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Items where Division is "Visual Cultures"

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Number of items at this level: 1700.

2021

2020

Grant, Catherine and Price, Dorothy, eds. 2020. Decolonizing Art History: A Questionnaire, Art History, 43(1). [Edited Journal]

Abidi, Bani and Madani, Adnan. 2020. Bani Abidi and the Time of the Migrant. UNSPECIFIED. [Book] (Forthcoming)

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Amaro, Ramon. 2020. Machine Diagnosis. Open! Journal, [Article]

Amaro, Ramon. 2020. Threshold Value. e-flux architecture, [Article]

Amaro, Ramon and Khan, Murad. 2020. Towards Black Individuation and a Calculus of Variations. e-flux journal, 109, ISSN 2164-1625 [Article]

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Andrews, Jorella G.. 2020. Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling. Conference Proceedings: iDwell 2020: Hyperlocal Practices vs Global Thinking. 3rd International Conference on Dwelling Form., [Article] (Submitted)

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Arriola, Aimar Olabarria. 2020. Animals, Touch, and Books: Surface Matters in the HIV/AIDS Archive. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Brar, Dhanveer Singh. 2020. Beefy's Tune (Dean Blunt Edit). London: 87 Press. ISBN 9781838069810 [Book]

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Brar, Dhanveer Singh; Moreno, Louis; Harney, Stefano; Moten, Fred; Okiji, Fumi; Rekret, Paul and Rose-Antoinette, Ronald. 2020. Music and Economic Planning. South Atlantic Quarterly, 119(1), pp. 133-151. ISSN 0038-2876 [Article]

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Gaur, Meenu and Madani, Adnan. 2020. The Ghost in the Projector: New Pakistani Cinema and its Hauntings. In: Vazira Zamindar and Asad Ali, eds. Love, War & Other Longings: Essays on Cinema in Pakistan. Karachi, Pakistan: Oxford University Press Pakistan, pp. 48-73. ISBN 9780190701857 [Book Section]

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Gkitsa, Dimitra. 2020. Affective commoning: Collective curating in the post-socialist space. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hameed, Ayesha. 2020. Liverpool Biennial. In: "Liverpool Biennial 2020", Liverpool, United Kingdom, 11 July 2020– 25 October 2020. [Show/Exhibition] (Forthcoming)

Hameed, Ayesha. 2020. ‘Sea Changes and Other Futurisms’. In: Ayesha Hameed and Henriette Gunkel, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. [Book Section] (Forthcoming)

Hameed, Ayesha and Gunkel, Henriette. 2020. ‘A Conversation on Time Travel'. In: Ayesha Hameed and Henriette Gunkel, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. [Book Section] (Forthcoming)

Hameed, Ayesha and Gunkel, Henriette. 2020. Visual Cultures… as Time Travel. Berlin: Sternberg Press. [Book] (Forthcoming)

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Martinon, Jean-Paul. 2020. Curating as Ethics. Minneapolis: University of Minnesota Press. ISBN 9781517908652 [Book]

O'Sullivan, Simon D.. 2020. 'Anamorphosis: from the Visual Field to Speculative Writing'. In: Diagrams, Models and Magic. Royal College of Art (online), United Kingdom 2 June. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2020. Myth-Science as Residual Culture and Magical Thinking. postmedieval: a journal of medieval cultural studies, 11(1), pp. 119-136. ISSN 2040-5960 [Article]

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Roberdeau, Wood. 2020. Fog (a Delegation for Atmosphere). In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona. [Book Section] (Forthcoming)

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Rosamond, Emily. 2020. From Reputation Capital to Reputation Warfare: Online Ratings, Trolling, and the Logic of Volatility. Theory, Culture & Society, 37(2), pp. 105-129. ISSN 0263-2764 [Article]

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Rosamond, Emily; Ørum, Kristoffer and Elmstrom, Iben. 2020. Semio-Technical Traffics. In: "Semio-Technical Traffics", SixtyEight Art Institute, Copenhage, Denmark, 10 January - 15 February 2020. [Show/Exhibition]

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Schuppli, Susan. 2020. MATERIAL WITNESS Media, Forensics, Evidence. Cambridge, MA: The MIT Press. ISBN 9780262043571 [Book]

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Turner, Lynn. 2020. CAREFREE: SCENOGRAPHIES OF CARE. In: , ed. On Care. London: Ma Bibliothèque, pp. 237-241. ISBN 978-1-910055-71-7 [Book Section] (Forthcoming)

Turner, Lynn. 2020. How like a (Fig) leaf. In: , ed. Beyond Plant Blindness: Seeing the importance of plants for a sustainable world. Berlin: Green Box Publishing. ISBN 978-3-96216-001-2 [Book Section]

Turner, Lynn. 2020. 'Lit: sexual poetics of sanguine resistance'. In: 7th Derrida Today Conference. Aix-Marseille Université, Aix-en-Provence, France 10-13 June 2020. [Conference or Workshop Item] (Forthcoming)

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Turner, Lynn. 2020. Poetics of Deconstruction: on the threshold of differences. London: Bloomsbury. ISBN 9781350128590 [Book] (In Press)

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Turner, Lynn. 2020. Telegrams. Mosaic: an interdisciplinary journal, 53, [Article] (In Press)

2019

Grant, Catherine and Random Love, Kate, eds. 2019. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press. ISBN 9781912685134 [Edited Book]

Gunkel, Henriette and Lynch, Kara, eds. 2019. We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. Bielefeld: transcript Verlag. ISBN 9783837646016 [Edited Book]

Akomfrah, John and Eshun, Kodwo. 2019. The Secessionist Manifestos of Certain Received Wisdoms. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 363-370. ISBN 9783837646016 [Book Section]

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Amaro, Ramon. 2019. Artificial Intelligence: warped, colorful forms and their unclear geometries. In: Danae Io and Callum Copley, eds. Schemas of Uncertainty: Soothsayers and Soft AI. Amsterdam: PUB/Sandberg Instituut, pp. 69-90. ISBN 9789090318431 [Book Section]

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Amaro, Ramon. 2019. As If. e-flux architecture: Becoming Digital, [Article]

Amaro, Ramon. 2019. Darkness, as a first act of creation. In: "Darkness, as a first act of creation", XXII Triennale di Milano, Italy, 1 March - 1 September 2019. [Show/Exhibition]

Andrews, Jorella. 2019. 'Abstraction'. In: Philosophy and Painting: Sharing Concepts. University of Tel Aviv, Israel 23 December 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. University of Tel Aviv, Israel 25 December 2019. [Conference or Workshop Item]

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Andrews, Jorella G.. 2019. '‘Interviewing Images’: Using IPA (Interpretative Phenomenological Analysis) in visual arts research.'. In: Pictures and words: combining verbal accounts and visual images within interpretative phenomenological analysis. Phenomenology of Health and Relationships Conference: Creativity and Affect. Aston University, Birmingham, United Kingdom 22-23 May 2019. [Conference or Workshop Item]

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Andrews, Jorella G.. 2019. 'Making our way in semi-obscurity'. In: Extending the Image Workshop with Susan Sentler (LASALLE) for MA Design Expanded Practice students. Goldsmiths, University of London, United Kingdom 14 June 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. Pictorial Rationality, transculturalism, and the work of art. In: Helen Fielding and Mariana Ortega, eds. Life in Art, Phenomenology, Aesthetics, and Identity. UNSPECIFIED. [Book Section] (Forthcoming)

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Andrews, Jorella G.. 2019. 'Practices of Stewardship: Albion Millennium Green and the Albion Millennium Green Labyrinth as an Agent of Care'. In: Redesigning Stewardship. Goldsmiths, University of London, United Kingdom 16 September 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: PhD Workshop. SOAS London, United Kingdom 10 January 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: Test Lab Central St Martins. Central Saint Martins, University of the Arts London, United Kingdom 1 May 2019. [Conference or Workshop Item]

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Andrews, Jorella G. and Durner, Leah. 2019. Painting, Largesse and Life: A Conversation with Leah Durner. New York: Leah Durner. [Book]

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Andrews, Jorella G.; Say, Jeffrey and Veal, Clare. 2019. 'Using Phenomenology in Contemporary Arts Reserach & Pedagogy Workshop 2: Phenomenological encounters with non-western and diasporic objects-images-architeves-&-artworlds (Phenomenology, displacement and decoloniality)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. Goldsmiths, University of London, United Kingdom 21-23 February 2019. [Conference or Workshop Item]

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Bella Piñeiro, María. 2019. Returning Life to Life: The Factory of Cine sin Autor. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Blas, Zach. 2019. Icosahedron. [Art Object]

Brar, Dhanveer Singh. 2019. 'Alien Sound: Ambient Music and the Limits of the Human'. In: Alien Sound: Ambient Music and the Limits of the Human. Tate Liverpool, United Kingdom 9 February 2019. [Conference or Workshop Item]

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Brar, Dhanveer Singh. 2019. No work. All Play. Propter Nos, 3, pp. 80-90. [Article]

Brar, Dhanveer Singh and Rekret, Paul. 2019. 'The Power of Gods and the Forces of Nature - On Music and Popular Modernisms'. In: Marxism in Culture. Institute of Advanced Studies, UCL, United Kingdom 24 May 2019. [Conference or Workshop Item]

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Burrows, David and O'Sullivan, Simon D.. 2019. Fictioning: The Myth-Functions of Contemporary Art and Philosophy. Edinburgh: Edinburgh University Press. ISBN 9781474432405 [Book]

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Crone, Bridget. 2019. Wounds of Unbecoming: an introduction to the work of Tai Shani. In: , ed. Our Fatal Magic. Cambridge, MA: Strange Attractor / The MIT Press. ISBN 9781907222818 [Book Section]

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Crone, Bridget and Gunkel, Henriette. 2019. "Future" in The Bloomsbury Handbook of 21st Century Feminist Theory. In: Robin Truth Goodman, ed. The Bloomsbury Handbook of 21st Century Feminist Theory. London, UK: Bloomsbury Academic. ISBN 9781350032408 [Book Section]

Eshun, Kodwo. 2019. To win the war, you fought it sideways: Kojo Laing's Major Gentl and the Achimota Wars. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 83-106. ISBN 9783837646016 [Book Section]

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Georgiou, Diana. 2019. Erotic Responsiveness: An Ethics of Auto/biographical Art-Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Grant, Catherine. 2019. The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. In: Allyson Mitchell and Cait McKinney, eds. Killjoy's Kastle. Canada: University of British Columbia Press and The Art Gallery of York University Press. ISBN 9780774861571 [Book Section]

Grant, Catherine. 2019. More than a schoolgirl crush: Amy Adler and the adolescent fan. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 100-120. ISBN 9781912685134 [Book Section]

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Grant, Catherine. 2019. Returning to Riddles. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury Academic. ISBN 9781784537005 [Book Section]

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Grant, Catherine. 2019. A letter sent, waiting to be received: queer correspondence, feminism and Black British art. Women: A Cultural Review, 30(3), pp. 297-318. ISSN 0957-4042 [Article]

Grant, Catherine and Random Love, Kate. 2019. Fandom as Methodology: Introduction. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 1-20. ISBN 9781912685134 [Book Section]

Gunkel, Henriette. 2019. Alienation and Queer Discontent. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 387-404. ISBN 9783837646016 [Book Section]

Gunkel, Henriette and Crone, Bridget. 2019. Future. In: Robin Goddman, ed. The Bloomsbury Handbook of 21st-Century Feminist Theory. Bloomsbury. ISBN 9781350032408 [Book Section]

Gunkel, Henriette and Lynch, Kara. 2019. Lift Off...An Introduction. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 21-44. ISBN 9783837646016 [Book Section]

Hameed, Ayesha. 2019. Academy of the Fine Arts Vienna screening. In: "Academy of the Fine Arts Vienna", Vienna, Austria. [Show/Exhibition]

Hameed, Ayesha. 2019. And Evil Earth maybe it’s time for a rumble. In: "Life Choreographies", Public Art Agency, Stockholm, Sweden, 21 August 2019. [Show/Exhibition]

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Hameed, Ayesha. 2019. Black Atlantis. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: Transcript, pp. 107-126. ISBN 9783837646016 [Book Section]

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Hameed, Ayesha. 2019. Black Atlantis: Retrograde Futurism. In: "Black Atlantis: Retrograde Futurism", Akademie der Künste der Welt, Cologne, Germany, 2018-2019. [Performance]

Hameed, Ayesha. 2019. '“Black Atlantis” at Symposium ‘Black Mediterranean’'. In: Black Mediterranean Symposium 2019, Contemporary Istanbul. Istanbul, Turkey 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2019. '"The Bloop" and "Jupiter"'. In: AUDINT - Unsound:Undead Launch. Tate Modern, London, United Kingdom 26 July 2019. [Conference or Workshop Item]

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Hameed, Ayesha. 2019. “The Bloop”; “Jupiter". In: Steve Goodman; Toby Heys and Eleni Ikoniadou, eds. AUDINT—Unsound:Undead. Falmouth: Urbanomic Media, pp. 83-85. ISBN 9781916405219 [Book Section]

Hameed, Ayesha. 2019. Glasgow Film Festival. In: "Glasgow Film Festival 2019", Glasgow, United Kingdom, 20 February 2019 - 3 March 2019. [Show/Exhibition]

Hameed, Ayesha. 2019. Gothenburg Biennale. In: "10th Gotëburg International Biennial for Contemporary Art", Gothenburg, Sweden, 7 September 2019 - 19 November 2019. [Show/Exhibition]

Hameed, Ayesha. 2019. Lubumbashi Biennale. In: "6th Biennale de Lubumbashi", Lubumbashi, Congo, the Democratic Republic of the, 24 October 2019 - 24 November 2019. [Show/Exhibition]

Hameed, Ayesha. 2019. '“Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure (Architectural Association)'. In: Work, Body, Leisure Book Launch, Architectural Association. Architectural Association, London, United Kingdom 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2019. 'Soot Breath: Trans-boarding'. In: International Symposium: Soot Breath: On Land, Law and Bodies. Showroom, London, United Kingdom 18 May 2019. [Conference or Workshop Item]

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Hameed, Ayesha. 2019. The Time and Sound of the Nautical Border. In: Rita Dhamoon; Davina Bhandar; Rawisa Mawani and Satwinder Kaur Bains, eds. Unmooring the Komagata Maru. Vancouver: University of British Columbia Press. [Book Section]

Hameed, Ayesha. 2019. Wadi Rum Film Festival. In: "Al-Qamar, Al-Qamar (Valley of the Moon) Film Festival", Wadi Rum, Jordan, 19 - 22 April 2019. [Show/Exhibition]

Hameed, Ayesha and Muyanga, Neo. 2019. And Evil Earth, Maybe It’s Time For A Rumble. In: "SAVVY Contemporary, Ultrasanity Chapter 2, Invocations at the Gnaoua Festival", Essaouira, Morocco, 20 - 22 June 2019. [Show/Exhibition]

Hameed, Ayesha and Rosendahl, Lisa. 2019. 'GIBCA Conversations: dialogue with curator Lisa Rosendahl'. In: 10th Gotëburg International Biennial for Contemporary Art. Gothenburg, Sweden 7 September 2019. [Conference or Workshop Item]

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Heller, Charles and Pezzani, Lorenzo. 2019. Contentious Crossings: Struggles and Alliances for Freedom of Movement across the Mediterranean Sea. South Atlantic Quarterly, 118(3), pp. 644-653. ISSN 0038-2876 [Article]

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Hernández Velázquez, Y. M.. 2019. Cortocircuitos del Museo y la Autonomía. In: , ed. ¡Autonomía! ¡Autonomización! Santa Cruz de Tenerife: TEA, Tenerife Espacio de las Artes, pp. 128-142. ISBN 9788494706592 [Book Section]

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Hernández Velázquez, Y. M.. 2019. Imagining Curatorial Practice after 1972. In: Paul O'Neill; Simon Sheikh; Lucy Steeds and Mick Wilson, eds. Curating after the Global: Roadmaps for the Present. Cambridge, Massachusetts: MIT Press, pp. 253-270. ISBN 9780262537902 [Book Section]

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Hernández Velázquez, Y. M.. 2019. Who Needs “Exhibition Studies”? In: , ed. Critical Museology: Selected Themes Reflections from the William Bullock Lecture Series. Mexico City: Museo Universitario de Arte Contemporáneo, pp. 286-303. ISBN 9786073023757 [Book Section]

Hernández Velázquez, Yaiza María. 2019. 'Ponerse en el mapa. Cosmopolitismo provinciano en los años del Boom'. In: Art and Tourism Imaginaries II. Spain was never different. Art and Tourism from the 1960s onwards. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain 12 June 2019. [Conference or Workshop Item]

Hille, Moira and Hameed, Ayesha. 2019. 'Ayesha Hameed and Moira Hille “In conversation”'. In: Fantastic Thursday. Academy of the Fine Arts, Vienna, Austria January 2019. [Conference or Workshop Item]

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Martinon, Jean-Paul. 2019. Marx 1845 or the Fateful Rejection of Anschauung. CR: The New Centennial Review, 18(3), pp. 73-96. ISSN 1539-6630 [Article]

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Martinon, Jean-Paul. 2019. Race and Universality: Meillassoux Meets Eze and Wiredu. Pli: The Warwick Journal of Philosophy, 30, ISSN 1367-3769 [Article]

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McAuliffe, Sam. 2019. 'Autosociobiography: Annie Ernaux and the Collective Sensorium'. In: Terra Critica VII: Critique and Society. Whose Society?. Kings College London, United Kingdom 4-6 July 2019. [Conference or Workshop Item]

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McAuliffe, Sam. 2019. Black Dust: Raymond Queneau and The Encyclopedia of the Inexact Sciences. Paragraph, 42(2), pp. 154-169. ISSN 0264-8334 [Article]

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McAuliffe, Sam. 2019. 'Painting, Writing and the Time of an Encounter (Félix Fénéon, by way of André du Bouchet)'. In: Modernist Art Writing/Writing Modernist Art. University of Nottingham, United Kingdom 24-25 June 2019. [Conference or Workshop Item]

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McAuliffe, Sam. 2019. Precarious Ascent: Trace and Terrain in René Daumal's Mount Analogue. Modern Language Notes, 134(4), pp. 783-805. ISSN 0026-7910 [Article]

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McAuliffe, Sam. 2019. A Professional Conscience: On an Episode of Self-Accusation in Raymond Queneau's The Last Days. In: Garry L. Hagberg, ed. Narrative and Self-Understanding. London: Palgrave Macmillan, pp. 141-158. ISBN 978-3-030-28288-2 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. The Art of Crafting Formal-Informal Linkages: On the Enduring Appeal of Belo Horizonte’s Hippie Fair. In: Eveline Dürr and Juliane Müller, eds. The Popular Economy in Urban Latin America. Lanham - Boulder - New York - London: Lexington Books, pp. 43-63. ISBN 978-1-4985-7239-2 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. City as Interface. Self-generating Urban Environments and the Question of Labour. In: Helena Doudová, ed. Shared Cities Atlas. Post-Socialist Cities and Active Citizenship in Central Europe. Rotterdam: nai010 publishers, pp. 196-201. ISBN 9789462085213 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. Frontier Climates – Managing the Global Commons. In: Karen Lutsky; Ozayr Saloojee and Emily Eliza Scott, eds. Viscosity - Mobilizing Materialities. 4 University of Minnesota School of Architecture, pp. 15-33. ISBN 978-0-36-835667-4 [Book Section]

O'Sullivan, Simon D.. 2019. 'Fictioning'. In: Digital Ecologies II: Fiction Machines. Bath Spa University, United Kingdom 16 July 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'Fictioning and Fabulation'. In: Take a Walk on the Wild Side: Fabulating Alternative Imaginaries in Art & Life. Gerrit Rietveld Academie, Amsterdam, Netherlands 13 March 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'From Mythopoesis to Myth-Science'. In: Experimental Theory and Radical Thought. New School, New York, United States 4 May 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'Mythopoesis and Art Scenes'. In: Magma: Reclaim the Climax! Festival and Superschool. Kanal, Brussels, Belgium 24 May 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. Mythopoesis, Fabulous Images, and Memories of a Sorcerer. In: Paulo de Assis and Paolo Giudici, eds. Aberrant Nuptials: Deleuze and Artistic Research. Ghent: Leuven University Press, pp. 327-340. ISBN 9789462702028 [Book Section]

O'Sullivan, Simon D. and Burrows, David. 2019. Masked-Puja for Meme-Tech-Animals. In: "Horniman X Goldsmiths Late", Horniman Gallery, London, United Kingdom, 21 March 2019. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. 'The Myth-Functions of Contemporary Art and Philosophy'. In: Futures Lecture Series. University of the Arts, Helsinki, Finland 12 September 2019. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2019. The Seed Archive Breakout and the Burning of Elon Musk. In: "Green Skeen Too (Come)", Rhubaba Gallery, Edinbrugh, United Kingdom, 27 April 2019. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. The Seed Archive Breakout and the Burning of Elon Musk. In: "Today is Out Tomorrow", Kaiku nightclub, Helsinki, Finland, 14 September 2019. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. Zero City/Mars Year 0. In: "Mars Year 0", CGP, London, 22 September 2019. [Performance]

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Ozbay, Semiha Muge. 2019. Moving Together: Affect, Time and The Political in-between Bodies. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Roberdeau, Wood and Turner, Lynn. 2019. 'Living Extinctions: Visual Cultures Public Programme Autumn Term 2019'. In: Living Extinctions: Visual Cultures Public Programme Autumn Term 2019. Goldsmiths, University of London, United Kingdom 4 October - 12 December 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'Addressivity in Online Platforms'. In: School of Fine and Performing Arts Visiting Speaker Programme. University of Lincoln, United Kingdom 20 February 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'Character Capital: Social Impact Bonds and the Financialization of Behaviour'. In: Intersections of Finance and Society. City, University of London, United Kingdom 12-13 December 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'The Emancipated Trait: Characteristics Beyond Character in Online Surveillance'. In: Person/ne Forum. Griffin Art Projects, Vancouver, Canada 6 July 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'From Reputation Capital to Reputation Warfare'. In: End of the World Trade: On the Speculative Economies of Art and Extraction. Goldsmiths, University of London, United Kingdom 21-22 June 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'The Future-Oracular'. In: Schemas of Uncertainty: Soothsayers and Soft AI. Sandberg Instituut, Amsterdam, Netherlands 18 April 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2019. The Future-Oracular: Prediction, Divination and the Politics of Certainty. In: , ed. Schemas of Uncertainty. Amsterdam: Sandberg Instituut, pp. 141-158. [Book Section]

