Items where Division is "Art"

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Number of items at this level: 2434.

A

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Abad, Pio. 2016. Notes on Decomposition. [Art Object]

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Abad, Pio. 2018. 'Para Site International Conference 2018 - The Collection of Jane Ryan & William Saunders: Reconstruction as Democratic Gesture'. In: Para Site International Conference 2018: What to Let Go?. Tai Kwun - Centre for Heritage and Arts, Hong Kong 22 - 24 November 2018. [Conference or Workshop Item]

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Abad, Pio and Wadsworth Jones, Frances. 2019. The Collection of Jane Ryan and William Saunders. [Art Object]

Abbing, Hans; Lind, Maria; Stapleton, Jamie and Malik, Suhail. 2007. ''New money' discussion panel'. In: Rotterdam dialogues: the periphery complex [symposium]. Witte de With, Rotterdam, Netherlands 8th February 2007. [Conference or Workshop Item]

Acconci, Vito; Coutts, Marion; Norman, Nils; O'Shea, Mick; Rothschild, Eva and Tzaig, Uri. 2001. Vito Acconci/Acconci Studio, PARA-CITIES: Models for Public Spaces. Trouble Shooting. Bristol: Arnolfini. ISBN 0907738664 [Book]

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Alexandra, White; Williams Gamaker, Michelle and Kouneski, Julia. 2017. Concrete Jungle, an exhibition featuring video works curated by Alexandra White.. In: "Concrete Jungle, an exhibition featuring video works curated by Alexandra White.", Annka Kultys Gallery, London, United Kingdom. [Show/Exhibition]

Allsopp, Ric and Kreider, Kristen. 2015. To Step, Leap, Fly. Performance Research, 20(1), pp. 1-3. ISSN 1352-8165 [Article]

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Anaya-Morales, Josefina. 2005. Relato II: wandering Tehuanita. [Film/Video]

Anderson, Wendy; Hirst, Nicky; Smith, Terry and Walsh, Bernard. 2003. Remember, Remember The 5th of November. In: "Remember, Remember The 5th of November", Pugh Pugh Gallery, Berlin, Germany. [Show/Exhibition]

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Annelore, Schneider and Williams Gamaker, Michelle. 2016. House of Women premiere at "Video Screening", Artist’s Films at The Swiss Church London. In: "House of Women premiere at "Video Screening", Artist’s Films", The Swiss Church London, United Kingdom. [Show/Exhibition]

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Archer, Michael. 2012. A Céu Aberto [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2010. Eva Rothschild. In: , ed. Eva Rothschild. London: Stuart Shave/Modern Art and Koenig Books, pp. 129-133. ISBN 978-3-86560-910-6 [Book Section]

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Archer, Michael. 2016. 'FGJH'. In: FGJH. Arthouse, United Kingdom December 11, 2016. [Conference or Workshop Item]

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Archer, Michael. 2013. Fata Morgana [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2016. 'Gertrude and Ludwig in the House Made of Sugar'. In: Gertrude and Ludwig in the House Made of Sugar. Bread and Jam, United Kingdom May 27, 2016. [Conference or Workshop Item]

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Archer, Michael. 2008. Heaven [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2015. Imi Knoebel: Paint Project. In: , ed. Imi Knoebel. London: White Cube, pp. 29-55. ISBN 9781910844021 [Book Section]

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Archer, Michael. 2009. It's Like This. In: , ed. Martin Creed. Birmingham, UK: Ikon Gallery, pp. 36-47. ISBN 978-1-904864-45-5 [Book Section]

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Archer, Michael. 2011. Jeff Koons: One Ball Total Equilibrium Tank. London/Cambridge, Mass: Afterall/MIT. ISBN 978-1-84638-079-2 (paperback), 978-1-84638-078-5 (hardback) [Book]

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Archer, Michael. 2010. Moon Turned a Fire Red / Der Mond färbte ein Feuer rot. Parkett(87), pp. 104-115. ISSN 0256-0917 [Article]

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Archer, Michael. 2008. No Man's Time: Material Fantasies. In: , ed. theanyspacewhatever. New York: Solomon R. Guggenheim Museum, pp. 116-122. ISBN 978-0-89207-377-1 [Book Section]

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Archer, Michael. 2017. 'Numbing Like the Stingray'. In: Too Close to See. LARA, United Kingdom February 25, 2017. [Conference or Workshop Item]

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Archer, Michael. 2008. One and the Same. In: , ed. POLITICAL/MINIMAL. Nürnberg: Verlag für moderne Kunst, pp. 127-137. ISBN 978-3-941185-07-4 [Book Section]

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Archer, Michael. 2013. Ripley. SALT.(3), pp. 14-15. [Article]

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Archer, Michael. 2016. Surface Density. In: , ed. Jeff Koons: Now. London: Other Criteria, pp. 6-11. ISBN 9781906967765 [Book Section]

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Ash, Jesse. 2010. The Figure of Speech: The Politics of Contemporary Chatter. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ashcroft, Louise. 2017. I'd Rather Be Shopping. In: "I'd Rather Be Shopping", Arebyte Gallery, London, United Kingdom, 18 August - 20 September 2017. [Show/Exhibition]

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Ashcroft, Louise. 2017. Monsters of the Deep. In: "Coastal Currents Festival 2017", Coastal Currents Festival Hastings, United Kingdom, 2nd Sept - 1st Oct 2017. [Performance]

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Ashcroft, Louise. 2018. On Hold: Call Centres and God. In: "Boring Conference 2018", Conway Hall, United Kingdom, 5th May 2018. [Performance]

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Ashcroft, Louise. 2018. One Hour Holiday. In: "One Hour Holiday", Various, United Kingdom, February, June, and July 2018. [Performance]

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Ashcroft, Louise. 2018. Party Platforms: Deptford X Special Project Commission 2018. In: "Deptford X Festival 2018", 1 Market Yard, Deptford, United Kingdom, Project ran January to September 2018, with exhibition 21st - 30th September 2018. [Show/Exhibition]

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Ashcroft, Louise. 2018. Props. In: "Low Entertainment", Arch 5, United Kingdom, 26th June - 1st July 2018. [Performance]

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Ashcroft, Louise. 2018. Street Racket. [Art Object]

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Ashcroft, Louise. 2018. Talking to a Brick Wall. In: "Talking to a Brick Wall", CCA Goldsmiths, United Kingdom, 23rd September 2018. [Performance]

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Ashcroft, Louise. 2017. Unicorns of Westfield. [Film/Video]

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Ashcroft, Louise. 2013. Unperforming. In: "Unperforming", Artsadmin, United Kingdom, 13th September 2017, 1st March 2018, 10th May 2018. [Performance]

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Ashcroft, Louise. 2018. Urban Investopedia. [Art Object]

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Ashcroft, Louise. 2018. You're the HD to my ADHD. In: "Handle With Care", Wellcome Collection, United Kingdom. [Performance]

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Ashery, Oreet. 2013. Party for Freedom. In: "Artangel Commission", 25 public and private venues across London, United Kingdom. [Performance]

Ashery, Oreet and Sansour, Larissa. 2009. The Novel of Nonel and Vovel. [Artist's Book]

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Ashery, Oreet and Sansour, Larissa. 2009. The Novel of Nonel and Vovel. In: "The Novel of Nonel and Vovel", Iniva, London, United Kingdom, 2009-2011. [Performance]

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Atkins, Edward. 2012. Us Dead Talk Love. [Film/Video]

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Avanessian, Armen and Malik, Suhail. 2016. Introduction: Speculative Genealogies. In: Suhail Malik and Armen Avanessian, eds. Genealogies of speculation : materialism and subjectivity since structuralism. London and New York: Bloomsbury Academic, pp. 1-26. ISBN 9781472591678 [Book Section]

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al-Rifaie, Mohammad Majid; Aber, Ahmed and Bishop, Mark (J. M.). 2012. Cooperation of Nature and Physiologically Inspired Mechanism in Visualisation. In: Anna Ursyn, ed. Biologically-Inspired Computing for the Arts: Scientific Data through Graphics. USA: IGI Global, pp. 31-58. ISBN 978-1-466-60942-6 [Book Section]

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al-Rifaie, Mohammad Majid; Bishop, Mark (J. M.) and Aber, Ahmed. 2011. Creative or Not? Birds and Ants Draw with Muscle. Proceedings of AISB'11 Computing and Philosophy, pp. 23-30. [Article]

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Bal, Mieke and Michelle, Williams Gamaker. 2014. Emotions and Capitalism. In: "Emotions and Capitalism", Vaal Galleri, Estonia, 10-30th January 2014. [Show/Exhibition]

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Bal, Mieke and Williams Gamaker, Michelle. 2017. Emma and Edward: Love in the Time of Loneliness, Munch Museum, Oslo, Norway. In: "Emma and Edward: Love in the Time of Loneliness, Munch Museum, Oslo, Norway", Munch Museum, Oslo, Norway, 27 January to 17 April, 2017. [Show/Exhibition]

Bal, Mieke and Williams Gamaker, Michelle. 2001. Madame B, Explorations in Emotional Capitalism. In: "Madame B Explorations in Emotional Capitalism", Museum Stuki, Lodz, Poland, January 2014-September 2014. [Show/Exhibition]

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Bance, David; Baldock, Jonathan; Beales, katriona; Closs, Lottie V.; Cummins, Sean; Dargan, Sam; Edwards, Sean; Fisher, Craig; Ford, Dan; Franklin, Simon; Fulton, Lynn; S Gubb, Mark; Mendelson, Zoe; Reynolds, Audrey; Simmonds, Gary; Swann, Debra; Woods, Richard; Annie, Whiles and Zakiewicz, Neil. 2010. Pile. In: "Pile", Chapter gallery, Cardiff, United Kingdom, 19th Nov-Dec 10th 2010 and 4th Feb-20th March 2011. [Show/Exhibition]

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Banfield, Frank. 2004. An investigation of beauty and contemporary painting: Kant, Greenberg and Neuroscience. Doctoral thesis, Goldsmiths, University of London [Thesis]

Barnett, Pennina. 2007. Chohreh Feyzdjou: Tout art est en exil: Pennina Barnett interviews Anne Cadenet. n. paradoxa, international feminist art journal, 20, pp. 83-87. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Collection: Pennina Barnett interviews Wiebke Siem. n. paradoxa, international feminist art journal, 9, pp. 5-14. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Small Gestures and Acts of Grace: an interview with Germaine Koh. Women: a Cultural Review, 13(3), pp. 356-369. ISSN 09574042 [Article]

