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Number of items at this level: 3034.

A

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Abad, Pio. 2016. Notes on Decomposition. [Art Object]

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Abad, Pio. 2018. 'Para Site International Conference 2018 - The Collection of Jane Ryan & William Saunders: Reconstruction as Democratic Gesture'. In: Para Site International Conference 2018: What to Let Go?. Tai Kwun - Centre for Heritage and Arts, Hong Kong 22 - 24 November 2018. [Conference or Workshop Item]

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Abad, Pio and Wadsworth Jones, Frances. 2019. The Collection of Jane Ryan and William Saunders. [Art Object]

Abbing, Hans; Lind, Maria; Stapleton, Jamie and Malik, Suhail. 2007. ''New money' discussion panel'. In: Rotterdam dialogues: the periphery complex [symposium]. Witte de With, Rotterdam, Netherlands 8th February 2007. [Conference or Workshop Item]

Acconci, Vito; Coutts, Marion; Norman, Nils; O'Shea, Mick; Rothschild, Eva and Tzaig, Uri. 2001. Vito Acconci/Acconci Studio, PARA-CITIES: Models for Public Spaces. Trouble Shooting. Bristol: Arnolfini. ISBN 0907738664 [Book]

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Adeniji, Anna; Asante, Barby; Lundberg, Anna and Miller, Monica L. 2020. The Grain of her Voice: Nina Simone, Josette Bushell-Mingo and the Intersections between Art, Politics and Race. PARSE(11), ISSN 2002-0953 [Article]

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Agdas, Murat. 2023. Edges of Bodies: Camouflage, Correspondence and the Choreography of Alterity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Alexandra, White; Williams Gamaker, Michelle and Kouneski, Julia. 2017. Concrete Jungle, an exhibition featuring video works curated by Alexandra White.. In: "Concrete Jungle, an exhibition featuring video works curated by Alexandra White.", Annka Kultys Gallery, London, United Kingdom. [Show/Exhibition]

Allsopp, Ric and Kreider, Kristen. 2015. To Step, Leap, Fly. Performance Research, 20(1), pp. 1-3. ISSN 1352-8165 [Article]

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Anaya-Morales, Josefina. 2005. Relato II: wandering Tehuanita. [Film/Video]

Anderson, Wendy; Hirst, Nicky; Smith, Terry and Walsh, Bernard. 2003. Remember, Remember The 5th of November. In: "Remember, Remember The 5th of November", Pugh Pugh Gallery, Berlin, Germany. [Show/Exhibition]

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Andreetta, Gianmaria; Beeler, Luca; Universal Frxnd, Public and Wakeford, Nina. 2022. Being a faggot-spaceman, I am awesome.. In: "Stadtgalerie Bern", Stadtgalerie, Bern, Switzerland, 23 September - 29 October 2022. [Show/Exhibition]

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Andrews, Jorella G.; Wakeford, Nina; Kerridge, Tobie and Cameron, Jane. 2023. 'Cross-Departmental Textiles Workshop'. In: Cross Departmental Textiles Workshop. Constance Howard Gallery, Goldsmiths, University of London, United Kingdom 8 March 2023. [Conference or Workshop Item]

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Annelore, Schneider and Williams Gamaker, Michelle. 2016. House of Women premiere at "Video Screening", Artist’s Films at The Swiss Church London. In: "House of Women premiere at "Video Screening", Artist’s Films", The Swiss Church London, United Kingdom. [Show/Exhibition]

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Archer, Michael. 2012. A Céu Aberto [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2010. Eva Rothschild. In: , ed. Eva Rothschild. London: Stuart Shave/Modern Art and Koenig Books, pp. 129-133. ISBN 978-3-86560-910-6 [Book Section]

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Archer, Michael. 2016. 'FGJH'. In: FGJH. Arthouse, United Kingdom December 11, 2016. [Conference or Workshop Item]

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Archer, Michael. 2013. Fata Morgana [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2016. 'Gertrude and Ludwig in the House Made of Sugar'. In: Gertrude and Ludwig in the House Made of Sugar. Bread and Jam, United Kingdom May 27, 2016. [Conference or Workshop Item]

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Archer, Michael. 2008. Heaven [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2015. Imi Knoebel: Paint Project. In: , ed. Imi Knoebel. London: White Cube, pp. 29-55. ISBN 9781910844021 [Book Section]

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Archer, Michael. 2009. It's Like This. In: , ed. Martin Creed. Birmingham, UK: Ikon Gallery, pp. 36-47. ISBN 978-1-904864-45-5 [Book Section]

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Archer, Michael. 2011. Jeff Koons: One Ball Total Equilibrium Tank. London/Cambridge, Mass: Afterall/MIT. ISBN 978-1-84638-079-2 (paperback), 978-1-84638-078-5 (hardback) [Book]

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Archer, Michael. 2010. Moon Turned a Fire Red / Der Mond färbte ein Feuer rot. Parkett(87), pp. 104-115. ISSN 0256-0917 [Article]

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Archer, Michael. 2008. No Man's Time: Material Fantasies. In: , ed. theanyspacewhatever. New York: Solomon R. Guggenheim Museum, pp. 116-122. ISBN 978-0-89207-377-1 [Book Section]

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Archer, Michael. 2017. 'Numbing Like the Stingray'. In: Too Close to See. LARA, United Kingdom February 25, 2017. [Conference or Workshop Item]

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Archer, Michael. 2008. One and the Same. In: , ed. POLITICAL/MINIMAL. Nürnberg: Verlag für moderne Kunst, pp. 127-137. ISBN 978-3-941185-07-4 [Book Section]

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Archer, Michael. 2013. Ripley. SALT.(3), pp. 14-15. [Article]

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Archer, Michael. 2016. Surface Density. In: , ed. Jeff Koons: Now. London: Other Criteria, pp. 6-11. ISBN 9781906967765 [Book Section]

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Asante, Barby. 2020. Coal After Audre. [Film/Video]

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Asante, Barby. 2022. Countless Ways of Knowing: Looking at Images Beyond the Frame as a Practice of Liberatory Pedagogy. Photography and Culture, 15(1), pp. 97-101. ISSN 1751-4517 [Article]

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Asante, Barby. 2017- on going Declaration of Independence. [Project]

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Asante, Barby. 2019. Declaration of Independence. In: "Declaration of Independence", BALTIC Centre for Contemporary Arts, United Kingdom, 23 February – 6 May 2019. [Show/Exhibition]

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Asante, Barby. 2023. Declaration of Independence. In: "O Quilombismo:Of Resisting and Insisting. Of Flight as Fight. Of Other Democratic Egalitarian Political Philosophies", Haus der Kulturen der Welt (HKW), Berlin, Germany, 1 June - 16 September 2023. [Show/Exhibition]

Asante, Barby. 2019. Declaration of Independence - BALTIC Performance. In: "Declaration of Independence Performance", BALTIC Centre for Contemporary Arts, Gateshead, United Kingdom, 24 February 2019. [Performance]

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Asante, Barby. 2023. Declaration of Independence Art on the Underground. In: "Declaration of Independence", Stratford Station, United Kingdom, March 2023 - January 2025. [Show/Exhibition]

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Asante, Barby. 2020. Declaration of Independence Bergen Kunsthall Performance. In: "Declaration of Independence Performance", Bergen Kunsthall, Bergen, Norway, 30 November - 1 December 2-19 and 18 January 2020. [Performance]

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Asante, Barby. 2023. Declaration of Independence Performance - Bwa Kayiman: Congressing at the Heart of Liberation. In: "Bwa Kayiman- Congressing at the Heart of Liberation", Haus der Kulturen der Welt (HKW), Berlin, Germany, 12 August 2023. [Performance]

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Asante, Barby. 2023. Declaration of Independence Performance Art on the Underground. In: "Declaration of Independence Performance Stratford Station", Stratford Station, United Kingdom, 17 September 2023. [Performance]

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Asante, Barby. 2020. Declaration of Independence Performance Brent Biennale. In: "Declaration of Independence Performance Brent Biennale", Metroland Cultures, United Kingdom, November-December 2020. [Performance]

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Asante, Barby. 2023. Grounding for Group Work Exercise. In: Jemma Egan; Leyla Gatens; Amal Khalaf and Alex Thorp, eds. How We Hold: Rehearsals for Art and Social Change. London: Walter Koenig/Serpentine Gallery. ISBN 9783753305035 [Book Section]

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Asante, Barby. 2021. Now is the Time for the Performance to Become a Reality (I can’t do this without you.). In: Jeanne van Heeswijk; Maria Hlavajova and Rachael Rakes, eds. Toward the Not-Yet: Art as Public Practice. Utrecht: BAK, basis voor actuele kunst. ISBN 9780262542500 [Book Section]

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Asante, Barby. 2022. On-doing Undoing. In: "Ecological Futurisms", Amibika P3, United Kingdom, 11 November - 18 November 2022. [Show/Exhibition]

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Asante, Barby. 2023. 'The Politics of Art & Social Change: Rights in Focus Conference 2023'. In: The Politics of Art & Social Change: Rights in Focus Conference 2023. Camberwell College of Arts, United Kingdom 21 - 22 April 2023. [Conference or Workshop Item]

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Asante, Barby. 2022. The Queen and the Black-Eyed Squint Glasgow. In: "Revisiting the work of Black Artists in Scotland through New Collecting", Glasgow Museum of Modern Art, United Kingdom, 12 March - 3 July 2022. [Show/Exhibition]

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Asante, Barby. 2017. The Queen and the Black-Eyed Squint North Kensington. In: "Get Up, Stand Up Now: Generations of Black Creative Pioneers", Somerset House, London, United Kingdom, 12 June – 15 September 2019. [Show/Exhibition]

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Asante, Barby. 2021. To Make Love is to Re-create Ourselves Over and Over Again: A Love Poem for Audre. In: "UNTITLED Exhibition Online Launch and Performance: Barby Asante", Kettle's Yard, Cambridge, United Kingdom, 20 July 2021. [Performance]

Asante, Barby. 2023. The Women. They Were Plotting Too: Declaring Our Independence in the Spirit of Sankofa. In: Andrea N. Baldwin and Tonya Haynes, eds. Global Black Feminisms: Cross Border Collaboration through an Ethics of Care. Abingdon: Routledge, pp. 156-179. ISBN 9780367698539 [Book Section]

Asante, Barby and Aaron, Bryant. 2021. '7 minutes and 46 Seconds: Strategic Response and Contemporary Collecting'. In: Black History Year. University of Westminster, United Kingdom 17 March 2021. [Conference or Workshop Item]

Asante, Barby; Akoi Jackson, Bernard; Kaersenhout, Patricia and De Liss, Clementine. 2020. 'Session 3: Art and the Bodily Archive'. In: Decolonizing is a Verb. COMCOL ICOM International Committee for Collecting, Netherlands 21 December 2020. [Conference or Workshop Item]

Asante, Barby; Alhaag, Amal and Pattikawa, Jefftha. 2023. '#2: Dispossesed Archives'. In: This is Film! 2023 Film Heritage in Practice - #2: Dispossesed Archives. Eye Filmmuseum, Netherlands 8 March - 24 May 2023. [Conference or Workshop Item]

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Asante, Barby and Bailey, Giles. 2022. TALKER 10: Barby Asante. Talker(10), ISSN 2632-8496 [Article]

Asante, Barby; Bruce Jones, Eddie; Koram, Kojo; Lansiquot Hama, Rabz and Mason Jordan, Imani. 2020. 'Online Discussion: 'We Will Walk': Black Art, Radical Transformation'. In: 'We Will Walk': Black Art, Radical Transformation. Turner Contemporary, United Kingdom 15 July 2020. [Conference or Workshop Item]

Asante, Barby and Desai, Jemma. 2022. 'Jemma Desai & Barby Asante, 'As We Are Giving We Are Receiving*' | 12 Hour Sit-in Revel'. In: Ignorant Art School - 12 Hour Sit-In Revel. University of Dundee, United Kingdom 25 June 2022. [Conference or Workshop Item]

Asante, Barby and Khalaf, Amal. 2021. 'Rethinking Engagement Workshop'. In: Doing the Work: Rethinking Engagement. Contemporary Arts Society, United Kingdom 6 July 2021. [Conference or Workshop Item]

Asante, Barby; Lansiquot Hama, Rabz and Mason Jordan, Imani. 2020. 'ARTISTS MAKE CHANGE Conversations - Barby Asante & Languid Hands'. In: ARTISTS MAKE CHANGE. Airspace Gallery, United Kingdom May 2020 - May 2021. [Conference or Workshop Item]

Asante, Barby; Lansiquot Hama, Rabz and Mason Jordan, Imani. 2019. Baldwin's Nigger Reloaded II. In: "Get Up, Stand Up Now: Generations of Black Creative Pioneers", Somerset House, London, United Kingdom, 8 July 2019. [Performance]

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Asante, Barby and Rusinovskaya, Maria. 2021. On Declaration of Independence: A Conversation between Barby Asante and Maria Rusinovskaya. In: Arie Altena; Lili Elias and Anne Wolfsberge, eds. Time to Listen, Space to Experiment: Perspectives from Re-Imagine Europe 2017-2021. Amsterdam: Paradiso Press. ISBN 978909035045 [Book Section]

Asante, Barby and Sobers, Shawn. 2023. 'Whose Memorials? with Barby Asante and Shawn Sobers'. In: #ReconstructionWork: Whose Memorials?. Stuart Hall Foundation, United Kingdom 31 May 2023. [Conference or Workshop Item]

Asante, Barby; Swaby, Nydia A.; Mba Bikoro, Anguezomo and Imotep, Ra Malika. 2021. 'Archival Disorientation'. In: Itinerant Imaginaries. CREAM, University of Westminster, United Kingdom 4 November 2021. [Conference or Workshop Item]

Asante, Barby; Taylor, Foluke; Oriogun Williams, Femi; Jones, Hannah Catherine and Wraye, Seah. 2021. These Shoots Need to Grow: An invocation by Asadua. In: "Sensing The Planet: A gathering on climate justice and the intersections of race, art and ecology, part of the Black Atlantic project", Dartington, United Kingdom, 29–31 October 2021. [Performance]

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Ash, Jesse. 2010. The Figure of Speech: The Politics of Contemporary Chatter. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ashcroft, Louise. 2018. All Our Lives. In: "All Our Lives", Salisbury Arts Centre, 4th Oct to 10th Nov 2018. [Performance]

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Ashcroft, Louise. 2023. Bird Hut Sperm Bank. In: "Women and Children First festival", Viernulvier, Ghent, Belgium, 1 - 11 March 2023. [Performance]

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Ashcroft, Louise. 2017. I'd Rather Be Shopping. In: "I'd Rather Be Shopping", Arebyte Gallery, London, United Kingdom, 18 August - 20 September 2017. [Show/Exhibition]

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Ashcroft, Louise. 2017. Monsters of the Deep. In: "Coastal Currents Festival 2017", Coastal Currents Festival Hastings, United Kingdom, 2nd Sept - 1st Oct 2017. [Performance]

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Ashcroft, Louise. 2018. On Hold: Call Centres and God. In: "Boring Conference 2018", Conway Hall, United Kingdom, 5th May 2018. [Performance]

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Ashcroft, Louise. 2018. One Hour Holiday. In: "One Hour Holiday", Various, United Kingdom, February, June, and July 2018. [Performance]

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Ashcroft, Louise. 2018. Party Platforms: Deptford X Special Project Commission 2018. In: "Deptford X Festival 2018", 1 Market Yard, Deptford, United Kingdom, Project ran January to September 2018, with exhibition 21st - 30th September 2018. [Show/Exhibition]

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Ashcroft, Louise. 2018. Props. In: "Low Entertainment", Arch 5, United Kingdom, 26th June - 1st July 2018. [Performance]

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Ashcroft, Louise. 2018. Street Racket. [Art Object]

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Ashcroft, Louise. 2018. Talking to a Brick Wall. In: "Talking to a Brick Wall", CCA Goldsmiths, United Kingdom, 23rd September 2018. [Performance]

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Ashcroft, Louise. 2017. Unicorns of Westfield. [Film/Video]

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Ashcroft, Louise. 2013. Unperforming. In: "Unperforming", Artsadmin, United Kingdom, 13th September 2017, 1st March 2018, 10th May 2018. [Performance]

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Ashcroft, Louise. 2021. Uplands: Utopia I.O.U. In: "Uplands: Utopia I.O.U", Bobinska Brownlee Gallery, London, United Kingdom, 22 April - 23 May 2021. [Show/Exhibition]

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Ashcroft, Louise. 2018. Urban Investopedia. [Art Object]

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Ashcroft, Louise. 2019. Whose Croytopia?. In: "Fungus Press Residency: 'Whose Croytopia?'", Turf Projects, Croydon, United Kingdom, 2 February - 2 April 2019. [Show/Exhibition]

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Ashcroft, Louise. 2018. You're the HD to my ADHD. In: "Handle With Care", Wellcome Collection, United Kingdom. [Performance]

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Ashery, Oreet. 2013. Party for Freedom. In: "Artangel Commission", 25 public and private venues across London, United Kingdom. [Performance]

Ashery, Oreet and Sansour, Larissa. 2009. The Novel of Nonel and Vovel. [Artist's Book]

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Ashery, Oreet and Sansour, Larissa. 2009. The Novel of Nonel and Vovel. In: "The Novel of Nonel and Vovel", Iniva, London, United Kingdom, 2009-2011. [Performance]

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Atkins, Edward. 2012. Us Dead Talk Love. [Film/Video]

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Avanessian, Armen and Malik, Suhail. 2016. Introduction: Speculative Genealogies. In: Suhail Malik and Armen Avanessian, eds. Genealogies of speculation : materialism and subjectivity since structuralism. London and New York: Bloomsbury Academic, pp. 1-26. ISBN 9781472591678 [Book Section]

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al-Rifaie, Mohammad Majid; Aber, Ahmed and Bishop, Mark (J. M.). 2012. Cooperation of Nature and Physiologically Inspired Mechanism in Visualisation. In: Anna Ursyn, ed. Biologically-Inspired Computing for the Arts: Scientific Data through Graphics. USA: IGI Global, pp. 31-58. ISBN 978-1-466-60942-6 [Book Section]

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al-Rifaie, Mohammad Majid; Bishop, Mark (J. M.) and Aber, Ahmed. 2011. Creative or Not? Birds and Ants Draw with Muscle. Proceedings of AISB'11 Computing and Philosophy, pp. 23-30. [Article]

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Bal, Mieke and Williams Gamaker, Michelle. 2017. Emma and Edward: Love in the Time of Loneliness, Munch Museum, Oslo, Norway. In: "Emma and Edward: Love in the Time of Loneliness, Munch Museum, Oslo, Norway", Munch Museum, Oslo, Norway, 27 January to 17 April, 2017. [Show/Exhibition]

Bal, Mieke and Williams Gamaker, Michelle. 2014. Emotions and Capitalism. In: "Emotions and Capitalism", Vaal Galleri, Estonia, 10-30th January 2014. [Show/Exhibition]

Bal, Mieke and Williams Gamaker, Michelle. 2001. Madame B, Explorations in Emotional Capitalism. In: "Madame B Explorations in Emotional Capitalism", Museum Stuki, Lodz, Poland, January 2014-September 2014. [Show/Exhibition]

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Baldissera, Lisa. 2021. Person/ne: writing and curating vulnerability in the public sphere. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bance, David; Baldock, Jonathan; Beales, katriona; Closs, Lottie V.; Cummins, Sean; Dargan, Sam; Edwards, Sean; Fisher, Craig; Ford, Dan; Franklin, Simon; Fulton, Lynn; S Gubb, Mark; Mendelson, Zoe; Reynolds, Audrey; Simmonds, Gary; Swann, Debra; Woods, Richard; Annie, Whiles and Zakiewicz, Neil. 2010. Pile. In: "Pile", Chapter gallery, Cardiff, United Kingdom, 19th Nov-Dec 10th 2010 and 4th Feb-20th March 2011. [Show/Exhibition]

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Banfield, Frank. 2004. An investigation of beauty and contemporary painting: Kant, Greenberg and Neuroscience. Doctoral thesis, Goldsmiths, University of London [Thesis]

Barnett, Pennina. 2007. Chohreh Feyzdjou: Tout art est en exil: Pennina Barnett interviews Anne Cadenet. n. paradoxa, international feminist art journal, 20, pp. 83-87. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Collection: Pennina Barnett interviews Wiebke Siem. n. paradoxa, international feminist art journal, 9, pp. 5-14. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Small Gestures and Acts of Grace: an interview with Germaine Koh. Women: a Cultural Review, 13(3), pp. 356-369. ISSN 09574042 [Article]

Barnett, Pennina; Ross, David and Jefferies, Janis K.. 2003. Letter from the Editors. Textile The Journal of Cloth and Culture, 1(1), pp. 1-7. ISSN 14759756 [Article]

Batchelor, David. 2017. Chromatology. In: "Chromatology", Ab Anbar Gallery, Iran, Islamic Republic of, 3 February - 3 March 2017. [Show/Exhibition]

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Batchelor, David. 2000. Chromophobia. London: Reaktion Books. ISBN 9781861890740 [Book]

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Batchelor, David. 2022. Colour Is. In: "Colour Is", Compton Verney, United Kingdom, 25 June - 2 October 2022. [Show/Exhibition]

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Batchelor, David. 2018. Colour Is. In: "Colour Is", Margaret Lawrence Gallery, University of Melbourne, Australia, 27 July - 25 August 2018. [Show/Exhibition]

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Batchelor, David. 2022. Concretos. London: Anomie Publishing. ISBN 9781910221389 [Book]

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Batchelor, David. 2019. David Batchelor and Alfredo Volpi. In: "David Batchelor and Alfredo Volpi", Casa Leme, Sao Paolo, Brazil, 24 April - 29 May 2019. [Show/Exhibition]

Batchelor, David. 2013. Flatlands. [Art Object]

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Batchelor, David. 2023. I-Cons and Ex-Cons. In: "I-Cons and Ex-Cons", Kestle Barton, Cornwall, United Kingdom, 25 March - 11 June 2023. [Show/Exhibition]

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Batchelor, David. 2021. Light: Works from Tate's Collection. In: "Light: Works from Tate's Collection", Museum of Art Pudong, Shanghai, China, 2021-2024. [Show/Exhibition]

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Batchelor, David. 2014. The Luminous and the Grey. London: Reaktion Books. ISBN 9781780232805 [Book]

Batchelor, David. 2014. Monochrome Archive 1997-2015. In: "Monochrome Archive", Whitechapel Gallery, United Kingdom. [Show/Exhibition]

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Batchelor, David. 2019. My Own Private Bauhaus. In: "My Own Private Bauhaus", Ingleby Gallery, Edinburgh, United Kingdom, 24 July - 28 September 2019. [Show/Exhibition]

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Batchelor, David. 2018. Psychogeometry 2. In: "Psychogeometry 2", Site Eight, RMIT University, Melbourne, Australia, 9 - 24 May 2018. [Show/Exhibition]

Batchelor, David. 2017. Sixty Minute Spectrum. In: "Sixty Minute Spectrum", Hayward Gallery, London, United Kingdom, 22 November 2017 – 25 March 2018. [Show/Exhibition]

Bauer, Diann; Chilver, John; Claxton, Ruth; Dale, Tom; Dawes, Nick; Dawood, Shezad; Gough, Stewart; Herbert, Samuel; Hibbs, Justin; Hopkins, James; Hughs Watts, Julian; Jones, Zebedee; Monroe, Ian; Ritson, Boo; Sanders-Dunnachie, Angus; Smith, Kevin; Richardson, Pamela; Stark, John; Wathen, Richard; White, James; Woolls, Leon; Zakiewicz, Neil and Bolivar, Juan. 2010. Dawnbreakers. In: "Dawnbreakers", John Hansard Gallery, Southampton, United Kingdom, 27 April - 12 June 2010. [Show/Exhibition]

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Bauer, Diann; Malik, Suhail and Zuluaga, Natalia. 2019. Operationalizing Real Abstraction: Art and the General Abstract Image. In: Gean Moreno, ed. In the Mind But Not From There: Real Abstraction and Contemporary Art. New York: Verso. ISBN 9781788730693 [Book Section]

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Beasley, Becky. 2023. 'BOOKS & VOICES A Guest Artist Lecture Talk by Becky Beasley'. In: FESTIVAL OF BOOKS & VOICES. PUBLICS, Helsinki, Finland 25 November 2023. [Conference or Workshop Item]

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Beasley, Becky. 2022. 'Disability in British Art research group: Becky Beasley'. In: Disability in British Art research group. Disability Arts Online (Online Meeting), United Kingdom 16 June 2022. [Conference or Workshop Item]

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Beasley, Becky. 2017. A Gentle Man. In: "A Gentle Man", 80WSE Gallery, Steinhart, NYU, United States, 14 June -19 August 2017. [Show/Exhibition]

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Beasley, Becky. 2021. H. S. P. (or Promising Mid-career Woman). In: "H. S. P. (or Promising Mid-career Woman)", Galeria Plan B, Berlin, Germany, 27 November 2021 - 5 February 2022. [Show/Exhibition]

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Beasley, Becky. 2017. Ous. In: "Ous", Towner Art Gallery, Eastbourne, United Kingdom, 29/04-09/07/2017. [Show/Exhibition]

Beasley, Becky. 2015. Sleep is When you Grow. In: "Sleep is When You Grow", SKUC Gallery, Slovenia, 28.8. – 27.9. 2015. [Show/Exhibition]

Beasley, Becky. 2014. A Slight Nausea: An Interior. In: "A Slight Naueas: An Interior", South London Gallery, United Kingdom, January 2014 (four weekends). [Show/Exhibition]

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Beasley, Becky. 2018. Two Plants in Dip. [Artist's Book]

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Bedwell, Simon A.. 2009. Asphalt World. [Project]

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Bedwell, Simon A.. 15 January - 15 February 2009 Asphalt World. [Project]

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Bedwell, Simon A.. 2014. First And Last Men. In: "First And Last Men", Ha Gamle, Stavanger, Norway. [Show/Exhibition]

Bedwell, Simon A.. 2007. The Furnishers. In: "The Furnishers", White Columns, 1/10/2007 - 2/11/2007. [Show/Exhibition]

Bedwell, Simon A.. 2002. Galleon and Other Stories. In: "Galleon and Other Stories", Saatchi Gallery, 7/7/2002 - 12/1/2004. [Show/Exhibition]

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Bedwell, Simon A.. 2010. Heliotrope. In: "Heliotrope", Vulpes vulpes, United Kingdom, 12/06/2010-27/06/2010. [Show/Exhibition]

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Bedwell, Simon A.. 2016. No. In: "No", Piper Keys, London, United Kingdom. [Show/Exhibition]

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Bedwell, Simon A.. 2008. Other People's Projects. In: "Other People's Projects", White Columns, New York, United States, 22/02/08 - 30/03/08. [Show/Exhibition]

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Bedwell, Simon A.. 2009. The Painter of the Hole. In: "Simon Bedwell", MOT International, United Kingdom, 5 September - 3 October 2009. [Show/Exhibition]

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Bedwell, Simon A.. 11 February - 5 September 2009 RANK: Picturing the social order 1516 - 2009. [Project]

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Bedwell, Simon A.. 2010. Royale with Cheese. In: "Royale with Cheese", Aicon gallery, United Kingdom, 06/03/2010-03/04/2010. [Show/Exhibition]

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Bedwell, Simon A.. 2010. SO BE IT:INTERVENTIONS IN PRINTED MATTER. In: "So Be It: Interventions in Printed Matter", Andrew Roth Gallery, New York, United States, April 8– May 7, 2010. [Show/Exhibition]

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Bedwell, Simon A.. 2017. SOCIETY. In: "SOCIETY", Hospitalfield House, Arbroath, United Kingdom, 25 June - 10 July 2017. [Show/Exhibition]

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Bedwell, Simon A.. 2017. Society. In: "Society", Hospitalfield House, Arbroath, United Kingdom. [Show/Exhibition]

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Bedwell, Simon A.. 2006. Untitled (Death). In: "Cabaret", Ramis Barquet gallery, United States, February 17 – March 19, 2011. [Show/Exhibition]

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Bedwell, Simon A.. 2014. Untitled (No Inside). In: "Paradigm Store", Howick Place, London, United Kingdom. [Show/Exhibition]

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Bedwell, Simon A.. 2004. Untitled (The Prelude). In: "WE ARE GRAMMAR", Pratt Manhattan Gallery, New York, United States, 21/2/2011-27/5/2011. [Show/Exhibition]

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Bedwell, Simon A.. 2010. Untitled 1, Untitled 2, both acrylic on linen, 2010. In: "Standard Candles", Vulpes Vulpes, United Kingdom, 31 March - 25 April 2010. [Show/Exhibition]

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Bedwell, Simon A.. 2010. Untitled, 2010. In: "La Belle Dame Sans Merci", Vegas Gallery, Vyner Street London, United Kingdom, 03/09/2010 - 03/10/2010. [Show/Exhibition]

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Bedwell, Simon A. and Sutcliffe, Stephen. 2024. Memories of the 5 Administrations. In: "Memories of the 5 Administrations", Beaconsfield Gallery, London, United Kingdom, 15 May - 6 July 2024. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Amelia and Russell, John. 1998. Fax-Back. [Art Object]

Bedwell, Simon A. and Thompson, Milly. 2001. Century City. In: "Century City", Tate Modern, 1/30/2001 - 4/21/2001. [Show/Exhibition]

Bedwell, Simon A. and Thompson, Milly. 2002. John Moores 22 - The Ambassador. In: "John Moores 22 - The Ambassador", The Walker, 9/8/2002 - 12/8/2002. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Milly and Russell, John. 2009. FAX. In: "Fax", The Drawing Center, United States, April 17 - July 23, 2009. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Milly and Russell, John. 2008. LESS IS LESS, MORE IS MORE, THAT'S ALL. In: "Less is less, more is more, that’s all", Bordeaux, France, 13 June - 05 September 2008. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Milly; Russell, John and Williamson, Andrew. 2010. GRAND NATIONAL: ART FROM BRITAIN. In: "GRAND NATIONAL: ART FROM BRITAIN", Vestfossen Kunstlaboratorium, Vestfossen, Norway. [Show/Exhibition]

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Beech, Amanda. 2003. Heroic Realism: Rhetoric and Violence in Narratives of Justice and Discourses of Decision. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Beech, Amanda; Gilbertson, Alice; Jones, Alison; Poole, Matthew and Putler, Viictoria. 2001. Moving, Balls Pond Rd, London. In: "Moving", 72 Balls Pond Rd, London, United Kingdom, 15-29th September. [Show/Exhibition]

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Bhatara, Anjali; Quintin, Eve-Marie; Heaton, Pam F.; Fombonne, Eric and Levitin, Daniel. 2009. Bhatara, A., Quintin, E., Fombonne, E., Heaton, P. & Levitin, D. (2009).The Effects of Music on Social Attribution in Adolescents with Autism Spectrum Disorders. Child Neuropsychology, 13; 1 – 22. Child Neuropsychology, 15(4), pp. 375-396. ISSN 0929-7049 [Article]

Black, Hannah; Daniels, Chris Paul; Dean, Michael; Harrison, Sarah; Kholeif, Omar; Kingstone, Peter; Carter, Claire Makhlouf; Morrison, Laura; O'Hare, Louise; Penney, Bridget; Perks, Sarah; Unsworth, Emma Jane; Walter, John; Wills, Camilla and Wood, Jason. 2015. Transactions of Desire Vol 2: Are you allergic to the 21st century? In: Louise O'Hare and Sarah Perks, eds. Transactions of Desire Vol 2: Are you allergic to the 21st century? 2 Manchester UK: Cornerhouse Publications, pp. 54-68. ISBN 9780992952457 [Book Section]

Blumer, Stéphane and Borges, Sofia. 2023. CARTAZES. In: "CARTAZES", comıtė, Lisbon, Portugal, 3 - 21 July 2023. [Show/Exhibition]

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Bonarjee, Dominique Savitri. 2024. Butoh, as Heard by a Dancer. Abingdon: Routledge. ISBN 9780367631192 [Book]

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Bonarjee, Dominique Savitri. 2024. Space of the Nameless. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bowman, Jason; Malik, Suhail and Phillips, Andrea. 2015. Parse Journal #2: Introduction. Parse #2: The Value of Contemporary Art, 2, pp. 8-6. ISSN 2002-0511 [Article]

Bright, Susan. 2017. Home Truths: Photography and Motherhood. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

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Brkić, Aleksandar. 2010. Teaching Arts Management: Where Did We Lose the Core Ideas? The Journal of Arts Management, Law, and Society, 38(4), pp. 270-280. ISSN 1063-2921 [Article]

Brown, Millie. 2020. The fear journey into art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Burns, Laura. 2021. ‘River-Stone-Ceremony’; Towards a Material Poet(h)ics of Nonhuman-human Witnessing. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Cain, B.. 2006. Here and Now, Present but not Concrete.. In: "Here and Now, Present but not Concrete.", Museum of Modern Art, 9/10/2006 - 10/6/2006. [Show/Exhibition]

Cain, B.. 2005. Places of Transition (Continental Breakfast). In: "Places of Transition (Continental Breakfast)", Museum of Modern Art, 3/12/2005 - 4/12/2005. [Show/Exhibition]

Cain, B.. 2006. This is what it is like. In: "This is what it is like", Netwerk and Fordham, 5/7/2006 - 6/10/2006. [Show/Exhibition]

Cain, B. and Gerovic, T.. 2006. Near Island: Score for Complex Scene. In: "Near Island: Score for Complex Scene", PM Gallery, 3/26/2006 - 4/20/2006. [Show/Exhibition]

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Caines, Suzanne. 2015. The Interlocutor and the End Men. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Calonje, Teresa. 2024. APPROPRIATING GESTURE: LIVE ART FOR SALE THINKING APPROPRIATION THROUGH THE WORK OF LA RIBOT, TINO SEHGAL AND L. NÓBREGA. Doctoral thesis, Goldsmiths, University of London [Thesis]

Camplin, Bonnie. 2016. Bonnie Camplin. In: "Bonnie Camplin", Camden Arts Centre, United Kingdom, September 2016 - January 2017. [Show/Exhibition]

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Camplin, Bonnie. 2015. Bonnie Camplin detail of "Patterns" Installation. In: "Turner Prize 2015", Tramway, Glasgow, United Kingdom, 1 October 2015 – 17 January 2016. [Show/Exhibition]

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Camplin, Bonnie. 2016. Bonnie Camplin on her exhibition at Camden Arts Centre, 2016. Camden Arts Centre, London. [Other]

Camplin, Bonnie. 2015. Patterns/The Military Industrial Complex. In: "Turner Prize 2015", Tramway, Glasgow, United Kingdom, 1 October 2015 – 17 January 2016. [Show/Exhibition]

Camplin, Bonnie. 2016. Precog Jamaica. In: "Precog Jamaica", Michael Benevento Gallery, United States, 2016. [Show/Exhibition]

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Camplin, Bonnie. 2016. Talk: Bonnie Camplin, Dr David Luke and Michele Occelli. This is Tomorrow/ youtube, London. [Other]

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Camplin, Bonnie and Pieroni, Paul. 2016. Bonnie Camplin (Camden Arts Centre: September 2016 - January 2017). [Exhibition Catalogue]

Camplin, Bonnie and Simonini, Ross. 2022. Interview with Bonnie Camplin in Art Review magazine. Art Review/ Art Review online, ISSN 1745-9303 [Article]

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Camus, Josefina. 2024. I am the surroundings I inhabit. Situational identity, somatic experience and more-than-human environment.. Doctoral thesis, Goldsmiths, University of London [Thesis]

Carpenter, Ele. 2014. Actinium [Curatorial Project]. In: "Actinium", OYOYO, Japan, 19 July - 3 August 2014. [Show/Exhibition]

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Carpenter, Ele. 2010. Activist Tendencies in Craft. Concept Store #3 Art, Activism and Recuperation., 3, [Article]

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Carpenter, Ele. 2011. Analogous: Digital / Analogue Metaphors. Digitalis Newspaper Catalogue, 0-0. [Article]

Carpenter, Ele. 2011. Coal-powered Craft: a past for the future. Journal of Modern Craft, 4(2), pp. 147-160. ISSN 1749-6772 [Article]

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Carpenter, Ele. 2009. HTML Patchwork, 2007-2009. [Art Object]

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Carpenter, Ele. 2010. Intervention & Revolution, Interview with Gregory Sholette and Nato Thompson. In: Sarah Cook; Beryl Graham; Verina Gfader and Axel Lapp, eds. A Brief History of Working with New Media Art: Conversations with Artists. Sunderland UK / Berlin Germany: The Green Box, pp. 111-127. [Book Section]

Carpenter, Ele. 2016. Kota Takeuchi, Memory Bug. In: "Kota Takeuchi, Memory Bug", Arts Catalyst, United Kingdom, July - August 2016. [Show/Exhibition]

Carpenter, Ele. 2009. 'Many:Many Workshop'. In: Micro Makers Faire. Chapter Arts Centre, United Kingdom 22-23 October 2009. [Conference or Workshop Item]

Carpenter, Ele. 2009. 'Mapping Data: Performing Landscape'. In: Mapping Data: Performing Landscape. Umea University, Sweden. [Conference or Workshop Item]

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Carpenter, Ele. 2009. Open Source Embroidery. In: "Open Source Embroidery Exhibition", BildMuseet, Umea, Sweden, 6 June 2009 - 24 January 2010. [Show/Exhibition]

Carpenter, Ele. 2009. 'Open Source Embroidery at MzTek Unplugged'. In: MzTek. United Kingdom. [Conference or Workshop Item]

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Carpenter, Ele. 2012. Open Source Embroidery: Curatorial Facilitation of Material Networks. In: Jessica Hemmings, ed. The Textile Reader. London: Berg, pp. 336-346. ISBN 9781847886347 [Book Section]

Carpenter, Ele. 2018. Perpetual Uncertainty - art and radioactivity. In: "Perpetual Uncertainty - art and radioactivity", Malmö Konstmuseum, Sweden, 24 February - 26 August 2018. [Show/Exhibition]

Carpenter, Ele. 2017. '(Post) Nuclear Anthropocene'. In: Various conferences 2015-17. Z33 House of Contemporary Art, Belgium 2015 - 2017. [Conference or Workshop Item]

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Carpenter, Ele. 2011. Shaggy Modernism. In: James Hutchinson, ed. James Hutchinson: works 2007–2011. Sunderland, UK: Art Editions North, pp. 49-51. ISBN 978‐0‐9549119‐9‐7 [Book Section]

Carpenter, Ele. 2016. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity. In: Ryan Bishop and John Beck, eds. Cold War Legacies: Systems, Theories, Aesthetics. Edinburgh: Edinburgh University Press. ISBN 9781474409483 [Book Section]

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Carpenter, Ele. 2016. The Smoke of Nuclear Modernity Drifts through the Anthropocene. In: Helen Grove-White, ed. Power in the Land. Wales: X-10, pp. 17-29. ISBN 978-1-78280-732-2 [Book Section]

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Carpenter, Ele. 2011. Social Making. In: Daniel Charny, ed. The Power of Making:The Importance of Being Skilled. London, UK: V&A Museum and Crafts Council, pp. 49-51. ISBN 9781851776535 [Book Section]

Carpenter, Ele. 2009. Stable, A film by Kathleen Herbert. In: "Stable, a film by Kathleen Herbert", Vita Kuben, Sweden, Feb - March 2009. [Show/Exhibition]

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Carpenter, Ele. 2009. The Strategic and Tactical Time of Curating. In: , ed. Time at Work: CECAC 2008. 2 Post Media Books, pp. 66-71. [Book Section]

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Carpenter, Ele; Mabb, David; Craighead, Alison; Crowe, Nick; Schuppli, Susan; Takeuchi, Kota and Kobayashi, Erika. 2016. Material Nuclear Culture, Exhibition. In: "Material Nuclear Culture", KARST Gallery, United Kingdom, 17 June - 13 August 2016. [Show/Exhibition]

Carpenter, Ele; Mabb, David; Crowe, Nick; Craighead, Alison; Schuppli, Susan and Weir, Andy. 2016. Perpetual Uncertainty, exhibition. In: "Perpetual Uncertainty", Bildmuseet, Sweden, 2 October 2016 - 16 April 2017. [Show/Exhibition]

Carpenter, Ele and Pickup, Beatrice. 2017. Radioactive Art. [Broadcast]

Carpenter, Ele and Schroeder, Jantine. 2013. Nuclear Culture Symposium Report. Project Report. InSoTec, Belgium. [Report]

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Carter, Claire Makhlouf. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

Carter, Claire Makhlouf. 2015. Are You Allergic to the 21st Century? HOME, Manchester. In: Sarah Perks and Louise O'Hare, eds. Transactions of Desire, Volume ii: Are You Allergic to the 21st Century? ii Manchester: HOME, pp. 55-68. ISBN 9780992952457 [Book Section]

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Carter, Claire Makhlouf. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom, 14 Nov. - 3 Jan. 2016. [Show/Exhibition]

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Carter, Claire Makhlouf. 2016. 'DEMO BITTER LUCKY DIP'. In: DEMO BITTER LUCKY DIP. Goldsmiths, University of London, United Kingdom 3 February 2016, 29 June 2018. [Conference or Workshop Item]

Carter, Claire Makhlouf. 2020. DEMO CHELSEA#. In: Lee Campbell, ed. Leap into Action: Critical Performative Pedagogies in Art & Design Education. New York: Peter Lang, pp. 127-152. ISBN 9781433166402 [Book Section]

Carter, Claire Makhlouf. 2020. DEMO HORSE HOSPITAL. In: "DEMO HORSEHOSPTIAL", The Horse Hospital, London, United Kingdom, 27 February 2020. [Performance]

Carter, Claire Makhlouf. 2015. DEMO KHAT. [Artist's Book]

Carter, Claire Makhlouf. 2015. DEMO SKOYLES and DEMO RUSSIANLEATHERBUBBLEGUMGIN&TONICPAPERBACKBOOKSBANANAFLAMBÉEARTHWORMSSWIMMINGPOOLS. In: "Birmingham Show", Eastside Projects, United Kingdom, 31/01/2015 to 11/04/2015. [Show/Exhibition]

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Carter, Claire Makhlouf. 2016. Demo Touring Teenagers. In: "Elizabeth Price Curates: In a Dream You Saw a Way To Survive and You Were Full of Joy", The Whitworth, Manchester, United Kingdom, June 2016 - August 2017. [Show/Exhibition]

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Carter, Claire Makhlouf. 2014. SPV Ltd Diep~haven Cross-Channel Project 'Entre Deux/In Between'. In: "SPV Ltd Diep~haven Cross-Channel Project, 'Entre Deux/In Between'", Cross Channel Ferry Dieppe - Newhavan. [Show/Exhibition]

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Carter, Claire Makhlouf and Chapman, Georgie. 2020. DEMO NOTHERE. In: "DEMO NOTHERE", KELDER PROJECTS, United Kingdom, 12 March 2020. [Performance]

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Cenini, Marta Silvia. 2011. BRINGING THE WAR HOME:ETHICS AND JUSTICE IN A (POST) FEMINIST DEPICTION OF ABU GHRAIB. Masters thesis, Goldsmiths, University of London [Thesis]

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Chabanon, Eve; Colin, Anna and Planeix-Crocker, Madeleine. 2021. Crossed Perspectives on Collaboration. On Curating(52), pp. 163-171. ISSN 2673-2955 [Article]

Chalklin, Victoria. 2015. All Hail the Fierce Fat Femmes. In: Caroline Walters and Helen Hester, eds. Fat Sex: New Directions in Theory and Activism. London: Ashgate. ISBN 9781472432544 [Book Section]

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Chalklin, Victoria and Mulvey, Marianne. 2016. Towards a Performative Trans-Pedagogy: Critical Approaches for Learning and Teaching in Art and Performance. Performance Matters, 2(1), pp. 62-77. ISSN 2369-2537 [Article]

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Chance, Véronique. 2012. Re-presenting the Physical Act: An Exploration of the Physical Presence of the Body through its Screen Representation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Chavez, Lia. 2012. In Radical Form(ation): Bergsonism, Bodies in Process, and Unconscious Vision. Other thesis, Goldsmiths, University of London [Thesis]

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Chew, Kim Liong. 1997. De Xin Ying Shou [Heart and Hand in Accord]' and #Zhou You Dong XI [travelling round the East and West]'. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Child, Danielle; Reckitt, Helena and Richards, Jenny. 2017. Labours of Love: A Conversation on Art, Gender, and Social Reproduction. Third Text, 31(1), pp. 147-168. ISSN 0952-8822 [Article]

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Chilver, John. 2014. 6R-K-M5. [Art Object]

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Chilver, John. 2016. 6R-K-M8. [Art Object]

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Chilver, John. 2012. 'Art and Number'. In: The New Numeracy. Dept of Sociology, Goldsmiths, London, United Kingdom 17/2/2012. [Conference or Workshop Item]

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Chilver, John. 2018. Banner paintings. [Art Object]

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Chilver, John. 2013. Bomberg after Auerbach after Brown. Turps Banana, 13, pp. 4-13. ISSN 1749 3994 [Article]

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Chilver, John. 2013. The Dancers 3. [Art Object]

Chilver, John. 2007. Displacements of Shadow. Art Papers, 31(1), pp. 36-41. ISSN 15249581 [Article]

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Chilver, John. 2017. The Dream's Dream, 2017. [Art Object]

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Chilver, John. 2014. Entkoerperte Malerei. In: Gunter Reski and Hans-Juergen Hafner, eds. The Happy Fainting of Painting. Cologne: Verlag der Buchhandlung Walter Koenig, pp. 62-67. ISBN 9783863356705 [Book Section]

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Chilver, John. 2005. Gestural Ethics: Consequences of the Mark in Contemporary Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Chilver, John. 2015. Glenn Brown October 2013. In: Wendy Chang, ed. Glenn Brown, Rebecca Warren. Vancouver, Canada: Rennie Collection, pp. 9-21. ISBN 978-0-9865961-7-9 [Book Section]

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Chilver, John. 2013. HLA213109XA. [Art Object]

Chilver, John. 2012. The Happy Fainting of Painting. In: "The Happy Fainting of Painting", Zwinger Galerie, Berlin, Germany, 3/3/2012-28/4/2012. [Show/Exhibition]

Chilver, John. 2012. If Display Becomes Materiality. In: Edward Whittaker and Alex Landrum, eds. Painting With Architecture in Mind. Bath, UK: Wunderkammer Press, pp. 113-134. ISBN 978-0-9566462-1-7 [Book Section]

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Chilver, John. 2016. 'If Surface is the Condition'. In: Surface Values: Locating Conditions. University of Reading, United Kingdom 10/ 06/ 2016. [Conference or Workshop Item]

Chilver, John. 2004. 'James Rosenquist'. Untitled, 32, p. 70. [Article]

Chilver, John. 2001. John Chilver. In: "John Chilver", Casey Kaplan, New York, 9/7/2001 - 10/10/2001. [Show/Exhibition]

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Chilver, John. 2009. John Chilver. In: "John Chilver", Keith Talent Gallery, London, United Kingdom, 17 June - 1 Aug 2009. [Show/Exhibition]

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Chilver, John. 2018. John Chilver at Xero, Kline & Coma. In: "John Chilver at Xero, Kline & Coma", Xero, Kline & Coma, London, United Kingdom, 23 June - 15 July 2018. [Show/Exhibition]

Chilver, John. 2002. Landscape. In: "Landscape", The Saatchi Gallery, 2/22/2002 - 5/17/2002. [Show/Exhibition]

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Chilver, John. 2022. Minor Matters of Major Importance: On the Vicissitudes of Minor Painting. Journal of Contemporary Painting, 8(1-2), pp. 31-44. ISSN 2052-6695 [Article]

Chilver, John. 2010. 'Miss the Start, Miss the End'. In: Space, Time and the Image. APT Gallery, London, United Kingdom 14 May 2010. [Conference or Workshop Item]

Chilver, John. 2007. Morandi with Heidegger. In: E Whittaker and A Landrum, eds. Nonsite to Celebration Park: Essays on Art and the Politics of Space. Bath: Bath Spa University, pp. 85-100. ISBN 9781905200726 [Book Section]

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Chilver, John. 2014. Number intersecting with art: three studies. Distinktion: Journal of Social Theory, 15(2), pp. 239-249. ISSN 1600-910X [Article]

Chilver, John. 1999. 'On DJ Simpson', a dialogue with Dave Beech. In: Shahin Alfrassiabi, ed. Beck's Futures 2001 (Art Catalogue). University of Pennsylvania,Institute of Contemporary Art. ISBN 978-1900300315 [Book Section]

Chilver, John. 2008. Painting and Its Strata: Sub, Super, etc. In: , ed. Superstratum. Antwerp: Koraalberg Gallery, pp. 3-5. ISBN 9789079874002 [Book Section]

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Chilver, John. 2013. The Postceptual Present. Spike Art Quarterly, pp. 113-115. ISSN 1813 6281 [Article]

Chilver, John. 2016. Reivew of Bridget Riley, The Curve Paintings 1961-2014. Journal of Contemporary Painting, 2(2), pp. 318-321. ISSN 2052-6695 [Article]

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Chilver, John. 2021. The Scene of Instruction. In: "The Scene of Instruction", Coleman Projects, London, United Kingdom, 18 June - 18 July 2021. [Show/Exhibition]

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Chilver, John. 2013. Sequence 328987. [Art Object]

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Chilver, John. 2018. 'Transposing Genre, Translating Style'. In: Painting and Transposition. University of Worcester, United Kingdom 6th February 2018. [Conference or Workshop Item]

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Chilver, John. 2013. Tuesdays in August. [Art Object]

Chilver, John. 2004. 'Vertical Acceleration'. Starship, 6, [Article]

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Chilver, John. 2015. WLSX7834. [Art Object]

Chilver, John. 2023. The Years of Glenn Brown. In: Hans Werner Holzwarth, ed. Glenn Brown. Cologne: Taschen, pp. 19-270. ISBN 9783836591294 [Book Section]

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Chilver, John. 2018. The discursive array: Towards a politics of painting as time–space production. Journal of Contemporary Painting, 4(1), pp. 81-101. ISSN 2052-6695 [Article]

Chilver, John; Afrassiabi, Shahin; Ash, Jesse; Bauer, Diann; Bedwell, Simon A.; Billy, Vanessa; Bolivar, Juan; Burton, Adam; Carneiro da Cunha, Tiago; Coleman and Hogarth, Kim and Jenny; Cumberland, Stuart; Dany, Hans-Christian; Frearson, Annabel; Freee, Freee; Ghazi, Babak; Ghosts Eat Mirrors, Ghosts Eat Mirrors; Glogan, Jeremy; Gottelier, Luke; Gruenfeld, Thomas; Hemsworth, Gerard; Higashionna, Yuichi; Holmes, Emma; Jones, Gareth; Kartscher, Kerstin; Kollectiv, Pil and Galia; Lowe, Brigrid; Macuga, Goshka; Makh, Ellen; Pettitt, Daniel; Reski, Gunter; Rosler, Martha; Schultze, Michael; Sill, Heidi; Simpson, D. J.; Strange, Jack; Stubbs, Michael; Timberlake, John; Verzutti, Erika; Vinitsky, Yonatan and Wright, Carla. 2010. Use and Mention. In: "Use and Mention", Stephen Lawrence Gallery, University of Greenwich, London, United Kingdom, 26 Jan - 26 Feb 2010. [Show/Exhibition]

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Chilver, John; Bedwell, Simon A.; Reski, Gunter and Vinitsky, Yonatan. 2010. Standard Candles. In: "Standard Candles", Vulpes Vulpes, London, United Kingdom, 31 March - 25 April 2010. [Show/Exhibition]

Chilver, John; Graw, Isabelle; Haverkost, Eberhard; Baer, Monika and Reski, Gunter. 2007. 'On Disappearance & Display'. In: , ed. The Worst & The Best: Yearbook 2007/2008. Oslo: KHIO/National Academy of Fine Arts Oslo, pp. 21-23. [Book Section]

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Chilver, John; Lowe, Brighid; Capaldi, Leah; Chaimowicz, Marc Camille; Jeffery, Charlie; Jones, Gareth; Pedraglio, Francesco; Piper, Adrian; Schmuecker, Martina; Slotawa, Florian; Staton, Sarah and Wentworth, Richard. 2012. Parts and Labour (3 Hours Minimum Wage). In: "Parts and Labour (3 Hours Minimum Wage)", Camberwell Space, London, United Kingdom, 1/5/2012-26/5/2012. [Show/Exhibition]

Chilver, John; Lowe, Brighid and Mok, Honggyun. 2014. Parts and Labour (Osan). In: "Parts and Labour (Osan)", Osan Museum of Art, Korea, Republic of, November - December 2014. [Show/Exhibition]

Chilver, John; Malik, Suhail; Harris, Jane; Stubbs, Michael; Cooke, Nigel and Brown, Glenn. 2004. ''Painting as a Technology''. In: ‘Painting, Specifically’. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

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Chilver, John and Pettitt, Daniel. 2023. Coat Heel Throat. In: "Coat Heel Throat", Recent Activity, Birmingham, United Kingdom, 3 November - 2 December 2023. [Show/Exhibition]

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Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018. [Conference or Workshop Item]

Chilver, John and Slotawa, Florian. 2008. Contingency and the Paradox of Composition: Florian Slotawa. Art Papers, 32(5), pp. 32-37. ISSN 1524-9581 [Article]

Chilver, John and Vallotton, Felix. 2009. Felix Vallotton: Genres and Shallow Waters. Turps Banana, 7, pp. 28-35. ISSN 1749-3994 [Article]

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Clark, Simon J.. 2013. Undead Melancholia; from Lost Modernism to Haptic Antagonism. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Clarke, Elly. 2023. 'Dragging the Archive: Lecturette by Elly Clarke as delivered at Bishopsgate Institute, 8th June 2023'. In: Dragging the Archive: Kings, Queens and Things. Bishopsgate Institute, London, United Kingdom 8 June 2023. [Conference or Workshop Item]

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Clarke, Elly. 2020. Is my body out of date? The drag of physicality in the digital age. Idea Journal, 17(2), pp. 289-325. ISSN 2208-9217 [Article]

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Clarke, Elly. 2020. An Orgy of Algorithms and Other Desires and Distractions: The Drag of Physicality in a #digitalphysical Hybrid Ecology. In: Susanne Witzgall; Marietta Kesting; Maria Muhle and Jenny Nachtigall, eds. Hybrid Ecologies. Zürich: diaphanes, pp. 167-172. ISBN 9783035804065 [Book Section]

Clarke, Elly and Ballantine, Stephanie. 2021. 'Is My Body Out of Date? The Drag of Physicality in the Digital Age - Episode 4'. In: Summer School for Sexualities, Cultures, and Politics. Belgrade, Serbia 17 - 22 August 2021. [Conference or Workshop Item]

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Clarke, Elly and Hill, Clareese. 2022. MEDITATIVE DRAG/GY SALES PITCH. Rendering Research (Peer Reviewed Newspaper), 11(1), ISSN 2245-7593 [Article]

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Clarke, Elly and Hill, Clareese. 2023. WRITING FROM THE _________________. Studies in Theatre and Performance, 42(3), pp. 338-355. ISSN 1468-2761 [Article]

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Clinton, Paul. 2021. AA Bronson: Revolutionary Asshole. In: Vincent Simon, ed. AA Bronson's House of Shame. Zurich, Switzerland: Editions Patrick Frey. ISBN 9783907236314 [Book Section]

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Clinton, Paul. 2019. Dissent at the Disco. Frieze, ISSN 0962-0672 [Article]

Clinton, Paul. 2019. Homo Ludens. Lismore Castle Arts, IMMA, Dublin. [Other]

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Clinton, Paul. 2019. LIMP: Frustrations in the Circulation of Queer Imagery', curated by Paul Clinton, Galerie Emanuel Layr/Curated.by, Vienna, Austria. In: "LIMP", Galerie Emanuel Layr, Vienna, Austria, 13th September - 31st October 2019. [Show/Exhibition]

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Clinton, Paul. 2019. Militant Desire: Lionel Soukaz and Gay Liberation Today, curated by Paul Clinton at Gasworks and Lux Artist's Moving Image, London. Plus publication.. In: "Militant Desire: Lionel Soukaz and Gay Liberation Today", Gasworks, London, United Kingdom, 29 May - 27 June 2019. [Show/Exhibition]

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Clinton, Paul. 2019. Useless Man. In: , ed. Kiss My Genders (exhibition catalogue, Hayward Gallery, 12th June 2019). London, UK: Hayward Publishing, pp. 34-39. ISBN 9781853323645 [Book Section]

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Clout, Lucy. 2014. The Extra's Ever-Moving Lips. [Film/Video]

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Clout, Lucy. 2019. Flatness 2. In: "Flatness", https://flatness.eu/, 2019. [Show/Exhibition]

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Clout, Lucy. 2015. From Our Own Correspondent. [Film/Video]

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Clout, Lucy. 2019. Nurses. [Film/Video]

Clout, Lucy. 2019. Nurses 2. [Film/Video]

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Clout, Lucy. 2013. Shrugging Offing. [Film/Video]

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Clout, Lucy. 2018. Solvent Magazine. In: "Solvent Magazine", Gymnasium Gallery, United Kingdom, 1st April 2018 to 24th Spetember 2018. [Show/Exhibition]

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Clout, Lucy. 2019. A Symptom. In: "A Symptom", Cubitt Gallery, United Kingdom, 8 March - 14 April 2019. [Show/Exhibition]

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Clout, Lucy. 2016. Warm Bath. [Film/Video]

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Clout, Lucy. 2016. Warm Bath, Exhibition, Limoncello Galley. In: "Warm Bath", Limoncello Gallery, United Kingdom, 10 March - 16 April 2016. [Show/Exhibition]

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Clout, Lucy. 2015. What Will They See of Me. In: "What Will They See Of Me", Jerwood Space, United Kingdom, 11 March - 26 April 2015. [Show/Exhibition]

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Clout, Lucy. 2020. ZZZ. [Art Object]

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Cohen, Revital and Van Balen, Tuur. 2019. Particles (an epilogue)/ Epilogue (a particle). In: Karsten Lund, ed. Unthought Environments. Chicago: Renaissance Society, pp. 144-157. ISBN 9780941548755 [Book Section]

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Colin, Anna. 2025. Alternative Pedagogical Spaces: From Utopia to Institutionalization. Berlin and New York: Sternberg Press. ISBN 9781915609670 [Book] (In Press)

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Colin, Anna. 2023. Chaleur Humaine. In: "Chaleur humaine", FRAC Grand-Large Hauts-de-France, France, 10 June 2023 - 14 January 2024. [Show/Exhibition]

Colin, Anna. 2023. 'Des pratiques pédagogiques, institutionnelles et paysagères critiques'. In: Journées de recherche et de création "Weather Report": Les arts de subsister dans un monde abîmé. ESAD Valence, France 30-31 January 2023. [Conference or Workshop Item]

Colin, Anna. 2022. 'From alternative to permacultural institutions'. In: MFA Art + MFA Curating Lecture Series. Goldsmiths, University of London, United Kingdom 28 November 2022. [Conference or Workshop Item]

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Colin, Anna. 2023. 'Institutional ecosystems, ecosystemic institutions: life cycles, (non-)linear time, and stewardship'. In: Institutional ecosystems, ecosystemic institutions: life cycles, (non-)linear time, and stewardship. Goldsmiths, University of London, United Kingdom 10 July 2023. [Conference or Workshop Item]

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Colin, Anna. 2024. 'Multi Public Educational Spaces'. In: CONTRAcurricular. St George's Theatre, Great Yarmouth, United Kingdom 22 March 2024. [Conference or Workshop Item]

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Colin, Anna. 2022. Seeding the Garden: our Place in Lewisham's Green Infrastructure. Other. Goldsmiths, University of London, London. [Report]

Colin, Anna. 2021. Sunken Ecologies. In: "Sunken Ecologies", Sunken Garden, Margate, United Kingdom, 25 September - 10 October 2021. [Show/Exhibition]

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Colin, Anna. 2022. Éducation, art, démocratie, communauté. In: Hélène Meisel, ed. L'Art d'apprendre. Une école des créateurs. Metz: Éditions du Centre Pompidou-Metz. ISBN 9782359830651 [Book Section]

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Colin, Anna and Boutonnier, Thierry. 2023. Acting with Trees. In: Angelika Burtscher and Daniele Lupo, eds. As If: 16 Dialogues about Sheep, Black Holes, and Movement. Leipzig: Spector Books, pp. 143-153. ISBN 9783959057523 [Book Section]

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Colin, Anna and Lang, Marine. 2023. ĝardeno paradizo. Résidence Sévignée, France January - October 2023. [Show/Exhibition]

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Colin, Anna and Richert, Camille. 2023. Chaleur Humaine. [Exhibition Catalogue]

Comay, Rebecca and Newman, Michael. 2012. Ghostly Medium: James Coleman’s 'Charon'. In: Museo Nacional Centro de Arte Reina Sofía, ed. James Coleman. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 35-52. ISBN 9788480264556 [Book Section]

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Cooke, Kirsten. 2024. 'Aqueous Humours: Fluid Ground (Fluid Mapping)'. In: London Conference in Critical Thought: Watery Speculations stream. University of Greenwich, United Kingdom 28 - 29 June 2024. [Conference or Workshop Item]

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Cooke, Kirsten. 2023. Damp Bodies: Fluid Ground. In: Louis Mason, ed. GOT DAMP: Avril Corroon. Thamesmead, London: TACO!, pp. 102-113. ISBN 9781838279271 [Book Section]

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Cooke, Kirsten. 2023. A Slice of Fluid Ground. Journal of Writing in Creative Practice, 16(2), pp. 199-213. ISSN 1753-5190 [Article]

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Cooke, Kirsten and Harezlak, Ann. 2023. Transfictioning. In: Beatrice von Bismarck, ed. Archives on Show: Revoicing, Shapeshifting, Displacing – A Curatorial Glossary. Berlin: Archive Books, pp. 49-53. ISBN 9783948212916 [Book Section]

Coutts, Marion. 2005. 01. Marion Coutts. In: , ed. Responding to Rome, British Artists in Rome 1995-2005. The British School at Rome. ISBN 978-0904152494 [Book Section]

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Coutts, Marion. 2019. 1d for Abroad. In: "1d for Abroad", Tintype Gallery, United Kingdom, 7 March – 6 April 2019. [Show/Exhibition]

Coutts, Marion. 1988. 4th International Triennial of Drawing. In: "4th International Triennial of Drawing", Wroclaw, Poland. [Show/Exhibition]

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Coutts, Marion. 2015. AGNES MARTIN AND THE GREAT INDOORS. 1843 magazine - The Economist online, [Article]

Coutts, Marion. AICA UK membership. [Professional Activity]

Coutts, Marion. 2017. Aiming or Hitting. In: "Aiming or Hitting", Tintype Gallery 107 Essex Road London N1 2SL, United Kingdom, 10 March – 13 April 2017. [Show/Exhibition]

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Coutts, Marion. 2015. 'The Brighton and Sussex Medical School Debate Facing Cancer A Brighton Festival Exclusive'. In: The Brighton and Sussex Medical School Debate - Facing Cancer. Brighton Festival, United Kingdom 24 may 2015. [Conference or Workshop Item]

Coutts, Marion. 2021. 'Care and Waiting'. In: Critical Poetics Summer School 2021: Care Of.... Online, United Kingdom 25 June – 3 July 2021. [Conference or Workshop Item]

