Items where Division is "Visual Cultures"

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Andrews, Jorella G.. 2023. Holdings (2020-23). [Art Object]

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Bajec, Manca. 2017. GAME:MONUMENT. [Art Object]

Blas, Zach. 2018. Contra-Internet. [Art Object]

Blas, Zach. 2013. Face Cages. [Art Object]

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Blas, Zach. 2019. Icosahedron. [Art Object]

Blas, Zach. 2007. Queer Technologies. [Art Object]

Blas, Zach. 2018. SANCTUM. [Art Object]

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Blas, Zach and Wyman, Jemima. 2017. im here to learn so :)))))). [Art Object]

Eshun, Kodwo. 2014. Statecraft. [Art Object]

Eshun, Kodwo and Sagar, Anjalika. 2015. From Left to Night. [Art Object]

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Madani, Adnan and Alesworth, David. 2019. Phasmid Project, Fig.1 and Fig.2. [Art Object]

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Schuppli, Susan. 2016. Delay Decay. [Art Object]

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Schuppli, Susan. 2019. Disaster Film. [Art Object]

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Schuppli, Susan. 2014. Evidence on Trial. [Art Object]

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Schuppli, Susan. 2015. Uneasy Listening. [Art Object]

Article

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Amaro, Ramon. 2019. As If. e-flux architecture: Becoming Digital, [Article]

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Amaro, Ramon. 2020. Machine Diagnosis. Open! Journal, [Article]

Amaro, Ramon. 2020. Threshold Value. e-flux architecture, [Article]

Amaro, Ramon and Khan, Murad. 2020. Towards Black Individuation and a Calculus of Variations. e-flux journal, 109, ISSN 2164-1625 [Article]

Andrews, Alice. 2011. Autoimmune Illness as a Death-drive: An Autobiography of Defence. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 189-203. [Article]

Andrews, Alice. 2011. Book Review: Enduring Death: The Hauntings of Literature and Art. Parallax, 17(4), pp. 124-127. ISSN 1353-4645 [Article]

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Andrews, Jorella G.. 2022. A Close Encounter with Paul Cézanne. RA The Royal Academy of Arts Magazine(156), p. 23. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 2023. Close Looking - Yuki Katsura. RA The Royal Academy of Arts Magazine(158), p. 21. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 2000. Easels and Amazons (‘Amazons of the Avant‐Garde’). Third Text, 50, pp. 109-113. ISSN 0952-8822 [Article]

Andrews, Jorella G.. 2016. The Forge of Vision: A Visual History of Modern Christianity David Morgan. Art and Christianity, 86, pp. 12-13. ISSN 1746-6229 [Article]

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Andrews, Jorella G.. 2023. In the Studio with Mary Abma. The Big Picture, 07, pp. 44-47. [Article]

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Andrews, Jorella G.. 2022. In the Studio with Walter Hayn and Jorella Andrews. The Big Picture, 03, pp. 30-32. [Article]

Andrews, Jorella G.. 2011. The Photographic Stare. Philosophy of Photography, 2(1), pp. 41-56. ISSN 20403682 [Article]

Andrews, Jorella G.. 2023. Slow looking: Frans Hals’s portrait of a newly-wed. RA The Royal Academy of Arts Magazine(160), p. 29. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 1998. Telling tales: Five contemporary women artists from India. Third Text, 43, pp. 81-89. ISSN 0952-8822 [Article]

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Awan, Nishat. 2016. Digital Narratives and Witnessing: The Ethics of Engaging with Places at a Distance. Geohumanities, 2(2), pp. 311-330. ISSN 2373-566X [Article]

Awan, Nishat. 2016. Introduction to Border Topologies. GeoHumanities, 2(2), pp. 279-283. ISSN 2373-566X [Article]

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Awan, Nishat. 2021. Performing on the streets: Infrastructures of subaltern resistance in Pakistan. Environment and Planning C: Politics and Space, 39(6), pp. 1274-1293. ISSN 2399-6544 [Article]

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Awan, Nishat. 2008. Words and objects in transposing desire and making space. arq: Architectural Research Quarterly, 12, pp. 263-268. ISSN 1359-1355 [Article]

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Awan, Nishat and Hoskyns, Teresa. 2015. Mapping Occupy. Architecture and Culture, 2(1), pp. 130-140. ISSN 2050-7828 [Article]

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Awan, Nishat and Langley, Phil. 2013. Mapping Migrant Territories as Topological Deformations of Space. Space and Culture, 16(2), pp. 229-245. ISSN 1206-3312 [Article]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Instances of ecological motivations in the production and use of space. Field: A Free Journal for Architecture, 4(1), pp. 219-226. ISSN 1755-068 [Article]

Berger, Anne Emmanuelle and Vráblíková, Lenka. 2019. Live Body: An interview with Anne E. Berger. parallax, 25(2), pp. 119-136. ISSN 1353-4645 [Article]

Biemann, Ursula; Mörtenböck, Peter and Mooshammer, Helge. 2013. From Supply Lines to Resource Ecologies. Third Text, 27(1), pp. 76-94. ISSN 0952-8822 [Article]

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Blas, Zach. 2016. Contra-Internet. e-flux journal, 74, ISSN 2164-1625 [Article]

Blas, Zach. 2013. “Escaping the Face: Biometric Facial Recognition and the Facial Weaponization Suite”. Media-N, Journal of the New Media Caucus, 9(2), ISSN 2159-6891 [Article]

Blas, Zach. 2014. "Informatic Opacity". Journal of Aesthetics and Protest, 9, [Article]

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Blas, Zach. 2018. The Jubilee of 2033. GLQ: A Journal of Lesbian and Gay Studies, 24(4), ISSN 1064-2684 [Article]

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Blas, Zach. 2016. Opacities: An Introduction. Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 149-153. ISSN 0270-5346 [Article]

Blas, Zach. 2012. “Virus, Viral”. WSQ: Women's Studies Quarterly, 40(1 & 2), pp. 29-39. [Article]

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Blas, Zach and Gaboury, Jacob. 2016. "Biometrics and Opacity: A Conversation". Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 155-165. ISSN 0270-5346 [Article]

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Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal. 2016. On Forensic Architecture: A Conversation with Eyal Weizman. October(156), pp. 116-140. ISSN 0162-2870 [Article]

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Bradley, Callum. 2023. Inhuman drag: Getting under the sk(e)ins of the posthuman in conversation with Charity Kase. Queer Studies in Media and Popular Culture, 8(1), pp. 31-46. ISSN 2055-5695 [Article]

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Bradley, Callum and Perkins, Georgia. 2023. In-Human Appetites and Mineral Becomings: Earthly Wit(h)nessing in Caitlin Berrigan’s Imaginary Explosions. Antennae: The Journal of Nature in Visual Culture(61), pp. 133-148. ISSN 1756-9575 [Article]

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Brar, Dhanveer Singh. 2015. Ghetto Thermodynamics. Cesura // Acceso: Journal for Music, Politics and Poetics, 1, [Article]

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Brar, Dhanveer Singh. 2015. 'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup. Popular Music, 34(3), pp. 471-484. ISSN 0261-1430 [Article]

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Brar, Dhanveer Singh. 2019. No work. All Play. Propter Nos, 3, pp. 80-90. [Article]

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Brar, Dhanveer Singh; Moreno, Louis; Harney, Stefano; Moten, Fred; Okiji, Fumi; Rekret, Paul and Rose-Antoinette, Ronald. 2020. Music and Economic Planning. South Atlantic Quarterly, 119(1), pp. 133-151. ISSN 0038-2876 [Article]

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Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

Burrows, David; Jackson, Mark; O'Sullivan, Simon D. and Tait, Stuart. 2015. Monarch Drone Communiqué. Culture Machine, 16, [Article]

Butt, Gavin. 2012. The Common Turn in Performance. Contemporary Theatre Review, 22(1), pp. 46-61. ISSN 1048-6801 [Article]

Butt, Gavin. 2001. Happenings in History, or, The Epistemology of the Memoir. Oxford Art Journal, 24(2), pp. 113-126. ISSN 01426540 [Article]

Butt, Gavin. 2008. Hoyle's Humility. Dance Theatre Journal, 23(1), pp. 30-34. ISSN 02649160 [Article]

Butt, Gavin and Cairns, Jon. 2000. Art: Steve Reinke's archival imaginary. Critical Quarterly, 42(3), pp. 93-101. ISSN 0011-1562 [Article]

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Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina. 2014. New Keywords: Migration and Borders. Cultural Studies, 29(1), pp. 55-87. ISSN 0950-2386 [Article]

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Crone, Bridget. 2014. Book Review: Pascal Gielen, Instituting Art in a Flat World. Journal of Curatorial Studies, 3(2-3), pp. 407-409. ISSN 2045-5836 [Article]

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Crone, Bridget. 2017. Comparative Monument (Shellal): Steadfastness and the Temporal Body. di'van: a journal of accounts, 1(2), pp. 54-80. ISSN 2207-1563 [Article]

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Crone, Bridget. 2010. The Image: Disaffect in the theatre of representation. Journal of Visual Arts Practice, 9(2), pp. 123-198. ISSN 1470-2029 [Article]

Crone, Bridget. 2003. Performancemaniac:The Work of Hayley Newman. Eyeline, 51, ISSN 0818-8734 [Article]

Crone, Bridget. 2009. Performing the Local in a Suburban Garage’. SUM Magazine for Contemporary Art, ISSN 1902-8970 [Article]

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Crone, Bridget. 2020. Swampy Ecologies. Holt Smithson Foundation Scholarly Texts, [Article]

Crone, Bridget. 2009. Tom Nicholson’s Lines Towards Another Century. Eyeline, 68, ISSN 0818-8734 [Article]

Daly, Ruth; Mitchell, Elspeth; Park, Gill; Vráblíková, Lenka and Zhao, Yelin. 2017. A Feminist Space at Leeds: collective reflections on an “Event”. Images: Journal of Visual and Cultural Studies, 7, pp. 261-272. ISSN 2247-7950 [Article]

Doussan, Jenny. 2012. The Scent of the Jonquil. Rattle ~ A Journal at the Convergence of Art and Writing, 3, [Article]

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Doussan, Jenny. 2013. Time and Presence in Agamben’s Critique of Deconstruction. Cosmos and History: The Journal of Natural and Social Philosophy, 9(1), ISSN 1832-9101 [Article]

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Doussan, Jenny. 2016. Writing Lines: Agamben contra Nietzsche. Cultural Critique, 92, pp. 114-136. ISSN 0882-4371 [Article]

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Duncan, Ifor. 2023. Fugitive Rivers: Maroon Ecologies and Édouard Glissant’s La Lézarde. Green Letters: Studies in Ecocriticism, 27(1), pp. 92-108. ISSN 1468-8417 [Article]

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Duncan, Ifor. 2021. The Meteorological Occult: Submergences in the Venetian Fog. Lagoonscapes. The Venice Journal of Environmental Humanities, 1(1), pp. 37-58. ISSN 2785-2709 [Article]

Duncan, Ifor. 2023. Necro-Hydrology. e-flux Architecture, [Article]

Duncan, Ifor and Levidis, Stefanos. 2020. Weaponizing a River. e-flux Architecture, [Article]

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Ertür, Başak. 2019. Conscription and Critique. Critical Times, 2(2), pp. 270-284. ISSN 2641-0478 [Article]

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Ertür, Başak. 2014. The Gezi Uprising and Particularities of Discontent. Law and Critique, 25(1), pp. 3-7. ISSN 0957-8536 [Article]

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Ertür, Başak. 2020. La barricade. Techniques & Culture(74), pp. 72-73. ISSN 0248-6016 [Article]

Ertür, Başak. 2017. The onus of thought in the War on Terror. Theory & Event, 20(1), pp. 66-75. ISSN 2572-6633 [Article]

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Ertür, Başak and Lebow, Alisa. 2014. Coup de Genre: The Trials and Tribulations of Bülent Ersoy. Theory & Event, 17(1), ISSN 2572-6633 [Article]

Ertür, Başak and Martel, James. 2016. Introduction. Theory & Event, 19(1), ISSN 1092-311X [Article]

Eshun, Kodwo. 2003. Further Considerations on Afrofuturism. CR The New Centennial Review, 3(2), pp. 287-302. ISSN 15396630 [Article]

Eshun, Kodwo and Sagar, Anjali. 2014. It may be useful to assume the policeman’s perspective now and then. Black Collectivities NKA: Journal of Contemporary African Art, ISSN 1075-7163x [Article]

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Faramelli, Anthony. 2023. Crisis and Resistance: Institutional Psychotherapy and the Politics of Care. Deleuze and Guattari Studies, 17(2), pp. 196-216. ISSN 2398-9777 [Article]

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Faramelli, Anthony. 2017. The Decolonised Clinic: Fanon with Foucault. London Journal of Critical Thought, 1(2), pp. 114-128. ISSN 2398-662X [Article]

Faramelli, Anthony. 2017. Glissant versus Fanon. Chimères. Revue des schizoanalyses(90), pp. 66-76. ISSN 0986-6035 [Article]

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Faramelli, Anthony. 2023. Introduction: Why Institutional Analysis, Why Now? Deleuze and Guattari Studies, 17(2), pp. 161-168. ISSN 2398-9777 [Article]

Faramelli, Anthony. 2017. La réduction des risques au Royaume-Uni et le double diagnostic. Chimères. Revue des schizoanalyses(91), pp. 107-119. ISSN 0986-6035 [Article]

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Faramelli, Anthony. 2019. Liberation On and Off Screen: Black Panther and Black Liberation Theory. Film Criticism, 43(2), ISSN 0163-5069 [Article]

Faramelli, Anthony. 2024. Psychiatric Abolition: Deinstitutionalisation and Containment. History of the Human Sciences, ISSN 0952-6951 [Article] (Forthcoming)

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Faramelli, Anthony and Piper, Imogen. 2022. Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism. CLCWeb: Comparative Literature and Culture, 24(4), 6. ISSN 1481-4374 [Article]

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Faramelli, Anthony and Wilson, Rachel. 2022. Spaces of Refuge: The Clinical Practice of Félix Guattari and Institutional Psychotherapy. Deleuze and Guattari Studies, 16(4), pp. 623-641. ISSN 2398-9777 [Article]

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Fisher, Andrew. 2008. Beyond Barthes: Rethinking the Phenomenology of Photography. Radical Philosophy(148), ISSN 0300 211X [Article]

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Fisher, Andrew. 2009. The Involution of Photography. Radical Philosophy(157), ISSN 0300 211X [Article]

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Fisher, Andrew. 2016. On the Scales of Photographic Abstraction. Photographies, 9(2), pp. 203-214. ISSN 1754-0763 [Article]

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Fisher, Andrew. 2014. Photo-surveillance and the emplaced déraciné. Photographies, 7(1), pp. 53-65. ISSN 1754-0763 [Article]

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Fisher, Andrew. 2012. Photographic Scale. Philosophy of Photography, 3(2), pp. 310-329. ISSN 2040-3682 [Article]

Fisher, Andrew and Rubenstein, Daniel. 2011. Out of photography … Interview with Ariella Azoulay. Philosophy of Photography, 2(1), pp. 3-20. ISSN 20403682 [Article]

Fisher, Mark. 2001. Gothic Materialism. Pli Warwick Journal of Philosophy, 12, [Article]

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Fisher, Mark. 2006. Gothic Oedipus: Subjectivity and Capitalism in Christopher Nolan's Batman Begins’. ImageTexT: Interdisciplinary Comics Studies, 2(2), ISSN 1549-6732 [Article]

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Fisher, Mark. 2007. 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2. Film / Philosophy, 11(3), ISSN 1466-4615 [Article]

Fisher, Mark. 2011. The privatisation of stress. Soundings: A Journal of Politics and Culture, 48, pp. 123-133. ISSN 1362-6620 [Article]

García Düttmann, Alexander. 2008. Adorno's amerikanischer Traum. Frankfurter Allgemeine Zeitung, [Article]

García Düttmann, Alexander. 2008. Der Schein [Semblance]. Inaesthetik, pp. 149-157. [Article]

García Düttmann, Alexander. 2009. Idiosyncrasy And Film. Senses of Cinema, [Article]

García Düttmann, Alexander. 2011. Kafka and the Life of the Letter. Constellations, 18(1), pp. 67-73. ISSN 1467-8675 [Article]

García Düttmann, Alexander. 2010. Kafka i zivot slova [Kafka and the life of the letter]. Frakcija: performing arts magazine, n/a(53/54), pp. 52-58. ISSN 1331-0100 [Article]

García Düttmann, Alexander. 2008. Making Poverty Visible: three theses. Parrhesia: a journal of critical philosophy(4), pp. 1-10. [Article]

Godfrey, Mark; Demos, T.J.; Weizman, Eyal and Hameed, Ayesha. 2010. Rights of Passage”. Tate Etc, 19, [Article]

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Graham, Janna. 2017. Dos relatos sobre un «nosotros» Malestar en las fronteras entre arte, educación e investigación. Errata: Revista de Artes Visuales(16), pp. 168-175. ISSN 2145-6399 [Article]

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Graham, Janna. 2018. ‘Where are we when we think?’ Space, time and emancipatory education in galleries. International Journal of Lifelong Education, 37(1), pp. 21-39. ISSN 0260-1370 [Article]

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Graham, Janna and Papadopoulos, Dimitris. 2023. Organizing the precarious: Autonomous work, real democracy and ecological precarity. Organization, 30(4), pp. 649-667. ISSN 1350-5084 [Article]

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

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Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

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Grant, Catherine. 2019. A Letter Sent, Waiting to be Received: Queer Correspondence, Feminism and Black British Art. Women: A Cultural Review, 30(3), pp. 297-318. ISSN 0957-4042 [Article]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

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Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

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Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Gunkel, Henriette. 2012. Review: Rez. Judith Halberstam, The Queer Art of Failure. Duke University Press, 201. Feministische Studien, 2, pp. 351-353. ISSN 0723-5186 [Article]

Gunkel, Henriette. 2009. Through the Postcolonial Eyes: Images of Gender and Female Sexuality in Contemporary South Africa. Journal of Lesbian Studies, 13(1), pp. 77-87. ISSN 1089-4160 [Article]

Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine. 2015. Introduction: In Movement. Women in Africa and the African Diaspora. JENdA: A Journal of Culture and African Women Studies, 26, [Article]

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Gunkel, Henriette and Pitcher, Ben. 2008. Editorial: Racism in the Closet – Interrogating Postcolonial Sexuality. Darkmatter, 3, ISSN 2041-3254 [Article]

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Gunkel, Henriette and Pitcher, Ben. 2008. Q&A with Jasbir Puar. Darkmatter, 3, ISSN 2041-3254 [Article]

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Hameed, Ayesha. 2020. Black Atlantis: The Plantationocene. British Art Studies(18), ISSN 2058-5462 [Article]

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Hameed, Ayesha. 2007. Embodying the Middle Passage. Topia, 18, ISSN 1206-0143 [Article]

Hameed, Ayesha. 2012. Trace. Reviews in Cultural Theory, 2(3), ISSN 1918-9710 [Article]

Hameed, Ayesha. 2011. Yaron Lapid: The New Zero. Photoworks, 16, [Article]

Hameed, Ayesha and Le, Viet Ho. 2007. Love and Borders. West Coast LINE 49, 40(1), [Article]

Hameed, Ayesha and Vukov, Tamara. 2005. Notes on the Politics and Potentials of New Media Engagement. Public: art, culture and ideas, 31, [Article]

Hameed, Ayesha; Weizman, Eyal; Pereira, Godofredo Nobre Enes; Tavares, Paulo; Di Carlo, Tina and Khalili, Yazan. 2010. Universal Catastrophe - Roundtable On Terrorism. Revista Detritos, 4, [Article]

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Hamza, Husseina; Jacca, Joyce; Jarrett, Tracey and Graham, Janna. 2021. Instituting and Organising “From the Pockets”: A Field Report from a Museum in the Making. On Curating(52), pp. 71-83. ISSN 2673-2955 [Article]

Heller, Charles. 2014. Perception management – Deterring potential migrants through information campaigns. Global Media and Communication, 10(3), pp. 303-318. ISSN 1742-7665 [Article]

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Heller, Charles and Pezzani, Lorenzo. 2019. Contentious Crossings: Struggles and Alliances for Freedom of Movement across the Mediterranean Sea. South Atlantic Quarterly, 118(3), pp. 644-653. ISSN 0038-2876 [Article]

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Hernández Velázquez, Y. M.. 2024. That Which Cannot be Returned. A-Desk Critical Thinking, ISSN 2564-8330 [Article]

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Hernández Velázquez, Y. M.. 2013. Third-Way Aesthetics. Radical Philosophy(180), pp. 53-55. ISSN 0300-211X [Article]

Hilal, Sandi; Petti, Alessandro; Weizman, Eyal and Perugini, Nicola. 2013. The lawless line. London Review of International Law, 1(1), pp. 201-209. ISSN 2050-6325 [Article]

Hines, Carmen; Mörtenböck, Peter and Mooshammer, Helge. 2024. Between the Biennials: Cultural Networks in Times of Geopolitical Crisis. OBOE - Journal On Biennials and Other Exhibitions, 5(1), ISSN 2724-086X [Article] (Forthcoming)

Kastner, Jeffrey; McCarthy, Tom; Thompson, Nato and Weizman, Eyal. 2009. The New Geography: A Roundtable. Bookforum, [Article]

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Khosi, Motlatsi and Vráblíková, Lenka. 2020. The Salon is now in session: a reflection on UNISA’s decolonial reading. Journal of International Women’s Studies, 21(7), pp. 23-36. ISSN 1539-8706 [Article]

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Lee, Benjamin and Rosamond, Emily. 2023. Introduction: Volatility in Finance, Art, and Culture. Finance and Society, 9(3), pp. 1-17. ISSN 2059-5999 [Article]

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Lury, Celia; Day, Sophie E.; Simon, Andre; Tironi, Martín; Valderrama, Matías and Wark, Scott. 2024. Digital Valuation: Lessons in relevance from the prototyping of a recommendation app. Valuation Studies, 11(1), pp. 38-59. ISSN 2001-5992 [Article]

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Madani, Adnan. 2018. Cloud Memories, Desert Dreams. Hybrid, Journal of Visual Culture, 1(1), [Article]

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Madani, Adnan. 2020. On Reman Sadani's "Walkout 1". Jerwood/FVU Awards 2020: Hindsight, [Article]

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Madani, Adnan. 2018. The frame as borderland: Secular gazes and believing bodies in Bani Abidi’s The Distance From Here (2010). Moving Image Review & Art Journal, 7(2), pp. 236-250. ISSN 2045-6298 [Article]

Martinon, Jean-Paul. 2011. Between Freedoms: Jean-Luc Nancy’s Haunting Categorical Imperative. Mono Kurgusuz Labirent(10-11), ISSN 1306-715X [Article]

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Martinon, Jean-Paul. 2018. The Birth of Language or the Necessity of Rule. Bulletin of the School of Oriental and African Studies, 81(3), pp. 413-424. ISSN 0041-977X [Article]

