Research Online

Martinon, Jean-Paul, ed. 2021. Curating Ethics, Philosophies, . 2409-9287 [Edited Journal]

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Martinon, Jean-Paul, ed. 2013. The Curatorial: A Philosophy of Curating. London: Bloomsbury. ISBN 9781472525604 [Edited Book]

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Mörtenböck, Peter and Mooshammer, Helge, eds. 2020. DATA PUBLICS: Public Plurality in an Era of Data Determinacy. Routledge. ISBN 9780367184728 [Edited Book]

Grant, Catherine and Price, Dorothy, eds. 2020. Decolonizing Art History: A Questionnaire, Art History, 43(1). [Edited Journal]

Mennel, Birgit and Nowotny, Stefan, eds. 2014. Die Sprachen der Banlieues. Vienna: transversal texts. ISBN 978-3-9501762-7-8 [Edited Book]

Turner, Lynn; Sellbach, Undine and Broglio, Ron, eds. 2018. The Edinburgh Companion to Animal Studies. Edinburgh: Edinburgh University Press. ISBN 9781474418416 [Edited Book]

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Crone, Bridget and El Baroni, Bassam, eds. 2022. The Edinburgh Companion to Curatorial Futures. Edinburgh: Edinburgh University Press. [Edited Book] (Forthcoming)

Allmeier, Daniela; Manka, Ingrid; Mörtenböck, Peter and Scheuvens, Rudolf, eds. 2016. Erinnerungsorte in Bewegung. Zur Neugestaltung des Gedenkens an Orten nationalsozialistischer Verbrechen. Bielefeld: transcript Verlag. ISBN 978-3-8376-3059-6 [Edited Book]

Turner, Lynn, ed. 2024. Erotics of Deconstruction: Auto-Affection After Derrida. Edinburgh: Edinburgh University Press. ISBN 9781399539739 [Edited Book]

Grant, Catherine and Random Love, Kate, eds. 2019. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press. ISBN 9781912685134 [Edited Book]

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Crone, Bridget; Nightingale, Sam and Stanton, Polly, eds. 2022. Fieldwork for Future Ecologies: Radical practice for art and art-based research. Eindoven: Onamtapee. [Edited Book]

Eshun, Kodwo; Fuke, Oliver and Helm-Grovas, Nicolas, eds. 2026. Fire and Ice: Peter Wollen Selected Writings 1960-2004. London: Verso. [Edited Book] (Forthcoming)

Barcelos, Lendl; Colquhoun, Matt; Eastwood, Ashiya; Eshun, Kodwo; Moalemi, Mahan and Ronkina, Geelia, eds. 2017. The Fisher-Function. London: Egress. [Edited Book]

Najafi, Sina and Weizman, Eyal, eds. 2021. Forensic Architecture Reports #1: The Police Shooting of Mark Duggan. Brooklyn, NY / London: Cabinet Books / Institute of Contemporary Art London. ISBN 9781932698855 [Edited Book]

Weizman, Eyal, ed. 2014. Forensis: The Architecture of Public Truth. Berlin: Sternberg. ISBN 978-3-95679-011-9 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume I. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume II. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Annas, Max; Busch, Annett and Gunkel, Henriette, eds. 2013. Frieda Grafe. 30 Filme: Volume III. Brinkmann u Bose. ISBN 78-3940048165 [Edited Book]

Gunkel, Henriette; Hameed, Ayesha and O'Sullivan, Simon D., eds. 2017. Futures and Fictions. London: Repeater. ISBN 9781910924631 [Edited Book]

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Wark, Scott and Sutherland, Thomas, eds. 2015. Gilbert Simondon: Media and Technics, Platform: Journal of Media and Communication, 6. 1836-5132 [Edited Journal]

Grant, Catherine and Waxman, Lori, eds. 2011. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect. ISBN 1841503487 [Edited Book]

Wolf, Nicole, ed. 2021. Grenzfälle. Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner. Berlin, Germany: Vorwerk 8. ISBN 9783947238354 [Edited Book]

Schuppli, Susan, ed. 2004. Guest Editor. “Exposé 67: Special Issue on Expo 67, Blackflash, 22(2). [Edited Journal]

Plotegher, Paolo, ed. 2008. Guida Gratis di Bolzano, Summer Drafts, . [Edited Journal]

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2001. ‘Hot Property’, Parallax, 7(2). 1353-4645 [Edited Journal]

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Mörtenböck, Peter and Mooshammer, Helge, eds. 2023. IN/FORMAL Marketplaces: Experiments With Urban Reconfiguration. Rotterdam: nai010 publishers. ISBN 9789462088092 [Edited Book]

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2001. ‘Immanent Trajectories’, Parallax, 7(4). 1353-4645 [Edited Journal]

Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine, eds. 2015. 'In Movement: Women in Africa and the African Diaspora.', JENdA: A Journal of Culture and African Women Studies, 26. [Edited Journal]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. Indian Documentary Studies: Contours of a Field, Bioscope. South Asian Screen Studies, 3(1). 0974-9276 [Edited Journal]

Wolf, Nicole and Sarkar, Bhaskar, eds. 2012. "Indian Documentary Studies: Contours of a Field." Special Issue., Bioscope. South Asian Screen Studies, 3(1). 0974-9276 [Edited Journal]

Tubridy, Derval, ed. 2008. Irish Studies Review: Thomas Kinsella Special Issue, Irish Studies Review, 16(3). 0967-0882 [Edited Journal]

Bajec, Manca; Smith, Marquard; Emerling, Jae and Vagnes, Oyvind, eds. 2021. The JVC Palestine Portfolio, Journal of Visual Culture, 20(2). 1470-4129 [Edited Journal]

Eshun, Kodwo; Fuke, Oliver and Helm- Grovas, Nicolas, eds. 2026. Knight's Moves: Peter Wollen Selected Writings 1966-2003. London: Verso. [Edited Book] (Forthcoming)

Mennel, Birgit; Nowotny, Stefan and Raunig, Gerald, eds. 2010. Kunst der Kritik. Vienna: Turia + Kant. ISBN 978-3-85132-584-3 [Edited Book]

Ertür, Başak, ed. 2011. Manual for conspiracy. Sharjah, UAE: Sharjah Art Foundation, pp. 29-40. [Edited Book]

Keenan, Thomas and Weizman, Eyal, eds. 2011. Mengele’s Skull: Special Issue of Cabinet Journal, Cabinet, (43). [Edited Journal]

Rogoff, Irit and Sherman, D, eds. 1994. Museum Culture: Histories, Theories, Spectacles. Minneapolis: Minnesota University Press. ISBN 978-0-8166-1953-5 [Edited Book]

Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner, eds. 2014. Nanopolitics Handbook. London: MINOR COMPOSITIONS. ISBN 978-1570272684 [Edited Book]

Rubinstein, Daniel; Golding, Johnny and Fisher, Andrew, eds. 2013. On the Verge of Photography: Imaging Beyond Representation. Birmingham, UK: ARTicle Press. ISBN 9781873352021 [Edited Book]

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Bajec, Manca; Holert, Tom and Smith, Marquard, eds. 2021. Pause. Fervour. Reflections on a Pandemic. Berlin: Harun Farocki Institut & Journal of Visual Culture. ISBN 9781527295445 [Edited Book]

Butt, Gavin, ed. 2010. Performing/Knowing. Birmingham: Article Press. [Edited Book]

Wark, Scott and Soncul, Yiğit, eds. 2022. Pharmacologies of Media, Media Theory, 6(2). 2557-826X [Edited Journal]

Fisher, Andrew and Rubenstein, Daniel, eds. 2010. Philosophy of photography, Philosophy of Photography, . 20403682 [Edited Journal]

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Mörtenböck, Peter and Mooshammer, Helge, eds. 2021. Platform Urbanism and Its Discontents. Rotterdam: nai010 publishers. ISBN 9789462086159 [Edited Book]

Butt, Gavin; Eshun, Kodwo and Fisher, Mark, eds. 2016. Post-Punk Then and Now. Repeater. ISBN 9781910924266 [Edited Book]

Hameed, Ayesha; Eleison, Keyna; Moscoso, Manuela; Sengupta, Shuddhabrata and Valinkski, Rachel, eds. 2025. Radio Brown Atlantis. New York: Center for Art, Research and Alliances (CARA). ISBN 9781954939066 [Edited Book] (Forthcoming)

Turner, Lynn; Swiboda, Marcel and Simonds, Cylena, eds. 2002. Random Figures, Parallax, 8(1). 1353-4645 [Edited Journal]

Fisher, Mark, ed. 2009. The Resistible Demise of Michael Jackson. Zero Books. ISBN 978-1-84694-348-5 [Edited Book]

Mooshammer, Helge and Mörtenböck, Peter, eds. 2025. Seeing Oceans: How Artistic Research Contributes to New Ways of Looking at Ocean Life, Ocean and Society, 2(1). [Edited Journal] (Forthcoming)

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Crone, Bridget, ed. 2017. The Sensible Stage:Staging and the Moving Image. Bristol UK: Intellect Books. ISBN 978-1-78320-769-5 [Edited Book]

Crone, Bridget, ed. 2005. The Showroom Annual 2003/4. The Showroom. [Edited Book]

Crone, Bridget and Ogg, Kirsty, eds. 2007. The Showroom Annual 2005/6. The Showroom. ISBN 0954236254 [Edited Book]

Ertür, Başak and Martel, James, eds. 2016. Something is Rotten in the State, Theory & Event, 19(1). 2572-6633 [Edited Journal]

Grant, Catherine and Rubin, Patricia, eds. 2011. Special Issue: Creative Writing and Art History, Art History, 34(2). 0141-6790 [Edited Journal]

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Gunkel, Henriette and Stieglitz, Olaf, eds. 2014. 'Sport und Körper' [Sport and the Body], Body Politics – Zeitschrift für Körpergeschichte, 2(3). [Edited Journal]

Faramelli, Anthony, ed. 2023. Sur Analysis: Institutional Psychotherapy and Institutional Analysis, Deleuze and Guattari Studies, 17(2). 2398-9777 [Edited Journal]

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Petrescu, Doina; Petcou, Constantin and Awan, Nishat, eds. 2011. Trans-Local-Act: Cultural practices within and across. Paris: aaa-peprav. ISBN 978-2-9530751-13 [Edited Book]

Poppel, Sarah; Vasic-Janekovic, Vanessa; Eshun, Kodwo; Linke, Armin; Mende, Doreen and Tomic, Milica, eds. 2016. Travelling Communiqué: Studying Practices of decolonial thinking through the presidential Photo Archive of Josip Broz Tito at the Museum of Yugoslav History. Leipzig: Spector Books. ISBN 9783944669922 [Edited Book]

Gunkel, Henriette; Nigianni, Chrysanthi and Söderbäck, Fanny, eds. 2012. Undutiful Daughters: New Directions in Feminist Thought and Practice. Palgrave Macmillan. ISBN 9780230118317 [Edited Book]

Dyangani Ose, Elvira, ed. 2014. 'Uses of Memory’, Cuaderno SESC Videobrasil 10. Associação Cultural Videobrasil, Sao Paulo: Edições Sesc-SP & Associação Cultural Videobrasil. ISBN 9788579951664 [Edited Book]

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Andrews, Jorella G., ed. 2013. Visual Cultures As Recollection. Berlin: Sternberg Press. ISBN 9783943365405 [Edited Book]

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Andrews, Jorella G., ed. 2016. Visual Cultures as Opportunity. Berlin: Sternberg Press. ISBN 3956791002 [Edited Book]

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Andrews, Jorella G., ed. 2013. Visual Cultures as Seriousness. Berlin: Sternberg Press. ISBN 9783943365399 [Edited Book]

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Andrews, Jorella G., ed. 2021. Visual Cultures as Time Travel. Berlin: Sternberg Press. ISBN 9783956795381 [Edited Book]

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Andrews, Jorella G., ed. 2024. Visual Cultures as World Forming. London: Sternberg Press. ISBN 9783956795374 [Edited Book]

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Lee, Benjamin and Rosamond, Emily, eds. 2023. Volatility in Finance, Art, and Culture, Finance and Society, 9(3). 2059-5999 [Edited Journal]

Sökmen, Müge G. and Ertür, Başak, eds. 2008. Waiting for the Barbarians: A Tribute to Edward W. Said. London: Verso. ISBN 9781844672462 [Edited Book]

Sökmen, Müge G. and Ertür, Başak, eds. 2017. Warten auf die Barbaren: Zum Gedenken an Edward W. Said. Engelschoff, Germany: Verlag auf dem Ruffel. ISBN 9783933847515 [Edited Book]

Gunkel, Henriette and Lynch, Kara, eds. 2019. We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. Bielefeld: transcript Verlag. ISBN 9783837646016 [Edited Book]

