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Items where Division is "Visual Cultures"

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Number of items at this level: 1001.

2018

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Fisher, Andrew. 2018. Merleau-Ponty Reframed: Interpreting Key Thinkers for the Arts. London: I.B. Taurus. ISBN 9781848857995 [Book] (Forthcoming)

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Turner, Lynn. 2018. Telegrams. In: , ed. Political Animals. Northwestern University Press. [Book Section] (Submitted)

2017

Turner, Lynn; Broglio, Ron and Sellbach, Undine, eds. 2017. The Edinburgh Companion to Animal Studies. Edinburgh: Edinburgh University Press. ISBN 1474418414 [Edited Book] (Forthcoming)

Grant, Catherine. 2017. Learning and Playing: re-enacting feminist histories. In: Victoria Horne and Lara Perry, eds. Feminist Art Histories: Renewing Radical Critiques of Theory and Practice. London: I. B. Tauris. ISBN 9781784533250 [Book Section]

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Moon, Je Yun. 2017. Choreo-graphy: The Deinstitutionalisation of the Body and the Event of Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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O'Sullivan, Simon D.. 2017. Accelerationism, Prometheanism and Mythotechnesis. In: Baylee Brits; Prudence Gibson and Amy Ireland, eds. Aesthetics After Finitude. Melbourne: re.press, pp. 171-189. ISBN 9780980819793 [Book Section]

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O'Sullivan, Simon D.. 2017. From Science Fiction to Science Fictioning: SF’s Traction on the Real. Foundation: The International Review Of Science Fiction, ISSN 0306-4964 [Article] (Forthcoming)

O'Sullivan, Simon D.. 2017. 'Myth-Science and the Fiction of the Self'. In: Afternoon Tea with the Intercontinental: a Symposium on the Post-Factual. Slade, UCL, United Kingdom 22 February 2017. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2017. Myth-Science as Residual Culture and Magical Thinking. postmedieval: a journal of medieval cultural studies, ISSN 2040-5960 [Article] (Forthcoming)

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Roberdeau, Wood. 2017. A Withdrawing Vital Material. TAKE on art magazine, 3(1), [Article]

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Rogoff, Irit. 2017. Who do WE face? In: Maria Hlavajova and Simon Sheikh, eds. FORMER WEST: Art and the Contemporary after 1989. Amsterdam, Netherlands: BAK, basis voor actuele kunst and MIT Press. ISBN 9780262533836 [Book Section]

Schmetterling, Astrid. 2017. ‘Uriel Orlow’s “Unmade Film”: A Multidirectional Archive for Palestinian and Israeli Traumatic Memory’. In: Maria Magdalena Schwaegermann and Karmenlara Ely, eds. Infinite Record: Archive, Memory, Performance. New York: Brooklyn Arts Press, pp. 136-143. ISBN 978-1-936767-41-0 [Book Section]

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Schuppli, Susan. 2017. Computing the Law / Searching for Justice. In: Boris Buden,; Maria Hlavajova and Simon Sheikh, eds. Former West Art and the Contemporary after 1989. MIT Press. ISBN 9780262533836 [Book Section] (Forthcoming)

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Schuppli, Susan. 2017. The Images of War. In: "The Images of War", Stockholm, Sweden, 20 September 2017 – 14 January 2018. [Show/Exhibition] (Forthcoming)

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Schuppli, Susan. 2017. Material Truths. In: "Material Truths", Site Gallery, Sheffield, United Kingdom. [Show/Exhibition]

Schuppli, Susan. 2017. Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY. In: Danielle Celermajer and Richard Sherwin, eds. A Cultural History of Law in the Modern Age. London: Bloomsbury Publishing. [Book Section] (Forthcoming)

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Turner, Lynn. 2017. 'The Oestrus Complex: soliciting the sexual contract of whale song'. In: Animal Utterances. University of Bristol, United Kingdom 25-26 May 2016. [Conference or Workshop Item]

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Turner, Lynn. 2017. 'Podcasting: The Becoming-Space of Voices’'. In: Wild Minds. ICA, London, United Kingdom 31 March 2017. [Conference or Workshop Item]

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Turner, Lynn. 2017. Voice. In: , ed. The Edinburgh Companion to Animal Studies. Edinburgh University Press. [Book Section] (Forthcoming)

Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. New York: Zone Books. ISBN 9781935408864 [Book] (In Press)

2016

Allmeier, Daniela; Manka, Ingrid; Mörtenböck, Peter and Scheuvens, Rudolf, eds. 2016. Erinnerungsorte in Bewegung. Zur Neugestaltung des Gedenkens an Orten nationalsozialistischer Verbrechen. Bielefeld: transcript Verlag. ISBN 978-3-8376-3059-6 [Edited Book]

Blas, Zach, ed. 2016. In Practice: Opacities. Camera Obscura: Feminism, Culture, and Media Studies, Camera Obscura: Feminism, Culture, and Media Studies, 31((2 92)). 0270-5346 [Edited Journal]

Andrews, Jorella G., ed. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 3956791002 [Edited Book]

Hameed, Ayesha and Gunkel, Henriette, eds. 2016. Visual Cultures as Time Travel. UNSPECIFIED. [Edited Book] (Forthcoming)

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Andrews, Jorella G.. 2016. The Socialities of Things. In: Barbara Kapusta; Rocco Pagel and Jenni Tischer, eds. Dinge und Dialoge. Berlin and Vienna: Saprophyt, pp. 10-15. [Book Section] (In Press)

Andrews, Jorella G.. 2016. This is Rembrandt. London: Laurence King. ISBN 9781780677453 [Book]

Andrews, Jorella G.. 2016. '‘Where is called Thinking?’'. In: Series: HCT Debates: Dis-locutions, the architectural and the political. AA (Architectural Association) School, London, United Kingdom 4 March 2016. [Conference or Workshop Item]

Andrews, Jorella G. and Durner, Leah. 2016. 'Immeasurable Extravagance: Proposals for an Economy of Abundance in an Age of Scarcity'. In: Panel at CAA (College Art Association) Conference 2017. New York Hilton Midtown, NYC, United States 15 February 2017. [Conference or Workshop Item]

Blas, Zach. 2016. “‘A Cage of Information,’ or, What is a Biometric Diagram?”. In: Erika Balsom and Hila Peleg, eds. Documentary Across Disciplines. Cambridge, MA: The MIT Press & Haus der Kulturen der Welt. ISBN 9780262529068 [Book Section]

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Blas, Zach. 2016. Contra-Internet. e-flux journal, 74, [Article]

Blas, Zach. 2016. "Gay Bombs: Getting Started". In: David Getsy, ed. Queer: Documents of Contemporary Art. Cambridge, MA: The MIT Press & Whitechapel Gallery, pp. 105-109. ISBN 9780262528672 [Book Section]

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Blas, Zach. 2016. Opacities: An Introduction. Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 149-153. ISSN 0270-5346 [Article]

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Blas, Zach. 2016. “Vacuoles of Noncommunication: From Invisible Adversary to Invisible Revolt". In: Lauren Cornell and Tom Eccles, eds. Invisible Adversaries. Annandale-on-Hudson: Center for Curatorial Studies, Bard College. ISBN 1936192500 [Book Section]

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Blas, Zach and Gaboury, Jacob. 2016. "Biometrics and Opacity: A Conversation". Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 155-165. ISSN 0270-5346 [Article]

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Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal. 2016. On Forensic Architecture: A Conversation with Eyal Weizman. October(156), pp. 116-140. ISSN 0162-2870 [Article]

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Doussan, Jenny. 2016. Writing Lines: Agamben contra Nietzsche. Cultural Critique, 92, pp. 114-136. ISSN 0882-4371 [Article]

Fisher, Mark. 2016. ‘not really now not any more’: Hauntological Place and Non-Time. In: Kirstin Gwyer and Karen Leeder, eds. Giving up the Ghost: The Haunting of Modern Culture. Palgrave Macmillan. [Book Section] (Forthcoming)

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

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Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

Hameed, Ayesha. 2016. The Time and Sound of the Nautical Border. In: , ed. Charting Imperial Territories. University of British Columbia Press. [Book Section] (Forthcoming)

Hameed, Ayesha; Carpenter, Ele; Husberg, Hanna and McLean, Laura. 2016. The Free Sea: Unintended consequences and slippages in time. In: Taru Elfving and Terike Haapoja, eds. ALTERN ECOLOGIES. Frame Visual Art Finland /University of the Arts Helsinki. [Book Section] (Forthcoming)

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Lindblom, Jon. 2016. Technihil: The Cultural Import of Cognitive Neuroscience. Doctoral thesis, Goldsmiths, University of London [Thesis]

Madani, Adnan. 2016. Formations of the Contemporary : Islam, Globalization and Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

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Millner-Larsen, Nadja. 2016. Kalliopi Lemos's Sculpture of Subjection. In: , ed. Kalliopi Lemos: In Balance. London: Gazelli Art House. [Book Section]

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Moreno, Louis. 2016. David Harvey. In: A Latham and R Kock, eds. Key Thinkers on Cities. Sage Publishing. ISBN ISBN: 9781473907751 [Book Section] (In Press)

Mörtenböck, Peter and Mooshammer, Helge. 2016. From Urban Talent to Commodity City: Marketplaces in the Informal Economy. In: Jonathan Darling and Helen Wilson, eds. Encountering the City: Urban Encounters from Accra to New York. London: Ashgate. ISBN 9781472432575 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2016. Tent Cities, People’s Kitchens, Free Universities – The Global Villages of Occupation Movements. In: Doina Petrescu and Kim Trogal, eds. The Social Production of Architecture: Ethics, Economies, Politics and Actions in Contemporary and Future Practice. London: Routledge. ISBN 9781138859494 [Book Section] (Forthcoming)

O'Sullivan, Simon D.. 2016. 'Accelerationism, Prometheanism and Mythotechnesis'. In: Art and Reason – How Art Thinks II. Baltic Museum, Newcastle, United Kingdom. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2016. Deleuze Against Control: from Fictioning to Myth-Science. Theory, Culture and Society, 33(7/8), pp. 1-16. ISSN 0263-2764 [Article]

O'Sullivan, Simon D.. 2016. Diagrams. In: "Miniature World", Castle field Gallery, Manchester, United Kingdom, November 2016-February 2017. [Show/Exhibition]

O'Sullivan, Simon D.. 2016. 'Feminist World Building: from Myth-Science to Performance Fiction'. In: The Politics of Performance and Play. Feminist Matters. University of Leiden, United Kingdom. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2016. Myth-Science and the Fictioning of Reality. Paragrana, 25(2), pp. 80-93. ISSN 0938-0116 [Article]

O'Sullivan, Simon D.. 2016. 'Non-Philosophy and Performance (or, Fiction as Method)'. In: How to do Things with Performance. University of the Arts, Helsinki, Finland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'On Diagrams'. In: Miniature World Symposium. Castelefield Gallery, Manchester, United Kingdom 10 December 2016. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. On the Diagram (and the Practice of Diagrammatics). In: K Schneider and B Yasar, eds. Situational Diagram. New York: Dominique Lévy, pp. 13-25. ISBN 978-1-944379-09-4 [Book Section]

O'Sullivan, Simon D.. 2016. 'Residual Culture and Magical Thinking'. In: Deleuze and Art: Mulitplicities, Thresholds, Intensities. Trinity College, Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'Residual Culture and Magical Thinking'. In: Invited Lecture. Ripon and St. John University, York, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2016. Bi-Son-Oil-Men. In: "Chemhex Extract", Peacock Visual Arts, Aberdeen, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2016. Loop Stories that AIs tell their Children. In: "After London", Horse Hospital, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2016. Loop Stories that AIs tell their Children. In: "Loop Stories that AIs tell their Children", Mega Stores Mall, The Hague, Netherlands. [Performance]

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O'Sullivan, Simon D. and Burrows, David. 2016. Plastique Fantastique Review of the Kibbo Kift: Seven Celebrations/Seven Critiques/Seven Parallels. Visual Culture in Britain, 17(2), pp. 225-233. ISSN 1471-4787 [Article]

O'Sullivan, Simon D. and Burrows, David. 2016. Summoning the Bit Coin Fairy. In: "Dark Water", Dilston Grove, London, United Kingdom. [Performance]

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Pekun, Didem. 2016. First Person as Molecular Subjectivities: Turkey and Turkishness. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ramos Martinez, Manuel. 2016. The Cinema of No. La Furia Umana(28), [Article]

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Ramos Martinez, Manuel. 2016. Nombrar, Resistir – de los títulos en el cine de Straub y Huillet. In: , ed. Jean-Marie Straub y Danièle Huillet: Hacer la revolucion es volver a colocar en su sitio cosas muy antiguas pero olvidadas. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 127-143. ISBN 9788480265430 [Book Section]

Roberdeau, Wood. 2016. Kurt Schwitters and 27 Senses: Contemporary Resonances in Norway and England. Dada/Surrealism, 21, ISSN 0084-9537 [Article] (Forthcoming)

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Rogoff, Irit. 2016. Starting in the Middle: NGOs and Emergent Forms For Cultural Institutions. In: Johanna Burton; Shannon Jackson and Dominic Willsdon, eds. Public Servants Art and the Crisis of the Common Good. MIT Press. ISBN 9780262034814 [Book Section]

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Rogoff, Irit and Attia, Kader. 2016. Counter Knowledges and Permissions. In: Susanne Gaensheimer and Klaus Görner, eds. Kader Attia: Sacrifice and Harmony. Kerber Verlag. ISBN 978-3-7356-0255-8 [Book Section]

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Rogoff, Irit and Sonderegger, Ruth. 2016. Counter Knowledges. In: David Blamey, ed. Specialism. Open Editions, pp. 122-137. ISBN 978-0-949004-01-7 [Book Section]

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Schuppli, Susan. 2016. Delay Decay. [Art Object]

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Schuppli, Susan. 2016. Sound of Sand. [Audio]

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Schuppli, Susan. 2016. The Sun Placed in the Abyss. In: "The Sun Placed in the Abyss", Columbus, Ohio, United States, October 7, 2016 to January 8, 2017. [Show/Exhibition]

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Schuppli, Susan. 2016. Trace Evidence. [Film/Video]

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Simon, Joshua. 2016. Betrayal. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Truskolaski, Sebastian. 2016. Bilderverbot: Adorno and the Ban on Images. Doctoral thesis, Goldsmiths, University of London [Thesis]

Tubridy, Derval. 2016. 'An Unforgettable Image': Staging Beckett’s Short Plays. In: David Tucker and Trish McTighe, eds. Staging Beckett in Great Britain. London: Bloomsbury Methuen Drama, pp. 135-155. ISBN 978-1-4742-4017-8 [Book Section] (In Press)

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Turner, Lynn. 2016. Interviewee: Lynn Turner. Interviewer: Ron Broglio. Antennae: The Journal of Nature in Visual Culture(38), pp. 30-36. ISSN 1756-9575 [Article]

Turner, Lynn. 2016. Telefoam: species on the shores of Cixous and Derrida. In: Stefan Herbrechter; Ivan Callus and Manuela Rossini, eds. European Posthumanisms. London and New York: Routledge. ISBN 9781138675780 [Book Section]

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Turner, Lynn. 2016. 'Voice (podcasting)'. In: Derrida Today. Goldsmiths, United Kingdom 08-11 June 2016. [Conference or Workshop Item]

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Turner, Lynn and Anderson, Nicole. 2016. 'Derrida Today'. In: Derrida Today. Goldsmiths, United Kingdom 8-11 June 2016. [Conference or Workshop Item]

Vishmidt, Marina and Stakemeier, Kerstin. 2016. Reproducing Autonomy: Work, Money, Crisis and Contemporary Art. London: Mute Publishing. ISBN 1906496625 9781906496623 [Book]

2015

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Aloi, Giovanni. 2015. Botched Taxidermy: New Animal Bodies in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Andrews, Jorella G.. 2015. This is Cézanne. London: Laurence King Publishing. ISBN 978-1780674780 [Book]

Blas, Zach and Cassils, Heather. 2015. “Queer Darkness”. Little Joe, No. 5. [Other]

Blas, Zach; Kholeif, Omar; Bridle, James and Dullaart, Constant. 2015. “Has the Internet Become a Human or a Thing, or Have We Become the Internet?”. Mousse Magazine, Number 47. [Other]

Bogdan, Jolan. 2015. Performative Contradiction and Revolution: Reconsidering Romania. Doctoral thesis, Goldsmiths, University of London [Thesis]

Burrows, David; Jackson, Mark; O'Sullivan, Simon D. and Tait, Stuart. 2015. Monarch Drone Communiqué. Culture Machine, 16, [Article]

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Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

Gunkel, Henriette. 2015. “‘We’ve been to the moon and back’ - das afrofuturistische Partikulare im universalisierten Imaginären” [‘We’ve been to the moon and back’ – afrofuturist particularism within the universal imaginary]. In: Ulrike Bergermann and Nanna Heidenreich, eds. total. - Universalism and particularism in post_kolonialer media theory. Berlin: Transcript, 149 -162. ISBN 978-3-8376-2766-4 [Book Section]

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Heller, Charles. 2015. Liquid Trajectories : Documenting Illegalised Migration and the Violence of Borders. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Licha, Jacques Emanuel. 2015. War Hotels. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Martinon, Jean-Paul. 2015. The Equivocal Concept: The Work of Bourahima Ouattara. International Journal of Francophone Studies, 18(2-3), ISSN 1936-6280 [Article]

Martinon, Jean-Paul. 2015. Im-Mundus or Nancy’s Globalizing-World-Formation. In: Sanja Dejanovic, ed. Nancy and the Political. Edinburgh: Edinburgh University Press, pp. 219-244. ISBN 978-0748683185 [Book Section]

Martinon, Jean-Paul. 2015. Shame: Intentionality in Reverse. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 66-78. [Book Section]

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Mörtenböck, Peter. 2015. Global Informality: Bottom-Up Trade and Transnational Realignments. In: Peter Mörtenböck; Helge Mooshammer; Teddy Cruz and Fonna Forman, eds. Informal Market Worlds: The Architecture of Economic Pressure (Reader). Rotterdam: nai010 Publishers, pp. 105-118. ISBN 9789462081956 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Blendende Werte: Die globale Zirkulation von Architektur- Kapital. In: , ed. Das Geschäft mit der Stadt. 28 Birkhäuser, pp. 28-43. [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2015. Informal Market Worlds: The Architecture of Economic Pressure - ATLAS. Rotterdam: nai010 publishers. ISBN 978-94-6208-194-9 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Materials of Commemoration: The Changing Landscape of Mauthausen. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 218-234. ISBN 978-3956791499 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Sammlungen des Protests: Von der Occupy-Bewegung zum Verwahren des Protests. In: Andreas Hudelist; Florian Kerschbaumer and Matthias Wieser, eds. Protestgebiete: Interdisziplinäre Perspektiven auf Raum und Widerstand. Novo mesto: arte4, pp. 23-45. ISBN 9789619363331 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. A World of Matter. In: Inke Arns, ed. World of Matter. Berlin: Sternberg Press, pp. 160-172. ISBN 978-3-95679-083-6 [Book Section]

