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Number of items at this level: 2392.

Art Object

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Andrews, Jorella G.. 2023. Holdings (2020-23). [Art Object]

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Bajec, Manca. 2017. GAME:MONUMENT. [Art Object]

Blas, Zach. 2018. Contra-Internet. [Art Object]

Blas, Zach. 2013. Face Cages. [Art Object]

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Blas, Zach. 2019. Icosahedron. [Art Object]

Blas, Zach. 2007. Queer Technologies. [Art Object]

Blas, Zach. 2018. SANCTUM. [Art Object]

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Blas, Zach and Wyman, Jemima. 2017. im here to learn so :)))))). [Art Object]

Eshun, Kodwo. 2014. Statecraft. [Art Object]

Eshun, Kodwo and Sagar, Anjalika. 2015. From Left to Night. [Art Object]

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Madani, Adnan and Alesworth, David. 2019. Phasmid Project, Fig.1 and Fig.2. [Art Object]

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Schuppli, Susan. 2016. Delay Decay. [Art Object]

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Schuppli, Susan. 2019. Disaster Film. [Art Object]

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Schuppli, Susan. 2014. Evidence on Trial. [Art Object]

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Schuppli, Susan. 2015. Uneasy Listening. [Art Object]

Article

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Amaro, Ramon. 2019. As If. e-flux architecture: Becoming Digital, [Article]

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Amaro, Ramon. 2020. Machine Diagnosis. Open! Journal, [Article]

Amaro, Ramon. 2020. Threshold Value. e-flux architecture, [Article]

Amaro, Ramon and Khan, Murad. 2020. Towards Black Individuation and a Calculus of Variations. e-flux journal, 109, ISSN 2164-1625 [Article]

Andrews, Alice. 2011. Autoimmune Illness as a Death-drive: An Autobiography of Defence. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 189-203. [Article]

Andrews, Alice. 2011. Book Review: Enduring Death: The Hauntings of Literature and Art. Parallax, 17(4), pp. 124-127. ISSN 1353-4645 [Article]

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Andrews, Jorella G.. 2022. A Close Encounter with Paul Cézanne. RA The Royal Academy of Arts Magazine(156), p. 23. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 2023. Close Looking - Yuki Katsura. RA The Royal Academy of Arts Magazine(158), p. 21. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 2000. Easels and Amazons (‘Amazons of the Avant‐Garde’). Third Text, 50, pp. 109-113. ISSN 0952-8822 [Article]

Andrews, Jorella G.. 2016. The Forge of Vision: A Visual History of Modern Christianity David Morgan. Art and Christianity, 86, pp. 12-13. ISSN 1746-6229 [Article]

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Andrews, Jorella G.. 2023. In the Studio with Mary Abma. The Big Picture, 07, pp. 44-47. [Article]

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Andrews, Jorella G.. 2022. In the Studio with Walter Hayn and Jorella Andrews. The Big Picture, 03, pp. 30-32. [Article]

Andrews, Jorella G.. 2011. The Photographic Stare. Philosophy of Photography, 2(1), pp. 41-56. ISSN 20403682 [Article]

Andrews, Jorella G.. 2023. Slow looking: Frans Hals’s portrait of a newly-wed. RA The Royal Academy of Arts Magazine(160), p. 29. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 1998. Telling tales: Five contemporary women artists from India. Third Text, 43, pp. 81-89. ISSN 0952-8822 [Article]

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Awan, Nishat. 2016. Digital Narratives and Witnessing: The Ethics of Engaging with Places at a Distance. Geohumanities, 2(2), pp. 311-330. ISSN 2373-566X [Article]

Awan, Nishat. 2016. Introduction to Border Topologies. GeoHumanities, 2(2), pp. 279-283. ISSN 2373-566X [Article]

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Awan, Nishat. 2021. Performing on the streets: Infrastructures of subaltern resistance in Pakistan. Environment and Planning C: Politics and Space, 39(6), pp. 1274-1293. ISSN 2399-6544 [Article]

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Awan, Nishat. 2008. Words and objects in transposing desire and making space. arq: Architectural Research Quarterly, 12, pp. 263-268. ISSN 1359-1355 [Article]

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Awan, Nishat and Hoskyns, Teresa. 2015. Mapping Occupy. Architecture and Culture, 2(1), pp. 130-140. ISSN 2050-7828 [Article]

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Awan, Nishat and Langley, Phil. 2013. Mapping Migrant Territories as Topological Deformations of Space. Space and Culture, 16(2), pp. 229-245. ISSN 1206-3312 [Article]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Instances of ecological motivations in the production and use of space. Field: A Free Journal for Architecture, 4(1), pp. 219-226. ISSN 1755-068 [Article]

Berger, Anne Emmanuelle and Vráblíková, Lenka. 2019. Live Body: An interview with Anne E. Berger. parallax, 25(2), pp. 119-136. ISSN 1353-4645 [Article]

Biemann, Ursula; Mörtenböck, Peter and Mooshammer, Helge. 2013. From Supply Lines to Resource Ecologies. Third Text, 27(1), pp. 76-94. ISSN 0952-8822 [Article]

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Blas, Zach. 2016. Contra-Internet. e-flux journal, 74, ISSN 2164-1625 [Article]

Blas, Zach. 2013. “Escaping the Face: Biometric Facial Recognition and the Facial Weaponization Suite”. Media-N, Journal of the New Media Caucus, 9(2), ISSN 2159-6891 [Article]

Blas, Zach. 2014. "Informatic Opacity". Journal of Aesthetics and Protest, 9, [Article]

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Blas, Zach. 2018. The Jubilee of 2033. GLQ: A Journal of Lesbian and Gay Studies, 24(4), ISSN 1064-2684 [Article]

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Blas, Zach. 2016. Opacities: An Introduction. Camera Obscura: Feminism, Culture, and Media Studies, 31(2), pp. 149-153. ISSN 0270-5346 [Article]

Blas, Zach. 2012. “Virus, Viral”. WSQ: Women's Studies Quarterly, 40(1 & 2), pp. 29-39. [Article]

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Blas, Zach and Gaboury, Jacob. 2016. "Biometrics and Opacity: A Conversation". Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 155-165. ISSN 0270-5346 [Article]

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Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal. 2016. On Forensic Architecture: A Conversation with Eyal Weizman. October(156), pp. 116-140. ISSN 0162-2870 [Article]

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Bradley, Callum. 2023. Inhuman drag: Getting under the sk(e)ins of the posthuman in conversation with Charity Kase. Queer Studies in Media and Popular Culture, 8(1), pp. 31-46. ISSN 2055-5695 [Article]

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Bradley, Callum and Perkins, Georgia. 2023. In-Human Appetites and Mineral Becomings: Earthly Wit(h)nessing in Caitlin Berrigan’s Imaginary Explosions. Antennae: The Journal of Nature in Visual Culture(61), pp. 133-148. ISSN 1756-9575 [Article]

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Brar, Dhanveer Singh. 2015. Ghetto Thermodynamics. Cesura // Acceso: Journal for Music, Politics and Poetics, 1, [Article]

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Brar, Dhanveer Singh. 2015. 'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup. Popular Music, 34(3), pp. 471-484. ISSN 0261-1430 [Article]

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Brar, Dhanveer Singh. 2019. No work. All Play. Propter Nos, 3, pp. 80-90. [Article]

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Brar, Dhanveer Singh; Moreno, Louis; Harney, Stefano; Moten, Fred; Okiji, Fumi; Rekret, Paul and Rose-Antoinette, Ronald. 2020. Music and Economic Planning. South Atlantic Quarterly, 119(1), pp. 133-151. ISSN 0038-2876 [Article]

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Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

Burrows, David; Jackson, Mark; O'Sullivan, Simon D. and Tait, Stuart. 2015. Monarch Drone Communiqué. Culture Machine, 16, [Article]

Butt, Gavin. 2012. The Common Turn in Performance. Contemporary Theatre Review, 22(1), pp. 46-61. ISSN 1048-6801 [Article]

Butt, Gavin. 2001. Happenings in History, or, The Epistemology of the Memoir. Oxford Art Journal, 24(2), pp. 113-126. ISSN 01426540 [Article]

Butt, Gavin. 2008. Hoyle's Humility. Dance Theatre Journal, 23(1), pp. 30-34. ISSN 02649160 [Article]

Butt, Gavin and Cairns, Jon. 2000. Art: Steve Reinke's archival imaginary. Critical Quarterly, 42(3), pp. 93-101. ISSN 0011-1562 [Article]

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Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina. 2014. New Keywords: Migration and Borders. Cultural Studies, 29(1), pp. 55-87. ISSN 0950-2386 [Article]

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Crone, Bridget. 2014. Book Review: Pascal Gielen, Instituting Art in a Flat World. Journal of Curatorial Studies, 3(2-3), pp. 407-409. ISSN 2045-5836 [Article]

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Crone, Bridget. 2017. Comparative Monument (Shellal): Steadfastness and the Temporal Body. di'van: a journal of accounts, 1(2), pp. 54-80. ISSN 2207-1563 [Article]

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Crone, Bridget. 2010. The Image: Disaffect in the theatre of representation. Journal of Visual Arts Practice, 9(2), pp. 123-198. ISSN 1470-2029 [Article]

Crone, Bridget. 2003. Performancemaniac:The Work of Hayley Newman. Eyeline, 51, ISSN 0818-8734 [Article]

Crone, Bridget. 2009. Performing the Local in a Suburban Garage’. SUM Magazine for Contemporary Art, ISSN 1902-8970 [Article]

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Crone, Bridget. 2020. Swampy Ecologies. Holt Smithson Foundation Scholarly Texts, [Article]

Crone, Bridget. 2009. Tom Nicholson’s Lines Towards Another Century. Eyeline, 68, ISSN 0818-8734 [Article]

Daly, Ruth; Mitchell, Elspeth; Park, Gill; Vráblíková, Lenka and Zhao, Yelin. 2017. A Feminist Space at Leeds: collective reflections on an “Event”. Images: Journal of Visual and Cultural Studies, 7, pp. 261-272. ISSN 2247-7950 [Article]

Doussan, Jenny. 2012. The Scent of the Jonquil. Rattle ~ A Journal at the Convergence of Art and Writing, 3, [Article]

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Doussan, Jenny. 2013. Time and Presence in Agamben’s Critique of Deconstruction. Cosmos and History: The Journal of Natural and Social Philosophy, 9(1), ISSN 1832-9101 [Article]

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Doussan, Jenny. 2016. Writing Lines: Agamben contra Nietzsche. Cultural Critique, 92, pp. 114-136. ISSN 0882-4371 [Article]

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Duncan, Ifor. 2023. Fugitive Rivers: Maroon Ecologies and Édouard Glissant’s La Lézarde. Green Letters: Studies in Ecocriticism, 27(1), pp. 92-108. ISSN 1468-8417 [Article]

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Duncan, Ifor. 2021. The Meteorological Occult: Submergences in the Venetian Fog. Lagoonscapes. The Venice Journal of Environmental Humanities, 1(1), pp. 37-58. ISSN 2785-2709 [Article]

Duncan, Ifor. 2023. Necro-Hydrology. e-flux Architecture, [Article]

Duncan, Ifor and Levidis, Stefanos. 2020. Weaponizing a River. e-flux Architecture, [Article]

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Ertür, Başak. 2019. Conscription and Critique. Critical Times, 2(2), pp. 270-284. ISSN 2641-0478 [Article]

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Ertür, Başak. 2014. The Gezi Uprising and Particularities of Discontent. Law and Critique, 25(1), pp. 3-7. ISSN 0957-8536 [Article]

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Ertür, Başak. 2020. La barricade. Techniques & Culture(74), pp. 72-73. ISSN 0248-6016 [Article]

Ertür, Başak. 2017. The onus of thought in the War on Terror. Theory & Event, 20(1), pp. 66-75. ISSN 2572-6633 [Article]

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Ertür, Başak and Lebow, Alisa. 2014. Coup de Genre: The Trials and Tribulations of Bülent Ersoy. Theory & Event, 17(1), ISSN 2572-6633 [Article]

Ertür, Başak and Martel, James. 2016. Introduction. Theory & Event, 19(1), ISSN 1092-311X [Article]

Eshun, Kodwo. 2003. Further Considerations on Afrofuturism. CR The New Centennial Review, 3(2), pp. 287-302. ISSN 15396630 [Article]

Eshun, Kodwo and Sagar, Anjali. 2014. It may be useful to assume the policeman’s perspective now and then. Black Collectivities NKA: Journal of Contemporary African Art, ISSN 1075-7163x [Article]

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Faramelli, Anthony. 2023. Crisis and Resistance: Institutional Psychotherapy and the Politics of Care. Deleuze and Guattari Studies, 17(2), pp. 196-216. ISSN 2398-9777 [Article]

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Faramelli, Anthony. 2017. The Decolonised Clinic: Fanon with Foucault. London Journal of Critical Thought, 1(2), pp. 114-128. ISSN 2398-662X [Article]

Faramelli, Anthony. 2017. Glissant versus Fanon. Chimères. Revue des schizoanalyses(90), pp. 66-76. ISSN 0986-6035 [Article]

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Faramelli, Anthony. 2023. Introduction: Why Institutional Analysis, Why Now? Deleuze and Guattari Studies, 17(2), pp. 161-168. ISSN 2398-9777 [Article]

Faramelli, Anthony. 2017. La réduction des risques au Royaume-Uni et le double diagnostic. Chimères. Revue des schizoanalyses(91), pp. 107-119. ISSN 0986-6035 [Article]

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Faramelli, Anthony. 2019. Liberation On and Off Screen: Black Panther and Black Liberation Theory. Film Criticism, 43(2), ISSN 0163-5069 [Article]

Faramelli, Anthony. 2024. Psychiatric Abolition: Deinstitutionalisation and Containment. History of the Human Sciences, ISSN 0952-6951 [Article] (Forthcoming)

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Faramelli, Anthony and Piper, Imogen. 2022. Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism. CLCWeb: Comparative Literature and Culture, 24(4), 6. ISSN 1481-4374 [Article]

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Faramelli, Anthony and Wilson, Rachel. 2022. Spaces of Refuge: The Clinical Practice of Félix Guattari and Institutional Psychotherapy. Deleuze and Guattari Studies, 16(4), pp. 623-641. ISSN 2398-9777 [Article]

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Fisher, Andrew. 2008. Beyond Barthes: Rethinking the Phenomenology of Photography. Radical Philosophy(148), ISSN 0300 211X [Article]

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Fisher, Andrew. 2009. The Involution of Photography. Radical Philosophy(157), ISSN 0300 211X [Article]

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Fisher, Andrew. 2016. On the Scales of Photographic Abstraction. Photographies, 9(2), pp. 203-214. ISSN 1754-0763 [Article]

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Fisher, Andrew. 2014. Photo-surveillance and the emplaced déraciné. Photographies, 7(1), pp. 53-65. ISSN 1754-0763 [Article]

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Fisher, Andrew. 2012. Photographic Scale. Philosophy of Photography, 3(2), pp. 310-329. ISSN 2040-3682 [Article]

Fisher, Andrew and Rubenstein, Daniel. 2011. Out of photography … Interview with Ariella Azoulay. Philosophy of Photography, 2(1), pp. 3-20. ISSN 20403682 [Article]

Fisher, Mark. 2001. Gothic Materialism. Pli Warwick Journal of Philosophy, 12, [Article]

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Fisher, Mark. 2006. Gothic Oedipus: Subjectivity and Capitalism in Christopher Nolan's Batman Begins’. ImageTexT: Interdisciplinary Comics Studies, 2(2), ISSN 1549-6732 [Article]

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Fisher, Mark. 2007. 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2. Film / Philosophy, 11(3), ISSN 1466-4615 [Article]

Fisher, Mark. 2011. The privatisation of stress. Soundings: A Journal of Politics and Culture, 48, pp. 123-133. ISSN 1362-6620 [Article]

García Düttmann, Alexander. 2008. Adorno's amerikanischer Traum. Frankfurter Allgemeine Zeitung, [Article]

García Düttmann, Alexander. 2008. Der Schein [Semblance]. Inaesthetik, pp. 149-157. [Article]

García Düttmann, Alexander. 2009. Idiosyncrasy And Film. Senses of Cinema, [Article]

García Düttmann, Alexander. 2011. Kafka and the Life of the Letter. Constellations, 18(1), pp. 67-73. ISSN 1467-8675 [Article]

García Düttmann, Alexander. 2010. Kafka i zivot slova [Kafka and the life of the letter]. Frakcija: performing arts magazine, n/a(53/54), pp. 52-58. ISSN 1331-0100 [Article]

García Düttmann, Alexander. 2008. Making Poverty Visible: three theses. Parrhesia: a journal of critical philosophy(4), pp. 1-10. [Article]

Godfrey, Mark; Demos, T.J.; Weizman, Eyal and Hameed, Ayesha. 2010. Rights of Passage”. Tate Etc, 19, [Article]

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Graham, Janna. 2017. Dos relatos sobre un «nosotros» Malestar en las fronteras entre arte, educación e investigación. Errata: Revista de Artes Visuales(16), pp. 168-175. ISSN 2145-6399 [Article]

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Graham, Janna. 2018. ‘Where are we when we think?’ Space, time and emancipatory education in galleries. International Journal of Lifelong Education, 37(1), pp. 21-39. ISSN 0260-1370 [Article]

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Graham, Janna and Papadopoulos, Dimitris. 2023. Organizing the precarious: Autonomous work, real democracy and ecological precarity. Organization, 30(4), pp. 649-667. ISSN 1350-5084 [Article]

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

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Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

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Grant, Catherine. 2019. A Letter Sent, Waiting to be Received: Queer Correspondence, Feminism and Black British Art. Women: A Cultural Review, 30(3), pp. 297-318. ISSN 0957-4042 [Article]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

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Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

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Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Gunkel, Henriette. 2012. Review: Rez. Judith Halberstam, The Queer Art of Failure. Duke University Press, 201. Feministische Studien, 2, pp. 351-353. ISSN 0723-5186 [Article]

Gunkel, Henriette. 2009. Through the Postcolonial Eyes: Images of Gender and Female Sexuality in Contemporary South Africa. Journal of Lesbian Studies, 13(1), pp. 77-87. ISSN 1089-4160 [Article]

Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine. 2015. Introduction: In Movement. Women in Africa and the African Diaspora. JENdA: A Journal of Culture and African Women Studies, 26, [Article]

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Gunkel, Henriette and Pitcher, Ben. 2008. Editorial: Racism in the Closet – Interrogating Postcolonial Sexuality. Darkmatter, 3, ISSN 2041-3254 [Article]

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Gunkel, Henriette and Pitcher, Ben. 2008. Q&A with Jasbir Puar. Darkmatter, 3, ISSN 2041-3254 [Article]

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Hameed, Ayesha. 2020. Black Atlantis: The Plantationocene. British Art Studies(18), ISSN 2058-5462 [Article]

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Hameed, Ayesha. 2007. Embodying the Middle Passage. Topia, 18, ISSN 1206-0143 [Article]

Hameed, Ayesha. 2012. Trace. Reviews in Cultural Theory, 2(3), ISSN 1918-9710 [Article]

Hameed, Ayesha. 2011. Yaron Lapid: The New Zero. Photoworks, 16, [Article]

Hameed, Ayesha and Le, Viet Ho. 2007. Love and Borders. West Coast LINE 49, 40(1), [Article]

Hameed, Ayesha and Vukov, Tamara. 2005. Notes on the Politics and Potentials of New Media Engagement. Public: art, culture and ideas, 31, [Article]

Hameed, Ayesha; Weizman, Eyal; Pereira, Godofredo Nobre Enes; Tavares, Paulo; Di Carlo, Tina and Khalili, Yazan. 2010. Universal Catastrophe - Roundtable On Terrorism. Revista Detritos, 4, [Article]

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Hamza, Husseina; Jacca, Joyce; Jarrett, Tracey and Graham, Janna. 2021. Instituting and Organising “From the Pockets”: A Field Report from a Museum in the Making. On Curating(52), pp. 71-83. ISSN 2673-2955 [Article]

Heller, Charles. 2014. Perception management – Deterring potential migrants through information campaigns. Global Media and Communication, 10(3), pp. 303-318. ISSN 1742-7665 [Article]

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Heller, Charles and Pezzani, Lorenzo. 2019. Contentious Crossings: Struggles and Alliances for Freedom of Movement across the Mediterranean Sea. South Atlantic Quarterly, 118(3), pp. 644-653. ISSN 0038-2876 [Article]

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Hernández Velázquez, Y. M.. 2024. That Which Cannot be Returned. A-Desk Critical Thinking, ISSN 2564-8330 [Article]

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Hernández Velázquez, Y. M.. 2013. Third-Way Aesthetics. Radical Philosophy(180), pp. 53-55. ISSN 0300-211X [Article]

Hilal, Sandi; Petti, Alessandro; Weizman, Eyal and Perugini, Nicola. 2013. The lawless line. London Review of International Law, 1(1), pp. 201-209. ISSN 2050-6325 [Article]

Hines, Carmen; Mörtenböck, Peter and Mooshammer, Helge. 2024. Between the Biennials: Cultural Networks in Times of Geopolitical Crisis. OBOE - Journal On Biennials and Other Exhibitions, 5(1), ISSN 2724-086X [Article] (Forthcoming)

Kastner, Jeffrey; McCarthy, Tom; Thompson, Nato and Weizman, Eyal. 2009. The New Geography: A Roundtable. Bookforum, [Article]

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Khosi, Motlatsi and Vráblíková, Lenka. 2020. The Salon is now in session: a reflection on UNISA’s decolonial reading. Journal of International Women’s Studies, 21(7), pp. 23-36. ISSN 1539-8706 [Article]

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Lee, Benjamin and Rosamond, Emily. 2023. Introduction: Volatility in Finance, Art, and Culture. Finance and Society, 9(3), pp. 1-17. ISSN 2059-5999 [Article]

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Lury, Celia; Day, Sophie E.; Simon, Andre; Tironi, Martín; Valderrama, Matías and Wark, Scott. 2024. Digital Valuation: Lessons in relevance from the prototyping of a recommendation app. Valuation Studies, 11(1), pp. 38-59. ISSN 2001-5992 [Article]

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Madani, Adnan. 2018. Cloud Memories, Desert Dreams. Hybrid, Journal of Visual Culture, 1(1), [Article]

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Madani, Adnan. 2020. On Reman Sadani's "Walkout 1". Jerwood/FVU Awards 2020: Hindsight, [Article]

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Madani, Adnan. 2018. The frame as borderland: Secular gazes and believing bodies in Bani Abidi’s The Distance From Here (2010). Moving Image Review & Art Journal, 7(2), pp. 236-250. ISSN 2045-6298 [Article]

Martinon, Jean-Paul. 2011. Between Freedoms: Jean-Luc Nancy’s Haunting Categorical Imperative. Mono Kurgusuz Labirent(10-11), ISSN 1306-715X [Article]

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Martinon, Jean-Paul. 2018. The Birth of Language or the Necessity of Rule. Bulletin of the School of Oriental and African Studies, 81(3), pp. 413-424. ISSN 0041-977X [Article]

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Martinon, Jean-Paul. 2021. Curators Serving the Public Good. Philosophies, 6, 28. ISSN 2409-9287 [Article]

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Martinon, Jean-Paul. 2017. Edging Disciplines. Journal of Curatorial Studies, 6(2), pp. 221-229. ISSN 2045-5836 [Article]

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Martinon, Jean-Paul. 2015. The Equivocal Concept: The Work of Bourahima Ouattara. International Journal of Francophone Studies, 18(2-3), pp. 339-358. ISSN 1936-6280 [Article]

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Martinon, Jean-Paul. 2019. Marx 1845 or the Fateful Rejection of Anschauung. CR: The New Centennial Review, 18(3), pp. 73-96. ISSN 1539-6630 [Article]

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Martinon, Jean-Paul. 2023. The Museum's Fourth Future. Eidos. A Journal for Philosophy of Culture, 7(1), pp. 103-124. ISSN 2544-302X [Article]

Martinon, Jean-Paul. 2006. Museum, Plasticity, Temporality. Museum Management and Curatorship, 21(2), pp. 157-167. ISSN 0964-7775 [Article]

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Martinon, Jean-Paul. 2019. Race and Universality: Meillassoux Meets Eze and Wiredu. Pli: The Warwick Journal of Philosophy, 30, pp. 49-71. ISSN 1367-3769 [Article]

Martinon, Jean-Paul. 2005. Strategies of (In)visibility. Republicart - EIPCP Web Journal, pp. 1-6. ISSN 1811-1696 [Article]

Martinon, Jean-Paul. 2008. Switzerland: Joanna Hodge’s Derrida on Time. Radical Philosophy(149), pp. 62-64. ISSN 0300-211X [Article]

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Martinon, Jean-Paul. 2017. Time Unshackled. New Formations, 92, pp. 11-24. ISSN 0950-2378 [Article]

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Martinon, Jean-Paul. 2012. Valentin Mudimbe or the Work of Invention. Darkmatter, 8, pp. 1-4. ISSN 2041-3254 [Article]

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McAuliffe, Sam. 2019. Black Dust: Raymond Queneau and The Encyclopedia of the Inexact Sciences. Paragraph, 42(2), pp. 154-169. ISSN 0264-8334 [Article]

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McAuliffe, Sam. 2019. Precarious Ascent: Trace and Terrain in René Daumal's Mount Analogue. Modern Language Notes, 134(4), pp. 783-805. ISSN 0026-7910 [Article]

Mercier, Thomas Clément and Vráblíková, Lenka. 2019. à corps: the corpus of deconstruction. parallax, 25(2), pp. 111-118. ISSN 1353-4645 [Article]

Millner-Larsen, Nadja. 2013. Demandless Times. Women's Studies Quarterly, 41(3/4), pp. 113-130. [Article]

Millner-Larsen, Nadja; Osman`, Wazmah and Ferrari, Danyel. 2010. Brown Skin, Blue Masks. Canopy, [Article]

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Mitchell, Elspeth and Vráblíková, Lenka. 2022. Out of Office: Mycorrhizal encounters and the art of feminist un/learning. Antennae: The Journal of Nature in Visual Culture(58), pp. 96-107. ISSN 1756-9575 [Article]

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Moreno, Louis. 2018. Always crashing in the same city: real estate, psychic capital and planetary desire. CITY, 22(1), pp. 152-168. ISSN 1360-4813 [Article]

Moreno, Louis. 2014. Mob deep: The underground current of urban revolution. Dialogues in Human Geography, 4(2), pp. 238-242. ISSN 2043-8206 [Article]

Moreno, Louis. 2012. A Review of “Henri Lefebvre on Space: Architecture, Urban Research and the Production of Theory”. Annals of the Association of American Geographers, 102(4), pp. 885-890. ISSN 0004-5608 [Article]

Moreno, Louis. 2014. The urban process under financialised capitalism. City, 18(3), pp. 244-268. ISSN 1360-4813 [Article]

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Moreno, Louis and Bang Shin, Hyun. 2018. The Urban Process Under Planetary Accumulation by Dispossession. CITY, 22(1), pp. 78-87. ISSN 1360-4813 [Article]

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Mpondaa, Victoria and Graham, Janna. 2022. Azamba publics: containment, care and curating in the “expanded private sphere”. Journal of Aesthetics & Culture, 14(1), 2063704. ISSN 2000-4214 [Article]

Mörtenböck, Peter. 2009. The Art of Living With Strangers: Risk Taking in the Space of Flows. The Myth of Europa(7), pp. 20-21. ISSN 2041-6245 [Article]

Mörtenböck, Peter. 2002. Digitale Welten: Nicht wissende User - ahnungslos Beteiligte. Archithese, 32(4), pp. 8-13. ISSN 1010-4089 [Article]

Mörtenböck, Peter. 2005. Free Running and the Hugged City. Thresholds(30), pp. 88-93. ISSN 1091-711X [Article]

Mörtenböck, Peter. 2007. Networked Cultures. FeedBack, 4, [Article]

Mörtenböck, Peter. 2025. Ocean as Metaphor and Embodiment. Ocean and Society, 2(1), [Article] (Forthcoming)

Mörtenböck, Peter. 2012. Other Markets: The visual culture of informal trade. Journal of Global Studies and Contemporary Art,, 2(1), [Article]

Mörtenböck, Peter. 2000. Swimming Between Ponds: technological subjects, corporate landscapes, digital bodies. architektur.aktuell, 34(246/47), pp. 108-117. ISSN 0570-6602 [Article]

Mörtenböck, Peter. 2011. Urban-Think Tank: Ein Dialog. KONstruktiv(284), pp. 20-26. [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2012. At Home in the World. P.E.A.R. (Paper for Emerging Architectural Research)(4), pp. 35-39. ISSN 2041-2878 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2018. Crowdfunded Urban Development: Urban narratives as vehicles for new financial markets. ARCH+ Journal for Architecture and Urbanism, 51(231), pp. 186-189. ISSN 0587-3452 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Grauzonen des Handelns. Bildpunkt, 2011(2), pp. 22-24. ISSN 2074-9783 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2006. Happy Slapping - Urban Violence in the Age of Camera Phones. Monu - Magazine on Urbanism(5), pp. 44-48. ISSN 1860-3211 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2004. Inventing S-E-X. Österreichische Zeitschrift für Geschichtswissenschaften, 15(3), pp. 168-177. ISSN 1016765X [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2021. My Home Is My Future – Co-Living und das neue Ethos der Gemeinschaftsbildung. ARCH+ Journal for Architecture and Urbanism(244), pp. 200-207. ISSN 0587-3452 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2024. My Home is my Future – Co-Living and the New Ethos of Community Building. ARCH+ Vienna - The End of Housing (As a Typology), pp. 186-193. ISSN 0587-3452 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2020. Notorious Markets: Zur (vermeintlichen) Architektur informeller Ökonomie. Soziopolis: Gesellschaft beobachten, ISSN 2509-5196 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Performance des Protests. Kunstforum International, 224, pp. 122-135. [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan and Conflict. Third Text, 22(1), pp. 57-69. ISSN 0952-8822 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Spaces of encounter: informal markets in Europe. Architectural Research Quarterly, 12(3-4), pp. 347-357. ISSN 1359-1355 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2018. Urban frontiers in the global struggle for capital gains. Finance and Society, 4(1), pp. 108-125. ISSN 2059-5999 [Article]

Mörtenböck, Peter; Mooshammer, Helge and Pieterse, Edgar. 2015. Informal Worlds Reader. Cityscapes - Re-thinking Urban Things(7), ISSN 2227-4006 [Article]

Mörtenböck, Peter; Mooshammer, Helge; Tavares, Paulo; Huber, Frauke; Martin, Uwe H. and Biemann, Ursula. 2015. World of Matter. Architectural Theory Review, 20(1), pp. 122-134. ISSN 1326-4826 [Article]

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O' Dwyer, Killian. 2024. (Non)Life on the Line: Crisis Calls with Animals. Pulse: the Journal of Science and Culture, 10(1), pp. 1-17. ISSN 2416-111X [Article]

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O' Dwyer, Killian. 2024. Plastic Bits: Genitals and Sexual Plasticity. tba: Journal of Art, Media and Visual Culture, 5(1), pp. 68-79. ISSN 2563-6243 [Article]

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O'Sullivan, Simon D.. 2017. Accelerationism, Hyperstition and Myth-Science. Cyclops(2), pp. 11-44. ISSN 2398-2705 [Article]

O'Sullivan, Simon D.. 2001. The Aesthetics of Affect: Thinking art beyond representation. Angelaki: Journal of Theoretical Humanities, 6(3), pp. 125-135. ISSN 0969-725X [Article]

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O'Sullivan, Simon D.. 2023. Avatars, Egregores and the Writing of the Self. Journal of Writing in Creative Practice, 16(1), pp. 229-241. ISSN 1753-5190 [Article]

O'Sullivan, Simon D.. 1997. Catalogue essay. catalogue essay, [Article]

O'Sullivan, Simon D.. 2007. The City and an Art Practice. 'Some Time Repeating an Embarrassed Word', Studio 1.1 Gallery, [Article]

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O'Sullivan, Simon D.. 2016. Deleuze Against Control: from Fictioning to Myth-Science. Theory, Culture and Society, 33(7/8), pp. 1-16. ISSN 0263-2764 [Article]

O'Sullivan, Simon D.. 2003. Dissenting Machines. Outside Edge(2), [Article]

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O'Sullivan, Simon D.. 2018. Fictioning the Landscape. Journal of Aesthetics and Phenomenology, 5(1), pp. 53-65. ISSN 2053-9320 [Article]

O'Sullivan, Simon D.. 2017. Fictioning the Landscape: Robert Smithson and Ruins in Reverse. Take On Art Magazine, 3(2), pp. 60-63. [Article]

O'Sullivan, Simon D.. 2004. First Manifesto for the Guerrilla Plastique Fantastique. Drain: Journal of Contemporary Art and Culture, pp. 1-4. [Article]

O'Sullivan, Simon D.. 2006. Foreword: Instructions for Use (25 Operational Protocols). Fine Art/Art History final year degree show catalogue, [Article]

O'Sullivan, Simon D.. 2004. Friendship as Community: From Ethics to Politics. Takkekortet: The Written Acknowledgement, [Article]

O'Sullivan, Simon D.. 2005. From Possible Worlds to Future Folds (Following Deleuze): Richter's Abstracts, Situationist Cities, and the Baroque in Art. Journal of the British Society for Phenomenology, 36(3), pp. 311-329. ISSN 0007-1773 [Article]

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O'Sullivan, Simon D.. 2017. From Science Fiction to Science Fictioning: SF’s Traction on the Real. Foundation: The International Review Of Science Fiction(128), pp. 74-84. ISSN 0306-4964 [Article]

O'Sullivan, Simon D.. 2000. In Violence: Three Case Studies Against the Stratum. Parallax, 6(2), pp. 104-109. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.. 2015. Myth-Science. Rattle: a Journal at the convergence of Art and Writing(5), pp. 106-120. ISSN 20473885 [Article]

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O'Sullivan, Simon D.. 2016. Myth-Science and the Fictioning of Reality. Paragrana, 25(2), pp. 80-93. ISSN 0938-0116 [Article]

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O'Sullivan, Simon D.. 2020. Myth-Science as Residual Culture and Magical Thinking. postmedieval: a journal of medieval cultural studies, 11(1), pp. 119-136. ISSN 2040-5960 [Article]

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O'Sullivan, Simon D.. 2017. Mythopoesis or Fiction as Mode of Existence: Three Case Studies from Contemporary Art. Visual Culture in Britain, 18(2), pp. 292-311. ISSN 1471-4787 [Article]

O'Sullivan, Simon D.. 2017. Mythopoesis, Scenes and Performance Fictions: Two Case Studies (Crass and Thee Temple ov Psychick Youth). Parasol: The Journal of the Centre for Experimental Ontology(2), pp. 94-106. ISSN 2525-2920 [Article]

O'Sullivan, Simon D.. 2005. Notes Towards a Minor Art Practice. Drain, 2(2), ISSN 2469-3022 [Article]

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O'Sullivan, Simon D.. 2022. On Tabletop Roleplaying Games and Fictioning. Vector, ISSN 0505-0448 [Article]

O'Sullivan, Simon D.. 2003. Political Physics by John Protevi. Parallax, 9(1), pp. 126-127. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.. 2012. A Portrait of the Philosopher as an Old Man. Philosophy of Photography, 3(2), p. 375. ISSN 2040-3682 [Article]

O'Sullivan, Simon D.. 2005. Pragmatics for the Production of Subjectivity: Time for Probe-heads. Journal for Cultural Research, 10(4), pp. 309-322. ISSN 14797585 [Article]

O'Sullivan, Simon D.. 2004. What is an Event? Yesvember, pp. 20-24. [Article]

O'Sullivan, Simon D.. 2001. Writing on Art (Case Study: the Buddhist Puja). Parallax, 7(4), pp. 115-121. ISSN 1353-4645 [Article]

O'Sullivan, Simon D. and Burrows, David. 2010. The Chymical Wedding: Performance Art as Masochistic Practice (an Account, the Contracts and Further Reflections). Angelaki: Journal of the Theoretical Humanities, 15(1), pp. 139-148. ISSN 0969-725X [Article]

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O'Sullivan, Simon D. and Burrows, David. 2016. Plastique Fantastique Review of the Kibbo Kift: Seven Celebrations/Seven Critiques/Seven Parallels. Visual Culture in Britain, 17(2), pp. 225-233. ISSN 1471-4787 [Article]

O'Sullivan, Simon D. and Cull, Laura. 2013. Deleuze for Artists. Centre for Useless Splendour, [Article]

O'Sullivan, Simon D. and Lynch, John. 2007. One Day in the Life of a City (July 21, 2006). Parallax, 13(1), pp. 28-37. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.; Sawers, Geoff and Hall, Dani. 2000. Stone Tents and Sand Castles: A Symposium. [Article]

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Paganellli, Mattia. 2017. Ontology Interrupted: Prigogine, Stengers and the Abdication of Physics. Pulse: a History, Sociology & Philosophy of Science Journal(5), pp. 46-70. ISSN 2416-111X [Article]

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Paganellli, Mattia. 2012. The paradoxical economy of crisis: ‘Crisis of experience’ and the ana-economy of Else. Philosophy of Photography, 3(1), pp. 60-72. ISSN 2040-3682 [Article]

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Paganellli, Mattia and Worrallo, Dane. 2015. Eleven Theses for An Initial degree of Roughness: Transubstantiation, Materiality and Art. Zetesis: The International Journal for Fine Art, Philosophy and the Wild Sciences, 2(1), pp. 121-127. ISSN 2059-2582 [Article]

Petti, Alessandro; Perugini, Nicola; Hilal, Sandi and Weizman, Eyal. 2011. Linea verde, il limes senza legge. Limes, [Article]

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Phan, Thao and Wark, Scott. 2021. Racial formations as data formations. Big Data & Society, 8(2), pp. 1-5. ISSN 2053-9517 [Article]

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Phan, Thao and Wark, Scott. 2021. What personalisation can do for you! Or: how to do racial discrimination without ‘race’. Culture Machine, 20, ISSN 1465-4121 [Article]

Plotegher, Paolo. 2005. The Ballade of K. R. White Collar(3), [Article]

Plotegher, Paolo. 2008. Café Plural 13.08.08. www.summerdrafts.org, [Article]

Plotegher, Paolo. 2006. Rina. Fuga de Cerebros(1), [Article]

Plotegher, Paolo. 2005. VAL Video Art from London. Transart05 catalogue, [Article]

Plotegher, Paolo; Dowling, Emma; Hansen, Bue Rubner and Zechner, Manuela. 2012. Nanopolitics: A First Outline of Our Experiments in Movement. Lateral(1), [Article]

Prendeville, Brendan. 2011. Art as phenomenology? Philosophy of Photography, 2(1), pp. 159-61. ISSN 2040-3682 [Article]

Prendeville, Brendan. 2009. Contested Bodies’ (book review). Art History, 32(1), pp. 216-219. ISSN 0141-6790 [Article]

Prendeville, Brendan. 2005. Discernment. Oxford Art Journal, 28(1), pp. 213-226. ISSN 01426540 [Article]

Prendeville, Brendan. 1995. ‘The Features of Insanity, as seen by Géricault and by Büchner’. Oxford Art Journal, 18(1), pp. 96-115. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2013. A Heartfelt Gesture: Separation and Feeling, Darkness and Illusion in Caravaggio. Oxford Art Journal, 36(2), pp. 185-206. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2007. The Meanings of Acts: Agnes Martin and the Making of Americans. Oxford Art Journal, 31(1), pp. 51-73. ISSN 0142-6540 [Article]

Prendeville, Brendan. 2015. Sam Cornish, Stockwell Depot, 1967-79. Sculpture Journal, 24(3), pp. 425-436. ISSN 1366-2724 [Article]

Prendeville, Brendan. 2015. Sculpting with air. Ambit, 220, pp. 46-53. ISSN 0002-6972 [Article]

Prendeville, Brendan. 2001. Uncertain Light. M’ARS, Ljubljana, Year XIII, XIII(1-2), pp. 46-51. [Article]

Prendeville, Brendan. 2004. Varying the Self: Bacon's Versions of van Gogh. Oxford Art Journal, 27(1), pp. 23-42. ISSN 01426540 [Article]

Prendeville, Brendan. 2009. ‘The essence of vision: recent paintings by Gina Medcalf’. exhibition catalogue, The Cut Art Centre, [Article]

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Ramos Martinez, Manuel. 2015. Book Review: TJ Demos, The Migrant Image: The Art and Politics of Documentary during Global Crisis. Journal of Visual Culture, 14(1), pp. 116-118. ISSN 1470-4129 [Article]

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Ramos Martinez, Manuel. 2016. The Cinema of No. La Furia Umana(28), ISSN 2037-0431 [Article]

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Ramos Martinez, Manuel. 2022. Images That Sweat: On the Spectacular Realism of Lino Brocka’s Macho Dancer. Third Text, 36(5), pp. 497-512. ISSN 0952-8822 [Article]

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Ramos Martinez, Manuel. 2022. The Most Beautiful Film Ever Made. Moving Image Review & Art Journal (MIRAJ), 11(1), pp. 86-95. ISSN 2045-6298 [Article]

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Ramos Martinez, Manuel. 2011. Review: Alain Badiou (2010) Cinéma. Film / Philosophy, 15(2), pp. 143-149. ISSN 1466-4615 [Article]

Ramos Martinez, Manuel and Matos Cabo, Ricardo. 2014. ‘Flower Children in the Blinding Light, A Conversation with Anthony Stern’. Lux - Artists' Moving Image, [Article]

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Roberdeau, Wood. 2022. Counter-attacking Pollution in Three Aerial Acts. Performance Research, 26(7), pp. 23-30. ISSN 1352-8165 [Article]

Roberdeau, Wood. 2011. Developing the Negative. Philosophy of Photography, 2(1), pp. 169-173. ISSN 2040-3682 [Article]

Roberdeau, Wood. 2013. Gastronomic Worldviews of Transubstantiation. Parallax, 19(1), pp. 128-131. ISSN 1353-4645 [Article]

Roberdeau, Wood. 2011. Going Public by Boris Groys. Art & the Public Sphere, 1(2), pp. 229-233. [Article]

Roberdeau, Wood. 2010. Immanence as Aesthetic Documentation. rubric: document(3), pp. 10-14. [Article]

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Roberdeau, Wood. 2017. Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time. Dada/Surrealism, 21, ISSN 0084-9537 [Article]

Roberdeau, Wood. 2012. Meal Time as Medium: Duration and the work of AO&. Performance Research, 17(5), pp. 130-134. ISSN 1352-8165 [Article]

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Roberdeau, Wood. 2012. Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme. Journal of the International Association of Research Institutes in the History of Art, [Article]

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Roberdeau, Wood. 2018. Scalar Aesthetics of Ecocinema: The Wall and The Survivalist. Transformations Journal of Media, Culture and Technology(32), [Article]

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Roberdeau, Wood. 2017. A Withdrawing Vital Material. TAKE on art magazine, 3(1), pp. 22-28. [Article]

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Roberdeau, Wood. 2016. You Must Carry Me Now: The Cultural Lives of Endangered Species by Bryndís Snæbjörnsdóttir and Mark Wilson. Antennae: The Journal of Nature in Visual Culture, ISSN 1756-9575 [Article]

Rogoff, Irit. 2009. De-regulation: With the work of Kutlug Ataman. Third Text, 23(2), pp. 165-179. ISSN 0952-8822 [Article]

Rogoff, Irit. 2010. FREE. e-flux journal(14), pp. 1-11. [Article]

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Rogoff, Irit. 2010. Practicing Research: Singularising Knowledge. MaHKUzine #9: Summer 2010, Doing Dissemination., 9, pp. 37-42. [Article]

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Rogoff, Irit. 2008. Turning. e-flux journal, 1, E1-E10. [Article]

Rogoff, Irit and Stahre, Ulrike. 2008. Unfolding the critical. Paletten: journal of art, design and crafts, 272(2), [Article]

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Rosamond, Emily. 2023. Communities, cohorts and counter-speculators. Journal of Cultural Economy, 16(2), pp. 294-297. ISSN 1753-0350 [Article]

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Rosamond, Emily. 2021. Derivative Character Investments: Social Impact Bonds as Path-Changing Devices. Journal of Cultural Economy, 14(4), pp. 485-497. ISSN 1753-0350 [Article]

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Rosamond, Emily. 2017. Developing Student-Centred Metacognitive Parameters for Writing Feedback. Creative Pedagogies, 1(1), pp. 15-19. [Article]

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Rosamond, Emily. 2020. Financial Narratives in Crisis. Finance and Society, 6(2), pp. 130-135. ISSN 2059-5999 [Article]

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Rosamond, Emily. 2016. Francis Alÿs, Ciudad Juárez Projects. Esse, 88, pp. 110-111. ISSN 0831-859X [Article]

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Rosamond, Emily. 2020. From Reputation Capital to Reputation Warfare: Online Ratings, Trolling, and the Logic of Volatility. Theory, Culture & Society, 37(2), pp. 105-129. ISSN 0263-2764 [Article]

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Rosamond, Emily. 2013. (Im)material Pedagogies. P.A.R.T.S., [Article]

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Rosamond, Emily. 2017. The Infinite Mix. Esse, 89, ISSN 0831-859X [Article]

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Rosamond, Emily. 2018. Inflation. Catalogue essay, Adrienne Spier, Lump, Slump, Sunk, Hamilton Artists Inc, [Article]

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Rosamond, Emily. 2018. Moods of Identification. Furtherfield Spring Editorial, [Article]

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Rosamond, Emily. 2012. Narrative Interrupted: Painting Between Progression and Duration. Lucky 7 Chanceux: Studio Arts MFA, pp. 72-75. [Article]

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Rosamond, Emily. 2012. Object Lessons: David Askevold's Learning About Cars and Chocolates. Esse, 75, pp. 30-33. ISSN 0831-859X [Article]

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Rosamond, Emily. 2011. Pavillon levé (dix jours à vaincre les mortes-eaux). C Magazine, 112, pp. 47-48. ISSN 1480-5472 [Article]

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Rosamond, Emily. 2015. Rafael Lozano-Hemmer: Obra Sonora. Esse, 83, pp. 72-75. ISSN 0831-859X [Article]

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Rosamond, Emily. 2022. Reputation Regimes. Art Monthly(461), pp. 1-5. ISSN 0142-6702 [Article]

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Rosamond, Emily. 2016. Shared Stakes, Distributed Investment: Socially Engaged Art and the Financialization of Social Impact. Finance and Society, 2(2), pp. 111-126. ISSN 2059-5999 [Article]

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Rosamond, Emily. 2014. Species of Futurity in Business, Law and Finance. Who Thinks the Future?, pp. 7-11. [Article]

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Rosamond, Emily. 2010. Still Life with Easter Everywhere. Esse, 69, ISSN 0831-859X [Article]

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Rosamond, Emily. 2016. The Surveillance Economy: Toward a Geopolitics of Personalization. Geopolitics, 86, pp. 22-29. ISSN 0831-859x [Article]

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Rosamond, Emily. 2015. Technologies of Attribution: Characterizing the Citizen-Consumer in Surveillance Performance. International Journal of Performance Arts and Digital Media, 11(2), pp. 148-164. ISSN 1479-4713 [Article]

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Rosamond, Emily. 2018. To sort, to match and to share: addressivity in online dating platforms. Journal of Aesthetics & Culture, 10(3), pp. 32-42. ISSN 2000-4214 [Article]

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Rosamond, Emily. 2015. Transfusing Abstraction: Darren Harvey-Regan's Metalepsis. Esse, 83, pp. 14-21. ISSN 0831-859x [Article]

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Rosamond, Emily. 2012. Un-designing: Serge Murphy, Architecture and Felt Time. Esse, 74, ISSN 0831-859X [Article]

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Rosamond, Emily. 2020. What Was to Have Happened? Tenses for a Cancelled Future. Metropolis M, 2020(6), ISSN 0168-9053 [Article]

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Rosamond, Emily. 2023. YouTube Personalities as Infrastructure: Assets, Attention Choreographies and Cohortification Processes. Distinktion: Journal of Social Theory, 24(2), pp. 254-282. ISSN 1600-910X [Article]

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Rosamond, Emily; Skinner, Kristie; Weeks, Harry and Gregory, Karen. 2018. The Common Sense - Q+A. The Two-Way Patch, [Article]

Saadawi, Ghalya. 2022. Critical Incision: Hypochondria, Autotheory, and the Health-Illness Dialectic. philoSOPHIA, 12(1-2), pp. 57-83. ISSN 2155-0891 [Article]

Saadawi, Ghalya. 2012. Not, not Contemporary: The Eye of the Storm. Third Text, 26(4), pp. 379-382. ISSN 0952-8822 [Article]

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Samman, Amin; Boy, Nina; Coombs, Nathan; Hager, Sandy; Hayes, Adam; Rosamond, Emily; Wansleben, Leon and Westermeier, Carola. 2022. After the Boom: Finance and Society Studies in the 2020s and Beyond. Finance and Society, 8(2), pp. 93-109. ISSN 2059-5999 [Article]

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Schilling Cuellar, Linda and Portal Carrasco, Fernando. 2024. A New Ecological Contract: Tools to See Otherwise. Journal of Architectural Education, 78(2), pp. 286-302. ISSN 1046-4883 [Article]

Schmetterling, Astrid. 2007. Archival Obsessions: Arnold Dreyblatt's Memory Work. Art Journal, 66(4), pp. 70-83. ISSN 0004-3249 [Article]

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Schmetterling, Astrid. 2015. ‘Biographien jüdischer Frauen: Zur Aktualität Charlotte Salomons’. Medaon – Magazin für jüdisches Leben in Forschung und Bildung, 9(17), pp. 1-5. [Article]

Schmetterling, Astrid. 2006. Encounters at the Site of Trauma. Third Text, 20(5), pp. 561-570. ISSN 09528822 [Article]

Schmetterling, Astrid. 2002. Irene Below: Hidden Treasures. Irma Stern. Her Books, Painted Book Covers and Bookplates. Frauen Kunst Wissenschaft(34), pp. 88-92. ISSN 0935-6967 [Article]

Schmetterling, Astrid. 1997. Tracing the Life (or Theatre?) of Charlotte Salomon. Issues in Architecture Art & Design, 5(1), pp. 115-128. ISSN 0960-8648 [Article]

Schmetterling, Astrid. 2008. Vivienne Koorland: Reisemalheurs (Travel Woes). Textile The Journal of Cloth and Culture, 6(1), pp. 88-97. ISSN 14759756 [Article]

Schuppli, Susan. 2012. Atmosfärisk Korrigering. Glänta, 4(12), pp. 12-21. [Article]

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Schuppli, Susan. 2024. Cryoception. Journal of Environmental Media, 5(1), pp. 127-133. ISSN 2632-2463 [Article]