Golding, Johnny; Casey, Mona; Cheeseman, David; Hellings, James; Paganellli, Mattia; Rogers, Henry; Wild, Carol and Williams, Grace, eds. 2013. Wet ⇌ Dry ⇌ thick ⇌ thiN ⇌ (GettiNG beyoND the raW aND the cookeD), Zetesis: The International Journal for Fine Art, Philosophy and the Wild Sciences, 1(2). 2059-2582 [Edited Journal]

Bischoff, Eva; Fenske, Uta; Gunkel, Henriette; Hampf, M. Michaela; Yekani, Elahe Haschemi and Klawitter, Arne, eds. 2012. What Can a Body Do?: Praktiken und Figurationen des Körpers in den Kulturwissenschaften. Campus Verlag Gmbh. ISBN 978-3593396415 [Edited Book]

Mercier, Thomas Clément and Vráblíková, Lenka, eds. 2019. à corps, parallax, 25(2). 1353-4645 [Edited Journal]

Vráblíková, Lenka and Mercier, Thomas Clément, eds. 2019. corps à, parallax, 25(1). 1353-4645 [Edited Journal]

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Adams, Tristam. 2019. Vox-Exo: Horrors of a Voice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Afi, Bruno Drumond. 2023. Spaced Out in Paradise: Post-Punk Futurities, Politics, Transitions, and Other Voices in Brazil. Doctoral thesis, Goldsmiths, University of London [Thesis]

Akomfrah, John and Eshun, Kodwo. 2019. The Secessionist Manifestos of Certain Received Wisdoms. In: Henriette Gunkel and Kara Lynch, eds. We Travel the Space Ways: Black Imagination, Fragments and Diffractions. Bielefeld: transcript Verlag, pp. 363-370. ISBN 9783837646016 [Book Section]

Aloi, Giovanni. 2015. Botched Taxidermy: New Animal Bodies in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Amaro, Ramon. 2019. Advisory Board member of Barbican Centre "AI - More than Human" Exhibition. [Professional Activity]

Amaro, Ramon. 2018. Afrofuturism. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 17-20. ISBN 978-1-350-03024-4 [Book Section]

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Amaro, Ramon. 2019. Artificial Intelligence: warped, colorful forms and their unclear geometries. In: Danae Io and Callum Copley, eds. Schemas of Uncertainty: Soothsayers and Soft AI. Amsterdam: PUB/Sandberg Instituut, pp. 69-90. ISBN 9789090318431 [Book Section]

Amaro, Ramon. 2019. As If. e-flux architecture: Becoming Digital, [Article]

Amaro, Ramon. 2019. Darkness, as a first act of creation. In: "Darkness, as a first act of creation", XXII Triennale di Milano, Italy, 1 March - 1 September 2019. [Show/Exhibition]

Amaro, Ramon. 2016. Digital Hysteria: A proposal on violence and humanism. In: Collective Hysteria, ed. HSYREITA. (7) London: Hysteria Press, pp. 10-15. [Book Section]

Amaro, Ramon. 2020. Machine Diagnosis. Open! Journal, [Article]

Amaro, Ramon. 2018. 'Machine learning, surveillance, and the politics of visibility'. In: Belief in AI Conference, Dubai Design Week. Dubai, United Arab Emirates. [Conference or Workshop Item]

Amaro, Ramon. 2018. Precognition. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 365-368. ISBN 978-1-350-03024-4 [Book Section]

Amaro, Ramon. 2020. Threshold Value. e-flux architecture, [Article]

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Amaro, Ramon. 2019-2020 Uncovering Race: What Machine Learning Reveals About Humans and Algorithms. [Project]

Amaro, Ramon. 2018. 'The archive as a space in-between history and the production of blackness'. In: The Joy in The Punch, Takeover of the National Maritime Museum. National Maritime Museum, United Kingdom. [Conference or Workshop Item]

Amaro, Ramon and Khan, Murad. 2020. Towards Black Individuation and a Calculus of Variations. e-flux journal, 109, ISSN 2164-1625 [Article]

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Amir, Maayan. 2015. Extraterritorial Images: Visual Presence and Absence in the Representation of the Gaza Freedom Flotilla. Doctoral thesis, Goldsmiths, University of London [Thesis]

Andrews, Alice. 2017. Articulating Pain: Writing the Autoimmune Self. In: EJ Gonzalez-Polledo and Jen Tarr, eds. Painscapes: Communicating Pain. London: Palgrave Macmillan, pp. 83-105. ISBN 9781349952717 [Book Section]

Andrews, Alice. 2010. 'The Autoimmune Death Drive: Freud, Derrida and the ethics of the biopolitical'. In: Freud After Derrida. University of Manitoba, Winnipeg, Canada 6 - 9 October 2010. [Conference or Workshop Item]

Andrews, Alice. 2011. Autoimmune Illness as a Death-drive: An Autobiography of Defence. Mosaic: a journal for the interdisciplinary study of literature, 44(3), pp. 189-203. [Article]

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Andrews, Alice. 2020. Autoimmune actions in the ableist academy: A crip response. In: Nicole Brown and Jennifer Leigh, eds. Ableism in Academia: Theorising experiences of disabilities and chronic illnesses in higher education. London: UCL Press, pp. 103-123. ISBN 9781787354975 [Book Section]

Andrews, Alice. 2010. 'Autoimmunity, Illness and the Ethics of the New'. In: 2nd Derrida Today International Conference. Goodenough College, London, United Kingdom 19 - 21 July 2010. [Conference or Workshop Item]

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Andrews, Alice. 2011. Autoimmunity:  Deconstructing Fictions of Illness and the Terrible Future to Come. Doctoral thesis, Goldsmiths, University of London [Thesis]

Andrews, Alice. 2011. Book Review: Enduring Death: The Hauntings of Literature and Art. Parallax, 17(4), pp. 124-127. ISSN 1353-4645 [Article]

Andrews, Alice. 2010. 'Derrida, Autoimmunity and the Technical Animal'. In: Zoontotechnics (Animality/Technicity). Cardiff University, United Kingdom 12 - 14 May 2010. [Conference or Workshop Item]

Andrews, Alice. 2009. 'The Futures of Autoimmunity'. In: Literature, Art and Culture in an Age of Global Risk. Cardiff University, United Kingdom 2 - 3 July 2009. [Conference or Workshop Item]

Andrews, Alice. 2008. 'The Inscription of an Autoimmune Body'. In: Writing in a Post Derridean Era. Vaxjo University, Sweden 23 - 25 October 2008. [Conference or Workshop Item]

Andrews, Alice. 2009. 'Reading Derrida’s “No Apocalypse"'. In: Laboratory: Methods of Interart Studies. InterArt, Freie Universität Berlin, Germany 16 - 18 November 2009. [Conference or Workshop Item]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity'. In: Derrida Konferenz Frankfurt. Goethe-Universität Frankfurt am Main, Germany March 14-16 2012. [Conference or Workshop Item]

Andrews, Alice. 2012. 'Treating (with) Autoimmunity II'. In: 3rd International Derrida Today Conference. University of California, Irvine, United States. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Abstraction'. In: Philosophy and Painting: Sharing Concepts. University of Tel Aviv, Israel 23 December 2019. [Conference or Workshop Item]

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Andrews, Jorella G.. 2024. 'Actuating Phenomenology, virtue ethics and art to prefigure a grace-filled politics'. In: 48th Annual Conference of the International Merleau-Ponty Circle: Art, Politics and Imagination. Villanova University, Philadelphia, United States 24 - 26 October 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 24 November 2018 - Present Advocacy for Art History/Visuals Cultures (via the Association for Art History): 2018- Present. [Project]

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Andrews, Jorella G.. 2023. Anne Wilson: The Davis Street Drawing Room. A Carte de tendre. [Digital]

Andrews, Jorella G.. 2007. 'Appearance is Everything: Phenomenology, art and critical enquiry'. In: Institut für Kultur und Kunstwissenschaften. Humboldt University, Berlin, Germany. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. Art and Aesthetics in and after Phenomenology of Perception. [Film/Video]

Andrews, Jorella G.. 2021. 'Art and Aesthetics in and after Phenomenology of Perception: Post-Launch Discussion'. In: Philosophy Video Premiere & Launch: Art and Aesthetics in and After Phenomenology of Perception (A Conversation in Five Parts). Concordia University, Canada 1 October 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Carrie Mae Weems and the Question of Criticism'. In: Presentation. Essex University, United Kingdom. [Conference or Workshop Item]

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Andrews, Jorella G.. 2022. Celebrating Red Ribbon Living Well December 2021 ― December 2022. [Printed Ephemera]

Andrews, Jorella G.. 2018. 'Challenging Identities'. In: Ways of Seeing 2018: Identities, Art and Architecture. National Gallery, London, United Kingdom 24 November 2018. [Conference or Workshop Item]

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Andrews, Jorella G.. 2020. 'Circling squares: Phenomenology, change-making, and the idea of the creation as theophany'. In: Religion & Art Symposium. Goldsmiths, University of London, United Kingdom 13 November 2020. [Conference or Workshop Item]

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Andrews, Jorella G.. 2022. A Close Encounter with Paul Cézanne. RA The Royal Academy of Arts Magazine(156), p. 23. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 2023. Close Looking - Yuki Katsura. RA The Royal Academy of Arts Magazine(158), p. 21. ISSN 0956-9332 [Article]

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Andrews, Jorella G.. 2023. 'Collaboration: Goldsmiths and Red Ribbon Living Well'. In: Waldron Health Centre: Launch of Community Health Hub. Waldron Health Centre, London, United Kingdom 20 September 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2011. Contemporary Art, "Counter-Environmentalism," and the Politics of A-Signification. In: Peter Mörtenböck and Helge Mooshammer, eds. Space (Re)Solutions: Intervention and Research in Visual Culture. Bielefeld: Transcript Verlag, pp. 43-58. ISBN 978-3-8376-1847-1 [Book Section]

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Andrews, Jorella G.. 2018. 'The Courage to Persevere: Contemporary re-interrogations of faith and their public implications'. In: The Faiths and Civil Society Unit Public Programme: Faith and the Future of Civil Society. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. 'The Creative Circuit: The Experience of Cultural Translation'. In: The Creative Circuit: The Experience of Cultural Translation. Victoria & Albert Museum. [Conference or Workshop Item]

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Andrews, Jorella G.. 2006. Critical Materialities. In: A. Nollert; Irit Rogoff; B. de Baere; Y. Dziewior; C. Esche; K. Nieman and D. Roelstraete, eds. A.C.A.D.E.M.Y. Revolver, pp. 178-186. ISBN 3865883036 [Book Section]

Andrews, Jorella G.. 1998. Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective. In: Anna-Teresa Tymieniecka, ed. The Reincarnating Mind, or the Ontopoietic Outburst in Creative Virtualities. 53 Springer Netherlands, pp. 335-343. ISBN 978-94-010-6055-4 [Book Section]

Andrews, Jorella G.. 1995. 'Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective'. In: World Phenomenology Congress. Guadalajara, Mexico. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. ''The Dance of the Hand: The Material Space of Language''. In: Presentation. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'The Dance of the Hand: on gestural writing, epistemology and creativity'. In: Talk. Central St. Martins College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. SOAS, United Kingdom 22 November 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Decolonising the Self: Phenomenological Strategies'. In: PhD Workshop: Decolonising the Self: Representations of the Self in Art Theory and Practice across Cultures. University of Tel Aviv, Israel 25 December 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Deptford People's Heritage Museum workshop at National Maritime Museum International Slavery Remembrance Day 2023'. In: Deptford People's Heritage Museum workshop at National Maritime Museum International Slavery Remembrance Day 2023. National Maritime Museum, London, United Kingdom 23 August 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Description, the unorphaned eye, and the cultivation of care'. In: Visual Pedagogies: IAVC (International Association for Visual Culture) Conference, 2018. London College of Communication, University of the Arts London, United Kingdom 14 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. 'Dis-alienation and the Eye'. In: Exils/Exiles - 2001. Herstmonceux Castle, East Sussex, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. Dispossessing the Land. In: , ed. Landscape Trauma in the Age of Scopophilia. London: Autograph, pp. 57-63. ISBN 1 899282 80 7 [Book Section]

Andrews, Jorella G.. 2000. Easels and Amazons (‘Amazons of the Avant‐Garde’). Third Text, 50, pp. 109-113. ISSN 0952-8822 [Article]

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Andrews, Jorella G.. 2019. Erasure and epoche: phenomenological strategies for thinking in and with devastation. ISSUE, 8, pp. 69-79. ISSN 2315-4802 [Article]

