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Items where Division is "Visual Cultures"

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Number of items at this level: 1869.

Grant, Catherine and Price, Dorothy, eds. 2020. Decolonizing Art History: A Questionnaire, Art History, 43(1). [Edited Journal]

Crone, Bridget, ed. 2006. 8 artists try not to talk about art. Space Studios. ISBN 0-9554060-0-5 [Edited Book]

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Butt, Gavin, ed. 2005. After Criticism: New Responses to Art and Performance. Blackwell. ISBN 9780631232834 [Edited Book]

Butt, Gavin, ed. 2008. After Criticism: New Responses to Art and Performance (Chinese edition). Jiangsu, China: Jiangsu Fine Arts Publishing House. ISBN 9787534422409 [Edited Book]

Turner, Lynn, ed. 2013. The Animal Question in Deconstruction. Edinburgh: Edinburgh University Press. ISBN 9780748683123 [Edited Book]

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Turner, Lynn and Kelley, Lindsay, eds. 2013. Bon Appetit, Parallax, 19(1). 1353-4645 [Edited Journal]

Segal, Rafi; Tartakover, David and Weizman, Eyal, eds. 2003. A Civilian Occupation: The Politics of Israeli Architecture. London; New York: Verso. ISBN 9781859845493 [Edited Book]

Plotegher, Paolo, ed. 2014. Commons and Commoning in New Cross. London: New Cross Commoners. [Edited Book]

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Majumder, Sanjita and Kent, Debbie, eds. 2020. Counterfield Publication #1, Counterfield Publication #1, 1(1). [Edited Journal]

Grant, Catherine and Rubin, Patricia, eds. 2012. Creative Writing and Art History. Wiley. ISBN 978-1-4443-5039-5 [Edited Book]

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Martinon, Jean-Paul, ed. 2013. The Curatorial: A Philosophy of Curating. London: Bloomsbury. ISBN 9781472525604 [Edited Book]

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Mörtenböck, Peter and Mooshammer, Helge, eds. 2020. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge. ISBN 9780367184728 [Edited Book]

Mennel, Birgit and Nowotny, Stefan, eds. 2014. Die Sprachen der Banlieues. Vienna: transversal texts. ISBN 978-3-9501762-7-8 [Edited Book]

Turner, Lynn; Sellbach, Undine and Broglio, Ron, eds. 2018. The Edinburgh Companion to Animal Studies. Edinburgh: Edinburgh University Press. ISBN 9781474418416 [Edited Book]

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Crone, Bridget and El Baroni, Bassam, eds. 2022. The Edinburgh Companion to Curatorial Futures. Edinburgh: Edinburgh University Press. [Edited Book] (Forthcoming)

Allmeier, Daniela; Manka, Ingrid; Mörtenböck, Peter and Scheuvens, Rudolf, eds. 2016. Erinnerungsorte in Bewegung. Zur Neugestaltung des Gedenkens an Orten nationalsozialistischer Verbrechen. Bielefeld: transcript Verlag. ISBN 978-3-8376-3059-6 [Edited Book]

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Grant, Catherine and Random Love, Kate, eds. 2019. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press. ISBN 9781912685134 [Edited Book]

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Crone, Bridget; Nightingale, Sam and Stanton, Polly, eds. 2022. Fieldwork for Future Ecologies: Radical practice for art and art-based research. Eindoven: Onamtapee. [Edited Book]

Barcelos, Lendl; Colquhoun, Matt; Eastwood, Ashiya; Eshun, Kodwo; Moalemi, Mahan and Ronkina, Geelia, eds. 2017. The Fisher-Function. London: Egress. [Edited Book]

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Najafi, Sina and Weizman, Eyal, eds. 2021. Forensic Architecture Reports #1: The Police Shooting of Mark Duggan. Brooklyn, NY / London: Cabinet Books / Institute of Contemporary Art London. ISBN 9781932698855 [Edited Book]

Weizman, Eyal, ed. 2014. Forensis: The Architecture of Public Truth. Berlin: Sternberg. ISBN 978-3-95679-011-9 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume I. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume II. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume III. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

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Gunkel, Henriette; Hameed, Ayesha and O'Sullivan, Simon D., eds. 2017. Futures and Fictions. London: Repeater. ISBN 9781910924631 [Edited Book]

Grant, Catherine and Waxman, Lori, eds. 2011. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect. ISBN 1841503487 [Edited Book]

Schuppli, Susan, ed. 2004. Guest Editor. “Exposé 67: Special Issue on Expo 67, Blackflash, 22(2). [Edited Journal]

Plotegher, Paolo, ed. 2008. Guida Gratis di Bolzano, Summer Drafts, . [Edited Journal]

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2001. ‘Hot Property’, Parallax, 7(2). 1353-4645 [Edited Journal]

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2001. ‘Immanent Trajectories’, Parallax, 7(4). 1353-4645 [Edited Journal]

Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine, eds. 2015. 'In Movement: Women in Africa and the African Diaspora.', JENdA: A Journal of Culture and African Women Studies, 26. [Edited Journal]

Blas, Zach, ed. 2016. In Practice: Opacities. Camera Obscura: Feminism, Culture, and Media Studies, Camera Obscura: Feminism, Culture, and Media Studies, 31((2 92)). 0270-5346 [Edited Journal]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. Indian Documentary Studies: Contours of a Field, Bioscope. South Asian Screen Studies, 3(1). 0974-9276 [Edited Journal]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. "Indian Documentary Studies: Contours of a Field." Special Issue., Bioscope. South Asian Screen Studies, 3(1). 0974-9276 [Edited Journal]

Tubridy, Derval, ed. 2008. Irish Studies Review: Thomas Kinsella Special Issue, Irish Studies Review, 16(3). 0967-0882 [Edited Journal]

Mennel, Birgit; Nowotny, Stefan and Raunig, Gerald, eds. 2010. Kunst der Kritik. Vienna: Turia + Kant. ISBN 978-3-85132-584-3 [Edited Book]

Keenan, Thomas and Weizman, Eyal, eds. 2011. Mengele’s Skull: Special Issue of Cabinet Journal, Cabinet, (43). [Edited Journal]

Rogoff, Irit and Sherman, D, eds. 1994. Museum Culture: Histories, Theories, Spectacles. Minneapolis: Minnesota University Press. ISBN 978-0-8166-1953-5 [Edited Book]

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner, eds. 2014. Nanopolitics Handbook. London: MINOR COMPOSITIONS. ISBN 978-1570272684 [Edited Book]

Rubinstein, Daniel; Golding, Johnny and Fisher, Andrew, eds. 2013. On the Verge of Photography: Imaging Beyond Representation. Birmingham, UK: ARTicle Press. ISBN 9781873352021 [Edited Book]

Butt, Gavin, ed. 2010. Performing/Knowing. Birmingham: Article Press. [Edited Book]

Fisher, Andrew and Rubenstein, Daniel, eds. 2010. Philosophy of photography, Philosophy of Photography, . 20403682 [Edited Journal]

Butt, Gavin; Eshun, Kodwo and Fisher, Mark, eds. 2016. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Edited Book]

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2002. Random Figures, Parallax, 8(1). 1353-4645 [Edited Journal]

Fisher, Mark, ed. 2009. The Resistible Demise of Michael Jackson. Zero Books. ISBN 978-1-84694-348-5 [Edited Book]

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Crone, Bridget, ed. 2017. The Sensible Stage:Staging and the Moving Image. Bristol UK: Intellect Books. ISBN 978-1-78320-769-5 [Edited Book]

Crone, Bridget, ed. 2005. The Showroom Annual 2003/4. The Showroom. [Edited Book]

Crone, Bridget and Ogg, Kirsty, eds. 2007. The Showroom Annual 2005/6. The Showroom. ISBN 0954236254 [Edited Book]

Grant, Catherine and Rubin, Patricia, eds. 2011. Special Issue: Creative Writing and Art History, Art History, 34(2). 0141-6790 [Edited Journal]

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Gunkel, Henriette and Stieglitz, Olaf, eds. 2014. 'Sport und Körper' [Sport and the Body], Body Politics – Zeitschrift für Körpergeschichte, 2(3). [Edited Journal]

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Petrescu, Doina; Petcou, Constantin and Awan, Nishat, eds. 2011. Trans-Local-Act: Cultural practices within and across. Paris: aaa-peprav. ISBN 978-2-9530751-13 [Edited Book]

Poppel, Sarah; Vasic-Janekovic, Vanessa; Eshun, Kodwo; Linke, Armin; Mende, Doreen and Tomic, Milica, eds. 2016. Travelling Communiqué: Studying Practices of decolonial thinking through the presidential Photo Archive of Josip Broz Tito at the Museum of Yugoslav History. Leipzig: Spector Books. ISBN 9783944669922 [Edited Book]

Gunkel, Henriette; Nigianni, Chrysanthi and Söderbäck, Fanny, eds. 2012. Undutiful Daughters: New Directions in Feminist Thought and Practice. Palgrave Macmillan. ISBN 9780230118317 [Edited Book]

Dyangani Ose, Elvira, ed. 2014. 'Uses of Memory’, Cuaderno SESC Videobrasil 10. Associação Cultural Videobrasil, Sao Paulo: Edições Sesc-SP & Associação Cultural Videobrasil. ISBN 9788579951664 [Edited Book]

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Andrews, Jorella G., ed. 2013. Visual Cultures As Recollection. Berlin: Sternberg Press. ISBN 9783943365405 [Edited Book]

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Andrews, Jorella G., ed. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 3956791002 [Edited Book]

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Andrews, Jorella G., ed. 2013. Visual Cultures as Seriousness. Berlin: Sternberg Press. ISBN 9783943365399 [Edited Book]

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Andrews, Jorella G., ed. 2021. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Edited Book]

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Andrews, Jorella G., ed. 2023. Visual Cultures as World Forming. Berlin: Sternberg Press. ISBN 9783956795374 [Edited Book] (In Press)

Gunkel, Henriette and Lynch, Kara, eds. 2019. We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. Bielefeld: transcript Verlag. ISBN 9783837646016 [Edited Book]

Bischoff, Eva; Fenske, Uta; Gunkel, Henriette; Hampf, M. Michaela; Yekani, Elahe Haschemi and Klawitter, Arne, eds. 2012. What Can a Body Do?: Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh. ISBN 978-3593396415 [Edited Book]

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Adams, Tristam. 2019. Vox-Exo: Horrors of a Voice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Akomfrah, John and Eshun, Kodwo. 2019. The Secessionist Manifestos of Certain Received Wisdoms. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 363-370. ISBN 9783837646016 [Book Section]

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Aloi, Giovanni. 2015. Botched Taxidermy: New Animal Bodies in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Amaro, Ramon. 2018. Afrofuturism. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 17-20. ISBN 978-1-350-03024-4 [Book Section]

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Amaro, Ramon. 2019. Artificial Intelligence: warped, colorful forms and their unclear geometries. In: Danae Io and Callum Copley, eds. Schemas of Uncertainty: Soothsayers and Soft AI. Amsterdam: PUB/Sandberg Instituut, pp. 69-90. ISBN 9789090318431 [Book Section]

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Amaro, Ramon. 2019. As If. e-flux architecture: Becoming Digital, [Article]

Amaro, Ramon. 2019. Darkness, as a first act of creation. In: "Darkness, as a first act of creation", XXII Triennale di Milano, Italy, 1 March - 1 September 2019. [Show/Exhibition]

Amaro, Ramon. 2016. Digital Hysteria: A proposal on violence and humanism. In: Collective Hysteria, ed. HSYREITA. (7) London: Hysteria Press, pp. 10-15. [Book Section]

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Amaro, Ramon. 2020. Machine Diagnosis. Open! Journal, [Article]

Amaro, Ramon. 2018. 'Machine learning, surveillance, and the politics of visibility'. In: Belief in AI Conference, Dubai Design Week. Dubai, United Arab Emirates. [Conference or Workshop Item]

Amaro, Ramon. 2018. Precognition. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 365-368. ISBN 978-1-350-03024-4 [Book Section]

Amaro, Ramon. 2020. Threshold Value. e-flux architecture, [Article]

Amaro, Ramon. 2018. 'The archive as a space in-between history and the production of blackness'. In: The Joy in The Punch, Takeover of the National Maritime Museum. National Maritime Museum, United Kingdom. [Conference or Workshop Item]

Amaro, Ramon and Khan, Murad. 2020. Towards Black Individuation and a Calculus of Variations. e-flux journal, 109, ISSN 2164-1625 [Article]

Andrews, Alice. 2011. Autoimmune Illness as a Death-drive: An Autobiography of Defence. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 189-203. [Article]

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Andrews, Alice. 2011. Autoimmunity: 
Deconstructing Fictions of Illness and the Terrible Future to Come. Doctoral thesis, Goldsmiths, University of London [Thesis]

Andrews, Alice. 2011. Book Review: Enduring Death: The Hauntings of Literature and Art. Parallax, 17(4), pp. 124-127. ISSN 1353-4645 [Article]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity'. In: Derrida Konferenz Frankfurt. Goethe-Universität Frankfurt am Main, Germany March 14-16 2012. [Conference or Workshop Item]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity II'. In: 3rd International Derrida Today Conference. University of California, Irvine, United States. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Abstraction'. In: Philosophy and Painting: Sharing Concepts. University of Tel Aviv, Israel 23 December 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. 'Appearance is Everything: Phenomenology, art and critical enquiry'. In: Institut für Kultur und Kunstwissenschaften. Humboldt University, Berlin, Germany. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Art and Aesthetics in and after Phenomenology of Perception: Post-Launch Discussion'. In: Philosophy Video Premiere & Launch: Art and Aesthetics in and After Phenomenology of Perception (A Conversation in Five Parts). Concordia University, Canada 1 October 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Carrie Mae Weems and the Question of Criticism'. In: Presentation. Essex University, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Challenging Identities'. In: Ways of Seeing 2018: Identities, Art and Architecture. National Gallery, London, United Kingdom 24 November 2018. [Conference or Workshop Item]

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Andrews, Jorella G.. 2020. 'Circling squares: Phenomenology, change-making, and the idea of the creation as theophany'. In: Religion & Art Symposium. Goldsmiths, University of London, United Kingdom 13 November 2020. [Conference or Workshop Item]

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Andrews, Jorella G.. 2022. A Close Encounter with Paul Cézanne. RA The Royal Academy of Arts Magazine(156), p. 23. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 2011. Contemporary Art, "Counter-Environmentalism," and the Politics of A-Signification. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: Transcript Verlag, pp. 43-58. ISBN 978-3-8376-1847-1 [Book Section]

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Andrews, Jorella G.. 2018. 'The Courage to Persevere: Contemporary re-interrogations of faith and their public implications'. In: The Faiths and Civil Society Unit Public Programme: Faith and the Future of Civil Society. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. 'The Creative Circuit: The Experience of Cultural Translation'. In: The Creative Circuit: The Experience of Cultural Translation. Victoria & Albert Museum. [Conference or Workshop Item]

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Andrews, Jorella G.. 2006. Critical Materialities. In: A. Nollert; Irit Rogoff; B. de Baere; Y. Dziewior; C. Esche; K. Nieman and D. Roelstraete, eds. A.C.A.D.E.M.Y. Revolver, pp. 178-186. ISBN 3865883036 [Book Section]

Andrews, Jorella G.. 1998. Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective. In: Anna-Teresa Tymieniecka, ed. The Reincarnating Mind, or the Ontopoietic Outburst in Creative Virtualities. 53 Springer Netherlands, pp. 335-343. ISBN 978-94-010-6055-4 [Book Section]

Andrews, Jorella G.. 1995. 'Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective'. In: World Phenomenology Congress. Guadalajara, Mexico. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. ''The Dance of the Hand: The Material Space of Language''. In: Presentation. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'The Dance of the Hand: on gestural writing, epistemology and creativity'. In: Talk. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. SOAS, United Kingdom 22 November 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. University of Tel Aviv, Israel 25 December 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Description, the unorphaned eye, and the cultivation of care'. In: Visual Pedagogies: IAVC (International Association for Visual Culture) Conference, 2018. London College of Communication, University of the Arts London, United Kingdom 14 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. 'Dis-alienation and the Eye'. In: Exils/Exiles - 2001. Herstmonceux Castle, East Sussex, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. Dispossessing the Land. In: , ed. Landscape Trauma in the Age of Scopophilia. London: Autograph, pp. 57-63. ISBN 1 899282 80 7 [Book Section]

Andrews, Jorella G.. 2000. Easels and Amazons (‘Amazons of the Avant‐Garde’). Third Text, 50, pp. 109-113. ISSN 0952-8822 [Article]

Andrews, Jorella G.. 2003. 'Field Work: Reports from the Field of Visual Culture'. In: Field Work: Reports from the Field of Visual Culture. Victoria Miro Gallery. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. ''The Forensic Aesthetic: Iconographies of Violence'. In: Presentation. . Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2016. The Forge of Vision: A Visual History of Modern Christianity David Morgan. Art and Christianity, 86, pp. 12-13. ISSN 1746-6229 [Article]

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Andrews, Jorella G.. 2021. 'His Artistry; His Imagery: Visuality, spiritual formation, intercession'. In: Session 8 - Religion & Art Forum. Online, United Kingdom 13 December 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'How can Objects and Images help us Reflect, Share and Educate?'. In: The New Cross Fire Collection at the Deptford People's Heritage Museum: Reflection and Planning. London, United Kingdom 27 March 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge,'. In: World Phenomenology Institute, 2018 Conference on Phenomenology and Aesthetics. Harvard University, United States 13-15 June 2018.. [Conference or Workshop Item]

Andrews, Jorella G.. 2010. ‘How to be counter-environmental: art, research and the techniques of discovery’. In: José Quaresma, ed. Research in Art: A Forest, Many Paths. Lisbon: Edição CIEBA, Faculty of Fine Arts, University of Lisbon, pp. 180-203. [Book Section]

Andrews, Jorella G.. 2002. Identity - An Introduction. In: Rasheed Araeen; Sean Cubitt and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 135-137. ISBN 9780826458506 [Book Section]

Andrews, Jorella G.. 2021. 'Identity as Openness'. In: Ways of Seeing 2021: Identities in Art and Architecture. National Gallery, London, United Kingdom 20 November 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Instabilities, Uncertainties, Aliens: A Perspective upon our Searches for Security'. In: Presentation. University of Oslo, Ethnographic Museum, Norway. [Conference or Workshop Item]

Andrews, Jorella G.. 2013. Intending Objects and “Signs which have no meaning”. In: Jorella G. Andrews, ed. Visual Cultures as Objects and Affects. Berlin: Sternberg Press, pp. 29-58. ISBN 978-3-943365-38-2 [Book Section]

Andrews, Jorella G.. 2004. 'Intending objects and signs ”which have no meaning”'. In: Presentation. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Interviewing Images Workshop'. In: Interviewing Images Workshop Western Arts & Humanities, Western University. Western University, Canada 27 January 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2020. 'Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling.'. In: 3rd International Conference on Dwelling Form (IDWELL 2020). Department of Architecture Universitas Indonesia, Indonesia 27 - 28 October 2020. [Conference or Workshop Item]

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Andrews, Jorella G.. 2019. '‘Interviewing Images’: Using IPA (Interpretative Phenomenological Analysis) in visual arts research.'. In: Pictures and words: combining verbal accounts and visual images within interpretative phenomenological analysis. Phenomenology of Health and Relationships Conference: Creativity and Affect. Aston University, Birmingham, United Kingdom 22-23 May 2019. [Conference or Workshop Item]

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Andrews, Jorella G.. 2020. 'Labyrinth Walking/Labyrinth Walking Resources: Goldsmiths Mental Health Awareness Day Sessions'. In: Goldsmiths Mental Health Awareness Day Sessions. Goldsmiths, University of London, United Kingdom 4 - 5 March 2020. [Conference or Workshop Item]

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Andrews, Jorella G.. 2006. Losing Labels and Liking It. In: Heather Maitland, ed. Navigating Difference: cultural diversity and audience development. London: Arts Council England, pp. 141-147. ISBN 9780728710771 [Book Section]

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Andrews, Jorella G.. 2019. 'Making our way in semi-obscurity'. In: Extending the Image Workshop with Susan Sentler (LASALLE) for MA Design Expanded Practice students. Goldsmiths, University of London, United Kingdom 14 June 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. Maria Sibylla Merian: Collecting Metamorphosis. In: G. Ecker; M. Stange and U. Vedder, eds. Sammeln, Ausstellen, Wegwerfen. Ulrike Helmer Verlag, pp. 71-89. ISBN 3897410702 [Book Section]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Collecting Metamorphosis'. In: Workshop: Sammeln und Ausstellen. Literatur- und kulturwissenschaftliche Perspektiven. University of Paderborn, Germany. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Painting the Microcosm'. In: Association of Art Historians 1999 Conference. Southampton, United Kingdom. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'The Mark Fisher Memorial Lecture 2021: Notes from the Underground with Test Dept'. In: Mark Fisher Memorial Lecture 2021 with Test Dept. Goldsmiths, University of London, United Kingdom 29 January 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Matisse, Merleau-Ponty and the Search for Depth'. In: Aesthetics: A Day School in Philosophy. Birkbeck College, University of London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Merleau-Ponty, Phenomenology and Processes of Describing'. In: Presentation. Kingston University, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'Merleau-Ponty, non-philosophy and painting'. In: Talk. Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. 'Moufida Tlatli's "The Silences of the Palace": A Cartography of Servitude.'. In: Geographies of Home Conference. University College London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. 'Of Ethics and Intermundane Space'. In: IAPL (International Association for Philosophy and Literature) Conference 2002 - Intermedialities. Erasmus University, Rotterdam, Netherlands 3-8 June 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Pacific Asia Cultural Studies Forum Conference'. In: Pacific Asia Cultural Studies Forum Conference. Goldsmiths, University of London. [Conference or Workshop Item]

Andrews, Jorella G.. 2004. Painterly Transubstantiations/Political Change. In: A. Tymieniecka, ed. Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations: 81 (Analecta Husserliana). Kluwer Academic Publishers, pp. 141-151. ISBN 9781402017094 [Book Section]

Andrews, Jorella G.. 2002. 'Painterly Transubstantiations/Political Change'. In: Seventh Annual Meeting of the International Society for Phenomenology, Aesthetics and the Fine Arts. Harvard Divinity School, Cambridge, MA, United States 10-12 May 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. ''Performing Space''. In: Inhabiting Technology Conference,. ICA London. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. ''Phenomenological Orientations: Art/Perception/Ethics''. In: The Future Past of Visual Culture (Conference 1). Tate Britain, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. 'Phenomenologies/Perceptions/Interpretations'. In: International Association for Philosophy and Literature Conference. University of Cyprus. [Conference or Workshop Item]

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Andrews, Jorella G.. 15 June 2016 - Present Philosophy, Art and Religion. [Project]

Andrews, Jorella G.. 2011. The Photographic Stare. Philosophy of Photography, 2(1), pp. 41-56. ISSN 20403682 [Article]

Andrews, Jorella G.. 2022. Pictorial Rationalities and why they matter in our struggles for identity and community. In: Helen Fielding and Mariana Ortega, eds. Life in Art, Phenomenology, Aesthetics, and Identity. [Book Section] (Submitted)

Andrews, Jorella G.. 2021. 'Pictorial Rationality, Trans-culturalism, and the Work of Art'. In: Critical Phenomenology & Merleau-Ponty’s Open Futures: 45th Annual Conference of the International Merleau-Ponty Circle. Western University, Canada 22 - 24 October 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. Post Theory - An Introduction. In: Rasheed Araeen and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 229-232. ISBN 9780826458506 [Book Section]