Barnett, Pennina; Ross, David and Jefferies, Janis K.. 2003. Letter from the Editors. Textile The Journal of Cloth and Culture, 1(1), pp. 1-7. ISSN 14759756 [Article]

Batchelor, David. 2017. Chromatology. In: "Chromatology", Ab Anbar Gallery, Iran, Islamic Republic of, 3 February - 3 March 2017. [Show/Exhibition]

Batchelor, David. 2013. Flatlands. [Art Object]

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Batchelor, David. 2014. The Luminous and the Grey. London: Reaktion Books. ISBN 9781780232805 [Book]

Batchelor, David. 2014. Monochrome Archive 1997-2015. In: "Monochrome Archive", Whitechapel Gallery, United Kingdom. [Show/Exhibition]

Batchelor, David. 2017. Sixty Minute Spectrum. In: "Sixty Minute Spectrum", Hayward Gallery, London, United Kingdom, 22 November 2017 – 25 March 2018. [Show/Exhibition]

Bauer, Diann; Chilver, John; Claxton, Ruth; Dale, Tom; Dawes, Nick; Dawood, Shezad; Gough, Stewart; Herbert, Samuel; Hibbs, Justin; Hopkins, James; Hughs Watts, Julian; Jones, Zebedee; Monroe, Ian; Ritson, Boo; Sanders-Dunnachie, Angus; Smith, Kevin; Richardson, Pamela; Stark, John; Wathen, Richard; White, James; Woolls, Leon; Zakiewicz, Neil and Bolivar, Juan. 2010. Dawnbreakers. In: "Dawnbreakers", John Hansard Gallery, Southampton, United Kingdom, 27 April - 12 June 2010. [Show/Exhibition]

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Bauer, Diann; Malik, Suhail and Zuluaga, Natalia. 2019. Operationalizing Real Abstraction: Art and the General Abstract Image. In: Gean Moreno, ed. In the Mind But Not From There: Real Abstraction and Contemporary Art. New York: Verso. ISBN 9781788730693 [Book Section]

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Beasley, Becky. 2017. A Gentle Man. In: "A Gentle Man", 80WSE Gallery, Steinhart, NYU, United States, 14 June -19 August 2017. [Show/Exhibition]

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Beasley, Becky. 2017. Ous. In: "Ous", Towner Art Gallery, Eastbourne, United Kingdom, 29/04-09/07/2017. [Show/Exhibition]

Beasley, Becky. 2015. Sleep is When you Grow. In: "Sleep is When You Grow", SKUC Gallery, Slovenia, 28.8. – 27.9. 2015. [Show/Exhibition]

Beasley, Becky. 2014. A Slight Nausea: An Interior. In: "A Slight Naueas: An Interior", South London Gallery, United Kingdom, January 2014 (four weekends). [Show/Exhibition]

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Beasley, Becky. 2018. Two Plants in Dip. [Artist's Book]

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Bedwell, Simon A.. 2009. Asphalt World. [Project]

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Bedwell, Simon A.. 15 January - 15 February 2009 Asphalt World. [Project]

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Bedwell, Simon A.. 2014. First And Last Men. In: "First And Last Men", Ha Gamle, Stavanger, Norway. [Show/Exhibition]

Bedwell, Simon A.. 2007. The Furnishers. In: "The Furnishers", White Columns, 1/10/2007 - 2/11/2007. [Show/Exhibition]

Bedwell, Simon A.. 2002. Galleon and Other Stories. In: "Galleon and Other Stories", Saatchi Gallery, 7/7/2002 - 12/1/2004. [Show/Exhibition]

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Bedwell, Simon A.. 2010. Heliotrope. In: "Heliotrope", Vulpes vulpes, United Kingdom, 12/06/2010-27/06/2010. [Show/Exhibition]

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Bedwell, Simon A.. 2016. No. In: "No", Piper Keys, London, United Kingdom. [Show/Exhibition]

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Bedwell, Simon A.. 2008. Other People's Projects. In: "Other People's Projects", White Columns, New York, United States, 22/02/08 - 30/03/08. [Show/Exhibition]

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Bedwell, Simon A.. 2009. The Painter of the Hole. In: "Simon Bedwell", MOT International, United Kingdom, 5 September - 3 October 2009. [Show/Exhibition]

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Bedwell, Simon A.. 11 February - 5 September 2009 RANK: Picturing the social order 1516 - 2009. [Project]

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Bedwell, Simon A.. 2010. Royale with Cheese. In: "Royale with Cheese", Aicon gallery, United Kingdom, 06/03/2010-03/04/2010. [Show/Exhibition]

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Bedwell, Simon A.. 2010. SO BE IT:INTERVENTIONS IN PRINTED MATTER. In: "So Be It: Interventions in Printed Matter", Andrew Roth Gallery, New York, United States, April 8– May 7, 2010. [Show/Exhibition]

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Bedwell, Simon A.. 2017. SOCIETY. In: "SOCIETY", Hospitalfield House, Arbroath, United Kingdom, 25 June - 10 July 2017. [Show/Exhibition]

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Bedwell, Simon A.. 2017. Society. In: "Society", Hospitalfield House, Arbroath, United Kingdom. [Show/Exhibition]

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Bedwell, Simon A.. 2006. Untitled (Death). In: "Cabaret", Ramis Barquet gallery, United States, February 17 – March 19, 2011. [Show/Exhibition]

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Bedwell, Simon A.. 2014. Untitled (No Inside). In: "Paradigm Store", Howick Place, London, United Kingdom. [Show/Exhibition]

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Bedwell, Simon A.. 2004. Untitled (The Prelude). In: "WE ARE GRAMMAR", Pratt Manhattan Gallery, New York, United States, 21/2/2011-27/5/2011. [Show/Exhibition]

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Bedwell, Simon A.. 2010. Untitled 1, Untitled 2, both acrylic on linen, 2010. In: "Standard Candles", Vulpes Vulpes, United Kingdom, 31 March - 25 April 2010. [Show/Exhibition]

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Bedwell, Simon A.. 2010. Untitled, 2010. In: "La Belle Dame Sans Merci", Vegas Gallery, Vyner Street London, United Kingdom, 03/09/2010 - 03/10/2010. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Amelia and Russell, John. 1998. Fax-Back. [Art Object]

Bedwell, Simon A. and Thompson, Milly. 2001. Century City. In: "Century City", Tate Modern, 1/30/2001 - 4/21/2001. [Show/Exhibition]

Bedwell, Simon A. and Thompson, Milly. 2002. John Moores 22 - The Ambassador. In: "John Moores 22 - The Ambassador", The Walker, 9/8/2002 - 12/8/2002. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Milly and Russell, John. 2009. FAX. In: "Fax", The Drawing Center, United States, April 17 - July 23, 2009. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Milly and Russell, John. 2008. LESS IS LESS, MORE IS MORE, THAT'S ALL. In: "Less is less, more is more, that’s all", Bordeaux, France, 13 June - 05 September 2008. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Milly; Russell, John and Williamson, Andrew. 2010. GRAND NATIONAL: ART FROM BRITAIN. In: "GRAND NATIONAL: ART FROM BRITAIN", Vestfossen Kunstlaboratorium, Vestfossen, Norway. [Show/Exhibition]

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Beech, Amanda. 2003. Heroic Realism: Rhetoric and Violence in Narratives of Justice and Discourses of Decision. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Beech, Amanda; Gilbertson, Alice; Jones, Alison; Poole, Matthew and Putler, Viictoria. 2001. Moving, Balls Pond Rd, London. In: "Moving", 72 Balls Pond Rd, London, United Kingdom, 15-29th September. [Show/Exhibition]

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Bhatara, Anjali; Quintin, Eve-Marie; Heaton, Pam F.; Fombonne, Eric and Levitin, Daniel. 2009. Bhatara, A., Quintin, E., Fombonne, E., Heaton, P. & Levitin, D. (2009).The Effects of Music on Social Attribution in Adolescents with Autism Spectrum Disorders. Child Neuropsychology, 13; 1 – 22. Child Neuropsychology, 15(4), pp. 375-396. ISSN 0929-7049 [Article]

Black, Hannah; Daniels, Chris Paul; Dean, Michael; Harrison, Sarah; Kholeif, Omar; Kingstone, Peter; Carter, Claire; Morrison, Laura; O'Hare, Louise; Penney, Bridget; Perks, Sarah; Unsworth, Emma Jane; Walter, John; Wills, Camilla and Wood, Jason. 2015. Transactions of Desire Vol 2: Are you allergic to the 21st century? In: Louise O'Hare and Sarah Perks, eds. Transactions of Desire Vol 2: Are you allergic to the 21st century? 2 Manchester UK: Cornerhouse Publications, pp. 54-68. ISBN 9780992952457 [Book Section]

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Bowman, Jason; Malik, Suhail and Phillips, Andrea. 2015. Parse Journal #2: Introduction. Parse #2: The Value of Contemporary Art, 2, pp. 8-6. ISSN 2002-0511 [Article]

Bright, Susan. 2017. Home Truths: Photography and Motherhood. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

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Brkić, Aleksandar. 2010. Teaching Arts Management: Where Did We Lose the Core Ideas? The Journal of Arts Management, Law, and Society, 38(4), pp. 270-280. ISSN 1063-2921 [Article]

Brown, Millie. 2020. The fear journey into art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Cain, B.. 2006. Here and Now, Present but not Concrete.. In: "Here and Now, Present but not Concrete.", Museum of Modern Art, 9/10/2006 - 10/6/2006. [Show/Exhibition]

Cain, B.. 2005. Places of Transition (Continental Breakfast). In: "Places of Transition (Continental Breakfast)", Museum of Modern Art, 3/12/2005 - 4/12/2005. [Show/Exhibition]

Cain, B.. 2006. This is what it is like. In: "This is what it is like", Netwerk and Fordham, 5/7/2006 - 6/10/2006. [Show/Exhibition]

Cain, B. and Gerovic, T.. 2006. Near Island: Score for Complex Scene. In: "Near Island: Score for Complex Scene", PM Gallery, 3/26/2006 - 4/20/2006. [Show/Exhibition]

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Caines, Suzanne. 2015. The Interlocutor and the End Men. Doctoral thesis, Goldsmiths, University of London [Thesis]