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Rosamond, Emily. 2019. The Hidden Track. [Printed Ephemera]

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Rosamond, Emily. 2019. 'Roundtable: History in Financial Times'. In: Intersections of Finance and Society. City, University of London, United Kingdom 12-13 December 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2019. Tall Grass Tells the Time. In: "Performance Night!", A.P.T. Gallery, London, United Kingdom, 16 February 2019. [Performance]

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Rosamond, Emily. 2019. Techniques of Aberrant Extraction: Transacting Surplus Acts in an Age of Speculation. In: Marsha Bradfield; Metod Blejec; Cinzia Cremona; Verina Gfader; Amy McDonnell and Eva Sajovic, eds. A Market of Values: Transacting. Bristol: Intellect Books. [Book Section] (Forthcoming)

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Rosamond, Emily. 2019. 'This Community of Self: Algorithmic Friendship and the Performative Profile'. In: Performance of Self in Digital Space. Goldsmiths, United Kingdom 23 May 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'Volatile Measures: the Financialization of Online Reputation'. In: 11th Critical Finance Studies Conference. University of Birmingham, United Kingdom 7-9 August 2019. [Conference or Workshop Item]

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Rosamond, Emily; Charlesworth, Dave; Cove, Ben; Estna, Merike; Gainan, Justin; Goodwin, Katie; Hughes, Catherine; Kiernander, Trevor; Pathan, Alia; Selby, Lisa; Systems House, M.; Taylor, Ross; Tilley, Annabel; Whatmore, Poppy and Zaharia, Madalina. 2019. Mimesis; Narrative; Against Hegemony!. In: "Mimesis; Narrative; Against Hegemony!", A.P.T. Gallery, London, United Kingdom, 25 January - 16 February 2019. [Show/Exhibition]

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Rosamond, Emily; Ørum, Kristoffer and Elmstrom, Iben. 2019. 'Artist Talk: Semio-Technical Traffics'. In: Semio-Technical Traffics. SixtyEight Art Institute, Copenhage, Denmark 10 January 2020. [Conference or Workshop Item]

Territorial Agency; Hameed, Ayesha; Jackson, Jeremy; Otolith Group and Reymann, Markus. 2019. 'Oceans in Crisis'. In: Oceans in Crisis. Royal Academy, London, United Kingdom 6 December 2019. [Conference or Workshop Item]

Turner, Lynn. 2019. '‘How like a (Fig) leaf: supplanting shame’'. In: SLSA 2019: 33rd Annual Conference of the Society for Literature, Science, and the Arts. UC Irvine, United States 7-9 November 2019. [Conference or Workshop Item]

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Turner, Lynn. 2019. 'In lieu of conclusion: cardio-pedagogy in Derrida and White God'. In: Tahiti 8: National Conference of Art History in Finland From Material to Immaterial: Art Historical Practices in the Contemporary World. University of Turku, Finland 27-29 November 2019. [Conference or Workshop Item]

Turner, Lynn. 2019. 'Raising Animals: two powers of horror between the cellar and the kennel'. In: Gender Studies meets Human-Animal Studies lecture series. Humboldt, Germany 16 April - 9 July 2019. [Conference or Workshop Item]

Turner, Lynn. 2019. 'Raising animals: the becoming-time of space between cellar and kennel'. In: SpaceTime, Society of Literature, Science and the Arts (EU). Athens, Greece 25-28 June 2019. [Conference or Workshop Item]

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Varvantakis, Christos; Rozakou, Katerina; Anastasiadi, Ifigeneia; Karathanasis, Pafsanias and Aivaliotis, Konstantinos. 2019. Editorial (Critical Encounters: The "European" Refugee Crisis). Journal of Anthropological Films, 3(2), e2902. [Article]

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Wolf, Nicole. 2019. In the Wake of Gujarat: The Social Relations of Translation and Futurity. Critical Studies, 4, pp. 97-113. ISSN 2055-141X [Article]

2018

Turner, Lynn; Sellbach, Undine and Broglio, Ron, eds. 2018. The Edinburgh Companion to Animal Studies. Edinburgh: Edinburgh University Press. ISBN 9781786848444 [Edited Book]

Amaro, Ramon. 2018. Afrofuturism. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 17-20. ISBN 978-1-350-03024-4 [Book Section]

Amaro, Ramon. 2018. 'Machine learning, surveillance, and the politics of visibility'. In: Belief in AI Conference, Dubai Design Week. Dubai, United Arab Emirates. [Conference or Workshop Item]

Amaro, Ramon. 2018. Precognition. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 365-368. ISBN 978-1-350-03024-4 [Book Section]

Amaro, Ramon. 2018. 'The archive as a space in-between history and the production of blackness'. In: The Joy in The Punch, Takeover of the National Maritime Museum. National Maritime Museum, United Kingdom. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. 'The Courage to Persevere: Contemporary re-interrogations of faith and their public implications'. In: The Faiths and Civil Society Unit Public Programme: Faith and the Future of Civil Society. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. SOAS, United Kingdom 22 November 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Description, the unorphaned eye, and the cultivation of care'. In: Visual Pedagogies: IAVC (International Association for Visual Culture) Conference, 2018. London College of Communication, University of the Arts London, United Kingdom 14 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge,'. In: World Phenomenology Institute, 2018 Conference on Phenomenology and Aesthetics. Harvard University, United States 13-15 June 2018.. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. The Question of Painting: Rethinking Thought with Merleau-Ponty. London: Bloomsbury Academic. ISBN 9781472574282 [Book]

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Andrews, Jorella G.. 2018. 'Starting from below: Phenomenological Interventions in Art History and Visual Culture'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24 September 2018. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts Research and Pedagogy (Handbook for 3-day Workshop led by Jorella Andrews)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24-26 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts-based Research and Pedagogy. Two-day Workshop'. In: Using Phenomenology in Contemporary Arts Workshop: 2 Day Workshop. Goldsmiths, University of London, United Kingdom 19 and 26 October 2018. [Conference or Workshop Item]

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Andrews, Jorella G. and Martinon, Jean-Paul. 2018. 'A Fearless Look at the Unspeakable: Visual Cultures Public Programme Sping Term 2018'. In: Visual Cultures Public Programme. Goldsmiths, University of London, United Kingdom Jan-Feb 2018. [Conference or Workshop Item]

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Beasley, Becky. 2018. Depressive Alcoholic Mother. In: "Depressive Alcoholic Mother", Plan B Gallery, Germany, 27 April - 9 June 2018. [Show/Exhibition]

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Blas, Zach. 2018. Body Horror. In: "Tentacular", Matadero Madrid, Spain. [Performance]

Blas, Zach. 2018. Contra-Internet. [Art Object]

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Blas, Zach. 2018. Informatic Opacity. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic. ISBN 9781350030244 [Book Section]

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Blas, Zach. 2018. Is the internet a urinal?. In: "Is the internet a urinal?", MU, United Kingdom. [Performance]

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Blas, Zach. 2018. The Jubilee of 2033. GLQ: A Journal of Lesbian and Gay Studies, 24(4), ISSN 1064-2684 [Article]

Blas, Zach. 2018. SANCTUM. [Art Object]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Crystal Clear Voices. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Cultural Studies Association Annual Conference. Carnegie Mellon University, Pittsburgh, PA, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Runs Reprise'. In: Regenerative Feedback Noise/Human/Signal. Issue Project Room, Brooklyn, NY, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh and Moreno, Louis. 2018. 'At a Greater Distance than Sound: Wynter’s ‘new hypothesis’ and the ‘culture of dread’'. In: Genres of the Human: On Sylvia Wynter. Kings College London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul and Sandhu, Sukhdev. 2018. 'Time Let Me Play: Ideas of Childhood Innocence'. In: Time Let Me Play: Ideas of Childhood Innocence. UnionDocs: Center for Documentary Art, United States. [Conference or Workshop Item]

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Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018. [Conference or Workshop Item]

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Crone, Bridget. 2018. Time and Entanglement in Comparative Monument (Shellal). In: A Barikin and H Hughes, eds. Tom Nicholson: Lines towards Another. Berlin: Sternberg Press, pp. 131-136. ISBN 978-3-95679-397-4 [Book Section]

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Dyangani Ose, Elvira. 2018. 'States of Opacity. Lahore Biennial'. In: States of Opacity. Lahore Biennial. Lahore, Pakistan March 18 to March 31 2018. [Conference or Workshop Item]

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Esanu, Octavian; Beech, Dave; Khatib, Sami; Roberts, John and Vishmidt, Marina. 2018. Realism Today? ARTMargins, 7(1), pp. 58-82. ISSN 2162-2574 [Article]

Eshun, Kodwo. 2018. '36 - '77: A Tremulous Temporal Entity. In: Dan Kidner, ed. Nightcleaners / '36 - '77. Raven Row and Lux. ISBN 9783960983811 [Book Section]

Eshun, Kodwo. 2018. Geomythologies. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury. ISBN 9781350030244 [Book Section]

Eshun, Kodwo. 2018. Xenogenesis. In: "Xenogenesis", VanabbeMuseum, Eindhoven, Netherlands. [Show/Exhibition]

Ferreira da Silva, Denise; Hameed, Ayesha; Sharma, Ashwani; Sagar, Anjalika and Eshun, Kodwo. 2018. 'Study Group on Black Aesthetics'. In: In formation III. Institute for Contemporary Art, London, United Kingdom 26 August 2018. [Conference or Workshop Item]

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Fisher, Andrew. 2018. The Production of a Factographic Object. In: Rebecca Jagoe and Sharon Kivland, eds. On Violence. London: Ma Bibliotheque, pp. 139-148. ISBN 9781910055410 [Book Section]

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Graham, Janna. 2018. ‘Where are we when we think?’ Space, time and emancipatory education in galleries. International Journal of Lifelong Education, 37(1), pp. 21-39. ISSN 0260-1370 [Article]

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Gunkel, Henriette. 2018. Rückwärts in Richtung queerer Zukunft. In: Dagmar Brunow and Simon Dickel, eds. Queer Cinema. Mainz, Germany: Ventil Verlag, pp. 68-81. ISBN 9783955750916 [Book Section]

Gunkel, Henriette and Annas, Max. 2018. An Act of Citizenship - Mozambican Films from Kuxa-Kanema to a Cinema of Re-sistance. In: Antje Schuhmann and Mistri Jyoti, eds. African Women in Film. Pretoria: Unisa Press. [Book Section]

Hameed, Ayesha. 2018. 'Black Atlantis'. In: BAK basis voor actuele kunst. Utrecht, Netherlands. [Conference or Workshop Item]

Hameed, Ayesha. 2018. Black Atlantis – Dancefloors and Seafloors. In: Dan Meththananda and Martin Kohout, eds. Night Shifter. TLTRPreß, pp. 44-53. ISBN 9783981964011 [Book Section]

Hameed, Ayesha. 2018. Black Atlantis, Ø Hyperdub. In: "Ø Hyperdub", Corsica Studios London, United Kingdom, 14 November 2018. [Show/Exhibition]

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Hameed, Ayesha. 2018. Black Atlantis: 'The end of eating everything'. In: "Black Atlantis: 'The end of eating everything'", Empire Remains, London, United Kingdom, 2016 - 2018. [Performance]

Hameed, Ayesha. 2018. 'Black Atlantis: Retrograde Futurism'. In: Society for Artistic Research 9th International Conference, “Artistic Research Will Eat Itself”. University of Plymouth, United Kingdom 11 -13 April 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '“Black Atlantis” at "You Send Me" panel discussion'. In: Sharjah Art Foundation March Meeting 2018. Sharjah Art Foundation, Sharjah, United Arab Emirates 17 - 19 March 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '"The Bloop“ and "Jupiter"'. In: AUDINT-Unsound: Undead. Spike Island, Bristol, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2018. 'Echoes of the South Atlantic talk'. In: Echoes of the South Atlantic Conference Salvador 2018. Goethe Institute Salvador, Salvador-Bahia, Brazil 23 - 25 April 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2018. Landfall and Departure: Epilogue (Listening to the Sea). In: "Landfall and Departure", Nanaimo Art Gallery, Nanaimo, Canada, 12 January - 10 March 2018. [Show/Exhibition]

Hameed, Ayesha. 2018. “Precarious terrain and entangled situations”. In: "“Precarious terrain and entangled situations”", Konsthall C Stockholm, Sweden, 11 April - 17 June 2018. [Show/Exhibition]

Hameed, Ayesha. 2018. '“Respondent” to Denise Ferreira da Silva'. In: Denise Ferreira da Silva: Blacklight; part of In formation III. Institute for Contemporary Art, London, United Kingdom 25 August 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2018. Retrograde Futurism. In: Marina Otero Verzier and Nick Axel, eds. Work Body Leisure. Rotterdam: Het Nieuwe Instituut/Hatje Cantz Verlag GmbH, pp. 289-297. ISBN 9783775744256 [Book Section]

Hameed, Ayesha. 2018. '“Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure'. In: Work, Body, Leisure Book Launch. Het Nieuwe Instituut, Rotterdam, Netherlands 26 August 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2018. “A Rough History (of the destruction of fingerprints)”. In: Gurur Ertem and Sandra Noeth, eds. Bodies of Evidence: Ethics, Aesthetics, and Politics of Movement , 2018. Vienna: Passagen Verlag, pp. 35-52. ISBN 9783709203033 [Book Section]

Hameed, Ayesha. 2018. 'The Shaping of a Message'. In: The Shaping of a Message Symposium. Goldsmiths, University of London, United Kingdom 8 June 2018. [Conference or Workshop Item]

Hameed, Ayesha and Gunkel, Henriette. 2018. 'Visual Cultures as Time Travel'. In: Alien Time. Goldsmiths, University of London, United Kingdom 25 May 2018. [Conference or Workshop Item]

Hameed, Ayesha and Kane, Hamedine. 2018. “Family Function”. In: "13th Dak’Art Dakar Biennial", Dakar, Senegal. [Show/Exhibition]

Hameed, Ayesha and Kane, Hamedine. 2018. In the Shadow of Our Ghosts. [Film/Video]

Hameed, Ayesha and Kane, Hamedine. 2018. “Working Practices: a collaboration with Clark House”. In: "“Working Practices: a collaboration with Clark House”", Showroom London, United Kingdom, 25 May - 7 July 2018. [Show/Exhibition]

Hameed, Ayesha and Perretta, Imran. 2018. '“In Conversation” with Imran Perretta'. In: 15 days. Jerwood Arts, London, United Kingdom 10 May 2018. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2018. A constituent education. In: John Byrne; Elinor Morgan; November Paynter; Aida Sánchez de Serdio and Adela Zeleznik, eds. The Constituent Museum: Constellations of Knowledge, Politics and Mediation: A Generator of Social Change. Amsterdam: Valiz, pp. 128-131. ISBN 9789492095428 [Book Section]

Hille, Moira; Hameed, Ayesha; Arabindan-Kesson, Anna; Guerin, Ayasha; De Lucia, Lori A. and McKelvin, Patricia. 2018. 'Ghostships & Other Narratives'. In: Resignifications 2018: The Black Mediterranean. Palermo, Italy 7 June 2018. [Conference or Workshop Item]

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Lovett, Matthew. 2018. Outside on the Inside: Musical improvisation according to contemporary materialist thought. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Madani, Adnan. 2018. Cloud Memories, Desert Dreams. Hybrid, Journal of Visual Culture, 1(1), [Article]

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Madani, Adnan. 2018. The frame as borderland: Secular gazes and believing bodies in Bani Abidi’s The Distance From Here (2010). The Moving Image Review & Art Journal (MIRAJ), 7(2), pp. 236-250. ISSN 2045-6298 [Article]

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Martinon, Jean-Paul. 2018. The Birth of Language or the Necessity of Rule. Bulletin of the School of Oriental and African Studies, 81(3), pp. 413-424. ISSN 0041-977X [Article]

Martinon, Jean-Paul and Madani, Adnan. 2018. Visual Cultures as World-Forming. Berlin: Sternberg. [Book] (Forthcoming)

McAuliffe, Sam. 2018. 'Marguerite Duras and the Master Image'. In: Film-Philosophy 2018. University of Gothenberg, Sweden. [Conference or Workshop Item]

McAuliffe, Sam. 2018. 'The Radio Question'. In: London Conference in Critical Thought. Westminster 30 June - 1 July, 2017. [Conference or Workshop Item]

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Mörtenböck, Peter and Mooshammer, Helge. 2018. Crowdfunded Urban Development: Urban narratives as vehicles for new financial markets. ARCH+ Journal for Architecture and Urbanism, 51(231), pp. 186-189. ISSN 0587-3452 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2018. Urban frontiers in the global struggle for capital gains. Finance and Society, 4(1), pp. 108-125. ISSN 2059-5999 [Article]

Nowotny, Stefan. 2018. Überlegungen zur Geschichte der “Gastarbeit”. In: Boris Buden and Lina Dokuzovic, eds. They'll Never Walk Alone: The Life and Afterlife of Gastarbeiters. Vienna: transversal texts. ISBN 9783903046207 [Book Section]

O'Sullivan, Simon D.. 2018. Fictioning Five Heads (on the Art—Anthropology Hybrid). In: Hermione Spriggs, ed. Five Heads (Tavan Tolgoi): Art, Anthropology and Mongol Futurism. Berlin: Sternberg Press, pp. 141-147. ISBN 9783956794292 [Book Section]

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O'Sullivan, Simon D.. 2018. Fictioning the Landscape. Journal of Aesthetics and Phenomenology, 5(1), ISSN 2053-9320 [Article]

O'Sullivan, Simon D.. 2018. 'Fictioning: Mythopoesis, Myth-Science, Mythotechnesis'. In: The Institute of Things to Come. Fondazione Sandretto Re Rebaudengo, Turin, Italy November 2018. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2018. 'Mythopoesis/Myth-Science/Mythotechnesis: Case study, Plastique Fantastique'. In: 'The Shaping of a Message' symposium. Goldsmiths, University of London, United Kingdom 8 June 2018. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2018. The Seed Archive Breakout and the Burning of Elon Musk. In: "The Seed Archive Breakout and the Burning of Elon Musk", CGP Gallery, London, United Kingdom, 8 November 2018. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2018. Traitor-Meme. In: "Traitor-Meme", Dundee Contemporary Arts, United Kingdom, 10 March 2018. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2018. Traitor-Meme. In: "Traitor-Meme", Oxford Brookes University, United Kingdom, 5 May 2018. [Performance]

O'Sullivan, Simon D.; Davies, Will and Hameed, Ayesha. 2018. 'Tank Book Talks (with Will Davies and Ayesha Hameed)'. In: Tank Book Talks. Tank, Great Portland Street, London, United Kingdom 18 October 2018. [Conference or Workshop Item]

Otero, Marina. 2018. 'Work, Body, Leisure: How to read a story about Burn-Out'. In: "Work, Body, Leisure". Venice Biennale, Italy 24 November 2018. [Conference or Workshop Item]

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Prendeville, Brendan. 2018. ‘Democratic light: phenomenology and the worldliness of painting’. In: Malcolm Baker and Andrew Hemingway, eds. Art as Worldmaking: Critical essays on Realism and Naturalism. Manchester: Manchester University Press, pp. 165-180. ISBN 9781526114907 [Book Section]

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Roberdeau, Wood. 2018. After Baruchello: Agricultural Encounters in Contemporary Art. In: Ben Stringer, ed. Rurality Re-imagined: Villagers, Farmers, Wanderers and Wild Things. Novato, California: ORO Editions/Applied Research & Design. ISBN 978-1-940743-34-9 [Book Section]

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Roberdeau, Wood. 2018. Scalar Aesthetics of Ecocinema: The Wall and The Survivalist. Transformations Journal of Media, Culture and Technology(32), [Article]

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Rogoff, Irit. 2018. Becoming Research. In: , ed. What Do Museums Research. Seoul, Republic of Korea: MMCA (National Museum of Modern & Contemporary Art) Korea, pp. 25-40. [Book Section]

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Rogoff, Irit. 2018. Becoming Research. In: Choi Jina and Helen Jungyeon Ku, eds. The Curatorial in Parallax. Seoul, Republic of Korea: National Museum of Modern and Contemporary Art, Korea, pp. 39-52. ISBN 9788963031972 [Book Section]

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Rosamond, Emily. 2018. 'Choreopolitics in the Age of Big Data'. In: Choreopolitics in the Age of Big Data. The Place, London, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Distortions'. In: Conspiracy of the Real. Tenderpixel, London, United Kingdom 3 May, 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. The Ethylene Trio, Part 3: Oracles. [Printed Ephemera]

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Rosamond, Emily. 2018. Inflation. Catalogue essay, Adrienne Spier, Lump, Slump, Sunk, Hamilton Artists Inc, [Article]

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Rosamond, Emily. 2018. 'The Investment-Image of Contemporary Art'. In: Post-Capitalist Photography Now!. The Photographers' Gallery, London, United Kingdom 24 November 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'It Sees'. In: Moneylab #4: Art, Culture and Financial Activism. Somerset House, United Kingdom 18 January 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. Moods of Identification. Furtherfield Spring Editorial, [Article]

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Rosamond, Emily. 2018. 'Profiling and Predictive Cultures'. In: Brookes Fine Art Lecture Series. Oxford Brookes University, United Kingdom 6 February 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Respondent, Art After Money, Money After Art'. In: Art After Money, Money After Art. Furtherfield Commons, United Kingdom 9 December 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Second Selves: Auto/Biography, Figuration and the Financial Subject'. In: Tenth Critical Finance Studies Conference. University of Gothenburg, Sweden 9-11 August 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. Small Things Considered - Ceteris Paribus. In: "Small Things Considered - Ceteris Paribus", Leu Gallery, Belmont University, Nashville, Tennessee, United States, 12 March - 4 May 2018. [Show/Exhibition]

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Rosamond, Emily. 2018. 'Surveillance Capitalist Aesthetics'. In: A Modest Proposal Symposium. Royal College of Art, United Kingdom 27 October, 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. Surveillance Capitalist Aesthetics. In: Katleen Vermeir and Ronny Heiremans, eds. A Modest Proposal. Brussels: Jubilee vzw, pp. 31-35. ISBN 9789082966206 [Book Section]