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Andrews, Jorella G.. 2019. 'Practices of Stewardship: Albion Millennium Green and the Albion Millennium Green Labyrinth as an Agent of Care'. In: Redesigning Stewardship. Goldsmiths, University of London, United Kingdom 16 September 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Public Art, Personal Depth'. In: Association for Art History: Art History Festival | Public Art, Personal Depth. National Gallery, London, United Kingdom 24 September 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. The Question of Painting: Rethinking Thought with Merleau-Ponty. London: Bloomsbury Academic. ISBN 9781472574282 [Book]

Andrews, Jorella G.. 1997. Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur. In: , ed. Crosscurrents/Krysninger. Norway: Riksutstillinger/National Touring Exhibitions, Norway, pp. 19-21. [Book Section]

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Andrews, Jorella G.. 2021. 'Rights of Passage Session 2: Powerful Voices (Deptford Peoples Heritage Museum)'. In: Rights of Passage: Intergenerational Music and History Exchanges between London and Dakar. Pepys Resource Centre, London, United Kingdom 11 June 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2014. Showing Off! A Philosophy of Image. London: Bloomsbury Academic. ISBN 9781472531797 [Book]

Andrews, Jorella G.. 2005. ''Showing Off': A Merleau-Pontean Approach to the Ethical'. In: IAPL (International Association for Philosophy and Literature) Conference 2005. Chiasmatic Encounters. Special Panel: 'Bodily Écarts : Encountering Merleau-Ponty in the 21st Century'. University of Helsinki, Finland 2-8 June 2005. [Conference or Workshop Item]

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Andrews, Jorella G.. 2016. The Socialities of Things. In: Barbara Kapusta; Rocco Pagel and Jenni Tischer, eds. Dinge und Dialoge. Berlin and Vienna: Saprophyt, pp. 10-15. [Book Section]

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Andrews, Jorella G.. 2018. 'Starting from below: Phenomenological Interventions in Art History and Visual Culture'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Staying Embodied: Merleau-Ponty, Integrated Being and the Creation of New Structures'. In: The 1999 International Conference of the Merleau-Ponty Circle. Wrexham, Wales, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'Story-Time: An exhibition of artists living in Israel/Palestine'. In: Story-Time: An exhibition of artists living in Israel/Palestine. Candid Arts Gallery, London. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. Telling tales: Five contemporary women artists from India. Third Text, 43, pp. 81-89. ISSN 0952-8822 [Article]

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Andrews, Jorella G.. 2015. This is Cézanne. London: Laurence King Publishing. ISBN 978-1780674780 [Book]

Andrews, Jorella G.. 2016. This is Rembrandt. London: Laurence King. ISBN 9781780677453 [Book]

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Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts Research and Pedagogy (Handbook for 3-day Workshop led by Jorella Andrews)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24-26 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: PhD Workshop. SOAS London, United Kingdom 10 January 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: Test Lab Central St Martins. Central Saint Martins, University of the Arts London, United Kingdom 1 May 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts-based Research and Pedagogy. Two-day Workshop'. In: Using Phenomenology in Contemporary Arts Workshop: 2 Day Workshop. Goldsmiths, University of London, United Kingdom 19 and 26 October 2018. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Using “extreme list-making” to explore objects and images: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event'. In: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event. London, United Kingdom 20 February 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. The Virtual Intersection: A Meditation on Domestic Virtue. In: Fran Lloyd and Catherine O'Brien, eds. Secret Spaces, Forbidden Places: Re-thinking Culture. New York and Oxford: Berghahn, pp. 171-183. ISBN 9781571817884 [Book Section]

Andrews, Jorella G.. 1998. 'The Virtual Intersection: Pieter de Hooch's Woman with a Broom and Pail in a Courtyard'. In: Secret Spaces, Forbidden Places (international colloquium). Herstmonceux Castle, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. Vision, Violence and the Other: A Merleau-Pontean Ethics. In: G. Weiss and D. Olkowski, eds. Feminist Interpretations of Merleau-Ponty. Penn State University Press, pp. 167-182. ISBN 027102917X [Book Section]

Andrews, Jorella G.. 2000. 'Vision, Violence and the Other: A Merleau-Pontean Ethics'. In: The 25th Annual Meeting of the International Merleau-Ponty Circle. Washington DC, United States. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Visual Cultures Now - Field Reports, Public Programme Lecture Series, 2020-21'. In: Visual Cultures Public Programme: Field Reports 2020-21. Goldsmiths University of London, United Kingdom 8 October 2020 - 25 March 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Welcome Home: Red Ribbon Living Well Support Group Celebrate World AIDS Day 2021 (plus preparatory workshops)'. In: Welcome Home. The Somerville, New Cross, London, United Kingdom 5 March - 1 December 2021 (and ongoing). [Conference or Workshop Item]

Andrews, Jorella G.. 2016. '‘Where is called Thinking?’'. In: Series: HCT Debates: Dis-locutions, the architectural and the political. AA (Architectural Association) School, London, United Kingdom 4 March 2016. [Conference or Workshop Item]

Andrews, Jorella G. and Durner, Leah. 2016. 'Immeasurable Extravagance: Proposals for an Economy of Abundance in an Age of Scarcity'. In: Panel at CAA (College Art Association) Conference 2017. New York Hilton Midtown, NYC, United States 15 February 2017. [Conference or Workshop Item]

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Andrews, Jorella G. and Durner, Leah. 2019. Painting, Largesse and Life: A Conversation with Leah Durner. New York: Leah Durner. [Book]

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Andrews, Jorella G.; Gordon, Alastair and Smith, James K.A.. 2020. 'Material Thought - Make Good Lecture'. In: Make Good Lecture: Material Thought. Morphe Arts, Dundee, United Kingdom 7 December 2020. [Conference or Workshop Item]

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Andrews, Jorella G. and Martinon, Jean-Paul. 2018. 'A Fearless Look at the Unspeakable: Visual Cultures Public Programme Sping Term 2018'. In: Visual Cultures Public Programme. Goldsmiths, University of London, United Kingdom Jan-Feb 2018. [Conference or Workshop Item]

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Andrews, Jorella G. and O'Sullivan, Simon D.. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 978-3-943365-38-2 [Book]

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Andrews, Jorella G., ed. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 9783943365382 [Edited Book]

Andrews, Jorella G. and Osborne, Peter. 2007. 'Critical Materialities'. In: Day Seminar: Research and the matter of art: ‘Thinking by Doing’ and a Materialist’s Method. Royal College of Art, London, United Kingdom 21 February 2007. [Conference or Workshop Item]

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Andrews, Jorella G.; Say, Jeffrey and Veal, Clare. 2019. 'Using Phenomenology in Contemporary Arts Reserach & Pedagogy Workshop 2: Phenomenological encounters with non-western and diasporic objects-images-architeves-&-artworlds (Phenomenology, displacement and decoloniality)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. Goldsmiths, University of London, United Kingdom 21-23 February 2019. [Conference or Workshop Item]

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Andrews, Jorella G. and Smith, James K.A.. 2020. 'Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture'. In: Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture 5 October 2020. Morphe Arts, Dundee, United Kingdom 5 October 2020. [Conference or Workshop Item]

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Arriola, Aimar Olabarria. 2020. Animals, Touch, and Books: Surface Matters in the HIV/AIDS Archive. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ascher, Ivan; Hardin, Carolyn; Klein, Steven; Montgomerie, Johnna and Rosamond, Emily. 2022. Finance and the Financialization of Capitalism. In: Albena Azmanova and James Chamberlain, eds. Capitalism, Democracy, Socialism: Critical Debates. Cham, Switzerland: Springer, pp. 71-97. ISBN 9783031084065 [Book Section]

Awan, Nishat. 2014. Agential Exchanges: Thinking the empirical in relation to productivity. In: André Viljoen and Katrin Bohn, eds. Second Nature Urban Agriculture: Designing Productive Cities. Abingdon, Oxon; New York: Routledge, pp. 108-113. ISBN 9780415540582 [Book Section]

Awan, Nishat. 2016. Diasporic Agencies: Mapping the City Otherwise. Abingdon: Routledge. ISBN 9781472433770 [Book]

Awan, Nishat. 2014. Diasporic experience and the need for topological methods. In: Peter Blundell Jones and Mark Meagher, eds. Architecture and Movement: The Dynamic Experience of Buildings and Landscapes. Abingdon, Oxon: Routledge. ISBN 9780415725354 [Book Section]

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Awan, Nishat. 2016. Digital Narratives and Witnessing: The Ethics of Engaging with Places at a Distance. Geohumanities, 2(2), pp. 311-330. ISSN 2373-566X [Article]

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Awan, Nishat. 2016. Edges of Europe: Visuality, ethics and witnessing in social research. Working Paper. Independent Social Research Foundation, London. [Report]

Awan, Nishat. 2016. Introduction to Border Topologies. GeoHumanities, 2(2), pp. 279-283. ISSN 2373-566X [Article]

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Awan, Nishat. 2017. Mapping Otherwise: Imagining other futures and other possibilities. In: Meike Schalk; Thérèse Kristiansson and Ramia Mazé, eds. Feminist Futures of Spatial Practice: Materialisms, Activisms, Dialogues, Pedagogies, Projections. Baunach: AADR, pp. 19-27. ISBN 9783887784898 [Book Section]

Awan, Nishat. 2016. Migrant Narratives of Citizenship: A Topological Atlas of European Belonging. In: "Migrant Narratives of Citizenship: A Topological Atlas of European Belonging", Yorkshire Sculpture Park, United Kingdom, 31 October – 27 November 2016. [Show/Exhibition]

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Awan, Nishat. 2021. Performing on the streets: Infrastructures of subaltern resistance in Pakistan. Environment and Planning C: Politics and Space, 39(6), pp. 1274-1293. ISSN 2399-6544 [Article]

Awan, Nishat. 2012. Re-mapping Kurdistan. In: Renata Tyszczuk, ed. ATLAS: Geography, Architecture and Change. London: Black Dog Publishing. ISBN 9781907317392 [Book Section]

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Awan, Nishat. 2008. Words and objects in transposing desire and making space. arq: Architectural Research Quarterly, 12, pp. 263-268. ISSN 1359-1355 [Article]

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Awan, Nishat and Hoskyns, Teresa. 2015. Mapping Occupy. Architecture and Culture, 2(1), pp. 130-140. ISSN 2050-7828 [Article]

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Awan, Nishat and Langley, Phil. 2013. Mapping Migrant Territories as Topological Deformations of Space. Space and Culture, 16(2), pp. 229-245. ISSN 1206-3312 [Article]

Awan, Nishat and Schneider, Tatjana. 2011. Other productions of space. In: Silvia Forlati; Anne Isopp and Astrid Piber, eds. Wonderland Manual for Emerging Architects. Vienna: Springer, pp. 330-335. ISBN 9783709108222 [Book Section]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Instances of ecological motivations in the production and use of space. Field: A Free Journal for Architecture, 4(1), pp. 219-226. ISSN 1755-068 [Article]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2013. The Institute of Radical Spatial Education. In: "Lisbon Architecture Triennale", Lisbon, Portugal, 17-20 Oct 2013. [Show/Exhibition]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Spatial Agency: Other ways of doing architecture. Abingdon, Oxon; New York: Routledge. ISBN 9780415571937 [Book]

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Beasley, Becky. 2018. Depressive Alcoholic Mother. In: "Depressive Alcoholic Mother", Plan B Gallery, Germany, 27 April - 9 June 2018. [Show/Exhibition]

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Beasley, Becky. 2021. H. S. P. (or Promising Mid-career Woman). In: "H. S. P. (or Promising Mid-career Woman)", Galeria Plan B, Berlin, Germany, 27 November 2021 - 5 February 2022. [Show/Exhibition]

Beasley, Becky. 2014. A Slight Nausea: An Interior. In: "A Slight Naueas: An Interior", South London Gallery, United Kingdom, January 2014 (four weekends). [Show/Exhibition]

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Bella Piñeiro, María. 2019. Returning Life to Life: The Factory of Cine sin Autor. Doctoral thesis, Goldsmiths, University of London [Thesis]

Bellini, Andrea; Dyangani Ose, Elvira; Bourgeois, Caroline and Alemani, Cecilia. 2016. Biennial of Moving Image. Geneva. 2016. In: "15th edition Biennial of Moving Image", Centre d'art Contemporain, Geneve, Switzerland. [Show/Exhibition]

Biemann, Ursula; Mörtenböck, Peter and Mooshammer, Helge. 2013. From Supply Lines to Resource Ecologies. Third Text, 27(1), pp. 76-94. ISSN 0952-8822 [Article]

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Birtwistle, Andrew Brian. 2006. Cinesonica: Sounding the Audiovisuality of Film and Video. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Blas, Zach. 2018. Body Horror. In: "Tentacular", Matadero Madrid, Spain. [Performance]

Blas, Zach. 2016. “‘A Cage of Information,’ or, What is a Biometric Diagram?”. In: Erika Balsom and Hila Peleg, eds. Documentary Across Disciplines. Cambridge, MA: The MIT Press & Haus der Kulturen der Welt. ISBN 9780262529068 [Book Section]

Blas, Zach. 2018. Contra-Internet. [Art Object]

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Blas, Zach. 2016. Contra-Internet. e-flux journal, 74, ISSN 2164-1625 [Article]

Blas, Zach. 12 May 2015 - 2018 Contra-Internet. [Project]

Blas, Zach. 2014. “Contra-Internet Aesthetics”. In: Omar Kholeif, ed. You Are Here: Art after the Internet. Manchester: Cornerhouse Books, pp. 86-97. ISBN 9780956957177 [Book Section]

Blas, Zach. 2013. “Escaping the Face: Biometric Facial Recognition and the Facial Weaponization Suite”. Media-N, Journal of the New Media Caucus, 9(2), ISSN 2159-6891 [Article]

Blas, Zach. 2013. Face Cages. [Art Object]

Blas, Zach. 2016. "Gay Bombs: Getting Started". In: David Getsy, ed. Queer: Documents of Contemporary Art. Cambridge, MA: The MIT Press & Whitechapel Gallery, pp. 105-109. ISBN 9780262528672 [Book Section]

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Blas, Zach. 2019. Icosahedron. [Art Object]

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Blas, Zach. 2018. Informatic Opacity. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic. ISBN 9781350030244 [Book Section]

Blas, Zach. 2014. "Informatic Opacity". Journal of Aesthetics and Protest, 9, [Article]

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Blas, Zach. 2018. Is the internet a urinal?. In: "Is the internet a urinal?", MU, United Kingdom. [Performance]

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Blas, Zach. 2018. The Jubilee of 2033. GLQ: A Journal of Lesbian and Gay Studies, 24(4), ISSN 1064-2684 [Article]

Blas, Zach. 2017. Metric Mysticism. In: "Metric Mysticism", e-flux, United Kingdom. [Performance]

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Blas, Zach. 2016. Opacities: An Introduction. Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 149-153. ISSN 0270-5346 [Article]

Blas, Zach. 2007. Queer Technologies. [Art Object]

Blas, Zach. 2012. “Queerness, Openness”. In: Ed Keller; Nicola Masciandaro and Eugene Thacker, eds. Leper Creativity: Cyclonopedia Symposium. Brooklyn: Punctum Books. ISBN 9780615600468 [Book Section]

Blas, Zach. 2018. SANCTUM. [Art Object]

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Blas, Zach. 2016. “Vacuoles of Noncommunication: From Invisible Adversary to Invisible Revolt". In: Lauren Cornell and Tom Eccles, eds. Invisible Adversaries. Annandale-on-Hudson: Center for Curatorial Studies, Bard College. ISBN 1936192500 [Book Section]

Blas, Zach. 2012. “Virus, Viral”. WSQ: Women's Studies Quarterly, 40(1 & 2), pp. 29-39. [Article]

Blas, Zach and Cassils, Heather. 2015. “Queer Darkness”. Little Joe, No. 5. [Other]

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Blas, Zach and Gaboury, Jacob. 2016. "Biometrics and Opacity: A Conversation". Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 155-165. ISSN 0270-5346 [Article]

Blas, Zach; Kholeif, Omar; Bridle, James and Dullaart, Constant. 2015. “Has the Internet Become a Human or a Thing, or Have We Become the Internet?”. Mousse Magazine, Number 47. [Other]

Blas, Zach and O'Leary, Christopher. 2011. SPECULATIVE. [Exhibition Catalogue]

Blas, Zach and Satterwhite, Jacolby. 2014. “Adjust Opacity”. DIS Magazine. [Other]

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Blas, Zach and Wyman, Jemima. 2017. im here to learn so :)))))). [Art Object]

Bogdan, Jolan. 2015. Performative Contradiction and Revolution: Reconsidering Romania. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal. 2016. On Forensic Architecture: A Conversation with Eyal Weizman. October(156), pp. 116-140. ISSN 0162-2870 [Article]

Brar, Dhanveer Singh. 2019. 'Alien Sound: Ambient Music and the Limits of the Human'. In: Alien Sound: Ambient Music and the Limits of the Human. Tate Liverpool, United Kingdom 9 February 2019. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. Amiri Baraka (1934 - 2014). In: Immanuel Ness and Zak Cope, eds. Palgrave Encyclopedia of Imperialism and Anti-Imperialism. UK: Palgrave-Macmillan. ISBN 978-0-230-39278-6 [Book Section]

Brar, Dhanveer Singh. 2016. 'Architektural Planning'. In: Speeding and Braking: Navigating Acceleration. Goldsmiths, University of London 12 May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Bass / Mascon'. In: Club Culture and the Politics of Bass. King's College London, United Kingdom. [Conference or Workshop Item]

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Brar, Dhanveer Singh. 2020. Beefy's Tune (Dean Blunt Edit). London: 87 Press. ISBN 9781838069810 [Book]

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Brar, Dhanveer Singh. 2015. Black Outbreak. In: Sophie Fuggle and Tom Henri, eds. Return to the Street. London: Pavement Books, pp. 117-132. ISBN 9780957147058 [Book Section]

Brar, Dhanveer Singh. 2016. 'Black Secret Technology'. In: Framing the Critical Decade: After the Black Arts Movement. University of Bristol. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Eddie George’s Fugitive Saturations'. In: Black Film, British Cinema.. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Gaze: Utterance'. In: Gaze: Utterance. ICA London, United Kingdom. [Conference or Workshop Item]

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Brar, Dhanveer Singh. 2015. Ghetto Thermodynamics. Cesura // Acceso: Journal for Music, Politics and Poetics, 1, [Article]

Brar, Dhanveer Singh. 2016. 'Ghettoville'. In: Department of Geography Research Seminar. University College London. University College London, United Kingdom May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Introduction to performance by Larry Achiampong'. In: Techno Resistance and Black Futures. Goldsmiths College. University of London. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

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Brar, Dhanveer Singh. 2015. 'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup. Popular Music, 34(3), pp. 471-484. ISSN 0261-1430 [Article]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Crystal Clear Voices. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Cultural Studies Association Annual Conference. Carnegie Mellon University, Pittsburgh, PA, United States. [Conference or Workshop Item]

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Brar, Dhanveer Singh. 2019. No work. All Play. Propter Nos, 3, pp. 80-90. [Article]

Brar, Dhanveer Singh. 2016. 'Poverty, Abstraction, Debt: Actress’ Ghettoville'. In: Culture and Finance Capital Lecture Series. Department of Visual Cultures. Goldsmiths College, University of London.. Goldsmiths, University of London, United Kingdom October 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Runs Reprise'. In: Regenerative Feedback Noise/Human/Signal. Issue Project Room, Brooklyn, NY, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh and Moreno, Louis. 2018. 'At a Greater Distance than Sound: Wynter’s ‘new hypothesis’ and the ‘culture of dread’'. In: Genres of the Human: On Sylvia Wynter. Kings College London, United Kingdom. [Conference or Workshop Item]

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Brar, Dhanveer Singh and Moreno, Louis. 2021. Notes on Listening and Hearing. In: Jeanne van Heeswijk; Maria Hlavajova and Rachael Rakes, eds. Toward the Not-Yet: Art as Public Practice. Cambridge, Massachusetts: MIT Press. ISBN 9780262542500 [Book Section]

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Brar, Dhanveer Singh; Moreno, Louis; Harney, Stefano; Moten, Fred; Okiji, Fumi; Rekret, Paul and Rose-Antoinette, Ronald. 2020. Music and Economic Planning. South Atlantic Quarterly, 119(1), pp. 133-151. ISSN 0038-2876 [Article]

Brar, Dhanveer Singh and Okiji, Fumi. 2016. 'Walking Bsss'. In: Marxism in Culture Seminar. University of London. University of London, United Kingdom June 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh and Rekret, Paul. 2019. 'The Power of Gods and the Forces of Nature - On Music and Popular Modernisms'. In: Marxism in Culture. Institute of Advanced Studies, UCL, United Kingdom 24 May 2019. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul and Sandhu, Sukhdev. 2018. 'Time Let Me Play: Ideas of Childhood Innocence'. In: Time Let Me Play: Ideas of Childhood Innocence. UnionDocs: Center for Documentary Art, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul; Thompson, Marie and Sarkar, Ash. 2017. 'Down With Childhood'. In: Down With Childhood. Cafe Oto, United Kingdom. [Conference or Workshop Item]

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Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

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Buden, Boris and Nowotny, Stefan. 2009. Übersetzung: Das Versprechen eines Begriffs. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-535-5 [Book]

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Burns, David Benjamin. 2020. The Material-Media Histories of Maralinga. Doctoral thesis, Goldsmiths, University of London [Thesis]

Burrows, David; Jackson, Mark; O'Sullivan, Simon D. and Tait, Stuart. 2015. Monarch Drone Communiqué. Culture Machine, 16, [Article]

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Burrows, David and O'Sullivan, Simon D.. 2019. Fictioning: The Myth-Functions of Contemporary Art and Philosophy. Edinburgh: Edinburgh University Press. ISBN 9781474432405 [Book]

Burrows, David and O'Sullivan, Simon D.. 2014. The Sinthome/Z-Point Relation or Art as Non-Schizoanalysis. In: Ian Buchanan and Lorna Collins, eds. Deleuze and the Schizoanalysis of Visual Art. London: Bloomsbury Academic, pp. 253-278. ISBN 9781472524621 [Book Section]

Butt, Gavin. 2006. "America" and its Discontents: Art and Politics 1945-1960. In: Amelia Jones, ed. A Companion to Contemporary Art Since 1945. Blackwell. ISBN 978-1-4051-0794-5 [Book Section]

Butt, Gavin. 2005. Avant-Garde et Chic: Andy Warhol et la fabrique du dandy Américain. In: Matthias Waschek and Veerle Thielemans, eds. L’Art Américain: Identités d’une Nation. Louvre/Terra Foundation, pp. 142-157. ISBN 978-2840561651 [Book Section]

Butt, Gavin. 2010. Bodies of Evidence: Queering Disclosure in the Art of Jasper Johns. In: Amy K. Levin, ed. Gender, Sexuality, and Museums. Oxford & New York: Routledge, pp. 235-252. ISBN 0415554918 [Book Section]

Butt, Gavin. 2012. The Common Turn in Performance. Contemporary Theatre Review, 22(1), pp. 46-61. ISSN 1048-6801 [Article]

Butt, Gavin. 1999. The Greatest Homosexual? Camp Pleasure and the Performative Body of Larry Rivers’. In: Amelia Jones and Andrew Stephenson, eds. Performing the Body/ Performing the Text. Routledge, pp. 107-126. ISBN 9780415190602 [Book Section]

Butt, Gavin. 2001. Happenings in History, or, The Epistemology of the Memoir. Oxford Art Journal, 24(2), pp. 113-126. ISSN 01426540 [Article]

Butt, Gavin. 2009. How I Died For Kiki and Herb. In: , ed. The Art of Queering in Art. Birmingham: Article Press, pp. 85-94. ISBN 9781873352748 [Book Section]