Schuppli, Susan. 2008. Curse of the Mummy: Oral Affliction or Archival Aphasia. Memory Studies, 2(2), pp. 167-186. ISSN 1750-6980 [Article]

Schuppli, Susan. 2013. “Half Truths”. Mute, [Article]

Schuppli, Susan. 2008. Of Moths and Machines. Cosmos and History : the Journal of Natural and Social Philosophy, 4(1-2), pp. 286-306. ISSN 1832-9101 [Article]

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Sutherland, Thomas and Wark, Scott. 2024. (Re)search results: Search engines and the logic of efficiency in scholarship. Distinktion: Journal of Social Theory, ISSN 1600-910X [Article] (In Press)

Tubridy, Derval. 2007. Sounding Spaces: Aurality in Beckett, Nauman and Cardiff. Performance Research, 12(1), pp. 5-11. ISSN 1352-8165 [Article]

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Turner, Lynn. 2011. Animal transference: a "mole-like progression" in C. J. Cherryh. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 163-175. [Article]

Turner, Lynn. 2003. Braiding Polyphony: Je tu il elle (& lui). Performance Research, 8(1), pp. 93-99. ISSN 13528165 [Article]

Turner, Lynn. 2013. Hors d’oeuvre: some footnotes to the Spurs of Dorothy Cross. Parallax, 19(1), pp. 3-11. ISSN 1353-4645 [Article]

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Turner, Lynn. 2021. How like a (Fig) Leaf: supplanting shame, growing differences. Tahiti: The Society for Art History in Finland, 10(4), pp. 18-27. [Article]

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Turner, Lynn. 2016. Interviewee: Lynn Turner. Interviewer: Ron Broglio. Antennae: The Journal of Nature in Visual Culture(38), pp. 30-36. ISSN 1756-9575 [Article]

Turner, Lynn. 2002. ‘Lift off: il n’y a pas de deux hors texte’. The Journal of Visual Culture, 1(3), pp. 372-374. ISSN 14704129 [Article]

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Turner, Lynn. 2024. Ray of Light. Textual Practice, ISSN 0950-236X [Article] (In Press)

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Turner, Lynn. 2023. Secrets and Lies: Embassytown, Ethics and Eating in the Darkness. Foundation: The International Review of Science Fiction, 52(2), pp. 47-63. ISSN 0306-4964 [Article]

Turner, Lynn. 2003. ‘Sexual Difference’. The Year’s Work in Cultural & Critical Theory, 11, pp. 317-332. [Article]

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Turner, Lynn. 2014. Telefoam: species on the shores of Derrida and Cixous. European Journal of English Studies, 18(2), pp. 158-171. ISSN 1382-5577 [Article]

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Turner, Lynn. 2020. Telegrams. Mosaic: an interdisciplinary critical journal, 53.2, pp. 83-95. [Article]

Turner, Lynn. 2002. ‘Translating John Malkovich’. Performance Research, 7(2), pp. 132-137. ISSN 1352-8165 [Article]

Turner, Lynn. 2002. Translation Reading Sex. Parallax, 8(4), pp. 57-70. ISSN 13534645 [Article]

Turner, Lynn. 2013. Tympan Alley: Posthumanist Performatives in Dancer in the Dark. Derrida Today, 6(2), pp. 222-239. ISSN 1754-8500 [Article]

Turner, Lynn. 2012. Unhoming Pigeons: The Postal Principle in Lynn Hershman Leeson and Hussein Chalayan. Derrida Today, 5(1), pp. 92-110. ISSN 1754-8500 [Article]

Turner, Lynn. 2010. When Species Kiss: some recent correspondence between animots. Humanimalia – a journal of human/animal interface studies, 2(1), pp. 60-85. ISSN 2151-8645 [Article]

Turner, Lynn. 2007. Wind Up: the Machine-Event of Tape. Camera Obscura Feminism Culture and Media Studies, 22(164), pp. 112-135. ISSN 02705346 [Article]

Turner, Lynn and Kelley, Lindsay. 2013. amuse gueule 'Bon Appetit'. Parallax, 19(1), pp. 1-2. ISSN 1353-4645 [Article]

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Varvantakis, Christos; Rozakou, Katerina; Anastasiadi, Ifigeneia; Karathanasis, Pafsanias and Aivaliotis, Konstantinos. 2019. Editorial (Critical Encounters: The "European" Refugee Crisis). Journal of Anthropological Films, 3(2), e2902. [Article]

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Varvia, Christina. 2022. Notes on the Politics of an Expanded Body. Parse Journal, 15, ISSN 2002-0511 [Article]

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Varvia, Christina. 2021. The Space of the Body: A working definition. AA Files, 78, pp. 24-32. ISSN 0261-6823 [Article]

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Varvia, Christina and Alzakout, Amel. 2021. Image-Sections: The Evidentiary Capacity of Images to Sample the Lifeworld and Have an Operative Life. The Nordic Journal of Aesthetics, 30(61-62), pp. 206-229. ISSN 2000-1452 [Article]

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Vráblíková, Lenka. 2018. Maria Do Mar Pereira: Power, Knowledge and Feminist Scholarship: An Ethnography of Academia. Czech Sociological Review, 54(3), pp. 481-484. ISSN 0038-0288 [Article]

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Vráblíková, Lenka. 2012. Negativita ve studování na umělecké škole [Negativity in the studying in the Art School]. Sociální studia [Czech Social Studies], 9(3), pp. 51-64. ISSN 1214-813X [Article]

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Vráblíková, Lenka. 2021. Othering Mushrooms: Migratism and its racist entanglements in the Brexit campaign. Feminist Encounters: Journal of Critical Studies in Culture and Politics, 5(1), 05. ISSN 2468-4414 [Article]

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Vráblíková, Lenka. 2016. Roxana and other feminist (hi)stories: Book review of A. E. Berger’s “The Queer Turn in Feminism". Discourse: Journal for Theoretical Studies in Media and Culture, 38(2), pp. 281-284. ISSN 1522-5321 [Article]

Vráblíková, Lenka and Mercier, Thomas Clément. 2019. corps à: body/ies in deconstruction. parallax, 25(1), pp. 1-7. ISSN 1353-4645 [Article]

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Vráblíková, Lenka and Mitchell, Elspeth. 2022. Jak se ucit s houbami? Krunýř: mezidruhový pracovní sešit(1), [Article]

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Wark, Scott. 2017. Media after the “Medial a Priori”. Cultural Politics, 13(2), pp. 259-262. ISSN 1743-2197 [Article]

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Wark, Scott. 2020. Transmediale’s Postdigital Proposition. Cultural Politics, 16(2), pp. 274-276. ISSN 1743-2197 [Article]

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Wark, Scott. 2019. The subject of circulation: on the digital subject's technical individuations. Subjectivity, 12(1), pp. 65-81. ISSN 1755-6341 [Article]

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Wark, Scott and Soncul, Yiğit. 2022. A Media-Theoretical Armamentarium: From the Pharmakon to Pharmacologies of Media. Media Theory, 6(2), pp. 1-24. ISSN 2557-826X [Article]

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Wark, Scott and Sutherland, Thomas. 2015. Editorial: Platforms for the New. Platform: Journal of Media and Communication, 6, pp. 4-10. ISSN 1836-5132 [Article]

Weizman, Eyal. 2014. Arafat’s Tomb. London Review of Books, 36(1), p. 26. [Article]

Weizman, Eyal. 2014. The Architecture of Ariel Sharon. Al Jazeera English, [Article]

Weizman, Eyal. 2011. Arendt in Ethiopia. UMBR(a): The Worst (2011), ISSN 1087-0830 [Article]

Weizman, Eyal. 2012. The Book of Destruction. London Review of Books, 34(23), p. 28. [Article]

Weizman, Eyal. 2010. Forensic architecture: Only the Criminal Can Solve the Crime. Radical Philosophy, ISSN 1047-8302 [Article]

Weizman, Eyal. 2010. Legislative Attack. Theory, Culture & Society, 21(6), pp. 11-32. ISSN 0263-2764 [Article]

Weizman, Eyal. 2010. Political Plastic (Interview). Collapse, 6, pp. 257-303. [Article]

Weizman, Eyal and Di Carlo, Tina. 2010. Dying to Speak: Forensic Spatiality (Interview). Log(20), [Article]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Return to the Common: DAAR: Decolonizing Architecture Art Residency. Manifesta, [Article]

Weizman, Eyal and Keenan, Thomas. 2010. The Third Strategic Threat. Opendemocracy, [Article]

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Wolf, Nicole. 2019. In the Wake of Gujarat: The Social Relations of Translation and Futurity. Critical Studies, 4, pp. 97-113. ISSN 2055-141X [Article]

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Wolf, Nicole. 2018. Is this just a story? Friendships and fictions for speculative alliances. The Yugantar film collective (1980-83). Moving Image Review & Art Journal, 7(2), pp. 252-266. ISSN 2045-6298 [Article]

Wolf, Nicole. 2018. Metabolisms of the Feminist Archive and the Nowness of Yugantar (1980–83). Documentary Now, edited by Ravi Vasudevan, 70(1), pp. 42-49. [Article]

Wolf, Nicole. 2010. Of bird watchers and other incidental proceedings. Catalogue for 40th Forum, Berlin Film Festival, [Article]

Wolf, Nicole. 2016. Porous Container and Time and relations. A House in Ninh Hoa, [Article]

Wolf, Nicole. 2012. Resonance/ Nachhall. Catalogue for the 42nd Forum, Berlin Film Festival, [Article]

Wolf, Nicole. 2016. Sea Sight. Havarie, [Article]

Wolf, Nicole. 2006. To be haunted. The Halfmoon Files. Catalogue for the 37th International Forum of New Cinema, Berlin Film Festival, pp. 161-164. [Article]

Wolf, Nicole. 2003. Transitional Zones: Nicole Wolf Interviews Tejal Shah. n.paradoxa: International Feminist Art Journal, Issue: Out of Order, 12, pp. 59-67. [Article]

Artist's Book

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Engel, Kathy; Marie, Maia; Nkomo, Refilwe; Vráblíková, Lenka; Moiloa Gapare, Molemo; Flores Garrido, Natalia; Masola, Athanbile; Moeketsi, Itumeleng; Moyo, Kundai; Slabbert, Annika; Sango, Anna; Itumeleng, Faith and Tshikalange, Lali. 2022. Collaborative Poetics: Conversations with Lalela I. [Artist's Book]

Audio

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McCormack, Chris. 2022. Art Monthly Talk Show on Resonance FM. [Audio]

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Schuppli, Susan. 2016. Sound of Sand. [Audio]

Book

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Andrews, Jorella G.. 2018. The Question of Painting: Rethinking Thought with Merleau-Ponty. London: Bloomsbury Academic. ISBN 9781472574282 [Book]

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Andrews, Jorella G.. 2014. Showing Off! A Philosophy of Image. London: Bloomsbury Academic. ISBN 9781472531797 [Book]

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Andrews, Jorella G.. 2015. This is Cézanne. London: Laurence King Publishing. ISBN 978-1780674780 [Book]

Andrews, Jorella G.. 2016. This is Rembrandt. London: Laurence King. ISBN 9781780677453 [Book]

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Andrews, Jorella G. and Durner, Leah. 2019. Painting, Largesse and Life: A Conversation with Leah Durner. New York: Leah Durner. [Book]

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Andrews, Jorella G. and O'Sullivan, Simon D.. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 978-3-943365-38-2 [Book]

Awan, Nishat. 2016. Diasporic Agencies: Mapping the City Otherwise. Abingdon: Routledge. ISBN 9781472433770 [Book]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Spatial Agency: Other ways of doing architecture. Abingdon, Oxon; New York: Routledge. ISBN 9780415571937 [Book]

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Brar, Dhanveer Singh. 2020. Beefy's Tune (Dean Blunt Edit). London: 87 Press. ISBN 9781838069810 [Book]

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Buden, Boris and Nowotny, Stefan. 2009. Übersetzung: Das Versprechen eines Begriffs. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-535-5 [Book]

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Burrows, David and O'Sullivan, Simon D.. 2019. Fictioning: The Myth-Functions of Contemporary Art and Philosophy. Edinburgh: Edinburgh University Press. ISBN 9781474432405 [Book]

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Doussan, Jenny. 2013. Time, Language, and Visuality in Agamben's Philosophy. Basingstoke: Palgrave Macmillan. ISBN 9781137286239 [Book]

Ertür, Başak. 2022. Spectacles and specters: a performative theory of political trials. New York: Fordham University Press. ISBN 9781531501877 [Book]

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Eshun, Kodwo. 2012. Dan Graham: Rock My Religion. London: Afterall Books. ISBN 978-1-84638-085-3 [Book]

Eshun, Kodwo. 2018. Mais brillante que el sol: Incursiones en la Ficción Sónica. Buenos Aires: Caja Negra Editora. ISBN 9789871622634 [Book]

Eshun, Kodwo. 2025. More Brilliant than the Sun: Adventures in Sonic Fiction (2nd edition). London: Verso. ISBN 9781784786724 [Book] (Forthcoming)

Eshun, Kodwo. 2023. Plus Brilliant que le soleil: Aventures en fiction sonore. Paris: Philharmonie de Paris Editions. ISBN 9791094642627 [Book]

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Eshun, Kodwo and Sagar, A.. 2007. The Ghosts of Songs: The Film Art of the Black Audio Film Collective. Liverpool University Press. ISBN 9781846310140 [Book]

Faramelli, Anthony. 2018. Resistance, Revolution and Fascism: Zapatismo and Assemblage Politics. London: Bloomsbury Academic. ISBN 9781350050068 [Book]

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Fisher, Mark. 2009. Capitalist Realism: Is there no alternative? Ropley: Zero Books. ISBN 9781846943171 [Book]

Fisher, Mark. 2014. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Alresford: Zero Books. ISBN 9781780992266 [Book]

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Fisher, Mark. 2016. The Weird and the Eerie. London: Repeater. ISBN 9781910924389 [Book]

Forkert, Kirsten; Oliveri, Federico; Bhattacharyya, Gargi and Graham, Janna. 2020. How Media and Conflicts Make Migrants. Manchester: Manchester University Press. ISBN 9781526138118 [Book]

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García Düttmann, Alexander. 2011. Consciousness of Semblance: Participation in Art and Politics. Germany: Konstanz: Konstanz University Press. ISBN 978-3-86253-019-9 [Book]

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García Düttmann, Alexander. 2008. Derrida und ich. Das Problem der Dekonstruktion [Derrida and I. The Problem of Deconstruction]. Bielefeld, Germany: Transcript Verlag. ISBN 978-3-89942-740-0 [Book]

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García Düttmann, Alexander. 2009. El año académico. Cali (Colombia): Archivos del Indice. ISBN 9789584456274 [Book]

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García Düttmann, Alexander. 2007. Philosophy of Exaggeration. Continuum Books. ISBN 0826495621 [Book]

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García Düttmann, Alexander. 2011. Teilnahme: Bewusstsein des Scheins [Participation: Consciousness of Semblance]. Konstanz: Konstanz University Press, pp. 1-192. ISBN 978-3-86253-019-9 [Book]

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García Düttmann, Alexander. 2005. Verwisch die Spuren. Diaphanes. ISBN 3935300646 [Book]

García Düttmann, Alexander. 2006. Visconti: Einsichten in Fleisch und Blut. Kulturverlag Kadmos. ISBN 3931659925 [Book]

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García Düttmann, Alexander and Savage, Robert. 2009. Visconti: Insights into Flesh and Blood (translated by Robert Savage). Stanford: Stanford University Press. ISBN 9780804757409 [Book]

Gunkel, Henriette and Hameed, Ayesha. 2021. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book]

Hameed, Ayesha. 2025. Black Atlantis. London: Strange Attractor Press. [Book] (Forthcoming)

Hernández Velázquez, Y. M.; Roig, Marc and Hispano, Andrés. 2007. El Rei de la Casa. Adults als deu, nens al quaranta. Barcelona: Institut de Cultura de l'Ajuntament de Barcelona. ISBN 978-84-9850-009-7 [Book]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2012. Power unplugged: decolonizing architecture in Palestine. (Forthcoming). Rotterdam: NAI Books. [Book]

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Keenan, Thomas and Weizman, Eyal. 2012. Mengele's Skull: The Advent of a Forensic Aesthetics. Berlin: Sternberg and Portikus. ISBN 978-1-934105-91-7 [Book]

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Martinon, Jean-Paul. 2013. After "Rwanda": In Search of a New Ethics. Amsterdam and New York: Rodopi. ISBN 978-90-420-3711-3 [Book]

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Martinon, Jean-Paul. 2020. Curating as Ethics. Minneapolis: University of Minnesota Press. ISBN 9781517908652 [Book]

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Martinon, Jean-Paul. 2013. The End of Man. New York: Punctum Books. ISBN 9780615766782 [Book]

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Martinon, Jean-Paul. 2007. On Futurity / Malabou, Derrida and Nancy. Palgrave Macmillan. ISBN 9780230506848 [Book]

Martinon, Jean-Paul. 2023. Pyrrho and Meillassoux on Time. Palgrave Macmillan. [Book] (Forthcoming)

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Martinon, Jean-Paul. 2005. Swelling Grounds: A history of Hackney Workhouse. Rear Window Publications. ISBN 0 9521040 4 0 [Book]

Martinon, Jean-Paul and Madani, Adnan. 2024. Visual Cultures as World-Forming. Berlin: Sternberg Press. ISBN 9783956795374 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2016. Andere Märkte: Zur Architektur der informellen Ökonomie. Bielefeld: transcript Verlag. ISBN 978-3-8394-3597-7 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2015. Informal Market Worlds: The Architecture of Economic Pressure - ATLAS. Rotterdam: nai010 publishers. ISBN 978-94-6208-194-9 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2008. Networked Cultures: Parallel Architectures and the Politics of Space. Rotterdam: nai010 publishers. ISBN 978-9056620592 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2010. Netzwerk Kultur: Die Kunst der Verbindung in einer globalisierten Welt. Bielefeld: transcript. ISBN 978-3-8376-1356-8 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2012. OCCUPY: Räume des Protests. Bielefeld: transcript. ISBN 978-3-8376-2163-1 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2011. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: transcript. ISBN 978-3-8376-1847-1 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 978-3-95679-100-0 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2003. Visuelle Kultur: Körper, Räume, Medien. Boehlau. ISBN 3205770404 [Book]

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Mörtenböck, Peter; Mooshammer, Helge; Cruz, Teddy and Forman, Fonna. 2015. Informal Market Worlds: The Architecture of Economic Pressure - READER. Rotterdam: nai010 publishers. ISBN 978-94-6208-195-6 [Book]

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Nowotny, Stefan and Raunig, Gerald. 2008. Instituierende Praxen: Bruchlinien der Institutionskritik. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-513-3 [Book]

Nowotny, Stefan and Raunig, Gerald. 2016. Instituierende Praxen: Bruchlinien der Institutionskritik (2nd revised edition including a new introduction). Vienna: transversal texts. ISBN 978-3-903046-04-7 [Book]

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O'Sullivan, Simon D.. 2024. The Ancient Device. Charmouth: Triarchy Press. ISBN 9781917251013​ [Book]

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O'Sullivan, Simon D.. 2006. Art Encounters Deleuze and Guattari: Thought Beyond Representation. London: Palgrave Macmillan. ISBN 978-1-4039-1809-3 [Book]

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O'Sullivan, Simon D.. 2024. From Magic and Myth-Work to Care and Repair. London: Goldsmiths Press. ISBN 9781915983046 [Book]

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O'Sullivan, Simon D.. 2024. On Theory-Fiction and Other Genres. Palgrave Macmillan. ISBN 9783031650710 [Book] (In Press)

Petti, Alessandro; Hilal, Sandi and Weizman, Eyal. 2013. Architecture after Revolution. Berlin: Sternberg. ISBN 978-3-943365-79-5 [Book]

Prendeville, Brendan. 2001. El Realismo en la Pintura del Siglo XX. Barcelona: Ediciones Destino/ Thames&Hudson. ISBN 84-233-3292-6 [Book]

Prendeville, Brendan. 2001. La peinture réaliste au XXe siècle. Thames & Hudson. ISBN 978-2878111927 [Book]

Prendeville, Brendan. 2000. Realism in 20th Century Painting. Thames and Hudson Ltd. ISBN 978-0500203361 [Book]

Prendeville, Brendan. 2015. Realism in 20th Century Painting (Mandarin edition). Thames & Hudson. ISBN 978-7-5322-9195-3 [Book]

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Rogoff, Irit. 2000. Terra Infirma: Geography's Visual Culture. Abingdon and New York: Routledge. ISBN 978-0-415-09615-7 [Book]

Saadawi, Ghalya. 2025. Between October and November. London: Fitzcarraldo Editions. [Book] (Forthcoming)

Schmetterling, Astrid. 2017. Charlotte Salomon. Bilder eines Lebens. Berlin: Jüdischer Verlag im Suhrkamp Verlag. ISBN 978-3-633-54283-3 [Book]

Schmetterling, Astrid and Turner, Lynn. 2013. Visual Cultures As Recollection. Berlin: Sternberg Press. ISBN 978-3-943365-40-5 [Book]

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Schuppli, Susan. 2020. Material Witness: Media, Forensics, Evidence. Cambridge, MA: The MIT Press. ISBN 9780262043571 [Book]

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Tubridy, Derval. 2001. Thomas Kinsella: The Peppercanister Poems. Dublin: University of Dublin Press. ISBN 1900621525, 1900621533 [Book]

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Turner, Lynn. 2020. Poetics of Deconstruction: On the Threshold of Differences. London: Bloomsbury Academic. ISBN 9781350128590 [Book]

Weizman, Eyal. 2017. Forensic Architecture: Violence at the Threshold of Detectability. Brooklyn, NY: Zone Books. ISBN 9781935408864 [Book]

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Weizman, Eyal. 2007. HOLLOW LAND: Israel's Architecture of Occupation. Verso Books. ISBN 9781844671250 [Book]

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Weizman, Eyal. 2011. The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza. London: Verso Books. ISBN 9781844676477 [Book]

Weizman, Eyal. 2015. The Roundabout Revolutions. Berlin: Sternberg. ISBN 978-3-95679-098-0 [Book]

Weizman, Eyal. 2000. Yellow Rhythms. A Roundabout for London. Rotterdam: nai010. ISBN 978-90-6450-392-4 [Book]

Weizman, Eyal and Sheikh, Fazal. 2015. The Conflict Shoreline: Colonialism as Climate Change. Göttingen: Steidl. ISBN 9783958290358 [Book]

Book Section

Akomfrah, John and Eshun, Kodwo. 2019. The Secessionist Manifestos of Certain Received Wisdoms. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 363-370. ISBN 9783837646016 [Book Section]

Amaro, Ramon. 2018. Afrofuturism. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 17-20. ISBN 978-1-350-03024-4 [Book Section]

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Amaro, Ramon. 2019. Artificial Intelligence: warped, colorful forms and their unclear geometries. In: Danae Io and Callum Copley, eds. Schemas of Uncertainty: Soothsayers and Soft AI. Amsterdam: PUB/Sandberg Instituut, pp. 69-90. ISBN 9789090318431 [Book Section]

Amaro, Ramon. 2016. Digital Hysteria: A proposal on violence and humanism. In: Collective Hysteria, ed. HSYREITA. (7) London: Hysteria Press, pp. 10-15. [Book Section]

Amaro, Ramon. 2018. Precognition. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 365-368. ISBN 978-1-350-03024-4 [Book Section]

Andrews, Alice. 2017. Articulating Pain: Writing the Autoimmune Self. In: EJ Gonzalez-Polledo and Jen Tarr, eds. Painscapes: Communicating Pain. London: Palgrave Macmillan, pp. 83-105. ISBN 9781349952717 [Book Section]

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Andrews, Alice. 2020. Autoimmune actions in the ableist academy: A crip response. In: Nicole Brown and Jennifer Leigh, eds. Ableism in Academia: Theorising experiences of disabilities and chronic illnesses in higher education. London: UCL Press, pp. 103-123. ISBN 9781787354975 [Book Section]

Andrews, Jorella G.. 2011. Contemporary Art, "Counter-Environmentalism," and the Politics of A-Signification. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: Transcript Verlag, pp. 43-58. ISBN 978-3-8376-1847-1 [Book Section]

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Andrews, Jorella G.. 2006. Critical Materialities. In: A. Nollert; Irit Rogoff; B. de Baere; Y. Dziewior; C. Esche; K. Nieman and D. Roelstraete, eds. A.C.A.D.E.M.Y. Revolver, pp. 178-186. ISBN 3865883036 [Book Section]

Andrews, Jorella G.. 1998. Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective. In: Anna-Teresa Tymieniecka, ed. The Reincarnating Mind, or the Ontopoietic Outburst in Creative Virtualities. 53 Springer Netherlands, pp. 335-343. ISBN 978-94-010-6055-4 [Book Section]

Andrews, Jorella G.. 2001. Dispossessing the Land. In: , ed. Landscape Trauma in the Age of Scopophilia. London: Autograph, pp. 57-63. ISBN 1 899282 80 7 [Book Section]

Andrews, Jorella G.. 2018. How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge. In: Jadwiga S. Smith and William S. Smith, eds. The Phenomenology of Individual Agency: Science, Technology, and the Human Condition. Amsterdam: Kluwer Academic. [Book Section] (Forthcoming)

Andrews, Jorella G.. 2010. ‘How to be counter-environmental: art, research and the techniques of discovery’. In: José Quaresma, ed. Research in Art: A Forest, Many Paths. Lisbon: Edição CIEBA, Faculty of Fine Arts, University of Lisbon, pp. 180-203. [Book Section]

Andrews, Jorella G.. 2002. Identity - An Introduction. In: Rasheed Araeen; Sean Cubitt and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 135-137. ISBN 9780826458506 [Book Section]

Andrews, Jorella G.. 2013. Intending Objects and “Signs which have no meaning”. In: Jorella G. Andrews, ed. Visual Cultures as Objects and Affects. Berlin: Sternberg Press, pp. 29-58. ISBN 978-3-943365-38-2 [Book Section]

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Andrews, Jorella G.. 2006. Losing Labels and Liking It. In: Heather Maitland, ed. Navigating Difference: cultural diversity and audience development. London: Arts Council England, pp. 141-147. ISBN 9780728710771 [Book Section]

Andrews, Jorella G.. 2001. Maria Sibylla Merian: Collecting Metamorphosis. In: G. Ecker; M. Stange and U. Vedder, eds. Sammeln, Ausstellen, Wegwerfen. Ulrike Helmer Verlag, pp. 71-89. ISBN 3897410702 [Book Section]

Andrews, Jorella G.. 2004. Painterly Transubstantiations/Political Change. In: A. Tymieniecka, ed. Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations: 81 (Analecta Husserliana). Kluwer Academic Publishers, pp. 141-151. ISBN 9781402017094 [Book Section]

Andrews, Jorella G.. 2022. Pictorial Rationalities and why they matter in our struggles for identity and community. In: Helen Fielding and Mariana Ortega, eds. Life in Art—Phenomenological Approaches to Aesthetics and World-Making. Bloomington: Indiana University Press. [Book Section] (In Press)

Andrews, Jorella G.. 2002. Post Theory - An Introduction. In: Rasheed Araeen and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 229-232. ISBN 9780826458506 [Book Section]

Andrews, Jorella G.. 2023. Quodlibet and Cortesia: Alastair Gordon’s Painterly Debates with Art, Nature, and ‘the Real’. In: Jorella G. Andrews, ed. Alastair Gordon – Quodlibet. London: Anomie Publishing, pp. 13-23. ISBN 9781910221488 [Book Section]

Andrews, Jorella G.. 1997. Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur. In: , ed. Crosscurrents/Krysninger. Norway: Riksutstillinger/National Touring Exhibitions, Norway, pp. 19-21. [Book Section]

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Andrews, Jorella G.. 2016. The Socialities of Things. In: Barbara Kapusta; Rocco Pagel and Jenni Tischer, eds. Dinge und Dialoge. Berlin and Vienna: Saprophyt, pp. 10-15. [Book Section]

Andrews, Jorella G.. 2000. The Virtual Intersection: A Meditation on Domestic Virtue. In: Fran Lloyd and Catherine O'Brien, eds. Secret Spaces, Forbidden Places: Re-thinking Culture. New York and Oxford: Berghahn, pp. 171-183. ISBN 9781571817884 [Book Section]

Andrews, Jorella G.. 2007. Vision, Violence and the Other: A Merleau-Pontean Ethics. In: G. Weiss and D. Olkowski, eds. Feminist Interpretations of Merleau-Ponty. Penn State University Press, pp. 167-182. ISBN 027102917X [Book Section]

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Ascher, Ivan; Hardin, Carolyn; Klein, Steven; Montgomerie, Johnna and Rosamond, Emily. 2022. Finance and the Financialization of Capitalism. In: Albena Azmanova and James Chamberlain, eds. Capitalism, Democracy, Socialism: Critical Debates. Cham, Switzerland: Springer, pp. 71-97. ISBN 9783031084065 [Book Section]

Awan, Nishat. 2014. Agential Exchanges: Thinking the empirical in relation to productivity. In: André Viljoen and Katrin Bohn, eds. Second Nature Urban Agriculture: Designing Productive Cities. Abingdon, Oxon; New York: Routledge, pp. 108-113. ISBN 9780415540582 [Book Section]

Awan, Nishat. 2014. Diasporic experience and the need for topological methods. In: Peter Blundell Jones and Mark Meagher, eds. Architecture and Movement: The Dynamic Experience of Buildings and Landscapes. Abingdon, Oxon: Routledge. ISBN 9780415725354 [Book Section]

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Awan, Nishat. 2017. Mapping Otherwise: Imagining other futures and other possibilities. In: Meike Schalk; Thérèse Kristiansson and Ramia Mazé, eds. Feminist Futures of Spatial Practice: Materialisms, Activisms, Dialogues, Pedagogies, Projections. Baunach: AADR, pp. 19-27. ISBN 9783887784898 [Book Section]

Awan, Nishat. 2012. Re-mapping Kurdistan. In: Renata Tyszczuk, ed. ATLAS: Geography, Architecture and Change. London: Black Dog Publishing. ISBN 9781907317392 [Book Section]

Awan, Nishat and Schneider, Tatjana. 2011. Other productions of space. In: Silvia Forlati; Anne Isopp and Astrid Piber, eds. Wonderland Manual for Emerging Architects. Vienna: Springer, pp. 330-335. ISBN 9783709108222 [Book Section]

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Bajec, Manca. 2020. Effects of Europeanised memory in “artworks as monuments”. In: Ana Milosevic and Tamara Trost, eds. Europeanisation and Memory Politics in the Western Balkans. Cham, Switzerland: Palgrave Macmillan, pp. 121-149. ISBN 9783030546991 [Book Section]

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Bajec, Manca. 2021. Monumenting Our Pasts: Monuments, What Are They Now? In: Olivette Otele; Luisa Gandolfo and Yoav Galai, eds. Post-Conflict Memorialization: Missing Memorials, Absent Bodies. Cham, Switzerland: Palgrave Macmillan, pp. 101-117. ISBN 9783030548865 [Book Section]

Blas, Zach. 2016. “‘A Cage of Information,’ or, What is a Biometric Diagram?”. In: Erika Balsom and Hila Peleg, eds. Documentary Across Disciplines. Cambridge, MA: The MIT Press & Haus der Kulturen der Welt. ISBN 9780262529068 [Book Section]

Blas, Zach. 2014. “Contra-Internet Aesthetics”. In: Omar Kholeif, ed. You Are Here: Art after the Internet. Manchester: Cornerhouse Books, pp. 86-97. ISBN 9780956957177 [Book Section]

Blas, Zach. 2016. "Gay Bombs: Getting Started". In: David Getsy, ed. Queer: Documents of Contemporary Art. Cambridge, MA: The MIT Press & Whitechapel Gallery, pp. 105-109. ISBN 9780262528672 [Book Section]

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Blas, Zach. 2018. Informatic Opacity. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic. ISBN 9781350030244 [Book Section]

Blas, Zach. 2012. “Queerness, Openness”. In: Ed Keller; Nicola Masciandaro and Eugene Thacker, eds. Leper Creativity: Cyclonopedia Symposium. Brooklyn: Punctum Books. ISBN 9780615600468 [Book Section]

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Blas, Zach. 2016. “Vacuoles of Noncommunication: From Invisible Adversary to Invisible Revolt". In: Lauren Cornell and Tom Eccles, eds. Invisible Adversaries. Annandale-on-Hudson: Center for Curatorial Studies, Bard College. ISBN 1936192500 [Book Section]

Brar, Dhanveer Singh. 2016. Amiri Baraka (1934 - 2014). In: Immanuel Ness and Zak Cope, eds. Palgrave Encyclopedia of Imperialism and Anti-Imperialism. UK: Palgrave-Macmillan. ISBN 978-0-230-39278-6 [Book Section]

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Brar, Dhanveer Singh. 2015. Black Outbreak. In: Sophie Fuggle and Tom Henri, eds. Return to the Street. London: Pavement Books, pp. 117-132. ISBN 9780957147058 [Book Section]

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Brar, Dhanveer Singh and Moreno, Louis. 2021. Notes on Listening and Hearing. In: Jeanne van Heeswijk; Maria Hlavajova and Rachael Rakes, eds. Toward the Not-Yet: Art as Public Practice. Cambridge, Massachusetts: MIT Press. ISBN 9780262542500 [Book Section]

Burrows, David and O'Sullivan, Simon D.. 2023. Science Fiction Devices. In: Bernd Herzogenarth, ed. New Perspectives on Academic Writing: The Thing That Wouldn't Die. London: Bloomsbury Academic, pp. 39-52. ISBN 9781350231535 [Book Section]

Burrows, David and O'Sullivan, Simon D.. 2014. The Sinthome/Z-Point Relation or Art as Non-Schizoanalysis. In: Ian Buchanan and Lorna Collins, eds. Deleuze and the Schizoanalysis of Visual Art. London: Bloomsbury Academic, pp. 253-278. ISBN 9781472524621 [Book Section]

Butt, Gavin. 2006. "America" and its Discontents: Art and Politics 1945-1960. In: Amelia Jones, ed. A Companion to Contemporary Art Since 1945. Blackwell. ISBN 978-1-4051-0794-5 [Book Section]

Butt, Gavin. 2005. Avant-Garde et Chic: Andy Warhol et la fabrique du dandy Américain. In: Matthias Waschek and Veerle Thielemans, eds. L’Art Américain: Identités d’une Nation. Louvre/Terra Foundation, pp. 142-157. ISBN 978-2840561651 [Book Section]

Butt, Gavin. 2010. Bodies of Evidence: Queering Disclosure in the Art of Jasper Johns. In: Amy K. Levin, ed. Gender, Sexuality, and Museums. Oxford & New York: Routledge, pp. 235-252. ISBN 0415554918 [Book Section]

Butt, Gavin. 1999. The Greatest Homosexual? Camp Pleasure and the Performative Body of Larry Rivers’. In: Amelia Jones and Andrew Stephenson, eds. Performing the Body/ Performing the Text. Routledge, pp. 107-126. ISBN 9780415190602 [Book Section]

Butt, Gavin. 2009. How I Died For Kiki and Herb. In: , ed. The Art of Queering in Art. Birmingham: Article Press, pp. 85-94. ISBN 9781873352748 [Book Section]

Butt, Gavin. 2004. How New York Queered the Idea of Modern Art. In: Paul Wood, ed. Varieties of Modernism. Open University/Yale University Press. ISBN 9780300102963 [Book Section]

Butt, Gavin. 2006. Joe Brainard's Queer Seriousness, or, How to Make Fun out of the Avant-Garde. In: David Hopkins, ed. Neo-avant-garde (Avant Garde Critical Studies). Rodopi, pp. 277-297. ISBN 978-9042021259 [Book Section]

Butt, Gavin. 2013. Living the Dream in Women in Revolt. In: Glyn Davis and Gary Needham, eds. Warhol in Ten Takes. London: British Film Institute and Palgrave Macmillan, pp. 180-194. ISBN 9781844574025 [Book Section]

Butt, Gavin. 2006. Scholarly Flirtations. In: Angelika Nollert; Irit Rogoff; Bart De Baere and Charles Esche, eds. A.C.A.D.E.M.Y. Berlin: Revolver, pp. 187-192. ISBN 3865883036 [Book Section]

Butt, Gavin. 2009. Should we take Performance Seriously? In: , ed. Oreet Ashery: Dancing with Men. London: Live Art Development Agency, pp. 78-92. ISBN 9780954604097 [Book Section]

Butt, Gavin. 2007. Stop that Acting!: Performance and Authenticity in Shirley Clarke's Portrait of Jason. In: K. Mercer, ed. Pop Art and Vernacular Cultures. MIT Press / InIVA, pp. 36-55. ISBN 9781899846443 [Book Section]

Crone, Bridget. 2013. Costume Party – Script, Frame and Stages. In: , ed. Fassbinder-JETZT. Film und Videokunst. Deutsches Filminstitut, pp. 220-230. ISBN 978-3887990831 [Book Section]

Crone, Bridget. 2013. Curating, Dramatization and the Diagram. In: Jean-Paul Martinon, ed. The Curatorial: A Philosophy of Curating. Bloomsbury, pp. 207-214. ISBN 9781472525604 [Book Section]

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Crone, Bridget. 2017. Flicker Time and Fabulation. In: G Gunkel; A Hameed and S O'Sullivan, eds. Futures and Fictions. London, UK: Repeater Books, pp. 268-294. ISBN 9781910924631 [Book Section]

Crone, Bridget. 2017. Image and the Appearance of the Image: Fear, Speed, Force. In: Evi D. Sampanikou, ed. Audio Visual Posthumanism. UK: Cambridge Scholars Press, pp. 337-342. ISBN 978-1-4438-8177-7 [Book Section]

Crone, Bridget. 2015. Liquid States and the Image. In: Charlotte Day, ed. Technologism. Melbourne, Australia: Monash University Museum of Art, pp. 79-87. ISBN 978-0-9923754-7-8 [Book Section]

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Crone, Bridget. 2021. Nancy Holt's Pine Barrens. In: Lisa Le Feuvre, ed. Art after Nature: Thinking Nancy Holt and Robert Smithson. Minneapolis: University of Minnesota Press. [Book Section] (Forthcoming)

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Crone, Bridget. 2017. Notes Towards a Sensible Stage. In: Bridget Crone, ed. The Sensible Stage: Staging and the Moving Image. University of Chicago Press / Intellect Books. ISBN 978-1783207695 [Book Section]

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Crone, Bridget. 2016. Opera as Method in the Work of Grace Schwindt. In: Agar Ledo, ed. Grace Schwindt: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts. Vigo, Spain: Foundation MARCO / Goethe Institute, Madrid, pp. 148-161. ISBN 978-84-943529-1-2 [Book Section]

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Crone, Bridget. 2005. The Ruined Body. In: Bridget Crone and Bala Starr, eds. The Body The Ruin. Melbourne, Australia: Ian Potter Museum of Art, University of Melbourne, pp. 9-25. ISBN 0 7340 3585 3 [Book Section]

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Crone, Bridget. 2013. Seeing Red. In: Robin Mackay, ed. Final Machine. Falmouth, UK: Urbanomic, pp. 15-20. ISBN 9780957529502 [Book Section]

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Crone, Bridget. 2013. Swarm Machines Ladders and Lookouts (the work of Ryan Trecartin and Lizzie Fitch). In: Paul Luckcraft; Maitreyi Maheshwari and Isabel Venero, eds. Lizzie Fitch / Ryan Trecartin: Priority Innfield. London, UK: Zabludowicz Collection, pp. 119-124. ISBN 978-1-907921-16-2 [Book Section]

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Crone, Bridget. 2013. Talking Squid. In: , ed. Not Tonight (Jellylike). London: Arcade. [Book Section]

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Crone, Bridget. 2018. Time and Entanglement in Comparative Monument (Shellal). In: A Barikin and H Hughes, eds. Tom Nicholson: Lines towards Another. Berlin: Sternberg Press, pp. 131-136. ISBN 978-3-95679-397-4 [Book Section]

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Crone, Bridget. 2019. Wounds of Unbecoming: an introduction to the work of Tai Shani. In: , ed. Our Fatal Magic. Cambridge, MA: Strange Attractor / The MIT Press, pp. 7-23. ISBN 9781907222818 [Book Section]

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Crone, Bridget and Gunkel, Henriette. 2019. "Future" in The Bloomsbury Handbook of 21st Century Feminist Theory. In: Robin Truth Goodman, ed. The Bloomsbury Handbook of 21st Century Feminist Theory. London, UK: Bloomsbury Academic, pp. 481-490. ISBN 9781350032408 [Book Section]

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Doussan, Jenny. 2024. Attestation 3. In: Sarah Wilson; Michaël La Chance; Jenny Doussan; Carrie Pilto and Boris Groys, eds. Une œuvre d’art face au tribunal: sur Pornopolitique de Piotr Pavlenski. Paris: Au Diable Vauvert, pp. 51-65. ISBN 9791030706680 [Book Section]

Doussan, Jenny. 2013. Eros, Plague, Olfaction: Three Allegories of the Curatorial. In: Jean-Paul Martinon, ed. The Curatorial A Philosophy of Curating. London: Bloomsbury Academic Publishing, pp. 79-92. ISBN 9781472525604 [Book Section]

Doussan, Jenny. 2009. Interview with Lauriston Avery. In: , ed. Lauriston Avery. Brooklyn, NY: The Hogar Collection. [Book Section]

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Doussan, Jenny. 2022. P. In: Pyotr Pavlensky, ed. Pornopolitics and Other Precedents. London: MOTHER, pp. 86-89. ISBN 9791041502981 [Book Section]

Doussan, Jenny. 2010. Recuperating the Platonic Idea. In: Rune Graulund, ed. Desperately Seeking Authenticity: Interdisciplinary Approaches. Copenhagen Doctoral School Press. [Book Section]

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Doussan, Jenny. 2024. Redeeming Fashion: Between Benjamin and Agamben on Baudelaire. In: , ed. Baudelaire and Philosophy. Edinburgh: Edinburgh University Press. [Book Section] (Forthcoming)

Doussan, Jenny. 2011. The Scent of the Jonquil (first edition). In: , ed. The Perfumed Handkerchief. Brooklyn, NY: [Book Section]

Duncan, Ifor. 2022. Drought in the Rivers of Forgetting. In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona, pp. 140-147. ISBN 9788494938870 [Book Section]

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Duncan, Ifor. 2024. Remembering Rain: Pluvial Poesis and Marronage in Dionne Brand’s At the Full and Change of the Moon. In: Lucy Bond; Susannah Radstone and Jessica Rapson, eds. New Directions in Memory and Literature: Concepts, Contexts, Media. Palgrave Macmillan. [Book Section] (Forthcoming)

Duncan, Ifor. 2019. Undercurrents: Submergence and the Hidroituango Megadam. In: Lindsay Bremner, ed. Monsoon [+ other] Waters. London: A Monsoon Assemblages Publication, pp. 19-27. ISBN 9780992965709 [Book Section]

Duncan, Ifor and Levidis, Stefanos. 2022. 'Arcifinious'. In: José Roca and Juan Francisco Salazar, eds. Rīvus: A Glossary of Water. Sydney, Australia: Biennale of Sydney Ltd 2022, pp. 47-48. ISBN 9780958040327 [Book Section]

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Dyangani Ose, Elvira. 2017. ‘Becoming Post-apartheid and other history-related consideration in the collective work of Kemang Wa Lehulere. In: , ed. Kemang Wa Lehulere. Bird Song. Berlin, Germany: Hatje Cantz Verlag. ISBN 978-3-7757-4280-1 [Book Section]

Dyangani Ose, Elvira. 2017. How about this? On a sense of togetherness. Elvira Dyangani and Magdalena Malm in conversation. In: Magdalena Malm, ed. Curating Context: Beyond the Gallery and into Other Fields. Sweden: Art and Theory Publishing. ISBN 978-91-88031-45-7 [Book Section]

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Dyangani Ose, Elvira. 2016. Hypothesis for an Institution. In: Mario Mainetti, ed. Recto Verso Quaderno. #4 Milano: Fondazione Prada. [Book Section]

Dyangani Ose, Elvira. 2013. Random Anecdotes. In: Madeleine Grynsztejn; Federica Martini and Vittoria Martini, eds. Alfredo Jaar Venezia Venezia, Pavilion of Chile 55 International Art Exhibition la Biennale di Venezia 2013. Barcelona; New York: Actar. ISBN 978-0-989331-73-9 [Book Section]

Dyangani Ose, Elvira. 2004. Surrounding the Word: Towards an Aesthetic of Ritual. In: , ed. De Boca en Boca: Estudios de Literatura Oral de Guinea. Spain: Ceiba Ediciones. [Book Section]

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Dyangani Ose, Elvira. 2015. 'A Tendency to Forget, An Urgency to Remember' Introduction and Interview to Angela Ferreira. In: Ferreira de Carvalho Nuno, ed. NOVO BANCO Photo 2015: Ângela Ferreira, Ayrson Heráclito, Edson Chagas. Lisboa Portugal: Museu Coleção Berardo. ISBN 978-989-8239-46-4 [Book Section]

Dyangani Ose, Elvira. 2014. ‘The right to the city. The appropriation of public space in Nick Cave’s work’. In: , ed. Nick Cave: Epitome. Prestel, pp. 240-267. ISBN 978-3791349169 [Book Section]

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Ertür, Başak. 2016. Barricades: resources and residues of resistance. In: Judith Butler; Zeynep Gambetti and Leticia Sabsay, eds. Vulnerability in Resistance. Durham, North Carolina: Duke University Press, pp. 97-121. ISBN 9780822362906 [Book Section]

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Ertür, Başak. 2016. "Le Chevalier d'Éon": wagering in a wilderness of mirrors (English) / "Le Chevalier d'Éon": Aynaların Yabanında Bahse Tutuşmak (Turkish). In: Süreyyya Evren, ed. Nil Yalter: Off the Record. Istanbul, Turkey: Arter, pp. 92-105. ISBN 9786059606028 [Book Section]

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Ertür, Başak. 2016. The conspiracy archive: Turkey's deep state on trial. In: Stewart Motha and Honni van Rijswijk, eds. Law, Violence, Memory: Uncovering the Counter-Archive. Abingdon: Routledge, pp. 177-194. ISBN 9781138830639 [Book Section]

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Ertür, Başak; Butler, Judith and Athanasiou, Athena. 2017. Türkçe Basıma Sunuş: Çeviride Mülksüzleşme. In: Judith Butler and Athena Athanasiou, eds. Mülksüzleşme Siyasaldaki Performatif. Istanbul, Turkey: Metis, pp. 9-21. [Book Section]

Eshun, Kodwo. 2018. '36 - '77: A Tremulous Temporal Entity. In: Dan Kidner, ed. Nightcleaners / '36 - '77. Raven Row and Lux. ISBN 9783960983811 [Book Section]

Eshun, Kodwo. 2018. '36 to '77: A Tremulous Private Entity. In: Dan Kidner and Alex Sainsbury, eds. Nightcleaners and '36 to '77. London: Koenig Books, LUX and Raven Row, pp. 59-71. ISBN 9783960983811 [Book Section]

Eshun, Kodwo. 2017. The Algorithmic Poetics of @GlissantBot. In: Research Center for Proxy Politics, ed. Proxy Politics: Power and Subversion in a Networked Age. Berlin: Archive Books. ISBN 978-3-943620-71-9 [Book Section]

Eshun, Kodwo. 2023. 'Aliens wherever they have to go': Friendship's Death. In: Oliver Fuke, ed. The Films of Laura Mulvey and Peter Wollen: Scripts, Working Documents, Interpretation. London: Bloomsbury on behalf of the British Film Institute, pp. 263-280. ISBN 9781839025242 [Book Section]

Eshun, Kodwo. 2012. Corona: Reorientation Point for New Planetary Values. In: Okwui Enwezor and Markus Müller, eds. ECM: A Cultural Archaeology. Munich: Prestel, pp. 188-203. ISBN 9783791352855 [Book Section]

Eshun, Kodwo. 2017. Drexciya as Spectre [Catalogue Essay]. In: Margarida Mendes, ed. Matter Fictions. Sternberg Press. ISBN 978-3-95679-303-5 [Book Section]

Eshun, Kodwo. 2015. The Energetic Impulse [Catalogue Essay]. In: , ed. L.A. Rebellion: Creating a New Black Cinema. Tate Modern. [Book Section]

Eshun, Kodwo. 2016. Fear of a Wet Planet. In: Nav Haq, ed. RAVE: Rave and its Influence on Art and Culture. M KHA Museum van Hedendaagse Kunst Antwerpen & Black Dog Publishing. ISBN 978-1910433874 [Book Section]

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Eshun, Kodwo. 2020. From 953 AD to 1 Gigayear: Cheikh Anta Diop's Future Vector of Energy. In: Eric C. H. de Bruyn and Sven Lütticken, eds. Futurity Report. 1 Berlin: Sternberg Press, pp. 217-237. ISBN 9783956794230 [Book Section]

Eshun, Kodwo. 2018. Geomythologies. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury. ISBN 9781350030244 [Book Section]

Eshun, Kodwo. 2017. Glissantbot. In: Vera Tollman and Boaz Levin, eds. Proxy Politics: Power and Subversion in a Networked Age. Berlin: Archive Books, pp. 93-103. ISBN 9783943620719 [Book Section]

Eshun, Kodwo. 2016. A Hunter Shooting Waterbirds. In: , ed. Studio for Propositional Cinema #2. [Book Section]

Eshun, Kodwo. 2015. Kodwo Eshun in conversation with Lucas van der Velden [Exhibition Catalogue]. In: Lucas van der Velden; Mirna Belina and Arie Altena, eds. The Geological Imagination. Sonic Acts. [Book Section]

Eshun, Kodwo. 2018. Marc Karlin’s Voyages around Susan Meiselas’ Nicaragua Photographs [Catalogue Essay]. In: Carles Guerra, ed. Susan Meiselas: Meditations. Bologna: Damiani. ISBN 9788862085687 [Book Section]

Eshun, Kodwo. 2014. Narcissus in Uniform [Catalogue Essay]. In: Elvira Dyangani Ose, ed. Uses of Memory: Caderno Sesc Videobrazil, 10 ed. [Book Section]

Eshun, Kodwo. 2017. On Her Devolves The Labour: Cinematic Time Travel of the Song of the Shirt. In: Sue Clayton and Laura Mulvey, eds. Other Cinemas : Politics, Culture and Experimental Film in the 1970s. London: I.B. Tauris, pp. 257-270. ISBN 9781784537180 [Book Section]

Eshun, Kodwo. 2024. On the Implications of Black Studies for Counter-Forensics and Counter-Forensics for Black Studies. In: Ricardo Badano; Tomas Percival and Susan Schuppli, eds. Militant Media. Leipzig: Spector Books, pp. 23-38. ISBN 9783959056878 [Book Section]