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Coutts, Marion. 2016. 'The Chronic: Temporality, Care and Health Research'. In: The Chronic: Temporality, Care and Health Research. Birkbeck, United Kingdom 17 March 2016. [Conference or Workshop Item]

Coutts, Marion. 2005. Contribution to Helsinki photography festival 2005. In: Mika Elo; Brett Rogers and Marjatta Tikkanen, eds. To be continued... / jatkuu...: Helsinki Photography Festival 2005. Helsinki: Valokuvataiteilijoiden Liitto ry / Valokuvagalleria Hippolyte & British Council. ISBN 0-86-355-5489 [Book Section]

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Coutts, Marion. 2017. Cove Park Literature Residency. [Professional Activity]

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Coutts, Marion. 2002. Cult. In: "Cult", Chisenhale Gallery, United Kingdom, 9/4/2002 - 10/13/2002. [Show/Exhibition]

Coutts, Marion. 2006. Ein Bolzplatz fur die Kunst/ Ball of Fame, Young International Artists. In: "Ein Bolzplatz fur die Kunst/ Ball of Fame, Young International Artists", ex-Vitra Design Museum, Berlin, Germany. [Show/Exhibition]

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Coutts, Marion. 2017. 'Empathy and Ethics at the End of Life Perspectives from the Medical Humanities: workshop'. In: Empathy and Ethics at the End of Life Perspectives from the Medical Humanities. University of Basel, Switzerland. [Conference or Workshop Item]

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Coutts, Marion. 2003. Everglade. In: "Everglade", Firstsite, The Minories: 7 June-3 August 2003 Angel Row Gallery: 14 Jan-28 Feb 2004 2 Princelet St: 1 May-16 May 2004, 6/7/2003 - 5/16/2004. [Show/Exhibition]

Coutts, Marion. 2001. Fair Play. In: , ed. Fair Play. London: Danielle Arnaud. ISBN 09537752-7-5 [Book Section]

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Coutts, Marion. 2015. The Feeling of Finishing. 1843 Magazine, [Article]

Coutts, Marion. 1998. Fine Arts 1998-1999, The British School at Rome. Fine Arts 1998-1999, The British School at Rome, [Article]

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Coutts, Marion. 2016. 'Fáilte gu Faclan 2016, The Hebridean Book Festival.'. In: Faclan. An Lanntair,, Kenneth Street, Stornoway HS1 2DS, United Kingdom. [Conference or Workshop Item]

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Coutts, Marion. 2017. Gathering dust. 1843 magazine, [Article]

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Coutts, Marion. 2015. 'Happy Days Beckett Festival'. In: Happy Days: Beckett Festival. Enniskillen, Ireland 23 july - 3 august 2015. [Conference or Workshop Item]

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Coutts, Marion. 2017. Hokusai: old man, crazy to paint. 1843 magazine, [Article]

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Coutts, Marion. 2014. The Iceberg [American edition]. New York: Grove Atlantic. ISBN 978-0-8021-2460-9 [Book]

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Coutts, Marion. 2016. The Iceberg [Mandarin edition]. Taiwan: Mobius. ISBN 978-986-91082-6-3 [Book]

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Coutts, Marion. 2014. The Iceberg. London: Atlantic Books. ISBN 9-781782-393504 [Book]

Coutts, Marion. 2015. The Iceberg: A Memoir. London: Atlantic Books. ISBN 9781782393528 [Book]

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Coutts, Marion. 2015. 'Marion Coutts and Ali Smith: LSE Festival talk'. In: An Eye for Life: Marion Coutts and Ali Smith: LSE Literature Festival. LSE, United Kingdom 24 Feb 2015. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Marion Coutts and Rosie Boycott, Hay Festival'. In: Marion Coutts in conversation with Rosie Boycott. Hay Festival, United Kingdom. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Medicine Unboxed 2015 MORTALITY - ICEBERG - Marion Coutts'. In: Medicine Unboxed: Mortality. Parabola Arts Centre, Cheltenham, United Kingdom 21-22 November 2015. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Modernism’s Chronic Conditions Temporality, Medicine, and Disorders of the Self'. In: Modernism’s Chronic Conditions Temporality, Medicine, and Disorders of the Self. University of Exeter, United Kingdom 17 April 2015. [Conference or Workshop Item]

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Coutts, Marion. 2005. Money. In: "Money", The Tabernacle Trust, Powis Square, 1/15/2005 - 2/26/2005. [Show/Exhibition]

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Coutts, Marion. 2003. Mountain. In: "Mountain", Kettles Yard, 9/27/2003 - 11/2/2003. [Show/Exhibition]

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Coutts, Marion. 2015. My Summer with Proust. The Guardian online, [Article]

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Coutts, Marion. 2016. Picasso's Emotional Weather. 1843 Magazine, [Article]

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Coutts, Marion. 2008. Reading Columns. [Art Object]

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Coutts, Marion. 2019. 'Sculpture as Fieldwork'. In: Sculpture as Fieldwork. Henry Moore Lecture Theatre, Leeds Art Gallery, United Kingdom 6 July 2019. [Conference or Workshop Item]

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Coutts, Marion. 2020. StudioAudio. [Audio]

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Coutts, Marion. 2008. Twenty Six Things. [Art Object]

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Coutts, Marion. 2021. Where to Stand in the Wind. In: "Where to Stand in the Wind", Fermynwoods Contemporary Art, East Carlton Country Park, United Kingdom, 31 July – 3 October 2021. [Show/Exhibition]

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Coutts, Marion. 2018. Women Power Protest. In: "Women Power Protest", Birmingham Museum and Art Gallery, United Kingdom, 10 November 2018 - 31 March 2019. [Show/Exhibition]

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Coutts, Marion. 2017. Zine. [Exhibition Catalogue]

Coutts, Marion and Fisher, Elizabeth. 2005. Marion Coutts, Kettle’s Yard. Kettles Yard Gallery. ISBN 1-904561-13-6 [Book]

Coutts, Marion and Furlong, William. 2003. Audio Arts: Volume 21 No 2. Audio Arts, [Article]

Coutts, Marion and Hopkins, David. 2000. essay by David Hopkins. Co-published by Morning Star with City Art Centre, polygon. Paperback with CD. In: Alex Finlay, ed. Without Day. Polygon An Imprint of Birlinn Limited; Pap/Com edition. ISBN 978-0748662777 [Book Section]

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Coutts, Marion and Lubbock, Tom. 2011. Great Works: 50 Paintings Explored. Frances Lincoln, London. [Other]

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Coutts, Marion and Lubbock, Tom. 2012. Introduction. In: Marion Coutts, ed. Until Further Notice, I am Alive. London: Granta, pp. 1-9. ISBN 978-1-84708-531-3 [Book Section]

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Coutts, Marion; O'Reilly, Sally; Deary, Vincent; Wood, Katherine and Bode, Steven. 2003. Marion Coutts. Film & Video Umbrella. ISBN 978-1904270058 [Book]

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Cox, Christoph; Jaskey, Jenny and Malik, Suhail. 2015. 'Introduction'. In: C Cox; J Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College, pp. 15-31. ISBN 978-3-95679-126-0 [Book Section]

Craighead, Alison and Thomson, J.. 2007. BEACON at BFI Southbank. In: "BEACON at BFI Southbank", BFI Southbank, 6/22/2007 - 8/19/2007. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2006. Decorative Newsfeeds. In: "Decorative Newsfeeds", Neuberger Museum of Art, State University of New York, 2/12/2006 - 6/25/2006. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2007. Short Films about Flying. In: "Short Films about Flying", Laboral Museum, Gijon (Spain), 3/30/2007 - 6/30/2007. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2006. Unprepared Piano. In: "Unprepared Piano", Mejan Labs, Stockholm, 1/26/2006 - 3/5/2006. [Show/Exhibition]

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Craighead, Alison and Thomson, JON. 2011. Thomson & Craighead solo show at Watermael Station and Vénerie Stables Brussels. In: "Thomson & Craighead", Watermael Station & Vénerie Stables, Belgium, 26th of october 2011 to 18th of Decemeber 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2019. 24/7 A Wake-up Call for our Non Stop World. In: "24/7 A wakeup call in a nonstop world", Somerset House, London, United Kingdom, 31 October 2019- 23 February 2020. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. The Academy of Saturn. In: "The Academy of Saturn", Cooley Gallery Portland Oregon, United States, 2/2/18 - 26/4/18. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. The Academy of Saturn. In: "The Academy of Saturn", Cooley Gallery, Reed College, Portland, Oregon, United States, 2/2/18 - 26/4/18. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. Another advertiser's announcement. [Art Object]

Craighead, Alison and Thomson, Jon. 2018. Anytime Now. In: "Anytime Now", TENT, Rotterdam, Netherlands, 19.04.2018- 10.06.2018. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2016. Apocalypse/In words alas drown I (2016 - 2030). [Art Object] (Forthcoming)

Craighead, Alison and Thomson, Jon. 2015. Art in the age of asymmetrical warfare. In: "Art in the age of asymmetrical warfare", Witte de With, United Kingdom, 11/09/2015- 03/01/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2015. 'Artist Use of Open Data'. In: Open Data Institute Summit. BFI, Southbank, London, United Kingdom 03 Nov 2015. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2012. Belief. [Film/Video]

Craighead, Alison and Thomson, Jon. 2015. Big Bang Data. In: "Big Bang Data", Somerset House, United Kingdom, 03/12/2015 - 20/03/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2014. 'Building a temporary index'. In: Panning for Atomic Gold. University of Notre Dame London Global Gateway, United Kingdom 17 May 2014. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2014. 'Building a temporary index (part II)'. In: The Actinium Forum. OYOYO, Sapporo, Japan 27 July 2014. [Conference or Workshop Item]

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Craighead, Alison and Thomson, Jon. 2011. Cloud Sounds. In: "Cloud Sounds", Netherlands Media Art Institute, Amsterdam, Netherlands, 19th February - 29th April 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2017. Control Room. [Art Object]

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Craighead, Alison and Thomson, Jon. 2011. Current: an experiment in collecting digital art. In: "Current: an experiment in collecting digital art", Harris Museum, Preston, United Kingdom, 26 March – 4 June 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2015. Data as Culture 3: Data Anthropologies. In: "Data as Culture 3: Data Anthropologies", Open Data Institute, United Kingdom, 25/03/2015-20/06/2015. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Electronic Superhighway. In: "Electronic Superhighway", Whitechapel Gallery, United Kingdom, 29/01/2016 -05/05/2016. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2011. Gateways, Art and Networked Culture, Tallinn. In: "Gateways", Kumu Art Museum Tallinn, Estonia, 1st of june 2011- sept 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2014. Hello World. [Art Object]

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Craighead, Alison and Thomson, Jon. 2019. Here Not Here. In: "Here Not Here", UCL Student Centre, United Kingdom, Feb 2019 - ongoing. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Humansbeingdigital. In: "Humansbeingdigital", The Lowry, Salford, United Kingdom, 17 November 2017 - 25 February 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. I Want I Want! Art and Technology. In: "I Want I Want! Art and Technology", Birmingham City Art Gallery,, United Kingdom, 01/04/2017 - 01/10/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. I was Raised on The Internet. In: "I Was Raised on the Internet", MCA Chicago, United States, june 23 -oct 14 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. IRIS Home Browse IRIS Publication Detail Glut: Images, Information and Excess. In: "Glut: Images, Information and Excess", Holden Gallery, Manchester, United Kingdom, 16/01/2017 -03/03/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. The Internet of Living Things. In: Omar Kholeif, ed. I Was Raised on the Internet. New York: Prestel Publishing. ISBN 9783791358024 [Book Section]

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Craighead, Alison and Thomson, Jon. 2011. LA BIENNALE DE MONTREAL 2011, Centre International d'Art Contemporain de Montreal, Canada.. In: "LA BIENNALE DE MONTREAL 2011", Centre International d'Art Contemporain de Montreal, Canada, 1-31 of May 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. A LIVE PORTRAIT OF TIM BERNERS-LEE (AN EARLY WARNING SYSTEM). In: "National Media Museum, Life Online Galleries", National Media Museum in Bradford, United Kingdom, MARCH 2012- MARCH 2013. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2019. Learning From Deep Time. In: "Learning From Deep Time", NIRAS, Kastelsedijk, Dessel, Belgium, 29 September 2019. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Life Time - Biological Clocks of the Universe. In: "Life Time - Biological Clocks of the Universe", MU, Eindhoven,, Netherlands, 1 December 2017 - 18 February 2018. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2010. London Wall. In: "London Wall", Museum of London, United Kingdom, 28 May to 5 Sep 2010. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. London Wall N4 in 'Being Social', Furtherfield Gallery. In: "Being Social", FurtherField Gallery, McKenzie Pavillion, United Kingdom, Date: Saturday 25 February - Saturday 28 April 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Four: Disrupt / Disorder / Display. In: "Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Four: Disrupt / Disorder / Display", Carroll / Fletcher,, United Kingdom, 17/03/2017 -27/05/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Three: United We Stand. In: "Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Three: United We Stand", Carroll / Fletcher,, United Kingdom, 13/01/2017 -04/03/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2014. Maps DNA and Spam. In: "Maps DNA and Spam", Dundee Contemporary Art, United Kingdom, 18/01/2014-16/03/2014. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. Mirror Neurons. In: "Mirror Neurons", National Glass Centre, Sunderland, United Kingdom, 1st of march 2012 -20th of may 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Monsters of the Machine. In: "Monsters of the Machine", Laboral Centro de Arte y Creación Industrial, Spain, 18/11/2016 -31/08/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2008. The New Normal (Beacon). In: "The New Normal", Artist Space , NY, United States, april 25 2008 - ongoing currenty 2010. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. The New Observatory. In: "The New Observatory", FACT, Liverpool, UK, United Kingdom, 22/06/2017 -02/10/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Nuclear Material Culture. In: "IRIS Home Browse IRIS Publication Detail Nuclear Material Culture", Karst, Plymouth, United Kingdom, 27/04/2016 - 28/05/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Occulture: The Dark Arts. In: "Occulture: The Dark Arts", City Gallery Wellington, New Zealand, 12 August – 19 November 2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. October. In: "Brighton Photo Biennal", Brighton, United Kingdom, 6 October - 4 November 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Party Booby Trap. In: "Party Booby Trap", Carroll / Fletcher,, United Kingdom, 12/04/2016- 25/05/2016. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2018. The Perfume Shop. In: "The Perfume Shop", The Ryder Projects, London, United Kingdom, 30 November 2018 - 2 February 2019. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Perpetual Uncertainty. In: "Perpetual Uncertainty", Bildmuseet, Umeå,, Sweden, 02/10/2016 - 16/04/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Real Time. In: "Real Time", Arts Santa Mònica, Spain, 01/01/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2009. 'Recent works (Lecture)'. In: Impakt. Filmtheater 't Hoogt, Utrecht, Netherlands 15 October 2009. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2017. Recruitment Gone Wrong. [Art Object]

Craighead, Alison and Thomson, Jon. 2015. Right Here Right Now. In: "Right Here Right Now", The Lowry, United Kingdom, 14/11/2015 -28/02/2016. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. Samsung Art Prize. [Professional Activity]

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Craighead, Alison and Thomson, Jon. 2011. Short Film about War at The Recontres Internationales. In: "The Recontres Internationales 2011", Paris, France, NOv 18th -26th 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Slow Violence. In: "Slow Violence", University of Hertfordshire Arts, United Kingdom, 29 November 2017 - 20 January 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Stutterer. In: "Stutterer", The Sanger Institute, Wellcome Genome Campus, Cambridge, United Kingdom, 7 October 2016 -22 January 2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Tecnologies de la violència. In: "Tecnologies de la violència", Arts Santa Monica, Barcelona,, Spain, 18/10/2016-08/01/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Temporary index. [Art Object]

Craighead, Alison and Thomson, Jon. 2014. Thing World (International Triennial of New Media Art. In: "hing World (International Triennial of New Media Art)", National Art Museum of China, China, 11/06/2014 - 06/07/2014. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Thomson & Craighead at Peacock Arts for Look Again Festival. In: "Thomson & Craighead at Peacock Arts for Look Again Festival", Peacock Arts, United Kingdom, 27/04/2017 - 27/05/2017. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2010. Thomson & Craighead, HICA (Highland Institute of Contemporary Art). In: "Thomson & Craighead", HICA, United Kingdom, 20 june - 25 july 2010. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2008. Thomson & Craighead, Moderna Museet, Stockholm. In: "Thomson & Craighead at Studion,", Moderna Museet in Stockholm,, Sweden, 2 - 30 October 2008. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2009. Timecode. In: "Timecode", Dundee Contemporary Arts, United Kingdom, 17 January 2009 - 8 March 2009. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2011. Tomorrow Never Dies. In: "Tomorrow Never Dies", Design Gallery BWA Wroclaw, Poland, sept 8th 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2018. Trace Ingredients. In: "Trace Ingredients", Inverness Museum and Art Gallery, United Kingdom, 22 September -17 November 2018. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. Vital Spark Award 2011-2012. [Professional Activity]

Craighead, Alison and Thomson, Jon. 2017. Wake me up when it's over. In: "Wake me up when it's over", Young Projects Gallery, West Hollywood, Los Angeles, USA, United States, 27/01/2017 -21/04/2017. [Show/Exhibition]

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Craighead, Alison; Thomson, Jon and Rushton, Steve. 2010. A Short Film About War. [Film/Video]

Crowe, Nick. 1999. The Citizens. [Project]

Crowe, Nick. 2002. Constantly Falling Rocks. In: , ed. Life is Good in Manchester. Trice Publications. [Book Section]

Crowe, Nick. 2008. Contemporary Glass. In: Blanche Craig, ed. Contemporary Glass. London: Black Dog Publishing. ISBN 978-1906155360 [Book Section]

Crowe, Nick. 2015. Digital Art (World of Art). In: Christiane Paul, ed. Digital Art (World of Art). London: Thames & Hudson Ltd. ISBN 978-0500203675 [Book Section]

Crowe, Nick. 2006. The Dream of the Big Fat Pipe. In: , ed. The Artist Handbook. London: Thames and Hudson. [Book Section]

Crowe, Nick. 2003. Internet Art. In: Julian Stallabrass, ed. Internet Art : The Online Clash of Culture and Commerce. Tate Publishing; 1st Trade Paperback edition. ISBN 978-1854373458 [Book Section]

Crowe, Nick. 2006. Nick Crowe, Commemorative Glass. Manchester: Cornerhouse Publications. ISBN 978-0955047800 [Book]

Crowe, Nick. 2000. Parallel Lines. Manchester: Trice Publications. [Book]

Crowe, Nick. 2007. Pavel Büchler’s Loops. In: , ed. Pavel Büchler - Absentmindedwindowgazing Van Abbemuseum 2007. Veenman Publishers. ISBN 978-90-8690-080-0 [Book Section]

Crowe, Nick. 2006. The Reporters of the BBC Website. Berlin: The Green Box. ISBN 978-3908175131 [Book]

Crowe, Nick. 2010. Theorizing Digital Cultural Heritage (Media in Transition). In: Fiona Cameron and Sarah Kenderine, eds. Theorizing Digital Cultural Heritage. Cambridge, Mass: MIT Press. ISBN 978-0262514118 [Book Section]

Crowe, Nick. 2006. Unplanned Articulation. Convergence, 12(2), pp. 137-141. ISSN 1354-8565 [Article]

Crowe, Nick. 2009. We are the Real Time Experiment: 20 Years of FACT. In: Michael Stubbs and Karen Newman, eds. We are the Real Time Experiment. Liverpool University Press. ISBN 978-1846312298 [Book Section]

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Crowe, Nick and Ian, Rawlinson. 2012. Nick Crowe and Ian Rawlinson. In: "The Opera", Salt, Istanbul, Turkey, 18 September 2012 - 25 September 2012. [Show/Exhibition]

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Crowe, Nick and Ian, Rawlinson. 2012. The Opera. In: "The Opera", Plataforma Revolver, Lisbon, Portugal, 15 November 2012 - 31 December 2012. [Show/Exhibition]

Crowe, Nick and Kivland, Sharon. 2006. Their Dark Materials. Manchester: i3 Publications. ISBN 9780954205874 [Book]

Crowe, Nick and O'Reilly, Sally. 2007. Labyrinth: LEO. CSKX Publishing. ISBN 978-0955757501 [Book]

Crowe, Nick and Rawlinson, Ian. 2005. Artist Pages. In: Nick Crinson, ed. Urban Memory, History and Amnesia in the Modern City. London: Routledge. ISBN 978-0415334068 [Book Section]

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Crowe, Nick and Rawlinson, Ian. 2010. Black Hole Hums B Flat. In: "Black Hole Hums B Flat", Duke Street, London, United Kingdom, 11 October 2010 - 14 November 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. Concentration in the Age of Distribution. ROUNDTABLE, 1(1), -. [Article]

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Crowe, Nick and Rawlinson, Ian. 2016. Courageous. [Film/Video]

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Crowe, Nick and Rawlinson, Ian. 2010. Dimensions in British Contemporary Art. In: "Dimensions in British Contemporary Art", Dehli, India, 2010 - 2011. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. The Fireworks. In: "The Fireworks", Gallery Kit / Isolation Room, St Louis, United States, 12 January 2011 - 10 February 2011. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. The Fireworks. In: "The Fireworks", Whitworth Art Gallery, Manchester, United Kingdom, 05 February 2011 - 05 June 2011. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. Flights of Fancy. In: "Flights of Fancy", Bablylon Kino, Berlin, Germany, June 2012 - September 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. The Four Horsemen. [Art Object]

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Crowe, Nick and Rawlinson, Ian. 2011. I'll Be Your Mirror. In: "I'll Be Your Mirror", St Louis, United States, 30 September 2011 - 15 April 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Involved, Socially. In: "Involved, Socially", Triple Base Gallery, SF, United States, 7 August 2009 - 9 September 2009. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. Kritische Masse. In: "Kritische Masse", Dresden, Germany, 20 October 2011 - 20 November 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2012. Libretto. [Project]

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Crowe, Nick and Rawlinson, Ian. 2011. Memory of Hope. In: "Memory of Hope", Liverpool, United Kingdom, 5 August 2011 - 3 September 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Mobile Research Station. In: "Mobile Research Station", Skultpuren Park, Berlin, Germany, June 2009. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. The Nail, The Colours, The Mast. In: "The Nail, The Colours, The Mast", Berlin, Germany, 27 April 2012 - 6 May 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2003. Nick Crowe and Ian Rawlinson. Manchester City Art Galleries. ISBN 978-0901673626 [Book]

Crowe, Nick and Rawlinson, Ian. 2007. Nick Crowe and Ian Rawlinson: At 25 Meters: At 25 Metres (FACT). Liverpool University Press. ISBN 978-1846311475 [Book]

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Crowe, Nick and Rawlinson, Ian. 2010. No Sign of Helicopters. In: "No Sign of Helicopters", Ceri Hand Gallery, Liverpool, United Kingdom, 16 September 2010 - 16 October 2010. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. The Northern Art Prize. In: "The Northern Art Prize", Leeds City Art Gallery, United Kingdom, 15 Novmeber 2009 - 20 February 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2010. Re-Make/Re-Model. In: "Re-Make/Re-Model", National Glass Centre, Sunderland, United Kingdom, 14 October 2010 - 27 February 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2010. Save Us (Group Show). In: "Save Us", Christchurch, Macclesfield, United Kingdom, 17 June 2010 - 1 July 2010. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Something out of Nothing. In: "Something out of Nothing", The Invisible Dog, Brooklyn, United States, 3 October 2010 - 31 October 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2017. Song for Armageddon. [Film/Video]

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Crowe, Nick and Rawlinson, Ian. 2015. Song for Coal. [Film/Video]

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Crowe, Nick and Rawlinson, Ian. 2011. Stolen Artifact. In: "Stolen Artifact", Kotti Shop, Berlin, Germany, 25 June 2011 - 9 July 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Stranger Things Art Happening. In: "Stranger Things Art Happening", Aspex Gallery, Portsmouth, United Kingdom, 27 June 2009 - 23 August 2009. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. Synthetic Real. In: "Synthetic Real", London, United Kingdom, 24th November 2011 to 14th January 2012.. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. Towards A Free Society. In: "Towards A Free Society", Institute of Jamais Vu, London, United Kingdom, 21 June 2012 - 8 July 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2010. The Ursynów Community Rope Ladder Workshop. In: "The Knot", UNDEFINED, 30 May - 30 November 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2010. The Ursynów Memorial Ski Lift. In: "The Knot", Warsaw, Poland, 30 May - 30 November 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2010. The Way We Do Art Now. In: "How We Do Art Now", Tanya Leighton Gallery, Berlin, Germany, 1 May 2010 - 5 June 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. We Are Here to Help the People. In: "We Are Here to Help the People", Whitworth Art Gallery, Manchester, United Kingdom, 9 April 2011. [Performance]

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Cruz, Carla. 2015. Democracy: a (Non) Artistic Intervention?: Attempts to Perform Democracy through Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Cruz, Juan. 2001. Application for Planning Permit: Proposal to Build a Metaphor. In: "Application for Planning Permit: Proposal to Build a Metaphor", The Melbourne Festival, 10/11/2001 - 11/3/2001. [Show/Exhibition]

Cruz, Juan. 2005. Juan Cruz is translating don Quijote (again). In: "Juan Cruz is translating don Quijote (again)", Peer, 9/16/2005 - 11/6/2005. [Show/Exhibition]

Cruz, Juan. 2001. Portrait of a Sculptor. In: "Portrait of a Sculptor", Matts Gallery, 7/1/2001 - 9/2/2001. [Show/Exhibition]

Cruz, Juan. 2001. Squatters. In: "Squatters", Fundao de Serralves and Witte de With, 6/26/2001 - 9/23/2001. [Show/Exhibition]

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Curiger, Bice and Marchand, Julia. 2016. Yes, These Eyes Are the Windows at the Fondation Vincent van Gogh Arles. In: "Yes, These Eyes Are the Windows at the Fondation Vincent van Gogh Arles february - september 2016", Arles, France, february 2016- september 2016. [Show/Exhibition]

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Danino, Nina. 2010. 'Attending to the Other: Critical Theory and Spiritual Practice'. In: Attending to the Other: Critical Theory and Spiritual Practice. Faculty of Theology, St. Catherine's College, Oxford University, Oxford, United Kingdom 23rd-26th September 2010. [Conference or Workshop Item]

Danino, Nina. 2016. Close up on Nina Danino. In: "Close up on Nina Danino", Close Up cinema, 6 December 2016. [Show/Exhibition]

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Danino, Nina. 2012. Communion (2010) in Comraigh/Sanctuary, Contemporary Visual Art Programme, Mount Stuart, 2012. In: "Contemporary Art Programme", Mount Stuart, Isle of Bute, United Kingdom, 23 June-31 October 2012. [Show/Exhibition]

Danino, Nina. 2016. Communion (2010) in That Which Remains, Mount Stuart Visual Arts Programme. In: "That Which Remains", Mount Stuart, United Kingdom, 13 August -30 October 2016. [Show/Exhibition]

Danino, Nina. 2017. Experimental Film - Feminist and Catholic Readings of my films 2010-2016. Doctoral thesis, University of Westminster [Thesis]

Danino, Nina. 2006. Film, the Body and the Fold. In: J. Hatfield and S. Littman, eds. Experimental Film and Video: An Anthology. John Libbey, pp. 93-101. ISBN 9780861966646 [Book Section]

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Danino, Nina. 2019. Filming Women’s Work as Prayer in the Monastery in Jennifer and Sorelle Povere. In: Jane Boyer, ed. Theorem 2018: Doctoral research in the visual arts and design. Cambridge, UK: Ruskin Arts Publications, Anglia Ruskin University, pp. 221-243. ISBN 978-1-912319-00-8 [Book Section]

Danino, Nina. 2012. Films de Nina Danino. In: "Films de Nina Danino", Centro de Arte Contemporaneo, Malaga, Spain, 2 December 2012. [Show/Exhibition]

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Danino, Nina. 1980. First Memory (1980-1981). [Project]

Danino, Nina. 2016. First Memory (1981) Anthology Film Archives, New York. In: "FROM REEL TO REAL: WOMEN, FEMINISM, AND THE LONDON FROM REEL TO REAL: FILM-MAKERS’ CO-OPERATIVE/COLLAPSING THE FRAME/", Anthology Film Archives, United States, 24 October 2016. [Show/Exhibition]

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Danino, Nina. 2010. For the Sake of the Image. In: "For the Sake of the Image", Jerwood Visual Arts, London, United Kingdom, 8 March 2010. [Show/Exhibition]

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Danino, Nina. 2010. From Floor to Sky - British Sculpture and the Studio Experience. In: "From Floor to Sky - British Sculpture and the Studio Experience", Ambika, P3, London, United Kingdom, 5 March-4 April 2010. [Show/Exhibition]

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Danino, Nina. 2010. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. In: Peter Kardia; Malcolm Le Grice and Hester Westley, eds. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. London: A&C Black, pp. 58-62. ISBN 9781408114995 [Book Section]

Danino, Nina. 2016. From Reel to Real: Women, Feminism and the Local Film Makers' Co-Operative. In: "From Reel to Real: Women, Feminism and the Local Film Makers' Co-Operative", Tate Modern, United Kingdom, 23-25 September 2016. [Show/Exhibition]

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Danino, Nina. 2010. Geography of Proximity. In: "Geography of Proximity", Valletta, Malta, 14 October-15 November 2010. [Show/Exhibition]

Danino, Nina. 2016. Jennifer + Q&A with Director. In: "Jennifer + Q&A with Director", Exeter Phoenix, Exeter, 14 December 2016. [Show/Exhibition]

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Danino, Nina. 2015. Jennifer (2015). [Film/Video]

Danino, Nina. 2016. Jennifer (2015) + Sorelle Povere di Santa Chiara (2016) in Alchemy Film and Moving Image Festival, Scottish Borders, 16 April 2016. In: "Alchemy Film and Moving Image Festival", Hawick, United Kingdom, 16 April 2016. [Show/Exhibition]

Danino, Nina. 2017. Jennifer (2015) DVD. Temporal Films. [Other]

Danino, Nina. 2017. Jennifer (2015) Screening + Q&A. In: "CTL: Jennifer + Q&A (N/C 12+)", Glasgow Film Theatre, 30 April 2017. [Show/Exhibition]

Danino, Nina. 2016. Jennifer (2015), Cambridge Film Festival. In: "Jennifer, Strand: Microcinema, Cambridge Film Festival", Cambridge, United Kingdom, 23 October 2016. [Show/Exhibition]

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Danino, Nina. 2012. The Land seen from the Sea. In: ""The Land seen from the Sea"", Genoa, Italy, 2 February -4 May 2012. [Show/Exhibition]

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Danino, Nina. 2010. Little Constellation - a vision of contemporary art in geo-cultural micro areas and small European States. In: "Little Constellation - a vision of contemporary art in geo-cultural areas and small European States", Fabbrica del Vapore, Milan, Italy, 8 March -8 April 2010. [Show/Exhibition]

Danino, Nina. 2012. 'Little Constellation - Workshop Gibraltar'. In: Little Constellation- Workshop Gibraltar. Gibraltar, Gibraltar 7-11 December 2012. [Conference or Workshop Item]

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Danino, Nina. 2010. Little Constellation: Contemporary Art in Geo-cultural Micro-areas and small States of Europe. In: Rita Canarezza and Pier Paolo Coro, eds. LIttle Constellation: Contemporary Art in geo-cultural micro-areas and small States of Europe. Milan, Italy: Mousse Publishing, pp. 82-86. ISBN 9788896501078 [Book Section]

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Danino, Nina. 2023. MARIA. [Film/Video]

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Danino, Nina. 2011. Maya Deren in Context: British Women Filmmakers. In: "Maya Deren in Context: British Women's Filmmaking", BFI Southbank, London, United Kingdom, 9 October 2011. [Show/Exhibition]

Danino, Nina. 2013. Meteorologies (2013) in Subjective Maps/Disappearances, National Gallery of Iceland (2013). In: "Meteorologies in Subjective Maps/Disappearances,", National Museum of Modern Art, Reykjavík,, Iceland, 17 May - 30 June 2013. [Show/Exhibition]

Danino, Nina. 2013. Nina Danino "...and the figures in the Alameda gardens" solo exhibition. In: ""...and the figures in the Alameda gardens"", The Garrison Library, Gibraltar, 12 November- 4 December 2013. [Show/Exhibition]

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Danino, Nina. 2009. Podcast Interview. [Broadcast]

Danino, Nina. 2020. 'Religion&Art'. In: Religion&Art. Online, United Kingdom 2020-2024 on going. [Conference or Workshop Item]

Danino, Nina. 2015. Roundtable discussion: The Women of the London Filmmaker’s Co-op. Moving Image Review & Art Journal (MIRAJ), 4(1-2), pp. 164-179. ISSN 2045-6298 [Article]

Danino, Nina. 1980. Slide–tape: Key Work in the UK since the 1960s. In: "Slide-tape: Key work in the UK since l980s.", Vivid , Birmingham, United Kingdom, 4 October- 30 November 2012. [Show/Exhibition]

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Danino, Nina. 2023. Solitude. [Film/Video]

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Danino, Nina. 2015-2018 Sorelle Povere Di Santa Chiara. [Project]

Danino, Nina. 2015. Sorelle Povere di Santa Chiara, multi-media installation 2015 in The Voices of the Sirens , GEMA, Montagu Bastion, Gibraltar. In: "Listen to the Sirens", Gibraltar, Gibraltar, 23 June - 23 August 2015. [Show/Exhibition]

Danino, Nina. 2016. Stabat Mater + Jennifer + Q&A. In: "Stabat Mater + Jennifer + Q&A", ICA, London, United Kingdom, 13 November 2016. [Show/Exhibition]

Danino, Nina. 2007. Stabat Mater - A Nameless Place, Film the Feminine and the Sacred. In: G. Pollock and V. Turvey-Sauron, eds. The Sacred and the Feminine - Imagination and Sexual Difference. I.B.Tauris, p. 288. ISBN 9781845115203 [Book Section]

Danino, Nina. 2008. Subversive Film Festival 2008: Hommage 1968. In: "Subversive Film Festival 2008: Hommage 1968", Zagreb, Croatia, 18 - 24 May 2008. [Show/Exhibition]

Danino, Nina. 2015. Temenos (1997), Cinema Off, Off, Ghent. In: "Nina Danino Temenos GB/FR, 1998, 75', colour & b&w, digital", Cinema Off Off, Belgium, 25 November 2015. [Show/Exhibition]

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Danino, Nina. 2008. Temenos (1998), Tatton Park Biennal 2008. In: "Tatton Park Biennal 2008", Tatton Park, United Kingdom, 3 May - 28 Sep 2008. [Show/Exhibition]

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Danino, Nina and Boulton, Jack. 2011. Communion. Stimulus Respond, 2011(Summer), pp. 83-92. [Article]

Danino, Nina; Canezza, Rita; Coro, Pier Paolo; Mangion, Mark and Racanovic, Svetlana. 2012. 'Little Constellation - Gibraltar Workshop'. In: Little Constellation - Workshop Gibraltar. Gibraltar 7-12th December. [Conference or Workshop Item]

Danino, Nina; Coro, Pier Paolo and Canarezza, Rita. 2012. Little Constellation - small States on un-certain stereotypes. Mousse Publsiher, Milan Italy. [Other]

Danino, Nina; De Witt, H.; Gray, L. and Plate, S.. 2005. Visionary Landscapes - The Films of Nina Danino. London: Black Dog Publishing, pp. 1-144. ISBN 1904772072 [Book]

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Danino, Nina and Garavaggio, Giovanni. 2011. L'Ospite et L'Instruso. In: "L’Ospite et L'Instruso", Studio Ermanno Cristini, Varese, Italy, 9-30 April 2011. [Show/Exhibition]

Danino, Nina; Joseph-Lester, Jasper; Petresin, Vesna; Laurent, Robert; Crone, Bridget and Zoller, Maxa. 2012. Abstract Image in Future Film and Video Art. Moving Image Review & Art Journal (MIRAJ), 1(2), pp. 79-88. ISSN 2045-6298 [Article]

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Danino, Nina and Maziere, M.. 2002. The Undercut Reader - Critical Writings on Artists' Film and Video, 2002. London: Wallflower Press. ISBN 1903364477 [Book]

Danino, Nina and Maziere, Michael. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal (MIRAJ), 3(2), pp. 236-247. ISSN 2045-6298 [Article]

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Danino, Nina and Syder, Larry. 2010. 'For the Sake of the Image'. In: For the Sake of the Image. Jerwood Visual Arts, London., United Kingdom 8 March 2010. [Conference or Workshop Item]

Danino, Nina and White, Mary. 2012. “Nina Danino: Capturing an aura – the human presence on film”. Cassone - The International Online Journal for Art and Books., [Article]

David, Karen. 2020. The Collector's Room. In: "The Collector's Room", JGM Gallery, London, United Kingdom, 20 March - 14 June 2020. [Show/Exhibition]

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David, Karen. 2020. The Collector's Room. [Exhibition Catalogue]

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Davis, Paul. 2014. Art in Here. In: "The International Teletext Art Festival 2014", Rundfunk Berlin-Brandenburg, Berlin, Germany, 14 August - 14 September 2014. [Show/Exhibition]

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Davis, Paul. 2016. BEIGE Records Visual Archive. In: "Can You Hear Me? Music Labels by Visual Artists", Printed Matter, United States, 19 May - 19 June. [Show/Exhibition]

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Davis, Paul. 2014. Bring Your Own Bobby Brown. In: "AFTER/HOURS/DROP/BOX", Modern Art Oxford, United Kingdom, 2014. [Show/Exhibition]

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Davis, Paul. 2015. Calypso Fugitive. [Audio]

Davis, Paul. 2007. Good Riddance. In: "Good Riddance", MOT International, London, 2/3/2007 - 3/10/2007. [Show/Exhibition]

Davis, Paul. 2007. Intentional Computing. In: "Intentional Computing", Seventeen Gallery, 5/30/2007 - 6/23/2007. [Show/Exhibition]

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Davis, Paul. 2020. Mr One Hundred. In: "Mr One Hundred", Various, United States, 2014 - 2020. [Performance]

Davis, Paul and Arcangel, Cory. 2004. The 2004 Whitney Biennial. In: "The 2004 Whitney Biennial", Whitney Museum of Modern Art, 3/11/2004 - 5/30/2004. [Show/Exhibition]

Davis, Paul and Davidson, E.. 2006. Satellite of Love. In: "Satellite of Love", Witte de With Centre, 1/26/2006 - 3/26/2006. [Show/Exhibition]

Day, P.. 2006. Ibon Aranberri. The Logic of Stories. Afterall, 14, pp. 29-36. ISSN 1846380332 [Article]

Day, P.. 2002. Nostalgia. In: "Nostalgia", Art in General, 9/24/2002 - 2/1/2003. [Show/Exhibition]

Day, P.. 2005. Sin teoría revolucionaria no hay revolucíon: Estrategias política del arte contemporáneo en México [Without Revolutionary Theory There is no Revolution: Political Strategies in Contemporary Art in Mexico]. In: 'Issa Ma Benítez Dueñas, ed. Cronicas del paraiso: Arte contemporaneo y sistema del arte en Mexico. Ephemera Books, pp. 78-89. [Book Section]

Day, P.. 2002. Zero and Zero to the power of one. In: "Zero and Zero to the power of one", Art and Idea, 10/4/2002 - 11/1/2002. [Show/Exhibition]

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De Buck, Isolde and Murdoch, Sadie. 2021. Rhapsody in Blue. In: "Rhapsody in Blue", Villa Les Zéphyrs, Westende, Belgium, 30 October 2021- 18 April 2022. [Show/Exhibition]

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De Ville, Nicholas. 2003. Album: Style and Image in Sleeve Design. Mitchell Beazley. ISBN 1840006056 [Book]

De Ville, Nicholas. 2002. Les Écoles d'art Britannique [British Art Schools and the Influence of Art Education]. In: , ed. Blast to Freeze L'art Britannique au XXe Siècle [Blast to Freeze: British Art in the 20th Century]. Hatje Cantz, pp. 106-111. ISBN 3775712488 [Book Section]

De Ville, Nicholas. 2001. Malcolm Morley� - Life After Death? Modern Painters, 14(3), pp. 54-58. ISSN 09536698 [Article]

De Ville, Nicholas. 2006. On Falling Down: Writing a Catalogue Essay for Graham Dolphin, Even. In: No named Editor, ed. Thirty Three and a Third. Seventeen, pp. 1-4. ISBN 0955437504 [Book Section]

Dean, Mark. 2010. The Beginning of the End. In: "The Beginning of the End", Beaconsfield, London, United Kingdom, Nov 2010 - 27 Feb 2011. [Show/Exhibition]

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Dean, Mark. 2010. Christian Disco (Terminator). [Film/Video]

Dean, Mark. 2004. Disco Maquette. In: "Disco Maquette", Sketch, 7/23/2004 - 9/11/2004. [Show/Exhibition]

Dean, Mark. 2002. Game On. In: "Game On", Barbican Art Gallery, 5/16/2002 - 9/15/2002. [Show/Exhibition]

Dean, Mark. 2002. The Return of Jackie & Judy (+ Joey). In: "The Return of Jackie & Judy (+ Joey)", Laurent Delaye Gallery, 2/1/2002 - 3/28/2002. [Show/Exhibition]

Dean, Mark. 2005. (Version) for Lightsilver. In: "(Version) for Lightsilver", Beaconsfield, 2/23/2005 - 5/8/2005. [Show/Exhibition]

Dean, Mark; Dean, Tacita; Sierra, Santiago and Wallinger, Mark. 2009. The Enigma of Arrival. In: "The Enigma of Arrival, Leeds Art Gallery, 2009", Leeds Art Gallery, United Kingdom. [Show/Exhibition]

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Desclaux, Vanessa. 2016. Curators: more or less subjects :Spectatorship, passivity and fabulation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Doussan, Jenny. 2018. Respondent - On Agamben and gesture. [Professional Activity]

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Drake, Colin and Mabb, David. 2008. Commodity Form. [Exhibition Catalogue]

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Dyangani Ose, Elvira; Bashar, Shumon; Liber, Cédric and Roelstraete, Dieter. 2015. RECTO VERSO. In: "RECTO VERSO", Fondazione Prada Milan, Italy, 3 December 2015 – 14 February 2016. [Show/Exhibition]

Dyer, Sonya. 2021. Art Night. In: "Art Night", Somerset House, London, United Kingdom, 13 July 2021. [Show/Exhibition]

Dyer, Sonya. 2015. 'At the Intersections'. In: At the Intersections. Nottingham Contemporary, United Kingdom 10 June 2015. [Conference or Workshop Item]

Dyer, Sonya. 2017. 'Bluecoat 300: Charity, Philanthropy and the Black Atlantic'. In: Bluecoat 300: Charity, Philanthropy and the Black Atlantic. International Slavery Museum, Liverpool, United Kingdom 24 - 25 November 2017. [Conference or Workshop Item]

Dyer, Sonya. 2016. Cindi Mayweather’s Revolutionary Pursuit of Joy. SFRA Review(318), pp. 31-33. ISSN 1068-395X [Article]

Dyer, Sonya. 2018. Claudette Johnson (Review). Frieze(193), p. 181. ISSN 0962-0672 [Article]

Dyer, Sonya. 2017. The Claudia Jones Space Station. In: "The Claudia Jones Space Station", BALTIC Centre for Contemporary Arts & The New Bridge Project, Gateshead, United Kingdom, 16 - 19 November 2017. [Show/Exhibition]

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Dyer, Sonya. 2018. Decolonizing Appearance. In: "Decolonizing Appearance", CAMP / Center for Art on Migration Politics, Copenhagen, Denmark, 21 September 2018 - 30 March 2019. [Show/Exhibition]

Dyer, Sonya. 2022. Directions: Forward. In: "Directions: Forward", KARST, Plymouth, United Kingdom, 14 January – 12 February 2022. [Show/Exhibition]

Dyer, Sonya. 2018. 'Jamboree 2018'. In: Jamboree 2018. Dartington Hall, Totnes, United Kingdom 28 June - 1 July 2018. [Conference or Workshop Item]

Dyer, Sonya. 2022. The London Open 2022. In: "The London Open 2022", Whitechapel Gallery, London, United Kingdom, 30 June - 4 September 2022. [Show/Exhibition]

Dyer, Sonya. 2018. Or, Dark Fecundity. In: "Or, Dark Fecundity", Center for Afrofuturist Studies, Iowa City, United States, 10 November 2018. [Show/Exhibition]

Dyer, Sonya. 2020. 'Past / Future as a form of resistance'. In: Past / Future as a form of resistance. RCA Critical Practice, United Kingdom 27 July 2020. [Conference or Workshop Item]

Dyer, Sonya. 2011. Paul Robeson Research Station. In: "Paul Robeson Research Station", Site Gallery, Sheffield, United Kingdom, 2 - 19 February 2011. [Show/Exhibition]

Dyer, Sonya. 2021. 'RELAY'. In: RELAY. Venice Architecture Biennale, Italy 16 - 17 July 2021. [Conference or Workshop Item]

Dyer, Sonya. 2024. The Ready Room. In: "The Ready Room", Primary, Nottingham, United Kingdom, 26 January - 30 March 2024. [Show/Exhibition] (Forthcoming)

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Dyer, Sonya. 2019. Rewriting the Future. In: "Rewriting the Future", Site Gallery, Sheffield, United Kingdom, 27 September 2019 - 2 February 2020. [Show/Exhibition]

Dyer, Sonya. 2021. Temporary Compositions. In: "Temporary Compositions", Gallery 31, Somerset House, London, United Kingdom, 12 November 2021 - 20 March 2022. [Show/Exhibition]

Dyer, Sonya. 2020. The Think Tank: Institution as Performance. In: Laura Cull Ó Maoilearca and Alice Lagaay, eds. The Routledge Companion to Performance Philosophy. Abingdon: Routledge, pp. 272-279. ISBN 9781138495623 [Book Section]

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Dyer, Sonya. 2020. Thirteen Ways Of Looking. In: "Thirteen Ways Of Looking", Herbert Art Gallery & Museum, Coventry, United Kingdom, 2 October - 13 December 2020. [Show/Exhibition]

Dyer, Sonya. 2023. Three Parent Child. In: "Three Parent Child", River Rooms, Somerset House, United Kingdom, 2023. [Show/Exhibition] (Forthcoming)

Dyer, Sonya. 2017. Westworld (Review). SFRA Review(319), pp. 25-26. ISSN 1068-395X [Article]

Dyer, Sonya. 2022. Whitstable Biennial. In: "Whitstable Biennial", Horsebridge Arts Centre, Whitstable, United Kingdom, 11 - 19 June 2022. [Show/Exhibition]

Dyer, Sonya and Imhof, Barbara. 2022. 'Building Beyond: Space Architecture, Engineering and Design'. In: Building Beyond: Space Architecture, Engineering and Design. Bartlett School of Architecture, UCL, United Kingdom 9 March 2022. [Conference or Workshop Item]

Dyer, Sonya and Imhof, Barbara. 2018. 'Constructing Realities'. In: Constructing Realities. Bartlett School of Architecture, UCL, United Kingdom 18 October 2018. [Conference or Workshop Item]

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Eisa, Ali. May 2016 – June 2017 Canvas(s). [Project]

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Eisa, Ali. 2020. Rights, Visibility and Disability in Cultural Spaces. Discover Society, [Article]

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Eves, Natasha. 2024. Performing Reparative Craft: Oreet Ashery’s Passing through Metal. TEXTILE: Cloth and Culture, 22(3), pp. 571-585. ISSN 1475-9756 [Article]

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Faramawy, Adham. 2022. Daughters of the River. In: "Queer Earth and Liquid Matters", Serpentine Gallery, United Kingdom, 16 - 17 July 2022. [Performance]

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Faramawy, Adham. 2022. Encounters over Several Plants; All Bodies Radiate Light. In: "Encounters over Several Plants; All Bodies Radiate Light", Tate Modern, United Kingdom, 28 October 2022. [Show/Exhibition]

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Faramawy, Adham. 2022. 'Encounters over Several Plants; On Behalf of Seeds'. In: Encounters over Several Plants; On Behalf of Seeds. Tate Modern, United Kingdom 29 October 2022. [Conference or Workshop Item]

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Faramawy, Adham. 2022. I don’t know you like that; The Bodywork of Hospitality. In: "I don’t know you like that; The bodywork of hospitality", Anderson Gallery, University of Buffalo, United States, 10 November 2022 - 12 May 2023. [Show/Exhibition]

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Faramawy, Adham. 2022. Queer Ecoologies. The Courtauld Institute of Art, London. [Other]

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Faramawy, Adham. 2022. The air is subtle, various and sweet (screening). In: "The air is subtle, various, and sweet", Solomon R. Guggenheim Museum, United States, 3 November 2022. [Show/Exhibition]

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Faramawy, Adham. 2021. The air is subtle, various, and sweet (solo exhibition). In: "The air is subtle, various, and sweet", Niru Ratnam Gallery, United Kingdom, 2 September - 2 October 2021. [Show/Exhibition]

Ferguson, Nicholas. 2015. Indifference. Art, Liberalism and the Politics of Place. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Fisher, Jennifer and Reckitt, Helena. 2016. Introduction: Affect and Relationality. Journal of Curatorial Studies, 5(1), pp. 3-4. ISSN 2045-5836 [Article]

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Fisher, Jennifer and Reckitt, Helena. 2015. Introduction: Museums and Affect. Journal of Curatorial Studies, 4(3), pp. 361-362. ISSN 2045-5836 [Article]

Fisher, Sam. 2004. The Five Corners of Painting. In: "The Five Corners of Painting", Artconnexion, 2/5/2004 - 2/28/2004. [Show/Exhibition]

Fisher, Sam. 2001. Gymnasium. In: "Gymnasium", Bregenzer Kunstverein, 7/14/2001 - 9/2/2001. [Show/Exhibition]

Fisher, Sam. 2005. Incorrigible Sentimental. In: "Incorrigible Sentimental", Kerlin Gallery, 7/8/2005 - 8/6/2005. [Show/Exhibition]

Fisher, Sam. 2003. 'Virtual Reality and its effect on the Artist'. In: Art, Design and Virtual Reality Symposium. University of Marmara 6/15/2003. [Conference or Workshop Item]

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Francis, Mary Anne. 2000. The artist as a multifarious agent: an artist's theory of the origin of meaning. Doctoral thesis, Goldsmiths, University of London [Thesis]

Frearson, Annabel. 2015. Cash, not Rocks! The transformation of cultural value. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Freee, Freee; Whiles, Annie; David, Jo; House, Rachel; Kenning, Dean; Cobb, Nicholas; Robbins, Freddie; Cloth, Jay; Wayman, Mark; Kwan, Gayle Chong; Bishop, Mark (J. M.); Harrison, Ellie and Socialist Choir, Strawberry thieves. 2009. The Peckham Experiment. In: "The Peckham Experiment", Camberwell Space, Camberwell College of Art, United Kingdom, 28th September-7th November 2009. [Show/Exhibition]

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Frost, Lola Audrey. 2007. Negativity in Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Fry, Katharine. 2020. House Arrest. Doctoral thesis, Goldsmiths, University of London [Thesis]

Fusco, Maria. 2009. 'Accelerated History: Is Time Enough? Duration, Location and Accelerated Histories'. In: Motel Out Of The Blue An international symposium on Instant Urbanism, Hospitality and Accelerated History. Het Blauwe Huis, 3 - 9 Aug 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art + Writing Panel Discussion'. In: Art + Writing Panel Discussion. Spike Island, Bristol, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art Publishing in the Contemporary world'. In: Art Publishing in the Contemporary world. NCAD, Dublin, Ireland. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Arts Writing Symposia Day 1: Who is this who is coming?'. In: Arts Writing Symposia. Whitechapel Galler, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 27 March 2010 COSEY COMPLEX. [Project]

Fusco, Maria. 2008. 'Derrida, Doom Knots and the Blank Page'. In: The Aesthetics of Trash: Objects and Obsolescence in Cultural Perspective. University College Dublin, Ireland 4 - 6 Sep 2008. [Conference or Workshop Item]

Fusco, Maria. 2012. Donald. Edinburgh: Collective Gallery. ISBN TBC [Book]

Fusco, Maria. 2009. Don’t say yes – say maybe: fiction writing and art writing. In: , ed. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge: Cambridge Scholars Publishing, pp. 28-37. ISBN 978 1 4438 0532 2 [Book Section]

Fusco, Maria. 2006. The Dream that Kicks; Transdisciplinary Practice in Action. The Artists Information Company. ISBN 090773071X [Book]

Fusco, Maria. 2008. 'Fictionalising Practice and Politics'. In: Art Writing Beyond Criticism. ICA, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2012. Gonda. [Film/Video]

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Fusco, Maria, ed. 2008. The Happy Hypocrite #1, The Happy Hypocrite, 1. 1755 473X [Edited Journal]

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Fusco, Maria, ed. 2008. The Happy Hypocrite #2, The Happy Hypocrite, 2. 1755 473X [Edited Journal]

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Fusco, Maria, ed. 2009. The Happy Hypocrite #3, The Happy Hypocrite, 3. 1755 473X [Edited Journal]

Fusco, Maria. 2009. 'Jeff Koons: Popeye Series'. In: Jeff Koons: Popeye Series. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Judgment and Contemporary Art Criticism: Forum'. In: Judgment and Contemporary Art Criticism. Emily Carr University of Art + Design, Vancouver, Canada 27 - 28 Feb 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Material: Sprache [Language as Material] symposium'. In: Material: Sprache. Kunstuniversitaet Linz, Austria. [Conference or Workshop Item]

Fusco, Maria. 2008. The Mechanical Copula. In: Mark Beasley, ed. Hey Hey Glossolalia. New York: Creative Time. ISBN 9781928570073 [Book Section]

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Fusco, Maria. 2010. The Mechanical Copula. Berlin/New York: Sternberg Press. ISBN 978 1 934105 19 1 [Book]

Fusco, Maria. 2001. Professional is environmental. Amateurism is anti-environmental: Some networks of association in visual arts publishing. In: No Named Editor, ed. Unbound: Art Publishing in Scotland. Fruitmarket Gallery, pp. 34-43. ISBN 0947912045 [Book Section]

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Fusco, Maria. 2008. SPUME. [Digital]

Fusco, Maria. 2010. Say who I am. In: , ed. Judgment and Contemporary Art Criticism. Vancouver, Canada: Fillip and Artspeak. [Book Section]

Fusco, Maria. 2009. 'Three Uses of the Knife: International workshop on art writing and criticism'. In: Three Uses of the Knife. International workshop on art writing and criticism. Contemporary Art Centre, Vilnius, Lithuania. [Conference or Workshop Item]

Fusco, Maria. 2007. Window Strikes. In: K. Henry, ed. Copy Work. Contemporary Art Gallery, pp. 79-92. ISBN 9781897302163 [Book Section]

Fusco, Maria. 2008. ‘The World in your Head’, ‘The World in your Hand’ and ‘The World Tomorrow’. In: R. Klanten and M. Huebner, eds. Fully Booked: Cover Art and Design for Books. Berlin: Gestalten. ISBN 978-3-89955-209-6 [Book Section]

Fusco, Maria. 2008. 'Writing Encounters'. In: WRITING ENCOUNTERS: CURATING THE ENCOUNTER BETWEEN WRITING AND PERFORMANCE. St John University, York, United Kingdom 11 - 13 Sep 2008. [Conference or Workshop Item]

Fusco, Maria. 2009. The incunabulum and the plastic bag. In: , ed. A Manual for the 21st Century Art Institution. Köln and London: Koenig Books and Whitechapel Gallery. ISBN 978 3865606 181 [Book Section]

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Fusco, Maria and Hunt, Ian, eds. 2004. Put About: A Critical Anthology on Independent Publishing. Book Works. ISBN 187069970X [Edited Book]

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Gallardo, Francisco and Samson, Audrey. 2017. Shrimping under working conditions. In: Helen Pritchard; Eric Snodgrass and Magda Tyżlik-Carver, eds. EXECUTING PRACTICES. (06) Brooklyn, NY: Autonomedia, pp. 253-266. ISBN 9781570273216 [Book Section]

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Ganani-Tomares, Dafna. 2005. Jaffa Bollywood part 2. [Film/Video]

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Ganani-Tomares, Dafna. 2007. Mimesis: Judith Butler, Visual Practice, Tragic Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Garfield, Rachel. 2001. Ali G: Just Who Does He Think He Is. Third Text, 2(54), pp. 63-70. ISSN 09528822 [Article]

Garfield, Rachel. 2011. Avinash Chandra. London: Lund Humphries/Delhi Art Gallery. [Book]

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Garfield, Rachel. 2010. For Some Time Now. In: "For Some Time Now", Oranim, Israel, 24 May - 30 June 2010. [Show/Exhibition]

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Garfield, Rachel. 2009. A Particular Incoherence: The films of Vivienne Dick. In: Treasa O'Brian, ed. Between Truth and Fiction, The Films of Vivienne Dick. Ireland/UK: Crawford Art Centre and the Lux, London, pp. 39-48. ISBN 0-9548569-8-8 [Book Section]

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Garfield, Rachel. 2011. 'Picturing the 'People of the Book''. In: Picturing the 'People of the Book'. Austin, Texas, United States. [Conference or Workshop Item]

Garfield, Rachel. 2007. Radical Uncertainty and Elegaic Practices. In: No Named Editor, ed. AfterShock. Sainsbury's Centre for the Visual Arts, pp. 87-89. ISBN 9781094600963 [Book Section]

Garfield, Rachel. 2006. Towards a Re-Articulation of Cultural Identity. Third Text, 20(1), pp. 99-108. ISSN 09528822 [Article]

Garfield, Rachel. 2005. You'd Think So Wouldn't You?. In: "You'd Think So Wouldn't You?", University of Hertfordshire Galleries Focal Point Gallery Artsdepot, 9/28/2005 - 5/10/2006. [Show/Exhibition]

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Garfield, Rachel. 2008. Zineb Sedira - Biography. New Media Encyclopedia, [Article]

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Garfield, Rachel and Wainwright, Leon. 2011. 'Putting the Cosmopolitan to Work: Experimental Film and Video'. In: Cosmopolitan Practice Symposium. MMU, Manchester, United Kingdom. [Conference or Workshop Item]

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Garfield, Rachel; Wechsler, James; Betancour, Michael; Craven, David; Harrison, Helen; Kuspit, Donald and Power, Susan. 2008. ‘Questioning Perceptions of Jewish Identity in the work of Ary Stillman’,. In: James Wechsler, ed. Ary Stillman: from Impressionism to Abstract Expressionism. New York: Merrel, pp. 149-163. ISBN ISBN 9781858944333 [Book Section]

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Gaschke, Jenny; Gould, Sarah; Perry, Gill; Ventrella, Francesco; Lamm, Kimberly; Davidow, Jackson; Harbison, Isobel; Coomasaru, Edwin; Alexander Cameron, James; Hart, Imogen; Fowler, Corinne and Massouras, Alexander. 2021. British Art after Brexit. British Art Studies(20), ISSN 2058-5462 [Article]

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Gee, Nicholas. 2012. Trouble in the garden: exploring the ambivalence of public space and private property. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gent, Carl. 2023. The Balls of Alban. In: "They Take It Seriously I Find It Interesting", Badischer Kunstverein, Karlsruhe, Germany. [Performance]

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Gent, Carl. 2023. Fifeldore / Monster-Gate. In: "'Feature'", Cafe Oto, London, United Kingdom, 17 September 2023. [Performance]

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Gent, Carl. 2023. A whistling woman, a crowing hen. In: "A whistling woman, a crowing hen", Deptford X, Lewisham Art House, Deptford, London, United Kingdom, 22 September - 1 October 2023. [Show/Exhibition]

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Gent, Carl and Stupart, Linda. 2024. 'echo / ecco'. In: London Conference in Critical Thought 2024. University of Greenwich, United Kingdom 28 - 29 June 2024. [Conference or Workshop Item]

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German, L. 2024. Falling Tide. [Art Object]

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German, L. 2018. Gentle Bodies. In: "Gentle Bodies", APT Gallery, United Kingdom, 6 May 2018. [Performance]

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German, L. 2018. 'Secondary Annual Conference for Art, Craft and Design'. In: Hampshire Secondary Annual Conference for Art, Craft and Design. Southampton City Art Gallery, United Kingdom 19 November 2018. [Conference or Workshop Item]

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German, L. 2017. So the teardrops of my weeping. In: "So the teardrops of my weeping", Red Gallery X New Shoreditch Theatre, United Kingdom, 8 November 2017. [Performance]

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German, L. 2019. Was it for this the clay grew tall?. In: "Was it for this the clay grew tall?", Platform Southwark, United Kingdom, 7 February 2019. [Performance]

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German, L. 2024. The resonant vessel: Grief through clay, voice and the body. In: "Loose Ends", Thames-Side Studios Gallery, 23 February 2024. [Performance]

German, L; Brothers, A and Sochan, S. 2019. Matter(ing). In: "Matter(ing)", Platform Southwark, United Kingdom, 8-24 February 2019. [Show/Exhibition]

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German, L; Brothers, Abigail; Clague, Joshua; Dung Clerget, Hoa; Gileva, Elena; Porter, Laura; Proudfoot, Paloma; Simpson, Alex; Stevenson, Holly and Toma, Melania. 2024. Loose Ends, Group exhibition at Thames-Side Studios Gallery. In: "Loose Ends", Thames-Side Studios Gallery, United Kingdom, 24 February – 10 March 2024. [Show/Exhibition]

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German, L; Hartley, A and Sochan, S. 2020. Losing Touch. In: "Losing Touch", Gerald Moore Gallery, United Kingdom, 14 November 2020 - 30 January 2021. [Show/Exhibition]

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German, L; Hartley, A and Sochan, S. 2021. We Lifted the Earth. In: "We lifted the earth", Gerald Moore Gallery, United Kingdom, 8 October - 11 December 2021. [Show/Exhibition]

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German, L; Librizzi, P; Narby, W and Steel, A. 2017. Dilbings. In: "Dilbings", 48 Poland Street, United Kingdom, 18-20 October 2017. [Show/Exhibition]

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German, L and Wilson, H. 2017. S I N K. In: "S I N K", Safehouse 1, Maverick Projects, United Kingdom, 13-16 July 2017. [Show/Exhibition]

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Gluckman, Eliza and Day, Lucy. 2010. The Jolly (Good) Show: Light and shade in contemporary art practice.. In: "The (Jolly) Good show", Collyer Bristow Gallery, London., United Kingdom, 22 September - 1 December 2010. [Show/Exhibition]

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Gongora, Romeo. 2022. Awaken Dreams. Decolonising Participatory Art through Communal Friendship. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gonzalez Suero, Anna. 2022. In a Quick Sketch of a Fetus. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gonçalves, João Miguel Correia. 2010. 'Making problems'. In: CLTAD 5th International Conference. Berlin, Germany 12-13 April 2010. [Conference or Workshop Item]

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Gordon, Melissa. 2016. Derivative Value. In: "derivative value", Overbook Gesellschaft, Germany. [Show/Exhibition]

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Gordon, Melissa. 2016. Fallible Space. In: "Fallible Space", The Bluecoat, United Kingdom, 23 January - 13 March 2016. [Performance]

Gordon, Melissa. 2017. Female Genius Nightclub. In: "Female Genius Nightclub", Wiels Centre for Contemporary Art, Belgium. [Performance]

Gordon, Melissa. 2018. Joke Gestures (Make a Mess, Clean it Up). Journal of Contemporary Painting, 4(2), pp. 239-247. ISSN 2052-6695 [Article]