Butt, Gavin. 2004. How New York Queered the Idea of Modern Art. In: Paul Wood, ed. Varieties of Modernism. Open University/Yale University Press. ISBN 9780300102963 [Book Section]

Butt, Gavin. 2008. Hoyle's Humility. Dance Theatre Journal, 23(1), pp. 30-34. ISSN 02649160 [Article]

Butt, Gavin. 2006. Joe Brainard's Queer Seriousness, or, How to Make Fun out of the Avant-Garde. In: David Hopkins, ed. Neo-avant-garde (Avant Garde Critical Studies). Rodopi, pp. 277-297. ISBN 978-9042021259 [Book Section]

Butt, Gavin. 2013. Living the Dream in Women in Revolt. In: Glyn Davis and Gary Needham, eds. Warhol in Ten Takes. London: British Film Institute and Palgrave Macmillan, pp. 180-194. ISBN 9781844574025 [Book Section]

Butt, Gavin. 2006. Scholarly Flirtations. In: Angelika Nollert; Irit Rogoff; Bart De Baere and Charles Esche, eds. A.C.A.D.E.M.Y. Berlin: Revolver, pp. 187-192. ISBN 3865883036 [Book Section]

Butt, Gavin. 2009. Should we take Performance Seriously? In: , ed. Oreet Ashery: Dancing with Men. London: Live Art Development Agency, pp. 78-92. ISBN 9780954604097 [Book Section]

Butt, Gavin. 2007. Stop that Acting!: Performance and Authenticity in Shirley Clarke's Portrait of Jason. In: K. Mercer, ed. Pop Art and Vernacular Cultures. MIT Press / InIVA, pp. 36-55. ISBN 9781899846443 [Book Section]

Butt, Gavin and Cairns, Jon. 2000. Art: Steve Reinke's archival imaginary. Critical Quarterly, 42(3), pp. 93-101. ISSN 0011-1562 [Article]

Butt, Gavin; Heathfield, Adrian and Keidan, Lois. 2013. Performance Matters Archive. [Film/Video]

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Butt, Gavin and Walters, Ben. 2013. This is Not a Dream. [Film/Video]

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Carter, Claire Makhlouf. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

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Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina. 2014. New Keywords: Migration and Borders. Cultural Studies, 29(1), pp. 55-87. ISSN 0950-2386 [Article]

Cavallini, Roberto. 2010. Inheriting the Im-possible: Reading Tradition and Temporality in Pier Paolo Pasolini through Contemporary French Philosophy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Chatziyannaki, Zoe. 2011. Fleeting Island: The Production of Space in Santorini. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018. [Conference or Workshop Item]

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Cnaani-David, Ofri. 2023. Active Residues. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Condorelli, Céline. 2014. In Support: A Theoretical and Practical Investigation into Forms of Display. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Crone, Bridget. 2014. Book Review: Pascal Gielen, Instituting Art in a Flat World. Journal of Curatorial Studies, 3(2-3), pp. 407-409. ISSN 2045-5836 [Article]

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Crone, Bridget. 2017. 'CalArts WHAP! Lecture Series: Bridget Crone'. In: CalArts WHAP! Lecture Series. West Hollywood Public Library, United States October 6, 2017. [Conference or Workshop Item]

Crone, Bridget. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema in Regional Victoria. In: "The Cinemas Project", Bendigo Art Gallery, Australia, 12 April to 9 July 2014. [Show/Exhibition]

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, ed. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema. Melbourne, Australia: National Exhibitions Touring Support (Victoria). ISBN 9780980297706 [Edited Book]

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Crone, Bridget. 2017. Comparative Monument (Shellal): Steadfastness and the Temporal Body. di'van: a journal of accounts, 1(2), pp. 54-80. ISSN 2207-1563 [Article]

Crone, Bridget. 2013. Costume Party – Script, Frame and Stages. In: , ed. Fassbinder-JETZT. Film und Videokunst. Deutsches Filminstitut, pp. 220-230. ISBN 978-3887990831 [Book Section]

Crone, Bridget. 2013. Curating, Dramatization and the Diagram. In: Jean-Paul Martinon, ed. The Curatorial: A Philosophy of Curating. Bloomsbury, pp. 207-214. ISBN 9781472525604 [Book Section]

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Crone, Bridget. 2012. Eye Music for Dancing. In: "Eye Music for Dancing", Flat Time House / The John Latham Foundation, United Kingdom. [Show/Exhibition]

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Crone, Bridget. 2017. Flicker Time and Fabulation. In: G Gunkel; A Hameed and S O'Sullivan, eds. Futures and Fictions. London, UK: Repeater Books, pp. 268-294. ISBN 9781910924631 [Book Section]

Crone, Bridget. 2017. Image and the Appearance of the Image: Fear, Speed, Force. In: Evi D. Sampanikou, ed. Audio Visual Posthumanism. UK: Cambridge Scholars Press, pp. 337-342. ISBN 978-1-4438-8177-7 [Book Section]

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Crone, Bridget. 2010. The Image: Disaffect in the theatre of representation. Journal of Visual Arts Practice, 9(2), pp. 123-198. ISSN 1470-2029 [Article]

Crone, Bridget. 2015. Liquid States and the Image. In: Charlotte Day, ed. Technologism. Melbourne, Australia: Monash University Museum of Art, pp. 79-87. ISBN 978-0-9923754-7-8 [Book Section]

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Crone, Bridget. 2016. 'Modern Art Oxford | Dr Bridget Crone on Mona Hatoum's early performance work'. In: Re-Visit: 1998 / Mona Hatoum. Modern Art Oxford, United Kingdom. [Conference or Workshop Item]

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Crone, Bridget. 2021. Nancy Holt's Pine Barrens. In: Lisa Le Feuvre, ed. Art after Nature: Thinking Nancy Holt and Robert Smithson. Minneapolis: University of Minnesota Press. [Book Section] (Forthcoming)

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Crone, Bridget. 2017. Notes Towards a Sensible Stage. In: Bridget Crone, ed. The Sensible Stage: Staging and the Moving Image. University of Chicago Press / Intellect Books. ISBN 978-1783207695 [Book Section]

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Crone, Bridget. 2016. Opera as Method in the Work of Grace Schwindt. In: Agar Ledo, ed. Grace Schwindt: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts. Vigo, Spain: Foundation MARCO / Goethe Institute, Madrid, pp. 148-161. ISBN 978-84-943529-1-2 [Book Section]

Crone, Bridget. 2003. Performancemaniac:The Work of Hayley Newman. Eyeline, 51, ISSN 0818-8734 [Article]

Crone, Bridget. 2009. Performing the Local in a Suburban Garage’. SUM Magazine for Contemporary Art, ISSN 1902-8970 [Article]

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Crone, Bridget. 2017. Propositions for a stage: 24 frames of a beautiful heaven. In: "Propositions for a stage: 24 frames of a beautiful heaven", Institute for Contemporary Arts, Singapore, 29 July to 22 October 2017. [Show/Exhibition]

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Crone, Bridget. 2005. The Ruined Body. In: Bridget Crone and Bala Starr, eds. The Body The Ruin. Melbourne, Australia: Ian Potter Museum of Art, University of Melbourne, pp. 9-25. ISBN 0 7340 3585 3 [Book Section]

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Crone, Bridget. 2013. Seeing Red. In: Robin Mackay, ed. Final Machine. Falmouth, UK: Urbanomic, pp. 15-20. ISBN 9780957529502 [Book Section]

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Crone, Bridget. 2013. The Sensible Stage : An encounter with bodies, images and other sensate materials. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Crone, Bridget. 2015. 'The Sensible Stage, Diagrams Symposium, GRADcam'. In: Diagrams symposium, GRADCam Dublin. Dublin Institute of Technology, Ireland. [Conference or Workshop Item]

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Crone, Bridget. 2017. Spectral Ecologies. [Exhibition Catalogue]

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Crone, Bridget. 2017. Spectral Ecologies. In: "Spectral Ecologies", Mildura Arts Centre, Australia, 6 April to 18 June 2017. [Show/Exhibition]

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Crone, Bridget. 2015. 'Swamps and stages: affective immersion and strategic discontinuity in the films of Manuel de Landa and Ryan Trecartin'. In: Material Environments: Sensing Time And Matter In Digital And Visual Culture, University of Greenwich. University of Greenwich, United Kingdom 24-25 July 2015. [Conference or Workshop Item]

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Crone, Bridget. 2020. Swampy Ecologies. Holt Smithson Foundation Scholarly Texts, [Article]

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Crone, Bridget. 2013. Swarm Machines Ladders and Lookouts (the work of Ryan Trecartin and Lizzie Fitch). In: Paul Luckcraft; Maitreyi Maheshwari and Isabel Venero, eds. Lizzie Fitch / Ryan Trecartin: Priority Innfield. London, UK: Zabludowicz Collection, pp. 119-124. ISBN 978-1-907921-16-2 [Book Section]

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Crone, Bridget. 2013. Talking Squid. In: , ed. Not Tonight (Jellylike). London: Arcade. [Book Section]

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Crone, Bridget. 2018. Time and Entanglement in Comparative Monument (Shellal). In: A Barikin and H Hughes, eds. Tom Nicholson: Lines towards Another. Berlin: Sternberg Press, pp. 131-136. ISBN 978-3-95679-397-4 [Book Section]

Crone, Bridget. 2009. Tom Nicholson’s Lines Towards Another Century. Eyeline, 68, ISSN 0818-8734 [Article]

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Crone, Bridget. 2016. 'The Visitor Talks Plus One: Bridget Crone'. In: The Visitor Talks Plus One, CCS Bard. CCS, Bard, United States. [Conference or Workshop Item]

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Crone, Bridget. 2019. Wounds of Unbecoming: an introduction to the work of Tai Shani. In: , ed. Our Fatal Magic. Cambridge, MA: Strange Attractor / The MIT Press, pp. 7-23. ISBN 9781907222818 [Book Section]

Crone, Bridget. 2005. The body. The ruin. [Exhibition Catalogue]

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Crone, Bridget and Gunkel, Henriette. 2019. "Future" in The Bloomsbury Handbook of 21st Century Feminist Theory. In: Robin Truth Goodman, ed. The Bloomsbury Handbook of 21st Century Feminist Theory. London, UK: Bloomsbury Academic, pp. 481-490. ISBN 9781350032408 [Book Section]

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Damaso, Mafaldo. 2017. Unstable Mediation – Regarding the United Nations as a Visual Entity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Davies, Russell. 2011. The Enigma of Art in the Thought of Martin Heidegger. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Dimitriou, Orsalia. 2016. The Politics of Public Space and the Emergence of the Commons in Contemporary Athens. Doctoral thesis, Goldsmiths, University of London [Thesis]

Doussan, Jenny. 2013. Eros, Plague, Olfaction: Three Allegories of the Curatorial. In: Jean-Paul Martinon, ed. The Curatorial A Philosophy of Curating. London: Bloomsbury Academic Publishing, pp. 79-92. ISBN 9781472525604 [Book Section]

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Doussan, Jenny. 2011. Intention and Exception: A Critique of the Work of Giorgio Agamben. Doctoral thesis, Goldsmiths, University of London [Thesis]

Doussan, Jenny. 2010. Recuperating the Platonic Idea. In: Rune Graulund, ed. Desperately Seeking Authenticity: Interdisciplinary Approaches. Copenhagen Doctoral School Press. [Book Section]

Doussan, Jenny. 2012. The Scent of the Jonquil. Rattle ~ A Journal at the Convergence of Art and Writing, 3, [Article]

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Doussan, Jenny. 2013. Time and Presence in Agamben’s Critique of Deconstruction. Cosmos and History: The Journal of Natural and Social Philosophy, 9(1), ISSN 1832-9101 [Article]

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Doussan, Jenny. 2013. Time, Language, and Visuality in Agamben's Philosophy. Basingstoke: Palgrave Macmillan. ISBN 9781137286239 [Book]

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Doussan, Jenny. 2016. Writing Lines: Agamben contra Nietzsche. Cultural Critique, 92, pp. 114-136. ISSN 0882-4371 [Article]

Dufour, Diane; Lebart, Luce; Delage, Christian and Weizman, Eyal. 2016. Crime Scenes | A Hundred Years of Photographic Evidence. In: "Crime Scenes | A Hundred Years of Photographic Evidence", Nederlands Fotomuseum, Rotterdam, Netherlands, 13 May - 21 August 2016. [Show/Exhibition]

Dyangani Ose, Elvira. 2012. Across The Board. In: "Across The Board", London, United Kingdom, November 2012 – March 2014. [Show/Exhibition]

Dyangani Ose, Elvira. 2010. Arte Invisible (editor). [Exhibition Catalogue]

Dyangani Ose, Elvira. 2009. Arte Invisible (editor). [Exhibition Catalogue]

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Dyangani Ose, Elvira. 2017. ‘Becoming Post-apartheid and other history-related consideration in the collective work of Kemang Wa Lehulere. In: , ed. Kemang Wa Lehulere. Bird Song. Berlin, Germany: Hatje Cantz Verlag. ISBN 978-3-7757-4280-1 [Book Section]

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Dyangani Ose, Elvira. 2016. Betye Saar: Uneasy Dancer. In: "Betye Saar: Uneasy Dancer", Fondazione Prada Milan, Italy, 15 September 2016 – 8 January 2017. [Show/Exhibition]

Dyangani Ose, Elvira. 2009. Bienvenidos al Paraiso. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2017. How about this? On a sense of togetherness. Elvira Dyangani and Magdalena Malm in conversation. In: Magdalena Malm, ed. Curating Context: Beyond the Gallery and into Other Fields. Sweden: Art and Theory Publishing. ISBN 978-91-88031-45-7 [Book Section]

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Dyangani Ose, Elvira. 2016. Hypothesis for an Institution. In: Mario Mainetti, ed. Recto Verso Quaderno. #4 Milano: Fondazione Prada. [Book Section]

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Dyangani Ose, Elvira. 2013. Ibrahim El-Salahi: A Visionary Modernist. In: "Ibrahim El-Salahi: A Visionary Modernist", Tate Modern, London, United Kingdom, 3 July – 22 September 2013. [Show/Exhibition]

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Dyangani Ose, Elvira. 2016. Nástio Mosquito: T.T.T.-Template Temples of Tenacity. In: "Nástio Mosquito: T.T.T.-Template Temples of Tenacity", Fondazione Prada Milan, Italy, 7 July – 25 September 2016. [Show/Exhibition]

Dyangani Ose, Elvira. 2012. '‘The Poetics of the Infra-ordinary: The Aesthetic of Recognition in Contemporary African Art’'. In: Koyo Kouoh, Condition Report, Raw Material Company. Dakar, Senegal. [Conference or Workshop Item]

Dyangani Ose, Elvira. 2013. Random Anecdotes. In: Madeleine Grynsztejn; Federica Martini and Vittoria Martini, eds. Alfredo Jaar Venezia Venezia, Pavilion of Chile 55 International Art Exhibition la Biennale di Venezia 2013. Barcelona; New York: Actar. ISBN 978-0-989331-73-9 [Book Section]

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Dyangani Ose, Elvira. 2018. 'States of Opacity. Lahore Biennial'. In: States of Opacity. Lahore Biennial. Lahore, Pakistan March 18 to March 31 2018. [Conference or Workshop Item]

Dyangani Ose, Elvira. 2015. A Story Within A Story. 8th edition of Göteborg International Biennial for Contemporary Art, GIBCA 2015. In: "GIBCA. Göthenburg Biennial 2015", Gothenburg, Sweden, September 12 - November 22 2015. [Show/Exhibition]

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Dyangani Ose, Elvira. 12 September - 22 November 2015 A Story within A Story: GIBCA 2015. [Project]

Dyangani Ose, Elvira. 2004. Surrounding the Word: Towards an Aesthetic of Ritual. In: , ed. De Boca en Boca: Estudios de Literatura Oral de Guinea. Spain: Ceiba Ediciones. [Book Section]

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Dyangani Ose, Elvira. 2015. 'A Tendency to Forget, An Urgency to Remember' Introduction and Interview to Angela Ferreira. In: Ferreira de Carvalho Nuno, ed. NOVO BANCO Photo 2015: Ângela Ferreira, Ayrson Heráclito, Edson Chagas. Lisboa Portugal: Museu Coleção Berardo. ISBN 978-989-8239-46-4 [Book Section]

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Dyangani Ose, Elvira. 2016. Theaster Gates - True Value. In: "True Value", Fondazione Prada Milano, Italy, 7 July - 25 September 2016. [Show/Exhibition]

Dyangani Ose, Elvira. 2005. Tres Escenarios. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2014. ‘The right to the city. The appropriation of public space in Nick Cave’s work’. In: , ed. Nick Cave: Epitome. Prestel, pp. 240-267. ISBN 978-3791349169 [Book Section]

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Dyangani Ose, Elvira and Ambrožič, Mara. 2016. 'States of Opacity. Art, Politics and New Social Imaginaries. International Symposium at Dakart 2016'. In: States of Opacity. 12th Dakart biennial. Dakar, Senegal. [Conference or Workshop Item]

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Dyangani Ose, Elvira; Bashar, Shumon; Liber, Cédric and Roelstraete, Dieter. 2015. RECTO VERSO. In: "RECTO VERSO", Fondazione Prada Milan, Italy, 3 December 2015 – 14 February 2016. [Show/Exhibition]

Dyangani Ose, Elvira; Bashar, Shumon; Roelstraete, Dieter and Liber, Cédric. 2016. Slight Agitation. 4/4 Laura Lima. In: "Slight Agitation Laura Lima", Fondazione Prada Milan, Italy, october 2016 - september 2018. [Show/Exhibition]

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Dyangani Ose, Elvira and Mainetti, Mario. 2016. Betye Saar: Uneasy Dancer. [Exhibition Catalogue]

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Dyangani Ose, Elvira and Mainetti, Mario. 2016. Quaderno: Template Temples of Tenacity: Nástio Mosquito. [Exhibition Catalogue]

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El Baroni, Bassam. 2017. Post-Agonistics: Pluralism, Realism and the Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Elfving, Taru. 2009. THINKING ALOUD ON THE ADDRESS OF THE VIEWER. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ellul, Hannah. 2017. Picturing Politics: Drawing Out the Histories of Collective Political Action in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Eshun, Kodwo. 2018. '36 - '77: A Tremulous Temporal Entity. In: Dan Kidner, ed. Nightcleaners / '36 - '77. Raven Row and Lux. ISBN 9783960983811 [Book Section]

Eshun, Kodwo. 2014. 'The Airstrip – Decampment of Modernism Part III and Two Museums'. In: Screening and Discussion with Heinz Emigholz. UNDEFINED 8 October 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Algorithmic Poetics'. In: Techno Resistance and Black Futures Festival. Goldsmiths, University of London, United Kingdom 27 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. The Algorithmic Poetics of @GlissantBot. In: Research Center for Proxy Politics, ed. Proxy Politics: Power and Subversion in a Networked Age. Berlin: Archive Books. ISBN 978-3-943620-71-9 [Book Section]

Eshun, Kodwo. 2017. 'The Algorithmic Poetics of @GlissantBot'. In: The Proxy and Its Politics: On evasive objects in a Networked Age. Haus der Kulturen der Welt, Berlin, Germany 24 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Anathema, People to Be Resembling and In the Year of the Quiet Sun, Screening and Discussion'. In: Essay Film Festival. ICA, London, United Kingdom 27 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Artist Talk'. In: Reconstruction of Story 2. National Museum of Modern and Contemporary Art, Seoul, Korea, Republic of 26 August 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Artists Moving Image Practice in Britain: From 1990 to today'. In: Artists Moving Image Practice in Britain. Whitechapel Gallery, London, United Kingdom 7 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Assembly: A Survey of Recent Artists Film and Video in Britain 2008 - 2013'. In: Questions of Progress I and II. Tate Britain, Clore Auditorium, United Kingdom 9 March 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Bad New Days: Discussion with Hal Foster and Alex Potts, The Old is dying and the new cannot be born: States, Strategies, Socialisms.'. In: . 12th Annual Historical Materialism Conference. School of Oriental and African Studies, University of London, United Kingdom 6 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Between Times: Marc Karlin Weekend, Meanwhile'. In: What about Socialism AV Festival. Newcastle, United Kingdom. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Ceddo in the Future of 1976'. In: Angazi but I’m Sure. Raw Academy, Dakar, Senegal 21 April 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Circuit of Enslavement'. In: The Global Condition: Dispossession, Displacement and Death. Performing Arts Forum, St. Erme, United Kingdom 20 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Co-Op Dialogues 1996-2016'. In: In Conversation with Jean Matthee. Tate Britain, United Kingdom 14 November 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Continental Afrofutures Lecture One'. In: Laingian Science Fiction. The Showroom, United Kingdom 27 February 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Continental Afrofutures Lecture Two'. In: The Final Scene of Hyenas: A Fable of Fatal Incorporation. The Showroom, London, United Kingdom 11 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Conversation with Diedrich Diederichsen and Nina Montman'. In: Brave New Work: A Reader on Harun Farocki’s A New Product. The Showroom, United Kingdom 25 February 2015. [Conference or Workshop Item]

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Eshun, Kodwo. 2012. Dan Graham: Rock My Religion. London: Afterall Books. ISBN 978-1-84638-085-3 [Book]

Eshun, Kodwo. 2016. 'Decolonizing Nature'. In: In Conversation with T. J. Demos and Ros Gray. The Showroom, United Kingdom 14 July 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2017. Drexciya as Spectre [Catalogue Essay]. In: Margarida Mendes, ed. Matter Fictions. Sternberg Press. ISBN 978-3-95679-303-5 [Book Section]

Eshun, Kodwo. 2015. 'Eadward Muybridge Zoopraxographer: Screening and Discussion with Thom Andersen'. In: Essay Film Festival. ICA, United Kingdom 28 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Eastman Complex'. In: I/mages of Tomorrow: Envisioning black, POC futures, disabled futures, queer & trans futures, feminist futures. Goldsmiths, University of London, United Kingdom 3 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'An Endless Suddenness'. In: Thinking with Fred Moten. Open School East, London, United Kingdom 12 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. The Energetic Impulse [Catalogue Essay]. In: , ed. L.A. Rebellion: Creating a New Black Cinema. Tate Modern. [Book Section]

Eshun, Kodwo. 2016. Fear of a Wet Planet. In: Nav Haq, ed. RAVE: Rave and its Influence on Art and Culture. M KHA Museum van Hedendaagse Kunst Antwerpen & Black Dog Publishing. ISBN 978-1910433874 [Book Section]

Eshun, Kodwo. 2016. 'The Final Scene of Hyenas: A Parenthetical Incorporation'. In: Khiasma, Kinesis Exposition Arts Visuel. Paris, France 21 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Final Scene of Hyenas: An Parenthetical Incorporation'. In: 23rd Image Symposium: Black or White Screen: The Power of Seeing Images Together. , CA2M Centro de Arte Dos de Mayo, Mosteles 27- 30 June 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Forgotten Space'. In: Lopud Seminar. Thyssen-Bornemisza Art Contemporary, Lopud, Croatia 8 - 11 September 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Forms of Discontent in Handsworth Songs The Eros Effect'. In: Art, Solidarity Movements and the Struggle for Social Justice. Tensta Konsthall, Sweden 17 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Forum: The Attraction of Representation'. In: The Attraction of Representation. NTU Centre for Contemporary Art, United Kingdom 21 June 2014. [Conference or Workshop Item]

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Eshun, Kodwo. 2020. From 953 AD to 1 Gigayear: Cheikh Anta Diop's Future Vector of Energy. In: Eric C. H. de Bruyn and Sven Lütticken, eds. Futurity Report. 1 Berlin: Sternberg Press, pp. 217-237. ISBN 9783956794230 [Book Section]