Camplin, Bonnie. 2016. Bonnie Camplin. In: "Bonnie Camplin", Camden Arts Centre, United Kingdom, September 2016 - January 2017. [Show/Exhibition]

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Camplin, Bonnie. 2015. Bonnie Camplin detail of "Patterns" Installation. In: "Turner Prize 2015", Tramway, Glasgow, United Kingdom, 1 October 2015 – 17 January 2016. [Show/Exhibition]

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Camplin, Bonnie. 2016. Bonnie Camplin on her exhibition at Camden Arts Centre, 2016. Camden Arts Centre, London. [Other]

Camplin, Bonnie. 2015. Patterns/The Military Industrial Complex. In: "Turner Prize 2015", Tramway, Glasgow, United Kingdom, 1 October 2015 – 17 January 2016. [Show/Exhibition]

Camplin, Bonnie. 2016. Precog Jamaica. In: "Precog Jamaica", Michael Benevento Gallery, United States, 2016. [Show/Exhibition]

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Camplin, Bonnie. 2016. Talk: Bonnie Camplin, Dr David Luke and Michele Occelli. This is Tomorrow/ youtube, London. [Other]

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Camplin, Bonnie and Pieroni, Paul. 2016. Bonnie Camplin (Camden Arts Centre: September 2016 - January 2017). [Exhibition Catalogue]

Carpenter, Ele. 2014. Actinium [Curatorial Project]. In: "Actinium", OYOYO, Japan, 19 July - 3 August 2014. [Show/Exhibition]

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Carpenter, Ele. 2010. Activist Tendencies in Craft. Concept Store #3 Art, Activism and Recuperation., 3, [Article]

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Carpenter, Ele. 2011. Analogous: Digital / Analogue Metaphors. Digitalis Newspaper Catalogue, 0-0. [Article]

Carpenter, Ele. 2011. Coal-powered Craft: a past for the future. Journal of Modern Craft, 4(2), pp. 147-160. ISSN 1749-6772 [Article]

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Carpenter, Ele. 2009. HTML Patchwork, 2007-2009. [Art Object]

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Carpenter, Ele. 2010. Intervention & Revolution, Interview with Gregory Sholette and Nato Thompson. In: Sarah Cook; Beryl Graham; Verina Gfader and Axel Lapp, eds. A Brief History of Working with New Media Art: Conversations with Artists. Sunderland UK / Berlin Germany: The Green Box, pp. 111-127. [Book Section]

Carpenter, Ele. 2016. Kota Takeuchi, Memory Bug. In: "Kota Takeuchi, Memory Bug", Arts Catalyst, United Kingdom, July - August 2016. [Show/Exhibition]

Carpenter, Ele. 2009. 'Many:Many Workshop'. In: Micro Makers Faire. Chapter Arts Centre, United Kingdom 22-23 October 2009. [Conference or Workshop Item]

Carpenter, Ele. 2009. 'Mapping Data: Performing Landscape'. In: Mapping Data: Performing Landscape. Umea University, Sweden. [Conference or Workshop Item]

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Carpenter, Ele. 2009. Open Source Embroidery. In: "Open Source Embroidery Exhibition", BildMuseet, Umea, Sweden, 6 June 2009 - 24 January 2010. [Show/Exhibition]

Carpenter, Ele. 2009. 'Open Source Embroidery at MzTek Unplugged'. In: MzTek. United Kingdom. [Conference or Workshop Item]

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Carpenter, Ele. 2012. Open Source Embroidery: Curatorial Facilitation of Material Networks. In: Jessica Hemmings, ed. The Textile Reader. London: Berg, pp. 336-346. ISBN 9781847886347 [Book Section]

Carpenter, Ele. 2018. Perpetual Uncertainty - art and radioactivity. In: "Perpetual Uncertainty - art and radioactivity", Malmö Konstmuseum, Sweden, 24 February - 26 August 2018. [Show/Exhibition]

Carpenter, Ele. 2017. '(Post) Nuclear Anthropocene'. In: Various conferences 2015-17. Z33 House of Contemporary Art, Belgium 2015 - 2017. [Conference or Workshop Item]

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Carpenter, Ele. 2011. Shaggy Modernism. In: James Hutchinson, ed. James Hutchinson: works 2007–2011. Sunderland, UK: Art Editions North, pp. 49-51. ISBN 978‐0‐9549119‐9‐7 [Book Section]

Carpenter, Ele. 2016. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity. In: Ryan Bishop and John Beck, eds. Cold War Legacies: Systems, Theories, Aesthetics. Edinburgh: Edinburgh University Press. ISBN 9781474409483 [Book Section]

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Carpenter, Ele. 2016. The Smoke of Nuclear Modernity Drifts through the Anthropocene. In: Helen Grove-White, ed. Power in the Land. Wales: X-10, pp. 17-29. ISBN 978-1-78280-732-2 [Book Section]

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Carpenter, Ele. 2011. Social Making. In: Daniel Charny, ed. The Power of Making:The Importance of Being Skilled. London, UK: V&A Museum and Crafts Council, pp. 49-51. ISBN 9781851776535 [Book Section]

Carpenter, Ele. 2009. Stable, A film by Kathleen Herbert. In: "Stable, a film by Kathleen Herbert", Vita Kuben, Sweden, Feb - March 2009. [Show/Exhibition]

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Carpenter, Ele. 2009. The Strategic and Tactical Time of Curating. In: , ed. Time at Work: CECAC 2008. 2 Post Media Books, pp. 66-71. [Book Section]

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Carpenter, Ele; Mabb, David; Craighead, Alison; Crowe, Nick; Schuppli, Susan; Takeuchi, Kota and Kobayashi, Erika. 2016. Material Nuclear Culture, Exhibition. In: "Material Nuclear Culture", KARST Gallery, United Kingdom, 17 June - 13 August 2016. [Show/Exhibition]

Carpenter, Ele; Mabb, David; Crowe, Nick; Craighead, Alison; Schuppli, Susan and Weir, Andy. 2016. Perpetual Uncertainty, exhibition. In: "Perpetual Uncertainty", Bildmuseet, Sweden, 2 October 2016 - 16 April 2017. [Show/Exhibition]

Carpenter, Ele and Pickup, Beatrice. 2017. Radioactive Art. [Broadcast]

Carpenter, Ele and Schroeder, Jantine. 2013. Nuclear Culture Symposium Report. Project Report. InSoTec, Belgium. [Report]

Carter, Claire. 2015. DEMO KHAT. [Artist's Book]

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Carter, Claire. 2016. Demo Touring Teenagers. In: "Elizabeth Price Curates: In a Dream You Saw a Way To Survive and You Were Full of Joy", The Whitworth, Manchester, United Kingdom, June 2016 - August 2017. [Show/Exhibition]

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Carter, Claire Makhlouf. 2016. 'DEMO BITTER LUCKY DIP'. In: DEMO BITTER LUCKY DIP. Goldsmiths, University of London, United Kingdom 3 February 2016, 29 June 2018. [Conference or Workshop Item]

Carter, Claire Makhlouf. 2015. DEMO SKOYLES and DEMO RUSSIANLEATHERBUBBLEGUMGIN&TONICPAPERBACKBOOKSBANANAFLAMBÉEARTHWORMSSWIMMINGPOOLS. In: "Birmingham Show", Eastside Projects, United Kingdom, 31/01/2015 to 11/04/2015. [Show/Exhibition]

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Carter, Makhlouf Carter. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

Carter, Makhlouf Carter. 2015. Are You Allergic to the 21st Century? HOME, Manchester. In: Sarah Perks and Louise O'Hare, eds. Transactions of Desire, Volume ii: Are You Allergic to the 21st Century? ii Machester: HOME, pp. 55-68. ISBN 9780992952457 [Book Section]

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Carter, Makhlouf Carter. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom, 14 Nov. - 3 Jan. 2016. [Show/Exhibition]

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Carter, Makhlouf Carter. 2014. SPV Ltd Diep~haven Cross-Channel Project 'Entre Deux/In Between'. In: "SPV Ltd Diep~haven Cross-Channel Project, 'Entre Deux/In Between'", Cross Channel Ferry Dieppe - Newhavan. [Show/Exhibition]

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Cenini, Marta Silvia. 2011. BRINGING THE WAR HOME:ETHICS AND JUSTICE IN A (POST) FEMINIST DEPICTION OF ABU GHRAIB. Masters thesis, Goldsmiths, University of London [Thesis]

Chalklin, Victoria. 2015. All Hail the Fierce Fat Femmes. In: Caroline Walters and Helen Hester, eds. Fat Sex: New Directions in Theory and Activism. London: Ashgate. ISBN 9781472432544 [Book Section]

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Chalklin, Victoria and Mulvey, Marianne. 2016. Towards a Performative Trans-Pedagogy: Critical Approaches for Learning and Teaching in Art and Performance. Performance Matters, 2(1), pp. 62-77. ISSN 2369-2537 [Article]

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Chance, Véronique. 2012. Re-presenting the Physical Act: An Exploration of the Physical Presence of the Body through its Screen Representation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Chavez, Lia. 2012. In Radical Form(ation): Bergsonism, Bodies in Process, and Unconscious Vision. Other thesis, Goldsmiths, University of London [Thesis]

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Chew, Kim Liong. 1997. De Xin Ying Shou [Heart and Hand in Accord]' and #Zhou You Dong XI [travelling round the East and West]'. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Child, Danielle; Reckitt, Helena and Richards, Jenny. 2017. Labours of Love: A Conversation on Art, Gender, and Social Reproduction. Third Text 148, 31(1), pp. 147-168. ISSN 0952-8822 [Article]

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Child, Danielle; Reckitt, Helena and Richards, Jenny. 2017. Labours of Love: A Conversation on Art, Gender, and Social Reproduction. Third Text, 31(1), pp. 147-168. ISSN 0952-8822 [Article]

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Chilver, John. 2014. 6R-K-M5. [Art Object]

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Chilver, John. 2016. 6R-K-M8. [Art Object]

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Chilver, John. 2012. 'Art and Number'. In: The New Numeracy. Dept of Sociology, Goldsmiths, London, United Kingdom 17/2/2012. [Conference or Workshop Item]

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Chilver, John. 2018. Banner paintings. [Art Object]