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Rosamond, Emily. 2018. 'Testing'. In: Guest Lecture, PC Certificate Course in the Management of Teaching and Learning in Higher Education. Goldsmiths, United Kingdom 18 November 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. To sort, to match and to share: addressivity in online dating platforms. Journal of Aesthetics & Culture, 10(3), pp. 32-42. ISSN 2000-4214 [Article]

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Rosamond, Emily. 2018. 'Volatile Measurement Environments'. In: New Narratives 2: Thinking Economics Differently. Kunstgebaude, Stuttgart, Germany 15 April, 2018. [Conference or Workshop Item]

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Rosamond, Emily; Milne, Alexis and Oi, Lu Ma. 2018. Zine//o//morph. In: "Zine//o//morph", ASC Studios, Empson Street, London, United Kingdom, 26 January 2018. [Performance]

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Rosamond, Emily; Skinner, Kristie; Weeks, Harry and Gregory, Karen. 2018. The Common Sense - Q+A. The Two-Way Patch, [Article]

Schuppli, Susan. 2018. Eavesdropping. In: "Eavesdropping", Melbourne, Australia, 24 July – 20 Oct 2018. [Show/Exhibition]

Schuppli, Susan. 2018. 'Evidence in 74 million million million tons'. In: Evidence in 74 million million million tons. New York, United States April 29, 2018. [Conference or Workshop Item]

Schuppli, Susan. 2018. 'Shapes of Decay: A Discussion about Art and Ecology'. In: Shapes of Decay: A Discussion about Art and Ecology. Tate Modern, United Kingdom 24 APRIL 2018. [Conference or Workshop Item]

Schuppli, Susan. 2018. Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY. In: Danielle Celermajer and Richard Sherwin, eds. A Cultural History of Law in the Modern Age. London: Bloomsbury Publishing. ISBN 9781474212854 [Book Section]

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Schuppli, Susan. 2018. Space of Flows. In: "Space of Flows", Krakow, Poland, 24.05.2018 – 24.06.2018. [Show/Exhibition]

Schuppli, Susan. 2018. Stretching the Truth. In: "Stretching the Truth", Ian Potter Museum of Art, Australia, 28 July 2018. [Performance]

Schuppli, Susan. 2018. 'Unpacking the Processes of Artistic Knowledge'. In: Unpacking the Processes of Artistic Knowledge. Amsterdam, Netherlands 24.02.2018. [Conference or Workshop Item]

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Turner, Lynn. 2018. 'How like a (fig) leaf'. In: Beyond Plant Blindness: Where can a single plant take you?. University of Gothenburg, Sweden 10 November 2018. [Conference or Workshop Item]

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Turner, Lynn. 2018. 'In lieu of conclusion: the bloodless coups of White God'. In: Derrida Today 6. Concordia University, Canada 23-26 May 2018. [Conference or Workshop Item]

Turner, Lynn. 2018. 'Red: the cardio-pedagogy of White God'. In: 'Green' Society for Literature, Science & the Arts - EU (SLSA-eu). University of Copenhagen, United Kingdom 13 - 16 June 2018. [Conference or Workshop Item]

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Turner, Lynn. 2018. Voice. In: Lynn Turner; Undine Sellbach and Ron Broglio, eds. The Edinburgh Companion to Animal Studies. Edinburgh: Edinburgh University Press. ISBN 9781474418416 [Book Section]

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Turner, Lynn; Broglio, Ronald and Sellbach, Undine. 2018. Introducing The Edinburgh Companion to Animal Studies. In: , ed. The Edinburgh Companion to Animal Studies. (592) Edinburgh, Scotland.: Edinburgh University Press, pp. 1-12. ISBN 1474418414 [Book Section]

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Vergara Vivanco, Leire. 2018. Dispositifs of Touching: A Curatorial Study on the Plazas of Sovereignty. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Vishmidt, Marina. 2018. Anomaly and Autonomy: On the Currency of the Exception in the Value Relations of Contemporary. Zeitschrift für Kunstgeschichte, 81(4), pp. 588-600. ISSN 0044-2992 [Article]

Weizman, Eyal. 2018. Counter Investigations. In: "Counter Investigations: Forensic Architecture", Institute of Contemporary Arts (ICA), London, United Kingdom, 7 March - 13 May 2018. [Show/Exhibition]

Weizman, Eyal. 2018. The Long Duration of a Split Second at Turner Prize 2018. In: "Turner Prize 2018", Tate Britain, United Kingdom, 26 September 2018 - 6 January 2019. [Show/Exhibition]

Weizman, Eyal. 2018. Maps of Defiance: Documenting the Genocide of the Yazidi People in Northern Iraq at London Design Biennale 2018. In: "London Design Biennale 2018", Somerset House, London, United Kingdom, 4-23 September 2018. [Show/Exhibition]

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Wolf, Nicole. 2018. Is this just a story? Friendships and fictions for speculative alliances. The Yugantar film collective (1980-83). Moving Image Review & Art Journal, 7(2), pp. 252-266. ISSN 2045-6298 [Article]

Wolf, Nicole. 2018. Metabolisms of the Feminist Archive and the Nowness of Yugantar (1980–83). Documentary Now, edited by Ravi Vasudevan, 70(1), pp. 42-49. [Article]

Wolf, Nicole and Dutta, Madhusree. 2018. 'Speculative Feminist Ciné Geography'. In: found:erased:palimpsest. Akademie der Künst der Welt, Germany 22.06.2018. [Conference or Workshop Item]

Wolf, Nicole and Schulte Strathaus, Stefanie. 2018. 'Archival Constellations'. In: Archival Constellations. Forum Expanded/ Silent Green, Germany 22.02.2018. [Conference or Workshop Item]

2017

Barcelos, Lendl; Colquhoun, Matt; Eastwood, Ashiya; Eshun, Kodwo; Moalemi, Mahan and Ronkina, Geelia, eds. 2017. The Fisher-Function. London: Egress. [Edited Book]

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Gunkel, Henriette; Hameed, Ayesha and O'Sullivan, Simon D., eds. 2017. Futures and Fictions. London: Repeater. ISBN 9781910924631 [Edited Book]

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Crone, Bridget, ed. 2017. The Sensible Stage:Staging and the Moving Image. Bristol UK: Intellect Books. ISBN 978-1-78320-769-5 [Edited Book]

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Awan, Nishat. 2017. Mapping Otherwise: Imagining other futures and other possibilities. In: Meike Schalk; Thérèse Kristiansson and Ramia Mazé, eds. Feminist Futures of Spatial Practice: Materialisms, Activisms, Dialogues, Pedagogies, Projections. Baunach: AADR, pp. 19-27. ISBN 9783887784898 [Book Section]

Blas, Zach. 2017. Metric Mysticism. In: "Metric Mysticism", e-flux, United Kingdom. [Performance]

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Blas, Zach and Wyman, Jemima. 2017. im here to learn so :)))))). [Art Object]

Brar, Dhanveer Singh. 2017. 'Bass / Mascon'. In: Club Culture and the Politics of Bass. King's College London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Eddie George’s Fugitive Saturations'. In: Black Film, British Cinema.. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Gaze: Utterance'. In: Gaze: Utterance. ICA London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Introduction to performance by Larry Achiampong'. In: Techno Resistance and Black Futures. Goldsmiths College. University of London. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul; Thompson, Marie and Sarkar, Ash. 2017. 'Down With Childhood'. In: Down With Childhood. Cafe Oto, United Kingdom. [Conference or Workshop Item]

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Crone, Bridget. 2017. Comparative Monument (Shellal): Steadfastness and the Temporal Body. di'van: a journal of accounts, 1(2), pp. 54-80. ISSN 2207-1563 [Article]

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Crone, Bridget. 2017. Flicker Time and Fabulation. In: G Gunkel; A Hameed and S O'Sullivan, eds. Futures and Fictions. London, UK: Repeater Books, pp. 268-294. ISBN 9781910924631 [Book Section]

Crone, Bridget. 2017. Image and the Appearance of the Image: Fear, Speed, Force. In: Evi D. Sampanikou, ed. Audio Visual Posthumanism. UK: Cambridge Scholars Press, pp. 337-342. ISBN 978-1-4438-8177-7 [Book Section]

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Crone, Bridget. 2017. Notes Towards a Sensible Stage. In: Bridget Crone, ed. The Sensible Stage: Staging and the Moving Image. University of Chicago Press / Intellect Books. ISBN 978-1783207695 [Book Section]

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Crone, Bridget. 2017. Propositions for a stage: 24 frames of a beautiful heaven. In: "Propositions for a stage: 24 frames of a beautiful heaven", Institute for Contemporary Arts, Singapore, 29 July to 22 October 2017. [Show/Exhibition]

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Crone, Bridget. 2017. Spectral Ecologies. [Exhibition Catalogue]

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Crone, Bridget. 2017. Spectral Ecologies. In: "Spectral Ecologies", Mildura Arts Centre, Australia, 6 April to 18 June 2017. [Show/Exhibition]

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Damaso, Mafaldo. 2017. Unstable Mediation – Regarding the United Nations as a Visual Entity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Dyangani Ose, Elvira. 2017. ‘Becoming Post-apartheid and other history-related consideration in the collective work of Kemang Wa Lehulere. In: , ed. Kemang Wa Lehulere. Bird Song. Berlin, Germany: Hatje Cantz Verlag. ISBN 978-3-7757-4280-1 [Book Section]

Dyangani Ose, Elvira. 2017. How about this? On a sense of togetherness. Elvira Dyangani and Magdalena Malm in conversation. In: Magdalena Malm, ed. Curating Context: Beyond the Gallery and into Other Fields. Sweden: Art and Theory Publishing. ISBN 978-91-88031-45-7 [Book Section]

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El Baroni, Bassam. 2017. Post-Agonistics: Pluralism, Realism and the Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ellul, Hannah. 2017. Picturing Politics: Drawing Out the Histories of Collective Political Action in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Eshun, Kodwo. 2017. 'Algorithmic Poetics'. In: Techno Resistance and Black Futures Festival. Goldsmiths, University of London, United Kingdom 27 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. The Algorithmic Poetics of @GlissantBot. In: Research Center for Proxy Politics, ed. Proxy Politics: Power and Subversion in a Networked Age. Berlin: Archive Books. ISBN 978-3-943620-71-9 [Book Section]

Eshun, Kodwo. 2017. 'The Algorithmic Poetics of @GlissantBot'. In: The Proxy and Its Politics: On evasive objects in a Networked Age. Haus der Kulturen der Welt, Berlin, Germany 24 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Ceddo in the Future of 1976'. In: Angazi but I’m Sure. Raw Academy, Dakar, Senegal 21 April 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Circuit of Enslavement'. In: The Global Condition: Dispossession, Displacement and Death. Performing Arts Forum, St. Erme, United Kingdom 20 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. Drexciya as Spectre [Catalogue Essay]. In: Margarida Mendes, ed. Matter Fictions. Sternberg Press. ISBN 978-3-95679-303-5 [Book Section]

Eshun, Kodwo. 2017. 'The Eastman Complex'. In: I/mages of Tomorrow: Envisioning black, POC futures, disabled futures, queer & trans futures, feminist futures. Goldsmiths, University of London, United Kingdom 3 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Fukushima Artists Films'. In: In Conversation with Jason Waite. Arts Catalyst Centre, London, United Kingdom 21 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Fukushima and Visual Inquiry'. In: Philippe Rouy Film Screening and Conversation with Jason Waite. Arts Catalyst Centre, London, United Kingdom 13 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Jet Propelled Take Off of the Black Star'. In: Future Caucus. Vanabbemuseum Eindhoven, Netherlands 20 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Literal Technology of the Hartman Circuitry'. In: Intimate Trespass: Hapticality, Waywardness and the Practice of Entanglement. Cecil Sharp House, London, United Kingdom 8 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. Marc Karlin’s Voyages around Susan Meiselas’ Nicaragua Photographs [Catalogue Essay]. In: Carles Guerra and Jeu de Palme, eds. Susan Meiselas. UNSPECIFIED. [Book Section] (Forthcoming)

Eshun, Kodwo. 2017. 'Modernization Theories and Modernist Poetics in Transition Magazine'. In: Podium. KurzfilmTage Oberhausen, Netherlands 17 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. On Her Devolves The Labour: Cinematic Time Travel of the Song of the Shirt. In: Sue Clayton and Laura Mulvey, eds. Other Cinemas : Politics, Culture and Experimental Film in the 1970s. London: I.B. Tauris, pp. 257-270. ISBN 9781784537180 [Book Section]

Eshun, Kodwo. 2017. The Radiant. In: "The Radiant", , Art Gallery Miyauch, Japan, 11 March – 21 May 2017. [Show/Exhibition]

Eshun, Kodwo. 2017. 'Sunrise: A Song of Two Humans, Screening and Conversation with John Akomfrah'. In: Climates of Fiction: Cinemas from the Capitalocene. Institute of Light, Institute of Light, United Kingdom 6 March 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Third Part of The Third Measure, Screening and Conversation with Anthony Elms'. In: International House, Endless Shout. Institute of Contemporary Art at the University of Philadelphia, United States 16 March 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Third Part of The Third Measure, Screening and Conversation with Boris Ondreicka'. In: The Question of Will. A4, Bratislava, Slovakia 24 May 2017. [Conference or Workshop Item]

Eshun, Kodwo and Biemann, Ursula. 2017. When Matter Thinks. In: Doreen Mende, ed. Thinking Under Turbulence. HEAD Geneve: Geneva Colloquium. ISBN 9782940524556 [Book Section]

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Fisher, Andrew. 2017. Imaginative Variation: Photographic Scale & Photographic Horizons. In: Florian Dombois and Julie Harboe, eds. Too Big to Scale: On Scaling Space, Number, Time and Energy. Zürich: Scheidegger & Spiess Verlag, pp. 17-32. ISBN 9783858817938 [Book Section]

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Graham, Janna. 2017. Dos relatos sobre un «nosotros» Malestar en las fronteras entre arte, educación e investigación. Errata: Revista de Artes Visuales(16), pp. 168-175. ISSN 2145-6399 [Article]

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Graham, Janna. 2017. Grammars of the Possible: Moving Beyond Binaries of Representation and Non-Representation in Gallery Education. In: Carmen Mörsch; Sigrid Schade and Sophie Vögele, eds. Representing Art Education: On the Representation of Pedagogical Work in the Art Field: . Vienna: Zaglossus, pp. 369-408. ISBN 9783902902580 [Book Section]

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Graham, Janna. 2017. Technologies for Living Otherwise: Arts Pedagogy as Social Reproduction and Movement Building. In: , ed. Creativity Exercises. UNSPECIFIED. [Book Section] (Forthcoming)

Grant, Catherine. 2017. Learning and Playing: re-enacting feminist histories. In: Victoria Horne and Lara Perry, eds. Feminism and Art History Now: Radical Critiques of Theory and Practice. London: I. B. Tauris. ISBN 9781784533250 [Book Section]

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Gunkel, Henriette and McGeorge, Eline. 2017. Companions Meet as Spaces Fold. A Conversation. In: Eline McGeorge, ed. As Spaces Fold, Companions Meet. London: Dent-De-Leone, pp. 167-175. ISBN 978-1-907908-41-5 [Book Section]

Hameed, Ayesha. 2017. Black Atlantis: The Plantationocene. In: MAP Office, ed. Our Ocean Guide. Lightbox Publishing, pp. 205-213. ISBN 978-88-6384-041-4 [Book Section]

Hameed, Ayesha. 2017. The Destruction of Fingerprints. In: "Forensic Architecture: Towards an Investigative Aesthetics", MACBA Barcelona, Spain, 28 April - 15 October 2017. [Show/Exhibition]

Hameed, Ayesha. 2017. The Destruction of Fingerprints. In: "Forensic Architecture: Towards an Investigative Aesthetics", Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico, 9 September - 30 December 2017. [Show/Exhibition]

Hameed, Ayesha. 2017. 'A Rough History (of the destruction of fingerprints)'. In: Genealogies of Visual Cultures. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha; Eshun, Kodwo and Moreno, Louis. 2017. Sonic Utopias: The Last Angel of History. A Conversation between Ayesha Hameed, Kodwo Eshun and Louis Moreno. In: Henriette Gunkel; Ayesha Hameed and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 249-267. ISBN 9781910924631 [Book Section]

Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.. 2017. 'Futures and Fictions: A Conversation between Henriette Gunkel, Ayesha Hameed and Simon O'Sullivan.'. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 1-20. ISBN 9781910924631 [Book Section]

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Martinon, Jean-Paul. 2017. Edging Disciplines. Journal of Curatorial Studies, 6(2), pp. 221-229. ISSN 2045-5836 [Article]

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Martinon, Jean-Paul. 2017. Time Unshackled. New Formations, 92, pp. 11-24. ISSN 0950-2378 [Article]

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McAuliffe, Sam. 2017. 'Decorum and Insolence in Robert Walser’s Dialectic of Manners'. In: Play, Recreation, and Experimentation: Literature and the Arts since the Early Modern Times. University of Kent, United Kingdom. [Conference or Workshop Item]

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McAuliffe, Sam. 2017. Fable. In: , ed. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 55-59. ISBN 978­3­95796­085­6 [Book Section]

McAuliffe, Sam. 2017. Image and Thought in Adorno, Blanchot and Deleuze. Doctoral thesis, Goldsmiths, University of London [Thesis]

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McAuliffe, Sam. 2017. 'The Imagination of Detail: Barthes and the Politics of Utopia'. In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017. [Conference or Workshop Item]

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McAuliffe, Sam. 2017. Inner Voice. In: Mercedes Bunz; Birgit Mara Kaiser and Kathrin Thiele, eds. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 73-77. ISBN 978-3-95796-085-6 [Book Section]

McAuliffe, Sam. 2017. 'The Way Out: Kant and Kafka on Nature and History'. In: American Comparative Literature Association Annual Meeting. Utrecht University, Netherlands. [Conference or Workshop Item]

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Meneses Romero, Mariana. 2017. Women cooking art: Hospitality and contemporary art practices. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Moon, Je Yun. 2017. Choreo-graphy: The Deinstitutionalisation of the Body and the Event of Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Moreno, Louis. 2017. David Harvey. In: A Latham and R Kock, eds. Key Thinkers on Cities. Sage Publishing. ISBN 9781473907751 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2017. Other Markets: The Global Struggle of Informal Trading Places. In: Andreas Lepik; Marcello della Guistina and Chiara Ursini, eds. Does Permanence Matter? Ephemeral Urbanism. München: Architekturmuseum der TU München, pp. 62-79. ISBN 978-3-9819240-0-8 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2017. Tent Cities, People’s Kitchens, Free Universities – The Global Villages of Occupation Movements. In: Doina Petrescu and Kim Trogal, eds. The Social (Re)Production of Architecture: Ethics, Economies, Politics and Actions in Contemporary and Future Practice. Abingdon: Routledge, pp. 257-270. ISBN 9781138859494 [Book Section]

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O'Sullivan, Simon D.. 2017. Accelerationism, Hyperstition and Myth-Science. Cyclops(2), pp. 11-44. ISSN 2398-2705 [Article]

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O'Sullivan, Simon D.. 2017. Accelerationism, Prometheanism and Mythotechnesis. In: Baylee Brits; Prudence Gibson and Amy Ireland, eds. Aesthetics After Finitude. Melbourne: re.press, pp. 171-189. ISBN 9780980819793 [Book Section]

O'Sullivan, Simon D.. 2017. 'Fictioning and Practice as Research'. In: Somatic Shifts: The Body and Beyond in Creative and Critical Research. University for the Creative Arts, Farnham, United Kingdom March 2017. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. Fictioning the Landscape: Robert Smithson and Ruins in Reverse. Take On Art Magazine, 3(2), pp. 60-63. [Article]

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O'Sullivan, Simon D.. 2017. The Finite-Infinite Relation: A Conversation with Simon O’Sullivan. In: Anthony Morgan, ed. The Kantian Catastrophe: Conversations on Finitude and the Limits of Philosophy. Newcastle: Bigg Books, pp. 209-221. ISBN 97819998413 [Book Section]

O'Sullivan, Simon D.. 2017. From Financial Fictions to Mythotechnesis. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 318-346. ISBN 9781910924631 [Book Section]

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O'Sullivan, Simon D.. 2017. From Science Fiction to Science Fictioning: SF’s Traction on the Real. Foundation: The International Review Of Science Fiction(128), pp. 74-84. ISSN 0306-4964 [Article]

O'Sullivan, Simon D.. 2017. Memories of a Deleuzian: To Think is Always to Follow the Witches Flight. In: Henry Somers-Hall; Jeffrey A. Bell and James Williams, eds. A Thousand Plateaus and Philosophy. Edinburgh: Edinburgh University Press, pp. 172-189. ISBN 9780748697281 [Book Section]

O'Sullivan, Simon D.. 2017. 'Myth-Science and the Fiction of the Self'. In: Afternoon Tea with the Intercontinental: a Symposium on the Post-Factual. Slade, UCL, United Kingdom 22 February 2017. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2017. Mythopoesis or Fiction as Mode of Existence: Three Case Studies from Contemporary Art. Visual Culture in Britain, 18(2), pp. 292-311. ISSN 1471-4787 [Article]

O'Sullivan, Simon D.. 2017. 'Mythopoesis, Fabulous Images and Memories of a Sorceror'. In: ‘Aberrant Nuptials: Second International Conference on Deleuze and Art'. Orpheus Institute, Ghent, Belgium 20-22 November 2017. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. Mythopoesis, Scenes and Performance Fictions: Two Case Studies (Crass and Thee Temple ov Psychick Youth). Parasol: The Journal of the Centre for Experimental Ontology(2), pp. 94-106. ISSN 2525-2920 [Article]

O'Sullivan, Simon D.. 2017. Non-Philosophy and Fiction as Method. In: Jon K Shaw and Theo Reeves-Evison, eds. Fiction as Method. Berlin: Sternberg, pp. 273-318. ISBN 978-3-95679-364-6 [Book Section]

O'Sullivan, Simon D. and Burrows, David. 2017. Bi-Son-Oil-Men. In: "Bi-Son-Oil-Men", IMT Gallery, United Kingdom, 27 April 2017. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2017. Past-Future-Catcher-Repeater. In: "Past-Future-Catcher-Repeater", Nun’s Island, Galway, Ireland, 3 November 2017. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2017. Past-Future-Catcher-Repeater. In: "Past-Future-Catcher-Repeater", Res. Gallery, Deptford, United Kingdom, November 2017. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2017. Traitor-Meme. In: "Traitor-Meme", Castlefield Gallery, Manchester, United Kingdom, 23 June - 6 August 2017. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2017. Traitor-Meme. In: "Traitor-Meme", The Mac, Belfast, United Kingdom, 20 October 2017 - 14 January 2018. [Show/Exhibition]