Andrews, Jorella G.. 2023. '“Extravagance, Liveliness, Livelihood: Intertwining Body, Materials, and Action: A Conversation with Leah Durner”'. In: CVC 'Labor and Resistance' Series. University of Wisconsin, Madison, United States 9 February 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Fashion: tissue, textile, toile'. In: CAA (College Art Association) Annual Conference, 2024. Hilton Chicago, United States 17 February 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2003. 'Field Work: Reports from the Field of Visual Culture'. In: Field Work: Reports from the Field of Visual Culture. Victoria Miro Gallery. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. ''The Forensic Aesthetic: Iconographies of Violence'. In: Presentation. . Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2016. The Forge of Vision: A Visual History of Modern Christianity David Morgan. Art and Christianity, 86, pp. 12-13. ISSN 1746-6229 [Article]

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Andrews, Jorella G.. 2021. 'His Artistry; His Imagery: Visuality, spiritual formation, intercession'. In: Session 8 - Religion & Art Forum. Online, United Kingdom 13 December 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2023. Holdings (2020-23). [Art Object]

Andrews, Jorella G.. 2024. The Horns and the Craftsmen: Artistry as Powerful, Peaceable Warfare. The Big Picture, 09, [Article]

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Andrews, Jorella G.. 2021. 'How can Objects and Images help us Reflect, Share and Educate?'. In: The New Cross Fire Collection at the Deptford People's Heritage Museum: Reflection and Planning. London, United Kingdom 27 March 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge. In: Jadwiga S. Smith and William S. Smith, eds. The Phenomenology of Individual Agency: Science, Technology, and the Human Condition. Amsterdam: Kluwer Academic. [Book Section] (Forthcoming)

Andrews, Jorella G.. 2018. 'How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge,'. In: World Phenomenology Institute, 2018 Conference on Phenomenology and Aesthetics. Harvard University, United States 13-15 June 2018.. [Conference or Workshop Item]

Andrews, Jorella G.. 2010. ‘How to be counter-environmental: art, research and the techniques of discovery’. In: José Quaresma, ed. Research in Art: A Forest, Many Paths. Lisbon: Edição CIEBA, Faculty of Fine Arts, University of Lisbon, pp. 180-203. [Book Section]

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Andrews, Jorella G.. 2018. How to find great galleries and exhibitions (and what to do when you get there). [Printed Ephemera]

Andrews, Jorella G.. 2021. How to find great galleries and exhibitions (and what to do when you get there). [Digital]

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Andrews, Jorella G.. 2021. How to find great galleries and exhibitions (and what to do when you get there) 2nd Edition. [Printed Ephemera]

Andrews, Jorella G.. 2002. Identity - An Introduction. In: Rasheed Araeen; Sean Cubitt and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 135-137. ISBN 9780826458506 [Book Section]

Andrews, Jorella G.. 2021. 'Identity as Openness'. In: Ways of Seeing 2021: Identities in Art and Architecture. National Gallery, London, United Kingdom 20 November 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2023. In the Studio with Mary Abma. The Big Picture, 07, pp. 44-47. [Article]

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Andrews, Jorella G.. 2022. In the Studio with Walter Hayn and Jorella Andrews. The Big Picture, 03, pp. 30-32. [Article]

Andrews, Jorella G.. 1997. 'Instabilities, Uncertainties, Aliens: A Perspective upon our Searches for Security'. In: Presentation. University of Oslo, Ethnographic Museum, Norway. [Conference or Workshop Item]

Andrews, Jorella G.. 2013. Intending Objects and “Signs which have no meaning”. In: Jorella G. Andrews, ed. Visual Cultures as Objects and Affects. Berlin: Sternberg Press, pp. 29-58. ISBN 978-3-943365-38-2 [Book Section]

Andrews, Jorella G.. 2004. 'Intending objects and signs ”which have no meaning”'. In: Presentation. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Interviewing Images Workshop'. In: Interviewing Images Workshop Western Arts & Humanities, Western University. Western University, Canada 27 January 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2020. Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling. Advances in Social Science, Education and Humanities Research, 475, pp. 20-31. ISSN 2352-5398 [Article]

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Andrews, Jorella G.. 2020. 'Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling.'. In: 3rd International Conference on Dwelling Form (IDWELL 2020). Department of Architecture Universitas Indonesia, Indonesia 27 - 28 October 2020. [Conference or Workshop Item]

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Andrews, Jorella G.. 2019. '‘Interviewing Images’: Using IPA (Interpretative Phenomenological Analysis) in visual arts research.'. In: Pictures and words: combining verbal accounts and visual images within interpretative phenomenological analysis. Phenomenology of Health and Relationships Conference: Creativity and Affect. Aston University, Birmingham, United Kingdom 22-23 May 2019. [Conference or Workshop Item]

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Andrews, Jorella G.. 20 February 2021 - Present "Interviewing" Images & Objects: Community Engagement Workshops and Projects. [Project]

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Andrews, Jorella G.. 2020. 'Labyrinth Walking/Labyrinth Walking Resources: Goldsmiths Mental Health Awareness Day Sessions'. In: Goldsmiths Mental Health Awareness Day Sessions. Goldsmiths, University of London, United Kingdom 4 - 5 March 2020. [Conference or Workshop Item]

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Andrews, Jorella G.. 2006. Losing Labels and Liking It. In: Heather Maitland, ed. Navigating Difference: cultural diversity and audience development. London: Arts Council England, pp. 141-147. ISBN 9780728710771 [Book Section]

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Andrews, Jorella G.. 2019. 'Making our way in semi-obscurity'. In: Extending the Image Workshop with Susan Sentler (LASALLE) for MA Design Expanded Practice students. Goldsmiths, University of London, United Kingdom 14 June 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Mandy El-Sayegh in conversation with Jorella Andrews'. In: Tate Modern Lates / Art Chats on Capturing the Moment. Tate Modern, London, United Kingdom 30 June 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2001. Maria Sibylla Merian: Collecting Metamorphosis. In: G. Ecker; M. Stange and U. Vedder, eds. Sammeln, Ausstellen, Wegwerfen. Ulrike Helmer Verlag, pp. 71-89. ISBN 3897410702 [Book Section]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Collecting Metamorphosis'. In: Workshop: Sammeln und Ausstellen. Literatur- und kulturwissenschaftliche Perspektiven. University of Paderborn, Germany. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Maria Sibylla Merian: Painting the Microcosm'. In: Association of Art Historians 1999 Conference. Southampton, United Kingdom. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'The Mark Fisher Memorial Lecture 2021: Notes from the Underground with Test Dept'. In: Mark Fisher Memorial Lecture 2021 with Test Dept. Goldsmiths, University of London, United Kingdom 29 January 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Matisse, Merleau-Ponty and the Search for Depth'. In: Aesthetics: A Day School in Philosophy. Birkbeck College, University of London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. 'Merleau-Ponty, Phenomenology and Processes of Describing'. In: Presentation. Kingston University, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'Merleau-Ponty, non-philosophy and painting'. In: Talk. Central St. Martins, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. 'Moufida Tlatli's "The Silences of the Palace": A Cartography of Servitude.'. In: Geographies of Home Conference. University College London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. Mystical Materialities: Jorella Andrews on recent re-orientations towards Christian mystic traditions in art. Art and Christianity, 97, pp. 7-10. ISSN 1746-6229 [Article]

Andrews, Jorella G.. 2002. 'Of Ethics and Intermundane Space'. In: IAPL (International Association for Philosophy and Literature) Conference 2002 - Intermedialities. Erasmus University, Rotterdam, Netherlands 3-8 June 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Pacific Asia Cultural Studies Forum Conference'. In: Pacific Asia Cultural Studies Forum Conference. Goldsmiths, University of London. [Conference or Workshop Item]

Andrews, Jorella G.. 2004. Painterly Transubstantiations/Political Change. In: A. Tymieniecka, ed. Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations: 81 (Analecta Husserliana). Kluwer Academic Publishers, pp. 141-151. ISBN 9781402017094 [Book Section]

Andrews, Jorella G.. 2002. 'Painterly Transubstantiations/Political Change'. In: Seventh Annual Meeting of the International Society for Phenomenology, Aesthetics and the Fine Arts. Harvard Divinity School, Cambridge, MA, United States 10-12 May 2002. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Paul Cézanne: Drawing as Deep De-scription'. In: Royal Academy Short Course: Exploring Impressionism. The Royal Academy, London, United Kingdom 3 December 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. ''Performing Space''. In: Inhabiting Technology Conference,. ICA London. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. ''Phenomenological Orientations: Art/Perception/Ethics''. In: The Future Past of Visual Culture (Conference 1). Tate Britain, London, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. 'Phenomenologies/Perceptions/Interpretations'. In: International Association for Philosophy and Literature Conference. University of Cyprus. [Conference or Workshop Item]

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Andrews, Jorella G.. 15 June 2016 - Present Philosophy, Art and Religion. [Project]

Andrews, Jorella G.. 2011. The Photographic Stare. Philosophy of Photography, 2(1), pp. 41-56. ISSN 20403682 [Article]

Andrews, Jorella G.. 2022. Pictorial Rationalities and why they matter in our struggles for identity and community. In: Helen Fielding and Mariana Ortega, eds. Life in Art: Phenomenology and World-Making. Bloomington: Indiana University Press. [Book Section] (In Press)

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Andrews, Jorella G.. 2024. 'Pictorial Rationalities, Radical Description, and Thinking from Below,'. In: Visual Cultures Public Programme Autumn 2024. Goldsmiths, University of London, United Kingdom 5 December 2024. [Conference or Workshop Item] (Forthcoming)

Andrews, Jorella G.. 2021. 'Pictorial Rationality, Trans-culturalism, and the Work of Art'. In: Critical Phenomenology & Merleau-Ponty’s Open Futures: 45th Annual Conference of the International Merleau-Ponty Circle. Western University, Canada 22 - 24 October 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2002. Post Theory - An Introduction. In: Rasheed Araeen and Ziauddin Sardar, eds. The Third Text Reader on Art, Culture and Theory. London and New York: Continuum, pp. 229-232. ISBN 9780826458506 [Book Section]

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Andrews, Jorella G.. 2019. 'Practices of Stewardship: Albion Millennium Green and the Albion Millennium Green Labyrinth as an Agent of Care'. In: Redesigning Stewardship. Goldsmiths, University of London, United Kingdom 16 September 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. 'Public Art, Personal Depth'. In: Association for Art History: Art History Festival | Public Art, Personal Depth. National Gallery, London, United Kingdom 24 September 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2018. The Question of Painting: Rethinking Thought with Merleau-Ponty. London: Bloomsbury Academic. ISBN 9781472574282 [Book]

Andrews, Jorella G.. 2023. Quodlibet and Cortesia: Alastair Gordon’s Painterly Debates with Art, Nature, and ‘the Real’. In: Jorella G. Andrews, ed. Alastair Gordon – Quodlibet. London: Anomie Publishing, pp. 13-23. ISBN 9781910221488 [Book Section]

Andrews, Jorella G.. 2024. 'Red Ribbon Living Well Sewing Workshops (March-May 2024)'. In: Red Ribbon Sewing Workshops. Metro, New Cross, United Kingdom 1 March 2024 - 3 May 2024. [Conference or Workshop Item]

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Andrews, Jorella G.. 2023. 'Red Ribbon Living Well: World AIDS Day 2023'. In: Red Ribbon Living Well: World AIDS Day 2023. The Somerville, New Cross, London, United Kingdom 8 December 2023. [Conference or Workshop Item]

Andrews, Jorella G.. 1997. Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur. In: , ed. Crosscurrents/Krysninger. Norway: Riksutstillinger/National Touring Exhibitions, Norway, pp. 19-21. [Book Section]

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Andrews, Jorella G.. 2021. 'Rights of Passage Session 2: Powerful Voices (Deptford Peoples Heritage Museum)'. In: Rights of Passage: Intergenerational Music and History Exchanges between London and Dakar. Pepys Resource Centre, London, United Kingdom 11 June 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2014. Showing Off! A Philosophy of Image. London: Bloomsbury Academic. ISBN 9781472531797 [Book]

Andrews, Jorella G.. 2005. ''Showing Off': A Merleau-Pontean Approach to the Ethical'. In: IAPL (International Association for Philosophy and Literature) Conference 2005. Chiasmatic Encounters. Special Panel: 'Bodily Écarts : Encountering Merleau-Ponty in the 21st Century'. University of Helsinki, Finland 2-8 June 2005. [Conference or Workshop Item]

Andrews, Jorella G.. 2024. Slow Looking: Noah Davis. RA The Royal Academy of Arts Magazine, ISSN 0956-9332 [Article] (Forthcoming)

Andrews, Jorella G.. 2023. Slow looking: Frans Hals’s portrait of a newly-wed. RA The Royal Academy of Arts Magazine(160), p. 29. ISSN 0956-9332 [Article]