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Mörtenböck, Peter; Mooshammer, Helge; Cruz, Teddy and Forman, Fonna. 2015. Informal Market Worlds: The Architecture of Economic Pressure - READER. Rotterdam: nai010 publishers. ISBN 978-94-6208-195-6 [Book]

Mörtenböck, Peter; Mooshammer, Helge and Pieterse, Edgar. 2015. Informal Worlds Reader. Cityscapes - Re-thinking Urban Things(7), ISSN 2227-4006 [Article]

Mörtenböck, Peter; Mooshammer, Helge; Tavares, Paulo; Huber, Frauke; Martin, Uwe H. and Biemann, Ursula. 2015. World of Matter. Architectural Theory Review, 20(1), pp. 122-134. ISSN 1326-4826 [Article]

O'Sullivan, Simon D.. 2015. 'Fictioning as Myth-Science (after Deleuze, against Control): Nothing is True, Everything is Permitted'. In: Daughters of Chaos: Deleuze Studies International Conference 2015. University of Stockholm, Sweden June 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Memories of a Deleuzian: To Think is Always to Follow the Witches Flight'. In: ‘A Thousand Plateaus and Philosophy’ workshop. Institut Francais, London, United Kingdom July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. Myth-Science. Rattle: a Journal at the convergence of Art and Writing(5), pp. 106-120. ISSN 20473885 [Article]

O'Sullivan, Simon D.. 2015. 'Myth-Science'. In: Curbitt festival. Mount Saleve, Geneva., Switzerland July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. ‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance, with David Burrows and others (part of ‘Alternative 23, 2.0’. In: "‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance, with David Burrows and others (part of ‘Alternative 23, 2.0’)", Gallery North, Newcastle, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2015. 'Myth-Science and Art Practice'. In: 'Shoulders of Giants’ symposium. Senate House, London, United Kingdom July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science and the Fictioning of Reality'. In: F(r)ictions of Art conference. Berlin, Germany June 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science: Art Practice as Fictioning'. In: invited speaker, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science: Art Practice as Fictioning'. In: Multiverse launch event. Wysing Arts Centre, Cambridge., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction. In: "Diagram of (Urb-Fux Glitter) Addiction, part of 'Multiverese'", Wysing Art Centre, Cambridgeshire, United Kingdom, April 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction. In: "Diagram of (Urb-Fux Glitter) Addiction,. part of ‘Curbitt’ festival", Mount Saleve, Geneva, Switzerland, July 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction’. In: "Diagram of (Urb-Fux Glitter) Addiction. part of ‘Transmetic’", Lewisham Art House, London, United Kingdom, May 2015. [Show/Exhibition]

Pereira, Godofredo Nobre Enes. 2015. The Underground Frontier : technoscience and resource extraction. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Pierce, Sarah. 2015. It's time man. It feels Imminent. Politics at the moment of exposition. Doctoral thesis, Goldsmiths, University of London [Thesis]

Prendeville, Brendan. 2015. Realism in 20th Century Painting (Mandarin edition). Thames & Hudson. ISBN 978-7-5322-9195-3 [Book]

Prendeville, Brendan. 2015. Sam Cornish, Stockwell Depot, 1967-79. Sculpture Journal, 24(3), ISSN 1366-2724 [Article]

Prendeville, Brendan. 2015. Sculpting with air. Ambit, 220, pp. 46-53. ISSN 0002-6972 [Article]

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Ramos Martinez, Manuel. 2015. Book Review: TJ Demos, The Migrant Image: The Art and Politics of Documentary during Global Crisis. Journal of Visual Culture, 14(1), pp. 116-118. ISSN 1470-4129 [Article]

Ramos Martinez, Manuel. 2015. Marx Immemorial, Workers and Peasants in the Cinema of Straub and Huillet. In: Ewa Mazierska and Lars Kristensen, eds. Marx and the Moving Images of Activism, Screening Alternative Worlds. Berghahn. ISBN 78-1-78238-642-1 [Book Section] (Forthcoming)

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Rogoff, Irit. 2015. Oblique Points of Entry. In: Hamid Keshmirshekan, ed. Contemporary Art from the Middle East: Regional Interactions with Global Art Discourses: Volume 18. I.B.Tauris & Co Ltd. ISBN 9781784530020 [Book Section]

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Schmetterling, Astrid. 2015. ‘Biographien jüdischer Frauen: Zur Aktualität Charlotte Salomons’. Medaon – Magazin für jüdisches Leben in Forschung und Bildung, 9(17), pp. 1-5. [Article]

Schuppli, Susan. 2015. “Law and Disorder.”. In: , ed. Realism Materialism Art. Berlin: Sternberg Press. ISBN 978-3956791260 [Book Section]

Schuppli, Susan. 2015. “Radical Contact Prints”. In: , ed. Camera Atomica. London: Black Dog Publishing London UK, pp. 277-291. ISBN 978-1908966483 [Book Section]

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Schuppli, Susan. 2015. “Slick Images: The Photogenic Surface of Disaster.”. In: , ed. Extra City. Antwerp: Extra City. [Book Section]

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Schuppli, Susan. 2015. Uneasy Listening. [Art Object]

Schuppli, Susan. 2015. “War Dialling: Image Transmissions from Saigon.”. In: , ed. Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge: Cambridge Scholars Publishing, pp. 144-158. ISBN 978-1443854429 [Book Section]

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Singer, Manuel. 2015. Indefinite Workings : What Dwellings Elicit and On What Architecture Depends. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stewart, Jay. 2015. Trans on Telly: Popular Documentary and the Production of Transgender Knowledge. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Szynkarczuk, Pawel. 2015. Intercorporeality - Merleau-Ponty’s Ontology of Flesh and Butoh Dance Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Turner, Lynn. 2015. ‘Animal Melancholia: on the scent of Dean Spanley’. In: Michael Lawrence and Laura McMahon, eds. Animality & the Moving Image. BFI. ISBN 9781844578993 [Book Section] (In Press)

Turner, Lynn. 2015. Critical Companions: Derrida, Haraway & Other Animals. In: Julian Wolfreys, ed. Introducing Criticism in the 21st Century, 2nd Edition. Edinburgh: Edinburgh University Press. ISBN 9780748695294 [Book Section]

Turner, Lynn. 2015. 'Fort Spa: Biopoetics in Elizabeth A. Wilson, Sandor Ferenczi & Jacques Derrida'. In: 'After Biopolitics' Society for Literature, Science and the Arts, SLSA. Rice University, United States. [Conference or Workshop Item]

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Turner, Lynn. 2015. Fort Spa: In at the Deep End with Derrida and Ferenczi. In: Simon Morgan Wortham and Chiara Alfano, eds. Desire in Ashes: Deconstruction, Psychoanalysis, Philosophy. Bloomsbury. ISBN 1472529138 [Book Section] (In Press)

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Töpfner, Christian. 2015. Subjects of Creation. On Materialist Abstraction and the Enactment of Ideas. Doctoral thesis, Goldsmiths, University of London [Thesis]

Vishmidt, Marina. 2015. Artworld, Etherized: Review Essay. Radical Philosophy(190), ISSN 0300-211X [Article]

Vishmidt, Marina. 2015. Productive Bodies: A Review Essay. Australian Feminist Studies, 30(85), pp. 304-308. ISSN 0816-4649 [Article]

Weizman, Eyal. 2015. The Roundabout Revolutions. Berlin: Sternberg. ISBN 978-3-95679-098-0 [Book]

Weizman, Eyal and Sheikh, Fazal. 2015. The Conflict Shoreline: Colonialism as Climate Change. Göttingen: Steidl. ISBN 978-3-95829-035-8 [Book]

2014

Plotegher, Paolo, ed. 2014. Commons and Commoning in New Cross. London: New Cross Commoners. [Edited Book] (Forthcoming)

Weizman, Eyal, ed. 2014. Forensis: The Architecture of Public Truth. Berlin: Sternberg. ISBN 978-3-95679-011-9 [Edited Book]

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner, eds. 2014. Nanopolitics Handbook. London: MINOR COMPOSITIONS. ISBN 978-1570272684 [Edited Book]

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Andrews, Jorella G.. 2014. Showing Off: A Philosophy of Image. London: Bloomsbury. ISBN 9781848858923 [Book]

Blas, Zach. 2014. Contra-Internet. [Art Object]

Blas, Zach. 2014. “Contra-Internet Aesthetics”. In: Omar Kholeif, ed. You Are Here: Art after the Internet. Manchester: Cornerhouse Books. ISBN 9780956957177 [Book Section]

Blas, Zach. 2014. "Informatic Opacity". Journal of Aesthetics and Protest, 9, [Article]

Blas, Zach and Satterwhite, Jacolby. 2014. “Adjust Opacity”. DIS Magazine. [Other]

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Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina. 2014. New Keywords: Migration and Borders. Cultural Studies, 29(1), pp. 55-87. ISSN 0950-2386 [Article]

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Condorelli, Céline. 2014. In Support: A Theoretical and Practical Investigation into Forms of Display. Doctoral thesis, Goldsmiths, University of London [Thesis]

Dyangani-Ose, Elvira. 2014. ‘The right to the city. The appropriation of public space in Nick Cave’s work’. In: , ed. Nick Cave: Epitome. Prestel, pp. 240-267. ISBN 978-3791349169 [Book Section]

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Fisher, Andrew. 2014. Photo-surveillance and the emplaced déraciné. Photographies, 7(1), pp. 53-65. ISSN 1754-0763 [Article]

Fisher, Mark. 2014. ‘“What Is It That You’d Say You Do Here?” The Post-Fordist Comedy of Management. In: Nina Möntmann, ed. Brave New Work A Reader on Harun Farocki's film 'A New Product'. Walther Koenig. ISBN 9783863353506 [Book Section]

Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole. 2014. 'Feminism@Goldsmiths'. In: Feminism@Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2014. Black Atlantis. In: Forensic Architecture, ed. Forensis: The Architecture of Public Truth. Sternberg Press. ISBN 978-3-95679-011-9 [Book Section]

Heller, Charles. 2014. Perception management – Deterring potential migrants through information campaigns. Global Media and Communication, 10(3), pp. 303-318. ISSN 1742-7665 [Article]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2014. Dheisheh (Cisjordanie). Retours. Penser le futur dans l’extraterritorialité (un projet architectural). In: Michel Agier, ed. Un monde de camps. Paris: La Découverte. ISBN 9782707183224 [Book Section]

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Marques Florencio, Joao Pedro. 2014. Strange Encounters:Performance in the Anthropocene. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Moreira, Inês. 2014. Performing Building Sites : Curating in/on/through space. Doctoral thesis, Goldsmiths, University of London [Thesis]

Moreno, Louis. 2014. Mob deep: The underground current of urban revolution. Dialogues in Human Geography, 4(2), pp. 238-242. ISSN 2043-8206 [Article]

Moreno, Louis. 2014. The urban process under financialised capitalism. City, 18(3), pp. 244-268. ISSN 1360-4813 [Article]

Mörtenböck, Peter. 2014. Die bewegte Stadt: Demokratiepolitische Potenziale sozialer Bewegungen am Beispiel der Occupy-Bewegung. In: Wolfgang Kastrup and Helmut Kellershohn, eds. Kapitalismus und/oder Demokratie: Beiträge zur Kritik ''marktkonformer'' Demokratieverhältnisse. Münster: Unrast Verlag, pp. 83-99. ISBN 978-3-89771-765-7 [Book Section]

Mörtenböck, Peter. 2014. Gunners and Runners. In: Lars Bang Larsen, ed. Networks. Whitechapel and MIT Press. ISBN 9780262525756 [Book Section]

Mörtenböck, Peter. 2014. Network Economies of Waste. In: Juliet Steyn and Nadja Stamselberg, eds. Breaching Borders: Art, Migrants and the Metaphor of Waste. London: I.B. Tauris, pp. 215-236. ISBN 9781780762593 [Book Section]

Mörtenböck, Peter and UNSPECIFIED. 2014. Marktplätze der Öffentlichkeit. In: Caroline Schmidt and Asta Vonderau, eds. Öffentlichkeiten in Bewegung. Formationen von transnationalen Kommunikations- und Handlungsräumen. Bielefeld: Transcript. ISBN 978-3-8376-2154-9 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Europäische Protestkultur: Platzbesetzungen zwischen Justizgewalt und Musealisierung. Archithese, 2014(6), pp. 80-87. [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Performance des Protests. Kunstforum International, 224, pp. 122-135. [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Strittige Öffentlichkeiten: Die Besetzung der Ökonomie. In: Andreas Langenohl and Dietmar J. Wetzel, eds. Finanzmarktpublika. Wirtschaft & Gesellschaft. ISBN 978-3-531-19707-4 [Book Section]

Nowotny, Stefan. 2014. Sprachgemenge. Zur Politik der Übersetzung. UNSPECIFIED. ISBN 978-3-85132-718-2 [Book]

O'Sullivan, Simon D.. 2014. 'Art Practice as Fictioning (or, Myth-Science)'. In: Arts of Existence: Artistic Practices, Aesthetics and Techniques Seminar. Unit of Play, Goldsmiths, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker (and seminar), Theatre Academy. Helsinki, Finland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, London Graduate School. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, Edinbrugh College of Art. Edinburgh, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. Birmingham, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Myth-Science: Art Practice as Fictioning'. In: Stroom de Haag. The Hague, Netherlands. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2014. The Chymical Wedding. In: "Slade Wotever", Vauxhall Tavern, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Drone. In: "Transmetic Heresiacs", Lewisham Art House, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Drone. In: "As above, So Below: A Colloquium on Drone Culture", University of Lincoln, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Science. In: "Golden Age Problems", Autoitalia, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Science Songs of Animal and Cyber Evolution. In: "part of Exploit.zzxjoanw.Gen (download from www.punctum, Dane Sutherland curator), with performance at launch, Collective Gallery", Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Myth-Science’ and ‘Monarch-Drone’. In: "Webewoche", Stroom de Haag, The Hague, Netherlands. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Myth-Science’, performance, with David Burrows and others. In: "The Meaning of Life vs Chin Stroker", Macbeth pub, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "Obliteration Device", IMT Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "(part of Transmetc), Amersham Arms", New Cross, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "PIGDOGANDMONKEYFESTOS", Airspace Gallery, Stoke-on-Trent, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Ribbon Probe’, various posters and films and ‘Myth-Science’ performance. In: "‘Schizo-Culture’", SPACE Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. The Sinthorne/Z-Point Relation or Art as Non-Schizoanalysis. In: Ian Buchanan and Lorna Collins, eds. Deleuze and the Schizoanalysis of Visual Art. London: Bloomsbury, pp. 253-278. ISBN 978-1472524621 [Book Section]

O'Sullivan, Simon D.; Burrows, David and AAS, . 2014. Myth-Science-Colloquium. In: "Reactor Hals", Nottingham, United Kingdom. [Show/Exhibition]

Petti, Alessandro; Hilal, Sandi and Weizman, Eyal. 2014. Architecture after Revolution. Berlin: Sternberg. ISBN 978-3-943365-79-5 [Book]

Ramos Martinez, Manuel and Matos Cabo, Ricardo. 2014. ‘Flower Children in the Blinding Light, A Conversation with Anthony Stern’. Lux - Artists' Moving Image, [Article]

Roberdeau, Wood. 2014. Quiet Totemism. [Printed Ephemera]

Schuppli, Susan. 2014. “Can the Sun Lie”, “Entering Evidence”, “Uneasy Listening”. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press. ISBN 978-3956790119 [Book Section]

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Schuppli, Susan. 2014. Evidence on Trial. [Art Object]

Schuppli, Susan. 2014. Forensics / Tape 342. In: Malzacher Florian, ed. Truth is Concrete: A Handbook for Artistic Strategies in Real Politics Ed. Florian Malzacher. Berlin: Sternberg Press, pp. 221-223. ISBN 978-3943365849 [Book Section]

Schuppli, Susan. 2014. Hlysnan: On the Notion & Politics of Listening. In: "Hlysnan: On the Notion & Politics of Listening", Casino Luxembourg, Luxembourg, May 17 – September 7 2014. [Show/Exhibition]

Tubridy, Derval. 2014. Samuel Beckett and Performance Art. Journal of Beckett Studies, 23(1), pp. 34-53. ISSN 0309-5207 [Article]

Tubridy, Derval. 2014. Visual Culture. Year's Work in Critical and Cultural Theory, 22(1), pp. 291-307. ISSN 1077-4254 [Article]

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Turner, Lynn. 2014. 'Telefoam'. In: 4th Derrida Today conference. Fordham University, United States 28 May - 31 May 2014. [Conference or Workshop Item]

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Turner, Lynn. 2014. Telefoam: species on the shores of Derrida and Cixous. European Journal of English Studies, 18(2), pp. 158-171. ISSN 1382-5577 [Article]

Weizman, Eyal. 2014. Arafat’s Tomb. London Review of Books, 36(1), p. 26. [Article]

Weizman, Eyal. 2014. The Architecture of Ariel Sharon. Al Jazeera English, [Article]

Weizman, Eyal. 2014. Holey Land. In: Stephen Shore, ed. Stephen Shore: From Galilee to the Negev. London; New York: Phaidon. ISBN 9780714867069 [Book Section]

2013

Turner, Lynn, ed. 2013. The Animal Question in Deconstruction. Edinburgh: Edinburgh University Press. ISBN 9780748683123 [Edited Book]

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Turner, Lynn and Kelley, Lindsay, eds. 2013. Bon Appetit, Parallax, 19(1). 1353-4645 [Edited Journal]

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Martinon, Jean-Paul, ed. 2013. The Curatorial: A Philosophy of Curating. London: Bloomsbury. ISBN 9781472525604 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume I. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume II. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume III. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Andrews, Jorella G., ed. 2013. Visual Cultures As Recollection. Berlin: Sternberg. ISBN 978-3-943365-40-5 [Edited Book]

Andrews, Jorella G., ed. 2013. Visual Cultures as Seriousness. Berlin: Sternberg Press. ISBN 978-3-943365-39-9 [Edited Book]

Andrews, Jorella G. and O'Sullivan, Simon D.. 2013. Intending Objects and “Signs which have no meaning”. In: Jorella G. Andrews, ed. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 978-3-943365-38-2 [Book Section]

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Andrews, Jorella G. and O'Sullivan, Simon D.. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 978-3-943365-38-2 [Book]

Biemann, Ursula; Mörtenböck, Peter and Mooshammer, Helge. 2013. From Supply Lines to Resource Ecologies. Third Text, 27(1), pp. 76-94. ISSN 0952-8822 [Article]