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Prendeville, Brendan. 2017. Competing futures, precarious community: realism in post-war Britain. In: Andrew Hemingway and Alex Potts, eds. Kunst und Politik 19: Realism in Modern British and American Art. 19 Göttingen: V & R Unipress, pp. 59-71. ISBN 9783847108153 [Book Section]

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Roberdeau, Wood. 2017. Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time. Dada/Surrealism, 21, ISSN 0084-9537 [Article]

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Roberdeau, Wood. 2017. A Withdrawing Vital Material. TAKE on art magazine, 3(1), [Article]

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Rogoff, Irit. 2017. 'The Way We Work Now'. In: Potential Spaces. Karlsruhe, Germany 16-18 February 2017. [Conference or Workshop Item]

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Rogoff, Irit. 2017. Who do WE face? In: Maria Hlavajova and Simon Sheikh, eds. FORMER WEST: Art and the Contemporary after 1989. Amsterdam, Netherlands: BAK, basis voor actuele kunst and MIT Press. ISBN 9780262533836 [Book Section]

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Rosamond, Emily. 2017. Developing Student-Centred Metacognitive Parameters for Writing Feedback. Creative Pedagogies, 1(1), pp. 15-19. [Article]

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Rosamond, Emily. 2017. 'Financial Vision and the Disinterested Gaze of Power'. In: Intersections of Finance and Society. City, University of London, United Kingdom 2-3 November, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'The Future-Oracular: Prediction, Divination and the Politics of Certainty'. In: AUB Research Conference. Arts University Bournemouth, United Kingdom 3 April, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'Identity Trouble'. In: Identity Trouble (on the blockchain). Goethe Institute, London, United Kingdom 23 November, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2017. The Infinite Mix. Esse, 89, ISSN 0831-859X [Article]

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Rosamond, Emily. 2017. It Sees (Notes Toward a Cultural History of Financial Vision). In: Inte Gloerich; Geert Lovink and Patricia de Vries, eds. Moneylab Reader Reader 2: Overcoming the Hype. Amsterdam: Institute of Network Cultures, pp. 101-114. ISBN 978-94-92302-19-9 [Book Section]

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Rosamond, Emily. 2017. 'New Fluidities: Borders in the Age of Continuous Transformation'. In: Uncertain Identities. Haus Für Kunst Uri, Altdorf, Switzerland 30 September, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'On Reputation and Addiction'. In: Are We All Addicts Now? Symposium and Book Launch. Central St Martins, United Kingdom 7 November. [Conference or Workshop Item]

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Rosamond, Emily. 2017. Plymouth Contemporary. In: "Plymouth Contemporary", Karst, Plymouth, United Kingdom. [Show/Exhibition]

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Rosamond, Emily. 2017. 'Removing the Cap: Institutional Affectivity and the Financialization of British Art Education'. In: Ninth Critical Finance Studies Conference. University of Leicester, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2017. Reputation Addiction. In: Vanessa Bartlett and Henrietta Bowden-Jones, eds. Are We All Addicts Now? Liverpool: Liverpool University Press, pp. 96-103. ISBN 978-1-78694-081-0 [Book Section]

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Rosamond, Emily. 2017. 'Reputation Capital/Reputation Warfare: Two Versions of the Optimal'. In: All Things Optimal. Centre for Interdisciplinary Methodologies, University of Warwick, United Kingdom 25 October, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'Reputation Management, Surveillance Capitalism and the Politics of Nudging'. In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'Reputation Power'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2017. Theatre of Information. In: Sam Smith and Andrea Zucchini, eds. Here the Sun does not enter. London: Assembly Point. ISBN 978-0-9957691-0-6 [Book Section]

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Rosamond, Emily and Zubillaga, Luciano. 2017. 'Discussion: Telepathy as Feminist Methodology'. In: Post-Cyber Feminist International. ICA, London, United Kingdom 19 November, 2017. [Conference or Workshop Item]

Schmetterling, Astrid. 2017. Charlotte Salomon. Bilder eines Lebens. Berlin: Jüdischer Verlag im Suhrkamp Verlag. ISBN 978-3-633-54283-3 [Book]

Schmetterling, Astrid. 2017. ‘Uriel Orlow’s “Unmade Film”: A Multidirectional Archive for Palestinian and Israeli Traumatic Memory’. In: Maria Magdalena Schwaegermann and Karmenlara Ely, eds. Infinite Record: Archive, Memory, Performance. Brooklyn, New York: Brooklyn Arts Press, pp. 136-143. ISBN 9781936767410 [Book Section]

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Schuppli, Susan. 2017. Computing the Law / Searching for Justice. In: Boris Buden,; Maria Hlavajova and Simon Sheikh, eds. Former West Art and the Contemporary after 1989. MIT Press: MIT Press. ISBN 9780262533836 [Book Section]

Schuppli, Susan. 2017. Consultant to the V&A. [Professional Activity]

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Schuppli, Susan. 2017. Ex-Ante. In: "Ex-Ante", Auckland, New Zealand, 27 October – 22 December 2017. [Show/Exhibition]

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Schuppli, Susan. 2017. The Images of War. In: "The Images of War", Stockholm, Sweden, 20 September 2017 – 14 January 2018. [Show/Exhibition]

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Schuppli, Susan. 2017. Material Truths. In: "Material Truths", Site Gallery, Sheffield, United Kingdom. [Show/Exhibition]

Schuppli, Susan. 2017. Moscow Biennale. In: "Clouds ⇄ Forests", Moscow, Russian Federation, 19 September 2017 – 18 January 2018. [Show/Exhibition]

Schuppli, Susan. 2017. Resolution is not the Point. In: "London Art Fair", London, United Kingdom. [Show/Exhibition]

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Schuppli, Susan. 2017. Ural Industrial Biennial. In: "New Literacy", Ural, Russian Federation, 14.09 - 12.11.2017. [Show/Exhibition]

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Shaw, Jonathan Keith. 2017. Subjectility : On Reading Artaud. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Turner, Lynn. 2017. '‘Give them some more time’: the ends of sacrifice in White God'. In: Out of Time, SLSA annual conference. Arizona State University, United States 9-12 November 2017. [Conference or Workshop Item]

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Turner, Lynn. 2017. 'The Oestrus Complex: soliciting the sexual contract of whale song'. In: Animal Utterances. University of Bristol, United Kingdom 25-26 May 2016. [Conference or Workshop Item]

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Turner, Lynn. 2017. 'Podcasting: The Becoming-Space of Voices’'. In: Wild Minds. ICA, London, United Kingdom 31 March 2017. [Conference or Workshop Item]

Turner, Lynn. 2017. 'Sacrifice and Decision: cinematic carnophallogocentrism'. In: The Political Animal. The Showroom, London, United Kingdom 2 Sept 2017. [Conference or Workshop Item]

Weizman, Eyal. 2017. Forensic Architecture: Hacia una estética investigativa. In: "Forensic Architecture: Hacia una estética investigativa", Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico, 9 September - 30 December 2017. [Show/Exhibition]

Weizman, Eyal. 2017. Forensic Architecture: Towards an Investigative Aesthetics. In: "Forensic Architecture: Towards an Investigative Aesthetics", MACBA, Barcelona, Spain, 28 April - 15 October 2017. [Show/Exhibition]

Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. New York: Zone Books. ISBN 9781935408864 [Book]

Weizman, Eyal; Varvia, Christina; Rowat, Simone and Levidis, Stefanos. 2017. 77sqm_9:26min. In: "Documenta 14", Neue Neue Galerie, Kassel, Germany, 10 June - 19 September 2017. [Show/Exhibition]

Wielander, Judith and Luccheti, Mateo. 2017. Visible Art Awards 2017. [Project]

Wolf, Nicole. 2017. ‘To make a film means to take a position’ (Sarah Maldoror). In: "Experimenta India", Bangalore, India, 29.11.-3.12.2017. [Show/Exhibition]

2016

Allmeier, Daniela; Manka, Ingrid; Mörtenböck, Peter and Scheuvens, Rudolf, eds. 2016. Erinnerungsorte in Bewegung. Zur Neugestaltung des Gedenkens an Orten nationalsozialistischer Verbrechen. Bielefeld: transcript Verlag. ISBN 978-3-8376-3059-6 [Edited Book]

Blas, Zach, ed. 2016. In Practice: Opacities. Camera Obscura: Feminism, Culture, and Media Studies, Camera Obscura: Feminism, Culture, and Media Studies, 31((2 92)). 0270-5346 [Edited Journal]

Butt, Gavin; Eshun, Kodwo and Fisher, Mark, eds. 2016. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Edited Book]

Poppel, Sarah; Vasic-Janekovic, Vanessa; Eshun, Kodwo; Linke, Armin; Mende, Doreen and Tomic, Milica, eds. 2016. Travelling Communiqué: Studying Practices of decolonial thinking through the presidential Photo Archive of Josip Broz Tito at the Museum of Yugoslav History. Leipzig: Spector Books. ISBN 9783944669922 [Edited Book]

Andrews, Jorella G., ed. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 3956791002 [Edited Book]

Amaro, Ramon. 2016. Digital Hysteria: A proposal on violence and humanism. In: Collective Hysteria, ed. HSYREITA. (7) London: Hysteria Press, pp. 10-15. [Book Section]

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Andrews, Jorella G.. 2016. The Socialities of Things. In: Barbara Kapusta; Rocco Pagel and Jenni Tischer, eds. Dinge und Dialoge. Berlin and Vienna: Saprophyt, pp. 10-15. [Book Section]

Andrews, Jorella G.. 2016. This is Rembrandt. London: Laurence King. ISBN 9781780677453 [Book]

Andrews, Jorella G.. 2016. '‘Where is called Thinking?’'. In: Series: HCT Debates: Dis-locutions, the architectural and the political. AA (Architectural Association) School, London, United Kingdom 4 March 2016. [Conference or Workshop Item]

Andrews, Jorella G. and Durner, Leah. 2016. 'Immeasurable Extravagance: Proposals for an Economy of Abundance in an Age of Scarcity'. In: Panel at CAA (College Art Association) Conference 2017. New York Hilton Midtown, NYC, United States 15 February 2017. [Conference or Workshop Item]

Awan, Nishat. 2016. Diasporic Agencies: Mapping the City Otherwise. Abingdon: Routledge. ISBN 9781472433770 [Book]

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Awan, Nishat. 2016. Digital Narratives and Witnessing: The Ethics of Engaging with Places at a Distance. Geohumanities, 2(2), pp. 311-330. ISSN 2373-566X [Article]

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Awan, Nishat. 2016. Edges of Europe: Visuality, ethics and witnessing in social research. Working Paper. Independent Social Research Foundation, London. [Report]

Awan, Nishat. 2016. Introduction to Border Topologies. GeoHumanities, 2(2), pp. 279-283. ISSN 2373-566X [Article]

Awan, Nishat. 2016. Migrant Narratives of Citizenship: A Topological Atlas of European Belonging. In: "Migrant Narratives of Citizenship: A Topological Atlas of European Belonging", Yorkshire Sculpture Park, United Kingdom, 31 October – 27 November 2016. [Show/Exhibition]

Bellini, Andrea; Dyangani Ose, Elvira; Bourgeois, Caroline and Alemani, Cecilia. 2016. Biennial of Moving Image. Geneva. 2016. In: "15th edition Biennial of Moving Image", Centre d'art Contemporain, Geneve, Switzerland. [Show/Exhibition]

Blas, Zach. 2016. “‘A Cage of Information,’ or, What is a Biometric Diagram?”. In: Erika Balsom and Hila Peleg, eds. Documentary Across Disciplines. Cambridge, MA: The MIT Press & Haus der Kulturen der Welt. ISBN 9780262529068 [Book Section]

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Blas, Zach. 2016. Contra-Internet. e-flux journal, 74, ISSN 2164-1625 [Article]

Blas, Zach. 2016. "Gay Bombs: Getting Started". In: David Getsy, ed. Queer: Documents of Contemporary Art. Cambridge, MA: The MIT Press & Whitechapel Gallery, pp. 105-109. ISBN 9780262528672 [Book Section]

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Blas, Zach. 2016. Opacities: An Introduction. Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 149-153. ISSN 0270-5346 [Article]

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Blas, Zach. 2016. “Vacuoles of Noncommunication: From Invisible Adversary to Invisible Revolt". In: Lauren Cornell and Tom Eccles, eds. Invisible Adversaries. Annandale-on-Hudson: Center for Curatorial Studies, Bard College. ISBN 1936192500 [Book Section]

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Blas, Zach and Gaboury, Jacob. 2016. "Biometrics and Opacity: A Conversation". Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 155-165. ISSN 0270-5346 [Article]

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Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal. 2016. On Forensic Architecture: A Conversation with Eyal Weizman. October(156), pp. 116-140. ISSN 0162-2870 [Article]

Brar, Dhanveer Singh. 2016. Amiri Baraka (1934 - 2014). In: Immanuel Ness and Zak Cope, eds. Palgrave Encyclopedia of Imperialism and Anti-Imperialism. UK: Palgrave-Macmillan. ISBN 978-0-230-39278-6 [Book Section]

Brar, Dhanveer Singh. 2016. 'Architektural Planning'. In: Speeding and Braking: Navigating Acceleration. Goldsmiths, University of London 12 May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. 'Black Secret Technology'. In: Framing the Critical Decade: After the Black Arts Movement. University of Bristol. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. 'Ghettoville'. In: Department of Geography Research Seminar. University College London. University College London, United Kingdom May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. 'Poverty, Abstraction, Debt: Actress’ Ghettoville'. In: Culture and Finance Capital Lecture Series. Department of Visual Cultures. Goldsmiths College, University of London.. Goldsmiths, University of London, United Kingdom October 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh and Okiji, Fumi. 2016. 'Walking Bsss'. In: Marxism in Culture Seminar. University of London. University of London, United Kingdom June 2016. [Conference or Workshop Item]

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Carter, Claire. 2016. Elizabeth Price Curates: IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY. In: "Elizabeth Price Curates: IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY: DEMO TOURING TEENAGERS", The Whitworth, Manchester, United Kingdom, June 2016 - August 2017. [Show/Exhibition]

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Crone, Bridget. 2016. 'Modern Art Oxford | Dr Bridget Crone on Mona Hatoum's early performance work'. In: Re-Visit: 1998 / Mona Hatoum. Modern Art Oxford, United Kingdom. [Conference or Workshop Item]

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Crone, Bridget. 2016. Opera as Method in the Work of Grace Schwindt. In: Agar Ledo, ed. Grace Schwindt: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts. Vigo, Spain: Foundation MARCO / Goethe Institute, Madrid, pp. 148-161. ISBN 978-84-943529-1-2 [Book Section]

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Dimitriou, Orsalia. 2016. The Politics of Public Space and the Emergence of the Commons in Contemporary Athens. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Doussan, Jenny. 2016. Writing Lines: Agamben contra Nietzsche. Cultural Critique, 92, pp. 114-136. ISSN 0882-4371 [Article]

Dufour, Diane; Lebart, Luce; Delage, Christian and Weizman, Eyal. 2016. Crime Scenes | A Hundred Years of Photographic Evidence. In: "Crime Scenes | A Hundred Years of Photographic Evidence", Nederlands Fotomuseum, Rotterdam, Netherlands, 13 May - 21 August 2016. [Show/Exhibition]

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Dyangani Ose, Elvira. 2016. Betye Saar: Uneasy Dancer. In: "Betye Saar: Uneasy Dancer", Fondazione Prada Milan, Italy, 15 September 2016 – 8 January 2017. [Show/Exhibition]

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Dyangani Ose, Elvira. 2016. Hypothesis for an Institution. In: Mario Mainetti, ed. Recto Verso Quaderno. #4 Milano: Fondazione Prada. [Book Section]

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Dyangani Ose, Elvira. 2016. Nástio Mosquito: T.T.T.-Template Temples of Tenacity. In: "Nástio Mosquito: T.T.T.-Template Temples of Tenacity", Fondazione Prada Milan, Italy, 7 July – 25 September 2016. [Show/Exhibition]

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Dyangani Ose, Elvira. 2016. Theaster Gates - True Value. In: "True Value", Fondazione Prada Milano, Italy, 7 July - 25 September 2016. [Show/Exhibition]

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Dyangani Ose, Elvira and Ambrožič, Mara. 2016. 'States of Opacity. Art, Politics and New Social Imaginaries. International Symposium at Dakart 2016'. In: States of Opacity. 12th Dakart biennial. Dakar, Senegal. [Conference or Workshop Item]

Dyangani Ose, Elvira; Bashar, Shumon; Roelstraete, Dieter and Liber, Cédric. 2016. Slight Agitation. 4/4 Laura Lima. In: "Slight Agitation Laura Lima", Fondazione Prada Milan, Italy, october 2016 - september 2018. [Show/Exhibition]

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Dyangani Ose, Elvira and Mainetti, Mario. 2016. Betye Saar: Uneasy Dancer. [Exhibition Catalogue]

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Dyangani Ose, Elvira and Mainetti, Mario. 2016. Quaderno: Template Temples of Tenacity: Nástio Mosquito. [Exhibition Catalogue]

Eshun, Kodwo. 2016. 'Artist Talk'. In: Reconstruction of Story 2. National Museum of Modern and Contemporary Art, Seoul, Korea, Republic of 26 August 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Between Times: Marc Karlin Weekend, Meanwhile'. In: What about Socialism AV Festival. Newcastle, United Kingdom. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Co-Op Dialogues 1996-2016'. In: In Conversation with Jean Matthee. Tate Britain, United Kingdom 14 November 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Continental Afrofutures Lecture One'. In: Laingian Science Fiction. The Showroom, United Kingdom 27 February 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Continental Afrofutures Lecture Two'. In: The Final Scene of Hyenas: A Fable of Fatal Incorporation. The Showroom, London, United Kingdom 11 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Decolonizing Nature'. In: In Conversation with T. J. Demos and Ros Gray. The Showroom, United Kingdom 14 July 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'An Endless Suddenness'. In: Thinking with Fred Moten. Open School East, London, United Kingdom 12 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. Fear of a Wet Planet. In: Nav Haq, ed. RAVE: Rave and its Influence on Art and Culture. M KHA Museum van Hedendaagse Kunst Antwerpen & Black Dog Publishing. ISBN 978-1910433874 [Book Section]

Eshun, Kodwo. 2016. 'The Final Scene of Hyenas: A Parenthetical Incorporation'. In: Khiasma, Kinesis Exposition Arts Visuel. Paris, France 21 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Final Scene of Hyenas: An Parenthetical Incorporation'. In: 23rd Image Symposium: Black or White Screen: The Power of Seeing Images Together. , CA2M Centro de Arte Dos de Mayo, Mosteles 27- 30 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Forgotten Space'. In: Lopud Seminar. Thyssen-Bornemisza Art Contemporary, Lopud, Croatia 8 - 11 September 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Genres of the Human'. In: In conversation with Louis Chude Sokei and Appau Junior Boakye-Yiadom. The Showroom, London, United Kingdom 12 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. A Hunter Shooting Waterbirds. In: , ed. Studio for Propositional Cinema #2. UNSPECIFIED. [Book Section]

Eshun, Kodwo. 2016. 'In Conversation with Apitchatpong Weerasethakul'. In: Pan-African Space Station. Amsterdam Central Library, Netherlands 13 December 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Many Lives of Peter Wollen Part 2'. In: Beyond the Scorched Earth of Counter Cinema. Whitechapel Gallery, London, United Kingdom 22 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Methods of Animating the Second Wars of Existence in Kojo Laing’s Achimota City'. In: We Hold This Myth to be Potential. Trondheim Academy of Fine Art, Norway 17 March 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Narrating the Race to Zero'. In: Haut ecole d’ art et design. Geneve, Swaziland 30 November 2016. [Conference or Workshop Item]

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Eshun, Kodwo. 2016. 'On Opacity in Senghor and Glissant, States of Opacity: Art, Politics and New Social Imaginaries'. In: International Symposium. Dak’ Art, Dakar Biennial, Senegal 7 - 8 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. Prolonging 1961: A Communique Sent to the Future [Catalogue Essay]. In: Armin Linke; Vaness Vasic-Janekovic and Sarah Poppel, eds. Travelling Communiqué. Leipzig: Spector Press. ISBN 9783944669922 [Book Section]

Eshun, Kodwo. 2016. 'Screening and Discussion, Song of Ceylon, Basil Wight, 1934'. In: About Basil Wright’s ‘Song of Ceylon’,. Harun Farocki, 1975, United Kingdom 26 February 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Screening of Anathema in conversation with Mark Fisher'. In: Speeding and Braking: Navigating Acceleration. Goldsmiths, London, United Kingdom 12 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Uski Roti, Mani Kaul'. In: Screening and Discussion with Sumesh Sharma. The Empire Remains Shop, United States 23 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'We Are Methane'. In: Miracle Marathon. Serpentine Galleries, Second Home, Hanbury Street, United Kingdom 9 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. We Wanted This Sense of Fluxing In and Out of History: Kodwo Eshun in Conversation with Sue Clayton. In: Kodwo Eshun; Gavin Butt and Gavin Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2016. The Weakest Link in Every Chain I Always Want To Find It: Green Gartside in Conversation with Kodwo Eshun. In: Kodwo Eshun; Gavin Butt and Mark Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2016. The object spoke to me but what it said I cannot say [Catalogue Essay]. In: Boris Ondreicka and Nadium Samman, eds. Rare Earth. Sternberg Press. [Book Section]

Eshun, Kodwo; Moreno, Louis and Hameed, Ayesha. 2016. 'In conversation with Louis Moreno and Ayesha Hameed'. In: Stadtklang, Sonic Utopias, Utopia Treasury. Somerset House, United Kingdom 20 March 2016. [Conference or Workshop Item]

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Fisher, Andrew. 2016. On the Scales of Photographic Abstraction. Photographies, 9(2), pp. 203-214. ISSN 1754-0763 [Article]

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Fisher, Mark. 2016. The Weird and the Eerie. London: Repeater. ISBN 9781910924389 [Book]

Fisher, Mark. 2016. ‘not really now not any more’: Hauntological Place and Non-Time. In: Kirstin Gwyer and Karen Leeder, eds. Giving up the Ghost: The Haunting of Modern Culture. Palgrave Macmillan. [Book Section] (Forthcoming)