Gordon, Melissa. 2013. Material Evidence. In: "Material Evidence", Spike Island, Bristol, United Kingdom, 6 July to 1 September 2013. [Show/Exhibition]

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Gordon, Melissa. 2018. The Mechanics of Fluids. In: "The Mechanics of Fluids", Marianne Bosky Gallery, United States, 21 June - 3 August 2018. [Show/Exhibition]

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Gordon, Melissa. 2017. 'On Gesture'. In: On Gesture. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Gordon, Melissa. 2016. Painting Behind Itself. [Artist's Book]

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Gordon, Melissa. 2016. Routine Pleasures. In: "Routine Pleasures", Vleeshal, Netherlands, April - June 2016. [Show/Exhibition]

Gourvil, Olivier. 2009. La Peinture est Presque Abstrait. In: "La Peinture est Presque Abstrait", Transpalette Emmetrop, France, 2009 - 2010. [Show/Exhibition]

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Gourvil, Olivier and Geoffroy, Gross. 2009. Instants et Glissements - Dessins de 20 Artisites Contemporains. In: "Instants et Glissements - Dessins de 20 Artistes Contemporains", La Box Ecole Nationale Superieure d'Art de Bourges., France, 5 - 21 November 2009. [Show/Exhibition]

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Graham, Ellard and Johnstone, Stephen. 2015. Anthony McCall: Notebooks and Conversations. Farnham: Lund Humphries. ISBN 9781848221697 [Book]

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Graham, Janna; Graziano, Valeria and Kelly, Susan. 2016. The Educational Turn in Art : Rewriting the hidden curriculum. Performance Research, 21(6), pp. 29-35. ISSN 1352-8165 [Article]

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

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Grant, Catherine. 2011. Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. In: Catherine Grant and Lori Waxman, eds. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect Press, pp. 161-186. ISBN 9781841503486 [Book Section]

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Grant, Catherine. 2006. Different Girls: performances of adolescence in contemporary photographic portraits. Doctoral thesis, Courtauld Institute of Art, London [Thesis]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

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Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

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Grant, Catherine. 2019. The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. In: Allyson Mitchell and Cait McKinney, eds. Killjoy's Kastle. Canada: University of British Columbia Press and The Art Gallery of York University Press. ISBN 9780774861571 [Book Section]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

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Grant, Catherine. 2021. Introduction to "Why Have There Been No Great Women Artists?". In: Linda Nochlin, ed. Why Have There Been No Great Women Artists? London: Thames & Hudson. ISBN 9780500023846 [Book Section]

Grant, Catherine. 2017. Learning and Playing: Re- enacting Feminist Histories. In: Victoria Horne and Lara Perry, eds. Feminism and Art History Now: Radical Critiques of Theory and Practice. London: Bloomsbury. ISBN 9781784533250 [Book Section]

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Grant, Catherine. 2019. A Letter Sent, Waiting to be Received: Queer Correspondence, Feminism and Black British Art. Women: A Cultural Review, 30(3), pp. 297-318. ISSN 0957-4042 [Article]

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2019. More than a schoolgirl crush: Amy Adler and the adolescent fan. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 100-120. ISBN 9781912685134 [Book Section]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

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Grant, Catherine. 2022. Responding to Women and Creativity. [Printed Ephemera]

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Grant, Catherine. 2019. Returning to Riddles. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury Academic. ISBN 9781784537005 [Book Section]

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Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

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Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Grant, Catherine and Random Love, Kate. 2019. Fandom as Methodology: Introduction. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 1-20. ISBN 9781912685134 [Book Section]

Gray, Ros. 2005. '‘Algumas experimentações emergentes nas telas em Moçambique’'. In: Encontros – Maputo 2005, Festival of Documentary Films at the Centro Cultural Franco. Moçambicano, Maputo, Mozambique 27 September–4 October 2005. [Conference or Workshop Item]

Gray, Ros. 2010. An Archive of Aspirations. Jornal do Atelier Real, pp. 11-12. [Article]

Gray, Ros. 2024. The Art of Planetary Rewilding. In: Anthony Downey, ed. Nida Sinnokrot: Palestine Is Not a Garden. Berlin: Sternberg Press. ISBN 9783956796302 [Book Section] (In Press)

Gray, Ros. 2003. Chinese Whispers: Variations on Textile. Textile The Journal of Cloth and Culture, 1(2), pp. 158-173. ISSN 14759756 [Article]

Gray, Ros. 2017. Clear Lines of an Internationalist Map: Foreign Filmmakers in Angola at Independence [English translation]. In: Maria do Piçarra and Teresa Castro, eds. (Re)Imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire. Oxford: Peter Lang. ISBN 9781787076396 [Book Section]

Gray, Ros. 2016. Decolonisation. In: Sangeeta Ray and Harry Schwarz, eds. The Encyclopedia of Postcolonial Studies. Wiley-Blackwell. ISBN 978-1-4443-3498-2 [Book Section]

Gray, Ros. 2010. Dreaming of Islands. In: , ed. Renée Green: Endless Dreams and Time-Based Streams. San Francisco, CA: Yerba Buena Center for the Arts. [Book Section]

Gray, Ros. 2022. Everyone on deck! In: Edward Chell, ed. Transports of Delight. ISBN 9781739186104 [Book Section]

Gray, Ros. 2009. ‘Front of House’. Textile The Journal of Cloth and Culture, 7(2), ISSN 14759756 [Article]

Gray, Ros. 2012. Haven’t you heard of internationalism?: The Socialist friendships of Mozambican cinema. In: Lars Lyngsgaard and Fjord Kristensen, eds. Postcommunist Film - Russia, Eastern Europe and World Culture: moving images of postcommunism. Abingdon: Routledge, pp. 53-74. ISBN 9780415671644 [Book Section]

Gray, Ros. 2010. 'Henrique Neves and Clément Darrasse’s ‘Made in.''. In: Henrique Neves and Clément Darrasse’s ‘Made in.'. British Council, Lisbon, Portugal. [Conference or Workshop Item]

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Gray, Ros. 2014. A Lingering Lusotopia: Thinking the Planetary from Angola. Art Margins, 3(1), pp. 3-27. ISSN 2162-2574 [Article]

Gray, Ros. 2015. Linhas Claras num Mapa Internacionalista: Cineastas Estrangeiros em Angola durante a Independência. In: Maria do Carmo Piçarra and Jorge Antonio, eds. Angola - O Nascimento de Uma Nação: O Cinema da Independência. 3 Lisbon: Guerra & Paz. [Book Section]

Gray, Ros. 2002. Lost and Found: A Modicum of Dignity. The Journal of Visual Culture, 1(1), pp. 131-134. ISSN 14704129 [Article]

Gray, Ros. 2012. 'The Militant Image - A Ciné Geography lecture'. In: Cinematic Migrations lecture series, MIT programme in Art, Culture and Technology. MIT, United States. [Conference or Workshop Item]

Gray, Ros. 2003. '‘Momentary Stability’'. In: Warp:Woof – Aurality, Musicality, Textuality, Congress CATH 2003. University of Leeds, United Kingdom 10 – 12 July 2003. [Conference or Workshop Item]

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Gray, Ros. 2014. 'O Anticolonialsimo da Imagen Militante in the Próximo Futuro series Novos Poderes'. In: A arte do comum e a produção da cultura: O Anticolonialismo da Imagem Militante à Guerra das Escritas. Gulbenkian Foundation, Portugal. [Conference or Workshop Item]

Gray, Ros. 2023. Reclaiming the Commons: Re-enchanting the Commons. In: Alona Pardo, ed. RE/SISTERS: A Lens on Gender and Ecology. Munich/London: Prestel Verlag in association with Barbican Art Gallery, pp. 249-280. ISBN 9783791379722 [Book Section]

Gray, Ros. 2014. 'The Socialist Friendships of Mozambican Cinema'. In: Red Africa. Calvert 22, United Kingdom. [Conference or Workshop Item]

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Gray, Ros. 2021. Strangling the Parrot. In: , ed. Felon Herb. London: Kelder Press, pp. 21-36. ISBN 9781838199012 [Book Section]

Gray, Ros. 2007. 'Third Cinema: Filming the Revolution in Mozambique'. In: Curating the Postcolonial, conference organised by the Royal College of Art. Goethe Institute, London, United Kingdom. [Conference or Workshop Item]

Gray, Ros. 2016. Você já ouviu falar de internacionalismo? As amizades socialistas do cinema moçambicano [translation]. In: Lucia Monteiro, ed. África(s): Cinema e revolução: As Independências de Angola, Guiné-Bissau e Moçambique em filmes de luta e memória (catálogo de mostra de cinema, realizada no cinema Caixa Belas Artes, São Paulo, de 10 a 23 de novembro de 2016). São Paulo: Caixa Belas Artes. [Book Section]

Gray, Ros. 2021. Vous n'avez jamais entendu parler d'internationalisme?: Les amitiés socialistes du cinéma mozambicain [translation]. In: Maria-Benedita Basto; Françoise Blum; Pierre Guidi; Héloïse Kiriakou; Martin Mourre; Céline Pauthier; Ophélie Rillon; Alexis Roy and Elena Vezzadini, eds. Socialismes africains / Socialismes en Afrique. Paris: Les Éditions de la Maison des sciences de l'homme. ISBN 9782735126989 [Book Section]

Eshun, Kodwo and Gray, Ros, eds. 2011. The Militant Image: A Ciné-Geography, Third Text, 25(1). 0952-8822 [Edited Journal]

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Gray, Ros and Sheikh, Shela. 2018. Editor's Introduction: The Wretched Earth: Botanical Conflicts and Artistic Interventions. Third Text, 32(2-3), pp. 163-175. ISSN 0952-8822 [Article]

Greenhill, Joanna and Walsh, Bernard. 1999. 'Snake in the Grass/Raising Dirt: a conference paper'. In: Disciplines, Fields and Change in Art Practice. UCE, Birmingham, United Kingdom. [Conference or Workshop Item]

Greenhill, Joanne and Walsh, Bernard. 1999. The Snake in the Grass / Raising Dirt. In: Jacquie Swift and John Swift, eds. Disciplines, Fields and Change in Art Education. 1 ARTicle Press. ISBN 1-873352-92-1 [Book Section]

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Gronemeyer, Wiebke. 2015. The Curatorial Complex: Social Dimensions of Knowledge Production. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gunaratnam, Yasmin and Eisa, Ali. 2024. Foreign bodies: a conversation between Yasmin Gunaratnam and Ali Eisa. Mortality, 29(1), pp. 207-221. ISSN 1357-6275 [Article]

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Gupta, Sunil; Lewis, Gail and Williams Gamaker, Michelle. 2019. Bearing Witness. In: Nick Aikens and Elizabeth Robles, eds. The Place Is Here: The Work of Black Artists in 1980s Britain. Berlin: Sternberg Press, pp. 281-291. ISBN 9783956794667 [Book Section]

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Gupta, Sunil; Singh, Radikal; Nasar, Hammad; Alam, Shahidul; Pinney, Christopher; Gadihoke, Sabeena and Kapur, Geeta. 2010. Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh. London, UK: Whitechapel Gallery, Fotomuseum Winterthur, Steidl. ISBN 978-0-85488-179-6 [Book]

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Hahn, Catherine Neville. 2016. The Political House of Art: The South African National Gallery 1930-2009. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hammond, Chris. 2010. 2010. London, United Kingdom January 14th - December 18th 2010. [Show/Exhibition]

Hammond, Chris. 2006. The Alpine Fantasy of Victor B. In: Jeremy Akerman and Eileen Daly, eds. The Alpine Fantasy of Victor B and Other Stories. Serpent's Tail, pp. 165-178. ISBN 978-1852429263 [Book Section]

Hammond, Chris. 2015. Bail Bond [Curatorial Project]. In: "Bail Bond", Mot International London, United Kingdom, 7 July – 26 September 2015. [Show/Exhibition]

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Hammond, Chris. 29 May 2019 - Chris Hammond Gallery. [Project]

Hammond, Chris. 2007. Collaborative Networks. In: Michael Stanley, ed. Person to Person, People to People. Milton Keynes Gallery, pp. 7-9. ISBN 9780955344077 [Book Section]

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Hammond, Chris. 2015. The Funnies [Curatorial Project]. In: "The Funnies", Mot International Brussels, Belgium, 20 November 2015 – 30 January 2016. [Show/Exhibition]

Hammond, Chris. 2004. I am the Wrath of God. In: "I am the Wrath of God", MOT, 8/27/2004 - 10/1/2004. [Show/Exhibition]

Hammond, Chris. Ongoing since 2002 MOT International. [Project]

Hammond, Chris. 2006. Not Quite Ten Years Without Martin Kippenberger. In: "Not Quite Ten Years Without Martin Kippenberger", MOT, 4/1/2006 - 5/6/2006. [Show/Exhibition]

Hammond, Chris. 2007. Propaganda Machine. In: "Propaganda Machine", The Serpentine Gallery, 6/30/2007 - 7/1/2007. [Show/Exhibition]

Hammond, Chris. 2017. 'The Whitworth Tuesday Talk: Chris Hammond'. In: The Whitworth Tuesday Talk: Chris Hammond. The Whitworth, The University of Manchester, United Kingdom 10 January 2017. [Conference or Workshop Item]

Hammond, Chris. 2009. A Work A Day. In: "A Work A Day", MOT International, United Kingdom, 27 June - 24 July 2009. [Show/Exhibition]

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Hammond, Chris; Barry, Hannah; Hooks, Hannah; Morgan, Elinor and Woolcott, Tyler. 2015. 'Talk: Doing it for yourself – Independent and Artist-led spaces - Media Channel - Zabludowicz Collection'. In: Doing it for yourself – Independent and Artist-led spaces. Zabludowicz Collection, United Kingdom 29 March 2015. [Conference or Workshop Item]

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Hammond, Chris and Beveridge, Gabriele. 2015. Gabriele Beveridge: Mainland [Curatorial Project]. In: "Gabriele Beveridge: Mainland", Mot International Brussels, Belgium, September 11th - October 31st 2015. [Show/Exhibition]

Hammond, Chris and Bodart, Pauline. 2014. ATLAS. In: "ATLAS", Mot International Brussels, Belgium, 13 November – 20 December 2014. [Show/Exhibition]

Hammond, Chris and Bodart, Pauline. 2015. I want to be. Inside Out.. In: "I want to be. Inside Out.", Mot International Brussels, Belgium, 14 March – 11 April 2015. [Show/Exhibition]

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Hammond, Chris; Combusyan, Haro; Lissoni, Andrea; Gibson, Beatrice; cook, Ben and Manubens, Anna. 2014. 'Roundtable—Brussels Acquiring film and video: How/What do we own?'. In: Acquiring film and video: How/What do we own?. Art Brussels, Belgium 25 April 2014. [Conference or Workshop Item]

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Hammond, Chris and Danke, Raphael. 2014. Raphael Danke En Belgique. In: "Raphael Danke En Belgique", Mot International Brussels, Belgium, 28 February – 5 April 2014. [Show/Exhibition]

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Hammond, Chris and Dimitrijević, Braco. 2014. Braco Dimitrijević Early London Years. In: "Braco Dimitrijević Early London Years", Mot International London, United Kingdom, 7 February – 22 March 2014. [Show/Exhibition]

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Hammond, Chris and Ding, Liu. 2015. Liu Ding New Man. In: "Liu Ding New Man", Mot International London, United Kingdom, 10 April – 27 June 2015. [Show/Exhibition]

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Hammond, Chris and Hiller, Susan. 2016. Susan Hiller: Aspects of the Self 1972-1985 [Curatorial Project]. In: "Susan Hiller: Aspects of the Self 1972-1985", Mot International Brussels, Belgium, 12 February – 26 March 2016. [Show/Exhibition]

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Hammond, Chris and Lainé, Emmanuelle. 2015. Emmanuelle Lainé [Curatorial Project]. In: "Emmanuelle Lainé", Mot International Brussels, Belgium, 21 November 2015 – 30 January 2016. [Show/Exhibition]

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Hammond, Chris; Lee, Jiyoon and Lee, Seung-Taek. 2014. Seung-Taek Lee. In: "Seung-Taek Lee", Mot International London, United Kingdom, 12 July – 23 August 2014. [Show/Exhibition]

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Hammond, Chris; Lydiate, Henry and Gluzberg, Margarita. 2015. 'The Commercial Dimensions of a Fine Art Practice'. In: The Commercial Dimensions of a Fine Art Practice. RCA, United Kingdom 20th May 2015. [Conference or Workshop Item]

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Hammond, Chris; Obrist, Hans Ulrich; Wood, Catherine; Chetwynd, Marvin Gaye and Lydiate, Henry. 2015. 'Contemporary Art Society’s Annual Conference: On Collecting Performance Art'. In: Contemporary Art Society’s Annual Conference: On Collecting Performance Art. Institute of Contemporary Arts, London, United Kingdom 13 February 2015. [Conference or Workshop Item]

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Hammond, Chris and Oppenheim, Dennis. 2014. Dennis Oppenheim: Whirlpool (Eye of the Storm), 1973 [Curatorial Project]. In: "Dennis Oppenheim Whirlpool (Eye of the Storm), 1973", Art Basel, Switzerland, 19-22 June 2014. [Show/Exhibition]

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Hammond, Chris; Oppenheim, Dennis and Oppenheim, Amy. 2014. Dennis Oppenheim. In: "Dennis Oppenheim", Mot International London, United Kingdom, 2 April – 17 May 2014. [Show/Exhibition]

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Hammond, Chris and Palmer, Katrina. 2014. Katrina Palmer Reality Flickers. In: "Katrina Palmer Reality Flickers", Mot International, United Kingdom. [Show/Exhibition]

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Hammond, Chris and Palmer, Katrina. 2019. Katrina Palmer - End Matter. In: "Katrina Palmer - End Matter", Chris Hammond Gallery, United Kingdom, 29 May 2019 - 29 May 2020. [Show/Exhibition]

Hammond, Chris and Pan, Lara. 2014. The First and Last Freedom. In: "The First and Last Freedom", Mot International London, United Kingdom, 9 September – 5 October 2014. [Show/Exhibition]

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Hammond, Chris; Pearlman, Nina; Rouleau, Martine; Pistella, Jenny; Large, Kelly; Charlesworth, JJ; Buck, Louisa; Maheshwari, Maitreyi and Ogg, Kirsty. 2015. 'Collecting the Emerging Symposium'. In: Collecting the Emerging Symposium -Definitions: What does ‘emerging’ mean in relation to artists’ careers and practices?. University College London, United Kingdom 22 - 23 May 2015. [Conference or Workshop Item]

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Hammond, Chris and Price, Elizabeth. 2015. Art Basel Unlimited Elizabeth Price K, 2015 [Curatorial Project]. In: "Art Basel Unlimited Elizabeth Price K, 2015", Art Basel, Switzerland, 18-21 June 2015. [Show/Exhibition]

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Hammond, Chris and Price, Elizabeth. 2014. Elizabeth Price Sleep. In: "Elizabeth Price Sleep", Mot International Brussels, Belgium, 13 September – 31 October 2014. [Show/Exhibition]

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Hammond, Chris and Prouvost, Laure. 2014. Art Basel Unlimited Laure Prouvost Wantee [Curatorial Project]. In: "Art Basel Unlimited Laure Prouvost Wantee", Art Basel, Switzerland, 19-22 June 2014. [Show/Exhibition]

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Hammond, Chris and Prouvost, Laure. 2014. Laure Prouvost The Meeting. In: "Laure Prouvost The Meeting", Mot International Brussels, Belgium, 6 June – 2 August 2014. [Show/Exhibition]

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Hammond, Chris and Rees, Dan. 2015. Dan Rees: Think Local, Act Global [Curatorial Project]. In: "Dan Rees Think Local, Act Global", Mot International Brussels, Belgium, September 10th - November 7th 2015. [Show/Exhibition]

Hammond, Chris and Reid, Clunie. 2009. Clunie Reid. In: "Clunie Reid", MOT International, United Kingdom, 10 October - 14 November 2009. [Show/Exhibition]

Hammond, Chris and Reid, Clunie. 2015. Clunie Reid: Bodies Turn To Ash [Curatorial Project]. In: "Clunie Reid Bodies Turn To Ash", Mot International Brussels, Belgium, 24 Apr 2015 – 30 May 2015. [Show/Exhibition]

Hammond, Chris and Roithmayr, Florian. 2015. Florian Roithmayr SERVICE. In: "Florian Roithmayr SERVICE", Mot International Brussels, Belgium, 17 January 2015 – 7 March 2015. [Show/Exhibition]

Hammond, Chris and Russell, John. 2014. John Russell AQUARIUM PROLETARIUM. In: "John Russell AQUARIUM PROLETARIUM", Mot International London, United Kingdom, 12 December 2014 – 31 January 2015. [Show/Exhibition]

Hammond, Chris and Safavi, Vanessa. 2015. Vanessa Safavi: Airbags (Curatorial Project]. In: "Vanessa Safavi Airbags", Mot International Brussels, Belgium, 4 June – 31 July 2015. [Show/Exhibition]

Hammond, Chris and Senatore, Marinella. 2014. Marinella Senatore FACING CIRCLES. The word community feels good. In: "Marinella Senatore FACING CIRCLES. The word community feels good", Mot International London, United Kingdom, 14 October – 29 November 2014. [Show/Exhibition]

Hammond, Chris and Sighicelli, Elisa. 2014. Elisa Sighicelli. In: "Elisa Sighicelli", Mot International London, United Kingdom, 23 May – 28 June 2014. [Show/Exhibition]

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Hammond, Chris and Toren, Amikam. 2014. Amikam Toren Neither A Teapot Nor A Painting. In: "Amikam Toren Neither A Teapot Nor A Painting", Mot International Brussels, Belgium, 11th January – 22nd February 2014. [Show/Exhibition]

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Hammond, Chris and Toren, Amikam. 2020. Amikam Toren - Floor. In: "Amikam Toren - Floor", Chris Hammond Gallery, United Kingdom, 29 June 2020 - ongoing. [Show/Exhibition]

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Hammond, Chris; ULAY, Ulay and Jones, Amelia. 2015. Ulay Retouching Bruises. [Artist's Book]

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Hammond, Chris and Ulay, Ulay. 2015. Ulay: Retouching Bruises (1975) [Curatorial Project]. In: "Ulay: Retouching Bruises (1975)", Art Basel, Switzerland, Jun 18th – 21st 2015. [Show/Exhibition]

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Hammond, Chris and Ulay, [Frank Uwe Laysiepen]. 2016. Ulay: Come On. In: "Ulay: Come On", MOT International Brussels, Belgium, 13 May – 16 July 2016, PV 12 May. [Show/Exhibition]

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Hammond, Chris and Willats, Stephen. 2014. Stephen Willats Concrete Block, drawings and works on paper 1978-2005. In: "Stephen Willats Concrete Block, drawings and works on paper 1978-2005", Mot International Brussels, Belgium, 11 April – 24 May 2014. [Show/Exhibition]

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Hammond, Chris; Woods, Orlagh and Bousted, Donald. 2014. Gallery Films - MOTInternational: Commercial Galleries. [Broadcast]

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Hammond, Chris and Yalter, Nil. 2015. Nil Yalter. In: "Nil Yalter", Mot International London, United Kingdom, 6 February – 28 March 2015. [Show/Exhibition]

Hand, Janet. 2007. Art - Write. Journal of Writing in Creative Practice, 1(1), pp. 47-52. ISSN 17535190 [Article]

Hand, Janet. 2002. Follow me. In: John Gange, ed. Monograph: Tim Brennan. Information as Material, pp. 5-79. ISBN 0953676544 [Book Section]

Hand, Janet. 2001. Intimate Gestures: Proximity as a Deformation of Genre. In: K. Honnef, ed. Melanie Manchot - Love is a Stranger. Prestel Verlag, pp. 24-27. ISBN 9783791325323 [Book Section]

Hand, Janet. 2005. Sophie Calle's art of following and seduction. Cultural Geographies, 12(4), pp. 463-485. ISSN 14744740 [Article]

Hansen, Rikke. 2007. Endpoints, Turning Points. In: , ed. Vendepunkter. Byggeriets Hus, pp. 2-5. ISBN 879915611 [Book Section]

Hansen, Rikke and Wilbert, Chris. 2005. 'Setting the Crime Scene: Aspects of performance in Jack the Ripper guided tourist walks'. In: International Conference for Tourism Studies and Cultural Change: Tourism and Performance: Scripts, stages, and stories. Sheffield Hallam University, United Kingdom 10/1/2005. [Conference or Workshop Item]

Hansen, Rikke and Wilbert, Chris. 2006. Setting the Crime Scene: Jack the Ripper Walks, Tourism, and the Media. Merge: Sound, Thought, Image, 17, pp. 30-34. ISSN 14026570 [Article]

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Harbison, Isobel. 2021. 'Art Criticism and the Pandemic II - Safer Spaces'. In: Safer Spaces. London, United Kingdom May 2021. [Conference or Workshop Item]

Harbison, Isobel. 2022. 'The Derry Film and Video Workshop & distribution beyond the Broadcast Ban'. In: Northern Ireland’s Feminist and Queer Art Histories. The Courtauld Institute of Art, United Kingdom 21 January 2022. [Conference or Workshop Item]

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Harbison, Isobel. 2021. Here to Stay: On the history of Dublin’s Hugh Lane Gallery. Frieze Masters(9), pp. 24-29. [Article]

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Harbison, Isobel. 2013. Image Games: Ericka Beckman. In: "Image Games: Ericka Beckman", Tate Modern, London, United Kingdom, 28–29 September 2013. [Show/Exhibition]

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Harbison, Isobel. 2019. Image, Performance, Protest. Flash Art, 52(328), pp. 34-41. ISSN 0394-1493 [Article]

Harbison, Isobel. 2022. 'An Inventory of Traces: Rethinking public archives and collections beyond the nation/state'. In: Association for Art History’s 48th Annual Conference. Goldsmiths, University of London/ online, United Kingdom 6 - 8 April 2022. [Conference or Workshop Item]

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Harbison, Isobel. 2022. NOT/ MY/ SCENE. In: Charles Asprey, ed. A.B. Real Life. London: Charles Asprey, pp. 34-39. ISBN 9781399924894 [Book Section]

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Harbison, Isobel. 2019. Of saving, of hoarding, of keeping to hand. In: Niamh O'Malley, ed. handle. Dublin: Royal Hibernian Academy, pp. 63-69. ISBN 1903875935 [Book Section]

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Harbison, Isobel. 2021. Or Other, Or Both. Afterall: A Journal of Art, Context and Enquiry, 51, pp. 144-155. ISSN 1465-4253 [Article]

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Harbison, Isobel. 2020. Performance after the Pandemic. Apollo: The International Magazine for Collectors, ISSN 0003-6536 [Article]

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Harbison, Isobel. 2019. Performing Image. Cambridge MA: The MIT Press. ISBN 9780262039215 [Book]

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Harbison, Isobel. 2014. Pre-Pop to Post-human: Collage in the digital age. In: "Pre-pop to Post-human: Collage In The Digital Age", Hatton Gallery, Newcastle, United Kingdom, 25 January 2014 - 21 June 2015. [Show/Exhibition]

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Harbison, Isobel. 2022. Preserving Citizenry: Derry Film and Video Collective and the quest(ion) for institutions. In: Bridget Crone and Bassam El Baroni, eds. The Edinbugh Companion to Curatorial Futures. Edinburgh: Edinburgh University Press. [Book Section] (Forthcoming)

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Harbison, Isobel. 2015. The Prosumer Complex. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Harbison, Isobel. 2022. Tapes Under the Bed. In: "Tapes Under the Bed", Irish Museum of Modern Art, Ireland, 26 November 2022. [Show/Exhibition]

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Harbison, Isobel. 2019. What the Instagram Age Learned from Robert Rauschenberg’s Choreographic Pieces. Frieze(206), pp. 136-137. ISSN 0962-0672 [Article]

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Harbison, Isobel. 2022. Whose time is it anyway? In: Christina Kennedy, ed. The Narrow Gate of the Here-and-Now - IMMA: 30 Years of the Global Contemporary. Dublin: Irish Museum of Modern Art, pp. 22-30. ISBN 9781909792272 [Book Section]

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Harbison, Isobel. 2018. A bluff, a rock, a hole in the ground. In: Elizabeth Magill and Úna McCarthy, eds. Elizabeth Magill, Headlands. Limerick: Limerick City Gallery of Art, pp. 7-11. ISBN 9780992796914 [Book Section]

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Harper, Andy. 2013. Archaeology in Reverse. In: "Archaeology in Reverse", Newlyn Art Gallery, 6th July to 28th September. [Show/Exhibition]

Harper, Andy. 2007. The Ballad of Mistah Bones. In: "The Ballad of Mistah Bones", Frost and Reed Contemporary, 6/18/2007 - 7/20/2007. [Show/Exhibition]

Harper, Andy. 2006. Broca's Area a painting exhibited at John Moores 24 - Exhibition of Contemporary Painting. In: "Broca's Area a painting exhibited at John Moores 24 - Exhibition of Contemporary Painting", Walker Art Gallery, 9/16/2006 - 11/26/2006. [Show/Exhibition]

Harper, Andy. 2005. Cloud and Vision. [Exhibition Catalogue]

Harper, Andy. 2009. East End Academy, Whitechapel Gallery, London. In: "East End Academy : Painting Edition", Whitechapel Gallery, 9 July-30 August 2009. [Show/Exhibition]

Harper, Andy. 1998. Featured artist in Tank. Tank, 2, [Article]

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Harper, Andy. 2015. The First Humans. In: "The First Humans", Pump House Gallery, London, United Kingdom, January 2015 - April 2016. [Show/Exhibition]

Harper, Andy. 2001. Green Lung. In: "Green Lung", Essex University Gallery, 11/2/2001 - 11/29/2001. [Show/Exhibition]

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Harper, Andy. 2017. Lux Artist Residency and Exhibition. In: "Andy Harper - Lux Art Institute - Artist in Residence", Lux Art Institute, United States, 17 November 2017 - 13 January 2018. [Show/Exhibition]

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Harper, Andy. 2010. An Orrery for Other Worlds. In: "An Orrery for Other Worlds", Aspex Gallery, United Kingdom, 6 Feb - 18 April 2010. [Show/Exhibition]

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Harper, Andy. 2021. Parallel Botany. In: "Parallel Botany", Patrick Heide Contemporary Art, London, United Kingdom, 10 September - 9 October 2021. [Show/Exhibition]

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Harper, Andy. 2014. The Pleasure of Thinking. In: "The Pleasure of Thinking", Morgen Contempoarary, Germany, 21 February – 05 April 2014. [Show/Exhibition]

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Harper, Andy. 2019. The Psychology Room. In: "The Psychology Room", Greenfields, Plymouth, United Kingdom. [Show/Exhibition]

Harper, Andy. 2002. Review. 'mix', independent art and culture magazine, 27(3), [Article]

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Harper, Andy. 2016. Sol. In: "Sol", Danese Corey Gallery, New York, United States, 18th Nov to 23rd December 2016. [Show/Exhibition]

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Harper, Andy. 2009. Solo Show at Danese gallery - Andy Harper: New paintings and works on paper. In: "Andy Harper: New paintings and works on paper", Danese Gallery, New York, United States, 16th October - 14th November. [Show/Exhibition]

Harper, Andy. 2006. Toffee Armistice. In: "Toffee Armistice", Lemon Sky Project, 12/6/2006 - 1/24/2007. [Show/Exhibition]

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Harper, Andy. 2011. Towards a New Architecture. In: "Towards a New Architecture", The Page Gallery, Korea, Democratic People's Republic of, 12th May to 12th June 2011. [Show/Exhibition]

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Harper, Andy and Terry, Kate. 2016. Soft Errors. In: "Soft Errors", Patrick Heide Gallery, United Kingdom, 14.01.2016 - 20.02.2016. [Show/Exhibition]

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Harper, Warren. 2024. The Nuclearscapes of the Blackwater Estuary and Foulness Island: Towards an Interscalar Curatorial Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Harris, Jane and Walsh, Bernard. 2004. Virtuous Dress. In: Gavin Carver and Colin Beardon, eds. New visions in performance : the impact of digital technologies. Lisse; Exton, PA: Swets & Zeitlinger Publishers, pp. 139-152. ISBN 9026519664 [Book Section]

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Harris, Mark. 2014. Bad Music Seminar 2. In: "Can You Relate? A Case of Alienation and Closeness", The Showroom, London, United Kingdom, 8 February, 2014. [Performance]

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Harris, Mark. 2014. Bad Music Seminar 3—Sex, Murder, Politics. In: "Kitty Finer presents ‘Another Night at the Horse Hospital’", Horse Hospital, London, United States, 22 April, 2014. [Performance]

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Harris, Mark. 2014. Bad Music Seminar 5—Becoming-Animal. In: "Kitty Finer presents ‘Another Night at the Horse Hospital’", Horse Hospital, London, United Kingdom, 19 December, 2014. [Performance]

Harris, Mark. 2016. Bad Music Seminar—The Sounds of Plants. In: "Uptool–Expanded Art History for Plants", University of Illinois at Chicago—Greenhouse and Plant Research Lab, United States, 11 May, 2016. [Performance]

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Harris, Mark. 2016. Cage's Variations II for 5 Turntables. In: "Mini-Micro Cinema 0.5 Begin Anywhere", The Carnegie, Covington, Kentucky, United States, 31 March 2016. [Performance]

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Harris, Mark. 2017. 'Calypso Soundscapes: intimate acoustics and defiant language in Kamau Brathwaite and Mighty Sparrow'. In: Caribbean Insecurities, The British Library. The British Library, United Kingdom 25-26 June, 2017. [Conference or Workshop Item]

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Harris, Mark. 2013. Cinema, Studio, Tools. Proto-Tools 1, pp. 10-17. [Article]

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Harris, Mark. 2011. Countercultural Intoxication: An Aesthetics of Transformation. In: Adam Lerner and Elissa Auther, eds. West of Center: Art and the Counterculture Experiment in America, 1965–1977. Minneapolis: University of Minnesota Press, pp. 324-343. ISBN 978-0-8166-7726-9 [Book Section]

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Harris, Mark. 2016. DIY Punk–A Bad Music Seminar. In: "A Purposeless Play", Wave Pool, Cincinnati, United States, 1 April, 2016. [Performance]

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Harris, Mark. 2017. 'The Imagery of Intoxicating Music'. In: Sound-Image Colloquium. University of Greenwich, United Kingdom 10 November-12 November, 2017. [Conference or Workshop Item]

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Harris, Mark. 2016. Intoxicating Painting. Journal of Contemporary Painting, 2(2), pp. 195-218. ISSN 20526695 [Article]

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Harris, Mark. 2017. Livin' In A World Insane. In: "The Nothing That Is", The Carnegie, Covington, Kentucky, United States. [Show/Exhibition]

Harris, Mark. 2018. 'Machine-Gun Sonics and Whispering Tides: How Sound and Language in the work of Kamau Brathwaite and Mighty Sparrow provide an Acoustic Inoculation against Insecurities'. In: Caribbean In/Securities. University of the West Indies, Mona Campus, United States 2017-18. [Conference or Workshop Item]

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Harris, Mark. 2015. The Materiality of Water. Aesthetic Investigations, 1(1), pp. 120-128. [Article]

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Harris, Mark. 2010. Morning Star. In: "Morning Star", Country Club Gallery, Cincinnati, United States, 2010-2012. [Show/Exhibition]

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Harris, Mark. 2015. 'Orpheus in the Artworld'. In: American Society for Aesthetics. Philadelphia, United States 20-21 March, 2015. [Conference or Workshop Item]

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Harris, Mark. 1999. Pipilotti Rist's Music. In: , ed. Wishing for Synchronicity: Works by Pipilotti Rist. Houston, Texas: Contemporary Arts Museum Houston, pp. 14-23. ISBN 978-1-933619-17-0 [Book Section]

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Harris, Mark. 2017. 'Shimmer'. In: Painters Out of Work. Royal College of Art, United Kingdom 24 February, 2017. [Conference or Workshop Item]

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Harris, Mark. 2014. Sparrow Come Back Home. Wilmington: Delaware Center for the Contemporary Arts. ISBN 0-9785927-6-X [Book]

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Harris, Mark. 2016. Sparrow Come Back Home, ICA London. In: "Sparrow Come Back Home", ICA, United Kingdom, 6 December 2016 - 5 February 2017. [Show/Exhibition]

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Harris, Mark. 2017. Trump's songs–Bad Music Seminar. In: "Colloquium for Unpopular Culture–Bad Music Seminar: Songs from the Heartland", New York University, United States, 5 March, 2017. [Performance]

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Harris, Mark. 2017. Turntable Materialities. Seismograf, [Article]

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Harris, Mark. 2016. 'Turntable Materialities'. In: Sound Art Matters. Aarhus University, Denmark 1-4 June, 2016. [Conference or Workshop Item]

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Harris, Mark. 2015. untitled (after Robert Mapplethorpe catalogue). In: "After the Moment", Contemporary Arts Center, Cincinnati, United States, 6 November 2015–13 March 2016. [Show/Exhibition]

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Harris, Rebecca M.. 2017. Textuality, Forms of ‘Reading’, and the Encounter of Art. Other thesis, Goldsmiths, University of London [Thesis]

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Hayton, Annette; Haste, Polly and Jones, Alison. 2014. Promoting diversity in creative art education: the case of Fine Art at Goldsmiths, University of London. British Journal of Sociology of Education, 36(8), pp. 1258-1276. ISSN 0142-5692 [Article]

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Helmerdig, Silke. 2016. Fragments, futures, absence and the past: A new approach to photography. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hemsworth, Gerard. 2010. Gerard Hemsworth: Hidden Agenda. In: "Gerard Hemsworth, Hidden Agenda, Solo Exhibition", The Aldrich Contemporary Art Museum, Ridgefield, CT, United States, 21 Jun 2009 - 10 Jan 2010. [Show/Exhibition]

Hemsworth, Gerard. 2005. Gerard Hemsworth: Mushrooms in the Rain. In: "Gerard Hemsworth: Mushrooms in the Rain", Galeria Brito Cimino, 9/28/2005 - 10/27/2005. [Show/Exhibition]

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Hemsworth, Gerard. 2009. Gerard Hemsworth: Now Then. In: "Gerard Hemsworth: Now Then", Galerie Michael Janssen, Berlin, Germany, 16 Jan - 28 Feb 2009. [Show/Exhibition]

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Hemsworth, Gerard. 2009. Gerard Hemsworth: Water into Wine. In: "Gerard Hemsworth, Water into Wine, Solo Exhibition", Thomas Rehbein Gallery, Koeln, Germany, 22 April - 13 June 2009. [Show/Exhibition]

Hemsworth, Gerard. 2002. Painting as a Foreign Language. In: "Painting as a Foreign Language", Centro Brasileiro Britanico, 3/21/2002 - 4/17/2002. [Show/Exhibition]

Hemsworth, Gerard. 2004. Paper Democracy. In: "Paper Democracy", Centro Brasileiro Britanico, 9/23/2004 - 12/30/2004. [Show/Exhibition]

Hemsworth, Gerard. 2002. Sidewinder. In: "Sidewinder", Centre of International Modern Art Gallery, Kolkata 2002/01/15-2002/02/09 Visual Arts Gallery, India Habitat Centre,New Delhi 2002/03/11-2002/03/20 Prince of Wales Museum of Western India, Mumbai 2002/04/09-2002/04/16, 1/15/2002 - 4/16/2002. [Show/Exhibition]

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Hendry, Kirsty and Sagar, Ilona. 2018. Self-Service. [Artist's Book]

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Hershman Leeson, Lynn; Stacey, Jackie and Garfield, Rachel. 2010. The Complete Roberta Breitmore. [Professional Activity]

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Hill, Clareese. 2024. The Account – A Real-life Survival Praxis A field manual. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hill, Clareese. 2021. Survival Praxis through Hood Feminism, Negritude and Poetics. Architecture and Culture, 9(2), pp. 238-248. ISSN 2050-7828 [Article]

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Hill, Clareese and Clarke, Elly. 2022. RE:SEARCHING TOGETHER (IN TWO ACTS). A Peer-Reviewed Journal About (APRJA), 11(1), ISSN 2245-7755 [Article]

Hirst, Nicky; Hays, Dan; Wilson, Jane and Louise; Emin, Tracey; Lucas, Sarah and Walsh, Bernard. 2001. The End is Nigh. In: "The End is Nigh", C.S.K.X. Studios, London, United Kingdom, 1-23 March 2001. [Show/Exhibition]

Hirst, Nicky; Leo and Walsh, Bernard. 1992. Busby Babes and Two Soldiers. In: "CSKX Exhibition", Zero Goodsway, Kings Cross, London, United Kingdom. [Show/Exhibition]

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Hlavajova, Maria and Sheikh, Simon, eds. 2017. Former West: Art and the Contemporary After 1989. Cambridge, MA: MIT Press. ISBN 9780262533836 [Edited Book]

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Hodge, Nicky and Walsh, Roxy. 2021. Nicky Hodge, Horse Gossip. [Printed Ephemera]

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Hoechtl, Nina. 2012. If only for the length of a lucha: queer/ing, mask/ing, gender/ing and gesture in lucha libre. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Holmwood, Sigrid Frida. 2021. The Peasant Paints: expanding painting decolonially through planting and pigment-making. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hunt, Ian. 2014. Chance Finds Us. [Exhibition Catalogue]

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Hunt, Ian. 2019. 'Charlotte Smith and the idea of dependence in nature'. In: Nature Writing's Future Pasts: the Land Lines Conference. School of English, University of Leeds, United Kingdom 28 February - 1 March 2019. [Conference or Workshop Item]

Hunt, Ian. 2017. 'Cultural infrastructure and class differences: a sketch'. In: Cultural Infrastructure. London, United Kingdom. [Conference or Workshop Item]

Hunt, Ian. 2016. 'E.G. Trobridge: Swedenborgian Architect'. In: Swedenborg Birthday Meeting 2016. London, United Kingdom. [Conference or Workshop Item]

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Hunt, Ian. 2016. Four Backdrops/Vier Hintergrúnde. In: Christiane Meyer-Stoll, ed. Charlotte Moth: Travelogue. Vaduz, Liechtenstein: Kunstmuseum Liechtenstein/Snoeck, pp. 21-37. ISBN 978 3 86442 188 4 [Book Section]

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Hunt, Ian. 2006. Green Light. London: Barque Press. ISBN 1 903488 57 5 [Book]

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Hunt, Ian. 2012. If there's been a way to build it, there'll be a way to destroy it. In: Gavin Everall and Jane Rolo, eds. Again, A Time Machine: from distribution to archive. London: Book Works, pp. 34-41. ISBN 978 1 906012 40 3 [Book Section]

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Hunt, Ian. 2015. Interior Structures. In: Petra Lange-Berndt, ed. Materiality. London and Cambridge, Massachusetts: Whitechapel Gallery/MIT, pp. 134-136. ISBN 978 085488 237 3 [Book Section]

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Hunt, Ian. 2017. Permindar Kaur: Black and Blue. [Exhibition Catalogue]

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Hunt, Ian. 2015. 'Reticence and Resistance in New British Sculpture'. In: Now That's What I Call Sculpture: The 1980s in Retrospect. Warwick Arts Centre, United Kingdom. [Conference or Workshop Item]

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Hunt, Ian. 2016. Simon Lewty: The SIGNificance of Writing. [Exhibition Catalogue]

Hunt, Ian. 2014. Yuko Shiraishi: Netherworld. [Exhibition Catalogue]

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Hunt, Ian; Archer, Michael and White, Laura. 2015. Goldsmiths BA Fine Art 2015. [Exhibition Catalogue]

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Hunt, Ian and Rothschild, Eva. 2017. They Don't Unpack: An interview with Eva Rothschild. In: Patricia Bickers, ed. Talking Art 2: Art Monthly Interviews with Artists Since 2007. London: Ridinghouse and Art Monthly, pp. 85-91. ISBN 9 781909 932 42 5 [Book Section]

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Ifekoya, Evan. 2018. Ritual Without Belief. In: "Ritual Without Belief", Gasworks, United Kingdom, 2018 -2019. [Show/Exhibition]

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Johnson, Jasmine. 2020. Love. In: "Love", Drawing Room, London, United Kingdom, 9 March - 31 August 2020. [Show/Exhibition]

Johnson, Jasmine. 2018. MORE THAN TWO: 10 JARS. In: "More Than Two: Omnibus", Barbican Centre, United Kingdom. [Performance]

Johnstone, Stephen, ed. 2008. The Everyday. London and Cambridge, MA: Whitechapel Gallery/The MIT Press. ISBN 9780262600743 [Edited Book]

Johnstone, Stephen. 1993. 'The Politics of Seduction'. In: Mike Gane, ed. Baudrillard Live: Selected Interviews. London: Routledge, pp. 152-155. ISBN 978-0415070386 [Book Section]

Johnstone, Stephen. 1995. Walter Benjamin’s Panorama. In: Charlotte Pöchhacker, ed. film+arc. graz, 2nd biennale of film und architektur. Graz. ISBN 39500284-1-2 [Book Section]

Johnstone, Stephen and Ellard, Graham. 2006. The Bomb Interview: Anthony McCall with Graham Ellard and Stephen Johnstone. Bomb Magazine., 97, pp. 65-75. ISSN 07433204 [Article]

Johnstone, Stephen and Ellard, Graham. 2013. Everything Made Bronze. [Film/Video]

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Johnstone, Stephen and Ellard, Graham. 2015. For An Open Campus. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 2001. Gymnasion. In: "Gymnasion", Bregenzer Kunstverein, Palais Turn and Taxis, 7/14/2001 - 9/2/2001. [Show/Exhibition]

Johnstone, Stephen and Ellard, Graham. 2009. Machine On Black Ground. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 2006. Motion Path. In: "Motion Path", De La Warr Pavilion, 4/1/2006 - 7/31/2006. [Show/Exhibition]

Johnstone, Stephen and Ellard, Graham. 2008. Motion Path. A Building Films Itself. In: Frank Eckardt, ed. Media and Urban Space: Understanding, Investigating and Approaching Mediacity. 1 Berlin: Frank and Timme. Verlag fur Wissenschaftliche Literatur, Berlin., pp. 181-200. ISBN 978-3-86596-142-6 [Book Section]

Johnstone, Stephen and Ellard, Graham. 2010. Neue Museen. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 1998. Passagen (Electric art) CD-ROM. Ellipsis Architectural Press/Film and Video Umbrella, with assistance from the Arts Council of England. ISBN 9781899858163 [Book]

Johnstone, Stephen and Ellard, Graham. 1995. 'Passagen'. [Exhibition Catalogue]

Johnstone, Stephen and Ellard, Graham. 1997. Photographic project. COIL, 4, [Article]

Johnstone, Stephen and Ellard, Graham. 2009. Proposal for an Unmade Film (Set in The Future). In: "'In Search of the Unknown'", NIMK, Amsterdam, Netherlands. [Show/Exhibition]

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Johnstone, Stephen; Ellard, Graham and Thatcher, Tony. 2016. Edge Balance. In: "Edge Balance", Turner Contemporary, Margate, Kent, United Kingdom, Turner Contemporary, July 2016 - Laban studio Theatre, February 2017. [Performance]

Johnstone, Stephen and Gange, John. 1993. 'Believe Me. Everybody Has Something Pierced in California : A Conversation with Nayland Blake'. New Formations: A Journal of Culture, Theory, Politics, 19, ISSN 0950-2378 [Article]

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Johnstone, Stephen and Graham, Ellard. 2010. Things to Come. [Film/Video]

Jones, Alison. 2007. Art can, and must change Peoples' Ideas. In: , ed. Gustav Metzger. Warsaw, Poland: National Gallery of Art Warsaw, Poland and Kunsthalle Lund, Sweden. ISBN 9788389145994 [Book Section]

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Jones, Alison. 2006. Bin bags. [Image]

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Jones, Alison. 2005. Episode. In: "Episode", Temporary Contemporary, United Kingdom, 2005-6. [Show/Exhibition]

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Jones, Alison. 2003. Family Business. In: "Family Business", Pitzhanger Manor, London, United Kingdom, 2003. [Show/Exhibition]

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Jones, Alison. 2008. Feminista Mistah. In: "Feminista, Mistah", AVA Gallery, UEL, United Kingdom. [Show/Exhibition]

Jones, Alison. 1999. 'Hannah Wilke’s Whore Art'. In: Obscene Powers Conference. John Hansard Gallery, Southampton University, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2004. Interview with Gustav Metzger. Forum for Holocaust Studies, [Article]

Jones, Alison. 2001. ‘Interview with Jemima Stehli’. Everything Magazine(3.4), pp. 32-37. [Article]

Jones, Alison. 1999. 'Jemima Stehli: On all fours naked in high heels - a critical position?'. Women: a cultural review, 10(3), pp. 297-307. ISSN 0957-4042 [Article]

Jones, Alison. 1999. ‘Martha Rosler at Icon Gallery’. Socialist Review, [Article]

Jones, Alison. 1999. '‘On all fours naked in high heels’'. In: Sex and Art Visual Arts Research Group. Goldsmiths College, London, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2000. 'Playing the Prostitute - a trope of 21st Century Alienation'. In: Art and Philosophy Conference. University of Portsmouth, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2008. Subtle Abyss. In: "Subtle Abyss", Nordisk Kunst Plattform Project Space, Norway, 4th - 27th July 2008. [Show/Exhibition]

Jones, Alison and Bannerman, Margot. 2003. Review of 'Dreams and Conflicts, the Dictatorship of the Viewer', Venice Biennale. Socialist Review, 276, ISSN 0161-1801 [Article]

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Jones, Alison and Beech, Amanda. 2013. Alison Jones and Amanda Beech: Audience into Community. [Exhibition Catalogue]

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Jones, Alison; Beech, Amanda and Glass, Kirsten. 2011. The Edge of Luxury. In: "The Edge of Luxury", Fold Gallery, United Kingdom, 2nd September 2011 - 2nd October 2011. [Show/Exhibition]

Jones, Alison and Eggesbø, John Øivind. 2008. 'Alison Jones in conversation with John Øivind Eggesbø'. In: Alison Jones in conversation with John Øivind Eggesbø. Nordisk Kunst Plattform Project Space, Norway July 2008. [Conference or Workshop Item]

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Jones, Alison and Thompson, Milly. 2016. C21st RECENT HISTORY, 2016. [Artist's Book]

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Jones, Alison and Thompson, Milly. 2010. Martha Rosler reads Vogue, 2010. In: "Martha Rosler reads Vogue, 2010", Grey Area Gallery, 31 Queens Rd, Brighton, East Sussex, 13th March – 4th April 2010. [Show/Exhibition]

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Jones, Alison and Thompson, Milly. 2012. 'ÉVASION Panel Discussion, 2012'. In: ÉVASION panel discussion. Herbert Art Gallery & Museum, Jordan Well, Coventry CV1 5QP 18 February 2012. [Conference or Workshop Item]

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Jones, Alison and Thompson, Milly. 2012. ÉVASION, 2012. In: "ÉVASION", Lanchester Gallery, The Hub, Jordan Well, Coventry, CV1 5QT, 14 January – 19 February 2012. [Show/Exhibition]

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Jones, Alison and Thompson, Milly. 2012. ÉVASIONISTA, 2012. In: "ÉVASIONISTA", Lanchester Gallery Projects, The Hub, Jordan Well, Coventry, CV1 5QT, 14 January – 19 February 2012. [Performance]

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Jones, Alison and Thompson, Milly. 2012. VUOTO, 2012. [Artist's Book]

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Jones, Alison; Whiles, Annie and Walsh, Bernard. 2011. Invitation. In: "Invitation", York College Gallery, United Kingdom, 10/01/2012 - 9/02/2012. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2004. The Functions of Public Art. In: "The Functions of Public Art", Centre for Contemporary Art, ICA London, Venice Biennale 51, Second Guangzhou Biennale, 4/3/2004 - 1/15/2006. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2006. Have You Heard the One about the Public Sphere?. In: "Have You Heard the One about the Public Sphere?", Hull Time Based Arts, 10/6/2006 - 11/16/2006. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2006. How to Talk to Public Art. In: "How to Talk to Public Art", The Big Screen, BBC Manchester, 11/10/2006 - 12/1/2006. [Show/Exhibition]

Jordan, M. and Hewitt, A.. 2004. Futurology: The Black Country 2024. In: "Futurology: The Black Country 2024", New Art Gallery Wallsall, 7/30/2004 - 9/12/2004. [Show/Exhibition]

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Joy, Clair. 2010. Contemporary Landscape Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Jung, Julia; Gupa, Dennnis; Hash, Colton; Thoms, Jol; Owens, Dwight; Threlfall, John and Juniper, Kim. 2022. Doubling Down on Wicked Problems: Ocean ArtScience Collaborations for a Sustainable Future. Frontiers in Marine Science, 9, 873990. ISSN 2296-7745 [Article]

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KERBEL, JANICE. 2010. SOLO EXHIBITION of REMARKABLE, Art Now Tate Britain. In: "REMARKABLE: JANICE KERBEL", TATE BRITAIN, ART NOW, United Kingdom, 7 MAY - 15 AUGUST 2010. [Show/Exhibition]

Kahn, Daria; Camplin, Bonnie; Brebenel, Mihaela; Goh, Annie and Shin, Sarah. 2022. 'Cosmic Mothers Panel Discussion at Mimosa House 2022 with Bonnie Camplin and others'. In: Panel Discussion: Cosmic Mothers. Mimosa House, London, United Kingdom 19 January 2022. [Conference or Workshop Item]

Kahn, Daria; Murdoch, Sadie; Partridge, Taqralik and Ades, Dawn. 2022. 'Finissage: The Baroness, panel talk'. In: Finissage: The Baroness. Mimosa House, United Kingdom 15 September 2022. [Conference or Workshop Item]

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Kalpaxi, Elisavet. 2012. Narcissism and Narrativity in Photographic Self- portraiture. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kelly, Susan. 2012. Against Critical Content: Transversality and the Micropolitics of the Intervention. In: Altés Arlandis Alberto and Lieberman Oren, eds. Intervention, Duration, Effects. Umeå, Sweden: University of Umeå, ---. ISBN - [Book Section]

Kelly, Susan. 2010. Amorph: Etwas Geschieht. Kunstforum International(202), pp. 143-153. ISSN 0177-3674 [Article]

Kelly, Susan. 2012. Asking, We Walk. In: Peter Lichtenfels and John Rouse, eds. Performance, Politics and Activism. London: Palgrave Macmillan, ---. ISBN - [Book Section]

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Kelly, Susan. 2010. The Centrifugal Book of Europe: A Partial Guide to the Micropolitics and Material Conditions of a Project. In: , ed. The Centrifugal Book of Europe. Belfast: Centrifugal, Belfast, pp. 59-73. ISBN 978-0-955-6395-1-7 [Book Section]

Kelly, Susan. 2006. Communities of the Question. In: Will Bradley; Mika Hannula; Cristina Ricupero and Superflex, eds. Self-Organisation/Counter Economic Strategies. Superflex, Sternberg Press, pp. 233-279. ISBN 1933128135 [Book Section]

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Kelly, Susan. 2011-2012 JURISDICTIONS. [Project]

Kelly, Susan. 2003. Lobby, Amorph! 03 Performance Art Biennale. In: "Amorph! 03 Performance Art Biennale,", Finlandia Hall and Harrakka Island, 09/08/2003 - 31/08/2003. [Performance]

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Kelly, Susan. 2010. Manufacturing Today. In: "Manufacturing Today", DORA Kulturbunker, Trondheim, Norway, Exhibition: April - May 2010, Project June 2008 - June 2013. [Show/Exhibition]

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Kelly, Susan. 2009. Medium. In: Lynette Hunter and Shannon Rose Riley, eds. Mapping Landscapes in Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave Macmillan, pp. 142-144. ISBN 13-978-0-230-22219-9 [Book Section]

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Kelly, Susan. October 13th - 14th, 2009 Micropolitics Research Group. [Project]

Kelly, Susan. 2017. 'Micropolitics: Practices of Freedom and Rehabilitation'. In: Transpersonal: art and life directives. ICA, London, United Kingdom 25 January 2017. [Conference or Workshop Item]

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Kelly, Susan. 2011. Narratives of Disobedience. In: "Narratives of Disobedience", Künstlerhaus Büchsenhausen, Innsbruck, Austria, 05.11.-02.12.2011. [Show/Exhibition]

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Kelly, Susan. 2019. Nobody But Us. In: "NOBUS", Birkbeck, University of London, School of Law, United Kingdom, 15 March 2019. [Performance]

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Kelly, Susan. 2008. Several Silences. In: "Several Silences", Belfast, Northern Ireland (2010), United Kingdom, 2008-2010. [Show/Exhibition]

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Kelly, Susan. 2012. Space Matters. In: "Space Matters", Neue Galerie, Austria, June 21 - August 4, 2012. [Show/Exhibition]

Kelly, Susan. 2022. 'Turning: a Micropolitical Cartography of Colonial Rehabilitation'. In: Psychosocial Cartographies. Anglo-American University, Prague, Czech Republic 17 - 18 June 2022. [Conference or Workshop Item]

Kelly, Susan. 2013. ‘What does a Question do? Micropolitics and Art Education’. In: Irit Rogoff and Jean-Paul Martinon, eds. The Curatorial: A Philosophy of Curating. London: IB Tauris, pp. 107-112. ISBN 9781780763729 [Book Section]

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Kelly, Susan. 2018. ‘What is to be Done?’: Grammars of Organisation. Deleuze and Guattari Studies, 12(2), pp. 147-184. ISSN 2398-9777 [Article]

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Kelly, Susan; Elfving, Taru; Hewitt, Nicole; Jewesbury, Daniel; O' Beirn, Aisling; Henriksson, Minna; Hamm, Kalle; Boynik, Sezgin and PLATFORMA 9,81, Croatia. 2007-2010 Centrifugal. [Project]

Kelly, Susan and Morton, S.. 2003. What is to be Done? Questions for the 21st Century. In: "What is to be Done? Questions for the 21st Century", The Lenin Museum, 2/22/2003 - 4/21/2003. [Show/Exhibition]

Kelly, Susan and Morton, Stephen. 2004. Calling up Annie Moore. Public Culture, 16(1), pp. 119-131. ISSN 08992363 [Article]

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Kerbel, Janice. 2017. Art and Alphabet. In: "Art and Alphabet", Hamburger Kunsthalle, Germany, 21 July - 29 October 2017. [Show/Exhibition]

Kerbel, Janice. 2018. 'Beautiful World. Where are you?', Liverpool Biennial 2018. In: "Beautiful World Where are you?, 2018 Liverpool Biennial", Liverpool, United Kingdom, 14 July - 28 October 2018. [Show/Exhibition]

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Kerbel, Janice. 2012. Cue. [Art Object]

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Kerbel, Janice. 2014. DOUG Nine songs for six voices. [Printed Ephemera]

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Kerbel, Janice. 2014. Doug. In: "Doug", Jeffrey Room, Mitchell Library Glasgow, United Kingdom, 2014 – 2017. [Performance]

Kerbel, Janice. 2016. Honorary Doctorate Award. [Professional Activity]

Kerbel, Janice. 2018. Janice Kerbel. In: "Janice Kerbel", greengrassi, London, United Kingdom, 27 September – 3 November 2018. [Show/Exhibition]

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Kerbel, Janice. 2012. 'Janice Kerbel', Solo Exhibition Arts Club of Chicago. In: "Janice Kerbel", Arts Club of Chicago, United States, 13 September – 21 December 2012.. [Show/Exhibition]

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Kerbel, Janice. 2011. Kill the Workers!. [Art Object]

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Kerbel, Janice. 2016. 'Le Grand Balcon – Montreal Biennal 2016', Group exhibition. In: "Le Grand Balcon - Montreal Biennial 2016", Musee D'Art Contemporain, Montreal, Canada, 19.10.17-15.01.17. [Show/Exhibition]

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Kerbel, Janice. 2018. Live: Collected scripts. London UK: Occasional Papers / The Polygon Gallery / Badischer Kunsterein / University of Toronto Press. ISBN 978-0-9954730-0-3 [Book]

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Kerbel, Janice. 2017. Ride Of Life. [Art Object]

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Kerbel, Janice. 2016. Score. [Art Object]

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Kerbel, Janice. 2018. Sink: Routine for 24 Women. In: "Sink", Western Baths, Glasgow, United Kingdom, 3 August 2018. [Performance]

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Kerbel, Janice. 2017. Slip at Mass MOCA. In: "B6: THE ROBERT W. WILSON BUILDING GRAND OPENING Mass MoCA", MASS MoCA, United States, May 2017–2020. [Show/Exhibition]

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Kerbel, Janice. 2017. 'Space Force Construction', V-AC Foundation Venice Italy. In: "Space Force Construction, VAC Foundation", VAC Foundation, Palazzo delel Zattere, Venice, Italy, 13 May - 25 Aug 2017. [Show/Exhibition]

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Kerbel, Janice. 2015. Turner Prize 2015. In: "Turner Prize 2015", Tramway Glasgow, United Kingdom, 25 Sept 2015 – 18 January 2015. [Show/Exhibition]

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Kerr, Vicki. 2015. Airspace – Zones of Fidelity and Failure. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Khanna, Shama and Brathwaite-Shirley, Danielle. 2021. Interview with Danielle Brathwaite-Shirley by Flatness for Feminist Review and Women’s Art Library, April 2021. Feminist Review, 129(1), pp. 109-122. ISSN 0141-7789 [Article]

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Kim, Kyoung. 2018. Mournings and Uncertainties. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kirwan, Richard. 2023. An Artist's Question, July. In: "An Artist's Question, July", British School at Rome Gallery, Italy, July 2023. [Show/Exhibition]

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Kirwan, Richard. 2017. Earth, Wind and Fire. In: "Earth, Wind and Fire", Griffin Gallery, London, United Kingdom, 7 September - 20 October 2017. [Show/Exhibition]

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Kirwan, Richard. 2018. Flow State. [Art Object]

Kirwan, Richard. 2002. Free love and Modern love. In: "Free love and Modern love", The British School at Rome, 9/17/2002 - 9/21/2002. [Show/Exhibition]

Kirwan, Richard. 2021. 'In conversation – Wolfgang Tillmans & Richard Kirwan'. In: Wolfgang Tilmans in conversation with Richard Kirwan. London, United Kingdom 25 January 2021. [Conference or Workshop Item]

Kirwan, Richard. 2016. Jasper Johns : Regrets – The Courtauld Gallery London, 12th September – 14th December 2014. Journal of Contemporary Painting, 2(1), pp. 133-155. ISSN 2052-6695 [Article]

Kirwan, Richard. 2023. Mentorship. [Professional Activity]

Kirwan, Richard. 2007. Modern Manners. In: "Modern Manners", Galerie Hollenbach, 2/12/2007 - 4/10/2007. [Show/Exhibition]

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Kirwan, Richard. 2014. Neue Diptychen. In: "Richard Kirwan – Neue Diptychen", Galerie Hollenbach, Stuttgart, Germany, 27 November 2014 - 6 January 2015. [Show/Exhibition]

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Kirwan, Richard. 2018. Now It Is Permitted. In: "Now It Is Permitted", Lincoln, United Kingdom, July 2018 - August 2019. [Show/Exhibition]

Kirwan, Richard. 2009. Plastic Culture - Legacies of Pop 1986 - 2008. In: "Touring exhibition", Harris Museum & Art Gallery, Preston, United Kingdom, March 2009 - February 2010. [Show/Exhibition]

