: Bloomsbury.
ISBN 9781472525604
[Edited Book]
Andrews, Jorella G. and O'Sullivan, Simon D..
2013.
Visual Cultures as Objects and Affects.
Berlin: Sternberg Press.
ISBN 978-3-943365-38-2
[Book]
Awan, Nishat and Langley, Phil.
2013.
Mapping Migrant Territories as Topological Deformations of Space.
Space and Culture, 16(2),
pp. 229-245.
ISSN 1206-3312
[Article]
Brkić, Aleksandar.
2013.
In a Bigger Family.
ARTICLE: The Singapore Biennale Review,
[Article]
Crone, Bridget.
2013.
Seeing Red.
In: Robin Mackay, ed.
Final Machine.
Falmouth, UK: Urbanomic, pp. 15-20.
ISBN 9780957529502
[Book Section]
Crone, Bridget.
2013.
The Sensible Stage : An encounter with bodies, images and other sensate materials.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Crone, Bridget.
2013.
Swarm Machines Ladders and Lookouts (the work of Ryan Trecartin and Lizzie Fitch).
In: Paul Luckcraft; Maitreyi Maheshwari and Isabel Venero, eds.
Lizzie Fitch / Ryan Trecartin: Priority Innfield.
London, UK: Zabludowicz Collection, pp. 119-124.
ISBN 978-1-907921-16-2
[Book Section]
Crone, Bridget.
2013.
Talking Squid.
In: , ed.
Not Tonight (Jellylike).
London: Arcade.
[Book Section]
Doussan, Jenny.
2013.
Time and Presence in Agamben’s Critique of Deconstruction.
Cosmos and History: The Journal of Natural and Social Philosophy, 9(1),
ISSN 1832-9101
[Article]
Doussan, Jenny.
2013.
Time, Language, and Visuality in Agamben's Philosophy.
Basingstoke: Palgrave Macmillan.
ISBN 9781137286239
[Book]
Dyangani Ose, Elvira.
2013.
Ibrahim El-Salahi: A Visionary Modernist.
In: "Ibrahim El-Salahi: A Visionary Modernist", Tate Modern, London, United Kingdom, 3 July – 22 September 2013.
[Show/Exhibition]
Fisher, Andrew.
2013.
Photographic Scale.
In: Daniel Rubinstein; Johnny Golding and Andrew Fisher, eds.
On The Verge of Photography: Imaging Beyond Representation.
Birmingham: ARTicle, pp. 151-169.
ISBN 978-1-873352-02-1
[Book Section]
Gibson, Beatrice.
2013.
Between Script and Score: Notation and Movement in the Work of Cornelius Cardew.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Hameed, Ayesha.
2013.
What Does the Moving Image Desire?
In: , ed.
Sarai Reader 09: Projections.
Delhi: Sarai Media Lab, pp. 323-330.
[Book Section]
Haworth, Michael.
2013.
Thought into being: finitude and creation.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Jones, Gwyneth Siobhan.
2013.
Expose Yourself to Art : Towards a Critical Epistemology of Embarrassment.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Martinon, Jean-Paul.
2013.
After "Rwanda": In Search of a New Ethics.
Amsterdam and New York: Rodopi.
ISBN 978-90-420-3711-3
[Book]
Martinon, Jean-Paul.
2013.
The End of Man.
New York: Punctum Books.
ISBN 9780615766782
[Book]
Park, So-Young.
2013.
Suspended
Subjectivity:
Intention
in
Making
Art.
Masters thesis, Goldsmiths, University of London
[Thesis]
Parry, Owen.
2013.
Trashy Tendencies: Indeterminate acts of refusal in contemporary art and performance practice.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Ramos Martinez, Manuel.
2013.
Cinema In Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Tubridy, Derval.
2013.
Bun-Ching Lam's and Samuel Beckett's Quatre Poèmes/Four Songs: Music, Image, Text.
In: Kathryn Brown, ed.
The Art Book Tradition in Twentieth-Century Europe.
Surrey: Ashgate, pp. 59-71.
ISBN 978-1-4094-2065-1
[Book Section]
2012
Crone, Bridget.
2012.
Eye Music for Dancing.
In: "Eye Music for Dancing", Flat Time House / The John Latham Foundation, United Kingdom.
[Show/Exhibition]
Dyangani Ose, Elvira.
2012.
Across The Board.