Eshun, Kodwo. 2016. Prolonging 1961: A Communique Sent to the Future [Catalogue Essay]. In: Armin Linke; Vaness Vasic-Janekovic and Sarah Poppel, eds. Travelling Communiqué. Leipzig: Spector Press. ISBN 9783944669922 [Book Section]

Eshun, Kodwo. 2014. Reconstructing the Methods for reformatting Oxygen Isotopes in nature and in the Laboratory as Oxygen Tops Nature Oratory for Optical Character Recognition Scanners. In: K. Klingan; A. Sepahvad; C. Rosol and B. Scherer, eds. Grain Vapor Ray: Textures of the Anthropocene. MIT, pp. 121-127. ISBN 9780262527415 [Book Section]

Eshun, Kodwo. 2023. Recursion, Interrupted. In: Tom Holert and Doreen Mende, eds. Navigation Beyond Vision. Berlin: Sternberg Press, pp. 148-152. ISBN 9783956795657 [Book Section]

Eshun, Kodwo. 2021. Signifying Deceit: Richard Wright's Anti- Colonial-Anti- Capitalist-Anti Communism. In: Anselm Franke; Nida Ghouse; Paz Guevera and Antonia Majaca, eds. Parapolitics: Cultural Freedom and the Cold War. Berlin: Sternberg Press/Haus der Kulturen der Welt, pp. 569-584. ISBN 9783956795084 [Book Section]

Eshun, Kodwo. 2015. Statecraft: An Incomplete Timeline of Independence Determined by Digital Auction [Catalogue Essay]. In: Annett Busch and Anselm Franke, eds. After Year Zero: Geographies of Collaboration. Warsaw: Haus der Kulturen der Welt and Muzeum of Modern Art. [Book Section]

Eshun, Kodwo. 2014. Stealing one’s own corpse: Afrofuturism as Speculative Heresy. In: Naima J Keith and Zoe Whitley, eds. The Shadows Took Shape. The Studio Museum in Harlem. [Book Section]

Eshun, Kodwo. 2024. 'The Struggle Against This Colonial Barrage': Listening for Black Industrialism in the Theoretical Positions of Black Audio Film Collective circa 1986. In: Marwa Arsanios; Leon Filter and Leire Vergara, eds. A Cut Through The Screen: Struggles Reverberation in Cinema. Berlin: Archive Books and Dutch Art Institute. [Book Section] (Forthcoming)

Eshun, Kodwo. 2020. That Person or Thing that Which Attains to the Ground of Anything. In: Federica Buetti; Antonia Alampi and Bonaventure Soh Bejeng Ndikung, eds. We Have Delivered Ourselves From the Tonal - Of, Towards, On, For Julius Eastman. Berlin: Archive Books in collaboration with Savvy Books, pp. 46-63. ISBN 9783948212117 [Book Section]

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Eshun, Kodwo. 2023. To Be Hoist by Your Own Petard: Studying the Study of Lynette Yiadom-Boakye. In: Lekha Hileman Waitoller, ed. Lynette Yiadom-Boakye: No Twilight Too Mighty. Bilbao: Guggenheim Museum Bilbao/La Fábrica, pp. 24-39. ISBN 9788418934490 [Book Section]

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Eshun, Kodwo. 2019. To Win the War, You Fought It Sideways: Kojo Laing's Major Gentl and the Achimota Wars. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 83-106. ISBN 9783837646016 [Book Section]

Eshun, Kodwo. 2021. The Transitional Coalition: Reciprocal Readings of Transition and the Congress for Cultural Freedom between 1962 and 1967. In: Anselm Franke; Nida Ghouse; Paz Guevera and Antonia Majaca, eds. Parapolitics: Cultural Freedom and the Cold War. Berlin: Sternberg Press/Haus der Kulturen der Welt, pp. 481-497. ISBN 9783956795084 [Book Section]

Eshun, Kodwo. 2016. We Wanted This Sense of Fluxing In and Out of History: Kodwo Eshun in Conversation with Sue Clayton. In: Kodwo Eshun; Gavin Butt and Gavin Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2019. 'We are the Gods Trapped in Cocoons': Neural Entertainment in Get Out. In: Steve Goodman; Toby Heys and Eleni Ikoniadou, eds. AUDINT—Unsound:Undead. Falmouth: Urbanomic, pp. 275-278. ISBN 9781916405219 [Book Section]

Eshun, Kodwo. 2016. The Weakest Link in Every Chain I Always Want To Find It: Green Gartside in Conversation with Kodwo Eshun. In: Kodwo Eshun; Gavin Butt and Mark Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2016. 'The Weakest Link in Every Chain I Always Want to Find It': Green Gartside in conversation with Kodwo Eshun. In: Gavin Butt; Kodwo Eshun and Mark Fisher, eds. Post-Punk Then and Now. London: Repeater Books, pp. 166-196. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2016. The object spoke to me but what it said I cannot say [Catalogue Essay]. In: Boris Ondreicka and Nadium Samman, eds. Rare Earth. Sternberg Press. [Book Section]

Eshun, Kodwo and Biemann, Ursula. 2017. When Matter Thinks. In: Doreen Mende, ed. Thinking Under Turbulence. HEAD Geneve: Geneva Colloquium. ISBN 9782940524556 [Book Section]

Eshun, Kodwo; Goodman, Steve and Pethick, Emily. 2024. To Release the Unnameable. In: Justin Barton; Myra B. Kronic and Steve Goodman, eds. Sonic Faction: Audio Essay as Medium and Method. Falmouth: Urbanomic. ISBN 9781915103123 [Book Section] (In Press)

Eshun, Kodwo and Mende, Doreen. 2023. Pixelating Assembly: Not Sinking, Swarming. In: Corina Apostol; Marius Babias; Reinhard Braun; Pablo DeSoto; Gabriela Salgado and Leila Topic, eds. Oliver Ressler. Barricading the Ice Sheets. Berlin: n.b.k. Ausstellungen, pp. 54-65. ISBN 9783753304854 [Book Section]

Eshun, Kodwo; Sepaka, Angiama; Eshun, Esi; da Silva Ferreira, Denise; Hassan, Salah and Sagar, Anjalika. 2022. Forms of Afterlife. In: Adrian Lahoud and Andrea Bagnato, eds. Rights of Future Generations: Propositions. Berlin: Hate Cantz Verlag, pp. 134-147. ISBN 9783775748728 [Book Section]

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Faramelli, Anthony. 2015. Amour Fou and the Ecstasy of Destruction or Love in Neoliberal Times. In: Edia Connole and Gary J. Shipley, eds. Serial Killing: A Philosophic Anthology. New York: Schism Press, pp. 199-214. ISBN 9781515154853 [Book Section]

Faramelli, Anthony. 2024. Institutional Psychotherapy from Saint-Alban to La Borde by Jean Oury. In: Elena Vogman and Marlon Miguel, eds. Materialism and Psychotherapy. Berlin: ICI Press. [Book Section] (Forthcoming)

Faramelli, Anthony. 2020. Mirrors and Masks: The Political Space of Zapatismo. In: David Hancock; Anthony Faramelli and Robert G. White, eds. Spaces of Crisis and Critique: Heterotopias Beyond Foucault. London: Bloomsbury Academic, pp. 131-152. ISBN 9781350021129 [Book Section]

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Fisher, Andrew. 2017. Imaginative Variation: Photographic Scale and Photographic Horizons. In: Florian Dombois and Julie Harboe, eds. Too Big to Scale: On Scaling Space, Number, Time and Energy. Zürich: Scheidegger & Spiess Verlag, pp. 17-31. ISBN 9783858817938 [Book Section]

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Fisher, Andrew. 2013. Photographic Scale. In: Daniel Rubinstein; Johnny Golding and Andrew Fisher, eds. On The Verge of Photography: Imaging Beyond Representation. Birmingham: ARTicle, pp. 151-169. ISBN 978-1-873352-02-1 [Book Section]

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Fisher, Andrew. 2018. The Production of a Factographic Object. In: Rebecca Jagoe and Sharon Kivland, eds. On Violence. London: Ma Bibliotheque, pp. 139-148. ISBN 9781910055410 [Book Section]

Fisher, Mark. 2013. Indirect Action: Some Misgivings About Horizontalism. In: Pascal Gielen, ed. Institutional Attitudes. Instituting Art in a Flat World. Amsterdam: Valiz. ISBN 978-90-78088-68-4 [Book Section]

Fisher, Mark. 2013. It’s easier to imagine the end of the world than the end of Capitalism. In: Nicholas Mirzoeff, ed. The Visual Culture Reader. Routledge. ISBN 9780415620550 [Book Section]

Fisher, Mark. 2009. Materialismo gótico (Extractos de Flatline Constructs: Gothic materialism and Cybernethic Theory-Fiction). In: Santiago Arcos, ed. Nosotros, los brujos. Santiago Arcos. ISBN 978-987-1240-34-0 [Book Section]

Fisher, Mark. 2010. Memorex for the Krakens: The Fall's Pulp Modernism. In: Michael Goddard and Benjamin Halligan, eds. Mark E. Smith and The Fall: Art, Music and Politics. Ashgate, pp. 95-110. ISBN 978-0-7546-6867-1 [Book Section]

Fisher, Mark. 2012. Postcapitalist Desire. In: Federico Campagna and Emanuele Campiglio, eds. What We Are Fighting For: A Radical Collective Manifesto. Pluto Press. ISBN 9780745332857 [Book Section]

Fisher, Mark. 2011. We're not all in this together: Public Space and Antagonism in the Wake of Capitalist Realism. In: Markus Miessen and Andrea Phillips, eds. Caring Culture: Art, Architecture and the Politics of Health. Sternberg Press. ISBN 978-1-934105-71-9 [Book Section]

Fisher, Mark. 2014. ‘“What Is It That You’d Say You Do Here?” The Post-Fordist Comedy of Management. In: Nina Möntmann, ed. Brave New Work A Reader on Harun Farocki's film 'A New Product'. Walther Koenig. ISBN 9783863353506 [Book Section]

García Düttmann, Alexander. 2009. Die Reise nach Montreux [A Trip to Montreux]. In: Joachim Leisegang, ed. In Begleitung: Claire Lise Holy and Dieter Leisegang. Monschau: KUK. Kunst- und Kulturzentrum, pp. 86-89. [Book Section]

García Düttmann, Alexander. 2008. Die Sichtbarmachung der Armut [Making Poverty Visible]. In: Eva Geulen; Kai Kauffmann and Georg Mein, eds. Hannah Arendt - Giorgio Agamben: Parallelen Perspektiven Kontroversen. Munich: Wilhelm Fink, pp. 119-129. ISBN 978377054529-2 [Book Section]

García Düttmann, Alexander. 2010. Ein Verdienst der Künstlerin [To The Artist's Credit]. In: , ed. Claire-Lise Holy: Szenenbilder - Figurinen - Details. Monschau: KUK. Kunst- und Kulturzentrum der Städteregion Aachen, pp. 65-66. ISBN 9783000311758 [Book Section]

García Düttmann, Alexander. 2010. El hombre y la tierra / Man and Earth. In: , ed. Greta Alfaro. Centro de Arte Huarte, Spain, unpag.. [Book Section]

García Düttmann, Alexander. 2010. Elizabeth and the Peacock. In: , ed. Elizabeth Presa with Greg Burgess: interior castle. Melbourne: Linden Arts Centre, pp. 4-6. [Book Section]

García Düttmann, Alexander. 2010. Empfindsame Zigzagreise in die Unabhängigkeit / Viaje a la independencia, sentimental y en zig-zag [A Sentimental Journey to Independence]. In: Alfons Hug, ed. Menos tiempo que lugar. El arte de la independencia. Buenos Aries[?]: Goethe Institut, pp. 87-98. [Book Section]

García Düttmann, Alexander. 2010. "Extravaganza". In: , ed. Fine Art and History of Art, catalogue of the end of the year show, 2010. London: Goldsmiths College, p. 13. ISBN 9781906897048 [Book Section]

García Düttmann, Alexander. 2010. I Shall Never Grow Old. In: , ed. Dark Rooms. Warsaw: Nowy Teatr & Krytyka Polityczna & Kodoji Press, pp. 7-12. ISBN 9783037470367 [Book Section]

García Düttmann, Alexander. 2009. "Improvising on Intuition". In: , ed. Fine Art and History of Art BA, catalogue of the end of the year exhibition 2009. London: Goldsmiths College, pp. 150-152. ISBN 9781904158967 [Book Section]

García Düttmann, Alexander. 2008. Integral Actuality. In: Justin Clemens; Nicholas Heron and Alex Murray, eds. The Work of Giorgio Agamben: Law, Life, Literature. Edinburgh: Edinburgh University Press, pp. 28-42. ISBN 9780748634620 [Book Section]

García Düttmann, Alexander. 2010. Language Without Soil. In: Gerhard Richter, ed. Language Without Soil. New York: Fordham University Press, pp. 10-16. ISBN 978-0-8232-3127-0 [Book Section]

García Düttmann, Alexander. 2009. Letteratura per esempio. In: Clemens Carl Haerle, ed. Confini del racconto. Macerata: Quodlibet, pp. 53-62. ISBN 9788874623037 [Book Section]

García Düttmann, Alexander. 2009. A Note On Philosophy And Photography. In: , ed. Commonsensual: The Works of Rut Blees Luxemburg. London: Black Dog Publishing, pp. 163-164. ISBN 9781906155575 [Book Section]

García Düttmann, Alexander. 2010. Ohne Politik [Without Politics]. In: Thomas Bedorf and Kurt Roettgers, eds. Das Politische und die Politik. Berlin: Suhrkamp Verlag, pp. 364-381. ISBN 978-3-518-29557-1 [Book Section]

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Gaur, Meenu and Madani, Adnan. 2020. The Ghost in the Projector: New Pakistani Cinema & its Hauntings. In: Vazira Zamindar and Asad Ali, eds. Love, War & Other Longings: Essays on Cinema in Pakistan. Karachi, Pakistan: Oxford University Press Pakistan, pp. 48-72. ISBN 9780190701857 [Book Section]

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Graham, Janna. 2016. The Anatomy of an AND. In: Carmen Mörsch; Angeli Sachs and Thomas Sieber, eds. Contemporary Curating and Museum Education. Bielefeld: transcript-Verlag, pp. 187-202. ISBN 9783837630800 [Book Section]

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Graham, Janna. 2017. Grammars of the Possible: Moving Beyond Binaries of Representation and Non-Representation in Gallery Education. In: Carmen Mörsch; Sigrid Schade and Sophie Vögele, eds. Representing Art Education: On the Representation of Pedagogical Work in the Art Field: . Vienna: Zaglossus, pp. 369-408. ISBN 9783902902580 [Book Section]

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Graham, Janna. 2020. ‘Techniques for Living Otherwise’: Naming, Composing and Instituting Otherwise. In: Marina Garcés; Janna Graham; val flores; Concha Fernández Martorell and Jordi Solé Blanch, eds. Pedagogías y emancipación. Barcelona: Arcadia MACBA, pp. 49-77. ISBN 9788494992476 [Book Section]

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Graham, Janna. 2017. Technologies for Living Otherwise: Arts Pedagogy as Social Reproduction and Movement Building. In: , ed. Creativity Exercises. [Book Section] (Forthcoming)

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Grant, Catherine. 2011. Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. In: Catherine Grant and Lori Waxman, eds. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect Press, pp. 161-186. ISBN 9781841503486 [Book Section]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

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Grant, Catherine. 2019. The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. In: Allyson Mitchell and Cait McKinney, eds. Killjoy's Kastle. Canada: University of British Columbia Press and The Art Gallery of York University Press. ISBN 9780774861571 [Book Section]

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Grant, Catherine. 2021. Introduction to "Why Have There Been No Great Women Artists?". In: Linda Nochlin, ed. Why Have There Been No Great Women Artists? London: Thames & Hudson. ISBN 9780500023846 [Book Section]

Grant, Catherine. 2017. Learning and Playing: Re- enacting Feminist Histories. In: Victoria Horne and Lara Perry, eds. Feminism and Art History Now: Radical Critiques of Theory and Practice. London: Bloomsbury. ISBN 9781784533250 [Book Section]

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2019. More than a schoolgirl crush: Amy Adler and the adolescent fan. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 100-120. ISBN 9781912685134 [Book Section]

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Grant, Catherine. 2019. Returning to Riddles. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury Academic. ISBN 9781784537005 [Book Section]

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Grant, Catherine and Random Love, Kate. 2019. Fandom as Methodology: Introduction. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 1-20. ISBN 9781912685134 [Book Section]

Gunkel, Henriette. 2019. Alienation and Queer Discontent. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 387-404. ISBN 9783837646016 [Book Section]

Gunkel, Henriette. 2013. Désiré. In: Max Annas; Annett Busch and Henriette Gunkel, eds. Frieda Grafe. 30 Filme. Issue 3. Berlin: Brinkmann u Bose, pp. 177-181. ISBN 78-3940048165 [Book Section]

Gunkel, Henriette. 2012. Introduction: A Politics of Visibility. In: Henriette Gunkel; Chrysanthi Nigianni and Fanny Söderbäck, eds. Undutiful Daughters: New Directions in Feminist Thought and Practice. New York: Palgrave Macmillan, pp. 129-140. ISBN 9780230118317 [Book Section]

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Gunkel, Henriette. 2018. Rückwärts in Richtung queerer Zukunft. In: Dagmar Brunow and Simon Dickel, eds. Queer Cinema. Mainz, Germany: Ventil Verlag, pp. 68-81. ISBN 9783955750916 [Book Section]

Gunkel, Henriette. 2013. Spiegelungen von color bars? Keller in Südafrika, 1951” [Reflections of the color bars? Keller in South Africa, 1951. In: Ulrike Bergermann, ed. Disability trouble. Ästhetik und Bildpolitik bei Helen Keller. Berlin: B Books, pp. 309-317. ISBN 978-3-942214-09-4 [Book Section]

Gunkel, Henriette. 2015. “‘We’ve been to the moon and back’ - das afrofuturistische Partikulare im universalisierten Imaginären” [‘We’ve been to the moon and back’ – afrofuturist particularism within the universal imaginary]. In: Ulrike Bergermann and Nanna Heidenreich, eds. total. - Universalism and particularism in post_kolonialer media theory. Berlin: Transcript, 149 -162. ISBN 9783837627664 [Book Section]

Gunkel, Henriette. 2008. “‘What do we see when we look at ourselves?’ - Visual dissidence towards (post)colonial sex/gender organisations within post-apartheid South African culture. In: Jean-Paul Rocchi, ed. Dissidences et Identités Plurielles. Nancy: Presses universitaires de Nancy, pp. 160-185. ISBN 978-2-86480-899-2 [Book Section]

Gunkel, Henriette and Annas, Max. 2018. An Act of Citizenship - Mozambican Films from Kuxa-Kanema to a Cinema of Re-sistance. In: Antje Schuhmann and Mistri Jyoti, eds. African Women in Film. Pretoria: Unisa Press. [Book Section]

Gunkel, Henriette and Crone, Bridget. 2019. Future. In: Robin Goddman, ed. The Bloomsbury Handbook of 21st-Century Feminist Theory. Bloomsbury. ISBN 9781350032408 [Book Section]

Gunkel, Henriette and Lynch, Kara. 2019. Lift Off...An Introduction. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 21-44. ISBN 9783837646016 [Book Section]

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Gunkel, Henriette and McGeorge, Eline. 2017. Companions Meet as Spaces Fold. A Conversation. In: Eline McGeorge, ed. As Spaces Fold, Companions Meet. London: Dent-De-Leone, pp. 167-175. ISBN 978-1-907908-41-5 [Book Section]

Gunkel, Henriette and Stieglitz, Olaf. 2012. Praxis Sex Machen/Sex Haben [Practice: To Make/To Have Sex]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 97-110. ISBN 978-3593396415 [Book Section]

Gunkel, Henriette and Yekani, Elahe Haschemi. 2012. Praxis (Sich-)Fortbewegen” [Practice: To Move (Forward)]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 57-69. ISBN 978-3593396415 [Book Section]

Hameed, Ayesha. 2022. “Approximate Oceans” with Stefan Helmreich. In: Invernomuto, ed. Black Med. Milan: Humboldt Books. ISBN 9788899385965 [Book Section]

Hameed, Ayesha. 2022. (The Art of Living Well and Dying Well). In: Anselm Franke; Elisa Giuliano; Denise Ryner; Claire Tancons and Zairong Xiang, eds. Ceremony (Burial of an Undead World). Leipzig: Spector Books / Haus der Kulturen der Welt (HKW). ISBN 9783959056946 [Book Section]

Hameed, Ayesha. 2014. Black Atlantis. In: Eyal Weizman, ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 712-719. ISBN 9783956790119 [Book Section]

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Hameed, Ayesha. 2019. Black Atlantis. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: Transcript, pp. 107-126. ISBN 9783837646016 [Book Section]

Hameed, Ayesha. 2018. Black Atlantis – Dancefloors and Seafloors. In: Dan Meththananda and Martin Kohout, eds. Night Shifter. TLTRPreß, pp. 44-53. ISBN 9783981964011 [Book Section]

Hameed, Ayesha. 2017. Black Atlantis: The Plantationocene. In: MAP Office, ed. Our Ocean Guide. Lightbox Publishing, pp. 205-213. ISBN 978-88-6384-041-4 [Book Section]

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Hameed, Ayesha. 2020. Black Atlantis: The Plantationocene. In: Peter Osborne, ed. Thinking Art: Materialisms, Labours, Forms. Kingston upon Thames: CRMEP Books, pp. 183-193. ISBN 9781999333744 [Book Section]

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Hameed, Ayesha. 2019. “The Bloop”; “Jupiter". In: Steve Goodman; Toby Heys and Eleni Ikoniadou, eds. AUDINT—Unsound:Undead. Falmouth: Urbanomic Media, pp. 83-85. ISBN 9781916405219 [Book Section]

Hameed, Ayesha. 2012. The Petrification of the Image. In: Godofredo Nobre Enes Pereira, ed. Savage Objects: Inhuman Political Alliances. Porto: Imprensa Nacional-Casa da Moeda. [Book Section]

Hameed, Ayesha. 2022. “Radio Brown Atlantis” (audio and text commission). In: Xenia Benivolski, ed. You Can’t Trust Music. New York: e-flux. [Book Section]

Hameed, Ayesha. 2018. Retrograde Futurism. In: Marina Otero Verzier and Nick Axel, eds. Work Body Leisure. Rotterdam: Het Nieuwe Instituut/Hatje Cantz Verlag GmbH, pp. 289-297. ISBN 9783775744256 [Book Section]

Hameed, Ayesha. 2018. “A Rough History (of the destruction of fingerprints)”. In: Gurur Ertem and Sandra Noeth, eds. Bodies of Evidence: Ethics, Aesthetics, and Politics of Movement , 2018. Vienna: Passagen Verlag, pp. 35-52. ISBN 9783709203033 [Book Section]

Hameed, Ayesha. 2004. Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea. In: James Gifford and Gabrielle Zezoulka-Mailloux, eds. in Culture and the State: Landscape and Ecology (Volume 1). CRC Humanities Studio. [Book Section]

Hameed, Ayesha. 2021. Sea Changes and Other Futurisms. In: Henriette Gunkel and Ayesha Hameed, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book Section]

Hameed, Ayesha. 2024. A Tidalectic Atlas of the Plantationocene. In: Justin Barton; Maya B. Kronic and Steve Goodman, eds. Sonic Faction: Audio Essay as Medium and Method. Falmouth: Urbanomic. ISBN 9781915103123 [Book Section]

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Hameed, Ayesha. 2019. The Time and Sound of the Nautical Border. In: Rita Kaur Dhamoon; Davina Bhandar; Renisa Mawani and Satwinder Kaur Bains, eds. Unmooring the Komagata Maru: Charting Colonial Trajectories. Vancouver: University of British Columbia Press, pp. 197-212. ISBN 9780774860659 [Book Section]

Hameed, Ayesha. 2023. Two Ships/Time Travel/Bodies Under the Sea. In: Pandora Syperek and Sarah Wade, eds. Oceans. London: Whitechapel Gallery. ISBN 9780854883042 [Book Section]

Hameed, Ayesha. 2008. Virtual and Material Topographies. In: Danny Butt; Jon Bywater and Paul Nova, eds. Place: Local Knowledge and New Media Practice. Cambridge Scholars Publishing. ISBN 978-1-8471-8484-9 [Book Section]

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Hameed, Ayesha. 2013. What Does the Moving Image Desire? In: , ed. Sarai Reader 09: Projections. Delhi: Sarai Media Lab, pp. 323-330. [Book Section]

Hameed, Ayesha; Eshun, Kodwo and Moreno, Louis. 2017. Sonic Utopias: The Last Angel of History. A Conversation between Ayesha Hameed, Kodwo Eshun and Louis Moreno. In: Henriette Gunkel; Ayesha Hameed and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 249-267. ISBN 9781910924631 [Book Section]

Hameed, Ayesha and Gunkel, Henriette. 2021. A Conversation on Time Travel. In: Henriette Gunkel and Ayesha Hameed, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book Section]

Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.. 2017. 'Futures and Fictions: A Conversation between Henriette Gunkel, Ayesha Hameed and Simon O'Sullivan.'. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 1-20. ISBN 9781910924631 [Book Section]

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Hernández Velázquez, Y. M.. 2010. Archiving to Oblivion. In: , ed. Cuaderno Sesc Videobrasil. 10 Sao Paulo: Edições Sesc-SP and Associação Cultural Videobrasil, pp. 15-21. ISBN 9788579951664 [Book Section]

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Hernández Velázquez, Y. M.. 2019. Cortocircuitos del Museo y la Autonomía. In: , ed. ¡Autonomía! ¡Autonomización! Santa Cruz de Tenerife: TEA, Tenerife Espacio de las Artes, pp. 128-142. ISBN 9788494706592 [Book Section]

Hernández Velázquez, Y. M.. 2017. El arte de la institución. In: , ed. Cohabitar Entre - Emergencias institucionales. Prácticas artísticas. Procesos colectivos. Barcelona: ICUB-Ajuntament de Barcelona. ISBN 9788491560456 [Book Section]

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Hernández Velázquez, Y. M.. 2019. Imagining Curatorial Practice after 1972. In: Paul O'Neill; Simon Sheikh; Lucy Steeds and Mick Wilson, eds. Curating after the Global: Roadmaps for the Present. Cambridge, Massachusetts: MIT Press, pp. 255-270. ISBN 9780262537902 [Book Section]

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Hernández Velázquez, Y. M.. 2021. The Islands. In: Imma Prieto, ed. The Islands. Rogelio López Cuenca and Elo Vega. Palma: Es Baluard Museu d'Art Contemporani de Palma, pp. 5-14. ISBN 9788418803253 [Book Section]

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Hernández Velázquez, Y. M.. 2004. Museos de Sol y Playa. In: Mariano de Santa Ana, ed. Paisajes del placer, paisajes de la crisis. El espacio turístico canario y sus representaciones. Teguise, Lanzarote, Canary Islands: Fundación César Manrique, pp. 137-154. ISBN 8488550545 [Book Section]

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Hernández Velázquez, Y. M.. 2021. Who Needs 'Exhibition Studies'? In: Bo Choy; Charles Esche; David Morris and Lucy Steeds, eds. Art and its Worlds: Exhibitions, Institutions and Art Becoming Public. London: Afterall, pp. 306-315. ISBN 9783960989172 [Book Section]

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Hernández Velázquez, Y. M.. 2019. Who Needs “Exhibition Studies”? In: , ed. Critical Museology: Selected Themes Reflections from the William Bullock Lecture Series. Mexico City: Museo Universitario de Arte Contemporáneo, pp. 286-303. ISBN 9786073023757 [Book Section]

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Hernández Velázquez, Y. M.. 2018. A constituent education. In: John Byrne; Elinor Morgan; November Paynter; Aida Sánchez de Serdio and Adela Zeleznik, eds. The Constituent Museum: Constellations of Knowledge, Politics and Mediation: A Generator of Social Change. Amsterdam: Valiz, pp. 128-131. ISBN 9789492095428 [Book Section]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2014. Dheisheh (Cisjordanie). Retours. Penser le futur dans l’extraterritorialité (un projet architectural). In: Michel Agier, ed. Un monde de camps. Paris: La Découverte. ISBN 9782707183224 [Book Section]

Kröger, Merle; Scheffner, Philip and Eshun, Kodwo. 2021. Im Gespräch mit Kodwo Eshun und Nicole Wolf, Einschreibungen der Zeit und die Möglichkeitsform - HAVARIE / Havarie. In: Nicole Wolf, ed. Grenzfälle. Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner. Berlin, Germany: Vorwerk 8, pp. 213-231. ISBN 9783947238354 [Book Section]

Lebow, Alisa and Ertür, Başak. 2021. ‘Wo beginnen’ [‘Where to Begin? Revision as Method’]. In: Nicole Wolf, ed. Grenzfälle:Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner [Borderline Cases: Documentary practice between film and literature with Merle Kröger and Philip Scheffner]. Berlin: Verlag Vorwerk 8. ISBN 9783947238354 [Book Section]

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Lury, Celia; Viney, William and Wark, Scott. 2022. Introduction: Figure, Figuring and Configuration. In: Celia Lury; William Viney and Scott Wark, eds. Figure: Concept and Method. Singapore: Palgrave Macmillan, pp. 1-20. ISBN 9789811924750 [Book Section]

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Madani, Adnan. 2022. The Frame as Borderland: Islam, Allegory and the DIstance from Here. In: Saira Ansari, ed. Bani Abidi: The Artist Who. Berlin: Hatje Cantz Verlag, pp. 134-149. ISBN 9783775752886 [Book Section]

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Madani, Adnan. 2021. Rana Begum's Abstraction. In: Anita Dawood, ed. Rana Begum: Space, Light, Colour. London: Lund Humphries, pp. 163-167. ISBN 9781848225329 [Book Section]

Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

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Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

Martinon, Jean-Paul. 2008. 33, 34, 35… The Life of The Limits. In: Josef Steiff and Tristan D Tamplin, eds. Battlestar Galactica and philosophy : mission accomplished or mission frakked up? 33 Chicago: Open Court, pp. 249-260. ISBN 9780812697087 [Book Section]

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Martinon, Jean-Paul. 2020. Afterword: Respect for Derrida in/and Africa. In: Grant Farred, ed. Derrida and Africa: Jacques Derrida as a Figure for African Thought. Lanham, Maryland: Lexington Books, pp. 85-93. ISBN 9781498581899 [Book Section]

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Martinon, Jean-Paul. 2021. Alexis Kagame. In: Eugene O’Brien, ed. Oxford Bibliographies in Literary and Critical Theory. Oxford: Oxford University Press. [Book Section]

Martinon, Jean-Paul. 2010. Bearers and Proper Names. In: Suzana Milevska, ed. The Renaming Machine. Ljubljana: PARASITE Institute Slovenia, pp. 60-71. ISBN 9789616807029 [Book Section]

Martinon, Jean-Paul. 2003. Fact or Fiction? In: A. George, ed. Art, Lies and Videotape: Exposing Performance. Tate Publishing, pp. 40-51. ISBN 1854375377 [Book Section]

Martinon, Jean-Paul. 2005. Grafts, Repetitions, and Polymorphous Bodies: Daniel Buren at the Wordsworth Trust. In: Robert Robert, ed. Daniel Buren. The Wordsworth Trust, pp. 29-44. ISBN 1905256019 [Book Section]

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Martinon, Jean-Paul. 2015. Im-mundus or Nancy’s Globalising-World-Formation. In: Sanja Dejanovic, ed. Nancy and the Political. Edinburgh: Edinburgh University Press, pp. 219-244. ISBN 9780748683185 [Book Section]

Martinon, Jean-Paul. 2006. Museum and Restlessness. In: H. Genoways, ed. Museum Philosophy for the Twentieth-first Century. Alta Mira Press, pp. 59-69. ISBN 9780759107540 [Book Section]

Martinon, Jean-Paul. 2015. Shame: Intentionality in Reverse. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 66-78. [Book Section]

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McAuliffe, Sam. 2022. The Changeability of the World: Utopia and Critique. In: Kathrin Thiele; Birgit M. Kaiser and Timothy O’Leary, eds. The Ends of Critique: Methods, Institutions, Politics. Lanham, Maryland: Rowman & Littlefield, pp. 57-75. ISBN 9781786616470 [Book Section]

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McAuliffe, Sam. 2017. Fable. In: , ed. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 55-59. ISBN 978­3­95796­085­6 [Book Section]

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McAuliffe, Sam. 2017. Inner Voice. In: Mercedes Bunz; Birgit Mara Kaiser and Kathrin Thiele, eds. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 73-77. ISBN 978-3-95796-085-6 [Book Section]

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McAuliffe, Sam. 2023. Part and Whole: On Some Uses of Landscape in the Films of Huillet and Straub. In: Martin Brady and Helen Hughes, eds. The Cinema of Danièle Huillet and Jean-Marie Straub. Cambridge: Legenda, pp. 45-59. ISBN 9781839540585 [Book Section]

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McAuliffe, Sam. 2019. A Professional Conscience: On an Episode of Self-Accusation in Raymond Queneau's The Last Days. In: Garry L. Hagberg, ed. Narrative and Self-Understanding. London: Palgrave Macmillan, pp. 141-158. ISBN 978-3-030-28288-2 [Book Section]

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McAuliffe, Sam. 2022. Utopian Realism. In: Peter Marks; Jennifer A. Wagner-Lawlor and Fátima Vieira, eds. The Palgrave Handbook of Utopian and Dystopian Literatures. Cham, Switzerland: Palgrave Macmillan, pp. 219-230. ISBN 9783030886547 [Book Section]

McAuliffe, Sam. 2024. “A step beside yet upon a ground”: Derrida and Spivak on Practice and Context. In: Kathrin Thiele and Anirban Das, eds. Thinking About Doing: Practice and Theory Across Continents. Oxford University Press India. [Book Section] (Forthcoming)

Mennel, Birgit and Nowotny, Stefan. 2014. Die Sprachen der Banlieues. In: Birgit Mennel and Stefan Nowotny, eds. Die Sprachen der Banlieues. Vienna: transversal texts, pp. 9-25. ISBN 978-3-9501762-7-8 [Book Section]

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Millner-Larsen, Nadja. 2016. Kalliopi Lemos's Sculpture of Subjection. In: , ed. Kalliopi Lemos: In Balance. London: Gazelli Art House. [Book Section]

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Moreno, Louis. 2022. Always Crashing in the Same City: Immobilien, Psychisches Kapital und Planetares Begehren. In: Joerg Franzbecker; Naomi Hennig and Florian Wüst, eds. X Properties. Berliner Hefte zu Geschichte und Gegenwart der Stadt 11. Berlin: nGbK (neue Gesellschaft für bildende Kunst), pp. 77-103. ISBN 9783946674108 [Book Section]

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Moreno, Louis. 2017. David Harvey. In: A Latham and R Kock, eds. Key Thinkers on Cities. Sage Publishing. ISBN 9781473907751 [Book Section]

Moreno, Louis. 2020. Fracking Sociality: Architecture, real estate, and the internet’s new urbanism. In: Peter Mörtenböck and Helge Mooshammer, eds. Data Publics: Public Plurality in an Era of Data Determinacy. Abingdon: Routledge, pp. 147-166. ISBN 9780367184728 [Book Section]

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Moreno, Louis. 2022. Internal Empire : The Neoclassical Architecture of Racial Capitalism. In: Kelly M. Rich; Nicola M. Rizzuto and Susan Zieger, eds. The Aesthetic Life of Infrastructure: Race, Affect, Environment. Evanston, Illinois: Northwestern University Press, pp. 43-59. ISBN 9780810145504 [Book Section]

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Moreno, Louis. 2021. The Presence of the Past in the Platform, or the Cultural Logic of Absolute Rent. In: Peter Mörtenböck and Helge Mooshammer, eds. Platform Urbanism and Its Discontents. Rotterdam: nai010 uitgevers, pp. 63-72. ISBN 9789462086159 [Book Section]

Moreno, Louis. 2014. The Sound of Detroit: Notes, Tones and Rhythms from Underground. In: Matthew Gandy and BJ Nilsen, eds. The Acoustic City. Berlin: Jovis, pp. 99-107. ISBN 9783868592719 [Book Section]

Mörtenböck, Peter. 2010. Allocations: Planning Processes and Other Participations in the Right to the City. In: Angela Heide and Elke Krasny, eds. Other Places: Vienna Lerchenfelder Street. Wien: Turia + Kant, pp. 87-89. ISBN 978-3-85132-588-1 [Book Section]

Mörtenböck, Peter. 2013. The Architecture of Informal Trade. In: Aleksandra Wasilkowska, ed. Shadow Architectures. Warsaw: The Other Space Foundation/Fundacja Inna Przestrzen. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter. 2009. Crossing the Mediterranean: Networked Agencies in Art and Culture. In: L.E. Grinin and A.V. Korotayev, eds. Hierarchy and Power in the History of Civilizations: Cultural Dimensions. Moscow: Editorial URSS. ISBN 978-5-396-00010-0 [Book Section]

Mörtenböck, Peter. 2014. Die bewegte Stadt: Demokratiepolitische Potenziale sozialer Bewegungen am Beispiel der Occupy-Bewegung. In: Wolfgang Kastrup and Helmut Kellershohn, eds. Kapitalismus und/oder Demokratie: Beiträge zur Kritik ''marktkonformer'' Demokratieverhältnisse. Münster: Unrast Verlag, pp. 83-99. ISBN 978-3-89771-765-7 [Book Section]

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Mörtenböck, Peter. 2015. Global Informality: Bottom-Up Trade and Transnational Realignments. In: Peter Mörtenböck; Helge Mooshammer; Teddy Cruz and Fonna Forman, eds. Informal Market Worlds: The Architecture of Economic Pressure (Reader). Rotterdam: nai010 Publishers, pp. 105-118. ISBN 9789462081956 [Book Section]

Mörtenböck, Peter. 2014. Gunners and Runners. In: Lars Bang Larsen, ed. Networks. Whitechapel and MIT Press. ISBN 9780262525756 [Book Section]

Mörtenböck, Peter. 2002. Heldinnen. Betrügerinnen, Versagerinnen - 'Nobody knows me, and I like that'. In: Felicitas Konecny and Irene Nierhaus, eds. räumen: Baupläne zwischen Raum, Visualität, Geschlecht und Architektur. Wien: selene, pp. 223-240. ISBN 978-3852661780 [Book Section]

Mörtenböck, Peter. 2008. Hürdenläufe der Ermächtigung. In: Birgit Richard and Alexander Ruhl, eds. Konsumguerilla: Widerstand gegen Massenkultur? Frankfurt: Campus. ISBN 978-3593387628 [Book Section]

Mörtenböck, Peter. 2013. Krisenexperimente: Symbolische, physische und soziale Besetzungen von Stadtraum. In: Florian Dreher and Kerstin Faber, eds. New Babylon: Architecture and Urbanism after Crisis. Hatje Cantz. ISBN 978-3959050418 [Book Section]

Mörtenböck, Peter. 2014. Network Economies of Waste. In: Juliet Steyn and Nadja Stamselberg, eds. Breaching Borders: Art, Migrants and the Metaphor of Waste. London: I.B. Tauris, pp. 215-236. ISBN 9781780762593 [Book Section]

Mörtenböck, Peter. 2010. Networked Cultures. In: Helmut K Anheier and Yudhishthir Raj Isar, eds. Cultures and Globalization Cultural Expression, Creativity and Innovation. London: Sage. ISBN 9781412920865 [Book Section]

Mörtenböck, Peter. 2012. Not for Sale. In: Sabine Pollak, ed. Superstadt!: Zur Zukunft der Stadt zwischen Linz, London und Shanghai. Vienna: Sonderzahl Publishers. ISBN 978-3854493785 [Book Section]

Mörtenböck, Peter. 2013. Platzbewegungen: Expeditionen in den Raum der Versammlung’. In: Bastian Lange; Gottfried Prasenc and Harald Saiko, eds. Ortsentwürfe : Urbanität im 21. Jahrhundert. Berlin: Jovis. ISBN 9783868592290 [Book Section]

Mörtenböck, Peter. 2012. Visual Culture’. In: Arge Schnittpunkt, ed. Handbuch Ausstellungstheorie und -praxis. Stuttgart: UTB. ISBN 9783825237592 [Book Section]

Mörtenböck, Peter. 2010. Zwischen Palmen und Zypressen - Zivilgesellschaftliche Begegnungen im Raum der Ströme. In: Irene Nierhaus, ed. Landschaft, Gehäuse, Orientierung. Berlin: Reimer. [Book Section]

Mörtenböck, Peter and UNSPECIFIED. 2014. Marktplätze der Öffentlichkeit. In: Caroline Schmidt and Asta Vonderau, eds. Öffentlichkeiten in Bewegung. Formationen von transnationalen Kommunikations- und Handlungsräumen. Bielefeld: Transcript. ISBN 978-3-8376-2154-9 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. The Art of Crafting Formal-Informal Linkages: On the Enduring Appeal of Belo Horizonte’s Hippie Fair. In: Eveline Dürr and Juliane Müller, eds. The Popular Economy in Urban Latin America. Lanham - Boulder - New York - London: Lexington Books, pp. 43-63. ISBN 978-1-4985-7239-2 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Blendende Werte: Die globale Zirkulation von Architektur- Kapital. In: , ed. Das Geschäft mit der Stadt. 28 Birkhäuser, pp. 28-43. [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. City as Interface. Self-generating Urban Environments and the Question of Labour. In: Helena Doudová, ed. Shared Cities Atlas. Post-Socialist Cities and Active Citizenship in Central Europe. Rotterdam: nai010 publishers, pp. 196-201. ISBN 9789462085213 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2016. From Urban Talent to Commodity City: Marketplaces in the Informal Economy. In: Jonathan Darling and Helen Wilson, eds. Encountering the City: Urban Encounters from Accra to New York. London: Ashgate. ISBN 9781472432575 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. Frontier Climates – Managing the Global Commons. In: Karen Lutsky; Ozayr Saloojee and Emily Eliza Scott, eds. Viscosity - Mobilizing Materialities. 4 University of Minnesota School of Architecture, pp. 15-33. ISBN 978-0-36-835667-4 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2023. Incorporating Informality. In: Peter Mörtenböck and Helge Mooshammer, eds. IN/FORMAL Marketplaces: Experiments With Urban Reconfiguration. Rotterdam: nai010 publishers, pp. 9-51. ISBN 9789462088092 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Informal Market Worlds: Instruments of Change. In: , ed. Scapegoat: Architecture, Landscape, Political Economy - Currency. (04) Toronto: Scapegoat, pp. 203-220. ISBN 9781482370683 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2020. Introduction: Data is not a property but a relation. In: Peter Mörtenböck and Helge Mooshammer, eds. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge, pp. 1-25. ISBN 9780367184728 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Making Do. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions - Intervention and Research in Visual Culture. Bielefeld: transcript Verlag, pp. 127-138. ISBN 978-3-8376-1847-1 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Materials of Commemoration: The Changing Landscape of Mauthausen. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 218-234. ISBN 978-3956791499 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2009. Networked Cultures. In: Gulsen Bal, ed. Open Space - Mapping contemporary creative practice. London: Divus, pp. 100-111. ISBN 80-86450-50-3 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Networked Cultures - Collections of Alternative Approaches. In: Nishat Awan; Tatjana Schneider and Jeremy Till, eds. Spatial Agency: Other Ways of Doing Architecture. London: Routledge, pp. 124-126. ISBN 9780415571937 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Nieokreslonosc handlu - rynki nieformalne w Europie. In: Aleksandra Wasilkowska, ed. Shadow Architecture. Warschau: The Other Space Foundation, pp. 342-355. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Of Multi-Directional Forces: Interdependencies between Material, Social and Other Resources. In: Mabe Bethonico, ed. Provisoes / World of Matter. Belo Horizonte: ICC, pp. 98-125. ISBN 978-8561659240 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2017. Other Markets: The Global Struggle of Informal Trading Places. In: Andreas Lepik; Marcello della Guistina and Chiara Ursini, eds. Does Permanence Matter? Ephemeral Urbanism. München: Architekturmuseum der TU München, pp. 62-79. ISBN 978-3-9819240-0-8 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan ve Çatışkı: Ağ Örgüsüne Dahil Olan Istanbul. In: Gulsen Bal, ed. Türkiye'de Dün-Bugün Dönüşümleri. Istanbul: Kitap Yayinevi, pp. 121-141. ISBN 978-605-105-000-3 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2021. Platform. In: Jochen Becker; Anna Schäffler and Simon Sheikh, eds. Glossary Urban Praxis: Towards a Manifesto. Berlin: neue Gesellschaft für bildende Kunst (nGbK), pp. 62-63. ISBN 9783938515938 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2022. Platform Urbanism. In: Bianca Anna Böckle; Celina Martinez-Cañavate and Peter A. Staub, eds. Beyond the Biennale. Zurich: Triest Verlag, pp. 128-135. ISBN 9783038630678 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2021. Platform Urbanism and Its Discontents. In: Peter Mörtenböck and Helge Mooshammer, eds. Platform Urbanism and Its Discontents. Rotterdam: nai010 publishers, pp. 9-38. ISBN 9789462086159 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2020. Platform urbanism: City-making in the age of platforms. In: Peter Mörtenböck and Helge Mooshammer, eds. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge, pp. 169-191. ISBN 9780367184728 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. The Political Aesthetics of Counter-Terrorism Design. In: Gary Boyd and Denis Linehan, eds. Ordnance: War, Architecture and Space. London: Ashgate, pp. 33-49. ISBN 9781409439127 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. A Practice Without Discipline. In: Sabine Hochrieser; Michael Kargl; Birgit Rinagl and Franz Thalmair, eds. CONT3XT. Verlag für moderne Kunst. [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2025. Revengeful Nature: Posthumanist frontiers in speculative architecture. In: Carmen Lael Hines and Lisa Moravec, eds. Posthumanist Approaches to a Critique of Political Economy: Dissident Practices. London: Bloomsbury. [Book Section] (Forthcoming)

Mörtenböck, Peter and Mooshammer, Helge. 2015. Sammlungen des Protests: Von der Occupy-Bewegung zum Verwahren des Protests. In: Andreas Hudelist; Florian Kerschbaumer and Matthias Wieser, eds. Protestgebiete: Interdisziplinäre Perspektiven auf Raum und Widerstand. Novo mesto: arte4, pp. 23-45. ISBN 9789619363331 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Shifting Waters. In: Guven ncirlioglu and Hakan Topal, eds. Sea Image: Visual Manifestations of Port Cities and Global Waters. New York: Newgray, pp. 20-43. ISBN 978-0983603108 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Strittige Öffentlichkeiten: Die Besetzung der Ökonomie. In: Andreas Langenohl and Dietmar J. Wetzel, eds. Finanzmarktpublika. Wirtschaft & Gesellschaft. ISBN 978-3-531-19707-4 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2017. Tent Cities, People’s Kitchens, Free Universities – The Global Villages of Occupation Movements. In: Doina Petrescu and Kim Trogal, eds. The Social (Re)Production of Architecture: Ethics, Economies, Politics and Actions in Contemporary and Future Practice. Abingdon: Routledge, pp. 257-270. ISBN 9781138859494 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Trade Flow: Architectures of Informal Markets. In: Andrew Ballantyne and Chris Smith, eds. Architecture in the Space of Flows. London: Routledge, pp. 117-134. ISBN 978-0-415-58541-5 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. A World of Matter. In: Inke Arns, ed. World of Matter. Berlin: Sternberg Press, pp. 160-172. ISBN 978-3-95679-083-6 [Book Section]

Nowotny, Stefan. 2015. Ent/Grenzen, Übersetzen / Un/Bordering, Translating. In: Andrea Van der Straeten, ed. Der Käfig ist auf und der Zoo zu. Vienna: Sonderzahl. ISBN 978-3854494461 [Book Section]

Nowotny, Stefan. 2013. Translating Citizenship: On Some Pitfalls and the Politics of Meaning in the Definition of “Europeanness”. In: Claudia Wiesner and Meike Schmidt-Gleim, eds. The Meanings of Europe: Changes and Exchanges of a Contested Concept. Abingdon: Routledge, pp. 194-206. ISBN 9780415857062 [Book Section]

Nowotny, Stefan. 2018. Überlegungen zur Geschichte der “Gastarbeit”. In: Boris Buden and Lina Dokuzovic, eds. They'll Never Walk Alone: The Life and Afterlife of Gastarbeiters. Vienna: transversal texts, pp. 249-267. ISBN 9783903046207 [Book Section]

O' Dwyer, Killian. 2025. The Gift in Lube: Derrida, Lubrication and Fisting. In: Agnieszka Podruczna; Nina Augustynowicz and Aleksandra Musiał, eds. Erotic Discourses in History, Culture and the Arts. Routledge. [Book Section] (Forthcoming)

O' Dwyer, Killian. 2025. Unbridled: Dragging Nudity in Ann Oren's Piaffe. In: Nicola McCartney, ed. Animal Drag. Manchester: Manchester University Press. [Book Section] (Forthcoming)

O' Dwyer, Killian and Petrillo, Gesufrancesco. 2025. Queer Inversions: When Orientation and Desire Remains Undecidable in Leyla Yilmaz's 'Not Knowing'. In: Nilay Ulusoy and Berceste Gülçin Özdemir, eds. Representations of Gender in Turkish Media: Unveiling the Parallax View. [Book Section] (Forthcoming)

O'Sullivan, Simon D.. 2008. Academy: The Production of Subjectivity. In: Irit Rogoff, ed. Academy. Frankfurt: Revolver, pp. 238-244. [Book Section]

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O'Sullivan, Simon D.. 2017. Accelerationism, Prometheanism and Mythotechnesis. In: Baylee Brits; Prudence Gibson and Amy Ireland, eds. Aesthetics After Finitude. Melbourne: re.press, pp. 171-189. ISBN 9780980819793 [Book Section]

O'Sullivan, Simon D.. 2009. Art and the Political: Minor Literature, War Machines and the Production of Subjectivity. In: Dave Beech, ed. Beauty. London: Whitechapel Art Gallery. ISBN 978-0854881635 [Book Section]

O'Sullivan, Simon D.. 2010. 'Contribution to an Artistic Anthropology. In: Lee Youngchul and Henk Slager, eds. Naim June Paik Reader: One. Korea: Naim June Paik Art Centre. [Book Section]

O'Sullivan, Simon D.. 2002. Cultural Studies as Rhizome; Rhizomes in Cultural Studies. In: , ed. Cultural Studies and Interdisciplinarity. Amsterdam: Rodopi. [Book Section]

O'Sullivan, Simon D.. 2013. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity. In: John Ó Maoilearca and Charlotte De Mille, eds. Bergson and the Art of Immanence: Painting, Photography, Film. Edinburgh: Edinburgh University Press, pp. 165-187. ISBN 978-0748670222 [Book Section]