Eshun, Kodwo. 2017. 'Fukushima Artists Films'. In: In Conversation with Jason Waite. Arts Catalyst Centre, London, United Kingdom 21 June 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Fukushima and Visual Inquiry'. In: Philippe Rouy Film Screening and Conversation with Jason Waite. Arts Catalyst Centre, London, United Kingdom 13 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2003. Further Considerations on Afrofuturism. CR The New Centennial Review, 3(2), pp. 287-302. ISSN 15396630 [Article]

Eshun, Kodwo. 2016. 'Genres of the Human'. In: In conversation with Louis Chude Sokei and Appau Junior Boakye-Yiadom. The Showroom, London, United Kingdom 12 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2018. Geomythologies. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury. ISBN 9781350030244 [Book Section]

Eshun, Kodwo. 2016. A Hunter Shooting Waterbirds. In: , ed. Studio for Propositional Cinema #2. [Book Section]

Eshun, Kodwo. 2016. 'In Conversation with Apitchatpong Weerasethakul'. In: Pan-African Space Station. Amsterdam Central Library, Netherlands 13 December 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'In Conversation with Bonaventure Ndikung'. In: African Futures Festival. African Futures Festival, United Kingdom 28 - 31 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'In Conversation with Green Gartside (Scritti Politti)'. In: Postpunk Now and Then. Goldsmiths, University of London, United Kingdom 4 December 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'In Conversation with Sue Clayton'. In: Postpunk Now and Then. Goldsmiths, University of London, United Kingdom 4 December 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'In conversation with Ursula Biemann'. In: CCC, HEAD,. Geneve, Switzerland 28 - 30 September 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. In the Year of the Quiet Sun. In: "The Otolith Group: In the Year of the Quiet Sun", Casco – Office for Art, Design and Theory, Utrecht, Netherlands, 14 November 2014 - 25 January 2015. [Show/Exhibition]

Eshun, Kodwo. 2014. In the Year of the Quiet Sun. In: "In the Year of the Quiet Sun", Delfina Foundation, London, United Kingdom, 13 October - 8 November 2014. [Show/Exhibition]

Eshun, Kodwo. 2015. In the Year of the Quiet Sun. In: "In the Year of the Quiet Sun", Kunsthall, Bergen, Norway, 17 January - 9 March 2014. [Show/Exhibition]

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Eshun, Kodwo. 2014-2015 In the Year of the Quiet Sun. [Project]

Eshun, Kodwo. 2014. 'In the Year of the Quiet Sun, Screening and Discussion'. In: Interdisciplinary Practices: FESTAC’ 77. Terra Kulture, Lagos, Nigeria 18 April 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Jet Propelled Take Off of the Black Star'. In: Future Caucus. Vanabbemuseum Eindhoven, Netherlands 20 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Keynote Lecture'. In: Public Assets: Small Scale Arts Organisations and the Production of Value. Platform Theatre, Central Saint Martins, United Kingdom 15 February 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. Kodwo Eshun in conversation with Lucas van der Velden [Exhibition Catalogue]. In: Lucas van der Velden; Mirna Belina and Arie Altena, eds. The Geological Imagination. Sonic Acts. [Book Section]

Eshun, Kodwo. 2015. 'Leben BRD, Harun Farocki: Cinema and Speculation'. In: Padiglione Centrale Arena. Giardini, La Biennale di Venezia, United Kingdom 5 September 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Listening to Dambudzo Marachera'. In: Pan-African Space Station. The Showroom 11 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Listening to FESTAC ’77: In Conversation with Ntone Edjagbe'. In: Pan-African Space Station. The Showroom 8 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Literal Technology of the Hartman Circuitry'. In: Intimate Trespass: Hapticality, Waywardness and the Practice of Entanglement. Cecil Sharp House, London, United Kingdom 8 July 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'The Many Lives of Peter Wollen Part 2'. In: Beyond the Scorched Earth of Counter Cinema. Whitechapel Gallery, London, United Kingdom 22 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2018. Marc Karlin’s Voyages around Susan Meiselas’ Nicaragua Photographs [Catalogue Essay]. In: Carles Guerra, ed. Susan Meiselas: Meditations. Bologna: Damiani. ISBN 9788862085687 [Book Section]

Eshun, Kodwo. 2014. Medium Earth. In: "Medium Earth", RedCat, Los Angeles, United States, 21 April-16 June. [Show/Exhibition]

Eshun, Kodwo. 2016. 'Methods of Animating the Second Wars of Existence in Kojo Laing’s Achimota City'. In: We Hold This Myth to be Potential. Trondheim Academy of Fine Art, Norway 17 March 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'Modernization Theories and Modernist Poetics in Transition Magazine'. In: Podium. KurzfilmTage Oberhausen, Netherlands 17 May 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2014. Narcissus in Uniform [Catalogue Essay]. In: Elvira Dyangani Ose, ed. Uses of Memory: Caderno Sesc Videobrazil, 10 ed. [Book Section]

Eshun, Kodwo. 2016. 'Narrating the Race to Zero'. In: Haut ecole d’ art et design. Geneve, Swaziland 30 November 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. Novaya Zemlya. In: "Novaya Zemlya", Museu de Serralves , Porto, Portugal, 1 November-11 January. [Show/Exhibition]

Eshun, Kodwo. 2003. OTOLITH 1. [Film/Video]

Eshun, Kodwo. 2017. On Her Devolves The Labour: Cinematic Time Travel of the Song of the Shirt. In: Sue Clayton and Laura Mulvey, eds. Other Cinemas : Politics, Culture and Experimental Film in the 1970s. London: I.B. Tauris, pp. 257-270. ISBN 9781784537180 [Book Section]

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Eshun, Kodwo. 2016. 'On Opacity in Senghor and Glissant, States of Opacity: Art, Politics and New Social Imaginaries'. In: International Symposium. Dak’ Art, Dakar Biennial, Senegal 7 - 8 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'On the Use and Abuse of Youtube for Life'. In: Global Art Forum. Dubai, United Arab Emirates 19 March 2015. [Conference or Workshop Item]

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Eshun, Kodwo. 2019. The Otolith Group: Xenogenesis Short Guide. [Exhibition Catalogue]

Eshun, Kodwo. 2019. The Otolith Group: Xenogenesis. In: "The Otolith Group: Xenogenesis", Eindhoven, Netherlands, 2019 to 2022. [Show/Exhibition]

Eshun, Kodwo. 2014. 'Panel discussion with John Akomfrah, Mark Fisher and Bea Campbell'. In: The Unfinished Conversation. Tate Britain, United Kingdom 14 March 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2016. Prolonging 1961: A Communique Sent to the Future [Catalogue Essay]. In: Armin Linke; Vaness Vasic-Janekovic and Sarah Poppel, eds. Travelling Communiqué. Leipzig: Spector Press. ISBN 9783944669922 [Book Section]

Eshun, Kodwo. 2015. 'The Radiant'. In: The Radiant, Screening and Lecture. Everson Museum of Art, Syracuse University, New York, United States 12 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2017. The Radiant. In: "The Radiant", , Art Gallery Miyauch, Japan, 11 March – 21 May 2017. [Show/Exhibition]

Eshun, Kodwo. 2014. Reconstructing the Methods for reformatting Oxygen Isotopes in nature and in the Laboratory as Oxygen Tops Nature Oratory for Optical Character Recognition Scanners. In: K. Klingan; A. Sepahvad; C. Rosol and B. Scherer, eds. Grain Vapor Ray: Textures of the Anthropocene. MIT, pp. 121-127. ISBN 9780262527415 [Book Section]

Eshun, Kodwo. 2015. 'Rereading the African Writers Series: In Conversation with James Currey'. In: Pan-African Space Station. The, United Kingdom 8 October 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Respondent to Tavia Nyong’o'. In: Tavia Nyong’o. Goldsmiths, University of London, United Kingdom 12 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Sci-fi futures and the production of subjectivities'. In: UNSPECIFIED. The Showroom, London, United Kingdom 7 March 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Screening and Discussion'. In: Medium Earth. Serralves Museum, Porto, United Kingdom 1 November 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'Screening and Discussion'. In: Hydra Decapita and Medium Earth. Electricity Museum, Lisbon, Portugal 23 October 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Screening and Discussion, Song of Ceylon, Basil Wight, 1934'. In: About Basil Wright’s ‘Song of Ceylon’,. Harun Farocki, 1975, United Kingdom 26 February 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'Screening of Anathema in conversation with Mark Fisher'. In: Speeding and Braking: Navigating Acceleration. Goldsmiths, London, United Kingdom 12 May 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'The Sixth Side of the Pentagon and Far from Vietnam'. In: Chris Marker Screening and Introduction. The Barbican, London, United Kingdom 13 May 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'The Song of the Shirt'. In: The Song of the Shirt, Sue Clayton and Laura Mulvey. Tate Liverpool, United Kingdom 29 April 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. 'A Special Arrow was Shot in the Neck'. In: David Roberts Foundation, Medium Earth, Screening and Discussion. Rio Cinema, London, United Kingdom 22 July 2014. [Conference or Workshop Item]

Eshun, Kodwo. 2014. Statecraft. [Art Object]

Eshun, Kodwo. 2015. Statecraft: An Incomplete Timeline of Independence Determined by Digital Auction [Catalogue Essay]. In: Annett Busch and Anselm Franke, eds. After Year Zero: Geographies of Collaboration. Warsaw: Haus der Kulturen der Welt and Muzeum of Modern Art. [Book Section]

Eshun, Kodwo. 2014. Stealing one’s own corpse: Afrofuturism as Speculative Heresy. In: Naima J Keith and Zoe Whitley, eds. The Shadows Took Shape. The Studio Museum in Harlem. [Book Section]

Eshun, Kodwo. 2017. 'Sunrise: A Song of Two Humans, Screening and Conversation with John Akomfrah'. In: Climates of Fiction: Cinemas from the Capitalocene. Institute of Light, Institute of Light, United Kingdom 6 March 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Third Part of The Third Measure, Screening and Conversation with Anthony Elms'. In: International House, Endless Shout. Institute of Contemporary Art at the University of Philadelphia, United States 16 March 2017. [Conference or Workshop Item]

Eshun, Kodwo. 2017. 'The Third Part of The Third Measure, Screening and Conversation with Boris Ondreicka'. In: The Question of Will. A4, Bratislava, Slovakia 24 May 2017. [Conference or Workshop Item]

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Eshun, Kodwo. 2019. To Win the War, You Fought It Sideways: Kojo Laing's Major Gentl and the Achimota Wars. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 83-106. ISBN 9783837646016 [Book Section]

Eshun, Kodwo. 2016. 'Uski Roti, Mani Kaul'. In: Screening and Discussion with Sumesh Sharma. The Empire Remains Shop, United States 23 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2015. 'Voyages: When Cinema tracks Photojournalism, The Old is dying and the new cannot be born: States, Strategies, Socialisms.'. In: 12th Annual Historical Materialism Conference. School of Oriental and African Studies, University of London, United Kingdom 6 November 2015. [Conference or Workshop Item]

Eshun, Kodwo. 2016. 'We Are Methane'. In: Miracle Marathon. Serpentine Galleries, Second Home, Hanbury Street, United Kingdom 9 October 2016. [Conference or Workshop Item]

Eshun, Kodwo. 2016. We Wanted This Sense of Fluxing In and Out of History: Kodwo Eshun in Conversation with Sue Clayton. In: Kodwo Eshun; Gavin Butt and Gavin Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

Eshun, Kodwo. 2016. The Weakest Link in Every Chain I Always Want To Find It: Green Gartside in Conversation with Kodwo Eshun. In: Kodwo Eshun; Gavin Butt and Mark Fisher, eds. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Book Section]

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Eshun, Kodwo. 2015. World 3. [Exhibition Catalogue]

Eshun, Kodwo. 2018. Xenogenesis. In: "Xenogenesis", VanabbeMuseum, Eindhoven, Netherlands. [Show/Exhibition]

Eshun, Kodwo. 2016. The object spoke to me but what it said I cannot say [Catalogue Essay]. In: Boris Ondreicka and Nadium Samman, eds. Rare Earth. Sternberg Press. [Book Section]

Eshun, Kodwo. 2015. 'with Billy Woodberry, Barbara McCullough and June'. In: LA Rebellion Seminar. Tate Modern, London, United Kingdom 12 April 2015. [Conference or Workshop Item]

Eshun, Kodwo and Anjalika, Sagar. 2012. The Radiant. [Film/Video]

Eshun, Kodwo and Biemann, Ursula. 2017. When Matter Thinks. In: Doreen Mende, ed. Thinking Under Turbulence. HEAD Geneve: Geneva Colloquium. ISBN 9782940524556 [Book Section]

Eshun, Kodwo; Moreno, Louis and Hameed, Ayesha. 2016. 'In conversation with Louis Moreno and Ayesha Hameed'. In: Stadtklang, Sonic Utopias, Utopia Treasury. Somerset House, United Kingdom 20 March 2016. [Conference or Workshop Item]

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Eshun, Kodwo and Sagar, A.. 2007. The Ghosts of Songs: The Film Art of the Black Audio Film Collective. Liverpool University Press. ISBN 9781846310140 [Book]

Eshun, Kodwo and Sagar, Anjali. 2014. It may be useful to assume the policeman’s perspective now and then. Black Collectivities NKA: Journal of Contemporary African Art, ISSN 1075-7163x [Article]

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Evans, Dave. 2022. Re-making Networked Platforms: A Practice Based Exploration of Networked Retreat. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Faramelli, Anthony. 2017. The Decolonised Clinic: Fanon with Foucault. London Journal of Critical Thought, 1(2), pp. 114-128. ISSN 2398-662X [Article]

Faramelli, Anthony. 2017. Glissant versus Fanon. Chimères. Revue des schizoanalyses(90), pp. 66-76. ISSN 0986-6035 [Article]

Faramelli, Anthony. 2017. La réduction des risques au Royaume-Uni et le double diagnostic. Chimères. Revue des schizoanalyses(91), pp. 107-119. ISSN 0986-6035 [Article]

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Faramelli, Anthony. 2019. Liberation On and Off Screen: Black Panther and Black Liberation Theory. Film Criticism, 43(2), ISSN 0163-5069 [Article]

Faramelli, Anthony. 2020. Mirrors and Masks: The Political Space of Zapatismo. In: David Hancock; Anthony Faramelli and Robert G. White, eds. Spaces of Crisis and Critique: Heterotopias Beyond Foucault. London: Bloomsbury Academic, pp. 131-152. ISBN 9781350021129 [Book Section]

Faramelli, Anthony. 2018. Resistance, Revolution and Fascism: Zapatismo and Assemblage Politics. London: Bloomsbury Academic. ISBN 9781350050068 [Book]

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Faramelli, Anthony and Piper, Imogen. 2022. Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism. CLCWeb: Comparative Literature and Culture, 24(4), 6. ISSN 1481-4374 [Article]

Hancock, David; Faramelli, Anthony and White, Robert G., eds. 2018. Spaces of Crisis and Critique: Heterotopias Beyond Foucault. London: Bloomsbury Academic. ISBN 9781350021129 [Edited Book]

Faramelli, Anthony and Wilson, Rachel. 2022. Spaces of Refuge: The Clinical Practice of Félix Guattari and Institutional Psychotherapy. Deleuze and Guattari Studies, 16(4), pp. 623-641. ISSN 2398-9777 [Article]

Ferreira da Silva, Denise; Hameed, Ayesha; Sharma, Ashwani; Sagar, Anjalika and Eshun, Kodwo. 2018. 'Study Group on Black Aesthetics'. In: In formation III. Institute for Contemporary Art, London, United Kingdom 26 August 2018. [Conference or Workshop Item]

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Fisher, Andrew. 2008. Beyond Barthes: Rethinking the Phenomenology of Photography. Radical Philosophy(148), ISSN 0300 211X [Article]

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Fisher, Andrew. 2017. Imaginative Variation: Photographic Scale and Photographic Horizons. In: Florian Dombois and Julie Harboe, eds. Too Big to Scale: On Scaling Space, Number, Time and Energy. Zürich: Scheidegger & Spiess Verlag, pp. 17-31. ISBN 9783858817938 [Book Section]

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Fisher, Andrew. 2009. The Involution of Photography. Radical Philosophy(157), ISSN 0300 211X [Article]

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Fisher, Andrew. 2016. On the Scales of Photographic Abstraction. Photographies, 9(2), pp. 203-214. ISSN 1754-0763 [Article]

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Fisher, Andrew. 2014. Photo-surveillance and the emplaced déraciné. Photographies, 7(1), pp. 53-65. ISSN 1754-0763 [Article]

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Fisher, Andrew. 2013. Photographic Scale. In: Daniel Rubinstein; Johnny Golding and Andrew Fisher, eds. On The Verge of Photography: Imaging Beyond Representation. Birmingham: ARTicle, pp. 151-169. ISBN 978-1-873352-02-1 [Book Section]

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Fisher, Andrew. 2012. Photographic Scale. Philosophy of Photography, 3(2), pp. 310-329. ISSN 2040-3682 [Article]

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Fisher, Andrew. 2018. The Production of a Factographic Object. In: Rebecca Jagoe and Sharon Kivland, eds. On Violence. London: Ma Bibliotheque, pp. 139-148. ISBN 9781910055410 [Book Section]

Fisher, Andrew and Rubenstein, Daniel. 2011. Out of photography … Interview with Ariella Azoulay. Philosophy of Photography, 2(1), pp. 3-20. ISSN 20403682 [Article]

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Fisher, Mark. 2009. Capitalist Realism: Is there no alternative? Ropley: Zero Books. ISBN 9781846943171 [Book]

Fisher, Mark. 2014. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Alresford: Zero Books. ISBN 9781780992266 [Book]

Fisher, Mark. 2001. Gothic Materialism. Pli Warwick Journal of Philosophy, 12, [Article]

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Fisher, Mark. 2006. Gothic Oedipus: Subjectivity and Capitalism in Christopher Nolan's Batman Begins’. ImageTexT: Interdisciplinary Comics Studies, 2(2), ISSN 1549-6732 [Article]

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Fisher, Mark. 2007. 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2. Film / Philosophy, 11(3), ISSN 1466-4615 [Article]

Fisher, Mark. 2013. Indirect Action: Some Misgivings About Horizontalism. In: Pascal Gielen, ed. Institutional Attitudes. Instituting Art in a Flat World. Amsterdam: Valiz. ISBN 978-90-78088-68-4 [Book Section]

Fisher, Mark. 2013. It’s easier to imagine the end of the world than the end of Capitalism. In: Nicholas Mirzoeff, ed. The Visual Culture Reader. Routledge. ISBN 9780415620550 [Book Section]

Fisher, Mark. 2009. Materialismo gótico (Extractos de Flatline Constructs: Gothic materialism and Cybernethic Theory-Fiction). In: Santiago Arcos, ed. Nosotros, los brujos. Santiago Arcos. ISBN 978-987-1240-34-0 [Book Section]

Fisher, Mark. 2010. Memorex for the Krakens: The Fall's Pulp Modernism. In: Michael Goddard and Benjamin Halligan, eds. Mark E. Smith and The Fall: Art, Music and Politics. Ashgate, pp. 95-110. ISBN 978-0-7546-6867-1 [Book Section]

Fisher, Mark. 2012. Postcapitalist Desire. In: Federico Campagna and Emanuele Campiglio, eds. What We Are Fighting For: A Radical Collective Manifesto. Pluto Press. ISBN 9780745332857 [Book Section]

Fisher, Mark. 2011. We're not all in this together: Public Space and Antagonism in the Wake of Capitalist Realism. In: Markus Miessen and Andrea Phillips, eds. Caring Culture: Art, Architecture and the Politics of Health. Sternberg Press. ISBN 978-1-934105-71-9 [Book Section]

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Fisher, Mark. 2016. The Weird and the Eerie. London: Repeater. ISBN 9781910924389 [Book]

Fisher, Mark. 2014. ‘“What Is It That You’d Say You Do Here?” The Post-Fordist Comedy of Management. In: Nina Möntmann, ed. Brave New Work A Reader on Harun Farocki's film 'A New Product'. Walther Koenig. ISBN 9783863353506 [Book Section]

Fisher, Mark. 2016. ‘not really now not any more’: Hauntological Place and Non-Time. In: Kirstin Gwyer and Karen Leeder, eds. Giving up the Ghost: The Haunting of Modern Culture. Palgrave Macmillan. [Book Section] (Forthcoming)

Fisher, Mark. 2011. The privatisation of stress. Soundings: A Journal of Politics and Culture, 48, pp. 123-133. ISSN 1362-6620 [Article]

Forkert, Kirsten; Oliveri, Federico; Bhattacharyya, Gargi and Graham, Janna. 2020. How Media and Conflicts Make Migrants. Manchester: Manchester University Press. ISBN 9781526138118 [Book]

García Düttmann, Alexander. 2008. Adorno's amerikanischer Traum. Frankfurter Allgemeine Zeitung, [Article]

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García Düttmann, Alexander. 2011. Consciousness of Semblance: Participation in Art and Politics. Germany: Konstanz: Konstanz University Press. ISBN 978-3-86253-019-9 [Book]

García Düttmann, Alexander. 2008. Der Schein [Semblance]. Inaesthetik, pp. 149-157. [Article]

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García Düttmann, Alexander. 2008. Derrida und ich. Das Problem der Dekonstruktion [Derrida and I. The Problem of Deconstruction]. Bielefeld, Germany: Transcript Verlag. ISBN 978-3-89942-740-0 [Book]

García Düttmann, Alexander. 2009. Die Reise nach Montreux [A Trip to Montreux]. In: Joachim Leisegang, ed. In Begleitung: Claire Lise Holy and Dieter Leisegang. Monschau: KUK. Kunst- und Kulturzentrum, pp. 86-89. [Book Section]

García Düttmann, Alexander. 2008. Die Sichtbarmachung der Armut [Making Poverty Visible]. In: Eva Geulen; Kai Kauffmann and Georg Mein, eds. Hannah Arendt - Giorgio Agamben: Parallelen Perspektiven Kontroversen. Munich: Wilhelm Fink, pp. 119-129. ISBN 978377054529-2 [Book Section]

García Düttmann, Alexander. 2010. Ein Verdienst der Künstlerin [To The Artist's Credit]. In: , ed. Claire-Lise Holy: Szenenbilder - Figurinen - Details. Monschau: KUK. Kunst- und Kulturzentrum der Städteregion Aachen, pp. 65-66. ISBN 9783000311758 [Book Section]

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García Düttmann, Alexander. 2009. El año académico. Cali (Colombia): Archivos del Indice. ISBN 9789584456274 [Book]

García Düttmann, Alexander. 2010. El hombre y la tierra / Man and Earth. In: , ed. Greta Alfaro. Centro de Arte Huarte, Spain, unpag.. [Book Section]

García Düttmann, Alexander. 2010. Elizabeth and the Peacock. In: , ed. Elizabeth Presa with Greg Burgess: interior castle. Melbourne: Linden Arts Centre, pp. 4-6. [Book Section]

García Düttmann, Alexander. 2010. Empfindsame Zigzagreise in die Unabhängigkeit / Viaje a la independencia, sentimental y en zig-zag [A Sentimental Journey to Independence]. In: Alfons Hug, ed. Menos tiempo que lugar. El arte de la independencia. Buenos Aries[?]: Goethe Institut, pp. 87-98. [Book Section]

García Düttmann, Alexander. 2010. "Extravaganza". In: , ed. Fine Art and History of Art, catalogue of the end of the year show, 2010. London: Goldsmiths College, p. 13. ISBN 9781906897048 [Book Section]