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Graham, Janna. 2016. The Anatomy of an AND. In: Carmen Mörsch; Angeli Sachs and Thomas Sieber, eds. Curating and Museum Education. Bielefeld: transcript-Verlag, pp. 188-202. ISBN 9783837630800 [Book Section]

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

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Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

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Hameed, Ayesha. 2016. Black Atlantis: The Plantationocene. In: "Black Atlantis: The Plantationocene", Alice Yard, Trinidad, Trinidad and Tobago, 2016 - 2019. [Performance]

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Lindblom, Jon. 2016. Technihil: The Cultural Import of Cognitive Neuroscience. Doctoral thesis, Goldsmiths, University of London [Thesis]

Madani, Adnan. 2016. Formations of the Contemporary : Islam, Globalization and Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Madani, Adnan; Abidi, Bani; Dadi, Iftikhar and Talpur, Mohammad Ali. 2016. Art Sabka?: Pakistani Cinema Reflected. In: "Art Sabka?: Pakistani Cinema Reflected", Foundation for the Museum of Modern Art, Karachi, Pakistan. [Show/Exhibition]

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Mainetti, Mario and Dyangani Ose, Elvira. 2016. Theaster Gates - True value. [Exhibition Catalogue]

Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

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Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

McAuliffe, Sam. 2016. 'On This Side of Life: Monstrosity and Mechanicity in Canguilhem and Derrida'. In: Derrida Today. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Millner-Larsen, Nadja. 2016. Kalliopi Lemos's Sculpture of Subjection. In: , ed. Kalliopi Lemos: In Balance. London: Gazelli Art House. [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2016. Andere Märkte: Zur Architektur der informellen Ökonomie. Bielefeld: transcript Verlag. ISBN 978-3-8394-3597-7 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2016. From Urban Talent to Commodity City: Marketplaces in the Informal Economy. In: Jonathan Darling and Helen Wilson, eds. Encountering the City: Urban Encounters from Accra to New York. London: Ashgate. ISBN 9781472432575 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 978-3-95679-100-0 [Book]

Nowotny, Stefan; Fuzinato, Jelena; Esposito Yussif, Giovanna and Kaverina, Ksenia. 2016. Suspending the Archive: Interview given to Jelena Fuzinato, Giovanna Esposito Yussif and Ksenia Kaverina. CuMMA - Aalto University Helsinki, Helsinki. [Other]

Nowotny, Stefan and Raunig, Gerald. 2016. Instituierende Praxen: Bruchlinien der Institutionskritik (2nd revised edition including a new introduction). Vienna: transversal texts. ISBN 978-3-903046-04-7 [Book]

O'Sullivan, Simon D.. 2016. 'Accelerationism, Prometheanism and Mythotechnesis'. In: Art and Reason – How Art Thinks II. Baltic Museum, Newcastle, United Kingdom. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2016. Deleuze Against Control: from Fictioning to Myth-Science. Theory, Culture and Society, 33(7/8), pp. 1-16. ISSN 0263-2764 [Article]

O'Sullivan, Simon D.. 2016. Diagrams. In: "Miniature World", Castle field Gallery, Manchester, United Kingdom, November 2016-February 2017. [Show/Exhibition]

O'Sullivan, Simon D.. 2016. Diagrams for the Production of Subjectivity. In: "Miniature World", Castlefield Gallery, Manchester, United Kingdom, 18 November 2016 - 22 January 2017. [Show/Exhibition]

O'Sullivan, Simon D.. 2016. 'Feminist World Building: from Myth-Science to Performance Fiction'. In: The Politics of Performance and Play. Feminist Matters. University of Leiden, United Kingdom. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2016. Myth-Science and the Fictioning of Reality. Paragrana, 25(2), pp. 80-93. ISSN 0938-0116 [Article]

O'Sullivan, Simon D.. 2016. 'Non-Philosophy and Performance (or, Fiction as Method)'. In: How to do Things with Performance. University of the Arts, Helsinki, Finland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'On Diagrams'. In: Miniature World Symposium. Castelefield Gallery, Manchester, United Kingdom 10 December 2016. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. On the Diagram (and the Practice of Diagrammatics). In: K Schneider and B Yasar, eds. Situational Diagram. New York: Dominique Lévy, pp. 13-25. ISBN 978-1-944379-09-4 [Book Section]

O'Sullivan, Simon D.. 2016. 'Residual Culture and Magical Thinking'. In: Deleuze and Art: Mulitplicities, Thresholds, Intensities. Trinity College, Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'Residual Culture and Magical Thinking'. In: Invited Lecture. Ripon and St. John University, York, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2016. Bi-Son-Oil-Men. In: "Chemhex Extract", Peacock Visual Arts, Aberdeen, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2016. Loop Stories that AIs tell their Children. In: "After London", Horse Hospital, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2016. Loop Stories that AIs tell their Children. In: "Loop Stories that AIs tell their Children", Mega Stores Mall, The Hague, Netherlands. [Performance]

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O'Sullivan, Simon D. and Burrows, David. 2016. Plastique Fantastique Review of the Kibbo Kift: Seven Celebrations/Seven Critiques/Seven Parallels. Visual Culture in Britain, 17(2), pp. 225-233. ISSN 1471-4787 [Article]

O'Sullivan, Simon D. and Burrows, David. 2016. Summoning the Bit Coin Fairy. In: "Dark Water", Dilston Grove, London, United Kingdom. [Performance]

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Pekun, Didem. 2016. First Person as Molecular Subjectivities: Turkey and Turkishness. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ramos Martinez, Manuel. 2016. The Cinema of No. La Furia Umana(28), ISSN 2037-0431 [Article]

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Ramos Martinez, Manuel. 2016. Nombrar, Resistir – de los títulos en el cine de Straub y Huillet. In: , ed. Jean-Marie Straub y Danièle Huillet: Hacer la revolucion es volver a colocar en su sitio cosas muy antiguas pero olvidadas. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 127-143. ISBN 9788480265430 [Book Section]

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Rogoff, Irit. 2016. An Anecdoted Archive of Exhibition Lives. In: "An Anecdoted Archive of Exhibition Lives", Bergen Assembly, Norway. [Show/Exhibition]

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Rogoff, Irit. 2016. Starting in the Middle: NGOs and Emergent Forms For Cultural Institutions. In: Johanna Burton; Shannon Jackson and Dominic Willsdon, eds. Public Servants Art and the Crisis of the Common Good. Cambridge, Massachusetts: MIT Press. ISBN 9780262034814 [Book Section]

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Rogoff, Irit. 1 September - 1 October 2016 freethought: Bergen Assembly. [Project]

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Rogoff, Irit and Attia, Kader. 2016. Counter Knowledges and Permissions. In: Susanne Gaensheimer and Klaus Görner, eds. Kader Attia: Sacrifice and Harmony. Kerber Verlag. ISBN 978-3-7356-0255-8 [Book Section]

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Rogoff, Irit; Moreno, Louis; Mallona, Massomilliano; Harney, Stefano and Sternfeld, Nora. 2016. Infrastructure. In: "Infrastructure", Bergen Aseembly, Norway. [Show/Exhibition]

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Rogoff, Irit and Sonderegger, Ruth. 2016. Counter Knowledges. In: David Blamey, ed. Specialism. Open Editions, pp. 122-137. ISBN 978-0-949004-01-7 [Book Section]

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Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: 8th Beyond Humanism Conference. Universidad Complutense de Madrid, Spain 25-27 May 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Character, Creditworthiness and Reputation: on Representational Logics of Control in the Surveillance Economy'. In: Control. Stockholm University, Sweden 14-17 June 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Dating Big Data: OkCupid's OkTrends'. In: Love's Archive. Arts University Bournemouth, United Kingdom 14-15 March 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Financial Witness: Investing in Rehabilitation in an Actuarial Age'. In: MoneyLab #3. Institute of Network Cultures, Amsterdam, Netherlands. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'First Person Finance'. In: Abstract Cities, Spatial Practices and the Urban Commons. Tenderpixel, London, United Kingdom 13 April - 4 June 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2016. Francis Alÿs, Ciudad Juárez Projects. Esse, 88, pp. 110-111. ISSN 0831-859X [Article]

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Rosamond, Emily. 2016. 'Office/Surface/Tension'. In: Tensegrity - and Other Contradictory Complicities. Tenderpixel, London, United Kingdom 18-19 November 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2016. Office/Surface/Tension. [Printed Ephemera]

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Rosamond, Emily. 2016. Pixelated City. [Printed Ephemera]

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Rosamond, Emily. 2016. 'Risky Behaviour: Social Impact Bonds and the Financialization of Rehabilitation'. In: Risking Everything: The Computational Politics of Prediction, Security and Secrecy. Goldsmiths, University of London 20 May 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2016. Shared Stakes, Distributed Investment: Socially Engaged Art and the Financialization of Social Impact. Finance and Society, 2(2), pp. 111-126. ISSN 2059-5999 [Article]

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Rosamond, Emily. 2016. 'Socially Engaged Art and the Financialization of Social Impact'. In: 8th Critical Finance Studies Conference. University of Southampton, United Kingdom 4-6 August 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2016. The Surveillance Economy: Toward a Geopolitics of Personalization. Geopolitics, 86, pp. 22-29. ISSN 0831-859x [Article]

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Rosamond, Emily. 2016. 'What Moves Us: Immersive Economies and Composite Bodies'. In: Banner Repeater New Materialisms Reading Group. Banner Repeater, United Kingdom 8 June, 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'What is Reputation Capital? Character, Power and the Reputation Economy'. In: Capital as Power: Broadening the Vista. York University, Canada 28-30 September, 2016. [Conference or Workshop Item]

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Rosamond, Emily; Craig, Kit; Lawler, Alex; Prevett, Jim; Selby, Lisa; Harris, Rowena and Zaharia, Madalina. 2016. Say What?. In: "Say What?", ASC Gallery, London, United Kingdom, 9 September - 28 October 2016. [Show/Exhibition]

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Rosamond, Emily; Harris, Rowena; Prevett, James; Zaharia, Madalina and Craig, Kit. 2016. You must answer in the form of a question!. In: "You must answer in the form of a question!", ASC Gallery, London, United Kingdom, 3 October 2016. [Performance]

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Schuppli, Susan. 2016. Delay Decay. [Art Object]

Schuppli, Susan. 2016. Forensic Architecture. In: "Reporting from the Front", Venice, Italy, May 25 – November 27 2016. [Show/Exhibition]

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Schuppli, Susan. 2016. Sound of Sand. [Audio]

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Schuppli, Susan. 2016. The Sun Placed in the Abyss. In: "The Sun Placed in the Abyss", Columbus, Ohio, United States, October 7, 2016 to January 8, 2017. [Show/Exhibition]

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Schuppli, Susan. 2016. Trace Evidence. [Film/Video]

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Simon, Joshua. 2016. Betrayal. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Truskolaski, Sebastian. 2016. Bilderverbot: Adorno and the Ban on Images. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Tubridy, Derval. 2016. 'An Unforgettable Image': Staging Beckett’s Short Plays. In: David Tucker and Trish McTighe, eds. Staging Beckett in Great Britain. London: Bloomsbury Methuen Drama, pp. 135-155. ISBN 9781474240178 [Book Section]

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Turner, Lynn. 2016. Interviewee: Lynn Turner. Interviewer: Ron Broglio. Antennae: The Journal of Nature in Visual Culture(38), pp. 30-36. ISSN 1756-9575 [Article]

Turner, Lynn. 2016. Telefoam: species on the shores of Cixous and Derrida. In: Stefan Herbrechter; Ivan Callus and Manuela Rossini, eds. European Posthumanisms. Abingdon: Routledge. ISBN 9781138675780 [Book Section]

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Turner, Lynn. 2016. 'Voice (podcasting)'. In: Derrida Today. Goldsmiths, United Kingdom 08-11 June 2016. [Conference or Workshop Item]

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Turner, Lynn and Anderson, Nicole. 2016. 'Derrida Today'. In: Derrida Today. Goldsmiths, United Kingdom 8-11 June 2016. [Conference or Workshop Item]

Vishmidt, Marina and Stakemeier, Kerstin. 2016. Reproducing Autonomy: Work, Money, Crisis and Contemporary Art. London: Mute Publishing. ISBN 9781906496623 [Book]

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Waldmeier, Martin. 2016. The Artist as Translator. Doctoral thesis, Goldsmiths, University of London [Thesis]

Weizman, Eyal. 2016. Forensic Architecture at Venice Architecture Biennale 2016. In: "Giardini della Biennale, La Biennale di Venezia", Venice, Italy, 28 May - 27 November 2016. [Show/Exhibition]

Weizman, Eyal. 2016. A World of Fragile Parts. In: "La Biennale di Venezia 2016", Applied Arts Pavilion, Venice, Italy, 28 May - 27 November 2016. [Show/Exhibition]

Wolf, Nicole. 2016. Porous Container and Time and relations. A House in Ninh Hoa, [Article]

Wolf, Nicole. 2016. Sea Sight. Havarie, [Article]

2015

Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine, eds. 2015. 'In Movement: Women in Africa and the African Diaspora.', JENdA: A Journal of Culture and African Women Studies, 26. [Edited Journal]

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Aloi, Giovanni. 2015. Botched Taxidermy: New Animal Bodies in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Andrews, Jorella G.. 2015. This is Cézanne. London: Laurence King Publishing. ISBN 978-1780674780 [Book]

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Awan, Nishat and Hoskyns, Teresa. 2015. Mapping Occupy. Architecture and Culture, 2(1), pp. 130-140. ISSN 2050-7828 [Article]

Black, Hannah; Daniels, Chris Paul; Dean, Michael; Harrison, Sarah; Kholeif, Omar; Kingstone, Peter; Carter, Claire; Morrison, Laura; O'Hare, Louise; Penney, Bridget; Perks, Sarah; Unsworth, Emma Jane; Walter, John; Wills, Camilla and Wood, Jason. 2015. Transactions of Desire Vol 2: Are you allergic to the 21st century? In: Louise O'Hare and Sarah Perks, eds. Transactions of Desire Vol 2: Are you allergic to the 21st century? 2 Manchester UK: Cornerhouse Publications, pp. 54-68. ISBN 9780992952457 [Book Section]

Blas, Zach. 12 May 2015 - 2018 Contra-Internet. [Project]

Blas, Zach and Cassils, Heather. 2015. “Queer Darkness”. Little Joe, No. 5. [Other]

Blas, Zach; Kholeif, Omar; Bridle, James and Dullaart, Constant. 2015. “Has the Internet Become a Human or a Thing, or Have We Become the Internet?”. Mousse Magazine, Number 47. [Other]

Bogdan, Jolan. 2015. Performative Contradiction and Revolution: Reconsidering Romania. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Brar, Dhanveer Singh. 2015. “Black Outbreak”. In: Sophie Fuggle and Tom Henri, eds. Return to the Street. London: Pavement Books. ISBN 9780957147058 [Book Section]

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Brar, Dhanveer Singh. 2015. Ghetto Thermodynamics. Cesura // Acceso: Journal for Music, Politics and Poetics, 1, [Article]

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Brar, Dhanveer Singh. 2015. 'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup. Popular Music, 34(3), pp. 471-484. ISSN 0261-1430 [Article]

Burrows, David; Jackson, Mark; O'Sullivan, Simon D. and Tait, Stuart. 2015. Monarch Drone Communiqué. Culture Machine, 16, [Article]

Carter, Claire. 2015. DEMO KHAT. [Artist's Book]

Carter, Makhlouf Carter. 2015. Are You Allergic to the 21st Century? HOME, Manchester. In: Sarah Perks and Louise O'Hare, eds. Transactions of Desire, Volume ii: Are You Allergic to the 21st Century? ii Machester: HOME, pp. 55-68. ISBN 9780992952457 [Book Section]

Crone, Bridget. 2015. Liquid States and the Image. In: Charlotte Day, ed. Technologism. Melbourne, Australia: Monash University Museum of Art, pp. 79-87. ISBN 978-0-9923754-7-8 [Book Section]

Dyangani Ose, Elvira. 2015. A Story Within A Story. 8th edition of Göteborg International Biennial for Contemporary Art, GIBCA 2015. In: "GIBCA. Göthenburg Biennial 2015", Gothenburg, Sweden, September 12 - November 22 2015. [Show/Exhibition]

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Dyangani Ose, Elvira. 12 September - 22 November 2015 A Story within A Story: GIBCA 2015. [Project]

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Dyangani Ose, Elvira. 2015. 'A Tendency to Forget, An Urgency to Remember' Introduction and Interview to Angela Ferreira. In: Ferreira de Carvalho Nuno, ed. NOVO BANCO Photo 2015: Ângela Ferreira, Ayrson Heráclito, Edson Chagas. Lisboa Portugal: Museu Coleção Berardo. ISBN 978-989-8239-46-4 [Book Section]

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Dyangani Ose, Elvira; Bashar, Shumon; Liber, Cédric and Roelstraete, Dieter. 2015. RECTO VERSO. In: "RECTO VERSO", Fondazione Prada Milan, Italy, 3 December 2015 – 14 February 2016. [Show/Exhibition]

Eshun, Kodwo. 2015. 'Anathema, People to Be Resembling and In the Year of the Quiet Sun, Screening and Discussion'. In: Essay Film Festival. ICA, London, United Kingdom 27 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Artists Moving Image Practice in Britain: From 1990 to today'. In: Artists Moving Image Practice in Britain. Whitechapel Gallery, London, United Kingdom 7 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Bad New Days: Discussion with Hal Foster and Alex Potts, The Old is dying and the new cannot be born: States, Strategies, Socialisms.'. In: . 12th Annual Historical Materialism Conference. School of Oriental and African Studies, University of London, United Kingdom 6 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Conversation with Diedrich Diederichsen and Nina Montman'. In: Brave New Work: A Reader on Harun Farocki’s A New Product. The Showroom, United Kingdom 25 February 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Eadward Muybridge Zoopraxographer: Screening and Discussion with Thom Andersen'. In: Essay Film Festival. ICA, United Kingdom 28 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. The Energetic Impulse [Catalogue Essay]. In: , ed. L.A. Rebellion: Creating a New Black Cinema. Tate Modern. [Book Section]

Eshun, Kodwo. 2015. 'Forms of Discontent in Handsworth Songs The Eros Effect'. In: Art, Solidarity Movements and the Struggle for Social Justice. Tensta Konsthall, Sweden 17 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'In Conversation with Bonaventure Ndikung'. In: African Futures Festival. African Futures Festival, United Kingdom 28 - 31 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'In conversation with Ursula Biemann'. In: CCC, HEAD,. Geneve, Switzerland 28 - 30 September 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. In the Year of the Quiet Sun. In: "In the Year of the Quiet Sun", Kunsthall, Bergen, Norway, 17 January - 9 March 2014. [Show/Exhibition]

Eshun, Kodwo. 2015. 'Keynote Lecture'. In: Public Assets: Small Scale Arts Organisations and the Production of Value. Platform Theatre, Central Saint Martins, United Kingdom 15 February 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. Kodwo Eshun in conversation with Lucas van der Velden [Exhibition Catalogue]. In: Lucas van der Velden; Mirna Belina and Arie Altena, eds. The Geological Imagination. Sonic Acts. [Book Section]

Eshun, Kodwo. 2015. 'Leben BRD, Harun Farocki: Cinema and Speculation'. In: Padiglione Centrale Arena. Giardini, La Biennale di Venezia, United Kingdom 5 September 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Listening to Dambudzo Marachera'. In: Pan-African Space Station. The Showroom 11 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Listening to FESTAC ’77: In Conversation with Ntone Edjagbe'. In: Pan-African Space Station. The Showroom 8 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. Novaya Zemlya. In: "Novaya Zemlya", Museu de Serralves , Porto, Portugal, 1 November-11 January. [Show/Exhibition]

Eshun, Kodwo. 2015. 'On the Use and Abuse of Youtube for Life'. In: Global Art Forum. Dubai, United Arab Emirates 19 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'The Radiant'. In: The Radiant, Screening and Lecture. Everson Museum of Art, Syracuse University, New York, United States 12 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Rereading the African Writers Series: In Conversation with James Currey'. In: Pan-African Space Station. The, United Kingdom 8 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Respondent to Tavia Nyong’o'. In: Tavia Nyong’o. Goldsmiths, University of London, United Kingdom 12 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Sci-fi futures and the production of subjectivities'. In: UNSPECIFIED. The Showroom, London, United Kingdom 7 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. Statecraft: An Incomplete Timeline of Independence Determined by Digital Auction [Catalogue Essay]. In: Annett Busch and Anselm Franke, eds. After Year Zero: Geographies of Collaboration. Warsaw: Haus der Kulturen der Welt and Muzeum of Modern Art. [Book Section]

Eshun, Kodwo. 2015. 'Voyages: When Cinema tracks Photojournalism, The Old is dying and the new cannot be born: States, Strategies, Socialisms.'. In: 12th Annual Historical Materialism Conference. School of Oriental and African Studies, University of London, United Kingdom 6 November 2015. [Conference or Workshop Item]

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Eshun, Kodwo. 2015. World 3. [Exhibition Catalogue]

Eshun, Kodwo. 2015. 'with Billy Woodberry, Barbara McCullough and June'. In: LA Rebellion Seminar. Tate Modern, London, United Kingdom 12 April 2015. [Conference or Workshop Item]

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Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

Gunkel, Henriette. 2015. “‘We’ve been to the moon and back’ - das afrofuturistische Partikulare im universalisierten Imaginären” [‘We’ve been to the moon and back’ – afrofuturist particularism within the universal imaginary]. In: Ulrike Bergermann and Nanna Heidenreich, eds. total. - Universalism and particularism in post_kolonialer media theory. Berlin: Transcript, 149 -162. ISBN 9783837627664 [Book Section]

Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine. 2015. Introduction: In Movement. Women in Africa and the African Diaspora. JENdA: A Journal of Culture and African Women Studies, 26, [Article]

Hameed, Ayesha. 2015. A Rough History (of the destruction of fingerprints). In: "Social Glitch: Radical aesthetics and the consequences of extreme events", Kunstraum Niederoesterreich, Vienna, Austria, 25 September - 5 December 2015. [Show/Exhibition]

Hameed, Ayesha; Eshun, Kodwo and Diederichsen, Diedrich. 2015. 'Circle/ Rhythm/ Ritual'. In: Labour in a Single Shot. Haus der Kulturen der Welt, Berlin, Germany 26 - 28 February 2015. [Conference or Workshop Item]