O'Sullivan, Simon D.. 2013. Felix Guattari. In: Michael Kelley and Simon D. O'Sullivan, eds. Oxford Encyclopedia of Aesthetics. New York: Oxford University Press, pp. 246-250. ISBN 9780199370306 [Book Section]

O'Sullivan, Simon D.. 2008. Fiction. In: Manuela Zechner, ed. Vocabulaboratories. Amsterdam: LISA, pp. 47-50. ISBN 978-90-78632-02-3 [Book Section]

O'Sullivan, Simon D.. 2018. Fictioning Five Heads (on the Art—Anthropology Hybrid). In: Hermione Spriggs, ed. Five Heads (Tavan Tolgoi): Art, Anthropology and Mongol Futurism. Berlin: Sternberg Press, pp. 141-147. ISBN 9783956794292 [Book Section]

O'Sullivan, Simon D.. 2022. Fictioning a Pilgrimage (or Fieldwork on the Fiction of the Self). In: Bridget Crone; Sam Nightingale and Polly Stanton, eds. Fieldwork for Future Ecologies: Radical Practice for Art and Art-based Research. Eindhoven: Onomatopee, pp. 397-415. ISBN 9789493148918 [Book Section]

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O'Sullivan, Simon D.. 2017. The Finite-Infinite Relation: A Conversation with Simon O’Sullivan. In: Anthony Morgan, ed. The Kantian Catastrophe: Conversations on Finitude and the Limits of Philosophy. Newcastle: Bigg Books, pp. 209-221. ISBN 97819998413 [Book Section]

O'Sullivan, Simon D.. 2010. From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 189-207. ISBN 0748638385 [Book Section]

O'Sullivan, Simon D.. 2017. From Financial Fictions to Mythotechnesis. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 318-346. ISBN 9781910924631 [Book Section]

O'Sullivan, Simon D.. 1999. 'Guy DeBord'. In: Ellis Cashmore and Chris Rojek, eds. Dictionary of Cultural Theorists. London: Bloomsbury Academic. ISBN 978-0340645482 [Book Section]

O'Sullivan, Simon D.. 2017. Memories of a Deleuzian: To Think is Always to Follow the Witches Flight. In: Henry Somers-Hall; Jeffrey A. Bell and James Williams, eds. A Thousand Plateaus and Philosophy. Edinburgh: Edinburgh University Press, pp. 172-189. ISBN 9780748697281 [Book Section]

O'Sullivan, Simon D.. 2019. Mythopoesis, Fabulous Images, and Memories of a Sorcerer. In: Paulo de Assis and Paolo Giudici, eds. Aberrant Nuptials: Deleuze and Artistic Research. Ghent: Leuven University Press, pp. 327-340. ISBN 9789462702028 [Book Section]

O'Sullivan, Simon D.. 2005. The New Moderns. In: , ed. The Showroom Annual. London: The Showroom Gallery, pp. 46-51. ISBN 0-9542362-4-6 [Book Section]

O'Sullivan, Simon D.. 2017. Non-Philosophy and Fiction as Method. In: Jon K Shaw and Theo Reeves-Evison, eds. Fiction as Method. Berlin: Sternberg, pp. 273-318. ISBN 978-3-95679-364-6 [Book Section]

O'Sullivan, Simon D.. 2016. On the Diagram (and the Practice of Diagrammatics). In: K Schneider and B Yasar, eds. Situational Diagram. New York: Dominique Lévy, pp. 13-25. ISBN 978-1-944379-09-4 [Book Section]

O'Sullivan, Simon D.. 2011. Performance Fictions: Towards a Mythopoetic Art Practice. In: David Burrows, ed. Performance Fictions. Birmingham: Article Press. [Book Section]

O'Sullivan, Simon D.. 2008. The Production of the New and the Care of the Self. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze, Guattari and the Production of the New. London: Continuum, pp. 91-103. ISBN 0826499538 [Book Section]

O'Sullivan, Simon D.. 2004. Retreat Diary. In: John Russell, ed. Frozen Tears II. Birmingham: Article Press, pp. 242-245. ISBN 978-1873352885 [Book Section]

O'Sullivan, Simon D.. 2006. Science Fiction, or Painting, the Abstract Machine. In: David Burrows, ed. DJ Simpson: Selected Works 2000-05. Warwick: Mead Gallery, Warwick Arts Centre, pp. 81-85. ISBN 978-0902683808 [Book Section]

O'Sullivan, Simon D.. 2013. The Seven Courts of the Mall (or, We Have Always Been Medieval). In: Norman Hogg and Neil Mulholland, eds. thN Lng folk 2go: Investigating Future Premoderns(TM). Brooklyn: Punctum Books, i-vi. ISBN 978-0615890258 [Book Section]

O'Sullivan, Simon D.. 2022. The Stars My Destination. In: Francesca Lazzarini, ed. IOCOSE: Loops and Vectors. Modena: Fondazione Modena Arti Visive, pp. 92-95. ISBN 9788894552140 [Book Section]

O'Sullivan, Simon D.. 2022. A Thousand Devices. In: , ed. Michiko Itatani: Celestial Stage. Chicago, Illinois: Wrightwood 659, pp. 40-43. ISBN 9798218074647 [Book Section]

O'Sullivan, Simon D.. 2012. Towards a Minor Art Practice. In: Mike Bleyen and Simon D. O'Sullivan, eds. Minor Photography: Connecting Deleuze and Guattari to Photography Theory. Leuven: Leuven University Press, pp. 1-16. ISBN 9789058679109 [Book Section]

O'Sullivan, Simon D.. 2005. Various entries in The Deleuze Dictionary. In: Adrian Parr, ed. The Deleuze Dictionary. Edinburgh: Edinburgh University Press. ISBN 978-0231138147 [Book Section]

O'Sullivan, Simon D. and Burrows, David. 2020. What is the future of MYTH post-covid-19? In: Manca Bajec; Tom Holert and Marquard Smith, eds. Pause. Fervour. Reflections on a Pandemic. Berlin: Harun Farocki Institut & Journal of Visual Culture, pp. 219-226. ISBN 9781527295445 [Book Section]

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Paganellli, Mattia. 2021. Asymmetry: How Patterns of Impossibility Mark Dimensions in Knowledge Systems. In: Johnny Golding; Martin Reinhart and Mattia Paganellli, eds. Data Loam: Sometimes Hard, Usually Soft. The Future of Knowledge Systems. Berlin/Boston: De Gruyter, pp. 171-193. ISBN 9783110680072 [Book Section]

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Phan, Thao and Wark, Scott. 2024. Race, by Proxy. In: Fleur Johns; Gavin Sullivan and Dimitri Van Den Meerssche, eds. Global Governance by Data: Infrastructures of Algorithmic Rule. Cambridge: Cambridge University Press. [Book Section] (Forthcoming)

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner. 2012. Sensibilidades que esperimentan en la ciudad neoliberal. In: , ed. Félix Guattari. Los ecos del pensar. Entre filosofía, arte y clínica. Barcelona: Hakabooks. [Book Section]

Prendeville, Brendan. 2010. Catalogue essay. In: , ed. Another Country: London painters in dialogue with Italian art. London: Lubrina-Leb. ISBN 978-8877664068 [Book Section]

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Prendeville, Brendan. 2017. Competing futures, precarious community: realism in post-war Britain. In: Andrew Hemingway and Alex Potts, eds. Kunst und Politik 19: Realism in Modern British and American Art. 19 Göttingen: V&R unipress GmbH, pp. 59-71. ISBN 9783847108153 [Book Section]

Prendeville, Brendan. 1981. ‘Constructed Sculpture’. In: Sandy Nairne and Nicholas Serota, eds. British Sculpture in the Twentieth Century. London: Whitechapel Gallery, pp. 209-221. ISBN 978-0854880546 [Book Section]

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Prendeville, Brendan. 2018. Democratic light: phenomenology and the worldliness of painting. In: Malcolm Baker and Andrew Hemingway, eds. Art as Worldmaking: Critical Essays on Realism and Naturalism. Manchester: Manchester University Press, pp. 165-180. ISBN 9781526114907 [Book Section]

Prendeville, Brendan. 2023. "Guardam!": Sicilia! and the Claim on Attention. In: Martin Brady and Helen Hughes, eds. The Cinema of Danièle Huillet and Jean-Marie Straub. Cambridge: Legenda, pp. 109-122. ISBN 9781839540585 [Book Section]

Prendeville, Brendan. 1984. ‘How sculpture became human’. In: , ed. Flesh and Stone. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 1988. ‘Infant Joy’. In: , ed. Taking Root. London: Artsite Gallery. [Book Section]

Prendeville, Brendan. 2002. ‘Measure and Location’. In: Michael Harrison, ed. A Measure of Reality. Cambridge: Kettle’s Yard. [Book Section]

Prendeville, Brendan. 2006. Merleau-Ponty, Realism and Painting: Psychophysical Space and the Space of Exchange. In: Ted Toadvine, ed. Merleau-Ponty: Critical Assessments of Leading Philosophers, vol. 2: Perception and Expression. Routledge, pp. 300-329. ISBN 9780415363990 [Book Section]

Prendeville, Brendan. 2012. 'Modernism and figuration'. In: Steve Edwards and Paul Wood, eds. Art & Visual Culture 1850 – 2010: Modernity to Globalization. London, England: Open University / Yale, pp. 175-209. ISBN 9781849760973 [Book Section]

Prendeville, Brendan. 1984. ‘Motion and rest: the sculptor’s search for order’. In: , ed. Sculpture’s Dance. London: Arts Council, pp. 48-55. [Book Section]

Prendeville, Brendan. 2003. ‘Night Geography’. In: Michael Harrison, ed. Ian Wiblin: Night Watch. Cambridge: Kettle’s Yard, pp. 8-28. ISBN 978-0907074540 [Book Section]

Prendeville, Brendan. 2013. Painting the Invisible: time, matter and the image in Bergson and Michel Henry. In: John Mullarkey and Charlotte de Mille, eds. Bergson and the Art of Immanence. Edinburgh University Press, pp. 189-205. ISBN 978-1474404730 [Book Section]

Prendeville, Brendan. 2021. Painting, from the eighteenth century into the early nineteenth. In: Dirk Gröttsche; Rosa Mucignat and Robert Weininger, eds. Landscapes of realism: Rethinking Literary Realism in Comparative Perspectives. Volume 1: Mapping Realism. Amsterdam: John Benjamins, pp. 191-212. ISBN 9789027208064 [Book Section]

Prendeville, Brendan. 2004. Seurat and the Act of Sensing: Perception as Artefact. In: T. Fischer-Seidel; S. Peters and A. Potts, eds. Perception and the Senses / Sinneswahrnehmung. A. Francke Verlag, pp. 165-187. ISBN 3772080405 [Book Section]

Prendeville, Brendan. 2009. Seurat and the act of sensing: perception as artefact. In: Paul Smith, ed. Seurat re-viewed. Pennsylvania: Pennsylvania State University Press, pp. 149-162. ISBN 978-0-271-03545-1 [Book Section]

Prendeville, Brendan. 1996. South. In: John Stathatos, ed. Myth and Landscape. Delphi, pp. 62-65. [Book Section]

Prendeville, Brendan. 1984. ‘The place of sculpture’. In: , ed. Mind over Matter. London: Arts Council, pp. 44-54. [Book Section]

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Ramos Martinez, Manuel. 2007. Betrayed Borders: Double Agents and the Crisscrossing of Conflicts. In: Monica Narula; Shuddhabrata Sengupta; Jeebesh Bagchi and Ravi Sundaram, eds. SARAI Reader 2007 - Frontiers. (7) Delhi: The Sarai Programme, Center for the Study of Developing Societies, pp. 256-263. ISBN 81-901429-9-2 [Book Section]

Ramos Martinez, Manuel. 2015. Marx Immemorial, Workers and Peasants in the Cinema of Straub and Huillet. In: Ewa Mazierska and Lars Kristensen, eds. Marx and the Moving Images of Activism: Screening Alternative Worlds. Berghahn. ISBN 78-1-78238-642-1 [Book Section]

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Ramos Martinez, Manuel. 2016. Nombrar, Resistir – de los títulos en el cine de Straub y Huillet. In: , ed. Jean-Marie Straub y Danièle Huillet: Hacer la revolucion es volver a colocar en su sitio cosas muy antiguas pero olvidadas. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 127-143. ISBN 9788480265430 [Book Section]

Ramos Martinez, Manuel. 2013. Ranciere's Politics of the Image. In: James Elkins; Kristi McGuire; Maureen Burns; Alicia Chester and Joel Kuennen, eds. Theorizing Visual Studies: Writing through the Discipline. New York: Taylor & Francis. ISBN 978-0-415-87794-7 [Book Section]

Ramos Martinez, Manuel. 2011. Still Here, Here Again – Farocki, Godard and the Cinema’s Centenary. In: , ed. Proceedings of the XVIII International Film Studies Conference – The Archive. Udine: Forum. [Book Section]

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Roberdeau, Wood. 2018. After Baruchello: Agricultural Encounters in Contemporary Art. In: Ben Stringer, ed. Rurality Re-imagined: Villagers, Farmers, Wanderers and Wild Things. Novato, California: ORO Editions/Applied Research & Design. ISBN 978-1-940743-34-9 [Book Section]

Roberdeau, Wood. 2003. Ellsworth Kelly, Untitled. In: , ed. Dallas Museum of Art: 100 Years. Dallas Museum of Art. [Book Section]

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Roberdeau, Wood. 2023. Experiments in Eco-poiesis: herman de vries and an Art of Immediacy. In: Fröydi Laszlo and Anna Risell, eds. The Anthropocene Laboratory. Gothenburg: Förlaget 284. ISBN 978-9198165005 [Book Section]

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Roberdeau, Wood. 2022. Fog (a Delegation for Atmosphere). In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona. ISBN 9788494938870 [Book Section]

Roberdeau, Wood. 2003. Sol LeWitt, Wall Drawing #398. In: , ed. Dallas Museum of Art: 100 Years. Dallas Museum of Art. [Book Section]

Roberdeau, Wood. 2004. Untitled, 1982-1983, Biography. In: , ed. Ellsworth Kelly in Dallas. Dallas Museum of Art: Yale University Press. [Book Section]

Rogoff, Irit. 2006. Academy as Potentiality. In: , ed. A.C.A.D.E.M.Y. Revolver. [Book Section]

Rogoff, Irit. 2018. Becoming Research. In: Choi Jina and Helen Jungyeon Ku, eds. The Curatorial in Parallax. Seoul, Republic of Korea: National Museum of Modern and Contemporary Art, Korea, pp. 39-52. ISBN 9788963031972 [Book Section]

Rogoff, Irit. 2000. "Body Missing" - Uncanny Histories and Cultural Hauntings'. In: , ed. Kunst Als Beute. Vienna: Sigrid Schade. [Book Section]

Rogoff, Irit. 2021. The Disenchanted: Contending with Practice Based Research. In: Michaela Schäuble and Thomas Gartmann, eds. Studies in the Arts: Neue Perspektiven auf Forschung über, in und durch Kunst und Design. Bielefeld, Germany: transcript Verlag, pp. 45-56. ISBN 9783837657364 [Book Section]

Rogoff, Irit. 2003. Engendering Terror. In: Ursula Biemann, ed. Geography and the Politics of mobility. Vienna and Cologne: Generali Foundation and Walter Koenig, pp. 48-64. ISBN 390110738X [Book Section]

Rogoff, Irit. 2013. The Expanding Field. In: Jean-Paul Martinon, ed. The Curatorial: A philosophy of curating. London: Bloomsbury Academic, pp. 41-48. ISBN 9781472525604 [Book Section]

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Rogoff, Irit. 2023. Genealogy and Futurity. In: Isabella Maidment, ed. Isaac Julien: What Freedom is to Me. London: Tate Publishing, pp. 78-84. ISBN 9781849768399 [Book Section]

Rogoff, Irit. 2009. Geo-cultures. In: Seijdel Jorinde and Gielen Pascal, eds. The Art Biennial as a Global Phenomenon Strategies in Neo-Political Times. Rotterdam: NAi Publishers, pp. 120-128. ISBN 978-90-5662-667-9 [Book Section]

Rogoff, Irit. 1998. 'How to Dress for an Exhibition'. In: , ed. Stopping the Process? Comtemporary views on art and exhibitions. NIFCA. ISBN 978-9519792705 [Book Section]

Rogoff, Irit. 1997. 'In the Empire of the Object - the Geographies of Ana Mendieta'. In: , ed. Outsiders - Studies in Cultural Marginality. New York: Cambridge University Press. [Book Section]

Rogoff, Irit. 2005. Looking Away—Participations in Visual Culture. In: Gavin Butt, ed. After Criticism—New Responses to Art and Perfomance. Blackwell, pp. 117-134. ISBN 0631232842 [Book Section]

Rogoff, Irit. 2009. Neither police, nor pirates. In: , ed. Fiona Tan: Rise and Fall. Vancouver, BC, and Aarau, Switzerland: Vancouver Art Gallery and Aargauer Kunsthaus, pp. 142-156. ISBN 978-1-895442-79-3 [Book Section]

Rogoff, Irit. 2001. 'Not There Of,'. In: , ed. ARS 2001, Kiasma Museum of Contemporary Art. Helsinki: [Book Section]

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Rogoff, Irit. 2015. Oblique Points of Entry. In: Hamid Keshmirshekan, ed. Contemporary Art from the Middle East: Regional Interactions with Global Art Discourses: Volume 18. I.B.Tauris & Co Ltd. ISBN 9781784530020 [Book Section]

Rogoff, Irit. 2000. 'On Getting Lost'. In: , ed. Lost. Birmingham: Ikon Gallery. [Book Section]

Rogoff, Irit. 2009. Regional Imaginaries. In: Hossein Amirsadeghi, ed. Unleashed: Contemporary Art from Turkey. London: TransGlobe publishing and Thames and Hudson, pp. 101-114. ISBN 9780500977026 [Book Section]

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Rogoff, Irit. 2020. Scaling Up – Local densities and Global Arts Circulations. In: Marissa J. Moorman and Mónica De Miranda, eds. Q-notes: Questions in Theory and Art Practices #1. Lisbon: Hangar Books. ISBN 9789893310663 [Book Section]

Rogoff, Irit. 2000. 'Spaces of Disavowal'. In: , ed. Unhomed. Norway: Kunst Museum Trondheim. [Book Section]

Rogoff, Irit. 2016. Starting in the Middle: NGOs and Emergent Forms For Cultural Institutions. In: Johanna Burton; Shannon Jackson and Dominic Willsdon, eds. Public Servants Art and the Crisis of the Common Good. Cambridge, Massachusetts: MIT Press. ISBN 9780262034814 [Book Section]

Rogoff, Irit. 1998. 'Studying Visual Culture'. In: , ed. The Visual Culture Reader. London: Routledge, pp. 24-36. ISBN 978-0415782623 [Book Section]

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Rogoff, Irit. 2024. ThruMmming With Knowledge. In: Angela Conquet and Philipa Rothfield, eds. Competing Choreographies. Sydney, Australia: The Keir Foundation. [Book Section] (Forthcoming)

Rogoff, Irit. 2002. 'We - Mutualities, Collectivities, Participations'. In: , ed. I Promise its Political. Cologne: Museum Ludwig. [Book Section]

Rogoff, Irit. 2003. ‘What is a Theorist’. In: , ed. Was ist ein Kunstler. Berlin: [Book Section]

Rogoff, Irit. 2004. The Where of Now. In: G. Muir and J. Morgan, eds. Time Zones—Recent Film and Video. Tate, pp. 84-99. ISBN 1854375490 [Book Section]

Rogoff, Irit. 2017. Who do WE face? In: Maria Hlavajova and Simon Sheikh, eds. FORMER WEST: Art and the Contemporary after 1989. Amsterdam, Netherlands: BAK, basis voor actuele kunst and MIT Press. ISBN 9780262533836 [Book Section]

Rogoff, Irit. 2000. 'Words in the Middle'. In: , ed. Writing the Image. I.B.Tauris, pp. 109-119. ISBN 978-1860644740 [Book Section]

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Rogoff, Irit and Attia, Kader. 2016. Counter Knowledges and Permissions. In: Susanne Gaensheimer and Klaus Görner, eds. Kader Attia: Sacrifice and Harmony. Kerber Verlag. ISBN 978-3-7356-0255-8 [Book Section]

Rogoff, Irit and Schneider, Florian. 2008. Productive anticipation. In: David Held and Henrietta Moore, eds. Cultural transformations/Cultural politics in a global age: uncertainty, solidarity and globalisation. Oxford: Oneworld Publications, pp. 346-357. ISBN 1851685502 [Book Section]

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Rogoff, Irit and Sonderegger, Ruth. 2016. Counter Knowledges. In: David Blamey, ed. Specialism. Open Editions, pp. 122-137. ISBN 978-0-949004-01-7 [Book Section]

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Rosamond, Emily. 2021. Algorithmic Rating. In: Ilan Manouach and Anna Engelhardt, eds. Chimeras: Inventory of Synthetic Cognition. Athens: Ariona/Onassis Foundation. ISBN 9786188536180 [Book Section]

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Rosamond, Emily. 2022. Cloud Relationality. In: Catherine Parayre, ed. Cloud: Donna Szöke. St. Catharines, Ontario: Small Walker Press, pp. 40-51. ISBN 9781990208195 [Book Section]

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Rosamond, Emily. 2012. Electricity Enslaved: Tonal Imagery of Progress, Incorporation, Extinction. In: , ed. Necrospective. London: Danielle Arnaud. ISBN 9780955872167 [Book Section]

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Rosamond, Emily. 2011. Factory-esque: Temporalities of Critique in Michael Landy's Breakdown. In: Ahlia Moussa and Simon Bentley, eds. Revisiting Ephemera. London, Ontario, Canada: MacIntosh Gallery/Blue Medium Press, pp. 37-52. ISBN 9780986750663 0986750662 [Book Section]

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Rosamond, Emily. 2019. The Future-Oracular: Prediction, Divination and the Politics of Certainty. In: , ed. Schemas of Uncertainty. Amsterdam: Sandberg Instituut, pp. 141-158. [Book Section]

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Rosamond, Emily. 2017. It Sees (Notes Toward a Cultural History of Financial Vision). In: Inte Gloerich; Geert Lovink and Patricia de Vries, eds. Moneylab Reader Reader 2: Overcoming the Hype. Amsterdam: Institute of Network Cultures, pp. 101-114. ISBN 978-94-92302-19-9 [Book Section]

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Rosamond, Emily. 2021. Post-Truth as Bullying. In: Bill Balaskas and Carolina Rito, eds. Fabricating Publics: The Dissemination of Culture in the Post-Truth Era. Open Humanities Press, pp. 99-120. ISBN 9781785421051 [Book Section]

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Rosamond, Emily. 2017. Reputation Addiction. In: Vanessa Bartlett and Henrietta Bowden-Jones, eds. Are We All Addicts Now? Liverpool: Liverpool University Press, pp. 96-103. ISBN 978-1-78694-081-0 [Book Section]

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Rosamond, Emily. 2023. Social networks and serendipitous desire. In: Amin Samman and Earl Gammon, eds. Clickbait Capitalism: Economies of Desire in the Twenty-First Century. Manchester: Manchester University Press, pp. 98-115. ISBN 9781526168160 [Book Section]

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Rosamond, Emily. 2015. Speculative Labour: On the Work of Charlotte Warne Thomas. In: Margarida Bröco Amorim; Alejandro J. Ball; Miriam La Rosa and Stefania Sorrentino, eds. In Transition: The Artistic and Curatorial Residency. London: CTC Press, pp. 24-33. ISBN 9780993358708 [Book Section]

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Rosamond, Emily. 2018. Surveillance Capitalist Aesthetics. In: Katleen Vermeir and Ronny Heiremans, eds. A Modest Proposal. Brussels: Jubilee vzw, pp. 31-35. ISBN 9789082966206 [Book Section]

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Rosamond, Emily. 2023. Techniques of Aberrant Extraction: Transacting Surplus Acts in an Age of Speculation. In: Marsha Bradfield; Cinzia Cremona; Amy McDonnell and Eva Sajovic, eds. Transacting as Art, Design and Architecture: A Non-Commercial Market. Bristol: Intellect Books, pp. 203-212. ISBN 9781789384437 [Book Section]

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Rosamond, Emily. 2017. Theatre of Information. In: Sam Smith and Andrea Zucchini, eds. Here the Sun does not enter. London: Assembly Point. ISBN 978-0-9957691-0-6 [Book Section]

Saadawi, Ghalya. 2015. "It makes her blind she said”: Love, Exhaustion and the Roadblock. In: Denise Robinson, ed. Through the Roadblocks: Realities in Raw Motion. Limassol, Cyprus: NeMe, pp. 145-152. ISBN 9789963969531 [Book Section]

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Saadawi, Ghalya. 2024. The Structure of Desire in Ghassan Salhab's "The River" (2022). In: Marwa Arsanios; Leon Filter and Leire Vergara, eds. A Cut Through the Screen: Struggles’ Reverberations in Cinema. Berlin: Archive Books and Dutch Art Institute. [Book Section] (Forthcoming)

Saadawi, Ghalya. 2022. Tactics of Alienation. In: Beate Söntgen and Julia Voss, eds. Why Art Criticism? A Reader. Berlin: Hatje Cantz, pp. 309-310. ISBN 9783775750745 [Book Section]

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Saadawi, Ghalya. 2022. Vapid Virtues, Real Stakes: Diagnosis for Left Art Protocols. In: Bassam El Baroni, ed. Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art. Berlin: Sternberg Press and Edith-Russ-Haus für Medienkunst, pp. 71-92. ISBN 9783956796005 [Book Section]

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Saadawi, Ghalya and Abu Hamdan, Lawrence. 2024. Air Pressure: A conversation between Lawrence Abu Hamdan and Ghalya Saadawi. In: Riccardo Badano; Tomas Percival and Susan Schuppli, eds. Militant Media. Berlin: Spector Books. ISBN 9783959056878 [Book Section]

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Schilling Cuellar, Linda. 2023. Unearthing and Reversing: Exhausting the Water Cycle. In: Marcelo López-Dinardi, ed. Architecture from Public to Commons. Abingdon: Routledge. ISBN 9781032394480 [Book Section]

Schmetterling, Astrid. 2022. Charlotte Salomon. In: Karin Althaus; Sarah Bock; Lisa Kern; Matthias Mühling and Melanie Wittchow, eds. Kunst und Leben 1918 bis 1955. Munich: Deutscher Kunstverlag / Lenbachhaus, pp. 220-223. ISBN 9783422990661 [Book Section]

Schmetterling, Astrid. 2004. ‘Charlotte Salomons “Leben? Oder Theater?“ Ein Werk jenseits der Assimilation’. In: E. Müller and Andrea Schatz, eds. Der Differenz auf der Spur. Frauen und Gender in Aschkenas. Berlin: Metropol Verlag, pp. 286-303. ISBN 978-3936411478 [Book Section]

Schmetterling, Astrid. 2010. "Das ist direkt ein Diebstahl an den Kunsthistorikern". Else Lasker-Schülers bildnerisches Werk im kunsthistorischen Kontext. In: Ricarda Dick, ed. Else Lasker-Schüler. Die Bilder. Berlin: Jüdischer Verlag im Suhrkamp Verlag, pp. 159-193. ISBN 9783633542468 [Book Section]

Schmetterling, Astrid. 2022. Else Lasker-Schüler. In: Karin Althaus; Sarah Bock; Lisa Kern; Matthias Mühling and Melanie Wittchow, eds. Kunst und Leben 1918 bis 1955. Munich: Deutscher Kunstverlag / Lenbachhaus, pp. 176-179. ISBN 9783422990661 [Book Section]

Schmetterling, Astrid. 2020. Else Lasker-Schüler in Jerusalem. In: Thorsten Sadowsky, ed. Szenen des Exils / Scenes of Exile. Salzburg: Verlag Bibliothek der Provinz and Museum der Moderne Salzburg, pp. 96-101. ISBN 9783990289464 [Book Section]

Schmetterling, Astrid. 2022. Erna Pinner: In Frankfurt und in der Welt / Erna Pinner: In Frankfurt and in the World. In: Eva Sabrina Atlan and Mirjam Wenzel, eds. Zurück ins Licht: Vier Künstlerinnen – Ihre Werke. Ihre Wege / Back into the Light: Four Woman Artists – Their Works, Their Paths. Bielefeld/Berlin: Kerber Verlag, pp. 115-119. ISBN 9783735608567 (German Edition) - 9783735608635 (English Edition) [Book Section]

Schmetterling, Astrid. 2006. Inscriptions of Difference in Charlotte Salomon's Work. In: Michael Steinberg and Monica Bohm-Duchen, eds. Reading Charlotte Salomon. New York: Cornell University Press, pp. 140-147. ISBN 9780801439711 [Book Section]

Schmetterling, Astrid. 2001. 'Nachwort'. In: , ed. Helga Weissová, Zeichne, was Du siehst. Zeichnungen eines Kindes aus Theresienstadt. Frankfurt am Main: Insel, pp. 94-111. ISBN 3-458-34456-X [Book Section]

Schmetterling, Astrid. 2011. 'Szepty Bławatne / Das Flüstern der Stoffe / The Whispering of Fabric. Ulrike Grossarth'. In: , ed. Stoffe aus Lublin. Leipzig: Spector Books, pp. 77-92. ISBN 978-3-940064-16-5 [Book Section]

Schmetterling, Astrid. 2017. Uriel Orlow’s Unmade Film: A Multidirectional Archive for Palestinian and Israeli Traumatic Memory. In: Maria Magdalena Schwaegermann and Karmenlara Ely, eds. Infinite Record: Archive, Memory, Performance. Brooklyn, New York: Brooklyn Arts Press, pp. 136-143. ISBN 9781936767410 [Book Section]

Schuppli, Susan. 2013. “Atmospheric Correction.”. In: , ed. On the Verge of Photography: Imaging Beyond Representation. Birmingham: Birmingham Article Press, pp. 16-32. [Book Section]

Schuppli, Susan. 2014. Can the Sun Lie? In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 56-64. ISBN 9783956790119 [Book Section]

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Schuppli, Susan. 2017. Computing the Law / Searching for Justice. In: Boris Buden,; Maria Hlavajova and Simon Sheikh, eds. Former West Art and the Contemporary after 1989. MIT Press: MIT Press. ISBN 9780262533836 [Book Section]

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Schuppli, Susan. 2014. Entering Evidence: Cross-Examining the Court Records of the ICTY. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 279-314. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2014. Forensics / Tape 342. In: Malzacher Florian, ed. Truth is Concrete: A Handbook for Artistic Strategies in Real Politics Ed. Florian Malzacher. Berlin: Sternberg Press, pp. 221-223. ISBN 978-3943365849 [Book Section]

Schuppli, Susan. 2012. “Impure Matter: A Forensics of WTC Dust.”. In: , ed. Savage Objects. Portugal: Imprensa Nacional Casa da Moeda, pp. 120-140. ISBN 9789722720717 [Book Section]

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Schuppli, Susan. 2015. Law and Disorder. In: Christoph Cox; Jenny Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin: Sternberg Press, pp. 137-143. ISBN 9783956791260 [Book Section]

Schuppli, Susan. 2013. “The Most Dangerous Film in the World (Reprint).”. In: , ed. Materialities. Gdańsk: Wyspa Progress Foundation / Wyspa Institute of Art, pp. 241-272. [Book Section]

Schuppli, Susan. 2010. The Most Dangerous Film in the World. In: Frederik Le Roy; Nele Wynants and Dominiek Hoens Vanderbeeken, eds. Tickle Your Catastrophe. Ghent: Ghent University, the KASK (Ghent Royal Academy of Fine Arts) and Vooruit, pp. 130-145. ISBN 978-9038217222 [Book Section]

Schuppli, Susan. 2013. “Public Service Announcements: Art for the Coming Community.”. In: , ed. Service Media. Chicago: Green Lantern Press, pp. 115-122. ISBN 978-1450742160 [Book Section]

Schuppli, Susan. 2015. “Radical Contact Prints”. In: , ed. Camera Atomica. London: Black Dog Publishing London UK, pp. 277-291. ISBN 978-1908966483 [Book Section]

Schuppli, Susan. 2009. Reading Radiological Film. In: Karl Lyden, ed. Site / Documentary narratives & non-fictional narrativity in film and art 28. [Book Section]

Schuppli, Susan. 2018. Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY. In: Danielle Celermajer and Richard Sherwin, eds. A Cultural History of Law in the Modern Age. London: Bloomsbury Publishing. ISBN 9781474212854 [Book Section]

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Schuppli, Susan. 2015. “Slick Images: The Photogenic Surface of Disaster.”. In: , ed. Extra City. Antwerp: Extra City. [Book Section]

Schuppli, Susan. 2011. Tape 342: That Dangerous Supplement. In: , ed. Cabinet No. 43: Forensics. Cabinet, pp. 86-89. ISBN 978-1932698428 [Book Section]

Schuppli, Susan. 2014. Uneasy Listening. In: , ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 381-392. ISBN 9783956790119 [Book Section]

Schuppli, Susan. 2015. “War Dialling: Image Transmissions from Saigon.”. In: , ed. Mythologizing the Vietnam War: Visual Culture and Mediated Memory. Cambridge: Cambridge Scholars Publishing, pp. 144-158. ISBN 978-1443854429 [Book Section]

Schuppli, Susan; Weizman, Eyal and Tavares, Paulo. 2010. Forensic Architecture. In: Adrian Lahoud and Charles Rice, eds. Post-Traumatic Urbanism: Architectural Design. John Wiley & Sons, pp. 58-63. ISBN 978-0470744987 [Book Section]

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Tubridy, Derval. 2006. "The Absence of Origin”: Beckett and Contemporary French Philosophy. In: David Rudrum, ed. Contemporary Debates in Literature and Philosophy. London: Palgrave macmillan, pp. 24-36. ISBN 1403947732 [Book Section]

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Tubridy, Derval. 2010. Beckett, Feldman, Salcedo… Neither. In: Daniela Caselli, ed. Beckett and Nothing: Trying to understand Beckett. Manchester: Manchester University Press, pp. 143-159. ISBN 978-0-7190-8019-7 [Book Section]

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Tubridy, Derval. 2013. Bun-Ching Lam's and Samuel Beckett's Quatre Poèmes/Four Songs: Music, Image, Text. In: Kathryn Brown, ed. The Art Book Tradition in Twentieth-Century Europe. Surrey: Ashgate, pp. 59-71. ISBN 978-1-4094-2065-1 [Book Section]

Tubridy, Derval. 2011. The Dolmen Press: “A Hazardous Venture”. In: Clare Hutton and Patrick Walsh, eds. The Oxford History of the Irish Book Vol. 5: The Irish Book in English, 1891-2000. 5 Oxford: Oxford University Press, pp. 576-591. ISBN 978-0-19-924911-4 [Book Section]

Tubridy, Derval. 2008. “In his secondmouth language”: Joyce and Irish Poetry. In: Richard Brown, ed. A Companion to James Joyce. Oxford: Blackwell, pp. 341-358. ISBN 978140511044 [Book Section]

Tubridy, Derval. 2004. Thomas Kinsella and the Peppercanister Poems. In: Hutton Clare, ed. The Irish Book in the Twentieth Century. Dublin and Portland Or: Irish Academic Press, pp. 102-115. ISBN ISBN 0716527804, 0716533359 [Book Section]

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Tubridy, Derval. 2016. 'An Unforgettable Image': Staging Beckett's Short Plays. In: David Tucker and Trish McTighe, eds. Staging Beckett in Great Britain. London: Bloomsbury Methuen Drama, pp. 135-155. ISBN 9781474240178 [Book Section]

Tubridy, Derval. 2000. "Words Pronouncing Me Alive”: Beckett and Incarnation. In: Mary Bryden; Lance St John Butler; Marius Buning and Matthijs Engelberts, eds. Samuel Beckett Today/Aujourd’hui: Beckett and Religion; Beckett/Aesthetics/Politics. (9) Amsterdam; Atlanta GA: Rodopi, pp. 93-104. ISBN 9042014040 [Book Section]

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Turner, Lynn. 2015. ‘Animal Melancholia: on the scent of Dean Spanley’. In: Michael Lawrence and Laura McMahon, eds. Animal Life and the Moving Image. London: British Film Institute/Bloomsbury, pp. 134-151. ISBN 9781844578993 [Book Section]

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Turner, Lynn. 2020. Carefree: Scenographies of Care. In: Rebecca Jagoe and Sharon Kivland, eds. On Care. London: Ma Bibliothèque, pp. 237-241. ISBN 9781910055717 [Book Section]

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Turner, Lynn. 2015. Critical Companions: Derrida, Haraway & Other Animals. In: Julian Wolfreys, ed. Introducing Criticism in the 21st Century, 2nd Edition. Edinburgh: Edinburgh University Press. ISBN 9780748695294 [Book Section]

Turner, Lynn. 2005. Des Jeunes Nées : for a confusion of the tongue, the lip, and the rim. In: Johnny Golding, ed. The Issues: In Contemporary Culture and Aesthetics. (1) Nerve Ltd, pp. 171-178. ISBN 0955003709 [Book Section]

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Turner, Lynn. 2015. Fort Spa: In at the Deep End with Derrida and Ferenczi. In: Simon Morgan Wortham and Chiara Alfano, eds. Desire in Ashes: Deconstruction, Psychoanalysis, Philosophy. London: Bloomsbury Academic, pp. 103-119. ISBN 9781472533517 [Book Section]

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Turner, Lynn. 2010. Fort-dancing. In: , ed. BA Fine Art & History of Art degree show catalogue 2010. London: Goldsmiths, pp. 5-7. ISBN 978-1-906897-04-8 [Book Section]

Turner, Lynn. 2020. How like a (Fig) leaf. In: , ed. Beyond Plant Blindness: Seeing the importance of plants for a sustainable world. Berlin: Green Box Publishing. ISBN 978-3-96216-001-2 [Book Section]

Turner, Lynn. 2013. Insect Asides. In: , ed. The Animal Question in Deconstuction. Edinburgh: Edinburgh University Press, pp. 54-69. ISBN 0748683135 [Book Section]

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Turner, Lynn. 2024. Lapping it up: an introduction for these erotics of deconstruction. In: Lynn Turner, ed. Erotics of Deconstruction: Auto-Affection After Derrida. Edinburgh: Edinburgh University Press. ISBN 9781399539739 [Book Section] (In Press)

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Turner, Lynn. 2023. Red Threads. In: , ed. Guilty! Guilty! Guilty!: towards a feminist criminology. Berlin: Kunstraum Kreuzberg/Bethanien. [Book Section] (In Press)

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Turner, Lynn. 2024. Sanguine Resistance: dreaming of a future for blood. In: Lynn Turner, ed. Erotics of Deconstruction: Auto-Affection After Derrida. Edinburgh: Edinburgh University Press. ISBN 9781399539739 [Book Section] (In Press)

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Turner, Lynn. 2009. Seeks-Zoos: some recent correspondence between animals. In: Johnny Golding, ed. The Issues in Contemporary Culture & Aesthetics. 2-3 University of Greenwich, pp. 10-21. [Book Section]

Turner, Lynn. 2016. Telefoam: species on the shores of Cixous and Derrida. In: Stefan Herbrechter; Ivan Callus and Manuela Rossini, eds. European Posthumanism. Abingdon: Routledge, pp. 56-69. ISBN 9781138675780 [Book Section]

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Turner, Lynn. 2018. Voice. In: Lynn Turner; Undine Sellbach and Ron Broglio, eds. The Edinburgh Companion to Animal Studies. Edinburgh: Edinburgh University Press. ISBN 9781474418416 [Book Section]

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Turner, Lynn. 2025. 'The becoming literary of the clitoral: the inclination of sexual différance after Artemisia Gentileschi'. In: , ed. Repenser la différance sexuelle. Paris: Editions Hermann. [Book Section] (Forthcoming)

Turner, Lynn. 2009. The course of a general displacement, or, The course of the choreographer. In: Martin McQuillan and Ika Willis, eds. The Origins of Deconstruction. Basingstoke: Palgrave, pp. 50-66. ISBN 9780230581906 [Book Section]

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Turner, Lynn; Broglio, Ronald and Sellbach, Undine. 2018. Introducing The Edinburgh Companion to Animal Studies. In: , ed. The Edinburgh Companion to Animal Studies. (592) Edinburgh, Scotland.: Edinburgh University Press, pp. 1-12. ISBN 1474418414 [Book Section]

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Varvia, Christina. 2024. A Call to Bear Witness. In: Christos Carras, ed. The Handbook of Cultural Work. London: Bloomsbury Visual Arts, pp. 165-172. ISBN 9781350359468 [Book Section]

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Varvia, Christina. 2022. Habeas Corpus Expert Witness! In: Mette Marie Kallehauge; Lærke Rydal Jørgensen; Kjeld Kjeldsen; Eyal Weizman and Christina Varvia, eds. Forensic Architecture - Witnesses. Humlebæk, Denmark: Louisiana Museum of Modern Art, pp. 68-85. ISBN 9788793659551 [Book Section]

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Vráblíková, Lenka. 2024. Bodies in e-motion: Hélène Cixous and Sarah Kofman encountering Rembrandt. In: Lynn Turner, ed. Erotics of Deconstruction: Auto-Affection After Derrida. Edinburgh: Edinburgh University Press. ISBN 9781399539739 [Book Section] (In Press)

Vráblíková, Lenka. 2010. Feministický akční výzkum – Jak studovat na umělkyni? [Feminist action research - How to study to become a woman artist?]. In: Katarína Přikrylová, ed. Vizuální gramotnost. Prague: Univerzita Karlova, pp. 61-72. ISBN 9788072904877 [Book Section]

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Vráblíková, Lenka. 2023. The University. In: Tilottama Rajan and Daniel Whistler, eds. The Palgrave Handbook to German Idealism and Poststructuralism. Cham, Switzerland: Palgrave Macmillan, pp. 383-398. ISBN 9783031273445 [Book Section]

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Vráblíková, Lenka and Kubelová, Lenka. 2024. Gardening Ecofeminisms. Sympozium jako živná půda [Gardening Ecofeminisms: Symposium as a culture medium]. In: Kateřina Vídenová and Amálie Bulandrová, eds. Kafkárna / Dům a Zahrada [Kafkárna /House and Garden]. Prague: UMPRUM, pp. 289-295. [Book Section]

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Wark, Scott. 2022. In "The Cloud": Figuring and Inhabiting Media Milieus. In: Celia Lury; William Viney and Scott Wark, eds. Figure: Concept and Method. Singapore: Palgrave Macmillan, pp. 41-63. ISBN 9789811924750 [Book Section]

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Wark, Scott. 2022. Lithium. In: Timothy Neale; Courtney Addison and Thao Phan, eds. An Anthropogenic Table of Elements: Experiments in the Fundamental. Toronto: University of Toronto Press, pp. 109-120. ISBN 9781487563578 [Book Section]

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Wark, Scott. 2024. Platformisation and Personalisation: The Making of "Contingent" Online Audiences. In: Annette Hill and Peter Lunt, eds. The Routledge Companion to Media Audiences. Abingdon: Routledge. ISBN 9781032214665 [Book Section] (In Press)

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Wark, Scott. 2021. A Postdigital Angel of History? On ‘Meme Theory’. In: Chlöe Arkenbout; Jack Wilson and Daniel de Zeeuw, eds. Critical Meme Reader: Global Mutations of the Viral Image. Amsterdam: Institute of Network Cultures, pp. 165-175. ISBN 9789492302762 [Book Section]

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Wark, Scott and Wark, McKenzie. 2019. Circulation and its Discontents. In: Alfie Bown and Dan Bristow, eds. Post Memes: Seizing the Memes of Production. Santa Barbara: punctum books, pp. 293-318. ISBN 9781950192434 [Book Section]

Weizman, Eyal. 2010. The 1:1 Map. In: Mark Godfrey and Karl Biesenbach, eds. Francis Alys: A Story of Deception. Tate. ISBN 9781854378408 [Book Section]

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Weizman, Eyal. 2023. Archaeology, Architecture and the Politics of Verticality. In: Ian Parker, ed. For Palestine: Essays from the Tom Hurndall Memorial Lecture Group. Cambridge: Open Book Publishers, pp. 123-142. ISBN 9781805110262 [Book Section]

Weizman, Eyal. 2012. Forensic Architecture. In: David Chipperfield; Kieran Long and Shumi Bose, eds. Common Ground: A Critical Reader. Venice: Marsilio. ISBN 978-88-3171-435-8 [Book Section]

Weizman, Eyal. 2012. Forensic Architecture. In: Meg McLagan and Yates Mckee, eds. Sensible Politics: The Visual Culture of Non-Governmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

Weizman, Eyal. 2014. Holey Land. In: Stephen Shore, ed. Stephen Shore: From Galilee to the Negev. London; New York: Phaidon. ISBN 9780714867069 [Book Section]

Weizman, Eyal. 2013. The Image is the Bone. In: Thomas Keenan and Tirdad Zolghadr, eds. The Human Snapshot. Berlin: Sternberg Press. ISBN 978-3-943365-63-4 [Book Section]

Weizman, Eyal. 2013. The Matter of Memory. In: Adrián Villa Roja and Sophie O'Brien, eds. Today We Reboot the Planet: Adrián Villar Rojas catalogue. London: Serpentine Galleries. ISBN 9781908617156 [Book Section]

Weizman, Eyal and Brauman, Rony. 2009. Humanitarian Support. In: Céline Condorelli, ed. Support Structures. Berlin: Sternberg. ISBN 978-1-933128-45-0 [Book Section]

Weizman, Eyal; Hilal, Sandi and Petti, Alessandro. 2012. The Morning After: Profaning colonial Architecture. In: Meg McLagan and Yates McKee, eds. Sensible Politics: The Visual Culture of Nongovernmental Activism. New York: Zone Books. ISBN 978-1-935408-24-6 [Book Section]

Weizman, Ines and Weizman, Eyal. 2012. Mobilizing Dissent: The Possible Architecture of the Governed’. In: C. Greig Crysler; Stephen Cairns and Hilde Heynen, eds. The SAGE Handbook of Architectural Theory. London; Thousand Oaks, California: SAGE Publications. ISBN 9781446282632 [Book Section]

Wolf, Nicole. 2008. “Away in Berlin – Really! Documentary-fictional Side Notes”. In: Stefanie Schulte Strathaus and Florian Wüst, eds. Who says concrete doesn’t burn, have you tried? West Berlin Film in the ’80s. Berlin: b-books, pp. 50-61. ISBN 978-3-933557-90-2 [Book Section]

Wolf, Nicole. 2013. Foundations, Movements and Dissonant Images: documentary film and its ambivalent relations to the nation state. In: K Moti Gokulsing and Wimal Dissanayake, eds. Routledge Handbook on Indian Cinema. London: Routledge, pp. 360-374. ISBN 978-0415677745 [Book Section]

Wolf, Nicole. 2012. I am the very beautiful city. Conversations with Bombay, documented. In: Madhusree Dutta; Rohan Shivkumar and Bhaumik Kaushik, eds. Cinema City. Chennai: Tulika Publishers. ISBN 978-8189487997 [Book Section]

Wolf, Nicole. 2008. Lovers of Life for Heterogeneous Time. In: Jonathan Harris, ed. Identity Theft: Cultural Colonisation and contemporary Art. Liverpool: University of Liverpool and Critical Forum Tate Liverpool, pp. 159-174. ISBN 9781846311024 [Book Section]

Wolf, Nicole. 2013. “Projecting Tambaku Chaakilo Oob Ali. Reflections towards a versatile archive of political cinemas”. In: Shveta Sarda, ed. sarai Reader 09: Projections. New Delhi: Raqs Media Collective, pp. 284-290. [Book Section]

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Wolf, Nicole. 2021. Sich der Spaltung widersetzen. Von Geistern, Fiktionen und dokumentarischer Praxis bei Merle Kröger und Philip Scheffner. In: Nicole Wolf, ed. Grenzfälle. Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner. 23 Berlin, Germany: Vorwerk 8, pp. 9-20. ISBN 9783947238354 [Book Section]

Wolf, Nicole. 2013. Versatile Archives and cinematic friendships. In: Stefanie Schulte Strathaus and Ulrich Ziemons, eds. Living Archive – Archival Work as a Contemporary Artistic and Curatorial Practice. Berlin: Bbooks Verlag. ISBN 978-3-942214-14-8 [Book Section]

Wolf, Nicole. 2005. The import and export of knowledge in conversations or: where is my subject? In: Angelika Fitz; Merle Kroger; Alexandra Schneider and Dorothee Wenner, eds. Import / Export. Austria: Parthas Verlag, pp. 216-224. ISBN 978-3866019102 [Book Section]

Wolf, Nicole. 2009. The promise of withholding. In: Anita Dawood, ed. Bani Abidi: Videos, Photographs and Drawings. London: Green Cardamom, pp. 36-38. ISBN 9780955177958 [Book Section]

Wolf, Nicole and Heidenreich, N.. 2010. Conversations on locating conflict. In: Monica Narula; Shuddhaprata Sengupta and Jeebesh Bagchi, eds. sarai reader 08: Fear. 08 New Delhi: Centre for the Study of Developing Societies, pp. 91-98. ISBN 978-81-905853-2-3 [Book Section]

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Amaro, Ramon. 2018. 'Machine learning, surveillance, and the politics of visibility'. In: Belief in AI Conference, Dubai Design Week. Dubai, United Arab Emirates. [Conference or Workshop Item]

Amaro, Ramon. 2018. 'The archive as a space in-between history and the production of blackness'. In: The Joy in The Punch, Takeover of the National Maritime Museum. National Maritime Museum, United Kingdom. [Conference or Workshop Item]

Andrews, Alice. 2010. 'The Autoimmune Death Drive: Freud, Derrida and the ethics of the biopolitical'. In: Freud After Derrida. University of Manitoba, Winnipeg, Canada 6 - 9 October 2010. [Conference or Workshop Item]

Andrews, Alice. 2010. 'Autoimmunity, Illness and the Ethics of the New'. In: 2nd Derrida Today International Conference. Goodenough College, London, United Kingdom 19 - 21 July 2010. [Conference or Workshop Item]

Andrews, Alice. 2010. 'Derrida, Autoimmunity and the Technical Animal'. In: Zoontotechnics (Animality/Technicity). Cardiff University, United Kingdom 12 - 14 May 2010. [Conference or Workshop Item]

Andrews, Alice. 2009. 'The Futures of Autoimmunity'. In: Literature, Art and Culture in an Age of Global Risk. Cardiff University, United Kingdom 2 - 3 July 2009. [Conference or Workshop Item]