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Martinon, Jean-Paul. 2021. Curators Serving the Public Good. Philosophies, 6, 28. ISSN 2409-9287 [Article]

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Martinon, Jean-Paul. 2017. Edging Disciplines. Journal of Curatorial Studies, 6(2), pp. 221-229. ISSN 2045-5836 [Article]

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Martinon, Jean-Paul. 2015. The Equivocal Concept: The Work of Bourahima Ouattara. International Journal of Francophone Studies, 18(2-3), pp. 339-358. ISSN 1936-6280 [Article]

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Martinon, Jean-Paul. 2019. Marx 1845 or the Fateful Rejection of Anschauung. CR: The New Centennial Review, 18(3), pp. 73-96. ISSN 1539-6630 [Article]

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Martinon, Jean-Paul. 2023. The Museum's Fourth Future. Eidos. A Journal for Philosophy of Culture, 7(1), pp. 103-124. ISSN 2544-302X [Article]

Martinon, Jean-Paul. 2006. Museum, Plasticity, Temporality. Museum Management and Curatorship, 21(2), pp. 157-167. ISSN 0964-7775 [Article]

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Martinon, Jean-Paul. 2019. Race and Universality: Meillassoux Meets Eze and Wiredu. Pli: The Warwick Journal of Philosophy, 30, pp. 49-71. ISSN 1367-3769 [Article]

Martinon, Jean-Paul. 2005. Strategies of (In)visibility. Republicart - EIPCP Web Journal, pp. 1-6. ISSN 1811-1696 [Article]

Martinon, Jean-Paul. 2008. Switzerland: Joanna Hodge’s Derrida on Time. Radical Philosophy(149), pp. 62-64. ISSN 0300-211X [Article]

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Martinon, Jean-Paul. 2017. Time Unshackled. New Formations, 92, pp. 11-24. ISSN 0950-2378 [Article]

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Martinon, Jean-Paul. 2012. Valentin Mudimbe or the Work of Invention. Darkmatter, 8, pp. 1-4. ISSN 2041-3254 [Article]

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McAuliffe, Sam. 2019. Black Dust: Raymond Queneau and The Encyclopedia of the Inexact Sciences. Paragraph, 42(2), pp. 154-169. ISSN 0264-8334 [Article]

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McAuliffe, Sam. 2019. Precarious Ascent: Trace and Terrain in René Daumal's Mount Analogue. Modern Language Notes, 134(4), pp. 783-805. ISSN 0026-7910 [Article]

Mercier, Thomas Clément and Vráblíková, Lenka. 2019. à corps: the corpus of deconstruction. parallax, 25(2), pp. 111-118. ISSN 1353-4645 [Article]

Millner-Larsen, Nadja. 2013. Demandless Times. Women's Studies Quarterly, 41(3/4), pp. 113-130. [Article]

Millner-Larsen, Nadja; Osman`, Wazmah and Ferrari, Danyel. 2010. Brown Skin, Blue Masks. Canopy, [Article]

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Mitchell, Elspeth and Vráblíková, Lenka. 2022. Out of Office: Mycorrhizal encounters and the art of feminist un/learning. Antennae: The Journal of Nature in Visual Culture(58), pp. 96-107. ISSN 1756-9575 [Article]

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Moreno, Louis. 2018. Always crashing in the same city: real estate, psychic capital and planetary desire. CITY, 22(1), pp. 152-168. ISSN 1360-4813 [Article]

Moreno, Louis. 2014. Mob deep: The underground current of urban revolution. Dialogues in Human Geography, 4(2), pp. 238-242. ISSN 2043-8206 [Article]

Moreno, Louis. 2012. A Review of “Henri Lefebvre on Space: Architecture, Urban Research and the Production of Theory”. Annals of the Association of American Geographers, 102(4), pp. 885-890. ISSN 0004-5608 [Article]

Moreno, Louis. 2014. The urban process under financialised capitalism. City, 18(3), pp. 244-268. ISSN 1360-4813 [Article]

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Moreno, Louis and Bang Shin, Hyun. 2018. The Urban Process Under Planetary Accumulation by Dispossession. CITY, 22(1), pp. 78-87. ISSN 1360-4813 [Article]

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Mpondaa, Victoria and Graham, Janna. 2022. Azamba publics: containment, care and curating in the “expanded private sphere”. Journal of Aesthetics & Culture, 14(1), 2063704. ISSN 2000-4214 [Article]

Mörtenböck, Peter. 2009. The Art of Living With Strangers: Risk Taking in the Space of Flows. The Myth of Europa(7), pp. 20-21. ISSN 2041-6245 [Article]

Mörtenböck, Peter. 2002. Digitale Welten: Nicht wissende User - ahnungslos Beteiligte. Archithese, 32(4), pp. 8-13. ISSN 1010-4089 [Article]

Mörtenböck, Peter. 2005. Free Running and the Hugged City. Thresholds(30), pp. 88-93. ISSN 1091-711X [Article]

Mörtenböck, Peter. 2007. Networked Cultures. FeedBack, 4, [Article]

Mörtenböck, Peter. 2025. Ocean as Metaphor and Embodiment. Ocean and Society, 2(1), [Article] (Forthcoming)

Mörtenböck, Peter. 2012. Other Markets: The visual culture of informal trade. Journal of Global Studies and Contemporary Art,, 2(1), [Article]

Mörtenböck, Peter. 2000. Swimming Between Ponds: technological subjects, corporate landscapes, digital bodies. architektur.aktuell, 34(246/47), pp. 108-117. ISSN 0570-6602 [Article]

Mörtenböck, Peter. 2011. Urban-Think Tank: Ein Dialog. KONstruktiv(284), pp. 20-26. [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2012. At Home in the World. P.E.A.R. (Paper for Emerging Architectural Research)(4), pp. 35-39. ISSN 2041-2878 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2018. Crowdfunded Urban Development: Urban narratives as vehicles for new financial markets. ARCH+ Journal for Architecture and Urbanism, 51(231), pp. 186-189. ISSN 0587-3452 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Grauzonen des Handelns. Bildpunkt, 2011(2), pp. 22-24. ISSN 2074-9783 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2006. Happy Slapping - Urban Violence in the Age of Camera Phones. Monu - Magazine on Urbanism(5), pp. 44-48. ISSN 1860-3211 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2004. Inventing S-E-X. Österreichische Zeitschrift für Geschichtswissenschaften, 15(3), pp. 168-177. ISSN 1016765X [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2021. My Home Is My Future – Co-Living und das neue Ethos der Gemeinschaftsbildung. ARCH+ Journal for Architecture and Urbanism(244), pp. 200-207. ISSN 0587-3452 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2024. My Home is my Future – Co-Living and the New Ethos of Community Building. ARCH+ Vienna - The End of Housing (As a Typology), pp. 186-193. ISSN 0587-3452 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2020. Notorious Markets: Zur (vermeintlichen) Architektur informeller Ökonomie. Soziopolis: Gesellschaft beobachten, ISSN 2509-5196 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Performance des Protests. Kunstforum International, 224, pp. 122-135. [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan and Conflict. Third Text, 22(1), pp. 57-69. ISSN 0952-8822 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Spaces of encounter: informal markets in Europe. Architectural Research Quarterly, 12(3-4), pp. 347-357. ISSN 1359-1355 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2018. Urban frontiers in the global struggle for capital gains. Finance and Society, 4(1), pp. 108-125. ISSN 2059-5999 [Article]

Mörtenböck, Peter; Mooshammer, Helge and Pieterse, Edgar. 2015. Informal Worlds Reader. Cityscapes - Re-thinking Urban Things(7), ISSN 2227-4006 [Article]

Mörtenböck, Peter; Mooshammer, Helge; Tavares, Paulo; Huber, Frauke; Martin, Uwe H. and Biemann, Ursula. 2015. World of Matter. Architectural Theory Review, 20(1), pp. 122-134. ISSN 1326-4826 [Article]

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O' Dwyer, Killian. 2024. (Non)Life on the Line: Crisis Calls with Animals. Pulse: the Journal of Science and Culture, 10(1), ISSN 2416-111X [Article] (In Press)

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O' Dwyer, Killian. 2024. Plastic Bits: Genitals and Sexual Plasticity. tba: Journal of Art, Media and Visual Culture, 5(1), pp. 68-79. ISSN 2563-6243 [Article]

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O'Sullivan, Simon D.. 2017. Accelerationism, Hyperstition and Myth-Science. Cyclops(2), pp. 11-44. ISSN 2398-2705 [Article]

O'Sullivan, Simon D.. 2001. The Aesthetics of Affect: Thinking art beyond representation. Angelaki: Journal of Theoretical Humanities, 6(3), pp. 125-135. ISSN 0969-725X [Article]

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O'Sullivan, Simon D.. 2023. Avatars, Egregores and the Writing of the Self. Journal of Writing in Creative Practice, 16(1), pp. 229-241. ISSN 1753-5190 [Article]

O'Sullivan, Simon D.. 1997. Catalogue essay. catalogue essay, [Article]

O'Sullivan, Simon D.. 2007. The City and an Art Practice. 'Some Time Repeating an Embarrassed Word', Studio 1.1 Gallery, [Article]

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O'Sullivan, Simon D.. 2016. Deleuze Against Control: from Fictioning to Myth-Science. Theory, Culture and Society, 33(7/8), pp. 1-16. ISSN 0263-2764 [Article]

O'Sullivan, Simon D.. 2003. Dissenting Machines. Outside Edge(2), [Article]

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O'Sullivan, Simon D.. 2018. Fictioning the Landscape. Journal of Aesthetics and Phenomenology, 5(1), pp. 53-65. ISSN 2053-9320 [Article]

O'Sullivan, Simon D.. 2017. Fictioning the Landscape: Robert Smithson and Ruins in Reverse. Take On Art Magazine, 3(2), pp. 60-63. [Article]

O'Sullivan, Simon D.. 2004. First Manifesto for the Guerrilla Plastique Fantastique. Drain: Journal of Contemporary Art and Culture, pp. 1-4. [Article]

O'Sullivan, Simon D.. 2006. Foreword: Instructions for Use (25 Operational Protocols). Fine Art/Art History final year degree show catalogue, [Article]

O'Sullivan, Simon D.. 2004. Friendship as Community: From Ethics to Politics. Takkekortet: The Written Acknowledgement, [Article]

O'Sullivan, Simon D.. 2005. From Possible Worlds to Future Folds (Following Deleuze): Richter's Abstracts, Situationist Cities, and the Baroque in Art. Journal of the British Society for Phenomenology, 36(3), pp. 311-329. ISSN 0007-1773 [Article]

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O'Sullivan, Simon D.. 2017. From Science Fiction to Science Fictioning: SF’s Traction on the Real. Foundation: The International Review Of Science Fiction(128), pp. 74-84. ISSN 0306-4964 [Article]

O'Sullivan, Simon D.. 2000. In Violence: Three Case Studies Against the Stratum. Parallax, 6(2), pp. 104-109. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.. 2015. Myth-Science. Rattle: a Journal at the convergence of Art and Writing(5), pp. 106-120. ISSN 20473885 [Article]

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O'Sullivan, Simon D.. 2016. Myth-Science and the Fictioning of Reality. Paragrana, 25(2), pp. 80-93. ISSN 0938-0116 [Article]

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O'Sullivan, Simon D.. 2020. Myth-Science as Residual Culture and Magical Thinking. postmedieval: a journal of medieval cultural studies, 11(1), pp. 119-136. ISSN 2040-5960 [Article]

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O'Sullivan, Simon D.. 2017. Mythopoesis or Fiction as Mode of Existence: Three Case Studies from Contemporary Art. Visual Culture in Britain, 18(2), pp. 292-311. ISSN 1471-4787 [Article]

O'Sullivan, Simon D.. 2017. Mythopoesis, Scenes and Performance Fictions: Two Case Studies (Crass and Thee Temple ov Psychick Youth). Parasol: The Journal of the Centre for Experimental Ontology(2), pp. 94-106. ISSN 2525-2920 [Article]

O'Sullivan, Simon D.. 2005. Notes Towards a Minor Art Practice. Drain, 2(2), ISSN 2469-3022 [Article]

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O'Sullivan, Simon D.. 2022. On Tabletop Roleplaying Games and Fictioning. Vector, ISSN 0505-0448 [Article]

O'Sullivan, Simon D.. 2003. Political Physics by John Protevi. Parallax, 9(1), pp. 126-127. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.. 2012. A Portrait of the Philosopher as an Old Man. Philosophy of Photography, 3(2), p. 375. ISSN 2040-3682 [Article]

O'Sullivan, Simon D.. 2005. Pragmatics for the Production of Subjectivity: Time for Probe-heads. Journal for Cultural Research, 10(4), pp. 309-322. ISSN 14797585 [Article]

O'Sullivan, Simon D.. 2004. What is an Event? Yesvember, pp. 20-24. [Article]

O'Sullivan, Simon D.. 2001. Writing on Art (Case Study: the Buddhist Puja). Parallax, 7(4), pp. 115-121. ISSN 1353-4645 [Article]

O'Sullivan, Simon D. and Burrows, David. 2010. The Chymical Wedding: Performance Art as Masochistic Practice (an Account, the Contracts and Further Reflections). Angelaki: Journal of the Theoretical Humanities, 15(1), pp. 139-148. ISSN 0969-725X [Article]

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O'Sullivan, Simon D. and Burrows, David. 2016. Plastique Fantastique Review of the Kibbo Kift: Seven Celebrations/Seven Critiques/Seven Parallels. Visual Culture in Britain, 17(2), pp. 225-233. ISSN 1471-4787 [Article]

O'Sullivan, Simon D. and Cull, Laura. 2013. Deleuze for Artists. Centre for Useless Splendour, [Article]

O'Sullivan, Simon D. and Lynch, John. 2007. One Day in the Life of a City (July 21, 2006). Parallax, 13(1), pp. 28-37. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.; Sawers, Geoff and Hall, Dani. 2000. Stone Tents and Sand Castles: A Symposium. [Article]

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Paganellli, Mattia. 2017. Ontology Interrupted: Prigogine, Stengers and the Abdication of Physics. Pulse: a History, Sociology & Philosophy of Science Journal(5), pp. 46-70. ISSN 2416-111X [Article]

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Paganellli, Mattia. 2012. The paradoxical economy of crisis: ‘Crisis of experience’ and the ana-economy of Else. Philosophy of Photography, 3(1), pp. 60-72. ISSN 2040-3682 [Article]

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Paganellli, Mattia and Worrallo, Dane. 2015. Eleven Theses for An Initial degree of Roughness: Transubstantiation, Materiality and Art. Zetesis: The International Journal for Fine Art, Philosophy and the Wild Sciences, 2(1), pp. 121-127. ISSN 2059-2582 [Article]

Petti, Alessandro; Perugini, Nicola; Hilal, Sandi and Weizman, Eyal. 2011. Linea verde, il limes senza legge. Limes, [Article]

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Phan, Thao and Wark, Scott. 2021. Racial formations as data formations. Big Data & Society, 8(2), pp. 1-5. ISSN 2053-9517 [Article]

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Phan, Thao and Wark, Scott. 2021. What personalisation can do for you! Or: how to do racial discrimination without ‘race’. Culture Machine, 20, ISSN 1465-4121 [Article]

Plotegher, Paolo. 2005. The Ballade of K. R. White Collar(3), [Article]

Plotegher, Paolo. 2008. Café Plural 13.08.08. www.summerdrafts.org, [Article]

Plotegher, Paolo. 2006. Rina. Fuga de Cerebros(1), [Article]

Plotegher, Paolo. 2005. VAL Video Art from London. Transart05 catalogue, [Article]

Plotegher, Paolo; Dowling, Emma; Hansen, Bue Rubner and Zechner, Manuela. 2012. Nanopolitics: A First Outline of Our Experiments in Movement. Lateral(1), [Article]

Prendeville, Brendan. 2011. Art as phenomenology? Philosophy of Photography, 2(1), pp. 159-61. ISSN 2040-3682 [Article]

Prendeville, Brendan. 2009. Contested Bodies’ (book review). Art History, 32(1), pp. 216-219. ISSN 0141-6790 [Article]

Prendeville, Brendan. 2005. Discernment. Oxford Art Journal, 28(1), pp. 213-226. ISSN 01426540 [Article]

Prendeville, Brendan. 1995. ‘The Features of Insanity, as seen by Géricault and by Büchner’. Oxford Art Journal, 18(1), pp. 96-115. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2013. A Heartfelt Gesture: Separation and Feeling, Darkness and Illusion in Caravaggio. Oxford Art Journal, 36(2), pp. 185-206. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2007. The Meanings of Acts: Agnes Martin and the Making of Americans. Oxford Art Journal, 31(1), pp. 51-73. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2015. Sam Cornish, Stockwell Depot, 1967-79. Sculpture Journal, 24(3), pp. 425-436. ISSN 1366-2724 [Article]

Prendeville, Brendan. 2015. Sculpting with air. Ambit, 220, pp. 46-53. ISSN 0002-6972 [Article]

Prendeville, Brendan. 2001. Uncertain Light. M’ARS, Ljubljana, Year XIII, XIII(1-2), pp. 46-51. [Article]

Prendeville, Brendan. 2004. Varying the Self: Bacon's Versions of van Gogh. Oxford Art Journal, 27(1), pp. 23-42. ISSN 01426540 [Article]

Prendeville, Brendan. 2009. ‘The essence of vision: recent paintings by Gina Medcalf’. exhibition catalogue, The Cut Art Centre, [Article]

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Ramos Martinez, Manuel. 2015. Book Review: TJ Demos, The Migrant Image: The Art and Politics of Documentary during Global Crisis. Journal of Visual Culture, 14(1), pp. 116-118. ISSN 1470-4129 [Article]

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Ramos Martinez, Manuel. 2016. The Cinema of No. La Furia Umana(28), ISSN 2037-0431 [Article]

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Ramos Martinez, Manuel. 2022. Images That Sweat: On the Spectacular Realism of Lino Brocka’s Macho Dancer. Third Text, 36(5), pp. 497-512. ISSN 0952-8822 [Article]

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Ramos Martinez, Manuel. 2022. The Most Beautiful Film Ever Made. Moving Image Review & Art Journal (MIRAJ), 11(1), pp. 86-95. ISSN 2045-6298 [Article]

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Ramos Martinez, Manuel. 2011. Review: Alain Badiou (2010) Cinéma. Film / Philosophy, 15(2), pp. 143-149. ISSN 1466-4615 [Article]

Ramos Martinez, Manuel and Matos Cabo, Ricardo. 2014. ‘Flower Children in the Blinding Light, A Conversation with Anthony Stern’. Lux - Artists' Moving Image, [Article]

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Roberdeau, Wood. 2022. Counter-attacking Pollution in Three Aerial Acts. Performance Research, 26(7), pp. 23-30. ISSN 1352-8165 [Article]

Roberdeau, Wood. 2011. Developing the Negative. Philosophy of Photography, 2(1), pp. 169-173. ISSN 2040-3682 [Article]

Roberdeau, Wood. 2013. Gastronomic Worldviews of Transubstantiation. Parallax, 19(1), pp. 128-131. ISSN 1353-4645 [Article]

Roberdeau, Wood. 2011. Going Public by Boris Groys. Art & the Public Sphere, 1(2), pp. 229-233. [Article]

Roberdeau, Wood. 2010. Immanence as Aesthetic Documentation. rubric: document(3), pp. 10-14. [Article]

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Roberdeau, Wood. 2017. Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time. Dada/Surrealism, 21, ISSN 0084-9537 [Article]

Roberdeau, Wood. 2012. Meal Time as Medium: Duration and the work of AO&. Performance Research, 17(5), pp. 130-134. ISSN 1352-8165 [Article]

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Roberdeau, Wood. 2012. Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme. Journal of the International Association of Research Institutes in the History of Art, [Article]

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Roberdeau, Wood. 2018. Scalar Aesthetics of Ecocinema: The Wall and The Survivalist. Transformations Journal of Media, Culture and Technology(32), [Article]

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Roberdeau, Wood. 2017. A Withdrawing Vital Material. TAKE on art magazine, 3(1), pp. 22-28. [Article]

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Roberdeau, Wood. 2016. You Must Carry Me Now: The Cultural Lives of Endangered Species by Bryndís Snæbjörnsdóttir and Mark Wilson. Antennae: The Journal of Nature in Visual Culture, ISSN 1756-9575 [Article]

Rogoff, Irit. 2009. De-regulation: With the work of Kutlug Ataman. Third Text, 23(2), pp. 165-179. ISSN 0952-8822 [Article]

Rogoff, Irit. 2010. FREE. e-flux journal(14), pp. 1-11. [Article]

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Rogoff, Irit. 2010. Practicing Research: Singularising Knowledge. MaHKUzine #9: Summer 2010, Doing Dissemination., 9, pp. 37-42. [Article]

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Rogoff, Irit. 2008. Turning. e-flux journal, 1, E1-E10. [Article]

Rogoff, Irit and Stahre, Ulrike. 2008. Unfolding the critical. Paletten: journal of art, design and crafts, 272(2), [Article]

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Rosamond, Emily. 2023. Communities, cohorts and counter-speculators. Journal of Cultural Economy, 16(2), pp. 294-297. ISSN 1753-0350 [Article]

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Rosamond, Emily. 2021. Derivative Character Investments: Social Impact Bonds as Path-Changing Devices. Journal of Cultural Economy, 14(4), pp. 485-497. ISSN 1753-0350 [Article]

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Rosamond, Emily. 2017. Developing Student-Centred Metacognitive Parameters for Writing Feedback. Creative Pedagogies, 1(1), pp. 15-19. [Article]

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Rosamond, Emily. 2020. Financial Narratives in Crisis. Finance and Society, 6(2), pp. 130-135. ISSN 2059-5999 [Article]

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Rosamond, Emily. 2016. Francis Alÿs, Ciudad Juárez Projects. Esse, 88, pp. 110-111. ISSN 0831-859X [Article]

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Rosamond, Emily. 2020. From Reputation Capital to Reputation Warfare: Online Ratings, Trolling, and the Logic of Volatility. Theory, Culture & Society, 37(2), pp. 105-129. ISSN 0263-2764 [Article]

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Rosamond, Emily. 2013. (Im)material Pedagogies. P.A.R.T.S., [Article]

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Rosamond, Emily. 2017. The Infinite Mix. Esse, 89, ISSN 0831-859X [Article]

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Rosamond, Emily. 2018. Inflation. Catalogue essay, Adrienne Spier, Lump, Slump, Sunk, Hamilton Artists Inc, [Article]

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Rosamond, Emily. 2018. Moods of Identification. Furtherfield Spring Editorial, [Article]

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Rosamond, Emily. 2012. Narrative Interrupted: Painting Between Progression and Duration. Lucky 7 Chanceux: Studio Arts MFA, pp. 72-75. [Article]

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Rosamond, Emily. 2012. Object Lessons: David Askevold's Learning About Cars and Chocolates. Esse, 75, pp. 30-33. ISSN 0831-859X [Article]

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Rosamond, Emily. 2011. Pavillon levé (dix jours à vaincre les mortes-eaux). C Magazine, 112, pp. 47-48. ISSN 1480-5472 [Article]