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Chilver, John. 2013. Bomberg after Auerbach after Brown. Turps Banana, 13, pp. 4-13. ISSN 1749 3994 [Article]

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Chilver, John. 2013. The Dancers 3. [Art Object]

Chilver, John. 2007. Displacements of Shadow. Art Papers, 31(1), pp. 36-41. ISSN 15249581 [Article]

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Chilver, John. 2017. The Dream's Dream, 2017. [Art Object]

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Chilver, John. 2014. Entkoerperte Malerei. In: Gunter Reski and Hans-Juergen Hafner, eds. The Happy Fainting of Painting. Cologne: Verlag der Buchhandlung Walter Koenig, pp. 62-67. ISBN 9783863356705 [Book Section]

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Chilver, John. 2005. Gestural Ethics: Consequences of the Mark in Contemporary Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Chilver, John. 2015. Glenn Brown October 2013. In: Wendy Chang, ed. Glenn Brown, Rebecca Warren. Vancouver, Canada: Rennie Collection, pp. 9-21. ISBN 978-0-9865961-7-9 [Book Section]

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Chilver, John. 2013. HLA213109XA. [Art Object]

Chilver, John. 2012. The Happy Fainting of Painting. In: "The Happy Fainting of Painting", Zwinger Galerie, Berlin, Germany, 3/3/2012-28/4/2012. [Show/Exhibition]

Chilver, John. 2012. If Display Becomes Materiality. In: Edward Whittaker and Alex Landrum, eds. Painting With Architecture in Mind. Bath, UK: Wunderkammer Press, pp. 113-134. ISBN 978-0-9566462-1-7 [Book Section]

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Chilver, John. 2016. 'If Surface is the Condition'. In: Surface Values: Locating Conditions. University of Reading, United Kingdom 10/ 06/ 2016. [Conference or Workshop Item]

Chilver, John. 2004. 'James Rosenquist'. Untitled, 32, p. 70. [Article]

Chilver, John. 2001. John Chilver. In: "John Chilver", Casey Kaplan, New York, 9/7/2001 - 10/10/2001. [Show/Exhibition]

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Chilver, John. 2009. John Chilver. In: "John Chilver", Keith Talent Gallery, London, United Kingdom, 17 June - 1 Aug 2009. [Show/Exhibition]

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Chilver, John. 2018. John Chilver at Xero, Kline & Coma. In: "John Chilver at Xero, Kline & Coma", Xero, Kline & Coma, London, United Kingdom, 23 June - 15 July 2018. [Show/Exhibition]

Chilver, John. 2002. Landscape. In: "Landscape", The Saatchi Gallery, 2/22/2002 - 5/17/2002. [Show/Exhibition]

Chilver, John. 2010. 'Miss the Start, Miss the End'. In: Space, Time and the Image. APT Gallery, London, United Kingdom 14 May 2010. [Conference or Workshop Item]

Chilver, John. 2007. Morandi with Heidegger. In: E Whittaker and A Landrum, eds. Nonsite to Celebration Park: Essays on Art and the Politics of Space. Bath: Bath Spa University, pp. 85-100. ISBN 9781905200726 [Book Section]

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Chilver, John. 2014. Number intersecting with art: three studies. Distinktion: Journal of Social Theory, 15(2), pp. 239-249. ISSN 1600-910X [Article]

Chilver, John. 1999. 'On DJ Simpson', a dialogue with Dave Beech. In: Shahin Alfrassiabi, ed. Beck's Futures 2001 (Art Catalogue). University of Pennsylvania,Institute of Contemporary Art. ISBN 978-1900300315 [Book Section]

Chilver, John. 2008. Painting and Its Strata: Sub, Super, etc. In: , ed. Superstratum. Antwerp: Koraalberg Gallery, pp. 3-5. ISBN 9789079874002 [Book Section]

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Chilver, John. 2013. The Postceptual Present. Spike Art Quarterly, pp. 113-115. ISSN 1813 6281 [Article]

Chilver, John. 2016. Reivew of Bridget Riley, The Curve Paintings 1961-2014. Journal of Contemporary Painting, 2(2), pp. 318-321. ISSN 2052-6695 [Article]

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Chilver, John. 2013. Sequence 328987. [Art Object]

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Chilver, John. 2018. 'Transposing Genre, Translating Style'. In: Painting and Transposition. University of Worcester, United Kingdom 6th February 2018. [Conference or Workshop Item]

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Chilver, John. 2013. Tuesdays in August. [Art Object]

Chilver, John. 2004. 'Vertical Acceleration'. Starship, 6, [Article]

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Chilver, John. 2015. WLSX7834. [Art Object]

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Chilver, John. 2018. The discursive array: Towards a politics of painting as time–space production. Journal of Contemporary Painting, 4(1), pp. 81-101. ISSN 2052-6695 [Article]

Chilver, John; Afrassiabi, Shahin; Ash, Jesse; Bauer, Diann; Bedwell, Simon A.; Billy, Vanessa; Bolivar, Juan; Burton, Adam; Carneiro da Cunha, Tiago; Coleman and Hogarth, Kim and Jenny; Cumberland, Stuart; Dany, Hans-Christian; Frearson, Annabel; Freee, Freee; Ghazi, Babak; Ghosts Eat Mirrors, Ghosts Eat Mirrors; Glogan, Jeremy; Gottelier, Luke; Gruenfeld, Thomas; Hemsworth, Gerard; Higashionna, Yuichi; Holmes, Emma; Jones, Gareth; Kartscher, Kerstin; Kollectiv, Pil and Galia; Lowe, Brigrid; Macuga, Goshka; Makh, Ellen; Pettitt, Daniel; Reski, Gunter; Rosler, Martha; Schultze, Michael; Sill, Heidi; Simpson, D. J.; Strange, Jack; Stubbs, Michael; Timberlake, John; Verzutti, Erika; Vinitsky, Yonatan and Wright, Carla. 2010. Use and Mention. In: "Use and Mention", Stephen Lawrence Gallery, University of Greenwich, London, United Kingdom, 26 Jan - 26 Feb 2010. [Show/Exhibition]

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Chilver, John; Bedwell, Simon A.; Reski, Gunter and Vinitsky, Yonatan. 2010. Standard Candles. In: "Standard Candles", Vulpes Vulpes, London, United Kingdom, 31 March - 25 April 2010. [Show/Exhibition]

Chilver, John; Graw, Isabelle; Haverkost, Eberhard; Baer, Monika and Reski, Gunter. 2007. 'On Disappearance & Display'. In: , ed. The Worst & The Best: Yearbook 2007/2008. Oslo: KHIO/National Academy of Fine Arts Oslo, pp. 21-23. [Book Section]

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Chilver, John; Lowe, Brighid; Capaldi, Leah; Chaimowicz, Marc Camille; Jeffery, Charlie; Jones, Gareth; Pedraglio, Francesco; Piper, Adrian; Schmuecker, Martina; Slotawa, Florian; Staton, Sarah and Wentworth, Richard. 2012. Parts and Labour (3 Hours Minimum Wage). In: "Parts and Labour (3 Hours Minimum Wage)", Camberwell Space, London, United Kingdom, 1/5/2012-26/5/2012. [Show/Exhibition]

Chilver, John; Lowe, Brighid and Mok, Honggyun. 2014. Parts and Labour (Osan). In: "Parts and Labour (Osan)", Osan Museum of Art, Korea, Republic of, November - December 2014. [Show/Exhibition]

Chilver, John; Malik, Suhail; Harris, Jane; Stubbs, Michael; Cooke, Nigel and Brown, Glenn. 2004. ''Painting as a Technology''. In: ‘Painting, Specifically’. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

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Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018. [Conference or Workshop Item]

Chilver, John and Slotawa, Florian. 2008. Contingency and the Paradox of Composition: Florian Slotawa. Art Papers, 32(5), pp. 32-37. ISSN 1524-9581 [Article]

Chilver, John and Vallotton, Felix. 2009. Felix Vallotton: Genres and Shallow Waters. Turps Banana, 7, pp. 28-35. ISSN 1749-3994 [Article]

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Clark, Simon J.. 2013. Undead Melancholia; from Lost Modernism to Haptic Antagonism. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Clinton, Paul. 2019. AA Bronson: Revolutionary Asshole. In: Vincent Simon, ed. AA Bronson's House of Shame. Zurich, Switzerland: Editions Patrick Frey. [Book Section] (Forthcoming)

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Clinton, Paul. 2019. Dissent at the Disco. Frieze, ISSN 0962-0672 [Article]

Clinton, Paul. 2019. Homo Ludens. Lismore Castle Arts, IMMA, Dublin. [Other]

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Clinton, Paul. 2019. LIMP: Frustrations in the Circulation of Queer Imagery', curated by Paul Clinton, Galerie Emanuel Layr/Curated.by, Vienna, Austria. In: "LIMP", Galerie Emanuel Layr, Vienna, Austria, 13th September - 31st October 2019. [Show/Exhibition]

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Clinton, Paul. 2019. Militant Desire: Lionel Soukaz and Gay Liberation Today, curated by Paul Clinton at Gasworks and Lux Artist's Moving Image, London. Plus publication.. In: "Militant Desire: Lionel Soukaz and Gay Liberation Today", Gasworks, London, United Kingdom, 29 May - 27 June 2019. [Show/Exhibition]

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Clinton, Paul. 2019. Useless Man. In: , ed. Kiss My Genders (exhibition catalogue, Hayward Gallery, 12th June 2019). London, UK: Hayward Publishing, pp. 34-39. ISBN 9781853323645 [Book Section]

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Clout, Lucy. 2014. The Extra's Ever-Moving Lips. [Film/Video]

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Clout, Lucy. 2019. Flatness 2. In: "Flatness", https://flatness.eu/, 2019. [Show/Exhibition]

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Clout, Lucy. 2015. From Our Own Correspondent. [Film/Video]

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Clout, Lucy. 2019. Nurses. [Film/Video]

Clout, Lucy. 2019. Nurses 2. [Film/Video]

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Clout, Lucy. 2013. Shrugging Offing. [Film/Video]

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Clout, Lucy. 2018. Solvent Magazine. In: "Solvent Magazine", Gymnasium Gallery, United Kingdom, 1st April 2018 to 24th Spetember 2018. [Show/Exhibition]

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Clout, Lucy. 2019. A Symptom. In: "A Symptom", Cubitt Gallery, United Kingdom, 8 March - 14 April 2019. [Show/Exhibition]