Hameed, Ayesha and Gunkel, Henriette. 2015. 'A Lexicon of Afterlives: Visions of Future/s: Towards radical collective imaginations'. In: 6th European Conference on African Studies (ECAS-6). Paris, France 8-10 July 2015. [Conference or Workshop Item]

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Heller, Charles. 2015. Liquid Trajectories : Documenting Illegalised Migration and the Violence of Borders. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Licha, Jacques Emanuel. 2015. War Hotels. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Martinon, Jean-Paul. 2015. The Equivocal Concept: The Work of Bourahima Ouattara. International Journal of Francophone Studies, 18(2-3), pp. 339-358. ISSN 1936-6280 [Article]

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Martinon, Jean-Paul. 2015. Im-Mundus or Nancy’s Globalizing-World-Formation. In: Sanja Dejanovic, ed. Nancy and the Political. Edinburgh: Edinburgh University Press, pp. 219-244. ISBN 9780748683185 [Book Section]

Martinon, Jean-Paul. 2015. Shame: Intentionality in Reverse. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 66-78. [Book Section]

McAuliffe, Sam. 2015. 'A Margin of Error: Bildersprache and its Critique in Otto Neurath, Adorno, K.P. Brehmer'. In: London Conference in Critical Thought. UCL, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2015. 'Utopia and Critique'. In: Critical Transactions: Engaging the Humanities East and West. School of Humanities, Hong Kong University, Hong Kong. [Conference or Workshop Item]

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Mörtenböck, Peter. 2015. Global Informality: Bottom-Up Trade and Transnational Realignments. In: Peter Mörtenböck; Helge Mooshammer; Teddy Cruz and Fonna Forman, eds. Informal Market Worlds: The Architecture of Economic Pressure (Reader). Rotterdam: nai010 Publishers, pp. 105-118. ISBN 9789462081956 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Blendende Werte: Die globale Zirkulation von Architektur- Kapital. In: , ed. Das Geschäft mit der Stadt. 28 Birkhäuser, pp. 28-43. [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2015. Blendende Werte: Die globale Zirkulation von Architektur- Kapital. UmBau, 28, pp. 28-43. [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2015. Informal Market Worlds: The Architecture of Economic Pressure - ATLAS. Rotterdam: nai010 publishers. ISBN 978-94-6208-194-9 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Materials of Commemoration: The Changing Landscape of Mauthausen. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 218-234. ISBN 978-3956791499 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Sammlungen des Protests: Von der Occupy-Bewegung zum Verwahren des Protests. In: Andreas Hudelist; Florian Kerschbaumer and Matthias Wieser, eds. Protestgebiete: Interdisziplinäre Perspektiven auf Raum und Widerstand. Novo mesto: arte4, pp. 23-45. ISBN 9789619363331 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. A World of Matter. In: Inke Arns, ed. World of Matter. Berlin: Sternberg Press, pp. 160-172. ISBN 978-3-95679-083-6 [Book Section]

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Mörtenböck, Peter; Mooshammer, Helge; Cruz, Teddy and Forman, Fonna. 2015. Informal Market Worlds: The Architecture of Economic Pressure - READER. Rotterdam: nai010 publishers. ISBN 978-94-6208-195-6 [Book]

Mörtenböck, Peter; Mooshammer, Helge and Pieterse, Edgar. 2015. Informal Worlds Reader. Cityscapes - Re-thinking Urban Things(7), ISSN 2227-4006 [Article]

Mörtenböck, Peter; Mooshammer, Helge; Tavares, Paulo; Huber, Frauke; Martin, Uwe H. and Biemann, Ursula. 2015. World of Matter. Architectural Theory Review, 20(1), pp. 122-134. ISSN 1326-4826 [Article]

Nowotny, Stefan. 2015. Ent/Grenzen, Übersetzen / Un/Bordering, Translating. In: Andrea Van der Straeten, ed. Der Käfig ist auf und der Zoo zu. Vienna: Sonderzahl. ISBN 978-3854494461 [Book Section]

O'Sullivan, Simon D.. 2015. 'Fictioning as Myth-Science (after Deleuze, against Control): Nothing is True, Everything is Permitted'. In: Daughters of Chaos: Deleuze Studies International Conference 2015. University of Stockholm, Sweden June 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Memories of a Deleuzian: To Think is Always to Follow the Witches Flight'. In: ‘A Thousand Plateaus and Philosophy’ workshop. Institut Francais, London, United Kingdom July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. Myth-Science. Rattle: a Journal at the convergence of Art and Writing(5), pp. 106-120. ISSN 20473885 [Article]

O'Sullivan, Simon D.. 2015. 'Myth-Science'. In: Curbitt festival. Mount Saleve, Geneva., Switzerland July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. ‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance, with David Burrows and others (part of ‘Alternative 23, 2.0’. In: "‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance, with David Burrows and others (part of ‘Alternative 23, 2.0’)", Gallery North, Newcastle, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2015. 'Myth-Science and Art Practice'. In: 'Shoulders of Giants’ symposium. Senate House, London, United Kingdom July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science and the Fictioning of Reality'. In: F(r)ictions of Art conference. Berlin, Germany June 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science: Art Practice as Fictioning'. In: invited speaker, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science: Art Practice as Fictioning'. In: Multiverse launch event. Wysing Arts Centre, Cambridge., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction. In: "Diagram of (Urb-Fux Glitter) Addiction, part of 'Multiverese'", Wysing Art Centre, Cambridgeshire, United Kingdom, April 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction. In: "Diagram of (Urb-Fux Glitter) Addiction,. part of ‘Curbitt’ festival", Mount Saleve, Geneva, Switzerland, July 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction’. In: "Diagram of (Urb-Fux Glitter) Addiction. part of ‘Transmetic’", Lewisham Art House, London, United Kingdom, May 2015. [Show/Exhibition]

Pereira, Godofredo Nobre Enes. 2015. The Underground Frontier : technoscience and resource extraction. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Pierce, Sarah. 2015. It's time man. It feels Imminent. Politics at the moment of exposition. Doctoral thesis, Goldsmiths, University of London [Thesis]

Prendeville, Brendan. 2015. Realism in 20th Century Painting (Mandarin edition). Thames & Hudson. ISBN 978-7-5322-9195-3 [Book]

Prendeville, Brendan. 2015. Sam Cornish, Stockwell Depot, 1967-79. Sculpture Journal, 24(3), ISSN 1366-2724 [Article]

Prendeville, Brendan. 2015. Sculpting with air. Ambit, 220, pp. 46-53. ISSN 0002-6972 [Article]

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Ramos Martinez, Manuel. 2015. Book Review: TJ Demos, The Migrant Image: The Art and Politics of Documentary during Global Crisis. Journal of Visual Culture, 14(1), pp. 116-118. ISSN 1470-4129 [Article]

Ramos Martinez, Manuel. 2015. Marx Immemorial, Workers and Peasants in the Cinema of Straub and Huillet. In: Ewa Mazierska and Lars Kristensen, eds. Marx and the Moving Images of Activism: Screening Alternative Worlds. Berghahn. ISBN 78-1-78238-642-1 [Book Section]

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Roberdeau, Wood and Turner, Lynn. 2015. 'Critical Environments: Visual Cultures Public Programme Spring Term 2015'. In: Critical Environments: Visual Cultures Public Programme Spring Term 2015. Goldsmiths, University of London, United Kingdom January-March 2015. [Conference or Workshop Item]

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Rogoff, Irit. 2015. Oblique Points of Entry. In: Hamid Keshmirshekan, ed. Contemporary Art from the Middle East: Regional Interactions with Global Art Discourses: Volume 18. I.B.Tauris & Co Ltd. ISBN 9781784530020 [Book Section]

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Rosamond, Emily. 2015. 'Character in the Age of Big Data'. In: Commonwealth Scholars Regional Network Conference. University of Nottingham, United Kingdom 20 July 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'Economies of (Mis)Trust: Reputation as Capital in the Digital Age'. In: Seventh Critical Finance Studies Conference. Copenhagen Business School, Denmark 19-21 August 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2015. The Fog Generator. [Printed Ephemera]

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Rosamond, Emily. 2015. 'Phantom Limbs and the Image-Object: Toward a Feminist Materialist Account of the Points of Contact Between Tangible and Digital Space'. In: Material Environments: Sensing Time And Matter In Digital And Visual Culture, University of Greenwich. University of Greenwich, United Kingdom 24-25 July 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'Politics of the Shared Interior: on Digital Intimacy and Tangible Space'. In: Intimacies. Goldsmiths, United Kingdom 1-2 June, 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2015. Rafael Lozano-Hemmer: Obra Sonora. Esse, 83, pp. 72-75. ISSN 0831-859X [Article]

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Rosamond, Emily. 2015. Speculative Labour: On the Work of Charlotte Warne Thomas. In: Margarida Bröco Amorim; Alejandro J. Ball; Miriam La Rosa and Stefania Sorrentino, eds. In Transition: The Artistic and Curatorial Residency. London: CTC Press, pp. 24-33. ISBN 9780993358708 [Book Section]

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Rosamond, Emily. 2015. 'Surveillance, Preemption and the Production of Character in the Age of Big Data'. In: London Conference in Critical Thought 2015. University College London, United Kingdom 26-27 June 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2015. Technologies of Attribution: Characterizing the Citizen-Consumer in Surveillance Performance. International Journal of Performance Arts and Digital Media, 11(2), pp. 148-164. ISSN 1479-4713 [Article]

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Rosamond, Emily. 2015. Transfusing Abstraction: Darren Harvey-Regan's Metalepsis. Esse, 83, pp. 14-21. ISSN 0831-859x [Article]

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Rosamond, Emily. 2015. 'The Umwelt and the Operational Image'. In: Nematode. Wysing Arts Centre, United Kingdom 9 May, 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'Weathervane'. In: Questioning Practice: Art/CRA Research Seminar. Goldsmiths, University of London 2 March 2015. [Conference or Workshop Item]

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Samuel, Flora; Awan, Nishat; Butterworth, Carolyn; Handler, Sophie and Lintonbon, Jo. 2015. Cultural Value of Architecture in Homes and Neighbourhoods. Project Report. Arts and Humanities Research Council. [Report]

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Schmetterling, Astrid. 2015. ‘Biographien jüdischer Frauen: Zur Aktualität Charlotte Salomons’. Medaon – Magazin für jüdisches Leben in Forschung und Bildung, 9(17), pp. 1-5. [Article]

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Schuppli, Susan. 2015. 10th Shanghai Biennale. In: "The Social Factory", Shanghai, China, November 23 2014 – March 31 2015. [Show/Exhibition]

Schuppli, Susan. 2015. “Law and Disorder.”. In: , ed. Realism Materialism Art. Berlin: Sternberg Press. ISBN 978-3956791260 [Book Section]

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Schuppli, Susan. 2015. Material Witness. [Film/Video]

Schuppli, Susan. 2015. “Radical Contact Prints”. In: , ed. Camera Atomica. London: Black Dog Publishing London UK, pp. 277-291. ISBN 978-1908966483 [Book Section]

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Schuppli, Susan. 2015. “Slick Images: The Photogenic Surface of Disaster.”. In: , ed. Extra City. Antwerp: Extra City. [Book Section]

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Schuppli, Susan. 2015. Uneasy Listening. [Art Object]

Schuppli, Susan. 2015. “War Dialling: Image Transmissions from Saigon.”. In: , ed. Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge: Cambridge Scholars Publishing, pp. 144-158. ISBN 978-1443854429 [Book Section]

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Singer, Manuel. 2015. Indefinite Workings : What Dwellings Elicit and On What Architecture Depends. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stewart, Jay. 2015. Trans on Telly: Popular Documentary and the Production of Transgender Knowledge. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Szynkarczuk, Pawel. 2015. Intercorporeality - Merleau-Ponty’s Ontology of Flesh and Butoh Dance Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Turner, Lynn. 2015. ‘Animal Melancholia: on the scent of Dean Spanley’. In: Michael Lawrence and Laura McMahon, eds. Animal Life and the Moving Image. London: British Film Institute/Bloomsbury, pp. 134-151. ISBN 9781844578993 [Book Section]

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Turner, Lynn. 2015. Critical Companions: Derrida, Haraway & Other Animals. In: Julian Wolfreys, ed. Introducing Criticism in the 21st Century, 2nd Edition. Edinburgh: Edinburgh University Press. ISBN 9780748695294 [Book Section]

Turner, Lynn. 2015. 'Fort Spa: Biopoetics in Elizabeth A. Wilson, Sandor Ferenczi & Jacques Derrida'. In: 'After Biopolitics' Society for Literature, Science and the Arts, SLSA. Rice University, United States. [Conference or Workshop Item]

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Turner, Lynn. 2015. Fort Spa: In at the Deep End with Derrida and Ferenczi. In: Simon Morgan Wortham and Chiara Alfano, eds. Desire in Ashes: Deconstruction, Psychoanalysis, Philosophy. London: Bloomsbury Academic, pp. 103-120. ISBN 9781472533517 [Book Section]

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Töpfner, Christian. 2015. Subjects of Creation. On Materialist Abstraction and the Enactment of Ideas. Doctoral thesis, Goldsmiths, University of London [Thesis]

Vishmidt, Marina. 2015. Artworld, Etherized: Review Essay. Radical Philosophy(190), ISSN 0300-211X [Article]

Vishmidt, Marina. 2015. Productive Bodies: A Review Essay. Australian Feminist Studies, 30(85), pp. 304-308. ISSN 0816-4649 [Article]

Weizman, Eyal. 2015. Forensic Architecture in All of This Belongs to You, Victoria and Albert Museum. In: "All of This Belongs to You", Victoria and Albert Museum, London, United Kingdom, 1 April – 19 July 2015. [Show/Exhibition]

Weizman, Eyal. 2015. Forensis. In: "Forensis", Fundación Proa (PROA), Buenos Aires, Argentina, 25 September 2015 - 31 January 2016. [Show/Exhibition]

Weizman, Eyal. 2015. Images à charge, La construction de la preuve par l'image. In: "Images à charge, La construction de la preuve par l'image", LE BAL, Paris, France, 4 June - 30 August 2015. [Show/Exhibition]

Weizman, Eyal. 2015. The Roundabout Revolutions. Berlin: Sternberg. ISBN 978-3-95679-098-0 [Book]

Weizman, Eyal. 2015. The Urban-Data Complex. In: "Shenzhen Bi-City Biennale of Urbanism/Architecture 2015", Shenzhen Public Art Center, Shenzhen, China, 4 December 2015 - 4 March 2016. [Show/Exhibition]

Weizman, Eyal and Sheikh, Fazal. 2015. The Conflict Shoreline: Colonialism as Climate Change. Göttingen, Germany: Steidl. ISBN 9783958290358 [Book]

Weizman, Eyal and Varvia, Christina. 2015. Burden of Proof: The Construction of Visual Evidence. In: "Burden of Proof: The Construction of Visual Evidence", The Photographers' Gallery, London, United Kingdom, 2 October 2015 - 10 January 2016. [Show/Exhibition]

2014

Plotegher, Paolo, ed. 2014. Commons and Commoning in New Cross. London: New Cross Commoners. [Edited Book] (Forthcoming)

Mennel, Birgit and Nowotny, Stefan, eds. 2014. Die Sprachen der Banlieues. Vienna: transversal texts. ISBN 978-3-9501762-7-8 [Edited Book]

Weizman, Eyal, ed. 2014. Forensis: The Architecture of Public Truth. Berlin: Sternberg. ISBN 978-3-95679-011-9 [Edited Book]

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner, eds. 2014. Nanopolitics Handbook. London: MINOR COMPOSITIONS. ISBN 978-1570272684 [Edited Book]

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Gunkel, Henriette and Stieglitz, Olaf, eds. 2014. 'Sport und Körper' [Sport and the Body], Body Politics – Zeitschrift für Körpergeschichte, 2(3). [Edited Journal]

Dyangani Ose, Elvira, ed. 2014. 'Uses of Memory’, Cuaderno SESC Videobrasil 10. Associação Cultural Videobrasil, Sao Paulo: Edições Sesc-SP & Associação Cultural Videobrasil. ISBN 9788579951664 [Edited Book]

Brunner, Christoph; Buden, Boris; Dokuzovic, Lina; Hummer, Andrea; Hummer, Bernhard; Kubaczek, Niki; Lorey, Isabell; Mennel, Birgit; Minichbauer, Raimund; Mokre, Monika; Mulvaney, Kelly; Nowotny, Stefan; Raunig, Gerald and Sonderegger, Ruth, eds. 2014. transversal, transversal, . [Edited Journal]

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Andrews, Jorella G.. 2014. Showing Off: A Philosophy of Image. London: Bloomsbury Academic. ISBN 9781848858923 [Book]

Awan, Nishat. 2014. Agential Exchanges: Thinking the empirical in relation to productivity. In: André Viljoen and Katrin Bohn, eds. Second Nature Urban Agriculture: Designing Productive Cities. Abingdon, Oxon; New York: Routledge, pp. 108-113. ISBN 9780415540582 [Book Section]

Awan, Nishat. 2014. Diasporic experience and the need for topological methods. In: Peter Blundell Jones and Mark Meagher, eds. Architecture and Movement: The Dynamic Experience of Buildings and Landscapes. Abingdon, Oxon: Routledge. ISBN 9780415725354 [Book Section]

Beasley, Becky. 2014. A Slight Nausea: An Interior. In: "A Slight Naueas: An Interior", South London Gallery, United Kingdom, January 2014 (four weekends). [Show/Exhibition]

Blas, Zach. 2014. “Contra-Internet Aesthetics”. In: Omar Kholeif, ed. You Are Here: Art after the Internet. Manchester: Cornerhouse Books. ISBN 9780956957177 [Book Section]

Blas, Zach. 2014. "Informatic Opacity". Journal of Aesthetics and Protest, 9, [Article]

Blas, Zach and Satterwhite, Jacolby. 2014. “Adjust Opacity”. DIS Magazine. [Other]

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Carter, Makhlouf Carter. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

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Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina. 2014. New Keywords: Migration and Borders. Cultural Studies, 29(1), pp. 55-87. ISSN 0950-2386 [Article]

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Condorelli, Céline. 2014. In Support: A Theoretical and Practical Investigation into Forms of Display. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Crone, Bridget. 2014. Book Review: Pascal Gielen, Instituting Art in a Flat World. Journal of Curatorial Studies, 3(2-3), ISSN 2045-5836 [Article]

Crone, Bridget. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema in Regional Victoria. In: "The Cinemas Project", Bendigo Art Gallery, Australia, 12 April to 9 July 2014. [Show/Exhibition]

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, ed. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema. Melbourne, Australia: National Exhibitions Touring Support (Victoria). ISBN 9780980297706 [Edited Book]

Dyangani Ose, Elvira. 2014. ‘The right to the city. The appropriation of public space in Nick Cave’s work’. In: , ed. Nick Cave: Epitome. Prestel, pp. 240-267. ISBN 978-3791349169 [Book Section]

Eshun, Kodwo. 2014. 'The Airstrip – Decampment of Modernism Part III and Two Museums'. In: Screening and Discussion with Heinz Emigholz. UNDEFINED 8 October 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Assembly: A Survey of Recent Artists Film and Video in Britain 2008 - 2013'. In: Questions of Progress I and II. Tate Britain, Clore Auditorium, United Kingdom 9 March 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Forum: The Attraction of Representation'. In: The Attraction of Representation. NTU Centre for Contemporary Art, United Kingdom 21 June 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'In Conversation with Green Gartside (Scritti Politti)'. In: Postpunk Now and Then. Goldsmiths, University of London, United Kingdom 4 December 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'In Conversation with Sue Clayton'. In: Postpunk Now and Then. Goldsmiths, University of London, United Kingdom 4 December 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. In the Year of the Quiet Sun. In: "The Otolith Group: In the Year of the Quiet Sun", Casco – Office for Art, Design and Theory, Utrecht, Netherlands, 14 November 2014 - 25 January 2015. [Show/Exhibition]

Eshun, Kodwo. 2014. In the Year of the Quiet Sun. In: "In the Year of the Quiet Sun", Delfina Foundation, London, United Kingdom, 13 October - 8 November 2014. [Show/Exhibition]

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Eshun, Kodwo. 2014-2015 In the Year of the Quiet Sun. [Project]

Eshun, Kodwo. 2014. 'In the Year of the Quiet Sun, Screening and Discussion'. In: Interdisciplinary Practices: FESTAC’ 77. Terra Kulture, Lagos, Nigeria 18 April 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. Medium Earth. In: "Medium Earth", RedCat, Los Angeles, United States, 21 April-16 June. [Show/Exhibition]

Eshun, Kodwo. 2014. Narcissus in Uniform [Catalogue Essay]. In: Elvira Dyangani Ose, ed. Uses of Memory: Caderno Sesc Videobrazil, 10 ed. UNSPECIFIED. [Book Section]

Eshun, Kodwo. 2014. 'Panel discussion with John Akomfrah, Mark Fisher and Bea Campbell'. In: The Unfinished Conversation. Tate Britain, United Kingdom 14 March 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. Reconstructing the Methods for reformatting Oxygen Isotopes in nature and in the Laboratory as Oxygen Tops Nature Oratory for Optical Character Recognition Scanners. In: K. Klingan; A. Sepahvad; C. Rosol and B. Scherer, eds. Grain Vapor Ray: Textures of the Anthropocene. MIT, pp. 121-127. ISBN 9780262527415 [Book Section]

Eshun, Kodwo. 2014. 'Screening and Discussion'. In: Medium Earth. Serralves Museum, Porto, United Kingdom 1 November 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Screening and Discussion'. In: Hydra Decapita and Medium Earth. Electricity Museum, Lisbon, Portugal 23 October 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'The Sixth Side of the Pentagon and Far from Vietnam'. In: Chris Marker Screening and Introduction. The Barbican, London, United Kingdom 13 May 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'The Song of the Shirt'. In: The Song of the Shirt, Sue Clayton and Laura Mulvey. Tate Liverpool, United Kingdom 29 April 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'A Special Arrow was Shot in the Neck'. In: David Roberts Foundation, Medium Earth, Screening and Discussion. Rio Cinema, London, United Kingdom 22 July 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. Statecraft. [Art Object]