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Rosamond, Emily. 2015. Rafael Lozano-Hemmer: Obra Sonora. Esse, 83, pp. 72-75. ISSN 0831-859X [Article]

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Rosamond, Emily. 2022. Reputation Regimes. Art Monthly(461), pp. 1-5. ISSN 0142-6702 [Article]

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Rosamond, Emily. 2016. Shared Stakes, Distributed Investment: Socially Engaged Art and the Financialization of Social Impact. Finance and Society, 2(2), pp. 111-126. ISSN 2059-5999 [Article]

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Rosamond, Emily. 2014. Species of Futurity in Business, Law and Finance. Who Thinks the Future?, pp. 7-11. [Article]

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Rosamond, Emily. 2010. Still Life with Easter Everywhere. Esse, 69, ISSN 0831-859X [Article]

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Rosamond, Emily. 2016. The Surveillance Economy: Toward a Geopolitics of Personalization. Geopolitics, 86, pp. 22-29. ISSN 0831-859x [Article]

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Rosamond, Emily. 2015. Technologies of Attribution: Characterizing the Citizen-Consumer in Surveillance Performance. International Journal of Performance Arts and Digital Media, 11(2), pp. 148-164. ISSN 1479-4713 [Article]

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Rosamond, Emily. 2018. To sort, to match and to share: addressivity in online dating platforms. Journal of Aesthetics & Culture, 10(3), pp. 32-42. ISSN 2000-4214 [Article]

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Rosamond, Emily. 2015. Transfusing Abstraction: Darren Harvey-Regan's Metalepsis. Esse, 83, pp. 14-21. ISSN 0831-859x [Article]

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Rosamond, Emily. 2012. Un-designing: Serge Murphy, Architecture and Felt Time. Esse, 74, ISSN 0831-859X [Article]

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Rosamond, Emily. 2020. What Was to Have Happened? Tenses for a Cancelled Future. Metropolis M, 2020(6), ISSN 0168-9053 [Article]

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Rosamond, Emily. 2023. YouTube Personalities as Infrastructure: Assets, Attention Choreographies and Cohortification Processes. Distinktion: Journal of Social Theory, 24(2), pp. 254-282. ISSN 1600-910X [Article]

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Rosamond, Emily; Skinner, Kristie; Weeks, Harry and Gregory, Karen. 2018. The Common Sense - Q+A. The Two-Way Patch, [Article]

Saadawi, Ghalya. 2022. Critical Incision: Hypochondria, Autotheory, and the Health-Illness Dialectic. philoSOPHIA, 12(1-2), pp. 57-83. ISSN 2155-0891 [Article]

Saadawi, Ghalya. 2012. Not, not Contemporary: The Eye of the Storm. Third Text, 26(4), pp. 379-382. ISSN 0952-8822 [Article]

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Samman, Amin; Boy, Nina; Coombs, Nathan; Hager, Sandy; Hayes, Adam; Rosamond, Emily; Wansleben, Leon and Westermeier, Carola. 2022. After the Boom: Finance and Society Studies in the 2020s and Beyond. Finance and Society, 8(2), pp. 93-109. ISSN 2059-5999 [Article]

Schmetterling, Astrid. 2007. Archival Obsessions: Arnold Dreyblatt's Memory Work. Art Journal, 66(4), pp. 70-83. ISSN 0004-3249 [Article]

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Schmetterling, Astrid. 2015. ‘Biographien jüdischer Frauen: Zur Aktualität Charlotte Salomons’. Medaon – Magazin für jüdisches Leben in Forschung und Bildung, 9(17), pp. 1-5. [Article]

Schmetterling, Astrid. 2006. Encounters at the Site of Trauma. Third Text, 20(5), pp. 561-570. ISSN 09528822 [Article]

Schmetterling, Astrid. 2002. Irene Below: Hidden Treasures. Irma Stern. Her Books, Painted Book Covers and Bookplates. Frauen Kunst Wissenschaft(34), pp. 88-92. ISSN 0935-6967 [Article]

Schmetterling, Astrid. 1997. Tracing the Life (or Theatre?) of Charlotte Salomon. Issues in Architecture Art & Design, 5(1), pp. 115-128. ISSN 0960-8648 [Article]

Schmetterling, Astrid. 2008. Vivienne Koorland: Reisemalheurs (Travel Woes). Textile The Journal of Cloth and Culture, 6(1), pp. 88-97. ISSN 14759756 [Article]

Schuppli, Susan. 2012. Atmosfärisk Korrigering. Glänta, 4(12), pp. 12-21. [Article]

Schuppli, Susan. 2008. Curse of the Mummy: Oral Affliction or Archival Aphasia. Memory Studies, 2(2), pp. 167-186. ISSN 1750-6980 [Article]

Schuppli, Susan. 2013. “Half Truths”. Mute, [Article]

Schuppli, Susan. 2008. Of Moths and Machines. Cosmos and History : the Journal of Natural and Social Philosophy, 4(1-2), pp. 286-306. ISSN 1832-9101 [Article]

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Sutherland, Thomas and Wark, Scott. 2024. (Re)search results: Search engines and the logic of efficiency in scholarship. Distinktion: Journal of Social Theory, ISSN 1600-910X [Article] (In Press)

Tubridy, Derval. 2007. Sounding Spaces: Aurality in Beckett, Nauman and Cardiff. Performance Research, 12(1), pp. 5-11. ISSN 1352-8165 [Article]

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Turner, Lynn. 2011. Animal transference: a "mole-like progression" in C. J. Cherryh. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 163-175. [Article]

Turner, Lynn. 2003. Braiding Polyphony: Je tu il elle (& lui). Performance Research, 8(1), pp. 93-99. ISSN 13528165 [Article]

Turner, Lynn. 2013. Hors d’oeuvre: some footnotes to the Spurs of Dorothy Cross. Parallax, 19(1), pp. 3-11. ISSN 1353-4645 [Article]

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Turner, Lynn. 2021. How like a (Fig) Leaf: supplanting shame, growing differences. Tahiti: The Society for Art History in Finland, 10(4), pp. 18-27. [Article]

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Turner, Lynn. 2016. Interviewee: Lynn Turner. Interviewer: Ron Broglio. Antennae: The Journal of Nature in Visual Culture(38), pp. 30-36. ISSN 1756-9575 [Article]

Turner, Lynn. 2002. ‘Lift off: il n’y a pas de deux hors texte’. The Journal of Visual Culture, 1(3), pp. 372-374. ISSN 14704129 [Article]

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Turner, Lynn. 2024. Ray of Light. Textual Practice, ISSN 0950-236X [Article] (In Press)

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Turner, Lynn. 2023. Secrets and Lies: Embassytown, Ethics and Eating in the Darkness. Foundation: The International Review of Science Fiction, 52(2), pp. 47-63. ISSN 0306-4964 [Article]

Turner, Lynn. 2003. ‘Sexual Difference’. The Year’s Work in Cultural & Critical Theory, 11, pp. 317-332. [Article]

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Turner, Lynn. 2014. Telefoam: species on the shores of Derrida and Cixous. European Journal of English Studies, 18(2), pp. 158-171. ISSN 1382-5577 [Article]

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Turner, Lynn. 2020. Telegrams. Mosaic: an interdisciplinary critical journal, 53.2, pp. 83-95. [Article]

Turner, Lynn. 2002. ‘Translating John Malkovich’. Performance Research, 7(2), pp. 132-137. ISSN 1352-8165 [Article]

Turner, Lynn. 2002. Translation Reading Sex. Parallax, 8(4), pp. 57-70. ISSN 13534645 [Article]

Turner, Lynn. 2013. Tympan Alley: Posthumanist Performatives in Dancer in the Dark. Derrida Today, 6(2), pp. 222-239. ISSN 1754-8500 [Article]

Turner, Lynn. 2012. Unhoming Pigeons: The Postal Principle in Lynn Hershman Leeson and Hussein Chalayan. Derrida Today, 5(1), pp. 92-110. ISSN 1754-8500 [Article]

Turner, Lynn. 2010. When Species Kiss: some recent correspondence between animots. Humanimalia – a journal of human/animal interface studies, 2(1), pp. 60-85. ISSN 2151-8645 [Article]

Turner, Lynn. 2007. Wind Up: the Machine-Event of Tape. Camera Obscura Feminism Culture and Media Studies, 22(164), pp. 112-135. ISSN 02705346 [Article]

Turner, Lynn and Kelley, Lindsay. 2013. amuse gueule 'Bon Appetit'. Parallax, 19(1), pp. 1-2. ISSN 1353-4645 [Article]

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Varvantakis, Christos; Rozakou, Katerina; Anastasiadi, Ifigeneia; Karathanasis, Pafsanias and Aivaliotis, Konstantinos. 2019. Editorial (Critical Encounters: The "European" Refugee Crisis). Journal of Anthropological Films, 3(2), e2902. [Article]

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Varvia, Christina. 2022. Notes on the Politics of an Expanded Body. Parse Journal, 15, ISSN 2002-0511 [Article]

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Varvia, Christina. 2021. The Space of the Body: A working definition. AA Files, 78, pp. 24-32. ISSN 0261-6823 [Article]

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Varvia, Christina and Alzakout, Amel. 2021. Image-Sections: The Evidentiary Capacity of Images to Sample the Lifeworld and Have an Operative Life. The Nordic Journal of Aesthetics, 30(61-62), pp. 206-229. ISSN 2000-1452 [Article]

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Vráblíková, Lenka. 2018. Maria Do Mar Pereira: Power, Knowledge and Feminist Scholarship: An Ethnography of Academia. Czech Sociological Review, 54(3), pp. 481-484. ISSN 0038-0288 [Article]

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Vráblíková, Lenka. 2012. Negativita ve studování na umělecké škole [Negativity in the studying in the Art School]. Sociální studia [Czech Social Studies], 9(3), pp. 51-64. ISSN 1214-813X [Article]

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Vráblíková, Lenka. 2021. Othering Mushrooms: Migratism and its racist entanglements in the Brexit campaign. Feminist Encounters: Journal of Critical Studies in Culture and Politics, 5(1), 05. ISSN 2468-4414 [Article]

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Vráblíková, Lenka. 2016. Roxana and other feminist (hi)stories: Book review of A. E. Berger’s “The Queer Turn in Feminism". Discourse: Journal for Theoretical Studies in Media and Culture, 38(2), pp. 281-284. ISSN 1522-5321 [Article]

Vráblíková, Lenka and Mercier, Thomas Clément. 2019. corps à: body/ies in deconstruction. parallax, 25(1), pp. 1-7. ISSN 1353-4645 [Article]

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Vráblíková, Lenka and Mitchell, Elspeth. 2022. Jak se ucit s houbami? Krunýř: mezidruhový pracovní sešit(1), [Article]

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Wark, Scott. 2017. Media after the “Medial a Priori”. Cultural Politics, 13(2), pp. 259-262. ISSN 1743-2197 [Article]

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Wark, Scott. 2020. Transmediale’s Postdigital Proposition. Cultural Politics, 16(2), pp. 274-276. ISSN 1743-2197 [Article]

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Wark, Scott. 2019. The subject of circulation: on the digital subject's technical individuations. Subjectivity, 12(1), pp. 65-81. ISSN 1755-6341 [Article]

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Wark, Scott and Soncul, Yiğit. 2022. A Media-Theoretical Armamentarium: From the Pharmakon to Pharmacologies of Media. Media Theory, 6(2), pp. 1-24. ISSN 2557-826X [Article]

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Wark, Scott and Sutherland, Thomas. 2015. Editorial: Platforms for the New. Platform: Journal of Media and Communication, 6, pp. 4-10. ISSN 1836-5132 [Article]

Weizman, Eyal. 2014. Arafat’s Tomb. London Review of Books, 36(1), p. 26. [Article]

Weizman, Eyal. 2014. The Architecture of Ariel Sharon. Al Jazeera English, [Article]

Weizman, Eyal. 2011. Arendt in Ethiopia. UMBR(a): The Worst (2011), ISSN 1087-0830 [Article]

Weizman, Eyal. 2012. The Book of Destruction. London Review of Books, 34(23), p. 28. [Article]

Weizman, Eyal. 2010. Forensic architecture: Only the Criminal Can Solve the Crime. Radical Philosophy, ISSN 1047-8302 [Article]

Weizman, Eyal. 2010. Legislative Attack. Theory, Culture & Society, 21(6), pp. 11-32. ISSN 0263-2764 [Article]

Weizman, Eyal. 2010. Political Plastic (Interview). Collapse, 6, pp. 257-303. [Article]

Weizman, Eyal and Di Carlo, Tina. 2010. Dying to Speak: Forensic Spatiality (Interview). Log(20), [Article]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Return to the Common: DAAR: Decolonizing Architecture Art Residency. Manifesta, [Article]

Weizman, Eyal and Keenan, Thomas. 2010. The Third Strategic Threat. Opendemocracy, [Article]

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Wolf, Nicole. 2019. In the Wake of Gujarat: The Social Relations of Translation and Futurity. Critical Studies, 4, pp. 97-113. ISSN 2055-141X [Article]

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Wolf, Nicole. 2018. Is this just a story? Friendships and fictions for speculative alliances. The Yugantar film collective (1980-83). Moving Image Review & Art Journal, 7(2), pp. 252-266. ISSN 2045-6298 [Article]

Wolf, Nicole. 2018. Metabolisms of the Feminist Archive and the Nowness of Yugantar (1980–83). Documentary Now, edited by Ravi Vasudevan, 70(1), pp. 42-49. [Article]

Wolf, Nicole. 2010. Of bird watchers and other incidental proceedings. Catalogue for 40th Forum, Berlin Film Festival, [Article]

Wolf, Nicole. 2016. Porous Container and Time and relations. A House in Ninh Hoa, [Article]

Wolf, Nicole. 2012. Resonance/ Nachhall. Catalogue for the 42nd Forum, Berlin Film Festival, [Article]

Wolf, Nicole. 2016. Sea Sight. Havarie, [Article]

Wolf, Nicole. 2006. To be haunted. The Halfmoon Files. Catalogue for the 37th International Forum of New Cinema, Berlin Film Festival, pp. 161-164. [Article]

Wolf, Nicole. 2003. Transitional Zones: Nicole Wolf Interviews Tejal Shah. n.paradoxa: International Feminist Art Journal, Issue: Out of Order, 12, pp. 59-67. [Article]

Artist's Book

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Engel, Kathy; Marie, Maia; Nkomo, Refilwe; Vráblíková, Lenka; Moiloa Gapare, Molemo; Flores Garrido, Natalia; Masola, Athanbile; Moeketsi, Itumeleng; Moyo, Kundai; Slabbert, Annika; Sango, Anna; Itumeleng, Faith and Tshikalange, Lali. 2022. Collaborative Poetics: Conversations with Lalela I. [Artist's Book]

Audio

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McCormack, Chris. 2022. Art Monthly Talk Show on Resonance FM. [Audio]

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Schuppli, Susan. 2016. Sound of Sand. [Audio]

Book

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Andrews, Jorella G.. 2018. The Question of Painting: Rethinking Thought with Merleau-Ponty. London: Bloomsbury Academic. ISBN 9781472574282 [Book]

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Andrews, Jorella G.. 2014. Showing Off! A Philosophy of Image. London: Bloomsbury Academic. ISBN 9781472531797 [Book]

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Andrews, Jorella G.. 2015. This is Cézanne. London: Laurence King Publishing. ISBN 978-1780674780 [Book]

Andrews, Jorella G.. 2016. This is Rembrandt. London: Laurence King. ISBN 9781780677453 [Book]

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Andrews, Jorella G. and Durner, Leah. 2019. Painting, Largesse and Life: A Conversation with Leah Durner. New York: Leah Durner. [Book]

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Andrews, Jorella G. and O'Sullivan, Simon D.. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 978-3-943365-38-2 [Book]

Awan, Nishat. 2016. Diasporic Agencies: Mapping the City Otherwise. Abingdon: Routledge. ISBN 9781472433770 [Book]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Spatial Agency: Other ways of doing architecture. Abingdon, Oxon; New York: Routledge. ISBN 9780415571937 [Book]

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Brar, Dhanveer Singh. 2020. Beefy's Tune (Dean Blunt Edit). London: 87 Press. ISBN 9781838069810 [Book]

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Buden, Boris and Nowotny, Stefan. 2009. Übersetzung: Das Versprechen eines Begriffs. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-535-5 [Book]

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Burrows, David and O'Sullivan, Simon D.. 2019. Fictioning: The Myth-Functions of Contemporary Art and Philosophy. Edinburgh: Edinburgh University Press. ISBN 9781474432405 [Book]

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Doussan, Jenny. 2013. Time, Language, and Visuality in Agamben's Philosophy. Basingstoke: Palgrave Macmillan. ISBN 9781137286239 [Book]

Ertür, Başak. 2022. Spectacles and specters: a performative theory of political trials. New York: Fordham University Press. ISBN 9781531501877 [Book]

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Eshun, Kodwo. 2012. Dan Graham: Rock My Religion. London: Afterall Books. ISBN 978-1-84638-085-3 [Book]

Eshun, Kodwo. 2018. Mais brillante que el sol: Incursiones en la Ficción Sónica. Buenos Aires: Caja Negra Editora. ISBN 9789871622634 [Book]

Eshun, Kodwo. 2025. More Brilliant than the Sun: Adventures in Sonic Fiction (2nd edition). London: Verso. ISBN 9781784786724 [Book] (Forthcoming)

Eshun, Kodwo. 2023. Plus Brilliant que le soleil: Aventures en fiction sonore. Paris: Philharmonie de Paris Editions. ISBN 9791094642627 [Book]

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Eshun, Kodwo and Sagar, A.. 2007. The Ghosts of Songs: The Film Art of the Black Audio Film Collective. Liverpool University Press. ISBN 9781846310140 [Book]

Faramelli, Anthony. 2018. Resistance, Revolution and Fascism: Zapatismo and Assemblage Politics. London: Bloomsbury Academic. ISBN 9781350050068 [Book]

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Fisher, Mark. 2009. Capitalist Realism: Is there no alternative? Ropley: Zero Books. ISBN 9781846943171 [Book]

Fisher, Mark. 2014. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Alresford: Zero Books. ISBN 9781780992266 [Book]

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Fisher, Mark. 2016. The Weird and the Eerie. London: Repeater. ISBN 9781910924389 [Book]

Forkert, Kirsten; Oliveri, Federico; Bhattacharyya, Gargi and Graham, Janna. 2020. How Media and Conflicts Make Migrants. Manchester: Manchester University Press. ISBN 9781526138118 [Book]

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García Düttmann, Alexander. 2011. Consciousness of Semblance: Participation in Art and Politics. Germany: Konstanz: Konstanz University Press. ISBN 978-3-86253-019-9 [Book]

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García Düttmann, Alexander. 2008. Derrida und ich. Das Problem der Dekonstruktion [Derrida and I. The Problem of Deconstruction]. Bielefeld, Germany: Transcript Verlag. ISBN 978-3-89942-740-0 [Book]

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García Düttmann, Alexander. 2009. El año académico. Cali (Colombia): Archivos del Indice. ISBN 9789584456274 [Book]

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García Düttmann, Alexander. 2007. Philosophy of Exaggeration. Continuum Books. ISBN 0826495621 [Book]

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García Düttmann, Alexander. 2011. Teilnahme: Bewusstsein des Scheins [Participation: Consciousness of Semblance]. Konstanz: Konstanz University Press, pp. 1-192. ISBN 978-3-86253-019-9 [Book]

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García Düttmann, Alexander. 2005. Verwisch die Spuren. Diaphanes. ISBN 3935300646 [Book]

García Düttmann, Alexander. 2006. Visconti: Einsichten in Fleisch und Blut. Kulturverlag Kadmos. ISBN 3931659925 [Book]

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García Düttmann, Alexander and Savage, Robert. 2009. Visconti: Insights into Flesh and Blood (translated by Robert Savage). Stanford: Stanford University Press. ISBN 9780804757409 [Book]

Gunkel, Henriette and Hameed, Ayesha. 2021. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book]

Hameed, Ayesha. 2025. Black Atlantis. London: Strange Attractor Press. [Book] (Forthcoming)

Hernández Velázquez, Y. M.; Roig, Marc and Hispano, Andrés. 2007. El Rei de la Casa. Adults als deu, nens al quaranta. Barcelona: Institut de Cultura de l'Ajuntament de Barcelona. ISBN 978-84-9850-009-7 [Book]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2012. Power unplugged: decolonizing architecture in Palestine. (Forthcoming). Rotterdam: NAI Books. [Book]

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Keenan, Thomas and Weizman, Eyal. 2012. Mengele's Skull: The Advent of a Forensic Aesthetics. Berlin: Sternberg and Portikus. ISBN 978-1-934105-91-7 [Book]

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Martinon, Jean-Paul. 2013. After "Rwanda": In Search of a New Ethics. Amsterdam and New York: Rodopi. ISBN 978-90-420-3711-3 [Book]

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Martinon, Jean-Paul. 2020. Curating as Ethics. Minneapolis: University of Minnesota Press. ISBN 9781517908652 [Book]

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Martinon, Jean-Paul. 2013. The End of Man. New York: Punctum Books. ISBN 9780615766782 [Book]

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Martinon, Jean-Paul. 2007. On Futurity / Malabou, Derrida and Nancy. Palgrave Macmillan. ISBN 9780230506848 [Book]

Martinon, Jean-Paul. 2023. Pyrrho and Meillassoux on Time. Palgrave Macmillan. [Book] (Forthcoming)

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Martinon, Jean-Paul. 2005. Swelling Grounds: A history of Hackney Workhouse. Rear Window Publications. ISBN 0 9521040 4 0 [Book]

Martinon, Jean-Paul and Madani, Adnan. 2024. Visual Cultures as World-Forming. Berlin: Sternberg Press. ISBN 9783956795374 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2016. Andere Märkte: Zur Architektur der informellen Ökonomie. Bielefeld: transcript Verlag. ISBN 978-3-8394-3597-7 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2015. Informal Market Worlds: The Architecture of Economic Pressure - ATLAS. Rotterdam: nai010 publishers. ISBN 978-94-6208-194-9 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2008. Networked Cultures: Parallel Architectures and the Politics of Space. Rotterdam: nai010 publishers. ISBN 978-9056620592 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2010. Netzwerk Kultur: Die Kunst der Verbindung in einer globalisierten Welt. Bielefeld: transcript. ISBN 978-3-8376-1356-8 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2012. OCCUPY: Räume des Protests. Bielefeld: transcript. ISBN 978-3-8376-2163-1 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2011. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: transcript. ISBN 978-3-8376-1847-1 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 978-3-95679-100-0 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2003. Visuelle Kultur: Körper, Räume, Medien. Boehlau. ISBN 3205770404 [Book]

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Mörtenböck, Peter; Mooshammer, Helge; Cruz, Teddy and Forman, Fonna. 2015. Informal Market Worlds: The Architecture of Economic Pressure - READER. Rotterdam: nai010 publishers. ISBN 978-94-6208-195-6 [Book]