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Clout, Lucy. 2016. Warm Bath. [Film/Video]

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Clout, Lucy. 2016. Warm Bath, Exhibition, Limoncello Galley. In: "Warm Bath", Limoncello Gallery, United Kingdom, 10 March - 16 April 2016. [Show/Exhibition]

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Clout, Lucy. 2015. What Will They See of Me. In: "What Will They See Of Me", Jerwood Space, United Kingdom, 11 March - 26 April 2015. [Show/Exhibition]

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Clout, Lucy. 2020. ZZZ. [Art Object]

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Cohen, Revital and Van Balen, Tuur. 2019. Particles (an epilogue)/ Epilogue (a particle). In: Karsten Lund, ed. Unthought Environments. Chicago: Renaissance Society, pp. 144-157. ISBN 9780941548755 [Book Section]

Comay, Rebecca and Newman, Michael. 2012. Ghostly Medium: James Coleman’s 'Charon'. In: Museo Nacional Centro de Arte Reina Sofía, ed. James Coleman. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 35-52. ISBN 9788480264556 [Book Section]

Coutts, Marion. 2005. 01. Marion Coutts. In: , ed. Responding to Rome, British Artists in Rome 1995-2005. The British School at Rome. ISBN 978-0904152494 [Book Section]

Coutts, Marion. 1988. 4th International Triennial of Drawing. In: "4th International Triennial of Drawing", Wroclaw, Poland. [Show/Exhibition]

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Coutts, Marion. 2015. AGNES MARTIN AND THE GREAT INDOORS. 1843 magazine - The Economist online, [Article]

Coutts, Marion. 2017. Aiming or Hitting. In: "Aiming or Hitting", Tintype Gallery 107 Essex Road London N1 2SL, United Kingdom, 10 March – 13 April 2017. [Show/Exhibition]

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Coutts, Marion. 2015. 'The Brighton and Sussex Medical School Debate Facing Cancer A Brighton Festival Exclusive'. In: The Brighton and Sussex Medical School Debate - Facing Cancer. Brighton Festival, United Kingdom 24 may 2015. [Conference or Workshop Item]

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Coutts, Marion. 2016. 'The Chronic: Temporality, Care and Health Research'. In: The Chronic: Temporality, Care and Health Research. Birkbeck, United Kingdom 17 March 2016. [Conference or Workshop Item]

Coutts, Marion. 2005. Contribution to Helsinki photography festival 2005. In: Mika Elo; Brett Rogers and Marjatta Tikkanen, eds. To be continued... / jatkuu...: Helsinki Photography Festival 2005. Helsinki: Valokuvataiteilijoiden Liitto ry / Valokuvagalleria Hippolyte & British Council. ISBN 0-86-355-5489 [Book Section]

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Coutts, Marion. 2017. Cove Park Literature Residency. [Professional Activity]

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Coutts, Marion. 2002. Cult. In: "Cult", Chisenhale Gallery, United Kingdom, 9/4/2002 - 10/13/2002. [Show/Exhibition]

Coutts, Marion. 2006. Ein Bolzplatz fur die Kunst/ Ball of Fame, Young International Artists. In: "Ein Bolzplatz fur die Kunst/ Ball of Fame, Young International Artists", ex-Vitra Design Museum, Berlin, Germany. [Show/Exhibition]

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Coutts, Marion. 2017. 'Empathy and Ethics at the End of Life Perspectives from the Medical Humanities: workshop'. In: Empathy and Ethics at the End of Life Perspectives from the Medical Humanities. University of Basel, Switzerland. [Conference or Workshop Item]

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Coutts, Marion. 2003. Everglade. In: "Everglade", Firstsite, The Minories: 7 June-3 August 2003 Angel Row Gallery: 14 Jan-28 Feb 2004 2 Princelet St: 1 May-16 May 2004, 6/7/2003 - 5/16/2004. [Show/Exhibition]

Coutts, Marion. 2001. Fair Play. In: , ed. Fair Play. London: Danielle Arnaud. ISBN 09537752-7-5 [Book Section]

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Coutts, Marion. 2015. The Feeling of Finishing. 1843 Magazine, [Article]

Coutts, Marion. 1998. Fine Arts 1998-1999, The British School at Rome. Fine Arts 1998-1999, The British School at Rome, [Article]

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Coutts, Marion. 2016. 'Fáilte gu Faclan 2016, The Hebridean Book Festival.'. In: Faclan. An Lanntair,, Kenneth Street, Stornoway HS1 2DS, United Kingdom. [Conference or Workshop Item]

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Coutts, Marion. 2017. Gathering dust. 1843 magazine, [Article]

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Coutts, Marion. 2015. 'Happy Days Beckett Festival'. In: Happy Days: Beckett Festival. Enniskillen, Ireland 23 july - 3 august 2015. [Conference or Workshop Item]

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Coutts, Marion. 2017. Hokusai: old man, crazy to paint. 1843 magazine, [Article]

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Coutts, Marion. 2014. The Iceberg [American edition]. New York: Grove Atlantic. ISBN 978-0-8021-2460-9 [Book]

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Coutts, Marion. 2016. The Iceberg [Mandarin edition]. Taiwan: Mobius. ISBN 978-986-91082-6-3 [Book]

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Coutts, Marion. 2014. The Iceberg. London: Atlantic Books. ISBN 9-781782-393504 [Book]

Coutts, Marion. 2015. The Iceberg: A Memoir. London: Atlantic Books. ISBN 9781782393528 [Book]

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Coutts, Marion. 2015. 'Marion Coutts and Ali Smith: LSE Festival talk'. In: An Eye for Life: Marion Coutts and Ali Smith: LSE Literature Festival. LSE, United Kingdom 24 Feb 2015. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Marion Coutts and Rosie Boycott, Hay Festival'. In: Marion Coutts in conversation with Rosie Boycott. Hay Festival, United Kingdom. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Medicine Unboxed 2015 MORTALITY - ICEBERG - Marion Coutts'. In: Medicine Unboxed: Mortality. Parabola Arts Centre, Cheltenham, United Kingdom 21-22 November 2015. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Modernism’s Chronic Conditions Temporality, Medicine, and Disorders of the Self'. In: Modernism’s Chronic Conditions Temporality, Medicine, and Disorders of the Self. University of Exeter, United Kingdom 17 April 2015. [Conference or Workshop Item]

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Coutts, Marion. 2005. Money. In: "Money", The Tabernacle Trust, Powis Square, 1/15/2005 - 2/26/2005. [Show/Exhibition]

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Coutts, Marion. 2003. Mountain. In: "Mountain", Kettles Yard, 9/27/2003 - 11/2/2003. [Show/Exhibition]

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Coutts, Marion. 2015. My Summer with Proust. The Guardian online, [Article]

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Coutts, Marion. 2016. Picasso's Emotional Weather. 1843 Magazine, [Article]

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Coutts, Marion. 2008. Reading Columns. [Art Object]

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Coutts, Marion. 2019. 'Sculpture as Fieldwork'. In: Sculpture as Fieldwork. Henry Moore Lecture Theatre, Leeds Art Gallery, United Kingdom 6 July 2019. [Conference or Workshop Item]

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Coutts, Marion. 2020. StudioAudio. [Audio]

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Coutts, Marion. 2008. Twenty Six Things. [Art Object]

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Coutts, Marion. 2017. Zine. [Exhibition Catalogue]

Coutts, Marion and Fisher, Elizabeth. 2005. Marion Coutts, Kettle’s Yard. Kettles Yard Gallery. ISBN 1-904561-13-6 [Book]

Coutts, Marion and Furlong, William. 2003. Audio Arts: Volume 21 No 2. Audio Arts, [Article]

Coutts, Marion and Hopkins, David. 2000. essay by David Hopkins. Co-published by Morning Star with City Art Centre, polygon. Paperback with CD. In: Alex Finlay, ed. Without Day. Polygon An Imprint of Birlinn Limited; Pap/Com edition. ISBN 978-0748662777 [Book Section]

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Coutts, Marion and Lubbock, Tom. 2011. Great Works: 50 Paintings Explored. Frances Lincoln, London. [Other]

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Coutts, Marion and Lubbock, Tom. 2012. Introduction. In: Marion Coutts, ed. Until Further Notice, I am Alive. London: Granta, pp. 1-9. ISBN 978-1-84708-531-3 [Book Section]

Coutts, Marion; O'Reilly, Sally; Deary, Vincent; Wood, Katherine and Bode, Steven. 2003. Marion Coutts. Film & Video Umbrella. ISBN 978-1904270058 [Book]

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Cox, Christoph; Jaskey, Jenny and Malik, Suhail. 2015. 'Introduction'. In: C Cox; J Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College, pp. 15-31. ISBN 978-3-95679-126-0 [Book Section]

Craighead, Alison and Thomson, J.. 2007. BEACON at BFI Southbank. In: "BEACON at BFI Southbank", BFI Southbank, 6/22/2007 - 8/19/2007. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2006. Decorative Newsfeeds. In: "Decorative Newsfeeds", Neuberger Museum of Art, State University of New York, 2/12/2006 - 6/25/2006. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2007. Short Films about Flying. In: "Short Films about Flying", Laboral Museum, Gijon (Spain), 3/30/2007 - 6/30/2007. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2006. Unprepared Piano. In: "Unprepared Piano", Mejan Labs, Stockholm, 1/26/2006 - 3/5/2006. [Show/Exhibition]

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Craighead, Alison and Thomson, JON. 2011. Thomson & Craighead solo show at Watermael Station and Vénerie Stables Brussels. In: "Thomson & Craighead", Watermael Station & Vénerie Stables, Belgium, 26th of october 2011 to 18th of Decemeber 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2019. 24/7 A Wake-up Call for our Non Stop World. In: "24/7 A wakeup call in a nonstop world", Somerset House, London, United Kingdom, 31 October 2019- 23 February 2020. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. The Academy of Saturn. In: "The Academy of Saturn", Cooley Gallery Portland Oregon, United States, 2/2/18 - 26/4/18. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. The Academy of Saturn. In: "The Academy of Saturn", Cooley Gallery, Reed College, Portland, Oregon, United States, 2/2/18 - 26/4/18. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. Another advertiser's announcement. [Art Object]

Craighead, Alison and Thomson, Jon. 2018. Anytime Now. In: "Anytime Now", TENT, Rotterdam, Netherlands, 19.04.2018- 10.06.2018. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2016. Apocalypse. [Art Object]