Andrews, Jorella G.. 2016. The Socialities of Things. In: Barbara Kapusta; Rocco Pagel and Jenni Tischer, eds. Dinge und Dialoge. Berlin and Vienna: Saprophyt, pp. 10-15. [Book Section]

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Andrews, Jorella G.. 2018. 'Starting from below: Phenomenological Interventions in Art History and Visual Culture'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24 September 2018. [Conference or Workshop Item]

Andrews, Jorella G.. 1999. 'Staying Embodied: Merleau-Ponty, Integrated Being and the Creation of New Structures'. In: The 1999 International Conference of the Merleau-Ponty Circle. Wrexham, Wales, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 1998. 'Story-Time: An exhibition of artists living in Israel/Palestine'. In: Story-Time: An exhibition of artists living in Israel/Palestine. Candid Arts Gallery, London. [Conference or Workshop Item]

Andrews, Jorella G.. 2021. Talking History: Cezanne - A Life. [Broadcast]

Andrews, Jorella G.. 1998. Telling tales: Five contemporary women artists from India. Third Text, 43, pp. 81-89. ISSN 0952-8822 [Article]

Andrews, Jorella G.. 2015. This is Cézanne. London: Laurence King Publishing. ISBN 978-1780674780 [Book]

Andrews, Jorella G.. 2016. This is Rembrandt. London: Laurence King. ISBN 9781780677453 [Book]

Andrews, Jorella G.. 2019. Trustee, Association for Art History. [Professional Activity]

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Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts Research and Pedagogy (Handbook for 3-day Workshop led by Jorella Andrews)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. LASALLE College of the Arts, Singapore 24-26 September 2018. [Conference or Workshop Item]

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Andrews, Jorella G.. 22 Sept 2018 - present Using Phenomenology in Contemporary Arts Research/Interviewing Images: Academic Workshops September 2018 - Present. [Project]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: PhD Workshop. SOAS London, United Kingdom 10 January 2019. [Conference or Workshop Item]

Andrews, Jorella G.. 2019. 'Using Phenomenology in Contemporary Arts Research: an introduction'. In: Test Lab Central St Martins. Central Saint Martins, University of the Arts London, United Kingdom 1 May 2019. [Conference or Workshop Item]

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Andrews, Jorella G.. 2024. 'Using Phenomenology in Contemporary Arts, Humanities, and Social Sciences Research'. In: Goldsmiths Graduate School Workshop. Goldsmiths, University of London, United Kingdom 28 May and 3 June 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2018. 'Using Phenomenology in Contemporary Arts-based Research and Pedagogy. Two-day Workshop'. In: Using Phenomenology in Contemporary Arts Workshop: 2 Day Workshop. Goldsmiths, University of London, United Kingdom 19 and 26 October 2018. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Using “extreme list-making” to explore objects and images: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event'. In: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event. London, United Kingdom 20 February 2021. [Conference or Workshop Item]

Andrews, Jorella G.. 2000. The Virtual Intersection: A Meditation on Domestic Virtue. In: Fran Lloyd and Catherine O'Brien, eds. Secret Spaces, Forbidden Places: Re-thinking Culture. New York and Oxford: Berghahn, pp. 171-183. ISBN 9781571817884 [Book Section]

Andrews, Jorella G.. 1998. 'The Virtual Intersection: Pieter de Hooch's Woman with a Broom and Pail in a Courtyard'. In: Secret Spaces, Forbidden Places (international colloquium). Herstmonceux Castle, United Kingdom. [Conference or Workshop Item]

Andrews, Jorella G.. 2007. Vision, Violence and the Other: A Merleau-Pontean Ethics. In: G. Weiss and D. Olkowski, eds. Feminist Interpretations of Merleau-Ponty. Penn State University Press, pp. 167-182. ISBN 027102917X [Book Section]

Andrews, Jorella G.. 2000. 'Vision, Violence and the Other: A Merleau-Pontean Ethics'. In: The 25th Annual Meeting of the International Merleau-Ponty Circle. Washington DC, United States. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Visual Cultures Now - Field Reports, Public Programme Lecture Series, 2020-21'. In: Visual Cultures Public Programme: Field Reports 2020-21. Goldsmiths University of London, United Kingdom 8 October 2020 - 25 March 2021. [Conference or Workshop Item]

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Andrews, Jorella G.. 2024. '"We are here … We are on the move": Empowerment through visual and textile storytelling'. In: The Monument is the Struggle. Deptford Lounge, London, United Kingdom 3 October 2024. [Conference or Workshop Item]

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Andrews, Jorella G.. 2021. 'Welcome Home: Red Ribbon Living Well Support Group Celebrate World AIDS Day 2021 (plus preparatory workshops)'. In: Welcome Home. The Somerville, New Cross, London, United Kingdom 5 March - 1 December 2021 (and ongoing). [Conference or Workshop Item]

Andrews, Jorella G.. 2016. '‘Where is called Thinking?’'. In: Series: HCT Debates: Dis-locutions, the architectural and the political. AA (Architectural Association) School, London, United Kingdom 4 March 2016. [Conference or Workshop Item]

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Andrews, Jorella G.. 2024. 'The Wisdom of Images: Image-Led and Material Thought in Practice and Theory'. In: Art Academy 2024 Induction Programme. The Art Academy, London, United Kingdom 13 September 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. 'Working with resistance towards a non-dual “poetry” - and politics – “of truth"'. In: CVC 'Labor and Resistance' Series. University of Wisconsin, Madison, United States 8 February 2024. [Conference or Workshop Item]

Andrews, Jorella G.. 2023. '“Working with resistance – What can textiles teach us?”'. In: CVC 'Labor and Resistance' Series. University of Wisconsin, Madison, United States 12 February 2024. [Conference or Workshop Item]

Andrews, Jorella G. and Durner, Leah. 2016. 'Immeasurable Extravagance: Proposals for an Economy of Abundance in an Age of Scarcity'. In: Panel at CAA (College Art Association) Conference 2017. New York Hilton Midtown, NYC, United States 15 February 2017. [Conference or Workshop Item]

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Andrews, Jorella G. and Durner, Leah. 2019. Painting, Largesse and Life: A Conversation with Leah Durner. New York: Leah Durner. [Book]

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Andrews, Jorella G.; Gordon, Alastair and Smith, James K.A.. 2020. 'Material Thought - Make Good Lecture'. In: Make Good Lecture: Material Thought. Morphe Arts, Dundee, United Kingdom 7 December 2020. [Conference or Workshop Item]

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Andrews, Jorella G.; Hussain, Inaya; Hamza, Husseina and Jacca, Joyce. 2024. Red Ribbon: We are here: We are on the move. [Film/Video]

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Andrews, Jorella G. and Martinon, Jean-Paul. 2018. 'A Fearless Look at the Unspeakable: Visual Cultures Public Programme Sping Term 2018'. In: Visual Cultures Public Programme. Goldsmiths, University of London, United Kingdom Jan-Feb 2018. [Conference or Workshop Item]

Andrews, Jorella G. and Mirzoeff, Nicholas. 2014. Visual Cultures In Conversation: Nicholas Mirzoeff's The Right to Look, Journal of Visual Culture Podcast 2014.. [Broadcast]

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Andrews, Jorella G. and O'Sullivan, Simon D.. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 978-3-943365-38-2 [Book]

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Andrews, Jorella G., ed. 2013. Visual Cultures as Objects and Affects. Berlin: Sternberg Press. ISBN 9783943365382 [Edited Book]

Andrews, Jorella G. and Osborne, Peter. 2007. 'Critical Materialities'. In: Day Seminar: Research and the matter of art: ‘Thinking by Doing’ and a Materialist’s Method. Royal College of Art, London, United Kingdom 21 February 2007. [Conference or Workshop Item]

Andrews, Jorella G. and Red Ribbon Living Well Support Group. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 3'. In: Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 3. Amersham Vale, London, United Kingdom 24 November 2023. [Conference or Workshop Item]

Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Film and Photoshoot'. In: Cross Departmental Textiles Workshop. Deptford and New Cross, London, United Kingdom 9 June 2023. [Conference or Workshop Item]

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Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1'. In: Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1. Goldsmiths, University of London, United Kingdom 1 September 2023. [Conference or Workshop Item]

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Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya. 2023. 'Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 2'. In: Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1. Goldsmiths, University of London, United Kingdom 1 September 2023. [Conference or Workshop Item]

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Andrews, Jorella G.; Say, Jeffrey and Veal, Clare. 2019. 'Using Phenomenology in Contemporary Arts Reserach & Pedagogy Workshop 2: Phenomenological encounters with non-western and diasporic objects-images-architeves-&-artworlds (Phenomenology, displacement and decoloniality)'. In: Using Phenomenology in Contemporary Arts Research and Pedagogy. Goldsmiths, University of London, United Kingdom 21-23 February 2019. [Conference or Workshop Item]

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Andrews, Jorella G. and Smith, James K.A.. 2020. 'Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture'. In: Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture 5 October 2020. Morphe Arts, Dundee, United Kingdom 5 October 2020. [Conference or Workshop Item]

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Andrews, Jorella G.; Wakeford, Nina; Kerridge, Tobie and Cameron, Jane. 2023. 'Cross-Departmental Textiles Workshop'. In: Cross Departmental Textiles Workshop. Constance Howard Gallery, Goldsmiths, University of London, United Kingdom 8 March 2023. [Conference or Workshop Item]

Andrews, Jorella G.; Watson, Grant and Cameron, Jane. 2023. 'Goldsmiths Textile Collection Workshop One: What Can Textiles Teach Us?'. In: Goldsmiths Textile Collection Workshop One: What Can Textiles Teach Us?. Goldsmiths, University of London, United Kingdom 16 June 2023. [Conference or Workshop Item]

Andrews, Jorella G.; Watson, Grant and Cameron, Jane. 2023. 'Goldsmiths Textile Collection Workshop Two: What Can Textiles Teach Us?'. In: Goldsmiths Textile Collection Workshop Two: What Can Textiles Teach Us?. Goldsmiths, University of London, United Kingdom 22 June 2023. [Conference or Workshop Item]

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Arinc, Cihat. 2015. Postcolonial Ghosts in New Turkish Cinema: A Deconstructive Politics of Memory in Dervis Zaim’s ‘The Cyprus Trilogy’. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Arriola, Aimar Olabarria. 2020. Animals, Touch, and Books: Surface Matters in the HIV/AIDS Archive. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ascher, Ivan; Hardin, Carolyn; Klein, Steven; Montgomerie, Johnna and Rosamond, Emily. 2022. Finance and the Financialization of Capitalism. In: Albena Azmanova and James Chamberlain, eds. Capitalism, Democracy, Socialism: Critical Debates. Cham, Switzerland: Springer, pp. 71-97. ISBN 9783031084065 [Book Section]

Awan, Nishat. 2014. Agential Exchanges: Thinking the empirical in relation to productivity. In: André Viljoen and Katrin Bohn, eds. Second Nature Urban Agriculture: Designing Productive Cities. Abingdon, Oxon; New York: Routledge, pp. 108-113. ISBN 9780415540582 [Book Section]

Awan, Nishat. 2016. Diasporic Agencies: Mapping the City Otherwise. Abingdon: Routledge. ISBN 9781472433770 [Book]

Awan, Nishat. 2014. Diasporic experience and the need for topological methods. In: Peter Blundell Jones and Mark Meagher, eds. Architecture and Movement: The Dynamic Experience of Buildings and Landscapes. Abingdon, Oxon: Routledge. ISBN 9780415725354 [Book Section]

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Awan, Nishat. 2016. Digital Narratives and Witnessing: The Ethics of Engaging with Places at a Distance. Geohumanities, 2(2), pp. 311-330. ISSN 2373-566X [Article]

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Awan, Nishat. 2016. Edges of Europe: Visuality, ethics and witnessing in social research. Working Paper. Independent Social Research Foundation, London. [Report]

Awan, Nishat. 2016. Introduction to Border Topologies. GeoHumanities, 2(2), pp. 279-283. ISSN 2373-566X [Article]

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Awan, Nishat. 2017. Mapping Otherwise: Imagining other futures and other possibilities. In: Meike Schalk; Thérèse Kristiansson and Ramia Mazé, eds. Feminist Futures of Spatial Practice: Materialisms, Activisms, Dialogues, Pedagogies, Projections. Baunach: AADR, pp. 19-27. ISBN 9783887784898 [Book Section]

Awan, Nishat. 2016. Migrant Narratives of Citizenship: A Topological Atlas of European Belonging. In: "Migrant Narratives of Citizenship: A Topological Atlas of European Belonging", Yorkshire Sculpture Park, United Kingdom, 31 October – 27 November 2016. [Show/Exhibition]

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Awan, Nishat. 2021. Performing on the streets: Infrastructures of subaltern resistance in Pakistan. Environment and Planning C: Politics and Space, 39(6), pp. 1274-1293. ISSN 2399-6544 [Article]