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Kirwan, Richard. 2022. Richard Kirwan - Intelectual Property. In: "Richard Kirwan - Intelectual Property", Lungley Gallery, London, United Kingdom, 18 November 2022 - 14 January 2023. [Show/Exhibition]

Kirwan, Richard. 2010. Richard Kirwan - New Work. In: "Richard Kirwan - New work", Galerie Hollenbach, Stuttgart, Germany. [Show/Exhibition]

Kirwan, Richard. 2001. Surface Tension: New British Painting. In: "Surface Tension: New British Painting", Gallery Holly Snapp, 6/6/2001 - 7/25/2001. [Show/Exhibition]

Kirwan, Richard. 2006. Sweetness and Light. In: "Sweetness and Light", Marksman Gallery, 5/11/2006 - 6/18/2006. [Show/Exhibition]

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Kirwan, Richard and Bolivar, Juan. 2022. Richard Kirwan - Intelectual Property. [Exhibition Catalogue]

Kirwan, Richard; Donkor, Kimathi and Ince-Mitchell, Jerome. 2022. 'Painting Symposium'. In: Painting Symposium. Camberwell College of Arts, UAL, United Kingdom 14 June 2022. [Conference or Workshop Item]

Kirwan, Richard and Oldfield, Simon. 2010. Modern Love. In: "MODERN LOVE", Simon Oldfield Gallery, London, United Kingdom, October 7th - November 13th 2010. [Show/Exhibition]

Kirwan, Richard and Sturgis, Daniel. 2009. Liz Arnold. In: "Liz Arnold", Camden Arts Centre, London, United Kingdom. [Show/Exhibition]

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Klee, Stephen. 2009. Between Mastery and Subjectivization; Jacques Rancière and a Politics of Art without Foundation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Koester, Joahim and Le Feuvre, Lisa. 2009. Joachim Koester: Poison Protocols and Other Histories Stills, Edinburgh. In: "Joachim Koester: Poison Protocols and Other Histories", Stills, United Kingdom, 6 August – Sunday 25 October 2009. [Show/Exhibition]

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Kollectiv, Galia. 2013. Art in the Age of its Dissolution: Beyond The Democratic Paradox. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kollectiv, Pil. 2013. Art in the Age of its Dissolution: Beyond The Democratic Paradox. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kosmaoglou, Sophia. 2005. Playing dead: Sophia (Creekside). [Film/Video]

Kreider, Kristen. 2003. Fear Pages. London: Unnameable Publications. [Book]

Kreider, Kristen. 2013. Light Vessel Automatic. In: "Light Vessel Automatic", Tate Britain, London, United Kingdom. [Performance]

Kreider, Kristen. 2010. 'Lyrical Encounters: The Material Poetics of Emily Dickinson's Later Manuscript Pages'. In: The Emily Dickinson International Society Conference. Oxford University, United Kingdom 6-8 August 2010. [Conference or Workshop Item]

Kreider, Kristen. 2015. Material Poetics and the Communication Event. Performance Research, 20(1), pp. 80-89. ISSN 1352-8165 [Article]

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Kreider, Kristen. 2013. Poetics and Place: The Architecture of Sign, Subject and Site. London: I.B. Tauris. ISBN 9781780763378 [Book]

Kreider, Kristen. 2009. 'Projecting the Voice: Theresa Hak Kyung Cha's Passages Paysages'. In: Intersections - Association of Art Historians Conference. Manchester Metropolitan University, Manchester, United Kingdom. [Conference or Workshop Item]

Kreider, Kristen. 2017. Thirteen Points, Expanded (Lecture Performance). In: "Never the Same: what (else) can art writing do?", Art Commons, Canada, 15-17 September 2017. [Performance]

Kreider, Kristen. 2010. 'Time, Space and Empathy: A Material Poetics of the Film Image'. In: Sexuate Subjects: Politics, Poetics, Ethics. UCL, London, United Kingdom. [Conference or Workshop Item]

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Kreider, Kristen and James, O'Leary. 2019. Prarie/Argo. In: Ryan Bishop and Sunil Manghani, eds. Seeing Degree Zero: Barthes/Burgin and Political Aesthetics. Edinburgh: Edinburgh University Press. ISBN 9781474431415 [Book Section]

Kreider, Kristen and O'Leary, James. 1999. 104 Kilotonne Idea. In: "104 Kilotonne Idea", Bonneville Salt Flats, United States. [Performance]

Kreider, Kristen and O'Leary, James. 2007. 5 exercises for the voice + 5 more. In: "5 exercises for the voice + 5 more", Woburn Studios, London, United Kingdom. [Performance]

Kreider, Kristen and O'Leary, James. 2008. Alba Lunedi. In: "Alba Lunedì", Santa Caterina Pool, Bagno Vignoni, Italy. [Performance]

Kreider, Kristen and O'Leary, James. 2006. Cell. [Art Object]

Kreider, Kristen and O'Leary, James. 2018. Cifra (Architecture Film Essay). In: "t.b.c.", De La Warr Pavilion, United Kingdom, dates t.b.c.. [Show/Exhibition] (In Press)

Kreider, Kristen and O'Leary, James. 2009. Constructing Atmospheres: A Phenomenology of the Film Image and Its Relation to Place. In: , ed. Proceedings for Architecture and Phenomenology 2 International Conference. Architecture and Phenomenology 2. [Book Section]

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Kreider, Kristen and O'Leary, James. 2013. Edge City. In: "Lisbon Architecture Triennale", Lisbon, Portugal. [Show/Exhibition]

Kreider, Kristen and O'Leary, James. 2005. The Edge of Emily's Desk. [Art Object]

Kreider, Kristen and O'Leary, James. 2005. Eight Rooms. [Art Object]

Kreider, Kristen and O'Leary, James. 2005. Eight Rooms. London: Unnameable Publications. [Book]

Kreider, Kristen and O'Leary, James. 2008. Fall (An Allegory) - live. In: "The Betsey Trotwood poetry event", London, United Kingdom. [Performance]

Kreider, Kristen and O'Leary, James. 2008. Fall (An Allegory) - video. [Art Object]

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Kreider, Kristen and O'Leary, James. 2015. Falling. Isle of Wight: Copy Press. ISBN 978-1909570016 [Book]

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Kreider, Kristen and O'Leary, James. 2018. Field Poetics. London: MA Biblioteque. ISBN 9781910055427 [Book]

Kreider, Kristen and O'Leary, James. 2003. Gesturing Toward the Ellipsis. [Art Object]

Kreider, Kristen and O'Leary, James. 2009. Immolation Triptych - live. In: "Immolation Triptych – live", The Drawing Field, Camberwell College of Arts, London, United Kingdom. [Performance]

Kreider, Kristen and O'Leary, James. 2011. Immolation Triptych - video. [Film/Video]

Kreider, Kristen and O'Leary, James. 2003. In the Midst. [Art Object]

Kreider, Kristen and O'Leary, James. 2009. Kino Haiku. [Art Object]

Kreider, Kristen and O'Leary, James. 2010. LA Tapped. [Art Object]

Kreider, Kristen and O'Leary, James. 2010. Memento Mori. Performance Research, 15(1), pp. 66-71. ISSN 1352-8165 [Article]

Kreider, Kristen and O'Leary, James. 2017. Milk, Confetti, Erratics (Performance Lecture). In: "EDGE— Situated practice in art, architecture and urbanism", Folkestone Triennial, United Kingdom. [Performance]

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Kreider, Kristen and O'Leary, James. 2017. Particles of Moisture or Other Substance Suspended in Air and Visible as Clouds: Complexity in Site-Related Creative Practices. In: Phil Sawden and Russell Marshall, eds. Drawing Ambiguity: Beside the Lines of Contemporary Art. London: I.B. Tauris, pp. 67-82. ISBN 9781784530693 [Book Section]

Kreider, Kristen and O'Leary, James. 2005. Termini. [Film/Video]

Kreider, Kristen and O'Leary, James. 2016. Thirteen Points, Expanded (Single Channel Video Installation). In: "Wayfaring", &Model, United Kingdom, 26 April - 4 June 2016. [Show/Exhibition]

Kreider, Kristen and O'Leary, James. 2017. Thirteen Points, Expanded (Three Channel Video Installation). In: "Extratextual", Contemporary Calgary, Canada, 1 September - 21 January 2017. [Show/Exhibition]

Kreider, Kristen and O'Leary, James. 2017. Thirteen Points, Expanded (Video). In: "Film / Making / Space", Royal Academy, United Kingdom, 13 February 2017. [Show/Exhibition]

Kreider, Kristen and O'Leary, James. 2003. To come this far. To have left .... [Art Object]

Kreider, Kristen and O'Leary, James. 2004. Untitled (for M.). [Art Object]

Kreider, Kristen and O'Leary, James. 2010. Video Shakkei. In: "Video Shakkei, Osaka - Nara - Kyoto - Ise, Japan - June-July 2010", Osaka - Nara - Kyoto - Ise, Japan. [Performance]

Kreider, Kristen and O'Leary, James. 2010. Video Shakkei: Event-Space, Performance and Time-Based Drawing. In: , ed. Proceedings for Drawing Out conference at RMIT. Melbourne: RMIT. [Book Section]

Kreider, Kristen and O'Leary, James. 2010. Video Shakkei: Post-Performance Drawings. [Art Object]

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Kreider, Kristen and O'Leary, James. 2017. Volver a no Saber: Poetry, Architecture and the Beginnings of Open City. In: Jonathan Charley, ed. Routledge Companion to Architecture, Literature and the City. London: Routledge. ISBN 9781472482730 [Book Section]

Kreider, Kristen and O'Leary, James. 2003. Wall: A Dialogue. London, United Kingdom. [Performance]

Kreider, Kristen and O'Leary, James. 2004. s.i.g.n.a.l.. [Art Object]

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Kreider, Kristen and Oleary, James. 2018. Thirteen Points, Expanded (Text). In: Emily Orley and Katja Hilevaara, eds. The Creative Critic Writing as/about Practice. London: Routledge. ISBN 9781138674837 [Book Section]

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Kreider, Kristen and O’Leary, James. 2015. Cifra (Performance). In: "Cifra", The Open City, Ritoque, Chile. [Performance]

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Kreider, Kristen and O’Leary, James. 2015. Open City’ [artists’ pages]. Performance Research, 20(1), pp. 90-95. ISSN 1352-8165 [Article]

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Kreider, Kristen and O’Leary, James. 2016. Thirteen Points, Expanded (Video). [Film/Video]

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Kreider, Kristen and O’Leary, James. 2016. Thirteen Points, Expanded (Video, edit). In: "Are We Human?: The 3rd Istanbul Design Biennial", Istanbul, Turkey, 22 October - 20 November 2016. [Show/Exhibition]

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Lai, Phillip. 2014. Camden Art Centre: Besides (2014). In: "Phillip Lai: Besides", Camden Arts Centre, London, United Kingdom, 11 April – 29 June 2014. [Show/Exhibition]

Lai, Phillip. 1999. Contribution to Bent Aura. In: , ed. Bent aura (STOPSTOP). STOPSTOP. ISBN 978-1902052014 [Book Section]

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Lai, Phillip. 2021. Drunken Sailor (London 2021). In: "Drunken Sailor", Modern Art, London, United Kingdom, 8 July - 21 August 2021. [Show/Exhibition]

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Lai, Phillip. 2023. For Caution (Hong Kong 2023). In: "For Caution", Kiang Malingue, Hong Kong, 9 December 2023 - 27 January 2024. [Show/Exhibition]

Lai, Phillip. 2001. 'Guest speaker at Li Yuan Chia exhibition talk'. In: Li Yuan Chia exhibition talk. Camden Arts Centre / London, United Kingdom. [Conference or Workshop Item]

Lai, Phillip. 2005. In The Poem About Love You Don't Write The Word Love. In: "In The Poem About Love You Don't Write The Word Love", CCA, 11/12/2005 - 1/28/2006. [Show/Exhibition]

Lai, Phillip. 2006. John Frumism. In: "John Frumism", Hotel, 6/4/2006 - 7/23/2006. [Show/Exhibition]

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Lai, Phillip. Kenneth Armitage Foundation Fellowship. [Professional Activity]

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Lai, Phillip. 2022. Phillip Lai monograph (2022). [Artist's Book]

Lai, Phillip. 1997. Phillip Lai, The Showroom. [Exhibition Catalogue]

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Lai, Phillip. 2018. Phillip Lai: The Hepworth Prize for Sculpture (Wakefield, 2018). In: "The Hepworth Prize for Sculpture", The Hepworth Wakefield, United Kingdom, 26 October 2018 - 20 January 2019. [Show/Exhibition]

Lai, Phillip. 2017. Phillip Lai: group exhibition (Hong Kong, 2017). In: ""One Second Ago" - Edouard Malingue Gallery", Hong Kong, Hong Kong, 8th July – 26th August 2017. [Show/Exhibition]

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Lai, Phillip. 2022. Phillip Lai: group exhibition (Hong Kong, 2022). In: "SSSSSSSSSCULPTURESQUE", Kiang Malingue, Hong Kong, Hong Kong, 4 June - 13 August 2022. [Show/Exhibition]

Lai, Phillip. 2014. Phillip Lai: group exhibition (London, 2014). In: ""Interior" - Stuart Shave/Modern Art", London, United Kingdom, 18th July – 23rd August 2014. [Show/Exhibition]

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Lai, Phillip. 2014. Phillip Lai: group exhibition (London, 2014). In: "On the Devolution of Culture", Rob Tufnell, London, United Kingdom, 19 September - 25 October 2014. [Show/Exhibition]

Lai, Phillip. 2016. Phillip Lai: group exhibition (London, 2016). In: ""Theories of Modern Art" - Stuart Shave/Modern Art", London, United Kingdom, 19th May – 18th June 2016. [Show/Exhibition]

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Lai, Phillip. 2021. Phillip Lai: group exhibition (London, 2021). In: "Group Show", Modern Art, London, United Kingdom, 25 February - 17 April 2021. [Show/Exhibition]

Lai, Phillip. 2022. Phillip Lai: group exhibition (London, 2022). In: "Testament", Goldsmiths CCA, London, United Kingdom, 21 January - 3 April 2022. [Show/Exhibition]

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Lai, Phillip. 2018. Phillip Lai: group exhibition (Nanjing, China 2018). In: "‘… of…, at…h, at…, in…’", Sifang Art Museum, Nanjing, China, 24 July - 23 September 2018. [Show/Exhibition]

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Lai, Phillip. 1997. Phillip Lai: group exhibition (New York, 1997). In: "New Video from Great Britain", The Museum of Modern Art, New York City, United States, 16 December 1997 - 1 February 1998. [Show/Exhibition]

Lai, Phillip. 2014. Phillip Lai: group exhibition (Nottingham, 2014). In: ""Somewhat Abstract" - Nottingham Contemporary", Nottingham, United Kingdom, 12th April – 29th June 2014. [Show/Exhibition]

Lai, Phillip. 2015. Phillip Lai: group exhibition (Southampton, 2015). In: ""An Intervention" - John Hansard Gallery", Southampton, United Kingdom, 12th May – 27th June 2015. [Show/Exhibition]

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Lai, Phillip. 2019. Phillip Lai: group exhibition (Sydney, 2019). In: "Phillip Lai, Yona Lee, Hany Armanious", Fine Arts, Sydney, Australia, 15 May - 29 June 2019. [Show/Exhibition]

Lai, Phillip. 2016. Phillip Lai: group exhibition (Turin, 2016). In: ""Can I Step On It" - Galleria Franco Noero", Turin, Italy, 30th March – 14th May 2016. [Show/Exhibition]

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Lai, Phillip. 2021. Phillip Lai: group exhibition (Turin, 2021). In: "l'acqua", Galleria Franco Noero, Turin, Italy, 2 March - 9 July 2021. [Show/Exhibition]

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Lai, Phillip. 2022. Phillip Lai: group exhibition (Vienna, 2022). In: "Water Being Washed Away", Galerie Hubert Winter, Vienna, Austria, 10 September - 22 October 2022. [Show/Exhibition]

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Lai, Phillip. 1998. Phillip Lai: group exhibition (various locations, touring 1998-99). In: "Black Box", London, United Kingdom, 1998 - 1999. [Show/Exhibition]

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Lai, Phillip. 2006. Phillip Lai: group exhibition (various locations, touring 2005-2007). In: "In the Poem About Love You Don't Write the word Love", Artists Space, New York City, United States, 16 November - 22 December 2006. [Show/Exhibition]

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Lai, Phillip. 2008. Phillip Lai: solo exhibition (Berlin, 2008). In: "Open Container, Galerie Giti Nourbakhsch", Berlin, Germany, 13 Dec 2008 - 24 Jan 2009. [Show/Exhibition]

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Lai, Phillip. 2009. Phillip Lai: solo exhibition (Glasgow, 2009). In: "Introduction and Jargon", Glasgow, United Kingdom, 5 - 30 May 2009. [Show/Exhibition]

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Lai, Phillip. 2018. Phillip Lai: solo exhibition (Hong Kong, 2018). In: "'In the half life', Edouard Malingue Gallery", Hong Kong, 26 March - 12 May 2018. [Show/Exhibition]

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Lai, Phillip. 2007. Phillip Lai: solo exhibition (London, 2007). In: "Free to meet for coffee sometime soon", Modern Art, London, United Kingdom, 12 January - 11 February 2007. [Show/Exhibition]

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Lai, Phillip. 2009. Phillip Lai: solo exhibition (London, 2009). In: "Phillip Lai, Stuart Shave/Modern Art", London, United Kingdom, 20 Nov - 19 Dec 2009. [Show/Exhibition]

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Lai, Phillip. 2012. Phillip Lai: solo exhibition (London, 2012). In: "Phillip Lai, Stuart Shave/Modern Art", London, United Kingdom, 13 Jan 2012 - 18 Feb 2012. [Show/Exhibition]

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Lai, Phillip. 2016. Phillip Lai: solo exhibition (London, 2016). In: "Phillip Lai, Stuart Shave/Modern Art", London, United Kingdom, 30th June – 6th August 2016. [Show/Exhibition]

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Lai, Phillip. 2007. Phillip Lai: solo exhibition (Turin, 2007). In: "'A metal bar fell on someone's head or something'", Galleria Franco Noero, Turin, Italy, 10 November 2007 - 15 January 2008. [Show/Exhibition]

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Lai, Phillip. 2012. Phillip Lai: solo exhibition (Turin, 2012). In: "Visitor", Turin, Italy, 14 May - 16 June 2012. [Show/Exhibition]

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Lai, Phillip. 2019. Phillip Lai: solo exhibition (Turin, 2019). In: "Phillip Lai, Galleria Franco Noero", Turin, Italy, 29 October 2019 - 15 February 2020. [Show/Exhibition]

Lai, Phillip. 2006. 'Public lecture - Artists Lecture Series'. In: Artists Lecture Series, Arnolfini. Bristol, United Kingdom. [Conference or Workshop Item]

Latham, William. 2007. Mutator 2.. In: "Mutator 2. Willliam Latham and Team Mutator", The National Institute for Medical Research, 11/1/2007 - 12/12/2007. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Alexander and Susan Maris: The Pursuit of Fidelity (a ‘retrospective’). In: "Alexander and Susan Maris: The Pursuit of Fidelity (a ‘retrospective’)", Stills, United Kingdom, August - September 2010. [Show/Exhibition]

Le Feuvre, Lisa. 2010. British Art Show 7: In the Days of the Comet. In: "British Art Show 7: In the Days of the Comet", Nottingham Contemporary, United Kingdom, October 2010 - November 2011. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Donald Smith’s Partial History of Exhibitions 1993-2010. In: "Donald Smith’s Partial History of Exhibitions 1993-2010", Chelsea Space, 12.03.10 - 17.04.10. [Show/Exhibition]

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Le Feuvre, Lisa. 2010. Failure. London: MIT Press / Whitechapel Gallery. ISBN 978-0-262-51477-4 [Book]

Le Feuvre, Lisa. 2010. From island thought to water thought: Renée Green’s Endless Dreams and Water Between. In: , ed. Renée Green. San Francisco: Yerba Buena Center for the Arts/ DAP. [Book Section]

Le Feuvre, Lisa. 2003. Gordon Matta-Clark: The Space Between. In: "Gordon Matta-Clark: The Space Between", Centre for Contemporary Arts, Glasgow; Architectural Association, London, 1/25/2003 - 5/30/2003. [Show/Exhibition]

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Le Feuvre, Lisa. 2010. If at First you Don’t Succeed…. Tate etc(18, Sp), pp. 30-37. [Article]

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Le Feuvre, Lisa. 2010. Joachim Koester. In: , ed. 100 Video Artists. Barcelona: Exit, pp. 254-257. ISBN 9788493734701 [Book Section]

Le Feuvre, Lisa. 2007. Lawrence Weiner: Inherent in the Rhumb Line. In: "Lawrence Weiner: Inherent in the Rhumb Line", National Maritime Museum, 2/22/2007 - 12/9/2007. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Nothing is written. We all know that. Don’t we. In: , ed. Esther Shalev-Gerz. Paris: Jeu de Paume, pp. 24-35. ISBN 9782849751879 [Book Section]

Le Feuvre, Lisa. 2009. Renée Green: Endless Dreams and Water Between National Maritime Museum, London. In: "Renée Green: Endless Dreams and Water Between", National Maritime Museum, London, United Kingdom. [Show/Exhibition]

Le Feuvre, Lisa. 2009. Sea Change. In: , ed. Zineb Sedira: Under Sky and Over the Sea. Finland: Pori Art Museum, pp. 40-59. ISBN 9789525648188 [Book Section]

Le Feuvre, Lisa. 2006. Simon Faithfull: Ice Blink. In: "Simon Faithfull: Ice Blink", Stills, Edinburgh; Parkers Box, New York; Cell, London, 3/18/2006 - 4/30/2006. [Show/Exhibition]

Le Feuvre, Lisa and Zataari, A.. 2004. Hashem El Madani: Studio Practices. In: "Hashem El Madani: Studio Practices", The Photographers Gallery London, touring to Sfeir-Semler Gallery, Beirut (2005), 10/14/2004 - 11/28/2004. [Show/Exhibition]

Leckey, Mark. 2009. In the Long Tail. In: "Institute of Contemporary Arts", London, United Kingdom. [Performance]

Leckey, Mark. 2011. SEE, WE ASSEMBLE. In: "SEE, WE ASSEMBLE", Serpentine Gallery, London, United Kingdom, 19/05/2011 - 26/06/2011. [Show/Exhibition]

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Leckey, Mark. 2013. The Universal Addressability of Dumb Things. In: "Nottingham Contemporary", Nottingham, United Kingdom. [Show/Exhibition]

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Lengerer, Joachim. 2022. Rehearsal Behaviour – Three Activations of Peter Weiss –. Doctoral thesis, Goldsmiths, University of London [Thesis]

Leventon, Rosie and Coutts, Marion. 1991. Rosie Leventon and Marion Coutts: Installation. sculpture. works on paper. In: "Rosie Leventon and Marion Coutts: Installation. sculpture. works on paper", Oriel Gallery and Leeds Polytechnic Gallery, United Kingdom. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2021. Adrift Residency (solo programme). In: "Adrift Residency", Los Angeles Film Forum, United States, 15 - 19 October 2021. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2021. All Thoughts Fly: Monster, Taxonomy, Film. [Artist's Book]

Litvintseva, Sasha and Wagner, Beny. 2023. 'Artist Talk and Screening'. In: Hybrid Forms and Frameworks. University of Virginia, United States 15 February 2023. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2020. Baltic Triennial 14: Intro, The Maze and the Lighthouse. In: "Baltic Triennial 14: Intro, The Maze and the Lighthouse", CAC Vilnius, Lithuania, 22 - 24 July 2020. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2019. Berlin Atonal 2019. In: "Berlin Atonal 2019", Kraftwerk Berlin, Germany, 28 August - 1 September 2019. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2019. Bilateria. [Film/Video]

Litvintseva, Sasha and Wagner, Beny. 2022. Constant. [Film/Video]

Litvintseva, Sasha and Wagner, Beny. 2022. Constant (Festival World Premiere). In: "International Film Festival Rotterdam: Tiger Shorts Competition", Rotterdam, Netherlands, January 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. The Curse of Smooth Operations. In: "IMPAKT Festival 2022", IMPAKT, Utrecht, Netherlands, 2 November 2022 - 8 January 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2020. A Demonstration (Festival World Premiere). In: "Berlin International Film Festival: Berlinale Shorts Competition", Berlin, Germany, February 2020. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2021. A Demonstration (solo exhibition). In: "A Demonstration (solo exhibition)", CIAP, Genk, Belgium, 17 January - 14 March 2021. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2020. A Demonstration. [Film/Video]

Litvintseva, Sasha and Wagner, Beny. 2023. Film Screening: Constant (solo screening). In: "Measurement, modernism and mystics", Hugh Lane Gallery, Dublin, Ireland, 5 May 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. First Look 2022. In: "First Look", Museum of the Moving Image, New York, United States, 17 March 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. In/Visible Measures. In: "In/Visible Measures", Wexner Center for the Arts, Ohio State University, United States, 11 October 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. IndieLisboa 2022. In: "Sylvestre Competition", Lisbon, Portugal, 1 May 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. LIMA Presents: Sasha Litvintseva and Beny Wagner. In: "LIMA Presents: Sasha Litvintseva and Beny Wagner", LAB111, Amsterdam, Netherlands, 23 November 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2023. Living Togetherness. In: "Living Togetherness, Taiwan International Video Art Biennale", Hong-Gah Museum Taipei, Taiwan, Province of China, 4 November 2023 - 28 January 2024. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2023. 'Masterclass Artist Film'. In: Collective Session 4. SoundImageCulture, Brussels, Belgium 19 - 23 June 2023. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2022. 'Materialities of Measure'. In: Dis/Entangling Perspectives in Material Research Lecture Series. Humboldt University of Berlin, Germany 3 January 2022. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2023. The Measure of the World. In: "The Measure of the World", Radius CCA, Delft, Netherlands, 25 February - 14 May 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2021. Monster as Medium: Experiments in Perception in Early Modern Science and Film. e-flux journal(116), ISSN 2164-1625 [Article]

Litvintseva, Sasha and Wagner, Beny. 2022. Monsters and Measures (solo programme). In: "Monsters and Measures", e-flux Screening Room, New York, United States, 27 September 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2021. 'Monsters, Measures, and Movements'. In: [e]Motion: Graduate Conference on Science and Technology of the Arts. Escola das Artes Católica, Porto, Portugal 9 - 11 December 2021. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2021. 'Monstrare: Documenting Beyond the Indexical'. In: Visible Evidence 2021. Frankfurt am Main, Germany 14 - 18 December 2021. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2023. More-Than-Human Gaze. In: "More-Than-Human Gaze", Museum of Modern Art in Warsaw, Poland, 23 September 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2023. My Want of You Partakes of Me. [Film/Video]

Litvintseva, Sasha and Wagner, Beny. 2019. Never Odd or Even – On Palindromes and Metaphors. In: Mirna Belina, ed. Hereafter. Amsterdam: Sonic Acts Press, pp. 144-155. ISBN 9789082321654 [Book Section]

Litvintseva, Sasha and Wagner, Beny. 2022. Open City Documentary Festival. In: "Open City Documentary Festival", Genesis Cinema, London, United Kingdom, 10 September 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2023. Science, Body, Anatomy. In: "Science, Body, Anatomy", Tate Modern, Starr Cinema, United Kingdom, 25 November 2023. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2024. The Spell of the Sensuous. In: "The Spell of the Sensuous, Sonics Acts Bienniale 2024", W139, Amsterdam, Netherlands, 3 February - 24 March 2024. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2023. This Too is A Map, 12th Seoul Mediacity Biennale. In: "12th Seoul Mediacity Biennale", Seoul Museum of Art, Korea, Republic of, 21 September - 19 November 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. Transmediale 2022: This is Not Anarchy, This is Chaos. In: "Transmediale 2022: This is Not Anarchy, This is Chaos", Haus der Kulturen der Welt, Berlin, Germany, 28 - 29 January 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2021. Work in Progress. In: "Work in Progress", Queer Art Projects, London, United Kingdom, 15 October 2020 - 15 January 2021. [Show/Exhibition]

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Lloyd, Kirsten; Dimitrakaki, Angela; Perry, Lara; Jefferis, Kerri; Robinson, Hilary; Reckitt, Helena and UNSPECIFIED. 2017. 'Feminist Emergency: The art field'. In: Feminist Emergency: The art field. Birkbeck, University of London, United Kingdom 23 June 2017. [Conference or Workshop Item]

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Lobo, Francisco Sousa. 2016. Crisis of Meaning, Crisis of Form. Doctoral thesis, Goldsmiths, University of London [Thesis]

Lomax, Yve. 2002. A Burning Issue. In: T Horkova; E. Maurer; J. Hofleitner and R. Maurer-Horak, eds. Image/Images - Current Positions in Photography. Passagen Verlag, pp. 73-82. ISBN 385165515X [Book Section]

Lomax, Yve. 2006. On Bringing Education to Life: Notes for Further Thought. In: Irit Rogoff; A. Nollert; B. De Baere; Y. Dziewior; C. Esche and K. Niemann, eds. Academy. Revolver, pp. 223-227. ISBN 3865883036 [Book Section]

Lomax, Yve. 2006. Thinking Stillness. In: D. Green and J. Lowry, eds. Stillness and Time: Photography and the Moving Image. Photoworks/Photoforum, pp. 55-63. ISBN 1903796180 [Book Section]

Lomax, Yve. 2009. To Not Happen. Parallax, 15(4), pp. 33-44. ISSN 1353-4645 [Article]

Lord, Catherine and Williams Gamaker, Michelle. 2018. O A R The Oxford Artistic & Practice Based Research Platform Shooting Back in (That's All There Is Issue 3). O A R: The Oxford Artistic and Practice Based Research Platform, 3, ISSN 2399-5092 [Article]

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Lourenco, Sandra. 2018. Performative Interplay: Contemporary art as role model to anti-model of corporate management. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lowther, Rachel and Reckitt, Helena. 2016. ''F*CK WAR, LET’S MAKE ART''. In: F*CK WAR, LET’S MAKE ART. Glasgow School of Art, United Kingdom 17 February 2016. [Conference or Workshop Item]

Lubbock, Tom; Coutts, Marion and Murray, Peter. 2000. Marion Coutts, Yorkshire Sculpture Park. Yorkshire Sculpture Park. ISBN 978-1871480320 [Book]

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Ludwig, Katharina. 2024. The Hole: Notes toward an insurrectionary poetics of the wounded text. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Mabb, David. 2016. About Two Worlds. In: "About Two Worlds", Handel Street Projects, United Kingdom, 16 January – 20 February 2016. [Show/Exhibition]

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Mabb, David. 2016. About Two Worlds. Salvage, 3, pp. 177-190. ISSN 2058-6361 [Article]

Mabb, David. 2021. Annotations on Historical Materialism Conference Posters. Folded Life, Talking Textile Politics, [Article]

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Mabb, David. 2014. Announcer. Focal Point Gallery, Southend on Sea, United Kingdom 12th April 2014 -12th July 2014. [Show/Exhibition]

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Mabb, David. 2015. Announcer. In: "Announcer", William Morris Gallery, United Kingdom, 27-June - 27 Sept 2015. [Show/Exhibition]

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Mabb, David. 2016. Announcer. [Digital]

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Mabb, David. 2014. Announcer (broadsheet). [Exhibition Catalogue]

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Mabb, David. 2006. Art into Everyday Life. In: "Art into Everyday Life", Contemporary Art Centre, 1/20/2006 - 3/19/2006. [Show/Exhibition]

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Mabb, David. 2013. Art into Everyday Life. In: Marta Rabikowska, ed. The Everyday of Memory; Between Communism and Post-Communism. Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien.: Peter Lang, pp. 137-146. ISBN ISBN 978-3-0343-0847-2 [Book Section]

Mabb, David. 2003. Art of the Stitch and Sample. In: Polly Leonard, ed. Art of the Stitch and Sample. London: Embroiderers Guild. [Book Section]

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Mabb, David. 2004. Artist Contribution in Transmission: Speaking and Listening Volume 3 Ornament and Utility. In: Emma Cocker; Lesley Sanderson and Sharon Kivlan, eds. Transmission: Speaking and Listening Volume 3 Ornament and Utility. Site Gallery. ISBN 9781899926510 [Book Section]

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Mabb, David. 2004. Arttextiles 3. In: "Arttextiles 3", Bury St Edmunds Art Gallery. [Show/Exhibition]

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Mabb, David. 2012. Bed Peace. In: "Dreamers of Dreams part of Late at Tate", Tate Britain, United Kingdom. [Show/Exhibition]

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Mabb, David. 2014. 'But what does it mean to paint politically?'. In: Painting as Commitment. Firstsite, Colchester, United Kingdom 21 June 2014. [Conference or Workshop Item]

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Mabb, David. 2013. Commodity as comrade. Ephemera Journal, 13(2), pp. 445-448. ISSN 2052-1499 [Article]

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Mabb, David. 2016. Construct 1, Morris, Trellis / Stepanova, Optical. 2003. In: "The Gardener Digs in Another Time", Whitworth Art Gallery, United Kingdom, 23 June - 9 October 2016. [Show/Exhibition]

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Mabb, David. 2020. Construct 69, Morris, Daisy / Stepanova, Optical and Construct 70, Morris & Co. (Dearle) Iris / Stepanova, Optical. In: "Beyond Other Horizons", Iași Palace of Culture, Romania, 1st - 31st March 2020. [Show/Exhibition]

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Mabb, David. 2002. Critical Home Video. [Exhibition Catalogue]

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Mabb, David. 2011. Current (Green Engineering Object). [Printed Ephemera]

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Mabb, David. 2011. David Mabb. In: "Artist of the Day", Flowers, United Kingdom, 29/6/11. [Show/Exhibition]

Mabb, David. 2002. David Mabb. In: , ed. Sidewinder. Calcutta: CIMA Gallery. ISBN 8187977019 [Book Section]

Mabb, David. 2009. 'David Mabb discussing William Morris and the Constructivists. What went wrong?'. In: Constructivism and the Art of Everyday Life. Tate Modern, United Kingdom 28 March 2009. [Conference or Workshop Item]

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Mabb, David. 2021. David Mabb selects The Internationale in 95 languages compiled by MandalorTeSiit.. In: "So the Red Rose", Arkadien Festival, Kunstverein, Ebersberg, Germany, 2021. [Show/Exhibition]

Mabb, David. 2014. 'David Mabb’s on his 'co-creation' with William Morris'. In: Art Talk 2014. University of Hertfordshire, United Kingdom 2014. [Conference or Workshop Item]

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Mabb, David. 2000. The Decorating Business. In: "The Decorating Business", Oakville Gallery, Canada, 7 October – 26 November 2000. [Show/Exhibition]

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Mabb, David. 2023. Dialectical Reversal in About Two Worlds. In: Sarah Horton and Victoria Mitchell, eds. Pattern and Chaos in Art, Science and Everyday Life: Critical Intersections and Creative Practice. Bristol: Intellect, pp. 222-228. ISBN 9781789388718 [Book Section]

Mabb, David. 2024. 'Dialectical Reversal in About Two Worlds'. In: ‘Pattern and Chaos in Art, Science and Everyday Life: Critical Intersections and Creative Practice’ Book Launch. Norwich University of the Arts, United Kingdom 19 March 2024. [Conference or Workshop Item]

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Mabb, David. 2003. A Factory As It Might Be or The Hall Of Flowers. In: "A Factory As It Might Be or The Hall Of Flowers", Art Gallery of Windsor, Canada, 8/9/2003 - 10/5/2003. [Show/Exhibition]

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Mabb, David. 2019. Four Historical Materialism Posters. In: "Songs the Plants Taught Us", Anytime Dept., United States, 30 March - 28 April 2019. [Show/Exhibition]

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Mabb, David. 2012. Fruit Twigs Card. [Design]

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Mabb, David. 2003. Further Up In The Air. In: "Further A Field", Liverpool, United Kingdom. [Show/Exhibition]

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Mabb, David. 2003. The Hall of the Modern. In: "The Hall of the Modern", The Economist Plaza, London, United Kingdom, 1 October -23 November 2003. [Show/Exhibition]

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Mabb, David. 2023. 'Have nothing in your house that you do not know to be useful, or believe to be beautiful'. In: "Sieh einmal die schönen Blumen", Jägerschere gallery for contemporary art, Niederer-Fläming Germany, Germany, 7 May - 11 June 2023. [Show/Exhibition]

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Mabb, David. 2009. "Have nothing in your houses that you do not know to be useful, or believe to be beautiful”. In: ""Have nothing in your house that you do not know to be useful, or believe to be beautiful"", Leo Kamen Gallery, Toronto, Canada, Feb 21 - Mar 21, 2009. [Show/Exhibition]

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Mabb, David. 2010. Hijack: Morris Dialectically. In: Phillipa Bennett and Rosie Miles, eds. William Morris in the Twenty-First Century. (20) Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang, pp. 153-166. ISBN 978-3-0343-0106-0 [Book Section]

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Mabb, David. 2017. How I came to Morris. Wiliam Morris Society Magazine(Summer), ISSN 2398-1911 [Article]

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Mabb, David. 2014. In England's Green and Pleasant Land. In: "Mr and Mrs Andrews", Transition Gallery, 29 November - 21 December 2014. [Show/Exhibition]

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Mabb, David. 2020. In Search of Chairman Mao: 12 Days in Beijing. In: "The Red Mansion Anniversary Art Prize Exhibition.", Royal Academy of Art, United Kingdom, 18—25 Mar 2020 (Closed on the day it opened due to pandemic).. [Show/Exhibition]

Mabb, David. 2004. Inter. In: "Inter", Harris Museum and Art Gallery, London, United Kingdom. [Show/Exhibition]

Mabb, David. 2005. Interview. In: , ed. Pilot: 2. London: Pilot. [Book Section]

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Mabb, David. 2020. Kehinde Wiley, The Yellow Wallpaper. Journal of William Morris Studies, XXIII(4), pp. 35-40. ISSN 1756-1353 [Article]

Mabb, David. 2021. 'The Kelmscott facsimile works and new book cover designs: Dialectical propositions'. In: The Kelmscott Press and Its Legacies. St Bride Foundation, London, United Kingdom 6 November 2021. [Conference or Workshop Item]

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Mabb, David. 2014. Left Helicon Cover. [Printed Ephemera]

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Mabb, David. 2014. 'Legacies of Malevich Symposium: Abstraction then and Now'. In: Legacies of Malevich Abstraction then and Now. Camberwell College of Art, London, United Kingdom 23rd October 2014. [Conference or Workshop Item]

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Mabb, David. 2023. ‘Lietuva’ and ‘The Benetton Shop' from 'Art into Everyday Life’. In: "Outsiders Look at Vilnius", National Gallery of Art, Vilnius, Lithuania, 7 April - 11 June 2023. [Show/Exhibition]

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Mabb, David. 2019. Life and Art at the David Parr House. Journal of William Morris Studies, XXIII(2), pp. 66-73. ISSN 1756-1353 [Article]

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Mabb, David. 2013. Luibov Popova Untitled Textile Design on William Morris Wallpaper for Historical Materialism. In: "The Difference Loom", Iziko South Africa National Gallery, Annexe, South Africa, 21 August – 27 September 2013. [Show/Exhibition]

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Mabb, David. 2016. Maid with Two Squares. [Art Object]

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Mabb, David. 2018. May Morris: Art & Life. William Morris Society Magazine, [Article]

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Mabb, David. 2010. The Morris Kitsch Archive. In: "The Morris Kitsch Archive", Delaware Center for Contemporary Art, Wilmington, Delaware, United States, 13/08/10 – 05/12/10. [Show/Exhibition]

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Mabb, David. 2005. Morris in Jaipur: The Work of Art in the Context of Hand-made Reproduction. In: "Morris in Jaipur: The Work of Art in the Context of Hand-made Reproduction", Queens Galley, British Council, 3/18/2005 - 4/9/2005. [Show/Exhibition]

Mabb, David. 2010. Morris/Fruit, Rodchenko/Triple Peaks. In: Gill Saunders, ed. Walls Are Talking: Wallpaper, Art and Culture. Chicago and London: The Whitworth Art Gallery, Manchester and KWS Publishers. [Book Section]

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Mabb, David. 2021. News from SOMEWHERE. The Journal of William Morris Studies, XXIV(1-2), pp. 88-94. ISSN 1756-1353 [Article]

Mabb, David. 2009. Notes on the Morris Kitsch Archive. Textile: The Journal of Cloth and Culture, 7(3), [Article]

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Mabb, David. 2002. Pattern Crazy. In: "Pattern Crazy", Crafts Council Gallery, London, United Kingdom. [Show/Exhibition]

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Mabb, David. 2014. 'Peer Session 45. David Mabb.'. In: David Mabb. Announcer. Focal Point Gallery, United Kingdom 14 June 2014. [Conference or Workshop Item]

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Mabb, David. 2019. Provisional Memorial to Nuclear Disarmament and Placards for Mutinous Submariners. In: "Parade", Former Tourist Information Centre/Broadway Gallery, Letchworth Garden City, United Kingdom, 13 December 2019 - 16 February 2020. [Show/Exhibition]

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Mabb, David. 2016. A Provisional Memorial to Nuclear Disarmament. The Journal of William Morris Studies, XXII(1), pp. 42-53. ISSN 1756-1353 [Article]

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Mabb, David. 2013. Regime Change Begins at Home. In: "Regime Change Begins at Home", William Morrris Gallery, United Kingdom, 1st May - 28th July 2013. [Show/Exhibition]

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Mabb, David. 2008. Rhythm 69. [Art Object]

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Mabb, David. 2008. Rhythm 69 and A Miniature Retrospective. In: "Rhythm 69 and A Miniature Retrospective", Jugendstilsenteret & KUBE, Alesund, Norway, 31 May - 18 August 2008. [Show/Exhibition]

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Mabb, David. 2015. Rhythmus. In: "‘Graphics Interchange Format: 25 Years of Focal Point Gallery", FocalPoint Gallery, United Kingdom, 21 July - 19 September 2015. [Show/Exhibition]

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Mabb, David. 2017. Rise Up!. In: "Rise UP!", Nunns Yard, United Kingdom, 30/05/17 - 06/06/17. [Show/Exhibition]

Mabb, David. 2003. Science Fiction Double Feature. In: "Science Fiction Double Feature", Aas, Birmingham, United Kingdom. [Show/Exhibition]

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Mabb, David. 2017. Self Portrait as the Angel of History. In: "Public View", Bluecoat Gallery, United Kingdom, 4 February - 23 April 2017. [Show/Exhibition]

Mabb, David. 2006. The Sneeze. [Exhibition Catalogue]

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Mabb, David. 2002. Some Introductory Notes On My Morris Works. The Journal of William Morris Studies, 15(1), [Article]

Mabb, David. 2003. Spring, Fine Arts. Spring, Fine Arts, The British School at Rome, [Article]

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Mabb, David. 2024. Sweet Briar Leaves (from the painting of the same name by David Mabb, 2001, painted by Rajendra Sharma, 2005). In: "Extempore 24", Tension Fine Art, London, United Kingdom, 22 February - 2 March 2024. [Show/Exhibition]

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Mabb, David. 2020. Three placards: Chernobyl, Ukraine; Ignalina, Lithuania; Astravets, Belarus.. In: "Splitting the Atom", CAC/SMK Centre for Contemporary Art and The Energy & Technology Museum, Lithuania, 18 September – 25 October 2020. [Show/Exhibition]

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Mabb, David. 2004. Transitional Monument. [Art Object]

Mabb, David. 2005. Two series of paintings: Elegies to the Third International and Unrealised Projects Series. In: Dave Beech and Mark Hutchinson, eds. There is Always an Alternative. London: Arts Council. [Book Section]

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Mabb, David. 2019. Unrealised Project. In: "LLAWN (Llandudno Arts Weekend), Murals", Llandudno, United Kingdom, 13-15 September 2019. [Show/Exhibition]

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Mabb, David. 2022. Variant 7, William Morris Colouring Book with Untitled Textile Design by Varvara Stepanova.. In: "Patternicity", ASC Gallery, London, United Kingdom, 2022. [Show/Exhibition]

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Mabb, David. 2015. 'When class-robbery is abolished every man will reap the fruits of his labour'. In: "2nd International Bodrum Biennial “Tolerance - Forbearance”", Bodrum, Turkey, 12 September - 12 November 2015. [Show/Exhibition]

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Mabb, David. 2016. 'William Morris Goes Atomic: A Provisional Memorial to Nuclear Disarmament'. In: William Morris Goes Atomic: A Provisional Memorial to Nuclear Disarmament. William Morris Society, United Kingdom 3 December 2016. [Conference or Workshop Item]

Mabb, David. 2020. William Morris and the Culture Industry: Appropriation, Art, Critique. In: Florence S. Boos, ed. The Routledge Companion to William Morris. New York and Abingdon: Routledge, pp. 227-258. ISBN 9780415347433 [Book Section]

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Mabb, David. 2017. William Morris and the atomic. Journal of Contemporary Painting, 3(1-2), pp. 22-53. ISSN 2052-6695 [Article]

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Mabb, David. 2004. William Morris, "Ministering to the swinish luxury of the rich". In: "William Morris, "Ministering to the swinish luxury of the rich"", Whitworth Art Gallery, University of Manchester, United Kingdom, 4/10/2004 - 12/23/2004. [Show/Exhibition]

Mabb, David. 2019. 'William Morris’ ‘Tudor Rose’ and the Royal Navy'. In: Morris & Co. Interiors A symposium organised by the National Trust. Art Workers Guild, London, United Kingdom 6 November 2019. [Conference or Workshop Item]

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Mabb, David. 2004. Wish You Were Here. In: "Wish You Were Here", Waygood Gallery, Newcastle, United Kingdom. [Show/Exhibition]

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Mabb, David. 2014. beaT bouT. [Art Object]

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Mabb, David. 2019. A pattern of life. [Art Object]

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Mabb, David; Bilton, Joshua; Harvey-Regan, Darren; Moore, Jenny; Ounanian, Steven; Pickering, Kate and Warne Thomas, Charlotte. 2014. Who Thinks the Future?. Lewisham Art House, United Kingdom 26th September - 5th October 2014. [Show/Exhibition]

Mabb, David; Buxey, K.R.; Harris, Mark; Ishige, Yasu; Lai, Adrienne; Lewis, Peter Lloyd; Macrae, Sheena; Maier, Johannes; Wyatt, Angus and Kollectiv, Pil and Galia. 2002. Critical Home Video (Peterborough). [Exhibition Catalogue]

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Mabb, David; Edwards, Steve and Arscott, Caroline. 2004. David Mabb, William Morris. Ministering to the Swinish Luxuary of the Rich. [Exhibition Catalogue]

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Mabb, David; Edwards, Steve and Day, Gail. 2010. ‘What Keeps Mankind Alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics. Historical Materialism, 18(4), pp. 135-171. [Article]

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Mabb, David; Edwards, Steve; Higgs, Matthew; Périnet, Francine and Fleming, Marnie. 2001. David Mabb: The Decorating Business. [Exhibition Catalogue]

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Mabb, David; Elshamy, Mosa’ab and Collective, Justseeds. 2017. #WorldsUpsideDown. In: "#WorldsUpsideDown", Firstsite, United Kingdom, 11 March 2017 - 2 April 2017. [Show/Exhibition]

Mabb, David and Gibson, Catherine. 2000. Problems of Everyday Life. [Printed Ephemera]

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Mabb, David; Jablonskiene, Lolita and Rees, Simon. 2006. Mabb: Art into Everday Life. [Exhibition Catalogue]

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Mabb, David and Malik, Suhail. 2017. Art Teaching: Dialectics of Practice and Theory. In: Peter Sonderen and Marijn de Langen, eds. Theory - Arts - Practices. Arnhem: ArtEZ Press, pp. 69-81. ISBN 978-94-91444-39-5 [Book Section]

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Mabb, David; Parekh, Manisha; Dayanita, Dayanita Singh and Audiobombing Crew. 2011. Serial Pursuit. In: "Serial Pursuits", Nature Morte, Berlin, Germany, December 13, 2011 - January 28, 2012. [Show/Exhibition]

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Mabb, David and Quaintance, Morgan. 2014. 'David Mabb in conversation with Morgan Quaintance'. In: Announcer. Focal Point Gallery, United Kingdom 28 May 2014. [Conference or Workshop Item]

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Mabb, David and Schrat, Henrik. 2013. David Mabb & Henrik Schrat. In: "LoBe", Berlin, Germany. [Show/Exhibition]

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Mabb, David; Syjuco, Stephanie; Slavick, Susanne and Lynn Waddell, Stacy. 2013. Highlights from The Morris Kitsch Archive. In: "Ornament and Crime", Ortega y Gasset Projects, United States, November 2nd – December 15th, 2013. [Show/Exhibition]

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Mabb, David and Walsh, Mary Ruth. 2011. Utopia Ltd. In: "Utopia Ltd", Highlanes Gallery Drogheda, Ireland, 30/04/2011-03/08/2011. [Show/Exhibition]

Mabb, David and et al.. 2007. Dialogues, Biennale of Contemporary Art. In: "Dialogues, Biennale of Contemporary Art, Menage", St Petersburg, Russian Federation. [Show/Exhibition]

Mabb, David and et al.. 2004. Interview. In: , ed. Pilot:1 Q&A by Doriane Laithier. London: Pilot. [Book Section]

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MacDonald, Fiona; Whiles, Annie; Pilkington, Cathie and Ashton, Sean. 2015. Thirteen Blackbirds Look at a Man. [Exhibition Catalogue]

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MacKisack, Matthew. 2013. Cancelling Phantasmata: The Fate and Function of the Inner Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Maier, Johannes. 2011. Embeddedness as Condition and Strategy in Contemporary Art and Cultural Production. Doctoral thesis, Goldsmiths, University of London [Thesis]

Malik, Suhail. 2007. Art - critique - capital. In: Bridget Crone and Kirsty Ogg, eds. The Showroom annual 2005/6. London: Showroom, p. 38. [Book Section]

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Malik, Suhail. 2018. ContraContemporary. In: Thijs Lijster, ed. The Future of the New: Artistic Innovation in Times of Social Acceleration. Amsterdam: Valiz, pp. 247-278. ISBN 9789492095589 [Book Section]

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Malik, Suhail. 2008. Critique as alibi: moral differentiation in the art market. Journal of Visual Art Practice, Special Issue on Critique, 7(3), pp. 283-295. ISSN 14702029 [Article]

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Malik, Suhail. 2016. Dispossed and Watered-Down. Hegemonic Neomaterialism and its Limitations. Springerin: Hefte für Gegennwartskunst, 22(1), pp. 48-50. ISSN 1029-1830 [Article]

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Malik, Suhail. 2011. Educations Sentimental and Unsentimental: Repositioning the Politics of Art and Education. Redhook: Journal of Curatorial Studies, 1, n/a-n/a. [Article]

Malik, Suhail. 2004. Gewalt. In: "Gewalt", Loushy Art and Editions, 2/19/2004 - 3/19/2004. [Show/Exhibition]

Malik, Suhail. 2008. Hadassah Emmerich. Review - 32 Jahre Künstlerhaus Bethanien, [Article]

Malik, Suhail. 2006. 'Introduction' and 'Fucking straight death metal' in Special Section of journal. Journal of Visual Culture, Special Section 'The war in Iraq and visual culture', 5(1), pp. 107-112. [Article]

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Malik, Suhail. 2016. Materialist Reason and its Languages. Part One: Absolute Reason, Absolute Deconstruction. In: Suhail Malik and Armen Avanessian, eds. Genealogies of speculation : materialism and subjectivity since structuralism. London and New York: Bloomsbury Academic, pp. 238-268. ISBN 9781472591678 [Book Section]

Malik, Suhail. 2008. Measure for Measure. In: Juan Bolivar, ed. Geometry Wars. Southampton: John Hansard Gallery, xvii-xxi. ISBN 978 0854328932 [Book Section]

Malik, Suhail. 2007. 'Method without discipline'. In: Inventing methodologies 2: an interdisciplinary workshop on postgraduate practice-based research. Goldsmiths, University of London February 2007. [Conference or Workshop Item]

Malik, Suhail. 2006. On the Compostability of Painting. In: No named editor, ed. Nigel Cooke: Paintings 2001-2006. Koenig Books, pp. 22-32. ISBN 3865600662 [Book Section]

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Malik, Suhail. 2007. 'On the conditions of politics'. In: On the Conditions of Politics conference. Conway Hall, London 28 June 2007. [Conference or Workshop Item]

Malik, Suhail. 2014. The Ontology of Finance: Price, Power, and the Arkhéderivative. In: , ed. Collapse: Philosophical Research and Development. 8 (629) Falmouth: Urbanomic, pp. 629-812. ISBN 978-0-9567750-2-3 [Book Section]

Malik, Suhail. 2002. Painting as Contemporary Art. In: No Named Editor, ed. Painting as a Foreign Language. Centro Brasileiro Britanico, pp. 8-17. ISBN 8588116073 [Book Section]

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Malik, Suhail. 2015. Reason to Destroy Contemporary Art. In: Christoph Cox; Jenny Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin/Annandale-on-Hudson: Sternberg Press / Center for Curatorial Studies Bard College, pp. 185-190. ISBN 9783956791260 [Book Section]

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Malik, Suhail. 2016. The Speculative Time Complex. In: Suhail Malik and Armen Avanessian, eds. The Time Complex: Postcontemporary. Miami, Florida: [NAME], pp. 7-56. ISBN 9780984056616 [Book Section]

Malik, Suhail. 2008. Untitled. In: Pil and Galia Kollectiv, ed. Institute of Psychoplasmics. London: Pump House Gallery, pp. 30-62. ISBN 978 0 954467 [Book Section]

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Malik, Suhail. 2014. The Value of Everything. Texte zur Kunst, 93, pp. 66-79. [Article]

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Malik, Suhail. 2017. When is Contemporary Art? In: Simon Sheikh and Maria Hlavajova, eds. Former West: Art and the Contemporary after 1989. Cambridge, MA: MIT Press. ISBN 9780262533836 [Book Section]

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Malik, Suhail. 2010. You Are Here. In: Bassam el-Baroni; Jeremy Beaudry and Nav Haq, eds. Manifesta 8: The European Biennial of Contemporary Art, Region of Murcia (spain) in dialogue with northern Africa. Milan: Manifesta, pp. 58-61. ISBN 97888 3661697 8 [Book Section]

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Malik, Suhail. 2007. A boom without end? Liquidity, critique and the art market. Mute: culture and politics after the net, 2(6), pp. 92-99. ISSN 1356-7748-261 [Article]

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Malik, Suhail; Beech, Amanda; Esche, Charles; Phillips, Andrea; Poole, Matthew and Sassen, Saskia. 2007. 'Discussion panel for Pilot:3'. In: Venice Biennale. Monastery of St Damien and St Cosimo, Venice, Italy Summer 2007. [Conference or Workshop Item]

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Malik, Suhail and Cox, Christoph. 2016. A Questionnaire on Materialisms. October, 115, pp. 26-28. ISSN 0162-2870 [Article]

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Malik, Suhail; Kruk, Vinca and van der Velden, Daniel. 2018. Propaganda Is Now Another Name for Communication Itself: Conversation with Metahaven and Suhail Malik. In: Karen Archey and Gwen Parry, eds. PSYOP. Amsterdam: Stedelijk Musem. ISBN 9783960983620 [Book Section]

Malik, Suhail; Mitchell, Jo; Gaskin, Viviene; Morris, Michael and Bohn, Chris. 2007. 'Discussion panel on Jo Mitchell's 'Concerto for voice and machinery''. In: Panel. ICA, London. [Conference or Workshop Item]

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Malik, Suhail and Phillips, Andrea. 2011. The Wrong of Contemporary Art: Aesthetics and Political Indeterminacy. In: Paul Bowman and Richard Stamp, eds. Reading Rancière: Critical Dissensus. London: Continuum, pp. 111-128. ISBN 978 1 4411 9037 6 [Book Section]

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Malik, Suhail; Phillips, Andrea and Beech, Amanda. 2007. 'Resistance or invention? Art and global capital assemblage'. In: Local operations. Sackler Centre of Arts Education at the Serpentine Gallery, London, United Kingdom 23 May - 1 July 2007. [Conference or Workshop Item]

Malik, Suhail; Phillips, Andrea and Klee, Steve. 2007. 'Discussion panel on 'Aernout Mik: solo exhibition''. In: Panel discussion. Camden Arts Centre, London, United Kingdom February - April 2007. [Conference or Workshop Item]

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Malik, Suhail; Phillips, Andrea and Olfers, Sophie Van. 2007. 'National (Re)Presentation: a four session research project'. In: Four evening discussions. Witte de With, Rotterdam, Netherlands 4-25 October 2007. [Conference or Workshop Item]

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Malik, Suhail and Vengrytè, Alberta. 2018. Interview with Suhail Malik. In: Jogintė Bučinskaitė, ed. VDA interviu: Meno Mokykla (En: VD Interviews: Art School). Vilnius, Lithuania: Vilnius Academy of Arts Publishing House, pp. 108-123. ISBN 9786094472985 [Book Section]

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Malik, Suhail and Zolghadr, Tirdad. 2018. Artist As Quarry. In: Tara MacDowell; Aileen Burns and Jonah Lundh, eds. The Artist As... Berlin: Sternberg Press, pp. 49-73. ISBN 978-3-95679-275-5 [Book Section]

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Malik, Suhail and Zolghadr, Tirdad. 2017. Postface. In: Thomas Keenan; Suhail Malik and Tirdad Zolghadr, eds. The Flood of Rights. berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College, pp. 261-275. ISBN 978-3-95679-140-6 [Book Section]

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Marin, Livia. 2011. Rules of Engagement: Trope of Estrangement - A relation between art and consumer object. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Marshall, Michael. 2007. Art, Sensation and the Edges of Thought. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Martin, Simon. 2010. British Art Show 7: In the Days of the Comet. In: "British Art Show 7: In the Days of the Comet", Nottingham,London,Glasgow,Plymouth, United Kingdom, 2010 - 11. [Show/Exhibition]

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Martin, Simon. 2014. The Event Sculpture 2014. In: "The Event Sculpture", Henry Moore Institute, United Kingdom, 10 November 2014 - 8 March 2015. [Show/Exhibition]

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Martin, Simon. 2014. Glasgow International 2014. In: "Untitled", Kelvingrove Art Gallery and Museum, Glasgow, United Kingdom, 4 - 21 April 2014. [Show/Exhibition]

Martin, Simon. 2010. Incidents of Mirror-Travel in Yucatan and Elsewhere. In: Leon Pablo, ed. Incidentes de Viaje Espejo en Yucatan y otros Lugares/Incidents of Mirror-Travel in Yucatan and Elsewhere. Instituto Nacional de Bellas Artes y Literatura. ISBN 978-6076050873 [Book Section]

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Martin, Simon. 2014. Offsite project Focal Point Gallery 2014. In: "Hammer House", Focal Point Gallery, United Kingdom, 12 April 2014 to 12 July 2014. [Show/Exhibition]

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Martin, Simon. 2015. The Parliament of Things 2015. In: "The Parliament of Things", Firstsite Colchester, United Kingdom, 2015. [Show/Exhibition]

Martin, Simon. 2009. Simon Martin. In: "Simon Martin", Chisenhale Gallery, London, United Kingdom, 28th November 2008 – 18th January 2009. [Show/Exhibition]

Martin, Simon. 2013. Simon Martin. In: "Simon Martin", Northern Gallery for Contemporary Art, Sunderland, United Kingdom, 31 January - 3 May 2013. [Show/Exhibition]

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Martin, Simon. 2015. Simon Martin 2015. [Artist's Book]

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Martin, Simon. 2017. Simon Martin, Augustas Serapinas, Bridget Smith Group Exhibition Stanley Picker Gallery 2017. In: "Simon Martin, Augustas Serapinas, Bridget Smith Group Exhibition", Stanley Picker Gallery, United Kingdom, 16 February – 8 April 2017. [Show/Exhibition]

Martin, Simon. 2007. This is an artists project…. TANK, 4(9), [Article]

Martin, Simon. 2012. UR Feeling. In: "UR Feeling", Camden Arts Centre, London, 28 September 2012 - 2 December 2012. [Show/Exhibition]

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Martin, Simon. 2015. UR Feeling 2015. In: "UR Feeling", Camden Arts Centre, London, United Kingdom, 10 April - 21 June 2015. [Show/Exhibition]

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Martinis Roe, Alex and Reckitt, Helena. 2017. 'To Become Two: Alex Martinis Roe in conversation with Helena Reckitt'. In: Alex Martinis Roe in conversation with Helena Reckitt. The Showroom, London, United Kingdom 18 May 2017. [Conference or Workshop Item]

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Mathus Ruiz, Miguel. 2011. Tactility and Opticality in Contemporary Abstract Painting. Other thesis, Goldsmiths, University of London [Thesis]

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McAndrew, Clare; Malik, Suhail and Nestler, Gerald. 2016. Plotting the art market: An interview with Clare McAndrew. Finance and Society, 2(2), pp. 151-167. ISSN 2059-5999 [Article]

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McBride, Rita and Gordon, Melissa. 2017. Something Stronger Than Me. In: "Something Stronger Than Me", Wiels Centre for Contemporary Art, Belgium. [Show/Exhibition]

McCartney, Ella. 2017. Consultancy. [Professional Activity]

McCartney, Ella. 2024. 'Encountering Sculpture as Image'. In: Early career research symposium: Modern Sculpture, Essence, and Difference: Reflections on the Work of Constantin Brâncuşi (The Henry Moore Foundation). The Courtauld Institute of Art, London, United Kingdom 26 April 2024. [Conference or Workshop Item]

McCartney, Ella. 2017. Exhibition: Completely Wingless, It Is Often Difficult To Be Widely Distributed. In: "Completely Wingless, It Is Often Difficult To Be Widely Distributed", Five Years Gallery, London, United Kingdom, May 2017. [Show/Exhibition]

McCartney, Ella. 2018. Forms of Address (Group Exhibition). In: "FORMS OF ADDRESS", Laure Genillard, United Kingdom, 1 December 2018 - 2 February 2019. [Show/Exhibition]

McCartney, Ella. 2016. From Image to Movement. In: "From Image to Movement - Beyond Words", Bloomsbury Festival, University College London, United Kingdom, October 2016. [Performance]

McCartney, Ella. 2017. Gender, Identity and Material. In: "Gender, Identity and Material", The Royal Academy of Art, United Kingdom, March 2017. [Show/Exhibition]

McCartney, Ella. 2016. 'InDialogue - Image into Movement'. In: InDialogue International Symposium. Nottingham Contemporary, United Kingdom December 2016. [Conference or Workshop Item]

McCartney, Ella. 2016. 'Interdisciplinary Research : Artist-Researcher Collaborations'. In: Interdisciplinary Research : artist-researcher collaborations. Birkbeck, University of London, United Kingdom May 2016. [Conference or Workshop Item]

McCartney, Ella. 2016. '‘Interpreting Language Through Art’ Panel Discussion'. In: ‘Interpreting Language Through Art’ Panel Discussion. Art Workers Guild, London, United Kingdom 19.10.2016. [Conference or Workshop Item]

McCartney, Ella. 2014. Light, Colour, Object. In: "Light, Colour, Object", Super Dakota Gallery, Bruxelles, Belgium, June 6 – July 12. 2014. [Show/Exhibition]

McCartney, Ella. 2014. Midway through the journey, neither here nor there. In: "Midway through the journey, neither here nor there", B.O.R.G, Hal, Antwerpen BE, Belgium, October - November 2014. [Show/Exhibition]