Andrews, Alice. 2008. 'The Inscription of an Autoimmune Body'. In: Writing in a Post Derridean Era. Vaxjo University, Sweden 23 - 25 October 2008. [Conference or Workshop Item]

Andrews, Alice. 2009. 'Reading Derrida’s “No Apocalypse"'. In: Laboratory: Methods of Interart Studies. InterArt, Freie Universität Berlin, Germany 16 - 18 November 2009. [Conference or Workshop Item]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity'. In: Derrida Konferenz Frankfurt. Goethe-Universität Frankfurt am Main, Germany March 14-16 2012. [Conference or Workshop Item]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity II'. In: 3rd International Derrida Today Conference. University of California, Irvine, United States. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Abstraction'. In: Philosophy and Painting: Sharing Concepts. University of Tel Aviv, Israel 23 December 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. 'Appearance is Everything: Phenomenology, art and critical enquiry'. In: Institut für Kultur und Kunstwissenschaften. Humboldt University, Berlin, Germany. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Art and Aesthetics in and after Phenomenology of Perception: Post-Launch Discussion'. In: Philosophy Video Premiere & Launch: Art and Aesthetics in and After Phenomenology of Perception (A Conversation in Five Parts). Concordia University, Canada 1 October 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Carrie Mae Weems and the Question of Criticism'. In: Presentation. Essex University, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Challenging Identities'. In: Ways of Seeing 2018: Identities, Art and Architecture. National Gallery, London, United Kingdom 24 November 2018. [Conference or Workshop Item]

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Andrews, Jorella G.. 2020. 'Circling squares: Phenomenology, change-making, and the idea of the creation as theophany'. In: Religion & Art Symposium. Goldsmiths, University of London, United Kingdom 13 November 2020. [Conference or Workshop Item]

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Andrews, Jorella G.. 2023. 'Collaboration: Goldsmiths and Red Ribbon Living Well'. In: Waldron Health Centre: Launch of Community Health Hub. Waldron Health Centre, London, United Kingdom 20 September 2023. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. 'The Courage to Persevere: Contemporary re-interrogations of faith and their public implications'. In: The Faiths and Civil Society Unit Public Programme: Faith and the Future of Civil Society. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. 'The Creative Circuit: The Experience of Cultural Translation'. In: The Creative Circuit: The Experience of Cultural Translation. Victoria & Albert Museum. [Conference or Workshop Item]

Andrews, Jorella G.. 1995. 'Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective'. In: World Phenomenology Congress. Guadalajara, Mexico. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. ''The Dance of the Hand: The Material Space of Language''. In: Presentation. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'The Dance of the Hand: on gestural writing, epistemology and creativity'. In: Talk. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. SOAS, United Kingdom 22 November 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. University of Tel Aviv, Israel 25 December 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Deptford People's Heritage Museum workshop at National Maritime Museum International Slavery Remembrance Day 2023'. In: Deptford People's Heritage Museum workshop at National Maritime Museum International Slavery Remembrance Day 2023. National Maritime Museum, London, United Kingdom 23 August 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Description, the unorphaned eye, and the cultivation of care'. In: Visual Pedagogies: IAVC (International Association for Visual Culture) Conference, 2018. London College of Communication, University of the Arts London, United Kingdom 14 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. 'Dis-alienation and the Eye'. In: Exils/Exiles - 2001. Herstmonceux Castle, East Sussex, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. '“Extravagance, Liveliness, Livelihood: Intertwining Body, Materials, and Action: A Conversation with Leah Durner”'. In: CVC 'Labor and Resistance' Series. University of Wisconsin, Madison, United States 9 February 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Fashion: tissue, textile, toile'. In: CAA (College Art Association) Annual Conference, 2024. Hilton Chicago, United States 17 February 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2003. 'Field Work: Reports from the Field of Visual Culture'. In: Field Work: Reports from the Field of Visual Culture. Victoria Miro Gallery. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. ''The Forensic Aesthetic: Iconographies of Violence'. In: Presentation. . Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'His Artistry; His Imagery: Visuality, spiritual formation, intercession'. In: Session 8 - Religion & Art Forum. Online, United Kingdom 13 December 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'How can Objects and Images help us Reflect, Share and Educate?'. In: The New Cross Fire Collection at the Deptford People's Heritage Museum: Reflection and Planning. London, United Kingdom 27 March 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge,'. In: World Phenomenology Institute, 2018 Conference on Phenomenology and Aesthetics. Harvard University, United States 13-15 June 2018.. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Identity as Openness'. In: Ways of Seeing 2021: Identities in Art and Architecture. National Gallery, London, United Kingdom 20 November 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Instabilities, Uncertainties, Aliens: A Perspective upon our Searches for Security'. In: Presentation. University of Oslo, Ethnographic Museum, Norway. [Conference or Workshop Item]

Andrews, Jorella G.. 2004. 'Intending objects and signs ”which have no meaning”'. In: Presentation. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Interviewing Images Workshop'. In: Interviewing Images Workshop Western Arts & Humanities, Western University. Western University, Canada 27 January 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2020. 'Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling.'. In: 3rd International Conference on Dwelling Form (IDWELL 2020). Department of Architecture Universitas Indonesia, Indonesia 27 - 28 October 2020. [Conference or Workshop Item]

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Andrews, Jorella G.. 2019. '‘Interviewing Images’: Using IPA (Interpretative Phenomenological Analysis) in visual arts research.'. In: Pictures and words: combining verbal accounts and visual images within interpretative phenomenological analysis. Phenomenology of Health and Relationships Conference: Creativity and Affect. Aston University, Birmingham, United Kingdom 22-23 May 2019. [Conference or Workshop Item]

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Andrews, Jorella G.. 2020. 'Labyrinth Walking/Labyrinth Walking Resources: Goldsmiths Mental Health Awareness Day Sessions'. In: Goldsmiths Mental Health Awareness Day Sessions. Goldsmiths, University of London, United Kingdom 4 - 5 March 2020. [Conference or Workshop Item]

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Andrews, Jorella G.. 2019. 'Making our way in semi-obscurity'. In: Extending the Image Workshop with Susan Sentler (LASALLE) for MA Design Expanded Practice students. Goldsmiths, University of London, United Kingdom 14 June 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Mandy El-Sayegh in conversation with Jorella Andrews'. In: Tate Modern Lates / Art Chats on Capturing the Moment. Tate Modern, London, United Kingdom 30 June 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Collecting Metamorphosis'. In: Workshop: Sammeln und Ausstellen. Literatur- und kulturwissenschaftliche Perspektiven. University of Paderborn, Germany. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Painting the Microcosm'. In: Association of Art Historians 1999 Conference. Southampton, United Kingdom. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'The Mark Fisher Memorial Lecture 2021: Notes from the Underground with Test Dept'. In: Mark Fisher Memorial Lecture 2021 with Test Dept. Goldsmiths, University of London, United Kingdom 29 January 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Matisse, Merleau-Ponty and the Search for Depth'. In: Aesthetics: A Day School in Philosophy. Birkbeck College, University of London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Merleau-Ponty, Phenomenology and Processes of Describing'. In: Presentation. Kingston University, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'Merleau-Ponty, non-philosophy and painting'. In: Talk. Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. 'Moufida Tlatli's "The Silences of the Palace": A Cartography of Servitude.'. In: Geographies of Home Conference. University College London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. 'Of Ethics and Intermundane Space'. In: IAPL (International Association for Philosophy and Literature) Conference 2002 - Intermedialities. Erasmus University, Rotterdam, Netherlands 3-8 June 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Pacific Asia Cultural Studies Forum Conference'. In: Pacific Asia Cultural Studies Forum Conference. Goldsmiths, University of London. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. 'Painterly Transubstantiations/Political Change'. In: Seventh Annual Meeting of the International Society for Phenomenology, Aesthetics and the Fine Arts. Harvard Divinity School, Cambridge, MA, United States 10-12 May 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Paul Cézanne: Drawing as Deep De-scription'. In: Royal Academy Short Course: Exploring Impressionism. The Royal Academy, London, United Kingdom 3 December 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. ''Performing Space''. In: Inhabiting Technology Conference,. ICA London. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. ''Phenomenological Orientations: Art/Perception/Ethics''. In: The Future Past of Visual Culture (Conference 1). Tate Britain, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. 'Phenomenologies/Perceptions/Interpretations'. In: International Association for Philosophy and Literature Conference. University of Cyprus. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Pictorial Rationality, Trans-culturalism, and the Work of Art'. In: Critical Phenomenology & Merleau-Ponty’s Open Futures: 45th Annual Conference of the International Merleau-Ponty Circle. Western University, Canada 22 - 24 October 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2019. 'Practices of Stewardship: Albion Millennium Green and the Albion Millennium Green Labyrinth as an Agent of Care'. In: Redesigning Stewardship. Goldsmiths, University of London, United Kingdom 16 September 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Public Art, Personal Depth'. In: Association for Art History: Art History Festival | Public Art, Personal Depth. National Gallery, London, United Kingdom 24 September 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2024. 'Red Ribbon Living Well Sewing Workshops (March-May 2024)'. In: Red Ribbon Sewing Workshops. Metro, New Cross, United Kingdom 1 March 2024 - 3 May 2024. [Conference or Workshop Item]

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Andrews, Jorella G.. 2023. 'Red Ribbon Living Well: World AIDS Day 2023'. In: Red Ribbon Living Well: World AIDS Day 2023. The Somerville, New Cross, London, United Kingdom 8 December 2023. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Rights of Passage Session 2: Powerful Voices (Deptford Peoples Heritage Museum)'. In: Rights of Passage: Intergenerational Music and History Exchanges between London and Dakar. Pepys Resource Centre, London, United Kingdom 11 June 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2005. ''Showing Off': A Merleau-Pontean Approach to the Ethical'. In: IAPL (International Association for Philosophy and Literature) Conference 2005. Chiasmatic Encounters. Special Panel: 'Bodily Écarts : Encountering Merleau-Ponty in the 21st Century'. University of Helsinki, Finland 2-8 June 2005. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. 'Starting from below: Phenomenological Interventions in Art History and Visual Culture'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Staying Embodied: Merleau-Ponty, Integrated Being and the Creation of New Structures'. In: The 1999 International Conference of the Merleau-Ponty Circle. Wrexham, Wales, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'Story-Time: An exhibition of artists living in Israel/Palestine'. In: Story-Time: An exhibition of artists living in Israel/Palestine. Candid Arts Gallery, London. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts Research and Pedagogy (Handbook for 3-day Workshop led by Jorella Andrews)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24-26 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: PhD Workshop. SOAS London, United Kingdom 10 January 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: Test Lab Central St Martins. Central Saint Martins, University of the Arts London, United Kingdom 1 May 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts-based Research and Pedagogy. Two-day Workshop'. In: Using Phenomenology in Contemporary Arts Workshop: 2 Day Workshop. Goldsmiths, University of London, United Kingdom 19 and 26 October 2018. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Using “extreme list-making” to explore objects and images: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event'. In: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event. London, United Kingdom 20 February 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'The Virtual Intersection: Pieter de Hooch's Woman with a Broom and Pail in a Courtyard'. In: Secret Spaces, Forbidden Places (international colloquium). Herstmonceux Castle, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. 'Vision, Violence and the Other: A Merleau-Pontean Ethics'. In: The 25th Annual Meeting of the International Merleau-Ponty Circle. Washington DC, United States. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Visual Cultures Now - Field Reports, Public Programme Lecture Series, 2020-21'. In: Visual Cultures Public Programme: Field Reports 2020-21. Goldsmiths University of London, United Kingdom 8 October 2020 - 25 March 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Welcome Home: Red Ribbon Living Well Support Group Celebrate World AIDS Day 2021 (plus preparatory workshops)'. In: Welcome Home. The Somerville, New Cross, London, United Kingdom 5 March - 1 December 2021 (and ongoing). [Conference or Workshop Item]

Andrews, Jorella G.. 2016. '‘Where is called Thinking?’'. In: Series: HCT Debates: Dis-locutions, the architectural and the political. AA (Architectural Association) School, London, United Kingdom 4 March 2016. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Working with resistance towards a non-dual “poetry” - and politics – “of truth"'. In: CVC 'Labor and Resistance' Series. University of Wisconsin, Madison, United States 8 February 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. '“Working with resistance – What can textiles teach us?”'. In: CVC 'Labor and Resistance' Series. University of Wisconsin, Madison, United States 12 February 2024. [Conference or Workshop Item]

Andrews, Jorella G. and Durner, Leah. 2016. 'Immeasurable Extravagance: Proposals for an Economy of Abundance in an Age of Scarcity'. In: Panel at CAA (College Art Association) Conference 2017. New York Hilton Midtown, NYC, United States 15 February 2017. [Conference or Workshop Item]

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Andrews, Jorella G.; Gordon, Alastair and Smith, James K.A.. 2020. 'Material Thought - Make Good Lecture'. In: Make Good Lecture: Material Thought. Morphe Arts, Dundee, United Kingdom 7 December 2020. [Conference or Workshop Item]

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Andrews, Jorella G. and Martinon, Jean-Paul. 2018. 'A Fearless Look at the Unspeakable: Visual Cultures Public Programme Sping Term 2018'. In: Visual Cultures Public Programme. Goldsmiths, University of London, United Kingdom Jan-Feb 2018. [Conference or Workshop Item]

Andrews, Jorella G. and Osborne, Peter. 2007. 'Critical Materialities'. In: Day Seminar: Research and the matter of art: ‘Thinking by Doing’ and a Materialist’s Method. Royal College of Art, London, United Kingdom 21 February 2007. [Conference or Workshop Item]

Andrews, Jorella G. and Red Ribbon Living Well Support Group. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 3'. In: Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 3. Amersham Vale, London, United Kingdom 24 November 2023. [Conference or Workshop Item]

Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Film and Photoshoot'. In: Cross Departmental Textiles Workshop. Deptford and New Cross, London, United Kingdom 9 June 2023. [Conference or Workshop Item]

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Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1'. In: Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1. Goldsmiths, University of London, United Kingdom 1 September 2023. [Conference or Workshop Item]

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Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 2'. In: Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1. Goldsmiths, University of London, United Kingdom 1 September 2023. [Conference or Workshop Item]

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Andrews, Jorella G.; Say, Jeffrey and Veal, Clare. 2019. 'Using Phenomenology in Contemporary Arts Reserach & Pedagogy Workshop 2: Phenomenological encounters with non-western and diasporic objects-images-architeves-&-artworlds (Phenomenology, displacement and decoloniality)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. Goldsmiths, University of London, United Kingdom 21-23 February 2019. [Conference or Workshop Item]

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Andrews, Jorella G. and Smith, James K.A.. 2020. 'Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture'. In: Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture 5 October 2020. Morphe Arts, Dundee, United Kingdom 5 October 2020. [Conference or Workshop Item]

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Andrews, Jorella G.; Wakeford, Nina; Kerridge, Tobie and Cameron, Jane. 2023. 'Cross-Departmental Textiles Workshop'. In: Cross Departmental Textiles Workshop. Constance Howard Gallery, Goldsmiths, University of London, United Kingdom 8 March 2023. [Conference or Workshop Item]

Andrews, Jorella G.; Watson, Grant and Cameron, Jane. 2023. 'Goldsmiths Textile Collection Workshop One: What Can Textiles Teach Us?'. In: Goldsmiths Textile Collection Workshop One: What Can Textiles Teach Us?. Goldsmiths, University of London, United Kingdom 16 June 2023. [Conference or Workshop Item]

Andrews, Jorella G.; Watson, Grant and Cameron, Jane. 2023. 'Goldsmiths Textile Collection Workshop Two: What Can Textiles Teach Us?'. In: Goldsmiths Textile Collection Workshop Two: What Can Textiles Teach Us?. Goldsmiths, University of London, United Kingdom 22 June 2023. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2019. 'Alien Sound: Ambient Music and the Limits of the Human'. In: Alien Sound: Ambient Music and the Limits of the Human. Tate Liverpool, United Kingdom 9 February 2019. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. 'Architektural Planning'. In: Speeding and Braking: Navigating Acceleration. Goldsmiths, University of London 12 May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Bass / Mascon'. In: Club Culture and the Politics of Bass. King's College London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. 'Black Secret Technology'. In: Framing the Critical Decade: After the Black Arts Movement. University of Bristol. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Eddie George’s Fugitive Saturations'. In: Black Film, British Cinema.. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Gaze: Utterance'. In: Gaze: Utterance. ICA London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. 'Ghettoville'. In: Department of Geography Research Seminar. University College London. University College London, United Kingdom May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Introduction to performance by Larry Achiampong'. In: Techno Resistance and Black Futures. Goldsmiths College. University of London. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Crystal Clear Voices. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Cultural Studies Association Annual Conference. Carnegie Mellon University, Pittsburgh, PA, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. 'Poverty, Abstraction, Debt: Actress’ Ghettoville'. In: Culture and Finance Capital Lecture Series. Department of Visual Cultures. Goldsmiths College, University of London.. Goldsmiths, University of London, United Kingdom October 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Runs Reprise'. In: Regenerative Feedback Noise/Human/Signal. Issue Project Room, Brooklyn, NY, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh and Moreno, Louis. 2018. 'At a Greater Distance than Sound: Wynter’s ‘new hypothesis’ and the ‘culture of dread’'. In: Genres of the Human: On Sylvia Wynter. Kings College London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh and Okiji, Fumi. 2016. 'Walking Bsss'. In: Marxism in Culture Seminar. University of London. University of London, United Kingdom June 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh and Rekret, Paul. 2019. 'The Power of Gods and the Forces of Nature - On Music and Popular Modernisms'. In: Marxism in Culture. Institute of Advanced Studies, UCL, United Kingdom 24 May 2019. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul and Sandhu, Sukhdev. 2018. 'Time Let Me Play: Ideas of Childhood Innocence'. In: Time Let Me Play: Ideas of Childhood Innocence. UnionDocs: Center for Documentary Art, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul; Thompson, Marie and Sarkar, Ash. 2017. 'Down With Childhood'. In: Down With Childhood. Cafe Oto, United Kingdom. [Conference or Workshop Item]

Charalambides, Sarah. 2016. 'Can we be strong in our weakness? Conversation between female trouble and Samlingen'. In: Group Works? On Feminism, Friendship and Borderlessness. Royal Danish Academy of Fine Arts, Copenhagen, Denmark 31 October 2016. [Conference or Workshop Item]

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Charalambides, Sarah. 2015. 'Just me and the market: Self-Precarisation as activism'. In: London Conference in Critical Thought 2015. University College London, United Kingdom 26-27 June 2015. [Conference or Workshop Item]

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Charalambides, Sarah. 2015. 'Precarious self-employment'. In: Forschungsseminar Kulturwissenschaft. Humboldt-Universität zu Berlin, Germany. [Conference or Workshop Item]

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Charalambides, Sarah. 2016. 'Precarity as activism: Breaking through existing logics of security and insecurity'. In: Society for Women in Philosophy (SWIP) Annual Conference 2016. University of Brighton, United Kingdom 16-17 June 2016. [Conference or Workshop Item]

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Charalambides, Sarah. 2017. 'Provocation: Self-precarisation'. In: Re-Tool: Precarity. Camberwell College of Arts, University of the Arts London, United Kingdom 18 January 2017. [Conference or Workshop Item]

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Charalambides, Sarah. 2016. 'Situating gender in precarity: Against “each one for herself”'. In: London Conference in Critical Thought 2016. Birkbeck, University of London, United Kingdom 24-25 June 2016. [Conference or Workshop Item]

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Charalambides, Sarah. 2016. 'Situating precarity in feminist art practice'. In: Association of Art Historian Summer Symposium 2016 (Gender in Art: Production, Collection, Display). Loughborough University, United Kingdom 8-9 June 2016. [Conference or Workshop Item]

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Charalambides, Sarah. 2016. 'When the common ground is shattered: Drifting through feminised precarious space'. In: Gender Work and Organization 2016: 9th Biennial International Interdisciplinary Conference. Keele University, United Kingdom 29 June - 1 July 2016. [Conference or Workshop Item]

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Charalambides, Sarah and Berry, Josephine. 2016. 'Autonomy and precarisation: A talk by Isabell Lorey with a screening of kleines postfordistisches Drama’s Kamera Lauft!'. In: Culture Industry Now! Centre for Cultural Studies Public Programme. Goldsmiths, University of London, United Kingdom 25 April 2016. [Conference or Workshop Item]

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Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018. [Conference or Workshop Item]

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Crone, Bridget. 2017. 'CalArts WHAP! Lecture Series: Bridget Crone'. In: CalArts WHAP! Lecture Series. West Hollywood Public Library, United States October 6, 2017. [Conference or Workshop Item]

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Crone, Bridget. 2016. 'Modern Art Oxford | Dr Bridget Crone on Mona Hatoum's early performance work'. In: Re-Visit: 1998 / Mona Hatoum. Modern Art Oxford, United Kingdom. [Conference or Workshop Item]

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Crone, Bridget. 2015. 'The Sensible Stage, Diagrams Symposium, GRADcam'. In: Diagrams symposium, GRADCam Dublin. Dublin Institute of Technology, Ireland. [Conference or Workshop Item]

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Crone, Bridget. 2015. 'Swamps and stages: affective immersion and strategic discontinuity in the films of Manuel de Landa and Ryan Trecartin'. In: Material Environments: Sensing Time And Matter In Digital And Visual Culture, University of Greenwich. University of Greenwich, United Kingdom 24-25 July 2015. [Conference or Workshop Item]

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Crone, Bridget. 2016. 'The Visitor Talks Plus One: Bridget Crone'. In: The Visitor Talks Plus One, CCS Bard. CCS, Bard, United States. [Conference or Workshop Item]

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Doussan, Jenny. 2011. 'Agamben for and against Nietzsche's Eternal Return'. In: Annual Meeting of the American Comparative Literature Association (ACLA 2011). 'Agamben and Foucault: Comparison, Interpretation, Contradiction'. Vancouver, Canada 31 March - 3 April 2011. [Conference or Workshop Item]

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Doussan, Jenny. 2010. 'Agamben’s Taking Place'. In: Annual Meeting of the American Comparative Literature Association (ACLA 2010). 'Agamben’s
Intricate
Meanings'. New Orleans, United States 1 - 4 April 2010. [Conference or Workshop Item]

Doussan, Jenny. 2014. 'Cultural Threads'. In: Clothes, Cloth & Culture Group. Institute of International Visual Arts, London 27 November 2014. [Conference or Workshop Item]

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Doussan, Jenny. 2024. 'Discussion of Vision, Art and Language'. In: Vision, Language, Art Workshop. University of Bath, United Kingdom 12 - 13 September 2024. [Conference or Workshop Item] (Forthcoming)

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Doussan, Jenny. 2012. 'Exceptional Aesthetics'. In: 38th Annual Conference Association of Art Historians. 'Aesthetics and Politics (Again?)'. Open University, Milton Keynes, United Kingdom 29 - 31 March 2012. [Conference or Workshop Item]

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Doussan, Jenny. 2014. 'Fashion, Epistemology, and the Forgettable: Rethinking the Archive'. In: Fashioning the Archive: new approaches to materialising textile history. Goldsmiths, University of London, United Kingdom 11 January 2014. [Conference or Workshop Item]

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Doussan, Jenny. 2017. 'Forgotten Witnessing'. In: Textile interpretations: materialising history, visual culture, design and anthropology. CHASE research training workshop. Constance Howard Gallery, Goldsmiths, University of London 4 May 2017. [Conference or Workshop Item]

Doussan, Jenny. 2009. 'From Means Without End to State of Exception'. In: 'Forms of Engagement'. European Doctoral Seminar in Culture, Criticism, and Creativity. Copenhagen Doctoral School for Cultural Studies, Denmark 11 - 13 June 2009. [Conference or Workshop Item]

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Doussan, Jenny. 2019. 'From Tigersprung to the Appropriation of Unreality: Between Benjamin and Agamben on Baudelaire'. In: Baudelaire and Philosophy, British Society of Aesthetics Conference. Goldsmiths, University of London, United Kingdom 5 - 6 June 2019. [Conference or Workshop Item]

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Doussan, Jenny. 2012. 'Intentionality and Objecthood'. In: Transforming Objects. Northumbria University, United Kingdom 28 - 29 May 2012. [Conference or Workshop Item]

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Doussan, Jenny. 2010. 'Messianic time and the problem of political action in the work of Agamben'. In: Waiting for the Political Moment. Utrecht University, Netherlands 17 - 19 June 2010. [Conference or Workshop Item]

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Doussan, Jenny. 2008. 'On the Specific in Contemporary Art and Curatorial Practice'. In: 'Art:Relations. Revisiting Crucial Concepts', European Doctoral Seminar in Culture, Criticism and Creativity. Freie Universität Berlin, Germany 30 October - 1 November 2008. [Conference or Workshop Item]

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Doussan, Jenny. 2013. 'Origin and Immanence: Benjamin’s Art Historiography in the Trauerspiel Book'. In: College Art Association Annual Conference 2013. 'To What End? Eschatology in Art Historiography'. New York, United States 13 - 16 February 2013. [Conference or Workshop Item]

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Doussan, Jenny. 2013. 'The Origin of Agamben’s Infancy'. In: Annual Meeting of the American Comparative Literature Association (ACLA 2013). University of Toronto, Canada 4 - 7 April 2013. [Conference or Workshop Item]

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Doussan, Jenny. 2014. 'Para‐ontology and the Governmental Machine'. In: Annual Meeting of the American Comparative Literature Association (ACLA 2014). Seminar: 'Agamben, Capital, and the Homo Sacer Series: Economy, Poverty, People, Work'. New York University, United States 20 - 23 March 2014. [Conference or Workshop Item]

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Doussan, Jenny. 2023. 'Protesting Law with the Law: The Case of Pyotr Pavlensky'. In: Critical Legal Conference 2023: Sanctuary. Durham University, United Kingdom 11-13 September 2023. [Conference or Workshop Item]

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Doussan, Jenny. 2018. 'Sovereign Will'. In: Opening Potentialities: Thinking Ontology and Action with Giorgio Agamben. London, United Kingdom 15 November 2018. [Conference or Workshop Item]

Doussan, Jenny. 2009. 'What is Agamben's Apparatus?'. In: Laboratory: Methods of Interart Studies. 'Close Reading'. Freie Universität Berlin, Germany 16 - 18 November 2009. [Conference or Workshop Item]

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Duncan, Ifor and Levidis, Stefanos. 2024. 'Weaponising a river / Median Line: a century of border violence and the alluvial geopolitics of the Evros/Meric/Maritsa River border'. In: War & Water: A seminar on toxicity, multispecies politics and waterways. Centre for Research in the Arts, Humanities and Social Sciences, University of Cambridge, United Kingdom 7 March 2024. [Conference or Workshop Item]

Dyangani Ose, Elvira. 2012. '‘The Poetics of the Infra-ordinary: The Aesthetic of Recognition in Contemporary African Art’'. In: Koyo Kouoh, Condition Report, Raw Material Company. Dakar, Senegal. [Conference or Workshop Item]

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Dyangani Ose, Elvira. 2018. 'States of Opacity. Lahore Biennial'. In: States of Opacity. Lahore Biennial. Lahore, Pakistan March 18 to March 31 2018. [Conference or Workshop Item]

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Dyangani Ose, Elvira and Ambrožič, Mara. 2016. 'States of Opacity. Art, Politics and New Social Imaginaries. International Symposium at Dakart 2016'. In: States of Opacity. 12th Dakart biennial. Dakar, Senegal. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'The Airstrip – Decampment of Modernism Part III and Two Museums'. In: Screening and Discussion with Heinz Emigholz. UNDEFINED 8 October 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Algorithmic Poetics'. In: Techno Resistance and Black Futures Festival. Goldsmiths, University of London, United Kingdom 27 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Algorithmic Poetics of @GlissantBot'. In: The Proxy and Its Politics: On evasive objects in a Networked Age. Haus der Kulturen der Welt, Berlin, Germany 24 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Anathema, People to Be Resembling and In the Year of the Quiet Sun, Screening and Discussion'. In: Essay Film Festival. ICA, London, United Kingdom 27 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Artist Talk'. In: Reconstruction of Story 2. National Museum of Modern and Contemporary Art, Seoul, Korea, Republic of 26 August 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Artists Moving Image Practice in Britain: From 1990 to today'. In: Artists Moving Image Practice in Britain. Whitechapel Gallery, London, United Kingdom 7 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Assembly: A Survey of Recent Artists Film and Video in Britain 2008 - 2013'. In: Questions of Progress I and II. Tate Britain, Clore Auditorium, United Kingdom 9 March 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Bad New Days: Discussion with Hal Foster and Alex Potts, The Old is dying and the new cannot be born: States, Strategies, Socialisms.'. In: . 12th Annual Historical Materialism Conference. School of Oriental and African Studies, University of London, United Kingdom 6 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Between Times: Marc Karlin Weekend, Meanwhile'. In: What about Socialism AV Festival. Newcastle, United Kingdom. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Ceddo in the Future of 1976'. In: Angazi but I’m Sure. Raw Academy, Dakar, Senegal 21 April 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Circuit of Enslavement'. In: The Global Condition: Dispossession, Displacement and Death. Performing Arts Forum, St. Erme, United Kingdom 20 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Co-Op Dialogues 1996-2016'. In: In Conversation with Jean Matthee. Tate Britain, United Kingdom 14 November 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2021. '‘The Colony is a Prison’: The ‘Redemption of Africa’ in the Gold Coast of Richard Wright'. In: Beinecke Library at Yale. Yale University, United States 8 March 2021. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Continental Afrofutures Lecture One'. In: Laingian Science Fiction. The Showroom, United Kingdom 27 February 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Continental Afrofutures Lecture Two'. In: The Final Scene of Hyenas: A Fable of Fatal Incorporation. The Showroom, London, United Kingdom 11 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Conversation with Diedrich Diederichsen and Nina Montman'. In: Brave New Work: A Reader on Harun Farocki’s A New Product. The Showroom, United Kingdom 25 February 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Decolonizing Nature'. In: In Conversation with T. J. Demos and Ros Gray. The Showroom, United Kingdom 14 July 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Eadward Muybridge Zoopraxographer: Screening and Discussion with Thom Andersen'. In: Essay Film Festival. ICA, United Kingdom 28 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Eastman Complex'. In: I/mages of Tomorrow: Envisioning black, POC futures, disabled futures, queer & trans futures, feminist futures. Goldsmiths, University of London, United Kingdom 3 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'An Endless Suddenness'. In: Thinking with Fred Moten. Open School East, London, United Kingdom 12 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Final Scene of Hyenas: A Parenthetical Incorporation'. In: Khiasma, Kinesis Exposition Arts Visuel. Paris, France 21 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Final Scene of Hyenas: An Parenthetical Incorporation'. In: 23rd Image Symposium: Black or White Screen: The Power of Seeing Images Together. , CA2M Centro de Arte Dos de Mayo, Mosteles 27- 30 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Forgotten Space'. In: Lopud Seminar. Thyssen-Bornemisza Art Contemporary, Lopud, Croatia 8 - 11 September 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Forms of Discontent in Handsworth Songs The Eros Effect'. In: Art, Solidarity Movements and the Struggle for Social Justice. Tensta Konsthall, Sweden 17 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Forum: The Attraction of Representation'. In: The Attraction of Representation. NTU Centre for Contemporary Art, United Kingdom 21 June 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Fukushima Artists Films'. In: In Conversation with Jason Waite. Arts Catalyst Centre, London, United Kingdom 21 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Fukushima and Visual Inquiry'. In: Philippe Rouy Film Screening and Conversation with Jason Waite. Arts Catalyst Centre, London, United Kingdom 13 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Genres of the Human'. In: In conversation with Louis Chude Sokei and Appau Junior Boakye-Yiadom. The Showroom, London, United Kingdom 12 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'In Conversation with Apitchatpong Weerasethakul'. In: Pan-African Space Station. Amsterdam Central Library, Netherlands 13 December 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'In Conversation with Bonaventure Ndikung'. In: African Futures Festival. African Futures Festival, United Kingdom 28 - 31 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'In Conversation with Green Gartside (Scritti Politti)'. In: Postpunk Now and Then. Goldsmiths, University of London, United Kingdom 4 December 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'In Conversation with Sue Clayton'. In: Postpunk Now and Then. Goldsmiths, University of London, United Kingdom 4 December 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'In conversation with Ursula Biemann'. In: CCC, HEAD,. Geneve, Switzerland 28 - 30 September 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'In the Year of the Quiet Sun, Screening and Discussion'. In: Interdisciplinary Practices: FESTAC’ 77. Terra Kulture, Lagos, Nigeria 18 April 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Jet Propelled Take Off of the Black Star'. In: Future Caucus. Vanabbemuseum Eindhoven, Netherlands 20 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Keynote Lecture'. In: Public Assets: Small Scale Arts Organisations and the Production of Value. Platform Theatre, Central Saint Martins, United Kingdom 15 February 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Leben BRD, Harun Farocki: Cinema and Speculation'. In: Padiglione Centrale Arena. Giardini, La Biennale di Venezia, United Kingdom 5 September 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Listening to Dambudzo Marachera'. In: Pan-African Space Station. The Showroom 11 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Listening to FESTAC ’77: In Conversation with Ntone Edjagbe'. In: Pan-African Space Station. The Showroom 8 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Literal Technology of the Hartman Circuitry'. In: Intimate Trespass: Hapticality, Waywardness and the Practice of Entanglement. Cecil Sharp House, London, United Kingdom 8 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Many Lives of Peter Wollen Part 2'. In: Beyond the Scorched Earth of Counter Cinema. Whitechapel Gallery, London, United Kingdom 22 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Methods of Animating the Second Wars of Existence in Kojo Laing’s Achimota City'. In: We Hold This Myth to be Potential. Trondheim Academy of Fine Art, Norway 17 March 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Modernization Theories and Modernist Poetics in Transition Magazine'. In: Podium. KurzfilmTage Oberhausen, Netherlands 17 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Narrating the Race to Zero'. In: Haut ecole d’ art et design. Geneve, Swaziland 30 November 2016. [Conference or Workshop Item]

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Eshun, Kodwo. 2016. 'On Opacity in Senghor and Glissant, States of Opacity: Art, Politics and New Social Imaginaries'. In: International Symposium. Dak’ Art, Dakar Biennial, Senegal 7 - 8 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2023. 'On the Aesthetic of Black Industrialism in the work of Trevor Mathison'. In: Echoes of Dissent Vol. 1. Beursschouburg, Brussels, Belgium 2 June 2023. [Conference or Workshop Item]

Eshun, Kodwo. 2023. 'On the Black Industrialism of Trevor Mathison of Black Audio Film Collective: A Lecture by Kodwo Eshun'. In: Birkbeck Institute of the Moving Image. Birkbeck, University of London, United Kingdom 28 April 2023. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'On the Use and Abuse of Youtube for Life'. In: Global Art Forum. Dubai, United Arab Emirates 19 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Panel discussion with John Akomfrah, Mark Fisher and Bea Campbell'. In: The Unfinished Conversation. Tate Britain, United Kingdom 14 March 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'The Radiant'. In: The Radiant, Screening and Lecture. Everson Museum of Art, Syracuse University, New York, United States 12 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Rereading the African Writers Series: In Conversation with James Currey'. In: Pan-African Space Station. The, United Kingdom 8 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Respondent to Tavia Nyong’o'. In: Tavia Nyong’o. Goldsmiths, University of London, United Kingdom 12 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Sci-fi futures and the production of subjectivities'. In: UNSPECIFIED. The Showroom, London, United Kingdom 7 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Screening and Discussion'. In: Medium Earth. Serralves Museum, Porto, United Kingdom 1 November 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Screening and Discussion'. In: Hydra Decapita and Medium Earth. Electricity Museum, Lisbon, Portugal 23 October 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Screening and Discussion, Song of Ceylon, Basil Wight, 1934'. In: About Basil Wright’s ‘Song of Ceylon’,. Harun Farocki, 1975, United Kingdom 26 February 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Screening of Anathema in conversation with Mark Fisher'. In: Speeding and Braking: Navigating Acceleration. Goldsmiths, London, United Kingdom 12 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'The Sixth Side of the Pentagon and Far from Vietnam'. In: Chris Marker Screening and Introduction. The Barbican, London, United Kingdom 13 May 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'The Song of the Shirt'. In: The Song of the Shirt, Sue Clayton and Laura Mulvey. Tate Liverpool, United Kingdom 29 April 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'A Special Arrow was Shot in the Neck'. In: David Roberts Foundation, Medium Earth, Screening and Discussion. Rio Cinema, London, United Kingdom 22 July 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Sunrise: A Song of Two Humans, Screening and Conversation with John Akomfrah'. In: Climates of Fiction: Cinemas from the Capitalocene. Institute of Light, Institute of Light, United Kingdom 6 March 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2018. 'Thinking with Mark Fisher'. In: Mark Fisher Memorial Lecture 2018. Goldsmiths, University of London, United Kingdom 19 January 2018. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Third Part of The Third Measure, Screening and Conversation with Anthony Elms'. In: International House, Endless Shout. Institute of Contemporary Art at the University of Philadelphia, United States 16 March 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Third Part of The Third Measure, Screening and Conversation with Boris Ondreicka'. In: The Question of Will. A4, Bratislava, Slovakia 24 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Uski Roti, Mani Kaul'. In: Screening and Discussion with Sumesh Sharma. The Empire Remains Shop, United States 23 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Voyages: When Cinema tracks Photojournalism, The Old is dying and the new cannot be born: States, Strategies, Socialisms.'. In: 12th Annual Historical Materialism Conference. School of Oriental and African Studies, University of London, United Kingdom 6 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'We Are Methane'. In: Miracle Marathon. Serpentine Galleries, Second Home, Hanbury Street, United Kingdom 9 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'with Billy Woodberry, Barbara McCullough and June'. In: LA Rebellion Seminar. Tate Modern, London, United Kingdom 12 April 2015. [Conference or Workshop Item]

Eshun, Kodwo and Cokes, Tony. 2019. 'Artist Talk: Tony Cokes and Kodwo Eshun'. In: Artist Talk: Tony Cokes and Kodwo Eshun. Centre for Contemporary Art, Goldsmiths, University of London, United Kingdom 28 September 2019. [Conference or Workshop Item]

Eshun, Kodwo; Henderson, Louis and Denise, Lynee. 2024. 'Thinking with Dub Cinema: Echoes of Dissent Vol. 3'. In: Thinking with Dub Cinema: Echoes of Dissent Vol. 3. Courtisane Festival, Ghent, Belgium 27- 30 March 2024. [Conference or Workshop Item]

Eshun, Kodwo and Keating, Marianne. 2024. 'Kodwo Eshun in conversation with Marianne Keating.'. In: Kodwo Eshun in conversation with Marianne Keating. The Showroom, London, United Kingdom 10 January 2024. [Conference or Workshop Item]

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Eshun, Kodwo; Mehretu, Julie; Dennis, Oswald Nolan; English, Darby; Ntombela, Nontobeko and Nasr, Edwin. 2021. 'Thinking with the Generative Capacities of a Black Aesthetics of Abstraction'. In: Blackness and Aesthetics of Abstraction: The Africa 2020 September Summit. Musee de Quai Branly, France 27 February 2021. [Conference or Workshop Item]

Eshun, Kodwo; Moreno, Louis and Hameed, Ayesha. 2016. 'In conversation with Louis Moreno and Ayesha Hameed'. In: Stadtklang, Sonic Utopias, Utopia Treasury. Somerset House, United Kingdom 20 March 2016. [Conference or Workshop Item]

Eshun, Kodwo; Sagar, Anjalika; Bradley, Rizvana and Campt, Tina. 2020. 'The Otolith Group: The Third Part of The Third Measure Film Screening and Conversation'. In: Black Visualities Initiative: “The Visual Frequency of Black Life”. Cogut Institute for the Humanities, Brown University, United States 5 March 2020. [Conference or Workshop Item]

Eshun, Kodwo; Sagar, Anjalika and Ferreira da Silva, Denise. 2023. 'The Otolith Group with Denise Ferreira da Silva'. In: The Franklin Humanities Institute Climate Change, Decolonisation and Global Blackness Lab. Nasher Museum of Art at Duke University, United States 14 September 2023. [Conference or Workshop Item]

Eshun, Kodwo; Sagar, Anjalika; Hisama, Elie; Jean- Francois, Isaac and Hartman, Saidiya. 2020. 'The Third Part of the Third Measure. A Film About Julius Eastman. Film Screening and Discussion'. In: The Third Part of the Third Measure. A Film About Julius Eastman. Film Screening and Discussion. 612 Schermerhorn Hall, Columbia University, United States 6 March 2020. [Conference or Workshop Item]

Eshun, Kodwo; Sagar, Anjalika and Philips, Rasheedah. 2022. 'DXG: Octonionic Constellation: Thinking Octavia Butler with Rasheedah Phillips of Black Quantum Futurism.'. In: DXG: Octonionic Constellation: Thinking Octavia Butler with Rasheedah Phillips of Black Quantum Futurism.. Cafe OTO, London, United Kingdom 20 February 2022. [Conference or Workshop Item]

Eshun, Kodwo; Sagar, Anjalika; Wilson, Leslie M.; Getachew, Adom and Nsabimana, Natacha. 2023. 'Photo and Film: A Screening and Conversation with The Otolith Group'. In: Photo and Film: A Screening and Conversation with The Otolith Group. Smart Museum of Art, University of Chicago, United States 3 May 2023. [Conference or Workshop Item]

Ferreira da Silva, Denise; Hameed, Ayesha; Sharma, Ashwani; Sagar, Anjalika and Eshun, Kodwo. 2018. 'Study Group on Black Aesthetics'. In: In formation III. Institute for Contemporary Art, London, United Kingdom 26 August 2018. [Conference or Workshop Item]

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García Düttmann, Alexander. 2009. '‘For Those Who Like That Sort Of Thing, That’s The Sort Of Thing They Like’'. In: All the Same – Was gilt, wenn alles gleich und gültig ist?. Steirischer Herbst Festival, Graz, Austria October 2010. [Conference or Workshop Item]

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García Düttmann, Alexander. 2010. 'For and Against the Contemporary. An Examination'. In: Culture After Postmodern Culture. UC Irvine, United States 9 October 2010. [Conference or Workshop Item]

García Düttmann, Alexander. 2009. 'Kafka and the Life of the Letter'. In: Process / Music. 25th Music Biennale Zagreb, Croatia April 2009 - January 2010. [Conference or Workshop Item]

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García Düttmann, Alexander. 2010. 'Law, Literature, Revolution'. In: Recht und Literatur: Verfahren. Erfurt, Germany. [Conference or Workshop Item]

García Düttmann, Alexander. 2010. 'The Love of Proper Names'. In: Workshop on pedagogy and disaster. ICA, London, United Kingdom. [Conference or Workshop Item]

Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole. 2014. 'Feminism@Goldsmiths'. In: Feminism@Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2010. 'Aesthetics of Evidence'. In: Presentation to the United Nations Human Rights Commission, Geneva (with Centre for Research Architecture). Geneva, Switzerland 2010. [Conference or Workshop Item]

Hameed, Ayesha. 2008. 'Artist’s Talk, Rearranging Desires: Curating the "Other” Within'. In: Rearranging Desires: Curating the "Other” Within. Concordia University, Montreal, Canada 6 – 31 October 2008. [Conference or Workshop Item]

Hameed, Ayesha. 2018. 'Black Atlantis'. In: BAK basis voor actuele kunst. Utrecht, Netherlands. [Conference or Workshop Item]

Hameed, Ayesha. 2018. 'Black Atlantis: Retrograde Futurism'. In: Society for Artistic Research 9th International Conference, “Artistic Research Will Eat Itself”. University of Plymouth, United Kingdom 11 -13 April 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2021. 'Black Atlantis: Retrograde Futurism'. In: Fall Semester 2021: Oceanic Archives. Institute of Contemporary Art, Miami, United States 17 November 2021. [Conference or Workshop Item]

Hameed, Ayesha. 2022. 'Black Atlantis: The End of Eating Everything'. In: Oceanic Imaginaries. Studium Generale Rietveld Academie, Amsterdam, Netherlands 23 - 26 March 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2023. 'Black Atlantis: The Plantationocene'. In: Down alive to wondrous depths. Museo Nacional Thyssen-Bornemisza, Madrid, Spain 2 - 3 June 2023. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '“Black Atlantis” at "You Send Me" panel discussion'. In: Sharjah Art Foundation March Meeting 2018. Sharjah Art Foundation, Sharjah, United Arab Emirates 17 - 19 March 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2019. '“Black Atlantis” at Symposium ‘Black Mediterranean’'. In: Black Mediterranean Symposium 2019, Contemporary Istanbul. Istanbul, Turkey 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2020. 'Black Med with Invernomuto'. In: DEMO Moving Image Festival. Deptford, United Kingdom 15 June – 4 July 2020. [Conference or Workshop Item]

Hameed, Ayesha. 2019. '"The Bloop" and "Jupiter"'. In: AUDINT - Unsound:Undead Launch. Tate Modern, London, United Kingdom 26 July 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '"The Bloop“ and "Jupiter"'. In: AUDINT-Unsound: Undead. Spike Island, Bristol, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2011. 'The Body in the Jungle'. In: Forensic Aesthetics. Staatliche Hochschule für Bildende Künste – Städelschule, Frankfurt am Main, Germany 12-15 January 2011. [Conference or Workshop Item]

Hameed, Ayesha. 2011. 'Border Crossings'. In: Banff Centre for Arts and Creativity. Banff, Canada 2011. [Conference or Workshop Item]

Hameed, Ayesha. 2003. 'Colonial Circuits: The Commodification of the Ocean and the Creation of Modern Space'. In: Canadian Association for Cultural Studies. Dalhousie University, Halifax, Canada 2003. [Conference or Workshop Item]

Hameed, Ayesha. 2023. 'Conversation with Sonya Dyer'. In: Sonya Dyer: In Conversation. Somerset House, London, United Kingdom 6 November 2023. [Conference or Workshop Item]

Hameed, Ayesha. 2022. 'The Decentering Machine'. In: Unmoored, Adrift, Ashore Symposium, Panel #3: The Decentering Machine. Or Gallery, Vancouver, Canada 19 - 21 May 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2003. 'Dialectics at a Standstill: a Benjaminian reading of Turner, Grandville and Industrial Seascapes'. In: Universities Art Association of Canada Conference (UAAC-AAUC) 2003. Queen’s University, Kingston, Canada 2003. [Conference or Workshop Item]

Hameed, Ayesha. 2014. 'Discussant and Respondent “The Free Sea” GV Art, London'. In: The Free Sea - screening and discussion. GV Art, London, United Kingdom 28 November 2014. [Conference or Workshop Item]

Hameed, Ayesha. 2022. 'Documenta 15, Alice Yard'. In: Documenta 15. Kassel, Germany 8 September 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2018. 'Echoes of the South Atlantic talk'. In: Echoes of the South Atlantic Conference Salvador 2018. Goethe Institute Salvador, Salvador-Bahia, Brazil 23 - 25 April 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2022. 'How to Do Things with Sound'. In: How to Do Things with Sound: An Evening on Sonic Fiction in the Arts and Activism. Haus der Kulturen der Welt (HKW), Berlin, Germany 3 March 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2013. 'The Image of Gaddafi'. In: Radical Media Forum: Aesthetics and the Politics of Moving Images. Goldsmiths, University of London, United Kingdom 10 December 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2012. 'The Image of Gaddafi'. In: Living Death Camp and Forensic Aesthetics: Where subjugated knowledge is, sociality occurs. Centre for Cultural Decontamination, Belgrade, Serbia 5-12 April 2012. [Conference or Workshop Item]

Hameed, Ayesha. 2005. 'Invisible Evidence: History/ Diaspora/ Documentary'. In: Visible Evidence XII. Concordia University, Montreal, Canada 21-25 August 2005. [Conference or Workshop Item]

Hameed, Ayesha. 2010. 'The Jungle as Second Nature'. In: Regimes of Extraterritoriality. Cairo, Egypt 2010. [Conference or Workshop Item]

Hameed, Ayesha. 2024. 'Keynote Lecture'. In: Intersectional Materialisms: Diversity in Creative Industries, Methods and Practices. National University of Ireland, Maynooth, Ireland 26 - 28 August 2024. [Conference or Workshop Item] (Forthcoming)

Hameed, Ayesha. 2023. 'Keynote Lecture'. In: “Of Sea Changes and Other Futurisms” Confluence. CCA Glasgow, United Kingdom 19 August 2023. [Conference or Workshop Item]

Hameed, Ayesha. 2024. 'Keynote Lecture Henry ‘Box’ Brown Lecture'. In: Henry ‘Box’ Brown Lecture. University of Manchester, United Kingdom. [Conference or Workshop Item] (Forthcoming)

Hameed, Ayesha. 2020. 'Keynote Lecture “Black Atlantis”'. In: Black Atlantis. Nordland School of Arts and Film, Lofoten, Norway. [Conference or Workshop Item]

Hameed, Ayesha. 2018. 'Keynote Lecture “Retrograde Futurism”'. In: Artistic Research Will Eat Itself, 9th Society for Artistic Research - International Conference on Artistic Research. University of Plymouth, United Kingdom 11 - 13 April 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2023. 'Keynote Lecture “The Plantationocene” Bordering Plants'. In: “The Plantationocene” Bordering Plants. Exhibit Galerie, Academy of Fine Arts Vienna, Austria 8 November 2023. [Conference or Workshop Item]

Hameed, Ayesha. 2012. 'The Law of the Jungle Can't Last'. In: Objects, Practices and Territories: Guimarães 2012, European Capital of Culture. Guimarães, Portugal 2012. [Conference or Workshop Item]

Hameed, Ayesha. 2014. 'Majub's Journey screening and discussion'. In: Majub's Journey. Goethe Institute London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2004. 'Mapping the Self, Mapping the Other: Colonialism and Metropolitan Identity'. In: Print Culture and the City. McGill University, Montreal, Canada 2004. [Conference or Workshop Item]

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Hameed, Ayesha. 2022. 'Migrations to the North, Forced Repatriation and the New Middle Passage (Panel)'. In: March Meeting 2022: The Afterlives of the Postcolonial. Sharjah Art Foundation, United Arab Emirates 5 - 7 March 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2022. 'The Ocean as Archive'. In: Artistic Activism and the Power of Collective Resistance. Vanderbilt University, United States 16 March 2022. [Conference or Workshop Item]

Hameed, Ayesha. 2023. 'Of the Act of Mending (In conversation)'. In: Tate Lates. Tate Modern, United Kingdom 27 October 2023. [Conference or Workshop Item]

Hameed, Ayesha. 2010. 'On Coastlines, Border Crossings and Natural History,'. In: History and Theory Reading Group. Department of History and Philosophy of Science, University of Cambridge. Cambridge, United Kingdom 28 May 2010. [Conference or Workshop Item]

Hameed, Ayesha. 2012. 'On Laughter and Violence'. In: On Laughter and Violence. University of Chicago, Chicago, United States. [Conference or Workshop Item]