Awan, Nishat. 2012. Re-mapping Kurdistan. In: Renata Tyszczuk, ed. ATLAS: Geography, Architecture and Change. London: Black Dog Publishing. ISBN 9781907317392 [Book Section]

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Awan, Nishat. 2008. Words and objects in transposing desire and making space. arq: Architectural Research Quarterly, 12, pp. 263-268. ISSN 1359-1355 [Article]

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Awan, Nishat and Hoskyns, Teresa. 2015. Mapping Occupy. Architecture and Culture, 2(1), pp. 130-140. ISSN 2050-7828 [Article]

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Awan, Nishat and Langley, Phil. 2013. Mapping Migrant Territories as Topological Deformations of Space. Space and Culture, 16(2), pp. 229-245. ISSN 1206-3312 [Article]

Awan, Nishat and Schneider, Tatjana. 2011. Other productions of space. In: Silvia Forlati; Anne Isopp and Astrid Piber, eds. Wonderland Manual for Emerging Architects. Vienna: Springer, pp. 330-335. ISBN 9783709108222 [Book Section]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Instances of ecological motivations in the production and use of space. Field: A Free Journal for Architecture, 4(1), pp. 219-226. ISSN 1755-068 [Article]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2013. The Institute of Radical Spatial Education. In: "Lisbon Architecture Triennale", Lisbon, Portugal, 17-20 Oct 2013. [Show/Exhibition]

Awan, Nishat; Schneider, Tatjana and Till, Jeremy. 2011. Spatial Agency: Other ways of doing architecture. Abingdon, Oxon; New York: Routledge. ISBN 9780415571937 [Book]

Bajec, Manca. 2020. Effects of Europeanised memory in “artworks as monuments”. In: Ana Milosevic and Tamara Trost, eds. Europeanisation and Memory Politics in the Western Balkans. Cham, Switzerland: Palgrave Macmillan, pp. 121-149. ISBN 9783030546991 [Book Section]

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Bajec, Manca. 2017. GAME:MONUMENT. [Art Object]

Bajec, Manca. 2021. Monumenting Our Pasts: Monuments, What Are They Now? In: Olivette Otele; Luisa Gandolfo and Yoav Galai, eds. Post-Conflict Memorialization: Missing Memorials, Absent Bodies. Cham, Switzerland: Palgrave Macmillan, pp. 101-117. ISBN 9783030548865 [Book Section]

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Bajec, Manca. April 2024 - January 2025 Peripheral Visions. [Project] (Forthcoming)

Bajec, Manca. 2021. Prologue: weaver of Past Potentials. In: "EKO 8, International Triennial of Art and Environment", Maribor, Slovenia, 21 May - 18 July 2021. [Show/Exhibition]

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Bajec, Manca. 2022. Proto-Immersive States: Impacts of Tourism on the Adriatic Seas and Coasts. Berliner Gazette, [Article]

Bajec, Manca. 2023. A Week in August Revisited. [Art Object]

Bajec, Manca and Rogelja, Igor. 2024. Infrastructure Soundscapes. [Project] (Forthcoming)

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Bajec, Manca; Rogelja, Igor and Galai, Yoav. 20 - 24 May 2024 Visual Writing Workshop. [Project]

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Barokka, Khairani. 2020. Annah, Infinite and Ablenormativity As Imperial Duress: Relations, Assumptions, Power and Abuse in Cripping Annah la Javanaise. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Beasley, Becky. 2018. Depressive Alcoholic Mother. In: "Depressive Alcoholic Mother", Plan B Gallery, Germany, 27 April - 9 June 2018. [Show/Exhibition]

Beasley, Becky. 2014. A Slight Nausea: An Interior. In: "A Slight Naueas: An Interior", South London Gallery, United Kingdom, January 2014 (four weekends). [Show/Exhibition]

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Bella Piñeiro, María. 2019. Returning Life to Life: The Factory of Cine sin Autor. Doctoral thesis, Goldsmiths, University of London [Thesis]

Bellini, Andrea; Dyangani Ose, Elvira; Bourgeois, Caroline and Alemani, Cecilia. 2016. Biennial of Moving Image. Geneva. 2016. In: "15th edition Biennial of Moving Image", Centre d'art Contemporain, Geneve, Switzerland. [Show/Exhibition]

Berger, Anne Emmanuelle and Vráblíková, Lenka. 2019. Live Body: An interview with Anne E. Berger. parallax, 25(2), pp. 119-136. ISSN 1353-4645 [Article]

Biemann, Ursula; Mörtenböck, Peter and Mooshammer, Helge. 2013. From Supply Lines to Resource Ecologies. Third Text, 27(1), pp. 76-94. ISSN 0952-8822 [Article]

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Birtwistle, Andrew Brian. 2006. Cinesonica: Sounding the Audiovisuality of Film and Video. Doctoral thesis, Goldsmiths, University of London [Thesis]

Blas, Zach. 2018. Body Horror. In: "Tentacular", Matadero Madrid, Spain. [Performance]

Blas, Zach. 2016. “‘A Cage of Information,’ or, What is a Biometric Diagram?”. In: Erika Balsom and Hila Peleg, eds. Documentary Across Disciplines. Cambridge, MA: The MIT Press & Haus der Kulturen der Welt. ISBN 9780262529068 [Book Section]

Blas, Zach. 2018. Contra-Internet. [Art Object]

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Blas, Zach. 2016. Contra-Internet. e-flux journal, 74, ISSN 2164-1625 [Article]

Blas, Zach. 12 May 2015 - 2018 Contra-Internet. [Project]

Blas, Zach. 2014. “Contra-Internet Aesthetics”. In: Omar Kholeif, ed. You Are Here: Art after the Internet. Manchester: Cornerhouse Books, pp. 86-97. ISBN 9780956957177 [Book Section]

Blas, Zach. 2013. “Escaping the Face: Biometric Facial Recognition and the Facial Weaponization Suite”. Media-N, Journal of the New Media Caucus, 9(2), ISSN 2159-6891 [Article]

Blas, Zach. 2013. Face Cages. [Art Object]

Blas, Zach. 2011. Facial Weaponization Suite. [Art Object]

Blas, Zach. 2012. “Five Videos: Zach Blas / Queer Technologies’ Escape”. Rhizome. [Other]

Blas, Zach. 2016. "Gay Bombs: Getting Started". In: David Getsy, ed. Queer: Documents of Contemporary Art. Cambridge, MA: The MIT Press & Whitechapel Gallery, pp. 105-109. ISBN 9780262528672 [Book Section]

Blas, Zach. 2019. Icosahedron. [Art Object]

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Blas, Zach. 2018. Informatic Opacity. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic. ISBN 9781350030244 [Book Section]

Blas, Zach. 2014. "Informatic Opacity". Journal of Aesthetics and Protest, 9, [Article]

Blas, Zach. 2018. Is the internet a urinal?. In: "Is the internet a urinal?", MU, United Kingdom. [Performance]

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Blas, Zach. 2018. The Jubilee of 2033. GLQ: A Journal of Lesbian and Gay Studies, 24(4), ISSN 1064-2684 [Article]

Blas, Zach. 2017. Metric Mysticism. In: "Metric Mysticism", e-flux, United Kingdom. [Performance]

Blas, Zach. 2012. "On Electronic Civil Disobedience: Interview with Ricardo Dominguez". Reclamations Journal, Issue 6. [Other]

Blas, Zach. 2016. Opacities: An Introduction. Camera Obscura: Feminism, Culture, and Media Studies, 31(2), pp. 149-153. ISSN 0270-5346 [Article]

Blas, Zach. 2007. Queer Technologies. [Art Object]

Blas, Zach. 2012. “Queerness, Openness”. In: Ed Keller; Nicola Masciandaro and Eugene Thacker, eds. Leper Creativity: Cyclonopedia Symposium. Brooklyn: Punctum Books. ISBN 9780615600468 [Book Section]

Blas, Zach. 2018. SANCTUM. [Art Object]

Blas, Zach. 2016. “Vacuoles of Noncommunication: From Invisible Adversary to Invisible Revolt". In: Lauren Cornell and Tom Eccles, eds. Invisible Adversaries. Annandale-on-Hudson: Center for Curatorial Studies, Bard College. ISBN 1936192500 [Book Section]

Blas, Zach. 2012. “Virus, Viral”. WSQ: Women's Studies Quarterly, 40(1 & 2), pp. 29-39. [Article]

Blas, Zach and Cassils, Heather. 2015. “Queer Darkness”. Little Joe, No. 5. [Other]

Blas, Zach and Gaboury, Jacob. 2016. "Biometrics and Opacity: A Conversation". Camera Obscura: Feminism, Culture, and Media Studies, 31(2 92), pp. 155-165. ISSN 0270-5346 [Article]

Blas, Zach; Kholeif, Omar; Bridle, James and Dullaart, Constant. 2015. “Has the Internet Become a Human or a Thing, or Have We Become the Internet?”. Mousse Magazine, Number 47. [Other]

Blas, Zach and O'Leary, Christopher. 2011. SPECULATIVE. [Exhibition Catalogue]

Blas, Zach and Satterwhite, Jacolby. 2014. “Adjust Opacity”. DIS Magazine. [Other]

Blas, Zach and Wyman, Jemima. 2017. im here to learn so :)))))). [Art Object]

Bogdan, Jolan. 2015. Performative Contradiction and Revolution: Reconsidering Romania. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal. 2016. On Forensic Architecture: A Conversation with Eyal Weizman. October(156), pp. 116-140. ISSN 0162-2870 [Article]

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Bradley, Callum. 2023. Inhuman drag: Getting under the sk(e)ins of the posthuman in conversation with Charity Kase. Queer Studies in Media and Popular Culture, 8(1), pp. 31-46. ISSN 2055-5695 [Article]

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Bradley, Callum and Perkins, Georgia. 2023. In-Human Appetites and Mineral Becomings: Earthly Wit(h)nessing in Caitlin Berrigan’s Imaginary Explosions. Antennae: The Journal of Nature in Visual Culture(61), pp. 133-148. ISSN 1756-9575 [Article]

Brar, Dhanveer Singh. 2014. Alexander Weheliye, Habeas Viscus: Racializing Assemblages and Black Feminist Theories of the Human (Duke University Press, 2015). New Formations, 83, ISSN 0950-2378 [Article]

Brar, Dhanveer Singh. 2019. 'Alien Sound: Ambient Music and the Limits of the Human'. In: Alien Sound: Ambient Music and the Limits of the Human. Tate Liverpool, United Kingdom 9 February 2019. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. Amiri Baraka (1934 - 2014). In: Immanuel Ness and Zak Cope, eds. Palgrave Encyclopedia of Imperialism and Anti-Imperialism. UK: Palgrave-Macmillan. ISBN 978-0-230-39278-6 [Book Section]

Brar, Dhanveer Singh. 2016. 'Architektural Planning'. In: Speeding and Braking: Navigating Acceleration. Goldsmiths, University of London 12 May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2016. Architekture and Teklife in the Hyperghetto: The Sonic Ecology of Footwork. Social Text, 34(1), pp. 21-48. ISSN 0164-2472 [Article]

Brar, Dhanveer Singh. 2017. 'Bass / Mascon'. In: Club Culture and the Politics of Bass. King's College London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2020. Beefy's Tune (Dean Blunt Edit). London: 87 Press. ISBN 9781838069810 [Book]

Brar, Dhanveer Singh. 2015. Black Outbreak. In: Sophie Fuggle and Tom Henri, eds. Return to the Street. London: Pavement Books, pp. 117-132. ISBN 9780957147058 [Book Section]

Brar, Dhanveer Singh. 2016. 'Black Secret Technology'. In: Framing the Critical Decade: After the Black Arts Movement. University of Bristol. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Eddie George’s Fugitive Saturations'. In: Black Film, British Cinema.. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Gaze: Utterance'. In: Gaze: Utterance. ICA London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2015. Ghetto Thermodynamics. Cesura // Acceso: Journal for Music, Politics and Poetics, 1, [Article]

Brar, Dhanveer Singh. 2016. 'Ghettoville'. In: Department of Geography Research Seminar. University College London. University College London, United Kingdom May 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2017. 'Introduction to performance by Larry Achiampong'. In: Techno Resistance and Black Futures. Goldsmiths College. University of London. Goldsmiths College, University of London, United Kingdom May 2017. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2015. 'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup. Popular Music, 34(3), pp. 471-484. ISSN 0261-1430 [Article]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Crystal Clear Voices. Goldsmiths, University of London, United Kingdom. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Klein's Prologues'. In: Cultural Studies Association Annual Conference. Carnegie Mellon University, Pittsburgh, PA, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2019. No work. All Play. Propter Nos, 3, pp. 80-90. [Article]