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García Düttmann, Alexander. 2009. '‘For Those Who Like That Sort Of Thing, That’s The Sort Of Thing They Like’'. In: All the Same – Was gilt, wenn alles gleich und gültig ist?. Steirischer Herbst Festival, Graz, Austria October 2010. [Conference or Workshop Item]

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García Düttmann, Alexander. 2010. 'For and Against the Contemporary. An Examination'. In: Culture After Postmodern Culture. UC Irvine, United States 9 October 2010. [Conference or Workshop Item]

García Düttmann, Alexander. 2010. I Shall Never Grow Old. In: , ed. Dark Rooms. Warsaw: Nowy Teatr & Krytyka Polityczna & Kodoji Press, pp. 7-12. ISBN 9783037470367 [Book Section]

García Düttmann, Alexander. 2009. Idiosyncrasy And Film. Senses of Cinema, [Article]

García Düttmann, Alexander. 2009. "Improvising on Intuition". In: , ed. Fine Art and History of Art BA, catalogue of the end of the year exhibition 2009. London: Goldsmiths College, pp. 150-152. ISBN 9781904158967 [Book Section]

García Düttmann, Alexander. 2008. Integral Actuality. In: Justin Clemens; Nicholas Heron and Alex Murray, eds. The Work of Giorgio Agamben: Law, Life, Literature. Edinburgh: Edinburgh University Press, pp. 28-42. ISBN 9780748634620 [Book Section]

García Düttmann, Alexander. 2009. 'Kafka and the Life of the Letter'. In: Process / Music. 25th Music Biennale Zagreb, Croatia April 2009 - January 2010. [Conference or Workshop Item]

García Düttmann, Alexander. 2011. Kafka and the Life of the Letter. Constellations, 18(1), pp. 67-73. ISSN 1467-8675 [Article]

García Düttmann, Alexander. 2010. Kafka i zivot slova [Kafka and the life of the letter]. Frakcija: performing arts magazine, n/a(53/54), pp. 52-58. ISSN 1331-0100 [Article]

García Düttmann, Alexander. 2010. Language Without Soil. In: Gerhard Richter, ed. Language Without Soil. New York: Fordham University Press, pp. 10-16. ISBN 978-0-8232-3127-0 [Book Section]

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García Düttmann, Alexander. 2010. 'Law, Literature, Revolution'. In: Recht und Literatur: Verfahren. Erfurt, Germany. [Conference or Workshop Item]

García Düttmann, Alexander. 2009. Letteratura per esempio. In: Clemens Carl Haerle, ed. Confini del racconto. Macerata: Quodlibet, pp. 53-62. ISBN 9788874623037 [Book Section]

García Düttmann, Alexander. 2010. 'The Love of Proper Names'. In: Workshop on pedagogy and disaster. ICA, London, United Kingdom. [Conference or Workshop Item]

García Düttmann, Alexander. 2008. Making Poverty Visible: three theses. Parrhesia: a journal of critical philosophy(4), pp. 1-10. [Article]

García Düttmann, Alexander. 2009. A Note On Philosophy And Photography. In: , ed. Commonsensual: The Works of Rut Blees Luxemburg. London: Black Dog Publishing, pp. 163-164. ISBN 9781906155575 [Book Section]

García Düttmann, Alexander. 2010. Ohne Politik [Without Politics]. In: Thomas Bedorf and Kurt Roettgers, eds. Das Politische und die Politik. Berlin: Suhrkamp Verlag, pp. 364-381. ISBN 978-3-518-29557-1 [Book Section]

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García Düttmann, Alexander. 2007. Philosophy of Exaggeration. Continuum Books. ISBN 0826495621 [Book]

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García Düttmann, Alexander. 2011. Teilnahme: Bewusstsein des Scheins [Participation: Consciousness of Semblance]. Konstanz: Konstanz University Press, pp. 1-192. ISBN 978-3-86253-019-9 [Book]

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García Düttmann, Alexander. 2005. Verwisch die Spuren. Diaphanes. ISBN 3935300646 [Book]

García Düttmann, Alexander. 2006. Visconti: Einsichten in Fleisch und Blut. Kulturverlag Kadmos. ISBN 3931659925 [Book]

García Düttmann, Alexander; Nancy, Jean-Luc and Richon, Olivier. 2010. Picking Up / Bouncing Back. [Exhibition Catalogue]

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García Düttmann, Alexander and Savage, Robert. 2009. Visconti: Insights into Flesh and Blood (translated by Robert Savage). Stanford: Stanford University Press. ISBN 9780804757409 [Book]

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Gaur, Meenu and Madani, Adnan. 2020. The Ghost in the Projector: New Pakistani Cinema & its Hauntings. In: Vazira Zamindar and Asad Ali, eds. Love, War & Other Longings: Essays on Cinema in Pakistan. Karachi, Pakistan: Oxford University Press Pakistan, pp. 48-72. ISBN 9780190701857 [Book Section]

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Georgiou, Diana. 2019. Erotic Responsiveness: An Ethics of Auto/biographical Art-Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gibson, Beatrice. 2013. Between Script and Score: Notation and Movement in the Work of Cornelius Cardew. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gkitsa, Dimitra. 2020. Affective commoning: Collective curating in the post-socialist space. Doctoral thesis, Goldsmiths, University of London [Thesis]

Godfrey, Mark; Demos, T.J.; Weizman, Eyal and Hameed, Ayesha. 2010. Rights of Passage”. Tate Etc, 19, [Article]

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Graham, Janna. 2016. The Anatomy of an AND. In: Carmen Mörsch; Angeli Sachs and Thomas Sieber, eds. Contemporary Curating and Museum Education. Bielefeld: transcript-Verlag, pp. 187-202. ISBN 9783837630800 [Book Section]

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Graham, Janna. 2017. Dos relatos sobre un «nosotros» Malestar en las fronteras entre arte, educación e investigación. Errata: Revista de Artes Visuales(16), pp. 168-175. ISSN 2145-6399 [Article]

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Graham, Janna. 2017. Grammars of the Possible: Moving Beyond Binaries of Representation and Non-Representation in Gallery Education. In: Carmen Mörsch; Sigrid Schade and Sophie Vögele, eds. Representing Art Education: On the Representation of Pedagogical Work in the Art Field: . Vienna: Zaglossus, pp. 369-408. ISBN 9783902902580 [Book Section]

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Graham, Janna. 2020. ‘Techniques for Living Otherwise’: Naming, Composing and Instituting Otherwise. In: Marina Garcés; Janna Graham; val flores; Concha Fernández Martorell and Jordi Solé Blanch, eds. Pedagogías y emancipación. Barcelona: Arcadia MACBA, pp. 49-77. ISBN 9788494992476 [Book Section]

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Graham, Janna. 2017. Technologies for Living Otherwise: Arts Pedagogy as Social Reproduction and Movement Building. In: , ed. Creativity Exercises. [Book Section] (Forthcoming)

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Graham, Janna. 2018. ‘Where are we when we think?’ Space, time and emancipatory education in galleries. International Journal of Lifelong Education, 37(1), pp. 21-39. ISSN 0260-1370 [Article]

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Graham, Janna and Papadopoulos, Dimitris. 2021. Organizing the precarious: Autonomous work, real democracy and ecological precarity. Organization, ISSN 1350-5084 [Article] (In Press)

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

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Grant, Catherine. 2011. Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. In: Catherine Grant and Lori Waxman, eds. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect Press, pp. 161-186. ISBN 9781841503486 [Book Section]

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Grant, Catherine. 2006. Different Girls: performances of adolescence in contemporary photographic portraits. Doctoral thesis, Courtauld Institute of Art, London [Thesis]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

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Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

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Grant, Catherine. 2019. The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. In: Allyson Mitchell and Cait McKinney, eds. Killjoy's Kastle. Canada: University of British Columbia Press and The Art Gallery of York University Press. ISBN 9780774861571 [Book Section]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

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Grant, Catherine. 2021. Introduction to "Why Have There Been No Great Women Artists?". In: Linda Nochlin, ed. Why Have There Been No Great Women Artists? London: Thames & Hudson. ISBN 9780500023846 [Book Section]

Grant, Catherine. 2017. Learning and Playing: Re- enacting Feminist Histories. In: Victoria Horne and Lara Perry, eds. Feminism and Art History Now: Radical Critiques of Theory and Practice. London: Bloomsbury. ISBN 9781784533250 [Book Section]

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Grant, Catherine. 2019. A Letter Sent, Waiting to be Received: Queer Correspondence, Feminism and Black British Art. Women: A Cultural Review, 30(3), pp. 297-318. ISSN 0957-4042 [Article]

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2019. More than a schoolgirl crush: Amy Adler and the adolescent fan. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 100-120. ISBN 9781912685134 [Book Section]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

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Grant, Catherine. 2022. Responding to Women and Creativity. [Printed Ephemera] (Forthcoming)

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Grant, Catherine. 2019. Returning to Riddles. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury Academic. ISBN 9781784537005 [Book Section]

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Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

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Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Grant, Catherine and Random Love, Kate. 2019. Fandom as Methodology: Introduction. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 1-20. ISBN 9781912685134 [Book Section]

Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole. 2014. 'Feminism@Goldsmiths'. In: Feminism@Goldsmiths. Goldsmiths, Universirty of London, United Kingdom. [Conference or Workshop Item]

Gunkel, Henriette. 2019. Alienation and Queer Discontent. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 387-404. ISBN 9783837646016 [Book Section]

Gunkel, Henriette. 2013. Désiré. In: Max Annas; Annett Busch and Henriette Gunkel, eds. Frieda Grafe. 30 Filme. Issue 3. Berlin: Brinkmann u Bose, pp. 177-181. ISBN 78-3940048165 [Book Section]

Gunkel, Henriette. 2012. Introduction: A Politics of Visibility. In: Henriette Gunkel; Chrysanthi Nigianni and Fanny Söderbäck, eds. Undutiful Daughters: New Directions in Feminist Thought and Practice. New York: Palgrave Macmillan, pp. 129-140. ISBN 9780230118317 [Book Section]

Gunkel, Henriette. 2012. Review: Rez. Judith Halberstam, The Queer Art of Failure. Duke University Press, 201. Feministische Studien, 2, pp. 351-353. ISSN 0723-5186 [Article]

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Gunkel, Henriette. 2018. Rückwärts in Richtung queerer Zukunft. In: Dagmar Brunow and Simon Dickel, eds. Queer Cinema. Mainz, Germany: Ventil Verlag, pp. 68-81. ISBN 9783955750916 [Book Section]

Gunkel, Henriette. 2013. Spiegelungen von color bars? Keller in Südafrika, 1951” [Reflections of the color bars? Keller in South Africa, 1951. In: Ulrike Bergermann, ed. Disability trouble. Ästhetik und Bildpolitik bei Helen Keller. Berlin: B Books, pp. 309-317. ISBN 978-3-942214-09-4 [Book Section]

Gunkel, Henriette. 2009. Through the Postcolonial Eyes: Images of Gender and Female Sexuality in Contemporary South Africa. Journal of Lesbian Studies, 13(1), pp. 77-87. ISSN 1089-4160 [Article]

Gunkel, Henriette. 2015. “‘We’ve been to the moon and back’ - das afrofuturistische Partikulare im universalisierten Imaginären” [‘We’ve been to the moon and back’ – afrofuturist particularism within the universal imaginary]. In: Ulrike Bergermann and Nanna Heidenreich, eds. total. - Universalism and particularism in post_kolonialer media theory. Berlin: Transcript, 149 -162. ISBN 9783837627664 [Book Section]

Gunkel, Henriette. 2008. “‘What do we see when we look at ourselves?’ - Visual dissidence towards (post)colonial sex/gender organisations within post-apartheid South African culture. In: Jean-Paul Rocchi, ed. Dissidences et Identités Plurielles. Nancy: Presses universitaires de Nancy, pp. 160-185. ISBN 978-2-86480-899-2 [Book Section]

Gunkel, Henriette and Annas, Max. 2018. An Act of Citizenship - Mozambican Films from Kuxa-Kanema to a Cinema of Re-sistance. In: Antje Schuhmann and Mistri Jyoti, eds. African Women in Film. Pretoria: Unisa Press. [Book Section]

Gunkel, Henriette and Crone, Bridget. 2019. Future. In: Robin Goddman, ed. The Bloomsbury Handbook of 21st-Century Feminist Theory. Bloomsbury. ISBN 9781350032408 [Book Section]

Gunkel, Henriette and Hameed, Ayesha. 2021. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book]

Gunkel, Henriette and Lynch, Kara. 2019. Lift Off...An Introduction. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 21-44. ISBN 9783837646016 [Book Section]

Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine. 2015. Introduction: In Movement. Women in Africa and the African Diaspora. JENdA: A Journal of Culture and African Women Studies, 26, [Article]

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Gunkel, Henriette and McGeorge, Eline. 2017. Companions Meet as Spaces Fold. A Conversation. In: Eline McGeorge, ed. As Spaces Fold, Companions Meet. London: Dent-De-Leone, pp. 167-175. ISBN 978-1-907908-41-5 [Book Section]

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Gunkel, Henriette and Pitcher, Ben. 2008. Editorial: Racism in the Closet – Interrogating Postcolonial Sexuality. Darkmatter, 3, ISSN 2041-3254 [Article]

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Gunkel, Henriette and Pitcher, Ben. 2008. Q&A with Jasbir Puar. Darkmatter, 3, ISSN 2041-3254 [Article]

Gunkel, Henriette and Stieglitz, Olaf. 2012. Praxis Sex Machen/Sex Haben [Practice: To Make/To Have Sex]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 97-110. ISBN 978-3593396415 [Book Section]

Gunkel, Henriette and Yekani, Elahe Haschemi. 2012. Praxis (Sich-)Fortbewegen” [Practice: To Move (Forward)]. In: Eva Bischoff; Uta Fenske; Henriette Gunkel; M. Michaela Hampf; Elahe Haschemi Yekani and Arne Klawitter, eds. .) What can a body do? Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh, pp. 57-69. ISBN 978-3593396415 [Book Section]

Hameed, Ayesha. 2019. Academy of the Fine Arts Vienna screening. In: "Academy of the Fine Arts Vienna", Vienna, Austria. [Show/Exhibition]

Hameed, Ayesha. 2010. 'Aesthetics of Evidence'. In: Presentation to the United Nations Human Rights Commission, Geneva (with Centre for Research Architecture). Geneva, Switzerland 2010. [Conference or Workshop Item]

Hameed, Ayesha. 2019. And Evil Earth maybe it’s time for a rumble. In: "Life Choreographies", Public Art Agency, Stockholm, Sweden, 21 August 2019. [Show/Exhibition]

Hameed, Ayesha. 2008. 'Artist’s Talk, Rearranging Desires: Curating the "Other” Within'. In: Rearranging Desires: Curating the "Other” Within. Concordia University, Montreal, Canada 6 – 31 October 2008. [Conference or Workshop Item]

Hameed, Ayesha. 2007. Banff Centre for Arts and Creativity Residency Exhibition. In: "Banff Centre for Arts and Creativity Residency Exhibition", Banff, Canada, 2007. [Show/Exhibition]

Hameed, Ayesha. 2014. Black Atlantis. In: Eyal Weizman, ed. Forensis: The Architecture of Public Truth. Berlin: Sternberg Press, pp. 712-719. ISBN 9783956790119 [Book Section]

Hameed, Ayesha. 2014 - 2019 Black Atlantis. [Project]

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Hameed, Ayesha. 2019. Black Atlantis. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: Transcript, pp. 107-126. ISBN 9783837646016 [Book Section]

Hameed, Ayesha. 2018. 'Black Atlantis'. In: BAK basis voor actuele kunst. Utrecht, Netherlands. [Conference or Workshop Item]

Hameed, Ayesha. 2018. Black Atlantis – Dancefloors and Seafloors. In: Dan Meththananda and Martin Kohout, eds. Night Shifter. TLTRPreß, pp. 44-53. ISBN 9783981964011 [Book Section]

Hameed, Ayesha. 2018. Black Atlantis, Ø Hyperdub. In: "Ø Hyperdub", Corsica Studios London, United Kingdom, 14 November 2018. [Show/Exhibition]

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Hameed, Ayesha. 2018. Black Atlantis: 'The end of eating everything'. In: "Black Atlantis: 'The end of eating everything'", Empire Remains, London, United Kingdom, 2016 - 2018. [Performance]

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Hameed, Ayesha. 2019. Black Atlantis: Bodies and Storms. In: "Black Atlantis: Bodies and Storms", ICA London, United Kingdom, 2015-2019. [Performance]

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Hameed, Ayesha. 2019. Black Atlantis: Retrograde Futurism. In: "Black Atlantis: Retrograde Futurism", Akademie der Künste der Welt, Cologne, Germany, 2018-2019. [Performance]

Hameed, Ayesha. 2018. 'Black Atlantis: Retrograde Futurism'. In: Society for Artistic Research 9th International Conference, “Artistic Research Will Eat Itself”. University of Plymouth, United Kingdom 11 -13 April 2018. [Conference or Workshop Item]

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Hameed, Ayesha. 2016. Black Atlantis: The Plantationocene. In: "Black Atlantis: The Plantationocene", Alice Yard, Trinidad, Trinidad and Tobago, 2016 - 2019. [Performance]

Hameed, Ayesha. 2017. Black Atlantis: The Plantationocene. In: MAP Office, ed. Our Ocean Guide. Lightbox Publishing, pp. 205-213. ISBN 978-88-6384-041-4 [Book Section]

Hameed, Ayesha. 2018. '“Black Atlantis” at "You Send Me" panel discussion'. In: Sharjah Art Foundation March Meeting 2018. Sharjah Art Foundation, Sharjah, United Arab Emirates 17 - 19 March 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2019. '“Black Atlantis” at Symposium ‘Black Mediterranean’'. In: Black Mediterranean Symposium 2019, Contemporary Istanbul. Istanbul, Turkey 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2019. '"The Bloop" and "Jupiter"'. In: AUDINT - Unsound:Undead Launch. Tate Modern, London, United Kingdom 26 July 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '"The Bloop“ and "Jupiter"'. In: AUDINT-Unsound: Undead. Spike Island, Bristol, United Kingdom. [Conference or Workshop Item]

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Hameed, Ayesha. 2019. “The Bloop”; “Jupiter". In: Steve Goodman; Toby Heys and Eleni Ikoniadou, eds. AUDINT—Unsound:Undead. Falmouth: Urbanomic Media, pp. 83-85. ISBN 9781916405219 [Book Section]

Hameed, Ayesha. 2011. 'The Body in the Jungle'. In: Forensic Aesthetics. Staatliche Hochschule für Bildende Künste – Städelschule, Frankfurt am Main, Germany 12-15 January 2011. [Conference or Workshop Item]

Hameed, Ayesha. 2011. 'Border Crossings'. In: Banff Centre for Arts and Creativity. Banff, Canada 2011. [Conference or Workshop Item]

Hameed, Ayesha. 2008. Borders in the City 1. In: "University of the Streets Café", Montréal, Canada, 2008 - 2010. [Show/Exhibition]

Hameed, Ayesha. 2010. Borders in the City 1. In: "International Society for Electronic Art", Singapore, Singapore, 2010. [Show/Exhibition]

Hameed, Ayesha. 2003. 'Colonial Circuits: The Commodification of the Ocean and the Creation of Modern Space'. In: Canadian Association for Cultural Studies. Dalhousie University, Halifax, Canada 2003. [Conference or Workshop Item]

Hameed, Ayesha. 2017. The Destruction of Fingerprints. In: "Forensic Architecture: Towards an Investigative Aesthetics", MACBA Barcelona, Spain, 28 April - 15 October 2017. [Show/Exhibition]

Hameed, Ayesha. 2017. The Destruction of Fingerprints. In: "Forensic Architecture: Towards an Investigative Aesthetics", Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico, 9 September - 30 December 2017. [Show/Exhibition]

Hameed, Ayesha. 2014. The Destruction of Fingerprints. In: "Forensis", Haus der Kulturen der Welt (HKW), Berlin, Germany, 15 March - 5 May 2014. [Show/Exhibition]

Hameed, Ayesha. 2003. 'Dialectics at a Standstill: a Benjaminian reading of Turner, Grandville and Industrial Seascapes'. In: Universities Art Association of Canada Conference (UAAC-AAUC) 2003. Queen’s University, Kingston, Canada 2003. [Conference or Workshop Item]

Hameed, Ayesha. 2004. Digital Poetics and Politics. In: "Digital Poetics and Politics, Queen’s University", Kingston, Ontario, Canada, 2004. [Show/Exhibition]

Hameed, Ayesha. 2014. 'Discussant and Respondent “The Free Sea” GV Art, London'. In: The Free Sea - screening and discussion. GV Art, London, United Kingdom 28 November 2014. [Conference or Workshop Item]

Hameed, Ayesha. 2018. 'Echoes of the South Atlantic talk'. In: Echoes of the South Atlantic Conference Salvador 2018. Goethe Institute Salvador, Salvador-Bahia, Brazil 23 - 25 April 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2009. Eclectik 09 (Montréal, arts interculturels). In: "Eclectik 09 (Montréal, arts interculturels)", Montréal, Canada, 29 - 30 May 2009. [Show/Exhibition]

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Hameed, Ayesha. 2007. Embodying the Middle Passage. Topia, 18, ISSN 1206-0143 [Article]

Hameed, Ayesha. 2009. Folly. In: "'Folly' at MAI", Montréal, arts interculturels, Montreal, Canada. [Show/Exhibition]

Hameed, Ayesha. 2011. “Giv Présente: Lancement des Nouveautés”. In: "Giv Présente: Lancement des Nouveautés", Maison de la culture du Plateau-Mont-Royal, Montréal, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2019. Glasgow Film Festival. In: "Glasgow Film Festival 2019", Glasgow, United Kingdom, 20 February 2019 - 3 March 2019. [Show/Exhibition]

Hameed, Ayesha. 2019. Gothenburg Biennale. In: "10th Gotëburg International Biennial for Contemporary Art", Gothenburg, Sweden, 7 September 2019 - 19 November 2019. [Show/Exhibition]

Hameed, Ayesha. 2021. I sing of the sea, I am mermaid of the trees. In: "Liverpool Biennial 2021", Liverpool, United Kingdom, 6 March –20 June 2021. [Show/Exhibition] (Forthcoming)

Hameed, Ayesha. 2013. 'The Image of Gaddafi'. In: Radical Media Forum: Aesthetics and the Politics of Moving Images. Goldsmiths, University of London, United Kingdom 10 December 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2012. 'The Image of Gaddafi'. In: Living Death Camp and Forensic Aesthetics: Where subjugated knowledge is, sociality occurs. Centre for Cultural Decontamination, Belgrade, Serbia 5-12 April 2012. [Conference or Workshop Item]

Hameed, Ayesha. 2005. 'Invisible Evidence: History/ Diaspora/ Documentary'. In: Visible Evidence XII. Concordia University, Montreal, Canada 21-25 August 2005. [Conference or Workshop Item]

Hameed, Ayesha. 2010. 'The Jungle as Second Nature'. In: Regimes of Extraterritoriality. Cairo, Egypt 2010. [Conference or Workshop Item]

Hameed, Ayesha. 2011. "La Commune". In: "La Commune", Banff Centre for Arts and Creativity, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2018. Landfall and Departure: Epilogue (Listening to the Sea). In: "Landfall and Departure", Nanaimo Art Gallery, Nanaimo, Canada, 12 January - 10 March 2018. [Show/Exhibition]

Hameed, Ayesha. 2012. 'The Law of the Jungle Can't Last'. In: Objects, Practices and Territories: Guimarães 2012, European Capital of Culture. Guimarães, Portugal 2012. [Conference or Workshop Item]