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Nowotny, Stefan and Raunig, Gerald. 2008. Instituierende Praxen: Bruchlinien der Institutionskritik. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-513-3 [Book]

Nowotny, Stefan and Raunig, Gerald. 2016. Instituierende Praxen: Bruchlinien der Institutionskritik (2nd revised edition including a new introduction). Vienna: transversal texts. ISBN 978-3-903046-04-7 [Book]

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O'Sullivan, Simon D.. 2024. The Ancient Device. Charmouth: Triarchy Press. ISBN 9781917251013​ [Book] (In Press)

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O'Sullivan, Simon D.. 2006. Art Encounters Deleuze and Guattari: Thought Beyond Representation. London: Palgrave Macmillan. ISBN 978-1-4039-1809-3 [Book]

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O'Sullivan, Simon D.. 2024. From Magic and Myth-Work to Care and Repair. London: Goldsmiths Press. ISBN 9781915983046 [Book] (In Press)

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O'Sullivan, Simon D.. 2024. On Theory-Fiction and Other Genres. Palgrave Macmillan. ISBN 9783031650710 [Book] (In Press)

Petti, Alessandro; Hilal, Sandi and Weizman, Eyal. 2013. Architecture after Revolution. Berlin: Sternberg. ISBN 978-3-943365-79-5 [Book]

Prendeville, Brendan. 2001. El Realismo en la Pintura del Siglo XX. Barcelona: Ediciones Destino/ Thames&Hudson. ISBN 84-233-3292-6 [Book]

Prendeville, Brendan. 2001. La peinture réaliste au XXe siècle. Thames & Hudson. ISBN 978-2878111927 [Book]

Prendeville, Brendan. 2000. Realism in 20th Century Painting. Thames and Hudson Ltd. ISBN 978-0500203361 [Book]

Prendeville, Brendan. 2015. Realism in 20th Century Painting (Mandarin edition). Thames & Hudson. ISBN 978-7-5322-9195-3 [Book]

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Rogoff, Irit. 2000. Terra Infirma: Geography's Visual Culture. Abingdon and New York: Routledge. ISBN 978-0-415-09615-7 [Book]

Saadawi, Ghalya. 2025. Between October and November. London: Fitzcarraldo Editions. [Book] (Forthcoming)

Schmetterling, Astrid. 2017. Charlotte Salomon. Bilder eines Lebens. Berlin: Jüdischer Verlag im Suhrkamp Verlag. ISBN 978-3-633-54283-3 [Book]

Schmetterling, Astrid and Turner, Lynn. 2013. Visual Cultures As Recollection. Berlin: Sternberg Press. ISBN 978-3-943365-40-5 [Book]

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Schuppli, Susan. 2020. Material Witness: Media, Forensics, Evidence. Cambridge, MA: The MIT Press. ISBN 9780262043571 [Book]

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Tubridy, Derval. 2001. Thomas Kinsella: The Peppercanister Poems. Dublin: University of Dublin Press. ISBN 1900621525, 1900621533 [Book]

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Turner, Lynn. 2020. Poetics of Deconstruction: On the Threshold of Differences. London: Bloomsbury Academic. ISBN 9781350128590 [Book]

Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. Brooklyn, NY: Zone Books. ISBN 9781935408864 [Book]

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Weizman, Eyal. 2007. HOLLOW LAND: Israel's Architecture of Occupation. Verso Books. ISBN 9781844671250 [Book]

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Weizman, Eyal. 2011. The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza. London: Verso Books. ISBN 9781844676477 [Book]

Weizman, Eyal. 2015. The Roundabout Revolutions. Berlin: Sternberg. ISBN 978-3-95679-098-0 [Book]

Weizman, Eyal. 2000. Yellow Rhythms. A Roundabout for London. Rotterdam: nai010. ISBN 978-90-6450-392-4 [Book]

Weizman, Eyal and Sheikh, Fazal. 2015. The Conflict Shoreline: Colonialism as Climate Change. Göttingen: Steidl. ISBN 9783958290358 [Book]

Book Section

Akomfrah, John and Eshun, Kodwo. 2019. The Secessionist Manifestos of Certain Received Wisdoms. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 363-370. ISBN 9783837646016 [Book Section]

Amaro, Ramon. 2018. Afrofuturism. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 17-20. ISBN 978-1-350-03024-4 [Book Section]

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Amaro, Ramon. 2019. Artificial Intelligence: warped, colorful forms and their unclear geometries. In: Danae Io and Callum Copley, eds. Schemas of Uncertainty: Soothsayers and Soft AI. Amsterdam: PUB/Sandberg Instituut, pp. 69-90. ISBN 9789090318431 [Book Section]

Amaro, Ramon. 2016. Digital Hysteria: A proposal on violence and humanism. In: Collective Hysteria, ed. HSYREITA. (7) London: Hysteria Press, pp. 10-15. [Book Section]

Amaro, Ramon. 2018. Precognition. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 365-368. ISBN 978-1-350-03024-4 [Book Section]

Andrews, Alice. 2017. Articulating Pain: Writing the Autoimmune Self. In: EJ Gonzalez-Polledo and Jen Tarr, eds. Painscapes: Communicating Pain. London: Palgrave Macmillan, pp. 83-105. ISBN 9781349952717 [Book Section]

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Andrews, Alice. 2020. Autoimmune actions in the ableist academy: A crip response. In: Nicole Brown and Jennifer Leigh, eds. Ableism in Academia: Theorising experiences of disabilities and chronic illnesses in higher education. London: UCL Press, pp. 103-123. ISBN 9781787354975 [Book Section]

Andrews, Jorella G.. 2011. Contemporary Art, "Counter-Environmentalism," and the Politics of A-Signification. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: Transcript Verlag, pp. 43-58. ISBN 978-3-8376-1847-1 [Book Section]

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Andrews, Jorella G.. 2006. Critical Materialities. In: A. Nollert; Irit Rogoff; B. de Baere; Y. Dziewior; C. Esche; K. Nieman and D. Roelstraete, eds. A.C.A.D.E.M.Y. Revolver, pp. 178-186. ISBN 3865883036 [Book Section]

Andrews, Jorella G.. 1998. Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective. In: Anna-Teresa Tymieniecka, ed. The Reincarnating Mind, or the Ontopoietic Outburst in Creative Virtualities. 53 Springer Netherlands, pp. 335-343. ISBN 978-94-010-6055-4 [Book Section]

Andrews, Jorella G.. 2001. Dispossessing the Land. In: , ed. Landscape Trauma in the Age of Scopophilia. London: Autograph, pp. 57-63. ISBN 1 899282 80 7 [Book Section]

Andrews, Jorella G.. 2018. How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge. In: Jadwiga S. Smith and William S. Smith, eds. The Phenomenology of Individual Agency: Science, Technology, and the Human Condition. Amsterdam: Kluwer Academic. [Book Section] (Forthcoming)

Andrews, Jorella G.. 2010. ‘How to be counter-environmental: art, research and the techniques of discovery’. In: José Quaresma, ed. Research in Art: A Forest, Many Paths. Lisbon: Edição CIEBA, Faculty of Fine Arts, University of Lisbon, pp. 180-203. [Book Section]

Andrews, Jorella G.. 2002. Identity - An Introduction. In: Rasheed Araeen; Sean Cubitt and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 135-137. ISBN 9780826458506 [Book Section]

Andrews, Jorella G.. 2013. Intending Objects and “Signs which have no meaning”. In: Jorella G. Andrews, ed. Visual Cultures as Objects and Affects. Berlin: Sternberg Press, pp. 29-58. ISBN 978-3-943365-38-2 [Book Section]

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Andrews, Jorella G.. 2006. Losing Labels and Liking It. In: Heather Maitland, ed. Navigating Difference: cultural diversity and audience development. London: Arts Council England, pp. 141-147. ISBN 9780728710771 [Book Section]

Andrews, Jorella G.. 2001. Maria Sibylla Merian: Collecting Metamorphosis. In: G. Ecker; M. Stange and U. Vedder, eds. Sammeln, Ausstellen, Wegwerfen. Ulrike Helmer Verlag, pp. 71-89. ISBN 3897410702 [Book Section]

Andrews, Jorella G.. 2004. Painterly Transubstantiations/Political Change. In: A. Tymieniecka, ed. Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations: 81 (Analecta Husserliana). Kluwer Academic Publishers, pp. 141-151. ISBN 9781402017094 [Book Section]

Andrews, Jorella G.. 2022. Pictorial Rationalities and why they matter in our struggles for identity and community. In: Helen Fielding and Mariana Ortega, eds. Life in Art—Phenomenological Approaches to Aesthetics and World-Making. Bloomington: Indiana University Press. [Book Section] (In Press)

Andrews, Jorella G.. 2002. Post Theory - An Introduction. In: Rasheed Araeen and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 229-232. ISBN 9780826458506 [Book Section]

Andrews, Jorella G.. 2023. Quodlibet and Cortesia: Alastair Gordon’s Painterly Debates with Art, Nature, and ‘the Real’. In: Jorella G. Andrews, ed. Alastair Gordon – Quodlibet. London: Anomie Publishing, pp. 13-23. ISBN 9781910221488 [Book Section]

Andrews, Jorella G.. 1997. Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur. In: , ed. Crosscurrents/Krysninger. Norway: Riksutstillinger/National Touring Exhibitions, Norway, pp. 19-21. [Book Section]

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Andrews, Jorella G.. 2016. The Socialities of Things. In: Barbara Kapusta; Rocco Pagel and Jenni Tischer, eds. Dinge und Dialoge. Berlin and Vienna: Saprophyt, pp. 10-15. [Book Section]

Andrews, Jorella G.. 2000. The Virtual Intersection: A Meditation on Domestic Virtue. In: Fran Lloyd and Catherine O'Brien, eds. Secret Spaces, Forbidden Places: Re-thinking Culture. New York and Oxford: Berghahn, pp. 171-183. ISBN 9781571817884 [Book Section]

Andrews, Jorella G.. 2007. Vision, Violence and the Other: A Merleau-Pontean Ethics. In: G. Weiss and D. Olkowski, eds. Feminist Interpretations of Merleau-Ponty. Penn State University Press, pp. 167-182. ISBN 027102917X [Book Section]

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Ascher, Ivan; Hardin, Carolyn; Klein, Steven; Montgomerie, Johnna and Rosamond, Emily. 2022. Finance and the Financialization of Capitalism. In: Albena Azmanova and James Chamberlain, eds. Capitalism, Democracy, Socialism: Critical Debates. Cham, Switzerland: Springer, pp. 71-97. ISBN 9783031084065 [Book Section]

Awan, Nishat. 2014. Agential Exchanges: Thinking the empirical in relation to productivity. In: André Viljoen and Katrin Bohn, eds. Second Nature Urban Agriculture: Designing Productive Cities. Abingdon, Oxon; New York: Routledge, pp. 108-113. ISBN 9780415540582 [Book Section]

Awan, Nishat. 2014. Diasporic experience and the need for topological methods. In: Peter Blundell Jones and Mark Meagher, eds. Architecture and Movement: The Dynamic Experience of Buildings and Landscapes. Abingdon, Oxon: Routledge. ISBN 9780415725354 [Book Section]

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Awan, Nishat. 2017. Mapping Otherwise: Imagining other futures and other possibilities. In: Meike Schalk; Thérèse Kristiansson and Ramia Mazé, eds. Feminist Futures of Spatial Practice: Materialisms, Activisms, Dialogues, Pedagogies, Projections. Baunach: AADR, pp. 19-27. ISBN 9783887784898 [Book Section]

Awan, Nishat. 2012. Re-mapping Kurdistan. In: Renata Tyszczuk, ed. ATLAS: Geography, Architecture and Change. London: Black Dog Publishing. ISBN 9781907317392 [Book Section]

Awan, Nishat and Schneider, Tatjana. 2011. Other productions of space. In: Silvia Forlati; Anne Isopp and Astrid Piber, eds. Wonderland Manual for Emerging Architects. Vienna: Springer, pp. 330-335. ISBN 9783709108222 [Book Section]

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Bajec, Manca. 2020. Effects of Europeanised memory in “artworks as monuments”. In: Ana Milosevic and Tamara Trost, eds. Europeanisation and Memory Politics in the Western Balkans. Cham, Switzerland: Palgrave Macmillan, pp. 121-149. ISBN 9783030546991 [Book Section]

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Bajec, Manca. 2021. Monumenting Our Pasts: Monuments, What Are They Now? In: Olivette Otele; Luisa Gandolfo and Yoav Galai, eds. Post-Conflict Memorialization: Missing Memorials, Absent Bodies. Cham, Switzerland: Palgrave Macmillan, pp. 101-117. ISBN 9783030548865 [Book Section]

Blas, Zach. 2016. “‘A Cage of Information,’ or, What is a Biometric Diagram?”. In: Erika Balsom and Hila Peleg, eds. Documentary Across Disciplines. Cambridge, MA: The MIT Press & Haus der Kulturen der Welt. ISBN 9780262529068 [Book Section]

Blas, Zach. 2014. “Contra-Internet Aesthetics”. In: Omar Kholeif, ed. You Are Here: Art after the Internet. Manchester: Cornerhouse Books, pp. 86-97. ISBN 9780956957177 [Book Section]

Blas, Zach. 2016. "Gay Bombs: Getting Started". In: David Getsy, ed. Queer: Documents of Contemporary Art. Cambridge, MA: The MIT Press & Whitechapel Gallery, pp. 105-109. ISBN 9780262528672 [Book Section]

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Blas, Zach. 2018. Informatic Opacity. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic. ISBN 9781350030244 [Book Section]

Blas, Zach. 2012. “Queerness, Openness”. In: Ed Keller; Nicola Masciandaro and Eugene Thacker, eds. Leper Creativity: Cyclonopedia Symposium. Brooklyn: Punctum Books. ISBN 9780615600468 [Book Section]

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Blas, Zach. 2016. “Vacuoles of Noncommunication: From Invisible Adversary to Invisible Revolt". In: Lauren Cornell and Tom Eccles, eds. Invisible Adversaries. Annandale-on-Hudson: Center for Curatorial Studies, Bard College. ISBN 1936192500 [Book Section]

Brar, Dhanveer Singh. 2016. Amiri Baraka (1934 - 2014). In: Immanuel Ness and Zak Cope, eds. Palgrave Encyclopedia of Imperialism and Anti-Imperialism. UK: Palgrave-Macmillan. ISBN 978-0-230-39278-6 [Book Section]

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Brar, Dhanveer Singh. 2015. Black Outbreak. In: Sophie Fuggle and Tom Henri, eds. Return to the Street. London: Pavement Books, pp. 117-132. ISBN 9780957147058 [Book Section]

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Brar, Dhanveer Singh and Moreno, Louis. 2021. Notes on Listening and Hearing. In: Jeanne van Heeswijk; Maria Hlavajova and Rachael Rakes, eds. Toward the Not-Yet: Art as Public Practice. Cambridge, Massachusetts: MIT Press. ISBN 9780262542500 [Book Section]

Burrows, David and O'Sullivan, Simon D.. 2023. Science Fiction Devices. In: Bernd Herzogenarth, ed. New Perspectives on Academic Writing: The Thing That Wouldn't Die. London: Bloomsbury Academic, pp. 39-52. ISBN 9781350231535 [Book Section]

Burrows, David and O'Sullivan, Simon D.. 2014. The Sinthome/Z-Point Relation or Art as Non-Schizoanalysis. In: Ian Buchanan and Lorna Collins, eds. Deleuze and the Schizoanalysis of Visual Art. London: Bloomsbury Academic, pp. 253-278. ISBN 9781472524621 [Book Section]

Butt, Gavin. 2006. "America" and its Discontents: Art and Politics 1945-1960. In: Amelia Jones, ed. A Companion to Contemporary Art Since 1945. Blackwell. ISBN 978-1-4051-0794-5 [Book Section]

Butt, Gavin. 2005. Avant-Garde et Chic: Andy Warhol et la fabrique du dandy Américain. In: Matthias Waschek and Veerle Thielemans, eds. L’Art Américain: Identités d’une Nation. Louvre/Terra Foundation, pp. 142-157. ISBN 978-2840561651 [Book Section]

Butt, Gavin. 2010. Bodies of Evidence: Queering Disclosure in the Art of Jasper Johns. In: Amy K. Levin, ed. Gender, Sexuality, and Museums. Oxford & New York: Routledge, pp. 235-252. ISBN 0415554918 [Book Section]

Butt, Gavin. 1999. The Greatest Homosexual? Camp Pleasure and the Performative Body of Larry Rivers’. In: Amelia Jones and Andrew Stephenson, eds. Performing the Body/ Performing the Text. Routledge, pp. 107-126. ISBN 9780415190602 [Book Section]

Butt, Gavin. 2009. How I Died For Kiki and Herb. In: , ed. The Art of Queering in Art. Birmingham: Article Press, pp. 85-94. ISBN 9781873352748 [Book Section]

Butt, Gavin. 2004. How New York Queered the Idea of Modern Art. In: Paul Wood, ed. Varieties of Modernism. Open University/Yale University Press. ISBN 9780300102963 [Book Section]

Butt, Gavin. 2006. Joe Brainard's Queer Seriousness, or, How to Make Fun out of the Avant-Garde. In: David Hopkins, ed. Neo-avant-garde (Avant Garde Critical Studies). Rodopi, pp. 277-297. ISBN 978-9042021259 [Book Section]

Butt, Gavin. 2013. Living the Dream in Women in Revolt. In: Glyn Davis and Gary Needham, eds. Warhol in Ten Takes. London: British Film Institute and Palgrave Macmillan, pp. 180-194. ISBN 9781844574025 [Book Section]

Butt, Gavin. 2006. Scholarly Flirtations. In: Angelika Nollert; Irit Rogoff; Bart De Baere and Charles Esche, eds. A.C.A.D.E.M.Y. Berlin: Revolver, pp. 187-192. ISBN 3865883036 [Book Section]

Butt, Gavin. 2009. Should we take Performance Seriously? In: , ed. Oreet Ashery: Dancing with Men. London: Live Art Development Agency, pp. 78-92. ISBN 9780954604097 [Book Section]

Butt, Gavin. 2007. Stop that Acting!: Performance and Authenticity in Shirley Clarke's Portrait of Jason. In: K. Mercer, ed. Pop Art and Vernacular Cultures. MIT Press / InIVA, pp. 36-55. ISBN 9781899846443 [Book Section]

Crone, Bridget. 2013. Costume Party – Script, Frame and Stages. In: , ed. Fassbinder-JETZT. Film und Videokunst. Deutsches Filminstitut, pp. 220-230. ISBN 978-3887990831 [Book Section]

Crone, Bridget. 2013. Curating, Dramatization and the Diagram. In: Jean-Paul Martinon, ed. The Curatorial: A Philosophy of Curating. Bloomsbury, pp. 207-214. ISBN 9781472525604 [Book Section]

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Crone, Bridget. 2017. Flicker Time and Fabulation. In: G Gunkel; A Hameed and S O'Sullivan, eds. Futures and Fictions. London, UK: Repeater Books, pp. 268-294. ISBN 9781910924631 [Book Section]

Crone, Bridget. 2017. Image and the Appearance of the Image: Fear, Speed, Force. In: Evi D. Sampanikou, ed. Audio Visual Posthumanism. UK: Cambridge Scholars Press, pp. 337-342. ISBN 978-1-4438-8177-7 [Book Section]

Crone, Bridget. 2015. Liquid States and the Image. In: Charlotte Day, ed. Technologism. Melbourne, Australia: Monash University Museum of Art, pp. 79-87. ISBN 978-0-9923754-7-8 [Book Section]

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Crone, Bridget. 2021. Nancy Holt's Pine Barrens. In: Lisa Le Feuvre, ed. Art after Nature: Thinking Nancy Holt and Robert Smithson. Minneapolis: University of Minnesota Press. [Book Section] (Forthcoming)

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Crone, Bridget. 2017. Notes Towards a Sensible Stage. In: Bridget Crone, ed. The Sensible Stage: Staging and the Moving Image. University of Chicago Press / Intellect Books. ISBN 978-1783207695 [Book Section]

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Crone, Bridget. 2016. Opera as Method in the Work of Grace Schwindt. In: Agar Ledo, ed. Grace Schwindt: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts. Vigo, Spain: Foundation MARCO / Goethe Institute, Madrid, pp. 148-161. ISBN 978-84-943529-1-2 [Book Section]

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Crone, Bridget. 2005. The Ruined Body. In: Bridget Crone and Bala Starr, eds. The Body The Ruin. Melbourne, Australia: Ian Potter Museum of Art, University of Melbourne, pp. 9-25. ISBN 0 7340 3585 3 [Book Section]

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Crone, Bridget. 2013. Seeing Red. In: Robin Mackay, ed. Final Machine. Falmouth, UK: Urbanomic, pp. 15-20. ISBN 9780957529502 [Book Section]

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Crone, Bridget. 2013. Swarm Machines Ladders and Lookouts (the work of Ryan Trecartin and Lizzie Fitch). In: Paul Luckcraft; Maitreyi Maheshwari and Isabel Venero, eds. Lizzie Fitch / Ryan Trecartin: Priority Innfield. London, UK: Zabludowicz Collection, pp. 119-124. ISBN 978-1-907921-16-2 [Book Section]

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Crone, Bridget. 2013. Talking Squid. In: , ed. Not Tonight (Jellylike). London: Arcade. [Book Section]

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Crone, Bridget. 2018. Time and Entanglement in Comparative Monument (Shellal). In: A Barikin and H Hughes, eds. Tom Nicholson: Lines towards Another. Berlin: Sternberg Press, pp. 131-136. ISBN 978-3-95679-397-4 [Book Section]

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Crone, Bridget. 2019. Wounds of Unbecoming: an introduction to the work of Tai Shani. In: , ed. Our Fatal Magic. Cambridge, MA: Strange Attractor / The MIT Press, pp. 7-23. ISBN 9781907222818 [Book Section]

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Crone, Bridget and Gunkel, Henriette. 2019. "Future" in The Bloomsbury Handbook of 21st Century Feminist Theory. In: Robin Truth Goodman, ed. The Bloomsbury Handbook of 21st Century Feminist Theory. London, UK: Bloomsbury Academic, pp. 481-490. ISBN 9781350032408 [Book Section]

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Doussan, Jenny. 2024. Attestation 3. In: Sarah Wilson; Michaël La Chance; Jenny Doussan; Carrie Pilto and Boris Groys, eds. Une œuvre d’art face au tribunal: sur Pornopolitique de Piotr Pavlenski. Paris: Au Diable Vauvert, pp. 51-65. ISBN 9791030706680 [Book Section]

Doussan, Jenny. 2013. Eros, Plague, Olfaction: Three Allegories of the Curatorial. In: Jean-Paul Martinon, ed. The Curatorial A Philosophy of Curating. London: Bloomsbury Academic Publishing, pp. 79-92. ISBN 9781472525604 [Book Section]

Doussan, Jenny. 2009. Interview with Lauriston Avery. In: , ed. Lauriston Avery. Brooklyn, NY: The Hogar Collection. [Book Section]