McCartney, Ella. 2019. Movement as Dialogue. In: "Movement as Dialogue", University of Hong Kong, Hong Kong. [Show/Exhibition]

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McCartney, Ella. 2019. Movement as Translation: Dancers in Dialogue. In: Madeleine Campbell and Ricarda Vidal, eds. Translating across Sensory and Linguistic Borders: Intersemiotic Journeys between Media. Cham, Switzerland: Palgrave Macmillan, pp. 293-309. ISBN 9783319972435 [Book Section]

McCartney, Ella. 2017. Objectified (Group Exhibition). In: "Objectified", CICA Museum, Korea, Republic of, 26 January - 11 February 2017. [Show/Exhibition]

McCartney, Ella. 2017. On Cold Spring Lane. In: "On Cold Spring Lane", Assembly Point, London, United Kingdom, 05.07.2017 - 05.08.2017. [Show/Exhibition]

McCartney, Ella. 2016. Pavilion. In: "Pavilion", Villa Romana, Florence, Italy, 03.09.2016 - 10.2016. [Show/Exhibition]

McCartney, Ella. 2016. Radical Vulnerability. In: "Radical Vulnerability - Felicity Black", Caustic Coastal, Manchester, United Kingdom, 24th September 2016 - 23rd October 2016.. [Show/Exhibition]

McCartney, Ella. 2016. The Science of Imaginary Solutions. In: "The Science of Imaginary Solutions", Breese Little Galler, London, United Kingdom, 10 June - 17 September 2016. [Show/Exhibition]

McCartney, Ella. 2015. Soviet Space Archive: Configuration II. In: "Soviet Space Archive: Configuration II", Calvert 22 Foundation, London, United Kingdom, 10 – 31 October 2015. [Show/Exhibition]

McCartney, Ella. 2014. Tilt: International Artist Residency and Exhibition, The Royal Academy of Art, London. In: "Tilt: International Artist Residency and Exhibition, The Royal Academy, London", The Royal Academy of Art, London, United Kingdom, August - September 2014. [Show/Exhibition]

McCartney, Ella. 2017. To Act To Know To Be. In: "To Act To Know To Be", Lychee One Gallery London, United Kingdom, March 2017 - March 2017. [Show/Exhibition]

McCartney, Ella. 2016. To Act, To Know, To Be (Live Performance). In: "To Act, To Know, To Be (Live Performance)", Nottingham Contemporary, United Kingdom, December 2016. [Performance]

McCartney, Ella. 2017. 'Translanguaging: Ella McCartney in conversation with Professor Zhu Hua'. In: Ella McCartney in conversation with Professor Zhu Hua. Birkbeck, University of London, United Kingdom February 2017. [Conference or Workshop Item]

McCartney, Ella. 2018. The sound of running water is completely normal. In: "The Sound of Running Water is Completely Normal", Lily Brooke Gallery, United Kingdom, 23 May - 24 June 2018. [Show/Exhibition]

McCartney, Ella and Hua, Zhu. 2017. A Visual Turn in Translanguaging? Translation and Translanguaging: Investigating Linguistic and Cultural Transformations in Superdiverse Wards in Four UK Cities, [Article]

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McCartney, Ella and Lake, Fiona. 2018. "It was just too much": Exploring the learner’s experience in Fine Art crits. Learning and Teaching in Action, 13(1), pp. 49-68. ISSN 1477-1241 [Article]

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Mellor, Bod. 2014. 'Artist Talk Dawn Mellor'. In: Artist Talk Dawn Mellor. University Of Huddersfield, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2016. 'Artist Talk Dawn Mellor'. In: Artist Talk Dawn Mellor. Reading. [Conference or Workshop Item]

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Mellor, Bod. 2016. 'Artist Talk- Dawn Mellor'. In: Artist Talk- Dawn Mellor. Northumbria University, Newcastle, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2014. Collection on Display: Jean-Marc Bustamante, Liz Craft, Sylvie Fleury, Rachel Harrison, Kerstin Kartscher, Dawn Mellor, David Renggli. In: "Collection on Display: Jean-Marc Bustamante, Liz Craft, Sylvie Fleury, Rachel Harrison, Kerstin Kartscher, Dawn Mellor, David Renggli", Migros Museum für Gegenwartskunst., Switzerland. [Show/Exhibition]

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Mellor, Bod. 2017. 'Contemporary Art Lecture Dawn Mellor'. In: Dawn Mellor (Contemporary Art Lecture). SLADE School of Art, London, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2014. “The Crime Was Almost Perfect”. In: "The Crime Was Almost Perfect", Witte de With, Netherlands. [Show/Exhibition]

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Mellor, Bod. 2016. 'Dawn Mellor Artist Talk'. In: Dawn Mellor Artist Talk. The Ruskin School Of Art, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2018. 'Dawn Mellor Artist Talk'. In: Fine Art Lectures: Dawn Mellor. Kensington and Chelsea College, United Kingdom 16th May 2018. [Conference or Workshop Item]

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Mellor, Bod. 2014. 'GRAVITY LECTURES- DAWN MELLOR'. In: Gravity Lecture - Dawn Mellor. Sheffield Hallam University, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2015. International Laundry 2. In: "International Laundry 2", Parisa Kind, Frankfurt, Germany. [Show/Exhibition]

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Mellor, Bod. 2018. 'Janet Leigh' from Vile Affections. In: "Heads Roll", Graves Gallery, Sheffield, United Kingdom, 11 August - 24 November 2018. [Show/Exhibition]

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Mellor, Bod. 2017. Lyric on a Battlefield. In: "Lyric on a Battlefield", Gladstone Gallery, New York, United States. [Show/Exhibition]

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Mellor, Bod. 2016. MALEREI, BÖSE (PAINTING, EVIL). In: "MALEREI, BÖSE (PAINTING, EVIL)", Kunstverein Hamburg, Germany. [Show/Exhibition]

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Mellor, Bod. 2016. 'Malerei, Böse ARTIST TALK'. In: Malerei, Böse, ARTIST TALK. Kunstverein in Hamburg, Germany. [Conference or Workshop Item]

Mellor, Bod. 2019. Michael Jackson : On The Wall (Touring 2). In: "Michael Jackson On The Wall", The Bundeskunsthalle, Bonn, Germany, 22 March - 14 July 2019. [Show/Exhibition]

Mellor, Bod. 2019. Michael Jackson : On The Wall (touring 3). In: "Michael Jackson On The Wall", Espoo Museum of Modern Art,, Finland, 21 August 2019 - 26 January 2020. [Show/Exhibition]

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Mellor, Bod. 2018. Michael Jackson On The Wall. In: "On The Wall", National Portrait Gallery, London, United Kingdom. [Show/Exhibition]

Mellor, Bod. 2018. Michael Jackson: On The Wall (Touring 1). In: "Michael Jackson On The Wall", Grand Palais, France, 23 November 2018 - 14 February 2019. [Show/Exhibition]

Mellor, Bod. 2016. 'OPEN UP YOUR LIPS - Feminist Workshop'. In: OPEN UP YOUR LIPS - Feminist Workshop. Edinburgh University, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2017. The Painting Show Touring Exhibition (2). In: "The Painting Show Touring Exhibition 2", Ireland, Limerick, Limerick City Gallery of Art, Ireland. [Show/Exhibition]

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Mellor, Bod. 2017. The Painting Show Touring Exhibition. In: "The Painting Show Touring Exhibition", Korea, Aram Art Gallery, Goyang Cultural Foundation, Korea, Republic of. [Show/Exhibition]

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Mellor, Bod. 2016. The Painting Show. In: "The Painting Show", Contemporary Art Centre, Vilnius, Lithuania. [Show/Exhibition]

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Mellor, Bod. 2016. 'The Painting Show: artists Dexter Dalwood and Dawn Mellor in conversation with curator Linsey Young'. In: The Painting Show: artists Dexter Dalwood and Dawn Mellor in conversation with curator Linsey Young. Contemporary Art Centre, Vilnius, Lithuania. [Conference or Workshop Item]

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Mellor, Bod. 2014. Queensize Female Artists from the Olbricht Collection. In: "Queensize-Female Artists from the Olbricht Collection", me Collectors Room Berlin, Germany. [Show/Exhibition]

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Mellor, Bod. 2016. Queensize- Vrouwelijke kunstenaars uit de Olbricht Collectie. In: "Quuensize, Vrouwelijke kunstenaars uit de Olbricht Collectie", Museum Arnhem, Netherlands. [Show/Exhibition]

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Mellor, Bod. 2017. Sirens. In: "SIRENS", Team Gallery, New York, United States, 9 November - 23 December 2017. [Show/Exhibition]

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Mellor, Bod. 2017. Sirens. [Artist's Book]

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Mellor, Bod. 2014. A Speculum That Shines. In: "a Speculum That Shines", ROWING, United Kingdom. [Show/Exhibition]

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Mellor, Bod. 2015. Toys Redux – On Play and Critique. In: "Toys Redux - On Play and Critique", Migros Museum für Gegenwartskunst, Switzerland. [Show/Exhibition]

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Mellor, Bod. 2017. Wilderness Way. In: "Wilderness Way", Middlesbrough Institute of Modern Art Centre Square Middlesbrough, United Kingdom. [Show/Exhibition]

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Mellor, Bod. 2017. The Working Day. In: "The Working Day", Galerie Gregor Staiger, Zurich, Switzerland. [Show/Exhibition]

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Mendelson, Zoë and Williams Gamaker, Michelle. 2017. 'Spectacular Evidence: Theatres of the Observed Mind Dr Michelle Williams Gamaker lecture: Lygia Clark, The House is a Body - Biological Architecture'. In: Spectacular Evidence: Theatres of the Observed Mind Dr Michelle Williams Gamaker lecture:. Artsadmin,Toynbee Studios, London, United Kingdom. [Conference or Workshop Item]

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Meyer, Jon. 2019. Art and Peripheral Digital Activity. Doctoral thesis, Goldsmiths, University of London [Thesis]

Monroe, Ian and Palour, Selma. 2012. Parallel Universe. In: "Parallel Universe", Charlie Dutton Gallery, London, United Kingdom, 1/2/2012-25/2/2012. [Show/Exhibition]

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Moser, Gabrielle; Rousseau, Christine and Reckitt, Helena. 2017. 'Wages for Housework—The Canadian Context'. In: Wages for Housework - The Canadian Context. Art Metropole, Toronto, Canada 5 September 2017. [Conference or Workshop Item]

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Murdoch, Sadie. 2018. I Can See The Men Hidden In The Forest. Journal of Visual Art Practice, 16(3), pp. 229-239. ISSN 1470-2029 [Article]

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Murdoch, Sadie. 2016. 'In which direction does research direct the artist?'. In: Workshop Haus Konstruktiv. Museum Haus Konstruktiv, Zürich, Switzerland 23rd March 2016. [Conference or Workshop Item]

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Murdoch, Sadie. 2018. 'Inhabiting the Archive - The Anagrammatic Model: The Body, in Pieces'. In: Inhabiting the Archive - The Anagrammatic Model: The Body, in Pieces. FOMU-Fotomuseum, Belgium March 27, 2018. [Conference or Workshop Item]

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Murdoch, Sadie. 2017. La Grande Horizontale: Between Heaven and Earth. In: "La Grande Horizontale: Between Heaven and Earth", TEFAF Maastricht, Netherlands, 9th-19th March 2017. [Show/Exhibition]

Murdoch, Sadie. 2018. Museo Colección Polo (MCP) in Toledo and Cuenca. In: "Museo Colección Polo (MCP) in Toledo and Cuenca", Convento de Santa Fe, Toledo, Spain, 1 year. [Show/Exhibition]

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Murdoch, Sadie. 2016. Omnipulsepunslide.. [Artist's Book]

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Murdoch, Sadie. 2017. 'Public Lecture, Transmission Lecture series'. In: "Who is an artist?. Sheffield Hallam University, United Kingdom 14th February 2017. [Conference or Workshop Item]

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Murdoch, Sadie. 2017. 'Putting Her in History: Taking the Piss'. In: Putting Her in History: Taking the Piss. Shoreditch House, United Kingdom 30th March 2017. [Conference or Workshop Item]

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Murdoch, Sadie. 2016. SSS-MM. In: "SSS MM", Zürich, Switzerland, Switzerland, 25 February - 8 May 2016. [Show/Exhibition]

Murdoch, Sadie. 2016. 'She Danced and Cut a Triangle, and a Rectangle, in a Circle, in a Circle'. In: She Danced and Cut a Triangle, and a Rectangle, in a Circle, in a Circle. Museum Haus Konstruktiv, Zürich, Switzerland 23rd March 2016. [Conference or Workshop Item]

Murdoch, Sadie. Silk Shades, Slubbed. [Project] (Forthcoming)

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Murdoch, Sadie. 2015. Too Much of a Good Thing. In: Mo Throp and Maria Walsh, eds. The MAKE Anthology: Reviewing the Past and Looking to the Future of Women’s Art Practice. London: I.B Tauris. ISBN The MAKE Anthology: Reviewing the Past and Looking to the Future of Women’s Art Practice [Book Section]

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Murdoch, Sadie. 2023. Women of the '20s. In: "Women of the '20s", Belmacz Gallery, United Kingdom, 5 October - 22 December 2023. [Show/Exhibition]

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Murdoch, Sadie. 2017. 'Your Eyes are My Hands'. In: Intimacy Unguarded: Gender, the Unconscious and Contemporary Art. Freud Museum, United Kingdom 27th February 2017. [Conference or Workshop Item]

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Murdoch, Sadie and Kahn, Daria. 2022. The Baroness. In: "The Baroness", Mimosa House, London, United Kingdom, 27 May - 17 September 2022. [Show/Exhibition]

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Murdoch, Sadie and Mareike, Foecking. 2018. 'The Anagrammatic Model: The Body, in Pieces'. In: Duesseldorf Photo Conference: Photography (No_On) Photography. HSD – Hochschule Düsseldorf, Germany 23. to 24.2.2018. [Conference or Workshop Item]

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Murdoch, Sadie and Muggenburg, Julia. 2021. I dialogue, Kinch. In: "I dialogue, Kinch", Belmacz Gallery, United Kingdom, 16 June - 19 November 2021. [Show/Exhibition]

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Murdoch, Sadie; Schaertlin, Kitty and von Burg, Dominique. 2017. Brexit - Out of the Matrix. In: "Brexit - Out of the Matrix", Palazzo Liestal, Basel, Switzerland, 13th May -25th June 2017. [Show/Exhibition]

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Murdoch, Sadie; Upson, Toby and Zahedi, Abbas. 2021. A Case of Med(dling)tation. In: "A Case of Med(dling)tation", Belmacz Gallery, United Kingdom, 10 July 2021. [Performance]

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Nasar, Hammad; Ratnam, Niru; Malik, Amna and Garfield, Rachel. 2010. 'When the Sixties Didn't Swing'. In: UNSPECIFIED. Whitechapel Art Gallery, United Kingdom 30 Sept 2010. [Conference or Workshop Item]

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Nashashibi, Rosalind. 2015. Electrical Gaza. [Film/Video]

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Nashashibi, Rosalind. 2017. Turner Prize 2017, Rosalind Nashashibi, Ferens Art Gallery, Hull. In: "Turner Prize 2017", Ferens art Gallery, United Kingdom, 25/09/17 - 15/01/18. [Show/Exhibition]

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Nashashibi, Rosalind. 2017. Vivian's Garden. [Film/Video]

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Nashashibi, Rosalind. 2017. documenta14, Rosalind Nashashibi, 2017. In: "documenta 14", Various venues Athens, Greece, April - September 2017. [Show/Exhibition]

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Nestler, Gerald and Malik, Suhail. 2016. Introduction: Art and finance. Finance and Society, 2(2), pp. 94-95. ISSN 2059-5999 [Article]

Newman, Michael. 2008. 'Absolute Nonsense'. In: , ed. Un coup de dés: Writing Turned Image: An Alphabet of Pensive Language. Vienna: Generali Foundation, pp. 220-223. ISBN 978-3865605436 [Book Section]

Newman, Michael. 2003. 'Alfred Jensen's Diagrams'. [Exhibition Catalogue]

Newman, Michael. 1985. 'Allegories of the Subject.'. [Exhibition Catalogue]

Newman, Michael. 1985. 'Amikam Toren.'. Art Monthly(91), [Article]

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Newman, Michael. 2017. The Ball-Joint and the Anagram: Perversion and Jouissance in Hans Bellmer. In: Diana Caine and Colin Wright, eds. Perversion Now! London: Palgrave Macmillan, pp. 157-168. ISBN 978-3-319-47270-6 [Book Section]

Newman, Michael. 1982. Bill Woodrow. [Exhibition Catalogue]

Newman, Michael. 1982. 'Bill Woodrow.'. Art Monthly(53), [Article]

Newman, Michael. 2012. 'Body as Place: Antony Gormley Outside-In'. In: , ed. Antony Gormley: Model. London: White Cube: [Book Section]

Newman, Michael. 1996. 'Conceptual Art from the 1960s to the 1990s: An Unfinished Project?'. Kunst & Museumjournaal, 7(1/2/3), pp. 95-104. [Article]

Newman, Michael. 2002. Cristina Iglesias. [Exhibition Catalogue]

Newman, Michael. 2011. 'Dara Birnbaum: Exploding the Image. In: , ed. Dara Birnbaum: The Dark Matter of Media Light. Munich, Berlin, London, New York: DelMonico Books/Prestel, pp. 51-80. ISBN 978-3791351247 [Book Section]

Newman, Michael. 2011. 'Dead Mirrors: relics and photographs in Georges Rodenbach’s Bruges-la-Morte'. Photographies, 4(1), pp. 27-43. ISSN 1754-0763 [Article]

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Newman, Michael. 2020. Decapitations: the portrait, the anti-portrait … and what comes after? In: Fiona Johnstone and Kirstie Imber, eds. Anti-Portraiture: Challenging the Limits of the Portrait. London: Bloomsbury Visual Arts, pp. 25-68. ISBN 9781784534127 [Book Section]

Newman, Michael. 2001. The Demotic Art of Gillian Wearing. Parachute(102), ISSN 0318-7020 [Article]

Newman, Michael. 1994. Derrida and the Scene of Drawing. Research in Phenomenology, 24, pp. 218-234. ISSN 0085-5553 [Article]

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Newman, Michael. 2015. Difference, Rhythm, and the Gaze in Painting (2015). In: Pawel Polit and Jaroslaw Suchan, eds. Władysław Strzemiński: Readability of Images. Lódź: Muzeum Sztuki, pp. 189-200. ISBN 978-83-63820-39-8 [Book Section]

Newman, Michael. 1985. 'Edward Allington.'. Art Monthly(89), [Article]

Newman, Michael. 1989. 'Ernesto Tatafiori.'. [Exhibition Catalogue]

Newman, Michael. 2005. Evident Hypotheses: Marco Poloni's Photographic Scripts for Short Films. In: , ed. Shadows Collide with People: Gianni Motti / Shahryar Nashat / Marco Poloni / Ingrid Wildi. Zurich: Edition Fink and Berne. ISBN 978-3906086798 [Book Section]

Newman, Michael. 1985. 'The Face of Things.'. [Exhibition Catalogue]

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Newman, Michael. 2016. Florian Hecker: Chimerization and Form. In: Robin Mackay; Susanne Gaensheimer and Miguel Wandschneider, eds. Florian Hecker: Formulations. Porto/Frankfurt am Main: Culturgest/MMK Museum für Moderne Kunst, pp. 59-90. ISBN 9783960980551 [Book Section]

Newman, Michael. 1999. 'Form in the Age of the World Picture: A Reading of Panofsky's Perspective as "Symbolic Form",'. In: , ed. La Part de l'Oeil, N° 15-16 : Problème de la Kunstwissenschaft. Brussels: Holger Schmid. ISBN 978-2930174105 [Book Section]

Newman, Michael. 1982. 'From Concept to Symbol.'. [Exhibition Catalogue]

Newman, Michael. 1991. From World to Earth: Richard Deacon and the End of Nature. In: , ed. Interpreting Contemporary Art. London: Reaktion, pp. 177-204. ISBN 978-0064302050 [Book Section]

Newman, Michael. 1983. 'Georg Baselitz.'. Art Monthly(62), [Article]

Newman, Michael. 1985. 'Helen Chadwick, Mikey Cuddihy and Annette Messager.'. Art Monthly(85), ISSN 0142-6702 [Article]

Newman, Michael. 1998. Horizonlessness. [Exhibition Catalogue]

Newman, Michael. 1997. 'Imants Tillers. [Exhibition Catalogue]

Newman, Michael. 1981. 'Jack Goldstein.'. ZG Magazine, London. [Other]

Newman, Michael. 1985. 'James Coleman.'. Artforum, [Article]

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Newman, Michael. 2007. Jeff Wall: Works and Collected Writings. Ediciones Poligrafa. ISBN 9788434311312 [Book]

Newman, Michael. 2007. Jeff Wall: Works and Writings. Barcelona: Ediciones Poligrafa. ISBN 978-8434311312 [Book]

Newman, Michael. 1999. Joe Scanlan's Nesting Bookcases: Duchamp, Design and the Impossibility of Disappearing. In: , ed. Rewriting Conceptual Art. London: Reaktion Books. [Book Section]

Newman, Michael. 1989. 'John Wilkins' Re-marks.'. [Exhibition Catalogue]

Newman, Michael. 2011. 'Joining Hilary Lloyd'. [Exhibition Catalogue]

Newman, Michael. 1992. La spécificité de la critique et la nécessité de la philosophie. In: , ed. La place du goût dans la production philosophique des concepts et leur destin critique. Archives de la critique dart, pp. 130-158. ISBN 978-2950629302 [Book Section]

Newman, Michael. 1982. 'Leon Golub.'. [Exhibition Catalogue]

Newman, Michael. 1982. 'Man's Place: Four Works.'. Art and Artists(193), [Article]

Newman, Michael. 1996. 'Marking Time: Memory and Matter in the Work of Avis Newman'. In: , ed. Inside the Visible: Elliptical Traverse of Twentieth Century Art in, of and from the Feminine. Cambridge, Mass. & London: The MIT, pp. 271-279. ISBN 978-0262540810 [Book Section]

Newman, Michael. 1999. 'McQueen's Materialism.'. [Exhibition Catalogue]

Newman, Michael. 1995. 'Memory and Matter.'. [Exhibition Catalogue]

Newman, Michael. 1991. Mimesis and Abjection in Recent Photowork. In: , ed. Thinking Art: Beyond Traditional Aesthetics. London: ICA Documents, pp. 111-129. ISBN 978-0905263182 [Book Section]

Newman, Michael. 2009. Moving Image in the Gallery Since the 1990s. In: Stuart Comer, ed. Film and Video Art. London: Tate, pp. 86-121. ISBN 9781854376077 [Book Section]

Newman, Michael. 1984. 'Nancy Spero.'. Art Monthly(79), [Article]

Newman, Michael. 1991. 'Now and Then.'. [Exhibition Catalogue]

Newman, Michael. 1982. Objects and Figures. [Exhibition Catalogue]

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Newman, Michael. 2017. 'Odradek and the rethinking of political method in the work of art'. In: 4th Biennial Conference of the International Walter Benjamin Society. Worcester College, University of Oxford, United Kingdom 24-27 Sept 2017. [Conference or Workshop Item]

Newman, Michael. 1988. 'Olivier Richon.'. Camera Austria(25), [Article]

Macfarlane, Kate; Newman, Michael; Kivland, Sharon and Mason, Louis, eds. 2021. On Figure/s: Drawing after Bellmer. London: Ma Bibliothèque. ISBN 9781910055779 [Edited Book]

Newman, Michael. 1993. 'Operation Atopia.'. [Exhibition Catalogue]

Newman, Michael. 1981. 'Orozco at the Museum of Modern Art, Oxford.'. Burlington Magazine(934), [Article]

Newman, Michael. 2012. Phenomenality and Materiality in Agnes Martin. In: Lynne Cooke and Karen Kelly, eds. Agnes Martin. New York: Yale University Press and Dia Foundation, pp. 199-227. ISBN 9780300151053 [Book Section]

Newman, Michael. 2001. Photography, the Readymade and the Ends of Painting in Gerhard Richter's Photo-Paintings. In: , ed. La Part de l'Oeil, N° 17-18 : Peinture pratique théorique. La Part de l'Oeil. ISBN 978-2930174235 [Book Section]

Newman, Michael. 1986. 'The Postmodern Labyrinth.'. [Exhibition Catalogue]

Newman, Michael. 1981. 'Rauschenberg Re-evaluated.'. Art Monthly(47), [Article]

Newman, Michael. 2014. Reading the Future of Genealogy: Kant, Nietzsche, Plato. In: , ed. Nietzsche and Modern German Thought. London: Routledge, pp. 257-281. ISBN 978-0415755429 [Book Section]

Newman, Michael. 1996. 'Recovering Andre'. In: , ed. Carl Andre and the Sculptural Imagination Vol 2. Oxford: Museum of Modern Art,, pp. 6-10. ISBN 978-1901352009 [Book Section]

Newman, Michael. 2004. Remembering and Repeating: Hanne Darboven's Work. In: Lynne Cooke; Karen Kelly and B. Funcke, eds. Robert Lehman Lectures on Contemporary Art Volume 2. Dia Center for the Arts, pp. 123-154. ISBN 0944521789 [Book Section]

Newman, Michael. 1990. 'Review of The Problems of Modernity: Adorno and Benjamin, Edited by Andrew Benjamin.'. The British Journal of Aesthetics, 30(4), pp. 390-392. ISSN 1468-2842 [Article]

Newman, Michael. 1989. Revising Modernism, Representing Postmodernism. In: , ed. Postmodernism: Institute of Contemporary Arts Documents. London: Free Association Books, pp. 95-154. ISBN 978-1853430787 [Book Section]

Newman, Michael. 1983. 'Richard Prince and the Uncanny.'. Art Monthly(72), [Article]

Newman, Michael. 2006. Richard Prince: Untitled (couple). Afterall Books, MIT Press. ISBN 1846380030 [Book]

Newman, Michael. 2003. Salvage. [Exhibition Catalogue]

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Newman, Michael. 2019. Sensation and the Measure of Timbre: Florian Hecker’s Resynthese FAVN Revisiting Mallarmé’s Scene. In: Vanessa Joan Müller, ed. Halluzination, Perspektive, Synthese. Berlin: Sternberg Press, pp. 22-44. ISBN 978-3-95679-471-1 [Book Section]

Newman, Michael. 2000. 'Sensibility, Language and the Trauma of the Other: Emmanuel Levinas from Phenomenology to the Immemorial.'. In: , ed. The Face of the Other and the Trace of God: Essays on the Philosophy of Emmanuel Levinas. New York: Fordham University Press, pp. 90-129. ISBN 978-0823219667 [Book Section]

Newman, Michael. 2010. Seth Price’s Operations in Price, Seth. In: K. Jentjens and A. Nathan-Dorn, eds. Seth Price. Zurich: JRP Ringier. ISBN 978-3-03764-028-9 [Book Section]

Newman, Michael. 1999. Solid Light. [Exhibition Catalogue]

Newman, Michael. 2007. The Specificity of Criticism and its Need for Philosophy. In: , ed. The State of Art Criticism. London: Routledge, pp. 29-60. ISBN 978-0415977876 [Book Section]

Newman, Michael. 2002. Stuart Brisley. [Exhibition Catalogue]

Newman, Michael. 2009. 'Suburban Hospitality'. In: , ed. Can I Come Over to Your House? The First Ten Years of The Suburban, The Suburban and Manawa. Oak Park, IL: WI: Poor Farm Press. [Book Section]

Newman, Michael. 1992. Suffering from Reminiscences. In: , ed. Postmodernism and the Re-reading of Modernity. Manchester: Manchester University Press, pp. 84-114. ISBN 978-0719037450 [Book Section]

Newman, Michael. 2003. Tacita Dean: Fictions du temps qui tourne. Les Cahiers du Musée national d’art moderne, 86, pp. 5-21. [Article]

Newman, Michael. 2007. 'Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp'. Oxford Art Journal, 30(1), pp. 81-100. ISSN 0142-6540 [Article]

Newman, Michael. 1996. The Trace of Trauma: Blindness, Memory and the Gaze in Derrida and Blanchot. In: , ed. Maurice Blanchot: The Demand of Writing. London: Routledge, pp. 153-173. ISBN 978-0415125963 [Book Section]

Newman, Michael. 2003. The Traces and Marks of Drawing. In: Catherine De Zegher, ed. The Stages of Drawing: Gesture and Act. Tate Publishing and The Drawing Centre, pp. 93-108. ISBN 1854374885 [Book Section]

Newman, Michael. 1988. 'Undecidable Objects.'. [Exhibition Catalogue]

Newman, Michael. 1986. Vision as Metaphor: Towards a Fragmentary History. In: , ed. The Mirror And the Lamp. Edinburgh and London: The Fruitmarket Gallery and ICA, pp. 6-46. [Book Section]

Newman, Michael. 2008. 'What Makes It Hold Together: Jaki Irvine's Acknowledgments'. In: , ed. The Square Root of Minus One is Plus or Minus i: Jaki Irvine: Assembled Works 1993-2008. Milan: Charta; Sligo: Model Arts and Niland Gallery, pp. 69-147. ISBN 978-8881587025 [Book Section]

Newman, Michael and Comay, Rebecca. 2012. Ghostly Medium: James Coleman’s Charon (MIT Project). [Exhibition Catalogue]

Newman, Michael; Lee, Pamela; Elkins, James; Hudson, Suzanne and Getsy, David. 2013. Seminar. In: , ed. New Games: Postmodernism After Contemporary Art. London: Routledge, pp. 217-244. ISBN 978-0415988803 [Book Section]

Newman, Michael and Millar, Jeremy. 2004. 'Interrupting the Pan: Marine Hugonnier’s Ariana'. [Exhibition Catalogue]

Newman, Michael and Price, Seth. 2010. Price, Seth. JRP Ringier. ISBN 978-3-03764-028-9 [Book]

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Nicholas, Cullinan; Andrew, Hunt and Thompson, Milly. 2009. Milly Thompson ‘Savoir Faire’. Southend-on-Sea: Focal Point Gallery. ISBN 978-1-907185-01-4 [Book]

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Niederberger, Christina. 2009. The Quest for Heimat: Discourses on Kitsch in the Realm of Art Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Nimarkoh, Virginia. 2006. Shadow Boxing: Governmentality, Performativity & Critique in Contemporary Art Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Noble, Richard. 2000. ‘Access for All, Freedom for the Few’. In: , ed. Art for All?: Their Policies and Our Culture. London: Peer. ISBN 978-0953977208 [Book Section]

Noble, Richard. 2004. ‘The Aesthetics of Contingency’. catalogue of David Batchelor: Shiny/Dirty, [Article]

Noble, Richard. 2005. Art Since 1900 : A Review Essay. Art Monthly, ISSN 0142-6702 [Article]

Noble, Richard. 1995. ‘Freedom and Containment’. In: , ed. Jana Sterbak: Velleitas. Barcelona: Fundacio Antoni Tapies. ISBN 978-8488786067 [Book Section]

Noble, Richard. 2005. Imagining the Political: Some Provisional Thoughts on Art and Politics. In: , ed. The Showroom Annual 2003/04. London: The Showroom. ISBN 978-0954236236 [Book Section]

Noble, Richard. 2005. The Meaning of What Remains. In: Eckhard Schneider, ed. Rachel Whiteread: Walls, Doors, Floors and Stairs. Kunsthaus Bregenz, pp. 66-94. ISBN 388375935X [Book Section]

Noble, Richard. 2002. Mona Hatoum: A Living Between. Parachute, 4(108), pp. 178-191. ISSN 03187020 [Article]

Noble, Richard. 2004. Start Making Sense. catalogue essay for Michael Craig-Martin: Surfacing, [Article]

Noble, Richard. 2003. ‘Tierra de pájaros / Birdland’. In: , ed. Hannah Collins. La calle/The Street. Malaga: CAC Málaga. ISBN 978-8436159073 [Book Section]

Noble, Richard. 2007. The Utopian Body. In: Michael Mack, ed. Antony Gormley. Steidl/Mack, pp. 11-51. ISBN 9783865210296 [Book Section]

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Noble, Richard. 2009. Utopias. London/New York: Whitechapel/MIT. ISBN 978-26264069-5 [Book]

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Noble, Richard. 2009. The lure of utopia. [Exhibition Catalogue]

Noble, Richard and Blazwick, Iwona. 1999. ‘The Phenomenology of Play’. In: , ed. Annie Ratti. Como and Milan: Centre for Contemporary Art. [Book Section]

Noble, Richard; Fang, H.; Gormley, Antony and Haier, Z.. 2003. An Anthropoetics of Space: Antony Gormleys Field. In: R. Riley, ed. Asian Field. British Council, pp. 190-201. ISBN 0863555101 [Book Section]

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Noonan-Ganley, Joseph. 2021. Bed Text. Mirror Lamp Press(4), pp. 42-52. [Article]

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Noonan-Ganley, Joseph. 2019. The Cesspool of Rapture. [Artist's Book]

Noonan-Ganley, Joseph. 2020. Deflexion. In: Richard Porter, ed. A Queer Anthology of Wilderness. London: Pilot Press. [Book Section]

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Noonan-Ganley, Joseph. 2016. Femme Fabrications. [Art Object]

Noonan-Ganley, Joseph. 2021. I Gave Them To All The Guys In The Room. In: Maria Fusco and Lizzie Homersham, eds. The Happy Hypocrite – Without Reduction. London: Book Works. ISBN 9781912570102 [Book Section]

Noonan-Ganley, Joseph. 2019. My Library. In: Chris Dreier; Gary Farrelly and Carl Haase, eds. ECII - The European Conference of Institutional Ideators. Berlin: Fantôme. ISBN 9783940999467 [Book Section]

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Noonan-Ganley, Joseph. 2022. Our Bed. [Art Object]

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Noonan-Ganley, Joseph. 2021. Our Prop Mud. NERO Magazine, [Article]

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Noorizadeh, Bahar. 2023. Weirder than Sci-fi: Speculative Practice in Art and Finance. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ogg, Kirsty. 2015. 'Archive: In the Making'. In: Archive: In the Making. Nottingham Contemporary, Nottingham, United Kingdom 3 October 2015. [Conference or Workshop Item]

Ogg, Kirsty. 2010. Bethan Huws; Capelgwyn. In: "Bethan Huws; Capelgwyn", Whitechapel Gallery, London, United Kingdom, 29 January - 18 March 2011. [Show/Exhibition]

Ogg, Kirsty. 2010. The Bloomberg Commission: Claire Barclay: Shadow Spans. In: "The Bloomberg Commission: Claire Barclay: Shadow Spans", Whitechapel Gallery, London, United Kingdom, May 2010 - May 2011. [Show/Exhibition]

Ogg, Kirsty. 2014. Bloomberg New Contemporaries 2014. In: "Bloomberg New Contemporaries 2014", World Museum, Liverpool, United Kingdom, 19 September – 26 October 2014 and 26 November – 25 January 2015. [Show/Exhibition]

Ogg, Kirsty. 2015. Bloomberg New Contemporaries 2015. In: "Bloomberg New Contemporaries 2015", One Thorseby Street, Nottingham, United Kingdom, 17 September – 31 October 2015 and 25 November to 24 January 2016. [Show/Exhibition]

Ogg, Kirsty. 2016. Bloomberg New Contemporaries 2016. In: "Bloomberg New Contemporaries 2016", Bluecoat, Liverpool, United Kingdom, 9 July – 16 October 2016 and 23 November 2016 to 22 January 2017. [Show/Exhibition]

Ogg, Kirsty. 2018. Bloomberg New Contemporaries 2018. In: "Bloomberg New Contemporaries 2017", Liverpool John Moores University, United Kingdom, 14 July - 9 September 2018 and 5 December - 24 February 2019. [Show/Exhibition]

Ogg, Kirsty. 2013. Contemporary Art Society Displays. In: "Contemporary Art Society Displays", Whitechapel Gallery, London, United Kingdom, 17 September 2013 – 31 August 2014. [Show/Exhibition]

Ogg, Kirsty. 2016. 'Emerging Practices: Ensuring Development and Sustainability'. In: Emerging Practices: Ensuring Development and Sustainability. Bluecoat, Liverpool, United Kingdom 30 September 2016. [Conference or Workshop Item]

Ogg, Kirsty. 2005. External Examiner BA Fine Art. [Professional Activity]

Ogg, Kirsty. 2010. External Examiner, MA Fine Art. [Professional Activity]

Ogg, Kirsty. 2013. Gerard Byrne: A state of neutral pleasure. In: "Gerard Byrne: A state of neutral pleasure", Whitechapel Gallery, London, United Kingdom, 17 January – 8 March 2013 and September – December 2013. [Show/Exhibition]

Ogg, Kirsty. 2017. 'IRL to URL'. In: IRL to URL. Baltic, Gateshead, United Kingdom 24 November 2017 - 25 November 2017. [Conference or Workshop Item]

Ogg, Kirsty. 2014. Image Object. In: "Image Object", Artuner, United Kingdom, 2 December 2014. [Show/Exhibition]

Ogg, Kirsty. 2000. Interview text, Jonathan Monk. Bildung exhibition catalogue, [Article]

Ogg, Kirsty. 2013. Karl Blossfeldt. In: "Karl Blossfeldt", Whitechapel Gallery, London, United Kingdom, 16 April – 14 June 2013. [Show/Exhibition]

Ogg, Kirsty. 2015. 'New Contemporaries 1949 to Now'. In: New Contemporaries 1949 to Now. ICA, London, United Kingdom 26 November 2015. [Conference or Workshop Item]

Ogg, Kirsty. 2013. The Spirit of Utopia. In: "The Spirit of Utopia", Whitechapel Gallery, London, United Kingdom, 5 July – 5 Sept 2013. [Show/Exhibition]

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Ogg, Kirsty. 2010. Where Three Dreams Cross: 150 Years of Photography from India Pakistan and Bangladesh. In: "Where Three Dreams Cross: 150 Years of Photography from India Pakistan and Bangladesh", Whitechapel Gallery, London, United Kingdom, 21 Jan - 11 April 2010, 12 June- 22 August 2010. [Show/Exhibition]

Ogg, Kirsty. 2008. A show of many parts, each part more spectacular and elaborate than the last. In: "A show of many parts, each part more spectacular and elaborate than the last City Gallery, Leicester", City Gallery, Leicester, United Kingdom, 12 September – 29 October 2008. [Show/Exhibition]

Olde Wolbers, Saskia. 2020. Beating around the Bush #6. In: "Beating around the Bush #6", The Bonnefanton, Maastrict, Netherlands, 6 March 2020 - 2 February 2021. [Show/Exhibition]

Olde Wolbers, Saskia. 2020. Brewers Towner International. In: "Brewers Towner International", Towner Eastbourne, United Kingdom, 6 October 2020 - 11 April 2021. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Citrus North, easy! upstream. In: "Citrus North, easy! upstream", Munich, Germany, 20 October - 16 November 2018. [Show/Exhibition]

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Olde Wolbers, Saskia. 2019. The Collection, Highlights for a Future. In: "The Collection, Highlights for a Future", S.M.A.K, Gent, Belgium, 16 March - 29 September 2019. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. From the Collection, Out of Time (collection display). In: "From the Collection, Out of Time", S.M.A.K, Gent, Belgium, 2 June - 21 October 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Gallery Collection. In: "Gallery Collection", Ota Fine Arts Shanghai, China, 20 January - 18 March 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2014. Interloper shown at The Surface of The World : Architecture and The Moving Image, MCAD , Manila, Philippines. In: "The Surface of The World : Architecture and The Moving Image, MCAD , Manila, Philippines", The Museum of Contemporary Art and Design (MCAD) Manila,, Philippines, 06 June to 31 October 2014. [Show/Exhibition]

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Olde Wolbers, Saskia. 2020. Kino der Kunst, Forbidden Beauty. In: "Kino der Kunst 2020, Forbidden Beauty", Munich, Germany, 27 October - 1 November 2020. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Known Unknowns. In: "Known Unknowns", Saatchi Gallery, London, United Kingdom, 21 March - 9 September 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2019. NON DUAL x QDQ: DREAM STATE. In: "NON DUAL x QDQ: DREAM STATE", Hoxton Cabin, London, United Kingdom. [Show/Exhibition]

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Olde Wolbers, Saskia. 2017. Pan O’ Rama, 360 BRNDWR 4 ( public art work). In: "Pan O’ Rama, 360 BRNDWR 4 ( public art work)", Maastricht, Netherlands, 23 September 2017 - 30 June 2018. [Show/Exhibition]

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Olde Wolbers, Saskia. 2014. Pareidolia, Art Unlimited, Basel, Switzerland. In: "Pareidolia, Art Unlimited, Basel, Switzerland", Basel, Switzerland, june 2014. [Show/Exhibition]

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Olde Wolbers, Saskia. 2017. Pfui – Pish, Pshaw / Prr shown at Offshore: artists explore the sea, Ferens Art Gallery and Hull Maritime Museum. In: "Offshore: artists explore the sea", Ferens Art Gallery and Hull Maritime Museum, United Kingdom, 1 April - 28 August 2017. [Show/Exhibition]

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Olde Wolbers, Saskia. 2017. Pfui – Pish, Pshaw / Prr shown in Paratoxic Paradoxes, Benaki Museum Athens. In: "Paratoxic Paradoxes", Benaki Museum, Greece, 22 March – 21 May 2017. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Phantom Limb: Art beyond Escher. In: "Phantom Limb: Art beyond Escher", Fries Museum, Leeuwarden, Netherlands, 26 January 2028 - 6 January 2019. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Resilient Futures. In: "Resilient Futures", Thessaloniki Centre Contemporary Arts, Greece, 28 June - 23 September 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Telling Tales, Liao Jiekai and Saskia Olde Wolbers. In: "Telling Tales, Liao Jiekai and Saskia Olde Wolbers", Ota Fine Arts, Shanghai, China, 12 May - 1 July 2018. [Show/Exhibition]

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Olde Wolbers, Saskia. 2014. Unmade, Anne Lindberg & Saskia Olde Wolbers, Contemporary Art Center, Cincinnati, USA. In: "Unmade, Anne Lindberg & Saskia Olde Wolbers", Contemporary Art Center, Cincinnati, USA, United States, October 10, 2014 through March 22, 2015. [Show/Exhibition]

Olde Wolbers, Saskia. 2019. Unreliable Biographers. In: "Unreliable Biographers", Van Gogh House London, United Kingdom, 1 June - 7 July 2019. [Show/Exhibition]

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Olde Wolbers, Saskia. 2023. Unreliable Biographers, Van Gogh House, Zundert, in collaboration with Fraser Muggeridge Studios. In: "Unreliable Biographers", Vincent van GoghHuis, Zundert, Netherlands, 16 September - 26 December 2023. [Show/Exhibition]

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Olde Wolbers, Saskia. 2018. Why Art?. In: "Why Art?", Kunsthalle Weishaupt, Ulm, Germany, 5 May - 7 October 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Women's Work: Art from Southwark Collections. In: "Women's Work: Art from Southwark Collections", Morley Gallery, Morley College, London, United Kingdom, 10 November - 21 December 2018. [Show/Exhibition]

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Olde Wolbers, Saskia. 2014. Yes, These Eyes are the Windows, The Artangel installation 2014. In: "Yes, These Eyes are the Windows 2014", Hackford Road London, Artangel, United Kingdom, April / June 2014. [Show/Exhibition]

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Olde Wolbers, Saskia. 2016. Yes, these Eyes are the Windows, various screenings and exhibitions. In: "Yes, these Eyes are the Windows, Art Amsterdam, IDFA", EYE film museum amsterdam, Netherlands, 2015-2016. [Show/Exhibition]

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Olde Wolbers, Saskia and UNSPECIFIED. 2014. Trailer shown at; Contemporary Art Society: Twixt Two Worlds at the Whitechapel Gallery. In: "Contemporary Art Society: Twixt Two Worlds at the Whitechapel Gallery and Towner Art Gallery Eastbourne", Whitechapel Gallery, London, United Kingdom, 10 June – 31 August 2014. [Show/Exhibition]

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Olde Wolbers, Saskia; Curiger, Bice; Marchand, Julia and Hudek, Antony. 2016. Yes, These Eyes Are the Windows, catalogue. [Exhibition Catalogue]

O’Neill, Paul; Rito, Carolina; Baroni, Bassam El; Sagar, Ilona; Krysa, Joasia; El Broul, Dahlia and Miltiadis, Constantinos. 2022. 'Publics curatorial agency - Shape Helsinki Symposium'. In: Open Up and Shape Helsinki Symposium. Helsinki, United Kingdom 9 – 10 June 2022. [Conference or Workshop Item]

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Park, Joo Yeon. 2017. Poussière/Bones: On Literary Self-translatability. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Parlour, Selma. 2013. Depicting Limits: Syntax, Abstraction and Space in Contemporary Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Paxson, Pat. 2004. Reflections on and Refractions in Painting Practices. UNSPECIFIED thesis, Goldsmiths, University of London [Thesis]

Pennell, Jacqueline D.. 1997. 20/20. [Exhibition Catalogue]

Pennell, Jacqueline D.. 2006. 2step. In: "2step", Kunstnernes Hus, 5/12/2006 - 6/25/2006. [Show/Exhibition]

Pennell, Jacqueline D.. 2001. Camoflage, The Nehru Centre, London. Leaflet, Jacqueline Pennell and The Contemporary Arts Society 2000, [Article]

Pennell, Jacqueline D.. 2003. Crooked Light. In: "Crooked Light", Royal West of England Academy, 6/29/2003 - 7/26/2003. [Show/Exhibition]

Pennell, Jacqueline D.. 1995. Experience. In: , ed. Experience: Challenging Visual Indifference Through New Sensory Experience. Booth-Clibborn Editions. ISBN 978-1873968208 [Book Section]

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Pennell, Jacqueline D.. 2015. Floating House. In: "Sydenham Arts Artist Trail", Sydenham, United Kingdom, 4-12 July 2015. [Show/Exhibition]

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Pennell, Jacqueline D.. 2016. Floating Pond. In: "Sydenham Arts Artist Trail", Dacres Wood Nature Reserve, United Kingdom, 02-10 July 2016. [Show/Exhibition]

Pennell, Jacqueline D.. 1992. Four European Artists, Crawford Municipal Art Gallery. In: "Four European Artists, Crawford Municipal Art Gallery", Crawford Municipal Art Gallery, Ireland. [Show/Exhibition]

Pennell, Jacqueline D.. 1998. The Glass Border, Danielle Arnaud Gallery. In: , ed. Opening Lines: New Contexts for Artists' Projects. London: London Arts Board. ISBN 978-0947784379 [Book Section]

Pennell, Jacqueline D.. 2003. The Greatest Show on Earth. In: "The Greatest Show on Earth", The Metropole Galleries, 1/18/2003 - 3/2/2003. [Show/Exhibition]

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Pennell, Jacqueline D.. 2017. Insect Trail. In: "Sydenham Arts Artist Trail", Grow Mayow Community Gardens, 8-16 July 2017. [Show/Exhibition]

Pennell, Jacqueline D.. 2005. Les Merveilles Du Monde. In: "Les Merveilles Du Monde", Musee des Beaux Arts Dunkerque, 6/26/2005 - 10/16/2005. [Show/Exhibition]

Pennell, Jacqueline D.. 1991. The Light Show. In: "The Light Show", Walsall Museum and Art Gallery, United Kingdom. [Show/Exhibition]

Pennell, Jacqueline D.. 2002. The Luck Of The Dice. World Sculpture News, 8(3), [Article]

Pennell, Jacqueline D.. 2007. Museum Van Nagsael. Veenman Publishers. ISBN 978-9086900343 [Book]

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Pennell, Jacqueline D.. 2014. Perfect Day. In: "Symbiosis", Goldsmiths, United Kingdom, 11 December 2014. [Show/Exhibition]

Pennell, Jacqueline D.. 1996. Rear Window, Mirror, Mirror, Rear Window. In: , ed. Mirror Mirror. ISBN 978-0952104063 [Book Section]

Pennell, Jacqueline D.. 1997. Solo, Urban Eye. In: , ed. text on Jacqueline Pennell by Kathy Kubicki. ISBN 1 90156000 7 [Book Section]

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Pennell, Jacqueline D.. 2016. Touch Me, Feel Me. In: "Drive Thru", Q Park, Cavendish Sq, London, United Kingdom, 05-09 October 2016. [Show/Exhibition]

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Pennell, Jacqueline D.. 2011. UNEARTHED. In: "UNEARTHED", Warton House, Yardley’s former offices in Stratford High Street, London, United Kingdom, 1994 - 2011. [Show/Exhibition]

Pennell, Jacqueline D.. 1996. Works Perfectly, Rear Window. In: "Rear Window", Sara Lane Studios, Stanway Street, London, United Kingdom, 19 July – 15 September 1996. [Show/Exhibition]

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Pettican, anneke; Mojsiewicz, Kristin and Lewis, Chara. 2015. Folds in Time: Artists' Responses to the Temporal and the Uncanny.. In: "Folds in Time: Artists' Responses to the Temporal and the Uncanny.", Freud Museum London, United Kingdom, 4th july 2015. [Show/Exhibition]

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Peña, Jillian. 2013. Performing the Multiple : Dancing a Differently Configured Subjectivity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Pfenningstorff, Barbara. 2014. Aesthetics of Immanence. Doctoral thesis, Goldsmiths, University of London [Thesis]

Phillips, Andrea. 2008. '1907... After the party: panel discussion'. In: Venice Architecture Biennale. Giardini, Venice, Italy. [Conference or Workshop Item]

Phillips, Andrea. 2009. 'Aesthetics of Democracy'. In: Building Democracy. Platform Garanti, Istanbul, Turkey. [Conference or Workshop Item]

Phillips, Andrea. 2008. 'Ambivalent Ruins roundtable'. In: ambivalent ruins: anniversaries in art education. Graduate School of Creative Arts and Media, Dublin, Ireland. [Conference or Workshop Item]

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Phillips, Andrea. 2013. Art Work. In: Jason Bowman, ed. Esther Shalev-Gerz: The Contemporary Art of Trusting Uncertainties and Unfolding Dialogues. Stockholm: Art & Theory, pp. 239-253. ISBN 9789198087475 [Book Section]

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Phillips, Andrea. 2012. Art and Housing: The Private Connection. In: Andrea Phillips and Fulya Erdemci, eds. Social Housing-Housing the Social: Art, Property and Spatial Justice. 2 (2) Berlin/Amsterdam: Sternberg Press/SKOR, not known-not known. ISBN 978-3-943365-17-7 [Book Section]

Phillips, Andrea. 2015. Art as Property. In: Angela Dimitrakaki and Kirsten Lloyd, eds. Economy: Art, Production and the Subject in the 21st Century. 11 Liverpool: Liverpool University Press. ISBN 9781781381380 [Book Section]

Phillips, Andrea. 2010. Art building, architecture building, curating politics. In: Dorian Wiszniewski, ed. Florence: Curating the City. Edinburgh: Edinburgh College of Art, pp. 20-25. ISBN 978-0-9559706-0-5 [Book Section]

Phillips, Andrea. 2009. Beyond Attendance. In: , ed. Sarah Morris: Beijing. Cologne: Walther Konig. ISBN 978-86560-6646-4 [Book Section]

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Phillips, Andrea. 2009. The Body of a Building: Exquisite Corpse at Curating Architecture. In: Nikolaus Hirsch; Philippe Misselwitz; Markus Miessen and Matthias Gorlich, eds. Institution Building: Artists, Curators, Architects in the Struggle for Institutional Space. Berlin and New York: Sternberg Press, pp. 52-71. ISBN 978-1-933128-54-2 [Book Section]

Phillips, Andrea. 2009. Building Democracy. In: , ed. Public Art: Architecture and Participation. Seoul: SAMUSO, pp. 1-10. ISBN ISBN: 978-89-93535-02-0 [Book Section]

Phillips, Andrea. 2009. Building Democracy. In: Celine Condorelli; Gavin Wade and James Langdon, eds. Support Structures. Berlin: Sternberg Press, pp. 88-132. ISBN 978-1-933128-45-0 [Book Section]

Phillips, Andrea. 2005. Cultural geographies in practice: Walking and looking. Cultural Geographies, 12(4), pp. 507-513. ISSN 14744740 [Article]

Phillips, Andrea. 2008. Curating architecture: Office Kersten Geers, David Van Severen. In: Moritz Kung, ed. 1907... After the Party: Office Kersten Geers David Van Severen Belgian Pavilion Venice 2008. Antwep: De Singel. [Book Section]

Phillips, Andrea. 2007. 'Democratic Affect: Architecture in the Museum'. In: Defining Space. University College Dublin, Ireland. [Conference or Workshop Item]

Phillips, Andrea. 2006. Distribution. Performance Research, 11(3), pp. 47-49. ISSN 13528165 [Article]

Phillips, Andrea. 2009. 'Doing Democracy 3'. In: Platform 2009. Ganju/Seoul, Korea, Republic of. [Conference or Workshop Item]

Phillips, Andrea. 2010. Education Aesthetics. In: Mick Wilson and Paul O'Neill, eds. Curating and the Educational Turn. Amsterdam: De Appel/Open Editions. ISBN 978-0-949004-18-5 [Book Section]

Phillips, Andrea. 2011. Education Aesthetics. In: Felicity Allen, ed. On Education. Cambridge, Mass./London: MIT/Whitechapel, not known-not known. ISBN 978-0-262-51636-5 [Book Section]

Phillips, Andrea. 2011. English Pastoral. LOG(23), pp. 78-84. ISSN 1547-4690 [Article]

Phillips, Andrea. 2009. Improvisation Rights. In: Kate McFarlane, ed. Cornelius Cardew: Play for Today. London: The Drawing Room. ISBN 978-0-9558299-1-8 [Book Section]

Phillips, Andrea. 2013. Istanbul Biennial 2013. In: "Istanbul Biennial", Istanbul, Turkey. [Show/Exhibition]

Phillips, Andrea. 2010. 'Jacques Ranciere: the how of emancipation'. In: Big ideas: Jacques Ranciere: the how of emancipation. Whitechapel Gallery, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2009. 'The Knight's Move: Andrea Phillips'. In: The Knight's Move: Andrea Phillips. Stroom, Den Haag, Netherlands. [Conference or Workshop Item]

Phillips, Andrea. 2012. List. In: Celia Lury and Nina Wakeford, eds. Inventive Methods. London: Routledge, Taylor & Francis, not known-not known. ISBN 978-0-415-57481-5 [Book Section]

Phillips, Andrea. 2012. 'Love not Money?'. In: Contemporary Art and its Commercial Markets: A Report on Current Conditions and Future Scenarios. Tensta Konsthall, Stockholm, Sweden. [Conference or Workshop Item]

Phillips, Andrea. 2011. Making It Up: Aesthetic Arrangements in the Barents Region. In: Hilde Methi and Kristin Tarnesvik, eds. Hotel Polar Capital. Kirkenes: Sami Art Festival, pp. 55-68. ISBN 978-82-998333-4-9 [Book Section]

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Phillips, Andrea. 2012. 'Object - subject - public - space'. In: Portrait of Space. Portrait of Space, Dublin, Ireland. [Conference or Workshop Item]

Phillips, Andrea. 2008. Objects, Props, Assemblages. In: Kirsty Ogg, ed. Showroom Annual: Props, Events, Encounters: the Performance of New Sculpture. London: The Showroom. ISBN 0-9542362-6-2 [Book Section]

Phillips, Andrea. 2011. 'Objects, Props, Assemblages' Performed. In: Tirdad Zolghdhar; Freya Chou and Hongjohn Lin, eds. Actors Explain Biennials in Mandarin. Taipei: Taipei Museum of Fine Arts, pp. 54-60. ISBN 978-986-02-6866-9 [Book Section]

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Phillips, Andrea. 2009. 'PLAY FOR TODAY: Cornelius Cardew conference'. In: Play for Today: Cornelius Cardew Conference. ICA, London, United Kingdom 21 - 22 Nov 2009. [Conference or Workshop Item]

Phillips, Andrea. 2009. 'Panel Discussion: The London Perambulator'. In: The London Perambulator. Whitechapel Galler, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2007. 'Park Nights: Pavilion Politics'. In: Park Nights. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2007. 'Pavilion Politics'. In: Pavilion Politics. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2010. Pavilion Politics. LOG(20), tbd-tbd. ISSN tbd [Article]

Phillips, Andrea. 2009. 'The Politics of Practice-based Research'. In: UNSPECIFIED. Konstfack, Stockholm, Sweden. [Conference or Workshop Item]

Phillips, Andrea. 2012. 'Public Education'. In: Cultures of Capitalism IV. Whitechapel Gallery, London, United Kingdom. [Conference or Workshop Item]

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Phillips, Andrea. 2013. Public Space [Crossed Out]. In: Michael Elmgreen; Dragset Ingar; Eva Kraus and Nan Mellinger, eds. A Space Called Public. Munich: Walter Koenig, pp. 248-259. ISBN 9783863354398 [Book Section]

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Phillips, Andrea. 2014. Remaking the Art Centre. In: Emily Pethick; Binna Choi and Maria Lind, eds. Cluster - Dialectionary. Berlin: Sternberg Press, pp. 4-18. ISBN 9783956790607 [Book Section]

Phillips, Andrea. 2009. 'Sarah Morris'. In: Vortrag zu Sarah Morris. Museum of Modern Art, Frankfurt, Germany. [Conference or Workshop Item]

Phillips, Andrea. 2011. A Short Plan for Art Institutions Post-participation. In: Markus Miessen and Valerie Kolowratnik, eds. Waking Up from the Nightmare of Participation. Utecht: Expodium, pp. 268-274. ISBN 978-94-90474-00-3 [Book Section]

Phillips, Andrea. 2006. Slipping away from Citizenship. In: Sally Tallant and Louise Coysh, eds. Dis-assembly. Serpentine Gallery, pp. 14-21. ISBN 1905190115 [Book Section]

Phillips, Andrea. 2009. 'Special Aesthetic Zones'. In: Barents Region conference. Barents Cultural Centre, Kirkenes, Norway 19-23 February 2009. [Conference or Workshop Item]

Phillips, Andrea. 2006. Spirits, Ghosts, Atmospheres of Capital. In: Bridget Crone, ed. The Showroom Annual 2005/6. The Showroom Annual (London: The Showroom), pp. 44-47. ISBN 0954236254 [Book Section]

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Phillips, Andrea. 2011. Too Careful: Contemporary Art's Public Making. In: Andrea Phillips and Markus Miessen, eds. Caring Culture: Art, Architecture and the Politics of Public Health. 1 (1) Berlin/Amsterdam: Sternberg Press/SKOR, pp. 35-56. ISBN 978-1-9341-5-71-9 [Book Section]

Phillips, Andrea. 2008. 'Transnational Images'. In: Contemporary Landscape Photography. Bergen Art Academy, Bergen, Norway. [Conference or Workshop Item]

Phillips, Andrea. 2011. Why Practice-based PhDs are Political. In: Jose Quaresma; Fernando Dias and Juan Guadix, eds. Investigacao em Arte e Design Fendas no Metodo e na Criacao. Lisbon: CIEBA, pp. 69-80. ISBN 978-989-8300-15-7 [Book Section]

Phillips, Andrea and Erdemci, Fulya. 2009-2014 Actors, Agents and Attendants. [Project]

Phillips, Andrea and Malik, Suhail. 2012. Tainted Love: Art’s Ethos and Capitalization. In: Maria Lind and Olav Velthuis, eds. Art and its Commercial Markets: A Report on Current Changes and with Scenarios for the Future. Berlin/Stockholm: Sternberg Press/Tensta Konsthall, pp. 209-240. ISBN 978-1-934105-99-3 [Book Section]

Phillips, Andrea and Malik, Suhail. 2011. The wrong of contemporary art: aesthetics and political indeterminacy. In: Paul Bowman and Richard Stamp, eds. Reading Rancière. London: Continuum, tbd-tbd. ISBN 978-1441137814 [Book Section]

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Phillips, Andrea; Renton, Andrew; Le Feuvre, Lisa and Schmitz, Edgar. Jan 2007 - Jan 2009 Curating Architecture. [Project]

Phillips, Andrea and Schmitz, Edgar. 2008. Curating Architecture. In: "Curating Architecture", The Showroom, London, United Kingdom. [Show/Exhibition]

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Phillips, Andrea and Watson, Grant. 23 Nov 2013-23 August 2014 Tagore Pedagogy and Visual Cultures. [Project]

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Phillipson, Heather; Cammock, Helen; Nisbet, Helen; Di Franco, Karen and Reckitt, Helena. 2017. 'Hot Lines'. In: Hot Lines. The Drawing Room, London, United Kingdom 3 July 2017. [Conference or Workshop Item]

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Pickering, Gail. 2014. Assembly: A survey of recent artists’ film and video in Britain 2008-2013. In: "Assembly: A survey of recent artists’ film and video in Britain 2008-2013", Tate Britain, United Kingdom, 23 November 2013 – 31 March 2014. [Show/Exhibition]

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Pickering, Gail. 2008. Brutalist Premolition. In: "Nought to Sixty - Solo Exhibition", ICA, United Kingdom, 5 May - 2 Nov 2008. [Show/Exhibition]

Pickering, Gail. 2008. Brutalist Premolition: A Stage Play. In: "Brutalist Premolition", Arnolfini, United Kingdom, 4 November 2008. [Performance]

Pickering, Gail. 2007. Dissident Sunset. In: "Dissident Sunset", RLBQ Gallery, 41 Rue Tapis Verte, 9/12/2007 - 11/11/2007. [Show/Exhibition]

Pickering, Gail. 2007. Hungary and Other Economies. In: "Hungary and Other Economies", Jousse Entreprise Gallery, 24 Rue Louise Weiss, 3/17/2007 - 4/13/2007. [Show/Exhibition]

Pickering, Gail. 2015. The Jarman Award 2015. In: "Film London Jarman Award 2015", Whitechapel Gallery, London, United Kingdom, 29 September to 22 November 2015. [Show/Exhibition]

Pickering, Gail. 2014. Mirror Speech [Solo Exhibition]. In: "Gail Pickering Solo Exhibition Mirror Speech", BALTIC Centre for Contemporary Art, Gateshead, United Kingdom, 31 October 2014 - 11 January 2015. [Show/Exhibition]

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Pickering, Gail. 2012. Not Yet No Longer. In: "Not Yet No Longer", Institute of Contemporary Arts, London, United Kingdom, 26 May 2012; 20 Oct 2012. [Performance]

Pickering, Gail. 2004. PraDal. In: "PraDal", Matts Gallery, 42-44 Copperfield Road, 2/13/2004 - 3/30/2004. [Show/Exhibition]

Pickering, Gail. 2010. SIXTY SIX SIGNS OF NEON - Episodes 2010-11. In: "British Art Show 7", Nottingham Contemporary, United Kingdom, 23 Oct 2010 - 4 Dec 2011. [Show/Exhibition]

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Pickering, Gail. 2015. She was a Visitor [performance]. In: "She was a Visitor", BALTIC Centre for Contemporary Art, Gateshead, United Kingdom, 11 January 2015. [Performance]

Pickering, Gail. 2001. Youthquake. In: "Youthquake", W139 Gallery, Warmoesstraat 139, 11/3/2001 - 12/2/2001. [Show/Exhibition]