Blas, Zach. 2013. “Escaping the Face: Biometric Facial Recognition and the Facial Weaponization Suite”. Media-N, Journal of the New Media Caucus, 9(2), ISSN 2159-6891 [Article]

Blas, Zach. 2013. Face Cages. [Art Object]

Butt, Gavin. 2013. Living the Dream in Women in Revolt. In: Glyn Davis and Gary Needham, eds. Warhol in Ten Takes. London: British Film Institute and Palgrave Macmillan, pp. 180-194. ISBN 9781844574025 [Book Section]

Butt, Gavin; Heathfield, Adrian and Keidan, Lois. 2013. Performance Matters Archive. [Film/Video]

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Butt, Gavin and Walters, Ben. 2013. This is Not a Dream. [Film/Video]

Crone, Bridget. 2013. Costume Party – Script, Frame and Stages. In: , ed. Fassbinder-JETZT. Film und Videokunst. Deutsches Filminstitut. ISBN 978-3887990831 [Book Section]

Crone, Bridget. 2013. Curating, Dramatization and the Diagram. In: Jean-Paul Martinon, ed. The Curatorial: A Philosophy of Curating. Bloomsbury. ISBN 9781472525604 [Book Section]

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Crone, Bridget. 2013. The Sensible Stage : An encounter with bodies, images and other sensate materials. Doctoral thesis, Goldsmiths, University of London [Thesis]

Doussan, Jenny. 2013. Eros, Plague, Olfaction: Three Allegories of the Curatorial. In: Jean-Paul Martinon, ed. The Curatorial A Philosophy of Curating. London: Bloomsbury Academic Publishing, pp. 79-92. ISBN 9781472525604 [Book Section]

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Doussan, Jenny. 2013. Time and Presence in Agamben’s Critique of Deconstruction. Cosmos and History: The Journal of Natural and Social Philosophy, 9(1), ISSN 1832-9101 [Article]

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Doussan, Jenny. 2013. Time, Language, and Visuality in Agamben's Philosophy. Basingstoke: Palgrave Macmillan. ISBN 9781137286239 [Book]

Dyangani-Ose, Elvira. 2013. 'Random Anecdotes'. In: Alfredo Jaar: National Pavilion of Chile, 55th Biennale di Venezia. Venice, Italy. [Conference or Workshop Item]

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Fisher, Andrew. 2013. Photographic Scale. In: Daniel Rubinstein; Johnny Golding and Andrew Fisher, eds. On The Verge of Photography: Imaging Beyond Representation. Birmingham: ARTicle, pp. 151-169. ISBN 978-1-873352-02-1 [Book Section]

Fisher, Mark. 2013. Indirect Action: Some Misgivings About Horizontalism. In: Pascal Gielen, ed. Institutional Attitudes. Instituting Art in a Flat World. Amsterdam: Valiz. ISBN 978-90-78088-68-4 [Book Section]

Fisher, Mark. 2013. It’s easier to imagine the end of the world than the end of Capitalism. In: Nicholas Mirzoeff, ed. The Visual Culture Reader. Routledge. ISBN 9780415620550 [Book Section]

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Gibson, Beatrice. 2013. Between Script and Score: Notation and Movement in the Work of Cornelius Cardew. Doctoral thesis, Goldsmiths, University of London [Thesis]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

Gunkel, Henriette. 2013. Désiré. In: Max Annas; Annett Busch and Henriette Gunkel, eds. Frieda Grafe. 30 Filme. Issue 3. Berlin: Brinkmann u Bose, pp. 177-181. ISBN 78-3940048165 [Book Section]

Gunkel, Henriette. 2013. Spiegelungen von color bars? Keller in Südafrika, 1951” [Reflections of the color bars? Keller in South Africa, 1951. In: Ulrike Bergermann, ed. Disability trouble. Ästhetik und Bildpolitik bei Helen Keller. Berlin: B Books, pp. 309-317. ISBN 978-3-942214-09-4 [Book Section]

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Hameed, Ayesha. 2013. What Does the Moving Image Desire? In: , ed. Sarai Reader 09: Projections. Delhi: Sarai Media Lab, pp. 323-330. [Book Section]

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Haworth, Michael. 2013. Thought into being: finitude and creation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hilal, Sandi; Petti, Alessandro; Weizman, Eyal and Perugini, Nicola. 2013. The lawless line. London Review of International Law, 1(1), pp. 201-209. ISSN 2050-6325 [Article]

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Jones, Gwyneth Siobhan. 2013. Expose Yourself to Art : Towards a Critical Epistemology of Embarrassment. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Martinon, Jean-Paul. 2013. After "Rwanda": In Search of a New Ethics. Amsterdam and New York: Rodopi. ISBN 978-90-420-3711-3 [Book]

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Martinon, Jean-Paul. 2013. The End of Man. New York: Punctum Books. ISBN 9780615766782 [Book]

McAuliffe, Sam. 2013. 'Nocturnal Space'. In: The Deepest Darkness: Robin Mason. Block 336 Gallery, London, United Kingdom 10 May 2013. [Conference or Workshop Item]

McAuliffe, Sam. 2013. 'Second Nature (Lukács, Benjamin, Adorno)'. In: Weather Permitting; 9th Bienal do Mercosul, 2013. Porto Alegre, Brazil 17 Oct 2013. [Conference or Workshop Item]

Millner-Larsen, Nadja. 2013. Demandless Times. Women's Studies Quarterly, 41(3/4), pp. 113-130. [Article]

Mörtenböck, Peter. 2013. The Architecture of Informal Trade. In: Aleksandra Wasilkowska, ed. Shadow Architectures. Warsaw: The Other Space Foundation/Fundacja Inna Przestrzen. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter. 2013. Krisenexperimente: Symbolische, physische und soziale Besetzungen von Stadtraum. In: Florian Dreher and Kerstin Faber, eds. New Babylon: Architecture and Urbanism after Crisis. Hatje Cantz. ISBN 978-3959050418 [Book Section]

Mörtenböck, Peter. 2013. Platzbewegungen: Expeditionen in den Raum der Versammlung’. In: Bastian Lange; Gottfried Prasenc and Harald Saiko, eds. Ortsentwürfe : Urbanität im 21. Jahrhundert. Berlin: Jovis. ISBN 9783868592290 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Informal Market Worlds: Instruments of Change. In: , ed. Scapegoat: Architecture, Landscape, Political Economy - Currency. (04) Toronto: Scapegoat, pp. 203-220. ISBN 9781482370683 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Nieokreslonosc handlu - rynki nieformalne w Europie. In: Aleksandra Wasilkowska, ed. Shadow Architecture. Warschau: The Other Space Foundation, pp. 342-355. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Of Multi-Directional Forces: Interdependencies between Material, Social and Other Resources. In: Mabe Bethonico, ed. Provisoes / World of Matter. Belo Horizonte: ICC, pp. 98-125. ISBN 978-8561659240 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. The Political Aesthetics of Counter-Terrorism Design. In: Gary Boyd and Denis Linehan, eds. Ordnance: War, Architecture and Space. London: Ashgate, pp. 33-49. ISBN 9781409439127 [Book Section]

O'Sullivan, Simon D.. 2013. 'Art Practice as Non-Schizoanalysis'. In: Schizoanalysis and Schizostrategy panel. IMT Gallery, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity. In: John Ó Maoilearca and Charlotte De Mille, eds. Bergson and the Art of Immanence: Painting, Photography, Film. Edinburgh: Edinburgh University Press, pp. 165-187. ISBN 978-0748670222 [Book Section]

O'Sullivan, Simon D.. 2013. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. National Academy of the Arts, Oslo, Norway. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. Felix Guattari. In: Michael Kelley and Simon D. O'Sullivan, eds. Oxford Encyclopedia of Aesthetics. New York: Oxford University Press, pp. 246-250. ISBN 9780199370306 [Book Section]

O'Sullivan, Simon D.. 2013. 'Joy as a Technology in the Production of Subjectivity (a Diagrammatic reading of Spinoza's Ethics)'. In: The Pleasure Centre Symposium, DeMontfort University. Leicester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Schizoanalysis and Art Practice'. In: Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. The Seven Courts of the Mall (or, We Have Always Been Medieval). In: Norman Hogg and Neil Mulholland, eds. thN Lng folk 2go: Investigating Future Premoderns(TM). Brooklyn: Punctum Books, i-vi. ISBN 978-0615890258 [Book Section]

O'Sullivan, Simon D.. 2013. 'Spinoza and the Production of Subjectivity (or, the Three Kinds of Knowledge, and the Passage Between)'. In: Thinking Through Spinoza conference. Queen Mary, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Towards a Speculative Subjectivity'. In: Matter of Contradiction: War Against the Sun conference. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2013. All the Fantasies of the People. In: "Masquerade – Be Another", Stephen Lawrence Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. In: "Long Live the New Flesh", ICA, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Eight Diagrams/Avatars: All the Fantasies of the People. In: "'Space Time T' music/art festival", Wysing Arts Centre, Cambridge, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. 'Gabba, Gabba, Gabba, All Hail the Great Gobbler!'. In: "The Starseed Transmissions", Enclave, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Plastique Fantastique Diagram of the Parasite Fox-Owl and the Host Phenome-Human-Algorithmic-Feedback-Loop. In: "All the Fantasies of the People", Grand Union, Birmingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Plastique Fantastique Patheme-Matheme Diagram of the Slave Dog. In: "R-U-Dead-Yet?", Summerhall, Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Welcome Neuropatheme Feed-Back Loop. In: "art fair performance programme", Art 13, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Cull, Laura. 2013. Deleuze for Artists. Centre for Useless Splendour, [Article]

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Park, So-Young. 2013. Suspended
 Subjectivity:
 Intention
 in
 Making 
Art. Masters thesis, Goldsmiths, University of London [Thesis]

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Parry, Owen. 2013. Trashy Tendencies: Indeterminate acts of refusal in contemporary art and performance practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Plotegher, Paolo. 2013. 'Notes for a Possible Configurations of New Institutions'. In: Lungomare Gasthaus. Lungomare, Bolzano, Italy. [Conference or Workshop Item]

Plotegher, Paolo. 2013. 'Schizo-Walks (Robert Walser)'. In: Trine Friis Sørensen, Ursula Nistrup & Ida Marie Hede Eds, A Feast is..., Monade. Copenhagen, Denmark. [Conference or Workshop Item]

Prendeville, Brendan. 2013. A Heartfelt Gesture: Separation and Feeling, Darkness and Illusion in Caravaggio. Oxford Art Journal, 36(2), pp. 185-206. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2013. Painting the Invisible: time, matter and the image in Bergson and Michel Henry. In: John Mullarkey and Charlotte de Mille, eds. Bergson and the Art of Immanence. Edinburgh University Press, pp. 189-205. ISBN 978-1474404730 [Book Section]

Ramos Martinez, Manuel. 2013. Ranciere's Politics of the Image. In: James Elkins; Kristi McGuire; Maureen Burns; Alicia Chester and Joel Kuennen, eds. Theorizing Visual Studies: Writing through the Discipline. New York: Taylor & Francis. ISBN 978-0-415-87794-7 [Book Section]

Roberdeau, Wood. 2013. Gastronomic Worldviews of Transubstantiation. Parallax, 19(1), pp. 128-131. ISSN 1353-4645 [Article]

Rogoff, Irit. 2013. Unbounded – Limits’ Possibilities. New York, Berlin: Lukas & Sternberg. ISBN 978-1-934105-06-1 [Book]

Schmetterling, Astrid and Turner, Lynn. 2013. Visual Cultures As Recollection. Berlin: Sternberg Press. ISBN 978-3-943365-40-5 [Book]

Schuppli, Susan. 2013. “Atmospheric Correction.”. In: , ed. On the Verge of Photography: Imaging Beyond Representation. Birmingham: Birmingham Article Press, pp. 16-32. [Book Section]

Schuppli, Susan. 2013. “Half Truths”. Mute, [Article]

Schuppli, Susan. 2013. “The Most Dangerous Film in the World (Reprint).”. In: , ed. Materialities. Gdańsk: Wyspa Progress Foundation / Wyspa Institute of Art, pp. 241-272. [Book Section]

Schuppli, Susan. 2013. “Public Service Announcements: Art for the Coming Community.”. In: , ed. Service Media. Chicago: Green Lantern Press, pp. 115-122. ISBN 978-1450742160 [Book Section]

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Tubridy, Derval. 2013. Bun-Ching Lam's and Samuel Beckett's Quatre Poèmes/Four Songs: Music, Image, Text. In: Kathryn Brown, ed. The Art Book Tradition in Twentieth-Century Europe. Surrey: Ashgate, pp. 59-71. ISBN 978-1-4094-2065-1 [Book Section]

Turner, Lynn. 2013. Hors d’oeuvre: some footnotes to the Spurs of Dorothy Cross. Parallax, 19(1), pp. 3-11. ISSN 1353-4645 [Article]

Turner, Lynn. 2013. Insect Asides. In: , ed. The Animal Question in Deconstuction. Edinburgh: Edinburgh University Press, pp. 54-69. ISBN 0748683135 [Book Section]

Turner, Lynn. 2013. 'Insect Asides (Deconstruction is/in Performance Philosophy)'. In: What is Performance Philosophy?. University of Surrey, United Kingdom. [Conference or Workshop Item]

Turner, Lynn. 2013. Tympan Alley: Posthumanist Performatives in Dancer in the Dark. Derrida Today, 6(2), pp. 222-239. ISSN 1754-8500 [Article]

Turner, Lynn and Kelley, Lindsay. 2013. amuse gueule 'Bon Appetit'. Parallax, 19(1), pp. 1-2. ISSN 1353-4645 [Article]

Weizman, Eyal. 2013. The Image is the Bone. In: Thomas Keenan and Tirdad Zolghadr, eds. The Human Snapshot. Berlin: Sternberg Press. ISBN 978-3-943365-63-4 [Book Section]

Weizman, Eyal. 2013. The Matter of Memory. In: Adrián Villa Roja and Sophie O'Brien, eds. Today We Reboot the Planet: Adrián Villar Rojas catalogue. London: Serpentine Galleries. ISBN 9781908617156 [Book Section]

Wolf, Nicole. 2013. Foundations, Movements and Dissonant Images: documentary film and its ambivalent relations to the nation state. In: K Moti Gokulsing and Wimal Dissanayake, eds. Routledge Handbook on Indian Cinema. London: Routledge, pp. 360-374. ISBN 978-0415677745 [Book Section]

Wolf, Nicole. 2013. “Projecting Tambaku Chaakilo Oob Ali. Reflections towards a versatile archive of political cinemas”. In: Shveta Sarda, ed. sarai Reader 09: Projections. New Delhi: Raqs Media Collective, pp. 284-290. [Book Section]

Wolf, Nicole. 2013. Versatile Archives and cinematic friendships. In: Stefanie Schulte Strathaus and Ulrich Ziemons, eds. Living Archive – Archival Work as a Contemporary Artistic and Curatorial Practice. Berlin: Bbooks Verlag. ISBN 978-3-942214-14-8 [Book Section]

Zourgane, Philippe. 2013. The Architectural Free Zone - Reunion Island and the Politics of Vegetation. Doctoral thesis, Goldsmiths, University of London [Thesis]

2012

Grant, Catherine and Rubin, Patricia, eds. 2012. Creative Writing and Art History. Wiley. ISBN 978-1-4443-5039-5 [Edited Book]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. Documentary Theory and Practice in South Asia. [Forthcoming], Bioscope: South Asian Screen Studies., . [Edited Journal]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. Indian Documentary Studies: Contours of a Field, Bioscope. South Asian Screen Studies, 3(1). 0974-9276 [Edited Journal]

Crone, Bridget, ed. 2012. The Sensible Stage: Staging and the Moving Image. Picture This with Bridget Crone / Plenty Projects. ISBN 978-0-9554961-2-7 [Edited Book]

Gunkel, Henriette; Nigianni, Chrysanthi and Söderbäck, Fanny, eds. 2012. Undutiful Daughters: New Directions in Feminist Thought and Practice. Palgrave Macmillan. ISBN 9780230118317 [Edited Book]

Bischoff, Eva; Fenske, Uta; Gunkel, Henriette; Hampf, M. Michaela; Yekani, Elahe Haschemi and Klawitter, Arne, eds. 2012. What Can a Body Do?: Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh. ISBN 978-3593396415 [Edited Book]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity'. In: Derrida Konferenz Frankfurt. Goethe-Universität Frankfurt am Main, Germany March 14-16 2012. [Conference or Workshop Item]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity II'. In: 3rd International Derrida Today Conference. University of California, Irvine, United States. [Conference or Workshop Item]

Blas, Zach. 2012. “Queerness, Openness”. In: Ed Keller; Nicola Masciandaro and Eugene Thacker, eds. Leper Creativity: Cyclonopedia Symposium. Brooklyn: Punctum Books. ISBN 9780615600468 [Book Section]

Blas, Zach. 2012. “Virus, Viral”. WSQ: Women's Studies Quarterly, 40(1 & 2), pp. 29-39. [Article]

Butt, Gavin. 2012. The Common Turn in Performance. Contemporary Theatre Review, 22(1), pp. 46-61. ISSN 1048-6801 [Article]

Doussan, Jenny. 2012. The Scent of the Jonquil. Rattle ~ A Journal at the Convergence of Art and Writing, 3, [Article]

Dyangani-Ose, Elvira. 2012. '‘The Poetics of the Infra-ordinary: The Aesthetic of Recognition in Contemporary African Art’'. In: Koyo Kouoh, Condition Report, Raw Material Company. Dakar, Senegal. [Conference or Workshop Item]

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Eshun, Kodwo. 2012. Dan Graham: Rock My Religion. London: Afterall Books. ISBN 978-1-84638-085-3 [Book]

Eshun, Kodwo and Anjalika, Sagar. 2012. The Radiant. [Film/Video]

Fisher, Andrew. 2012. Photographic Scale. Philosophy of Photography, 3(2), pp. 310-329. ISSN 2040-3682 [Article]

Fisher, Mark. 2012. Postcapitalist Desire. In: Federico Campagna and Emanuele Campiglio, eds. What We Are Fighting For: A Radical Collective Manifesto. Pluto Press. ISBN 9780745332857 [Book Section]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Gunkel, Henriette. 2012. Introduction: A Politics of Visibility. In: Henriette Gunkel; Chrysanthi Nigianni and Fanny Söderbäck, eds. Undutiful Daughters: New Directions in Feminist Thought and Practice. New York: Palgrave Macmillan, pp. 129-140. ISBN 9780230118317 [Book Section]

Gunkel, Henriette. 2012. Review: Rez. Judith Halberstam, The Queer Art of Failure. Duke University Press, 201. Feministische Studien, 2, pp. 351-353. ISSN 0723-5186 [Article]