Hameed, Ayesha. 2013. 'Perils of the Sea'. In: Devils Advocates. Goldsmiths, University of London, United Kingdom 1-2 March 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '“Respondent” to Denise Ferreira da Silva'. In: Denise Ferreira da Silva: Blacklight; part of In formation III. Institute for Contemporary Art, London, United Kingdom 25 August 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2019. '“Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure (Architectural Association)'. In: Work, Body, Leisure Book Launch, Architectural Association. Architectural Association, London, United Kingdom 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '“Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure'. In: Work, Body, Leisure Book Launch. Het Nieuwe Instituut, Rotterdam, Netherlands 26 August 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2013. 'Rituals and Masks at the Border'. In: Sarai Reader 09: The Exhibition New Delhi. New Delhi, India 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2017. 'A Rough History (of the destruction of fingerprints)'. In: Genealogies of Visual Cultures. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2003. 'Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea'. In: Culture and the State: Past Present and Future. University of Alberta, Edmonton, Canada 2003. [Conference or Workshop Item]

Hameed, Ayesha. 2006. 'Salon Femmes br@nchées #61'. In: Salon Femmes br@nchées #61 : ART.chives : art, archives, & databases. Studio XX, Montréal, Canada 16 February 2006. [Conference or Workshop Item]

Hameed, Ayesha. 2018. 'The Shaping of a Message'. In: The Shaping of a Message Symposium. Goldsmiths, University of London, United Kingdom 8 June 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2020. 'Songs for Petals'. In: Liquid Worlds. Leicester Gallery, De Montfort University, United Kingdom 4 August 2020. [Conference or Workshop Item]

Hameed, Ayesha. 2019. 'Soot Breath: Trans-boarding'. In: International Symposium: Soot Breath: On Land, Law and Bodies. Showroom, London, United Kingdom 18 May 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2001. 'Strategies of Critique XV: Human Nature'. In: Strategies of Critique XV: Human Nature. York University, Toronto, Canada 2001. [Conference or Workshop Item]

Hameed, Ayesha. 2013. ''Streams, Torrents and Waves''. In: South Asian Visual Arts Centre Monitor 9. no.w.here London, United Kingdom 24 April 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2014. 'The Time and Sound of the Nautical Border'. In: Charting Imperial Itineraries, 1914-2014: Unmooring the Komagata Maru Conference. Victoria, Canada May 2014. [Conference or Workshop Item]

Hameed, Ayesha. 2020. 'Topic: “The End of Eating Everything”'. In: Visual & Critical Studies Forum. CCA Wattis Institute for Contemporary Arts, California College of the Arts, United States 19 December 2020. [Conference or Workshop Item]

Hameed, Ayesha. 2021. 'The Uncanny Ocean: A Proposition by Ayesha Hameed'. In: The Uncanny Ocean. HEAD Genève, Switzerland 2 March 2021. [Conference or Workshop Item]

Hameed, Ayesha. 2005. 'The Unspoken Archive: New Media Representations of the Middle Passage'. In: Refresh! First International Conference on the Histories of Media Art, Science and Technology. Banff New Media Institute, Canada 28 September - 3 October 2005. [Conference or Workshop Item]

Hameed, Ayesha. 2009. 'Vectors of the Global Border'. In: Historical Materialism. London, United Kingdom 2009. [Conference or Workshop Item]

Hameed, Ayesha. 2002. 'Virtual Toronto: Interdisciplinary Knowledge and New Research Tools'. In: Bridges II: A Conference about Cross-Disciplinary Research and Collaboration. Banff New Media Institute, Canada October 2002. [Conference or Workshop Item]

Hameed, Ayesha. 2009. 'Wait… a minute!'. In: Wait… a minute! e-round table discussion. OBORO, Montréal, Canada 9 May 2009. [Conference or Workshop Item]

Hameed, Ayesha. 2020. 'You Cannot Close Your Eyes to New Horizons: A Storytelling Session'. In: Open City Documentary Festival 2020. London, United Kingdom 11 September 2020. [Conference or Workshop Item]

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Hameed, Ayesha. 2022. 'À l'ombre de nos fantômes/ In the Shadows of our Ghosts'. In: Ages of Receivership: On Generous Listening. Institute Art Gender Nature, Basel Academy of Art and Design FHNW, Switzerland 16 - 17 March 2022. [Conference or Workshop Item]

Hameed, Ayesha; Eshun, Kodwo and Diederichsen, Diedrich. 2015. 'Circle/ Rhythm/ Ritual'. In: Labour in a Single Shot. Haus der Kulturen der Welt, Berlin, Germany 26 - 28 February 2015. [Conference or Workshop Item]

Hameed, Ayesha and Gunkel, Henriette. 2023. 'Keynote Lecture “The Soil and the Sea of the Plantationocene”'. In: British Association for American Studies Annual Conference 2023 (BAAS 2023). Keele University, United Kingdom 12 - 14 April 2023. [Conference or Workshop Item]

Hameed, Ayesha and Gunkel, Henriette. 2015. 'A Lexicon of Afterlives: Visions of Future/s: Towards radical collective imaginations'. In: 6th European Conference on African Studies (ECAS-6). Paris, France 8-10 July 2015. [Conference or Workshop Item]

Hameed, Ayesha and Gunkel, Henriette. 2018. 'Visual Cultures as Time Travel'. In: Alien Time. Goldsmiths, University of London, United Kingdom 25 May 2018. [Conference or Workshop Item]

Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.. 2023. 'Keynote Lecture “Time Travelling Devices”'. In: Time Machines: Escaping Linear Chronology across Media Arts. Goldsmiths, University of London, United Kingdom 13 June - 14 July 2023. [Conference or Workshop Item]

Hameed, Ayesha and Mangalanayagam, Nina. 2021. 'Ayesha Hameed in dialogue with Nina Mangalanayagam'. In: Artist talk: Ayesha Hameed in dialogue with Nina Mangalanayagam. IASPIS, Stockholm, Sweden 20 October 2021. [Conference or Workshop Item]

Hameed, Ayesha and Perretta, Imran. 2018. '“In Conversation” with Imran Perretta'. In: 15 days. Jerwood Arts, London, United Kingdom 10 May 2018. [Conference or Workshop Item]

Hameed, Ayesha and Robertson, Kirsty. 2008. 'What is Missing and What is There: Passages from War to Art'. In: Universities Art Association of Canada. Toronto, Canada 2008. [Conference or Workshop Item]

Hameed, Ayesha and Rosendahl, Lisa. 2019. 'GIBCA Conversations: dialogue with curator Lisa Rosendahl'. In: 10th Gotëburg International Biennial for Contemporary Art. Gothenburg, Sweden 7 September 2019. [Conference or Workshop Item]

Hameed, Ayesha and Weizman, Eyal. 2009. 'On Archives'. In: Museum of non Participation. no.w.here, London, United Kingdom 2009. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2020. 'The Artworld. A Tourist Guide by Yaiza Hernández Velázquez – The Coming South'. In: The Coming South: Struggles, Epistemologies, Solidarities. Het Nieuwe Instituut, Netherlands 18 December 2020. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2022. 'Coleccionismo, Universalismo, Extinción'. In: Coleccionismo, Universalismo, Extinción. Tenerife Espacio de las Artes, TEA, Spain 22 December 2022. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2019. 'Debate: "Beyond Capitalist Realism" | Internationalism After the End of Globalisation'. In: Internationalism after the End of Globalisation. Museum of Modern Art in Warsaw, Poland. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2022. 'Encuentro Pensando los Museos Hoy. Mesa 1: Acuerdos y desacuerdos críticos de las nuevas museologías'. In: Encuentro Pensando los Museos Hoy. Museo de la Solidaridad Salvador Allende, Chile 26 - 29 October. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2022. 'Hacia Nuevas Formas de Crítica Institucional'. In: Retrospectivas críticas. Tres décadas del sistema-arte. Universidad Internacional de Andalucía, Seville, Spain 18 - 20 January 2022. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2020. 'Heart of Darkness'. In: The Papers of the Exhibition. International Symposium on Curating. Azkuna Zentroa, Bilbao, Spain 21 – 22 October 2020. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2022. 'La Universidad que Nunca Fue'. In: Seminario "Muntadas. About Academia". Universidad de Granada, Spain 21 January 2021. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2023. 'The Last Resort. On Terminal Tourism'. In: The Last Resort. On Terminal Tourism. Goldsmiths, University of London 5 October - 14 December 2023. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2018. 'Liberating the Curator / Liberating the Museum'. In: Curating Differently, Curating Difference (MFA Fine Art + MFA Curating Lecture Series). Goldsmiths, University of London, United Kingdom 26 November 2018. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2019. 'Ponerse en el mapa. Cosmopolitismo provinciano en los años del Boom'. In: Art and Tourism Imaginaries II. Spain was never different. Art and Tourism from the 1960s onwards. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain 12 June 2019. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2023. 'What we did on our Holidays'. In: On Terminal Tourism. Goldsmiths, University of London, United Kingdom 5 October 2023. [Conference or Workshop Item]

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Hernández Velázquez, Y. M. and Dyangani Ose, Elvira. 2023. 'The Futures of the Museum'. In: The Futures of the Museum. Artium, Spain 5 May 2023. [Conference or Workshop Item]

Hille, Moira and Hameed, Ayesha. 2019. 'Ayesha Hameed and Moira Hille “In conversation”'. In: Fantastic Thursday. Academy of the Fine Arts, Vienna, Austria January 2019. [Conference or Workshop Item]

Hille, Moira; Hameed, Ayesha; Arabindan-Kesson, Anna; Guerin, Ayasha; De Lucia, Lori A. and McKelvin, Patricia. 2018. 'Ghostships & Other Narratives'. In: Resignifications 2018: The Black Mediterranean. Palermo, Italy 7 June 2018. [Conference or Workshop Item]

McAuliffe, Sam. 2012. 'Adorno and the Aporia of Aesthetic Autonomy'. In: Novas Reflexões sobre Arte. Prefeitura Municipal de Porto Alegre, Brazil 4 Apr 2012. [Conference or Workshop Item]

McAuliffe, Sam. 2022. 'Aesthetic Education: Visual Cultures Public Programme Autumn Term 2022'. In: Aesthetic Education. Goldsmiths, University of London, United Kingdom 13 October - 15 December 2022. [Conference or Workshop Item]

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McAuliffe, Sam. 2019. 'Autosociobiography: Annie Ernaux and the Collective Sensorium'. In: Terra Critica VII: Critique and Society. Whose Society?. Kings College London, United Kingdom 4-6 July 2019. [Conference or Workshop Item]

McAuliffe, Sam. 2019. 'Critique and Society: Whose Society?'. In: Terra Critica VII: Critique and Society. Whose Society?. Kings College London, United Kingdom 4-6 July 2019. [Conference or Workshop Item]

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McAuliffe, Sam. 2017. 'Decorum and Insolence in Robert Walser’s Dialectic of Manners'. In: Play, Recreation, and Experimentation: Literature and the Arts since the Early Modern Times. University of Kent, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2012. 'The Eschatology of the Voice'. In: Derrida-Konferenz. Goethe-Universität Frankfurt am Main, Germany 14 - 16 March 2012. [Conference or Workshop Item]

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McAuliffe, Sam. 2023. 'The Frame of World-as-Resource'. In: Terra Critica x Rural Imaginations. Veenhuizen, Netherlands 13-17 June 2023. [Conference or Workshop Item]

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McAuliffe, Sam. 2017. 'The Imagination of Detail: Barthes and the Politics of Utopia'. In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017. [Conference or Workshop Item]

McAuliffe, Sam. 2015. 'A Margin of Error: Bildersprache and its Critique in Otto Neurath, Adorno, K.P. Brehmer'. In: London Conference in Critical Thought. UCL, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2018. 'Marguerite Duras and the Master Image'. In: Film-Philosophy 2018. University of Gothenberg, Sweden. [Conference or Workshop Item]

McAuliffe, Sam. 2013. 'Nocturnal Space'. In: The Deepest Darkness: Robin Mason. Block 336 Gallery, London, United Kingdom 10 May 2013. [Conference or Workshop Item]

McAuliffe, Sam. 2011. 'Of Part and Whole: Derrida and the Nuclear Thing'. In: ‘Force and the Worst’ InC (Research Group In Continental Philosophy) seminar series. Goldsmiths, London, United Kingdom 29 Mar 2011. [Conference or Workshop Item]

McAuliffe, Sam. 2016. 'On This Side of Life: Monstrosity and Mechanicity in Canguilhem and Derrida'. In: Derrida Today. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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McAuliffe, Sam. 2019. 'Painting, Writing and the Time of an Encounter (Félix Fénéon, by way of André du Bouchet)'. In: Modernist Art Writing/Writing Modernist Art. University of Nottingham, United Kingdom 24-25 June 2019. [Conference or Workshop Item]

McAuliffe, Sam. 2018. 'The Radio Question'. In: London Conference in Critical Thought. Westminster 30 June - 1 July, 2017. [Conference or Workshop Item]

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McAuliffe, Sam. 2022. 'Rising, Falling'. In: Critical Transformations: Terra Critica 2.0. Utrecht University, Netherlands 8 - 10 June 2022. [Conference or Workshop Item]

McAuliffe, Sam. 2013. 'Second Nature (Lukács, Benjamin, Adorno)'. In: Weather Permitting; 9th Bienal do Mercosul, 2013. Porto Alegre, Brazil 17 Oct 2013. [Conference or Workshop Item]

McAuliffe, Sam. 2014. 'A Trace of What Has Not Occurred'. In: Archives for the Future. Westminster University, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2015. 'Utopia and Critique'. In: Critical Transactions: Engaging the Humanities East and West. School of Humanities, Hong Kong University, Hong Kong. [Conference or Workshop Item]

McAuliffe, Sam. 2017. 'The Way Out: Kant and Kafka on Nature and History'. In: American Comparative Literature Association Annual Meeting. Utrecht University, Netherlands. [Conference or Workshop Item]

McAuliffe, Sam. 2014. 'Whoever Sees God Dies'. In: Knowledge Exchange. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Moreno, Louis. 2023. 'Roundtable: Struggles in the Concrete – Architecture, Architectural History and the Marxist Tradition - An Architecture Space and Society Centre Conference'. In: Struggles in the Concrete – Architecture, Architectural History and the Marxist Tradition. Birkbeck, University of London, United Kingdom 27 - 28 April 2023. [Conference or Workshop Item]

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Moreno, Louis and Brar, Dhanveer Singh. 2022. 'Seven Theses on P-Funk'. In: eleven theses on p-funk. Nottingham Contemporary, United Kingdom 9 June 2022. [Conference or Workshop Item]

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Moreno, Louis and George, Edward. 2023. 'On Broadwater Farm: Dub Housing and other planes of consistency (part one) Edward George in conversation with Louis Moreno'. In: On Broadwater Farm: Dub Housing and other planes of consistency (part one) Edward George in conversation with Louis Moreno. Goldsmiths, University of London, United Kingdom 4 May 2023. [Conference or Workshop Item]

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Moreno, Louis and Vishmidt, Marina. 2019. 'End-of-the-World Trade: On the Speculative Economies of Art and Extraction'. In: End-of-the-World Trade: On the Speculative Economies of Art and Extraction. Goldsmiths, University of London, United Kingdom 21 - 22 June 2019. [Conference or Workshop Item]

Mörtenböck, Peter. 2018. 'Beyond Architecture on Demand: Rethinking Urban Futures in the Age of Platforms'. In: SLIVER Lecture Series. University of Applied Arts Vienna, Austria 22 November 2018. [Conference or Workshop Item]

Mörtenböck, Peter. 2019. 'Co-Living Platforms - Is Complexity Producible?'. In: 2nd Civic Design Conference. Peter Behrens School of Arts, Düsseldorf, Germany 7 November 2019. [Conference or Workshop Item]

Mörtenböck, Peter. 2020. 'Stadtform oder Plattform? Architektur, Bürger/User-Beteiligung und die Frage des Gemeinwohls'. In: Ceremonial Address at the BDA Jahresempfang 2020. Liederhalle, Stuttgart, Germany 27 January 2020. [Conference or Workshop Item]

Mörtenböck, Peter. 2022. 'Zukunft anwenden'. In: Candidate lecture, Rector of the University of Applied Arts Vienna. University of Applied Arts Vienna, Austria. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2020. 'Access Is The New Capital'. In: We Like - Platform Austria. Architektur Haus Kärnten, Klagenfurt, Austria 16 January 2020. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'Critical Landscapes'. In: Horizonte Lecture Series. Bauhaus-Universität Weimar, Germany 4 July 2023. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2018. 'Crowdfunded Urbanism: Invest in the City you Desire'. In: Futures of Finance and Society Conference. University of Edinburgh, United Kingdom 6 - 7 December 2018. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'Data Is a Relation Not a Property'. In: Data Is a Relation Not a Property. DumBO (Distretto Urbano Multifunzionale di Bologna), Bologna, Italy 5 May 2023. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2022. 'Data Publics, Platform Urbanism and the New Challenges of Practising Dialogue'. In: The Public Sphere in Agony – Re-Thinking the Dialogical, Performative Assembly, and Civic Culture. Catholic University of Eichstätt-Ingolstadt, Germany 23 - 25 June 2022. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2019. 'Data is Not a Property But a Relation'. In: Changing Values Conference, Vienna Biennale for Change 2019. Architekturzentrum Wien, Vienna, Austria 6 September 2019. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2019. 'Data is a Relation not a Property'. In: We Like - Platform Austria. vai Vorarlberger Architektur Institut, Dornbirn, Austria 9 December 2019. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Die digitale Stadt – Visionen für 2050'. In: Die Stadt als Datenfeld. Wie wir in Zukunft leben wollen. Graz Museum, Austria 23 June 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2019. 'Die räumliche Wirkungsmacht ökonomischer Verschiebungen'. In: Prop Talk 2. halfway, Vienna, Austria 17 January 2019. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2019. 'Digital Sharing & Data Commons'. In: Shared Cities: The Finale. Center for Architecture and Metropolitan Planning, Prague, Czech Republic 2 - 3 October 2019. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'El potencial de la arquitectura inmobiliaria para el desarrollo sostenibile de las ciudades'. In: IV Foro eau de Arquitectura Inmobiliaria. UNIBE, Santo Domingo, Dominican Republic 7 December 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'Good Life'. In: Architektur-Film Matinée. Filmcasino, Vienna, Austria 5 November 2023. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'How Will We Live Together?'. In: Redistribution: Land, People and Environment. City Gallery, Hong Kong, Hong Kong 10 December 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2024. 'In/formal Marketplaces'. In: From Essentials to Experiences: The Transformation of City Markets. Pakhuis de Zwijger, Amsterdam, Netherlands 8 April 2024. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'In/formal Marketplaces'. In: In/formal Marketplaces. School of Architecture, Chu Hai College, Hong Kong, Hong Kong 28 November 2023. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2023. 'Incorporating Informality'. In: Informal Markets Worlds International Research Forum IV. Los 36 Billares, Buenos Aires, Argentina 14 October 2023. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2020. 'Live-Work-Play'. In: Lunchtime Lectures. New Design University, St. Pölten, Austria 3 December 2020. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Living on Platforms'. In: Visual Cultures Public Programme: Curatorial Agencies. Goldsmiths, University of London, United Kingdom 7 October 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Platform Austria – We Like'. In: Nachhilfe: Platform Austria - We Like. Club Hybrid, Graz, Austria 22 June 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Platform Urbanism and Its Discontents'. In: Platform Urbanism and Its Discontents. Pro qm, Berlin, Germany 3 December 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2021. 'Platform Urbanism and Its Discontents: Trajectories Towards a Post-Pandemic Urbanity'. In: Academy of Global Humanities and Critical Theory Summer School 2021. University of Bologna, Italy 25 June 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2018. 'Tent Cities, Peoples Kitchens, Free Universities: The global villages of occupation movements'. In: The Social Re-Production of Architecture Symposium. Central Saint Martins College of Art and Design, London, United Kingdom 1 March 2018. [Conference or Workshop Item]

Mörtenböck, Peter and Mooshammer, Helge. 2020. 'We Like - Platform Austria'. In: We Like - Platform Austria. HdA Graz, Austria 4 March 2020. [Conference or Workshop Item]

Mörtenböck, Peter; Mooshammer, Helge and Fanni, Maryam. 2024. 'The Transformative Role of Marketplaces in 21st Century Cities'. In: Urban Futures: From Essentials to Experiences. Institute for Future Studies, Stockholm, Sweden 4 June 2024. [Conference or Workshop Item]

Mörtenböck, Peter; Mooshammer, Helge and Gerdes, Benjamin. 2023. 'The Future is Public: Platform Urbanism and Its Discontents'. In: Higher Seminar. Royal Institute of Art, Stockholm, Sweden 23 March 2023. [Conference or Workshop Item]

Mörtenböck, Peter; Mooshammer, Helge; Kessler, Madeleine; Verghese, Manijeh; Ferrer, Felipe and Babina, Lucia. 2021. 'Gran Bretagna con Austria: Private vs. Public Spaces'. In: Private vs. Public Spaces. Padiglione Centrale, Giardini della Biennale, Biennale Architettura 2021, Venice, Italy 27 August 2021. [Conference or Workshop Item]

Mörtenböck, Peter; Mooshammer, Helge; Mehrotra, Rahul; Rao, Vyjayanthi; Cruz, Teddy and Forman, Fonna. 2018. 'Global Demands: Architecture Research in a Globalised World'. In: Global Demands. Architekturzentrum Wien, Vienna, Austria 28 May 2018. [Conference or Workshop Item]

Mörtenböck, Peter; Mooshammer, Helge; Zucconi, Guido; d'Allesandro, Jesus and Cabral, Lidia. 2021. 'Sensitive City and the Unifying Role of Design'. In: Sensitive City and the Unifying Role of Design. Pavilion of the Dominican Republic, Biennale Architettura, Venice, Italy 24 September 2021. [Conference or Workshop Item]

Mörtenböck, Peter and Obrist, Michael. 2020. 'Co-Living Spaces - Von offenen Kommunen zu Plattformen für gemeinschaftliches Wohnen'. In: Wohngespräche. TU Wien, Austria 9 June 2020. [Conference or Workshop Item]

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O' Dwyer, Killian. 2024. 'Against the Flow: When the Gift and Sexual Biopolitics Bleed Together'. In: Leakage: the Inaugural Conference of STSinG. Dresden, Germany 19 - 22 March 2024. [Conference or Workshop Item]

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O' Dwyer, Killian. 2024. 'Creature Cameos: Filming Who or What'. In: Forms and Feelings of Kinship in the Contemporary World. University of Warwick, United Kingdom 27 April 2024. [Conference or Workshop Item]

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O' Dwyer, Killian. 2023. 'The Gift in Lube: Erotics of Facilitation'. In: “Sense and Sexuality: Erotic Discourses in/of History”. Katowice, Poland 22-23 September 2023. [Conference or Workshop Item]

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O' Dwyer, Killian. 2023. 'Keeping (Revolutionary) Time: Conducting Political Counterpoints in Todd Field's 'Tár''. In: Film-Philosophy Conference 2023. Chapman University, Orange, California, United States 13-15 June 2023. [Conference or Workshop Item]

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O' Dwyer, Killian. 2023. 'Secret(e) Sex: Secretions that Supplant Shame'. In: 5th 'Memory, Guilt, Shame' International Interdisciplinary Conference. Online, Poland 26-27 October 2023. [Conference or Workshop Item]

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O' Dwyer, Killian. 2024. 'Under the Skin: The Interval Between Sex and Meaning'. In: Film-Philosophy Conference 2024. Espinho, Portugal 1 - 3 July 2024. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'Accelerationism, Prometheanism and Mythotechnesis'. In: Art and Reason – How Art Thinks II. Baltic Museum, Newcastle, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2001. ''Aesthetics and Affects in Art History''. In: Visual Arts lecture series. Manchester Metropolitan University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. 'The Aesthetics of Affect'. In: MA Fine Art lecture series. Central St Martins, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1996. 'Alien Objects'. In: Thinking Alien, two-day conference. The University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2020. 'Anamorphosis: from the Visual Field to Speculative Writing'. In: Diagrams, Models and Magic. Royal College of Art (online), United Kingdom 2 June. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1997. 'Angels and Desire'. In: Mind/Culture/Theory Seminar Series at the Centre for Psychotherapeutic Studies. The University of Sheffield, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Anti-Oedipus and the Production of the Subject'. In: The Fourth International Deleuze Conference 'Creation, Crisis, Critique. Copenhagen Business School, Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'Art Encounters Deleuze and Guattari'. In: Stanley Pickard Gallery, part of Gest: Future Criticism. University of Kingston, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Fictioning (or, Myth-Science)'. In: Arts of Existence: Artistic Practices, Aesthetics and Techniques Seminar. Unit of Play, Goldsmiths, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Art Practice as Non-Schizoanalysis'. In: Schizoanalysis and Schizostrategy panel. IMT Gallery, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker (and seminar), Theatre Academy. Helsinki, Finland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, London Graduate School. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, Edinbrugh College of Art. Edinburgh, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2009. 'Art Practice between Henri Bergson and Felix Guattari'. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1996. 'Art as Machine: Lines of Force, Lines of Flight'. In: Post-Theory three day conference. School of Humanities, The University of Glasgow, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2022. 'Avatars and Egregores'. In: Magic and Schizoanalysis. Goldsmiths, University of London, United Kingdom 7 December 2022. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. 'The Care of the Self and the Production of the New'. In: The National College of Art and Design. Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. ''The Care of the Self versus the Ethics of Desire''. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'The Care of the Self versus the Ethics of Desire'. In: Beyond Spinoza Conference, Goldsmiths. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2000. 'Cultural Studies as Rhizome, Rhizomes in Cultural Studies'. In: Cultural Studies and Interdisciplinarity, Trinity and All Saints College. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1997. 'The Death of the Subject: Machines and Meaning'. In: Death and its Concepts two day conference. Centre for Cultural Studies, The University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Deleuze and Contemporary Art'. In: Douglas Hynde Gallery. Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'Deleuze and Contemporary Art'. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. ''Deleuze and Contemporary Art'. In: Postgraduate Seminar Series. University of Reading, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'Deleuze and Contemporary Art Practice'. In: Aesthetics Lecture series. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Deleuze for Artists'. In: Stanley Pickard Lecture Series. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. ''Deleuze, Guattari and Art Practice', What is Philosophy?'. In: Seminar series. University of Warwick, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. 'Deleuze, Guattari and the Production of the New'. In: The Cultural Theory Institute. University of Manchester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'Deleuzian Aesthetics'. In: Danish Academy of Fine Arts. Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1994. 'Derrida vs Lyotard: The Meaning of Painting'. In: one day conference Theatre, Spectacle and Performance at Whitworth art gallery. The University of Manchester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. National Academy of the Arts, Oslo, Norway. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. Birmingham, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2002. ''Dissenting Machines''. In: Big Torino Art Biennale Symposium. Turin, Italy. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. 'Dissenting Subjectivities'. In: 'The Ethics and Politics of Indexicaly and Virtuality', CentreCATH. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'Feminist World Building: from Myth-Science to Performance Fiction'. In: The Politics of Performance and Play. Feminist Matters. University of Leiden, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'Fictioning'. In: Digital Ecologies II: Fiction Machines. Bath Spa University, United Kingdom 16 July 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'Fictioning and Fabulation'. In: Take a Walk on the Wild Side: Fabulating Alternative Imaginaries in Art & Life. Gerrit Rietveld Academie, Amsterdam, Netherlands 13 March 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. 'Fictioning and Practice as Research'. In: Somatic Shifts: The Body and Beyond in Creative and Critical Research. University for the Creative Arts, Farnham, United Kingdom March 2017. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Fictioning as Myth-Science (after Deleuze, against Control): Nothing is True, Everything is Permitted'. In: Daughters of Chaos: Deleuze Studies International Conference 2015. University of Stockholm, Sweden June 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2018. 'Fictioning: Mythopoesis, Myth-Science, Mythotechnesis'. In: The Institute of Things to Come. Fondazione Sandretto Re Rebaudengo, Turin, Italy November 2018. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2002. ''Figuring the Plane of Immanence''. In: Postmodernism and Spirituality. University of Preston, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Five Diagrams of the Finite-Infinite Relation'. In: Wysing Art Centre. Cambridge, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. 'Friendship as Community'. In: Communities conference, Trinity & All Saints. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'From Aesthetics to Probeheads: Deleuze and Art'. In: Academy of Fine Arts. Vienna, Austria. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. ''From Aesthetics to Probeheads: Deleuze and Contemporary Art''. In: John Russell: Geniess symposium. Norwich School of Art, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2004. 'From Minor Literature to War Machines: Notes Towards a Political Art Practice'. In: Experimenting with Intensities, 3 day international conference on Deleuze. Trent University, Toronto, Canada. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'From Mythopoesis to Myth-Science'. In: Experimental Theory and Radical Thought. New School, New York, United States 4 May 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'From Representation to Repetition: Archives and Affects'. In: Triennial Symposium, Tate Britain. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. 'From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice'. In: symposium on ‘Folie a Deux: Bacon and Deleuze. Tate Britain, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2010. 'From Stuttering and Stammering to the Diagram: Towards a Minor Art Practice?'. In: Minor Photography: The Case of (Post)Surrealist Photography. University of Leuven, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. 'Imaging Other Worlds: Mythopoesis and Art Practice'. In: UNSPECIFIED. Institute of Contemporary Arts, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2021. 'Invited respondent, 'State of the Art', Contemporary Art Practice Symposium'. In: State of the Art CAP (Contemporary Art Practice) Symposium 2021. Royal College of Art, London, United Kingdom 25 March 2021. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Joy as a Technology in the Production of Subjectivity (a Diagrammatic reading of Spinoza's Ethics)'. In: The Pleasure Centre Symposium, DeMontfort University. Leicester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Memories of a Deleuzian: To Think is Always to Follow the Witches Flight'. In: ‘A Thousand Plateaus and Philosophy’ workshop. Institut Francais, London, United Kingdom July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1998. 'Mind the Gap (in Painting)'. In: The Northern Critical Theory Seminar one day conference. The European Studies Research Institute, University of Salford, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science'. In: Curbitt festival. Mount Saleve, Geneva., Switzerland July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science and Art Practice'. In: 'Shoulders of Giants’ symposium. Senate House, London, United Kingdom July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. 'Myth-Science and the Fiction of the Self'. In: Afternoon Tea with the Intercontinental: a Symposium on the Post-Factual. Slade, UCL, United Kingdom 22 February 2017. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science and the Fictioning of Reality'. In: F(r)ictions of Art conference. Berlin, Germany June 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science: Art Practice as Fictioning'. In: invited speaker, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Myth-Science: Art Practice as Fictioning'. In: Multiverse launch event. Wysing Arts Centre, Cambridge., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Myth-Science: Art Practice as Fictioning'. In: Stroom de Haag. The Hague, Netherlands. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'Mythopoesis and Art Scenes'. In: Magma: Reclaim the Climax! Festival and Superschool. Kanal, Brussels, Belgium 24 May 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. 'Mythopoesis, Fabulous Images and Memories of a Sorceror'. In: ‘Aberrant Nuptials: Second International Conference on Deleuze and Art'. Orpheus Institute, Ghent, Belgium 20-22 November 2017. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2018. 'Mythopoesis/Myth-Science/Mythotechnesis: Case study, Plastique Fantastique'. In: 'The Shaping of a Message' symposium. Goldsmiths, University of London, United Kingdom 8 June 2018. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. '‘Mythopoetic Practice’ and ‘Diagrams’'. In: UNSPECIFIED. Trondheim, Norway. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. ''The New Moderns''. In: 'The New Moderns?' conference. The Showroom, London., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'Non-Philosophy and Performance (or, Fiction as Method)'. In: How to do Things with Performance. University of the Arts, Helsinki, Finland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1995. 'Of Angels and Aliens: The Meaning of the Art Object'. In: Culture and Identity: City Nation World four day conference (the second annual Theory, Culture and Society Conference). Berlin Hilton Hotel, Berlin, Germany. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2021. ''On Collaboration''. In: How To Do Things With Per­for­mance Grande Fi­nale (Online Event). University of the Arts Helsinki, Finland 6 - 7 May 2021. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'On Diagrams'. In: Miniature World Symposium. Castelefield Gallery, Manchester, United Kingdom 10 December 2016. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2021. 'On Fictioning'. In: Iskra Delta (34th Ljubljana Biennale of Graphic Arts). The International Centre of Graphic Arts, Ljubljana, Slovenia 10 September - 21 November 2021. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2024. 'On Roleplaying Games and Fictioning'. In: Areas of Effect: Planetary Systems, Critical Roles, and Gaming Imaginaries. Arebyte Gallery, London, United Kingdom 9 March 2024. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: Curatorial Interventions’, Lanchester Gallery Projects. Coventry, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: San Francisco Art Institute. San Francisco, United States. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'On the Production of Subjectivity'. In: Banner Repeater Gallery. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'Panel discussion on ‘The Future of Art’ for Resonance FM'. In: Freize Art Fair. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Performance Fictions'. In: Centre for Art and Design Research and Experimentation. University of Wolverhampton, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Performance Fictions: Case Study, Plastique Fantastique'. In: Critical Art Practice Lectures, Department of Art, Goldsmiths. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2009. 'Performance Fictions: Towards a Mythopoetic Art Practice'. In: , Performance Fictions Symposium (Birmingham City University: Art-Writing Network). ), Electric Cinema, Birmingham, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. ''Performance Fictions: Towards a Mythopoetic Art Practice (Case Study: Plastique Fantastique)''. In: Case Study: Plastique Fantastique. Teeside University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. ''Plastique Fantastique''. In: EAST Discourse. Norwich School of Art, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. ''Probeheads for Future Subjectivities''. In: 'The Living Thought of Gilles Deleuze'. Danish Academy of Fine Arts, Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. 'The Production of the New'. In: The First International Deleuze Studies Conference “One or Several Deleuzes?”. Cardiff University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'The Production of the New'. In: Gilles Deleuze: Text and Images. University of South Carolina, Colombia. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'Residual Culture and Magical Thinking'. In: Deleuze and Art: Mulitplicities, Thresholds, Intensities. Trinity College, Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. 'Residual Culture and Magical Thinking'. In: Invited Lecture. Ripon and St. John University, York, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Schizoanalysis and Art Practice'. In: Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. 'Seven Moments in a Fiction about Fiction'. In: PhD Guest lecture series. Chelsea College of Art., United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Spinoza and the Production of Subjectivity (or, the Three Kinds of Knowledge, and the Passage Between)'. In: Thinking Through Spinoza conference. Queen Mary, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2010. 'Towards a Mythopoetic Art Practice'. In: The Third International Deleuze Studies Conference ‘Connect, Continue, Create’. University of Amsterdam, Netherlands. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Towards a Speculative Subjectivity'. In: Matter of Contradiction: War Against the Sun conference. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. ''Traitor Prophets: Mythopoesis and the Programmatic Character of Literature vs. 'Stuttering and Stammering' and the 'Affective-Event''. In: Deleuze and Literature Conference. University of Warwick, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Two Diagrams of the Production of Subjectivity'. In: Rhythm and Event Conference. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. ''Virtualities at the Edge: Gilles Deleuze's Bergsonism vs. Robert Smithson's Mirror Travel''. In: International Association of Philosophy and Literature conference. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. 'War Machines'. In: Theory Now conference. Manchester Metropolitan University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. 'Writing on Art/Art as Writing'. In: ‘Fictionalising Practice and Politics’ panel, itself part of ‘Art Criticism Beyond Criticism’ Conference. ICA, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Burrows, David. 2019. 'The Myth-Functions of Contemporary Art and Philosophy'. In: Futures Lecture Series. University of the Arts, Helsinki, Finland 12 September 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.; Davies, Will and Hameed, Ayesha. 2018. 'Tank Book Talks (with Will Davies and Ayesha Hameed)'. In: Tank Book Talks. Tank, Great Portland Street, London, United Kingdom 18 October 2018. [Conference or Workshop Item]

Otero, Marina. 2018. 'Work, Body, Leisure: How to read a story about Burn-Out'. In: "Work, Body, Leisure". Venice Biennale, Italy 24 November 2018. [Conference or Workshop Item]

Plotegher, Paolo. 2009. 'From Collective Intimacy to Self-Dispersion'. In: evento, the artistic and urban rendez-vous of Bordeaux. Bordeaux, France October 9 to 18, 2009. [Conference or Workshop Item]

Plotegher, Paolo. 2013. 'Notes for a Possible Configurations of New Institutions'. In: Lungomare Gasthaus. Lungomare, Bolzano, Italy. [Conference or Workshop Item]

Plotegher, Paolo. 2013. 'Schizo-Walks (Robert Walser)'. In: Trine Friis Sørensen, Ursula Nistrup & Ida Marie Hede Eds, A Feast is..., Monade. Copenhagen, Denmark. [Conference or Workshop Item]

Roberdeau, Wood. 2020. 'Biopolitics of the Plasticene'. In: Institute for Advanced Studies/Urban Lab Waste. University College London, United Kingdom 24 January 2020. [Conference or Workshop Item]

Roberdeau, Wood. 2013. 'Centralizing the Periphery: Social Art, Eco-aesthetics and Liminal Space'. In: Ordinary/Everyday/Quotidian. University of York, United Kingdom 26 - 27 September 2013. [Conference or Workshop Item]

Roberdeau, Wood. 2019. 'Cohabiting the Microcosm and Macrocosm'. In: Calculative Environments. Nottingham Contemporary, United Kingdom 26 March 2019. [Conference or Workshop Item]

Roberdeau, Wood. 2019. 'Eco-Aesthetic Opacity and the Moving Image'. In: Darkness 2019: Island Dynamics Conference. Longyearbyen, Svalbard and Jan Mayen 13 - 17 January 2019. [Conference or Workshop Item]

Roberdeau, Wood. 2019. 'Experiments in Eco-poiesis: The Long-term Praxis of herman de vries'. In: Experimental Engagements: Society for Literature, Science and the Arts 33rd Annual Conference. University of California Irvine, United States 7 - 9 November 2019. [Conference or Workshop Item]

Roberdeau, Wood. 2019. 'Feed Our Progress'. In: Sated, Visual Cultures Society and a/political. Goldsmiths, University of London, United Kingdom 21 May 2019. [Conference or Workshop Item]

Roberdeau, Wood. 2021. '‘Learning from Ice’ (with Susan Schuppli)'. In: Visual Cultures Postgraduate Seminar. Goldsmiths, University of London, United Kingdom 4 November 2021. [Conference or Workshop Item]

Roberdeau, Wood. 2018. 'Monochrome Green: On Eco-Aesthetics, Reductionism and Abstraction'. In: Green, The European Society for Literature, Science and the Arts 12th Annual Conference. Copenhagen, Denmark 13 - 16 June 2018. [Conference or Workshop Item]

Roberdeau, Wood. 2015. 'Nature vs. Culture: Xenotext and the Poetic Limit'. In: After Biopolitics: 29th Annual Society for Literature, Science and the Arts (SLSA) Conference. Rice University, Houston TX, United States 12 - 15 November 2015. [Conference or Workshop Item]

Roberdeau, Wood. 2015. 'Readymade Rurality and Ecological Non-knowledge: Imagining the Art Farm'. In: Re-imagining Rurality, Faculty of Architecture and the Built Environment. University of Westminster, United Kingdom 27 - 28 February 2015. [Conference or Workshop Item]

Roberdeau, Wood. 2023. 'The Seeds of Vandana Shiva: Story, Politics, Life and the Ravages of Biotech'. In: Screening and discussion co-hosted by MCCS and Critical Ecologies. Goldsmiths, University of London, United Kingdom 7 June 2023. [Conference or Workshop Item]

Roberdeau, Wood. 2014. 'Sites of Vital Materiality: Art History’s Apiaries and Ecologies of Everyday Life'. In: Art History and Ecology: Association of Art Historians 40th Anniversary Conference. Royal College of Art, United Kingdom 10 - 12 April 2014. [Conference or Workshop Item]

Roberdeau, Wood. 2024. 'Solastalgic Aesthetics and Living Extinctions in SGAAWAAY K’UUNA (Edge of the Knife)'. In: The Aesthetics of Geopower: Imagining Planetary Histories and Hegemonies. University of Amsterdam, Netherlands 4 - 5 April 2024. [Conference or Workshop Item] (Forthcoming)

Roberdeau, Wood. 2017. 'Time and (Un)doing'. In: Out of Time, Society for Literature, Science and the Arts 31st Annual Conference. Arizona State University, Tempe, United States 9 - 12 November 2017. [Conference or Workshop Item]

Roberdeau, Wood. 2015. 'Untitled'. In: What Does Climate Change? 80 Years of Politics - Left and Right. Goldsmiths, University of London, United Kingdom 23 October 2015. [Conference or Workshop Item]

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Roberdeau, Wood and Turner, Lynn. 2015. 'Critical Environments: Visual Cultures Public Programme Spring Term 2015'. In: Critical Environments: Visual Cultures Public Programme Spring Term 2015. Goldsmiths, University of London, United Kingdom January-March 2015. [Conference or Workshop Item]

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Roberdeau, Wood and Turner, Lynn. 2019. 'Living Extinctions: Visual Cultures Public Programme Autumn Term 2019'. In: Living Extinctions: Visual Cultures Public Programme Autumn Term 2019. Goldsmiths, University of London, United Kingdom 4 October - 12 December 2019. [Conference or Workshop Item]

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Rogoff, Irit. 2018. 'Becoming Research'. In: Symposium, “What Do Museums Research”. National Museum of Modern and Contemporary Art, Seoul, Korea, Republic of 7 - 8 April 2018. [Conference or Workshop Item]

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Rogoff, Irit. 2017. 'The Way We Work Now'. In: Potential Spaces. Karlsruhe, Germany 16-18 February 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'Addressivity in Online Platforms'. In: School of Fine and Performing Arts Visiting Speaker Programme. University of Lincoln, United Kingdom 20 February 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: 8th Beyond Humanism Conference. Universidad Complutense de Madrid, Spain 25-27 May 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2021. 'Anna Engelhardt interviews Emily Rosamond on her forthcoming book Reputation Warfare'. In: Reputation Volatility: The Political Economy of Cyberwar. V.O. Curations, United Kingdom 5 November, 2021. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'Character Capital: Social Impact Bonds and the Financialization of Behaviour'. In: Intersections of Finance and Society. City, University of London, United Kingdom 12-13 December 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'Character in the Age of Big Data'. In: Commonwealth Scholars Regional Network Conference. University of Nottingham, United Kingdom 20 July 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Character, Creditworthiness and Reputation: on Representational Logics of Control in the Surveillance Economy'. In: Control. Stockholm University, Sweden 14-17 June 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Choreopolitics in the Age of Big Data'. In: Choreopolitics in the Age of Big Data. The Place, London, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2023. 'Conditionally Assetized Online Cultural Labour'. In: 14th Annual Critical Finance Studies Conference. Institute for Mediterranean Studies, Greece 21-23 June 2023. [Conference or Workshop Item]

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Rosamond, Emily. 2023. 'Critical Finance Studies: Approaching the Field'. In: Methodologies of Economic Criticism - 4th Digital Market Talk. Online, Germany 30 March 2023. [Conference or Workshop Item]

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Rosamond, Emily. 2023. 'Cultural Studies of Finance and Society'. In: Cultural Studies Now: Thinking Conjuncturally. TU Dresden, Germany 27-28 October 2023. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Dating Big Data: OkCupid's OkTrends'. In: Love's Archive. Arts University Bournemouth, United Kingdom 14-15 March 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Distortions'. In: Conspiracy of the Real. Tenderpixel, London, United Kingdom 3 May, 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2014. 'Economic Figuration'. In: Critical Finance Studies VI. University of Amsterdam, Netherlands 13-15 August, 2014. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'Economies of (Mis)Trust: Reputation as Capital in the Digital Age'. In: Seventh Critical Finance Studies Conference. Copenhagen Business School, Denmark 19-21 August 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'The Emancipated Trait: Characteristics Beyond Character in Online Surveillance'. In: Person/ne Forum. Griffin Art Projects, Vancouver, Canada 6 July 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2024. 'Entrapments: Models, Affects, and Cultures of Asset Manager Society'. In: Model Imaginaries: Literature, Economics, Abstraction. John F. Kennedy Institute, Freie Universität Berlin, Germany 4-6 July 2024. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'Financial Vision and the Disinterested Gaze of Power'. In: Intersections of Finance and Society. City, University of London, United Kingdom 2-3 November, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Financial Witness: Investing in Rehabilitation in an Actuarial Age'. In: MoneyLab #3. Institute of Network Cultures, Amsterdam, Netherlands. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'First Person Finance'. In: Abstract Cities, Spatial Practices and the Urban Commons. Tenderpixel, London, United Kingdom 13 April - 4 June 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'From Reputation Capital to Reputation Warfare'. In: End of the World Trade: On the Speculative Economies of Art and Extraction. Goldsmiths, University of London, United Kingdom 21-22 June 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'The Future-Oracular'. In: Schemas of Uncertainty: Soothsayers and Soft AI. Sandberg Instituut, Amsterdam, Netherlands 18 April 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'The Future-Oracular: Prediction, Divination and the Politics of Certainty'. In: AUB Research Conference. Arts University Bournemouth, United Kingdom 3 April, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2014. 'Futures of the Future: Agriculture Between Business and Culture'. In: Vertical Farming and the Future of Food Conference. Foundation for Art and Creative Technology, Liverpool, United Kingdom 10 October, 2014. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'Identity Trouble'. In: Identity Trouble (on the blockchain). Goethe Institute, London, United Kingdom 23 November, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2010. 'Impersonating Ideology: The “Factory-Esque” and Temporalities of Critique in Recent Installation'. In: Revisiting Ephemera Conference. University of Western Ontario, Canada. [Conference or Workshop Item]

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Rosamond, Emily. 2021. 'In the Realm of the Weak Tie: Social Networks, Turning Points and Serendipitous Desire'. In: Libidinal Economies of Contemporary Capitalism. City, University of London, United Kingdom 15 – 16 April 2021. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'The Investment-Image of Contemporary Art'. In: Post-Capitalist Photography Now!. The Photographers' Gallery, London, United Kingdom 24 November 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'It Sees'. In: Moneylab #4: Art, Culture and Financial Activism. Somerset House, United Kingdom 18 January 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2011. 'Luxurious Renunciations: Wealth, Destruction and Critical Duration in Michael Landy's Breakdown'. In: Luxuries of the Literary Mind Conference. McGill University, Canada 4-5 March 2011. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'New Fluidities: Borders in the Age of Continuous Transformation'. In: Uncertain Identities. Haus Für Kunst Uri, Altdorf, Switzerland 30 September, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Office/Surface/Tension'. In: Tensegrity - and Other Contradictory Complicities. Tenderpixel, London, United Kingdom 18-19 November 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'On Reputation and Addiction'. In: Are We All Addicts Now? Symposium and Book Launch. Central St Martins, United Kingdom 7 November. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'Phantom Limbs and the Image-Object: Toward a Feminist Materialist Account of the Points of Contact Between Tangible and Digital Space'. In: Material Environments: Sensing Time And Matter In Digital And Visual Culture, University of Greenwich. University of Greenwich, United Kingdom 24-25 July 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2022. 'Platformed Personality Capitalism: Twitter, Tiered Status and Assetized Selves'. In: Intersections of Finance and Society Conference 2022. City, University of London, United Kingdom 15-16 September. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'Politics of the Shared Interior: on Digital Intimacy and Tangible Space'. In: Intimacies. Goldsmiths, United Kingdom 1-2 June, 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2021. 'Portfolio of Personalities: Social Media, Micro-Celebrity and Self-Assetization'. In: People Like You: A New Political Arithmetic. United Kingdom 11 June 2021. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Profiling and Predictive Cultures'. In: Brookes Fine Art Lecture Series. Oxford Brookes University, United Kingdom 6 February 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2024. 'Queer Temporality and the Poetics of Entrapment in Asset Manager Society'. In: Intersections of Finance and Society Conference 2024. University of Sheffield, United Kingdom 12-13 September 2024. [Conference or Workshop Item]

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Rosamond, Emily. 2022. 'Race and Risk: Exploring Online Responses to the Euro 2020 Final'. In: The 23rd Annual Conference of the Association of Internet Researchers. Technological University Dublin, Ireland 2-5 November 2022. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'Removing the Cap: Institutional Affectivity and the Financialization of British Art Education'. In: Ninth Critical Finance Studies Conference. University of Leicester, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'Reputation Capital/Reputation Warfare: Two Versions of the Optimal'. In: All Things Optimal. Centre for Interdisciplinary Methodologies, University of Warwick, United Kingdom 25 October, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'Reputation Management, Surveillance Capitalism and the Politics of Nudging'. In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017. [Conference or Workshop Item]

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Rosamond, Emily. 2017. 'Reputation Power'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Respondent, Art After Money, Money After Art'. In: Art After Money, Money After Art. Furtherfield Commons, United Kingdom 9 December 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Respondent, Rated Agency Book Launch'. In: Michel Feher, Rated Agency Book Launch. Goldsmiths, University of London, United Kingdom 28 November 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Risky Behaviour: Social Impact Bonds and the Financialization of Rehabilitation'. In: Risking Everything: The Computational Politics of Prediction, Security and Secrecy. Goldsmiths, University of London 20 May 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'Roundtable: History in Financial Times'. In: Intersections of Finance and Society. City, University of London, United Kingdom 12-13 December 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2023. 'The Sanctioned Personality'. In: Intersections of Finance and Society. Vrije Universiteit Brussel, Belgium 14-15 September 2023. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Second Selves: Auto/Biography, Figuration and the Financial Subject'. In: Tenth Critical Finance Studies Conference. University of Gothenburg, Sweden 9-11 August 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'Socially Engaged Art and the Financialization of Social Impact'. In: 8th Critical Finance Studies Conference. University of Southampton, United Kingdom 4-6 August 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2009. 'Spatializing Character: on the Work of Geoffrey Farmer'. In: A Measure of Place: Space in Text and Context. McGill University, Canada 5-7 February 2010. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Surveillance Capitalist Aesthetics'. In: A Modest Proposal Symposium. Royal College of Art, United Kingdom 27 October, 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'Surveillance, Preemption and the Production of Character in the Age of Big Data'. In: London Conference in Critical Thought 2015. University College London, United Kingdom 26-27 June 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Testing'. In: Guest Lecture, PC Certificate Course in the Management of Teaching and Learning in Higher Education. Goldsmiths, United Kingdom 18 November 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2023. 'Thinking the Future of Money in the Humanities Workshop'. In: Thinking the Future of Money in the Humanities Workshop. University of Edinburgh, United Kingdom 20-21 February 2024. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'This Community of Self: Algorithmic Friendship and the Performative Profile'. In: Performance of Self in Digital Space. Goldsmiths, United Kingdom 23 May 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'The Umwelt and the Operational Image'. In: Nematode. Wysing Arts Centre, United Kingdom 9 May, 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2018. 'Volatile Measurement Environments'. In: New Narratives 2: Thinking Economics Differently. Kunstgebaude, Stuttgart, Germany 15 April, 2018. [Conference or Workshop Item]