Craighead, Alison and Thomson, Jon. 2015. Art in the age of asymmetrical warfare. In: "Art in the age of asymmetrical warfare", Witte de With, United Kingdom, 11/09/2015- 03/01/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2015. 'Artist Use of Open Data'. In: Open Data Institute Summit. BFI, Southbank, London, United Kingdom 03 Nov 2015. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2012. Belief. [Film/Video]

Craighead, Alison and Thomson, Jon. 2015. Big Bang Data. In: "Big Bang Data", Somerset House, United Kingdom, 03/12/2015 - 20/03/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2014. 'Building a temporary index'. In: Panning for Atomic Gold. University of Notre Dame London Global Gateway, United Kingdom 17 May 2014. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2014. 'Building a temporary index (part II)'. In: The Actinium Forum. OYOYO, Sapporo, Japan 27 July 2014. [Conference or Workshop Item]

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Craighead, Alison and Thomson, Jon. 2011. Cloud Sounds. In: "Cloud Sounds", Netherlands Media Art Institute, Amsterdam, Netherlands, 19th February - 29th April 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2017. Control Room. [Art Object]

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Craighead, Alison and Thomson, Jon. 2011. Current: an experiment in collecting digital art. In: "Current: an experiment in collecting digital art", Harris Museum, Preston, United Kingdom, 26 March – 4 June 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2015. Data as Culture 3: Data Anthropologies. In: "Data as Culture 3: Data Anthropologies", Open Data Institute, United Kingdom, 25/03/2015-20/06/2015. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Electronic Superhighway. In: "Electronic Superhighway", Whitechapel Gallery, United Kingdom, 29/01/2016 -05/05/2016. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2011. Gateways, Art and Networked Culture, Tallinn. In: "Gateways", Kumu Art Museum Tallinn, Estonia, 1st of june 2011- sept 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2014. Hello World. [Art Object]

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Craighead, Alison and Thomson, Jon. 2019. Here Not Here. In: "Here Not Here", UCL Student Centre, United Kingdom, Feb 2019 - ongoing. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Humansbeingdigital. In: "Humansbeingdigital", The Lowry, Salford, United Kingdom, 17 November 2017 - 25 February 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. I Want I Want! Art and Technology. In: "I Want I Want! Art and Technology", Birmingham City Art Gallery,, United Kingdom, 01/04/2017 - 01/10/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. I was Raised on The Internet. In: "I Was Raised on the Internet", MCA Chicago, United States, june 23 -oct 14 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. IRIS Home Browse IRIS Publication Detail Glut: Images, Information and Excess. In: "Glut: Images, Information and Excess", Holden Gallery, Manchester, United Kingdom, 16/01/2017 -03/03/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. The Internet of Living Things. In: Omar Kholeif, ed. I Was Raised on the Internet. New York: Prestel Publishing. ISBN 9783791358024 [Book Section]

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Craighead, Alison and Thomson, Jon. 2011. LA BIENNALE DE MONTREAL 2011, Centre International d'Art Contemporain de Montreal, Canada.. In: "LA BIENNALE DE MONTREAL 2011", Centre International d'Art Contemporain de Montreal, Canada, 1-31 of May 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. A LIVE PORTRAIT OF TIM BERNERS-LEE (AN EARLY WARNING SYSTEM). In: "National Media Museum, Life Online Galleries", National Media Museum in Bradford, United Kingdom, MARCH 2012- MARCH 2013. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2019. Learning From Deep Time. In: "Learning From Deep Time", NIRAS, Kastelsedijk, Dessel, Belgium, 29 September 2019. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Life Time - Biological Clocks of the Universe. In: "Life Time - Biological Clocks of the Universe", MU, Eindhoven,, Netherlands, 1 December 2017 - 18 February 2018. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2010. London Wall. In: "London Wall", Museum of London, United Kingdom, 28 May to 5 Sep 2010. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. London Wall N4 in 'Being Social', Furtherfield Gallery. In: "Being Social", FurtherField Gallery, McKenzie Pavillion, United Kingdom, Date: Saturday 25 February - Saturday 28 April 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Four: Disrupt / Disorder / Display. In: "Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Four: Disrupt / Disorder / Display", Carroll / Fletcher,, United Kingdom, 17/03/2017 -27/05/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Three: United We Stand. In: "Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Three: United We Stand", Carroll / Fletcher,, United Kingdom, 13/01/2017 -04/03/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2014. Maps DNA and Spam. In: "Maps DNA and Spam", Dundee Contemporary Art, United Kingdom, 18/01/2014-16/03/2014. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. Mirror Neurons. In: "Mirror Neurons", National Glass Centre, Sunderland, United Kingdom, 1st of march 2012 -20th of may 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Monsters of the Machine. In: "Monsters of the Machine", Laboral Centro de Arte y Creación Industrial, Spain, 18/11/2016 -31/08/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2008. The New Normal (Beacon). In: "The New Normal", Artist Space , NY, United States, april 25 2008 - ongoing currenty 2010. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. The New Observatory. In: "The New Observatory", FACT, Liverpool, UK, United Kingdom, 22/06/2017 -02/10/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Nuclear Material Culture. In: "IRIS Home Browse IRIS Publication Detail Nuclear Material Culture", Karst, Plymouth, United Kingdom, 27/04/2016 - 28/05/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Occulture: The Dark Arts. In: "Occulture: The Dark Arts", City Gallery Wellington, New Zealand, 12 August – 19 November 2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. October. In: "Brighton Photo Biennal", Brighton, United Kingdom, 6 October - 4 November 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Party Booby Trap. In: "Party Booby Trap", Carroll / Fletcher,, United Kingdom, 12/04/2016- 25/05/2016. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2018. The Perfume Shop. In: "The Perfume Shop", The Ryder Projects, London, United Kingdom, 30 November 2018 - 2 February 2019. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Perpetual Uncertainty. In: "Perpetual Uncertainty", Bildmuseet, Umeå,, Sweden, 02/10/2016 - 16/04/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Real Time. In: "Real Time", Arts Santa Mònica, Spain, 01/01/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2009. 'Recent works (Lecture)'. In: Impakt. Filmtheater 't Hoogt, Utrecht, Netherlands 15 October 2009. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2017. Recruitment Gone Wrong. [Art Object]

Craighead, Alison and Thomson, Jon. 2015. Right Here Right Now. In: "Right Here Right Now", The Lowry, United Kingdom, 14/11/2015 -28/02/2016. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. Samsung Art Prize. [Professional Activity]

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Craighead, Alison and Thomson, Jon. 2011. Short Film about War at The Recontres Internationales. In: "The Recontres Internationales 2011", Paris, France, NOv 18th -26th 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Slow Violence. In: "Slow Violence", University of Hertfordshire Arts, United Kingdom, 29 November 2017 - 20 January 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Stutterer. In: "Stutterer", The Sanger Institute, Wellcome Genome Campus, Cambridge, United Kingdom, 7 October 2016 -22 January 2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Tecnologies de la violència. In: "Tecnologies de la violència", Arts Santa Monica, Barcelona,, Spain, 18/10/2016-08/01/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Temporary index. [Art Object]

Craighead, Alison and Thomson, Jon. 2014. Thing World (International Triennial of New Media Art. In: "hing World (International Triennial of New Media Art)", National Art Museum of China, China, 11/06/2014 - 06/07/2014. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Thomson & Craighead at Peacock Arts for Look Again Festival. In: "Thomson & Craighead at Peacock Arts for Look Again Festival", Peacock Arts, United Kingdom, 27/04/2017 - 27/05/2017. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2010. Thomson & Craighead, HICA (Highland Institute of Contemporary Art). In: "Thomson & Craighead", HICA, United Kingdom, 20 june - 25 july 2010. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2008. Thomson & Craighead, Moderna Museet, Stockholm. In: "Thomson & Craighead at Studion,", Moderna Museet in Stockholm,, Sweden, 2 - 30 October 2008. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2009. Timecode. In: "Timecode", Dundee Contemporary Arts, United Kingdom, 17 January 2009 - 8 March 2009. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2011. Tomorrow Never Dies. In: "Tomorrow Never Dies", Design Gallery BWA Wroclaw, Poland, sept 8th 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2018. Trace Ingredients. In: "Trace Ingredients", Inverness Museum and Art Gallery, United Kingdom, 22 September -17 November 2018. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2012. Vital Spark Award 2011-2012. [Professional Activity]

Craighead, Alison and Thomson, Jon. 2017. Wake me up when it's over. In: "Wake me up when it's over", Young Projects Gallery, West Hollywood, Los Angeles, USA, United States, 27/01/2017 -21/04/2017. [Show/Exhibition]

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Craighead, Alison; Thomson, Jon and Rushton, Steve. 2010. A Short Film About War. [Film/Video]

Crowe, Nick. 1999. The Citizens. [Project]

Crowe, Nick. 2002. Constantly Falling Rocks. In: , ed. Life is Good in Manchester. Trice Publications. [Book Section]

Crowe, Nick. 2008. Contemporary Glass. In: Blanche Craig, ed. Contemporary Glass. London: Black Dog Publishing. ISBN 978-1906155360 [Book Section]

Crowe, Nick. 2015. Digital Art (World of Art). In: Christiane Paul, ed. Digital Art (World of Art). London: Thames & Hudson Ltd. ISBN 978-0500203675 [Book Section]

Crowe, Nick. 2006. The Dream of the Big Fat Pipe. In: , ed. The Artist Handbook. London: Thames and Hudson. [Book Section]

Crowe, Nick. 2003. Internet Art. In: Julian Stallabrass, ed. Internet Art : The Online Clash of Culture and Commerce. Tate Publishing; 1st Trade Paperback edition. ISBN 978-1854373458 [Book Section]

Crowe, Nick. 2006. Nick Crowe, Commemorative Glass. Manchester: Cornerhouse Publications. ISBN 978-0955047800 [Book]

Crowe, Nick. 2000. Parallel Lines. Manchester: Trice Publications. [Book]

Crowe, Nick. 2007. Pavel Büchler’s Loops. In: , ed. Pavel Büchler - Absentmindedwindowgazing Van Abbemuseum 2007. Veenman Publishers. ISBN 978-90-8690-080-0 [Book Section]

Crowe, Nick. 2006. The Reporters of the BBC Website. Berlin: The Green Box. ISBN 978-3908175131 [Book]