Eshun, Kodwo. 2014. Stealing one’s own corpse: Afrofuturism as Speculative Heresy. In: Naima J Keith and Zoe Whitley, eds. The Shadows Took Shape. The Studio Museum in Harlem. [Book Section]

Eshun, Kodwo and Sagar, Anjali. 2014. It may be useful to assume the policeman’s perspective now and then. Black Collectivities NKA: Journal of Contemporary African Art, ISSN 1075-7163x [Article]

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Fisher, Andrew. 2014. Photo-surveillance and the emplaced déraciné. Photographies, 7(1), pp. 53-65. ISSN 1754-0763 [Article]

Fisher, Mark. 2014. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Alresford: Zero Books. ISBN 9781780992266 [Book]

Fisher, Mark. 2014. ‘“What Is It That You’d Say You Do Here?” The Post-Fordist Comedy of Management. In: Nina Möntmann, ed. Brave New Work A Reader on Harun Farocki's film 'A New Product'. Walther Koenig. ISBN 9783863353506 [Book Section]

Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole. 2014. 'Feminism@Goldsmiths'. In: Feminism@Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2014. Black Atlantis. In: Forensic Architecture, ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 712-719. ISBN 9783956790119 [Book Section]

Hameed, Ayesha. 2014 - 2019 Black Atlantis. [Project]

Hameed, Ayesha. 2014. The Destruction of Fingerprints. In: "Forensis", Haus der Kulturen der Welt (HKW), Berlin, Germany, 15 March - 5 May 2014. [Show/Exhibition]

Hameed, Ayesha. 2014. 'Discussant and Respondent “The Free Sea” GV Art, London'. In: The Free Sea - screening and discussion. GV Art, London, United Kingdom 28 November 2014. [Conference or Workshop Item]

Hameed, Ayesha. 2014. 'Majub's Journey screening and discussion'. In: Majub's Journey. Goethe Institute London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2014. Monitor Reruns. In: "Images Festival", A Space Gallery, Toronto, Canada, 28 March - 3 May 2014. [Show/Exhibition]

Hameed, Ayesha. 2014. 'The Time and Sound of the Nautical Border'. In: Charting Imperial Itineraries, 1914-2014: Unmooring the Komagata Maru Conference. Victoria, Canada May 2014. [Conference or Workshop Item]

Heller, Charles. 2014. Perception management – Deterring potential migrants through information campaigns. Global Media and Communication, 10(3), pp. 303-318. ISSN 1742-7665 [Article]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2014. Dheisheh (Cisjordanie). Retours. Penser le futur dans l’extraterritorialité (un projet architectural). In: Michel Agier, ed. Un monde de camps. Paris: La Découverte. ISBN 9782707183224 [Book Section]

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Marques Florencio, Joao Pedro. 2014. Strange Encounters:Performance in the Anthropocene. Doctoral thesis, Goldsmiths, University of London [Thesis]

McAuliffe, Sam. 2014. 'A Trace of What Has Not Occurred'. In: Archives for the Future. Westminster University, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2014. 'Whoever Sees God Dies'. In: Knowledge Exchange. Goldsmiths, United Kingdom. [Conference or Workshop Item]

Mennel, Birgit and Nowotny, Stefan. 2014. Die Sprachen der Banlieues. In: Birgit Mennel and Stefan Nowotny, eds. Die Sprachen der Banlieues. Vienna: transversal texts, pp. 9-25. ISBN 978-3-9501762-7-8 [Book Section]

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Moreira, Inês. 2014. Performing Building Sites : Curating in/on/through space. Doctoral thesis, Goldsmiths, University of London [Thesis]

Moreno, Louis. 2014. Mob deep: The underground current of urban revolution. Dialogues in Human Geography, 4(2), pp. 238-242. ISSN 2043-8206 [Article]

Moreno, Louis. 2014. The urban process under financialised capitalism. City, 18(3), pp. 244-268. ISSN 1360-4813 [Article]

Mörtenböck, Peter. 2014. Die bewegte Stadt: Demokratiepolitische Potenziale sozialer Bewegungen am Beispiel der Occupy-Bewegung. In: Wolfgang Kastrup and Helmut Kellershohn, eds. Kapitalismus und/oder Demokratie: Beiträge zur Kritik ''marktkonformer'' Demokratieverhältnisse. Münster: Unrast Verlag, pp. 83-99. ISBN 978-3-89771-765-7 [Book Section]

Mörtenböck, Peter. 2014. Gunners and Runners. In: Lars Bang Larsen, ed. Networks. Whitechapel and MIT Press. ISBN 9780262525756 [Book Section]

Mörtenböck, Peter. 2014. Network Economies of Waste. In: Juliet Steyn and Nadja Stamselberg, eds. Breaching Borders: Art, Migrants and the Metaphor of Waste. London: I.B. Tauris, pp. 215-236. ISBN 9781780762593 [Book Section]

Mörtenböck, Peter and UNSPECIFIED. 2014. Marktplätze der Öffentlichkeit. In: Caroline Schmidt and Asta Vonderau, eds. Öffentlichkeiten in Bewegung. Formationen von transnationalen Kommunikations- und Handlungsräumen. Bielefeld: Transcript. ISBN 978-3-8376-2154-9 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Europäische Protestkultur: Platzbesetzungen zwischen Justizgewalt und Musealisierung. Archithese, 2014(6), pp. 80-87. [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Performance des Protests. Kunstforum International, 224, pp. 122-135. [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Strittige Öffentlichkeiten: Die Besetzung der Ökonomie. In: Andreas Langenohl and Dietmar J. Wetzel, eds. Finanzmarktpublika. Wirtschaft & Gesellschaft. ISBN 978-3-531-19707-4 [Book Section]

O'Sullivan, Simon D.. 2014. 'Art Practice as Fictioning (or, Myth-Science)'. In: Arts of Existence: Artistic Practices, Aesthetics and Techniques Seminar. Unit of Play, Goldsmiths, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker (and seminar), Theatre Academy. Helsinki, Finland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, London Graduate School. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, Edinbrugh College of Art. Edinburgh, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. Birmingham, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Myth-Science: Art Practice as Fictioning'. In: Stroom de Haag. The Hague, Netherlands. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2014. The Chymical Wedding. In: "Slade Wotever", Vauxhall Tavern, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Drone. In: "Transmetic Heresiacs", Lewisham Art House, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Drone. In: "As above, So Below: A Colloquium on Drone Culture", University of Lincoln, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Science. In: "Golden Age Problems", Autoitalia, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Science Songs of Animal and Cyber Evolution. In: "part of Exploit.zzxjoanw.Gen (download from www.punctum, Dane Sutherland curator), with performance at launch, Collective Gallery", Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Myth-Science’ and ‘Monarch-Drone’. In: "Webewoche", Stroom de Haag, The Hague, Netherlands. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Myth-Science’, performance, with David Burrows and others. In: "The Meaning of Life vs Chin Stroker", Macbeth pub, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "Obliteration Device", IMT Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "(part of Transmetc), Amersham Arms", New Cross, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "PIGDOGANDMONKEYFESTOS", Airspace Gallery, Stoke-on-Trent, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Ribbon Probe’, various posters and films and ‘Myth-Science’ performance. In: "‘Schizo-Culture’", SPACE Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. The Sinthorne/Z-Point Relation or Art as Non-Schizoanalysis. In: Ian Buchanan and Lorna Collins, eds. Deleuze and the Schizoanalysis of Visual Art. London: Bloomsbury Academic, pp. 253-278. ISBN 9781472524621 [Book Section]

O'Sullivan, Simon D.; Burrows, David and AAS. 2014. Myth-Science-Colloquium. In: "Reactor Hals", Nottingham, United Kingdom. [Show/Exhibition]

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Pennell, Jacqueline D.. 2014. Perfect Day. In: "Symbiosis", Goldsmiths, United Kingdom, 11 December 2014. [Show/Exhibition]

Petti, Alessandro; Hilal, Sandi and Weizman, Eyal. 2014. Architecture after Revolution. Berlin: Sternberg. ISBN 978-3-943365-79-5 [Book]

Ramos Martinez, Manuel and Matos Cabo, Ricardo. 2014. ‘Flower Children in the Blinding Light, A Conversation with Anthony Stern’. Lux - Artists' Moving Image, [Article]

Roberdeau, Wood. 2014. Quiet Totemism. [Printed Ephemera]

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Rosamond, Emily. 2014. 'Economic Figuration'. In: Critical Finance Studies VI. University of Amsterdam, Netherlands 13-15 August, 2014. [Conference or Workshop Item]

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Rosamond, Emily. 2014. 'Futures of the Future: Agriculture Between Business and Culture'. In: Vertical Farming and the Future of Food Conference. Foundation for Art and Creative Technology, Liverpool, United Kingdom 10 October, 2014. [Conference or Workshop Item]

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Rosamond, Emily. 2014. Species of Futurity in Business, Law and Finance. Who Thinks the Future?, pp. 7-11. [Article]

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Rosamond, Emily. 2014. States of Statue. [Printed Ephemera]

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Rosamond, Emily; Pickering, Kate and Ounanian, Steven. 2014. before breakfast we talked about the furthest visible point before it all disappeared. In: "before breakfast we talked about the furthest visible point before it all disappeared", Tenderpixel, London, United Kingdom, 27 June - 26 July 2014. [Show/Exhibition]

Schuppli, Susan. 2014. Animism. In: "Animism", Ilmin Museum of Art, Seoul, Korea, Republic of, 6 Dec 2013 - 16 Mar 2014. [Show/Exhibition]

Schuppli, Susan. 2014. “Can the Sun Lie”, “Entering Evidence”, “Uneasy Listening”. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press. ISBN 978-3956790119 [Book Section]

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Schuppli, Susan. 2014. Evidence on Trial. [Art Object]

Schuppli, Susan. 2014. Forensics / Tape 342. In: Malzacher Florian, ed. Truth is Concrete: A Handbook for Artistic Strategies in Real Politics Ed. Florian Malzacher. Berlin: Sternberg Press, pp. 221-223. ISBN 978-3943365849 [Book Section]

Schuppli, Susan. 2014. Hlysnan: On the Notion & Politics of Listening. In: "Hlysnan: On the Notion & Politics of Listening", Casino Luxembourg, Luxembourg, May 17 – September 7 2014. [Show/Exhibition]

Schuppli, Susan; Sfard, Michael and Hameed, Ayesha. 2014. 'Anarchists against the Law'. In: Forensis: the Architecture of Public Truth. Haus der Kulturen der Welt, Berlin, Germany 15-16 March 2014. [Conference or Workshop Item]

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Turner, Lynn. 2014. 'Telefoam'. In: 4th Derrida Today conference. Fordham University, United States 28 May - 31 May 2014. [Conference or Workshop Item]

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Turner, Lynn. 2014. Telefoam: species on the shores of Derrida and Cixous. European Journal of English Studies, 18(2), pp. 158-171. ISSN 1382-5577 [Article]

Weizman, Eyal. 2014. Arafat’s Tomb. London Review of Books, 36(1), p. 26. [Article]

Weizman, Eyal. 2014. The Architecture of Ariel Sharon. Al Jazeera English, [Article]

Weizman, Eyal. 2014. Forensic Architecture in Insert2014. In: "Insert2014", Mati Ghar, Indira Gandhi National Centre for the Arts, New Delhi, India, 31 January - 28 February 2014. [Show/Exhibition]

Weizman, Eyal. 2014. Forensis. In: "Forensis", Haus der Kulturen der Welt (HKW), Berlin, Germany, 15 March - 5 May 2014. [Show/Exhibition]

Weizman, Eyal. 2014. Holey Land. In: Stephen Shore, ed. Stephen Shore: From Galilee to the Negev. London; New York: Phaidon. ISBN 9780714867069 [Book Section]

2013

Turner, Lynn, ed. 2013. The Animal Question in Deconstruction. Edinburgh: Edinburgh University Press. ISBN 9780748683123 [Edited Book]

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Turner, Lynn and Kelley, Lindsay, eds. 2013. Bon Appetit, Parallax, 19(1). 1353-4645 [Edited Journal]

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Martinon, Jean-Paul, ed. 2013. The Curatorial: A Philosophy of Curating. London: Bloomsbury. ISBN 9781472525604 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume I. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume II. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume III. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Rubinstein, Daniel; Golding, Johnny and Fisher, Andrew, eds. 2013. On the Verge of Photography: Imaging Beyond Representation. Birmingham, UK: ARTicle Press. ISBN 9781873352021 [Edited Book]

Andrews, Jorella G., ed. 2013. Visual Cultures As Recollection. Berlin: Sternberg. ISBN 978-3-943365-40-5 [Edited Book]

Andrews, Jorella G., ed. 2013. Visual Cultures as Seriousness. Berlin: Sternberg Press. ISBN 978-3-943365-39-9 [Edited Book]

Andrews, Jorella G.. 2013. Intending Objects and “Signs which have no meaning”. In: Jorella G. Andrews, ed. Visual Cultures as Objects and Affects. Berlin: Sternberg Press, pp. 29-58. ISBN 978-3-943365-38-2 [Book Section]

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Andrews, Jorella G. and O'Sullivan, Simon D.. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 978-3-943365-38-2 [Book]

Andrews, Jorella G. and O'Sullivan, Simon D., eds. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 9783943365382 [Edited Book]

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Awan, Nishat and Langley, Phil. 2013. Mapping Migrant Territories as Topological Deformations of Space. Space and Culture, 16(2), pp. 229-245. ISSN 1206-3312 [Article]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2013. The Institute of Radical Spatial Education. In: "Lisbon Architecture Triennale", Lisbon, Portugal, 17-20 Oct 2013. [Show/Exhibition]

Biemann, Ursula; Mörtenböck, Peter and Mooshammer, Helge. 2013. From Supply Lines to Resource Ecologies. Third Text, 27(1), pp. 76-94. ISSN 0952-8822 [Article]

Blas, Zach. 2013. “Escaping the Face: Biometric Facial Recognition and the Facial Weaponization Suite”. Media-N, Journal of the New Media Caucus, 9(2), ISSN 2159-6891 [Article]

Blas, Zach. 2013. Face Cages. [Art Object]

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Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

Butt, Gavin. 2013. Living the Dream in Women in Revolt. In: Glyn Davis and Gary Needham, eds. Warhol in Ten Takes. London: British Film Institute and Palgrave Macmillan, pp. 180-194. ISBN 9781844574025 [Book Section]

Butt, Gavin; Heathfield, Adrian and Keidan, Lois. 2013. Performance Matters Archive. [Film/Video]

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Butt, Gavin and Walters, Ben. 2013. This is Not a Dream. [Film/Video]

Crone, Bridget. 2013. Costume Party – Script, Frame and Stages. In: , ed. Fassbinder-JETZT. Film und Videokunst. Deutsches Filminstitut. ISBN 978-3887990831 [Book Section]

Crone, Bridget. 2013. Curating, Dramatization and the Diagram. In: Jean-Paul Martinon, ed. The Curatorial: A Philosophy of Curating. Bloomsbury. ISBN 9781472525604 [Book Section]

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Crone, Bridget. 2013. Seeing Red. In: Robin Mackay, ed. Final Machine. Falmouth, UK: Urbanomic, pp. 15-20. ISBN 9780957529502 [Book Section]

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Crone, Bridget. 2013. The Sensible Stage : An encounter with bodies, images and other sensate materials. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Crone, Bridget. 2013. Swarm Machines Ladders and Lookouts (the work of Ryan Trecartin and Lizzie Fitch). In: Paul Luckcraft; Maitreyi Maheshwari and Isabel Venero, eds. Lizzie Fitch / Ryan Trecartin: Priority Innfield. London, UK: Zabludowicz Collection, pp. 119-124. ISBN 978-1-907921-16-2 [Book Section]

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Crone, Bridget. 2013. Talking Squid. In: , ed. Not Tonight (Jellylike). London: Arcade. [Book Section]

Doussan, Jenny. 2013. Eros, Plague, Olfaction: Three Allegories of the Curatorial. In: Jean-Paul Martinon, ed. The Curatorial A Philosophy of Curating. London: Bloomsbury Academic Publishing, pp. 79-92. ISBN 9781472525604 [Book Section]

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Doussan, Jenny. 2013. Time and Presence in Agamben’s Critique of Deconstruction. Cosmos and History: The Journal of Natural and Social Philosophy, 9(1), ISSN 1832-9101 [Article]

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Doussan, Jenny. 2013. Time, Language, and Visuality in Agamben's Philosophy. Basingstoke: Palgrave Macmillan. ISBN 9781137286239 [Book]

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Dyangani Ose, Elvira. 2013. Ibrahim El-Salahi: A Visionary Modernist. In: "Ibrahim El-Salahi: A Visionary Modernist", Tate Modern, London, United Kingdom, 3 July – 22 September 2013. [Show/Exhibition]

Dyangani Ose, Elvira. 2013. Random Anecdotes. In: Madeleine Grynsztejn; Federica Martini and Vittoria Martini, eds. Alfredo Jaar Venezia Venezia, Pavilion of Chile 55 International Art Exhibition la Biennale di Venezia 2013. Barcelona; New York: Actar. ISBN 978-0-989331-73-9 [Book Section]

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Fisher, Andrew. 2013. Photographic Scale. In: Daniel Rubinstein; Johnny Golding and Andrew Fisher, eds. On The Verge of Photography: Imaging Beyond Representation. Birmingham: ARTicle, pp. 151-169. ISBN 978-1-873352-02-1 [Book Section]

Fisher, Mark. 2013. Indirect Action: Some Misgivings About Horizontalism. In: Pascal Gielen, ed. Institutional Attitudes. Instituting Art in a Flat World. Amsterdam: Valiz. ISBN 978-90-78088-68-4 [Book Section]

Fisher, Mark. 2013. It’s easier to imagine the end of the world than the end of Capitalism. In: Nicholas Mirzoeff, ed. The Visual Culture Reader. Routledge. ISBN 9780415620550 [Book Section]

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Gibson, Beatrice. 2013. Between Script and Score: Notation and Movement in the Work of Cornelius Cardew. Doctoral thesis, Goldsmiths, University of London [Thesis]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

Gunkel, Henriette. 2013. Désiré. In: Max Annas; Annett Busch and Henriette Gunkel, eds. Frieda Grafe. 30 Filme. Issue 3. Berlin: Brinkmann u Bose, pp. 177-181. ISBN 78-3940048165 [Book Section]

Gunkel, Henriette. 2013. Spiegelungen von color bars? Keller in Südafrika, 1951” [Reflections of the color bars? Keller in South Africa, 1951. In: Ulrike Bergermann, ed. Disability trouble. Ästhetik und Bildpolitik bei Helen Keller. Berlin: B Books, pp. 309-317. ISBN 978-3-942214-09-4 [Book Section]

Hameed, Ayesha. 2013. 'The Image of Gaddafi'. In: Radical Media Forum: Aesthetics and the Politics of Moving Images. Goldsmiths, University of London, United Kingdom 10 December 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2013. 'Perils of the Sea'. In: Devils Advocates. Goldsmiths, University of London, United Kingdom 1-2 March 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2013. 'Rituals and Masks at the Border'. In: Sarai Reader 09: The Exhibition New Delhi. New Delhi, India 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2013. ''Streams, Torrents and Waves''. In: South Asian Visual Arts Centre Monitor 9. no.w.here London, United Kingdom 24 April 2013. [Conference or Workshop Item]

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Hameed, Ayesha. 2013. What Does the Moving Image Desire? In: , ed. Sarai Reader 09: Projections. Delhi: Sarai Media Lab, pp. 323-330. [Book Section]

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Haworth, Michael. 2013. Thought into being: finitude and creation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hernández Velázquez, Y. M.. 2013. Third-Way Aesthetics. Radical Philosophy(180), pp. 53-55. ISSN 0300-211X [Article]

Hilal, Sandi; Petti, Alessandro; Weizman, Eyal and Perugini, Nicola. 2013. The lawless line. London Review of International Law, 1(1), pp. 201-209. ISSN 2050-6325 [Article]

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Jones, Gwyneth Siobhan. 2013. Expose Yourself to Art : Towards a Critical Epistemology of Embarrassment. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Martinon, Jean-Paul. 2013. After "Rwanda": In Search of a New Ethics. Amsterdam and New York: Rodopi. ISBN 978-90-420-3711-3 [Book]

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Martinon, Jean-Paul. 2013. The End of Man. New York: Punctum Books. ISBN 9780615766782 [Book]

McAuliffe, Sam. 2013. 'Nocturnal Space'. In: The Deepest Darkness: Robin Mason. Block 336 Gallery, London, United Kingdom 10 May 2013. [Conference or Workshop Item]

McAuliffe, Sam. 2013. 'Second Nature (Lukács, Benjamin, Adorno)'. In: Weather Permitting; 9th Bienal do Mercosul, 2013. Porto Alegre, Brazil 17 Oct 2013. [Conference or Workshop Item]

Millner-Larsen, Nadja. 2013. Demandless Times. Women's Studies Quarterly, 41(3/4), pp. 113-130. [Article]

Mörtenböck, Peter. 2013. The Architecture of Informal Trade. In: Aleksandra Wasilkowska, ed. Shadow Architectures. Warsaw: The Other Space Foundation/Fundacja Inna Przestrzen. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter. 2013. Krisenexperimente: Symbolische, physische und soziale Besetzungen von Stadtraum. In: Florian Dreher and Kerstin Faber, eds. New Babylon: Architecture and Urbanism after Crisis. Hatje Cantz. ISBN 978-3959050418 [Book Section]

Mörtenböck, Peter. 2013. Platzbewegungen: Expeditionen in den Raum der Versammlung’. In: Bastian Lange; Gottfried Prasenc and Harald Saiko, eds. Ortsentwürfe : Urbanität im 21. Jahrhundert. Berlin: Jovis. ISBN 9783868592290 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Informal Market Worlds: Instruments of Change. In: , ed. Scapegoat: Architecture, Landscape, Political Economy - Currency. (04) Toronto: Scapegoat, pp. 203-220. ISBN 9781482370683 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Nieokreslonosc handlu - rynki nieformalne w Europie. In: Aleksandra Wasilkowska, ed. Shadow Architecture. Warschau: The Other Space Foundation, pp. 342-355. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Of Multi-Directional Forces: Interdependencies between Material, Social and Other Resources. In: Mabe Bethonico, ed. Provisoes / World of Matter. Belo Horizonte: ICC, pp. 98-125. ISBN 978-8561659240 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. The Political Aesthetics of Counter-Terrorism Design. In: Gary Boyd and Denis Linehan, eds. Ordnance: War, Architecture and Space. London: Ashgate, pp. 33-49. ISBN 9781409439127 [Book Section]