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Pickering, Kate. 2023. Lakewood Megachurch: Bodily Dis/Orientations in a Climate of Belief. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Pinsky, Michael and Reckitt, Helena. 2014. A conversation between Michael Pinsky and Helena Reckitt. In: Mei Huang, ed. Michael Pinsky Survey. Chengdu, China: Museum of Contemporary Art, Chengdu, Edition Xin Dong Cheng. ISBN 978-2-915823-23-3 [Book Section]

Pisac, Andrea and Frank, Miriam. 2007. On Translation. EXILED INK! MAGAZINE, 8, [Article]

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Pollard, Alexander James. 2017. A Genealogy of Bad Painting: Legacies, Soft Objects and Networks. Other thesis, Goldsmiths, University of London [Thesis]

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Ponton, Anita. 2005. Vertigo (the technophenomenological body in performance). UNSPECIFIED thesis, Goldsmiths, University of London [Thesis]

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Precarious Workers Brigade, (PWB); Baskakova, Tatiana; Bradfield, Marsha; Graziano, Valeria; Eysler, Adriana; Hope, Sophie; Kern, Margareta; Farinati, Lucia; Firth, Claudia; Mirza, Noor; Weghmann, Vera; Graham, Janna and Kelly, Susan, eds. 2017. Training for Exploitation?: Politicising Employability and Reclaiming Education by Precarious Workers Brigade. Foreword: Silvia Federici. London: Journal of Aesthetics & Protest Press. ISBN 9780615590110 [Edited Book]

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Querol, Nuria. 2020. India at the Venice Biennale: Collateral Events From and Beyond the Nation. Journal of Curatorial Studies, 9(1), pp. 70-89. ISSN 2045-5836 [Article]

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Querol, Nuria. 2022. Transcultural Curation and the Post-COVID World. Journal of Contemporary Chinese Art, 9(3), pp. 261-268. ISSN 2051-7041 [Article]

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Ramos Martinez, Manuel. 2009. We Are All Spectators. Parallax, 15(3), pp. 124-126. ISSN 1353-4645 [Article]

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Ranković, Katarina. 2023. Scripting for Agency. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Reardon, John. 2018. Conversation about Monument for Chelsea Manning with Professor Rosalyn Deutsche, New York, June 7, 2018. Policy Studies Journal, 3(3), pp. 111-133. ISSN 2476-0390 [Article]

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Reardon, John. 2016. Flat Flat Shiny Cat. [Art Object]

Rebecca, Beasley. 2012. The Outside. In: "Tate Britain", London, United Kingdom, 7 April–2 September 2012. [Show/Exhibition]

Reckitt, Helena. 2018. 'Acts of Support: Contradictions of Curating and Care'. In: Metabolic Rifts. Campo Alegre Theatre Café-Teatro, Porto, Portugal 28 April 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2010. Adaptation: Between Species. In: "Adaptation: Between Species", The Power Plant, Toronto, Canada, 19 June - 12 August, 2010. [Show/Exhibition]

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Reckitt, Helena. 2010. Adaptation: Between Species. [Exhibition Catalogue]

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Reckitt, Helena. 2017. 'Affect and Relationality Workshop Discussion'. In: Affect and Exhibitions. Hrafnseyri, The Westfjords of Iceland, Iceland 26 August 2017. [Conference or Workshop Item]

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Reckitt, Helena. 2024. 'After Gretchen Hupfel: Mourning & Merging, Recovery & Return'. In: Re-Evaluation in Feminism(s) and Contemporary Art. Middlesex University, United Kingdom 13 September 2024. [Conference or Workshop Item]

Reckitt, Helena. 2008. 'Back to the Front: Critical Curatorial Panel'. In: CREATING RESISTANCE: Arts Practice/ Political Praxis. University of British Columbia, Vancouver, Canada 24 October 2008. [Conference or Workshop Item]

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Reckitt, Helena. 2013. Because the Night: Curating One-Off Nocturnal Events. Art Papers, 37(3), pp. 42-45. ISSN 1524-9581 [Article]

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Reckitt, Helena. 2018. 'Being Visible at the ICA'. In: From Critical Studies to Public Programming: Public Knowledge at the Post-Democratic Impasse. Goldsmiths, University of London, United Kingdom 18 May 2018. [Conference or Workshop Item]

Reckitt, Helena. 2014. 'Being Visible: Feminism, Art and the Internet'. In: Being Visible: Feminism, Art and the Internet. Institute of Contemporary Arts, London, United Kingdom 10 January 2014. [Conference or Workshop Item]

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Reckitt, Helena. 2014. Between Mirrors. In: Sarah Pucill, ed. Magic Mirror (DVD). London: LUX, pp. 1-17. ISBN 9780992884017 [Book Section]

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Reckitt, Helena. 2007. Boy's Life. In: Nigel Prince, ed. Stephen Shearer. Birmingham, UK, and Toronto, Canada: Ikon and The Power Plant. ISBN 978-1-90486432-5 [Book Section]

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Reckitt, Helena. 2009. Carey Young: Counter Offer. In: "Carey Young: Counter Offer", The Power Plant, Toronto, Canada, 14 March - 18 May 2009. [Show/Exhibition]

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Reckitt, Helena. 2012. Christoph Büchel, Piccadilly Community Centre. Journal of Curatorial Studies, 1(1), pp. 101-104. ISSN 20455836 [Article]

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Reckitt, Helena. 2016. 'Citation, Annotation,Translation: Reflections on Italian Feminisms and the Now You Can Go programme'. In: Curating in Feminist Thought. Migros Museum fuer Gegenwartskunst, Zurich, Switzerland 6-7 May 2016. [Conference or Workshop Item]

Reckitt, Helena. 2012. 'Civil Partnerships? Queer and feminist curating'. In: Civil Partnerships? Queer and Feminist Curating. Tate Modern, United Kingdom 19 May 2012. [Conference or Workshop Item]

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Reckitt, Helena. 2020. 'Collective Learning in the Feminist Duration Reading Group'. In: The Independent summit, FRIENDSHIP | SOLIDARITY | ALLIANCES. MAXXI Museum, Rome, Italy 24 – 25 January 2020. [Conference or Workshop Item]

Reckitt, Helena. 2018. 'Curating Feminist Legacies: Italian Feminisms and the Now You Can Go Programme'. In: Unveiling Hidden Discourses: 1968. Warwick University, United Kingdom 19th May 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2021. 'Curating and Care: Possibilities and Limits'. In: Aesthetic Agency – please engage me!,. SMK, Copenhagen, Denmark 29 September 2021. [Conference or Workshop Item]

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Reckitt, Helena. 2017. 'Curating and Caring: Three-Part Workshop'. In: Habits of Care. University of Toronto, Canada 9-23 September 2017. [Conference or Workshop Item]

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Reckitt, Helena. 2020. 'Curating and/as Care'. In: New Alphabet School #4 Caring. Haus der Kulturen der Welt, Berlin, Germany 12 June 2020. [Conference or Workshop Item]

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Reckitt, Helena. 'The Curious Curator'. In: Resilient Communities. Italian Pavilion, Biennale of Architecture, La Biennale di Venezia, Italy 9 November 2021. [Conference or Workshop Item]

Reckitt, Helena. 2014. 'Do You Wish To Direct Me? Contemporary artists under the influence of feminism'. In: Dialogues on Conflict - Feminist Perspectives and Art Practice. University of Wales, Trinity Saint David, Swansea, United Kingdom 16 May 2014. [Conference or Workshop Item]

Reckitt, Helena. 2008. 'Domesticity: Feminist Art and the Idea of the Home'. In: Domesticity: Feminist Art and the Idea of the Home. Ulrich Museum, Wichita, Kansas, United States 7 February 2008. [Conference or Workshop Item]

Reckitt, Helena. 2014. 'Drama in the Gallery'. In: Drama in the Gallery. Institute of Contemporary Arts, London, United Kingdom 5 December 2014. [Conference or Workshop Item]

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Reckitt, Helena. 2019. 'Durational Feminisms: Collectivity, Support and Intergenerational Exchange'. In: Re-Writing the Canon?. Courtauld Institute, London, United Kingdom 14 May 2019. [Conference or Workshop Item]

Reckitt, Helena. 2023. External Examiner, MFA Art. [Professional Activity]

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Reckitt, Helena. 2021. 'Feminist Curating and Care: Possibilities and Limits'. In: FEINART LECTURE. Online 2 December 2021. [Conference or Workshop Item]

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Reckitt, Helena. 2015. Feminist Duration Reading Group. [Professional Activity]

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Reckitt, Helena. 2016. 'Feminist Durations: Reflections on Italian Feminisms, Disidentification, and the 'Now You Can Go' programme'. In: Work, Strike and Self-Abolition: Feminist Perspectives on the Act of Creating Freedom. La Monnaie, Paris, France 1 October 2016. [Conference or Workshop Item]

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Reckitt, Helena. 2016. 'Feminist Durations: Reflections on Italian Feminisms, Human Strike, and the Now You Can Go programme'. In: Critical Soiree, part of Oreet Ashery’s Revisiting Genesis. Stanley Picker Gallery, Kingston University, London, United Kingdom 21 May 2016. [Conference or Workshop Item]

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Reckitt, Helena. 2006. 'Feminist Legacies and Potentials in Contemporary Art Practice'. In: Part 2: Feminist Legacies and Potentials in Contemporary Art Practice. de Balie, Amsterdam, Netherlands 16 November 2006. [Conference or Workshop Item]

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Reckitt, Helena. 2012. 'Feminist Perspectives in Art Productions and Theories of Art'. In: Feminist Perspectives in Art Productions and Theories of Art. Bilbao, Spain 5, 6, 7 October 2012. [Conference or Workshop Item]

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Reckitt, Helena. 2018. 'The Feminist Practice of Affidamento (Entrustment)'. In: Affidamento – Creating Feminist Solidarity in Art and Curating. Migros Museum, Zurich, Switzerland 15 June 2018 - 16 June 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2019. Feminist acts of resistance and withdrawal in London. Burlington Contemporary, [Article]

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Reckitt, Helena. 2013. Flux Night: Free Association. In: "Flux Night: Free Association", Flux Projects, Atlanta, United States, 5 October 2013. [Show/Exhibition]

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Reckitt, Helena. 2013. Forgotten Relations: Feminist Artists and Relational Aesthetics. In: Angela Dimitrakaki and Lara Perry, eds. Politics in a Glass: Case Feminism, Exhibition Cultures and Curatorial Transgressions. 7 Liverpool: Liverpool University Press, pp. 131-156. ISBN 9781846318931 [Book Section]

Reckitt, Helena. 2021. 'Friendship and Feminist Organising: The Feminist Duration Reading Group as a structure of reciprocal learning and support'. In: O My Friends, There Is No Friend. Hdk-Valand, Gothenburg, Sweden 12 July 2021. [Conference or Workshop Item]

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Reckitt, Helena. 2023. From Coping to Curious: Unlearning and Reimagining Curatorial Habits of Care. In: Elke Krasny and Lara Perry, eds. Curating with Care. Abingdon: Routledge, pp. 169-182. ISBN 9781032069913 [Book Section]

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Reckitt, Helena. 2012. GENDER ALARM!: Queer Feminist Exhibitions in a ‘Year of Feminist Art’. In: Leila Pourtavaf, ed. Féminismes Électriques. Montreal: La Centrale Galerie Powerhouse, pp. 26-41. ISBN 978-2-89091-321-9 [Book Section]

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Reckitt, Helena. 2018. 'Gallery Walk Through: Still I Rise, Feminisms Gender Resistance'. In: Still I Rise. Nottingham, United Kingdom 31 October 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2017. Generating Feminisms: Italian Feminisms and the “Now You Can Go” Program. Art Journal, 76(3-4), pp. 101-111. ISSN 0004-3249 [Article]

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Reckitt, Helena. 2013. Gerard Byrne: Like a Man. In: Kirsty Ogg, ed. Gerard Byrne: A State of Neutral Pleasure. London and Stockholm: The Whitechapel Gallery, pp. 36-51. ISBN 978-0-85488-212-0 [Book Section]

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Reckitt, Helena. 2014. Getting Rid of Ourselves. In: "Getting Rid of Ourselves", OCAD U Onsite Gallery, Canada, July 16 2014 - October 11 2014. [Show/Exhibition]

Reckitt, Helena. 2013. 'Getting Rid of Yourself'. In: Socially Engaged Practice: Ethics, Aesthetics, Politics or Economics?. Centre for Contemporary Art, Glasgow, United Kingdom 2 March 2013. [Conference or Workshop Item]

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Reckitt, Helena. 2017. 'Giving it Time: Thoughts on the Feminist Duration Reading Group'. In: Giving it Time: Thoughts on the Feminist Duration Reading Group. Calgary Contemporary, Canada 16 September 2017. [Conference or Workshop Item]

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Reckitt, Helena. 2024. 'Gossip Girl: Collective and Anonymous Authorship as a Tool of Rumour, Kinship, and Calling Out'. In: The lost-and-found: revising art stories in search of potential changes. Art Academy of Latvia, Riga, Latvia 6-7 June 2024. [Conference or Workshop Item]

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Reckitt, Helena. 2017. Habits of Care. In: "Habits of Care", Blackwood Gallery, University of Toronto, Canada, 11-30 September 2017. [Show/Exhibition]

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Reckitt, Helena. 2017. Habits of Care Exhibition Essay. [Exhibition Catalogue]

Reckitt, Helena. 2012. A House Divided: American Art Since 1955. Times Higher Education Supplement, p. 30. [Article]

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Reckitt, Helena. 2019. Inside Job: Learning, Collaboration, and Queer Feminist Contagion in Killjoy’s Kastle. In: Allyson Mitchell and Cait McKinney, eds. Inside Killjoy's Kastle: Dykey Ghosts, Feminist Monsters, and Other Lesbian Hauntings. Vancouver and Toronto, Canada: The University of British Columbia Press and The Art Gallery of York University, pp. 1-22. ISBN 9780774861571 [Book Section]

Reckitt, Helena. 2016. 'Introduction to Feminist Art'. In: Introduction to Feminist Art. Frieze Academy, London, United Kingdom 2 November 2017. [Conference or Workshop Item]

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Reckitt, Helena. 2018. Introduction: Being Seen, The Politics of Visibility in Feminist Art. In: Helena Reckitt; Hilary Robinson; Amy Tobin and Luci Gosling, eds. The Art of Feminism. San Francisco/London: Chronicle Books/Tate Publishing. [Book Section]

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Reckitt, Helena. 2010. Joachim Koester: Hypnagogia. In: "Joachim Koester: Hypnagogia", The Power Plant, Toronto, Canada, 26 March - 24 May, 2010. [Show/Exhibition]

Reckitt, Helena. 2013. 'Joan & Martin Goldfarb Summer Institute, Unexpected Encounters: Sexual Difference and Art Now'. In: Joan & Martin Goldfarb Summer Institute, Unexpected Encounters: Sexual Difference and Art Now. York University, School of Art & Art History, Canada May 12 2014. [Conference or Workshop Item]

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Reckitt, Helena. 2012. Katherine Taylor: Heavy Weather. [Exhibition Catalogue]

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Reckitt, Helena. 2012. Keren Cytter: Based on a True Story. In: "Keren Cytter: Based on a True Story", Oakville Galleries, Ontario, Canada, 14 April – 10 June 2012. [Show/Exhibition]

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Reckitt, Helena. 2023. 'Listening and Narrating Selves: Feminist tools of teaching, curating and coappearance'. In: Feminists Pedagogy Into and Out of the Art School panel, as part of On Not Knowing: How Artists Teach. Glasgow School of Art, United Kingdom 10 June 2023. [Conference or Workshop Item]

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Reckitt, Helena. 2008. Manon de Boer. In: "Manon de Boer", The Power Plant, Toronto, Canada, 20 September - 23 November, 2008. [Show/Exhibition]

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Reckitt, Helena. 2016. 'Margaret Harrison: Accumulations Exhibition closing event'. In: Margaret Harrison: Accumulations Exhibition closing event. MIMA, Middlesborough, United Kingdom 23 January 2016. [Conference or Workshop Item]

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Reckitt, Helena. 2015. Mary Daly, Gyn/Ecology. C Magazine(126), pp. 27-29. [Article]

Reckitt, Helena. 2018. 'Material Matters'. In: Material Matters. The Drawing Room, London, United Kingdom 22 October 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2006. My Fuzzy Valentine: Allyson Mitchell. C Magazine(89), pp. 14-17. ISSN 1480-5472 [Article]

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Reckitt, Helena. 2008. Neither to Criticize Nor Glorify: Paul Shambroom's Studied Objectivity. In: Diane Mullin, ed. Paul Shambroom Picturing Power. Minneapolis: Weisman Art Museum, University of Minnesota, Minneapolis, pp. 32-45. ISBN 9781933045757 [Book Section]

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Reckitt, Helena. 2017. 'New Institutionalities #2 Feminist curating; an active network?'. In: New Institutionalities #2 Feminist curating; an active network?. Nottingham Contemporary, United Kingdom 13 July 2017. [Conference or Workshop Item]

Reckitt, Helena. 2023. Nicole Gets It. In: Mark Godfrey and Monika Bayer-Wermuth, eds. Nicole Eisenman: What Happened? London: Whitechapel Gallery and Museum Brandhorst, pp. 68-69. ISBN 9780854883127 [Book Section]

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Reckitt, Helena. 2008. Not Quite How I Remember It. In: "Not Quite How I Remember It", The Power Plant, Toronto, Canada, 7 June - 1 September, 2008. [Show/Exhibition]

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Reckitt, Helena. 2008. Not Quite How I Remember It, Catalogue Essay. [Exhibition Catalogue]

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Reckitt, Helena. 2009. Nothing to Declare: Current Sculpture from Canada. In: "Nothing to Declare", The Power Plant, Toronto, Canada, 11 December 2009 - 7 March 2010. [Show/Exhibition]

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Reckitt, Helena. 2015. 'Now Can We Go? Refusal and labour in the art world'. In: Labours of Love, Works of Passion: The social (re)production of art workers from industrialisation to globalisation. AAH2016: Annual Art Historians Conference, Edinburgh, United Kingdom 7-9 April 2016. [Conference or Workshop Item]

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Reckitt, Helena. 2012. Once More With Feeling, Nuit Blanche. In: "Nuit Blanche: Once More With Feeling", Toronto, Canada, 30 September 2012. [Show/Exhibition]

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Reckitt, Helena. 2009. Opening a Closing Door: Feminist and Queer Artists as Historians. Reading Room: A Journal of Art and Culture, pp. 88-103. [Article]

Reckitt, Helena. 2010. 'Performing Publics, Panel on Artists’ Re-enactment'. In: Performing Publics: Artists' Re-enactments. Performance Studies International, Ontario College of Art and Design, Toronto, Canada 9 - 13 June 2010. [Conference or Workshop Item]

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Reckitt, Helena. 2021. Productive Refusals. In: Edward Ball, ed. Old Land, New Waters. London: Freelands Foundation, pp. 134-139. [Book Section]

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Reckitt, Helena. 2019. 'Productive Refusals Workshop'. In: Freelands Artist Programme Symposium. Site Gallery, Sheffield, United Kingdom 19 June 2019. [Conference or Workshop Item]

Reckitt, Helena. 2011. 'Rehearsal'. In: Rehearsal. Adam Auditorium, City Gallery Wellington, New Zealand 17 August 2011. [Conference or Workshop Item]

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Reckitt, Helena. 2019. 'Seminar with Olivia Plender'. In: PhD Seminar with Olivia Plender. Tensta Konsthall, Stockholm, Sweden 27 May 2019. [Conference or Workshop Item]

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Reckitt, Helena. 2017. 'Starting From the Self to Depart From the Self'. In: Starting from the Self in Order to Depart from the Self. Nottingham Contemporary, Nottingham, United Kingdom 11 July 2017. [Conference or Workshop Item]

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Reckitt, Helena. 2016. Support Acts: Curating, Caring and Social Reproduction. Journal of Curatorial Studies, 5(1), pp. 6-30. ISSN 2045-5836 [Article]

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Reckitt, Helena. 2017. Suzy Lake: Standing Her Ground. In: , ed. Suzy Lake. Steidl. [Book Section]

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Reckitt, Helena. 2020. Taking (Back) Care. In: Sharon Kivland and Rebecca Jagoe, eds. On Care. London: ma bibliotheque, pp. 196-202. ISBN 978-1-910055-71-7 [Book Section]

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Reckitt, Helena. 2022. 'Taking Care: Revaluation of Practices and Ethics of Care'. In: This Time We Talk About Gender/Cette fois, parlons du genre: DCA - the French national network for contemporary art centres. Online, France 10 May 2022. [Conference or Workshop Item]

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Reckitt, Helena. 2023. That Sparkly Feeling: Collective Learning and Exchange in the Feminist Duration Reading Group. In: Lisa Baldissera, ed. Person/ne. Vancouver, Canada: Griffin Art Projects. [Book Section] (In Press)

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Reckitt, Helena. 2011. To Make Time Appear. Art Journal, 70(3), pp. 58-63. [Article]

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Reckitt, Helena. 2010. Touching Animals. C Magazine, 107, pp. 34-39. [Article]

Reckitt, Helena. 2013. 'The Trouble With Artist Collectives'. In: The Trouble With Artist Collectives. Institute of Contemporary Arts, London, United Kingdom 17 April 2013. [Conference or Workshop Item]

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Reckitt, Helena. 2016. Troubling Canons: Curating and Exhibiting Women’s and Feminist Art, A Roundtable Discussion. In: Ruth E Iskin, ed. Re-envisioning the Contemporary Art Canon: Perspectives in a Global World. New York, NY, and Abingdon, UK: Routledge. ISBN 9781138192683 [Book Section]

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Reckitt, Helena. 2018. Trust and the Artist-Curator Relationship. C Magazine, ISSN 1480-5472 [Article]

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Reckitt, Helena. 2006. Unusual Suspects: Global Feminisms and WACK! Art and the Feminist Revolution. n.paradoxa, 18, pp. 34-42. ISSN 1461-0434 [Article]

Reckitt, Helena. 2008. 'Vancouver and its Feminisms'. In: Vancouver and its Feminisms. Vancouver Art Gallery, Vancouver, Canada 25 October 2008. [Conference or Workshop Item]

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Reckitt, Helena. 2010. Wendelien van Oldenburgh: The Past is Never Dead. The Past is Never Dead, pp. 2-3. [Article]

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Reckitt, Helena. 2004. What Business Are You In?. In: "What Business Are You In?", Atlanta Contemporary Art Centre, GA, United States, 29 January - 26 March 2005. [Show/Exhibition]

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Reckitt, Helena. 2009. Who Was that Woman? C Magazine, 104, pp. 88-103. [Article]

Reckitt, Helena. 2012. Yoko Ono: To the Light. Times Higher Education Supplement, pp. 19-20. [Article]

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Reckitt, Helena. 2006. ---ifesto: Feminist art’s shifting ground. C Magazine(90), pp. 30-34. [Article]

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Reckitt, Helena. 2018. '~in waves~ intensive residency of feminist curating'. In: part 12: ~in waves~ intensive residency of feminist curating. Hanaholmen – the Swedish-Finnish Cultural Centre, Hanasaarenranta 5, 02100 Espoo, Finland 26-30 November 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2018. 'in-waves: curatorial intensive in feminist curating'. In: in-waves intensive on feminist curating. Hanaholmen, Swedish-Finnish Cultural Centre, Helsinki, Finland 26 - 29 November 2018. [Conference or Workshop Item]

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Reckitt, Helena; Ahmed, Sara; Phillipson, Heather; Waidner, Isabel and Calver, Julia. 2014. 'Experimental Feminisms'. In: Experimental Feminisms. Centre for Feminist Research, Goldsmiths, United Kingdom 6 June 2014. [Conference or Workshop Item]

Reckitt, Helena; Ashery, Oreet; Vasey, George and Wilson, Stephen. 2019. 'Dying Under Your Eyes, Discussion'. In: Dying Before Your Eyes, Screening & Discussion. Wellcome Collection, Londono, United Kingdom 10 October 2019. [Conference or Workshop Item]

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Reckitt, Helena; Baker Smith, Diana; Cremona, Cinzia; Damiani, Giulia; Džuverović, Lina; Farinati, Lucia; Fuller, Sabrina; Gibbs, Rose; Guy, Laura; Kertudo, Felicie; Moser, Gabby; Paiola, Sara; Revell, Irene; Sequeira Bras, Patricia; Tobin, Amy and Torrell, Ehryn. 2019. Transmitting Feminisms. In: Sofia Lemos and Alexandra Balona, eds. Metabolic Rifts Reader. Berlin/Lisbon: Atlas Projectos, pp. 143-162. ISBN 9789892093116 [Book Section]

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Reckitt, Helena; Baker Smith, Diana; Cremona, Cinzia; Damiani, Giulia; Džuverović, Lina; Farinati, Lucia; Fuller, Sabrina; Guy, Laura; Kertudo, Felicie; Moser, Gabby; Paiola, Sara; Revell, Irene; Sequeira Bras, Patricia; Tobin, Amy and Torrell, Ehryn. 2018. Co-Authoring Values. Daylight(1), pp. 10-15. [Article]

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Reckitt, Helena and Bartana, Yael. 2007. Yael Bartana, Ritual. In: "Yael Bartana, Ritual", The Power Plant, Toronto, Canada, 1 March - 22 April 2007. [Show/Exhibition]

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Reckitt, Helena and Berrebi, Sophie. 2022. 'Seventy Years of The Second Sex: A conversation between Sophie Berrebi and Helena Reckitt'. In: Seventy Years of The Second Sex: A Conversation between Sophie Berrebi and Helena Reckitt. Hauser & Wirth, Zurich, Switzerland 7 May 2022. [Conference or Workshop Item]

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Reckitt, Helena; Blackman, Lisa; Wakeford, Nina and Fisher, Jennifer. 2016. 'Affect and Curating: Feeling the Curatorial'. In: Affect and Curating: Feeling the Curatorial. Whitechapel Gallery, London, United Kingdom 19 January 2017. [Conference or Workshop Item]

Reckitt, Helena; Blackwell, Adrian and Various, others. 2010. 'Love is a force that acts as the productive motor of every emancipatory politics'. In: Love is a force that acts as the productive motor of every emancipatory politics. JMB Gallery, University of Toronto, Toronto, Canada 18 March 2010. [Conference or Workshop Item]

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Reckitt, Helena; Bollettenari, Angelica; Casalini, Giulia; Georgiou, Diana; Guy, Laura; Revell, Irene and Tobin, Amy. 1-13 December 2015 Now You Can Go. [Project]

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Reckitt, Helena; Bosold, Birgit; Hofmann, Vera and Boskamp, Ulrike. 2021. 'Year of the Women* / Jahr der Frau Curatorial Conversation'. In: Year of the Women* / Jahr der Frau Booklet Releases. Online, Germany 23 June 2021. [Conference or Workshop Item]

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Reckitt, Helena; Bramich, Beth; Clements, Leah and Katrin, Lock. 2023. 'What do we mean when we talk about care?'. In: Women in Revolt Conference. Tate Britain, United Kingdom 22-23 March 2024. [Conference or Workshop Item]

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Reckitt, Helena and Bryan-Wilson, Julia. 2017. 'Fray: Art and Textile Politics, Julia Bryan-Wilson and Helena Reckitt in conversation'. In: Fray: Art and Sexual Politics. Courtauld Institute, London, United Kingdom 24 November 2017. [Conference or Workshop Item]

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Reckitt, Helena and Burke, Gregory. 2007. Auto Emotion: Autobiography, Emotion and Self-fashioning. In: "Auto Emotion", The Power PLant, Toronto, Canada, 18 May - 19 August 2007. [Show/Exhibition]

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Reckitt, Helena and Cervantes, Susana Vargas. 2016. 'Seminar and Workshop: Queering Curatorial Practice'. In: Queering Curatorial Practice. Delfina Foundation, United Kingdom 10 March 016. [Conference or Workshop Item]

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Reckitt, Helena and Condorelli, Céline. 2016. 'Céline Condorelli in conversation with Helena Reckitt'. In: Céline Condorelli in conversation with Helena Reckitt. LUMA Foundation, Arles, France 25 February 2016. [Conference or Workshop Item]

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Reckitt, Helena; Conlon, Natasha; Barton, Christina; Smith, Terry; French, Blair; Newby, Kate and Tamait-Quennell, Megan. 2012. Roundtable: Reading Exhibitions, ed. Natasha Conlon. Reading Room: A Journal of Art and Culture, 5, pp. 150-167. [Article]

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Reckitt, Helena and Davies, Jon. 2010. Ryan Trecartin: Any Ever. In: "Ryan Trecartin: Any Ever", The Power Plant, Toronto, Canada, The Power Plant: 26 March - 24 May, 2010; LA MOCA: 18 July - 17 October, 2010; MOCA Miami: 24 June - 4 September, 2011; MoMA/PS1: June 19, 2011—September 3, 2011. [Show/Exhibition]

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Reckitt, Helena; Dunster, Flora; Siwisa, Kefiloe and Tobin, Amy. 2018. 'Soft Covers: Queer Feminist Publishing'. In: Strange Perfume LGBTQIA book fair. South London Gallery, London, United Kingdom 26 May 2018. [Conference or Workshop Item]

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Reckitt, Helena and Epp-Buller, Rachel. 2020. 'Curator Conversation: Rachel Epp Buller and Helena Reckitt'. In: Curator Conversation: Rachel Epp Buller and Helena Reckitt. Salina Art Centre, Kansas, United States 11 December 2020. [Conference or Workshop Item]

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Reckitt, Helena; Fletcher, Harrell; Bastos, Augusto; Brandt, Thomas; Frey, Sean; Jickling, Hannah; Kobayashi, Alison SM; O'Donnell, Darren; Reed, Helen; Reid, Kerri; Shaw, Kristin; Swintak, Swintak; Tanaka, Maiko; Wah, Amy and Wielonda, Karen. 2008. Harrell Fletcher: Born out of Pleasure. In: "Harrell Fletcher: Born out of Pleasure", The Power Plant, Toronto, Canada. [Show/Exhibition]

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Reckitt, Helena; Fuller, Sabrina and Dunster, Flora. 2020. 'Masculinities: Feminist Duration Reading Group'. In: Masculinities. Barbican Art Gallery and online, London, United Kingdom 5 March – 17 October 2020. [Conference or Workshop Item]

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Reckitt, Helena; Fuller, Sabrina and Torrell, Ehryn. 2023. 'Drawing for Our Lives'. In: Drawing for Our Lives. Drawing Room, London, United Kingdom 26 March 2024. [Conference or Workshop Item]

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Reckitt, Helena; Fuller, Sabrina; Zhihan, Dot Jia and Iohe, Taey. 2023. 'Collectivity & Care'. In: Collectivity & Care. Eastside Projects, Birmingham, United Kingdom 10 May 2023. [Conference or Workshop Item]

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Reckitt, Helena; Joyce, Julie and Locke, Hew. 2004. Hew Locke: House of Cards. In: "Hew Locke: House of Cards", Atlanta Contemporary Art Center, Atlanta, GA, United States, November 13 2004 – January 8 2005. [Show/Exhibition]

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Reckitt, Helena; Krish, Jessie; Narkevičius, Adomas and Fuller, Sabrina. 2023. CEED (Central & East European Diasporas) Feminisms. In: "CEED Feminisms", Cell Project Space, London, United Kingdom, 4 May 2023 - 20 March 2024. [Show/Exhibition]

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Reckitt, Helena and Kwan, Will. 2008. Will Kwan: A Littoral Reconstruction. In: "Will Kwan: A Littoral Reconstruction", The Power Plant, Toronto, Canada, 11 May 2008. [Show/Exhibition]

Reckitt, Helena and LGBT, Network. 2013. 'My Queer Museum'. In: My Queer Museum. Victoria & Albert Museum, London, United Kingdom 15 March 2013. [Conference or Workshop Item]

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Reckitt, Helena; Logue, Deidre and Mitchell, Allyson. 2015. Not at the beginning and not at the end: A Conversation among Deidre Logue, Allyson Mitchell and Helena Reckitt. In: Amelia Jones and Erin Silver, eds. Otherwise: Imagining Queer Feminist Art Histories. Manchester: Manchester University Press, pp. 356-370. ISBN 978-0-7190-9641-9 [Book Section]

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Reckitt, Helena; Majewska-Guede, Karolina and Cruz, Carla. 2023. 'Writing and Thinking Together about Affective Labour and Collectivity'. In: The lost-and-found: revising art stories in search of potential changes. Universidade Nova de Lisboa, Portugal 6-7 December 2023. [Conference or Workshop Item]

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Reckitt, Helena; Malik, Suhail; Burton, Johanna; Hartjes, Natalie and Markopoulos, Leigh. 2012. Survey on Gender Ratios in Curating Programs. Red Hook, pp. 10-16. [Article]

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Reckitt, Helena; Malik, Suhail; Yuile, Laura; Kulendran Thomas, Christopher; Kulesh, Leslie; Cameron, Angus; Pil & Galia, Kollectiv; DKUK, DKUK; Pollard, Alexander James and Luke, Kristin. 2015. 'Capitalist Artist Scum #1 and #2'. In: FORUM: Capitalist Artist Scum. Open School East, London, United Kingdom 24 September 2015-11 November 2015. [Conference or Workshop Item]

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Reckitt, Helena and Martinis Roe, Alex. 2016. 'Productive Refusals'. In: To Become Two. Casco,Office for Art, Design & Theory, Utrecht, Netherlands 20 November 2016 - 2017. [Conference or Workshop Item]

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Reckitt, Helena and Martinis Roe, Alex. 2018. Proposition 7, Productive Refusals. In: Alex Martinis Roe, ed. To Become Two: Propositions for Feminist Collective Practice. Berlin: Archive Books, pp. 199-201. ISBN 9783943620580 [Book Section]

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Reckitt, Helena and Martinis Roe, Alex. 2021. Relationality in Feminist Collective Practice. On Curating(52), ISSN 2673-2955 [Article]

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Reckitt, Helena; Martinson, Erik and Aarne, Nella. 2016. 'Queer Futures and World-Building'. In: Queer Futures and World-Building. Goldsmiths, University of London, United Kingdom 3 May 2016. [Conference or Workshop Item]

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Reckitt, Helena; McCormack, Chris; van Noord, Gerrie and Džuverović, Lina. 2022. 'The Third Hand —Claire, Bernadette and Friends'. In: And Others: The Gendered Politics and Practices of Art Collectives, Panel Four: ‘The Third Hand’—Claire, Bernadette and Friends. Birkbeck, University of London, and online, United Kingdom 1 December 2022. [Conference or Workshop Item]

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Reckitt, Helena and Moser, Gabrielle. 2023. 'Against Structurelessness: the resonance of 1970s and 1980s feminisms on current collective work'. In: College Art Association 112th Annual Conference, Panel 'Group Work: Art and Feminism'. Chicago, United States 14 February 2024. [Conference or Workshop Item]

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Reckitt, Helena and Moser, Gabrielle. 2019. Feminist Research Trip to Milan. [Professional Activity]

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Reckitt, Helena and Moser, Gabrielle. 2016. Feminist Tactics of Citation, Annotation, and Translation: Reflections on the Now You Can Go programme. On.Curating: CURATING in feminist thought(29), pp. 42-48. [Article]

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Reckitt, Helena and Moser, Gabrielle. 2024. 'Strong Feelings and Partly-Healed Arguments: Building Reciprocity and Negotiating Differences in Contemporary Feminist Groups'. In: Wild thoughts - for a feminist psychoanalysis-to-come. Site for Contemporary Psychoanalysis, Birkbeck, University of London, United Kingdom 21-22 June 2024. [Conference or Workshop Item]

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Reckitt, Helena; Moser, Gabrielle; Damiani, Giulia and Carnevale, Fulvia. 2022. 'Listening and Narrating Selves: on self-narration within relational contexts'. In: Listening and Narrating Selves. Nuova Accademia di Belle Arti (NABA) Rome, live-streamed to Milan, Italy 19-20 April 2023. [Conference or Workshop Item]

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Reckitt, Helena; Moser, Gabrielle; Damiani, Giulia and Parent, Vanessa. 2022. Resonance and Transmission. In: "fORUM: Resonance and Transmission", Mercer Union, Toronto and online, Canada, 7 October - 17 November 2022. [Show/Exhibition]

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Reckitt, Helena; Mullin, Diane and Scoates, Christopher. 2009. Paul Shambroom: Picturing Power. In: "Paul Shambroom: Picturing Power", Weisman Art Museum- University. of Minnesota, United States, 1 April 2008 - 5 April 2009. [Show/Exhibition]

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Reckitt, Helena; Murthy, Prema and Oliveri, Michael. 2004. Prema Murthy, Space Invaders ; Michael Oliveri, Fast Food, Hydrocarbons and Waves in Outer Space. In: "Michael Oliveri and Prema Murthy", Atlanta Contemporary Art Center, Atlanta, GA, United States, 19 June - 7 August 2004. [Show/Exhibition]

Reckitt, Helena and Ndritu, Grace. 2019. '(Un)Learning Habits of Care'. In: (Un)Learning Habits of Care Workshop. Studio Voltaire, London, United Kingdom 19-22 September 2019. [Conference or Workshop Item]

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Reckitt, Helena and Phillips, Andrea. 2015. 'Feminist Duration in Art and Curating'. In: Feminist Duration in Art and Curating. Goldsmiths, University of London, United Kingdom 16-17 March 2015. [Conference or Workshop Item]

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Reckitt, Helena and Pucill, Sarah. 2015. 'Helena Reckitt in Conversation with Sarah Pucill'. In: Helena Reckitt in conversation with Sarah Pucill. Nunnery Gallery, United Kingdom 29 April 2015. [Conference or Workshop Item]

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Reckitt, Helena; Rhodes, Richard; Zeppetelli, John and Moore, Gareth. 2008. 'Delicate: Art and Post-Millennial Culture'. In: Delicate: Art and Post-Millennial Culture. Art Gallery of Ontario, Toronto, Canada 20 September 2008. [Conference or Workshop Item]

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Reckitt, Helena; Shani, Tai and Sin, Victoria. 2019. 'Unknown: discussion'. In: Unknown screening. Danielle Arnaud Gallery, London, United Kingdom 15 February 2019. [Conference or Workshop Item]

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Reckitt, Helena and Shaw, Christine. 2019. 'Taking (Back) Care Workshop'. In: Taking (Back) Care Workshop. Cité internationale des arts, Paris, France 17 May 2019. [Conference or Workshop Item]

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Reckitt, Helena; Shaw, Christine; Wilkinson, Jayne and Rage, Raju. 2017. 'Curating and Care'. In: Care Crisis, Care Corrective: An Open Forum on Cultural Work. Blackwood Gallery, University of Toronto, Canada 23 September 2017. [Conference or Workshop Item]

Reckitt, Helena; Trecartin, Ryan and Davies, Jon. 2010. 'International Lecture Series: Ryan Trecartin in conversation with Jon Davies and Helena Reckitt'. In: International Lecture Series: Ryan Trecartin. The Drake Hotel, Toronto, Canada 23 March 2010. [Conference or Workshop Item]

Reckitt, Helena and White, Ian. 2009. 'Talk to the Pie 6: 43 After 66, Ian White and Helena Reckitt'. In: Talk to the Pie 6: 43 After 66, Ian White and Helena Reckitt. Gladstone Hotel, Toronto, Canada 10 April 2009. [Conference or Workshop Item]

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Reckitt, Helena; Williams Gamaker, Michelle; Gosling, Lucinda; Al-Mashouk, Tamara and Karamani, Sofia. 2019. 'The Art of Feminism'. In: The Art of Feminism, Tate Late. Tate Britain, London, United Kingdom 7 June 2019. [Conference or Workshop Item]

Renton, Andrew. 2002. “Aesthetics of the Seamless (Norman Bryson, Mark Gisbourne, Sharon Morris, Andrew Renton, Irit Rogoff)”. In: , ed. Concepts on the Move (Lier & Boog). Amsterdam and New York: Editions Rodopi B.V., pp. 81-92. ISBN 978-9042012691 [Book Section]

Renton, Andrew. 2002. Andrew Renton and Sacha Craddock in Conversation. In: , ed. The Producers: Contemporary Curators in Conversation. Gateshead and Newcastle: Baltic and University of Newcastle, pp. 9-46. ISBN 978-1903655139 [Book Section]

Renton, Andrew. 2007. Another Memory of the Old Home. In: , ed. Ângela Ferreira: Maison Tropicale. Lisbon: Institutos das Artes & Ministério da Cultura, pp. 60-77. ISBN 978-972-99322-8-1 [Book Section]

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Renton, Andrew. 2015. “Architecture’s Ideology: Antony Gormley’s Ethics of Spacing”. In: Peter Fischer; Simone King and Rosalind Horne, eds. Antony Gormley: Expansion Field. Berlin: Hatje Cantz, pp. 189-205. ISBN 978-3-7757-3931-3 [Book Section]

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Renton, Andrew. 2008. Art TLV 08: Open Plan Living. In: "Art TLV: Open Plan Living", Helena Rubenstein Pavilion, Museum of Tel Aviv and others, Israel, 27 September 2008 - October 18 2008. [Show/Exhibition]

Renton, Andrew. 2003. “Ben Kodesh l’Kodesh” (“...Between what is holy and what is holy”). In: Andrew Renton, ed. Borders of Sanctity in Art, Society and Jewish Thought. Jerusalem: Keter Publishing with Adi Foundation, pp. 146-149. ISBN 965-07-1172-4 [Book Section]

Renton, Andrew. 2010. Bergotte's Vermeer and other Histories. In: Wouter Davidts, ed. Crack: Koen van den Broek. Amsterdam: Valiz, Amsterdam; S.M.A.K., Ghent; Lannoo, Tielt, pp. 62-71. ISBN 978 90 78088 41 7 [Book Section]

Renton, Andrew. 2002. “Bethan Huws”. In: , ed. 100 Reviews Backwards. Verlag der Buchhandlung Walther Konig, p. 65. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2002. “Browser: a Second Visit to the Archive”. In: , ed. Potential: Ongoing Archive. Amsterdam and Southampton: Artimo Foundation Breda, pp. 60-65. ISBN 978-9075380484 [Book Section]

Renton, Andrew. 2005. Complications of Absence: Ignasi Aballí and the Constrained Object. In: , ed. 0-24 h. Barcelona: Museo De Arte Contemporáneo De Barcelona = Museu D'art Contemporani De Barcelona, pp. 117-130. ISBN 978-8489771147 [Book Section]

Renton, Andrew. 2014. "The Contested Space of Curating". In: Viktor Misiano and Nataša Petrešin-Bachelez, eds. The Manifesta Journal Reader. St Petersberg: Arca, pp. 76-84. ISBN 978-5-91208-176-7 [Book Section]

Renton, Andrew. 2003. “Conversation between Jonathan Callan, Edward Allington, and Andrew Renton, 4th November 2002, Deptford, London”. In: , ed. Jonathan Callan: Interference. Walsall: New Art Gallery Walsall, pp. 68-71. ISBN 978-0946652662 [Book Section]

Renton, Andrew. 2002. Correspondence. In: , ed. Ghada Amer. London: Gagosian Gallery, pp. 7-19. ISBN 978-1880154755 [Book Section]

Renton, Andrew. 2002. “Disappearing, Dislodging and Logging Off in B.C.”. In: , ed. The Beachcombers. London: Drawing Room, pp. 11-16. [Book Section]

Renton, Andrew. 2005. Don’t think you knew you were in this song: How Ziggy Sang Susan. In: , ed. SUSAN PHILIPSZ. Malmo Konsthall, pp. 46-65. ISBN 978-9177041061 [Book Section]

Renton, Andrew. 2002. “Douglas Gordon, 24 Hour Psycho”. In: , ed. 100 Reviews Backwards. Verlag der Buchhandlung Walther Konig, p. 56. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2002. Five Pieces for A.M. In: , ed. Nothing is Sudden – Arbeiten mit Licht. Köln: StadtRevue Verlag, pp. 10-21. [Book Section]

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Renton, Andrew. 2017. “Forms of Practice: Curating in the Academy”. In: Jens Hoffmann, ed. The Exhibitionist: the First Six Years. New York: Artbook, pp. 275-281. ISBN 978-1-942884-12-5 [Book Section]

Renton, Andrew. 2003. Holding Centre. In: , ed. I Only Want You to Love ME. Brighton: Photoworks, pp. 100-103. ISBN 978-1903796092 [Book Section]

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Renton, Andrew. 2015. "I Never Thought I'd See You Again: Painting History". In: ""I Never Thought I'd See You Again: Painting History"", Marlborough Contemporary, United Kingdom, 20 January - 27 February 2015. [Show/Exhibition]

Renton, Andrew. 2006. I saw and know what I saw…: Linder as Witness. In: , ed. Linder: Works 1976-2006. Zurich: JRP Ringier, pp. 128-137. ISBN 3-905701-60-x [Book Section]

Renton, Andrew. 2002. “Ian Davenport, Gary Hume, Michael Landy” and “East Country Yard Show”. In: , ed. 100 Reviews: Backwards. Verlag der Buchhandlung Walther Konig, pp. 40-48. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2007. In Lieu of the Face. In: , ed. Portrait, Landscape, Process, Monochrome. London: Alexia Goethe Gallery, pp. 6-13. ISBN 978-1906463007 [Book Section]

Renton, Andrew. 2002. “Modern Medicine”. In: , ed. 100 Reviews: Backwards. Verlag der Buchhandlung Walther Konig, p. 87. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2005. Mushrooms in the Rain: Gerard Hemsworth and the Deceptive Perspective. In: , ed. Gerard Hemsworth, Mushrooms In The Rain (exhibition catalogue). São Paulo: Galeria Brito Cimino, pp. 4-6. [Book Section]

Renton, Andrew. 2007. Only you can make this world seem right. In: , ed. Jesper Just - Film Works: Film Works 2001-2007. Rotterdam: Witte de With Centre for Contemporary Art, pp. 82-99. ISBN 978-9073362734 [Book Section]

Renton, Andrew. 2008. Painting Less Subject: Detached Indices and Red Herrings (for K.C.). In: Ben Tufnell, ed. Keith Coventry: Vanishing Certainties. Painting and Sculpture 1992 - 2009. London: Haunch of Venison, pp. 32-33. ISBN 972-1-905620-37-1 [Book Section]

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Renton, Andrew. 2019. Passages of Stillness: The Ethics of Landscape and Remembering in Shaun Gladwell’s 1000 Horses. di'van: a journal of accounts(6), pp. 62-87. ISSN 2207-1563 [Article]

Renton, Andrew. 2005. Prescription Material: You are what you eat. In: , ed. Marc Quinn: Chemical Life Support. London: White Cube, pp. 2-5. ISBN 978-0954650186 [Book Section]

Renton, Andrew. 2006. “Public and Private Collecting”. In: , ed. Frieze Projects: Artists' Commissions and Talks: Artists Commissions and Talks 2003-2005. London: Frieze, pp. 137-145. ISBN 978-0955320101 [Book Section]

Renton, Andrew. 2006. “Space Girl and the Strange Case of Being in Two Places at the Same Time”. In: , ed. Sophie Von Hellermann: Judgement Day. London: Koenig Books, pp. 162-167. ISBN 978-3865600578 [Book Section]

Renton, Andrew. 2006. Stay forever and ever and ever. In: "Stay forever and ever and ever", South London Gallery, 5/2/2006 - 6/24/2006. [Show/Exhibition]

Renton, Andrew. 2009. Ten Fragments (for I.K.). In: Elena Volpato, ed. Ian Kiaer: What Where. Turin: Archive Books, pp. 43-47. [Book Section]

Renton, Andrew. 2007. Threshold and its Shadow (for YS). In: , ed. Yehudit Sasportas. Der israelische Pavillon auf der Biennale Venedig. Israeli Pavilion 52nd Biennale Vezezia and Dumont, pp. 39-61. ISBN 978-3832177737 [Book Section]

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Renton, Andrew. 2015. “Unconditional Welcome: An Ethics of Passage in Le Jardin hospitalier of Jyll Bradley” (“Un accueil inconditionnel : L’éthique du passage dans Le Jardin hospitalier de Jyll Bradley”). In: Amanda Crabtree, ed. Le Jardin hospitalier: une oeuvre de Jyll Bradley. Dijon: Les presses du réel, pp. 12-24. ISBN 978-2-84066-786-5 [Book Section]

Renton, Andrew. 2006. ’Unknown Content’:Diminished Return. In: , ed. (Re)volver, Lisbon: Plataforma Revolver. , pp. 32-42 [Book Section]

Renton, Andrew. 2005. Walking through Wall: Catherine Yass’s Politics of Unseeing. In: , ed. Catherine Yass: Filmography. Fundacio Antoni Tapies, pp. 72-89. ISBN 978-8489152731 [Book Section]

Renton, Andrew. 2005. West. In: , ed. The Journey: Dietmar Lutz. London: emilyTsingou Gallery, pp. 23-39. ISBN 978-0953245826 [Book Section]

Renton, Andrew. 2006. You are still here…. In: , ed. Mona Hatoum: Hot Spot. White Cube. [Book Section]

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Renton, Andrew. 2019. hobbypopMUSEUM on Main Street. In: , ed. hoppypopMUSEUM: Saved Images. Berlin: DISTANZ Verlag/Dortmunder Kunstverein, pp. 11-20. ISBN 9783954762729 [Book Section]

Renton, Andrew. 2008. “‘…so begin always again and again’: Syntactical Spaces, Indebted Figures in the Work of Muntean/Rosenblum”. In: , ed. Muntean/Rosenblum: Make Death Listen. Zurich: JRP Editions, pp. 92-93. ISBN 978-3905701982 [Book Section]

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Renton, Andrew and Brooks, Jason. 2015. Jason Brooks: 'Origins'. In: "Origins", Marlborough Contemporary, United Kingdom, 10 June 18 July 2015. [Show/Exhibition]

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Renton, Andrew and Brzezanska, Agnieszka. 2015. Agnieszka Brzeżańska: 'This all occurs quickly, with ease, grace and joy'. In: "This all occurs quickly, with ease, grace and joy", Marlborough Contemporary, United Kingdom, 18 September – 31 October 2015. [Show/Exhibition]

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Renton, Andrew and Büttner, Werner. 2015. Werner Büttner: 'The Marking of the Abyss'. In: "The Marking of ther Abyss", Marlborough Contemporary, United Kingdom, 4 March – 18 April 2015. [Show/Exhibition]

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Renton, Andrew; Corrales, Marcos; Jubelin, Narelle and Ferreira, Angela. 2008. Front of House. In: "Front of House, London", Parasol Unit, United Kingdom, 16 April - 29 May 2008. [Show/Exhibition]

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Renton, Andrew and Ferreira, Ángela. 2015. Ângela Ferreira: 'Talk Tower for Ingrid Jonker'. In: "Talk Tower for Ingrid Jonker", Marlborough Contemporary, United Kingdom, 5 August - 5 September 2015. [Show/Exhibition]

Renton, Andrew; Gillick, Liam; Paley, Maureen; Furlong, William; Cooke, Lynne and Schubert, Karsten. 2014. “Technique Anglaise: Current Trends in British Art”. In: John Slyce and Phoebe Adler, eds. Contemporary Art in the United Kingdom. London: Black Dog Publishing, pp. 162-173. ISBN 978 1 907317 68 2 [Book Section]

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Renton, Andrew and Golden, Pamela. 2014. Pamela Golden. "Good Morning! Mr. Williams.". In: "Good Morning! Mr. Williams.", Marlborough Contemporary, United Kingdom, 15 Jan to 15 Feb 2014. [Show/Exhibition]

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Renton, Andrew and Golden, Pamela. 2015. Pamela Golden: 'Charlie Don’t Surf'. In: "Charlie Don’t Surf", Marlborough Contemporary, United Kingdom, 11 November - 30 December. [Show/Exhibition]

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Renton, Andrew and Gussin, Graham. 2014. Graham Gussin: FORSAKENFOCUSVERTIGOPREDICTION. In: "FORSAKENFOCUSVERTIGOPREDICTION", Marlborough Contemporary, United Kingdom, 7 Mar to 12 April 2014. [Show/Exhibition]

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Renton, Andrew and Hernández, Diango. 2015. Diango Hernández: 'The Book of Waves'. In: "The Book of Waves", Marlborough Contemporary, United Kingdom, 29 April – 5 June 2015. [Show/Exhibition]

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Renton, Andrew and Jubelin, Narelle. 2016. Narelle Jubelin: 'Flamenco Primitivo'. In: "Flamenco Primitivo", Marlborough Contemporary, United Kingdom, 5 February – 12 March 2016. [Show/Exhibition]

Renton, Andrew and Jubelin, Narelle. 2002. Shumakom ("No place"). In: "Shumakom ("No place")", Beit Ha'omanim (Artists' House), Jerusalem, 5/1/2002 - 6/1/2002. [Show/Exhibition]

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Renton, Andrew and Kavanagh, Laurence. 2016. Laurence Kavanagh: 'March'. In: "'March'", Marlborough Contemporary, United Kingdom, 11 May - 18 June 2016. [Show/Exhibition]

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Renton, Andrew and Kavanagh, Laurence. 2014. Laurence Kavanagh: 'May'. In: "Laurence Kavanagh: 'May'", Marlborough Contemporary, United Kingdom, 7 May–20 June 2014. [Show/Exhibition]

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Renton, Andrew and Landau, Sigalit. 2014. Sigalit Landau: 'Knafeh'. In: "Knafeh", Marlborough Contemporary, United Kingdom, 17 September – 1 November 2014. [Show/Exhibition]

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Renton, Andrew and Landau, Sigalit. 2016. Sigalit Landau: 'Salt Bride'. In: "Salt Bride", Marlborough Contemporary, United Kingdom, 26 July - 17 September 2016. [Show/Exhibition]

Renton, Andrew and Lapa, P.. 2003. Ângela Ferreira: Em Sítio Algum . No Place at All. Museu Nacional de Arte Contemporânea. ISBN 9727761895 [Book]

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Renton, Andrew; Marleen, Inge and David, Powell. 2019. The Neighbourhood of Infinity. [Artist's Book]

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Renton, Andrew and Onofre, João. 2014. João Onofre: 'Tacet'. In: "Tacet", Marlborough Contemporary, United Kingdom, 18 November 2014 – 10 January 2015. [Show/Exhibition]

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Renton, Andrew and Patterson, Grear. 2016. Grear Patterson: True Romance. In: "True Romance", Marlborough Contemporary, United Kingdom, 24 June - 23 July 2016. [Show/Exhibition]

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Renton, Andrew and Roberts, Charlie. 2016. Charlie Roberts: Juicy. In: "Juicy", Marlborough Contemporary, United Kingdom, 24 Nov 2016 - 8 January 2017. [Show/Exhibition]

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Renton, Andrew and Rosenthal, Norman. 2004. Jason Martin. Charta. ISBN 8881584832 [Book]

Renton, Andrew and Temin, Kathy. 2009. Running Past a Richard Serra: Kathy Temin and Andrew Renton in Conversation. In: Sue Cramer, ed. Kathy Temin. Melbourne, Australia: Heide Museum of Modern Art, pp. 73-79. ISBN 9781921330124 [Book Section]

Renton, Andrew and White, Laura. 2008. Broken Surface: Belated Forms. In: Laura White, ed. Laura White: the Stuff of Images. Manchester: Castlefield Gallery, unpaginated. ISBN 978-0-9559557-1-6 [Book Section]

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Renton, Andrew and Whittlesea, Ian. 2014. Ian Whittlesea: A Breathing Bulb. In: "A Breathing Bulb", Marlborough Contemprary, United Kingdom, 6 August - 6 September 2014. [Show/Exhibition]

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Renton, Andrew and Wright, Philip, eds. 2015. Werner Büttner. My Looting Eye: Collages. London: Back Dog Publishing. ISBN 9781910433836 [Edited Book]

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Renton, Andrew and van den Broek, Koen. 2014. Koen van den Broek: Cut Away the Snoopy. In: "Cut Away the Snoopy", Marlborough Contemporary, United Kingdom, 25 June – 2 August 2014. [Show/Exhibition]

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Renton, Andrew; van den Broek, Koen and Verhoeven, Thibaut. 2010. Koen van den Broek: Curbs and Cracks. In: "Curbs and Cracks", Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, 28 January to 10 May 2010. [Show/Exhibition]

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Renton, Andrew and von Poehl, Charlotte. 2014. “Random Different: Andrew Renton and Charlotte von Poehl in Conversation”. In: , ed. Charlotte von Poehl: Harlequins. Ystad: Ystads Konstmuseum, pp. 47-61. ISBN 91-87258-75-7 [Book Section]

Reupke, Rachel. 2019. Lean In. In: Hannelore Paflik-Huber, ed. Künstlerhaus Stuttgart 40 Jahre 1978–2018. Stuttgart: av edition. ISBN 9783899862874 [Book Section]

Rifkin, Adrian. 2007. Addressing Ekphrasis: A Prolegomenon to the Next. Journal of Classical Philology, 102, pp. 72-82. ISSN 0009837X [Article]

Rifkin, Adrian. 2009. Apart from Sex. Journal of Visual Culture, 8(3), pp. 265-277. [Article]

Rifkin, Adrian. 2005. From Structure to Enigma and Back, Perhaps. Journal of Visual Culture, 4(3), pp. 364-381. ISSN 14704129 [Article]

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Rifkin, Adrian. 2009. Oh I do Like to be Beside the Sea Side. Borderlands, 8(2), [Article]

Rifkin, Adrian. 2007. Wotan Envy. Parallax, 12(4), pp. 26-49. ISSN 1460700X [Article]

Rifkin, Adrian; Berry, Chris and Lok, Susan Pui San. 2009. Altius, Lentius. In: Adrian Rifkin, ed. Faster, Higher. London: Film and Video Umbrella, pp. 40-50. ISBN 978-1-904270-29-4 [Book Section]

Robertson, Selina; Wood, Sarah; Reckitt, Helena and Reynolds, Lucy. 2019. Club des Femmes, Helena Reckitt: An interview on International Women’s Day 2017. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London, UK: IB Tauris. ISBN 9781784537005 [Book Section]

Rogoff, Irit. 2018. Becoming Research. In: Choi Jina and Helen Jungyeon Ku, eds. The Curatorial in Parallax. Seoul, Republic of Korea: National Museum of Modern and Contemporary Art, Korea, pp. 39-52. ISBN 9788963031972 [Book Section]

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Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2016. Economies of Character (or, Character in the Age of Big Data). Doctoral thesis, Goldsmiths, University of London [Thesis]

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Rosamond, Emily. 2017. 'Reputation Power'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily; Cnaani, Ofri; Heathfield, Adrian and Clarke, Elly. 2023. 'Dragging Affordances'. In: Choreographic Devices. Institute of Contemporary Arts, London, United Kingdom 17 June 2023. [Conference or Workshop Item]

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Rourke, Daniel. 2019. The Practice of Posthumanism: Five Paradigmatic Figures for Human Mutation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Sagar, Ilona. 2021. An Anatomy of Maintenance. In: Gemma Blackshaw and Sharon Kivland, eds. Care(less) - a supplement to On Care. London: Ma Bibliothèque, pp. 74-80. ISBN 9781910055861 [Book Section]

Sagar, Ilona. 2024. 'Art & the Critical Medical Humanities: Confabulations X Health & Care at the RCA'. In: Art & the Critical Medical Humanities: Confabulations X Health & Care at the RCA. Royal College of Art, United Kingdom 19 - 21 June 2024. [Conference or Workshop Item] (Forthcoming)

Sagar, Ilona. 2024. 'Artist Talk Ilona Sagar'. In: Wednesday Artist Lectures. University of Reading, Department of Art, United Kingdom 28 February 2024. [Conference or Workshop Item]

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Sagar, Ilona. 2024. 바이오스코프, 물질의 아나토미: 일로나 사가 Bioscope, Anatomy of the Matter: Ilona Sagar. In: "Seoul International New Media Festival (NeMaf) 2024", Seoul, Korea, Republic of, 1 August 2024. [Show/Exhibition]

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Sagar, Ilona. 2022. The Body Blow. [Film/Video]

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Sagar, Ilona. 2022. The Body Blow. In: "Radio Ballads", Serpentine Galleries, London, United Kingdom, 31 March – 29 May 2022. [Show/Exhibition]

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Sagar, Ilona. 2018. Correspondence O. [Film/Video]

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Sagar, Ilona. 2018. Correspondence O. In: "Living with Buildings", Wellcome Collection, London, United Kingdom, 4 October 2018 – 3 March 2019. [Show/Exhibition]

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Sagar, Ilona. 2017. Correspondence O. In: "Correspondence O", South London Gallery, United Kingdom, 13 December 2017 - 25 February 2018. [Show/Exhibition]

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Sagar, Ilona. 2021. Create, Capture, Organise, Pluralise. In: "Create, Capture, Organise, Pluralise", Somerset House, London, United Kingdom, 1 July - 31 October 2021. [Show/Exhibition]

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Sagar, Ilona. 2019. Deep Structure. [Film/Video]

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Sagar, Ilona. 2019. Deep Structure. In: "Deep Structure", S1 Artspace Sheffield, United Kingdom, 11 October - 14 December 2019. [Show/Exhibition]

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Sagar, Ilona. 2022. 'Environmental Dis-ease. Co-productions of Toxic Politics'. In: Environmental Dis-ease. Co-productions of Toxic Politics. University of Vienna, Department of Social and Cultural Anthropology, Austria 25 October 2022. [Conference or Workshop Item]

Sagar, Ilona. 2023. How We Hold: Rehearsals for Art and Social Change. In: Jemma Egan; Layla Gatens; Elizabeth Graham; Amal Khalaf and Alex Thorp, eds. How We Hold: Rehearsals for Art and Social Change. London: Walter Koenig/Serpentine Gallery. ISBN 9783753 305035 [Book Section]

Sagar, Ilona. 2024. 'On mediated encounters in social, political and experiential spaces through interdisciplinary arts practice'. In: On mediated encounters in social, political and experiential spaces through interdisciplinary arts practice.. Information Experience Design, Royal College of Art, United Kingdom. [Conference or Workshop Item]

Sagar, Ilona. 2024. The Radio Ballads. In: Amal Khalaf; Elizabeth Graham; Layla Gatens and Ilona Sagar, eds. The Radio Ballads. [Book Section] (Forthcoming)

Sagar, Ilona. 2024. Stanley Picker Fellowship. [Professional Activity]

Sagar, Ilona and Casini, Silvia. 2025. Ilona Sagar and Silvia Casini: Dialogues. In: Fiona Johnstone and Ilona Sagar, eds. Confabulations: Art Practice, Art History, Critical Medical Humanities. London: Bloomsbury Academic. [Book Section] (Forthcoming)

Sagar, Ilona and Gunning, Lucy. 2013. Being Without Walls: Art Licks Weekend. In: Holly Willats, ed. Being Without Walls: Art Licks Weekend. Ludlow: Jerwood Foundation. [Book Section]

Sagar, Ilona and Sweeney, Josephine. 2023. 'Infrastructural bodies: The Living Structures of Bodies, Buildings and Archives'. In: Latent legacies: the afterlives of asbestos. University of Cambridge, Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), United Kingdom 2 November 2023. [Conference or Workshop Item]

Sagar, Ilona; Sweetapple, Kate and Kasunic, Jacqui. 2023. 'Encountering Archives'. In: Encountering Archives. Goldsmiths, University of London, United Kingdom 29 - 30 November 2023. [Conference or Workshop Item]

Sagar, Ilona and Walker, Adam. 2021. Forward. In: Gemma Blackshaw, ed. I care by.... London: Research Communiqués: RCA Fine Arts and Humanities, Royal College of Art., pp. 9-18. ISBN 9781838354336 [Book Section]