Gunkel, Henriette and Stieglitz, Olaf. 2012. Praxis Sex Machen/Sex Haben [Practice: To Make/To Have Sex]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 97-110. ISBN 978-3593396415 [Book Section]

Gunkel, Henriette and Yekani, Elahe Haschemi. 2012. Praxis (Sich-)Fortbewegen” [Practice: To Move (Forward)]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 57-69. ISBN 978-3593396415 [Book Section]

Hameed, Ayesha. 2012. The Petrification of the Image. In: Godofredo Nobre Enes Pereira, ed. Savage Objects: Inhuman Political Alliances. Porto: Imprensa Nacional-Casa da Moeda. [Book Section]

Hameed, Ayesha. 2012. Trace. Reviews in Cultural Theory, 2(3), ISSN 1918-9710 [Article]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2012. Power unplugged: decolonizing architecture in Palestine. (Forthcoming). Rotterdam: NAI Books. [Book]

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Keenan, Thomas and Weizman, Eyal. 2012. Mengele's Skull: The Advent of a Forensic Aesthetics. Berlin: Sternberg and Portikus. ISBN 978-1-934105-91-7 [Book]

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Martinon, Jean-Paul. 2012. Valentin Mudimbe or the Work of Invention. Darkmatter, 8, pp. 1-4. ISSN 2041-3254 [Article]

McAuliffe, Sam. 2012. 'Adorno and the Aporia of Aesthetic Autonomy'. In: Novas Reflexões sobre Arte. Prefeitura Municipal de Porto Alegre, Brazil 4 Apr 2012. [Conference or Workshop Item]

McAuliffe, Sam. 2012. 'The Eschatology of the Voice'. In: Derrida-Konferenz. Goethe-Universität Frankfurt am Main, Germany 14 - 16 March 2012. [Conference or Workshop Item]

Moreno, Louis. 2012. A Review of “Henri Lefebvre on Space: Architecture, Urban Research and the Production of Theory”. Annals of the Association of American Geographers, 102(4), pp. 885-890. ISSN 0004-5608 [Article]

Mörtenböck, Peter. 2012. Not for Sale. In: Sabine Pollak, ed. Superstadt!: Zur Zukunft der Stadt zwischen Linz, London und Shanghai. Vienna: Sonderzahl Publishers. ISBN 978-3854493785 [Book Section]

Mörtenböck, Peter. 2012. Other Markets: The visual culture of informal trade. Journal of Global Studies and Contemporary Art,, 2(1), [Article]

Mörtenböck, Peter. 2012. Visual Culture’. In: Arge Schnittpunkt, ed. Handbuch Ausstellungstheorie und -praxis. Stuttgart: UTB. ISBN 9783825237592 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2012. At Home in the World. P.E.A.R. (Paper for Emerging Architectural Research)(4), pp. 35-39. ISSN 2041-2878 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2012. OCCUPY: Räume des Protests. Bielefeld: transcript. ISBN 978-3-8376-2163-1 [Book]

O'Sullivan, Simon D.. 2012. 'Deleuze for Artists'. In: Stanley Pickard Lecture Series. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Five Diagrams of the Finite-Infinite Relation'. In: Wysing Art Centre. Cambridge, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: Curatorial Interventions’, Lanchester Gallery Projects. Coventry, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: San Francisco Art Institute. San Francisco, United States. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: Banner Repeater Gallery. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Performance Fictions'. In: Centre for Art and Design Research and Experimentation. University of Wolverhampton, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. A Portrait of the Philosopher as an Old Man. Philosophy of Photography, 3(2), p. 375. ISSN 2040-3682 [Article]

O'Sullivan, Simon D.. 2012. Towards a Minor Art Practice. In: Mike Bleyen and Simon D. O'Sullivan, eds. Minor Photography: Connecting Deleuze and Guattari to Photography Theory. Leuven: Leuven University Press, pp. 1-16. ISBN 9789058679109 [Book Section]

O'Sullivan, Simon D. and Burrows, David. 2012. Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. In: "Potentials of Performance", Performance Space, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2012. Plastique Fantastique Patheme-Matheme. In: "Swarms of Black Flies make the Roses Purple", IMT gallery, London., United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2012. ‘THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!’. In: "‘THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!’", ASC Gallery, London, United Kingdom. [Show/Exhibition]

Plotegher, Paolo; Dowling, Emma; Hansen, Bue Rubner and Zechner, Manuela. 2012. Nanopolitics: A First Outline of Our Experiments in Movement. Lateral(1), [Article]

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner. 2012. Sensibilidades que esperimentan en la ciudad neoliberal. In: , ed. Félix Guattari. Los ecos del pensar. Entre filosofía, arte y clínica. Barcelona: Hakabooks. [Book Section]

Prendeville, Brendan. 2012. 'Modernism and figuration'. In: Steve Edwards and Paul Wood, eds. Art & Visual Culture 1850 – 2010: Modernity to Globalization. London, England: Open University / Yale, pp. 175-209. ISBN 9781849760973 [Book Section]

Roberdeau, Wood. 2012. Meal Time as Medium: Duration and the work of AO&. Performance Research, 17(5), pp. 130-134. ISSN 1352-8165 [Article]

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Roberdeau, Wood. 2012. Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme. Journal of the International Association of Research Institutes in the History of Art, [Article]

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Schaber, Ines. 2012. Obtuse, Flitting by, and Nevertheless There – Image Archives in Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Schuppli, Susan. 2012. Atmosfärisk Korrigering. Glänta, 4(12), pp. 12-21. [Article]

Schuppli, Susan. 2012. “Impure Matter: A Forensics of WTC Dust.”. In: , ed. Savage Objects. Portugal: Imprensa Nacional Casa da Moeda, pp. 120-140. ISBN 9789722720717 [Book Section]

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Turner, Lynn. 2012. 'Secrets and Lies: eating in the darkness in China Mieville's Embassytown'. In: Cosmopolitan Animals. UCL, United Kingdom. [Conference or Workshop Item]

Turner, Lynn. 2012. Unhoming Pigeons: The Postal Principle in Lynn Hershman Leeson and Hussein Chalayan. Derrida Today, 5(1), pp. 92-110. ISSN 1754-8500 [Article]

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Watson, Michael. 2012. Joan of Art: In Defence of Subjectivity. Doctoral thesis, Goldsmiths, University of London [Thesis]

Weizman, Eyal. 2012. The Book of Destruction. London Review of Books, 34(23), p. 28. [Article]

Weizman, Eyal. 2012. Forensic Architecture. In: David Chipperfield; Kieran Long and Shumi Bose, eds. Common Ground: A Critical Reader. Venice: Marsilio. ISBN 978-88-3171-435-8 [Book Section]

Weizman, Eyal. 2012. Forensic Architecture. In: Meg McLagan and Yates Mckee, eds. Sensible Politics: The Visual Culture of Non-Governmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Morning After: Profaning colonial Architecture. In: Meg McLagan and Yates McKee, eds. Sensible Politics: The Visual Culture of Nongovernmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Return to the Common: DAAR: Decolonizing Architecture Art Residency. Manifesta, [Article]

Weizman, Ines and Weizman, Eyal. 2012. Mobilizing Dissent: The Possible Architecture of the Governed’. In: C. Greig Crysler; Stephen Cairns and Hilde Heynen, eds. The SAGE Handbook of Architectural Theory. London; Thousand Oaks, California: SAGE Publications. ISBN 9781446282632 [Book Section]

Wolf, Nicole. 2012. I am the very beautiful city. Conversations with Bombay, documented. In: Madhusree Dutta; Rohan Shivkumar and Bhaumik Kaushik, eds. Cinema City. Chennai: Tulika Publishers. ISBN 978-8189487997 [Book Section]

Wolf, Nicole. 2012. Liminal Justice. The corporeal in Indian documentaries. [Forthcoming]. Bioscope. South Asian Screen Studies, [Article]

Wolf, Nicole. 2012. Resonance/ Nachhall. Catalogue for the 42nd Forum, Berlin Film Festival, [Article]

2011

Grant, Catherine and Waxman, Lori, eds. 2011. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect. ISBN 1841503487 [Edited Book]

Keenan, Thomas and Weizman, Eyal, eds. 2011. Mengele’s Skull: Special Issue of Cabinet Journal, Cabinet, (43). [Edited Journal]

Grant, Catherine and Rubin, Patricia, eds. 2011. Special Issue: Creative Writing and Art History, Art History, 34(2). 0141-6790 [Edited Journal]

Andrews, Alice. 2011. Autoimmune Illness as a Death-drive: An Autobiography of Defence. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 189-203. [Article]

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Andrews, Alice. 2011. Autoimmunity: 
Deconstructing Fictions of Illness and the Terrible Future to Come. Doctoral thesis, Goldsmiths, University of London [Thesis]

Andrews, Alice. 2011. Book Review: Enduring Death: The Hauntings of Literature and Art. Parallax, 17(4), pp. 124-127. ISSN 1353-4645 [Article]

Andrews, Jorella G.. 2011. Contemporary Art, "Counter-Environmentalism," and the Politics of A-Signification. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: Transcript Verlag, pp. 43-58. ISBN 978-3-8376-1847-1 [Book Section]

Andrews, Jorella G.. 2011. The Photographic Stare. Philosophy of Photography, 2(1), pp. 41-56. ISSN 20403682 [Article]

Blas, Zach and O'Leary, Christopher. 2011. SPECULATIVE. [Exhibition Catalogue]

Chatziyannaki, Zoe. 2011. Fleeting Island: The Production of Space in Santorini. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Davies, Russell. 2011. The Enigma of Art in the Thought of Martin Heidegger. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Doussan, Jenny. 2011. Intention and Exception: A Critique of the Work of Giorgio Agamben. Doctoral thesis, Goldsmiths, University of London [Thesis]

Fisher, Andrew and Rubenstein, Daniel. 2011. Out of photography … Interview with Ariella Azoulay. Philosophy of Photography, 2(1), pp. 3-20. ISSN 20403682 [Article]

Fisher, Mark. 2011. We're not all in this together: Public Space and Antagonism in the Wake of Capitalist Realism. In: Markus Miessen and Andrea Phillips, eds. Caring Culture: Art, Architecture and the Politics of Health. Sternberg Press. ISBN 978-1-934105-71-9 [Book Section]

Fisher, Mark. 2011. The privatisation of stress. Soundings: A Journal of Politics and Culture, 48, pp. 123-133. ISSN 1362-6620 [Article]

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García Düttmann, Alexander. 2011. Consciousness of Semblance: Participation in Art and Politics. Germany: Konstanz: Konstanz University Press. ISBN 978-3-86253-019-9 [Book]

García Düttmann, Alexander. 2011. Kafka and the Life of the Letter. Constellations, 18(1), pp. 67-73. ISSN 1467-8675 [Article]

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García Düttmann, Alexander. 2011. Teilnahme: Bewusstsein des Scheins [Participation: Consciousness of Semblance]. Konstanz: Konstanz University Press, pp. 1-192. ISBN 978-3-86253-019-9 [Book]

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Grant, Catherine. 2011. Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. In: Catherine Grant and Lori Waxman, eds. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect Press, pp. 161-186. ISBN 9781841503486 [Book Section]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

Hameed, Ayesha. 2011. The Object that Remains. [Exhibition Catalogue]

Hameed, Ayesha. 2011. Yaron Lapid: The New Zero. Photoworks, 16, [Article]

Martinon, Jean-Paul. 2011. Between Freedoms: Jean-Luc Nancy’s Haunting Categorical Imperative. Mono Kurgusuz Labirent(10-11), ISSN 1306-715X [Article]

McAuliffe, Sam. 2011. 'Of Part and Whole: Derrida and the Nuclear Thing'. In: ‘Force and the Worst’ InC (Research Group In Continental Philosophy) seminar series. Goldsmiths, London, United Kingdom 29 Mar 2011. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Grauzonen des Handelns. Bildpunkt, 2011(2), pp. 22-24. ISSN 2074-9783 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Making Do. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions - Intervention and Research in Visual Culture. Bielefeld: transcript Verlag, pp. 127-138. ISBN 978-3-8376-1847-1 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Networked Cultures - Collections of Alternative Approaches. In: Nishat Awan; Tatjana Schneider and Jeremy Till, eds. Spatial Agency: Other Ways of Doing Architecture. London: Routledge, pp. 124-126. ISBN 9780415571937 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. A Practice Without Discipline. In: Sabine Hochrieser; Michael Kargl; Birgit Rinagl and Franz Thalmair, eds. CONT3XT. Verlag für moderne Kunst. [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Shifting Waters. In: Guven ncirlioglu and Hakan Topal, eds. Sea Image: Visual Manifestations of Port Cities and Global Waters. New York: Newgray, pp. 20-43. ISBN 978-0983603108 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2011. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: transcript. ISBN 978-3-8376-1847-1 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Trade Flow: Architectures of Informal Markets. In: Andrew Ballantyne and Chris Smith, eds. Architecture in the Space of Flows. London: Routledge, pp. 117-134. ISBN 978-0-415-58541-5 [Book Section]

O'Sullivan, Simon D.. 2011. 'Anti-Oedipus and the Production of the Subject'. In: The Fourth International Deleuze Conference 'Creation, Crisis, Critique. Copenhagen Business School, Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. ''The Care of the Self versus the Ethics of Desire''. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'The Care of the Self versus the Ethics of Desire'. In: Beyond Spinoza Conference, Goldsmiths. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Deleuze and Contemporary Art'. In: Douglas Hynde Gallery. Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. '‘Mythopoetic Practice’ and ‘Diagrams’'. In: UNSPECIFIED. Trondheim, Norway. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Performance Fictions: Case Study, Plastique Fantastique'. In: Critical Art Practice Lectures, Department of Art, Goldsmiths. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. Performance Fictions: Towards a Mythopoetic Art Practice. In: David Burrows, ed. Performance Fictions. Birmingham: Article Press. [Book Section]

O'Sullivan, Simon D.. 2011. ''Performance Fictions: Towards a Mythopoetic Art Practice (Case Study: Plastique Fantastique)''. In: Case Study: Plastique Fantastique. Teeside University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Two Diagrams of the Production of Subjectivity'. In: Rhythm and Event Conference. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2011. A History of the Visitation. In: "Year (magazine)", Brussels, Belgium. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique. In: "The Long Avant-Garde", Cartel, London. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique. In: "We are Grammar Group show", Pratt Institute, New York, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique Golem. In: "an evening of performances, IMT Gallery", Banner Repeater, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique Mathemes. Glasgow, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique Re-Naming Ritual to Summon (part-shell e-ject demon) Buz-Blud-Witz. In: "in conjunction with ‘The Shape We’re In’", Zabludowicz Collection, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique TV. In: "Plastique Fantastique TV", xero, Coma and Kline, United Kingdom, April 2011. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique: Diagram of the Body Full of Holes (Thought without Subject): Welcome Black Hare Demon, the Anorexic Death Machine. In: "Plastique Fantastique: Diagram of the Body Full of Holes (Thought without Subject): Welcome Black Hare Demon, the Anorexic Death Machine", Arkeshus Kunstsenter, Lillestrom., Norway, September 2011. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique: Impossible Objects. In: "Plastique Fantastique: Impossible Objects", Grey Area, Brighton, United Kingdom, May 2011. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Shrine-Down-Under: virtual Summoning of the-Thing-from-the-Void (Fox-Owl demon). In: "A Transcendental Fissure in the Immanent Fabric of Things", Melbourne, Australia. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Three Real Plastique Fantastique Communiqués. In: "Again, A Time Machine", The Showroom, London, United Kingdom. [Show/Exhibition]

Petti, Alessandro; Perugini, Nicola; Hilal, Sandi and Weizman, Eyal. 2011. Linea verde, il limes senza legge. Limes, [Article]

Prendeville, Brendan. 2011. Art as phenomenology? Philosophy of Photography, 2(1), pp. 159-61. ISSN 2040-3682 [Article]

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Ramos Martinez, Manuel. 2011. Review: Alain Badiou (2010) Cinéma. Film / Philosophy, 15(2), pp. 143-149. ISSN 1466-4615 [Article]

Ramos Martinez, Manuel. 2011. Still Here, Here Again – Farocki, Godard and the Cinema’s Centenary. In: , ed. Proceedings of the XVIII International Film Studies Conference – The Archive. Udine: Forum. [Book Section]

Roberdeau, Wood. 2011. Developing the Negative. Philosophy of Photography, 2(1), pp. 169-173. ISSN 2040-3682 [Article]

Roberdeau, Wood. 2011. Going Public by Boris Groys. Art & the Public Sphere, 1(2), pp. 229-233. [Article]

Schmetterling, Astrid. 2011. 'Szepty Bławatne / Das Flüstern der Stoffe / The Whispering of Fabric. Ulrike Grossarth'. In: , ed. Stoffe aus Lublin. Leipzig: Spector Books, pp. 77-92. ISBN 978-3-940064-16-5 [Book Section]

Schuppli, Susan. 2011. Tape 342: That Dangerous Supplement. In: , ed. Cabinet No. 43: Forensics. Cabinet, pp. 86-89. ISBN 978-1932698428 [Book Section]

Tubridy, Derval. 2011. The Dolmen Press: “A Hazardous Venture”. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book Vol. 5: The Irish Book in English, 1891-2000. 5 Oxford: Oxford University Press, pp. 576-591. ISBN 978-0-19-924911-4 [Book Section]

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Turner, Lynn. 2011. Animal transference: a "mole-like progression" in C. J. Cherryh. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 163-175. [Article]

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Turner, Lynn. 2011. ''Tape' plays Teletribunals'. In: Legal media: a colloquium in memory of Cornelia Vismann. Showroom, London, United Kingdom 10-11 June 2011. [Conference or Workshop Item]

Turner, Lynn. 2011. 'Two genetically modified films'. In: Life Itself. Goldsmiths, London, United Kingdom 28 January 2011. [Conference or Workshop Item]

Weizman, Eyal. 2011. Arendt in Ethiopia. UMBR(a): The Worst (2011), ISSN 1087-0830 [Article]

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Weizman, Eyal. 2011. The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza. London: Verso Books. ISBN 9781844676477 [Book]

Wolf, Nicole. 2011. Of birds, rivers and sun strokes on shellac records – witnessing documentary alliances. [Forthcoming]. In: Irit Rogoff and Deepa Naik, eds. TRANSCODING – Cross Cultural Contemporary Arts. Walter Koenig Verlag, Cologne. [Book Section]

Wolf, Nicole. 2011. Persistence Resistance. Documentary Practices in India.. In: "Persistence Resistance. Documentary Practices in India.", London, United Kingdom. [Show/Exhibition]

2010

Mennel, Birgit; Nowotny, Stefan and Raunig, Gerald, eds. 2010. Kunst der Kritik. Vienna: Turia + Kant. ISBN 978-3-85132-584-3 [Edited Book]

Butt, Gavin, ed. 2010. Performing/Knowing. Birmingham: Article Press. [Edited Book]