In: "Across The Board", London, United Kingdom, November 2012 – March 2014.
[Show/Exhibition]
Eshun, Kodwo.
2012.
Dan Graham: Rock My Religion.
London: Afterall Books.
ISBN 978-1-84638-085-3
[Book]
Fisher, Andrew.
2012.
Photographic Scale.
Philosophy of Photography, 3(2),
pp. 310-329.
ISSN 2040-3682
[Article]
Keenan, Thomas and Weizman, Eyal.
2012.
Mengele's Skull: The Advent of a Forensic Aesthetics.
Berlin: Sternberg and Portikus.
ISBN 978-1-934105-91-7
[Book]
Martinon, Jean-Paul.
2012.
Valentin Mudimbe or the Work of Invention.
Darkmatter, 8,
pp. 1-4.
ISSN 2041-3254
[Article]
Mörtenböck, Peter and Mooshammer, Helge.
2012.
OCCUPY: Räume des Protests.
Bielefeld: transcript.
ISBN 978-3-8376-2163-1
[Book]
O'Sullivan, Simon D..
2012.
On the Production of Subjectivity: Five Diagrams of the Infinite-finite Relation.
London: Palgrave.
ISBN 9780230249806
[Book]
Plotegher, Paolo.
2012.
What can I do with the nothing I have? Forms of non- oppositional struggle against capitalist subjectivation.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Roberdeau, Wood.
2012.
Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme.
Journal of the International Association of Research Institutes in the History of Art,
[Article]
Rosamond, Emily.
2012.
Electricity Enslaved: Tonal Imagery of Progress, Incorporation, Extinction.
In: , ed.
Necrospective.
London: Danielle Arnaud.
ISBN 9780955872167
[Book Section]
Rosamond, Emily.
2012.
Imaginary Sculptures for an Infinite Economy.
[Printed Ephemera]
Rosamond, Emily.
2012.
Narrative Interrupted: Painting Between Progression and Duration.
Lucky 7 Chanceux: Studio Arts MFA,
pp. 72-75.
[Article]
Rosamond, Emily.
2012.
Object Lessons: David Askevold's Learning About Cars and Chocolates.
Esse, 75,
pp. 30-33.
ISSN 0831-859X
[Article]
Rosamond, Emily.
2012.
Un-designing: Serge Murphy, Architecture and Felt Time.
Esse, 74,
ISSN 0831-859X
[Article]
Schaber, Ines.
2012.
Obtuse, Flitting by, and Nevertheless There – Image Archives in Practice.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Schuppli, Susan and Kraemer, Steffen.
2012.
The Architecture of Conflict.
In: "The Architecture of Conflict", Praque, Czech Republic, 28 February – 21 April 2018.
[Show/Exhibition]
Turner, Lynn.
2012.
'Secrets and Lies: eating in the darkness in China Mieville's Embassytown'.
In: Cosmopolitan Animals. UCL, United Kingdom.
[Conference or Workshop Item]
Watson, Michael.
2012.
Joan of Art: In Defence of Subjectivity.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
2011
Petrescu, Doina; Petcou, Constantin and Awan, Nishat, eds.
2011.
Trans-Local-Act: Cultural practices within and across.
Paris: aaa-peprav.
ISBN 978-2-9530751-13
[Edited Book]
Andrews, Alice.
2011.
Autoimmunity:
Deconstructing Fictions of Illness and the Terrible Future to Come.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Davies, Russell.
2011.
The Enigma of Art in the Thought of Martin Heidegger.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Decamous, Gabrielle.
2011.
Why Art Should Be Concerned about Science and the Other Way Around: The Western Project of Modernity.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Doussan, Jenny.
2011.
Intention and Exception: A Critique of the Work of Giorgio
Agamben.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
García Düttmann, Alexander.
2011.
Consciousness of Semblance: Participation in Art and Politics.
Germany: Konstanz: Konstanz University Press.
ISBN 978-3-86253-019-9
[Book]
García Düttmann, Alexander.
2011.
Teilnahme: Bewusstsein des Scheins [Participation: Consciousness of Semblance].
Konstanz: Konstanz University Press, pp. 1-192.
ISBN 978-3-86253-019-9
[Book]
Grant, Catherine.
2011.
Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene.
In: Catherine Grant and Lori Waxman, eds.
Girls! Girls! Girls! in Contemporary Art.
Bristol: Intellect Press, pp. 161-186.