Sagar, Ilona and Walker, Adam. 2021. 'Glasgow School of Art Friday Event: Care'. In: Glasgow School of Art Friday Event: Care. Glasgow School of Art, United Kingdom 15 October 2021. [Conference or Workshop Item]

Sagar, Ilona; Whorrall-Campbell, Grace; Spencer-Davidson, Dylan; Rigole, Jasper and Bergstrom-Katz, Sasha. 2024. 'Psy-disciplines on Film: Research, Reenactment and Documentation. Max Planck Institute'. In: Psy-disciplines on Film: Research, Reenactment and Documentation. Berlin, Germany 11 July 2024. [Conference or Workshop Item]

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Salaman, Naomi. 1999. Changed pressmarks of the Private Case in the British Library. [Art Object]

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Samson, Audrey. 2019. Digital data funerals. In: Tamara Kohn; Martin Gibbs; Bjorn Nansen and Luke van Ryn, eds. Residues of Death. Routledge, pp. 91-106. ISBN 9780429456404 [Book Section]

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Samson, Audrey. 2017. Erasure. In: Helen Pritchard; Eric Snodgrass and Magda Tyżlik-Carver, eds. EXECUTING PRACTICES. (06) Brooklyn, NY: Autonomedia, pp. 143-154. ISBN 9781570273216 [Book Section]

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Samson, Audrey. 2015. Erasure, an attempt to surpass datafication. APRJA (A Peer-Reviewed Journal About), 4(1), pp. 44-55. [Article]

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Samson, Audrey. 2021. Partnerships; or how to reap without sowing. In: Mariana Pestana; Sumitra Upham and Billie Muraben, eds. Empathy Revisited: Designs for more than one. Eindhoven: Onomatopee, pp. 215-226. ISBN 9789493148598 [Book Section]

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Samson, Audrey and Gallardo, Francisco. 2018. Commercial extinction: The exhaustion of exhaustion. In: Daniel Fernandez Pascual and Alon Schwabe, eds. The Empire Remains Shop. New York: Columbia University Press, pp. 109-119. ISBN 9781941332375 [Book Section]

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Samson, Audrey and Gallardo, Francisco. 2017. 'Let them eat cake!'. In: 2017 ACM SIGCHI Conference on Creativity and Cognition. Singapore, Singapore 27-30 June 2017. [Conference or Workshop Item]

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Samson, Audrey; Muldtofte, Lea; Soon, Winnie; Snodgrass, Eric and Gallardo, Francisco. 2018. Execution. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 141-145. ISBN 9781350030244 [Book Section]

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Samson, Audrey and Soon, Winnie. 2015. Network Affordances: Unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal(24), [Article]

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Samson, Audrey and Tobias Schäfer, Mirko. 2018. Static Glow. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 407-411. ISBN 9781350030244 [Book Section]

Schmitz, Edgar. 2025. Ambient attitudes. On contingency, treason and humour. Zürich/ Berlin: on_curating press. [Book] (Forthcoming)

Schmitz, Edgar. 2017. CHOREOGRAPHIC 1-5. In: "CHOREOGRAPHIC 1-5", Research Pavilion, 57th Venice Biennale, Italy, 26-29 June 2017. [Show/Exhibition]

Schmitz, Edgar. 2010. Some Turn and Some Don't (On Set-Ups). In: Paul o'Neill and Mick Wilson, eds. Curating and the Educational Turn. London/ Amsterdam: Open Editions/ de Appel. ISBN 978-0-949004-18-5 [Book Section]

Schmitz, Edgar. 2010. Soundtrack. In: "British Art Show 7. In The Days of the Comet", Nottingham Contemporary, New Art Exchange, Castle Museum, Nottingham, United Kingdom, October 2010 - December 2011. [Show/Exhibition]

Schmitz, Edgar. 2012. Surplus Cameo Decor. In: "Surplus Cameo Decor", Cooper Gallery, Duncan of Jordanstone College of Art & Design, Dundee, United Kingdom, 18 October - 14 December 2012. [Show/Exhibition]

Schmitz, Edgar. 2015. Surplus Cameo Decor: sindanao 2. In: "Surplus Cameo Decor: sindanao 2", Shanghai Himalayas Museum, China, 28.6.-9.8.2015. [Show/Exhibition]

Schmitz, Edgar. 2010. Traps Against Capture. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 208-224. ISBN 978-0748638383 [Book Section]

Schmitz, Edgar. 2010. Which Way to Heaven? In: Lisa Le Feuvre, ed. Failure. Whitechapel/ MIT. ISBN 978-0-262-51477-4 [Book Section]

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Schmitz, Edgar; Vemeir, Katleen and Heiremans, Ronny. 2016. Never Really in Real Time. PARSE Journal, 4, pp. 121-131. ISSN 2002-0511 [Article]

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Schwindt, Grace. 2018. The Birder. [Film/Video]

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Schwindt, Grace. 2018. The Boxer. In: "An Evening of Performances", O2 Forum Kentish Town, United Kingdom, 2 October 2018. [Performance]

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Schwindt, Grace. July 2023 - July 2024 / period in Belgium: December 2023 and January 2024 and July 2024 A Cold Stone. [Project] (Forthcoming)

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Schwindt, Grace. 2022. Defiant Bodies. [Exhibition Catalogue] (Forthcoming)

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Schwindt, Grace. 2022. Defiant Bodies. In: "Defiant Bodies", Kunstmuseum St. Gallen, Switzerland, 17 September 2022 – 5 February 2023. [Show/Exhibition]

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Schwindt, Grace. 2019. Five Surfaces All White. [Film/Video]

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Schwindt, Grace. 2019. Five Surfaces All White. In: "Five Surfaces All White", Centre for Contemporary Arts Glasgow, United Kingdom, 6 September  - 13 October 2019. [Show/Exhibition]

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Schwindt, Grace. 2016. Group exhibition: Ensemble sin órganos (Ensemble without organs) at Centro de Arte Contemporáneo Wifredo Lam. In: "Group exhibition: Ensemble sin órganos (Ensemble without organs)", Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba, July 7–24, 2016. [Show/Exhibition]

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Schwindt, Grace. 2019. IN SILENCE. [Art Object]

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Schwindt, Grace. 2019. In Silence. In: "In Silence", Rozenstraat - a rose is a rose is a rose gallery, Netherlands, 19 May - 27 July 2019. [Show/Exhibition]

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Schwindt, Grace. 2017. Opera and Steel. In: "Performatik, Brussels and Something Raw Festival, Amsterdam", Kaaitheatre, Belgium, 2017 and 2018. [Performance]

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Schwindt, Grace. 2020. Remembering Home. [Art Object]

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Schwindt, Grace. July 2023 - September 2024 / period in New York: September - November 2023 and August - beginning of September 2024 Silent Archive. [Project] (Forthcoming)

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Schwindt, Grace. 2018. Silent Dance. UNDEFINED. [Show/Exhibition]

Schwindt, Grace. 2015. Solo Exhibition: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts. In: "Solo Exhibition: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts", MARCO - Museum of Contemporary Arts, Vigo, Spain. [Show/Exhibition]

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Schwindt, Grace. 2014. Solo exhibition: Only a Free Individual Can Create a Free Society at Badischer Kunstverein, Karlsruhe, Germany. In: "Solo exhibition: Only a Free Individual Can Create a Free Society", Badischer Kunstverein, Karlsruhe, Germany. [Show/Exhibition]

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Schwindt, Grace. 2012. Tenant. [Film/Video]

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Schwindt, Grace. 2022. Your Movement.mov. In: "Your Movement", Kunsthal Gent, Belgium, 27 May —  28 August 2022. [Show/Exhibition]

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Seers, Lindsay. 2018. 2052 Selves. In: "A Woman's Place", Knole, Seven Oaks National Trust Property, United Kingdom, 17th May - 4th November 2018. [Show/Exhibition]

Seers, Lindsay. 2011. Aften Posten. In: , ed. Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS. , pp. 6-7 [Book Section]

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Seers, Lindsay. 2014. Artist Novels. Berlin: Sternberg Press. ISBN 978-3-956790-76-8 [Book]

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Seers, Lindsay. 2015. Circassian Beauty. In: "Doug Fishbone’s Leisure Land Golf", Venice Biennale, Italy, 6th May – 26th July 2015| 2nd April - 19th June 2016 l 2nd July - Sunday 4th September 2016. [Show/Exhibition]

Seers, Lindsay. 2011. Cyclops [Monocular]. In: "'Promising in Kabelvåg' – Seers' 'Cyclops [Monocular]' at the Lofoten International Art Festival (LIAF)", Lofoten International Art Festival (LIAF), Norway, 10/09/2011. [Show/Exhibition]

Seers, Lindsay. 2011. Dis-covery. [Exhibition Catalogue]

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Seers, Lindsay. 2018. Entangled2 (Theatre II). In: "Fleeting Exits", Sursock Museum, Lebanon, 13th July - 8th October 2018. [Show/Exhibition]

Seers, Lindsay. 2018. Every Thought There Ever Was. In: "Every Thought There Ever Was", Focal Point Gallery, United Kingdom, 2018 - 2020. [Show/Exhibition]

Seers, Lindsay. 2016. The Exform. In: Nicolas Bourriaud, ed. The Exform. UK EBK: Verso, p. 61. ISBN 978-1-78478-381-5 [Book Section]

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Seers, Lindsay. 2020. Extramission 2 [False Memory]. [Art Object]

Seers, Lindsay. 2009. Extramission 6 (Black Maria). In: "Extramission 6 (Black Maria)", Tate Collection, London, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2009. Extramission 6, Tate Collection. In: "Extramission 6, Tate Collection", London, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2005. Eyes of Others. In: "Eyes of Others", Gallery of Photography, 10/27/2005 - 11/27/2005. [Show/Exhibition]

Seers, Lindsay. 2007. Human Camera. Article Press. [Book]

Seers, Lindsay. 2005. I saw the Light. In: "I saw the Light", Gasworks Gallery, 9/22/2005 - 10/30/2005. [Show/Exhibition]

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Seers, Lindsay. 2017. In the Vineyard of Art. In: Michael Denholm, ed. In the Vineyard of Art, the story of Art and Tasmania. 4 Tasmania: Carlton Street Press, pp. 132-165. ISBN 978-0-9751684-8-6 [Book Section]

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Seers, Lindsay. 2015. It has to be this way. In: "Reads Like A Book", Poland. [Show/Exhibition]

Seers, Lindsay. 2010. It has to be this way 1.5. In: "It has to be this way", Matt's Gallery, London, United Kingdom. [Show/Exhibition]

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Seers, Lindsay. 2010. It has to be this way². In: "It has to be this way²", National Gallery Denmark, Denmark, 21 May 2010 - 12 June 2011. [Show/Exhibition]

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Seers, Lindsay. 2017. Jouer Contre Les Appareils. In: Marc Lenot, ed. Jouer Contre Les Appareils. France: Collection Argentique |Éditions Photosynthèses, pp. 190-192. ISBN 979-10-95822-04-2 [Book Section]

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Seers, Lindsay. 2017. Lindsay Seers. In: Kaoukji Natalie; Kassell Lauren and Maziere Michael, eds. Casebooks: Work Towards an Exhibition at Ambika P3. UK: University of Westminster, pp. 54-60. ISBN 9780993398674 [Book Section]

Seers, Lindsay. 2016. Lindsay Seers in the Arts Council Collection. In: "Arts Council Collection", Online. [Show/Exhibition]

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Seers, Lindsay. 2017. Mental Metal. In: "Casebooks", Ambika P3, United Kingdom, 17th March - 23rd April 2017. [Show/Exhibition]

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Seers, Lindsay. 2017. Mental Metal 2. In: "Art Night", Andaz Hotel Masonic Temple, United Kingdom, 1st and 2nd July 2017. [Show/Exhibition]

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Seers, Lindsay. 2014. Monocular5. In: "Top of the World", Karasjok, Norway, 14th June 2014 - 20th July 2014. [Show/Exhibition]

Seers, Lindsay. 2007. My Camera Life. In: , ed. Human Camera. Article Press. ISBN 978-1-873352-64-9 [Book Section]

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Seers, Lindsay. 2012. Nowhere Less Now. In: "Nowhere Less Now", Tin Tabernacle, Kilburn, London, United Kingdom, September 2012 - November 2019. [Show/Exhibition]

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Seers, Lindsay. 2014. Nowhere Less Now 4. In: "Mirror City", Hayward Gallery, United Kingdom, 14th October 2014 - 4th January 2015. [Show/Exhibition]

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Seers, Lindsay. 2015. Nowhere Less Now 5. In: "Seeing Round Corners", Turner Contemporary, Margate, United Kingdom, 20 May - 25 September 2016. [Show/Exhibition]

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Seers, Lindsay. 2016. Nowhere Less Now 7. In: "Nowhere Less Now 7", Glynn Vivian Art Gallery, Swansea, United Kingdom, 15th October 2016 - 15th March 2017. [Show/Exhibition]

Seers, Lindsay. 2011. Reconstructing the Past. In: "Lindsay Seers' Photographic Narrative", UNDEFINED, May/June 2011. [Show/Exhibition]

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Seers, Lindsay. 2016. Sailor's Bill, Candy Cannibal (Circassian Beauties), Dumby. In: "Objects Do Things", Centre For Contemporary Art Ujazdowsky Castle, Poland, 26th February - 31st July 2016. [Show/Exhibition]

Seers, Lindsay. 2004. Sphere Catalogue. [Exhibition Catalogue]

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Seers, Lindsay. 2017. Suffering. In: "Suffering", MONA, Australia, 10th June 2017 - 30th April 2018. [Show/Exhibition]

Seers, Lindsay. 2007. Swallowing Black Maria. In: "Swallowing Black Maria", Smart Project Space, 7/14/2007 - 8/18/2007. [Show/Exhibition]

Seers, Lindsay. 2009. Top Ten. Art Forum, [Article]

Seers, Lindsay. 2008. The Trilogy. In: "The Trilogy", Rugby Art Gallery & Museum, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2006. The Truth was always there. In: "The Truth was always there", The Collection, 9/23/2006 - 1/21/2007. [Show/Exhibition]

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Seers, Lindsay. 2019. Vanishing Twin (Tetragametic Chimerism). In: "Vanishing Twin (Tetragametic Chimerism)", Fotogalleriet, Norway, 22 January - 2 March 2019. [Show/Exhibition]

Seers, Lindsay. 2005. Wunderkammer. [Exhibition Catalogue]

Seers, Lindsay. 2002. images. Radical Philosophy, 113, pp. 26-30. ISSN 0300-211X [Article]

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Seers, Lindsay and Sargent, Keith. 2020. Nowhere Less Now3 [Flying Saucer]. In: "Nowhere Less Now 3_ Flying Saucer", Flying Saucer, United Arab Emirates, 26 September – 26 December 2020. [Show/Exhibition]

Seita, Sophie. 2023. Cloudiness. In: "Crossing Borders", Millbank Tower, London, United Kingdom, 2 - 5 November 2023. [Show/Exhibition]

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Seita, Sophie. 2023. 'A Laboratory of Sensations': Listening for Texture. OEI: Aural Poetics, 98-99, pp. 125-139. ISSN 1404-5095 [Article]

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Seita, Sophie. 2023. Lessons of Decal. London: the87press. ISBN 9781739393908 [Book]

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Seita, Sophie. 2016-2019 MY LITTLE ENLIGHTENMENT PLAYS. [Project]

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Seita, Sophie. 2021. My Lazy Laboratory. Rupert Journal, 1, [Article]

Seita, Sophie. 2022. Playing with Knowledge: On Lecture Performances. TDR/The Drama Review, 66(3), pp. 78-95. ISSN 1054-2043 [Article]

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Seita, Sophie. 2019. Provisional Avant-Gardes: Little Magazine Communities from Dada to Digital. Stanford, California: Stanford University Press. ISBN 9781503608719 [Book]

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Seita, Sophie. 2022. Reading the Rock. In: "Reading the Rock", Hoxton253, United Kingdom, 26 February 2022. [Performance]

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Seita, Sophie. 2023. Swimming in the Muddy Waters of Language (A Score for Verbs). In: "Mud: The Urgency of the Arts", Royal College of Art, United Kingdom, 30 March 2023. [Performance]

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Seita, Sophie. 2022. There's no way I can know it, the object, or the body. In: "There's no way I can know it, the object, or the body", Hoxton253, United Kingdom, 4-26 February 2022. [Show/Exhibition]

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Seita, Sophie. 2017. Thinking the unprintable in contemporary post-digital publishing. Chicago Review, 60/61(4/1), pp. 175-194. ISSN 0009-3696 [Article]

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Seita, Sophie. 2017. Tom Raworth's Little Magazines: Outburst, Before Your Very Eyes!, and Infolio. Critical Quarterly, 59(2), pp. 11-33. ISSN 0011-1562 [Article]

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Seita, Sophie. 2024. Too good to be entirely true (A coda on the pleasure of archives and avant-garde publishing). Textual Practice, 38(6), pp. 1012-1017. ISSN 0950-236X [Article]

Seita, Sophie. 2023. withwithwith. In: "Pretty Doomed", Ugly Duck, London, United Kingdom, 12 - 15 October 2023. [Show/Exhibition]

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Seita, Sophie and Clayton, Kate. 2023. Pearl & Theory Make Compost (2020). In: , ed. EMERGENCY INDEX: AN ANNUAL DOCUMENT OF PERFORMANCE PRACTICE, VOL. 10. Brooklyn: Ugly Duckling Presse. ISBN 9781946604101 [Book Section]

Seita, Sophie; Ergul, Seda and Yount, Reylon. 2023. Listening Session: Seeing Through Flames: Hildegard’s Musical Garden. Nottingham Contemporary, Nottingham. [Other]

Seita, Sophie and Seda, Ergul. 2023. 'Listening to the Environment, from a Queer Perspective'. In: October Digbeth First Friday. Grand Union, Birmingham, United Kingdom 6 October 2023. [Conference or Workshop Item]

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Seita, Sophie and Woo, Naomi. Beethoven Was a Lesbian. In: "Beethoven Was a Lesbian", Cafe OTO, United Kingdom, 2019-2022. [Performance]

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Seita, Sophie and Woo, Naomi. 2019. Beethoven Was a Lesbian. In: "Beethoven Was a Lesbian", Café Oto, United Kingdom, 2019-2023. [Performance]

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Seita, Sophie and Woo, Naomi. 2023. bingenTV. In: "bingenTV", Mimosa House, United Kingdom, 27 October – 8 December 2023. [Show/Exhibition]

Seymour, Benedict. 2005. ‘ASBO as agent’. In: "TOTAL ASBO show", Pogo Cafe,, United Kingdom. [Show/Exhibition]

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Seymour, Benedict. 2014. Art and the Utopia of (Non-)Reproduction. In: John Chilver and Brighid Lowe, eds. Manual: Parts and Labour. Osan: Gwak Sang-wook, Osan Culture Foundation, pp. 22-23. ISBN 978-89-968948-2-8 [Book Section]

Seymour, Benedict. 2002. Back to Zero. Mute, 1(21), [Article]

Seymour, Benedict. 2002. Bio-Pics. Mute, 1(23), [Article]

Seymour, Benedict. 2001. Blockbusting the Election. Mute, 1(20), [Article]

Seymour, Benedict. 2000. Coral Maze. Mute, 1(17), [Article]

Seymour, Benedict. 2009. Creativity's Rainbow. MUTE MAGAZINE, 2(14), pp. 100-107. ISSN ISSN 1356-7748-214 [Article]

Seymour, Benedict. 2001. DO THE RIGHT THING! - DIE ANTI-GLOBALISIERUNGS-BEWEGUNG NACH DEM 11. SEPTEMBER. Texte zur kunst, 44, pp. 112-119. ISSN 09409459 [Article]

Seymour, Benedict. 2000. Everything Must Go. Mute, 1(16), [Article]

Seymour, Benedict. 2006. Introduction: Another Green World. Mute, 2(3), pp. 114-119. ISSN 0955066433 [Article]

Seymour, Benedict. 2001. The Last Picture Show. Mute, 1(22), [Article]

Seymour, Benedict, ed. 2010. Mute Magazine Vol 2 #15, MUTE MAGAZINE, 2(15). 1356-7748-215 [Edited Journal]

Seymour, Benedict. 2006. Mutiny in the Mainstream. Journal of Visual Culture, 5(1), pp. 112-114. ISSN 14704129 [Article]

Seymour, Benedict. 2001. Nationalize This! What Next for Anti-Globalization Protests? Radical Philosophy, 107, pp. 2-5. ISSN 0300-211X [Article]

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Seymour, Benedict. 2013. Primer. In: David Riff; Ekaterina Degott and Jill Winder, eds. Monday Begins on Saturday. Berlin: Sternberg Press, pp. 123-163. ISBN 978-3-943365-74-0 [Book Section]

Seymour, Benedict. 2010. 'Principio Potosí. Modernidad y la llamada acumulación originaria.'. In: Principio Potosí. Modernidad y la llamada acumulación originaria. Reina Sofia, United Kingdom. [Conference or Workshop Item]

Seymour, Benedict. 2000. Rabble Rousers. Mute, 1(18), [Article]

Seymour, Benedict. 2000. Review ‘Club Circuits’. Public Art Journal, [Article]

Seymour, Benedict. 2000. Review ‘Wooden Heart’. Art Monthly, 235, [Article]

Seymour, Benedict. 1998. The Situationist City. Mute, 1(11), [Article]

Seymour, Benedict. 2006. Text and images of regeneration mapping project in Else/where: Mapping — New Cartographies of Networks and Territories. In: Janet Abrams and Peter Hall, eds. Else/where: Mapping — New Cartographies of Networks and Territories. University of Minnesota Press. ISBN 978-0972969628 [Book Section]

Seymour, Benedict. 2002. When Worlds Collide. Frieze, 65, [Article]

Seymour, Benedict and Iles, Anthony. 2005. The Re-Occupation. Mute, [Article]

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Seymour, Benedict and Noel-Tod, Matthew. 2014. Can Dialectics Break Gravity? (2014). [Film/Video]

Sheikh, Simon. 2010. Aesthetic Subjects in Urban Spaces – Some Remarks on the Films of Knut Åsdam. In: , ed. Knut Asdam: The Long Gaze, the Short Gaze. Berlin/New York: Sternberg Press, pp. 190-205. ISBN 978-1934105283 [Book Section]

Sheikh, Simon. 2005. Anstelle der öffentlichkeit? Oder: Die Welt in Fragmenten. In: Gerald Raunig and Ulf Wuggenig, eds. Publicum – Theorien der öffentlichkeit. Vienna: Turia + Kant, pp. 80-88. [Book Section]

Sheikh, Simon. 2000. ‘The Art World Between Fragmentation and Globalization’. In: , ed. Encuentro de Teoria y Critica. Bienal De La Habana, pp. 104-106. [Book Section]

Sheikh, Simon. 2010. The Art of Imagination. In: Marie Nerland, ed. An Anthology for the 25th Anniversary of BIT Teatergarasjen. Oslo: BIT Teatergarasjen, pp. 47-51. ISBN 978-8299667845 [Book Section]

Sheikh, Simon. 2013. ‘Articulation: On the Position of the Curator’. In: Ann Demester; Edna van Duyn and Hendrik Folkerts, eds. The Shadowfiles 3 - Curatorial Education. Amsterdam: Appel. ISBN 978-9073501782 [Book Section]

Sheikh, Simon. 2011. Avant-garde Citizens. Double Agents, and Model Workers. In: Ellen Blumenstein, ed. Under Deconstruction: Libia Castro & Olafur Olafsson. Berlin: Sternberg Press, pp. 27-33. ISBN 9781934105443 [Book Section]

Sheikh, Simon. 2006. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: , ed. : Framework 5. Helsinki: , pp. 104-106 [Book Section]

Sheikh, Simon. 2007. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: Minna Henriksson and Sezgin Boynik, eds. Contemporary Art and Nationalism. Critical Reader. Pristhina: University of Kosovo, pp. 56-60. ISBN 978-9951874403 [Book Section]

Sheikh, Simon. 1997. Baustop, Randstadt. Spex, 11(98), pp. 60-61. [Article]

Sheikh, Simon. 1995. Behaviour and Destruction: The Video Works of Søren Martinsen. In: , ed. Land, Lipski, Martinsen, Videos. Copenhagen: Galleri Nicolai Wallner. [Book Section]

Sheikh, Simon. 2001. ‘Between Thought and Expression – Notes on Leif Kath’s Work Between Form and Formlessness’. In: Leif Kath, ed. Leif Kath. New York: DCA Gallery, pp. 5-9. [Book Section]

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Sheikh, Simon. 2016. Biennales and conflict questionnaire. Art and the Public Sphere, 5(2), pp. 137-166. ISSN 2042-793X [Article]

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Sheikh, Simon. 2012. Burning From the Inside – New Institutionalism Revisited. In: Beatrice von Bismarck; Jörn Schafaff and Thomas Weski, eds. Cultures of the Curatorial. Berlin, Germany: Sternberg Press, pp. 361-373. ISBN 9781934105979 [Book Section]

Sheikh, Simon. 1997. Byrummet som forlystelsespark. Øjeblikket, 34, pp. 8-9. [Article]

Sheikh, Simon. 2001. ‘CUDI – en mod-offentlighed?’. In: , ed. CUDI – Center for Urbanitet, Dialog og Information. Odense: Kunsthallen Brandts Klædefabrik. [Book Section]

Sheikh, Simon. 2001. CUDI: A Counter Public. Arsis, 3, pp. 30-31. [Article]

Sheikh, Simon. 1997. Caught in the Crossfire. In: , ed. Claus Carstensen: Crossover. Arken Museum of Modern Art, pp. 28-31. [Book Section]

Sheikh, Simon. 1996. The Choice of a New Generation? Siksi, XI(2), pp. 76-77. [Article]

Sheikh, Simon. 2004. Christiania: Networks of Anti-Discipline. In: , ed. Territories: The Frontiers of Utopia and Other facts on the Ground, catalogue. Malmö: Malmö Konsthall, pp. 29-30. [Book Section]

Sheikh, Simon. 2003. Christiania: Netzwerke der Anti-Disziplin. An Architectur, 10, pp. 41-43. [Article]

Sheikh, Simon. 2004. Christiania: Netzwerke der Anti-Disziplin. Malmoe, 21, pp. 22-23. [Article]

Sheikh, Simon. 2003. ‘Christiania: Netzwerke der Anti-Disziplin’. An Architectur, 10, pp. 41-43. [Article]

Sheikh, Simon. 1999. Christiania: Netzwerke der Anti-Disziplin’ / ‘Christiania: Networks of Anti-Discipline. In: , ed. 45. Internationale Kurzfilmtage Oberhausen Festival Katalog 1999. , pp. 89-93 [Book Section]

Sheikh, Simon. 1999. Close-Up, Face Off – Contemporary Art, Film and Fragmentation. In: , ed. Close-Ups – Contemporary Art and Carl Th. Dreyer. NIFCA & Nikolaj, Copenhagen Contemporary Art Center, pp. 93-96. [Book Section]

Sheikh, Simon. 1996. Column. Plum Velvet, 1, [Article]

Sheikh, Simon. 2004. Common Property/Allgemeingut. Springerin, 10(3), pp. 62-63. [Article]

Sheikh, Simon. 2004. ‘Common Property/Allgemeingut’. Springerin, 3, pp. 62-63. [Article]

Sheikh, Simon. 1997. Compartments, why Bother? Xerox, 4, [Article]

Sheikh, Simon. 2011. Constitutive Effects: The Techniques of the Curator. In: Zoya Kocur, ed. Global Visual Cultures. Oxford: Wiley-Blackwell, pp. 48-56. ISBN 978-1405169202 [Book Section]

Sheikh, Simon. 2007. ‘Constitutive Effects: The Techniques of the Curator’. In: Paul O'Neill, ed. CURATING SUBJECTS. Amsterdam: De Appel, pp. 174-185. [Book Section]

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Sheikh, Simon. 2017. A Contemporary Observatory for the City. In: Kate Gray, ed. Towards a City Observatory – Constellations of art, collaboration and locality. Edinburgh: Collective, pp. 12-18. ISBN 978-1-873653-18-0 [Book Section]

Sheikh, Simon. 2005. A Conversation. In: , ed. Gregor Neuerer – A Stolen Moment, catalogue. Innsbruck: Kunstpavillon der Tiroler Künstlerschaft, pp. 35-40. [Book Section]

Sheikh, Simon. 2003. ‘A Conversation’. Danger Museum Newsletter, 18, [Article]

Sheikh, Simon. 2007. Correcting the Principles of Correction (its Facilities and Discourses). In: , ed. Crime and Punishment, catalogue. Tallinn: Tallinn Kunstihoone, pp. 64-67. [Book Section]

Sheikh, Simon. 2003. Counter-Public Works: Remapping Public Space. In: , ed. Printed Project 1. Dublin: , pp. 37-42 [Book Section]

Sheikh, Simon. 2003. ‘Counter-Public Works: Remapping Public Space’. In: , ed. Printed Project 1. Dublin: , pp. 37-42 [Book Section]

Sheikh, Simon. 1996. Den sorte kasse i den hvide kube. Øjeblikket, 30, pp. 19-21. [Article]

Sheikh, Simon. 1998. ‘Der bedauernswerte Entertainer – das Typen Repertoire von Peter Land’ / ‘The Sorry Entertainer – the Typecasting of Peter Land’. In: , ed. Come Closer. Köln: Liechensteinische Staatliche Kunstsammlung / Octagon, pp. 86-89. [Book Section]

Sheikh, Simon. 1994. Det Minimale Objekt – Serialitet og Fænomenologi. Passepartout, 2(3), pp. 75-92. [Article]

Sheikh, Simon. 1992. Dette er ikke et kunstværk. North-debat, 21, pp. 15-17. [Article]

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: Joahim Koester, ed. Joachim Koester Werke 1992 - 2001 - Different Stories, Different Places: 28.2 - 14.4.2002. Nürnberg: Kunsthalle Nürnberg, pp. 26-50. [Book Section]

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: , ed. Oito relatos nórdicos. , Centro Galego de Arte Contemporánea, Santiago de Compostel, pp. 88-102. [Book Section]

Sheikh, Simon. 2002. ‘Efterskrift’. In: Brian O'Doherty, ed. I den hvide kube (in Danish). Copenhagen: Rævens Sorte Bilbiotek,, pp. 125-131. ISBN 978-8773781852 [Book Section]

Sheikh, Simon. 1995. The Empty Stage. In: , ed. Lars Mathisen: Safe Condition, Live Play Act. Malmö Konstmuseum, pp. 2-16. [Book Section]

Sheikh, Simon. 2008. The End of an Idea. In: Mel Jordan and Malcolm Miles, eds. Art and Theory After Socialism. Bristol: University of Chicago Press, pp. 67-75. ISBN 978-1841502113 [Book Section]

Sheikh, Simon. 1993. Exclusion. In: "Exclusion", Consul, Århus, Denmark. [Show/Exhibition]

Sheikh, Simon. 2007. Exhibition as Medium. In: Rael Artel and Airi Triisberg, eds. Public Preparation. Tallinn: , pp. 56-62 [Book Section]

Sheikh, Simon. 2009. Exhibition-Making and the Political Imaginary. In: , ed. Malmö Art Academy yearbook. [Book Section]

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Sheikh, Simon. 2017. From Para to Post: The Rise and Fall of Curatorial Reason. Springerin, XXIII(1, 201), pp. 16-20. [Article]

Sheikh, Simon. 1994. The Grey Area. Film & Video Newsletter 6, pp. 3-4. [Article]

Sheikh, Simon. 1997. ‘Hal Foster: The Return of the Real’. Periskop, 6, pp. 124-125. [Article]

Sheikh, Simon. 1995. Hin hlidin. In: , ed. Sólgin / Addicted. Iceland: Slunkaris, pp. 5-7. [Book Section]

Sheikh, Simon. 2005. How Does It Feel? NIFCA Info, p. 1. [Article]

Sheikh, Simon. 1997. I Los Angeles’ spejlbillede. Øjeblikket, 32/33, pp. 62-64. [Article]

Sheikh, Simon. 2002. Identification of a Woman. In: , ed. Ann Lislegaard – Eyes Wide Open. Copenhagen: The National museum of Photography. [Book Section]

Sheikh, Simon. 2007. Identification of a Woman. In: , ed. Ann Lislegaard – Science Fiction and Other Worlds. Oslo: Astrup Fearnley Museum of Modern Art, pp. 76-82. [Book Section]

Sheikh, Simon. 2004. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin / Complex Berlin. Verlag Buchhandlung Walter König: Verlag Buchhandlung Walter König, pp. 148-160. [Book Section]

Sheikh, Simon. 1999. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin (Complex Berlin) : 3rd Berlin Biennale for Contemporary Art. Koln: Verlag der Buchhandlung Walther Konig, pp. 148-160. ISBN 978-3883757889 [Book Section]

Sheikh, Simon. 2007. In Dreams Begin Responsibilites – Notes on Art, Horizons, and the Imaginary. In: Dorothee Bienert, ed. Don’t Worry – Be Curious! Frankfurt/Main: Revolver, pp. 33-36. ISBN 978-3865883872 [Book Section]

Sheikh, Simon. 2002. In the Place of the Public Sphere. In: Stephan Dilemuth, ed. The Academy and the Corporate Public. Köln: Permanent Verlag, pp. 218-221. [Book Section]

Sheikh, Simon. 2008. In the Place of the Public Sphere? Or, The World in Fragments. In: , ed. Public Good. , pp. 46-55 [Book Section]

Sheikh, Simon. 2009. In the Place of the Public Sphere? Or, The World in Fragments. In: Claire Doherty, ed. Situation. Cambridge, Mass.: MIT Press, pp. 137-141. [Book Section]

Sheikh, Simon. 2012. ‘Instituting the Institution’. In: Joao Mourao and Luis Silva, eds. Performing the Institution(al), Volume 2. Lisbon: Kunsthalle Lissabon, pp. 90-103. [Book Section]

Sheikh, Simon. 1998. Joachim Koester’s Double Vision. World Art, 15, pp. 33-35. ISSN 2150-0894 [Article]

Sheikh, Simon. 1999. Kunstens Sted og Stedets Kunst. Øjeblikket, 39/40, pp. 26-30. [Article]

Sheikh, Simon. 2010. ‘Letter to Jane’. In: Paul O'Neill and Mick Wilson, eds. Pedagogical Subjects. London: Open Editions, pp. 61-75. [Book Section]

Sheikh, Simon. 2001. Lisa Strömbeck. Kunstbeeld – tijdschrift voor bildende kunst Nederlands, 5, [Article]

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Sheikh, Simon. 2015. A Long Walk to the Land of the People: Contemporary Art in the Spectre of Spectatorship. In: Maria Hlalvajova and Ranjit Hoskote, eds. Future Publics. Amsterdam: Valiz, pp. 230-261. ISBN 978-90-78088-94-3 [Book Section]

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Sheikh, Simon. 2017. The Magmas: On Institutions and Instituting. In: Paul O'Neill; Lucy Steeds and Mick Wilson, eds. How Institutions think: Between Contemporary Art and Curatorial Discourse. Cambridge, MA: MIT Press, pp. 126-131. ISBN 978-0-262-53432-1 [Book Section]

Sheikh, Simon. 1996. Mellemkomster – Bevægelse og fortabelse. Louisiana Revy, 36(3), pp. 70-74. [Article]

Sheikh, Simon. 1999. ‘Melting in Time 1995’. In: , ed. Kirsten Justesen: Re Kollektion. Aalborg: Nordjyllands Kunstmuseum, p. 44. [Book Section]

Sheikh, Simon. 1993. Multiples: Kopiens Diskurs. edition Campbells Occasionally, 2(3), pp. 8-9. [Article]

Sheikh, Simon. 2008. No lugar da Esfera Pública? In: , ed. Urbania 3. , pp. 127-135 [Book Section]

Sheikh, Simon. 2002. ‘Notes on Amel Ibrahimovic’s Field of Dreams’. In: Amel Ibrahimovic, ed. u.m.a.s.p. Helsinki: NICFA. [Book Section]

Sheikh, Simon. 2003. Number One and Number Two and Point Zero: Jean-Luc Godard between Film, Video and Art. In: Gareth James and Florian Zeyfang, eds. I said I love. That is the promise – The tvideo politics of Jean-Luc Godard. Berlin: b_books, pp. 124-163. [Book Section]

Sheikh, Simon. 2003. ‘Number One and Number Two and Point Zero: Jean-Luc Godard between Film, Video and Art’. In: Gareth James and Florian Zeyfang, eds. I Said I Love. That is the Promise: The TVideo-politics of Jean-Luc Godard /Die TVideo-Politik des Jean-Luc Godard. Berlin: b_books, pp. 124-163. ISBN 978-3933557315 [Book Section]

Sheikh, Simon. 2009. Objects of Study or Commodification of Knowledge? Remarks on Artistic Research. Art & Research: A Journal of Ideas, Contexts and Methods, 2(2), [Article]

Sheikh, Simon. 2009. Once Upon a Time in the West. In: , ed. Passengers. Warsaw: In Situ. [Book Section]

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Sheikh, Simon. 2014. Once upon a time in the west: Or, the rise and fall of the (bourgeois) public sphere, as told by Jürgen Habermas. Art and the Public Sphere, 3(2), pp. 151-160. ISSN 2042-793X [Article]

Sheikh, Simon. 2007. Oplæg. In: Katya Sander, ed. Produktion af handlingsrum. Arhus: Det Jyske Kunstakademi, pp. 30-39. [Book Section]

Sheikh, Simon. 1995. The Other Side: Ann Lislegaard. Index(3/4), pp. 24-29. [Article]

Sheikh, Simon. 2010. The Politics of Art and the Process of Biennalization. Texte Zur Kunst, 80, pp. 112-117. [Article]

Sheikh, Simon. 2009. Positively Counter-Publics Revisited. E-Flux Journal, 5, [Article]

Sheikh, Simon. 2008. Positively East Village Revisited. E-Flux Journal, 1, [Article]

Sheikh, Simon. 2010. Positively Protest Aesthetics Revisited. E-Flux Journal, 20, [Article]

Sheikh, Simon. 2009. Positively Trojan Horses Revisited. E-Flux Journal, 8, [Article]

Sheikh, Simon. 2009. Positively White Cube Revisited. E-Flux Journal, 3, [Article]

Sheikh, Simon. 2007. The Production of Knowledge – An Introduction to Critical Studies. In: Katarina Stenbeck, ed. There’s Gonna Be Some Trouble – The Five Year Rooseum Book. Malmö, pp. 218-225. [Book Section]

Sheikh, Simon. 1996. The Production of Space. In: , ed. Frans Jacobi, Imagine. Copenhagen: Space Poetry. [Book Section]

Sheikh, Simon. 2006. Public Spheres and the Functions of Progressive Art Institutions. In: Vanessa Muller and Nikolaus Schafhausen, eds. Under Construction – Perspectives on Institutional Practice. Köln: Verlag der Buchhandlung Walther König, pp. 192-194. [Book Section]

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Sheikh, Simon. 2008. Publics and Post-Publics: The Production of the Social. In: Jorinde Seijdel, ed. Art as a Public Issue: how art and its institutions reinvent the public dimension. 14 Rotterdam: NAi Publishers, pp. 28-36. ISBN 9789056624354 [Book Section]

Sheikh, Simon. 1994. The Reality of Future. In: "Zukunft Versus No More Reality", Galleri Nicolai Wallner. [Show/Exhibition]

Sheikh, Simon. 2005. Representation, Contestation and Power: the Artist as Public Intellectual. In: Inára Drulle, ed. Artists as Producers. Transformation of Public Space. Riga: Latvian Centre for Contemporary Art, pp. 39-42. [Book Section]

Sheikh, Simon. 2006. Representation, Contestation and Power: the Artist as Public Intellectual. In: Sarah Pierce, ed. The Paraeducation Department. Belfast: Interface. [Book Section]

Sheikh, Simon. 2007. Revolution in the Head, or, Free Your Mind and Your Ass Will Follow’. In: Maja Fowkes and Reuben Fowkes, eds. Revolution is Not a Garden Party. Manchester: MIRIAD, pp. 52-55. ISBN 978-1905476121 [Book Section]

Sheikh, Simon. 2008. Room for Thought. Mahkuzine – Journal of Artistic Research, 5, pp. 28-32. [Article]

Sheikh, Simon. 1998. Rumidentifikation og rumanalyse. Øjeblikket, 36/37, pp. 12-15. [Article]

Sheikh, Simon. 2006. ‘Räume für das Denken’. Texte Zur Kunst, 62, pp. 110-121. [Article]

Sheikh, Simon. 2007. Scattered (War) Opposition. In: Johanna Billing; Maria Lind and Lars Nilsson, eds. Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices. London: Black Dog Publishing, pp. 108-110. [Book Section]

Sheikh, Simon. 2007. ‘Scattered (War) Opposition’. In: Johanna Billing; Maria Lind and Lars Nilsson, eds. Taking the Matter into Common Hands. London: Black Dog Publishing, pp. 108-110. ISBN 978-1906155186 [Book Section]

Sheikh, Simon. 1995. Self / Non-Self – Subjectivity Beyond the Open Canvas. In: , ed. I Confess. Copenhagen: Nikolaj – Copenhagen Contemporary Art Center. [Book Section]

Sheikh, Simon. 2003. ‘[Shift]Work’. In: , ed. The Project, catalogue. Tallinn: Tallinn Kunstihoone, pp. 10-13. [Book Section]

Sheikh, Simon. 2003. ‘[Shift]Work’. In: , ed. The Project. Tallinn: Tallinn Kunstihoone, pp. 10-13. [Book Section]

Sheikh, Simon. 1998. Site Specificity: From the Margins to the Social. In: Katya Sander; Simon Sheikh and Cecilie Høgsbro Østergaard, eds. The Meaning of Site. Copenhagen: Ø, pp. 70-95. [Book Section]

Sheikh, Simon. 2000. Site Specificity: From the Margins to the Social. In: Gardar Eide Einarsson and Eivind Slettemeas, eds. Offshore. Bergen: KHiB, pp. 8-15. [Book Section]

Sheikh, Simon. 1998. Social-specific Strategies – The Interactive Work of Olafur Gislason. In: , ed. Places in Gothenburg. Gothenburg City: [Book Section]

Sheikh, Simon. 2002. Space Fellow Travellers. In: Peter Weibel, ed. Olafur Eliasson: Surroundings Surrounded. Cambridge, Mass: MIT Press, pp. 566-571. ISBN 978-0262731485 [Book Section]

Sheikh, Simon. 1996. Spejlstadier – Om Dan Grahams Pavilloner. Øjeblikket, 28, pp. 28-29. [Article]

Sheikh, Simon. 1999. ‘Spillets Regler. Bemærkninger om kunstobjektet, kunstrummet og kunstscenen’. In: Hans Dam Christensen; Anders Michelsen and Jacob Wamberg, eds. Kunstteori. Copenhagen: Borgen, pp. 361-382. ISBN 978-8721011277 [Book Section]

Sheikh, Simon. 1994. Stain of the Real. [Exhibition Catalogue]

Sheikh, Simon. 2010. ‘The State We are In, Or, What a State We are In! Notes on the State of a Global Artworld, its Subjects and Circulations’. In: Lex ter Braak; Lilet Breddels and Steven van Teeseling, eds. 6(0) Ways… Framing Cultural Diversity. Amsterdam: NAi Publishers. ISBN 978-9056626921 [Book Section]

Sheikh, Simon. 1997. Strategies of Difference and Differentiation. Atlantica(17), pp. 3-13. [Article]

Sheikh, Simon. 1994. Subjektet, Objektet og Sven Dalsgaard. In: Soren Houmann; Simon Sheikh; Peter Holst Henckel and Peter Rossell, eds. Ja til Sven Dalsgaard! Copenhagen: Edition Globe/ Art Action, pp. 8-11. ISBN 978-8790040086 [Book Section]

Sheikh, Simon. 2008. Talk Value: Cultural Industry and the Knowledge Economy. In: Maria Hlavajova; Jill Winder and Binna Choi, eds. Concerning Knowledge Production. Utrecht: BAK, pp. 182-197. [Book Section]

Sheikh, Simon. 1996. Tilstedeværelse og utilstedelighed. Øjeblikket, 29, pp. 22-27. [Article]

Sheikh, Simon. 2013. ‘Towards the Exhibition as Research’. In: Paul O'Neill and Mick Wilson, eds. Curating Research. London: Open Editions. ISBN 978-0949004031 [Book Section]

Sheikh, Simon. 2006. The Trouble with Institutions, or, Art and its Publics. In: Nina Möntmann, ed. Art and its Institutions. London: Black Dog Publishing, pp. 142-149. [Book Section]

Sheikh, Simon. 2007. The Trouble with Institutions, or, Art and its Publics. In: , ed. Dreamlands Burn. Budapest: Múcsarnok, pp. 42-47. [Book Section]

Sheikh, Simon. 1997. ‘Udsigelses magt’. Louisiana Revy, 38(1), pp. 42-43. [Article]

Sheikh, Simon. 1997. ‘Udsigelses magt’. Art Planet, 1, pp. 150-153. [Article]

Sheikh, Simon. 2004. Uundgåeligt eksploderende plastik – Andy Warhol og the Velvet Underground (og Nico). In: Klaus Lyngaard and Henrik Queitsch, eds. Loaded. København: Informations Forlag, pp. 47-55. [Book Section]

Sheikh, Simon. 2004. ‘Uundgåeligt eksploderende plastik – Andy Warhol og the Velvet Underground (og Nico)’. In: Klaus Lyngaard and Henrik Queitsch, eds. Loaded. København: Informations Forlag, pp. 47-55. [Book Section]

Sheikh, Simon. 2010. Vectors of the Possible. In: "Vectors of the Possible", Utrecht, Netherlands, 12 September - 28 November 2010. [Show/Exhibition]

Sheikh, Simon. 2002. Visioner for kunstpolitikken. Bulletinen, 28, pp. 4-6. [Article]

Sheikh, Simon. 2011. ‘What Remains? – Chto Delat?, Post-Communism and Art’. In: Johan Holten, ed. What Is To Be Done? – Survey of the Works of the Russian Collective Chto Delat? Cologne: Verlag der Buchhandlung Walther König, pp. 56-65. [Book Section]

Sheikh, Simon. 2007. What are the Challenges of Teaching Critical Discourse. In: Nikolaus Schafhausen and Julia Moritz, eds. The Question of the Day. Berlin/New York: Sternberg Press, p. 90. [Book Section]

Sheikh, Simon. 2005. Whatever Happened to Social Democracy - review. Springerin, 11(1), pp. 64-65. [Article]

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Sheikh, Simon. 2021. The roads of rage and ruin: contemporary art and its publics after the global. Journal of Aesthetics & Culture, 13(1), 2010335. ISSN 2000-4214 [Article]

Sheikh, Simon and Hlalvajova, Maria. 2011. On Horizons. In: "Vectors of the Possible", BAK – basis voor actuele kunst, Utrecht, Netherlands, 2010-11. [Show/Exhibition]

Sheikh, Simon and Hunt, Ashley. 2006. Creating Publics. In: Tara Byrne, ed. Cork Caucus: on art, possibility & democracy. Frankfurt A.M.: Revolver, pp. 321-327. [Book Section]

Sheikh, Simon and Jakobsen, Jakob. 2003. Spredt (krigs)modstand. In: Kristina Ask, ed. Re/aktion. Copenhagen: , p. 16 [Book Section]

Sheikh, Simon and Jakobsen, Jakob. 2003. ‘Spredt (krigs)modstand’. In: Kristina Ask, ed. Re/aktion. Copenhagen: , p. 16 [Book Section]

Sheikh, Simon and Koester, Joahim. 1995. Authority and Incident: A Conversation with Michael Joo. [Exhibition Catalogue]

Sheikh, Simon and Koester, Joahim. 1993. Tingenes Blik. In: Mette Thelle, ed. Vilhelm Lundstrøm. Copenhagen: Charlottenborg, pp. 105-111. [Book Section]

Sheikh, Simon and Mathisen, Lars. 2000. ‘Fucking Naust – Notes on Art, Locality, Tourism, and so on’. In: , ed. Naust. Bergen: Øygarden, pp. 4-7. [Book Section]

Sheikh, Simon and Michelsen, Anders. 1999. Kunstudstillingen: En Ny Refleksiv Model. Øjeblikket, 39/40, pp. 53-56. [Article]

Sheikh, Simon and Montmann, Nina. 2003. The Power of Institution(s). NIFCA Info, pp. 4-8. [Article]

Sheikh, Simon and Montmann, Nina. 2003. ‘The Power of Institution(s)’. NIFCA Info, 2, pp. 4-8. [Article]

Sheikh, Simon and Villar, Alex. 2004. A Conversation. Danger Museum Newsletter, 18, [Article]

Simpson, Martyn and Watson, David. R. 2018. Why Patterns?. [Exhibition Catalogue]

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Sleigh-Johnson, Sophie. 2022. Marsh Hermeneutics: Performing Sites of Disorientation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Smith, Kate. 1990. 1990 Mario Flecha, gallery catalogue. UNDEFINED. [Show/Exhibition]

Smith, Kate. 1991. The Archeology of Silence. [Exhibition Catalogue]

Smith, Kate. 1992. Brit Art. [Exhibition Catalogue]

Smith, Kate. 1995. Care and Control, Swelling Grounds. In: , ed. UNSPECIFIED [Book Section]

Smith, Kate. 2002. Critical home. [Film/Video]

Smith, Kate. 2005. Currently Under Development. In: "Currently Under Development", MOCA London, 12/11/2005 - 1/21/2006. [Show/Exhibition]

Smith, Kate. 1996. Discreet Charm. [Exhibition Catalogue]

Smith, Kate. 2003. Dorgicsebormuveszet, Videowineart & Dorgicsewineart. In: "Dorgicsebormuveszet, Videowineart & Dorgicsewineart", Mucsarnok Kunsthalle, Pantlika Wine House, 3/21/2003 - 6/1/2003. [Show/Exhibition]

Smith, Kate. 1994. Europa 94. [Exhibition Catalogue]

Smith, Kate. 1995. Exotic Excursions. In: "Exotic Excursions, exhibition catalogue", UNDEFINED. [Show/Exhibition]

Smith, Kate. 2002. Helen Baker and Kate Smith. In: "Helen Baker and Kate Smith", Waygood Gallery, 9/26/2002 - 10/26/2002. [Show/Exhibition]

Smith, Kate. 1993. Hotel des Voyageurs. [Exhibition Catalogue]

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Smith, Kate. 2008. The Lady a Merlin. In: "Machinic Alliances", Danielle Arnaud, London, United Kingdom, 4 July-10 Aug 2008. [Show/Exhibition]

Smith, Kate. 2008. The Lady a Merlin. In: "Machinic Alliances", Danielle Arnaud, United Kingdom, 4 July-10 Aug 2008. [Show/Exhibition]

Smith, Kate. 1991. Louder Than Words. [Exhibition Catalogue]

Smith, Kate. 2008. Lullaby. In: "Ug Kor Tars", Millennium Szalon, Budapest, Hungary, 20 March, 2008 - unknown. [Show/Exhibition]

Smith, Kate. 1999. Mutant. [Exhibition Catalogue]

Smith, Kate. 2008. No title. In: "Second Sex Dinner", The Banqueting Hall, Chelsea College of Art and Design, United Kingdom. [Performance]

Smith, Kate. 1992. The Phone Box, Art in Telephone Boxes. In: , ed. The Phone Box, Art in Telephone Boxes. Virginia Nimarkoh. [Book Section]

Smith, Kate. 2002. Space Cooks. Space Studios. [Book]

Smith, Kate. 2001. Tenable. In: "Tenable", Newlyn Art Gallery, 6/18/2001 - 7/14/2001. [Show/Exhibition]

Smith, Kate. 2009. Who could have guessed there'd be so much diversity?. In: "Past Present", Nunnington Hall, United Kingdom, 18 Sept-1 Nov 2009. [Show/Exhibition]

Smith, Kate. 1997. Who could have guessed there’d be so much diversity? London: Matt's Gallery; Catalogue edition. ISBN 978-0907623267 [Book]

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Smith, Kate. 2012. Work in Progress. In: "Kate Smith", Gallery North, United Kingdom, 9 January 2012-27 January2012. [Show/Exhibition]

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Smith, Kate. 2012. Work in Progress. In: "Kate Smith", Gallery North, United Kingdom, 9 January 2012-27 January 2012. [Show/Exhibition]

Smith, Kate. 2003. catalogue. [Exhibition Catalogue]

Smith, Kate. 1992. chapter 21, Masculinity, Politics and Art. In: John Roberts, ed. Selected Errors, Writings on Art and Politics. Pluto Press, pp. 253-263. ISBN 978-0745304977 [Book Section]

Smith, Kate. 1999. unknown. In: , ed. Art & Outrage: Provocation, Controversy and the Visual Arts. Pluto Press, pp. 155-159. ISBN 978-0745313542 [Book Section]

Smith, Kate. 2002. unknown. In: , ed. City Racing: The Life and Times of an Artist Run Gallery 1988-1998. , pp. 5-31 [Book Section]

Smith, Kate and Joy, Clair. 1995. Postcard book. [Book]

Smith, Kate; Love, Kate and Roberts, John. 1988. The Invisible Man. [Exhibition Catalogue]

Smith, Kate and Wallis, Simon. 1999. Physical Evidence. [Exhibition Catalogue]

Spiak, John and Garfield, Rachel. 2009. I'm Keeping An Eye On You. In: "I'm Keeping an Eye On You - exhibition", Arizona State University Museum, United States, Sept. 19 - Dec. 12, 2009. [Show/Exhibition]

Stehli, Jemima S.. 2020. AUGUST Jemima Stehli. In: "AUGUST Jemima Stehli", 1961 Projects, Singapore, 18 January - 15 March 2020. [Show/Exhibition]

Stehli, Jemima S.. 2018. Alla Ricerca dell’Aura(lato A) 2018. In: "Alla Ricerca dell’Aura(lato A)", Galleria Reginale d’Arte Contemporanea, Spazzapan, Grasdisca d’Isonzo, Italy. [Show/Exhibition]

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Stehli, Jemima S.. 2016. Caméra(Auto)Contrôle 2016. In: "Caméra(Auto)Contrôle", Centre de la Photographie, Switzerland. [Show/Exhibition]

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Stehli, Jemima S.. 2014. Endears me, yet remains. In: "Endears me yet remians", Focal Point Gallery, United Kingdom, 21 January - 29 March 2014. [Show/Exhibition]

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Stehli, Jemima S.. 2010. HUMAN. In: "HUMAN", Musee d'Art Moderne et d'Art Contemporain, France, June 12th-October 31st. [Show/Exhibition]

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Stehli, Jemima S.. 2017. Hypersexual City: The Provocation of Soft-Core Urbanism 2017. In: Nicole Kalms, ed. Hypersexual City: The Provocation of Soft-Core Urbanism. London: Routledge. ISBN 9781472475725 [Book Section]

Stehli, Jemima S.. 2004. Jemima Stehli. In: "Jemima Stehli", Centro de Arte Visuais, 2/16/2004 - 3/21/2004. [Show/Exhibition]

Stehli, Jemima S.. 2003. Jemima Stehli. In: "Jemima Stehli", Lisson Gallery, 3/20/2003 - 5/3/2003. [Show/Exhibition]

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Stehli, Jemima S.. 2016. La Fine Del Nouvo 2016 The End of a New. In: "La Fine Del Nouvo", Udine Gallery, Italy. [Show/Exhibition]

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Stehli, Jemima S.. 2010. Large Perspex 2008. In: "No Soul for Sale", Starr Auditorium, Tate Modern, United Kingdom. [Show/Exhibition]

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Stehli, Jemima S.. 2018. Madam & Eve Women Portraying Women. In: Liz Rideal and Kathleen Soriano, eds. Madam & Eve Women Portraying Women. UK: Laurence King. ISBN 9781786271563 [Book Section]

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Stehli, Jemima S.. 2015. Me, Myself and I Louis Zoeller Bickett, Julius Deutschbauer, Jemima Stehli 2015. In: "Me, Myself and I", Eugen Lendl, Galerie, Austria. [Show/Exhibition]

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Stehli, Jemima S.. 2016. Performing for the Camera 2016. In: "Performing for the Camera 2016", Tate Modern, United Kingdom. [Show/Exhibition]

Stehli, Jemima S.. 2007. Photo Performance 23, 27, 30, 31. In: "Photo Performance 23, 27, 30, 31", Lisboa 20, 5/24/2007 - 7/22/2007. [Show/Exhibition]

Stehli, Jemima S.. 2014. Photography Today. In: Mark Durden, ed. Photography Today. Phaidon. ISBN 9780714845630 [Book Section]

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Stehli, Jemima S.. 2009. She looked back. In: "She Looked Back", Ze Do Bois, Lisbon, Portugal, 27 Nove,ber 2009. [Performance]

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Stehli, Jemima S.. 2009. She looked back. In: "She Looked back", Galeria Miguel Nabinho, Portugal, September 25th-November 7th. [Show/Exhibition]

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Stehli, Jemima S.. 2010. TURN IT ROUND Shela, Makoto, Gaza, Rui, Lucie, Helio, Lewis, Dan. In: "TURN IT ROUND Shela, Makoto, Gaza, Rui, Lucie, Helio, Lewis, Dan", ARTRA, Italy, 10th May-11th June. [Show/Exhibition]

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Stehli, Jemima S.. 2022. Unhappiness is Treason 2, Superficial Authenticity:Politics at the Surface curated by Hamish Morrow. In: "Unhappiness is Treason 2, Superficial Authenticity:Politics at the Surface", Filet, United Kingdom, 15-16 July 2022. [Show/Exhibition]

Stehli, Jemima S.. 2003. mm Studio. In: "mm Studio", Contemporary Art Gallery, 5/9/2003 - 6/29/2003. [Show/Exhibition]

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Stehli, Jemima S. and Hilliard, John. 2009. Arguments. Italy: ARTRA and Fine Arts Unternehmen Books. ISBN ISBN 13: 978-3-03720-014-8 [Book]

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Stewart, Nicholas. 2013. Abstraction and Comedy. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Strøbech, Thomas Skade-Rasmussen. 2012. Fictioneering Rogues, or The End of the Artist. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stubbs, Michael. 2003. Digital Embodiment in Contemporary Abstract Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stupart, Linda. 2017. Becoming Object: Positioning a Feminist Art Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Sturgis, Daniel. 2005. Abstract Logic. In: "Abstract Logic", 3 Degrees West, The Wordsworth Trust, 4/23/2005 - 8/24/2005. [Show/Exhibition]

Sturgis, Daniel. 2005. Daniel Buren Voile Toile/Toile Voile. In: "Daniel Buren Voile Toile/Toile Voile", 3 Degrees West, The Wordsworth Trust, 7/2/2005 - 10/31/2005. [Show/Exhibition]

Sturgis, Daniel. 2005. High Repose. In: "High Repose", Cynthia Broan Gallery, 10/11/2005 - 11/5/2005. [Show/Exhibition]

Sturgis, Daniel. 2004. New Works. In: "New Works", The Apartment Gallery, Athens, 9/30/2004 - 11/12/2004. [Show/Exhibition]

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Sturgis, Daniel and Murdoch, Sadie. 2019. Bauhaus: Utopia in Crisis. In: "Bauhaus: Utopia in Crisis", Camberwell Space, UAL, United Kingdom, 16 September - 9 November 2019. [Show/Exhibition]

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Sturgis, Daniel; Wendler, Katharina and Murdoch, Sadie. 2021. Utopia in Crisis. In: "Utopia in Crisis", Bauhaus-Universität Weimar, Germany, 26 May - 7 June 2021. [Show/Exhibition]

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Tan, Chooc Ly. 2022. ATMOSPHERES. In: "Atmospheres, Photo London 2022", Somerset House, London, United Kingdom, 12 - 15 May 2022. [Show/Exhibition]

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Tan, Chooc Ly. 2017. Acidulated Stellar Mix. In: "Acidulated Stellar Mix", Performance as Publishing, London, United Kingdom, 2017 - 2019. [Performance]

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Tan, Chooc Ly. 2023. 'Chooc Ly Tan, artist's talk'. In: Slade Contemporary Art Lectures 2022-2023. Slade School of Fine Art, UCL, United Kingdom 17 May 2023. [Conference or Workshop Item]

Tan, Chooc Ly. 2023. 'Chooc Ly Tan, artist's talk'. In: Artist’s talk, Chelsea College of Arts. Chelsea College of Arts, University of the Arts London, United Kingdom 2023. [Conference or Workshop Item]

Tan, Chooc Ly. 2022. 'Chooc Ly Tan, artist's talk'. In: Chooc Ly Tan, artist's talk. Rosso Fashion & Arts Education, Shanghai, China. [Conference or Workshop Item]

Tan, Chooc Ly. 2023. Climate Crisis >> Art Action Takeover. In: "Climate Crisis >> Art Action Takeover", Whitechapel Gallery, London, United Kingdom, 2 March 2023. [Performance]

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Tan, Chooc Ly. 2023. Coeur Bioluminescent. [Composition]

Tan, Chooc Ly. 2023. Crepuscular Dreams of (Dis-) Alienation, in “SOUNDS FROM THE SECOND FLOOR”. In: "Celestial Festival 2023", Alte Münze, Berlin, Germany, 27 - 28 May 2023. [Show/Exhibition]

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Tan, Chooc Ly. 2024. Décalé. In: "Décalé", The Yard Theatre, London, United Kingdom, 18 April 2024. [Show/Exhibition]

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Tan, Chooc Ly. 2022. Décalé 6. In: "Décalé 6", Space 289, London, United Kingdom, 18 June 2022. [Show/Exhibition]

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Tan, Chooc Ly. 2023. Décalé X 144. In: "Décalé X 144", The Yard Theatre, London, United Kingdom, 1 June 2023. [Show/Exhibition]

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Tan, Chooc Ly. 2022. Décalé x Chinabot. In: "Décalé x Chinabot", The Yard Theatre, London, United Kingdom, 25 November 2022. [Show/Exhibition]

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Tan, Chooc Ly. 2023. Earth Friction: Geological Forces_Forced Nature. In: "Sudden Beams 2: Extraction", Near Now, Nottingham, United Kingdom. [Show/Exhibition]

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Tan, Chooc Ly. 2022. Exaltation Onirique. [Composition]

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Tan, Chooc Ly. 2023. LUNAR LATE: YEAR OF THE QUEER RABBIT. In: "LUNAR LATE: YEAR OF THE QUEER RABBIT", Matchstick Piehouse, London, United Kingdom, 20 January 2023. [Show/Exhibition]

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Tan, Chooc Ly. 2021. Label of the Month: Chinabot. Resident Advisor. [Other]

Tan, Chooc Ly. 2021. Looking into People’s Eyes. Ying Xiang 映象, 1, [Article]

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Tan, Chooc Ly. 2023. Monsoon Temperament (AV performance). In: "Wandering Salon, unthaitled", Heizhaus Uferstudios, Berlin, Germany, 8 October 2023. [Performance]

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Tan, Chooc Ly. 2021. On The Offbeat, 2021. [Film/Video]

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Tan, Chooc Ly. 2022. On The Offbeat, in Defying Dreams film screening. In: "PAF Festival 2022", Olomouc, Czech Republic, 30 November - 4 December 2022. [Show/Exhibition]

Tan, Chooc Ly. 2022. On The Offbeat, in Sonic Statement Film screening. In: "Celestial Festival 2022", Berlin, Germany, 14 - 15 May 2022. [Show/Exhibition]