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Rosamond, Emily. 2019. 'Volatile Measures: the Financialization of Online Reputation'. In: 11th Critical Finance Studies Conference. University of Birmingham, United Kingdom 7-9 August 2019. [Conference or Workshop Item]

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Rosamond, Emily. 2015. 'Weathervane'. In: Questioning Practice: Art/CRA Research Seminar. Goldsmiths, University of London 2 March 2015. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'What Moves Us: Immersive Economies and Composite Bodies'. In: Banner Repeater New Materialisms Reading Group. Banner Repeater, United Kingdom 8 June, 2016. [Conference or Workshop Item]

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Rosamond, Emily. 2016. 'What is Reputation Capital? Character, Power and the Reputation Economy'. In: Capital as Power: Broadening the Vista. York University, Canada 28-30 September, 2016. [Conference or Workshop Item]

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Rosamond, Emily and Bradfield, Marsha. 'Book Launch: Transacting as Art, Design and Architecture'. In: Book Launch: Transacting as Art, Design and Architecture. Online, United Kingdom 16 March 2023. [Conference or Workshop Item]

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Rosamond, Emily; Cnaani, Ofri; Heathfield, Adrian and Clarke, Elly. 2023. 'Dragging Affordances'. In: Choreographic Devices. Institute of Contemporary Arts, London, United Kingdom 17 June 2023. [Conference or Workshop Item]

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Rosamond, Emily; Samman, Amin; Hager, Sandy and Gammon, Earl. 2023. 'Clickbait capitalism: Economies of desire in the twenty-first century'. In: 14th Annual Critical Finance Studies Conference. Institute for Mediterranean Studies, Greece 21-23 June 2023. [Conference or Workshop Item]

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Rosamond, Emily; Vermeir, Katleen and Heiremans, Ronny. 2022. 'How Could Private and Public Partners Adapt their Roles?'. In: Learning from Lumbung: Public Forum on Documenta Fifteen. Ecole de Recherche Graphique, Brussels, Belgium 24 January 2023. [Conference or Workshop Item]

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Rosamond, Emily and Zubillaga, Luciano. 2017. 'Discussion: Telepathy as Feminist Methodology'. In: Post-Cyber Feminist International. ICA, London, United Kingdom 19 November, 2017. [Conference or Workshop Item]

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Rosamond, Emily; Ørum, Kristoffer and Elmstrom, Iben. 2019. 'Artist Talk: Semio-Technical Traffics'. In: Semio-Technical Traffics. SixtyEight Art Institute, Copenhage, Denmark 10 January 2020. [Conference or Workshop Item]

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Samman, Amin; Gammon, Earl and Rosamond, Emily. 2023. 'Clickbait Capitalism: A Panel Discussion'. In: Clickbait Capitalism: A panel discussion. UCL Centre for Capitalism Studies, United Kingdom 23 February 2024. [Conference or Workshop Item]

Schuppli, Susan. 2018. 'Evidence in 74 million million million tons'. In: Evidence in 74 million million million tons. New York, United States April 29, 2018. [Conference or Workshop Item]

Schuppli, Susan. 2018. 'Shapes of Decay: A Discussion about Art and Ecology'. In: Shapes of Decay: A Discussion about Art and Ecology. Tate Modern, United Kingdom 24 APRIL 2018. [Conference or Workshop Item]

Schuppli, Susan. 2018. 'Unpacking the Processes of Artistic Knowledge'. In: Unpacking the Processes of Artistic Knowledge. Amsterdam, Netherlands 24.02.2018. [Conference or Workshop Item]

Schuppli, Susan; Sfard, Michael and Hameed, Ayesha. 2014. 'Anarchists against the Law'. In: Forensis: the Architecture of Public Truth. Haus der Kulturen der Welt, Berlin, Germany 15-16 March 2014. [Conference or Workshop Item]

Territorial Agency; Hameed, Ayesha; Jackson, Jeremy; Otolith Group and Reymann, Markus. 2019. 'Oceans in Crisis'. In: Oceans in Crisis. Royal Academy, London, United Kingdom 6 December 2019. [Conference or Workshop Item]

Turner, Lynn. 2015. 'Fort Spa: Biopoetics in Elizabeth A. Wilson, Sandor Ferenczi & Jacques Derrida'. In: 'After Biopolitics' Society for Literature, Science and the Arts, SLSA. Rice University, United States. [Conference or Workshop Item]

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Turner, Lynn. 2017. '‘Give them some more time’: the ends of sacrifice in White God'. In: Out of Time, SLSA annual conference. Arizona State University, United States 9-12 November 2017. [Conference or Workshop Item]

Turner, Lynn. 2010. 'Homing pigeon: the postal principle and Lynn Hershmann's 'Conceiving Ada''. In: Derrida Today. London, United Kingdom 19-21 July 2010. [Conference or Workshop Item]

Turner, Lynn. 2019. '‘How like a (Fig) leaf: supplanting shame’'. In: SLSA 2019: 33rd Annual Conference of the Society for Literature, Science, and the Arts. UC Irvine, United States 7-9 November 2019. [Conference or Workshop Item]

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Turner, Lynn. 2018. 'How like a (fig) leaf'. In: Beyond Plant Blindness: Where can a single plant take you?. University of Gothenburg, Sweden 10 November 2018. [Conference or Workshop Item]

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Turner, Lynn. 2019. 'In lieu of conclusion: cardio-pedagogy in Derrida and White God'. In: Tahiti 8: National Conference of Art History in Finland From Material to Immaterial: Art Historical Practices in the Contemporary World. University of Turku, Finland 27-29 November 2019. [Conference or Workshop Item]

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Turner, Lynn. 2018. 'In lieu of conclusion: the bloodless coups of White God'. In: Derrida Today 6. Concordia University, Canada 23-26 May 2018. [Conference or Workshop Item]

Turner, Lynn. 2013. 'Insect Asides (Deconstruction is/in Performance Philosophy)'. In: What is Performance Philosophy?. University of Surrey, United Kingdom. [Conference or Workshop Item]

Turner, Lynn. 2020. 'Lit: sexual poetics of sanguine resistance'. In: 7th Derrida Today Conference. Aix-Marseille Université, Aix-en-Provence, France 10-13 June 2020. [Conference or Workshop Item] (Forthcoming)

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Turner, Lynn. 2017. 'The Oestrus Complex: soliciting the sexual contract of whale song'. In: Animal Utterances. University of Bristol, United Kingdom 25-26 May 2016. [Conference or Workshop Item]

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Turner, Lynn. 2017. 'Podcasting: The Becoming-Space of Voices’'. In: Wild Minds. ICA, London, United Kingdom 31 March 2017. [Conference or Workshop Item]

Turner, Lynn. 2019. 'Raising Animals: two powers of horror between the cellar and the kennel'. In: Gender Studies meets Human-Animal Studies lecture series. Humboldt, Germany 16 April - 9 July 2019. [Conference or Workshop Item]

Turner, Lynn. 2019. 'Raising animals: the becoming-time of space between cellar and kennel'. In: SpaceTime, Society of Literature, Science and the Arts (EU). Athens, Greece 25-28 June 2019. [Conference or Workshop Item]

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Turner, Lynn. 2023. 'Ray of Light'. In: Nicholas Royle: A Symposium. University of Sussex, United Kingdom 23 June 2023. [Conference or Workshop Item]

Turner, Lynn. 2018. 'Red: the cardio-pedagogy of White God'. In: 'Green' Society for Literature, Science & the Arts - EU (SLSA-eu). University of Copenhagen, United Kingdom 13 - 16 June 2018. [Conference or Workshop Item]

Turner, Lynn. 2017. 'Sacrifice and Decision: cinematic carnophallogocentrism'. In: The Political Animal. The Showroom, London, United Kingdom 2 Sept 2017. [Conference or Workshop Item]

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Turner, Lynn. 2022. 'Sanguine Resistance: dreaming of a future for blood'. In: 7th Derrida Today Conference. Arizona State University (ASU) Barbara Barrett and Sandra Day O’Connor Washington Center, Washington, D.C., United States 12-15 June 2022. [Conference or Workshop Item]

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Turner, Lynn. 2012. 'Secrets and Lies: eating in the darkness in China Mieville's Embassytown'. In: Cosmopolitan Animals. UCL, United Kingdom. [Conference or Workshop Item]

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Turner, Lynn. 2011. ''Tape' plays Teletribunals'. In: Legal media: a colloquium in memory of Cornelia Vismann. Showroom, London, United Kingdom 10-11 June 2011. [Conference or Workshop Item]

Turner, Lynn. 2009. 'Telecommunications: the undoing of DNA'. In: 7th European Feminist Research Conference. Utrecht, Netherlands 4-7 June 2009. [Conference or Workshop Item]

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Turner, Lynn. 2014. 'Telefoam'. In: 4th Derrida Today conference. Fordham University, United States 28 May - 31 May 2014. [Conference or Workshop Item]

Turner, Lynn. 2011. 'Two genetically modified films'. In: Life Itself. Goldsmiths, London, United Kingdom 28 January 2011. [Conference or Workshop Item]

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Turner, Lynn. 2016. 'Voice (podcasting)'. In: Derrida Today. Goldsmiths, United Kingdom 08-11 June 2016. [Conference or Workshop Item]

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Turner, Lynn. 2023. 'The becoming literary of the clitoral: sexual differance after Artemisia Gentileschi'. In: Rethinking Sexual Differance. Université Bordeaux Montaigne, France 22-24 November 2023. [Conference or Workshop Item]

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Turner, Lynn and Anderson, Nicole. 2016. 'Derrida Today'. In: Derrida Today. Goldsmiths, United Kingdom 8-11 June 2016. [Conference or Workshop Item]

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Varvia, Christina. 2023. 'Itinerant Witnesses Conference'. In: Itinerant Witnesses Conference. Louisiana Museum of Modern Art, Denmark 28 January 2023. [Conference or Workshop Item]

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Vráblíková, Lenka. 2023. 'Bodies in E-motion: Sarah Kofman and Hélène Cixous Encountering Rembrandt'. In: Talking Bodies Conference 2023. University of Chester, United Kingdom 12 - 16 June 2023. [Conference or Workshop Item]

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Vráblíková, Lenka. 2022. 'Composting Reading Club: Session 1'. In: Composting Reading Club Series. Prague, Czech Republic 23 June 2022. [Conference or Workshop Item]

Vráblíková, Lenka. 2022. 'Conjuring Live Bodies: Reading Sarah Kofman’s encounter with Rembrandt'. In: 7th Derrida Today Conference. Arizona State University, Washington DC, United States 12 - 15 June 2022. [Conference or Workshop Item]

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Vráblíková, Lenka. 2024. '“The Czech Are Excellent Mushroom Hunters:” The Visual Politics of Fungi in (Post)Socialism'. In: SAVA Conference on the Great Transformation of Nature. UCL Institute of Advanced Studies, United Kingdom 16 - 17 May 2024. [Conference or Workshop Item]

Vráblíková, Lenka. 2021. 'Feministická etnomykologie a politika vizuální kultury [Feminist Ethnomycology and the Politics of Visual Culture]'. In: Descendants of Fungi and the (Eco-)Politics of Sharing Festival, Woods – the community for cultivation, art and theory. LES, Czech Republic. [Conference or Workshop Item]

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Vráblíková, Lenka. 2022. 'Myko-vize - Houby v současné vizuální kultuře a antikoloniální ekofeminismus'. In: ROK HUB, Centre for the study of popular culture. Prague, Czech Republic. [Conference or Workshop Item]

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Vráblíková, Lenka. 2022. 'Othering Myco-Vision: Fungi in European Modernity'. In: Ecological Stewardship, Post Graduate Art Talks. Goldsmiths, University of London 31 October 2022. [Conference or Workshop Item]

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Vráblíková, Lenka. 2020. 'Out of Office walk on Loughborough Campus'. In: Residential Fellowship, Institute of Advanced Studies (IAS), Loughborough University. Loughborough, United Kingdom 26 November 2020. [Conference or Workshop Item]

Vráblíková, Lenka; Mitchell, Elspeth and Zúñiga, Xalli. 2023. 'Voice, Language, Fungi: A Conversation with Guiliana Furci'. In: Southern Movements: Transnational Feminist Praxis & Philosophical Interventions, 16th Annual Conference of philoSOPHIA. UNC Charlotte, United States 1 - 3 June 2023. [Conference or Workshop Item]

Vráblíková, Lenka; Petramentaite, Ruta and Moyo, Kundai. 2022. 'Toward temporary communities: collective listening, walking, reading, breathing, and sounding'. In: Psychosocial Cartographies. Anglo-American University, Prague, Czech Republic 17 - 18 June 2022. [Conference or Workshop Item]

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Weizman, Eyal; Varvia, Christina; Krämer, Elisabeth; Andritsou, Dimitra; Franke, Anselm and Kaleck, Wolfgang. 2021. 'Socializing Evidence'. In: Socializing Evidence. Haus der Kulturen der Welt (HKW), Berlin, Germany 9 October 2021. [Conference or Workshop Item]

Wolf, Nicole and Dutta, Madhusree. 2018. 'Speculative Feminist Ciné Geography'. In: found:erased:palimpsest. Akademie der Künst der Welt, Germany 22.06.2018. [Conference or Workshop Item]

Wolf, Nicole and Schulte Strathaus, Stefanie. 2018. 'Archival Constellations'. In: Archival Constellations. Forum Expanded/ Silent Green, Germany 22.02.2018. [Conference or Workshop Item]

Digital

Edited Book

Crone, Bridget, ed. 2006. 8 artists try not to talk about art. Space Studios. ISBN 0-9554060-0-5 [Edited Book]

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Butt, Gavin, ed. 2005. After Criticism: New Responses to Art and Performance. Blackwell. ISBN 9780631232834 [Edited Book]

Butt, Gavin, ed. 2008. After Criticism: New Responses to Art and Performance (Chinese edition). Jiangsu, China: Jiangsu Fine Arts Publishing House. ISBN 9787534422409 [Edited Book]

Turner, Lynn, ed. 2013. The Animal Question in Deconstruction. Edinburgh: Edinburgh University Press. ISBN 9780748683123 [Edited Book]

Eshun, Kodwo; Fuke, Oliver and Nicolas, Helm- Grovas, eds. 2026. Arrows of Desire: Peter Wollen Selected Writings 1963-2002. London: Verso. [Edited Book] (Forthcoming)

Sökmen, Müge G. and Ertür, Başak, eds. 2010. Barbarları Beklerken: Edward W. Said Anısına. Istanbul, Turkey: Metis. ISBN 9789753426817 [Edited Book]

Segal, Rafi; Tartakover, David and Weizman, Eyal, eds. 2003. A Civilian Occupation: The Politics of Israeli Architecture. London; New York: Verso. ISBN 9781859845493 [Edited Book]

Plotegher, Paolo, ed. 2014. Commons and Commoning in New Cross. London: New Cross Commoners. [Edited Book]

Grant, Catherine and Rubin, Patricia, eds. 2012. Creative Writing and Art History. Wiley. ISBN 978-1-4443-5039-5 [Edited Book]

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Martinon, Jean-Paul, ed. 2013. The Curatorial: A Philosophy of Curating. London: Bloomsbury. ISBN 9781472525604 [Edited Book]

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Mörtenböck, Peter and Mooshammer, Helge, eds. 2020. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge. ISBN 9780367184728 [Edited Book]

Mennel, Birgit and Nowotny, Stefan, eds. 2014. Die Sprachen der Banlieues. Vienna: transversal texts. ISBN 978-3-9501762-7-8 [Edited Book]

Turner, Lynn; Sellbach, Undine and Broglio, Ron, eds. 2018. The Edinburgh Companion to Animal Studies. Edinburgh: Edinburgh University Press. ISBN 9781474418416 [Edited Book]

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Crone, Bridget and El Baroni, Bassam, eds. 2022. The Edinburgh Companion to Curatorial Futures. Edinburgh: Edinburgh University Press. [Edited Book] (Forthcoming)

Allmeier, Daniela; Manka, Ingrid; Mörtenböck, Peter and Scheuvens, Rudolf, eds. 2016. Erinnerungsorte in Bewegung. Zur Neugestaltung des Gedenkens an Orten nationalsozialistischer Verbrechen. Bielefeld: transcript Verlag. ISBN 978-3-8376-3059-6 [Edited Book]

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Turner, Lynn, ed. 2024. Erotics of Deconstruction: Auto-Affection After Derrida. Edinburgh: Edinburgh University Press. ISBN 9781399539739 [Edited Book] (In Press)

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Grant, Catherine and Random Love, Kate, eds. 2019. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press. ISBN 9781912685134 [Edited Book]

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Crone, Bridget; Nightingale, Sam and Stanton, Polly, eds. 2022. Fieldwork for Future Ecologies: Radical practice for art and art-based research. Eindoven: Onamtapee. [Edited Book]

Eshun, Kodwo; Fuke, Oliver and Helm-Grovas, Nicolas, eds. 2026. Fire and Ice: Peter Wollen Selected Writings 1960-2004. London: Verso. [Edited Book] (Forthcoming)

Barcelos, Lendl; Colquhoun, Matt; Eastwood, Ashiya; Eshun, Kodwo; Moalemi, Mahan and Ronkina, Geelia, eds. 2017. The Fisher-Function. London: Egress. [Edited Book]

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Najafi, Sina and Weizman, Eyal, eds. 2021. Forensic Architecture Reports #1: The Police Shooting of Mark Duggan. Brooklyn, NY / London: Cabinet Books / Institute of Contemporary Art London. ISBN 9781932698855 [Edited Book]

Weizman, Eyal, ed. 2014. Forensis: The Architecture of Public Truth. Berlin: Sternberg. ISBN 978-3-95679-011-9 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume I. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume II. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume III. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

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Gunkel, Henriette; Hameed, Ayesha and O'Sullivan, Simon D., eds. 2017. Futures and Fictions. London: Repeater. ISBN 9781910924631 [Edited Book]

Grant, Catherine and Waxman, Lori, eds. 2011. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect. ISBN 1841503487 [Edited Book]

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Mörtenböck, Peter and Mooshammer, Helge, eds. 2023. IN/FORMAL Marketplaces: Experiments With Urban Reconfiguration. Rotterdam: nai010 publishers. ISBN 9789462088092 [Edited Book]

Eshun, Kodwo; Fuke, Oliver and Helm- Grovas, Nicolas, eds. 2026. Knight's Moves: Peter Wollen Selected Writings 1966-2003. London: Verso. [Edited Book] (Forthcoming)

Mennel, Birgit; Nowotny, Stefan and Raunig, Gerald, eds. 2010. Kunst der Kritik. Vienna: Turia + Kant. ISBN 978-3-85132-584-3 [Edited Book]

Ertür, Başak, ed. 2011. Manual for conspiracy. Sharjah, UAE: Sharjah Art Foundation, pp. 29-40. [Edited Book]

Rogoff, Irit and Sherman, D, eds. 1994. Museum Culture: Histories, Theories, Spectacles. Minneapolis: Minnesota University Press. ISBN 978-0-8166-1953-5 [Edited Book]

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner, eds. 2014. Nanopolitics Handbook. London: MINOR COMPOSITIONS. ISBN 978-1570272684 [Edited Book]

Rubinstein, Daniel; Golding, Johnny and Fisher, Andrew, eds. 2013. On the Verge of Photography: Imaging Beyond Representation. Birmingham, UK: ARTicle Press. ISBN 9781873352021 [Edited Book]

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Bajec, Manca; Holert, Tom and Smith, Marquard, eds. 2021. Pause. Fervour. Reflections on a Pandemic. Berlin: Harun Farocki Institut & Journal of Visual Culture. ISBN 9781527295445 [Edited Book]

Butt, Gavin, ed. 2010. Performing/Knowing. Birmingham: Article Press. [Edited Book]

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Mörtenböck, Peter and Mooshammer, Helge, eds. 2021. Platform Urbanism and Its Discontents. Rotterdam: nai010 publishers. ISBN 9789462086159 [Edited Book]

Butt, Gavin; Eshun, Kodwo and Fisher, Mark, eds. 2016. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Edited Book]

Hameed, Ayesha; Eleison, Keyna; Moscoso, Manuela; Sengupta, Shuddhabrata and Valinkski, Rachel, eds. 2025. Radio Brown Atlantis. New York: Center for Art, Research and Alliances (CARA). ISBN 9781954939066 [Edited Book] (Forthcoming)

Fisher, Mark, ed. 2009. The Resistible Demise of Michael Jackson. Zero Books. ISBN 978-1-84694-348-5 [Edited Book]

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Crone, Bridget, ed. 2017. The Sensible Stage:Staging and the Moving Image. Bristol UK: Intellect Books. ISBN 978-1-78320-769-5 [Edited Book]

Crone, Bridget, ed. 2005. The Showroom Annual 2003/4. The Showroom. [Edited Book]

Crone, Bridget and Ogg, Kirsty, eds. 2007. The Showroom Annual 2005/6. The Showroom. ISBN 0954236254 [Edited Book]

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Petrescu, Doina; Petcou, Constantin and Awan, Nishat, eds. 2011. Trans-Local-Act: Cultural practices within and across. Paris: aaa-peprav. ISBN 978-2-9530751-13 [Edited Book]

Poppel, Sarah; Vasic-Janekovic, Vanessa; Eshun, Kodwo; Linke, Armin; Mende, Doreen and Tomic, Milica, eds. 2016. Travelling Communiqué: Studying Practices of decolonial thinking through the presidential Photo Archive of Josip Broz Tito at the Museum of Yugoslav History. Leipzig: Spector Books. ISBN 9783944669922 [Edited Book]

Gunkel, Henriette; Nigianni, Chrysanthi and Söderbäck, Fanny, eds. 2012. Undutiful Daughters: New Directions in Feminist Thought and Practice. Palgrave Macmillan. ISBN 9780230118317 [Edited Book]

Dyangani Ose, Elvira, ed. 2014. 'Uses of Memory’, Cuaderno SESC Videobrasil 10. Associação Cultural Videobrasil, Sao Paulo: Edições Sesc-SP & Associação Cultural Videobrasil. ISBN 9788579951664 [Edited Book]

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Andrews, Jorella G., ed. 2013. Visual Cultures As Recollection. Berlin: Sternberg Press. ISBN 9783943365405 [Edited Book]

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Andrews, Jorella G., ed. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 3956791002 [Edited Book]

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Andrews, Jorella G., ed. 2013. Visual Cultures as Seriousness. Berlin: Sternberg Press. ISBN 9783943365399 [Edited Book]

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Andrews, Jorella G., ed. 2021. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Edited Book]

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Andrews, Jorella G., ed. 2024. Visual Cultures as World Forming. London: Sternberg Press. ISBN 9783956795374 [Edited Book]

Sökmen, Müge G. and Ertür, Başak, eds. 2008. Waiting for the Barbarians: A Tribute to Edward W. Said. London: Verso. ISBN 9781844672462 [Edited Book]

Sökmen, Müge G. and Ertür, Başak, eds. 2017. Warten auf die Barbaren: Zum Gedenken an Edward W. Said. Engelschoff, Germany: Verlag auf dem Ruffel. ISBN 9783933847515 [Edited Book]

Gunkel, Henriette and Lynch, Kara, eds. 2019. We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. Bielefeld: transcript Verlag. ISBN 9783837646016 [Edited Book]

Bischoff, Eva; Fenske, Uta; Gunkel, Henriette; Hampf, M. Michaela; Yekani, Elahe Haschemi and Klawitter, Arne, eds. 2012. What Can a Body Do?: Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh. ISBN 978-3593396415 [Edited Book]

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Andrews, Jorella G., ed. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 9783943365382 [Edited Book]

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, ed. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema. Melbourne, Australia: National Exhibitions Touring Support (Victoria). ISBN 9780980297706 [Edited Book]

Hancock, David; Faramelli, Anthony and White, Robert G., eds. 2018. Spaces of Crisis and Critique: Heterotopias Beyond Foucault. London: Bloomsbury Academic. ISBN 9781350021129 [Edited Book]

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Lury, Celia; Viney, William and Wark, Scott, eds. 2022. Figure: Concept and Method. Singapore: Palgrave Macmillan. ISBN 9789811924750 [Edited Book]

Mörtenböck, Peter; Antalovsky, Eugen and Weiermair, Cecilia, eds. 1996. City Mapping - Mapping Europe. Vienna: Europaforum. ISBN 3-9500576-0-9; 60 [Edited Book]

O'Sullivan, Simon D. and Zepke, Stephen, eds. 2010. Deleuze and Contemporary Art. Edinburgh: Edingburgh University Press. ISBN 978 0 7486 3838 3 [Edited Book]

O'Sullivan, Simon D. and Zepke, Stephen, eds. 2008. Deleuze, Guattari and the Production of the New. London: Continuum. ISBN 9780826499530 [Edited Book]

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Precarious Workers Brigade, (PWB); Baskakova, Tatiana; Bradfield, Marsha; Graziano, Valeria; Eysler, Adriana; Hope, Sophie; Kern, Margareta; Farinati, Lucia; Firth, Claudia; Mirza, Noor; Weghmann, Vera; Graham, Janna and Kelly, Susan, eds. 2017. Training for Exploitation?: Politicising Employability and Reclaiming Education by Precarious Workers Brigade. Foreword: Silvia Federici. London: Journal of Aesthetics & Protest Press. ISBN 9780615590110 [Edited Book]

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Hernández Velázquez, Y. M., ed. 2011. Inter/Multi/Cross/Trans. The Uncertain Territory of Art Theory in the Age of Academic Capitalism. Vitoria-Gasteiz, Spain: Montehermoso. ISBN 978-84-96845-44 [Edited Book]

Edited Journal

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Turner, Lynn and Kelley, Lindsay, eds. 2013. Bon Appetit, Parallax, 19(1). 1353-4645 [Edited Journal]

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Duncan, Ifor and Vallerani, Francesco, eds. 2023. Coastal Waterways, Cultural Heritage and Environmental Planning, Shima, 17(2). 1834-6057 [Edited Journal]

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O' Dwyer, Killian; Bradley, Callum; Crick, Marie Theresa; Formosa, Fabienne and Perkins, Georgia, eds. 2024. Counterfield II, Counterfield, (2). [Edited Journal]

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Majumder, Sanjita and Kent, Debbie, eds. 2020. Counterfield Publication #1, Counterfield Publication #1, 1(1). [Edited Journal]

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Martinon, Jean-Paul, ed. 2021. Curating Ethics, Philosophies, . 2409-9287 [Edited Journal]

Grant, Catherine and Price, Dorothy, eds. 2020. Decolonizing Art History: A Questionnaire, Art History, 43(1). [Edited Journal]

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Wark, Scott and Sutherland, Thomas, eds. 2015. Gilbert Simondon: Media and Technics, Platform: Journal of Media and Communication, 6. 1836-5132 [Edited Journal]

Schuppli, Susan, ed. 2004. Guest Editor. “Exposé 67: Special Issue on Expo 67, Blackflash, 22(2). [Edited Journal]

Plotegher, Paolo, ed. 2008. Guida Gratis di Bolzano, Summer Drafts, . [Edited Journal]

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2001. ‘Hot Property’, Parallax, 7(2). 1353-4645 [Edited Journal]

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2001. ‘Immanent Trajectories’, Parallax, 7(4). 1353-4645 [Edited Journal]

Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine, eds. 2015. 'In Movement: Women in Africa and the African Diaspora.', JENdA: A Journal of Culture and African Women Studies, 26. [Edited Journal]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. Indian Documentary Studies: Contours of a Field, Bioscope. South Asian Screen Studies, 3(1). 0974-9276 [Edited Journal]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. "Indian Documentary Studies: Contours of a Field." Special Issue., Bioscope. South Asian Screen Studies, 3(1). 0974-9276 [Edited Journal]

Tubridy, Derval, ed. 2008. Irish Studies Review: Thomas Kinsella Special Issue, Irish Studies Review, 16(3). 0967-0882 [Edited Journal]

Bajec, Manca; Smith, Marquard; Emerling, Jae and Vagnes, Oyvind, eds. 2021. The JVC Palestine Portfolio, Journal of Visual Culture, 20(2). 1470-4129 [Edited Journal]

Keenan, Thomas and Weizman, Eyal, eds. 2011. Mengele’s Skull: Special Issue of Cabinet Journal, Cabinet, (43). [Edited Journal]

Wark, Scott and Soncul, Yiğit, eds. 2022. Pharmacologies of Media, Media Theory, 6(2). 2557-826X [Edited Journal]

Fisher, Andrew and Rubenstein, Daniel, eds. 2010. Philosophy of photography, Philosophy of Photography, . 20403682 [Edited Journal]

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2002. Random Figures, Parallax, 8(1). 1353-4645 [Edited Journal]

Ertür, Başak and Martel, James, eds. 2016. Something is Rotten in the State, Theory & Event, 19(1). 2572-6633 [Edited Journal]

Grant, Catherine and Rubin, Patricia, eds. 2011. Special Issue: Creative Writing and Art History, Art History, 34(2). 0141-6790 [Edited Journal]

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Gunkel, Henriette and Stieglitz, Olaf, eds. 2014. 'Sport und Körper' [Sport and the Body], Body Politics – Zeitschrift für Körpergeschichte, 2(3). [Edited Journal]

Faramelli, Anthony, ed. 2023. Sur Analysis: Institutional Psychotherapy and Institutional Analysis, Deleuze and Guattari Studies, 17(2). 2398-9777 [Edited Journal]

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Lee, Benjamin and Rosamond, Emily, eds. 2023. Volatility in Finance, Art, and Culture, Finance and Society, 9(3). 2059-5999 [Edited Journal]

Golding, Johnny; Casey, Mona; Cheeseman, David; Hellings, James; Paganellli, Mattia; Rogers, Henry; Wild, Carol and Williams, Grace, eds. 2013. Wet ⇌ Dry ⇌ thick ⇌ thiN ⇌ (GettiNG beyoND the raW aND the cookeD), Zetesis: The International Journal for Fine Art, Philosophy and the Wild Sciences, 1(2). 2059-2582 [Edited Journal]

Mercier, Thomas Clément and Vráblíková, Lenka, eds. 2019. à corps, parallax, 25(2). 1353-4645 [Edited Journal]

Vráblíková, Lenka and Mercier, Thomas Clément, eds. 2019. corps à, parallax, 25(1). 1353-4645 [Edited Journal]

Exhibition Catalogue

Blas, Zach and O'Leary, Christopher. 2011. SPECULATIVE. [Exhibition Catalogue]

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Crone, Bridget. 2017. Spectral Ecologies. [Exhibition Catalogue]

Crone, Bridget. 2005. The body. The ruin. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2010. Arte Invisible (editor). [Exhibition Catalogue]

Dyangani Ose, Elvira. 2009. Arte Invisible (editor). [Exhibition Catalogue]

Dyangani Ose, Elvira. 2009. Bienvenidos al Paraiso. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2005. Tres Escenarios. [Exhibition Catalogue]

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Dyangani Ose, Elvira and Mainetti, Mario. 2016. Betye Saar: Uneasy Dancer. [Exhibition Catalogue]

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Dyangani Ose, Elvira and Mainetti, Mario. 2016. Quaderno: Template Temples of Tenacity: Nástio Mosquito. [Exhibition Catalogue]

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Eshun, Kodwo. 2019. The Otolith Group: Xenogenesis Short Guide. [Exhibition Catalogue]

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Eshun, Kodwo. 2015. World 3. [Exhibition Catalogue]

Eshun, Kodwo; Sagar, Anjalika and Morley, Megs. 2021. The Otolith Group. Xenogenesis. [Exhibition Catalogue]

García Düttmann, Alexander; Nancy, Jean-Luc and Richon, Olivier. 2010. Picking Up / Bouncing Back. [Exhibition Catalogue]

Hameed, Ayesha. 2011. The Object that Remains. [Exhibition Catalogue]

Hameed, Ayesha. 2005. Unless. [Exhibition Catalogue]

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Kallehauge, Mette Marie; Jørgensen, Lærke Rydal; Kjeldsen, Kjeld; Weizman, Eyal and Varvia, Christina. 2022. Forensic Architecture - Witnesses. [Exhibition Catalogue]

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Mainetti, Mario and Dyangani Ose, Elvira. 2016. Theaster Gates - True value. [Exhibition Catalogue]

Film/Video

Butt, Gavin; Heathfield, Adrian and Keidan, Lois. 2013. Performance Matters Archive. [Film/Video]

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Butt, Gavin and Walters, Ben. 2013. This is Not a Dream. [Film/Video]

Dadak, Zeynep; Ertür, Başak; Köstepen, Enis and Lebow, Alisa. 2007. For the record: The World Tribunal on Iraq. [Film/Video]

Eshun, Kodwo. 2011. Anathema. [Film/Video]

Eshun, Kodwo. 2010. Hydra Decapita. [Film/Video]

Eshun, Kodwo. 2013. Medium Earth. [Film/Video]

Eshun, Kodwo. 2018. O Horizon. [Film/Video]

Eshun, Kodwo. 2003. OTOLITH 1. [Film/Video]

Eshun, Kodwo. 2012. The Radiant. [Film/Video]

Eshun, Kodwo. 2020. ZONE 2. [Film/Video]

Eshun, Kodwo; Mulvey, Laura and Russell, Wendy. 2020. Peter Wollen - Writing, Politics, Film. [Film/Video]

Hameed, Ayesha and Kane, Hamedine. 2018. In the Shadow of Our Ghosts. [Film/Video]

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Schuppli, Susan. 2022. COLD RIGHTS. [Film/Video]

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Schuppli, Susan. 2021. Cold Cases. [Film/Video]

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Schuppli, Susan. 2022. Gondwana. [Film/Video]

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Schuppli, Susan. 2023. Listening to Ice. [Film/Video] (Forthcoming)

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Schuppli, Susan. 2015. Material Witness. [Film/Video]

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Schuppli, Susan. 2016. Trace Evidence. [Film/Video]

Performance

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Blas, Zach. 2018. Body Horror. In: "Tentacular", Matadero Madrid, Spain. [Performance]

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Blas, Zach. 2018. Is the internet a urinal?. In: "Is the internet a urinal?", MU, United Kingdom. [Performance]

Blas, Zach. 2017. Metric Mysticism. In: "Metric Mysticism", e-flux, United Kingdom. [Performance]

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Doussan, Jenny. 2012. Benjamin in Moscow. In: "dOCUMENTA 13. 'Readers Circle: 100 Notes - 100 Thoughts'", Kassel, Germany. [Performance]

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Doussan, Jenny. 2023. Expert Witness at the trial of Pyotr Pavlensky. In: "Witness at the trial of Pyotr Pavlensky", Tribunal de grande instance de Paris, France, 28 June 2023. [Performance]

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Hameed, Ayesha. 2018. Black Atlantis: 'The end of eating everything'. In: "Black Atlantis: 'The end of eating everything'", Empire Remains, London, United Kingdom, 2016 - 2018. [Performance]

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Hameed, Ayesha. 2019. Black Atlantis: Bodies and Storms. In: "Black Atlantis: Bodies and Storms", ICA London, United Kingdom, 2015-2019. [Performance]

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Hameed, Ayesha. 2019. Black Atlantis: Retrograde Futurism. In: "Black Atlantis: Retrograde Futurism", Akademie der Künste der Welt, Cologne, Germany, 2018-2019. [Performance]

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Hameed, Ayesha. 2016. Black Atlantis: The Plantationocene. In: "Black Atlantis: The Plantationocene", Alice Yard, Trinidad, Trinidad and Tobago, 2016 - 2019. [Performance]

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Moreno, Louis. 2023. Le Mardi Gras Listening Collective (Echoes of Dissent Vol. 1) - Louis Moreno, Edward George, et al.. In: "Echoes of Dissent Vol. 1", Beursschouwburg, Brussels, Belgium, 2 - 3 June 2023. [Performance]

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Moreno, Louis; George, Edward and Brar, Dhanveer Singh. 2023. Jah Shaka and CLR James (A Conversation with Edward George and Dhanveer Singh Brar - organised by Louis Moreno with Numbers). In: "A Conversation with Edward George", Glasgow, United Kingdom, 16 April 2023. [Performance]

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Moreno, Louis; George, Edward; Sharma, Ash and Rekret, Paul. 2023. Monopolated Light & Power presentation (San Mei Gallery). In: "Monopolated Light & Power", San Mei Gallery, London, United Kingdom, 8 June 2023. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2016. Bi-Son-Oil-Men. In: "Chemhex Extract", Peacock Visual Arts, Aberdeen, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2017. Bi-Son-Oil-Men. In: "Bi-Son-Oil-Men", IMT Gallery, United Kingdom, 27 April 2017. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2016. Loop Stories that AIs tell their Children. In: "After London", Horse Hospital, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2016. Loop Stories that AIs tell their Children. In: "Loop Stories that AIs tell their Children", Mega Stores Mall, The Hague, Netherlands. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. Masked-Puja for Meme-Tech-Animals. In: "Horniman X Goldsmiths Late", Horniman Gallery, London, United Kingdom, 21 March 2019. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2017. Past-Future-Catcher-Repeater. In: "Past-Future-Catcher-Repeater", Nun’s Island, Galway, Ireland, 3 November 2017. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2017. Past-Future-Catcher-Repeater. In: "Past-Future-Catcher-Repeater", Res. Gallery, Deptford, United Kingdom, November 2017. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2021. Plastique Fantastique Ritual to Call Forth the Termite Queen. In: "I HAVE NO CHOICE, I F/HEAR UR VOICE (performance/audio-visual event at end of Frankie Roberts residency)", St. Margaret’s House, London, United Kingdom, 5 December 2021. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2021. Plastique Fantastique Ritual to Call Forth the Termite Queen and Plastique Fantastique Ritual to call forth a Black Hole. In: "Termite Nolse Club, part of Metabolic Market curated by IMT Gallery", GIANT, Bournemouth, United Kingdom, 9 October 2021. [Performance]

O'Sullivan, Simon D. and Burrows, David. Plastique Fantastique Welcome Termites: The Queen’s Speech. In: "I F/Hear Ur Voice", St. Margaret’s House, London, United Kingdom, 5 December 2021. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2018. The Seed Archive Breakout and the Burning of Elon Musk. In: "The Seed Archive Breakout and the Burning of Elon Musk", CGP Gallery, London, United Kingdom, 8 November 2018. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. The Seed Archive Breakout and the Burning of Elon Musk. In: "Green Skeen Too (Come)", Rhubaba Gallery, Edinbrugh, United Kingdom, 27 April 2019. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. The Seed Archive Breakout and the Burning of Elon Musk. In: "Today is Out Tomorrow", Kaiku nightclub, Helsinki, Finland, 14 September 2019. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2016. Summoning the Bit Coin Fairy. In: "Dark Water", Dilston Grove, London, United Kingdom. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2024. Tek Fok (tape launch and performance). In: "Tek Fok launch", Forma, London, United Kingdom, 11 May 2024. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2018. Traitor-Meme. In: "Traitor-Meme", Oxford Brookes University, United Kingdom, 5 May 2018. [Performance]

O'Sullivan, Simon D. and Burrows, David. 2019. Zero City/Mars Year 0. In: "Mars Year 0", CGP, London, 22 September 2019. [Performance]

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Rosamond, Emily. 2019. Tall Grass Tells the Time. In: "Performance Night!", A.P.T. Gallery, London, United Kingdom, 16 February 2019. [Performance]

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Rosamond, Emily; Harris, Rowena; Prevett, James; Zaharia, Madalina and Craig, Kit. 2016. You must answer in the form of a question!. In: "You must answer in the form of a question!", ASC Gallery, London, United Kingdom, 3 October 2016. [Performance]

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Rosamond, Emily; Milne, Alexis and Oi, Lu Ma. 2018. Zine//o//morph. In: "Zine//o//morph", ASC Studios, Empson Street, London, United Kingdom, 26 January 2018. [Performance]

Schuppli, Susan. 2018. Stretching the Truth. In: "Stretching the Truth", Ian Potter Museum of Art, Australia, 28 July 2018. [Performance]

Printed Ephemera

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Grant, Catherine. 2022. Responding to Women and Creativity. [Printed Ephemera]

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Madani, Adnan. 2020. Terra Nullius. [Printed Ephemera]

Roberdeau, Wood. 2014. Quiet Totemism. [Printed Ephemera]

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Rosamond, Emily. 2018. The Ethylene Trio, Part 3: Oracles. [Printed Ephemera]

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Rosamond, Emily. 2015. The Fog Generator. [Printed Ephemera]

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Rosamond, Emily. 2019. The Hidden Track. [Printed Ephemera]

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Rosamond, Emily. 2012. Imaginary Sculptures for an Infinite Economy. [Printed Ephemera]

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Rosamond, Emily. 2016. Office/Surface/Tension. [Printed Ephemera]

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Rosamond, Emily. 2016. Pixelated City. [Printed Ephemera]

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Rosamond, Emily. 2014. States of Statue. [Printed Ephemera]

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Rosamond, Emily. 2021. Swarm Signals. [Printed Ephemera]

Professional Activity

Charalambides, Sarah. 2023. External Examiner. [Professional Activity]

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Doussan, Jenny. 2018. Respondent - On Agamben and gesture. [Professional Activity]

Madani, Adnan. 2022. CHASE selection panel 2022. [Professional Activity]

Schuppli, Susan. 2017. Consultant to the V&A. [Professional Activity]

Schuppli, Susan. 2018. External Assessor. [Professional Activity]

Project

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Andrews, Jorella G.. 15 June 2016 - Present Philosophy, Art and Religion. [Project]

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Bajec, Manca. April 2024 - January 2025 Peripheral Visions. [Project] (Forthcoming)

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Bajec, Manca and Rogelja, Igor. 2024. Infrastructure Soundscapes. [Project] (Forthcoming)

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Bajec, Manca; Rogelja, Igor and Galai, Yoav. 20 - 24 May 2024 Visual Writing Workshop. [Project]

Blas, Zach. 12 May 2015 - 2018 Contra-Internet. [Project]

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Dyangani Ose, Elvira. 12 September - 22 November 2015 A Story within A Story: GIBCA 2015. [Project]

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Eshun, Kodwo. 2014-2015 In the Year of the Quiet Sun. [Project]

Hameed, Ayesha. 2014 - 2019 Black Atlantis. [Project]

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Lenka, Vráblíková; Kateřina, Vídenová and Amálie, Bulandrová. 6 - 8 October 2023 Gardening Ecofeminisms. [Project]

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O'Sullivan, Simon D. and Burrows, David. 20 October 2017 - 15 September 2018 Welcome Traitor Meme!. [Project]

Rogoff, Irit. 1 September - 1 October 2016 freethought: Bergen Assembly. [Project]

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Schuppli, Susan. 2013-22 GEO-MEDIA. [Project]

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Schuppli, Susan. September - October 2021 initial period of fieldwork HEAR: Himalayan Experiments in Acoustic Research. [Project]

Schuppli, Susan. 2019 - 2021 LEARNING FROM ICE. [Project]

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Schuppli, Susan. 2016-2023 NUCLEAR COMMONS. [Project]

Wielander, Judith and Luccheti, Mateo. 2017. Visible Art Awards 2017. [Project]

Report

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Awan, Nishat. 2016. Edges of Europe: Visuality, ethics and witnessing in social research. Working Paper. Independent Social Research Foundation, London. [Report]

Ertür, Başak. 2009. Report on the First Ergenekon Indictment. Technical Report. Amnesty International. [Report] (Submitted)

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Samuel, Flora; Awan, Nishat; Butterworth, Carolyn; Handler, Sophie and Lintonbon, Jo. 2015. Cultural Value of Architecture in Homes and Neighbourhoods. Project Report. Arts and Humanities Research Council. [Report]

Show/Exhibition

Amaro, Ramon. 2019. Darkness, as a first act of creation. In: "Darkness, as a first act of creation", XXII Triennale di Milano, Italy, 1 March - 1 September 2019. [Show/Exhibition]

Awan, Nishat. 2016. Migrant Narratives of Citizenship: A Topological Atlas of European Belonging. In: "Migrant Narratives of Citizenship: A Topological Atlas of European Belonging", Yorkshire Sculpture Park, United Kingdom, 31 October – 27 November 2016. [Show/Exhibition]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2013. The Institute of Radical Spatial Education. In: "Lisbon Architecture Triennale", Lisbon, Portugal, 17-20 Oct 2013. [Show/Exhibition]

Bajec, Manca. 2021. Prologue: weaver of Past Potentials. In: "EKO 8, International Triennial of Art and Environment", Maribor, Slovenia, 21 May - 18 July 2021. [Show/Exhibition]

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Beasley, Becky. 2018. Depressive Alcoholic Mother. In: "Depressive Alcoholic Mother", Plan B Gallery, Germany, 27 April - 9 June 2018. [Show/Exhibition]

Beasley, Becky. 2014. A Slight Nausea: An Interior. In: "A Slight Naueas: An Interior", South London Gallery, United Kingdom, January 2014 (four weekends). [Show/Exhibition]

Bellini, Andrea; Dyangani Ose, Elvira; Bourgeois, Caroline and Alemani, Cecilia. 2016. Biennial of Moving Image. Geneva. 2016. In: "15th edition Biennial of Moving Image", Centre d'art Contemporain, Geneve, Switzerland. [Show/Exhibition]

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Carter, Claire Makhlouf. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

Crone, Bridget. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema in Regional Victoria. In: "The Cinemas Project", Bendigo Art Gallery, Australia, 12 April to 9 July 2014. [Show/Exhibition]

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Crone, Bridget. 2012. Eye Music for Dancing. In: "Eye Music for Dancing", Flat Time House / The John Latham Foundation, United Kingdom. [Show/Exhibition]

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Crone, Bridget. 2017. Propositions for a stage: 24 frames of a beautiful heaven. In: "Propositions for a stage: 24 frames of a beautiful heaven", Institute for Contemporary Arts, Singapore, 29 July to 22 October 2017. [Show/Exhibition]

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Crone, Bridget. 2017. Spectral Ecologies. In: "Spectral Ecologies", Mildura Arts Centre, Australia, 6 April to 18 June 2017. [Show/Exhibition]

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Doussan, Jenny. 2009. The Beastly Beauty. In: "Deptford X 2009", Deptford X, London. [Show/Exhibition]

Dufour, Diane; Lebart, Luce; Delage, Christian and Weizman, Eyal. 2016. Crime Scenes | A Hundred Years of Photographic Evidence. In: "Crime Scenes | A Hundred Years of Photographic Evidence", Nederlands Fotomuseum, Rotterdam, Netherlands, 13 May - 21 August 2016. [Show/Exhibition]

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Duncan, Ifor. 2024. River Cinema I. In: "River Cinema I", Goldsmiths, University of London, United Kingdom, 14 March 2024. [Show/Exhibition]

Dyangani Ose, Elvira. 2012. Across The Board. In: "Across The Board", London, United Kingdom, November 2012 – March 2014. [Show/Exhibition]

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Dyangani Ose, Elvira. 2016. Betye Saar: Uneasy Dancer. In: "Betye Saar: Uneasy Dancer", Fondazione Prada Milan, Italy, 15 September 2016 – 8 January 2017. [Show/Exhibition]

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Dyangani Ose, Elvira. 2013. Ibrahim El-Salahi: A Visionary Modernist. In: "Ibrahim El-Salahi: A Visionary Modernist", Tate Modern, London, United Kingdom, 3 July – 22 September 2013. [Show/Exhibition]

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Dyangani Ose, Elvira. 2016. Nástio Mosquito: T.T.T.-Template Temples of Tenacity. In: "Nástio Mosquito: T.T.T.-Template Temples of Tenacity", Fondazione Prada Milan, Italy, 7 July – 25 September 2016. [Show/Exhibition]

Dyangani Ose, Elvira. 2015. A Story Within A Story. 8th edition of Göteborg International Biennial for Contemporary Art, GIBCA 2015. In: "GIBCA. Göthenburg Biennial 2015", Gothenburg, Sweden, September 12 - November 22 2015. [Show/Exhibition]

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Dyangani Ose, Elvira. 2016. Theaster Gates - True Value. In: "True Value", Fondazione Prada Milano, Italy, 7 July - 25 September 2016. [Show/Exhibition]

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Dyangani Ose, Elvira; Bashar, Shumon; Liber, Cédric and Roelstraete, Dieter. 2015. RECTO VERSO. In: "RECTO VERSO", Fondazione Prada Milan, Italy, 3 December 2015 – 14 February 2016. [Show/Exhibition]

Dyangani Ose, Elvira; Bashar, Shumon; Roelstraete, Dieter and Liber, Cédric. 2016. Slight Agitation. 4/4 Laura Lima. In: "Slight Agitation Laura Lima", Fondazione Prada Milan, Italy, october 2016 - september 2018. [Show/Exhibition]

Eshun, Kodwo. 2014. In the Year of the Quiet Sun. In: "The Otolith Group: In the Year of the Quiet Sun", Casco – Office for Art, Design and Theory, Utrecht, Netherlands, 14 November 2014 - 25 January 2015. [Show/Exhibition]

Eshun, Kodwo. 2014. In the Year of the Quiet Sun. In: "In the Year of the Quiet Sun", Delfina Foundation, London, United Kingdom, 13 October - 8 November 2014. [Show/Exhibition]

Eshun, Kodwo. 2015. In the Year of the Quiet Sun. In: "In the Year of the Quiet Sun", Kunsthall, Bergen, Norway, 17 January - 9 March 2014. [Show/Exhibition]

Eshun, Kodwo. 2014. Medium Earth. In: "Medium Earth", RedCat, Los Angeles, United States, 21 April-16 June. [Show/Exhibition]

Eshun, Kodwo. 2015. Novaya Zemlya. In: "Novaya Zemlya", Museu de Serralves , Porto, Portugal, 1 November-11 January 2015. [Show/Exhibition]

Eshun, Kodwo. 2017. The Radiant. In: "The Radiant", Art Gallery Miyauch, Japan, 11 March – 21 May 2017. [Show/Exhibition]