Fisher, Andrew and Rubenstein, Daniel, eds. 2010. Philosophy of photography, Philosophy of Photography, . 20403682 [Edited Journal]

Vishmidt, Marina; Kruk, Vinca and van der Velden, Daniel, eds. 2010. Uncorporate Identity: Metahaven. Zurich: Lars Muller. ISBN 9783037781692 3037781696 [Edited Book]

Andrews, Jorella G.. 2010. ‘How to be counter-environmental: art, research and the techniques of discovery’. In: José Quaresma, ed. Research in Art: A Forest, Many Paths. Lisbon: Edição CIEBA, Faculty of Fine Arts, University of Lisbon, pp. 180-203. [Book Section]

Butt, Gavin. 2010. Bodies of Evidence: Queering Disclosure in the Art of Jasper Johns. In: Amy K. Levin, ed. Gender, Sexuality, and Museums. Oxford & New York: Routledge, pp. 235-252. ISBN 0415554918 [Book Section]

Cavallini, Roberto. 2010. Inheriting the Im-possible: Reading Tradition and Temporality in Pier Paolo Pasolini through Contemporary French Philosophy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Crone, Bridget. 2010. The Image: Disaffect in the theatre of representation. Journal of Visual Arts Practice, 9(2), pp. 123-198. ISSN 1470-2029 [Article]

Doussan, Jenny. 2010. Recuperating the Platonic Idea. In: Rune Graulund, ed. Desperately Seeking Authenticity: Interdisciplinary Approaches. Copenhagen Doctoral School Press. [Book Section]

Fisher, Mark. 2010. Memorex for the Krakens: The Fall's Pulp Modernism. In: Michael Goddard and Benjamin Halligan, eds. Mark E. Smith and The Fall: Art, Music and Politics. Ashgate, pp. 95-110. ISBN 978-0-7546-6867-1 [Book Section]

García Düttmann, Alexander. 2010. Ein Verdienst der Künstlerin [To The Artist's Credit]. In: , ed. Claire-Lise Holy: Szenenbilder - Figurinen - Details. Monschau: KUK. Kunst- und Kulturzentrum der Städteregion Aachen, pp. 65-66. ISBN 9783000311758 [Book Section]

García Düttmann, Alexander. 2010. El hombre y la tierra / Man and Earth. In: , ed. Greta Alfaro. Centro de Arte Huarte, Spain, unpag.. [Book Section]

García Düttmann, Alexander. 2010. Elizabeth and the Peacock. In: , ed. Elizabeth Presa with Greg Burgess: interior castle. Melbourne: Linden Arts Centre, pp. 4-6. [Book Section]

García Düttmann, Alexander. 2010. Empfindsame Zigzagreise in die Unabhängigkeit / Viaje a la independencia, sentimental y en zig-zag [A Sentimental Journey to Independence]. In: Alfons Hug, ed. Menos tiempo que lugar. El arte de la independencia. Buenos Aries[?]: Goethe Institut, pp. 87-98. [Book Section]

García Düttmann, Alexander. 2010. "Extravaganza". In: , ed. Fine Art and History of Art, catalogue of the end of the year show, 2010. London: Goldsmiths College, p. 13. ISBN 9781906897048 [Book Section]

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García Düttmann, Alexander. 2010. 'For and Against the Contemporary. An Examination'. In: Culture After Postmodern Culture. UC Irvine, United States 9 October 2010. [Conference or Workshop Item]

García Düttmann, Alexander. 2010. I Shall Never Grow Old. In: , ed. Dark Rooms. Warsaw: Nowy Teatr & Krytyka Polityczna & Kodoji Press, pp. 7-12. ISBN 9783037470367 [Book Section]

García Düttmann, Alexander. 2010. Kafka i zivot slova [Kafka and the life of the letter]. Frakcija: performing arts magazine, n/a(53/54), pp. 52-58. ISSN 1331-0100 [Article]

García Düttmann, Alexander. 2010. Language Without Soil. In: Gerhard Richter, ed. Language Without Soil. New York: Fordham University Press, pp. 10-16. ISBN 978-0-8232-3127-0 [Book Section]

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García Düttmann, Alexander. 2010. 'Law, Literature, Revolution'. In: Recht und Literatur: Verfahren. Erfurt, Germany. [Conference or Workshop Item]

García Düttmann, Alexander. 2010. 'The Love of Proper Names'. In: Workshop on pedagogy and disaster. ICA, London, United Kingdom. [Conference or Workshop Item]

García Düttmann, Alexander. 2010. Ohne Politik [Without Politics]. In: Thomas Bedorf and Kurt Roettgers, eds. Das Politische und die Politik. Berlin: Suhrkamp Verlag, pp. 364-381. ISBN 978-3-518-29557-1 [Book Section]

García Düttmann, Alexander; Nancy, Jean-Luc and Richon, Olivier. 2010. Picking Up / Bouncing Back. [Exhibition Catalogue]

Godfrey, Mark; Demos, T.J.; Weizman, Eyal and Hameed, Ayesha. 2010. Rights of Passage”. Tate Etc, 19, [Article]

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Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

Hameed, Ayesha; Weizman, Eyal; Pereira, Godofredo Nobre Enes; Tavares, Paulo; Di Carlo, Tina and Khalili, Yazan. 2010. Universal Catastrophe - Roundtable On Terrorism. Revista Detritos, 4, [Article]

Martinon, Jean-Paul. 2010. Bearers and Proper Names. In: Suzana Milevska, ed. The Renaming Machine. Ljubljana: PARASITE Institute Slovenia, pp. 60-71. ISBN 9789616807029 [Book Section]

Millner-Larsen, Nadja; Osman`, Wazmah and Ferrari, Danyel. 2010. Brown Skin, Blue Masks. Canopy, [Article]

Mörtenböck, Peter. 2010. Allocations: Planning Processes and Other Participations in the Right to the City. In: Angela Heide and Elke Krasny, eds. Other Places: Vienna Lerchenfelder Street. Wien: Turia + Kant, pp. 87-89. ISBN 978-3-85132-588-1 [Book Section]

Mörtenböck, Peter. 2010. Networked Cultures. In: Helmut K Anheier and Yudhishthir Raj Isar, eds. Cultures and Globalization Cultural Expression, Creativity and Innovation. London: Sage. ISBN 9781412920865 [Book Section]

Mörtenböck, Peter. 2010. Zwischen Palmen und Zypressen - Zivilgesellschaftliche Begegnungen im Raum der Ströme. In: Irene Nierhaus, ed. Landschaft, Gehäuse, Orientierung. Berlin: Reimer. [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2010. Netzwerk Kultur: Die Kunst der Verbindung in einer globalisierten Welt. Bielefeld: transcript. ISBN 978-3-8376-1356-8 [Book]

O'Sullivan, Simon D.. 2010. 'Contribution to an Artistic Anthropology. In: Lee Youngchul and Henk Slager, eds. Naim June Paik Reader: One. Korea: Naim June Paik Art Centre. [Book Section]

O'Sullivan, Simon D. and Zepke, Stephen, eds. 2010. Deleuze and Contemporary Art. Edinburgh: Edingburgh University Press. ISBN 978 0 7486 3838 3 [Edited Book]

O'Sullivan, Simon D.. 2010. From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 189-207. ISBN 0748638385 [Book Section]

O'Sullivan, Simon D.. 2010. 'From Stuttering and Stammering to the Diagram: Towards a Minor Art Practice?'. In: Minor Photography: The Case of (Post)Surrealist Photography. University of Leuven, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2010. 'Towards a Mythopoetic Art Practice'. In: The Third International Deleuze Studies Conference ‘Connect, Continue, Create’. University of Amsterdam, Netherlands. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2010. The Chymical Wedding: Performance Art as Masochistic Practice (an Account, the Contracts and Further Reflections). Angelaki: Journal of the Theoretical Humanities, 15(1), pp. 139-148. ISSN 0969-725X [Article]

O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique Cat-Yage-Demon Inversion Shrine. In: "Dead Fingers Talk: The Tape Experiments of William S. Burroughs", IMT Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique Diagram of the Plague Bacterium: Welcome Cun-verse. In: "Avalon", Embassy Gallery, Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique: The Visitation (and Castration Rituals to welcome Tat-Not!). In: "Plastique Fantastique: The Visitation (and Castration Rituals to welcome Tat-Not!)", Tatton Park, United Kingdom, July-September 2010. [Show/Exhibition]

Prendeville, Brendan. 2010. Catalogue essay. In: , ed. Another Country: London painters in dialogue with Italian art. London: Lubrina-Leb. ISBN 978-8877664068 [Book Section]

Roberdeau, Wood. 2010. Immanence as Aesthetic Documentation. rubric: document(3), pp. 10-14. [Article]

Rogoff, Irit. 2010. FREE. e-flux journal, 14(3), pp. 1-11. ISSN n/a [Article]

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Rugo, Daniele. 2010. Powers of Existence: The Question of Otherness in the Philosophy of Jean-Luc Nancy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Schmetterling, Astrid. 2010. "Das ist direkt ein Diebstahl an den Kunsthistorikern". Else Lasker-Schülers bildnerisches Werk im kunsthistorischen Kontext. In: Ricarda Dick, ed. Else Lasker-Schüler. Die Bilder. Berlin: Jüdischer Verlag im Suhrkamp Verlag, pp. 159-193. ISBN 9783633542468 [Book Section]

Schuppli, Susan. 2010. The Most Dangerous Film in the World. In: Frederik Le Roy; Nele Wynants and Dominiek Hoens Vanderbeeken, eds. Tickle Your Catastrophe. Ghent: Ghent University, the KASK (Ghent Royal Academy of Fine Arts) and Vooruit, pp. 130-145. ISBN 978-9038217222 [Book Section]

Schuppli, Susan; Weizman, Eyal and Tavares, Paulo. 2010. Forensic Architecture. In: Adrian Lahoud and Charles Rice, eds. Post-Traumatic Urbanism: Architectural Design. John Wiley & Sons, pp. 58-63. ISBN 978-0470744987 [Book Section]

Tubridy, Derval. 2010. Beckett, Feldman, Salcedo… Neither. In: Daniela Caselli, ed. Beckett and Nothing: Trying to understand Beckett. Manchester: Manchester University Press, pp. 143-159. ISBN 978-0-7190-8019-7 [Book Section]

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Turner, Lynn. 2010. Fort-dancing. In: , ed. BA Fine Art & History of Art degree show catalogue 2010. London: Goldsmiths, pp. 5-7. ISBN 978-1-906897-04-8 [Book Section]

Turner, Lynn. 2010. 'Homing pigeon: the postal principle and Lynn Hershmann's 'Conceiving Ada''. In: Derrida Today. London, United Kingdom 19-21 July 2010. [Conference or Workshop Item]

Turner, Lynn. 2010. When Species Kiss: some recent correspondence between animots. Humanimalia – a journal of human/animal interface studies, 2(1), pp. 60-85. ISSN 2151-8645 [Article]

Weizman, Eyal. 2010. The 1:1 Map. In: Mark Godfrey and Karl Biesenbach, eds. Francis Alys: A Story of Deception. Tate. ISBN 9781854378408 [Book Section]

Weizman, Eyal. 2010. The Destruction of Destruction. In: "antiphotojournalism", institute of the image, Spain. [Show/Exhibition]

Weizman, Eyal. 2010. Documentary Sculpture. In: "The Architecture Biennale of Venice 2010", Venice, Italy. [Show/Exhibition]

Weizman, Eyal. 2010. Forensic architecture: Only the Criminal Can Solve the Crime. Radical Philosophy, ISSN 1047-8302 [Article]

Weizman, Eyal. 2010. Legislative Attack. Theory, Culture & Society, 21(6), pp. 11-32. ISSN 0263-2764 [Article]

Weizman, Eyal. 2010. Political Plastic (Interview). Collapse, 6, pp. 257-303. [Article]

Weizman, Eyal and Di Carlo, Tina. 2010. Dying to Speak: Forensic Spatiality (Interview). Log(20), [Article]

Weizman, Eyal and Keenan, Thomas. 2010. The Third Strategic Threat. Opendemocracy, [Article]

Wolf, Nicole. 2010. Of bird watchers and other incidental proceedings. Catalogue for 40th Forum, Berlin Film Festival, [Article]

Wolf, Nicole and Heidenreich, N.. 2010. Conversations on locating conflict. In: Monica Narula; Shuddhaprata Sengupta and Jeebesh Bagchi, eds. sarai reader 08: Fear. 08 New Delhi: Centre for the Study of Developing Societies, pp. 91-98. ISBN 978-81-905853-2-3 [Book Section]

Wolf, Nicole and Wenner, Dorothee. 2010. Moving Politics. Cinemas from India. In: "Moving Politics. Cinemas from India", Arsenal. Institut for film and video art, Germany, June to October 2010. [Show/Exhibition]

2009

Fisher, Mark, ed. 2009. The Resistible Demise of Michael Jackson. Zero Books. ISBN 978-1-84694-348-5 [Edited Book]

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Buden, Boris and Nowotny, Stefan. 2009. Übersetzung: Das Versprechen eines Begriffs. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-535-5 [Book]

Butt, Gavin. 2009. How I Died For Kiki and Herb. In: , ed. The Art of Queering in Art. Birmingham: Article Press, pp. 85-94. ISBN 9781873352748 [Book Section]

Butt, Gavin. 2009. Should we take Performance Seriously? In: , ed. Oreet Ashery: Dancing with Men. London: Live Art Development Agency, pp. 78-92. ISBN 9780954604097 [Book Section]

Crone, Bridget. 2009. Performing the Local in a Suburban Garage’. SUM Magazine for Contemporary Art, ISSN 1902-8970 [Article]

Dyangani-Ose, Elvira. 2009. Bienvenidos al Paraiso. Bienvenidos al Paraiso / Nontsikelelo Veleko, [Article]

Dyangani-Ose, Elvira. 2009. Who Says Invisible?. [Exhibition Catalogue]

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Elfving, Taru. 2009. THINKING ALOUD ON THE ADDRESS OF THE VIEWER. Doctoral thesis, Goldsmiths, University of London [Thesis]

Fisher, Andrew. 2009. The Involution of Photography. Radical Philosophy(157), ISSN 0300 211X [Article]

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Fisher, Mark. 2009. Capitalist Realism: Is there no alternative? Ropley: Zero Books. ISBN 9781846943171 [Book]

Fisher, Mark. 2009. Materialismo gótico (Extractos de Flatline Constructs: Gothic materialism and Cybernethic Theory-Fiction). In: Santiago Arcos, ed. Nosotros, los brujos. Santiago Arcos. ISBN 978-987-1240-34-0 [Book Section]

García Düttmann, Alexander. 2009. Die Reise nach Montreux [A Trip to Montreux]. In: Joachim Leisegang, ed. In Begleitung: Claire Lise Holy and Dieter Leisegang. Monschau: KUK. Kunst- und Kulturzentrum, pp. 86-89. [Book Section]

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García Düttmann, Alexander. 2009. El año académico. Cali (Colombia): Archivos del Indice. ISBN 9789584456274 [Book]

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García Düttmann, Alexander. 2009. '‘For Those Who Like That Sort Of Thing, That’s The Sort Of Thing They Like’'. In: All the Same – Was gilt, wenn alles gleich und gültig ist?. Steirischer Herbst Festival, Graz, Austria October 2010. [Conference or Workshop Item]

García Düttmann, Alexander. 2009. Idiosyncrasy And Film. Senses of Cinema, [Article]

García Düttmann, Alexander. 2009. "Improvising on Intuition". In: , ed. Fine Art and History of Art BA, catalogue of the end of the year exhibition 2009. London: Goldsmiths College, pp. 150-152. ISBN 9781904158967 [Book Section]

García Düttmann, Alexander. 2009. 'Kafka and the Life of the Letter'. In: Process / Music. 25th Music Biennale Zagreb, Croatia April 2009 - January 2010. [Conference or Workshop Item]

García Düttmann, Alexander. 2009. Letteratura per esempio. In: Clemens Carl Haerle, ed. Confini del racconto. Macerata: Quodlibet, pp. 53-62. ISBN 9788874623037 [Book Section]

García Düttmann, Alexander. 2009. A Note On Philosophy And Photography. In: , ed. Commonsensual: The Works of Rut Blees Luxemburg. London: Black Dog Publishing, pp. 163-164. ISBN 9781906155575 [Book Section]

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García Düttmann, Alexander and Savage, Robert. 2009. Visconti: Insights into Flesh and Blood (translated by Robert Savage). Stanford: Stanford University Press. ISBN 9780804757409 [Book]

Gunkel, Henriette. 2009. Through the Postcolonial Eyes: Images of Gender and Female Sexuality in Contemporary South Africa. Journal of Lesbian Studies, 13(1), pp. 77-87. ISSN 1089-4160 [Article]

Kastner, Jeffrey; McCarthy, Tom; Thompson, Nato and Weizman, Eyal. 2009. The New Geography: A Roundtable. Bookforum, [Article]

Mörtenböck, Peter. 2009. The Art of Living With Strangers: Risk Taking in the Space of Flows. The Myth of Europa(7), pp. 20-21. ISSN 2041-6245 [Article]

Mörtenböck, Peter. 2009. Crossing the Mediterranean: Networked Agencies in Art and Culture. In: L.E. Grinin and A.V. Korotayev, eds. Hierarchy and Power in the History of Civilizations: Cultural Dimensions. Moscow: Editorial URSS. ISBN 978-5-396-00010-0 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2009. Going Astray: Network Transformation and the Asymmetries of Globalization. Grey Room, 37, pp. 30-51. ISSN 1526-3819 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2009. Networked Cultures. In: Gulsen Bal, ed. Open Space - Mapping contemporary creative practice. London: Divus, pp. 100-111. ISBN 80-86450-50-3 [Book Section]

O'Sullivan, Simon D.. 2009. 'Art Practice between Henri Bergson and Felix Guattari'. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2009. Art and the Political: Minor Literature, War Machines and the Production of Subjectivity. In: Dave Beech, ed. Beauty. London: Whitechapel Art Gallery. ISBN 978-0854881635 [Book Section]