ISBN 9781841503486
[Book Section]
Mörtenböck, Peter and Mooshammer, Helge.
2011.
Space (Re)Solutions: Intervention and Research in Visual Culture.
Bielefeld: transcript.
ISBN 978-3-8376-1847-1
[Book]
Ramos Martinez, Manuel.
2011.
Review: Alain Badiou (2010) Cinéma.
Film / Philosophy, 15(2),
pp. 143-149.
ISSN 1466-4615
[Article]
Rosamond, Emily.
2011.
Factory-esque: Temporalities of Critique in Michael Landy's Breakdown.
In: Ahlia Moussa and Simon Bentley, eds.
Revisiting Ephemera.
London, Ontario, Canada: MacIntosh Gallery/Blue Medium Press, pp. 37-52.
ISBN 9780986750663 0986750662
[Book Section]
Rosamond, Emily.
2011.
'Luxurious Renunciations: Wealth, Destruction and Critical Duration in Michael Landy's Breakdown'.
In: Luxuries of the Literary Mind Conference. McGill University, Canada 4-5 March 2011.
[Conference or Workshop Item]
Rosamond, Emily.
2011.
Patterning Particularity: Adrienne Spier's Furniture Sculptures.
Esse, 73,
ISSN 0831-859X
[Article]
Rosamond, Emily.
2011.
Pavillon levé (dix jours à vaincre les mortes-eaux).
C Magazine, 112,
pp. 47-48.
ISSN 1480-5472
[Article]
Turner, Lynn.
2011.
Animal transference: a "mole-like progression" in C. J. Cherryh.
Mosaic: a journal for the interdisciplinary study of literature, 44(3),
pp. 163-175.
[Article]
Turner, Lynn.
2011.
''Tape' plays Teletribunals'.
In: Legal media: a colloquium in memory of Cornelia Vismann. Showroom, London, United Kingdom 10-11 June 2011.
[Conference or Workshop Item]
Weizman, Eyal.
2011.
The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza.
London: Verso Books.
ISBN 9781844676477
[Book]
2010
Crone, Bridget.
2010.
The Image: Disaffect in the theatre of representation.
Journal of Visual Arts Practice, 9(2),
pp. 123-198.
ISSN 1470-2029
[Article]
García Düttmann, Alexander.
2010.
'For and Against the Contemporary. An Examination'.
In: Culture After Postmodern Culture. UC Irvine, United States 9 October 2010.
[Conference or Workshop Item]
García Düttmann, Alexander.
2010.
'Law, Literature, Revolution'.
In: Recht und Literatur: Verfahren. Erfurt, Germany.
[Conference or Workshop Item]
Grant, Catherine.
2010.
Spiritual America.
Words Without Pictures,
pp. 193-197.
ISSN 978-1-59711-142-3
[Article]
Gunkel, Henriette and König, Christiane.
2010.
‘You are not welcome here’: post-apartheid negrophobia & real aliens in Blomkamp’s District 9.
Darkmatter, 7,
ISSN 2041-3254
[Article]
Mörtenböck, Peter and Mooshammer, Helge.
2010.
Netzwerk Kultur: Die Kunst der Verbindung in einer globalisierten Welt.
Bielefeld: transcript.
ISBN 978-3-8376-1356-8
[Book]
Rogoff, Irit.
2010.
Practicing Research: Singularising Knowledge.
MaHKUzine #9: Summer 2010, Doing Dissemination., 9,
pp. 37-42.
[Article]
Rosamond, Emily.
2010.
'Impersonating Ideology: The “Factory-Esque” and Temporalities of Critique in Recent Installation'.
In: Revisiting Ephemera Conference. University of Western Ontario, Canada.
[Conference or Workshop Item]
Rosamond, Emily.
2010.
Night Shift.
In: "Night Shift", AceArt, Inc., Winnipeg, Canada, 1-31 June 2010.
[Show/Exhibition]
Rosamond, Emily.
2010.
Still Life with Easter Everywhere.
Esse, 69,
ISSN 0831-859X
[Article]
Rugo, Daniele.
2010.
Powers of Existence: The Question of Otherness in the Philosophy of Jean-Luc Nancy.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Tubridy, Derval.
2010.
Beckett, Feldman, Salcedo… Neither.
In: Daniela Caselli, ed.
Beckett and Nothing: Trying to understand Beckett.
Manchester: Manchester University Press, pp. 143-159.