Brar, Dhanveer Singh. 2016. 'Poverty, Abstraction, Debt: Actress’ Ghettoville'. In: Culture and Finance Capital Lecture Series. Department of Visual Cultures. Goldsmiths College, University of London.. Goldsmiths, University of London, United Kingdom October 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh. 2018. 'Runs Reprise'. In: Regenerative Feedback Noise/Human/Signal. Issue Project Room, Brooklyn, NY, United States. [Conference or Workshop Item]

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Brar, Dhanveer Singh. 2021. Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early Twenty-First Century. London: Goldsmiths Press. ISBN 9781912685790 [Book]

Brar, Dhanveer Singh and Gamble, Lee. 2017. Atmosphere and Architecture in the Distributed Intelligence of Soundsystems: Glass Bead in conversation with Lee Gamble and Dhanveer Singh Brar. Glass Bead, 1, [Article]

Brar, Dhanveer Singh and Kobel, Malte. 2018. Vibration Totale - 6th December 2018. [Audio]

Brar, Dhanveer Singh and Moreno, Louis. 2018. 'At a Greater Distance than Sound: Wynter’s ‘new hypothesis’ and the ‘culture of dread’'. In: Genres of the Human: On Sylvia Wynter. Kings College London, United Kingdom. [Conference or Workshop Item]

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Brar, Dhanveer Singh and Moreno, Louis. 2021. Notes on Listening and Hearing. In: Jeanne van Heeswijk; Maria Hlavajova and Rachael Rakes, eds. Toward the Not-Yet: Art as Public Practice. Cambridge, Massachusetts: MIT Press. ISBN 9780262542500 [Book Section]

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Brar, Dhanveer Singh; Moreno, Louis; Harney, Stefano; Moten, Fred; Okiji, Fumi; Rekret, Paul and Rose-Antoinette, Ronald. 2020. Music and Economic Planning. South Atlantic Quarterly, 119(1), pp. 133-151. ISSN 0038-2876 [Article]

Brar, Dhanveer Singh and Okiji, Fumi. 2016. 'Walking Bsss'. In: Marxism in Culture Seminar. University of London. University of London, United Kingdom June 2016. [Conference or Workshop Item]

Brar, Dhanveer Singh and Rekret, Paul. 2019. 'The Power of Gods and the Forces of Nature - On Music and Popular Modernisms'. In: Marxism in Culture. Institute of Advanced Studies, UCL, United Kingdom 24 May 2019. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul and Sandhu, Sukhdev. 2018. 'Time Let Me Play: Ideas of Childhood Innocence'. In: Time Let Me Play: Ideas of Childhood Innocence. UnionDocs: Center for Documentary Art, United States. [Conference or Workshop Item]

Brar, Dhanveer Singh; Rekret, Paul; Thompson, Marie and Sarkar, Ash. 2017. 'Down With Childhood'. In: Down With Childhood. Cafe Oto, United Kingdom. [Conference or Workshop Item]

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Brar, Dhanveer Singh and Sharma, Ash. 2020. What is this ‘Black’ in Black Studies? From Black British Cultural Studies to Black Critical Thought in UK Arts and Higher Education. New Formations(99), pp. 88-109. ISSN 0950-2378 [Article]

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Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

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Buden, Boris and Nowotny, Stefan. 2009. Übersetzung: Das Versprechen eines Begriffs. Vienna and Berlin: Turia + Kant. ISBN 978-3-85132-535-5 [Book]

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Burns, David Benjamin. 2020. The Material-Media Histories of Maralinga. Doctoral thesis, Goldsmiths, University of London [Thesis]

Burrows, David; Jackson, Mark; O'Sullivan, Simon D. and Tait, Stuart. 2015. Monarch Drone Communiqué. Culture Machine, 16, [Article]

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Burrows, David and O'Sullivan, Simon D.. 2019. Fictioning: The Myth-Functions of Contemporary Art and Philosophy. Edinburgh: Edinburgh University Press. ISBN 9781474432405 [Book]

Burrows, David and O'Sullivan, Simon D.. 2023. Science Fiction Devices. In: Bernd Herzogenarth, ed. New Perspectives on Academic Writing: The Thing That Wouldn't Die. London: Bloomsbury Academic, pp. 39-52. ISBN 9781350231535 [Book Section]

Burrows, David and O'Sullivan, Simon D.. 2014. The Sinthome/Z-Point Relation or Art as Non-Schizoanalysis. In: Ian Buchanan and Lorna Collins, eds. Deleuze and the Schizoanalysis of Visual Art. London: Bloomsbury Academic, pp. 253-278. ISBN 9781472524621 [Book Section]

Butler, Judith and Ertür, Başak. 2017. In Turkey, academics asking for peace are accused of terrorism. The Guardian, London. [Other]

Butt, Gavin. 2006. "America" and its Discontents: Art and Politics 1945-1960. In: Amelia Jones, ed. A Companion to Contemporary Art Since 1945. Blackwell. ISBN 978-1-4051-0794-5 [Book Section]

Butt, Gavin. 2005. Avant-Garde et Chic: Andy Warhol et la fabrique du dandy Américain. In: Matthias Waschek and Veerle Thielemans, eds. L’Art Américain: Identités d’une Nation. Louvre/Terra Foundation, pp. 142-157. ISBN 978-2840561651 [Book Section]

Butt, Gavin. 2005. Between You and Me: Queer Disclosures in the New York Art World 1948-1963. Duke University Press. ISBN 0822334984 [Book]

Butt, Gavin. 2010. Bodies of Evidence: Queering Disclosure in the Art of Jasper Johns. In: Amy K. Levin, ed. Gender, Sexuality, and Museums. Oxford & New York: Routledge, pp. 235-252. ISBN 0415554918 [Book Section]

Butt, Gavin. 2012. The Common Turn in Performance. Contemporary Theatre Review, 22(1), pp. 46-61. ISSN 1048-6801 [Article]

Butt, Gavin. 1999. The Greatest Homosexual? Camp Pleasure and the Performative Body of Larry Rivers’. In: Amelia Jones and Andrew Stephenson, eds. Performing the Body/ Performing the Text. Routledge, pp. 107-126. ISBN 9780415190602 [Book Section]

Butt, Gavin. 2001. Happenings in History, or, The Epistemology of the Memoir. Oxford Art Journal, 24(2), pp. 113-126. ISSN 01426540 [Article]

Butt, Gavin. 2009. How I Died For Kiki and Herb. In: , ed. The Art of Queering in Art. Birmingham: Article Press, pp. 85-94. ISBN 9781873352748 [Book Section]

Butt, Gavin. 2004. How New York Queered the Idea of Modern Art. In: Paul Wood, ed. Varieties of Modernism. Open University/Yale University Press. ISBN 9780300102963 [Book Section]

Butt, Gavin. 2008. Hoyle's Humility. Dance Theatre Journal, 23(1), pp. 30-34. ISSN 02649160 [Article]

Butt, Gavin. 2006. Joe Brainard's Queer Seriousness, or, How to Make Fun out of the Avant-Garde. In: David Hopkins, ed. Neo-avant-garde (Avant Garde Critical Studies). Rodopi, pp. 277-297. ISBN 978-9042021259 [Book Section]

Butt, Gavin. 2013. Living the Dream in Women in Revolt. In: Glyn Davis and Gary Needham, eds. Warhol in Ten Takes. London: British Film Institute and Palgrave Macmillan, pp. 180-194. ISBN 9781844574025 [Book Section]

Butt, Gavin. 2006. Scholarly Flirtations. In: Angelika Nollert; Irit Rogoff; Bart De Baere and Charles Esche, eds. A.C.A.D.E.M.Y. Berlin: Revolver, pp. 187-192. ISBN 3865883036 [Book Section]

Butt, Gavin. 2009. Should we take Performance Seriously? In: , ed. Oreet Ashery: Dancing with Men. London: Live Art Development Agency, pp. 78-92. ISBN 9780954604097 [Book Section]

Butt, Gavin. 2007. Stop that Acting!: Performance and Authenticity in Shirley Clarke's Portrait of Jason. In: K. Mercer, ed. Pop Art and Vernacular Cultures. MIT Press / InIVA, pp. 36-55. ISBN 9781899846443 [Book Section]

Butt, Gavin. 2006. You Cannot Be Serious?’. [Article]

Butt, Gavin and Cairns, Jon. 2000. Art: Steve Reinke's archival imaginary. Critical Quarterly, 42(3), pp. 93-101. ISSN 0011-1562 [Article]

Butt, Gavin; Heathfield, Adrian and Keidan, Lois. 2013. Performance Matters Archive. [Film/Video]

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Butt, Gavin and Walters, Ben. 2013. This is Not a Dream. [Film/Video]

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Carter, Claire Makhlouf. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

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Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina. 2014. New Keywords: Migration and Borders. Cultural Studies, 29(1), pp. 55-87. ISSN 0950-2386 [Article]

Cavallini, Roberto. 2010. Inheriting the Im-possible: Reading Tradition and Temporality in Pier Paolo Pasolini through Contemporary French Philosophy. Doctoral thesis, Goldsmiths, University of London [Thesis]

Charalambides, Sarah. 2016. 'Can we be strong in our weakness? Conversation between female trouble and Samlingen'. In: Group Works? On Feminism, Friendship and Borderlessness. Royal Danish Academy of Fine Arts, Copenhagen, Denmark 31 October 2016. [Conference or Workshop Item]

Charalambides, Sarah. 2023. External Examiner. [Professional Activity]

Charalambides, Sarah. 2015. 'Just me and the market: Self-Precarisation as activism'. In: London Conference in Critical Thought 2015. University College London, United Kingdom 26-27 June 2015. [Conference or Workshop Item]

Charalambides, Sarah. 2019. Personal tagging in Zotero Groups: A “messy” and collaborative resource list for BA Design students. [Digital]

Charalambides, Sarah. 2015. 'Precarious self-employment'. In: Forschungsseminar Kulturwissenschaft. Humboldt-Universität zu Berlin, Germany. [Conference or Workshop Item]

Charalambides, Sarah. 2015. Precarity as Activism. Mute, [Article]

Charalambides, Sarah. 2016. 'Precarity as activism: Breaking through existing logics of security and insecurity'. In: Society for Women in Philosophy (SWIP) Annual Conference 2016. University of Brighton, United Kingdom 16-17 June 2016. [Conference or Workshop Item]

Charalambides, Sarah. 2017. 'Provocation: Self-precarisation'. In: Re-Tool: Precarity. Camberwell College of Arts, University of the Arts London, United Kingdom 18 January 2017. [Conference or Workshop Item]

Charalambides, Sarah. 2016. 'Situating gender in precarity: Against “each one for herself”'. In: London Conference in Critical Thought 2016. Birkbeck, University of London, United Kingdom 24-25 June 2016. [Conference or Workshop Item]

Charalambides, Sarah. 2016. 'Situating precarity in feminist art practice'. In: Association of Art Historian Summer Symposium 2016 (Gender in Art: Production, Collection, Display). Loughborough University, United Kingdom 8-9 June 2016. [Conference or Workshop Item]

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Charalambides, Sarah. 2017. Situating self-precarisation: Cultural production, subjectification and resistance in kleines postfordistisches Drama’s Kamera Läuft! Work Organisation, Labour & Globalisation, 11(1), pp. 71-86. ISSN 1745-641X [Article]

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Charalambides, Sarah. 2020. When the Common Ground Seems Shattered: From Self-Precarisation to Partial Relationality in kleines postfordistisches Drama and Precarias a la Deriva. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Charalambides, Sarah. 2020. When the Common Ground Seems Shattered: Self-enclosed individualism and partial relationality in creative practice. Peripeti, 17(31), pp. 69-82. ISSN 1604-0325 [Article]

Charalambides, Sarah. 2016. 'When the common ground is shattered: Drifting through feminised precarious space'. In: Gender Work and Organization 2016: 9th Biennial International Interdisciplinary Conference. Keele University, United Kingdom 29 June - 1 July 2016. [Conference or Workshop Item]

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Charalambides, Sarah and Berry, Josephine. 2016. 'Autonomy and precarisation: A talk by Isabell Lorey with a screening of kleines postfordistisches Drama’s Kamera Lauft!'. In: Culture Industry Now! Centre for Cultural Studies Public Programme. Goldsmiths, University of London, United Kingdom 25 April 2016. [Conference or Workshop Item]

Chatziyannaki, Zoe. 2011. Fleeting Island: The Production of Space in Santorini. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018. [Conference or Workshop Item]

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Chuang, Yu-Cheng. 2003. Cross-Cultural Currents in the Work of Yu-Cheng Chuang: An Examination of the Chinese Principle of Jingjie and Western Idea of the Picturesque as Parallel Influences on Site-Specificity in Land Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Cnaani-David, Ofri. 2023. Active Residues. Doctoral thesis, Goldsmiths, University of London [Thesis]