O'Sullivan, Simon D.. 2009. 'Performance Fictions: Towards a Mythopoetic Art Practice'. In: , Performance Fictions Symposium (Birmingham City University: Art-Writing Network). ), Electric Cinema, Birmingham, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2009. Welcome Cun-creet-hedd. In: "Performance Fictions Symposium", Electric Cinema, Birmingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Mouth-Ports Bou-Har. In: "Multiversity", Swedenborg Hall, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastiqiue Fantastique: Peckham Mirror Displacements. In: "Village Idiot", Peckham Town Square, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique Mirror Displacement Ritual: Welcome Mouth-Ports Bour-Har!. In: "Plastique Fantastique Mirror Displacement Ritual: Welcome Mouth-Ports Bour-Har!", Aspex Gallery, Portsmouth, United Kingdom, June 2009. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique Mirror Travel to Concrete Island: Welcome Cun-creet-hedd!. In: "Plastique Fantastique Mirror Travel to Concrete Island: Welcome Cun-creet-hedd!", Danielle arnaud Gallery, London, United Kingdom, June 2009. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Inversion Ritual (against the Plague that is Capital). In: "Plastique Fantastique: Inversion Ritual (against the Plague that is Capital)", Fabrica Gallery, Brighton, United Kingdom, December 2009. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: We Lot Yesterday is Judas to the Vibiron. In: "Starmaker show", E:vent Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Welcome Cun-creet-hedd. In: "Multi-Verse", Danielle Arnaud Galley, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Welcome Mouth-Ports Bou-Har!. In: "Stranger Things are Happening", Aspex Gallery, Portsmouth, United Kingdom. [Show/Exhibition]

Plotegher, Paolo. 2009. 'From Collective Intimacy to Self-Dispersion'. In: evento, the artistic and urban rendez-vous of Bordeaux. Bordeaux, France October 9 to 18, 2009. [Conference or Workshop Item]

Prendeville, Brendan. 2009. Contested Bodies’ (book review). Art History, 32(1), pp. 216-219. ISSN 0141-6790 [Article]

Prendeville, Brendan. 2009. Seurat and the act of sensing: perception as artefact. In: Paul Smith, ed. Seurat re-viewed. Pennsylvania: Pennsylvania State University Press, pp. 149-162. ISBN 978-0-271-03545-1 [Book Section]

Prendeville, Brendan. 2009. ‘The essence of vision: recent paintings by Gina Medcalf’. exhibition catalogue, The Cut Art Centre, [Article]

Rogoff, Irit. 2009. De-regulation: With the work of Kutlug Ataman. Third Text, 23(2), pp. 165-179. ISSN 0952-8822 [Article]

Rogoff, Irit. 2009. Geo-cultures. In: Seijdel Jorinde and Gielen Pascal, eds. The Art Biennial as a Global Phenomenon Strategies in Neo-Political Times. Rotterdam: NAi Publishers, pp. 120-128. ISBN 978-90-5662-667-9 [Book Section]

Rogoff, Irit. 2009. Neither police, nor pirates. In: , ed. Fiona Tan: Rise and Fall. Vancouver, BC, and Aarau, Switzerland: Vancouver Art Gallery and Aargauer Kunsthaus, pp. 142-156. ISBN 978-1-895442-79-3 [Book Section]

Rogoff, Irit. 2009. Regional Imaginaries. In: Hossein Amirsadeghi, ed. Unleashed: Contemporary Art from Turkey. London: TransGlobe publishing and Thames and Hudson, pp. 101-114. ISBN 9780500977026 [Book Section]

Schuppli, Susan. 2009. Reading Radiological Film. In: Karl Lyden, ed. Site / Documentary narratives & non-fictional narrativity in film and art 28. UNSPECIFIED. [Book Section]

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Turner, Lynn. 2009. Seeks-Zoos: some recent correspondence between animals. In: Johnny Golding, ed. The Issues in Contemporary Culture & Aesthetics. 2-3 University of Greenwich, pp. 10-21. [Book Section]

Turner, Lynn. 2009. 'Telecommunications: the undoing of DNA'. In: 7th European Feminist Research Conference. Utrecht, Netherlands 4-7 June 2009. [Conference or Workshop Item]

Turner, Lynn. 2009. The course of a general displacement, or, The course of the choreographer. In: Martin McQuillan and Ika Willis, eds. The Origins of Deconstruction. Basingstoke: Palgrave, pp. 50-66. ISBN 9780230581906 [Book Section]

Weizman, Eyal and Brauman, Rony. 2009. Humanitarian Support. In: Céline Condorelli, ed. Support Structures. Berlin: Sternberg. ISBN 978-1-933128-45-0 [Book Section]

Wisniowska, Magdalena. 2009. Articulating Aesthetic Experience: Questions of Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

Wolf, Nicole. 2009. No man’s land/ Everybody’s Land – Glaring in Defiance. In: "No Man's Land/ Everybody’s Land – Glaring in Defiance", Karachi, Pakistan, 30 January 2009 - 1 February 2009. [Show/Exhibition]

Wolf, Nicole. 2009. The promise of withholding. In: Anita Dawood, ed. Bani Abidi: Videos, Photographs and Drawings. London: Green Cardamom, pp. 36-38. ISBN 9780955177958 [Book Section]

2008

Butt, Gavin, ed. 2008. After Criticism: New Responses to Art and Performance (Chinese edition). Jiangsu, China: Jiangsu Fine Arts Publishing House. ISBN 9787534422409 [Edited Book]

Plotegher, Paolo, ed. 2008. Guida Gratis di Bolzano, Summer Drafts, . [Edited Journal]

Tubridy, Derval, ed. 2008. Irish Studies Review: Thomas Kinsella Special Issue, Irish Studies Review, 16(3). 0967-0882 [Edited Journal]

Butt, Gavin. 2008. Hoyle's Humility. Dance Theatre Journal, 23(1), pp. 30-34. ISSN 02649160 [Article]

Fisher, Andrew. 2008. Beyond Barthes: Rethinking the Phenomenology of Photography. Radical Philosophy(148), ISSN 0300 211X [Article]

García Düttmann, Alexander. 2008. Adorno's amerikanischer Traum. Frankfurter Allgemeine Zeitung, [Article]

García Düttmann, Alexander. 2008. Der Schein [Semblance]. Inaesthetik, pp. 149-157. [Article]

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García Düttmann, Alexander. 2008. Derrida und ich. Das Problem der Dekonstruktion [Derrida and I. The Problem of Deconstruction]. Bielefeld, Germany: Transcript Verlag. ISBN 978-3-89942-740-0 [Book]

García Düttmann, Alexander. 2008. Die Sichtbarmachung der Armut [Making Poverty Visible]. In: Eva Geulen; Kai Kauffmann and Georg Mein, eds. Hannah Arendt - Giorgio Agamben: Parallelen Perspektiven Kontroversen. Munich: Wilhelm Fink, pp. 119-129. ISBN 978377054529-2 [Book Section]

García Düttmann, Alexander. 2008. Integral Actuality. In: Justin Clemens; Nicholas Heron and Alex Murray, eds. The Work of Giorgio Agamben: Law, Life, Literature. Edinburgh: Edinburgh University Press, pp. 28-42. ISBN 9780748634620 [Book Section]

García Düttmann, Alexander. 2008. Making Poverty Visible: three theses. Parrhesia: a journal of critical philosophy(4), pp. 1-10. [Article]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Gunkel, Henriette. 2008. “‘What do we see when we look at ourselves?’ - Visual dissidence towards (post)colonial sex/gender organisations within post-apartheid South African culture. In: Jean-Paul Rocchi, ed. Dissidences et Identités Plurielles. Nancy: Presses universitaires de Nancy, pp. 160-185. ISBN 978-2-86480-899-2 [Book Section]

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Gunkel, Henriette and Pitcher, Ben. 2008. Editorial: Racism in the Closet – Interrogating Postcolonial Sexuality. Darkmatter, 3, ISSN 2041-3254 [Article]

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Gunkel, Henriette and Pitcher, Ben. 2008. Q&A with Jasbir Puar. Darkmatter, 3, ISSN 2041-3254 [Article]

Hameed, Ayesha. 2008. Virtual and Material Topographies. In: Danny Butt; Jon Bywater and Paul Nova, eds. Place: Local Knowledge and New Media Practice. Cambridge Scholars Publishing. ISBN 978-1-8471-8484-9 [Book Section]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2008. Decolonizing Architecture. In: "Decolonizing Architecture", Nottingham Contemporary, United Kingdom, 2008-2013. [Show/Exhibition]

Martinon, Jean-Paul. 2008. 33, 34, 35… The Life of The Limits. In: Josef Steiff and Tristan D Tamplin, eds. Battlestar Galactica and philosophy : mission accomplished or mission frakked up? 33 Chicago: Open Court, pp. 249-260. ISBN 9780812697087 [Book Section]

Martinon, Jean-Paul. 2008. Switzerland: Joanna Hodge’s Derrida on Time. Radical Philosophy(149), pp. 62-64. ISSN 0300-211X [Article]

Mörtenböck, Peter. 2008. Hürdenläufe der Ermächtigung. In: Birgit Richard and Alexander Ruhl, eds. Konsumguerilla: Widerstand gegen Massenkultur? Frankfurt: Campus. ISBN 978-3593387628 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2008. Networked Cultures: Parallel Architectures and the Politics of Space. Rotterdam: nai010 publishers. ISBN 978-9056620592 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan and Conflict. Third Text, 22(1), pp. 57-69. ISSN 0952-8822 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan ve Çatışkı: Ağ Örgüsüne Dahil Olan Istanbul. In: Gulsen Bal, ed. Türkiye'de Dün-Bugün Dönüşümleri. Istanbul: Kitap Yayinevi, pp. 121-141. ISBN 978-605-105-000-3 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Spaces of encounter: informal markets in Europe. Architectural Research Quarterly, 12(3-4), pp. 347-357. ISSN 1359-1355 [Article]

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Nowotny, Stefan and Raunig, Gerald. 2008. Instituierende Praxen: Bruchlinien der Institutionskritik. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-513-3 [Book]

O'Sullivan, Simon D.. 2008. Academy: The Production of Subjectivity. In: Irit Rogoff, ed. Academy. Frankfurt: Revolver, pp. 238-244. [Book Section]

O'Sullivan, Simon D.. 2008. 'The Care of the Self and the Production of the New'. In: The National College of Art and Design. Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. The Chymical Wedding. In: "New Art UK", Whitechapel gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2008. The Chymical Wedding. In: "Fools Gold", Edinburgh: Edinburgh College of Art, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Zepke, Stephen, eds. 2008. Deleuze, Guattari and the Production of the New. London: Continuum. ISBN 9780826499530 [Edited Book]

O'Sullivan, Simon D.. 2008. 'Deleuze, Guattari and the Production of the New'. In: The Cultural Theory Institute. University of Manchester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. Fiction. In: Manuela Zechner, ed. Vocabulaboratories. Amsterdam: LISA, pp. 47-50. ISBN 978-90-78632-02-3 [Book Section]

O'Sullivan, Simon D.. 2008. 'From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice'. In: symposium on ‘Folie a Deux: Bacon and Deleuze. Tate Britain, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. The Production of the New and the Care of the Self. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze, Guattari and the Production of the New. London: Continuum, pp. 91-103. ISBN 0826499538 [Book Section]

O'Sullivan, Simon D.. 2008. 'The Production of the New'. In: The First International Deleuze Studies Conference “One or Several Deleuzes?”. Cardiff University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. 'Seven Moments in a Fiction about Fiction'. In: PhD Guest lecture series. Chelsea College of Art., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. 'Writing on Art/Art as Writing'. In: ‘Fictionalising Practice and Politics’ panel, itself part of ‘Art Criticism Beyond Criticism’ Conference. ICA, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2008. Black Mass for Partial Objects. In: "Black Mass for Partial Objects", Royal Academy of Arts, London, United Kingdom, December 2008. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. The Chymical Wedding. In: "The Chymical Wedding", Tate Britain, London, 4 January 2008. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Plastique Fantastique present ‘Accelerator Ritual. In: "Plastique Fantastique in the Bug House: Clearing All Channels", FA Projects gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Plastique Fantastique: Protocols for Deceleration (Night is also a Sun). In: "Plastique Fantastique: Protocols for Deceleration (Night is also a Sun)", Outpost Gallery, Norwich, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Plastique Fantastique: You Lot Yesterday is Judas to the Vibiron. In: "Six Impossible Things Before Breakfast", Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Protocols for Deceleration: Night is also a Sun. In: "Protocols for Deceleration: Night is also a Sun", Outpost Gallery, Norwich, United Kingdom, November 2008. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and Dalton, Joe. 2008. Plastique Fantastique: Shadowface and Glitterhead. Brussels, Belgium. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and Schratt, Henrik. 2008. Product Clearing. In: "One Day comic collaboration", Eastside Projects, Birmingham, United Kingdom. [Show/Exhibition]

Plotegher, Paolo. 2008. Café Plural 13.08.08. www.summerdrafts.org, [Article]

Roberdeau, Wood. 2008. (Un)familiarities: Remobilizing the Poetry of the Real. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Rogoff, Irit. 2008. Turning. e-flux journal, 1, E1-E10. [Article]

Rogoff, Irit and Schneider, Florian. 2008. Productive anticipation. In: David Held and Henrietta Moore, eds. Cultural transformations/Cultural politics in a global age: uncertainty, solidarity and globalisation. Oxford: Oneworld Publications, pp. 346-357. ISBN 1851685502 [Book Section]

Rogoff, Irit and Stahre, Ulrike. 2008. Unfolding the critical. Paletten: journal of art, design and crafts, 272(2), [Article]

Schmetterling, Astrid. 2008. Vivienne Koorland: Reisemalheurs (Travel Woes). Textile The Journal of Cloth and Culture, 6(1), pp. 88-97. ISSN 14759756 [Article]

Schuppli, Susan. 2008. Curse of the Mummy: Oral Affliction or Archival Aphasia. Memory Studies, 2(2), pp. 167-186. ISSN 1750-6980 [Article]

Schuppli, Susan. 2008. Of Moths and Machines. Cosmos and History : the Journal of Natural and Social Philosophy, 4(1-2), pp. 286-306. ISSN 1832-9101 [Article]

Tubridy, Derval. 2008. “In his secondmouth language”: Joyce and Irish Poetry. In: Richard Brown, ed. A Companion to James Joyce. Oxford: Blackwell, pp. 341-358. ISBN 978140511044 [Book Section]

Wolf, Nicole. 2008. “Away in Berlin – Really! Documentary-fictional Side Notes”. In: Stefanie Schulte Strathaus and Florian Wüst, eds. Who says concrete doesn’t burn, have you tried? West Berlin Film in the ’80s. Berlin: b-books, pp. 50-61. ISBN 978-3-933557-90-2 [Book Section]

Wolf, Nicole. 2008. Experimentations from India. In: "Experimentations from India", Berlin Film Festival, Germany. [Show/Exhibition]

Wolf, Nicole. 2008. Lovers of Life for Heterogeneous Time. In: Jonathan Harris, ed. Identity Theft: Cultural Colonisation and contemporary Art. Liverpool: University of Liverpool and Critical Forum Tate Liverpool, pp. 159-174. ISBN 9781846311024 [Book Section]

2007

Crone, Bridget and Ogg, Kirsty, eds. 2007. The Showroom Annual 2005/6. The Showroom. [Edited Book]

Andrews, Jorella G.. 2007. 'Appearance is Everything: Phenomenology, art and critical enquiry'. In: Institut für Kultur und Kunstwissenschaften. Humboldt University, Berlin, Germany. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. 'Phenomenologies/Perceptions/Interpretations'. In: International Association for Philosophy and Literature Conference. University of Cyprus. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. Vision, Violence and the Other: A Merleau-Pontean Ethics. In: G. Weiss and D. Olkowski, eds. Feminist Interpretations of Merleau-Ponty. Penn State University Press, pp. 167-182. ISBN 027102917X [Book Section]

Andrews, Jorella G. and Osborne, Peter. 2007. 'Critical Materialities'. In: Day Seminar: Research and the matter of art: ‘Thinking by Doing’ and a Materialist’s Method. Royal College of Art, London, United Kingdom 21 February 2007. [Conference or Workshop Item]

Blas, Zach. 2007. Queer Technologies. [Art Object]

Butt, Gavin. 2007. Stop that Acting!: Performance and Authenticity in Shirley Clarke's Portrait of Jason. In: K. Mercer, ed. Pop Art and Vernacular Cultures. MIT Press / InIVA, pp. 36-55. ISBN 9781899846443 [Book Section]

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Eshun, Kodwo and Sagar, A.. 2007. The Ghosts of Songs: The Film Art of the Black Audio Film Collective. Liverpool University Press. ISBN 9781846310140 [Book]

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Fisher, Mark. 2007. 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2. Film / Philosophy, 11(3), ISSN 1466-4615 [Article]

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García Düttmann, Alexander. 2007. Philosophy of Exaggeration. Continuum Books. ISBN 0826495621 [Book]

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Hameed, Ayesha. 2007. Embodying the Middle Passage. Topia, 18, ISSN 1206-0143 [Article]

Hameed, Ayesha and Le, Viet Ho. 2007. Love and Borders. West Coast LINE 49, 40(1), [Article]

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Martinon, Jean-Paul. 2007. On Futurity / Malabou, Derrida and Nancy. Palgrave Macmillan. ISBN 9780230506848 [Book]

Mörtenböck, Peter. 2007. Networked Cultures. FeedBack, 4, [Article]

O'Sullivan, Simon D.. 2007. 'Art Encounters Deleuze and Guattari'. In: Stanley Pickard Gallery, part of Gest: Future Criticism. University of Kingston, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. Associates. In: "‘Associates’ show (invited by The Hut Project)", Temporary Measures Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2007. The City and an Art Practice. 'Some Time Repeating an Embarrassed Word', Studio 1.1 Gallery, [Article]

O'Sullivan, Simon D.. 2007. 'Deleuze and Contemporary Art'. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'Panel discussion on ‘The Future of Art’ for Resonance FM'. In: Freize Art Fair. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'The Production of the New'. In: Gilles Deleuze: Text and Images. University of South Carolina, Colombia. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2007. Plastique Fantastique Ribbon Dance. In: "International Project Space (as part of ‘The Event’)", Birmingham City centre, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2007. The Return of Plastique Fantastique. In: "Frozen Tears III", Birmingham: Article Press, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2007. Ribbon dance Communiques. In: "Uncle Chop Chop (magazine)", Glasgow, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and Dalton, Joe. 2007. Plastique Fantastique: Traitor Prophet and Others. Brussels, Belgium. [Show/Exhibition]

O'Sullivan, Simon D. and Lynch, John. 2007. One Day in the Life of a City (July 21, 2006). Parallax, 13(1), pp. 28-37. ISSN 1353-4645 [Article]

Prendeville, Brendan. 2007. The Meanings of Acts: Agnes Martin and the Making of Americans. Oxford Art Journal, 31(1), pp. 51-73. ISSN 0142-6540 [Article]

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Ramos Martinez, Manuel. 2007. Betrayed Borders: Double Agents and the Crisscrossing of Conflicts. In: Monica Narula; Shuddhabrata Sengupta; Jeebesh Bagchi and Ravi Sundaram, eds. SARAI Reader 2007 - Frontiers. (7) Delhi: The Sarai Programme, Center for the Study of Developing Societies, pp. 256-263. ISBN 81-901429-9-2 [Book Section]