ISBN 978-0-7190-8019-7
[Book Section]
Turner, Lynn.
2010.
Fort-dancing.
In: , ed.
BA Fine Art & History of Art degree show catalogue 2010.
London: Goldsmiths, pp. 5-7.
ISBN 978-1-906897-04-8
[Book Section]
2009
Buden, Boris and Nowotny, Stefan.
2009.
Übersetzung: Das Versprechen eines Begriffs.
Vienna and Berlin: Turia + Kant.
ISBN 978-3-85132-535-5
[Book]
Elfving, Taru.
2009.
THINKING ALOUD ON THE ADDRESS OF THE VIEWER.
Doctoral thesis, Goldsmiths, University of London
[Thesis]
Fisher, Andrew.
2009.
The Involution of Photography.
Radical Philosophy(157),
ISSN 0300 211X
[Article]
Fisher, Mark.
2009.
Capitalist Realism: Is there no alternative?
Ropley: Zero Books.
ISBN 9781846943171
[Book]
García Düttmann, Alexander.
2009.
El año académico.
Cali (Colombia): Archivos del Indice.
ISBN 9789584456274
[Book]
García Düttmann, Alexander.
2009.
'‘For Those Who Like That Sort Of Thing, That’s The Sort Of Thing They Like’'.
In: All the Same – Was gilt, wenn alles gleich und gültig ist?. Steirischer Herbst Festival, Graz, Austria October 2010.
[Conference or Workshop Item]
García Düttmann, Alexander and Savage, Robert.
2009.
Visconti: Insights into Flesh and Blood (translated by Robert Savage).
Stanford: Stanford University Press.
ISBN 9780804757409
[Book]
Millner-Larsen, Nadja.
2009.
Review: Lynn Spigel, TV by Design: Modern Art and the Rise of Network Television, Chicago, IL: University
of Chicago Press, 2009, 402 pp., $27.50 (hardcover).
International Journal of Communication, 3,
pp. 578-581.
ISSN 1932-8036
[Article]
Mörtenböck, Peter and Mooshammer, Helge.
2009.
Going Astray: Network Transformation and the Asymmetries of Globalization.
Grey Room, 37,
pp. 30-51.
ISSN 1526-3819
[Article]
Rosamond, Emily.
2009.
'Spatializing Character: on the Work of Geoffrey Farmer'.
In: A Measure of Place: Space in Text and Context. McGill University, Canada 5-7 February 2010.
[Conference or Workshop Item]
Turner, Lynn.
2009.
Seeks-Zoos: some recent correspondence between animals.
In: Johnny Golding, ed.
The Issues in Contemporary Culture & Aesthetics.
2-3
University of Greenwich, pp. 10-21.
[Book Section]
2008
Awan, Nishat.
2008.
Words and objects in transposing desire and making space.
arq: Architectural Research Quarterly, 12,
pp. 263-268.
ISSN 1359-1355
[Article]
Fisher, Andrew.
2008.
Beyond Barthes: Rethinking the Phenomenology of Photography.
Radical Philosophy(148),
ISSN 0300 211X
[Article]
García Düttmann, Alexander.
2008.
Derrida und ich. Das Problem der Dekonstruktion [Derrida and I. The Problem of Deconstruction].
Bielefeld, Germany: Transcript Verlag.
ISBN 978-3-89942-740-0
[Book]
Gunkel, Henriette and Pitcher, Ben.
2008.
Editorial: Racism in the Closet – Interrogating Postcolonial Sexuality.
Darkmatter, 3,
ISSN 2041-3254
[Article]
Gunkel, Henriette and Pitcher, Ben.
2008.
Q&A with Jasbir Puar.
Darkmatter, 3,
ISSN 2041-3254
[Article]
Mörtenböck, Peter and Mooshammer, Helge.
2008.
Networked Cultures: Parallel Architectures and the Politics of Space.
Rotterdam: nai010 publishers.
ISBN 978-9056620592
[Book]
Mörtenböck, Peter and Mooshammer, Helge.
2008.
Plan and Conflict.
Third Text, 22(1),
pp. 57-69.
ISSN 0952-8822
[Article]
Nowotny, Stefan and Raunig, Gerald.
2008.
Instituierende Praxen: Bruchlinien der Institutionskritik.
Vienna and Berlin: Turia + Kant.
ISBN 978-3-85132-513-3
[Book]
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