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Doussan, Jenny. 2022. P. In: Pyotr Pavlensky, ed. Pornopolitics and Other Precedents. London: MOTHER, pp. 86-89. ISBN 9791041502981 [Book Section]

Doussan, Jenny. 2010. Recuperating the Platonic Idea. In: Rune Graulund, ed. Desperately Seeking Authenticity: Interdisciplinary Approaches. Copenhagen Doctoral School Press. [Book Section]

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Doussan, Jenny. 2024. Redeeming Fashion: Between Benjamin and Agamben on Baudelaire. In: , ed. Baudelaire and Philosophy. Edinburgh: Edinburgh University Press. [Book Section] (Forthcoming)

Doussan, Jenny. 2011. The Scent of the Jonquil (first edition). In: , ed. The Perfumed Handkerchief. Brooklyn, NY: [Book Section]

Duncan, Ifor. 2022. Drought in the Rivers of Forgetting. In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona, pp. 140-147. ISBN 9788494938870 [Book Section]

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Duncan, Ifor. Remembering Rain: Pluvial Poesis and Marronage in Dionne Brand’s At the Full and Change of the Moon. In: Lucy Bond; Susannah Radstone and Jessica Rapson, eds. New Directions in Memory and Literature: Concepts, Contexts, Media. Palgrave Macmillan. [Book Section] (Forthcoming)

Duncan, Ifor. 2019. Undercurrents: Submergence and the Hidroituango Megadam. In: Lindsay Bremner, ed. Monsoon [+ other] Waters. London: A Monsoon Assemblages Publication, pp. 19-27. ISBN 9780992965709 [Book Section]

Duncan, Ifor and Levidis, Stefanos. 2022. 'Arcifinious'. In: José Roca and Juan Francisco Salazar, eds. Rīvus: A Glossary of Water. Sydney, Australia: Biennale of Sydney Ltd 2022, pp. 47-48. ISBN 9780958040327 [Book Section]

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Dyangani Ose, Elvira. 2017. ‘Becoming Post-apartheid and other history-related consideration in the collective work of Kemang Wa Lehulere. In: , ed. Kemang Wa Lehulere. Bird Song. Berlin, Germany: Hatje Cantz Verlag. ISBN 978-3-7757-4280-1 [Book Section]

Dyangani Ose, Elvira. 2017. How about this? On a sense of togetherness. Elvira Dyangani and Magdalena Malm in conversation. In: Magdalena Malm, ed. Curating Context: Beyond the Gallery and into Other Fields. Sweden: Art and Theory Publishing. ISBN 978-91-88031-45-7 [Book Section]

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Dyangani Ose, Elvira. 2016. Hypothesis for an Institution. In: Mario Mainetti, ed. Recto Verso Quaderno. #4 Milano: Fondazione Prada. [Book Section]

Dyangani Ose, Elvira. 2013. Random Anecdotes. In: Madeleine Grynsztejn; Federica Martini and Vittoria Martini, eds. Alfredo Jaar Venezia Venezia, Pavilion of Chile 55 International Art Exhibition la Biennale di Venezia 2013. Barcelona; New York: Actar. ISBN 978-0-989331-73-9 [Book Section]

Dyangani Ose, Elvira. 2004. Surrounding the Word: Towards an Aesthetic of Ritual. In: , ed. De Boca en Boca: Estudios de Literatura Oral de Guinea. Spain: Ceiba Ediciones. [Book Section]

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Dyangani Ose, Elvira. 2015. 'A Tendency to Forget, An Urgency to Remember' Introduction and Interview to Angela Ferreira. In: Ferreira de Carvalho Nuno, ed. NOVO BANCO Photo 2015: Ângela Ferreira, Ayrson Heráclito, Edson Chagas. Lisboa Portugal: Museu Coleção Berardo. ISBN 978-989-8239-46-4 [Book Section]

Dyangani Ose, Elvira. 2014. ‘The right to the city. The appropriation of public space in Nick Cave’s work’. In: , ed. Nick Cave: Epitome. Prestel, pp. 240-267. ISBN 978-3791349169 [Book Section]

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Ertür, Başak. 2016. Barricades: resources and residues of resistance. In: Judith Butler; Zeynep Gambetti and Leticia Sabsay, eds. Vulnerability in Resistance. Durham, North Carolina: Duke University Press, pp. 97-121. ISBN 9780822362906 [Book Section]

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Ertür, Başak. 2016. "Le Chevalier d'Éon": wagering in a wilderness of mirrors (English) / "Le Chevalier d'Éon": Aynaların Yabanında Bahse Tutuşmak (Turkish). In: Süreyyya Evren, ed. Nil Yalter: Off the Record. Istanbul, Turkey: Arter, pp. 92-105. ISBN 9786059606028 [Book Section]

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Ertür, Başak. 2016. The conspiracy archive: Turkey's deep state on trial. In: Stewart Motha and Honni van Rijswijk, eds. Law, Violence, Memory: Uncovering the Counter-Archive. Abingdon: Routledge, pp. 177-194. ISBN 9781138830639 [Book Section]

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Ertür, Başak; Butler, Judith and Athanasiou, Athena. 2017. Türkçe Basıma Sunuş: Çeviride Mülksüzleşme. In: Judith Butler and Athena Athanasiou, eds. Mülksüzleşme Siyasaldaki Performatif. Istanbul, Turkey: Metis, pp. 9-21. [Book Section]

Eshun, Kodwo. 2018. '36 - '77: A Tremulous Temporal Entity. In: Dan Kidner, ed. Nightcleaners / '36 - '77. Raven Row and Lux. ISBN 9783960983811 [Book Section]

Eshun, Kodwo. 2018. '36 to '77: A Tremulous Private Entity. In: Dan Kidner and Alex Sainsbury, eds. Nightcleaners and '36 to '77. London: Koenig Books, LUX and Raven Row, pp. 59-71. ISBN 9783960983811 [Book Section]

Eshun, Kodwo. 2017. The Algorithmic Poetics of @GlissantBot. In: Research Center for Proxy Politics, ed. Proxy Politics: Power and Subversion in a Networked Age. Berlin: Archive Books. ISBN 978-3-943620-71-9 [Book Section]

Eshun, Kodwo. 2023. 'Aliens wherever they have to go': Friendship's Death. In: Oliver Fuke, ed. The Films of Laura Mulvey and Peter Wollen: Scripts, Working Documents, Interpretation. London: Bloomsbury on behalf of the British Film Institute, pp. 263-280. ISBN 9781839025242 [Book Section]

Eshun, Kodwo. 2012. Corona: Reorientation Point for New Planetary Values. In: Okwui Enwezor and Markus Müller, eds. ECM: A Cultural Archaeology. Munich: Prestel, pp. 188-203. ISBN 9783791352855 [Book Section]

Eshun, Kodwo. 2017. Drexciya as Spectre [Catalogue Essay]. In: Margarida Mendes, ed. Matter Fictions. Sternberg Press. ISBN 978-3-95679-303-5 [Book Section]

Eshun, Kodwo. 2015. The Energetic Impulse [Catalogue Essay]. In: , ed. L.A. Rebellion: Creating a New Black Cinema. Tate Modern. [Book Section]

Eshun, Kodwo. 2016. Fear of a Wet Planet. In: Nav Haq, ed. RAVE: Rave and its Influence on Art and Culture. M KHA Museum van Hedendaagse Kunst Antwerpen & Black Dog Publishing. ISBN 978-1910433874 [Book Section]

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Eshun, Kodwo. 2020. From 953 AD to 1 Gigayear: Cheikh Anta Diop's Future Vector of Energy. In: Eric C. H. de Bruyn and Sven Lütticken, eds. Futurity Report. 1 Berlin: Sternberg Press, pp. 217-237. ISBN 9783956794230 [Book Section]

Eshun, Kodwo. 2018. Geomythologies. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury. ISBN 9781350030244 [Book Section]

Eshun, Kodwo. 2017. Glissantbot. In: Vera Tollman and Boaz Levin, eds. Proxy Politics: Power and Subversion in a Networked Age. Berlin: Archive Books, pp. 93-103. ISBN 9783943620719 [Book Section]

Eshun, Kodwo. 2016. A Hunter Shooting Waterbirds. In: , ed. Studio for Propositional Cinema #2. [Book Section]

Eshun, Kodwo. 2015. Kodwo Eshun in conversation with Lucas van der Velden [Exhibition Catalogue]. In: Lucas van der Velden; Mirna Belina and Arie Altena, eds. The Geological Imagination. Sonic Acts. [Book Section]

Eshun, Kodwo. 2018. Marc Karlin’s Voyages around Susan Meiselas’ Nicaragua Photographs [Catalogue Essay]. In: Carles Guerra, ed. Susan Meiselas: Meditations. Bologna: Damiani. ISBN 9788862085687 [Book Section]

Eshun, Kodwo. 2014. Narcissus in Uniform [Catalogue Essay]. In: Elvira Dyangani Ose, ed. Uses of Memory: Caderno Sesc Videobrazil, 10 ed. [Book Section]

Eshun, Kodwo. 2017. On Her Devolves The Labour: Cinematic Time Travel of the Song of the Shirt. In: Sue Clayton and Laura Mulvey, eds. Other Cinemas : Politics, Culture and Experimental Film in the 1970s. London: I.B. Tauris, pp. 257-270. ISBN 9781784537180 [Book Section]

Eshun, Kodwo. 2024. On the Implications of Black Studies for Counter-Forensics and Counter-Forensics for Black Studies. In: Ricardo Badano; Tomas Percival and Susan Schuppli, eds. Militant Media. Leipzig: Spector Books, pp. 23-38. ISBN 9783959056878 [Book Section]

Eshun, Kodwo. 2016. Prolonging 1961: A Communique Sent to the Future [Catalogue Essay]. In: Armin Linke; Vaness Vasic-Janekovic and Sarah Poppel, eds. Travelling Communiqué. Leipzig: Spector Press. ISBN 9783944669922 [Book Section]

Eshun, Kodwo. 2014. Reconstructing the Methods for reformatting Oxygen Isotopes in nature and in the Laboratory as Oxygen Tops Nature Oratory for Optical Character Recognition Scanners. In: K. Klingan; A. Sepahvad; C. Rosol and B. Scherer, eds. Grain Vapor Ray: Textures of the Anthropocene. MIT, pp. 121-127. ISBN 9780262527415 [Book Section]

Eshun, Kodwo. 2023. Recursion, Interrupted. In: Tom Holert and Doreen Mende, eds. Navigation Beyond Vision. Berlin: Sternberg Press, pp. 148-152. ISBN 9783956795657 [Book Section]

Eshun, Kodwo. 2021. Signifying Deceit: Richard Wright's Anti- Colonial-Anti- Capitalist-Anti Communism. In: Anselm Franke; Nida Ghouse; Paz Guevera and Antonia Majaca, eds. Parapolitics: Cultural Freedom and the Cold War. Berlin: Sternberg Press/Haus der Kulturen der Welt, pp. 569-584. ISBN 9783956795084 [Book Section]

Eshun, Kodwo. 2015. Statecraft: An Incomplete Timeline of Independence Determined by Digital Auction [Catalogue Essay]. In: Annett Busch and Anselm Franke, eds. After Year Zero: Geographies of Collaboration. Warsaw: Haus der Kulturen der Welt and Muzeum of Modern Art. [Book Section]

Eshun, Kodwo. 2014. Stealing one’s own corpse: Afrofuturism as Speculative Heresy. In: Naima J Keith and Zoe Whitley, eds. The Shadows Took Shape. The Studio Museum in Harlem. [Book Section]

Eshun, Kodwo. 2024. 'The Struggle Against This Colonial Barrage': Listening for Black Industrialism in the Theoretical Positions of Black Audio Film Collective circa 1986. In: Marwa Arsanios; Leon Filter and Leire Vergara, eds. A Cut Through The Screen: Struggles Reverberation in Cinema. Berlin: Archive Books and Dutch Art Institute. [Book Section] (Forthcoming)

Eshun, Kodwo. 2020. That Person or Thing that Which Attains to the Ground of Anything. In: Federica Buetti; Antonia Alampi and Bonaventure Soh Bejeng Ndikung, eds. We Have Delivered Ourselves From the Tonal - Of, Towards, On, For Julius Eastman. Berlin: Archive Books in collaboration with Savvy Books, pp. 46-63. ISBN 9783948212117 [Book Section]

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Eshun, Kodwo. 2023. To Be Hoist by Your Own Petard: Studying the Study of Lynette Yiadom-Boakye. In: Lekha Hileman Waitoller, ed. Lynette Yiadom-Boakye: No Twilight Too Mighty. Bilbao: Guggenheim Museum Bilbao/La Fábrica, pp. 24-39. ISBN 9788418934490 [Book Section]

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Eshun, Kodwo. 2019. To Win the War, You Fought It Sideways: Kojo Laing's Major Gentl and the Achimota Wars. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 83-106. ISBN 9783837646016 [Book Section]

Eshun, Kodwo. 2021. The Transitional Coalition: Reciprocal Readings of Transition and the Congress for Cultural Freedom between 1962 and 1967. In: Anselm Franke; Nida Ghouse; Paz Guevera and Antonia Majaca, eds. Parapolitics: Cultural Freedom and the Cold War. Berlin: Sternberg Press/Haus der Kulturen der Welt, pp. 481-497. ISBN 9783956795084 [Book Section]

Eshun, Kodwo. 2016. We Wanted This Sense of Fluxing In and Out of History: Kodwo Eshun in Conversation with Sue Clayton. In: Kodwo Eshun; Gavin Butt and Gavin Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2019. 'We are the Gods Trapped in Cocoons': Neural Entertainment in Get Out. In: Steve Goodman; Toby Heys and Eleni Ikoniadou, eds. AUDINT—Unsound:Undead. Falmouth: Urbanomic, pp. 275-278. ISBN 9781916405219 [Book Section]

Eshun, Kodwo. 2016. The Weakest Link in Every Chain I Always Want To Find It: Green Gartside in Conversation with Kodwo Eshun. In: Kodwo Eshun; Gavin Butt and Mark Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2016. 'The Weakest Link in Every Chain I Always Want to Find It': Green Gartside in conversation with Kodwo Eshun. In: Gavin Butt; Kodwo Eshun and Mark Fisher, eds. Post-Punk Then and Now. London: Repeater Books, pp. 166-196. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2016. The object spoke to me but what it said I cannot say [Catalogue Essay]. In: Boris Ondreicka and Nadium Samman, eds. Rare Earth. Sternberg Press. [Book Section]

Eshun, Kodwo and Biemann, Ursula. 2017. When Matter Thinks. In: Doreen Mende, ed. Thinking Under Turbulence. HEAD Geneve: Geneva Colloquium. ISBN 9782940524556 [Book Section]

Eshun, Kodwo; Goodman, Steve and Pethick, Emily. 2024. To Release the Unnameable. In: Justin Barton; Myra B. Kronic and Steve Goodman, eds. Sonic Faction: Audio Essay as Medium and Method. Falmouth: Urbanomic. ISBN 9781915103123 [Book Section] (In Press)

Eshun, Kodwo and Mende, Doreen. 2023. Pixelating Assembly: Not Sinking, Swarming. In: Corina Apostol; Marius Babias; Reinhard Braun; Pablo DeSoto; Gabriela Salgado and Leila Topic, eds. Oliver Ressler. Barricading the Ice Sheets. Berlin: n.b.k. Ausstellungen, pp. 54-65. ISBN 9783753304854 [Book Section]

Eshun, Kodwo; Sepaka, Angiama; Eshun, Esi; da Silva Ferreira, Denise; Hassan, Salah and Sagar, Anjalika. 2022. Forms of Afterlife. In: Adrian Lahoud and Andrea Bagnato, eds. Rights of Future Generations: Propositions. Berlin: Hate Cantz Verlag, pp. 134-147. ISBN 9783775748728 [Book Section]

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Faramelli, Anthony. 2015. Amour Fou and the Ecstasy of Destruction or Love in Neoliberal Times. In: Edia Connole and Gary J. Shipley, eds. Serial Killing: A Philosophic Anthology. New York: Schism Press, pp. 199-214. ISBN 9781515154853 [Book Section]

Faramelli, Anthony. 2024. Institutional Psychotherapy from Saint-Alban to La Borde by Jean Oury. In: Elena Vogman and Marlon Miguel, eds. Materialism and Psychotherapy. Berlin: ICI Press. [Book Section] (Forthcoming)

Faramelli, Anthony. 2020. Mirrors and Masks: The Political Space of Zapatismo. In: David Hancock; Anthony Faramelli and Robert G. White, eds. Spaces of Crisis and Critique: Heterotopias Beyond Foucault. London: Bloomsbury Academic, pp. 131-152. ISBN 9781350021129 [Book Section]

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Fisher, Andrew. 2017. Imaginative Variation: Photographic Scale and Photographic Horizons. In: Florian Dombois and Julie Harboe, eds. Too Big to Scale: On Scaling Space, Number, Time and Energy. Zürich: Scheidegger & Spiess Verlag, pp. 17-31. ISBN 9783858817938 [Book Section]

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Fisher, Andrew. 2013. Photographic Scale. In: Daniel Rubinstein; Johnny Golding and Andrew Fisher, eds. On The Verge of Photography: Imaging Beyond Representation. Birmingham: ARTicle, pp. 151-169. ISBN 978-1-873352-02-1 [Book Section]

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Fisher, Andrew. 2018. The Production of a Factographic Object. In: Rebecca Jagoe and Sharon Kivland, eds. On Violence. London: Ma Bibliotheque, pp. 139-148. ISBN 9781910055410 [Book Section]

Fisher, Mark. 2013. Indirect Action: Some Misgivings About Horizontalism. In: Pascal Gielen, ed. Institutional Attitudes. Instituting Art in a Flat World. Amsterdam: Valiz. ISBN 978-90-78088-68-4 [Book Section]

Fisher, Mark. 2013. It’s easier to imagine the end of the world than the end of Capitalism. In: Nicholas Mirzoeff, ed. The Visual Culture Reader. Routledge. ISBN 9780415620550 [Book Section]

Fisher, Mark. 2009. Materialismo gótico (Extractos de Flatline Constructs: Gothic materialism and Cybernethic Theory-Fiction). In: Santiago Arcos, ed. Nosotros, los brujos. Santiago Arcos. ISBN 978-987-1240-34-0 [Book Section]

Fisher, Mark. 2010. Memorex for the Krakens: The Fall's Pulp Modernism. In: Michael Goddard and Benjamin Halligan, eds. Mark E. Smith and The Fall: Art, Music and Politics. Ashgate, pp. 95-110. ISBN 978-0-7546-6867-1 [Book Section]

Fisher, Mark. 2012. Postcapitalist Desire. In: Federico Campagna and Emanuele Campiglio, eds. What We Are Fighting For: A Radical Collective Manifesto. Pluto Press. ISBN 9780745332857 [Book Section]

Fisher, Mark. 2011. We're not all in this together: Public Space and Antagonism in the Wake of Capitalist Realism. In: Markus Miessen and Andrea Phillips, eds. Caring Culture: Art, Architecture and the Politics of Health. Sternberg Press. ISBN 978-1-934105-71-9 [Book Section]

Fisher, Mark. 2014. ‘“What Is It That You’d Say You Do Here?” The Post-Fordist Comedy of Management. In: Nina Möntmann, ed. Brave New Work A Reader on Harun Farocki's film 'A New Product'. Walther Koenig. ISBN 9783863353506 [Book Section]

García Düttmann, Alexander. 2009. Die Reise nach Montreux [A Trip to Montreux]. In: Joachim Leisegang, ed. In Begleitung: Claire Lise Holy and Dieter Leisegang. Monschau: KUK. Kunst- und Kulturzentrum, pp. 86-89. [Book Section]

García Düttmann, Alexander. 2008. Die Sichtbarmachung der Armut [Making Poverty Visible]. In: Eva Geulen; Kai Kauffmann and Georg Mein, eds. Hannah Arendt - Giorgio Agamben: Parallelen Perspektiven Kontroversen. Munich: Wilhelm Fink, pp. 119-129. ISBN 978377054529-2 [Book Section]

García Düttmann, Alexander. 2010. Ein Verdienst der Künstlerin [To The Artist's Credit]. In: , ed. Claire-Lise Holy: Szenenbilder - Figurinen - Details. Monschau: KUK. Kunst- und Kulturzentrum der Städteregion Aachen, pp. 65-66. ISBN 9783000311758 [Book Section]

García Düttmann, Alexander. 2010. El hombre y la tierra / Man and Earth. In: , ed. Greta Alfaro. Centro de Arte Huarte, Spain, unpag.. [Book Section]

García Düttmann, Alexander. 2010. Elizabeth and the Peacock. In: , ed. Elizabeth Presa with Greg Burgess: interior castle. Melbourne: Linden Arts Centre, pp. 4-6. [Book Section]

García Düttmann, Alexander. 2010. Empfindsame Zigzagreise in die Unabhängigkeit / Viaje a la independencia, sentimental y en zig-zag [A Sentimental Journey to Independence]. In: Alfons Hug, ed. Menos tiempo que lugar. El arte de la independencia. Buenos Aries[?]: Goethe Institut, pp. 87-98. [Book Section]

García Düttmann, Alexander. 2010. "Extravaganza". In: , ed. Fine Art and History of Art, catalogue of the end of the year show, 2010. London: Goldsmiths College, p. 13. ISBN 9781906897048 [Book Section]

García Düttmann, Alexander. 2010. I Shall Never Grow Old. In: , ed. Dark Rooms. Warsaw: Nowy Teatr & Krytyka Polityczna & Kodoji Press, pp. 7-12. ISBN 9783037470367 [Book Section]

García Düttmann, Alexander. 2009. "Improvising on Intuition". In: , ed. Fine Art and History of Art BA, catalogue of the end of the year exhibition 2009. London: Goldsmiths College, pp. 150-152. ISBN 9781904158967 [Book Section]

García Düttmann, Alexander. 2008. Integral Actuality. In: Justin Clemens; Nicholas Heron and Alex Murray, eds. The Work of Giorgio Agamben: Law, Life, Literature. Edinburgh: Edinburgh University Press, pp. 28-42. ISBN 9780748634620 [Book Section]

García Düttmann, Alexander. 2010. Language Without Soil. In: Gerhard Richter, ed. Language Without Soil. New York: Fordham University Press, pp. 10-16. ISBN 978-0-8232-3127-0 [Book Section]

García Düttmann, Alexander. 2009. Letteratura per esempio. In: Clemens Carl Haerle, ed. Confini del racconto. Macerata: Quodlibet, pp. 53-62. ISBN 9788874623037 [Book Section]

García Düttmann, Alexander. 2009. A Note On Philosophy And Photography. In: , ed. Commonsensual: The Works of Rut Blees Luxemburg. London: Black Dog Publishing, pp. 163-164. ISBN 9781906155575 [Book Section]

García Düttmann, Alexander. 2010. Ohne Politik [Without Politics]. In: Thomas Bedorf and Kurt Roettgers, eds. Das Politische und die Politik. Berlin: Suhrkamp Verlag, pp. 364-381. ISBN 978-3-518-29557-1 [Book Section]