Nowotny, Stefan. 2013. Translating Citizenship: On Some Pitfalls and the Politics of Meaning in the Definition of “Europeanness”. In: Claudia Wiesner and Meike Schmidt-Gleim, eds. The Meanings of Europe: Changes and Exchanges of a Contested Concept. Abingdon: Routledge, pp. 194-206. ISBN 9780415857062 [Book Section]

O'Sullivan, Simon D.. 2013. 'Art Practice as Non-Schizoanalysis'. In: Schizoanalysis and Schizostrategy panel. IMT Gallery, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity. In: John Ó Maoilearca and Charlotte De Mille, eds. Bergson and the Art of Immanence: Painting, Photography, Film. Edinburgh: Edinburgh University Press, pp. 165-187. ISBN 978-0748670222 [Book Section]

O'Sullivan, Simon D.. 2013. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. National Academy of the Arts, Oslo, Norway. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. Felix Guattari. In: Michael Kelley and Simon D. O'Sullivan, eds. Oxford Encyclopedia of Aesthetics. New York: Oxford University Press, pp. 246-250. ISBN 9780199370306 [Book Section]

O'Sullivan, Simon D.. 2013. 'Joy as a Technology in the Production of Subjectivity (a Diagrammatic reading of Spinoza's Ethics)'. In: The Pleasure Centre Symposium, DeMontfort University. Leicester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Schizoanalysis and Art Practice'. In: Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. The Seven Courts of the Mall (or, We Have Always Been Medieval). In: Norman Hogg and Neil Mulholland, eds. thN Lng folk 2go: Investigating Future Premoderns(TM). Brooklyn: Punctum Books, i-vi. ISBN 978-0615890258 [Book Section]

O'Sullivan, Simon D.. 2013. 'Spinoza and the Production of Subjectivity (or, the Three Kinds of Knowledge, and the Passage Between)'. In: Thinking Through Spinoza conference. Queen Mary, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Towards a Speculative Subjectivity'. In: Matter of Contradiction: War Against the Sun conference. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2013. All the Fantasies of the People. In: "Masquerade – Be Another", Stephen Lawrence Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. In: "Long Live the New Flesh", ICA, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Eight Diagrams/Avatars: All the Fantasies of the People. In: "'Space Time T' music/art festival", Wysing Arts Centre, Cambridge, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. 'Gabba, Gabba, Gabba, All Hail the Great Gobbler!'. In: "The Starseed Transmissions", Enclave, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Plastique Fantastique Diagram of the Parasite Fox-Owl and the Host Phenome-Human-Algorithmic-Feedback-Loop. In: "All the Fantasies of the People", Grand Union, Birmingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Plastique Fantastique Patheme-Matheme Diagram of the Slave Dog. In: "R-U-Dead-Yet?", Summerhall, Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Welcome Neuropatheme Feed-Back Loop. In: "art fair performance programme", Art 13, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Cull, Laura. 2013. Deleuze for Artists. Centre for Useless Splendour, [Article]

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Park, So-Young. 2013. Suspended
 Subjectivity:
 Intention
 in
 Making 
Art. Masters thesis, Goldsmiths, University of London [Thesis]

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Parry, Owen. 2013. Trashy Tendencies: Indeterminate acts of refusal in contemporary art and performance practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Plotegher, Paolo. 2013. 'Notes for a Possible Configurations of New Institutions'. In: Lungomare Gasthaus. Lungomare, Bolzano, Italy. [Conference or Workshop Item]

Plotegher, Paolo. 2013. 'Schizo-Walks (Robert Walser)'. In: Trine Friis Sørensen, Ursula Nistrup & Ida Marie Hede Eds, A Feast is..., Monade. Copenhagen, Denmark. [Conference or Workshop Item]

Prendeville, Brendan. 2013. A Heartfelt Gesture: Separation and Feeling, Darkness and Illusion in Caravaggio. Oxford Art Journal, 36(2), pp. 185-206. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2013. Painting the Invisible: time, matter and the image in Bergson and Michel Henry. In: John Mullarkey and Charlotte de Mille, eds. Bergson and the Art of Immanence. Edinburgh University Press, pp. 189-205. ISBN 978-1474404730 [Book Section]

Ramos Martinez, Manuel. 2013. Ranciere's Politics of the Image. In: James Elkins; Kristi McGuire; Maureen Burns; Alicia Chester and Joel Kuennen, eds. Theorizing Visual Studies: Writing through the Discipline. New York: Taylor & Francis. ISBN 978-0-415-87794-7 [Book Section]

Roberdeau, Wood. 2013. Gastronomic Worldviews of Transubstantiation. Parallax, 19(1), pp. 128-131. ISSN 1353-4645 [Article]

Rogoff, Irit. 2013. The Expanding Field. In: Jean-Paul Martinon, ed. The Curatorial: A philosophy of curating. London: Bloomsbury Academic, pp. 41-48. ISBN 9781472525604 [Book Section]

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Rosamond, Emily. 2013. (Im)material Pedagogies. P.A.R.T.S., [Article]

Schmetterling, Astrid and Turner, Lynn. 2013. Visual Cultures As Recollection. Berlin: Sternberg Press. ISBN 978-3-943365-40-5 [Book]

Schuppli, Susan. 2013. “Atmospheric Correction.”. In: , ed. On the Verge of Photography: Imaging Beyond Representation. Birmingham: Birmingham Article Press, pp. 16-32. [Book Section]

Schuppli, Susan. 2013. “Half Truths”. Mute, [Article]

Schuppli, Susan. 2013. “The Most Dangerous Film in the World (Reprint).”. In: , ed. Materialities. Gdańsk: Wyspa Progress Foundation / Wyspa Institute of Art, pp. 241-272. [Book Section]

Schuppli, Susan. 2013. “Public Service Announcements: Art for the Coming Community.”. In: , ed. Service Media. Chicago: Green Lantern Press, pp. 115-122. ISBN 978-1450742160 [Book Section]

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Tubridy, Derval. 2013. Bun-Ching Lam's and Samuel Beckett's Quatre Poèmes/Four Songs: Music, Image, Text. In: Kathryn Brown, ed. The Art Book Tradition in Twentieth-Century Europe. Surrey: Ashgate, pp. 59-71. ISBN 978-1-4094-2065-1 [Book Section]

Turner, Lynn. 2013. Hors d’oeuvre: some footnotes to the Spurs of Dorothy Cross. Parallax, 19(1), pp. 3-11. ISSN 1353-4645 [Article]

Turner, Lynn. 2013. Insect Asides. In: , ed. The Animal Question in Deconstuction. Edinburgh: Edinburgh University Press, pp. 54-69. ISBN 0748683135 [Book Section]

Turner, Lynn. 2013. 'Insect Asides (Deconstruction is/in Performance Philosophy)'. In: What is Performance Philosophy?. University of Surrey, United Kingdom. [Conference or Workshop Item]

Turner, Lynn. 2013. Tympan Alley: Posthumanist Performatives in Dancer in the Dark. Derrida Today, 6(2), pp. 222-239. ISSN 1754-8500 [Article]

Turner, Lynn and Kelley, Lindsay. 2013. amuse gueule 'Bon Appetit'. Parallax, 19(1), pp. 1-2. ISSN 1353-4645 [Article]

Weizman, Eyal. 2013. The Image is the Bone. In: Thomas Keenan and Tirdad Zolghadr, eds. The Human Snapshot. Berlin: Sternberg Press. ISBN 978-3-943365-63-4 [Book Section]

Weizman, Eyal. 2013. The Matter of Memory. In: Adrián Villa Roja and Sophie O'Brien, eds. Today We Reboot the Planet: Adrián Villar Rojas catalogue. London: Serpentine Galleries. ISBN 9781908617156 [Book Section]

Wolf, Nicole. 2013. Foundations, Movements and Dissonant Images: documentary film and its ambivalent relations to the nation state. In: K Moti Gokulsing and Wimal Dissanayake, eds. Routledge Handbook on Indian Cinema. London: Routledge, pp. 360-374. ISBN 978-0415677745 [Book Section]

Wolf, Nicole. 2013. “Projecting Tambaku Chaakilo Oob Ali. Reflections towards a versatile archive of political cinemas”. In: Shveta Sarda, ed. sarai Reader 09: Projections. New Delhi: Raqs Media Collective, pp. 284-290. [Book Section]

Wolf, Nicole. 2013. Versatile Archives and cinematic friendships. In: Stefanie Schulte Strathaus and Ulrich Ziemons, eds. Living Archive – Archival Work as a Contemporary Artistic and Curatorial Practice. Berlin: Bbooks Verlag. ISBN 978-3-942214-14-8 [Book Section]

Zourgane, Philippe. 2013. The Architectural Free Zone - Reunion Island and the Politics of Vegetation. Doctoral thesis, Goldsmiths, University of London [Thesis]

2012

Grant, Catherine and Rubin, Patricia, eds. 2012. Creative Writing and Art History. Wiley. ISBN 978-1-4443-5039-5 [Edited Book]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. Indian Documentary Studies: Contours of a Field, Bioscope. South Asian Screen Studies, 3(1). 0974-9276 [Edited Journal]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. "Indian Documentary Studies: Contours of a Field." Special Issue., Bioscope. South Asian Screen Studies, 3(1). 0974-9276 [Edited Journal]

Gunkel, Henriette; Nigianni, Chrysanthi and Söderbäck, Fanny, eds. 2012. Undutiful Daughters: New Directions in Feminist Thought and Practice. Palgrave Macmillan. ISBN 9780230118317 [Edited Book]

Bischoff, Eva; Fenske, Uta; Gunkel, Henriette; Hampf, M. Michaela; Yekani, Elahe Haschemi and Klawitter, Arne, eds. 2012. What Can a Body Do?: Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh. ISBN 978-3593396415 [Edited Book]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity'. In: Derrida Konferenz Frankfurt. Goethe-Universität Frankfurt am Main, Germany March 14-16 2012. [Conference or Workshop Item]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity II'. In: 3rd International Derrida Today Conference. University of California, Irvine, United States. [Conference or Workshop Item]

Awan, Nishat. 2012. Re-mapping Kurdistan. In: Renata Tyszczuk, ed. ATLAS: Geography, Architecture and Change. London: Black Dog Publishing. ISBN 9781907317392 [Book Section]

Blas, Zach. 2012. “Queerness, Openness”. In: Ed Keller; Nicola Masciandaro and Eugene Thacker, eds. Leper Creativity: Cyclonopedia Symposium. Brooklyn: Punctum Books. ISBN 9780615600468 [Book Section]

Blas, Zach. 2012. “Virus, Viral”. WSQ: Women's Studies Quarterly, 40(1 & 2), pp. 29-39. [Article]

Butt, Gavin. 2012. The Common Turn in Performance. Contemporary Theatre Review, 22(1), pp. 46-61. ISSN 1048-6801 [Article]

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Crone, Bridget. 2012. Eye Music for Dancing. In: "Eye Music for Dancing", Flat Time House / The John Latham Foundation, United Kingdom. [Show/Exhibition]

Doussan, Jenny. 2012. The Scent of the Jonquil. Rattle ~ A Journal at the Convergence of Art and Writing, 3, [Article]

Dyangani Ose, Elvira. 2012. Across The Board. In: "Across The Board", London, United Kingdom, November 2012 – March 2014. [Show/Exhibition]

Dyangani Ose, Elvira. 2012. '‘The Poetics of the Infra-ordinary: The Aesthetic of Recognition in Contemporary African Art’'. In: Koyo Kouoh, Condition Report, Raw Material Company. Dakar, Senegal. [Conference or Workshop Item]

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Eshun, Kodwo. 2012. Dan Graham: Rock My Religion. London: Afterall Books. ISBN 978-1-84638-085-3 [Book]

Eshun, Kodwo and Anjalika, Sagar. 2012. The Radiant. [Film/Video]

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Fisher, Andrew. 2012. Photographic Scale. Philosophy of Photography, 3(2), pp. 310-329. ISSN 2040-3682 [Article]

Fisher, Mark. 2012. Postcapitalist Desire. In: Federico Campagna and Emanuele Campiglio, eds. What We Are Fighting For: A Radical Collective Manifesto. Pluto Press. ISBN 9780745332857 [Book Section]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Gunkel, Henriette. 2012. Introduction: A Politics of Visibility. In: Henriette Gunkel; Chrysanthi Nigianni and Fanny Söderbäck, eds. Undutiful Daughters: New Directions in Feminist Thought and Practice. New York: Palgrave Macmillan, pp. 129-140. ISBN 9780230118317 [Book Section]

Gunkel, Henriette. 2012. Review: Rez. Judith Halberstam, The Queer Art of Failure. Duke University Press, 201. Feministische Studien, 2, pp. 351-353. ISSN 0723-5186 [Article]

Gunkel, Henriette and Stieglitz, Olaf. 2012. Praxis Sex Machen/Sex Haben [Practice: To Make/To Have Sex]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 97-110. ISBN 978-3593396415 [Book Section]

Gunkel, Henriette and Yekani, Elahe Haschemi. 2012. Praxis (Sich-)Fortbewegen” [Practice: To Move (Forward)]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 57-69. ISBN 978-3593396415 [Book Section]

Hameed, Ayesha. 2012. 'The Image of Gaddafi'. In: Living Death Camp and Forensic Aesthetics: Where subjugated knowledge is, sociality occurs. Centre for Cultural Decontamination, Belgrade, Serbia 5-12 April 2012. [Conference or Workshop Item]

Hameed, Ayesha. 2012. 'The Law of the Jungle Can't Last'. In: Objects, Practices and Territories: Guimarães 2012, European Capital of Culture. Guimarães, Portugal 2012. [Conference or Workshop Item]

Hameed, Ayesha. 2012. 'On Laughter and Violence'. In: On Laughter and Violence. University of Chicago, Chicago, United States. [Conference or Workshop Item]

Hameed, Ayesha. 2012. The Petrification of the Image. In: Godofredo Nobre Enes Pereira, ed. Savage Objects: Inhuman Political Alliances. Porto: Imprensa Nacional-Casa da Moeda. [Book Section]

Hameed, Ayesha. 2012. Sarai Reader 09: The Exhibition, New Delhi. In: "Sarai Reader 09: The Exhibition", New Delhi, India, 18 August 2012 - 15 April 2013. [Show/Exhibition]

Hameed, Ayesha. 2012. Trace. Reviews in Cultural Theory, 2(3), ISSN 1918-9710 [Article]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2012. Power unplugged: decolonizing architecture in Palestine. (Forthcoming). Rotterdam: NAI Books. [Book]

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Keenan, Thomas and Weizman, Eyal. 2012. Mengele's Skull: The Advent of a Forensic Aesthetics. Berlin: Sternberg and Portikus. ISBN 978-1-934105-91-7 [Book]

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Martinon, Jean-Paul. 2012. Valentin Mudimbe or the Work of Invention. Darkmatter, 8, pp. 1-4. ISSN 2041-3254 [Article]

McAuliffe, Sam. 2012. 'Adorno and the Aporia of Aesthetic Autonomy'. In: Novas Reflexões sobre Arte. Prefeitura Municipal de Porto Alegre, Brazil 4 Apr 2012. [Conference or Workshop Item]

McAuliffe, Sam. 2012. 'The Eschatology of the Voice'. In: Derrida-Konferenz. Goethe-Universität Frankfurt am Main, Germany 14 - 16 March 2012. [Conference or Workshop Item]

Moreno, Louis. 2012. A Review of “Henri Lefebvre on Space: Architecture, Urban Research and the Production of Theory”. Annals of the Association of American Geographers, 102(4), pp. 885-890. ISSN 0004-5608 [Article]

Mörtenböck, Peter. 2012. Not for Sale. In: Sabine Pollak, ed. Superstadt!: Zur Zukunft der Stadt zwischen Linz, London und Shanghai. Vienna: Sonderzahl Publishers. ISBN 978-3854493785 [Book Section]

Mörtenböck, Peter. 2012. Other Markets: The visual culture of informal trade. Journal of Global Studies and Contemporary Art,, 2(1), [Article]

Mörtenböck, Peter. 2012. Visual Culture’. In: Arge Schnittpunkt, ed. Handbuch Ausstellungstheorie und -praxis. Stuttgart: UTB. ISBN 9783825237592 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2012. At Home in the World. P.E.A.R. (Paper for Emerging Architectural Research)(4), pp. 35-39. ISSN 2041-2878 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2012. OCCUPY: Räume des Protests. Bielefeld: transcript. ISBN 978-3-8376-2163-1 [Book]

O'Sullivan, Simon D.. 2012. 'Deleuze for Artists'. In: Stanley Pickard Lecture Series. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Five Diagrams of the Finite-Infinite Relation'. In: Wysing Art Centre. Cambridge, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: Curatorial Interventions’, Lanchester Gallery Projects. Coventry, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: San Francisco Art Institute. San Francisco, United States. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: Banner Repeater Gallery. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Performance Fictions'. In: Centre for Art and Design Research and Experimentation. University of Wolverhampton, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. A Portrait of the Philosopher as an Old Man. Philosophy of Photography, 3(2), p. 375. ISSN 2040-3682 [Article]

O'Sullivan, Simon D.. 2012. Towards a Minor Art Practice. In: Mike Bleyen and Simon D. O'Sullivan, eds. Minor Photography: Connecting Deleuze and Guattari to Photography Theory. Leuven: Leuven University Press, pp. 1-16. ISBN 9789058679109 [Book Section]

O'Sullivan, Simon D. and Burrows, David. 2012. Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. In: "Potentials of Performance", Performance Space, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2012. Plastique Fantastique Patheme-Matheme. In: "Swarms of Black Flies make the Roses Purple", IMT gallery, London., United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2012. ‘THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!’. In: "‘THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!’", ASC Gallery, London, United Kingdom. [Show/Exhibition]

Plotegher, Paolo; Dowling, Emma; Hansen, Bue Rubner and Zechner, Manuela. 2012. Nanopolitics: A First Outline of Our Experiments in Movement. Lateral(1), [Article]

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner. 2012. Sensibilidades que esperimentan en la ciudad neoliberal. In: , ed. Félix Guattari. Los ecos del pensar. Entre filosofía, arte y clínica. Barcelona: Hakabooks. [Book Section]

Prendeville, Brendan. 2012. 'Modernism and figuration'. In: Steve Edwards and Paul Wood, eds. Art & Visual Culture 1850 – 2010: Modernity to Globalization. London, England: Open University / Yale, pp. 175-209. ISBN 9781849760973 [Book Section]

Roberdeau, Wood. 2012. Meal Time as Medium: Duration and the work of AO&. Performance Research, 17(5), pp. 130-134. ISSN 1352-8165 [Article]

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Roberdeau, Wood. 2012. Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme. Journal of the International Association of Research Institutes in the History of Art, [Article]

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Rosamond, Emily. 2012. Electricity Enslaved: Tonal Imagery of Progress, Incorporation, Extinction. In: , ed. Necrospective. London: Danielle Arnaud. ISBN 9780955872167 [Book Section]

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Rosamond, Emily. 2012. Imaginary Sculptures for an Infinite Economy. [Printed Ephemera]

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Rosamond, Emily. 2012. Narrative Interrupted: Painting Between Progression and Duration. Lucky 7 Chanceux: Studio Arts MFA, pp. 72-75. [Article]

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Rosamond, Emily. 2012. Object Lessons: David Askevold's Learning About Cars and Chocolates. Esse, 75, pp. 30-33. ISSN 0831-859X [Article]

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Rosamond, Emily. 2012. Un-designing: Serge Murphy, Architecture and Felt Time. Esse, 74, ISSN 0831-859X [Article]

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Schaber, Ines. 2012. Obtuse, Flitting by, and Nevertheless There – Image Archives in Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Schuppli, Susan. 2012. Atmosfärisk Korrigering. Glänta, 4(12), pp. 12-21. [Article]

Schuppli, Susan. 2012. “Impure Matter: A Forensics of WTC Dust.”. In: , ed. Savage Objects. Portugal: Imprensa Nacional Casa da Moeda, pp. 120-140. ISBN 9789722720717 [Book Section]

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Schuppli, Susan and Kraemer, Steffen. 2012. The Architecture of Conflict. In: "The Architecture of Conflict", Praque, Czech Republic, 28 February – 21 April 2018. [Show/Exhibition]

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Turner, Lynn. 2012. 'Secrets and Lies: eating in the darkness in China Mieville's Embassytown'. In: Cosmopolitan Animals. UCL, United Kingdom. [Conference or Workshop Item]

Turner, Lynn. 2012. Unhoming Pigeons: The Postal Principle in Lynn Hershman Leeson and Hussein Chalayan. Derrida Today, 5(1), pp. 92-110. ISSN 1754-8500 [Article]

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Watson, Michael. 2012. Joan of Art: In Defence of Subjectivity. Doctoral thesis, Goldsmiths, University of London [Thesis]

Weizman, Eyal. 2012. The Book of Destruction. London Review of Books, 34(23), p. 28. [Article]

Weizman, Eyal. 2012. Forensic Architecture. In: David Chipperfield; Kieran Long and Shumi Bose, eds. Common Ground: A Critical Reader. Venice: Marsilio. ISBN 978-88-3171-435-8 [Book Section]

Weizman, Eyal. 2012. Forensic Architecture. In: Meg McLagan and Yates Mckee, eds. Sensible Politics: The Visual Culture of Non-Governmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Morning After: Profaning colonial Architecture. In: Meg McLagan and Yates McKee, eds. Sensible Politics: The Visual Culture of Nongovernmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Return to the Common: DAAR: Decolonizing Architecture Art Residency. Manifesta, [Article]

Weizman, Ines and Weizman, Eyal. 2012. Mobilizing Dissent: The Possible Architecture of the Governed’. In: C. Greig Crysler; Stephen Cairns and Hilde Heynen, eds. The SAGE Handbook of Architectural Theory. London; Thousand Oaks, California: SAGE Publications. ISBN 9781446282632 [Book Section]

Wolf, Nicole. 2012. I am the very beautiful city. Conversations with Bombay, documented. In: Madhusree Dutta; Rohan Shivkumar and Bhaumik Kaushik, eds. Cinema City. Chennai: Tulika Publishers. ISBN 978-8189487997 [Book Section]

Wolf, Nicole. 2012. Resonance/ Nachhall. Catalogue for the 42nd Forum, Berlin Film Festival, [Article]