Crowe, Nick. 2010. Theorizing Digital Cultural Heritage (Media in Transition). In: Fiona Cameron and Sarah Kenderine, eds. Theorizing Digital Cultural Heritage. Cambridge, Mass: MIT Press. ISBN 978-0262514118 [Book Section]

Crowe, Nick. 2006. Unplanned Articulation. Convergence, 12(2), pp. 137-141. ISSN 1354-8565 [Article]

Crowe, Nick. 2009. We are the Real Time Experiment: 20 Years of FACT. In: Michael Stubbs and Karen Newman, eds. We are the Real Time Experiment. Liverpool University Press. ISBN 978-1846312298 [Book Section]

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Crowe, Nick and Ian, Rawlinson. 2012. Nick Crowe and Ian Rawlinson. In: "The Opera", Salt, Istanbul, Turkey, 18 September 2012 - 25 September 2012. [Show/Exhibition]

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Crowe, Nick and Ian, Rawlinson. 2012. The Opera. In: "The Opera", Plataforma Revolver, Lisbon, Portugal, 15 November 2012 - 31 December 2012. [Show/Exhibition]

Crowe, Nick and Kivland, Sharon. 2006. Their Dark Materials. Manchester: i3 Publications. ISBN 9780954205874 [Book]

Crowe, Nick and O'Reilly, Sally. 2007. Labyrinth: LEO. CSKX Publishing. ISBN 978-0955757501 [Book]

Crowe, Nick and Rawlinson, Ian. 2005. Artist Pages. In: Nick Crinson, ed. Urban Memory, History and Amnesia in the Modern City. London: Routledge. ISBN 978-0415334068 [Book Section]

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Crowe, Nick and Rawlinson, Ian. 2010. Black Hole Hums B Flat. In: "Black Hole Hums B Flat", Duke Street, London, United Kingdom, 11 October 2010 - 14 November 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. Concentration in the Age of Distribution. ROUNDTABLE, 1(1), -. [Article]

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Crowe, Nick and Rawlinson, Ian. 2016. Courageous. [Film/Video]

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Crowe, Nick and Rawlinson, Ian. 2010. Dimensions in British Contemporary Art. In: "Dimensions in British Contemporary Art", Dehli, India, 2010 - 2011. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. The Fireworks. In: "The Fireworks", Gallery Kit / Isolation Room, St Louis, United States, 12 January 2011 - 10 February 2011. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. The Fireworks. In: "The Fireworks", Whitworth Art Gallery, Manchester, United Kingdom, 05 February 2011 - 05 June 2011. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. Flights of Fancy. In: "Flights of Fancy", Bablylon Kino, Berlin, Germany, June 2012 - September 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. The Four Horsemen. [Art Object]

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Crowe, Nick and Rawlinson, Ian. 2011. I'll Be Your Mirror. In: "I'll Be Your Mirror", St Louis, United States, 30 September 2011 - 15 April 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Involved, Socially. In: "Involved, Socially", Triple Base Gallery, SF, United States, 7 August 2009 - 9 September 2009. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. Kritische Masse. In: "Kritische Masse", Dresden, Germany, 20 October 2011 - 20 November 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2012. Libretto. [Project]

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Crowe, Nick and Rawlinson, Ian. 2011. Memory of Hope. In: "Memory of Hope", Liverpool, United Kingdom, 5 August 2011 - 3 September 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Mobile Research Station. In: "Mobile Research Station", Skultpuren Park, Berlin, Germany, June 2009. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. The Nail, The Colours, The Mast. In: "The Nail, The Colours, The Mast", Berlin, Germany, 27 April 2012 - 6 May 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2003. Nick Crowe and Ian Rawlinson. Manchester City Art Galleries. ISBN 978-0901673626 [Book]

Crowe, Nick and Rawlinson, Ian. 2007. Nick Crowe and Ian Rawlinson: At 25 Meters: At 25 Metres (FACT). Liverpool University Press. ISBN 978-1846311475 [Book]

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Crowe, Nick and Rawlinson, Ian. 2010. No Sign of Helicopters. In: "No Sign of Helicopters", Ceri Hand Gallery, Liverpool, United Kingdom, 16 September 2010 - 16 October 2010. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. The Northern Art Prize. In: "The Northern Art Prize", Leeds City Art Gallery, United Kingdom, 15 Novmeber 2009 - 20 February 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2010. Re-Make/Re-Model. In: "Re-Make/Re-Model", National Glass Centre, Sunderland, United Kingdom, 14 October 2010 - 27 February 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2010. Save Us (Group Show). In: "Save Us", Christchurch, Macclesfield, United Kingdom, 17 June 2010 - 1 July 2010. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Something out of Nothing. In: "Something out of Nothing", The Invisible Dog, Brooklyn, United States, 3 October 2010 - 31 October 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2017. Song for Armageddon. [Film/Video]

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Crowe, Nick and Rawlinson, Ian. 2015. Song for Coal. [Film/Video]

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Crowe, Nick and Rawlinson, Ian. 2011. Stolen Artifact. In: "Stolen Artifact", Kotti Shop, Berlin, Germany, 25 June 2011 - 9 July 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Stranger Things Art Happening. In: "Stranger Things Art Happening", Aspex Gallery, Portsmouth, United Kingdom, 27 June 2009 - 23 August 2009. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. Synthetic Real. In: "Synthetic Real", London, United Kingdom, 24th November 2011 to 14th January 2012.. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. Towards A Free Society. In: "Towards A Free Society", Institute of Jamais Vu, London, United Kingdom, 21 June 2012 - 8 July 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2010. The Ursynów Community Rope Ladder Workshop. In: "The Knot", UNDEFINED, 30 May - 30 November 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2010. The Ursynów Memorial Ski Lift. In: "The Knot", Warsaw, Poland, 30 May - 30 November 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2010. The Way We Do Art Now. In: "How We Do Art Now", Tanya Leighton Gallery, Berlin, Germany, 1 May 2010 - 5 June 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. We Are Here to Help the People. In: "We Are Here to Help the People", Whitworth Art Gallery, Manchester, United Kingdom, 9 April 2011. [Performance]

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Cruz, Carla. 2015. Democracy: a (Non) Artistic Intervention?: Attempts to Perform Democracy through Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Cruz, Juan. 2001. Application for Planning Permit: Proposal to Build a Metaphor. In: "Application for Planning Permit: Proposal to Build a Metaphor", The Melbourne Festival, 10/11/2001 - 11/3/2001. [Show/Exhibition]

Cruz, Juan. 2005. Juan Cruz is translating don Quijote (again). In: "Juan Cruz is translating don Quijote (again)", Peer, 9/16/2005 - 11/6/2005. [Show/Exhibition]

Cruz, Juan. 2001. Portrait of a Sculptor. In: "Portrait of a Sculptor", Matts Gallery, 7/1/2001 - 9/2/2001. [Show/Exhibition]

Cruz, Juan. 2001. Squatters. In: "Squatters", Fundao de Serralves and Witte de With, 6/26/2001 - 9/23/2001. [Show/Exhibition]

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Curiger, Bice and Marchand, julia. 2016. Yes, These Eyes Are the Windows at the Fondation Vincent van Gogh Arles. In: "Yes, These Eyes Are the Windows at the Fondation Vincent van Gogh Arles february - september 2016", Arles, France, february 2016- september 2016. [Show/Exhibition]

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Danino, Nina. 2010. 'Attending to the Other: Critical Theory and Spiritual Practice'. In: Attending to the Other: Critical Theory and Spiritual Practice. Faculty of Theology, St. Catherine's College, Oxford University, Oxford, United Kingdom 23rd-26th September 2010. [Conference or Workshop Item]

Danino, Nina. 2016. Close up on Nina Danino. In: "Close up on Nina Danino", Close Up cinema, 6 December 2016. [Show/Exhibition]

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Danino, Nina. 2012. Communion (2010) in Comraigh/Sanctuary, Contemporary Visual Art Programme, Mount Stuart, 2012. In: "Contemporary Art Programme", Mount Stuart, Isle of Bute, United Kingdom, 23 June-31 October 2012. [Show/Exhibition]

Danino, Nina. 2016. Communion (2010) in That Which Remains, Mount Stuart Visual Arts Programme. In: "That Which Remains", Mount Stuart, United Kingdom, 13 August -30 October 2016. [Show/Exhibition]

Danino, Nina. 2017. Experimental Film - Feminist and Catholic Readings of my films 2010-2016. Doctoral thesis, University of Westminster [Thesis]

Danino, Nina. 2006. Film, the Body and the Fold. In: J. Hatfield and S. Littman, eds. Experimental Film and Video: An Anthology. John Libbey, pp. 93-101. ISBN 9780861966646 [Book Section]

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Danino, Nina. 2019. Filming Women’s Work as Prayer in the Monastery in Jennifer and Sorelle Povere. In: Jane Boyer, ed. Theorem 2018: Doctoral research in the visual arts and design. Cambridge, UK: Ruskin Arts Publications, Anglia Ruskin University, pp. 221-243. ISBN 978-1-912319-00-8 [Book Section]

Danino, Nina. 2012. Films de Nina Danino. In: "Films de Nina Danino", Centro de Arte Contemporaneo, Malaga, Spain, 2 December 2012. [Show/Exhibition]

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Danino, Nina. 1980. First Memory (1980-1981). [Project]

Danino, Nina. 2016. First Memory (1981) Anthology Film Archives, New York. In: "FROM REEL TO REAL: WOMEN, FEMINISM, AND THE LONDON FROM REEL TO REAL: FILM-MAKERS’ CO-OPERATIVE/COLLAPSING THE FRAME/", Anthology Film Archives, United States, 24 October 2016. [Show/Exhibition]

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Danino, Nina. 2010. For the Sake of the Image. In: "For the Sake of the Image", Jerwood Visual Arts, London, United Kingdom, 8 March 2010. [Show/Exhibition]

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Danino, Nina. 2010. From Floor to Sky - British Sculpture and the Studio Experience. In: "From Floor to Sky - British Sculpture and the Studio Experience", Ambika, P3, London, United Kingdom, 5 March-4 April 2010. [Show/Exhibition]

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Danino, Nina. 2010. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. In: Peter Kardia; Malcolm Le Grice and Hester Westley, eds. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. London: A&C Black, pp. 58-62. ISBN 9781408114995 [Book Section]