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Gaur, Meenu and Madani, Adnan. 2020. The Ghost in the Projector: New Pakistani Cinema & its Hauntings. In: Vazira Zamindar and Asad Ali, eds. Love, War & Other Longings: Essays on Cinema in Pakistan. Karachi, Pakistan: Oxford University Press Pakistan, pp. 48-72. ISBN 9780190701857 [Book Section]

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Graham, Janna. 2016. The Anatomy of an AND. In: Carmen Mörsch; Angeli Sachs and Thomas Sieber, eds. Contemporary Curating and Museum Education. Bielefeld: transcript-Verlag, pp. 187-202. ISBN 9783837630800 [Book Section]

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Graham, Janna. 2017. Grammars of the Possible: Moving Beyond Binaries of Representation and Non-Representation in Gallery Education. In: Carmen Mörsch; Sigrid Schade and Sophie Vögele, eds. Representing Art Education: On the Representation of Pedagogical Work in the Art Field: . Vienna: Zaglossus, pp. 369-408. ISBN 9783902902580 [Book Section]

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Graham, Janna. 2020. ‘Techniques for Living Otherwise’: Naming, Composing and Instituting Otherwise. In: Marina Garcés; Janna Graham; val flores; Concha Fernández Martorell and Jordi Solé Blanch, eds. Pedagogías y emancipación. Barcelona: Arcadia MACBA, pp. 49-77. ISBN 9788494992476 [Book Section]

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Graham, Janna. 2017. Technologies for Living Otherwise: Arts Pedagogy as Social Reproduction and Movement Building. In: , ed. Creativity Exercises. [Book Section] (Forthcoming)

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Grant, Catherine. 2011. Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. In: Catherine Grant and Lori Waxman, eds. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect Press, pp. 161-186. ISBN 9781841503486 [Book Section]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

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Grant, Catherine. 2019. The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. In: Allyson Mitchell and Cait McKinney, eds. Killjoy's Kastle. Canada: University of British Columbia Press and The Art Gallery of York University Press. ISBN 9780774861571 [Book Section]

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Grant, Catherine. 2021. Introduction to "Why Have There Been No Great Women Artists?". In: Linda Nochlin, ed. Why Have There Been No Great Women Artists? London: Thames & Hudson. ISBN 9780500023846 [Book Section]

Grant, Catherine. 2017. Learning and Playing: Re- enacting Feminist Histories. In: Victoria Horne and Lara Perry, eds. Feminism and Art History Now: Radical Critiques of Theory and Practice. London: Bloomsbury. ISBN 9781784533250 [Book Section]

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2019. More than a schoolgirl crush: Amy Adler and the adolescent fan. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 100-120. ISBN 9781912685134 [Book Section]

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Grant, Catherine. 2019. Returning to Riddles. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury Academic. ISBN 9781784537005 [Book Section]

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Grant, Catherine and Random Love, Kate. 2019. Fandom as Methodology: Introduction. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 1-20. ISBN 9781912685134 [Book Section]

Gunkel, Henriette. 2019. Alienation and Queer Discontent. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 387-404. ISBN 9783837646016 [Book Section]

Gunkel, Henriette. 2013. Désiré. In: Max Annas; Annett Busch and Henriette Gunkel, eds. Frieda Grafe. 30 Filme. Issue 3. Berlin: Brinkmann u Bose, pp. 177-181. ISBN 78-3940048165 [Book Section]

Gunkel, Henriette. 2012. Introduction: A Politics of Visibility. In: Henriette Gunkel; Chrysanthi Nigianni and Fanny Söderbäck, eds. Undutiful Daughters: New Directions in Feminist Thought and Practice. New York: Palgrave Macmillan, pp. 129-140. ISBN 9780230118317 [Book Section]

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Gunkel, Henriette. 2018. Rückwärts in Richtung queerer Zukunft. In: Dagmar Brunow and Simon Dickel, eds. Queer Cinema. Mainz, Germany: Ventil Verlag, pp. 68-81. ISBN 9783955750916 [Book Section]

Gunkel, Henriette. 2013. Spiegelungen von color bars? Keller in Südafrika, 1951” [Reflections of the color bars? Keller in South Africa, 1951. In: Ulrike Bergermann, ed. Disability trouble. Ästhetik und Bildpolitik bei Helen Keller. Berlin: B Books, pp. 309-317. ISBN 978-3-942214-09-4 [Book Section]

Gunkel, Henriette. 2015. “‘We’ve been to the moon and back’ - das afrofuturistische Partikulare im universalisierten Imaginären” [‘We’ve been to the moon and back’ – afrofuturist particularism within the universal imaginary]. In: Ulrike Bergermann and Nanna Heidenreich, eds. total. - Universalism and particularism in post_kolonialer media theory. Berlin: Transcript, 149 -162. ISBN 9783837627664 [Book Section]

Gunkel, Henriette. 2008. “‘What do we see when we look at ourselves?’ - Visual dissidence towards (post)colonial sex/gender organisations within post-apartheid South African culture. In: Jean-Paul Rocchi, ed. Dissidences et Identités Plurielles. Nancy: Presses universitaires de Nancy, pp. 160-185. ISBN 978-2-86480-899-2 [Book Section]

Gunkel, Henriette and Annas, Max. 2018. An Act of Citizenship - Mozambican Films from Kuxa-Kanema to a Cinema of Re-sistance. In: Antje Schuhmann and Mistri Jyoti, eds. African Women in Film. Pretoria: Unisa Press. [Book Section]

Gunkel, Henriette and Crone, Bridget. 2019. Future. In: Robin Goddman, ed. The Bloomsbury Handbook of 21st-Century Feminist Theory. Bloomsbury. ISBN 9781350032408 [Book Section]

Gunkel, Henriette and Lynch, Kara. 2019. Lift Off...An Introduction. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 21-44. ISBN 9783837646016 [Book Section]

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Gunkel, Henriette and McGeorge, Eline. 2017. Companions Meet as Spaces Fold. A Conversation. In: Eline McGeorge, ed. As Spaces Fold, Companions Meet. London: Dent-De-Leone, pp. 167-175. ISBN 978-1-907908-41-5 [Book Section]

Gunkel, Henriette and Stieglitz, Olaf. 2012. Praxis Sex Machen/Sex Haben [Practice: To Make/To Have Sex]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 97-110. ISBN 978-3593396415 [Book Section]

Gunkel, Henriette and Yekani, Elahe Haschemi. 2012. Praxis (Sich-)Fortbewegen” [Practice: To Move (Forward)]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 57-69. ISBN 978-3593396415 [Book Section]

Hameed, Ayesha. 2022. “Approximate Oceans” with Stefan Helmreich. In: Invernomuto, ed. Black Med. Milan: Humboldt Books. ISBN 9788899385965 [Book Section]

Hameed, Ayesha. 2022. (The Art of Living Well and Dying Well). In: Anselm Franke; Elisa Giuliano; Denise Ryner; Claire Tancons and Zairong Xiang, eds. Ceremony (Burial of an Undead World). Leipzig: Spector Books / Haus der Kulturen der Welt (HKW). ISBN 9783959056946 [Book Section]

Hameed, Ayesha. 2014. Black Atlantis. In: Eyal Weizman, ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 712-719. ISBN 9783956790119 [Book Section]

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Hameed, Ayesha. 2019. Black Atlantis. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: Transcript, pp. 107-126. ISBN 9783837646016 [Book Section]

Hameed, Ayesha. 2018. Black Atlantis – Dancefloors and Seafloors. In: Dan Meththananda and Martin Kohout, eds. Night Shifter. TLTRPreß, pp. 44-53. ISBN 9783981964011 [Book Section]

Hameed, Ayesha. 2017. Black Atlantis: The Plantationocene. In: MAP Office, ed. Our Ocean Guide. Lightbox Publishing, pp. 205-213. ISBN 978-88-6384-041-4 [Book Section]

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Hameed, Ayesha. 2020. Black Atlantis: The Plantationocene. In: Peter Osborne, ed. Thinking Art: Materialisms, Labours, Forms. Kingston upon Thames: CRMEP Books, pp. 183-193. ISBN 9781999333744 [Book Section]

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Hameed, Ayesha. 2019. “The Bloop”; “Jupiter". In: Steve Goodman; Toby Heys and Eleni Ikoniadou, eds. AUDINT—Unsound:Undead. Falmouth: Urbanomic Media, pp. 83-85. ISBN 9781916405219 [Book Section]

Hameed, Ayesha. 2012. The Petrification of the Image. In: Godofredo Nobre Enes Pereira, ed. Savage Objects: Inhuman Political Alliances. Porto: Imprensa Nacional-Casa da Moeda. [Book Section]

Hameed, Ayesha. 2022. “Radio Brown Atlantis” (audio and text commission). In: Xenia Benivolski, ed. You Can’t Trust Music. New York: e-flux. [Book Section]

Hameed, Ayesha. 2018. Retrograde Futurism. In: Marina Otero Verzier and Nick Axel, eds. Work Body Leisure. Rotterdam: Het Nieuwe Instituut/Hatje Cantz Verlag GmbH, pp. 289-297. ISBN 9783775744256 [Book Section]

Hameed, Ayesha. 2018. “A Rough History (of the destruction of fingerprints)”. In: Gurur Ertem and Sandra Noeth, eds. Bodies of Evidence: Ethics, Aesthetics, and Politics of Movement , 2018. Vienna: Passagen Verlag, pp. 35-52. ISBN 9783709203033 [Book Section]

Hameed, Ayesha. 2004. Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea. In: James Gifford and Gabrielle Zezoulka-Mailloux, eds. in Culture and the State: Landscape and Ecology (Volume 1). CRC Humanities Studio. [Book Section]

Hameed, Ayesha. 2021. Sea Changes and Other Futurisms. In: Henriette Gunkel and Ayesha Hameed, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book Section]

Hameed, Ayesha. 2024. A Tidalectic Atlas of the Plantationocene. In: Justin Barton; Maya B. Kronic and Steve Goodman, eds. Sonic Faction: Audio Essay as Medium and Method. Falmouth: Urbanomic. ISBN 9781915103123 [Book Section]

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Hameed, Ayesha. 2019. The Time and Sound of the Nautical Border. In: Rita Kaur Dhamoon; Davina Bhandar; Renisa Mawani and Satwinder Kaur Bains, eds. Unmooring the Komagata Maru: Charting Colonial Trajectories. Vancouver: University of British Columbia Press, pp. 197-212. ISBN 9780774860659 [Book Section]

Hameed, Ayesha. 2023. Two Ships/Time Travel/Bodies Under the Sea. In: Pandora Syperek and Sarah Wade, eds. Oceans. London: Whitechapel Gallery. ISBN 9780854883042 [Book Section]

Hameed, Ayesha. 2008. Virtual and Material Topographies. In: Danny Butt; Jon Bywater and Paul Nova, eds. Place: Local Knowledge and New Media Practice. Cambridge Scholars Publishing. ISBN 978-1-8471-8484-9 [Book Section]

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Hameed, Ayesha. 2013. What Does the Moving Image Desire? In: , ed. Sarai Reader 09: Projections. Delhi: Sarai Media Lab, pp. 323-330. [Book Section]

Hameed, Ayesha; Eshun, Kodwo and Moreno, Louis. 2017. Sonic Utopias: The Last Angel of History. A Conversation between Ayesha Hameed, Kodwo Eshun and Louis Moreno. In: Henriette Gunkel; Ayesha Hameed and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 249-267. ISBN 9781910924631 [Book Section]

Hameed, Ayesha and Gunkel, Henriette. 2021. A Conversation on Time Travel. In: Henriette Gunkel and Ayesha Hameed, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book Section]

Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.. 2017. 'Futures and Fictions: A Conversation between Henriette Gunkel, Ayesha Hameed and Simon O'Sullivan.'. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 1-20. ISBN 9781910924631 [Book Section]

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Hernandez Velazquez, Yaiza. 2021. Who Needs 'Exhibition Studies'? In: Bo Choy; Charles Esche; David Morris and Lucy Steeds, eds. Art and its Worlds: Exhibitions, Institutions and Art Becoming Public. London: Afterall, pp. 306-315. ISBN 9783960989172 [Book Section]

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Hernández Velázquez, Y. M.. 2010. Archiving to Oblivion. In: , ed. Cuaderno Sesc Videobrasil. 10 Sao Paulo: Edições Sesc-SP and Associação Cultural Videobrasil, pp. 15-21. ISBN 9788579951664 [Book Section]

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Hernández Velázquez, Y. M.. 2019. Cortocircuitos del Museo y la Autonomía. In: , ed. ¡Autonomía! ¡Autonomización! Santa Cruz de Tenerife: TEA, Tenerife Espacio de las Artes, pp. 128-142. ISBN 9788494706592 [Book Section]

Hernández Velázquez, Y. M.. 2017. El arte de la institución. In: , ed. Cohabitar Entre - Emergencias institucionales. Prácticas artísticas. Procesos colectivos. Barcelona: ICUB-Ajuntament de Barcelona. ISBN 9788491560456 [Book Section]

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Hernández Velázquez, Y. M.. 2019. Imagining Curatorial Practice after 1972. In: Paul O'Neill; Simon Sheikh; Lucy Steeds and Mick Wilson, eds. Curating after the Global: Roadmaps for the Present. Cambridge, Massachusetts: MIT Press, pp. 255-270. ISBN 9780262537902 [Book Section]

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Hernández Velázquez, Y. M.. 2021. The Islands. In: Imma Prieto, ed. The Islands. Rogelio López Cuenca and Elo Vega. Palma: Es Baluard Museu d'Art Contemporani de Palma, pp. 5-14. ISBN 9788418803253 [Book Section]

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Hernández Velázquez, Y. M.. 2004. Museos de Sol y Playa. In: Mariano de Santa Ana, ed. Paisajes del placer, paisajes de la crisis. El espacio turístico canario y sus representaciones. Teguise, Lanzarote, Canary Islands: Fundación César Manrique, pp. 137-154. ISBN 8488550545 [Book Section]

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Hernández Velázquez, Y. M.. 2019. Who Needs “Exhibition Studies”? In: , ed. Critical Museology: Selected Themes Reflections from the William Bullock Lecture Series. Mexico City: Museo Universitario de Arte Contemporáneo, pp. 286-303. ISBN 9786073023757 [Book Section]

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Hernández Velázquez, Y. M.. 2018. A constituent education. In: John Byrne; Elinor Morgan; November Paynter; Aida Sánchez de Serdio and Adela Zeleznik, eds. The Constituent Museum: Constellations of Knowledge, Politics and Mediation: A Generator of Social Change. Amsterdam: Valiz, pp. 128-131. ISBN 9789492095428 [Book Section]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2014. Dheisheh (Cisjordanie). Retours. Penser le futur dans l’extraterritorialité (un projet architectural). In: Michel Agier, ed. Un monde de camps. Paris: La Découverte. ISBN 9782707183224 [Book Section]

Kröger, Merle; Scheffner, Philip and Eshun, Kodwo. 2021. Im Gespräch mit Kodwo Eshun und Nicole Wolf, Einschreibungen der Zeit und die Möglichkeitsform - HAVARIE / Havarie. In: Nicole Wolf, ed. Grenzfälle. Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner. Berlin, Germany: Vorwerk 8, pp. 213-231. ISBN 9783947238354 [Book Section]

Lebow, Alisa and Ertür, Başak. 2021. ‘Wo beginnen’ [‘Where to Begin? Revision as Method’]. In: Nicole Wolf, ed. Grenzfälle:Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner [Borderline Cases: Documentary practice between film and literature with Merle Kröger and Philip Scheffner]. Berlin: Verlag Vorwerk 8. ISBN 9783947238354 [Book Section]

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Lury, Celia; Viney, William and Wark, Scott. 2022. Introduction: Figure, Figuring and Configuration. In: Celia Lury; William Viney and Scott Wark, eds. Figure: Concept and Method. Singapore: Palgrave Macmillan, pp. 1-20. ISBN 9789811924750 [Book Section]

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Madani, Adnan. 2022. The Frame as Borderland: Islam, Allegory and the DIstance from Here. In: Saira Ansari, ed. Bani Abidi: The Artist Who. Berlin: Hatje Cantz Verlag, pp. 134-149. ISBN 9783775752886 [Book Section]

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Madani, Adnan. 2021. Rana Begum's Abstraction. In: Anita Dawood, ed. Rana Begum: Space, Light, Colour. London: Lund Humphries, pp. 163-167. ISBN 9781848225329 [Book Section]

Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

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Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

Martinon, Jean-Paul. 2008. 33, 34, 35… The Life of The Limits. In: Josef Steiff and Tristan D Tamplin, eds. Battlestar Galactica and philosophy : mission accomplished or mission frakked up? 33 Chicago: Open Court, pp. 249-260. ISBN 9780812697087 [Book Section]

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Martinon, Jean-Paul. 2020. Afterword: Respect for Derrida in/and Africa. In: Grant Farred, ed. Derrida and Africa: Jacques Derrida as a Figure for African Thought. Lanham, Maryland: Lexington Books, pp. 85-93. ISBN 9781498581899 [Book Section]

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Martinon, Jean-Paul. 2021. Alexis Kagame. In: Eugene O’Brien, ed. Oxford Bibliographies in Literary and Critical Theory. Oxford: Oxford University Press. [Book Section]

Martinon, Jean-Paul. 2010. Bearers and Proper Names. In: Suzana Milevska, ed. The Renaming Machine. Ljubljana: PARASITE Institute Slovenia, pp. 60-71. ISBN 9789616807029 [Book Section]

Martinon, Jean-Paul. 2003. Fact or Fiction? In: A. George, ed. Art, Lies and Videotape: Exposing Performance. Tate Publishing, pp. 40-51. ISBN 1854375377 [Book Section]

Martinon, Jean-Paul. 2005. Grafts, Repetitions, and Polymorphous Bodies: Daniel Buren at the Wordsworth Trust. In: Robert Robert, ed. Daniel Buren. The Wordsworth Trust, pp. 29-44. ISBN 1905256019 [Book Section]

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Martinon, Jean-Paul. 2015. Im-mundus or Nancy’s Globalising-World-Formation. In: Sanja Dejanovic, ed. Nancy and the Political. Edinburgh: Edinburgh University Press, pp. 219-244. ISBN 9780748683185 [Book Section]

Martinon, Jean-Paul. 2006. Museum and Restlessness. In: H. Genoways, ed. Museum Philosophy for the Twentieth-first Century. Alta Mira Press, pp. 59-69. ISBN 9780759107540 [Book Section]

Martinon, Jean-Paul. 2015. Shame: Intentionality in Reverse. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 66-78. [Book Section]

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McAuliffe, Sam. 2022. The Changeability of the World: Utopia and Critique. In: Kathrin Thiele; Birgit M. Kaiser and Timothy O’Leary, eds. The Ends of Critique: Methods, Institutions, Politics. Lanham, Maryland: Rowman & Littlefield, pp. 57-75. ISBN 9781786616470 [Book Section]

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McAuliffe, Sam. 2017. Fable. In: , ed. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 55-59. ISBN 978­3­95796­085­6 [Book Section]

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McAuliffe, Sam. 2017. Inner Voice. In: Mercedes Bunz; Birgit Mara Kaiser and Kathrin Thiele, eds. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 73-77. ISBN 978-3-95796-085-6 [Book Section]

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McAuliffe, Sam. 2023. Part and Whole: On Some Uses of Landscape in the Films of Huillet and Straub. In: Martin Brady and Helen Hughes, eds. The Cinema of Danièle Huillet and Jean-Marie Straub. Cambridge: Legenda, pp. 45-59. ISBN 9781839540585 [Book Section]

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McAuliffe, Sam. 2019. A Professional Conscience: On an Episode of Self-Accusation in Raymond Queneau's The Last Days. In: Garry L. Hagberg, ed. Narrative and Self-Understanding. London: Palgrave Macmillan, pp. 141-158. ISBN 978-3-030-28288-2 [Book Section]

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McAuliffe, Sam. 2022. Utopian Realism. In: Peter Marks; Jennifer A. Wagner-Lawlor and Fátima Vieira, eds. The Palgrave Handbook of Utopian and Dystopian Literatures. Cham, Switzerland: Palgrave Macmillan, pp. 219-230. ISBN 9783030886547 [Book Section]

McAuliffe, Sam. 2024. “A step beside yet upon a ground”: Derrida and Spivak on Practice and Context. In: Kathrin Thiele and Anirban Das, eds. Thinking About Doing: Practice and Theory Across Continents. Oxford University Press India. [Book Section] (Forthcoming)

Mennel, Birgit and Nowotny, Stefan. 2014. Die Sprachen der Banlieues. In: Birgit Mennel and Stefan Nowotny, eds. Die Sprachen der Banlieues. Vienna: transversal texts, pp. 9-25. ISBN 978-3-9501762-7-8 [Book Section]

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Millner-Larsen, Nadja. 2016. Kalliopi Lemos's Sculpture of Subjection. In: , ed. Kalliopi Lemos: In Balance. London: Gazelli Art House. [Book Section]

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Moreno, Louis. 2022. Always Crashing in the Same City: Immobilien, Psychisches Kapital und Planetares Begehren. In: Joerg Franzbecker; Naomi Hennig and Florian Wüst, eds. X Properties. Berliner Hefte zu Geschichte und Gegenwart der Stadt 11. Berlin: nGbK (neue Gesellschaft für bildende Kunst), pp. 77-103. ISBN 9783946674108 [Book Section]

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Moreno, Louis. 2017. David Harvey. In: A Latham and R Kock, eds. Key Thinkers on Cities. Sage Publishing. ISBN 9781473907751 [Book Section]

Moreno, Louis. 2020. Fracking Sociality: Architecture, real estate, and the internet’s new urbanism. In: Peter Mörtenböck and Helge Mooshammer, eds. Data Publics: Public Plurality in an Era of Data Determinacy. Abingdon: Routledge, pp. 147-166. ISBN 9780367184728 [Book Section]

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Moreno, Louis. 2022. Internal Empire : The Neoclassical Architecture of Racial Capitalism. In: Kelly M. Rich; Nicola M. Rizzuto and Susan Zieger, eds. The Aesthetic Life of Infrastructure: Race, Affect, Environment. Evanston, Illinois: Northwestern University Press, pp. 43-59. ISBN 9780810145504 [Book Section]

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Moreno, Louis. 2021. The Presence of the Past in the Platform, or the Cultural Logic of Absolute Rent. In: Peter Mörtenböck and Helge Mooshammer, eds. Platform Urbanism and Its Discontents. Rotterdam: nai010 uitgevers, pp. 63-72. ISBN 9789462086159 [Book Section]

Moreno, Louis. 2014. The Sound of Detroit: Notes, Tones and Rhythms from Underground. In: Matthew Gandy and BJ Nilsen, eds. The Acoustic City. Berlin: Jovis, pp. 99-107. ISBN 9783868592719 [Book Section]