Collee, Lauren. 2024. From the bright world paradigm to shadow aesthetics: deconstructing visual metaphors of over-illumination. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Condorelli, Céline. 2014. In Support: A Theoretical and Practical Investigation into Forms of Display. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Crone, Bridget. 2014. Book Review: Pascal Gielen, Instituting Art in a Flat World. Journal of Curatorial Studies, 3(2-3), pp. 407-409. ISSN 2045-5836 [Article]

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Crone, Bridget. 2017. 'CalArts WHAP! Lecture Series: Bridget Crone'. In: CalArts WHAP! Lecture Series. West Hollywood Public Library, United States October 6, 2017. [Conference or Workshop Item]

Crone, Bridget. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema in Regional Victoria. In: "The Cinemas Project", Bendigo Art Gallery, Australia, 12 April to 9 July 2014. [Show/Exhibition]

, ed. 2014. The Cinemas Project: Exploring the Spectral Spaces of Cinema. Melbourne, Australia: National Exhibitions Touring Support (Victoria). ISBN 9780980297706 [Edited Book]

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Crone, Bridget. 2017. Comparative Monument (Shellal): Steadfastness and the Temporal Body. di'van: a journal of accounts, 1(2), pp. 54-80. ISSN 2207-1563 [Article]

Crone, Bridget. 2013. Costume Party – Script, Frame and Stages. In: , ed. Fassbinder-JETZT. Film und Videokunst. Deutsches Filminstitut, pp. 220-230. ISBN 978-3887990831 [Book Section]

Crone, Bridget. 2013. Curating, Dramatization and the Diagram. In: Jean-Paul Martinon, ed. The Curatorial: A Philosophy of Curating. Bloomsbury, pp. 207-214. ISBN 9781472525604 [Book Section]

Crone, Bridget. 2012. External Examiner for MA Curating Programmes, University of Essex. [Professional Activity]

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Crone, Bridget. 2012. Eye Music for Dancing. In: "Eye Music for Dancing", Flat Time House / The John Latham Foundation, United Kingdom. [Show/Exhibition]

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Crone, Bridget. 2017. Flicker Time and Fabulation. In: G Gunkel; A Hameed and S O'Sullivan, eds. Futures and Fictions. London, UK: Repeater Books, pp. 268-294. ISBN 9781910924631 [Book Section]

Crone, Bridget. 2017. Image and the Appearance of the Image: Fear, Speed, Force. In: Evi D. Sampanikou, ed. Audio Visual Posthumanism. UK: Cambridge Scholars Press, pp. 337-342. ISBN 978-1-4438-8177-7 [Book Section]

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Crone, Bridget. 2010. The Image: Disaffect in the theatre of representation. Journal of Visual Arts Practice, 9(2), pp. 123-198. ISSN 1470-2029 [Article]

Crone, Bridget. 2015. Liquid States and the Image. In: Charlotte Day, ed. Technologism. Melbourne, Australia: Monash University Museum of Art, pp. 79-87. ISBN 978-0-9923754-7-8 [Book Section]

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Crone, Bridget. 2016. 'Modern Art Oxford | Dr Bridget Crone on Mona Hatoum's early performance work'. In: Re-Visit: 1998 / Mona Hatoum. Modern Art Oxford, United Kingdom. [Conference or Workshop Item]

Crone, Bridget. 2021. Nancy Holt's Pine Barrens. In: Lisa Le Feuvre, ed. Art after Nature: Thinking Nancy Holt and Robert Smithson. Minneapolis: University of Minnesota Press. [Book Section] (Forthcoming)

Crone, Bridget. 2017. Notes Towards a Sensible Stage. In: Bridget Crone, ed. The Sensible Stage: Staging and the Moving Image. University of Chicago Press / Intellect Books. ISBN 978-1783207695 [Book Section]

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Crone, Bridget. 2016. Opera as Method in the Work of Grace Schwindt. In: Agar Ledo, ed. Grace Schwindt: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts. Vigo, Spain: Foundation MARCO / Goethe Institute, Madrid, pp. 148-161. ISBN 978-84-943529-1-2 [Book Section]

Crone, Bridget. 2003. Performancemaniac:The Work of Hayley Newman. Eyeline, 51, ISSN 0818-8734 [Article]

Crone, Bridget. 2009. Performing the Local in a Suburban Garage’. SUM Magazine for Contemporary Art, ISSN 1902-8970 [Article]

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Crone, Bridget. 2017. Propositions for a stage: 24 frames of a beautiful heaven. [Exhibition Catalogue]

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Crone, Bridget. 2017. Propositions for a stage: 24 frames of a beautiful heaven. In: "Propositions for a stage: 24 frames of a beautiful heaven", Institute for Contemporary Arts, Singapore, 29 July to 22 October 2017. [Show/Exhibition]

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Crone, Bridget. 2005. The Ruined Body. In: Bridget Crone and Bala Starr, eds. The Body The Ruin. Melbourne, Australia: Ian Potter Museum of Art, University of Melbourne, pp. 9-25. ISBN 0 7340 3585 3 [Book Section]

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Crone, Bridget. 2013. Seeing Red. In: Robin Mackay, ed. Final Machine. Falmouth, UK: Urbanomic, pp. 15-20. ISBN 9780957529502 [Book Section]

Crone, Bridget. 2013. The Sensible Stage : An encounter with bodies, images and other sensate materials. Doctoral thesis, Goldsmiths, University of London [Thesis]

Crone, Bridget. 2015. 'The Sensible Stage, Diagrams Symposium, GRADcam'. In: Diagrams symposium, GRADCam Dublin. Dublin Institute of Technology, Ireland. [Conference or Workshop Item]

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Crone, Bridget. 2017. Spectral Ecologies. [Exhibition Catalogue]

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Crone, Bridget. 2017. Spectral Ecologies. In: "Spectral Ecologies", Mildura Arts Centre, Australia, 6 April to 18 June 2017. [Show/Exhibition]

Crone, Bridget. 2015. 'Swamps and stages: affective immersion and strategic discontinuity in the films of Manuel de Landa and Ryan Trecartin'. In: Material Environments: Sensing Time And Matter In Digital And Visual Culture, University of Greenwich. University of Greenwich, United Kingdom 24-25 July 2015. [Conference or Workshop Item]

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Crone, Bridget. 2020. Swampy Ecologies. Holt Smithson Foundation Scholarly Texts, [Article]

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Crone, Bridget. 2013. Swarm Machines Ladders and Lookouts (the work of Ryan Trecartin and Lizzie Fitch). In: Paul Luckcraft; Maitreyi Maheshwari and Isabel Venero, eds. Lizzie Fitch / Ryan Trecartin: Priority Innfield. London, UK: Zabludowicz Collection, pp. 119-124. ISBN 978-1-907921-16-2 [Book Section]

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Crone, Bridget. 2013. Talking Squid. In: , ed. Not Tonight (Jellylike). London: Arcade. [Book Section]

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Crone, Bridget. 2018. Time and Entanglement in Comparative Monument (Shellal). In: A Barikin and H Hughes, eds. Tom Nicholson: Lines towards Another. Berlin: Sternberg Press, pp. 131-136. ISBN 978-3-95679-397-4 [Book Section]

Crone, Bridget. 2009. Tom Nicholson’s Lines Towards Another Century. Eyeline, 68, ISSN 0818-8734 [Article]

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Crone, Bridget. 2016. 'The Visitor Talks Plus One: Bridget Crone'. In: The Visitor Talks Plus One, CCS Bard. CCS, Bard, United States. [Conference or Workshop Item]

Crone, Bridget. 2019. Wounds of Unbecoming: an introduction to the work of Tai Shani. In: , ed. Our Fatal Magic. Cambridge, MA: Strange Attractor / The MIT Press, pp. 7-23. ISBN 9781907222818 [Book Section]

Crone, Bridget. 2005. The body. The ruin. [Exhibition Catalogue]

Crone, Bridget and Gunkel, Henriette. 2019. "Future" in The Bloomsbury Handbook of 21st Century Feminist Theory. In: Robin Truth Goodman, ed. The Bloomsbury Handbook of 21st Century Feminist Theory. London, UK: Bloomsbury Academic, pp. 481-490. ISBN 9781350032408 [Book Section]

Dadak, Zeynep; Ertür, Başak; Köstepen, Enis and Lebow, Alisa. 2007. For the record: The World Tribunal on Iraq. [Film/Video]

Daly, Ruth; Mitchell, Elspeth; Park, Gill; Vráblíková, Lenka and Zhao, Yelin. 2017. A Feminist Space at Leeds: collective reflections on an “Event”. Images: Journal of Visual and Cultural Studies, 7, pp. 261-272. ISSN 2247-7950 [Article]

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Damaso, Mafaldo. 2017. Unstable Mediation – Regarding the United Nations as a Visual Entity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Dasgupta, Anshuman. 2017. Project Borderland: A Multi-Sited Curatorial and Anthropological Probing in Selected Parts of India. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Davies, Russell. 2011. The Enigma of Art in the Thought of Martin Heidegger. Doctoral thesis, Goldsmiths, University of London [Thesis]

Decamous, Gabrielle. 2011. Why Art Should Be Concerned about Science and the Other Way Around: The Western Project of Modernity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Dimitriou, Orsalia. 2016. The Politics of Public Space and the Emergence of the Commons in Contemporary Athens. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Donnelly, Ryann. 2017. Radical Bodies in Music Video: Feminism, Queerness, and Subversive Performance of Gender. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Doussan, Jenny. 2011. 'Agamben for and against Nietzsche's Eternal Return'. In: Annual Meeting of the American Comparative Literature Association (ACLA 2011). 'Agamben and Foucault: Comparison, Interpretation, Contradiction'. Vancouver, Canada 31 March - 3 April 2011. [Conference or Workshop Item]

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Doussan, Jenny. 2010. 'Agamben’s Taking Place'. In: Annual Meeting of the American Comparative Literature Association (ACLA 2010). 'Agamben’s Intricate Meanings'. New Orleans, United States 1 - 4 April 2010. [Conference or Workshop Item]

Doussan, Jenny. 2024. Attestation 3. In: Sarah Wilson; Michaël La Chance; Jenny Doussan; Carrie Pilto and Boris Groys, eds. Une œuvre d’art face au tribunal: sur Pornopolitique de Piotr Pavlenski. Paris: Au Diable Vauvert, pp. 51-65. ISBN 9791030706680 [Book Section]

Doussan, Jenny. 2009. The Beastly Beauty. In: "Deptford X 2009", Deptford X, London. [Show/Exhibition]

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Doussan, Jenny. 2012. Benjamin in Moscow. In: "dOCUMENTA 13. 'Readers Circle: 100 Notes - 100 Thoughts'", Kassel, Germany. [Performance]

Doussan, Jenny. 2014. 'Cultural Threads'. In: Clothes, Cloth & Culture Group. Institute of International Visual Arts, London 27 November 2014. [Conference or Workshop Item]

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Doussan, Jenny. 2024. 'Discussion of Vision, Art and Language'. In: Vision, Language, Art Workshop. University of Bath, United Kingdom 12 - 13 September 2024. [Conference or Workshop Item] (Forthcoming)

Doussan, Jenny. 2013. Eros, Plague, Olfaction: Three Allegories of the Curatorial. In: Jean-Paul Martinon, ed. The Curatorial A Philosophy of Curating. London: Bloomsbury Academic Publishing, pp. 79-92. ISBN 9781472525604 [Book Section]

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Doussan, Jenny. 2012. 'Exceptional Aesthetics'. In: 38th Annual Conference Association of Art Historians. 'Aesthetics and Politics (Again?)'. Open University, Milton Keynes, United Kingdom 29 - 31 March 2012. [Conference or Workshop Item]

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Doussan, Jenny. 2023. Expert Witness at the trial of Pyotr Pavlensky. In: "Witness at the trial of Pyotr Pavlensky", Tribunal de grande instance de Paris, France, 28 June 2023. [Performance]

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Doussan, Jenny. 2014. 'Fashion, Epistemology, and the Forgettable: Rethinking the Archive'. In: Fashioning the Archive: new approaches to materialising textile history. Goldsmiths, University of London, United Kingdom 11 January 2014. [Conference or Workshop Item]

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Doussan, Jenny. 2017. 'Forgotten Witnessing'. In: Textile interpretations: materialising history, visual culture, design and anthropology. CHASE research training workshop. Constance Howard Gallery, Goldsmiths, University of London 4 May 2017. [Conference or Workshop Item]

Doussan, Jenny. 2009. 'From Means Without End to State of Exception'. In: 'Forms of Engagement'. European Doctoral Seminar in Culture, Criticism, and Creativity. Copenhagen Doctoral School for Cultural Studies, Denmark 11 - 13 June 2009. [Conference or Workshop Item]