Eshun, Kodwo. 2018. Xenogenesis. In: "Xenogenesis", VanabbeMuseum, Eindhoven, Netherlands. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2023. ...But There are New Suns. In: "...But There Are New Suns.", Cooper Gallery, Duncan of Jordanstone College of Art and Design, United Kingdom, 13 October - 16 December 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2023. I See Infinite Distance Between Any Point and Another. In: "I See Infinite Distance Between Any Point and Another", greengrassi, London, United Kingdom, 5 September - 4 October 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2022. O Horizon. In: "O Horizon", Guggenheim Museum Bilbao, Spain, 23 June - 2 October 2022. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2019. The Otolith Group: Xenogenesis. In: "The Otolith Group: Xenogenesis", Van Abbemuseum, Eindhoven, Netherlands, 25 May 2019- 12 February 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2023. A Sphere of Water Orbiting a Star. In: "A Sphere of Water Orbiting a Star", HANGAR Centro de Investigacao Artistica, Lisbon, Portugal, 15 July 2023 - 23 September 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2023. A Sphere of Water Orbiting a Star. In: "A Sphere of Water Orbiting a Star", Galway Arts Centre, Ireland, 13 May - 1 July 2023. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2022. Techno, Berlin und die grosse Freiheit. In: "Techno, Berlin und die grosse Freiheit", Tresor, Berlin, Germany, 8 July - 28 August 2022. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2024. We will move to the land of birds as a flock of previous humans. In: "We will move to the land of birds as a flock of previous humans", greengrassi, London, United Kingdom, 20 January - 2 March 2024. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2024. What the Owl Knows. In: "What the Owl Knows", Fondazione Sandretto Re Rebaudengo, Turin, Italy, 19 March - 2 June 2024. [Show/Exhibition]

Eshun, Kodwo and Sagar, Anjalika. 2022. What the Owl Knows. In: "What the Owl Knows", The Association of Visual Artists Secession Vienna, Austria, 18 November - 5 February 2023. [Show/Exhibition]

Hameed, Ayesha. 2021. 11th Gothenburg Biennale. In: "11th Gotëburg International Biennial for Contemporary Art", Gothenburg, Sweden, 4 September - 21 November 2021. [Show/Exhibition]

Hameed, Ayesha. 2021. AGGREGATES. In: "AGGREGATES", Ausstellungsraum Klingental, Basel, Switzerland, 19 September - 24 October 2021. [Show/Exhibition]

Hameed, Ayesha. 2019. Academy of the Fine Arts Vienna screening. In: "Academy of the Fine Arts Vienna", Vienna, Austria. [Show/Exhibition]

Hameed, Ayesha. 2019. And Evil Earth maybe it’s time for a rumble. In: "Life Choreographies", Public Art Agency, Stockholm, Sweden, 21 August 2019. [Show/Exhibition]

Hameed, Ayesha. 2020. "Austerity and Utopia" L’Internationale Online Commission. In: ""Austerity and Utopia" L’Internationale Online", Online, 11 May - 3 September 2020. [Show/Exhibition]

Hameed, Ayesha. 2007. Banff Centre for Arts and Creativity Residency Exhibition. In: "Banff Centre for Arts and Creativity Residency Exhibition", Banff, Canada, 2007. [Show/Exhibition]

Hameed, Ayesha. 2018. Black Atlantis, Ø Hyperdub. In: "Ø Hyperdub", Corsica Studios London, United Kingdom, 14 November 2018. [Show/Exhibition]

Hameed, Ayesha. 2020. Black Atlantis: the Plantationocene. In: "(Extra)Terrestrial Currents", Obsidian Coast, Bradford-on-Avon, United Kingdom, 20 July - 2 August 2020. [Show/Exhibition]

Hameed, Ayesha. 2008. Borders in the City 1. In: "University of the Streets Café", Montréal, Canada, 2008 - 2010. [Show/Exhibition]

Hameed, Ayesha. 2010. Borders in the City 1. In: "International Society for Electronic Art", Singapore, Singapore, 2010. [Show/Exhibition]

Hameed, Ayesha. 2022. Brown Atlantis Solo Exhibition. In: "Brown Atlantis", Kunstinstituut Melly, Rotterdam, Netherlands, 6 May - 21 August 2022. [Show/Exhibition]

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Hameed, Ayesha. 2023. Curator “Language without language, Language inspite of language” Video Programme Videonale.Scope. In: "VIDEONALE.scope #10 − Open Your Scope - Counter Narratives", Turistarama Köln, Germany, 30 November 2023. [Show/Exhibition]

Hameed, Ayesha. 2017. The Destruction of Fingerprints. In: "Forensic Architecture: Towards an Investigative Aesthetics", MACBA Barcelona, Spain, 28 April - 15 October 2017. [Show/Exhibition]

Hameed, Ayesha. 2017. The Destruction of Fingerprints. In: "Forensic Architecture: Towards an Investigative Aesthetics", Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico, 9 September - 30 December 2017. [Show/Exhibition]

Hameed, Ayesha. 2014. The Destruction of Fingerprints. In: "Forensis", Haus der Kulturen der Welt (HKW), Berlin, Germany, 15 March - 5 May 2014. [Show/Exhibition]

Hameed, Ayesha. 2004. Digital Poetics and Politics. In: "Digital Poetics and Politics, Queen’s University", Kingston, Ontario, Canada, 2004. [Show/Exhibition]

Hameed, Ayesha. 2009. Eclectik 09 (Montréal, arts interculturels). In: "Eclectik 09 (Montréal, arts interculturels)", Montréal, Canada, 29 - 30 May 2009. [Show/Exhibition]

Hameed, Ayesha. 2009. Folly. In: "'Folly' at MAI", Montréal, arts interculturels, Montreal, Canada. [Show/Exhibition]

Hameed, Ayesha. 2011. “Giv Présente: Lancement des Nouveautés”. In: "Giv Présente: Lancement des Nouveautés", Maison de la culture du Plateau-Mont-Royal, Montréal, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2019. Glasgow Film Festival. In: "Glasgow Film Festival 2019", Glasgow, United Kingdom, 20 February 2019 - 3 March 2019. [Show/Exhibition]

Hameed, Ayesha. 2019. Gothenburg Biennale. In: "10th Gotëburg International Biennial for Contemporary Art", Gothenburg, Sweden, 7 September 2019 - 19 November 2019. [Show/Exhibition]

Hameed, Ayesha. 2024. Heavy Water | of Coordinates, Containers and Containment. In: "Heavy Water | of Coordinates, Containers and Containment", Alexander Levy, Berlin, Germany, 27 January - 30 March 2024. [Show/Exhibition]

Hameed, Ayesha. 2021. I sing of the sea, I am mermaid of the trees. In: "Liverpool Biennial 2021", Liverpool, United Kingdom, 6 March –20 June 2021. [Show/Exhibition] (Forthcoming)

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Hameed, Ayesha. 2023. “Ilemuria”. In: "Videonale Digest, VideonaleScope 10", Moltkerei Werkstatt, Koln, Germany, 25 November - 10 December 2023. [Show/Exhibition]

Hameed, Ayesha. 2022. Indigo Waves and Other Stories: Re-Navigating the Afrasian Sea and Notions of Diaspora. In: "Indigo Waves and Other Stories: Re-Navigating the Afrasian Sea and Notions of Diaspora", Zeitz MOCAA, Cape Town, South Africa, 30 June 2022 - 29 January 2023. [Show/Exhibition]

Hameed, Ayesha. 2011. "La Commune". In: "La Commune", Banff Centre for Arts and Creativity, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2018. Landfall and Departure: Epilogue (Listening to the Sea). In: "Landfall and Departure", Nanaimo Art Gallery, Nanaimo, Canada, 12 January - 10 March 2018. [Show/Exhibition]

Hameed, Ayesha. 2024. “Listen!”. In: "Listen!", Valkhof Museum, Nijmegen, Netherlands. [Show/Exhibition] (Forthcoming)

Hameed, Ayesha. 2019. Lubumbashi Biennale. In: "6th Biennale de Lubumbashi", Lubumbashi, Congo, the Democratic Republic of the, 24 October 2019 - 24 November 2019. [Show/Exhibition]

Hameed, Ayesha. 2001. Mayworks Festival. In: "Mayworks Festival, Oakville Art Gallery", Oakville, Canada, 2001. [Show/Exhibition]

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Hameed, Ayesha. 2021. Momenta Biennale, Wet Futures. In: "Momenta Biennale: Sensing Nature", VOX, centre de l'image contemporaine, Montreal, Canada, 8 September - 24 October 2021. [Show/Exhibition]

Hameed, Ayesha. 2014. Monitor Reruns. In: "Images Festival", A Space Gallery, Toronto, Canada, 28 March - 3 May 2014. [Show/Exhibition]

Hameed, Ayesha. 2010. “The New City Reader: A Newspaper of Public Space”. In: "The New City Reader: A Newspaper of Public Space, Network Architecture Lab", New Museum, New York, United States, 6 October 2010 - 9 January 2011. [Show/Exhibition]

Hameed, Ayesha. 2011. New Schools Programme Toronto. In: "New Schools Programme Toronto. SAVAC (South Asian Visual Arts Centre)", Toronto, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2021. The Ocean. In: "The Ocean", Bergen Kunsthall, Bergen, Norway, 28 August - 31 October 2021. [Show/Exhibition]

Hameed, Ayesha. 2023. Of the Act of Mending. In: "Tate Lates", Tate Modern, United Kingdom, 27 October 2023. [Show/Exhibition]

Hameed, Ayesha. 2018. “Precarious terrain and entangled situations”. In: "“Precarious terrain and entangled situations”", Konsthall C Stockholm, Sweden, 11 April - 17 June 2018. [Show/Exhibition]

Hameed, Ayesha. 2022. Radio Brown Atlantis Solo Exhibition. In: "Radio Brown Atlantis", Bonniers Konsthall, Stockholm, Sweden, 31 August - 30 October 2022. [Show/Exhibition]

Hameed, Ayesha. 2007. Re-presenting Diasporas in Cinema and New (Digital) Media, University of Exeter. In: "Re-presenting Diasporas in Cinema and New (Digital) Media, University of Exeter", Exeter, United Kingdom, 2007. [Show/Exhibition]

Hameed, Ayesha. 2008. Rearranging Desires: Curating the "Other” Within (Group Exhibition). In: "Rearranging Desires: Curating the "Other” Within. FOFA Gallery, Concordia University", Montreal, Canada, 6-31 October 2008. [Show/Exhibition]

Hameed, Ayesha. 2008. Rencontre Interuniversitaire, Québec. In: "Rencontre Interuniversitaire, Québec", Montreal, Canada, 2008. [Show/Exhibition]

Hameed, Ayesha. 2021. A Rough History (of the Destruction of Fingerprints). In: "VIDEONALE.scope #8", Koln, Germany, 24 June - 1 July 2021. [Show/Exhibition]

Hameed, Ayesha. 2015. A Rough History (of the destruction of fingerprints). In: "Social Glitch: Radical aesthetics and the consequences of extreme events", Kunstraum Niederoesterreich, Vienna, Austria, 25 September - 5 December 2015. [Show/Exhibition]

Hameed, Ayesha. 2012. Sarai Reader 09: The Exhibition, New Delhi. In: "Sarai Reader 09: The Exhibition", New Delhi, India, 18 August 2012 - 15 April 2013. [Show/Exhibition]

Hameed, Ayesha. 2021. Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar. In: "Sex Ecologies", Kunsthall Trondheim, Norway, 9 December 2021 - 6 March 2022. [Show/Exhibition]

Hameed, Ayesha. 2011. “TERRITOIRES/TERRITORIOS: Une sélection d’oeuvres d’artistes espagnoles et canadiennes”. In: "“TERRITOIRES/TERRITORIOS: Une sélection d’oeuvres d’artistes espagnoles et canadiennes”", Montréal, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2020. "TRAVEL APPARATUS". In: ""TRAVEL APPARATUS"", Das Weisse Haus, Vienna, Austria, 17 June - 19 August 2020. [Show/Exhibition]

Hameed, Ayesha. 2006. The Third Annual Volatile Works Series. In: "The Third Annual Volatile Works Series", Montréal, Canada, 2007. [Show/Exhibition]

Hameed, Ayesha. 2007. Volatile Works short programme. In: "Volatile Works Does the Cinémathèque!", Cinémathèque Québécoise, Montréal, 23 November 2007. [Show/Exhibition]

Hameed, Ayesha. 2019. Wadi Rum Film Festival. In: "Al-Qamar, Al-Qamar (Valley of the Moon) Film Festival", Wadi Rum, Jordan, 19 - 22 April 2019. [Show/Exhibition]

Hameed, Ayesha and Chu, Yen. 1999. “Borderlines” at 52 Inc. Toronto. In: "“Borderlines” 52 Inc. Toronto", Toronto, Canada, 1999. [Show/Exhibition]

Hameed, Ayesha and Kane, Hamedine. 2018. “Family Function”. In: "13th Dak’Art Dakar Biennial", Dakar, Senegal. [Show/Exhibition]

Hameed, Ayesha and Kane, Hamedine. 2018. “Working Practices: a collaboration with Clark House”. In: "“Working Practices: a collaboration with Clark House”", Showroom London, United Kingdom, 25 May - 7 July 2018. [Show/Exhibition]

Hameed, Ayesha and Muyanga, Neo. 2019. And Evil Earth, Maybe It’s Time For A Rumble. In: "SAVVY Contemporary, Ultrasanity Chapter 2, Invocations at the Gnaoua Festival", Essaouira, Morocco, 20 - 22 June 2019. [Show/Exhibition]

Hameed, Ayesha and Pourtavaf, Leila. 2007. Border Controls/Border Movements. In: "HTMlles 08: Crowd Control", Montréal, Canada, 17-21 October 2007. [Show/Exhibition]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2008. Decolonizing Architecture. In: "Decolonizing Architecture", Nottingham Contemporary, United Kingdom, 2008-2013. [Show/Exhibition]

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Kjeld, Kjeldsen; Kallehauge, Mette Marie and Varvia, Christina. 2022. Forensic Architecture - Witnesses. In: "Forensic Architecture - Witnesses", Louisiana Museum of Modern Art, Denmark, 20 May - 22 October 2022. [Show/Exhibition]

Madani, Adnan; Abidi, Bani; Dadi, Iftikhar and Talpur, Mohammad Ali. 2016. Art Sabka?: Pakistani Cinema Reflected. In: "Art Sabka?: Pakistani Cinema Reflected", Foundation for the Museum of Modern Art, Karachi, Pakistan. [Show/Exhibition]

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Moreno, Louis. 2021. Music as Spectral Infrastructure. In: "Music as spectral infrastructure", BAK, basis voor actuele kunst, Utrecht, Netherlands, 13 - 14 November 2021. [Show/Exhibition]

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Moreno, Louis. 2022. Unhoused Music. In: "Unhoused Music", BAK, basis voor actuele kunst, Utrecht, Netherlands, 12 - 13 November 2022. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2023. Data Is a Relation Not a Property. In: "Data Is a Relation Not a Property", DumBO, Bologna Attiva, Italy, 5 - 26 May 2023. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2017. Frontier Climates. In: "World of Matter – Mobilizing Materialities", Katherine E. Nash Gallery, University of Minnesota, Minneapolis, United States, 14 September - 9 December 2017. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2006. Gunners & Runners. In: "You’ll Never Walk Alone, Football and Fan Culture", O.K Centre for Contemporary Art, Linz, Austria, 9 June – 9 July 2006. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Networked Cultures. In: "Networked Cultures", AzW and Open Space, Vienna, Austria, 9 October - 19 November 2018. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2007. Operation Desert, Windsor, Ontario. In: "Build Me Up/Tear Me Down", Art Gallery of Windsor, Ontario, Canada, 15 September - 18 November 2007. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2017. Other Markets. In: "XX Chilean Architecture and Urbanism Biennial", Valparaiso, Chile, 26 October - 10 November 2017. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2021. Platform Austria. In: "Platform Austria", MAK Forum, Vienna, Austria, 27 May - 29 August 2021. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2019. The Propertied and the Propertyless. In: "Q&A zu Dividuality of Subjects / Subjects of Dividuality", halfway, Vienna, Austria. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Supply Lines: Visions of Global Resource Circulation. In: "Supply Lines: Visions of Global Resource Circulation", Gasworks, London, United Kingdom, 26 - 30 April 2011. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2021. We Like / Platform Austria. In: "17th International Architecture Exhibition - La Biennale di Venezia 2021", Venice, Italy, 22 May - 21 November 2021. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2023. A World of Matter. In: "Material Tales – The Life of Things", Hong Kong Science Museum, Hong Kong, 19 May - 18 October 2023. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2021. A World of Matter. In: "Material Tales – The Life of Things", Art Museum of Nanjing University of the Arts, China, 8 - 24 December 2021. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2021. A World of Matter. In: "Material Tales – The Life of Things", CAFA Art Museum, Beijing, China, 17 September - 17 October 2021. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2015. A World of Matter. In: "World of Matter – Exposing Resource Ecologies", Leonard & Bina Ellen Art Gallery, Concordia University, Montreal, Canada, 20 February - 18 April 2015. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2014. A World of Matter. In: "World of Matter", The James Gallery, CUNY Graduate Center, New York, United States, 10 September - 1 November 2014. [Show/Exhibition]

Mörtenböck, Peter and Mooshammer, Helge. 2014. A World of Matter. In: "World of Matter – Über globale Ökologien von Rohstoff", HMKV im Dortmunder U – Zentrum für Kunst und Kreativität, Dortmund, Germany, 1 March - 22 June 2014. [Show/Exhibition]

O'Sullivan, Simon D.. 2007. Associates. In: "‘Associates’ show (invited by The Hut Project)", Temporary Measures Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2008. The Chymical Wedding. In: "New Art UK", Whitechapel gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2008. The Chymical Wedding. In: "Fools Gold", Edinburgh: Edinburgh College of Art, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2016. Diagrams. In: "Miniature World", Castle field Gallery, Manchester, United Kingdom, November 2016-February 2017. [Show/Exhibition]

O'Sullivan, Simon D.. 2016. Diagrams for the Production of Subjectivity. In: "Miniature World", Castlefield Gallery, Manchester, United Kingdom, 18 November 2016 - 22 January 2017. [Show/Exhibition]

O'Sullivan, Simon D.. 2015. ‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance, with David Burrows and others (part of ‘Alternative 23, 2.0’. In: "‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance, with David Burrows and others (part of ‘Alternative 23, 2.0’)", Gallery North, Newcastle, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2005. Probe-Heads!. In: "Slim Volume poster project", United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2009. Welcome Cun-creet-hedd. In: "Performance Fictions Symposium", Electric Cinema, Birmingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. All the Fantasies of the People. In: "Masquerade – Be Another", Stephen Lawrence Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Black Mass for Partial Objects. In: "Black Mass for Partial Objects", Royal Academy of Arts, London, United Kingdom, December 2008. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. The Chymical Wedding. In: "The Chymical Wedding", Tate Britain, London, 4 January 2008. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. The Chymical Wedding. In: "Slade Wotever", Vauxhall Tavern, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. In: "Long Live the New Flesh", ICA, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2012. Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. In: "Potentials of Performance", Performance Space, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction. In: "Diagram of (Urb-Fux Glitter) Addiction, part of 'Multiverese'", Wysing Art Centre, Cambridgeshire, United Kingdom, April 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction. In: "Diagram of (Urb-Fux Glitter) Addiction,. part of ‘Curbitt’ festival", Mount Saleve, Geneva, Switzerland, July 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2015. Diagram of (Urb-Fux Glitter) Addiction’. In: "Diagram of (Urb-Fux Glitter) Addiction. part of ‘Transmetic’", Lewisham Art House, London, United Kingdom, May 2015. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Eight Diagrams/Avatars: All the Fantasies of the People. In: "'Space Time T' music/art festival", Wysing Arts Centre, Cambridge, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. 'Gabba, Gabba, Gabba, All Hail the Great Gobbler!'. In: "The Starseed Transmissions", Enclave, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. A History of the Visitation. In: "Year (magazine)", Brussels, Belgium. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Mouth-Ports Bou-Har. In: "Multiversity", Swedenborg Hall, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Drone. In: "Transmetic Heresiacs", Lewisham Art House, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Drone. In: "As above, So Below: A Colloquium on Drone Culture", University of Lincoln, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Science. In: "Golden Age Problems", Autoitalia, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Myth-Science Songs of Animal and Cyber Evolution. In: "part of Exploit.zzxjoanw.Gen (download from www.punctum, Dane Sutherland curator), with performance at launch, Collective Gallery", Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Myth-Science’ and ‘Monarch-Drone’. In: "Webewoche", Stroom de Haag, The Hague, Netherlands. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Myth-Science’, performance, with David Burrows and others. In: "The Meaning of Life vs Chin Stroker", Macbeth pub, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "Obliteration Device", IMT Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "(part of Transmetc), Amersham Arms", New Cross, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. Pimpz and Hookerz. In: "PIGDOGANDMONKEYFESTOS", Airspace Gallery, Stoke-on-Trent, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastiqiue Fantastique: Peckham Mirror Displacements. In: "Village Idiot", Peckham Town Square, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique. In: "The Long Avant-Garde", Cartel, London. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique. In: "We are Grammar Group show", Pratt Institute, New York, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2020. Plastique Fantastique 'Beware Mars with Earth in Ascendance', part of 'Transmissions Season 2'. In: "Transmissions, Season 2", Somerset House, London, United Kingdom, 16-18 September 2020. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2020. Plastique Fantastique 'Earth Year Zero', part of 'BlakeFest'. In: "Virtual Visions (BlakeFest)", United Kingdom, 2020. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2020. Plastique Fantastique 'Welcome to Termite City', part of group exhibition 'Re-Enchanted Matter'. In: "Re-Enchanted Matter", APT Gallery, London, United Kingdom, 3-13 September 2020. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2020. Plastique Fantastique 'Zoom Ritual to Tell Stories' (5 parts), part of group exhibition 'This is a Not-Me'. In: "This is a Not-Me", IMT Gallery, London, United Kingdom, 6 August - 15 December 2020. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique 24 hour Puja to the People-yet-to-come. In: "Séance: War on Ghosts", Mark McGowans Festival (14th July-11th August), Space Station Sixty Five, London, United Kingdom, 14th July-11th August. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. ‘Plastique Fantastique Borromean Knot Ribbon Probe’ and ‘Plastique Fantastique Mythopoesis Shrine (to call forth Starbucks Foffee)’. In: "Temporary Contemporary Gallery, Zoo Art Fair", London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique Cat-Yage-Demon Inversion Shrine. In: "Dead Fingers Talk: The Tape Experiments of William S. Burroughs", IMT Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Plastique Fantastique Diagram of the Parasite Fox-Owl and the Host Phenome-Human-Algorithmic-Feedback-Loop. In: "All the Fantasies of the People", Grand Union, Birmingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique Diagram of the Plague Bacterium: Welcome Cun-verse. In: "Avalon", Embassy Gallery, Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2022. Plastique Fantastique Exquisite Corpse Meme-Animals. In: "Two Moons", Mazecollective Studio Terrace, New Dehli, India, 19 - 24 November 2022. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2023. Plastique Fantastique Exquisite Corpse Meme-Animals. In: "Is the Image Even Human?", Insituto Cervante, New Dehli, India, 9 March -5 May 2023. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique Golem. In: "an evening of performances, IMT Gallery", Banner Repeater, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique Mathemes. Glasgow, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique Mirror Displacement Ritual: Welcome Mouth-Ports Bour-Har!. In: "Plastique Fantastique Mirror Displacement Ritual: Welcome Mouth-Ports Bour-Har!", Aspex Gallery, Portsmouth, United Kingdom, June 2009. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique Mirror Travel to Concrete Island: Welcome Cun-creet-hedd!. In: "Plastique Fantastique Mirror Travel to Concrete Island: Welcome Cun-creet-hedd!", Danielle arnaud Gallery, London, United Kingdom, June 2009. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2012. Plastique Fantastique Patheme-Matheme. In: "Swarms of Black Flies make the Roses Purple", IMT gallery, London., United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Plastique Fantastique Patheme-Matheme Diagram of the Slave Dog. In: "R-U-Dead-Yet?", Summerhall, Edinburgh, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique Re-Naming Ritual to Summon (part-shell e-ject demon) Buz-Blud-Witz. In: "in conjunction with ‘The Shape We’re In’", Zabludowicz Collection, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2007. Plastique Fantastique Ribbon Dance. In: "International Project Space (as part of ‘The Event’)", Birmingham City centre, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2023. Plastique Fantastique Science Fictioning Tarot. In: "Profanations", Fidelidade Arte Lisboa, Lisbon, Portugal, 9 May - 1 September 2023. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2023. Plastique Fantastique Science Fictioning Tarot. In: "Profanations", Culturgest, Porto, Portugal, 30 September 2023 to 14 January 2024. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique Shrine. In: "Writing in Strobe, Dicksmith Gallery", London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique Shrine (defacialisation). In: "Pimps and Hookers, 1000000mph Project Space", London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique TV. In: "Plastique Fantastique TV", xero, Coma and Kline, United Kingdom, April 2011. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Plastique Fantastique present ‘Accelerator Ritual. In: "Plastique Fantastique in the Bug House: Clearing All Channels", FA Projects gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2005. 'Plastique Fantastique'. In: "EAST", Norwich, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique: Diagram of the Body Full of Holes (Thought without Subject): Welcome Black Hare Demon, the Anorexic Death Machine. In: "Plastique Fantastique: Diagram of the Body Full of Holes (Thought without Subject): Welcome Black Hare Demon, the Anorexic Death Machine", Arkeshus Kunstsenter, Lillestrom., Norway, September 2011. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Plastique Fantastique: Impossible Objects. In: "Plastique Fantastique: Impossible Objects", Grey Area, Brighton, United Kingdom, May 2011. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Inversion Ritual (against the Plague that is Capital). In: "Plastique Fantastique: Inversion Ritual (against the Plague that is Capital)", Fabrica Gallery, Brighton, United Kingdom, December 2009. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Plastique Fantastique: Protocols for Deceleration (Night is also a Sun). In: "Plastique Fantastique: Protocols for Deceleration (Night is also a Sun)", Outpost Gallery, Norwich, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Plastique Fantastique: Starbucks Fukkee is Your Enemy. In: "solo show with Aline Bouvy and John Gillis", Alice Day Gallery, Brussels, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2010. Plastique Fantastique: The Visitation (and Castration Rituals to welcome Tat-Not!). In: "Plastique Fantastique: The Visitation (and Castration Rituals to welcome Tat-Not!)", Tatton Park, United Kingdom, July-September 2010. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: We Lot Yesterday is Judas to the Vibiron. In: "Starmaker show", E:vent Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Welcome Cun-creet-hedd. In: "Multi-Verse", Danielle Arnaud Galley, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2009. Plastique Fantastique: Welcome Mouth-Ports Bou-Har!. In: "Stranger Things are Happening", Aspex Gallery, Portsmouth, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Plastique Fantastique: You Lot Yesterday is Judas to the Vibiron. In: "Six Impossible Things Before Breakfast", Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2008. Protocols for Deceleration: Night is also a Sun. In: "Protocols for Deceleration: Night is also a Sun", Outpost Gallery, Norwich, United Kingdom, November 2008. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2007. The Return of Plastique Fantastique. In: "Frozen Tears III", Birmingham: Article Press, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2014. ‘Ribbon Probe’, various posters and films and ‘Myth-Science’ performance. In: "‘Schizo-Culture’", SPACE Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2007. Ribbon dance Communiques. In: "Uncle Chop Chop (magazine)", Glasgow, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2005. Shrine Drawings and Models (Plastique Fantastique). In: "Works of Royal Destiny and Structural Integrity", Old Seager Distillery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Shrine-Down-Under: virtual Summoning of the-Thing-from-the-Void (Fox-Owl demon). In: "A Transcendental Fissure in the Immanent Fabric of Things", Melbourne, Australia. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. Staabucks Fukkee is Your Enemy. In: "Magnetic Promenade and Other Sculpture Parks", London: Studio Voltaire, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2012. ‘THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!’. In: "‘THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!’", ASC Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2011. Three Real Plastique Fantastique Communiqués. In: "Again, A Time Machine", The Showroom, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2017. Traitor-Meme. In: "Traitor-Meme", Castlefield Gallery, Manchester, United Kingdom, 23 June - 6 August 2017. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2017. Traitor-Meme. In: "Traitor-Meme", The Mac, Belfast, United Kingdom, 20 October 2017 - 14 January 2018. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2018. Traitor-Meme. In: "Traitor-Meme", Dundee Contemporary Arts, United Kingdom, 10 March - 27 May 2018. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2018. Traitor-Meme. In: "Traitor-Meme", Bury Museum and Art Gallery, United Kingdom, 23 June - 15 September 2018. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2006. We are Plastique Fantastique. In: "Various events", Alice Day Gallery, 01/12/2006 - 25/01/2007. [Show/Exhibition]

O'Sullivan, Simon D. and Burrows, David. 2013. Welcome Neuropatheme Feed-Back Loop. In: "art fair performance programme", Art 13, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and AAS. 2014. Myth-Science-Colloquium. In: "Reactor Hals", Nottingham, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and Dalton, Joe. 2008. Plastique Fantastique: Shadowface and Glitterhead. Brussels, Belgium. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and Dalton, Joe. 2007. Plastique Fantastique: Traitor Prophet and Others. Brussels, Belgium. [Show/Exhibition]

O'Sullivan, Simon D.; Burrows, David and Schratt, Henrik. 2008. Product Clearing. In: "One Day comic collaboration", Eastside Projects, Birmingham, United Kingdom. [Show/Exhibition]

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Pennell, Jacqueline D.. 2014. Perfect Day. In: "Symbiosis", Goldsmiths, United Kingdom, 11 December 2014. [Show/Exhibition]

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Rana, Rashid. 2021. Eart: A Manifesto of Possibilities. In: "Eart: A Manifesto of Possibilities", Manchester, United Kingdom, 1 - 18 July 2021. [Show/Exhibition]

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Rogoff, Irit. 2016. An Anecdoted Archive of Exhibition Lives. In: "An Anecdoted Archive of Exhibition Lives", Bergen Assembly, Norway, September 2016. [Show/Exhibition]

Rogoff, Irit; Esche, Charles and Niemann, Kerstin. 2006. A.C.A.D.E.M.Y. UNDEFINED 16/09/2006 - 16/12/2006. [Show/Exhibition]

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Rogoff, Irit; Moreno, Louis; Mollona, Massimiliano; Harney, Stefano and Sternfeld, Nora. 2016. Infrastructure. In: "Infrastructure", Bergen Assembly, Norway, 1 September - 1 October 2016. [Show/Exhibition]

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Rosamond, Emily. 2010. Night Shift. In: "Night Shift", AceArt, Inc., Winnipeg, Canada, 1-31 June 2010. [Show/Exhibition]

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Rosamond, Emily. 2008. The Patron Saint of Waterskiers and Other Entities. In: "The Patron Saint of Waterskiers and Other Entities", Richmond Art Gallery, Richmond, British Columbia, Canada, 11 September - 16 November, 2008. [Show/Exhibition]

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Rosamond, Emily. 2017. Plymouth Contemporary. In: "Plymouth Contemporary", Karst, Plymouth, United Kingdom. [Show/Exhibition]

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Rosamond, Emily. 2018. Small Things Considered - Ceteris Paribus. In: "Small Things Considered - Ceteris Paribus", Leu Gallery, Belmont University, Nashville, Tennessee, United States, 12 March - 4 May 2018. [Show/Exhibition]

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Rosamond, Emily; Charlesworth, Dave; Cove, Ben; Estna, Merike; Gainan, Justin; Goodwin, Katie; Hughes, Catherine; Kiernander, Trevor; Pathan, Alia; Selby, Lisa; Systems House, M.; Taylor, Ross; Tilley, Annabel; Whatmore, Poppy and Zaharia, Madalina. 2019. Mimesis; Narrative; Against Hegemony!. In: "Mimesis; Narrative; Against Hegemony!", A.P.T. Gallery, London, United Kingdom, 25 January - 16 February 2019. [Show/Exhibition]

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Rosamond, Emily; Craig, Kit; Lawler, Alex; Prevett, Jim; Selby, Lisa; Harris, Rowena and Zaharia, Madalina. 2016. Say What?. In: "Say What?", ASC Gallery, London, United Kingdom, 9 September - 28 October 2016. [Show/Exhibition]

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Rosamond, Emily; Pickering, Kate and Ounanian, Steven. 2014. before breakfast we talked about the furthest visible point before it all disappeared. In: "before breakfast we talked about the furthest visible point before it all disappeared", Tenderpixel, London, United Kingdom, 27 June - 26 July 2014. [Show/Exhibition]

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Rosamond, Emily; Ørum, Kristoffer and Elmstrom, Iben. 2020. Semio-Technical Traffics. In: "Semio-Technical Traffics", SixtyEight Art Institute, Copenhage, Denmark, 10 January - 15 February 2020. [Show/Exhibition]

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Schuppli, Susan. 2015. 10th Shanghai Biennale. In: "The Social Factory", Shanghai, China, November 23 2014 – March 31 2015. [Show/Exhibition]

Schuppli, Susan. 2014. Animism. In: "Animism", Ilmin Museum of Art, Seoul, Korea, Republic of, 6 Dec 2013 - 16 Mar 2014. [Show/Exhibition]

Schuppli, Susan. 2018. Eavesdropping. In: "Eavesdropping", Melbourne, Australia, 24 July – 20 Oct 2018. [Show/Exhibition]

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Schuppli, Susan. 2017. Ex-Ante. In: "Ex-Ante", Auckland, New Zealand, 27 October – 22 December 2017. [Show/Exhibition]

Schuppli, Susan. 2016. Forensic Architecture. In: "Reporting from the Front", Venice, Italy, May 25 – November 27 2016. [Show/Exhibition]

Schuppli, Susan. 2014. Hlysnan: On the Notion & Politics of Listening. In: "Hlysnan: On the Notion & Politics of Listening", Casino Luxembourg, Luxembourg, May 17 – September 7 2014. [Show/Exhibition]

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Schuppli, Susan. 2017. The Images of War. In: "The Images of War", Stockholm, Sweden, 20 September 2017 – 14 January 2018. [Show/Exhibition]

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Schuppli, Susan. 2017. Material Truths. In: "Material Truths", Site Gallery, Sheffield, United Kingdom. [Show/Exhibition]

Schuppli, Susan. 2017. Moscow Biennale. In: "Clouds ⇄ Forests", Moscow, Russian Federation, 19 September 2017 – 18 January 2018. [Show/Exhibition]

Schuppli, Susan. 2017. Resolution is not the Point. In: "London Art Fair", London, United Kingdom. [Show/Exhibition]

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Schuppli, Susan. 2018. Space of Flows. In: "Space of Flows", Krakow, Poland, 24.05.2018 – 24.06.2018. [Show/Exhibition]

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Schuppli, Susan. 2016. The Sun Placed in the Abyss. In: "The Sun Placed in the Abyss", Columbus, Ohio, United States, October 7, 2016 to January 8, 2017. [Show/Exhibition]

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Schuppli, Susan. 2017. Ural Industrial Biennial. In: "New Literacy", Ural, Russian Federation, 14.09 - 12.11.2017. [Show/Exhibition]

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Schuppli, Susan and Kraemer, Steffen. 2012. The Architecture of Conflict. In: "The Architecture of Conflict", Praque, Czech Republic, 28 February – 21 April 2018. [Show/Exhibition]

Weizman, Eyal. 2018. Counter Investigations. In: "Counter Investigations: Forensic Architecture", Institute of Contemporary Arts (ICA), London, United Kingdom, 7 March - 13 May 2018. [Show/Exhibition]

Weizman, Eyal. 2010. The Destruction of Destruction. In: "antiphotojournalism", institute of the image, Spain. [Show/Exhibition]

Weizman, Eyal. 2010. Documentary Sculpture. In: "The Architecture Biennale of Venice 2010", Venice, Italy. [Show/Exhibition]

Weizman, Eyal. 2016. Forensic Architecture at Venice Architecture Biennale 2016. In: "Giardini della Biennale, La Biennale di Venezia", Venice, Italy, 28 May - 27 November 2016. [Show/Exhibition]

Weizman, Eyal. 2015. Forensic Architecture in All of This Belongs to You, Victoria and Albert Museum. In: "All of This Belongs to You", Victoria and Albert Museum, London, United Kingdom, 1 April – 19 July 2015. [Show/Exhibition]

Weizman, Eyal. 2014. Forensic Architecture in Insert2014. In: "Insert2014", Mati Ghar, Indira Gandhi National Centre for the Arts, New Delhi, India, 31 January - 28 February 2014. [Show/Exhibition]

Weizman, Eyal. 2017. Forensic Architecture: Hacia una estética investigativa. In: "Forensic Architecture: Hacia una estética investigativa", Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico, 9 September - 30 December 2017. [Show/Exhibition]

Weizman, Eyal. 2017. Forensic Architecture: Towards an Investigative Aesthetics. In: "Forensic Architecture: Towards an Investigative Aesthetics", MACBA, Barcelona, Spain, 28 April - 15 October 2017. [Show/Exhibition]

Weizman, Eyal. 2015. Forensis. In: "Forensis", Fundación Proa (PROA), Buenos Aires, Argentina, 25 September 2015 - 31 January 2016. [Show/Exhibition]

Weizman, Eyal. 2014. Forensis. In: "Forensis", Haus der Kulturen der Welt (HKW), Berlin, Germany, 15 March - 5 May 2014. [Show/Exhibition]

Weizman, Eyal. 2015. Images à charge, La construction de la preuve par l'image. In: "Images à charge, La construction de la preuve par l'image", LE BAL, Paris, France, 4 June - 30 August 2015. [Show/Exhibition]

Weizman, Eyal. 2018. The Long Duration of a Split Second at Turner Prize 2018. In: "Turner Prize 2018", Tate Britain, United Kingdom, 26 September 2018 - 6 January 2019. [Show/Exhibition]

Weizman, Eyal. 2018. Maps of Defiance: Documenting the Genocide of the Yazidi People in Northern Iraq at London Design Biennale 2018. In: "London Design Biennale 2018", Somerset House, London, United Kingdom, 4-23 September 2018. [Show/Exhibition]

Weizman, Eyal. 2003. Territories. In: "Territories", Kunst Werke and Walter Koenig Press, 6/1/2003 - 9/7/2003. [Show/Exhibition]

Weizman, Eyal. 2015. The Urban-Data Complex. In: "Shenzhen Bi-City Biennale of Urbanism/Architecture 2015", Shenzhen Public Art Center, Shenzhen, China, 4 December 2015 - 4 March 2016. [Show/Exhibition]

Weizman, Eyal. 2016. A World of Fragile Parts. In: "La Biennale di Venezia 2016", Applied Arts Pavilion, Venice, Italy, 28 May - 27 November 2016. [Show/Exhibition]

Weizman, Eyal and Varvia, Christina. 2015. Burden of Proof: The Construction of Visual Evidence. In: "Burden of Proof: The Construction of Visual Evidence", The Photographers' Gallery, London, United Kingdom, 2 October 2015 - 10 January 2016. [Show/Exhibition]

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Weizman, Eyal; Varvia, Christina; Krämer, Elisabeth; Andritsou, Dimitra; Franke, Anselm and Kaleck, Wolfgang. 2021. Investigative Commons. In: "Investigative Commons Exhibition", Haus der Kulturen der Welt (HKW), Berlin, Germany, 28 May - 8 August 2021. [Show/Exhibition]

Weizman, Eyal; Varvia, Christina; Rowat, Simone and Levidis, Stefanos. 2017. 77sqm_9:26min. In: "Documenta 14", Neue Neue Galerie, Kassel, Germany, 10 June - 19 September 2017. [Show/Exhibition]

Wolf, Nicole. 2008. Experimentations from India. In: "Experimentations from India", Berlin Film Festival, Germany. [Show/Exhibition]

Wolf, Nicole. 2009. No man’s land/ Everybody’s Land – Glaring in Defiance. In: "No Man's Land/ Everybody’s Land – Glaring in Defiance", Karachi, Pakistan, 30 January 2009 - 1 February 2009. [Show/Exhibition]

Wolf, Nicole. 2011. Persistence Resistance. Documentary Practices in India.. In: "Persistence Resistance. Documentary Practices in India.", London, United Kingdom. [Show/Exhibition]

Wolf, Nicole. 2017. ‘To make a film means to take a position’ (Sarah Maldoror). In: "Experimenta India", Bangalore, India, 29.11.-3.12.2017. [Show/Exhibition]

Wolf, Nicole. 2007. Video Mumbai. Lentos Kunstmuseum/ Museum of Modern Art Linz. [Show/Exhibition]

Wolf, Nicole and Wenner, Dorothee. 2010. Moving Politics. Cinemas from India. In: "Moving Politics. Cinemas from India", Arsenal. Institut for film and video art, Germany, June to October 2010. [Show/Exhibition]

Thesis

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Adams, Tristam. 2019. Vox-Exo: Horrors of a Voice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Afi, Bruno Drumond. 2023. Spaced Out in Paradise: Post-Punk Futurities, Politics, Transitions, and Other Voices in Brazil. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Aloi, Giovanni. 2015. Botched Taxidermy: New Animal Bodies in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Andrews, Alice. 2011. Autoimmunity: 
Deconstructing Fictions of Illness and the Terrible Future to Come. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Arriola, Aimar Olabarria. 2020. Animals, Touch, and Books: Surface Matters in the HIV/AIDS Archive. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bella Piñeiro, María. 2019. Returning Life to Life: The Factory of Cine sin Autor. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Birtwistle, Andrew Brian. 2006. Cinesonica: Sounding the Audiovisuality of Film and Video. Doctoral thesis, Goldsmiths, University of London [Thesis]

Bogdan, Jolan. 2015. Performative Contradiction and Revolution: Reconsidering Romania. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Burns, David Benjamin. 2020. The Material-Media Histories of Maralinga. Doctoral thesis, Goldsmiths, University of London [Thesis]

Cavallini, Roberto. 2010. Inheriting the Im-possible: Reading Tradition and Temporality in Pier Paolo Pasolini through Contemporary French Philosophy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Chatziyannaki, Zoe. 2011. Fleeting Island: The Production of Space in Santorini. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Cnaani-David, Ofri. 2023. Active Residues. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Collee, Lauren. 2024. From the bright world paradigm to shadow aesthetics: deconstructing visual metaphors of over-illumination. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Condorelli, Céline. 2014. In Support: A Theoretical and Practical Investigation into Forms of Display. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Crone, Bridget. 2013. The Sensible Stage : An encounter with bodies, images and other sensate materials. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Damaso, Mafaldo. 2017. Unstable Mediation – Regarding the United Nations as a Visual Entity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Davies, Russell. 2011. The Enigma of Art in the Thought of Martin Heidegger. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Dimitriou, Orsalia. 2016. The Politics of Public Space and the Emergence of the Commons in Contemporary Athens. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Donnelly, Ryann. 2017. Radical Bodies in Music Video: Feminism, Queerness, and Subversive Performance of Gender. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Doussan, Jenny. 2011. Intention and Exception: A Critique of the Work of Giorgio Agamben. Doctoral thesis, Goldsmiths, University of London [Thesis]

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El Baroni, Bassam. 2017. Post-Agonistics: Pluralism, Realism and the Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Elfving, Taru. 2009. THINKING ALOUD ON THE ADDRESS OF THE VIEWER. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ellul, Hannah. 2017. Picturing Politics: Drawing Out the Histories of Collective Political Action in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Evans, Dave. 2022. Re-making Networked Platforms: A Practice Based Exploration of Networked Retreat. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Fernandez Ayarzagoitia, Mercedes. 2024. Tracing violence and cruelty in Mexico’s visual culture. Images of violence and their effects on subjectivity and the social bond. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Finney, Rachael. 2024. Sounding Elsewhere, Sounding Everywhere: Listening to the Background from Motown and Beyond. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Formosa, Fabienne. 2024. Embodied storytelling and the ecological entanglements of distress: practice research of somatic movement through polycrisis.. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Georgiou, Diana. 2019. Erotic Responsiveness: An Ethics of Auto/biographical Art-Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gibson, Beatrice. 2013. Between Script and Score: Notation and Movement in the Work of Cornelius Cardew. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gkitsa, Dimitra. 2020. Affective commoning: Collective curating in the post-socialist space. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Grant, Catherine. 2006. Different Girls: performances of adolescence in contemporary photographic portraits. Doctoral thesis, Courtauld Institute of Art, London [Thesis]

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Haworth, Michael. 2013. Thought into being: finitude and creation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Heller, Charles. 2015. Liquid Trajectories : Documenting Illegalised Migration and the Violence of Borders. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Itani, Racha. 2022. Flirting with Middle Eastern Modernity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Jones, Gwyneth Siobhan. 2013. Expose Yourself to Art : Towards a Critical Epistemology of Embarrassment. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Jundi, Mustapha. 2024. The Visceral Underground: Knowledge Gaps and Paranoia across the Blue Line. Other thesis, Goldsmiths, University of London [Thesis]

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Licha, Jacques Emanuel. 2015. War Hotels. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lindblom, Jon. 2016. Technihil: The Cultural Import of Cognitive Neuroscience. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lopez Zambrano, Paula. 2021. Curating Time, Contingency, Anachronism, Flirtation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lovett, Matthew. 2018. Outside on the Inside: Musical improvisation according to contemporary materialist thought. Doctoral thesis, Goldsmiths, University of London [Thesis]

Madani, Adnan. 2016. Formations of the Contemporary : Islam, Globalization and Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Majumder, Sanjita. 2023. Maternal Spectres: Reproduction of Cinematic Images and the Feminisation of Workforces in South Asia. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Malatjie, Lorraine Porcia. 2020. A Constellation of Refusals: Blackness in Contemporary African Video Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Marques Florencio, Joao Pedro. 2014. Strange Encounters:Performance in the Anthropocene. Doctoral thesis, Goldsmiths, University of London [Thesis]

McAuliffe, Sam. 2017. Image and Thought in Adorno, Blanchot and Deleuze. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Mendes, Margarida. 2023. Sensorial Ecologies: Sonic Literacy and Restorative Listening in Watery Worlds. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Meneses Romero, Mariana. 2017. Women cooking art: Hospitality and contemporary art practices. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Milevska, Suzana. 2005. GENDER DIFFERENCE IN THE BALKANS. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Moon, Je Yun. 2017. Choreo-graphy: The Deinstitutionalisation of the Body and the Event of Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Moreira, Inês. 2014. Performing Building Sites : Curating in/on/through space. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Nyampeta, Christian. 2020. How to Live Together: A Dialogue Between Roland Barthes and Isaïe Nzeyimana. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ozbay, Semiha Muge. 2019. Moving Together: Affect, Time and The Political in-between Bodies. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Park, So-Young. 2013. Suspended
 Subjectivity:
 Intention
 in
 Making 
Art. Masters thesis, Goldsmiths, University of London [Thesis]

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Parry, Owen. 2013. Trashy Tendencies: Indeterminate acts of refusal in contemporary art and performance practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Pavlovits, Daniel Imre. 2017. The Verb, Noun and Dash of Consciousness: on two aspects of the quotidian condition. Other thesis, Goldsmiths, University of London [Thesis]

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Pekun, Didem. 2016. First Person as Molecular Subjectivities: Turkey and Turkishness. Doctoral thesis, Goldsmiths, University of London [Thesis]

Pereira, Godofredo Nobre Enes. 2015. The Underground Frontier : technoscience and resource extraction. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Pierce, Sarah. 2015. It's time man. It feels Imminent. Politics at the moment of exposition. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ringborg, William Theodor. 2020. Testifying to the Image: The video of the assault on Rodney King as evidence, as event, and as exhibition. Doctoral thesis, Goldsmiths, University of London [Thesis]

Roberdeau, Wood. 2008. (Un)familiarities: Remobilizing the Poetry of the Real. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Rugo, Daniele. 2010. Powers of Existence: The Question of Otherness in the Philosophy of Jean-Luc Nancy. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Schaber, Ines. 2012. Obtuse, Flitting by, and Nevertheless There – Image Archives in Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Schmitz, Edgar. 2009. Ambient Attitudes. On practices of contingency, treason and humour.. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Sebregondi, Francesco. 2020. The Smart City of Gaza Technologies of Containment and the Urban Condition. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Shaw, Jonathan Keith. 2017. Subjectility : On Reading Artaud. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Shepherd, Jessica. 2019. Recomposing the image of the world: micropolitical art interventions in the 21st Century. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Simon, Joshua. 2016. Betrayal. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Singer, Manuel. 2015. Indefinite Workings : What Dwellings Elicit and On What Architecture Depends. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Springer, Anna-Sophie. 2024. Species of Accumulation & the Necromass of Natural History. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stewart, Jay. 2015. Trans on Telly: Popular Documentary and the Production of Transgender Knowledge. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Szynkarczuk, Pawel. 2015. Intercorporeality - Merleau-Ponty’s Ontology of Flesh and Butoh Dance Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Trevatt, Thomas. 2021. The Axioms of Petroculture: Art and Political Transformation in the Second Age of Oil. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Truskolaski, Sebastian. 2016. Bilderverbot: Adorno and the Ban on Images. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Töpfner, Christian. 2015. Subjects of Creation. On Materialist Abstraction and the Enactment of Ideas. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Türetken, Füsun. 2023. On the most powerful catalyst on the planet. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Vergara Vivanco, Leire. 2018. Dispositifs of Touching: A Curatorial Study on the Plazas of Sovereignty. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Waldmeier, Martin. 2016. The Artist as Translator. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Watson, Michael. 2012. Joan of Art: In Defence of Subjectivity. Doctoral thesis, Goldsmiths, University of London [Thesis]

Wisniowska, Magdalena. 2009. Articulating Aesthetic Experience: Questions of Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Zhu, Bangjia Joni. 2021. Cyber-Proletariat and the New Subaltern Space. Doctoral thesis, Goldsmiths, University of London [Thesis]

Zourgane, Philippe. 2013. The Architectural Free Zone - Reunion Island and the Politics of Vegetation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Other

Blas, Zach and Cassils, Heather. 2015. “Queer Darkness”. Little Joe, No. 5. [Other]

Blas, Zach; Kholeif, Omar; Bridle, James and Dullaart, Constant. 2015. “Has the Internet Become a Human or a Thing, or Have We Become the Internet?”. Mousse Magazine, Number 47. [Other]

Blas, Zach and Satterwhite, Jacolby. 2014. “Adjust Opacity”. DIS Magazine. [Other]

Butler, Judith and Ertür, Başak. 2017. In Turkey, academics asking for peace are accused of terrorism. The Guardian, London. [Other]

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Ertür, Başak. 2012. Plenty of History. Manifesta Journal #15, Amsterdam. [Other]

Hameed, Ayesha. 2022. Poetry. “Songs for Petals” in CLIMATE: Our Right to Breathe. K. Verlag and L’Internationale Online, Berlin. [Other]

Nowotny, Stefan; Fuzinato, Jelena; Esposito Yussif, Giovanna and Kaverina, Ksenia. 2016. Suspending the Archive: Interview given to Jelena Fuzinato, Giovanna Esposito Yussif and Ksenia Kaverina. CuMMA - Aalto University Helsinki, Helsinki. [Other]

Wolf, Nicole. 2001. Documenta XI. Kassel, Germany [Other]

This list was generated on Tue Nov 19 02:52:05 2024 GMT.