Schmetterling, Astrid. 2007. Archival Obsessions: Arnold Dreyblatt's Memory Work. Art Journal, 66(4), pp. 70-83. ISSN 0004-3249 [Article]

Tubridy, Derval. 2007. Sounding Spaces: Aurality in Beckett, Nauman and Cardiff. Performance Research, 12(1), pp. 5-11. ISSN 1352-8165 [Article]

Turner, Lynn. 2007. Wind Up: the Machine-Event of Tape. Camera Obscura Feminism Culture and Media Studies, 22(164), pp. 112-135. ISSN 02705346 [Article]

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Weizman, Eyal. 2007. HOLLOW LAND: Israel's Architecture of Occupation. Verso Books. ISBN 9781844671250 [Book]

Wolf, Nicole. 2007. Video Mumbai. Lentos Kunstmuseum/ Museum of Modern Art Linz. [Show/Exhibition]

2006

Crone, Bridget, ed. 2006. 8 artists try not to talk about art. Space Studios. ISBN 0-9554060-0-5 [Edited Book]

Vishmidt, Marina; Walsh, Jo; Francis, Mary Anne and Sykes, Lewis, eds. 2006. Media Mutandis: a NODE.London Reader. London: Mute Publishing. ISBN 9780955243509 0955243505 [Edited Book]

Andrews, Jorella G.. 2006. Critical Materialities. In: A. Nollert; Irit Rogoff; B. de Baere; Y. Dziewior; C. Esche; K. Nieman and D. Roelstraete, eds. A.C.A.D.E.M.Y. Revolver, pp. 178-186. ISBN 3865883036 [Book Section]

Andrews, Jorella G.. 2006. Losing Labels and Liking It. In: Heather Maitland, ed. Navigating Difference: cultural diversity and audience development. London: Arts Council England, pp. 141-147. ISBN 9780728710771 [Book Section]

Butt, Gavin. 2006. "America" and its Discontents: Art and Politics 1945-1960. In: Amelia Jones, ed. A Companion to Contemporary Art Since 1945. Blackwell. ISBN 978-1-4051-0794-5 [Book Section]

Butt, Gavin. 2006. Joe Brainard's Queer Seriousness, or, How to Make Fun out of the Avant-Garde. In: David Hopkins, ed. Neo-avant-garde (Avant Garde Critical Studies). Rodopi, pp. 277-297. ISBN 978-9042021259 [Book Section]

Butt, Gavin. 2006. Scholarly Flirtations. In: Angelika Nollert; Irit Rogoff; Bart De Baere and Charles Esche, eds. A.C.A.D.E.M.Y. Berlin: Revolver, pp. 187-192. ISBN 3865883036 [Book Section]

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Fisher, Mark. 2006. Gothic Oedipus: Subjectivity and Capitalism in Christopher Nolan's Batman Begins’. ImageTexT: Interdisciplinary Comics Studies, 2(2), ISSN 1549-6732 [Article]

García Düttmann, Alexander. 2006. Visconti: Einsichten in Fleisch und Blut. Kulturverlag Kadmos. ISBN 3931659925 [Book]

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Grant, Catherine. 2006. Different Girls: performances of adolescence in contemporary photographic portraits. Doctoral thesis, Courtauld Institute of Art, London [Thesis]

Martinon, Jean-Paul. 2006. Museum and Restlessness. In: H. Genoways, ed. Museum Philosophy for the Twentieth-first Century. Alta Mira Press, pp. 59-69. ISBN 9780759107540 [Book Section]

Martinon, Jean-Paul. 2006. Museum, Plasticity, Temporality. Museum Management and Curatorship, 21(2), pp. 157-167. ISSN 0964-7775 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2006. Contested Spaces - conflicts, networks and the geo-cultural practice of European architecture. architektur.aktuell, 31(316), pp. 98-109. ISSN 0570-6602 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2006. Happy Slapping - Urban Violence in the Age of Camera Phones. Monu - Magazine on Urbanism(5), pp. 44-48. ISSN 1860-3211 [Article]

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O'Sullivan, Simon D.. 2006. Art Encounters Deleuze and Guattari: Thought Beyond Representation. London: Palgrave Macmillan. ISBN 978-1-4039-1809-3 [Book]

O'Sullivan, Simon D.. 2006. ''Deleuze and Contemporary Art'. In: Postgraduate Seminar Series. University of Reading, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'Deleuze and Contemporary Art Practice'. In: Aesthetics Lecture series. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. ''Deleuze, Guattari and Art Practice', What is Philosophy?'. In: Seminar series. University of Warwick, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'Deleuzian Aesthetics'. In: Danish Academy of Fine Arts. Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. Foreword: Instructions for Use (25 Operational Protocols). Fine Art/Art History final year degree show catalogue, [Article]

O'Sullivan, Simon D.. 2006. 'From Aesthetics to Probeheads: Deleuze and Art'. In: Academy of Fine Arts. Vienna, Austria. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'From Representation to Repetition: Archives and Affects'. In: Triennial Symposium, Tate Britain. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'Imaging Other Worlds: Mythopoesis and Art Practice'. In: UNSPECIFIED. Institute of Contemporary Arts, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. Science Fiction, or Painting, the Abstract Machine. In: David Burrows, ed. DJ Simpson: Selected Works 2000-05. Warwick: Mead Gallery, Warwick Arts Centre, pp. 81-85. ISBN 978-0902683808 [Book Section]

O'Sullivan, Simon D.. 2006. ''Traitor Prophets: Mythopoesis and the Programmatic Character of Literature vs. 'Stuttering and Stammering' and the 'Affective-Event''. In: Deleuze and Literature Conference. University of Warwick, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique 24 hour Puja to the People-yet-to-come. In: "Séance: War on Ghosts", Mark McGowans Festival (14th July-11th August), Space Station Sixty Five, London, United Kingdom, 14th July-11th August. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. ‘Plastique Fantastique Borromean Knot Ribbon Probe’ and ‘Plastique Fantastique Mythopoesis Shrine (to call forth Starbucks Foffee)’. In: "Temporary Contemporary Gallery, Zoo Art Fair", London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique Shrine. In: "Writing in Strobe, Dicksmith Gallery", London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique Shrine (defacialisation). In: "Pimps and Hookers, 1000000mph Project Space", London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique: Starbucks Fukkee is Your Enemy. In: "solo show with Aline Bouvy and John Gillis", Alice Day Gallery, Brussels, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Staabucks Fukkee is Your Enemy. In: "Magnetic Promenade and Other Sculpture Parks", London: Studio Voltaire, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. We are Plastique Fantastique. In: "Various events", Alice Day Gallery, 01/12/2006 - 25/01/2007. [Show/Exhibition]

Plotegher, Paolo. 2006. Rina. Fuga de Cerebros(1), [Article]

Prendeville, Brendan. 2006. Merleau-Ponty, Realism and Painting: Psychophysical Space and the Space of Exchange. In: Ted Toadvine, ed. Merleau-Ponty: Critical Assessments of Leading Philosophers, vol. 2: Perception and Expression. Routledge, pp. 300-329. ISBN 9780415363990 [Book Section]

Rogoff, Irit. 2006. Academy as Potentiality. In: , ed. A.C.A.D.E.M.Y. Revolver. [Book Section]

Rogoff, Irit; Esche, Charles and Niemann, Kerstin. 2006. A.C.A.D.E.M.Y. UNDEFINED 16/09/2006 - 16/12/2006. [Show/Exhibition]

Schmetterling, Astrid. 2006. Encounters at the Site of Trauma. Third Text, 20(5), pp. 561-570. ISSN 09528822 [Article]

Schmetterling, Astrid. 2006. Inscriptions of Difference in Charlotte Salomon's Work. In: Michael Steinberg and Monica Bohm-Duchen, eds. Reading Charlotte Salomon. New York: Cornell University Press, pp. 140-147. ISBN 9780801439711 [Book Section]

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Tubridy, Derval. 2006. "The Absence of Origin”: Beckett and Contemporary French Philosophy. In: David Rudrum, ed. Contemporary Debates in Literature and Philosophy. London: Palgrave macmillan, pp. 24-36. ISBN 1403947732 [Book Section]

Wolf, Nicole. 2006. To be haunted. The Halfmoon Files. Catalogue for the 37th International Forum of New Cinema, Berlin Film Festival, pp. 161-164. [Article]

2005

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Butt, Gavin, ed. 2005. After Criticism: New Responses to Art and Performance. Blackwell. ISBN 9780631232834 [Edited Book]

Crone, Bridget, ed. 2005. The Showroom Annual 2003/4. The Showroom. [Edited Book]

Crone, Bridget, ed. 2005. The body. The ruin. Ian Potter Museum of Art, University of Melbourne. [Edited Book]

Andrews, Jorella G.. 2005. ''Showing Off': A Merleau-Pontean Approach to the Ethical'. In: IAPL (International Association for Philosophy and Literature) Conference 2005. Chiasmatic Encounters. Special Panel: 'Bodily Écarts : Encountering Merleau-Ponty in the 21st Century'. University of Helsinki, Finland 2-8 June 2005. [Conference or Workshop Item]

Butt, Gavin. 2005. Avant-Garde et Chic: Andy Warhol et la fabrique du dandy Américain. In: Matthias Waschek and Veerle Thielemans, eds. L’Art Américain: Identités d’une Nation. Louvre/Terra Foundation, pp. 142-157. ISBN 978-2840561651 [Book Section]

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García Düttmann, Alexander. 2005. Verwisch die Spuren. Diaphanes. ISBN 3935300646 [Book]

Hameed, Ayesha. 2005. Unless. [Exhibition Catalogue]

Hameed, Ayesha and Vukov, Tamara. 2005. Notes on the Politics and Potentials of New Media Engagement. Public: art, culture and ideas, 31, [Article]

Martinon, Jean-Paul. 2005. Grafts, Repetitions, and Polymorphous Bodies: Daniel Buren at the Wordsworth Trust. In: Robert Robert, ed. Daniel Buren. The Wordsworth Trust, pp. 29-44. ISBN 1905256019 [Book Section]

Martinon, Jean-Paul. 2005. Strategies of (In)visibility. Republicart - EIPCP Web Journal, pp. 1-6. ISSN 1811-1696 [Article]

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Martinon, Jean-Paul. 2005. Swelling Grounds: A history of Hackney Workhouse. Rear Window Publications. ISBN 0 9521040 4 0 [Book]

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Milevska, Suzana. 2005. GENDER DIFFERENCE IN THE BALKANS. Doctoral thesis, Goldsmiths, University of London [Thesis]

Mörtenböck, Peter. 2005. Free Running and the Hugged City. Thresholds(30), pp. 88-93. ISSN 1091-711X [Article]

O'Sullivan, Simon D.. 2005. 'Dissenting Subjectivities'. In: 'The Ethics and Politics of Indexicaly and Virtuality', CentreCATH. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. ''From Aesthetics to Probeheads: Deleuze and Contemporary Art''. In: John Russell: Geniess symposium. Norwich School of Art, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. From Possible Worlds to Future Folds (Following Deleuze): Richter's Abstracts, Situationist Cities, and the Baroque in Art. Journal of the British Society for Phenomenology, 36(3), pp. 311-329. ISSN 0007-1773 [Article]

O'Sullivan, Simon D.. 2005. ''The New Moderns''. In: 'The New Moderns?' conference. The Showroom, London., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. The New Moderns. In: , ed. The Showroom Annual. London: The Showroom Gallery, pp. 46-51. ISBN 0-9542362-4-6 [Book Section]

O'Sullivan, Simon D.. 2005. Notes Towards a Minor Art Practice. Drain, 2(2), ISSN 2469-3022 [Article]

O'Sullivan, Simon D.. 2005. ''Plastique Fantastique''. In: EAST Discourse. Norwich School of Art, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. Pragmatics for the Production of Subjectivity: Time for Probe-heads. Journal for Cultural Research, 10(4), pp. 309-322. ISSN 14797585 [Article]

O'Sullivan, Simon D.. 2005. Probe-Heads!. In: "Slim Volume poster project", United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2005. ''Probeheads for Future Subjectivities''. In: 'The Living Thought of Gilles Deleuze'. Danish Academy of Fine Arts, Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. Various entries in The Deleuze Dictionary. In: Adrian Parr, ed. The Deleuze Dictionary. Edinburgh: Edinburgh University Press. ISBN 978-0231138147 [Book Section]

O'Sullivan, Simon D. and Burrows, David. 2005. 'Plastique Fantastique'. In: "EAST", Norwich, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2005. Shrine Drawings and Models (Plastique Fantastique). In: "Works of Royal Destiny and Structural Integrity", Old Seager Distillery, London, United Kingdom. [Show/Exhibition]

Plotegher, Paolo. 2005. The Ballade of K. R. White Collar(3), [Article]

Plotegher, Paolo. 2005. VAL Video Art from London. Transart05 catalogue, [Article]

Prendeville, Brendan. 2005. Discernment. Oxford Art Journal, 28(1), pp. 213-226. ISSN 01426540 [Article]

Rogoff, Irit. 2005. Looking Away—Participations in Visual Culture. In: Gavin Butt, ed. After Criticism—New Responses to Art and Perfomance. Blackwell, pp. 117-134. ISBN 0631232842 [Book Section]

Turner, Lynn. 2005. Des Jeunes Nées : for a confusion of the tongue, the lip, and the rim. In: Johnny Golding, ed. The Issues: In Contemporary Culture and Aesthetics. (1) Nerve Ltd, pp. 171-178. ISBN 0955003709 [Book Section]

Wolf, Nicole. 2005. The import and export of knowledge in conversations or: where is my subject? In: Angelika Fitz; Merle Kroger; Alexandra Schneider and Dorothee Wenner, eds. Import / Export. Austria: Parthas Verlag, pp. 216-224. ISBN 978-3866019102 [Book Section]

2004

Schuppli, Susan, ed. 2004. Guest Editor. “Exposé 67: Special Issue on Expo 67, Blackflash, 22(2). [Edited Journal]

Andrews, Jorella G.. 2004. 'Intending objects and signs ”which have no meaning”'. In: Presentation. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2004. Painterly Transubstantiations/Political Change. In: A. Tymieniecka, ed. Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations: 81 (Analecta Husserliana). Kluwer Academic Publishers, pp. 141-151. ISBN 9781402017094 [Book Section]

Dyangani-Ose, Elvira. 2004. Surrounding the Word: Towards an Aesthetic of Ritual. In: , ed. De Boca en Boca: Estudios de Literatura Oral de Guinea. Spain: Ceiba Ediciones. [Book Section]

Hameed, Ayesha. 2004. Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea. In: James Gifford and Gabrielle Zezoulka-Mailloux, eds. in Culture and the State: Landscape and Ecology (Volume 1). CRC Humanities Studio. [Book Section]

Mörtenböck, Peter and Mooshammer, H.. 2004. Inventing S-E-X. Österreichische Zeitschrift für Geschichtswissenschaften, 15(3), pp. 168-177. ISSN 1016765X [Article]

O'Sullivan, Simon D.. 2004. First Manifesto for the Guerrilla Plastique Fantastique. Drain: Journal of Contemporary Art and Culture, pp. 1-4. [Article]

O'Sullivan, Simon D.. 2004. Friendship as Community: From Ethics to Politics. Takkekortet: The Written Acknowledgement, [Article]

O'Sullivan, Simon D.. 2004. 'From Minor Literature to War Machines: Notes Towards a Political Art Practice'. In: Experimenting with Intensities, 3 day international conference on Deleuze. Trent University, Toronto, Canada. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2004. Retreat Diary. In: John Russell, ed. Frozen Tears II. Birmingham: Article Press, pp. 242-245. ISBN 978-1873352885 [Book Section]

O'Sullivan, Simon D.. 2004. What is an Event? Yesvember, pp. 20-24. [Article]

Prendeville, Brendan. 2004. Seurat and the Act of Sensing: Perception as Artefact. In: T. Fischer-Seidel; S. Peters and A. Potts, eds. Perception and the Senses / Sinneswahrnehmung. A. Francke Verlag, pp. 165-187. ISBN 3772080405 [Book Section]

Prendeville, Brendan. 2004. Varying the Self: Bacon's Versions of van Gogh. Oxford Art Journal, 27(1), pp. 23-42. ISSN 01426540 [Article]

Roberdeau, Wood. 2004. 'Untitled, 1982-1983', 'Biography'. In: , ed. Ellsworth Kelly in Dallas. Dallas Museum of Art: Yale University Press. [Book Section]

Rogoff, Irit. 2004. The Where of Now. In: G. Muir and J. Morgan, eds. Time Zones—Recent Film and Video. Tate, pp. 84-99. ISBN 1854375490 [Book Section]

Schmetterling, Astrid. 2004. ‘Charlotte Salomons “Leben? Oder Theater?“ Ein Werk jenseits der Assimilation’. In: E. Müller and Andrea Schatz, eds. Der Differenz auf der Spur. Frauen und Gender in Aschkenas. Berlin: Metropol Verlag, pp. 286-303. ISBN 978-3936411478 [Book Section]

Tubridy, Derval. 2004. Thomas Kinsella and the Peppercanister Poems. In: Hutton Clare, ed. The Irish Book in the Twentieth Century. Dublin and Portland Or: Irish Academic Press, pp. 102-115. ISBN ISBN 0716527804, 0716533359 [Book Section]

2003

Segal, Rafi; Tartakover, David and Weizman, Eyal, eds. 2003. A Civilian Occupation: The Politics of Israeli Architecture. London; New York: Verso. ISBN 9781859845493 [Edited Book]

Andrews, Jorella G.. 2003. 'Field Work: Reports from the Field of Visual Culture'. In: Field Work: Reports from the Field of Visual Culture. Victoria Miro Gallery. [Conference or Workshop Item]

Eshun, Kodwo. 2003. Further Considerations on Afrofuturism. CR The New Centennial Review, 3(2), pp. 287-302. ISSN 15396630 [Article]

Eshun, Kodwo. 2003. OTOLITH 1. [Film/Video]

Martinon, Jean-Paul. 2003. Fact or Fiction? In: A. George, ed. Art, Lies and Videotape: Exposing Performance. Tate Publishing, pp. 40-51. ISBN 1854375377 [Book Section]

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Mörtenböck, Peter and Mooshammer, H.. 2003. Visuelle Kultur: Körper, Räume, Medien. Boehlau. ISBN 3205770404 [Book]

O'Sullivan, Simon D.. 2003. 'The Aesthetics of Affect'. In: MA Fine Art lecture series. Central St Martins, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. Dissenting Machines. Outside Edge(2), [Article]

O'Sullivan, Simon D.. 2003. 'Friendship as Community'. In: Communities conference, Trinity & All Saints. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. Political Physics by John Protevi. Parallax, 9(1), pp. 126-127. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.. 2003. ''Virtualities at the Edge: Gilles Deleuze's Bergsonism vs. Robert Smithson's Mirror Travel''. In: International Association of Philosophy and Literature conference. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. 'War Machines'. In: Theory Now conference. Manchester Metropolitan University, United Kingdom. [Conference or Workshop Item]