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Tan, Chooc Ly. 2023. We Teleport And Dance. In: "Cities of the Night: The Royal College of Art at RIBA (2023 London Festival of Architecture)", RIBA, London, United Kingdom, 1 June - 29 July 2023. [Show/Exhibition]

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Tan, Chooc Ly. 2023. YOU MAKE ME FEEL (performance). In: "THE VOICES OF A TEMPEST | ACT III", Somerset House Studios, London, United Kingdom, 18 March 2023. [Performance]

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Tan, Chooc Ly; Cheuk-Yin Li, Eva; Allison, Yarli; Chow,, Whiskey and Lam, June. 2023. 'Panel: “Decolonising Queer Artistic Space and Practice: Critical Dialogue with Asia-Art-Activism”'. In: Decolonising Queer Artistic Space and Practice: Critical Dialogue with Asia-Art-Activism. Online, United Kingdom 31 May 2023. [Conference or Workshop Item]

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Tan, Chooc Ly and Nalin Kumar, Rishi. 2013. YES / NO NO/YES. London: Flat Time House. [Book]

Tan, Chooc Ly and Utamachote, Sarnt. 2022. 'Sonic Statements'. In: Sonic Statements, Celestial Festival. Celestial Festival, Berlin 14 - 15 May 2022. [Conference or Workshop Item]

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Taylor, Susan G.. 2009. Absence makes the heart grow fonder. Improvisation. In: "Absence makes the heart grow fonder", The Apartment, United Kingdom, 08 - 29 March 2009. [Performance]

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Taylor, Susan G.. 2009. Prescence. [Project]

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Taylor, Susan G.. 2009. Props. In: "Abscence Makes the Heart Grow Fonder", The Apartment, United Kingdom, 8 March - 29 March 2009. [Performance]

Taylor, Susan G.. 2003. Susan Taylor, Innuendo and Between Ourselves: Local Economy. In: "Susan Taylor, Innuendo and Between Ourselves: Local Economy", Hungarian Academy of Fine Arts at Tihany, Hungary, 10/4/2003 - 10/5/2003. [Show/Exhibition]

Taylor, Susan G.. 2004. Susan Taylor, Staged. In: "Susan Taylor, Staged", Barcsay Gallery, Budapest, Hungary, 11/29/2004 - 12/17/2004. [Show/Exhibition]

Taylor, Susan G. and Medeiros, Flavia Mueller. 2006. Susan Taylor and Flavia Mueller Medeiros, This is Not A Collaboration. In: "Susan Taylor and Flavia Mueller Medeiros, This is Not A Collaboration", Unit 2 Gallery, London, 5/9/2006 - 6/2/2006. [Show/Exhibition]

Thompsett, Dolly. 2005. Artlab, Dolly Thompsett. In: "Artlab, Dolly Thompsett", Ritter Zamet, 6/3/2005 - 7/23/2005. [Show/Exhibition]

Thompsett, Dolly. 2007. Dolly Thompsett, New Paintings. In: "Dolly Thompsett, New Paintings", Fred, 4/7/2007 - 5/6/2007. [Show/Exhibition]

Thompsett, Dolly. 2005. Morpho Eugenia. In: "Morpho Eugenia", Galeria D'arte Moderna e Contemporanea, 8/6/2005 - 10/6/2005. [Show/Exhibition]

Thompsett, Dolly. 2005. When I lived in Modern Times. In: "When I lived in Modern Times", Northern Gallery of Contemporary Art, 9/16/2005 - 11/12/2005. [Show/Exhibition]

Thompson, Kelly. 2006. About Jacquard, and 3rd European Triennial Textile and Fibre Art. In: "About Jacquard, and 3rd European Triennial Textile and Fibre Art", Montreal Centre for Contemporary Textiles, and the Museum of Decorative Arts and Design, 10/2/2006 - 11/2/2006. [Show/Exhibition]

Thompson, Kelly. 2007. Fiberart International 2007. In: "Fiberart International 2007", Pittsburgh, Pennsylvania, 4/13/2007 - 6/23/2008. [Show/Exhibition]

Thompson, Kelly. 2001. Kelly Thompson: Locus Operandi. In: "Kelly Thompson: Locus Operandi", Dunedin Public Art Gallery, 2/10/2001 - 4/15/2001. [Show/Exhibition]

Thompson, Kelly and Barton, Margo. 2004. 'A Conversation: virtual and actual spaces, textile practices in an era of new technologies'. In: the space between: textiles, art, design, fashion. Curtin University of Technology, Australia 15-17 April 2004. [Conference or Workshop Item]

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Thompson, Milly. 2018. ‘Akerman Daly – Artist in Residence 2017/18 & associated commissions’. In: "Akerman Daly 'Resident Artist' 2017/18", online, 01 Jan 2017 - 01 April 2018. [Show/Exhibition]

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Thompson, Milly. 2016. BOGOF, 2016. [Art Object]

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Thompson, Milly. 2019. Chips and Egg, 2019. In: "Chips and Egg", The Sunday Painter Gallery, United Kingdom, 15 November - 21 December 2019. [Show/Exhibition]

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Thompson, Milly. 2016. Cougar. In: "Cougar", Westminster Waste, United Kingdom, 21 October - 7 November 2016. [Show/Exhibition]

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Thompson, Milly. 2017. Dik Piks. In: "Dik Piks", Lady BeckUnit 22c, Mabgate, Leeds, LS9 7DZ, United Kingdom, July 2017. [Show/Exhibition]

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Thompson, Milly. 2013. INTRECCIOMIRAGE, 2013. In: "INTRECCIOMIRAGE", 43 Inverness Street, 2013. [Show/Exhibition]

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Thompson, Milly. 2008. Late Entry, 2008. In: "Late Entry", Peer Uk, United Kingdom, 12 March – 26 April 2008. [Show/Exhibition]

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Thompson, Milly. 2012. Les Biennale, 2012. In: "Les Biennale", 187 Wilton Street, Glasgow, April 2012. [Show/Exhibition]

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Thompson, Milly. 2017. Merchandise & Accessories. In: "Merchandise & Accessories", London, United Kingdom, 15 Jul - 15 Oct 2017. [Show/Exhibition]

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Thompson, Milly. 2019. Milly Thompson, 2019. In: "Milly Thompson, 2019", Freehouse, London, March - April 2019. [Show/Exhibition]

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Thompson, Milly. 2019. The Moon, The Sea & The Matriarch, 2019. In: "The Moon, The Sea & The Matriarch", Timespan Cultural Institution, Helmsdale, Scotland, United Kingdom, 5 July - 29 September 2019. [Show/Exhibition]

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Thompson, Milly. 2011. Nothing is Forever, 2010. In: "Nothing is Forever", South London Gallery, United Kingdom, 25 June - 19 September 2010. [Show/Exhibition]

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Thompson, Milly. 2008. Opera, 2008. [Artist's Book]

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Thompson, Milly. 2011. Posters for Pleasure, 2011-12. In: "Posters for Pleasure", I-land, Herefordshire, United Kingdom, August and August 2012. [Show/Exhibition]

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Thompson, Milly. 2010. Quixotic Sausage Scenario, 2010. In: "Quixotic Sausage Scenario", Hamburg, Germany. [Show/Exhibition]

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Thompson, Milly. 2013. Ritual Volcanic, 2013. In: "Ritual Volcanic", 5 St Margarets Place Glasgow G1 5JY, 2013. [Show/Exhibition]

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Thompson, Milly. 2011. Saucisson Chiffonaire, 2011. In: "Saucisson Chiffonaire", Caribic Residency Kunsthalle, Portugal, May 2011. [Show/Exhibition]

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Thompson, Milly. 2009. 'Savoir Faire' catalogue, 2009. [Exhibition Catalogue]

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Thompson, Milly. 2009. Savoir Faire, 2009. In: "Savoir Faire", Focal Point Gallery, Southend on sea, United Kingdom, 4 July to 15 August 2009. [Show/Exhibition]

Thompson, Milly. 2002. Still Life. In: "Still Life", MUSEUM OF CONTEMPORARY ART, NITEROI, 11/7/2002 - 12/20/2005. [Show/Exhibition]

Thompson, Milly and Bedwell, Simon A.. 2003. BANK; Milly Thompson and Simon Bedwell. In: "BANK; Milly Thompson and Simon Bedwell", Store Gallery, 6/30/2003 - 7/31/2003. [Show/Exhibition]

Thompson, Milly and Bedwell, Simon A.. 2010. Rude Britannia: British Comic Art. In: "Rude Britannia: British Comic Art", Tate Britain, United Kingdom, 9 June – 5 September 2010. [Show/Exhibition]

Thompson, Milly and Bedwell, Simon A.. 2010. So be it: interventions in printed matter. In: "So be it: interventions in printed matter", Andrew Roth, NYC, United States, April 8– May 7, 2010. [Show/Exhibition]

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Thompson, Milly and Jones, Alison. 2016. C21st ART-WORKER. [Art Object]

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Thompson, Milly and O'Reilly, Sally. 2020. Villa Sylvia, 2020. In: "The Open Arms", The Open Arms. [Show/Exhibition]

Thoms, Jol. 2021. Diffractive Aesthetics & Holographic Literacies: Transcoding the Gigaton Volume Detector [A Diffracted Photo-Essay]. In: Kai Merten, ed. Diffractive Reading: New Materialism, Theory, Critique. Lanham, Maryland: Rowman & Littlefield Publishers, pp. 235-248. ISBN 9781786613967 [Book Section]

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Thoms, Jol and Engelmann, Sasha. 2017. Intra-acting with the IceCube Neutrino Observatory; or, how the technosphere may come to matter. The Anthropocene Review, 4(2), pp. 81-91. ISSN 2053-0196 [Article]

Thomson, Jon and Craighead, Alison. 2017. Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Two: Observations. In: "Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Two: Observations", Carroll / Fletcher,, United Kingdom, 02/12/2017 - End date: 22/12/2017. [Show/Exhibition]

Thomson, Jon and Craighead, Alison. 2016. 'The Story'. In: The Story. The Conway Hall, United Kingdom 19 Feb 2016. [Conference or Workshop Item]

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Timberlake, John. 2012. The Sapphic Sublime of Frederick Sommer. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Van Balen, Tuur and Cohen, Revital. 2013. 75 Watt. [Art Object]

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Van Balen, Tuur and Cohen, Revital. 2021. Heavens. [Film/Video]

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Van Balen, Tuur and Cohen, Revital. 2016. MINE. In: Boris Ondreička and Nadim Samman, eds. Rare Earth. Berlin: Sternberg Press, pp. 54-61. ISBN 978-3-95679-144-4 [Book Section]

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Van Balen, Tuur and Cohen, Revital. 2022. Not What I Meant But Anyway. [Artist's Book]

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Van Balen, Tuur and Cohen, Revital. 2018. Synthetic Blood on Leopard Skin. In: Daniel Fernandez Pascual; Alon Schwabe and Jesse Connuck, eds. The Empire Remains Shop / Cooking Sections. New York: Columbia Books on Architecture and the City, pp. 75-90. ISBN 9781941332375 [Book Section]

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Van Balen, Tuur and Cohen, Revital. 2016. Take a Good Lamp. Cultural Politics, 12(3), pp. 332-338. ISSN 1743-2197 [Article]

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Van Balen, Tuur; Cohen, Revital and Li, Christina. 2020. Palms Palms Palms. In: "Palms Palms Palms", Hasselt, Belgium, 4 October 2020 - 31 January 2021. [Show/Exhibition]

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Vargas, Chris E; Zhihan, Dot Jia; Reckitt, Helena; Prowse, Jamila; Sadzinski, Sylvia; Iohe, Taey and Hofmann, Vera. 2022. Interdependent unlearning(s) and caring for disruption: A queer-feminist collective writing session on curatorial experiences and desires for instituting otherwise. The Year of the Women / Jahr der Frau, [Article]

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Vasey, George and Graham, Dan. 2009. Between my finger and my thumb. In: "Between my finger and my thumb", Schwartz Gallery, London., United Kingdom, 10th July - 2nd August 2009. [Show/Exhibition]

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Vasseur, Roman. 2018. I am The Sun And Cannot Be Gazed Upon Fixedly: Art And The Spectral Power Of The Derivative. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Vinebaum, Lisa. 2010. Body of the Nation - Corporeality, Territory, Performance: Palestine and Israel. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Voegelin, Salomé. 2004. Practising Timespace-Collage: Art as Material Complex. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Voelcker, Becca. 2023. Climate, Capital, and Colonialism: A Congolese Perspective. Journal of Climate Resilience & Climate Justice, 1, pp. 55-65. ISSN 2832-4641 [Article]

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Voelcker, Becca. 2023. Cultivating Hinterland: What Lies Behind Agnes Denes’ Wheatfield? In: Pamila Gupta; Sarah Nuttall; Esther Peeren and Hanneke Stuit, eds. Planetary Hinterlands: Extraction, Abandonment and Care. Cham, Switzerland: Palgrave Macmillan, pp. 51-63. ISBN 9783031242427 [Book Section]

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Voelcker, Becca. 2021. Field Work: Ogawa Productions as Farmer-Filmmakers. The Moving Image Review & Art Journal (MIRAJ), 10(1-2), pp. 50-71. ISSN 2045-6298 [Article]

Voelcker, Becca. 2021. Landscape Theory in Post-War Japanese Cinema: Fūkeiron in Adachi Masao’s A.K.A. Serial Killer. In: Ludovic Cortade and Guillaume Soulez, eds. Penser l’espace avec le cinéma et la littérature. 10 New York: Peter Lang. ISBN 9781433176289 [Book Section]

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Vráblíková, Lenka. 2024. 'Živná půda ekofeminismu [Cultivating Ecofeminisms]'. In: Public programme series accompanying exhibition 'Pěstovat plevel, sklízet vichřici' at Galerie Hraničář, Czech Republic (5 October 2023 - 9 February 2024). Online, Czech Republic. [Conference or Workshop Item]

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Vráblíková, Lenka and Kubelová, Lenka. 2024. Gardening Ecofeminisms. Sympozium jako živná půda [Gardening Ecofeminisms: Symposium as a culture medium]. In: Kateřina Vídenová and Amálie Bulandrová, eds. Kafkárna / Dům a Zahrada [Kafkárna /House and Garden]. Prague: UMPRUM, pp. 289-295. [Book Section]

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Vráblíková, Lenka and Mitchell, Elspeth. 2023. 'What Myco-futures? Mycorrhizal Encounters against racist cis-heteropatriarchy'. In: Democracies in Flux: LGBTI= struggles, feminist politics, and anti-gender contestations. Campus Condorcet, Paris, France 29 - 30 June 2023. [Conference or Workshop Item]

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Wagner, Beny. 2022. 'Artist Talk'. In: Artist Talk. Royal College of Art, London, United Kingdom March 2022. [Conference or Workshop Item]

Wagner, Beny. 2021. 'Becoming Plasmatic: From Cells to Cel Animation'. In: Liquidity, Flows, Circulation: The Cultural Logic of Environmentalization. Leuphana University Lüneburg, Germany 22 - 23 April 2021. [Conference or Workshop Item]

Wagner, Beny. 2023. Eat the Camera, Feed the Screen. e-flux journal(133), ISSN 2164-1625 [Article]

Wagner, Beny. 2024. 'Masterclass Artist Film'. In: MFA Creative Documentary by Practice. UCL, United Kingdom March 2024. [Conference or Workshop Item]

Wagner, Beny. 2018. Outside. [Film/Video]

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Wagner, Beny. 2018. Outside / Eye Farm (solo exhibition). In: "Outside / Eye Farm (solo exhibition)", Kunstfort bij Vijfhuizen, Netherlands, 8 April - 1 July 2018. [Show/Exhibition]

Wagner, Beny. 2023. The Perceiving Agent. The Posthumanist(2), pp. 74-79. ISSN 2753-3360 [Article]

Wagner, Beny. 2022. Plasmaticness and the Boundaries of Human Perception. In: Mathias Denecke; Holger Kuhn and Milan Stürmer, eds. Liquidity, Flows, Circulation: The Cultural Logic of Environmentalization. Zurich: Diaphanes, pp. 203-218. ISBN 9783035805369 [Book Section]

Wagner, Beny. 2022. 'Post-Industrial Metabolism and the Discorrelated Moving Image'. In: PGR Seminar Series. Southampton Institute for Arts and Humanities, United Kingdom 23 February 2022. [Conference or Workshop Item]

Wagner, Beny. 2018. State of Statelessness. In: "State of Statelessness", ISELP, Brussels, Belgium, 12 May - 7 July 2018. [Show/Exhibition]

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Wagner, Beny. 2017. like the deserts miss the rain (solo exhibition). In: "like the deserts miss the rain", Rongwrong, Amsterdam, Netherlands, 28 April - 28 May 2017. [Show/Exhibition]

Wagner, Beny and Litvintseva, Sasha. 2023. Ars Electronica 2023. In: "(Co)Owning More-than-Truth", POSTCITY Linz, Austria, 6 - 10 September 2023. [Show/Exhibition]

Wagner, Beny and Litvintseva, Sasha. 2024. 'Artist Talk'. In: Artist Talk. ArtEZ University of the Arts, Arnhem, Netherlands March 2024. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2023. 'Artist Talk and Screening'. In: Artist Talk. Karlsruhe University of Arts and Design (HfG), Germany May 2023. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2024. 'Artist Talk and Screening'. In: Artist Talk. Kingston School of Art, Department of Film & Photography, United Kingdom January 2024. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2024. 'Artist Talk and Screening'. In: Artist Talk and Screening. Architectural Association School of Architecture, London, United Kingdom February 2024. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2022. 'Artist Talk and Screening'. In: CML Lab Days. Basel Academy of Art and Design FHNW, Switzerland 12 December 2022. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2024. 'Masterclass Artist Film'. In: DOX:ACADEMY. CPH:DOX 2024, Denmark March 2024. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2024. My Want of You Partakes of Me (Festival World Premiere). In: "CPH:DOX New:Vision Competition", Cinemateket, Copenhagen, Denmark, 18 March 2024. [Show/Exhibition]

Wagner, Beny and Litvintseva, Sasha. 2024. Two Hundred Years of Total Conversion. Ecoes(6), ISSN 2772-5685 [Article]

Wagner, Beny; Litvintseva, Sasha; Holl, Ute and Mircean, Mihnea. 2022. 'The Personal Equation: Measurement Moving image, Body and Environment'. In: IMPAKT Festival 2022. Het Huis Utrecht, Netherlands 5 November 2022. [Conference or Workshop Item]

Wagner, Beny; Litvintseva, Sasha; Wang, Yuyan and Umansky, Valentine. 2024. 'Materializing the Immaterial: Film as Seeing and Sensing'. In: CPH:DOX Conference. Kunsthal Charlottenborg, Copenhagen, Denmark 18 - 22 March 2024. [Conference or Workshop Item]

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Wakeford, Nina. 2014. 484 14th Street. In: "484 14th Street", Almanac Projects, London, United Kingdom, 10 July – 10 August 2014. [Show/Exhibition]

Wakeford, Nina. 2023. Above this new tunnel the Market Tavern once stood. Grey concrete outside. Cherry red, dark, sexy, cruisy, inside.. In: "Blueprints of Hope", Octogan Gallery, UCL, United Kingdom, 31 May 2023. [Performance]

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Wakeford, Nina. 2019. Here We Played 'Children of the Revolution’. In: "'Here We Played Children of the Revolution’", RCA Riverlight, London, United Kingdom, 26 January – 3 February 2019. [Show/Exhibition]

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Wakeford, Nina. 2018. Invitation to Forms: Performance and installation. In: "Glasgow International 2018", The Mitchell Library, Glasgow, United Kingdom, 20 April - 7 May 2018. [Show/Exhibition]

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Wakeford, Nina. 2019. Live Performance. In: "Our Pink Depot", Matt's Gallery, London, United Kingdom, 28 November 2019. [Performance]

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Wakeford, Nina. 2022. Out in Stevenage. In: "Out in Stevenage", Stevenage Museum, United Kingdom, 24 February -12 March 2022. [Show/Exhibition]

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Wakeford, Nina. 2019. Posters for the Northern Line. [Art Object]

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Wakeford, Nina. 2017. This Was Our Calling Card. In: "Maximum Overdrive", Southend, United Kingdom. [Show/Exhibition]

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Wakeford, Nina. 2018. Tunnel performance. In: "Our Pink Depot", London, United Kingdom. [Performance]

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Wakeford, Nina. 2019. We Will Replace All Men With Machines. In: "Life Rewired Season", Barbican, London, United Kingdom, 9 – 17 March 2019. [Show/Exhibition]

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Wakeford, Nina. 2018. ‘What is important about this reality is that it hurts, makes noises, smells. That it bleeps or falls on the floor’. In: "‘What is important about this reality is that it hurts, makes noises, smells. That it bleeps or falls on the floor’", PAKT, Netherlands, July 2018. [Performance]

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Wakeford, Nina. 2019. The Worker Poets, Political Repression: Weakness of memory, in search of a revolutionary future. In: "In the Open or in Stealth. The Unruly Presence of an Intimate Future", MACBA, Barcelona, Spain. [Performance]

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Wakeford, Nina. 2017. 'an apprenticeship in queer I believe it was'. In: "BFI Flare: London LGBT Film Festival", BFI Southbank, London, United Kingdom, 18 March 2017. [Show/Exhibition]

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Wakeford, Nina. 2020. 'on being allergic to onions'... we read Susan Leigh Star. In: "Genders: Shaping and Breaking the Binary", Science Gallery, London, United Kingdom, 13 February - 28 June 2020. [Show/Exhibition]

Walsh, Bernard. 2005. Abstracted Garments. Abstracted Garments: exhibition, [Article]

Walsh, Bernard. 2005. Arrangement on a Shelf. In: , ed. Collect. The Crafts Council, pp. 30-31. [Book Section]

Walsh, Bernard. 2003. Away. Away: exhibition by Caroline Broadhead, [Article]

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Walsh, Bernard. 2017. BERNARD WALSH - In God We Trust?. In: "Cabaret 2", The Old Nun's Head, London, United Kingdom, 19 February 2017. [Performance]

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Walsh, Bernard. 2024. Battenberg: Art of Performance. In: "Battenberg: Art of Performance", University of East London Way Out East Gallery, London, United Kingdom, 27 November - 11 December 2023. [Show/Exhibition]

Walsh, Bernard. 2012. Bernard Walsh's World Series. Journal of Writing in Creative Practice, 5, ISSN 1753-5190 [Article]

Walsh, Bernard. 2008. Best in Show. Best in Show, [Article]

Walsh, Bernard. 2009. Bibliography 2 (Artists, Writers, Photographers). In: Kathryn Faulkner, ed. Bibliography 2 (Artists, Writers, Photographers). UK: Kathryn Faulkner 2009, pp. 60-61. [Book Section]

Walsh, Bernard. 2006. Bloody Mess. Bloody Mess, [Article]

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Walsh, Bernard. 2016. Bring Me Sunshine. London: Ditto Press. ISBN 978-0-9567952-6-7 [Book]

Walsh, Bernard. 2007. Cuckoo. Cuckoo: exhibition by Annie Whiles, [Article]

Walsh, Bernard. 1996. Dancing Davids. In: "C.S.M. Post-graduate Print and Photo Media Degree Show", Central St Martins School of Art, London, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 2002. Eros: photomontage. In: "Artists Editions", Camden Arts Centre, London, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 2003. 'Every Now and Then'. In: Writing In The Context Of Art. Tate Britain, London, United Kingdom. [Conference or Workshop Item]

Walsh, Bernard. 2006. George Henry Longly. George Henry Longly, [Article]

Walsh, Bernard. 2023. Is this a dagger? A reason why Art is not a subject that should be taught. HH ArtSpaces, Goa, India, India 14 March 2023. [Performance]

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Walsh, Bernard. 2023. Is this a dagger? A reason why Art is not a subject that should be taught. Deptford Town Hall, London, United Kingdom 1 April 2023. [Performance]

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Walsh, Bernard. 2023. Is this a dagger? A reason why Art is not a subject that should be taught. In: "The Legal Stage", Lambeth County Court, London, United Kingdom, 21 January 2023. [Performance]

Walsh, Bernard. 1999. It's What She Would Have Wanted. In: "It's What She Would Have Wanted", Three Mills Film Studios, London, United Kingdom, 4 - 13 December 1999. [Show/Exhibition]

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Walsh, Bernard. 2014. Jack in the Jungle. London: Ditto Press. [Book]

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Walsh, Bernard. 2024. A Lecture by Bernard Walsh. In: "The Salon of Doubt 2", The Art Workers' Guild, United Kingdom, 11 June 2024. [Performance]

Walsh, Bernard. 2014. 'Loughton to Lambourne End' by Yuki Nishimura. In: Leila Pereira, ed. Loughton to Lambourne; publication, including essays by Bernard Walsh, and Keef Winter, photographs by Leila Pereira. Allotrope Press. [Book Section]

Walsh, Bernard. 2000. 'Majesty: a conference paper'. In: Where is the Centre?. Westfalischer Kunstverein, Muenster, Germany. [Conference or Workshop Item]

Walsh, Bernard. 2012. No title. In: "VILLA 1: THIS HOUSE IS A TRIADIC FASCIST AND MADE OF INDUSTRY GLASS", The George and Dragon, Blackheath, London, United Kingdom, 24 February 2012. [Performance]

Walsh, Bernard. 1997. On the Blink, Turnaround, Kids and Twins. In: "C.S.M. M.A. Fine Art Show", Central St Martins School of Art, London, United Kingdom. [Show/Exhibition]

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Walsh, Bernard. 2016. Reading/Book Launch. In: "Bring Me Sunshine Reading/Book Launch", Camden Arts Centre, United Kingdom, 5 March 2015. [Performance]

Walsh, Bernard. 2011. She. The Yellow Wallpaper – Crafts Council – OnView Online exhibition, [Article]

Walsh, Bernard. 2007. Something. it's a soft hard world: an exhibition by stephen nelson, pp. 5-9. [Article]

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Walsh, Bernard. 2012. Supermarket. In: Jon Vogt Engerland, ed. Erosion. Stockholm, Sweden: Hostel Gallery, pp. 45-47. [Book Section]

Walsh, Bernard. 1999. Take Place. In: Andrew Cross; Simon Grennan and Nicola Stephenson, eds. Public Sightings: The Public Art Programme of the UK Year of Photograpy and Electronic Image. PHOTOARTS 2000 (Photo 98), pp. 1-127. ISBN 0953571106 [Book Section]

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Walsh, Bernard. 2000. Trafalgar Square. In: "Bernard Walsh website", bernardwalsh.co.uk, United Kingdom, Website launched March 2016. [Performance]

Walsh, Bernard. 2000. Trafalgar Square, Majesty. In: "Real Places", Westfaelischer Kunstverein, Muenster, Germany, 26 May - 2 July 2000. [Show/Exhibition]

Walsh, Bernard. 2004. Virtuous Dress: video installation. In: "Fashion and Modernity", CSM, London, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 1993. The Wedding. In: "Annual Exhibition", Manchester City Art Gallery, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 1997. 'What Do You Do?'. In: Eight Technologies of Otherness. ICA, London, United Kingdom. [Conference or Workshop Item]

Walsh, Bernard. 2002. What do you do. In: "Some More Videos", Pugh Pugh Gallery, Berlin, Germany. [Show/Exhibition]

Walsh, Bernard. 1998. What do you do?: video. In: "Pandemonium: London Festival of Moving Images", The Lux Centre, Hoxton Square, London, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 2003. The Withered Bough. In: , ed. Scenery. Venice: Nuova Icona, pp. 6-14. ISBN 8887632197 [Book Section]

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Walsh, Bernard. 2012. The Withered Bough. In: Jon Vogt Engerland, ed. Erosion. Stockholm, Sweden: Hostel Gallery, pp. 42-45. [Book Section]

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Walsh, Bernard. 2011. 'World Series'. In: Sixth International Conference on the Arts in Society. Academy of Sciences and Humanities, Berlin, Germany 9-11 May 2011. [Conference or Workshop Item]

Walsh, Bernard. 2010. '“You talkin’ to me”'. In: The International Image Conference. University of California, Los Angeles, United States 2-3 December 2010. [Conference or Workshop Item]

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Walsh, Bernard. 2023. blink and you will miss it: Safe House 1, Peckham, London. In: "blink and you will miss it", Safehouse 1, Peckham, London, United Kingdom, 15 -18 September 2023. [Show/Exhibition]

Walsh, Bernard. 2000. A review of Janet Cardiff’s Missing Voice (Case Study B). Public Art Journal, 1(3), pp. 69-71. ISSN 1465-7376 [Article]

Walsh, Bernard. a rose is a rose. In: "a rose is a rose", Finch Cafe, London, United Kingdom, 4 May 2024. [Performance]

Walsh, Bernard and Greenhill, Joanna. 1998. 'The Alternative Tool/No Man is an Island'. In: Making into Writing. University of Plymouth, Exeter, United Kingdom. [Conference or Workshop Item]

Walsh, Bernard and Harris, Jane. 2004. Sorcerers' Apprentice: reactive forms of body and cloth in performance. In: Gavin Carver and Colin Beardon, eds. New Visions in Performance, The Impact of Digital Technologies. Sets & Zeutlinger, pp. 139-152. ISBN 9026519664 [Book Section]

Walsh, Bernard and Harris, Jane. 2004. 'Virt(u)ous Dress'. In: The Space Between. Perth, Australia 5/1/2004. [Conference or Workshop Item]

Walsh, Bernard and Williams, Gerard. 2004. Interior Worlds. [Art Object]

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Walsh, Roxy. 2024. Ash, Beech, Coll. [Art Object]

Walsh, Roxy. 1997. Better After Death Catalogue. Wild Pansy Press. ISBN 978-1900687058 [Book]

Walsh, Roxy. 2005. Catrin Huber Catalogue essay. [Exhibition Catalogue]

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Walsh, Roxy. 2007. Felix Culpa. In: "Felix Culpa", Domobaal Gallery + Touring, United Kingdom, 2006-2007. [Show/Exhibition]

Walsh, Roxy, ed. 2006. Felix Culpa Solo Catalogue. ISBN 978-1873352540 [Edited Book]

Walsh, Roxy. 2002. Illustrated discussion. In: , ed. SPEAKING AND LISTENING. , pp. 104-114 ISBN 978-0863399862 [Book Section]

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Walsh, Roxy. 2003 - 2005 Infallible, In Search of the Real George Eliot. [Project]

Walsh, Roxy. 2005. Infallible, In Search of the Real George Eliot. ARTicle Press. ISBN 978-1873352830 [Book]

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Walsh, Roxy. 2009. The Other Side. In: "The Other Side", Crypt Gallery, United Kingdom, 8th - 17th May 2009. [Show/Exhibition]

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Walsh, Roxy. 2012. Roxy Walsh: The Lady Watercolourist. In: "The Lady Watercolourist", The MAC Belfast, United Kingdom, 14/09/12 - 13/10/12. [Show/Exhibition]

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Walsh, Roxy. 2011. Second Sex. In: "Second Sex", Galerie Peter Zimmermann, Mannheim, Germany, Jan 14th - Feb 12th 2011. [Show/Exhibition]

Walsh, Roxy. 2005. Sense of Place. [Exhibition Catalogue]

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Walsh, Roxy. 2005. The Signature Quilt. [Art Object]

Walsh, Roxy. 2005. The Signature Quilt. In: , ed. Towards Understanding Community: People and Places. AIAA. ISBN 978-0230542648 [Book Section]

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Walsh, Roxy. 2009. Small Moments of Fantastic Things. In: "Small Moments of Fantastic Things", Galerie Antje Wachs, Germany, 19th September - 31st October 2009. [Show/Exhibition]

Walsh, Roxy. 1996. Speak To You Later Catalogue. In: , ed. Speak To You Later Catalogue. [Book Section]

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Walsh, Roxy; Currier, Janet; Hodge, Nicky and Millar, Jane. 2020. Fuzzy Objects: Amitié. [Exhibition Catalogue]

Walsh, Roxy and Ostrow, Saul. 1996. Wish You Were Beautiful Catalogue. Wild Pansy Press. ISBN 978-1900687010 [Book]

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Walsh, Roxy and Underwood, Sally. 2014. Annunciation. [Art Object]

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Walsh, Roxy and Underwood, Sally. 2013. Dependent Rational Animals. [Art Object]

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Walsh, Roxy and Underwood, Sally. 2012. IGLOO. In: "IGLOO, Sally Underwood and Roxy Walsh", Fishmarket At.. Grosvenor Centre, Northampton, United Kingdom, 16th July 2012 - ongoing. [Show/Exhibition]

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Walsh, Roxy and Underwood, Sally. 2015. Outwith. In: "Without", Art Exchange, University of Essex, United Kingdom, January - February 2015. [Show/Exhibition]

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Walsh, Roxy and Underwood, Sally. 2015. Without. In: "Without", Chandelier Projects, April - May 2015. [Show/Exhibition]

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Walsh, Roxy; Underwood, Sally; Enright, Anne; Moore, Sanna and Tuomivaara, Jakko. 2013. Dependent Rational Animals [Catalogue]. [Artist's Book]

Wang, Victor and Kirwan, Richard. 2021. 'Landless Art Histories – Why London is Also Part of Asia'. In: Landless Art Histories – Why London is Also Part of Asia. Royal Academy Schools, London, United Kingdom 24 March 2021. [Conference or Workshop Item]

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Wehner, Klaus. 2012. On posing: notes on imageness. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Weinberg, Lee. 2015. Curating Immateriality: In Search for Spaces of The Curatorial. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Weir, Andy. 2020. Radiological Deep Time Aesthetics. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Weizman, Ines; Muggenburg, Julia; Madejska, Agata; Mattes, Hanna; Murdoch, Sadie; Porat, Ronit; Wachsmuth, Anna; Curtis, Penelope and Garfield, Rachel. 2023. 'Jazz The Known: Artistic Experiments on Women of the ’20s'. In: Jazz The Known: Artistic Experiments on Women of the ’20s. Goethe-Institut London, United Kingdom 13 October 2023. [Conference or Workshop Item]

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Whiles, Annie. 2011. Beggars Belief. In: "Beggars Belief", Danielle Arnaud, London, United Kingdom, 8th April-15th May 2011. [Show/Exhibition]

Whiles, Annie. 2005. CLOUD AND VISION. In: "Cloud and vision", Museum of Garden History, Lambeth, 7/10/2005 - 9/5/2005. [Show/Exhibition]

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Whiles, Annie. 2020. Lets Not Talk About It. [Artist's Book]

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Whiles, Annie. 2020. The Listening Thing. In: "The Listening Thing", Matt's Gallery, London, United Kingdom, 24 September - 31 October 2020. [Show/Exhibition]

Whiles, Annie. 2006. METROPOLIS RISE: NEW ART FROM LONDON. In: "METROPOLIS RISE: NEW ART FROM LONDON", CQL Design Centre,200060 Shanghai and Dashanzi 798 Art District, Chaoyang, Beijing, 4/30/2006 - 5/14/2006. [Show/Exhibition]

Whiles, Annie. 2004. Marks in space. In: "Marks in space", Usher Gallery, Lincoln, 6/8/2004 - 10/15/2004. [Show/Exhibition]

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Whiles, Annie. 2018. Moondog. In: "Moondog", Danielle Arnaud Contemporary art, United Kingdom, 9th November - 9th December 2018. [Show/Exhibition]

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Whiles, Annie. 2015. One of The Gapers. [Artist's Book]

Whiles, Annie. 2007. SOLO EXHIBITION CUCKOO. In: "SOLO EXHIBITION CUCKOO", Danielle Arnaud Gallery Kennington, 3/9/2007 - 10/15/2007. [Show/Exhibition]

Whiles, Annie. 2011. solo show 2011 Danielle Arnaud Gallery, London. In: "solo show Annie Whiles", Danielle Arnaud Gallery, london, United Kingdom, 6th April -may 21st 2011. [Show/Exhibition]

Whiles, Annie. 2025. working title 'Doorway Guardians'. [Art Object] (Forthcoming)

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Whiles, Annie; Bunuel, Luis; Dali, Salvador; Prouvost, Laure; Blandy, David; Wolbers, Saskia Olde; Colboune, Louise; Lye, Len; Emin, Tracy; Rist, Pipilotti; Forsyth, Iain; Pollard, Jane; Helliwell, Tim; Cave, Nick and Le Grice, Malcolm. 2008. Latitude 2012 Big Screen Film Gallery. In: "Latitude Big Screen and Film Gallery 2012", Latitude Festival, Henham Park, Southwold, United Kingdom, 13-15th July 2012. [Show/Exhibition]

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Whiles, Annie; Harrison, Antonia and Young, James. 2008. The Fabric of Myth. In: "Fabric of Myth", Compton Verney, United Kingdom, 21 June-7 September 2008. [Show/Exhibition]

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Whiles, Annie; Jones, Alison and Walsh, Bernard. 2012. Invitation. In: "Invitation", York College Gallery, United Kingdom, 10th January-9th February 2012. [Show/Exhibition]

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Whiles, Annie and Pearson, Mark. 2008. United We Fall. In: "United We fall", Standpoint Gallery, United Kingdom, 23 May 2008-21 June 2008. [Show/Exhibition]

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Whiles, Annie; Perou, P and Pilkington, Cathie. 2016. interview in EDICT magazine. EDICT(3), pp. 6-16. [Article]

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White, Laura. 2011. All Hail. In: "All Hail", Angus-Hughes Gallery, London., United Kingdom, 16th April - 8th May. [Show/Exhibition]

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White, Laura. 2023. Ampersand Foundation Fellowship. [Professional Activity]

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White, Laura. 2010. Anxious Glory. In: "Anxious Glory", Collective Gallery, United Kingdom, 22 December 2010 - 6 January 2011. [Show/Exhibition]

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White, Laura. 2018. As Much about Forgetting. In: "As Much about Forgetting (Dissonant Heritage)", Viborg Kunsthal, Denmark, 2017-2018. [Show/Exhibition]

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White, Laura. 2024. Baroque Sprawl. [Art Object]

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White, Laura. 2019. The Clever Girl Painter. In: "The Clever Girl Painter", Tintype, London, United Kingdom, 1 May – 1 June 2019. [Show/Exhibition]

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White, Laura. 2014. A Colorful World.. In: "A Colorful World.", Nanjing International Art Exhibition, Nanjing, China., China. [Show/Exhibition]

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White, Laura. 2016. Cruel and Tender. In: "Cruel and Tender", Vacuous Gallery, United Kingdom, 25th Aug - 11th Sept 2016. [Show/Exhibition]

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White, Laura. 2015-2017 DIWO (Doing it with others). [Project]

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White, Laura. 2023. Disobedient Bodies. [Art Object]

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White, Laura. 2017. Double agents and great refusers. In: "Double agents and great refusers", The Agency Gallery, London, United Kingdom, 1 November - 15 December 2017. [Show/Exhibition]

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White, Laura. 2009. The Earth Not a Globe 2.. In: "The Earth Not a Globe 2", Rokeby Gallery, London, United Kingdom, 7th August – 1st October 2009. [Show/Exhibition]

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White, Laura. 2012. The Esque Collection. [Art Object]

White, Laura. 1999. Everything you do counts here. In: , ed. Everything You Do Counts Here: Laura White at the Margaret Harvey Gallery. University of Hertfordshire,Faculty of Art & Design. ISBN 978-1898543350 [Book Section]

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White, Laura. 2016. The Flat Pack Session. In: "The Flat Pack Session", Delta House Studios, London., United Kingdom. [Show/Exhibition]

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White, Laura. 2011. For living, for loving, for loathing.. In: "Laura White: For living, for loving, for loathing.", Pollen, France, 4 February - 4 March 2011. [Show/Exhibition]

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White, Laura. 2011. Gilding the Lily. In: "Gilding the Lily", Transition Gallery, London, United Kingdom, 19 March - 10 April 2011. [Show/Exhibition]

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White, Laura. 2008. If I had a monkey I wouldn’t need a TV. In: "Touring Solo Exhibition", Castlefield Gallery, Manchester., United Kingdom, November 2008 - 15th March 2009. [Show/Exhibition]

White, Laura. 2006. Into the Cold Light. In: "Into the Cold Light", Transition Gallery, 9/2/2006 - 9/24/2006. [Show/Exhibition]

White, Laura. 2006. Laura White: New Work. In: "Laura White: New Work", Firstsite Gallery, 2/10/2006 - 3/8/2006. [Show/Exhibition]

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White, Laura. 2023. Laura White: Pasta Baroque. MASS Sculpture Magazine(2), pp. 72-78. ISSN 2754-5881 [Article]

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White, Laura. 2009. Laura White: Scratching Walls and Sticky Decor. In: "Chromodomo at the Wall House #2, Groningen, Netherlands", The Wall House #2 A.J. Lutulistraat 17, 9728 WT Groningen, the Netherlands., Netherlands, 20 September - 18 October 2009. [Show/Exhibition]

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White, Laura. 2008. Laura White: The Stuff of Images. Manchester, UK: Castlefield Gallery. ISBN 978-0-9559557-1-6 [Book]

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White, Laura. 2017. 'MARs Materiality'. In: MARs Materiality. Goldsmtihs College., United Kingdom 14th Nov - 6th Dec 2017. [Conference or Workshop Item]

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White, Laura. 2014. Morphisisation. In: "Entanglement", A.P.T London, United Kingdom, 7th Aug - 17th Aug 2014. [Show/Exhibition]

White, Laura. 2007. Multicomplexificationalities. [Exhibition Catalogue]

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White, Laura. 2016. NOLAS. In: "NOLAS", Studio 5, Cubitt studio and Gallery, London., United Kingdom. [Show/Exhibition]

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White, Laura. 2023. On the Meaning of 'Gossip'. In: "On he Meaning of 'Gossip'", British School at Rome, Italy, 31 May – 23 June 2023. [Show/Exhibition]

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White, Laura. 2012. The Perfect Nude. In: "The Perfect Nude.", Wimbledon College of Art, London, United Kingdom, January - June 2012. [Show/Exhibition]

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White, Laura. 2022. Pollute Volute at HS Projects. In: "Pollute Volute", HS Projects, United Kingdom, 27 June - 9 December 2022. [Show/Exhibition]

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White, Laura. 2008. STUFF. In: "The Wharf Road Project: Don’t Open this Door if You Can’t Close it", The Wenlock Building, 50-60 Wharf Road, London N1 7RN, United Kingdom, 4 – 19 October 2008,. [Show/Exhibition]

White, Laura. 2006. 'Seeing Through Objects'. In: Firstsite@the minories art gallery. UNDEFINED. [Conference or Workshop Item]

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White, Laura. 2023. Shaping Food: from hand to mouth. Palazzo delle Esposizioni, Rome, Rome. [Other]

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White, Laura. 2012. Sinopticon. In: "Sinopticon. Touring Exhibition (more venues to be confirmed)", Saltram House, Plymouth, United Kingdom, April 2012 - August 2013. [Show/Exhibition]

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White, Laura. 2011. Small Scale Survival. In: "Small Scale Survival", Aid and Abet, Cambridge, United Kingdom, 8 April - 7 May 2011. [Show/Exhibition]

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White, Laura. 2017. The Superorganism. In: "Group show (title not known yet)", Galleri Box, Sweden, 10th Nov - 10th Dec 2017. [Show/Exhibition]

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White, Laura. 2017. TENDERFOOT. [Digital]

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White, Laura. 2024. Unleashed. [Art Object]

White, Laura. 2007. Unnatural Histories. [Exhibition Catalogue]

White, Laura. 2005. Urban Formalism. In: "Urban Formalism", Cortex Athletico, Museum of Contemporary Art, 6/23/2005 - 8/23/2005. [Show/Exhibition]

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White, Laura. 2016. WAYFARING. In: "WAYFARING", &model, United Kingdom, 28th April - 4th June 2016. [Show/Exhibition]

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White, Laura. 2012. We Can Have It All. [Art Object]

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White, Laura. 2017. Where YOU are sitting. [Art Object]

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White, Laura. 2018. 'White Mud'. [Art Object]

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White, Laura; Allan, Dominic and Pratt, Robert. 2011. White Pratt from Luton. In: "White Pratt from Luton.", 34 Toynebee Street, London., United Kingdom, 7th July - 24th July 2011. [Show/Exhibition]

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White, Laura and Fillingham, Peter. 2012. The Shapes Game: its hard to take your eyes off it.. In: "The Shapes Game: its hard to take your eyes off it.", Carter Presents, London., United Kingdom, 17th March - 21 April. [Show/Exhibition]

White, Laura and Livingstone, R.. 2006. Beauty and the Beast. In: "Beauty and the Beast", Fieldgate Gallery, 9/8/2006 - 10/1/2006. [Show/Exhibition]

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White, Laura; Mitchell, John and Bassant, McKenzie. 2010. Object as subject. In: "Object as subject", Stephen Lawrence Gallery, The University of Greenwich, London., United Kingdom, April 15th - May 14th 2010. [Show/Exhibition]

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White, Laura; Williams Gamaker, Michelle and Kreider, Kristen. 2016. Wayfaring. In: "Wayfaring", &Model, Leeds, United Kingdom, 29 April 2016 – 4 June 2016. [Show/Exhibition]

Wilk, Elvia; Litvintseva, Sasha and Wagner, Beny. 2024. 'My Want of You Partakes of Me'. In: The Spell of the Sensuous Symposium. Stedelijk Museum Amsterdam, Netherlands 25 February 2024. [Conference or Workshop Item]

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Williams Gamaker, Michelle. 2021. The Bang Straws. In: "Anachronic Chronicles: Voyages Inside/Out Asia, 65th BFI London Film Festival", ICA, London, United Kingdom, 16 October 2021. [Show/Exhibition]

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Williams Gamaker, Michelle. 2017. Brown Queers (2017) at Scottish Queer Film Festival: SQIFF Shorts: Regen(d)eration. In: "Brown Queers (2017) at Scottish Queer Film Festival: SQIFF Shorts: Regen(d)eration", Old Leith Theatre, Edinburgh, United Kingdom, 2 June 2017. [Show/Exhibition]

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Williams Gamaker, Michelle. 2017. Brown Queers screened at Leeds Queer Film Festival. In: "Brown Queers screened at Leeds Queer Film Festival", Leeds Queer Film Festival, Leeds, United Kingdom, 24th - 26th March 2017. [Show/Exhibition]

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Williams Gamaker, Michelle. 2021. Dissolution Trilogy. In: "I Multiply Each Day", Gus Fisher Gallery, Auckland, New Zealand, 4 December 2021 - 2 April 2022. [Show/Exhibition]

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Williams Gamaker, Michelle. 2019. Distant Relative Michelle Williams Gamaker. In: "Distant Relative Michelle Williams Gamaker", Tintype Gallery, United Kingdom, 12 September - 19 October 2019. [Show/Exhibition]

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Williams Gamaker, Michelle. 2020. The Effectiveness of Symbols: Psychogeographic Explorations of the Body. In: Monika Ankele and Benoît Majerus, eds. Material Cultures of Psychiatry. Bielefeld, Germany: transcript Verlag, pp. 282-295. ISBN 9783837647884 [Book Section]

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Williams Gamaker, Michelle. 2017. House of Women (2017) single-channel video, 16mm film transferred to digital. In: "Internationale Kurzfilmtage, Winterthur Switzerland 22nd edition", Internationale Kurzfilmtage Winterthur, 23rd edition, Switzerland, 2017-2022. [Show/Exhibition]

Williams Gamaker, Michelle. 2017. House of Women (2017) single-channel video, 16mm transferred to digital at l'Alternativa 2017 - 24th Barcelona Independent Film Festival Centre for Contemporary Culture of Barcelona. In: "l'Alternativa 2017 - 24th Barcelona Independent Film Festival", Centre for Contemporary Culture of Barcelona, Spain, 13th-19th November 2017. [Show/Exhibition]

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Williams Gamaker, Michelle. 2017. House of Women (2017) single-channel video, 16mm transferred to digital at the Internationale Kurzfilmtage Winterthur, The Short Film Festival of Switzerland. In: "Internationale Kurzfilmtage Winterthur, The Short Film Festival of Switzerland", Winterthur, Switzerland, 7–12 November 2017. [Show/Exhibition]

Williams Gamaker, Michelle. 2015. The Making. In: "The Making", The Agency, London, United Kingdom. [Show/Exhibition]

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Williams Gamaker, Michelle. 2017. 'Michelle Williams Gamaker Artist's Talk, and film screenings for Video Vortex XI, Video in Flux: Art, Activism & Archives, a collateral event of the Koch-Muzirisi Bienniale 2016'. In: Michelle Williams Gamaker Artist's Talk,. Video Vortex, Hotel 18, Fort Kochi, India 23-25 Feburary 2017. [Conference or Workshop Item]

Williams Gamaker, Michelle. 2016. 'Michelle Williams Gamaker in conversation, Artsadmin'. In: Michelle Williams Gamaker in conversation, Artsadmin. Artsadmin,Toynbee Studios, London, United Kingdom. [Conference or Workshop Item]

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Williams Gamaker, Michelle. 2020. On Fictional Activism: Exploring The Film Trilogy Dissolution (2019). In: Katy Deepwell, ed. Feminist Art Activisms and Artivisms. Amsterdam: Valiz, pp. 40-53. ISBN 9789492095725 [Book Section]

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Williams Gamaker, Michelle. 2023. A Particular Reality (APR): Developing a Nuanced Pedagogical Methodology in Practice-Based Higher Education Courses. In: Katy Deepwell, ed. De-/Anti-/Post-colonial Feminisms in Contemporary Art and Textile Craft. London: KT press, pp. 137-157. ISBN 9780992693473 [Book Section]

Williams Gamaker, Michelle. 2016. Precarity (with Mieke Bal) Arts and Technology Research Lab, Dublin, Ireland. In: "Precarity (with Mieke Bal) Arts and Technology Research Lab, Dublin, Ireland", Arts and Technology Research Lab, Dublin, Ireland. [Show/Exhibition]

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Williams Gamaker, Michelle. 2023. Thieves (2023). [Film/Video]

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Williams Gamaker, Michelle and Bal, Mieke. 2014. Cause and Effect, VIVA Festival, Malta. In: "Cause and Effect, VIVA Festival, Malta", Valetta ,St James Cavelier, Malta, 1st September - 5th November. [Show/Exhibition]

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Williams Gamaker, Michelle and Bal, Mieke. 2017. Madame B Museum Aboa Vetus & Ars Nova, Turku (Finland). In: "Madame B Museum Aboa Vetus & Ars Nova", Turku, Finland, 9 March - 28 May 2017. [Show/Exhibition]

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Williams Gamaker, Michelle and Bal, Mieke. 2014. Madame B: Exploraciones en el Capitalismo Emocional. In: "Madame B: Exploraciones en el Capitalismo Emocional", Sala U, Universidad Nacional de Colombia, Sede Medellín, Colombia, 22 May - 30 June 2014. [Show/Exhibition]

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Williams Gamaker, Michelle and Bal, Mieke. 2014. 'Madame B: Quotation as Performance Michelle Williams Gamaker & Mieke Bal Keynote Lecture'. In: Madame B: Quotation as Performance Michelle Williams Gamaker & Mieke Bal Keynote Lecture. Konstrundan, Aland, Finland. [Conference or Workshop Item]

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Williams Gamaker, Michelle and Bal, Mieke. 2014. "Madame B: When Love Fails Us", Museum Bärengasse, Zürich, Switzerland. In: ""Madame B: When Love Fails Us", Museum Bärengasse, Zürich, Switzerland", Museum Bärengasse,, Switzerland. [Show/Exhibition]

Williams Gamaker, Michelle and Bal, Mieke. 2015. Precarity (with Mieke Bal) in The Importance of Being a (Moving) Image, The National Gallery, Prague (curated by Adam Budak). In: "Precarity (with Mieke Bal) in The Importance of Being a (Moving) Image, (curated by Adam Budak)", The National Gallery, Prague, Czech Republic, 20th February - 24th May. [Show/Exhibition]

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Williams Gamaker, Michelle and Mieke, Bal. 2014. Madame B: Explorations in Emotional Capitalism. In: "Madame B: Explorations in Emotional Capitalism", Eckerö Post och Tullhus, Åland, Finland, 4 May - 10 June 2014. [Show/Exhibition]

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Williams Gamaker, Michelle and Mieke, Bal. 2014. Madame B: Explorations in Emotional Capitalism. In: "Madame B: Explorations in Emotional Capitalism", Gallery of the Sydney College of the Arts, Australia, 1 - 30 August 2014. [Show/Exhibition]

Williams, Gilda. 2008. Anthony McCall. Artforum, 46(8), p. 380. ISSN 1086-7058 [Article]

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Williams, Gilda. 2014. ''Art writing in the Second Machine Age: from Andy Warhol to Kenneth Goldsmith' -- How to Write about Contemporary Art, talks and workshops'. In: Art-Writing conferences and workshops. London, United Kingdom 2014–2016. [Conference or Workshop Item]

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Williams, Gilda. 2016. 'Breaking Up is Hard to Do: Men Women and Punctuation in Warhol's Novel a'', afterword to a: a novel, an erased novel by poet Derek Beaulieu. In: Derek Beaulieu, ed. a: a novel. Paris: Jean Boite Editions, pp. 460-478. ISBN 978-2-36568-019-6 [Book Section]

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Williams, Gilda. 2010. Catherine Yass. In: , ed. 100 Video Artists. Madrid: Exit Publicaciones, pp. 438-441. ISBN 978-84-937347-0-1 [Book Section]

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Williams, Gilda. 2015. 'Christian Marclay: A Mouthful of Imagery'. [Exhibition Catalogue]

Williams, Gilda. 2009. Claire Hooper. Artforum, 47(8), pp. 198-199. ISSN 1086-7058 [Article]

Williams, Gilda. 2010. Clunie Reid. Artforum, 48(5), pp. 211-212. ISSN 1086-7058 [Article]

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Williams, Gilda. 2008. Daniel Silver: Openings. Artforum, XLVI(10), pp. 418-419. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. 'Defining Contemporary Gothic Art in the 21st Century'. In: 9th Biennial International Gothic Association Conference. University of Lancaster, United Kingdom. [Conference or Workshop Item]

Williams, Gilda. 2009. Duncan Campbell. Artforum, 47(7), p. 254. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Elizabeth Price. Artforum, 48(1), p. 304. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Front House. Artforum, 47(1), pp. 473-474. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Gary Hume. Artforum, 46(5), p. 291. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. ‘Gothic and Its Legacies’. London: Courtauld Institute. [Book]

Williams, Gilda. 2008. 'The Gothic'. In: ‘The Gothic’, keynote speaker, curatorial programme. Leeds Metropolitan University, United Kingdom. [Conference or Workshop Item]

Williams, Gilda. 2009. ‘The Gothic’. London: Westminster University. [Book]

Williams, Gilda. 2008. '‘The Gothic’'. In: The Gothic. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

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Williams, Gilda. 2015. 'Hannah Collins: Emotional Cartography'. [Exhibition Catalogue]

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Williams, Gilda. 2016. "'How Embarrassing!': On Maria Lassnig", Tate etc., May 2016. Tate etc.(37), pp. 43-47. ISSN 1743-8853 [Article]

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Williams, Gilda. 2014. How to Write about Contemporary Art. London: Thames & Hudson. ISBN 9780500291573 [Book]

Williams, Gilda. 2010. Ian Kiaer. Artforum, 48(8), p. 206. ISSN 1086-7058 [Article]

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Williams, Gilda. 2010. It Was What It Was: Modern Ruins. Art Monthly, 336, pp. 1-4. [Article]

Williams, Gilda. 2008. Jimmy De Sana. Artforum, 46(10), p. 450. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. John Samson. Artforum, 47(4), p. 312. ISSN 1086-7058 [Article]

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Williams, Gilda. 2010. Jonathan Wateridge: Being Seen, In Between. In: Gilda Williams, ed. Jonathan Wateridge: Another Place. London: All Visual Arts, pp. 22-37. ISBN 978-1-907164-02-6 [Book Section]

Williams, Gilda. 2009. Lindsay Seers. Artforum, 47(9), p. 247. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Liverpool Biennial. Artforum, 47(5), pp. 221-222. ISSN 1086-7058 [Article]

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Williams, Gilda. 2009. 'Making Monsters: Gothic Processes and Themes in Contemporary Art'. In: Lecture. University of Westminster, London, United Kingdom. [Conference or Workshop Item]

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Williams, Gilda, ed. 2016. On&By Andy Warhol. London/Cambridge, Massachusetts: Whitechapel Gallery/MIT. ISBN 9780262528689 [Edited Book]

Williams, Gilda. 2009. The Otolith Group. Artforum, 48(4), p. 245. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Peter Coffin and Djordje Ozbolt. Artforum, 47(2), p. 394. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Roger Hiorns. Artforum, 47(4), pp. 311-312. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Tim Shaw. Artforum, 47(6), pp. 203-204. ISSN 1086-7058 [Article]

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Williams, Gilda. 2011. Towards a 21st Century Definition of Gothic Art. In: , ed. Monstrous Media/Spectral Subjects. Lancaster University. [Book Section]

Williams, Gilda. 2009. Voodoo. Artforum, 47(10), p. 348. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. What's That Hanging on My Bicycle? Artforum, 47(10), p. 67. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. William Daniels. Artforum, 46(6), pp. 300-301. ISSN 1086-7058 [Article]

Williams, Gilda. 2010. ‘Women and Gothic’ (on Louise Bourgeois). Cambridge: Lucy Cavendish College, Cambridge University. [Book]

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Williams, Gilda; Kramer, Fritz W.; Falkenberg, Harald; Wiebel, Peter and Slyce, John. 2016. 'Werner Buttner's Paintings: From 'Werner' to 'Art' and Back Again. In: Andrew Renton, ed. Werner Buttner: Coincidence in Splendour. London: Black Dog, pp. 175-180. ISBN 978-1-910433-75-1 [Book Section]

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Williams, Gilda and Mille, Daria. 2016. 'Werner Buttner's Collages: From A to T (and Back Again)'. In: Andrew Renton, ed. Werner Buttner: My Looting Eye. London: Black Dog, pp. 7-11. ISBN 978-1-910433-83-6 [Book Section]

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Yiakoumaki, Nayia. 2009. Curating Archives, Archiving Curating. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Zaman, Rehana. 2021. Alternative Economies. [Film/Video]

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Zaman, Rehana. 2021. Artists Film International: Rehana Zaman: Sharla, Shabana, Sojourner, Selena. In: "Artists Film International: Rehana Zaman, Sharla, Shabana, Sojourner, Selena", Whitechapel Gallery, London, United Kingdom, 2 February 2021 - 30 January 2022. [Show/Exhibition]

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Zaman, Rehana. 2021. British Art Show 9. In: "British Art Show 9", Hayward Gallery Touring, United Kingdom, 10 July 2021 - 23 December 2022. [Show/Exhibition]

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Zaman, Rehana. 2021. Donut/Phalanx. In: "ICA Miami Digital Commissions 2020–21: …what endures…", Institute of Contemporary Art, Miami, United States, 30 November 2021 - 27 March 2022. [Show/Exhibition]

Zaman, Rehana. 2019. Get Up, Stand Up Now - This is England Film Series presents Sharla Shabana Sojourner Selena. In: "Get Up, Stand Up Now - This is England Film Series", London, United Kingdom, 12 June - 8 August 2019. [Show/Exhibition]

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Zaman, Rehana. 2018. How Does an Invisible Boy Disappear. In: "How Does an Invisible Boy Disappear Liverpool Biennial 2018", Liverpool, United Kingdom, 14 July - 28 October 2018. [Show/Exhibition]

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Zaman, Rehana. 2018. How Does an Invisible Boy Disappear Kochi Muziris Biennale 2018. In: "How Does an Invisible Boy Disappear Kochi Muziris Biennale 2018", Kochi, India. [Show/Exhibition]

Zaman, Rehana. 2018. How Does an Invisible Boy Disappear?. In: "Berwick Film & Media Arts Festival 2018", Berwick-upon-Tweed, United Kingdom, 20 - 23 September 2018. [Show/Exhibition]

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Zaman, Rehana. 2013. I,I,I,I and I. [Film/Video]

Zaman, Rehana. 2019. The Jarman Award 2019 tour. In: "12th Film London Jarman Award", Whitechapel Gallery, London, United Kingdom, 26 September 2019 - 8 December 2019. [Show/Exhibition]

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Zaman, Rehana. 2021. Jupiter in Aries, Moon in Virgo, Trinity Square Video & Scotiabank Contact Photography Festival (Apr – July 2021). In: "Jupiter in Aries, Moon in Virgo", Trinity Square Video, Canada, 3 April - 17 July 2021. [Show/Exhibition]

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Zaman, Rehana. 2019. Radical Intimacies. In: "Radical Intimacies", Outburst Queer Arts Festival and Golden Thread Gallery, Belfast, United Kingdom, 7 November 2019 - 25 June 2021. [Show/Exhibition]

Zaman, Rehana. 2019. The Range. In: "The Range, A group exhibition curated by Rehana Zaman", Eastside Projects, Birmingham, United Kingdom, 26 January - 27th April 2019. [Show/Exhibition]

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Zaman, Rehana. 2021. Sala-jardín-bar: The Things We Make. In: "The Things We Make", Lodos Gallery, Mexico City, Mexico, 21 August – 18 September 2021. [Show/Exhibition]

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Zaman, Rehana. 2017. Solo Exhibition Material Art Fair, Mexico City. In: "Solo Exhibition Rehana Zaman at Material Art Fair 2017", Mexico City, Mexico, February 2017. [Show/Exhibition]

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Zaman, Rehana. 2016. Solo Exhibition, Tell me the story Of all these things, Tenderpixel, 2016 - 2017. In: "Solo Exhibition, Tell me the story Of all these Things, Tenderpixel, 2016", London, United Kingdom, 30 November 2016 - 28th January 2017. [Show/Exhibition]

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Zaman, Rehana. 2020. Songs From a Forgotten Past. In: "Songs From a Forgotten Past", Instituto Tomie Ohtake, São Paulo, Brazil, 21 January 2020 - 30 May 2021. [Show/Exhibition]

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Zaman, Rehana. 2018. Speaking Nearby at CCA Glasgow. In: "Speaking Nearby at the CCA Glasgow", Glasgow, United Kingdom, 10th February - 25th March 2018. [Show/Exhibition]

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Zaman, Rehana. 2018. Tell me the story Of all these things. In: "Tell me the story Of all these things on Mubi", Online, Canada. [Show/Exhibition]

Zaman, Rehana. 2019. They Failed to Remember Us: Expanding Intersectional Feminisms. In: "IDEA 010: They Failed to Remember Us: Expanding Intersectional Feminisms", Institute of Contemporary Art, Miami, United States, 30 March 2019. [Show/Exhibition]

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Zaman, Rehana. 2019. Your Ecstatic Self. In: "Second Sight: New Commissions", BFI Southbank, United Kingdom, 5 December 2019. [Show/Exhibition]

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Zaman, Rehana. 2019. Your Ecstatic Self. [Film/Video]

Zaman, Rehana; Le Melle, Taylor and Powell, Rowan. 2019. Tongues. [Artist's Book]

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Zaman, Rehana and Liverpool Black Women Filmmakers. 2019. How Does an Invisible Boy Disappear?. In: "Lateral Recovery Position", Bétonsalon, Paris, France, 30 January - 30 April 2019. [Show/Exhibition]

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Ángel Macía, Manuel. 2016. Heterarchies and Missed Encounters. Doctoral thesis, Goldsmiths, University of London [Thesis]

This list was generated on Wed Nov 13 02:50:39 2024 GMT.