Hameed, Ayesha. 2019. Lubumbashi Biennale. In: "6th Biennale de Lubumbashi", Lubumbashi, Congo, the Democratic Republic of the, 24 October 2019 - 24 November 2019. [Show/Exhibition]

Hameed, Ayesha. 2014. 'Majub's Journey screening and discussion'. In: Majub's Journey. Goethe Institute London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2004. 'Mapping the Self, Mapping the Other: Colonialism and Metropolitan Identity'. In: Print Culture and the City. McGill University, Montreal, Canada 2004. [Conference or Workshop Item]

Hameed, Ayesha. 2001. Mayworks Festival. In: "Mayworks Festival, Oakville Art Gallery", Oakville, Canada, 2001. [Show/Exhibition]

Hameed, Ayesha. 2014. Monitor Reruns. In: "Images Festival", A Space Gallery, Toronto, Canada, 28 March - 3 May 2014. [Show/Exhibition]

Hameed, Ayesha. 2010. “The New City Reader: A Newspaper of Public Space”. In: "The New City Reader: A Newspaper of Public Space, Network Architecture Lab", New Museum, New York, United States, 6 October 2010 - 9 January 2011. [Show/Exhibition]

Hameed, Ayesha. 2011. New Schools Programme Toronto. In: "New Schools Programme Toronto. SAVAC (South Asian Visual Arts Centre)", Toronto, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2011. The Object that Remains. [Exhibition Catalogue]

Hameed, Ayesha. 2010. 'On Coastlines, Border Crossings and Natural History,'. In: History and Theory Reading Group. Department of History and Philosophy of Science, University of Cambridge. Cambridge, United Kingdom 28 May 2010. [Conference or Workshop Item]

Hameed, Ayesha. 2012. 'On Laughter and Violence'. In: On Laughter and Violence. University of Chicago, Chicago, United States. [Conference or Workshop Item]

Hameed, Ayesha. 2013. 'Perils of the Sea'. In: Devils Advocates. Goldsmiths, University of London, United Kingdom 1-2 March 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2012. The Petrification of the Image. In: Godofredo Nobre Enes Pereira, ed. Savage Objects: Inhuman Political Alliances. Porto: Imprensa Nacional-Casa da Moeda. [Book Section]

Hameed, Ayesha. 2018. “Precarious terrain and entangled situations”. In: "“Precarious terrain and entangled situations”", Konsthall C Stockholm, Sweden, 11 April - 17 June 2018. [Show/Exhibition]

Hameed, Ayesha. 2007. Re-presenting Diasporas in Cinema and New (Digital) Media, University of Exeter. In: "Re-presenting Diasporas in Cinema and New (Digital) Media, University of Exeter", Exeter, United Kingdom, 2007. [Show/Exhibition]

Hameed, Ayesha. 2008. Rearranging Desires: Curating the "Other” Within (Group Exhibition). In: "Rearranging Desires: Curating the "Other” Within. FOFA Gallery, Concordia University", Montreal, Canada, 6-31 October 2008. [Show/Exhibition]

Hameed, Ayesha. 2008. Rencontre Interuniversitaire, Québec. In: "Rencontre Interuniversitaire, Québec", Montreal, Canada, 2008. [Show/Exhibition]

Hameed, Ayesha. 2018. '“Respondent” to Denise Ferreira da Silva'. In: Denise Ferreira da Silva: Blacklight; part of In formation III. Institute for Contemporary Art, London, United Kingdom 25 August 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2018. Retrograde Futurism. In: Marina Otero Verzier and Nick Axel, eds. Work Body Leisure. Rotterdam: Het Nieuwe Instituut/Hatje Cantz Verlag GmbH, pp. 289-297. ISBN 9783775744256 [Book Section]

Hameed, Ayesha. 2019. '“Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure (Architectural Association)'. In: Work, Body, Leisure Book Launch, Architectural Association. Architectural Association, London, United Kingdom 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2018. '“Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure'. In: Work, Body, Leisure Book Launch. Het Nieuwe Instituut, Rotterdam, Netherlands 26 August 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2013. 'Rituals and Masks at the Border'. In: Sarai Reader 09: The Exhibition New Delhi. New Delhi, India 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2015. A Rough History (of the destruction of fingerprints). In: "Social Glitch: Radical aesthetics and the consequences of extreme events", Kunstraum Niederoesterreich, Vienna, Austria, 25 September - 5 December 2015. [Show/Exhibition]

Hameed, Ayesha. 2017. 'A Rough History (of the destruction of fingerprints)'. In: Genealogies of Visual Cultures. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Hameed, Ayesha. 2018. “A Rough History (of the destruction of fingerprints)”. In: Gurur Ertem and Sandra Noeth, eds. Bodies of Evidence: Ethics, Aesthetics, and Politics of Movement , 2018. Vienna: Passagen Verlag, pp. 35-52. ISBN 9783709203033 [Book Section]

Hameed, Ayesha. 2004. Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea. In: James Gifford and Gabrielle Zezoulka-Mailloux, eds. in Culture and the State: Landscape and Ecology (Volume 1). CRC Humanities Studio. [Book Section]

Hameed, Ayesha. 2003. 'Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea'. In: Culture and the State: Past Present and Future. University of Alberta, Edmonton, Canada 2003. [Conference or Workshop Item]

Hameed, Ayesha. 2006. 'Salon Femmes br@nchées #61'. In: Salon Femmes br@nchées #61 : ART.chives : art, archives, & databases. Studio XX, Montréal, Canada 16 February 2006. [Conference or Workshop Item]

Hameed, Ayesha. 2012. Sarai Reader 09: The Exhibition, New Delhi. In: "Sarai Reader 09: The Exhibition", New Delhi, India, 18 August 2012 - 15 April 2013. [Show/Exhibition]

Hameed, Ayesha. 2021. Sea Changes and Other Futurisms. In: Henriette Gunkel and Ayesha Hameed, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book Section]

Hameed, Ayesha. 2018. 'The Shaping of a Message'. In: The Shaping of a Message Symposium. Goldsmiths, University of London, United Kingdom 8 June 2018. [Conference or Workshop Item]

Hameed, Ayesha. 2019. 'Soot Breath: Trans-boarding'. In: International Symposium: Soot Breath: On Land, Law and Bodies. Showroom, London, United Kingdom 18 May 2019. [Conference or Workshop Item]

Hameed, Ayesha. 2001. 'Strategies of Critique XV: Human Nature'. In: Strategies of Critique XV: Human Nature. York University, Toronto, Canada 2001. [Conference or Workshop Item]

Hameed, Ayesha. 2013. ''Streams, Torrents and Waves''. In: South Asian Visual Arts Centre Monitor 9. no.w.here London, United Kingdom 24 April 2013. [Conference or Workshop Item]

Hameed, Ayesha. 2011. “TERRITOIRES/TERRITORIOS: Une sélection d’oeuvres d’artistes espagnoles et canadiennes”. In: "“TERRITOIRES/TERRITORIOS: Une sélection d’oeuvres d’artistes espagnoles et canadiennes”", Montréal, Canada, 2011. [Show/Exhibition]

Hameed, Ayesha. 2006. The Third Annual Volatile Works Series. In: "The Third Annual Volatile Works Series", Montréal, Canada, 2007. [Show/Exhibition]

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Hameed, Ayesha. 2019. The Time and Sound of the Nautical Border. In: Rita Kaur Dhamoon; Davina Bhandar; Renisa Mawani and Satwinder Kaur Bains, eds. Unmooring the Komagata Maru: Charting Colonial Trajectories. Vancouver: University of British Columbia Press, pp. 197-212. ISBN 9780774860659 [Book Section]

Hameed, Ayesha. 2014. 'The Time and Sound of the Nautical Border'. In: Charting Imperial Itineraries, 1914-2014: Unmooring the Komagata Maru Conference. Victoria, Canada May 2014. [Conference or Workshop Item]

Hameed, Ayesha. 2012. Trace. Reviews in Cultural Theory, 2(3), ISSN 1918-9710 [Article]

Hameed, Ayesha. 2005. Unless. [Exhibition Catalogue]

Hameed, Ayesha. 2005. 'The Unspoken Archive: New Media Representations of the Middle Passage'. In: Refresh! First International Conference on the Histories of Media Art, Science and Technology. Banff New Media Institute, Canada 28 September - 3 October 2005. [Conference or Workshop Item]

Hameed, Ayesha. 2009. 'Vectors of the Global Border'. In: Historical Materialism. London, United Kingdom 2009. [Conference or Workshop Item]

Hameed, Ayesha. 2002. 'Virtual Toronto: Interdisciplinary Knowledge and New Research Tools'. In: Bridges II: A Conference about Cross-Disciplinary Research and Collaboration. Banff New Media Institute, Canada October 2002. [Conference or Workshop Item]

Hameed, Ayesha. 2008. Virtual and Material Topographies. In: Danny Butt; Jon Bywater and Paul Nova, eds. Place: Local Knowledge and New Media Practice. Cambridge Scholars Publishing. ISBN 978-1-8471-8484-9 [Book Section]

Hameed, Ayesha. 2007. Volatile Works short programme. In: "Volatile Works Does the Cinémathèque!", Cinémathèque Québécoise, Montréal, 23 November 2007. [Show/Exhibition]

Hameed, Ayesha. 2019. Wadi Rum Film Festival. In: "Al-Qamar, Al-Qamar (Valley of the Moon) Film Festival", Wadi Rum, Jordan, 19 - 22 April 2019. [Show/Exhibition]

Hameed, Ayesha. 2009. 'Wait… a minute!'. In: Wait… a minute! e-round table discussion. OBORO, Montréal, Canada 9 May 2009. [Conference or Workshop Item]

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Hameed, Ayesha. 2013. What Does the Moving Image Desire? In: , ed. Sarai Reader 09: Projections. Delhi: Sarai Media Lab, pp. 323-330. [Book Section]

Hameed, Ayesha. 2011. Yaron Lapid: The New Zero. Photoworks, 16, [Article]

Hameed, Ayesha and Chu, Yen. 1999. “Borderlines” at 52 Inc. Toronto. In: "“Borderlines” 52 Inc. Toronto", Toronto, Canada, 1999. [Show/Exhibition]

Hameed, Ayesha; Eshun, Kodwo and Diederichsen, Diedrich. 2015. 'Circle/ Rhythm/ Ritual'. In: Labour in a Single Shot. Haus der Kulturen der Welt, Berlin, Germany 26 - 28 February 2015. [Conference or Workshop Item]

Hameed, Ayesha; Eshun, Kodwo and Moreno, Louis. 2017. Sonic Utopias: The Last Angel of History. A Conversation between Ayesha Hameed, Kodwo Eshun and Louis Moreno. In: Henriette Gunkel; Ayesha Hameed and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 249-267. ISBN 9781910924631 [Book Section]

Hameed, Ayesha and Gunkel, Henriette. 2021. A Conversation on Time Travel. In: Henriette Gunkel and Ayesha Hameed, eds. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Book Section]

Hameed, Ayesha and Gunkel, Henriette. 2015. 'A Lexicon of Afterlives: Visions of Future/s: Towards radical collective imaginations'. In: 6th European Conference on African Studies (ECAS-6). Paris, France 8-10 July 2015. [Conference or Workshop Item]

Hameed, Ayesha and Gunkel, Henriette. 2018. 'Visual Cultures as Time Travel'. In: Alien Time. Goldsmiths, University of London, United Kingdom 25 May 2018. [Conference or Workshop Item]

Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.. 2017. 'Futures and Fictions: A Conversation between Henriette Gunkel, Ayesha Hameed and Simon O'Sullivan.'. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 1-20. ISBN 9781910924631 [Book Section]

Hameed, Ayesha and Kane, Hamedine. 2018. “Family Function”. In: "13th Dak’Art Dakar Biennial", Dakar, Senegal. [Show/Exhibition]

Hameed, Ayesha and Kane, Hamedine. 2018. In the Shadow of Our Ghosts. [Film/Video]

Hameed, Ayesha and Kane, Hamedine. 2018. “Working Practices: a collaboration with Clark House”. In: "“Working Practices: a collaboration with Clark House”", Showroom London, United Kingdom, 25 May - 7 July 2018. [Show/Exhibition]

Hameed, Ayesha and Le, Viet Ho. 2007. Love and Borders. West Coast LINE 49, 40(1), [Article]

Hameed, Ayesha and Muyanga, Neo. 2019. And Evil Earth, Maybe It’s Time For A Rumble. In: "SAVVY Contemporary, Ultrasanity Chapter 2, Invocations at the Gnaoua Festival", Essaouira, Morocco, 20 - 22 June 2019. [Show/Exhibition]

Hameed, Ayesha and Perretta, Imran. 2018. '“In Conversation” with Imran Perretta'. In: 15 days. Jerwood Arts, London, United Kingdom 10 May 2018. [Conference or Workshop Item]

Hameed, Ayesha and Pourtavaf, Leila. 2007. Border Controls/Border Movements. In: "HTMlles 08: Crowd Control", Montréal, Canada, 17-21 October 2007. [Show/Exhibition]

Hameed, Ayesha and Robertson, Kirsty. 2008. 'What is Missing and What is There: Passages from War to Art'. In: Universities Art Association of Canada. Toronto, Canada 2008. [Conference or Workshop Item]

Hameed, Ayesha and Rosendahl, Lisa. 2019. 'GIBCA Conversations: dialogue with curator Lisa Rosendahl'. In: 10th Gotëburg International Biennial for Contemporary Art. Gothenburg, Sweden 7 September 2019. [Conference or Workshop Item]

Hameed, Ayesha and Vukov, Tamara. 2005. Notes on the Politics and Potentials of New Media Engagement. Public: art, culture and ideas, 31, [Article]

Hameed, Ayesha and Weizman, Eyal. 2009. 'On Archives'. In: Museum of non Participation. no.w.here, London, United Kingdom 2009. [Conference or Workshop Item]

Hameed, Ayesha; Weizman, Eyal; Pereira, Godofredo Nobre Enes; Tavares, Paulo; Di Carlo, Tina and Khalili, Yazan. 2010. Universal Catastrophe - Roundtable On Terrorism. Revista Detritos, 4, [Article]

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Hamza, Husseina; Jacca, Joyce; Jarrett, Tracey and Graham, Janna. 2021. Instituting and Organising “From the Pockets”: A Field Report from a Museum in the Making. On Curating(52), pp. 71-83. ISSN 2673-2955 [Article]

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Haworth, Michael. 2013. Thought into being: finitude and creation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Heller, Charles. 2015. Liquid Trajectories : Documenting Illegalised Migration and the Violence of Borders. Doctoral thesis, Goldsmiths, University of London [Thesis]

Heller, Charles. 2014. Perception management – Deterring potential migrants through information campaigns. Global Media and Communication, 10(3), pp. 303-318. ISSN 1742-7665 [Article]

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Heller, Charles and Pezzani, Lorenzo. 2019. Contentious Crossings: Struggles and Alliances for Freedom of Movement across the Mediterranean Sea. South Atlantic Quarterly, 118(3), pp. 644-653. ISSN 0038-2876 [Article]

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Hernández Velázquez, Y. M.. 2010. Archiving to Oblivion. In: , ed. Cuaderno Sesc Videobrasil. 10 Sao Paulo: Edições Sesc-SP and Associação Cultural Videobrasil, pp. 15-21. ISBN 9788579951664 [Book Section]

Hernández Velázquez, Y. M.. 2020. 'The Artworld. A Tourist Guide by Yaiza Hernández Velázquez – The Coming South'. In: The Coming South: Struggles, Epistemologies, Solidarities. Het Nieuwe Instituut, Netherlands 18 December 2020. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2022. 'Coleccionismo, Universalismo, Extinción'. In: Coleccionismo, Universalismo, Extinción. Tenerife Espacio de las Artes, TEA, Spain 22 December 2022. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2019. Cortocircuitos del Museo y la Autonomía. In: , ed. ¡Autonomía! ¡Autonomización! Santa Cruz de Tenerife: TEA, Tenerife Espacio de las Artes, pp. 128-142. ISBN 9788494706592 [Book Section]

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Hernández Velázquez, Y. M.. 2019. 'Debate: "Beyond Capitalist Realism" | Internationalism After the End of Globalisation'. In: Internationalism after the End of Globalisation. Museum of Modern Art in Warsaw, Poland. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2022. 'Encuentro Pensando los Museos Hoy. Mesa 1: Acuerdos y desacuerdos críticos de las nuevas museologías'. In: Encuentro Pensando los Museos Hoy. Museo de la Solidaridad Salvador Allende, Chile 26 - 29 October. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2022. 'Hacia Nuevas Formas de Crítica Institucional'. In: Retrospectivas críticas. Tres décadas del sistema-arte. Universidad Internacional de Andalucía, Seville, Spain 18 - 20 January 2022. [Conference or Workshop Item]

Hernández Velázquez, Y. M.. 2020. 'Heart of Darkness'. In: The Papers of the Exhibition. International Symposium on Curating. Azkuna Zentroa, Bilbao, Spain 21 – 22 October 2020. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2019. Imagining Curatorial Practice after 1972. In: Paul O'Neill; Simon Sheikh; Lucy Steeds and Mick Wilson, eds. Curating after the Global: Roadmaps for the Present. Cambridge, Massachusetts: MIT Press, pp. 255-270. ISBN 9780262537902 [Book Section]

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Hernández Velázquez, Y. M.. 2021. The Islands. In: Imma Prieto, ed. The Islands. Rogelio López Cuenca and Elo Vega. Palma: Es Baluard Museu d'Art Contemporani de Palma, pp. 5-14. ISBN 9788418803253 [Book Section]

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Hernández Velázquez, Y. M.. 2022. 'La Universidad que Nunca Fue'. In: Seminario "Muntadas. About Academia". Universidad de Granada, Spain 21 January 2021. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2004. Museos de Sol y Playa. In: Mariano de Santa Ana, ed. Paisajes del placer, paisajes de la crisis. El espacio turístico canario y sus representaciones. Teguise, Lanzarote, Canary Islands: Fundación César Manrique, pp. 137-154. ISBN 8488550545 [Book Section]

Hernández Velázquez, Y. M.. 2019. 'Ponerse en el mapa. Cosmopolitismo provinciano en los años del Boom'. In: Art and Tourism Imaginaries II. Spain was never different. Art and Tourism from the 1960s onwards. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain 12 June 2019. [Conference or Workshop Item]

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Hernández Velázquez, Y. M.. 2013. Third-Way Aesthetics. Radical Philosophy(180), pp. 53-55. ISSN 0300-211X [Article]

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Hernández Velázquez, Y. M.. 2019. Who Needs “Exhibition Studies”? In: , ed. Critical Museology: Selected Themes Reflections from the William Bullock Lecture Series. Mexico City: Museo Universitario de Arte Contemporáneo, pp. 286-303. ISBN 9786073023757 [Book Section]

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Hernández Velázquez, Y. M.. 2018. A constituent education. In: John Byrne; Elinor Morgan; November Paynter; Aida Sánchez de Serdio and Adela Zeleznik, eds. The Constituent Museum: Constellations of Knowledge, Politics and Mediation: A Generator of Social Change. Amsterdam: Valiz, pp. 128-131. ISBN 9789492095428 [Book Section]

Hernández Velázquez, Y. M.; Roig, Marc and Hispano, Andrés. 2007. El Rei de la Casa. Adults als deu, nens al quaranta. Barcelona: Institut de Cultura de l'Ajuntament de Barcelona. ISBN 978-84-9850-009-7 [Book]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2008. Decolonizing Architecture. In: "Decolonizing Architecture", Nottingham Contemporary, United Kingdom, 2008-2013. [Show/Exhibition]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2014. Dheisheh (Cisjordanie). Retours. Penser le futur dans l’extraterritorialité (un projet architectural). In: Michel Agier, ed. Un monde de camps. Paris: La Découverte. ISBN 9782707183224 [Book Section]

Hilal, Sandi; Petti, Alessandro and Weizman, Eyal. 2012. Power unplugged: decolonizing architecture in Palestine. (Forthcoming). Rotterdam: NAI Books. [Book]

Hilal, Sandi; Petti, Alessandro; Weizman, Eyal and Perugini, Nicola. 2013. The lawless line. London Review of International Law, 1(1), pp. 201-209. ISSN 2050-6325 [Article]

Hille, Moira and Hameed, Ayesha. 2019. 'Ayesha Hameed and Moira Hille “In conversation”'. In: Fantastic Thursday. Academy of the Fine Arts, Vienna, Austria January 2019. [Conference or Workshop Item]

Hille, Moira; Hameed, Ayesha; Arabindan-Kesson, Anna; Guerin, Ayasha; De Lucia, Lori A. and McKelvin, Patricia. 2018. 'Ghostships & Other Narratives'. In: Resignifications 2018: The Black Mediterranean. Palermo, Italy 7 June 2018. [Conference or Workshop Item]

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Itani, Racha. 2022. Flirting with Middle Eastern Modernity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Jones, Gwyneth Siobhan. 2013. Expose Yourself to Art : Towards a Critical Epistemology of Embarrassment. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kastner, Jeffrey; McCarthy, Tom; Thompson, Nato and Weizman, Eyal. 2009. The New Geography: A Roundtable. Bookforum, [Article]

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Keenan, Thomas and Weizman, Eyal. 2012. Mengele's Skull: The Advent of a Forensic Aesthetics. Berlin: Sternberg and Portikus. ISBN 978-1-934105-91-7 [Book]

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Licha, Jacques Emanuel. 2015. War Hotels. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lindblom, Jon. 2016. Technihil: The Cultural Import of Cognitive Neuroscience. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lopez Zambrano, Paula. 2021. Curating Time, Contingency, Anachronism, Flirtation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lovett, Matthew. 2018. Outside on the Inside: Musical improvisation according to contemporary materialist thought. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Madani, Adnan. 2018. Cloud Memories, Desert Dreams. Hybrid, Journal of Visual Culture, 1(1), [Article]

Madani, Adnan. 2016. Formations of the Contemporary : Islam, Globalization and Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Madani, Adnan. 2018. The frame as borderland: Secular gazes and believing bodies in Bani Abidi’s The Distance From Here (2010). Moving Image Review & Art Journal, 7(2), pp. 236-250. ISSN 2045-6298 [Article]

Madani, Adnan; Abidi, Bani; Dadi, Iftikhar and Talpur, Mohammad Ali. 2016. Art Sabka?: Pakistani Cinema Reflected. In: "Art Sabka?: Pakistani Cinema Reflected", Foundation for the Museum of Modern Art, Karachi, Pakistan. [Show/Exhibition]

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Mainetti, Mario and Dyangani Ose, Elvira. 2016. Theaster Gates - True value. [Exhibition Catalogue]

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Malatjie, Lorraine Porcia. 2020. A Constellation of Refusals: Blackness in Contemporary African Video Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Marques Florencio, Joao Pedro. 2014. Strange Encounters:Performance in the Anthropocene. Doctoral thesis, Goldsmiths, University of London [Thesis]

Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

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Martin, David L. 2016. "To prophesy post hoc": the curious afterlives of oddball archives. In: Jonathan P Eburne and Judith Roof, eds. The year's work in the oddball archive. Bloomington: Indiana University Press, pp. 391-408. ISBN 978-0-253-01835-9 [Book Section]

Martinon, Jean-Paul. 2008. 33, 34, 35… The Life of The Limits. In: Josef Steiff and Tristan D Tamplin, eds. Battlestar Galactica and philosophy : mission accomplished or mission frakked up? 33 Chicago: Open Court, pp. 249-260. ISBN 9780812697087 [Book Section]

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Martinon, Jean-Paul. 2013. After "Rwanda": In Search of a New Ethics. Amsterdam and New York: Rodopi. ISBN 978-90-420-3711-3 [Book]

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Martinon, Jean-Paul. 2021. Alexis Kagame. In: Eugene O’Brien, ed. Oxford Bibliographies in Literary and Critical Theory. Oxford: Oxford University Press. [Book Section]