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Doussan, Jenny. 2019. 'From Tigersprung to the Appropriation of Unreality: Between Benjamin and Agamben on Baudelaire'. In: Baudelaire and Philosophy, British Society of Aesthetics Conference. Goldsmiths, University of London, United Kingdom 5 - 6 June 2019. [Conference or Workshop Item]

Doussan, Jenny. 2011. Intention and Exception: A Critique of the Work of Giorgio Agamben. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Doussan, Jenny. 2012. 'Intentionality and Objecthood'. In: Transforming Objects. Northumbria University, United Kingdom 28 - 29 May 2012. [Conference or Workshop Item]

Doussan, Jenny. 2009. Interview with Lauriston Avery. In: , ed. Lauriston Avery. Brooklyn, NY: The Hogar Collection. [Book Section]

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Doussan, Jenny. 2010. 'Messianic time and the problem of political action in the work of Agamben'. In: Waiting for the Political Moment. Utrecht University, Netherlands 17 - 19 June 2010. [Conference or Workshop Item]

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Doussan, Jenny. 2008. 'On the Specific in Contemporary Art and Curatorial Practice'. In: 'Art:Relations. Revisiting Crucial Concepts', European Doctoral Seminar in Culture, Criticism and Creativity. Freie Universität Berlin, Germany 30 October - 1 November 2008. [Conference or Workshop Item]

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Doussan, Jenny. 2013. 'Origin and Immanence: Benjamin’s Art Historiography in the Trauerspiel Book'. In: College Art Association Annual Conference 2013. 'To What End? Eschatology in Art Historiography'. New York, United States 13 - 16 February 2013. [Conference or Workshop Item]

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Doussan, Jenny. 2013. 'The Origin of Agamben’s Infancy'. In: Annual Meeting of the American Comparative Literature Association (ACLA 2013). University of Toronto, Canada 4 - 7 April 2013. [Conference or Workshop Item]

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Doussan, Jenny. 2022. P. In: Pyotr Pavlensky, ed. Pornopolitics and Other Precedents. London: MOTHER, pp. 86-89. ISBN 9791041502981 [Book Section]

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Doussan, Jenny. 2014. 'Para‐ontology and the Governmental Machine'. In: Annual Meeting of the American Comparative Literature Association (ACLA 2014). Seminar: 'Agamben, Capital, and the Homo Sacer Series: Economy, Poverty, People, Work'. New York University, United States 20 - 23 March 2014. [Conference or Workshop Item]

Doussan, Jenny. 2023. 'Protesting Law with the Law: The Case of Pyotr Pavlensky'. In: Critical Legal Conference 2023: Sanctuary. Durham University, United Kingdom 11-13 September 2023. [Conference or Workshop Item]

Doussan, Jenny. 2010. Recuperating the Platonic Idea. In: Rune Graulund, ed. Desperately Seeking Authenticity: Interdisciplinary Approaches. Copenhagen Doctoral School Press. [Book Section]

Doussan, Jenny. 2024. Redeeming Fashion: Between Benjamin and Agamben on Baudelaire. In: , ed. Baudelaire and Philosophy. Edinburgh: Edinburgh University Press. [Book Section] (Forthcoming)

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Doussan, Jenny. 2018. Respondent - On Agamben and gesture. [Professional Activity]

Doussan, Jenny. 2011. The Scent of the Jonquil (first edition). In: , ed. The Perfumed Handkerchief. Brooklyn, NY: [Book Section]

Doussan, Jenny. 2012. The Scent of the Jonquil. Rattle ~ A Journal at the Convergence of Art and Writing, 3, [Article]

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Doussan, Jenny. 2018. 'Sovereign Will'. In: Opening Potentialities: Thinking Ontology and Action with Giorgio Agamben. London, United Kingdom 15 November 2018. [Conference or Workshop Item]

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Doussan, Jenny. 2013. Time and Presence in Agamben’s Critique of Deconstruction. Cosmos and History: The Journal of Natural and Social Philosophy, 9(1), ISSN 1832-9101 [Article]

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Doussan, Jenny. 2013. Time, Language, and Visuality in Agamben's Philosophy. Basingstoke: Palgrave Macmillan. ISBN 9781137286239 [Book]

Doussan, Jenny. 2009. 'What is Agamben's Apparatus?'. In: Laboratory: Methods of Interart Studies. 'Close Reading'. Freie Universität Berlin, Germany 16 - 18 November 2009. [Conference or Workshop Item]

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Doussan, Jenny. 2016. Writing Lines: Agamben contra Nietzsche. Cultural Critique, 92, pp. 114-136. ISSN 0882-4371 [Article]

Dufour, Diane; Lebart, Luce; Delage, Christian and Weizman, Eyal. 2016. Crime Scenes | A Hundred Years of Photographic Evidence. In: "Crime Scenes | A Hundred Years of Photographic Evidence", Nederlands Fotomuseum, Rotterdam, Netherlands, 13 May - 21 August 2016. [Show/Exhibition]

Duncan, Ifor. 2022. Drought in the Rivers of Forgetting. In: Benek Cincik and Tiago Torres-Campos, eds. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation. Barcelona: dpr-barcelona, pp. 140-147. ISBN 9788494938870 [Book Section]

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Duncan, Ifor. 2023. Fugitive Rivers: Maroon Ecologies and Édouard Glissant’s La Lézarde. Green Letters: Studies in Ecocriticism, 27(1), pp. 92-108. ISSN 1468-8417 [Article]

Duncan, Ifor. 2021. Il Naufragio Inizia Da Qui (The Shipwreck Starts Here). [Film/Video]

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Duncan, Ifor. 2021. The Meteorological Occult: Submergences in the Venetian Fog. Lagoonscapes. The Venice Journal of Environmental Humanities, 1(1), pp. 37-58. ISSN 2785-2709 [Article]

Duncan, Ifor. 2023. Necro-Hydrology. e-flux Architecture, [Article]

Duncan, Ifor. 2024. Remembering Rain: Pluvial Poesis and Marronage in Dionne Brand’s At the Full and Change of the Moon. In: Lucy Bond; Susannah Radstone and Jessica Rapson, eds. New Directions in Memory and Literature: Concepts, Contexts, Media. Palgrave Macmillan. [Book Section] (Forthcoming)

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Duncan, Ifor. 2024. River Cinema I. In: "River Cinema I", Goldsmiths, University of London, United Kingdom, 14 March 2024. [Show/Exhibition]

Duncan, Ifor. 2019. Undercurrents: Submergence and the Hidroituango Megadam. In: Lindsay Bremner, ed. Monsoon [+ other] Waters. London: A Monsoon Assemblages Publication, pp. 19-27. ISBN 9780992965709 [Book Section]

Duncan, Ifor and Levidis, Stefanos. 2022. 'Arcifinious'. In: José Roca and Juan Francisco Salazar, eds. Rīvus: A Glossary of Water. Sydney, Australia: Biennale of Sydney Ltd 2022, pp. 47-48. ISBN 9780958040327 [Book Section]

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Duncan, Ifor and Levidis, Stefanos. 2024. Median Line: A Century Of Border Violence and The Alluvial Geopolitics Of The Evros/Meriç/Maritsa River Border. Area, ISSN 0004-0894 [Article] (In Press)

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Duncan, Ifor and Levidis, Stefanos. 2024. 'Weaponising a river / Median Line: a century of border violence and the alluvial geopolitics of the Evros/Meric/Maritsa River border'. In: War & Water: A seminar on toxicity, multispecies politics and waterways. Centre for Research in the Arts, Humanities and Social Sciences, University of Cambridge, United Kingdom 7 March 2024. [Conference or Workshop Item]

Duncan, Ifor and Levidis, Stefanos. 2020. Weaponizing a River. e-flux Architecture, [Article]

Dyangani Ose, Elvira. 2012. Across The Board. In: "Across The Board", London, United Kingdom, November 2012 – March 2014. [Show/Exhibition]

Dyangani Ose, Elvira. 2010. Arte Invisible (editor). [Exhibition Catalogue]

Dyangani Ose, Elvira. 2009. Arte Invisible (editor). [Exhibition Catalogue]

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Dyangani Ose, Elvira. 2017. ‘Becoming Post-apartheid and other history-related consideration in the collective work of Kemang Wa Lehulere. In: , ed. Kemang Wa Lehulere. Bird Song. Berlin, Germany: Hatje Cantz Verlag. ISBN 978-3-7757-4280-1 [Book Section]

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Dyangani Ose, Elvira. 2016. Betye Saar: Uneasy Dancer. In: "Betye Saar: Uneasy Dancer", Fondazione Prada Milan, Italy, 15 September 2016 – 8 January 2017. [Show/Exhibition]

Dyangani Ose, Elvira. 2009. Bienvenidos al Paraiso. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2010. Carrie Mae Weems. Social Studies. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2010. Everybody is Welcome. Visible, [Article]

Dyangani Ose, Elvira. 2017. How about this? On a sense of togetherness. Elvira Dyangani and Magdalena Malm in conversation. In: Magdalena Malm, ed. Curating Context: Beyond the Gallery and into Other Fields. Sweden: Art and Theory Publishing. ISBN 978-91-88031-45-7 [Book Section]

Dyangani Ose, Elvira. 2016. Hypothesis for an Institution. In: Mario Mainetti, ed. Recto Verso Quaderno. #4 Milano: Fondazione Prada. [Book Section]

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Dyangani Ose, Elvira. 2013. Ibrahim El-Salahi: A Visionary Modernist. In: "Ibrahim El-Salahi: A Visionary Modernist", Tate Modern, London, United Kingdom, 3 July – 22 September 2013. [Show/Exhibition]

Dyangani Ose, Elvira. 2002. Memoria y Desconcierto. Arte de Guinea Ecuatorial. [Exhibition Catalogue]

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Dyangani Ose, Elvira. 2016. Nástio Mosquito: T.T.T.-Template Temples of Tenacity. In: "Nástio Mosquito: T.T.T.-Template Temples of Tenacity", Fondazione Prada Milan, Italy, 7 July – 25 September 2016. [Show/Exhibition]

Dyangani Ose, Elvira. 2006. Olvida Quién Soy/ Erase Me From Who I Am. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2012. '‘The Poetics of the Infra-ordinary: The Aesthetic of Recognition in Contemporary African Art’'. In: Koyo Kouoh, Condition Report, Raw Material Company. Dakar, Senegal. [Conference or Workshop Item]

Dyangani Ose, Elvira. 2013. Random Anecdotes. In: Madeleine Grynsztejn; Federica Martini and Vittoria Martini, eds. Alfredo Jaar Venezia Venezia, Pavilion of Chile 55 International Art Exhibition la Biennale di Venezia 2013. Barcelona; New York: Actar. ISBN 978-0-989331-73-9 [Book Section]

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Dyangani Ose, Elvira. 2018. 'States of Opacity. Lahore Biennial'. In: States of Opacity. Lahore Biennial. Lahore, Pakistan March 18 to March 31 2018. [Conference or Workshop Item]

Dyangani Ose, Elvira. 2015. A Story Within A Story. 8th edition of Göteborg International Biennial for Contemporary Art, GIBCA 2015. In: "GIBCA. Göthenburg Biennial 2015", Gothenburg, Sweden, September 12 - November 22 2015. [Show/Exhibition]

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Dyangani Ose, Elvira. 2015. A Story Within a Story. Catalogue. 8th edition of the Göteborg International Biennial for Contemporary Art (GIBCA). [Exhibition Catalogue]

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Dyangani Ose, Elvira. 12 September - 22 November 2015 A Story within A Story: GIBCA 2015. [Project]

Dyangani Ose, Elvira. 2004. Surrounding the Word: Towards an Aesthetic of Ritual. In: , ed. De Boca en Boca: Estudios de Literatura Oral de Guinea. Spain: Ceiba Ediciones. [Book Section]

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Dyangani Ose, Elvira. 2015. 'A Tendency to Forget, An Urgency to Remember' Introduction and Interview to Angela Ferreira. In: Ferreira de Carvalho Nuno, ed. NOVO BANCO Photo 2015: Ângela Ferreira, Ayrson Heráclito, Edson Chagas. Lisboa Portugal: Museu Coleção Berardo. ISBN 978-989-8239-46-4 [Book Section]

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Dyangani Ose, Elvira. 2016. Theaster Gates - True Value. In: "True Value", Fondazione Prada Milano, Italy, 7 July - 25 September 2016. [Show/Exhibition]

Dyangani Ose, Elvira. 2005. Tres Escenarios. [Exhibition Catalogue]

Dyangani Ose, Elvira. 2014. ‘The right to the city. The appropriation of public space in Nick Cave’s work’. In: , ed. Nick Cave: Epitome. Prestel, pp. 240-267. ISBN 978-3791349169 [Book Section]

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