Mörtenböck, Peter. 2010. Allocations: Planning Processes and Other Participations in the Right to the City. In: Angela Heide and Elke Krasny, eds. Other Places: Vienna Lerchenfelder Street. Wien: Turia + Kant, pp. 87-89. ISBN 978-3-85132-588-1 [Book Section]

Mörtenböck, Peter. 2013. The Architecture of Informal Trade. In: Aleksandra Wasilkowska, ed. Shadow Architectures. Warsaw: The Other Space Foundation/Fundacja Inna Przestrzen. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter. 2009. Crossing the Mediterranean: Networked Agencies in Art and Culture. In: L.E. Grinin and A.V. Korotayev, eds. Hierarchy and Power in the History of Civilizations: Cultural Dimensions. Moscow: Editorial URSS. ISBN 978-5-396-00010-0 [Book Section]

Mörtenböck, Peter. 2014. Die bewegte Stadt: Demokratiepolitische Potenziale sozialer Bewegungen am Beispiel der Occupy-Bewegung. In: Wolfgang Kastrup and Helmut Kellershohn, eds. Kapitalismus und/oder Demokratie: Beiträge zur Kritik ''marktkonformer'' Demokratieverhältnisse. Münster: Unrast Verlag, pp. 83-99. ISBN 978-3-89771-765-7 [Book Section]

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Mörtenböck, Peter. 2015. Global Informality: Bottom-Up Trade and Transnational Realignments. In: Peter Mörtenböck; Helge Mooshammer; Teddy Cruz and Fonna Forman, eds. Informal Market Worlds: The Architecture of Economic Pressure (Reader). Rotterdam: nai010 Publishers, pp. 105-118. ISBN 9789462081956 [Book Section]

Mörtenböck, Peter. 2014. Gunners and Runners. In: Lars Bang Larsen, ed. Networks. Whitechapel and MIT Press. ISBN 9780262525756 [Book Section]

Mörtenböck, Peter. 2002. Heldinnen. Betrügerinnen, Versagerinnen - 'Nobody knows me, and I like that'. In: Felicitas Konecny and Irene Nierhaus, eds. räumen: Baupläne zwischen Raum, Visualität, Geschlecht und Architektur. Wien: selene, pp. 223-240. ISBN 978-3852661780 [Book Section]

Mörtenböck, Peter. 2008. Hürdenläufe der Ermächtigung. In: Birgit Richard and Alexander Ruhl, eds. Konsumguerilla: Widerstand gegen Massenkultur? Frankfurt: Campus. ISBN 978-3593387628 [Book Section]

Mörtenböck, Peter. 2013. Krisenexperimente: Symbolische, physische und soziale Besetzungen von Stadtraum. In: Florian Dreher and Kerstin Faber, eds. New Babylon: Architecture and Urbanism after Crisis. Hatje Cantz. ISBN 978-3959050418 [Book Section]

Mörtenböck, Peter. 2014. Network Economies of Waste. In: Juliet Steyn and Nadja Stamselberg, eds. Breaching Borders: Art, Migrants and the Metaphor of Waste. London: I.B. Tauris, pp. 215-236. ISBN 9781780762593 [Book Section]

Mörtenböck, Peter. 2010. Networked Cultures. In: Helmut K Anheier and Yudhishthir Raj Isar, eds. Cultures and Globalization Cultural Expression, Creativity and Innovation. London: Sage. ISBN 9781412920865 [Book Section]

Mörtenböck, Peter. 2012. Not for Sale. In: Sabine Pollak, ed. Superstadt!: Zur Zukunft der Stadt zwischen Linz, London und Shanghai. Vienna: Sonderzahl Publishers. ISBN 978-3854493785 [Book Section]

Mörtenböck, Peter. 2013. Platzbewegungen: Expeditionen in den Raum der Versammlung’. In: Bastian Lange; Gottfried Prasenc and Harald Saiko, eds. Ortsentwürfe : Urbanität im 21. Jahrhundert. Berlin: Jovis. ISBN 9783868592290 [Book Section]

Mörtenböck, Peter. 2012. Visual Culture’. In: Arge Schnittpunkt, ed. Handbuch Ausstellungstheorie und -praxis. Stuttgart: UTB. ISBN 9783825237592 [Book Section]

Mörtenböck, Peter. 2010. Zwischen Palmen und Zypressen - Zivilgesellschaftliche Begegnungen im Raum der Ströme. In: Irene Nierhaus, ed. Landschaft, Gehäuse, Orientierung. Berlin: Reimer. [Book Section]

Mörtenböck, Peter and UNSPECIFIED. 2014. Marktplätze der Öffentlichkeit. In: Caroline Schmidt and Asta Vonderau, eds. Öffentlichkeiten in Bewegung. Formationen von transnationalen Kommunikations- und Handlungsräumen. Bielefeld: Transcript. ISBN 978-3-8376-2154-9 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. The Art of Crafting Formal-Informal Linkages: On the Enduring Appeal of Belo Horizonte’s Hippie Fair. In: Eveline Dürr and Juliane Müller, eds. The Popular Economy in Urban Latin America. Lanham - Boulder - New York - London: Lexington Books, pp. 43-63. ISBN 978-1-4985-7239-2 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Blendende Werte: Die globale Zirkulation von Architektur- Kapital. In: , ed. Das Geschäft mit der Stadt. 28 Birkhäuser, pp. 28-43. [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. City as Interface. Self-generating Urban Environments and the Question of Labour. In: Helena Doudová, ed. Shared Cities Atlas. Post-Socialist Cities and Active Citizenship in Central Europe. Rotterdam: nai010 publishers, pp. 196-201. ISBN 9789462085213 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2016. From Urban Talent to Commodity City: Marketplaces in the Informal Economy. In: Jonathan Darling and Helen Wilson, eds. Encountering the City: Urban Encounters from Accra to New York. London: Ashgate. ISBN 9781472432575 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. Frontier Climates – Managing the Global Commons. In: Karen Lutsky; Ozayr Saloojee and Emily Eliza Scott, eds. Viscosity - Mobilizing Materialities. 4 University of Minnesota School of Architecture, pp. 15-33. ISBN 978-0-36-835667-4 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2023. Incorporating Informality. In: Peter Mörtenböck and Helge Mooshammer, eds. IN/FORMAL Marketplaces: Experiments With Urban Reconfiguration. Rotterdam: nai010 publishers, pp. 9-51. ISBN 9789462088092 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Informal Market Worlds: Instruments of Change. In: , ed. Scapegoat: Architecture, Landscape, Political Economy - Currency. (04) Toronto: Scapegoat, pp. 203-220. ISBN 9781482370683 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2020. Introduction: Data is not a property but a relation. In: Peter Mörtenböck and Helge Mooshammer, eds. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge, pp. 1-25. ISBN 9780367184728 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Making Do. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions - Intervention and Research in Visual Culture. Bielefeld: transcript Verlag, pp. 127-138. ISBN 978-3-8376-1847-1 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Materials of Commemoration: The Changing Landscape of Mauthausen. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 218-234. ISBN 978-3956791499 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2009. Networked Cultures. In: Gulsen Bal, ed. Open Space - Mapping contemporary creative practice. London: Divus, pp. 100-111. ISBN 80-86450-50-3 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Networked Cultures - Collections of Alternative Approaches. In: Nishat Awan; Tatjana Schneider and Jeremy Till, eds. Spatial Agency: Other Ways of Doing Architecture. London: Routledge, pp. 124-126. ISBN 9780415571937 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Nieokreslonosc handlu - rynki nieformalne w Europie. In: Aleksandra Wasilkowska, ed. Shadow Architecture. Warschau: The Other Space Foundation, pp. 342-355. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Of Multi-Directional Forces: Interdependencies between Material, Social and Other Resources. In: Mabe Bethonico, ed. Provisoes / World of Matter. Belo Horizonte: ICC, pp. 98-125. ISBN 978-8561659240 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2017. Other Markets: The Global Struggle of Informal Trading Places. In: Andreas Lepik; Marcello della Guistina and Chiara Ursini, eds. Does Permanence Matter? Ephemeral Urbanism. München: Architekturmuseum der TU München, pp. 62-79. ISBN 978-3-9819240-0-8 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan ve Çatışkı: Ağ Örgüsüne Dahil Olan Istanbul. In: Gulsen Bal, ed. Türkiye'de Dün-Bugün Dönüşümleri. Istanbul: Kitap Yayinevi, pp. 121-141. ISBN 978-605-105-000-3 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2021. Platform. In: Jochen Becker; Anna Schäffler and Simon Sheikh, eds. Glossary Urban Praxis: Towards a Manifesto. Berlin: neue Gesellschaft für bildende Kunst (nGbK), pp. 62-63. ISBN 9783938515938 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2022. Platform Urbanism. In: Bianca Anna Böckle; Celina Martinez-Cañavate and Peter A. Staub, eds. Beyond the Biennale. Zurich: Triest Verlag, pp. 128-135. ISBN 9783038630678 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2021. Platform Urbanism and Its Discontents. In: Peter Mörtenböck and Helge Mooshammer, eds. Platform Urbanism and Its Discontents. Rotterdam: nai010 publishers, pp. 9-38. ISBN 9789462086159 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2020. Platform urbanism: City-making in the age of platforms. In: Peter Mörtenböck and Helge Mooshammer, eds. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge, pp. 169-191. ISBN 9780367184728 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. The Political Aesthetics of Counter-Terrorism Design. In: Gary Boyd and Denis Linehan, eds. Ordnance: War, Architecture and Space. London: Ashgate, pp. 33-49. ISBN 9781409439127 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. A Practice Without Discipline. In: Sabine Hochrieser; Michael Kargl; Birgit Rinagl and Franz Thalmair, eds. CONT3XT. Verlag für moderne Kunst. [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2025. Revengeful Nature: Posthumanist frontiers in speculative architecture. In: Carmen Lael Hines and Lisa Moravec, eds. Posthumanist Approaches to a Critique of Political Economy: Dissident Practices. London: Bloomsbury. [Book Section] (Forthcoming)

Mörtenböck, Peter and Mooshammer, Helge. 2015. Sammlungen des Protests: Von der Occupy-Bewegung zum Verwahren des Protests. In: Andreas Hudelist; Florian Kerschbaumer and Matthias Wieser, eds. Protestgebiete: Interdisziplinäre Perspektiven auf Raum und Widerstand. Novo mesto: arte4, pp. 23-45. ISBN 9789619363331 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Shifting Waters. In: Guven ncirlioglu and Hakan Topal, eds. Sea Image: Visual Manifestations of Port Cities and Global Waters. New York: Newgray, pp. 20-43. ISBN 978-0983603108 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Strittige Öffentlichkeiten: Die Besetzung der Ökonomie. In: Andreas Langenohl and Dietmar J. Wetzel, eds. Finanzmarktpublika. Wirtschaft & Gesellschaft. ISBN 978-3-531-19707-4 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2017. Tent Cities, People’s Kitchens, Free Universities – The Global Villages of Occupation Movements. In: Doina Petrescu and Kim Trogal, eds. The Social (Re)Production of Architecture: Ethics, Economies, Politics and Actions in Contemporary and Future Practice. Abingdon: Routledge, pp. 257-270. ISBN 9781138859494 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Trade Flow: Architectures of Informal Markets. In: Andrew Ballantyne and Chris Smith, eds. Architecture in the Space of Flows. London: Routledge, pp. 117-134. ISBN 978-0-415-58541-5 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. A World of Matter. In: Inke Arns, ed. World of Matter. Berlin: Sternberg Press, pp. 160-172. ISBN 978-3-95679-083-6 [Book Section]

Nowotny, Stefan. 2015. Ent/Grenzen, Übersetzen / Un/Bordering, Translating. In: Andrea Van der Straeten, ed. Der Käfig ist auf und der Zoo zu. Vienna: Sonderzahl. ISBN 978-3854494461 [Book Section]

Nowotny, Stefan. 2013. Translating Citizenship: On Some Pitfalls and the Politics of Meaning in the Definition of “Europeanness”. In: Claudia Wiesner and Meike Schmidt-Gleim, eds. The Meanings of Europe: Changes and Exchanges of a Contested Concept. Abingdon: Routledge, pp. 194-206. ISBN 9780415857062 [Book Section]

Nowotny, Stefan. 2018. Überlegungen zur Geschichte der “Gastarbeit”. In: Boris Buden and Lina Dokuzovic, eds. They'll Never Walk Alone: The Life and Afterlife of Gastarbeiters. Vienna: transversal texts, pp. 249-267. ISBN 9783903046207 [Book Section]

O' Dwyer, Killian. 2025. The Gift in Lube: Derrida, Lubrication and Fisting. In: Agnieszka Podruczna; Nina Augustynowicz and Aleksandra Musiał, eds. Erotic Discourses in History, Culture and the Arts. Routledge. [Book Section] (Forthcoming)

O' Dwyer, Killian. 2025. Unbridled: Dragging Nudity in Ann Oren's Piaffe. In: Nicola McCartney, ed. Animal Drag. Manchester: Manchester University Press. [Book Section] (Forthcoming)

O'Sullivan, Simon D.. 2008. Academy: The Production of Subjectivity. In: Irit Rogoff, ed. Academy. Frankfurt: Revolver, pp. 238-244. [Book Section]

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O'Sullivan, Simon D.. 2017. Accelerationism, Prometheanism and Mythotechnesis. In: Baylee Brits; Prudence Gibson and Amy Ireland, eds. Aesthetics After Finitude. Melbourne: re.press, pp. 171-189. ISBN 9780980819793 [Book Section]

O'Sullivan, Simon D.. 2009. Art and the Political: Minor Literature, War Machines and the Production of Subjectivity. In: Dave Beech, ed. Beauty. London: Whitechapel Art Gallery. ISBN 978-0854881635 [Book Section]

O'Sullivan, Simon D.. 2010. 'Contribution to an Artistic Anthropology. In: Lee Youngchul and Henk Slager, eds. Naim June Paik Reader: One. Korea: Naim June Paik Art Centre. [Book Section]

O'Sullivan, Simon D.. 2002. Cultural Studies as Rhizome; Rhizomes in Cultural Studies. In: , ed. Cultural Studies and Interdisciplinarity. Amsterdam: Rodopi. [Book Section]

O'Sullivan, Simon D.. 2013. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity. In: John Ó Maoilearca and Charlotte De Mille, eds. Bergson and the Art of Immanence: Painting, Photography, Film. Edinburgh: Edinburgh University Press, pp. 165-187. ISBN 978-0748670222 [Book Section]

O'Sullivan, Simon D.. 2013. Felix Guattari. In: Michael Kelley and Simon D. O'Sullivan, eds. Oxford Encyclopedia of Aesthetics. New York: Oxford University Press, pp. 246-250. ISBN 9780199370306 [Book Section]

O'Sullivan, Simon D.. 2008. Fiction. In: Manuela Zechner, ed. Vocabulaboratories. Amsterdam: LISA, pp. 47-50. ISBN 978-90-78632-02-3 [Book Section]

O'Sullivan, Simon D.. 2018. Fictioning Five Heads (on the Art—Anthropology Hybrid). In: Hermione Spriggs, ed. Five Heads (Tavan Tolgoi): Art, Anthropology and Mongol Futurism. Berlin: Sternberg Press, pp. 141-147. ISBN 9783956794292 [Book Section]

O'Sullivan, Simon D.. 2022. Fictioning a Pilgrimage (or Fieldwork on the Fiction of the Self). In: Bridget Crone; Sam Nightingale and Polly Stanton, eds. Fieldwork for Future Ecologies: Radical Practice for Art and Art-based Research. Eindhoven: Onomatopee, pp. 397-415. ISBN 9789493148918 [Book Section]

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O'Sullivan, Simon D.. 2017. The Finite-Infinite Relation: A Conversation with Simon O’Sullivan. In: Anthony Morgan, ed. The Kantian Catastrophe: Conversations on Finitude and the Limits of Philosophy. Newcastle: Bigg Books, pp. 209-221. ISBN 97819998413 [Book Section]

O'Sullivan, Simon D.. 2010. From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 189-207. ISBN 0748638385 [Book Section]

O'Sullivan, Simon D.. 2017. From Financial Fictions to Mythotechnesis. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 318-346. ISBN 9781910924631 [Book Section]

O'Sullivan, Simon D.. 1999. 'Guy DeBord'. In: Ellis Cashmore and Chris Rojek, eds. Dictionary of Cultural Theorists. London: Bloomsbury Academic. ISBN 978-0340645482 [Book Section]

O'Sullivan, Simon D.. 2017. Memories of a Deleuzian: To Think is Always to Follow the Witches Flight. In: Henry Somers-Hall; Jeffrey A. Bell and James Williams, eds. A Thousand Plateaus and Philosophy. Edinburgh: Edinburgh University Press, pp. 172-189. ISBN 9780748697281 [Book Section]

O'Sullivan, Simon D.. 2019. Mythopoesis, Fabulous Images, and Memories of a Sorcerer. In: Paulo de Assis and Paolo Giudici, eds. Aberrant Nuptials: Deleuze and Artistic Research. Ghent: Leuven University Press, pp. 327-340. ISBN 9789462702028 [Book Section]

O'Sullivan, Simon D.. 2005. The New Moderns. In: , ed. The Showroom Annual. London: The Showroom Gallery, pp. 46-51. ISBN 0-9542362-4-6 [Book Section]

O'Sullivan, Simon D.. 2017. Non-Philosophy and Fiction as Method. In: Jon K Shaw and Theo Reeves-Evison, eds. Fiction as Method. Berlin: Sternberg, pp. 273-318. ISBN 978-3-95679-364-6 [Book Section]

O'Sullivan, Simon D.. 2016. On the Diagram (and the Practice of Diagrammatics). In: K Schneider and B Yasar, eds. Situational Diagram. New York: Dominique Lévy, pp. 13-25. ISBN 978-1-944379-09-4 [Book Section]

O'Sullivan, Simon D.. 2011. Performance Fictions: Towards a Mythopoetic Art Practice. In: David Burrows, ed. Performance Fictions. Birmingham: Article Press. [Book Section]

O'Sullivan, Simon D.. 2008. The Production of the New and the Care of the Self. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze, Guattari and the Production of the New. London: Continuum, pp. 91-103. ISBN 0826499538 [Book Section]

O'Sullivan, Simon D.. 2004. Retreat Diary. In: John Russell, ed. Frozen Tears II. Birmingham: Article Press, pp. 242-245. ISBN 978-1873352885 [Book Section]

O'Sullivan, Simon D.. 2006. Science Fiction, or Painting, the Abstract Machine. In: David Burrows, ed. DJ Simpson: Selected Works 2000-05. Warwick: Mead Gallery, Warwick Arts Centre, pp. 81-85. ISBN 978-0902683808 [Book Section]

O'Sullivan, Simon D.. 2013. The Seven Courts of the Mall (or, We Have Always Been Medieval). In: Norman Hogg and Neil Mulholland, eds. thN Lng folk 2go: Investigating Future Premoderns(TM). Brooklyn: Punctum Books, i-vi. ISBN 978-0615890258 [Book Section]

O'Sullivan, Simon D.. 2022. The Stars My Destination. In: Francesca Lazzarini, ed. IOCOSE: Loops and Vectors. Modena: Fondazione Modena Arti Visive, pp. 92-95. ISBN 9788894552140 [Book Section]

O'Sullivan, Simon D.. 2022. A Thousand Devices. In: , ed. Michiko Itatani: Celestial Stage. Chicago, Illinois: Wrightwood 659, pp. 40-43. ISBN 9798218074647 [Book Section]

O'Sullivan, Simon D.. 2012. Towards a Minor Art Practice. In: Mike Bleyen and Simon D. O'Sullivan, eds. Minor Photography: Connecting Deleuze and Guattari to Photography Theory. Leuven: Leuven University Press, pp. 1-16. ISBN 9789058679109 [Book Section]

O'Sullivan, Simon D.. 2005. Various entries in The Deleuze Dictionary. In: Adrian Parr, ed. The Deleuze Dictionary. Edinburgh: Edinburgh University Press. ISBN 978-0231138147 [Book Section]

O'Sullivan, Simon D. and Burrows, David. 2020. What is the future of MYTH post-covid-19? In: Manca Bajec; Tom Holert and Marquard Smith, eds. Pause. Fervour. Reflections on a Pandemic. Berlin: Harun Farocki Institut & Journal of Visual Culture, pp. 219-226. ISBN 9781527295445 [Book Section]

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Paganellli, Mattia. 2021. Asymmetry: How Patterns of Impossibility Mark Dimensions in Knowledge Systems. In: Johnny Golding; Martin Reinhart and Mattia Paganellli, eds. Data Loam: Sometimes Hard, Usually Soft. The Future of Knowledge Systems. Berlin/Boston: De Gruyter, pp. 171-193. ISBN 9783110680072 [Book Section]

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Phan, Thao and Wark, Scott. 2024. Race, by Proxy. In: Fleur Johns; Gavin Sullivan and Dimitri Van Den Meerssche, eds. Global Governance by Data: Infrastructures of Algorithmic Rule. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner. 2012. Sensibilidades que esperimentan en la ciudad neoliberal. In: , ed. Félix Guattari. Los ecos del pensar. Entre filosofía, arte y clínica. Barcelona: Hakabooks. [Book Section]

Prendeville, Brendan. 2010. Catalogue essay. In: , ed. Another Country: London painters in dialogue with Italian art. London: Lubrina-Leb. ISBN 978-8877664068 [Book Section]

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Prendeville, Brendan. 2017. Competing futures, precarious community: realism in post-war Britain. In: Andrew Hemingway and Alex Potts, eds. Kunst und Politik 19: Realism in Modern British and American Art. 19 Göttingen: V&R unipress GmbH, pp. 59-71. ISBN 9783847108153 [Book Section]

Prendeville, Brendan. 1981. ‘Constructed Sculpture’. In: Sandy Nairne and Nicholas Serota, eds. British Sculpture in the Twentieth Century. London: Whitechapel Gallery, pp. 209-221. ISBN 978-0854880546 [Book Section]

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Prendeville, Brendan. 2018. Democratic light: phenomenology and the worldliness of painting. In: Malcolm Baker and Andrew Hemingway, eds. Art as Worldmaking: Critical Essays on Realism and Naturalism. Manchester: Manchester University Press, pp. 165-180. ISBN 9781526114907 [Book Section]

Prendeville, Brendan. 2023. "Guardam!": Sicilia! and the Claim on Attention. In: Martin Brady and Helen Hughes, eds. The Cinema of Danièle Huillet and Jean-Marie Straub. Cambridge: Legenda, pp. 109-122. ISBN 9781839540585 [Book Section]

Prendeville, Brendan. 1984. ‘How sculpture became human’. In: , ed. Flesh and Stone. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 1988. ‘Infant Joy’. In: , ed. Taking Root. London: Artsite Gallery. [Book Section]

Prendeville, Brendan. 2002. ‘Measure and Location’. In: Michael Harrison, ed. A Measure of Reality. Cambridge: Kettle’s Yard. [Book Section]