Martinon, Jean-Paul. 2010. Bearers and Proper Names. In: Suzana Milevska, ed. The Renaming Machine. Ljubljana: PARASITE Institute Slovenia, pp. 60-71. ISBN 9789616807029 [Book Section]

Martinon, Jean-Paul. 2011. Between Freedoms: Jean-Luc Nancy’s Haunting Categorical Imperative. Mono Kurgusuz Labirent(10-11), ISSN 1306-715X [Article]

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Martinon, Jean-Paul. 2018. The Birth of Language or the Necessity of Rule. Bulletin of the School of Oriental and African Studies, 81(3), pp. 413-424. ISSN 0041-977X [Article]

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Martinon, Jean-Paul. 2020. Curating as Ethics. Minneapolis: University of Minnesota Press. ISBN 9781517908652 [Book]

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Martinon, Jean-Paul. 2021. Curators Serving the Public Good. Philosophies, 6, 28. ISSN 2409-9287 [Article]

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Martinon, Jean-Paul. 2017. Edging Disciplines. Journal of Curatorial Studies, 6(2), pp. 221-229. ISSN 2045-5836 [Article]

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Martinon, Jean-Paul. 2013. The End of Man. New York: Punctum Books. ISBN 9780615766782 [Book]

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Martinon, Jean-Paul. 2015. The Equivocal Concept: The Work of Bourahima Ouattara. International Journal of Francophone Studies, 18(2-3), pp. 339-358. ISSN 1936-6280 [Article]

Martinon, Jean-Paul. 2003. Fact or Fiction? In: A. George, ed. Art, Lies and Videotape: Exposing Performance. Tate Publishing, pp. 40-51. ISBN 1854375377 [Book Section]

Martinon, Jean-Paul. 2005. Grafts, Repetitions, and Polymorphous Bodies: Daniel Buren at the Wordsworth Trust. In: Robert Robert, ed. Daniel Buren. The Wordsworth Trust, pp. 29-44. ISBN 1905256019 [Book Section]

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Martinon, Jean-Paul. 2015. Im-mundus or Nancy’s Globalising-World-Formation. In: Sanja Dejanovic, ed. Nancy and the Political. Edinburgh: Edinburgh University Press, pp. 219-244. ISBN 9780748683185 [Book Section]

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Martinon, Jean-Paul. 2019. Marx 1845 or the Fateful Rejection of Anschauung. CR: The New Centennial Review, 18(3), pp. 73-96. ISSN 1539-6630 [Article]

Martinon, Jean-Paul. 2006. Museum and Restlessness. In: H. Genoways, ed. Museum Philosophy for the Twentieth-first Century. Alta Mira Press, pp. 59-69. ISBN 9780759107540 [Book Section]

Martinon, Jean-Paul. 2006. Museum, Plasticity, Temporality. Museum Management and Curatorship, 21(2), pp. 157-167. ISSN 0964-7775 [Article]

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Martinon, Jean-Paul. 2007. On Futurity / Malabou, Derrida and Nancy. Palgrave Macmillan. ISBN 9780230506848 [Book]

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Martinon, Jean-Paul. 2019. Race and Universality: Meillassoux Meets Eze and Wiredu. Pli: The Warwick Journal of Philosophy, 30, pp. 49-71. ISSN 1367-3769 [Article]

Martinon, Jean-Paul. 2015. Shame: Intentionality in Reverse. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 66-78. [Book Section]

Martinon, Jean-Paul. 2005. Strategies of (In)visibility. Republicart - EIPCP Web Journal, pp. 1-6. ISSN 1811-1696 [Article]

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Martinon, Jean-Paul. 2005. Swelling Grounds: A history of Hackney Workhouse. Rear Window Publications. ISBN 0 9521040 4 0 [Book]

Martinon, Jean-Paul. 2008. Switzerland: Joanna Hodge’s Derrida on Time. Radical Philosophy(149), pp. 62-64. ISSN 0300-211X [Article]

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Martinon, Jean-Paul. 2017. Time Unshackled. New Formations, 92, pp. 11-24. ISSN 0950-2378 [Article]

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Martinon, Jean-Paul. 2012. Valentin Mudimbe or the Work of Invention. Darkmatter, 8, pp. 1-4. ISSN 2041-3254 [Article]

Martinon, Jean-Paul and Madani, Adnan. 2023. Visual Cultures as World-Forming. Berlin: Sternberg. ISBN 9783956795374 [Book] (In Press)

McAuliffe, Sam. 2012. 'Adorno and the Aporia of Aesthetic Autonomy'. In: Novas Reflexões sobre Arte. Prefeitura Municipal de Porto Alegre, Brazil 4 Apr 2012. [Conference or Workshop Item]

McAuliffe, Sam. 2022. 'Aesthetic Education: Visual Cultures Public Programme Autumn Term 2022'. In: Aesthetic Education. Goldsmiths, University of London, United Kingdom 13 October - 15 December 2022. [Conference or Workshop Item]

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McAuliffe, Sam. 2019. 'Autosociobiography: Annie Ernaux and the Collective Sensorium'. In: Terra Critica VII: Critique and Society. Whose Society?. Kings College London, United Kingdom 4-6 July 2019. [Conference or Workshop Item]

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McAuliffe, Sam. 2019. Black Dust: Raymond Queneau and The Encyclopedia of the Inexact Sciences. Paragraph, 42(2), pp. 154-169. ISSN 0264-8334 [Article]

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McAuliffe, Sam. 2022. The Changeability of the World: Utopia and Critique. In: Kathrin Thiele; Birgit M. Kaiser and Timothy O’Leary, eds. The Ends of Critique: Methods, Institutions, Politics. Lanham, Maryland: Rowman & Littlefield, pp. 57-75. ISBN 9781786616470 [Book Section]

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McAuliffe, Sam. 2017. 'Decorum and Insolence in Robert Walser’s Dialectic of Manners'. In: Play, Recreation, and Experimentation: Literature and the Arts since the Early Modern Times. University of Kent, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2012. 'The Eschatology of the Voice'. In: Derrida-Konferenz. Goethe-Universität Frankfurt am Main, Germany 14 - 16 March 2012. [Conference or Workshop Item]

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McAuliffe, Sam. 2017. Fable. In: , ed. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 55-59. ISBN 978­3­95796­085­6 [Book Section]

McAuliffe, Sam. 2017. Image and Thought in Adorno, Blanchot and Deleuze. Doctoral thesis, Goldsmiths, University of London [Thesis]

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McAuliffe, Sam. 2017. 'The Imagination of Detail: Barthes and the Politics of Utopia'. In: London Conference in Critical Thought. London South Bank University, United Kingdom 30 June - 1 July, 2017. [Conference or Workshop Item]

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McAuliffe, Sam. 2017. Inner Voice. In: Mercedes Bunz; Birgit Mara Kaiser and Kathrin Thiele, eds. Symptoms of the Planetary Condition: A Critical Vocabulary. Lüneburg: Meson Press, pp. 73-77. ISBN 978-3-95796-085-6 [Book Section]

McAuliffe, Sam. 2015. 'A Margin of Error: Bildersprache and its Critique in Otto Neurath, Adorno, K.P. Brehmer'. In: London Conference in Critical Thought. UCL, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2018. 'Marguerite Duras and the Master Image'. In: Film-Philosophy 2018. University of Gothenberg, Sweden. [Conference or Workshop Item]

McAuliffe, Sam. 2013. 'Nocturnal Space'. In: The Deepest Darkness: Robin Mason. Block 336 Gallery, London, United Kingdom 10 May 2013. [Conference or Workshop Item]

McAuliffe, Sam. 2011. 'Of Part and Whole: Derrida and the Nuclear Thing'. In: ‘Force and the Worst’ InC (Research Group In Continental Philosophy) seminar series. Goldsmiths, London, United Kingdom 29 Mar 2011. [Conference or Workshop Item]

McAuliffe, Sam. 2016. 'On This Side of Life: Monstrosity and Mechanicity in Canguilhem and Derrida'. In: Derrida Today. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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McAuliffe, Sam. 2019. 'Painting, Writing and the Time of an Encounter (Félix Fénéon, by way of André du Bouchet)'. In: Modernist Art Writing/Writing Modernist Art. University of Nottingham, United Kingdom 24-25 June 2019. [Conference or Workshop Item]

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McAuliffe, Sam. 2019. Precarious Ascent: Trace and Terrain in René Daumal's Mount Analogue. Modern Language Notes, 134(4), pp. 783-805. ISSN 0026-7910 [Article]

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McAuliffe, Sam. 2019. A Professional Conscience: On an Episode of Self-Accusation in Raymond Queneau's The Last Days. In: Garry L. Hagberg, ed. Narrative and Self-Understanding. London: Palgrave Macmillan, pp. 141-158. ISBN 978-3-030-28288-2 [Book Section]

McAuliffe, Sam. 2018. 'The Radio Question'. In: London Conference in Critical Thought. Westminster 30 June - 1 July, 2017. [Conference or Workshop Item]

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McAuliffe, Sam. 2022. 'Rising, Falling'. In: Critical Transformations: Terra Critica 2.0. Utrecht University, Netherlands 8 - 10 June 2022. [Conference or Workshop Item]

McAuliffe, Sam. 2013. 'Second Nature (Lukács, Benjamin, Adorno)'. In: Weather Permitting; 9th Bienal do Mercosul, 2013. Porto Alegre, Brazil 17 Oct 2013. [Conference or Workshop Item]

McAuliffe, Sam. 2014. 'A Trace of What Has Not Occurred'. In: Archives for the Future. Westminster University, United Kingdom. [Conference or Workshop Item]

McAuliffe, Sam. 2015. 'Utopia and Critique'. In: Critical Transactions: Engaging the Humanities East and West. School of Humanities, Hong Kong University, Hong Kong. [Conference or Workshop Item]

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McAuliffe, Sam. 2022. Utopian Realism. In: Peter Marks; Jennifer A. Wagner-Lawlor and Fátima Vieira, eds. The Palgrave Handbook of Utopian and Dystopian Literatures. Cham, Switzerland: Palgrave Macmillan, pp. 219-230. ISBN 9783030886547 [Book Section]

McAuliffe, Sam. 2017. 'The Way Out: Kant and Kafka on Nature and History'. In: American Comparative Literature Association Annual Meeting. Utrecht University, Netherlands. [Conference or Workshop Item]

McAuliffe, Sam. 2014. 'Whoever Sees God Dies'. In: Knowledge Exchange. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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McCormack, Chris. 2022. Art Monthly Talk Show on Resonance FM. [Audio]

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Meneses Romero, Mariana. 2017. Women cooking art: Hospitality and contemporary art practices. Doctoral thesis, Goldsmiths, University of London [Thesis]

Mennel, Birgit and Nowotny, Stefan. 2014. Die Sprachen der Banlieues. In: Birgit Mennel and Stefan Nowotny, eds. Die Sprachen der Banlieues. Vienna: transversal texts, pp. 9-25. ISBN 978-3-9501762-7-8 [Book Section]

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Milevska, Suzana. 2005. GENDER DIFFERENCE IN THE BALKANS. Doctoral thesis, Goldsmiths, University of London [Thesis]

Millner-Larsen, Nadja. 2013. Demandless Times. Women's Studies Quarterly, 41(3/4), pp. 113-130. [Article]

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Millner-Larsen, Nadja. 2016. Kalliopi Lemos's Sculpture of Subjection. In: , ed. Kalliopi Lemos: In Balance. London: Gazelli Art House. [Book Section]

Millner-Larsen, Nadja; Osman`, Wazmah and Ferrari, Danyel. 2010. Brown Skin, Blue Masks. Canopy, [Article]

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Moon, Je Yun. 2017. Choreo-graphy: The Deinstitutionalisation of the Body and the Event of Writing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Moreira, Inês. 2014. Performing Building Sites : Curating in/on/through space. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Moreno, Louis. 2022. Always Crashing in the Same City: Immobilien, Psychisches Kapital und Planetares Begehren. In: Joerg Franzbecker; Naomi Hennig and Florian Wüst, eds. X Properties. Berliner Hefte zu Geschichte und Gegenwart der Stadt 11. Berlin: nGbK (neue Gesellschaft für bildende Kunst), pp. 77-103. ISBN 9783946674108 [Book Section]

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Moreno, Louis. 2018. Always crashing in the same city: real estate, psychic capital and planetary desire. CITY, 22(1), pp. 152-168. ISSN 1360-4813 [Article]

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Moreno, Louis. 2017. David Harvey. In: A Latham and R Kock, eds. Key Thinkers on Cities. Sage Publishing. ISBN 9781473907751 [Book Section]

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Moreno, Louis. 2022. Internal Empire : The Neoclassical Architecture of Racial Capitalism. In: Kelly M. Rich; Nicola M. Rizzuto and Susan Zieger, eds. The Aesthetic Life of Infrastructure: Race, Affect, Environment. Evanston, Illinois: Northwestern University Press, pp. 43-59. ISBN 9780810145504 [Book Section]

Moreno, Louis. 2014. Mob deep: The underground current of urban revolution. Dialogues in Human Geography, 4(2), pp. 238-242. ISSN 2043-8206 [Article]

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Moreno, Louis. 2021. Music as Spectral Infrastructure. In: "Music as spectral infrastructure", BAK, basis voor actuele kunst, Utrecht, Netherlands, 13 - 14 November 2021. [Show/Exhibition]

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Moreno, Louis. 2021. The Presence of the Past in the Platform, or the Cultural Logic of Absolute Rent. In: Peter Mörtenböck and Helge Mooshammer, eds. Platform Urbanism and Its Discontents. Rotterdam: nai010 uitgevers, pp. 63-72. ISBN 9789462086159 [Book Section]

Moreno, Louis. 2012. A Review of “Henri Lefebvre on Space: Architecture, Urban Research and the Production of Theory”. Annals of the Association of American Geographers, 102(4), pp. 885-890. ISSN 0004-5608 [Article]

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Moreno, Louis. 2022. Unhoused Music. In: "Unhoused Music", BAK, basis voor actuele kunst, Utrecht, Netherlands, 12 - 13 November 2022. [Show/Exhibition]

Moreno, Louis. 2014. The urban process under financialised capitalism. City, 18(3), pp. 244-268. ISSN 1360-4813 [Article]

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Moreno, Louis and Bang Shin, Hyun. 2018. The Urban Process Under Planetary Accumulation by Dispossession. CITY, 22(1), pp. 78-87. ISSN 1360-4813 [Article]

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Moreno, Louis and Brar, Dhanveer Singh. 2022. 'Seven Theses on P-Funk'. In: eleven theses on p-funk. Nottingham Contemporary, United Kingdom 9 June 2022. [Conference or Workshop Item]

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Moreno, Louis and Vishmidt, Marina. 2019. 'End-of-the-World Trade: On the Speculative Economies of Art and Extraction'. In: End-of-the-World Trade: On the Speculative Economies of Art and Extraction. Goldsmiths, University of London, United Kingdom 21 - 22 June 2019. [Conference or Workshop Item]

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Mpondaa, Victoria and Graham, Janna. 2022. Azamba publics: containment, care and curating in the “expanded private sphere”. Journal of Aesthetics & Culture, 14(1), 2063704. ISSN 2000-4214 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2018. Crowdfunded Urban Development: Urban narratives as vehicles for new financial markets. ARCH+ Journal for Architecture and Urbanism, 51(231), pp. 186-189. ISSN 0587-3452 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2017. Other Markets: The Global Struggle of Informal Trading Places. In: Andreas Lepik; Marcello della Guistina and Chiara Ursini, eds. Does Permanence Matter? Ephemeral Urbanism. München: Architekturmuseum der TU München, pp. 62-79. ISBN 978-3-9819240-0-8 [Book Section]

Mörtenböck, Peter. 2010. Allocations: Planning Processes and Other Participations in the Right to the City. In: Angela Heide and Elke Krasny, eds. Other Places: Vienna Lerchenfelder Street. Wien: Turia + Kant, pp. 87-89. ISBN 978-3-85132-588-1 [Book Section]

Mörtenböck, Peter. 2013. The Architecture of Informal Trade. In: Aleksandra Wasilkowska, ed. Shadow Architectures. Warsaw: The Other Space Foundation/Fundacja Inna Przestrzen. ISBN 978-2320000786 [Book Section]

Mörtenböck, Peter. 2009. The Art of Living With Strangers: Risk Taking in the Space of Flows. The Myth of Europa(7), pp. 20-21. ISSN 2041-6245 [Article]

Mörtenböck, Peter. 2009. Crossing the Mediterranean: Networked Agencies in Art and Culture. In: L.E. Grinin and A.V. Korotayev, eds. Hierarchy and Power in the History of Civilizations: Cultural Dimensions. Moscow: Editorial URSS. ISBN 978-5-396-00010-0 [Book Section]

Mörtenböck, Peter. 2014. Die bewegte Stadt: Demokratiepolitische Potenziale sozialer Bewegungen am Beispiel der Occupy-Bewegung. In: Wolfgang Kastrup and Helmut Kellershohn, eds. Kapitalismus und/oder Demokratie: Beiträge zur Kritik ''marktkonformer'' Demokratieverhältnisse. Münster: Unrast Verlag, pp. 83-99. ISBN 978-3-89771-765-7 [Book Section]

Mörtenböck, Peter. 2002. Digitale Welten: Nicht wissende User - ahnungslos Beteiligte. Archithese, 32(4), pp. 8-13. ISSN 1010-4089 [Article]

Mörtenböck, Peter. 2005. Free Running and the Hugged City. Thresholds(30), pp. 88-93. ISSN 1091-711X [Article]

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Mörtenböck, Peter. 2015. Global Informality: Bottom-Up Trade and Transnational Realignments. In: Peter Mörtenböck; Helge Mooshammer; Teddy Cruz and Fonna Forman, eds. Informal Market Worlds: The Architecture of Economic Pressure (Reader). Rotterdam: nai010 Publishers, pp. 105-118. ISBN 9789462081956 [Book Section]

Mörtenböck, Peter. 2014. Gunners and Runners. In: Lars Bang Larsen, ed. Networks. Whitechapel and MIT Press. ISBN 9780262525756 [Book Section]

Mörtenböck, Peter. 2002. Heldinnen. Betrügerinnen, Versagerinnen - 'Nobody knows me, and I like that'. In: Felicitas Konecny and Irene Nierhaus, eds. räumen: Baupläne zwischen Raum, Visualität, Geschlecht und Architektur. Wien: selene, pp. 223-240. ISBN 978-3852661780 [Book Section]

Mörtenböck, Peter. 2008. Hürdenläufe der Ermächtigung. In: Birgit Richard and Alexander Ruhl, eds. Konsumguerilla: Widerstand gegen Massenkultur? Frankfurt: Campus. ISBN 978-3593387628 [Book Section]

Mörtenböck, Peter. 2013. Krisenexperimente: Symbolische, physische und soziale Besetzungen von Stadtraum. In: Florian Dreher and Kerstin Faber, eds. New Babylon: Architecture and Urbanism after Crisis. Hatje Cantz. ISBN 978-3959050418 [Book Section]

Mörtenböck, Peter. 2014. Network Economies of Waste. In: Juliet Steyn and Nadja Stamselberg, eds. Breaching Borders: Art, Migrants and the Metaphor of Waste. London: I.B. Tauris, pp. 215-236. ISBN 9781780762593 [Book Section]

Mörtenböck, Peter. 2010. Networked Cultures. In: Helmut K Anheier and Yudhishthir Raj Isar, eds. Cultures and Globalization Cultural Expression, Creativity and Innovation. London: Sage. ISBN 9781412920865 [Book Section]

Mörtenböck, Peter. 2007. Networked Cultures. FeedBack, 4, [Article]

Mörtenböck, Peter. 2012. Not for Sale. In: Sabine Pollak, ed. Superstadt!: Zur Zukunft der Stadt zwischen Linz, London und Shanghai. Vienna: Sonderzahl Publishers. ISBN 978-3854493785 [Book Section]

Mörtenböck, Peter. 2012. Other Markets: The visual culture of informal trade. Journal of Global Studies and Contemporary Art,, 2(1), [Article]

Mörtenböck, Peter. 2013. Platzbewegungen: Expeditionen in den Raum der Versammlung’. In: Bastian Lange; Gottfried Prasenc and Harald Saiko, eds. Ortsentwürfe : Urbanität im 21. Jahrhundert. Berlin: Jovis. ISBN 9783868592290 [Book Section]

Mörtenböck, Peter. 2000. Swimming Between Ponds: technological subjects, corporate landscapes, digital bodies. architektur.aktuell, 34(246/47), pp. 108-117. ISSN 0570-6602 [Article]

Mörtenböck, Peter. 2012. Visual Culture’. In: Arge Schnittpunkt, ed. Handbuch Ausstellungstheorie und -praxis. Stuttgart: UTB. ISBN 9783825237592 [Book Section]

Mörtenböck, Peter. 2010. Zwischen Palmen und Zypressen - Zivilgesellschaftliche Begegnungen im Raum der Ströme. In: Irene Nierhaus, ed. Landschaft, Gehäuse, Orientierung. Berlin: Reimer. [Book Section]

Mörtenböck, Peter and UNSPECIFIED. 2014. Marktplätze der Öffentlichkeit. In: Caroline Schmidt and Asta Vonderau, eds. Öffentlichkeiten in Bewegung. Formationen von transnationalen Kommunikations- und Handlungsräumen. Bielefeld: Transcript. ISBN 978-3-8376-2154-9 [Book Section]

Mörtenböck, Peter; Antalovsky, Eugen and Weiermair, Cecilia, eds. 1996. City Mapping - Mapping Europe. Vienna: Europaforum. ISBN 3-9500576-0-9; 60 [Edited Book]

Mörtenböck, Peter and Mooshammer, H.. 2004. Inventing S-E-X. Österreichische Zeitschrift für Geschichtswissenschaften, 15(3), pp. 168-177. ISSN 1016765X [Article]