Prendeville, Brendan. 2003. ‘Night Geography’. In: Michael Harrison, ed. Ian Wiblin: Night Watch. Cambridge: Kettle’s Yard, pp. 8-28. ISBN 978-0907074540 [Book Section]

Roberdeau, Wood. 2003. ‘Ellsworth Kelly, Untitled’. In: , ed. Dallas Museum of Art: 100 Years. Dallas Museum of Art. [Book Section]

Roberdeau, Wood. 2003. ‘Sol LeWitt, Wall Drawing #398’. In: , ed. Dallas Museum of Art: 100 Years. Dallas Museum of Art. [Book Section]

Rogoff, Irit. 2003. Engendering Terror. In: Ursula Biemann, ed. Geography and the Politics of mobility. Vienna and Cologne: Generali Foundation and Walter Koenig, pp. 48-64. ISBN 390110738X [Book Section]

Rogoff, Irit. 2003. ‘What is a Theorist’. In: , ed. Was ist ein Kunstler. Berlin: UNSPECIFIED. [Book Section]

Turner, Lynn. 2003. Braiding Polyphony: Je tu il elle (& lui). Performance Research, 8(1), pp. 93-99. ISSN 13528165 [Article]

Turner, Lynn. 2003. ‘Sexual Difference’. The Year’s Work in Cultural & Critical Theory, 11, pp. 317-332. [Article]

Weizman, Eyal. 2003. Territories. In: "Territories", Kunst Werke and Walter Koenig Press, 6/1/2003 - 9/7/2003. [Show/Exhibition]

Wolf, Nicole. 2003. Transitional Zones: Nicole Wolf Interviews Tejal Shah. n.paradoxa: International Feminist Art Journal, Issue: Out of Order, 12, pp. 59-67. [Article]

2002

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2002. Random Figures, Parallax, 8(1). 1353-4645 [Edited Journal]

Andrews, Jorella G.. 2002. Identity - An Introduction. In: Rasheed Araeen; Sean Cubitt and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 135-137. ISBN 9780826458506 [Book Section]

Andrews, Jorella G.. 2002. 'Of Ethics and Intermundane Space'. In: IAPL (International Association for Philosophy and Literature) Conference 2002 - Intermedialities. Erasmus University, Rotterdam, Netherlands 3-8 June 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. 'Painterly Transubstantiations/Political Change'. In: Seventh Annual Meeting of the International Society for Phenomenology, Aesthetics and the Fine Arts. Harvard Divinity School, Cambridge, MA, United States 10-12 May 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. ''Phenomenological Orientations: Art/Perception/Ethics''. In: The Future Past of Visual Culture (Conference 1). Tate Britain, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. Post Theory - An Introduction. In: Rasheed Araeen and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 229-232. ISBN 9780826458506 [Book Section]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

Mörtenböck, Peter. 2002. Digitale Welten: Nicht wissende User - ahnungslos Beteiligte. Archithese, 32(4), pp. 8-13. ISSN 1010-4089 [Article]

Mörtenböck, Peter. 2002. Heldinnen. Betrügerinnen, Versagerinnen - 'Nobody knows me, and I like that'. In: Felicitas Konecny and Irene Nierhaus, eds. räumen: Baupläne zwischen Raum, Visualität, Geschlecht und Architektur. Wien: selene, pp. 223-240. ISBN 978-3852661780 [Book Section]

O'Sullivan, Simon D.. 2002. Cultural Studies as Rhizome; Rhizomes in Cultural Studies. In: , ed. Cultural Studies and Interdisciplinarity. Amsterdam: Rodopi. [Book Section]

O'Sullivan, Simon D.. 2002. ''Dissenting Machines''. In: Big Torino Art Biennale Symposium. Turin, Italy. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2002. ''Figuring the Plane of Immanence''. In: Postmodernism and Spirituality. University of Preston, United Kingdom. [Conference or Workshop Item]

Prendeville, Brendan. 2002. ‘Measure and Location’. In: Michael Harrison, ed. A Measure of Reality. Cambridge: Kettle’s Yard. [Book Section]

Rogoff, Irit. 2002. 'We - Mutualities, Collectivities, Participations'. In: , ed. I Promise its Political. Cologne: Museum Ludwig. [Book Section]

Schmetterling, Astrid. 2002. Irene Below: Hidden Treasures. Irma Stern. Her Books, Painted Book Covers and Bookplates. Frauen Kunst Wissenschaft(34), pp. 88-92. ISSN 0935-6967 [Article]

Turner, Lynn. 2002. ‘Lift off: il n’y a pas de deux hors texte’. The Journal of Visual Culture, 1(3), pp. 372-374. ISSN 14704129 [Article]

Turner, Lynn. 2002. ‘Translating John Malkovich’. Performance Research, 7(2), pp. 132-137. ISSN 1352-8165 [Article]

Turner, Lynn. 2002. Translation Reading Sex. Parallax, 8(4), pp. 57-70. ISSN 13534645 [Article]

Turner, Lynn. 2002. ‘Translation Reading Sex’. Parallax, 8(4), pp. 57-70. ISSN 1353-4645 [Article]

2001

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2001. ‘Hot Property’, Parallax, 7(2). 1353-4645 [Edited Journal]

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2001. ‘Immanent Trajectories’, Parallax, 7(4). 1353-4645 [Edited Journal]

Andrews, Jorella G.. 2001. ''The Dance of the Hand: The Material Space of Language''. In: Presentation. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. 'Dis-alienation and the Eye'. In: Exils/Exiles - 2001. Herstmonceux Castle, East Sussex, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. Dispossessing the Land. In: , ed. Landscape Trauma in the Age of Scopophilia. London: Autograph, pp. 57-63. ISBN 1 899282 80 7 [Book Section]

Andrews, Jorella G.. 2001. Maria Sibylla Merian: Collecting Metamorphosis. In: G. Ecker; M. Stange and U. Vedder, eds. Sammeln, Ausstellen, Wegwerfen. Ulrike Helmer Verlag, pp. 71-89. ISBN 3897410702 [Book Section]

Butt, Gavin. 2001. Happenings in History, or, The Epistemology of the Memoir. Oxford Art Journal, 24(2), pp. 113-126. ISSN 01426540 [Article]

Fisher, Mark. 2001. Gothic Materialism. Pli Warwick Journal of Philosophy, 12, [Article]

O'Sullivan, Simon D.. 2001. ''Aesthetics and Affects in Art History''. In: Visual Arts lecture series. Manchester Metropolitan University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2001. The Aesthetics of Affect: Thinking art beyond representation. Angelaki: Journal of Theoretical Humanities, 6(3), pp. 125-135. ISSN 0969-725X [Article]

O'Sullivan, Simon D.. 2001. Writing on Art (Case Study: the Buddhist Puja). Parallax, 7(4), pp. 115-121. ISSN 1353-4645 [Article]

Prendeville, Brendan. 2001. El Realismo en la Pintura del Siglo XX. Barcelona: Ediciones Destino/ Thames&Hudson. ISBN 84-233-3292-6 [Book]

Prendeville, Brendan. 2001. La peinture réaliste au XXe siècle. Thames & Hudson. ISBN 978-2878111927 [Book]

Prendeville, Brendan. 2001. Uncertain Light. M’ARS, Ljubljana, Year XIII, XIII(1-2), pp. 46-51. [Article]

Rogoff, Irit. 2001. 'Not There Of,'. In: , ed. ARS 2001, Kiasma Museum of Contemporary Art. Helsinki: UNSPECIFIED. [Book Section]

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Schmetterling, Astrid. 2001. Bilder eines Lebens. Charlotte Salomon 1917-1943. Jüdischer Verlag im Suhrkamp Verlag. ISBN 3633541683 [Book]

Schmetterling, Astrid. 2001. 'Nachwort'. In: , ed. Helga Weissová, Zeichne, was Du siehst. Zeichnungen eines Kindes aus Theresienstadt. Frankfurt am Main: Insel, pp. 94-111. ISBN 3-458-34456-X [Book Section]

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Tubridy, Derval. 2001. Thomas Kinsella: The Peppercanister Poems. Dublin: University of Dublin Press. ISBN 1900621525, 1900621533 [Book]

Wolf, Nicole. 2001. Documenta XI. UNSPECIFIED, Kassel, Germany. [Other]

2000

Andrews, Jorella G.. 2000. 'The Creative Circuit: The Experience of Cultural Translation'. In: The Creative Circuit: The Experience of Cultural Translation. Victoria & Albert Museum. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. Easels and Amazons (‘Amazons of the Avant‐Garde’). Third Text, 50, pp. 109-113. ISSN 0952-8822 [Article]

Andrews, Jorella G.. 2000. 'Moufida Tlatli's "The Silences of the Palace": A Cartography of Servitude.'. In: Geographies of Home Conference. University College London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. ''Performing Space''. In: Inhabiting Technology Conference,. ICA London. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. The Virtual Intersection: A Meditation on Domestic Virtue. In: Fran Lloyd and Catherine O'Brien, eds. Secret Spaces, Forbidden Places: Re-thinking Culture. New York and Oxford: Berghahn, pp. 171-183. ISBN 9781571817884 [Book Section]

Andrews, Jorella G.. 2000. 'Vision, Violence and the Other: A Merleau-Pontean Ethics'. In: The 25th Annual Meeting of the International Merleau-Ponty Circle. Washington DC, United States. [Conference or Workshop Item]

Butt, Gavin and Cairns, Jon. 2000. Art: Steve Reinke's archival imaginary. Critical Quarterly, 42(3), pp. 93-101. ISSN 0011-1562 [Article]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Mörtenböck, Peter. 2000. Swimming Between Ponds: technological subjects, corporate landscapes, digital bodies. architektur.aktuell, 34(246/47), pp. 108-117. ISSN 0570-6602 [Article]

O'Sullivan, Simon D.. 2000. 'Cultural Studies as Rhizome, Rhizomes in Cultural Studies'. In: Cultural Studies and Interdisciplinarity, Trinity and All Saints College. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2000. In Violence: Three Case Studies Against the Stratum. Parallax, 6(2), pp. 104-109. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.; Sawers, Geoff and Hall, Dani. 2000. Stone Tents and Sand Castles: A Symposium. [Article]

Prendeville, Brendan. 2000. Realism in 20th Century Painting. Thames and Hudson Ltd. ISBN 978-0500203361 [Book]

Rogoff, Irit. 2000. "Body Missing" - Uncanny Histories and Cultural Hauntings'. In: , ed. Kunst Als Beute. Vienna: Sigrid Schade. [Book Section]

Rogoff, Irit. 2000. 'On Getting Lost'. In: , ed. Lost. Birmingham: Ikon Gallery. [Book Section]

Rogoff, Irit. 2000. 'Spaces of Disavowal'. In: , ed. Unhomed. Norway: Kunst Museum Trondheim. [Book Section]

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Rogoff, Irit. 2000. Terra Infirma: Geography's Visual Culture. Abingdon and New York: Routledge. ISBN 978-0-415-09615-7 [Book]

Rogoff, Irit. 2000. 'Words in the Middle'. In: , ed. Writing the Image. I.B.Tauris, pp. 109-119. ISBN 978-1860644740 [Book Section]

Tubridy, Derval. 2000. "Words Pronouncing Me Alive”: Beckett and Incarnation. In: Mary Bryden; Lance St John Butler; Marius Buning and Matthijs Engelberts, eds. Samuel Beckett Today/Aujourd’hui: Beckett and Religion; Beckett/Aesthetics/Politics. (9) Amsterdam; Atlanta GA: Rodopi, pp. 93-104. ISBN 9042014040 [Book Section]

Weizman, Eyal. 2000. Yellow Rhythms. A Roundabout for London. Rotterdam: nai010. ISBN 978-90-6450-392-4 [Book]

1999

Andrews, Jorella G.. 1999. 'The Dance of the Hand: on gestural writing, epistemology and creativity'. In: Talk. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. ''The Forensic Aesthetic: Iconographies of Violence'. In: Presentation. . Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Collecting Metamorphosis'. In: Workshop: Sammeln und Ausstellen. Literatur- und kulturwissenschaftliche Perspektiven. University of Paderborn, Germany. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Painting the Microcosm'. In: Association of Art Historians 1999 Conference. Southampton, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Pacific Asia Cultural Studies Forum Conference'. In: Pacific Asia Cultural Studies Forum Conference. Goldsmiths, University of London. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Staying Embodied: Merleau-Ponty, Integrated Being and the Creation of New Structures'. In: The 1999 International Conference of the Merleau-Ponty Circle. Wrexham, Wales, United Kingdom. [Conference or Workshop Item]

Butt, Gavin. 1999. The Greatest Homosexual? Camp Pleasure and the Performative Body of Larry Rivers’. In: Amelia Jones and Andrew Stephenson, eds. Performing the Body/ Performing the Text. Routledge, pp. 107-126. ISBN 9780415190602 [Book Section]

O'Sullivan, Simon D.. 1999. 'Guy DeBord'. In: Ellis Cashmore and Chris Rojek, eds. Dictionary of Cultural Theorists. London: Bloomsbury Academic. ISBN 978-0340645482 [Book Section]

1998

Andrews, Jorella G.. 1998. Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective. In: Anna-Teresa Tymieniecka, ed. The Reincarnating Mind, or the Ontopoietic Outburst in Creative Virtualities. 53 Springer Netherlands, pp. 335-343. ISBN 978-94-010-6055-4 [Book Section]

Andrews, Jorella G.. 1998. 'Merleau-Ponty, non-philosophy and painting'. In: Talk. Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'Story-Time: An exhibition of artists living in Israel/Palestine'. In: Story-Time: An exhibition of artists living in Israel/Palestine. Candid Arts Gallery, London. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. Telling tales: Five contemporary women artists from India. Third Text, 43, pp. 81-89. ISSN 0952-8822 [Article]

Andrews, Jorella G.. 1998. 'The Virtual Intersection: Pieter de Hooch's Woman with a Broom and Pail in a Courtyard'. In: Secret Spaces, Forbidden Places (international colloquium). Herstmonceux Castle, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1998. 'Mind the Gap (in Painting)'. In: The Northern Critical Theory Seminar one day conference. The European Studies Research Institute, University of Salford, United Kingdom. [Conference or Workshop Item]

Rogoff, Irit. 1998. 'How to Dress for an Exhibition'. In: , ed. Stopping the Process? Comtemporary views on art and exhibitions. NIFCA. ISBN 978-9519792705 [Book Section]

Rogoff, Irit. 1998. 'Studying Visual Culture'. In: , ed. The Visual Culture Reader. London: Routledge, pp. 24-36. ISBN 978-0415782623 [Book Section]

1997

Andrews, Jorella G.. 1997. 'Carrie Mae Weems and the Question of Criticism'. In: Presentation. Essex University, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Instabilities, Uncertainties, Aliens: A Perspective upon our Searches for Security'. In: Presentation. University of Oslo, Ethnographic Museum, Norway. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Matisse, Merleau-Ponty and the Search for Depth'. In: Aesthetics: A Day School in Philosophy. Birkbeck College, University of London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Merleau-Ponty, Phenomenology and Processes of Describing'. In: Presentation. Kingston University, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur. In: , ed. Crosscurrents/Krysninger. Norway: Riksutstillinger/National Touring Exhibitions, Norway, pp. 19-21. [Book Section]

O'Sullivan, Simon D.. 1997. 'Angels and Desire'. In: Mind/Culture/Theory Seminar Series at the Centre for Psychotherapeutic Studies. The University of Sheffield, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1997. Catalogue essay. catalogue essay, [Article]

O'Sullivan, Simon D.. 1997. 'The Death of the Subject: Machines and Meaning'. In: Death and its Concepts two day conference. Centre for Cultural Studies, The University of Leeds, United Kingdom. [Conference or Workshop Item]

Rogoff, Irit. 1997. 'In the Empire of the Object - the Geographies of Ana Mendieta'. In: , ed. Outsiders - Studies in Cultural Marginality. New York: Cambridge University Press. [Book Section]

Schmetterling, Astrid. 1997. Tracing the Life (or Theatre?) of Charlotte Salomon. Issues in Architecture Art & Design, 5(1), pp. 115-128. ISSN 0960-8648 [Article]

1996

Mörtenböck, Peter; Antalovsky, Eugen and Weiermair, Cecilia, eds. 1996. City Mapping - Mapping Europe. Vienna: Europaforum. ISBN 3-9500576-0-9; 60 [Edited Book]

O'Sullivan, Simon D.. 1996. 'Alien Objects'. In: Thinking Alien, two-day conference. The University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1996. 'Art as Machine: Lines of Force, Lines of Flight'. In: Post-Theory three day conference. School of Humanities, The University of Glasgow, United Kingdom. [Conference or Workshop Item]

Prendeville, Brendan. 1996. South. In: John Stathatos, ed. Myth and Landscape. Delphi, pp. 62-65. [Book Section]

1995

Andrews, Jorella G.. 1995. 'Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective'. In: World Phenomenology Congress. Guadalajara, Mexico. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1995. 'Of Angels and Aliens: The Meaning of the Art Object'. In: Culture and Identity: City Nation World four day conference (the second annual Theory, Culture and Society Conference). Berlin Hilton Hotel, Berlin, Germany. [Conference or Workshop Item]

Prendeville, Brendan. 1995. ‘The Features of Insanity, as seen by Géricault and by Büchner’. Oxford Art Journal, 18(1), pp. 96-115. ISSN 0142-6540 [Article]

1994

Rogoff, Irit and Sherman, D, eds. 1994. Museum Culture: Histories, Theories, Spectacles. Minneapolis: Minnesota University Press. ISBN 978-0-8166-1953-5 [Edited Book]

O'Sullivan, Simon D.. 1994. 'Derrida vs Lyotard: The Meaning of Painting'. In: one day conference Theatre, Spectacle and Performance at Whitworth art gallery. The University of Manchester, United Kingdom. [Conference or Workshop Item]

1991

1988

Prendeville, Brendan. 1988. ‘Infant Joy’. In: , ed. Taking Root. London: Artsite Gallery. [Book Section]

1984

Prendeville, Brendan. 1984. ‘How sculpture became human’. In: , ed. Flesh and Stone. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 1984. ‘Motion and rest: the sculptor’s search for order’. In: , ed. Sculpture’s Dance. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 1984. ‘The place of sculpture’. In: , ed. Mind over Matter. London: Arts Council, pp. 44-54. [Book Section]

1981

Prendeville, Brendan. 1981. ‘Constructed Sculpture’. In: Sandy Nairne and Nicholas Serota, eds. British Sculpture in the Twentieth Century. London: Whitechapel Gallery, pp. 209-221. ISBN 978-0854880546 [Book Section]

This list was generated on Sat Apr 29 04:41:32 2017 BST.