Prendeville, Brendan. 2006. Merleau-Ponty, Realism and Painting: Psychophysical Space and the Space of Exchange. In: Ted Toadvine, ed. Merleau-Ponty: Critical Assessments of Leading Philosophers, vol. 2: Perception and Expression. Routledge, pp. 300-329. ISBN 9780415363990 [Book Section]

Prendeville, Brendan. 2012. 'Modernism and figuration'. In: Steve Edwards and Paul Wood, eds. Art & Visual Culture 1850 – 2010: Modernity to Globalization. London, England: Open University / Yale, pp. 175-209. ISBN 9781849760973 [Book Section]

Prendeville, Brendan. 1984. ‘Motion and rest: the sculptor’s search for order’. In: , ed. Sculpture’s Dance. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 2003. ‘Night Geography’. In: Michael Harrison, ed. Ian Wiblin: Night Watch. Cambridge: Kettle’s Yard, pp. 8-28. ISBN 978-0907074540 [Book Section]

Prendeville, Brendan. 2013. Painting the Invisible: time, matter and the image in Bergson and Michel Henry. In: John Mullarkey and Charlotte de Mille, eds. Bergson and the Art of Immanence. Edinburgh University Press, pp. 189-205. ISBN 978-1474404730 [Book Section]

Prendeville, Brendan. 2021. Painting, from the eighteenth century into the early nineteenth. In: Dirk Gröttsche; Rosa Mucignat and Robert Weininger, eds. Landscapes of realism: Rethinking Literary Realism in Comparative Perspectives. Volume 1: Mapping Realism. Amsterdam: John Benjamins, pp. 191-212. ISBN 9789027208064 [Book Section]

Prendeville, Brendan. 2004. Seurat and the Act of Sensing: Perception as Artefact. In: T. Fischer-Seidel; S. Peters and A. Potts, eds. Perception and the Senses / Sinneswahrnehmung. A. Francke Verlag, pp. 165-187. ISBN 3772080405 [Book Section]

Prendeville, Brendan. 2009. Seurat and the act of sensing: perception as artefact. In: Paul Smith, ed. Seurat re-viewed. Pennsylvania: Pennsylvania State University Press, pp. 149-162. ISBN 978-0-271-03545-1 [Book Section]

Prendeville, Brendan. 1996. South. In: John Stathatos, ed. Myth and Landscape. Delphi, pp. 62-65. [Book Section]

Prendeville, Brendan. 1984. ‘The place of sculpture’. In: , ed. Mind over Matter. London: Arts Council, pp. 44-54. [Book Section]

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Ramos Martinez, Manuel. 2007. Betrayed Borders: Double Agents and the Crisscrossing of Conflicts. In: Monica Narula; Shuddhabrata Sengupta; Jeebesh Bagchi and Ravi Sundaram, eds. SARAI Reader 2007 - Frontiers. (7) Delhi: The Sarai Programme, Center for the Study of Developing Societies, pp. 256-263. ISBN 81-901429-9-2 [Book Section]

Ramos Martinez, Manuel. 2015. Marx Immemorial, Workers and Peasants in the Cinema of Straub and Huillet. In: Ewa Mazierska and Lars Kristensen, eds. Marx and the Moving Images of Activism: Screening Alternative Worlds. Berghahn. ISBN 78-1-78238-642-1 [Book Section]

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Ramos Martinez, Manuel. 2016. Nombrar, Resistir – de los títulos en el cine de Straub y Huillet. In: , ed. Jean-Marie Straub y Danièle Huillet: Hacer la revolucion es volver a colocar en su sitio cosas muy antiguas pero olvidadas. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 127-143. ISBN 9788480265430 [Book Section]

Ramos Martinez, Manuel. 2013. Ranciere's Politics of the Image. In: James Elkins; Kristi McGuire; Maureen Burns; Alicia Chester and Joel Kuennen, eds. Theorizing Visual Studies: Writing through the Discipline. New York: Taylor & Francis. ISBN 978-0-415-87794-7 [Book Section]

Ramos Martinez, Manuel. 2011. Still Here, Here Again – Farocki, Godard and the Cinema’s Centenary. In: , ed. Proceedings of the XVIII International Film Studies Conference – The Archive. Udine: Forum. [Book Section]

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Roberdeau, Wood. 2018. After Baruchello: Agricultural Encounters in Contemporary Art. In: Ben Stringer, ed. Rurality Re-imagined: Villagers, Farmers, Wanderers and Wild Things. Novato, California: ORO Editions/Applied Research & Design. ISBN 978-1-940743-34-9 [Book Section]

Roberdeau, Wood. 2003. Ellsworth Kelly, Untitled. In: , ed. Dallas Museum of Art: 100 Years. Dallas Museum of Art. [Book Section]

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Roberdeau, Wood. 2023. Experiments in Eco-poiesis: herman de vries and an Art of Immediacy. In: Fröydi Laszlo and Anna Risell, eds. The Anthropocene Laboratory. Gothenburg: Förlaget 284. ISBN 978-9198165005 [Book Section]

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Roberdeau, Wood. 2022. Fog (a Delegation for Atmosphere). In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona. ISBN 9788494938870 [Book Section]

Roberdeau, Wood. 2003. Sol LeWitt, Wall Drawing #398. In: , ed. Dallas Museum of Art: 100 Years. Dallas Museum of Art. [Book Section]

Roberdeau, Wood. 2004. Untitled, 1982-1983, Biography. In: , ed. Ellsworth Kelly in Dallas. Dallas Museum of Art: Yale University Press. [Book Section]

Rogoff, Irit. 2006. Academy as Potentiality. In: , ed. A.C.A.D.E.M.Y. Revolver. [Book Section]

Rogoff, Irit. 2018. Becoming Research. In: Choi Jina and Helen Jungyeon Ku, eds. The Curatorial in Parallax. Seoul, Republic of Korea: National Museum of Modern and Contemporary Art, Korea, pp. 39-52. ISBN 9788963031972 [Book Section]

Rogoff, Irit. 2000. "Body Missing" - Uncanny Histories and Cultural Hauntings'. In: , ed. Kunst Als Beute. Vienna: Sigrid Schade. [Book Section]

Rogoff, Irit. 2021. The Disenchanted: Contending with Practice Based Research. In: Michaela Schäuble and Thomas Gartmann, eds. Studies in the Arts: Neue Perspektiven auf Forschung über, in und durch Kunst und Design. Bielefeld, Germany: transcript Verlag, pp. 45-56. ISBN 9783837657364 [Book Section]

Rogoff, Irit. 2003. Engendering Terror. In: Ursula Biemann, ed. Geography and the Politics of mobility. Vienna and Cologne: Generali Foundation and Walter Koenig, pp. 48-64. ISBN 390110738X [Book Section]

Rogoff, Irit. 2013. The Expanding Field. In: Jean-Paul Martinon, ed. The Curatorial: A philosophy of curating. London: Bloomsbury Academic, pp. 41-48. ISBN 9781472525604 [Book Section]

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Rogoff, Irit. 2023. Genealogy and Futurity. In: Isabella Maidment, ed. Isaac Julien: What Freedom is to Me. London: Tate Publishing, pp. 78-84. ISBN 9781849768399 [Book Section]

Rogoff, Irit. 2009. Geo-cultures. In: Seijdel Jorinde and Gielen Pascal, eds. The Art Biennial as a Global Phenomenon Strategies in Neo-Political Times. Rotterdam: NAi Publishers, pp. 120-128. ISBN 978-90-5662-667-9 [Book Section]

Rogoff, Irit. 1998. 'How to Dress for an Exhibition'. In: , ed. Stopping the Process? Comtemporary views on art and exhibitions. NIFCA. ISBN 978-9519792705 [Book Section]

Rogoff, Irit. 1997. 'In the Empire of the Object - the Geographies of Ana Mendieta'. In: , ed. Outsiders - Studies in Cultural Marginality. New York: Cambridge University Press. [Book Section]

Rogoff, Irit. 2005. Looking Away—Participations in Visual Culture. In: Gavin Butt, ed. After Criticism—New Responses to Art and Perfomance. Blackwell, pp. 117-134. ISBN 0631232842 [Book Section]

Rogoff, Irit. 2009. Neither police, nor pirates. In: , ed. Fiona Tan: Rise and Fall. Vancouver, BC, and Aarau, Switzerland: Vancouver Art Gallery and Aargauer Kunsthaus, pp. 142-156. ISBN 978-1-895442-79-3 [Book Section]

Rogoff, Irit. 2001. 'Not There Of,'. In: , ed. ARS 2001, Kiasma Museum of Contemporary Art. Helsinki: [Book Section]

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Rogoff, Irit. 2015. Oblique Points of Entry. In: Hamid Keshmirshekan, ed. Contemporary Art from the Middle East: Regional Interactions with Global Art Discourses: Volume 18. I.B.Tauris & Co Ltd. ISBN 9781784530020 [Book Section]

Rogoff, Irit. 2000. 'On Getting Lost'. In: , ed. Lost. Birmingham: Ikon Gallery. [Book Section]

Rogoff, Irit. 2009. Regional Imaginaries. In: Hossein Amirsadeghi, ed. Unleashed: Contemporary Art from Turkey. London: TransGlobe publishing and Thames and Hudson, pp. 101-114. ISBN 9780500977026 [Book Section]

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Rogoff, Irit. 2020. Scaling Up – Local densities and Global Arts Circulations. In: Marissa J. Moorman and Mónica De Miranda, eds. Q-notes: Questions in Theory and Art Practices #1. Lisbon: Hangar Books. ISBN 9789893310663 [Book Section]

Rogoff, Irit. 2000. 'Spaces of Disavowal'. In: , ed. Unhomed. Norway: Kunst Museum Trondheim. [Book Section]

Rogoff, Irit. 2016. Starting in the Middle: NGOs and Emergent Forms For Cultural Institutions. In: Johanna Burton; Shannon Jackson and Dominic Willsdon, eds. Public Servants Art and the Crisis of the Common Good. Cambridge, Massachusetts: MIT Press. ISBN 9780262034814 [Book Section]

Rogoff, Irit. 1998. 'Studying Visual Culture'. In: , ed. The Visual Culture Reader. London: Routledge, pp. 24-36. ISBN 978-0415782623 [Book Section]

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Rogoff, Irit. 2024. ThruMmming With Knowledge. In: Angela Conquet and Philipa Rothfield, eds. Competing Choreographies. Sydney, Australia: The Keir Foundation. [Book Section] (In Press)

Rogoff, Irit. 2002. 'We - Mutualities, Collectivities, Participations'. In: , ed. I Promise its Political. Cologne: Museum Ludwig. [Book Section]

Rogoff, Irit. 2003. ‘What is a Theorist’. In: , ed. Was ist ein Kunstler. Berlin: [Book Section]

Rogoff, Irit. 2004. The Where of Now. In: G. Muir and J. Morgan, eds. Time Zones—Recent Film and Video. Tate, pp. 84-99. ISBN 1854375490 [Book Section]

Rogoff, Irit. 2017. Who do WE face? In: Maria Hlavajova and Simon Sheikh, eds. FORMER WEST: Art and the Contemporary after 1989. Amsterdam, Netherlands: BAK, basis voor actuele kunst and MIT Press. ISBN 9780262533836 [Book Section]

Rogoff, Irit. 2000. 'Words in the Middle'. In: , ed. Writing the Image. I.B.Tauris, pp. 109-119. ISBN 978-1860644740 [Book Section]

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Rogoff, Irit and Attia, Kader. 2016. Counter Knowledges and Permissions. In: Susanne Gaensheimer and Klaus Görner, eds. Kader Attia: Sacrifice and Harmony. Kerber Verlag. ISBN 978-3-7356-0255-8 [Book Section]

Rogoff, Irit and Schneider, Florian. 2008. Productive anticipation. In: David Held and Henrietta Moore, eds. Cultural transformations/Cultural politics in a global age: uncertainty, solidarity and globalisation. Oxford: Oneworld Publications, pp. 346-357. ISBN 1851685502 [Book Section]

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Rogoff, Irit and Sonderegger, Ruth. 2016. Counter Knowledges. In: David Blamey, ed. Specialism. Open Editions, pp. 122-137. ISBN 978-0-949004-01-7 [Book Section]

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Rosamond, Emily. 2021. Algorithmic Rating. In: Ilan Manouach and Anna Engelhardt, eds. Chimeras: Inventory of Synthetic Cognition. Athens: Ariona/Onassis Foundation. ISBN 9786188536180 [Book Section]

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Rosamond, Emily. 2022. Cloud Relationality. In: Catherine Parayre, ed. Cloud: Donna Szöke. St. Catharines, Ontario: Small Walker Press, pp. 40-51. ISBN 9781990208195 [Book Section]

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Rosamond, Emily. 2012. Electricity Enslaved: Tonal Imagery of Progress, Incorporation, Extinction. In: , ed. Necrospective. London: Danielle Arnaud. ISBN 9780955872167 [Book Section]

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Rosamond, Emily. 2011. Factory-esque: Temporalities of Critique in Michael Landy's Breakdown. In: Ahlia Moussa and Simon Bentley, eds. Revisiting Ephemera. London, Ontario, Canada: MacIntosh Gallery/Blue Medium Press, pp. 37-52. ISBN 9780986750663 0986750662 [Book Section]

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Rosamond, Emily. 2019. The Future-Oracular: Prediction, Divination and the Politics of Certainty. In: , ed. Schemas of Uncertainty. Amsterdam: Sandberg Instituut, pp. 141-158. [Book Section]

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Rosamond, Emily. 2017. It Sees (Notes Toward a Cultural History of Financial Vision). In: Inte Gloerich; Geert Lovink and Patricia de Vries, eds. Moneylab Reader Reader 2: Overcoming the Hype. Amsterdam: Institute of Network Cultures, pp. 101-114. ISBN 978-94-92302-19-9 [Book Section]

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Rosamond, Emily. 2021. Post-Truth as Bullying. In: Bill Balaskas and Carolina Rito, eds. Fabricating Publics: The Dissemination of Culture in the Post-Truth Era. Open Humanities Press, pp. 99-120. ISBN 9781785421051 [Book Section]

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Rosamond, Emily. 2017. Reputation Addiction. In: Vanessa Bartlett and Henrietta Bowden-Jones, eds. Are We All Addicts Now? Liverpool: Liverpool University Press, pp. 96-103. ISBN 978-1-78694-081-0 [Book Section]

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Rosamond, Emily. 2023. Social networks and serendipitous desire. In: Amin Samman and Earl Gammon, eds. Clickbait Capitalism: Economies of Desire in the Twenty-First Century. Manchester: Manchester University Press, pp. 98-115. ISBN 9781526168160 [Book Section]

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Rosamond, Emily. 2015. Speculative Labour: On the Work of Charlotte Warne Thomas. In: Margarida Bröco Amorim; Alejandro J. Ball; Miriam La Rosa and Stefania Sorrentino, eds. In Transition: The Artistic and Curatorial Residency. London: CTC Press, pp. 24-33. ISBN 9780993358708 [Book Section]

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Rosamond, Emily. 2018. Surveillance Capitalist Aesthetics. In: Katleen Vermeir and Ronny Heiremans, eds. A Modest Proposal. Brussels: Jubilee vzw, pp. 31-35. ISBN 9789082966206 [Book Section]

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Rosamond, Emily. 2023. Techniques of Aberrant Extraction: Transacting Surplus Acts in an Age of Speculation. In: Marsha Bradfield; Cinzia Cremona; Amy McDonnell and Eva Sajovic, eds. Transacting as Art, Design and Architecture: A Non-Commercial Market. Bristol: Intellect Books, pp. 203-212. ISBN 9781789384437 [Book Section]

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Rosamond, Emily. 2017. Theatre of Information. In: Sam Smith and Andrea Zucchini, eds. Here the Sun does not enter. London: Assembly Point. ISBN 978-0-9957691-0-6 [Book Section]

Saadawi, Ghalya. 2015. "It makes her blind she said”: Love, Exhaustion and the Roadblock. In: Denise Robinson, ed. Through the Roadblocks: Realities in Raw Motion. Limassol, Cyprus: NeMe, pp. 145-152. ISBN 9789963969531 [Book Section]

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Saadawi, Ghalya. 2024. The Structure of Desire in Ghassan Salhab's "The River" (2022). In: Marwa Arsanios; Leon Filter and Leire Vergara, eds. A Cut Through the Screen: Struggles’ Reverberations in Cinema. Berlin: Archive Books and Dutch Art Institute. [Book Section] (Forthcoming)

Saadawi, Ghalya. 2022. Tactics of Alienation. In: Beate Söntgen and Julia Voss, eds. Why Art Criticism? A Reader. Berlin: Hatje Cantz, pp. 309-310. ISBN 9783775750745 [Book Section]

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Saadawi, Ghalya. 2022. Vapid Virtues, Real Stakes: Diagnosis for Left Art Protocols. In: Bassam El Baroni, ed. Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art. Berlin: Sternberg Press and Edith-Russ-Haus für Medienkunst, pp. 71-92. ISBN 9783956796005 [Book Section]

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Saadawi, Ghalya and Abu Hamdan, Lawrence. 2024. Air Pressure: A conversation between Lawrence Abu Hamdan and Ghalya Saadawi. In: Riccardo Badano; Tomas Percival and Susan Schuppli, eds. Militant Media. Berlin: Spector Books. ISBN 9783959056878 [Book Section]

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Schilling Cuellar, Linda. 2023. Unearthing and Reversing: Exhausting the Water Cycle. In: Marcelo López-Dinardi, ed. Architecture from Public to Commons. Abingdon: Routledge. ISBN 9781032394480 [Book Section]

Schmetterling, Astrid. 2022. Charlotte Salomon. In: Karin Althaus; Sarah Bock; Lisa Kern; Matthias Mühling and Melanie Wittchow, eds. Kunst und Leben 1918 bis 1955. Munich: Deutscher Kunstverlag / Lenbachhaus, pp. 220-223. ISBN 9783422990661 [Book Section]

Schmetterling, Astrid. 2004. ‘Charlotte Salomons “Leben? Oder Theater?“ Ein Werk jenseits der Assimilation’. In: E. Müller and Andrea Schatz, eds. Der Differenz auf der Spur. Frauen und Gender in Aschkenas. Berlin: Metropol Verlag, pp. 286-303. ISBN 978-3936411478 [Book Section]

Schmetterling, Astrid. 2010. "Das ist direkt ein Diebstahl an den Kunsthistorikern". Else Lasker-Schülers bildnerisches Werk im kunsthistorischen Kontext. In: Ricarda Dick, ed. Else Lasker-Schüler. Die Bilder. Berlin: Jüdischer Verlag im Suhrkamp Verlag, pp. 159-193. ISBN 9783633542468 [Book Section]

Schmetterling, Astrid. 2022. Else Lasker-Schüler. In: Karin Althaus; Sarah Bock; Lisa Kern; Matthias Mühling and Melanie Wittchow, eds. Kunst und Leben 1918 bis 1955. Munich: Deutscher Kunstverlag / Lenbachhaus, pp. 176-179. ISBN 9783422990661 [Book Section]

Schmetterling, Astrid. 2020. Else Lasker-Schüler in Jerusalem. In: Thorsten Sadowsky, ed. Szenen des Exils / Scenes of Exile. Salzburg: Verlag Bibliothek der Provinz and Museum der Moderne Salzburg, pp. 96-101. ISBN 9783990289464 [Book Section]

Schmetterling, Astrid. 2022. Erna Pinner: In Frankfurt und in der Welt / Erna Pinner: In Frankfurt and in the World. In: Eva Sabrina Atlan and Mirjam Wenzel, eds. Zurück ins Licht: Vier Künstlerinnen – Ihre Werke. Ihre Wege / Back into the Light: Four Woman Artists – Their Works, Their Paths. Bielefeld/Berlin: Kerber Verlag, pp. 115-119. ISBN 9783735608567 (German Edition) - 9783735608635 (English Edition) [Book Section]

Schmetterling, Astrid. 2006. Inscriptions of Difference in Charlotte Salomon's Work. In: Michael Steinberg and Monica Bohm-Duchen, eds. Reading Charlotte Salomon. New York: Cornell University Press, pp. 140-147. ISBN 9780801439711 [Book Section]

Schmetterling, Astrid. 2001. 'Nachwort'. In: , ed. Helga Weissová, Zeichne, was Du siehst. Zeichnungen eines Kindes aus Theresienstadt. Frankfurt am Main: Insel, pp. 94-111. ISBN 3-458-34456-X [Book Section]

Schmetterling, Astrid. 2011. 'Szepty Bławatne / Das Flüstern der Stoffe / The Whispering of Fabric. Ulrike Grossarth'. In: , ed. Stoffe aus Lublin. Leipzig: Spector Books, pp. 77-92. ISBN 978-3-940064-16-5 [Book Section]

Schmetterling, Astrid. 2017. Uriel Orlow’s Unmade Film: A Multidirectional Archive for Palestinian and Israeli Traumatic Memory. In: Maria Magdalena Schwaegermann and Karmenlara Ely, eds. Infinite Record: Archive, Memory, Performance. Brooklyn, New York: Brooklyn Arts Press, pp. 136-143. ISBN 9781936767410 [Book Section]

Schuppli, Susan. 2013. “Atmospheric Correction.”. In: , ed. On the Verge of Photography: Imaging Beyond Representation. Birmingham: Birmingham Article Press, pp. 16-32. [Book Section]

Schuppli, Susan. 2014. Can the Sun Lie? In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 56-64. ISBN 9783956790119 [Book Section]

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Schuppli, Susan. 2017. Computing the Law / Searching for Justice. In: Boris Buden,; Maria Hlavajova and Simon Sheikh, eds. Former West Art and the Contemporary after 1989. MIT Press: MIT Press. ISBN 9780262533836 [Book Section]

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Schuppli, Susan. 2014. Entering Evidence: Cross-Examining the Court Records of the ICTY. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 279-314. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2014. Forensics / Tape 342. In: Malzacher Florian, ed. Truth is Concrete: A Handbook for Artistic Strategies in Real Politics Ed. Florian Malzacher. Berlin: Sternberg Press, pp. 221-223. ISBN 978-3943365849 [Book Section]

Schuppli, Susan. 2012. “Impure Matter: A Forensics of WTC Dust.”. In: , ed. Savage Objects. Portugal: Imprensa Nacional Casa da Moeda, pp. 120-140. ISBN 9789722720717 [Book Section]

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Schuppli, Susan. 2015. Law and Disorder. In: Christoph Cox; Jenny Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin: Sternberg Press, pp. 137-143. ISBN 9783956791260 [Book Section]

Schuppli, Susan. 2013. “The Most Dangerous Film in the World (Reprint).”. In: , ed. Materialities. Gdańsk: Wyspa Progress Foundation / Wyspa Institute of Art, pp. 241-272. [Book Section]

Schuppli, Susan. 2010. The Most Dangerous Film in the World. In: Frederik Le Roy; Nele Wynants and Dominiek Hoens Vanderbeeken, eds. Tickle Your Catastrophe. Ghent: Ghent University, the KASK (Ghent Royal Academy of Fine Arts) and Vooruit, pp. 130-145. ISBN 978-9038217222 [Book Section]
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