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Mörtenböck, Peter and Mooshammer, H.. 2003. Visuelle Kultur: Körper, Räume, Medien. Boehlau. ISBN 3205770404 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2016. Andere Märkte: Zur Architektur der informellen Ökonomie. Bielefeld: transcript Verlag. ISBN 978-3-8394-3597-7 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. The Art of Crafting Formal-Informal Linkages: On the Enduring Appeal of Belo Horizonte’s Hippie Fair. In: Eveline Dürr and Juliane Müller, eds. The Popular Economy in Urban Latin America. Lanham - Boulder - New York - London: Lexington Books, pp. 43-63. ISBN 978-1-4985-7239-2 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2012. At Home in the World. P.E.A.R. (Paper for Emerging Architectural Research)(4), pp. 35-39. ISSN 2041-2878 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Blendende Werte: Die globale Zirkulation von Architektur- Kapital. In: , ed. Das Geschäft mit der Stadt. 28 Birkhäuser, pp. 28-43. [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2015. Blendende Werte: Die globale Zirkulation von Architektur- Kapital. UmBau, 28, pp. 28-43. [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. City as Interface. Self-generating Urban Environments and the Question of Labour. In: Helena Doudová, ed. Shared Cities Atlas. Post-Socialist Cities and Active Citizenship in Central Europe. Rotterdam: nai010 publishers, pp. 196-201. ISBN 9789462085213 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2006. Contested Spaces - conflicts, networks and the geo-cultural practice of European architecture. architektur.aktuell, 31(316), pp. 98-109. ISSN 0570-6602 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Europäische Protestkultur: Platzbesetzungen zwischen Justizgewalt und Musealisierung. Archithese, 2014(6), pp. 80-87. [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2016. From Urban Talent to Commodity City: Marketplaces in the Informal Economy. In: Jonathan Darling and Helen Wilson, eds. Encountering the City: Urban Encounters from Accra to New York. London: Ashgate. ISBN 9781472432575 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2019. Frontier Climates – Managing the Global Commons. In: Karen Lutsky; Ozayr Saloojee and Emily Eliza Scott, eds. Viscosity - Mobilizing Materialities. 4 University of Minnesota School of Architecture, pp. 15-33. ISBN 978-0-36-835667-4 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2009. Going Astray: Network Transformation and the Asymmetries of Globalization. Grey Room, 37, pp. 30-51. ISSN 1526-3819 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Grauzonen des Handelns. Bildpunkt, 2011(2), pp. 22-24. ISSN 2074-9783 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2006. Happy Slapping - Urban Violence in the Age of Camera Phones. Monu - Magazine on Urbanism(5), pp. 44-48. ISSN 1860-3211 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Informal Market Worlds: Instruments of Change. In: , ed. Scapegoat: Architecture, Landscape, Political Economy - Currency. (04) Toronto: Scapegoat, pp. 203-220. ISBN 9781482370683 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2015. Informal Market Worlds: The Architecture of Economic Pressure - ATLAS. Rotterdam: nai010 publishers. ISBN 978-94-6208-194-9 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2020. Introduction: Data is not a property but a relation. In: Peter Mörtenböck and Helge Mooshammer, eds. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge, pp. 1-25. ISBN 9780367184728 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Making Do. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions - Intervention and Research in Visual Culture. Bielefeld: transcript Verlag, pp. 127-138. ISBN 978-3-8376-1847-1 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Materials of Commemoration: The Changing Landscape of Mauthausen. In: Suzana Milevska, ed. On Productive Shame, Reconciliation and Agency. 16 Berlin: Sternberg Press, pp. 218-234. ISBN 978-3956791499 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2009. Networked Cultures. In: Gulsen Bal, ed. Open Space - Mapping contemporary creative practice. London: Divus, pp. 100-111. ISBN 80-86450-50-3 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Networked Cultures - Collections of Alternative Approaches. In: Nishat Awan; Tatjana Schneider and Jeremy Till, eds. Spatial Agency: Other Ways of Doing Architecture. London: Routledge, pp. 124-126. ISBN 9780415571937 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2008. Networked Cultures: Parallel Architectures and the Politics of Space. Rotterdam: nai010 publishers. ISBN 978-9056620592 [Book]

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Mörtenböck, Peter and Mooshammer, Helge. 2010. Netzwerk Kultur: Die Kunst der Verbindung in einer globalisierten Welt. Bielefeld: transcript. ISBN 978-3-8376-1356-8 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Nieokreslonosc handlu - rynki nieformalne w Europie. In: Aleksandra Wasilkowska, ed. Shadow Architecture. Warschau: The Other Space Foundation, pp. 342-355. ISBN 978-2320000786 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2012. OCCUPY: Räume des Protests. Bielefeld: transcript. ISBN 978-3-8376-2163-1 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2013. Of Multi-Directional Forces: Interdependencies between Material, Social and Other Resources. In: Mabe Bethonico, ed. Provisoes / World of Matter. Belo Horizonte: ICC, pp. 98-125. ISBN 978-8561659240 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Performance des Protests. Kunstforum International, 224, pp. 122-135. [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan and Conflict. Third Text, 22(1), pp. 57-69. ISSN 0952-8822 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Plan ve Çatışkı: Ağ Örgüsüne Dahil Olan Istanbul. In: Gulsen Bal, ed. Türkiye'de Dün-Bugün Dönüşümleri. Istanbul: Kitap Yayinevi, pp. 121-141. ISBN 978-605-105-000-3 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2020. Platform urbanism: City-making in the age of platforms. In: Peter Mörtenböck and Helge Mooshammer, eds. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge, pp. 169-191. ISBN 9780367184728 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2013. The Political Aesthetics of Counter-Terrorism Design. In: Gary Boyd and Denis Linehan, eds. Ordnance: War, Architecture and Space. London: Ashgate, pp. 33-49. ISBN 9781409439127 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. A Practice Without Discipline. In: Sabine Hochrieser; Michael Kargl; Birgit Rinagl and Franz Thalmair, eds. CONT3XT. Verlag für moderne Kunst. [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2015. Sammlungen des Protests: Von der Occupy-Bewegung zum Verwahren des Protests. In: Andreas Hudelist; Florian Kerschbaumer and Matthias Wieser, eds. Protestgebiete: Interdisziplinäre Perspektiven auf Raum und Widerstand. Novo mesto: arte4, pp. 23-45. ISBN 9789619363331 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Shifting Waters. In: Guven ncirlioglu and Hakan Topal, eds. Sea Image: Visual Manifestations of Port Cities and Global Waters. New York: Newgray, pp. 20-43. ISBN 978-0983603108 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2011. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: transcript. ISBN 978-3-8376-1847-1 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2008. Spaces of encounter: informal markets in Europe. Architectural Research Quarterly, 12(3-4), pp. 347-357. ISSN 1359-1355 [Article]

Mörtenböck, Peter and Mooshammer, Helge. 2014. Strittige Öffentlichkeiten: Die Besetzung der Ökonomie. In: Andreas Langenohl and Dietmar J. Wetzel, eds. Finanzmarktpublika. Wirtschaft & Gesellschaft. ISBN 978-3-531-19707-4 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2017. Tent Cities, People’s Kitchens, Free Universities – The Global Villages of Occupation Movements. In: Doina Petrescu and Kim Trogal, eds. The Social (Re)Production of Architecture: Ethics, Economies, Politics and Actions in Contemporary and Future Practice. Abingdon: Routledge, pp. 257-270. ISBN 9781138859494 [Book Section]

Mörtenböck, Peter and Mooshammer, Helge. 2011. Trade Flow: Architectures of Informal Markets. In: Andrew Ballantyne and Chris Smith, eds. Architecture in the Space of Flows. London: Routledge, pp. 117-134. ISBN 978-0-415-58541-5 [Book Section]

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Mörtenböck, Peter and Mooshammer, Helge. 2018. Urban frontiers in the global struggle for capital gains. Finance and Society, 4(1), pp. 108-125. ISSN 2059-5999 [Article]

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Mörtenböck, Peter and Mooshammer, Helge. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 978-3-95679-100-0 [Book]

Mörtenböck, Peter and Mooshammer, Helge. 2015. A World of Matter. In: Inke Arns, ed. World of Matter. Berlin: Sternberg Press, pp. 160-172. ISBN 978-3-95679-083-6 [Book Section]

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Mörtenböck, Peter; Mooshammer, Helge; Cruz, Teddy and Forman, Fonna. 2015. Informal Market Worlds: The Architecture of Economic Pressure - READER. Rotterdam: nai010 publishers. ISBN 978-94-6208-195-6 [Book]

Mörtenböck, Peter; Mooshammer, Helge and Pieterse, Edgar. 2015. Informal Worlds Reader. Cityscapes - Re-thinking Urban Things(7), ISSN 2227-4006 [Article]

Mörtenböck, Peter; Mooshammer, Helge; Tavares, Paulo; Huber, Frauke; Martin, Uwe H. and Biemann, Ursula. 2015. World of Matter. Architectural Theory Review, 20(1), pp. 122-134. ISSN 1326-4826 [Article]

Nowotny, Stefan. 2015. Ent/Grenzen, Übersetzen / Un/Bordering, Translating. In: Andrea Van der Straeten, ed. Der Käfig ist auf und der Zoo zu. Vienna: Sonderzahl. ISBN 978-3854494461 [Book Section]

Nowotny, Stefan. 2013. Translating Citizenship: On Some Pitfalls and the Politics of Meaning in the Definition of “Europeanness”. In: Claudia Wiesner and Meike Schmidt-Gleim, eds. The Meanings of Europe: Changes and Exchanges of a Contested Concept. Abingdon: Routledge, pp. 194-206. ISBN 9780415857062 [Book Section]

Nowotny, Stefan. 2018. Überlegungen zur Geschichte der “Gastarbeit”. In: Boris Buden and Lina Dokuzovic, eds. They'll Never Walk Alone: The Life and Afterlife of Gastarbeiters. Vienna: transversal texts, pp. 249-267. ISBN 9783903046207 [Book Section]

Nowotny, Stefan; Fuzinato, Jelena; Esposito Yussif, Giovanna and Kaverina, Ksenia. 2016. Suspending the Archive: Interview given to Jelena Fuzinato, Giovanna Esposito Yussif and Ksenia Kaverina. CuMMA - Aalto University Helsinki, Helsinki. [Other]

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Nowotny, Stefan and Raunig, Gerald. 2008. Instituierende Praxen: Bruchlinien der Institutionskritik. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-513-3 [Book]

Nowotny, Stefan and Raunig, Gerald. 2016. Instituierende Praxen: Bruchlinien der Institutionskritik (2nd revised edition including a new introduction). Vienna: transversal texts. ISBN 978-3-903046-04-7 [Book]

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Nyampeta, Christian. 2020. How to Live Together: A Dialogue Between Roland Barthes and Isaïe Nzeyimana. Doctoral thesis, Goldsmiths, University of London [Thesis]

O'Sullivan, Simon D.. 2008. Academy: The Production of Subjectivity. In: Irit Rogoff, ed. Academy. Frankfurt: Revolver, pp. 238-244. [Book Section]

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O'Sullivan, Simon D.. 2017. Accelerationism, Hyperstition and Myth-Science. Cyclops(2), pp. 11-44. ISSN 2398-2705 [Article]

O'Sullivan, Simon D.. 2016. 'Accelerationism, Prometheanism and Mythotechnesis'. In: Art and Reason – How Art Thinks II. Baltic Museum, Newcastle, United Kingdom. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2017. Accelerationism, Prometheanism and Mythotechnesis. In: Baylee Brits; Prudence Gibson and Amy Ireland, eds. Aesthetics After Finitude. Melbourne: re.press, pp. 171-189. ISBN 9780980819793 [Book Section]

O'Sullivan, Simon D.. 2001. ''Aesthetics and Affects in Art History''. In: Visual Arts lecture series. Manchester Metropolitan University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2003. 'The Aesthetics of Affect'. In: MA Fine Art lecture series. Central St Martins, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2001. The Aesthetics of Affect: Thinking art beyond representation. Angelaki: Journal of Theoretical Humanities, 6(3), pp. 125-135. ISSN 0969-725X [Article]

O'Sullivan, Simon D.. 1996. 'Alien Objects'. In: Thinking Alien, two-day conference. The University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2020. 'Anamorphosis: from the Visual Field to Speculative Writing'. In: Diagrams, Models and Magic. Royal College of Art (online), United Kingdom 2 June. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1997. 'Angels and Desire'. In: Mind/Culture/Theory Seminar Series at the Centre for Psychotherapeutic Studies. The University of Sheffield, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'Anti-Oedipus and the Production of the Subject'. In: The Fourth International Deleuze Conference 'Creation, Crisis, Critique. Copenhagen Business School, Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'Art Encounters Deleuze and Guattari'. In: Stanley Pickard Gallery, part of Gest: Future Criticism. University of Kingston, United Kingdom. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2006. Art Encounters Deleuze and Guattari: Thought Beyond Representation. London: Palgrave Macmillan. ISBN 978-1-4039-1809-3 [Book]

O'Sullivan, Simon D.. 2014. 'Art Practice as Fictioning (or, Myth-Science)'. In: Arts of Existence: Artistic Practices, Aesthetics and Techniques Seminar. Unit of Play, Goldsmiths, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Art Practice as Non-Schizoanalysis'. In: Schizoanalysis and Schizostrategy panel. IMT Gallery, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker (and seminar), Theatre Academy. Helsinki, Finland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, London Graduate School. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique)'. In: invited speaker, Edinbrugh College of Art. Edinburgh, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2009. 'Art Practice between Henri Bergson and Felix Guattari'. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2009. Art and the Political: Minor Literature, War Machines and the Production of Subjectivity. In: Dave Beech, ed. Beauty. London: Whitechapel Art Gallery. ISBN 978-0854881635 [Book Section]

O'Sullivan, Simon D.. 1996. 'Art as Machine: Lines of Force, Lines of Flight'. In: Post-Theory three day conference. School of Humanities, The University of Glasgow, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. Associates. In: "‘Associates’ show (invited by The Hut Project)", Temporary Measures Gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2008. 'The Care of the Self and the Production of the New'. In: The National College of Art and Design. Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. ''The Care of the Self versus the Ethics of Desire''. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2011. 'The Care of the Self versus the Ethics of Desire'. In: Beyond Spinoza Conference, Goldsmiths. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1997. Catalogue essay. catalogue essay, [Article]

O'Sullivan, Simon D.. 2008. The Chymical Wedding. In: "New Art UK", Whitechapel gallery, London, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2008. The Chymical Wedding. In: "Fools Gold", Edinburgh: Edinburgh College of Art, United Kingdom. [Show/Exhibition]

O'Sullivan, Simon D.. 2007. The City and an Art Practice. 'Some Time Repeating an Embarrassed Word', Studio 1.1 Gallery, [Article]

O'Sullivan, Simon D.. 2010. 'Contribution to an Artistic Anthropology. In: Lee Youngchul and Henk Slager, eds. Naim June Paik Reader: One. Korea: Naim June Paik Art Centre. [Book Section]

O'Sullivan, Simon D.. 2000. 'Cultural Studies as Rhizome, Rhizomes in Cultural Studies'. In: Cultural Studies and Interdisciplinarity, Trinity and All Saints College. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2002. Cultural Studies as Rhizome; Rhizomes in Cultural Studies. In: , ed. Cultural Studies and Interdisciplinarity. Amsterdam: Rodopi. [Book Section]

O'Sullivan, Simon D.. 1997. 'The Death of the Subject: Machines and Meaning'. In: Death and its Concepts two day conference. Centre for Cultural Studies, The University of Leeds, United Kingdom. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2016. Deleuze Against Control: from Fictioning to Myth-Science. Theory, Culture and Society, 33(7/8), pp. 1-16. ISSN 0263-2764 [Article]

O'Sullivan, Simon D.. 2011. 'Deleuze and Contemporary Art'. In: Douglas Hynde Gallery. Dublin, Ireland. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2007. 'Deleuze and Contemporary Art'. In: Postgraduate seminar series, Royal Academy of Arts Schools. London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. ''Deleuze and Contemporary Art'. In: Postgraduate Seminar Series. University of Reading, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Zepke, Stephen, eds. 2010. Deleuze and Contemporary Art. Edinburgh: Edingburgh University Press. ISBN 978 0 7486 3838 3 [Edited Book]

O'Sullivan, Simon D.. 2006. 'Deleuze and Contemporary Art Practice'. In: Aesthetics Lecture series. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2012. 'Deleuze for Artists'. In: Stanley Pickard Lecture Series. Kingston University, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. ''Deleuze, Guattari and Art Practice', What is Philosophy?'. In: Seminar series. University of Warwick, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. 'Deleuze, Guattari and the Production of the New'. In: The Cultural Theory Institute. University of Manchester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D. and Zepke, Stephen, eds. 2008. Deleuze, Guattari and the Production of the New. London: Continuum. ISBN 9780826499530 [Edited Book]

O'Sullivan, Simon D.. 2006. 'Deleuzian Aesthetics'. In: Danish Academy of Fine Arts. Copenhagen, Denmark. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1994. 'Derrida vs Lyotard: The Meaning of Painting'. In: one day conference Theatre, Spectacle and Performance at Whitworth art gallery. The University of Manchester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity. In: John Ó Maoilearca and Charlotte De Mille, eds. Bergson and the Art of Immanence: Painting, Photography, Film. Edinburgh: Edinburgh University Press, pp. 165-187. ISBN 978-0748670222 [Book Section]

O'Sullivan, Simon D.. 2016. Diagrams. In: "Miniature World", Castle field Gallery, Manchester, United Kingdom, November 2016-February 2017. [Show/Exhibition]

O'Sullivan, Simon D.. 2013. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. National Academy of the Arts, Oslo, Norway. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2014. 'Diagrams and the Production of Subjectivity'. In: invite speaker, Eastside Projects. Birmingham, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2016. Diagrams for the Production of Subjectivity. In: "Miniature World", Castlefield Gallery, Manchester, United Kingdom, 18 November 2016 - 22 January 2017. [Show/Exhibition]

O'Sullivan, Simon D.. 2003. Dissenting Machines. Outside Edge(2), [Article]

O'Sullivan, Simon D.. 2002. ''Dissenting Machines''. In: Big Torino Art Biennale Symposium. Turin, Italy. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. 'Dissenting Subjectivities'. In: 'The Ethics and Politics of Indexicaly and Virtuality', CentreCATH. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. Felix Guattari. In: Michael Kelley and Simon D. O'Sullivan, eds. Oxford Encyclopedia of Aesthetics. New York: Oxford University Press, pp. 246-250. ISBN 9780199370306 [Book Section]

O'Sullivan, Simon D.. 2016. 'Feminist World Building: from Myth-Science to Performance Fiction'. In: The Politics of Performance and Play. Feminist Matters. University of Leiden, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2008. Fiction. In: Manuela Zechner, ed. Vocabulaboratories. Amsterdam: LISA, pp. 47-50. ISBN 978-90-78632-02-3 [Book Section]

O'Sullivan, Simon D.. 2019. 'Fictioning'. In: Digital Ecologies II: Fiction Machines. Bath Spa University, United Kingdom 16 July 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2018. Fictioning Five Heads (on the Art—Anthropology Hybrid). In: Hermione Spriggs, ed. Five Heads (Tavan Tolgoi): Art, Anthropology and Mongol Futurism. Berlin: Sternberg Press, pp. 141-147. ISBN 9783956794292 [Book Section]

O'Sullivan, Simon D.. 2019. 'Fictioning and Fabulation'. In: Take a Walk on the Wild Side: Fabulating Alternative Imaginaries in Art & Life. Gerrit Rietveld Academie, Amsterdam, Netherlands 13 March 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. 'Fictioning and Practice as Research'. In: Somatic Shifts: The Body and Beyond in Creative and Critical Research. University for the Creative Arts, Farnham, United Kingdom March 2017. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Fictioning as Myth-Science (after Deleuze, against Control): Nothing is True, Everything is Permitted'. In: Daughters of Chaos: Deleuze Studies International Conference 2015. University of Stockholm, Sweden June 2015. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2018. Fictioning the Landscape. Journal of Aesthetics and Phenomenology, 5(1), pp. 53-65. ISSN 2053-9320 [Article]

O'Sullivan, Simon D.. 2017. Fictioning the Landscape: Robert Smithson and Ruins in Reverse. Take On Art Magazine, 3(2), pp. 60-63. [Article]

O'Sullivan, Simon D.. 2018. 'Fictioning: Mythopoesis, Myth-Science, Mythotechnesis'. In: The Institute of Things to Come. Fondazione Sandretto Re Rebaudengo, Turin, Italy November 2018. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2002. ''Figuring the Plane of Immanence''. In: Postmodernism and Spirituality. University of Preston, United Kingdom. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2017. The Finite-Infinite Relation: A Conversation with Simon O’Sullivan. In: Anthony Morgan, ed. The Kantian Catastrophe: Conversations on Finitude and the Limits of Philosophy. Newcastle: Bigg Books, pp. 209-221. ISBN 97819998413 [Book Section]

O'Sullivan, Simon D.. 2004. First Manifesto for the Guerrilla Plastique Fantastique. Drain: Journal of Contemporary Art and Culture, pp. 1-4. [Article]

O'Sullivan, Simon D.. 2012. 'Five Diagrams of the Finite-Infinite Relation'. In: Wysing Art Centre. Cambridge, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2006. Foreword: Instructions for Use (25 Operational Protocols). Fine Art/Art History final year degree show catalogue, [Article]

O'Sullivan, Simon D.. 2003. 'Friendship as Community'. In: Communities conference, Trinity & All Saints. University of Leeds, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2004. Friendship as Community: From Ethics to Politics. Takkekortet: The Written Acknowledgement, [Article]

O'Sullivan, Simon D.. 2006. 'From Aesthetics to Probeheads: Deleuze and Art'. In: Academy of Fine Arts. Vienna, Austria. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. ''From Aesthetics to Probeheads: Deleuze and Contemporary Art''. In: John Russell: Geniess symposium. Norwich School of Art, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2010. From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 189-207. ISBN 0748638385 [Book Section]

O'Sullivan, Simon D.. 2017. From Financial Fictions to Mythotechnesis. In: Ayesha Hameed; Henriette Gunkel and Simon D. O'Sullivan, eds. Futures and Fictions. London: Repeater, pp. 318-346. ISBN 9781910924631 [Book Section]

O'Sullivan, Simon D.. 2004. 'From Minor Literature to War Machines: Notes Towards a Political Art Practice'. In: Experimenting with Intensities, 3 day international conference on Deleuze. Trent University, Toronto, Canada. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2019. 'From Mythopoesis to Myth-Science'. In: Experimental Theory and Radical Thought. New School, New York, United States 4 May 2019. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2005. From Possible Worlds to Future Folds (Following Deleuze): Richter's Abstracts, Situationist Cities, and the Baroque in Art. Journal of the British Society for Phenomenology, 36(3), pp. 311-329. ISSN 0007-1773 [Article]

O'Sullivan, Simon D.. 2006. 'From Representation to Repetition: Archives and Affects'. In: Triennial Symposium, Tate Britain. London, United Kingdom. [Conference or Workshop Item]

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O'Sullivan, Simon D.. 2017. From Science Fiction to Science Fictioning: SF’s Traction on the Real. Foundation: The International Review Of Science Fiction(128), pp. 74-84. ISSN 0306-4964 [Article]

O'Sullivan, Simon D.. 2008. 'From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice'. In: symposium on ‘Folie a Deux: Bacon and Deleuze. Tate Britain, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2010. 'From Stuttering and Stammering to the Diagram: Towards a Minor Art Practice?'. In: Minor Photography: The Case of (Post)Surrealist Photography. University of Leuven, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 1999. 'Guy DeBord'. In: Ellis Cashmore and Chris Rojek, eds. Dictionary of Cultural Theorists. London: Bloomsbury Academic. ISBN 978-0340645482 [Book Section]

O'Sullivan, Simon D.. 2006. 'Imaging Other Worlds: Mythopoesis and Art Practice'. In: UNSPECIFIED. Institute of Contemporary Arts, London, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2000. In Violence: Three Case Studies Against the Stratum. Parallax, 6(2), pp. 104-109. ISSN 1353-4645 [Article]

O'Sullivan, Simon D.. 2021. 'Invited respondent, 'State of the Art', Contemporary Art Practice Symposium'. In: State of the Art CAP (Contemporary Art Practice) Symposium 2021. Royal College of Art, London, United Kingdom 25 March 2021. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2013. 'Joy as a Technology in the Production of Subjectivity (a Diagrammatic reading of Spinoza's Ethics)'. In: The Pleasure Centre Symposium, DeMontfort University. Leicester, United Kingdom. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2015. 'Memories of a Deleuzian: To Think is Always to Follow the Witches Flight'. In: ‘A Thousand Plateaus and Philosophy’ workshop. Institut Francais, London, United Kingdom July 2015. [Conference or Workshop Item]

O'Sullivan, Simon D.. 2017. Memories of a Deleuzian: To Think is Always to Follow the Witches Flight. In: Henry Somers-Hall; Jeffrey A. Bell and James Williams, eds. A Thousand Plateaus and Philosophy. Edinburgh: Edinburgh University Press, pp. 172-189. ISBN 9780748697281 [Book Section]

O'Sullivan, Simon D.. 1998. 'Mind the Gap (in Painting)'. In: The Northern Critical Theory Seminar one day conference. The European Studies Research Institute, University of Salford, United Kingdom. [Conference or Workshop Item]