Danino, Nina. 2016. From Reel to Real: Women, Feminism and the Local Film Makers' Co-Operative. In: "From Reel to Real: Women, Feminism and the Local Film Makers' Co-Operative", Tate Modern, United Kingdom, 23-25 September 2016. [Show/Exhibition]

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Danino, Nina. 2010. Geography of Proximity. In: "Geography of Proximity", Valletta, Malta, 14 October-15 November 2010. [Show/Exhibition]

Danino, Nina. 2016. Jennifer + Q&A with Director. In: "Jennifer + Q&A with Director", Exeter Phoenix, Exeter, 14 December 2016. [Show/Exhibition]

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Danino, Nina. 2015. Jennifer (2015). [Film/Video]

Danino, Nina. 2016. Jennifer (2015) + Sorelle Povere di Santa Chiara (2016) in Alchemy Film and Moving Image Festival, Scottish Borders, 16 April 2016. In: "Alchemy Film and Moving Image Festival", Hawick, United Kingdom, 16 April 2016. [Show/Exhibition]

Danino, Nina. 2017. Jennifer (2015) DVD. Temporal Films. [Other]

Danino, Nina. 2017. Jennifer (2015) Screening + Q&A. In: "CTL: Jennifer + Q&A (N/C 12+)", Glasgow Film Theatre, 30 April 2017. [Show/Exhibition]

Danino, Nina. 2016. Jennifer (2015), Cambridge Film Festival. In: "Jennifer, Strand: Microcinema, Cambridge Film Festival", Cambridge, United Kingdom, 23 October 2016. [Show/Exhibition]

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Danino, Nina. 2012. The Land seen from the Sea. In: ""The Land seen from the Sea"", Genoa, Italy, 2 February -4 May 2012. [Show/Exhibition]

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Danino, Nina. 2010. Little Constellation - a vision of contemporary art in geo-cultural micro areas and small European States. In: "Little Constellation - a vision of contemporary art in geo-cultural areas and small European States", Fabbrica del Vapore, Milan, Italy, 8 March -8 April 2010. [Show/Exhibition]

Danino, Nina. 2012. 'Little Constellation - Workshop Gibraltar'. In: Little Constellation- Workshop Gibraltar. Gibraltar, Gibraltar 7-11 December 2012. [Conference or Workshop Item]

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Danino, Nina. 2010. Little Constellation: Contemporary Art in Geo-cultural Micro-areas and small States of Europe. In: Rita Canarezza and Pier Paolo Coro, eds. LIttle Constellation: Contemporary Art in geo-cultural micro-areas and small States of Europe. Milan, Italy: Mousse Publishing, pp. 82-86. ISBN 9788896501078 [Book Section]

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Danino, Nina. 2011. Maya Deren in Context: British Women Filmmakers. In: "Maya Deren in Context: British Women's Filmmaking", BFI Southbank, London, United Kingdom, 9 October 2011. [Show/Exhibition]

Danino, Nina. 2013. Meteorologies (2013) in Subjective Maps/Disappearances, National Gallery of Iceland (2013). In: "Meteorologies in Subjective Maps/Disappearances,", National Museum of Modern Art, Reykjavík,, Iceland, 17 May - 30 June 2013. [Show/Exhibition]

Danino, Nina. 2013. Nina Danino "...and the figures in the Alameda gardens" solo exhibition. In: ""...and the figures in the Alameda gardens"", The Garrison Library, Gibraltar, 12 November- 4 December 2013. [Show/Exhibition]

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Danino, Nina. 2009. Podcast Interview. [Broadcast]

Danino, Nina. 2015. Roundtable discussion: The Women of the London Filmmaker’s Co-op. Moving Image Review & Art Journal (MIRAJ), 4(1-2), pp. 164-179. ISSN 2045-6298 [Article]

Danino, Nina. 1980. Slide–tape: Key Work in the UK since the 1960s. In: "Slide-tape: Key work in the UK since l980s.", Vivid , Birmingham, United Kingdom, 4 October- 30 November 2012. [Show/Exhibition]

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Danino, Nina. 2015-2018 Sorelle Povere Di Santa Chiara. [Project]

Danino, Nina. 2015. Sorelle Povere di Santa Chiara, multi-media installation 2015 in The Voices of the Sirens , GEMA, Montagu Bastion, Gibraltar. In: "Listen to the Sirens", Gibraltar, Gibraltar, 23 June - 23 August 2015. [Show/Exhibition]

Danino, Nina. 2016. Stabat Mater + Jennifer + Q&A. In: "Stabat Mater + Jennifer + Q&A", ICA, London, United Kingdom, 13 November 2016. [Show/Exhibition]

Danino, Nina. 2007. Stabat Mater - A Nameless Place, Film the Feminine and the Sacred. In: G. Pollock and V. Turvey-Sauron, eds. The Sacred and the Feminine - Imagination and Sexual Difference. I.B.Tauris, p. 288. ISBN 9781845115203 [Book Section]

Danino, Nina. 2008. Subversive Film Festival 2008: Hommage 1968. In: "Subversive Film Festival 2008: Hommage 1968", Zagreb, Croatia, 18 - 24 May 2008. [Show/Exhibition]

Danino, Nina. 2015. Temenos (1997), Cinema Off, Off, Ghent. In: "Nina Danino Temenos GB/FR, 1998, 75', colour & b&w, digital", Cinema Off Off, Belgium, 25 November 2015. [Show/Exhibition]

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Danino, Nina. 2008. Temenos (1998), Tatton Park Biennal 2008. In: "Tatton Park Biennal 2008", Tatton Park, United Kingdom, 3 May - 28 Sep 2008. [Show/Exhibition]

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Danino, Nina and Boulton, Jack. 2011. Communion. Stimulus Respond, 2011(Summer), pp. 83-92. [Article]

Danino, Nina; Canezza, Rita; Coro, Pier Paolo; Mangion, Mark and Racanovic, Svetlana. 2012. 'Little Constellation - Gibraltar Workshop'. In: Little Constellation - Workshop Gibraltar. Gibraltar 7-12th December. [Conference or Workshop Item]

Danino, Nina; Coro, Pier Paolo and Canarezza, Rita. 2012. Little Constellation - small States on un-certain stereotypes. Mousse Publsiher, Milan Italy. [Other]

Danino, Nina; De Witt, H.; Gray, L. and Plate, S.. 2005. Visionary Landscapes - The Films of Nina Danino. London: Black Dog Publishing, pp. 1-144. ISBN 1904772072 [Book]

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Danino, Nina and Garavaggio, Giovanni. 2011. L'Ospite et L'Instruso. In: "L’Ospite et L'Instruso", Studio Ermanno Cristini, Varese, Italy, 9-30 April 2011. [Show/Exhibition]

Danino, Nina; Joseph-Lester, Jasper; Petresin, Vesna; Laurent, Robert; Crone, Bridget and Zoller, Maxa. 2012. Abstract Image in Future Film and Video Art. Moving Image Review & Art Journal (MIRAJ), 1(2), pp. 79-88. ISSN 2045-6298 [Article]

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Danino, Nina and Maziere, M.. 2002. The Undercut Reader - Critical Writings on Artists' Film and Video, 2002. London: Wallflower Press. ISBN 1903364477 [Book]

Danino, Nina and Maziere, Michael. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal (MIRAJ), 3(2), pp. 236-247. ISSN 2045-6298 [Article]

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Danino, Nina and Syder, Larry. 2010. 'For the Sake of the Image'. In: For the Sake of the Image. Jerwood Visual Arts, London., United Kingdom 8 March 2010. [Conference or Workshop Item]

Danino, Nina and White, Mary. 2012. “Nina Danino: Capturing an aura – the human presence on film”. Cassone - The International Online Journal for Art and Books., [Article]

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Davis, Paul. 2014. Art in Here. In: "The International Teletext Art Festival 2014", Rundfunk Berlin-Brandenburg, Berlin, Germany, 14 August - 14 September 2014. [Show/Exhibition]

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Davis, Paul. 2016. BEIGE Records Visual Archive. In: "Can You Hear Me? Music Labels by Visual Artists", Printed Matter, United States, 19 May - 19 June. [Show/Exhibition]

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Davis, Paul. 2014. Bring Your Own Bobby Brown. In: "AFTER/HOURS/DROP/BOX", Modern Art Oxford, United Kingdom, 2014. [Show/Exhibition]

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Davis, Paul. 2015. Calypso Fugitive. [Audio]

Davis, Paul. 2007. Good Riddance. In: "Good Riddance", MOT International, London, 2/3/2007 - 3/10/2007. [Show/Exhibition]

Davis, Paul. 2007. Intentional Computing. In: "Intentional Computing", Seventeen Gallery, 5/30/2007 - 6/23/2007. [Show/Exhibition]

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Davis, Paul. 2020. Mr One Hundred. In: "Mr One Hundred", Various, United States, 2014 - 2020. [Performance]

Davis, Paul and Arcangel, Cory. 2004. The 2004 Whitney Biennial. In: "The 2004 Whitney Biennial", Whitney Museum of Modern Art, 3/11/2004 - 5/30/2004. [Show/Exhibition]

Davis, Paul and Davidson, E.. 2006. Satellite of Love. In: "Satellite of Love", Witte de With Centre, 1/26/2006 - 3/26/2006. [Show/Exhibition]

Day, P.. 2006. Ibon Aranberri. The Logic of Stories. Afterall, 14, pp. 29-36. ISSN 1846380332 [Article]

Day, P.. 2002. Nostalgia. In: "Nostalgia", Art in General, 9/24/2002 - 2/1/2003. [Show/Exhibition]

Day, P.. 2005. Sin teoría revolucionaria no hay revolucíon: Estrategias política del arte contemporáneo en México [Without Revolutionary Theory There is no Revolution: Political Strategies in Contemporary Art in Mexico]. In: 'Issa Ma Benítez Dueñas, ed. Cronicas del paraiso: Arte contemporaneo y sistema del arte en Mexico. Ephemera Books, pp. 78-89. [Book Section]

Day, P.. 2002. Zero and Zero to the power of one. In: "Zero and Zero to the power of one", Art and Idea, 10/4/2002 - 11/1/2002. [Show/Exhibition]

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De Ville, Nicholas. 2003. Album: Style and Image in Sleeve Design. Mitchell Beazley. ISBN 1840006056 [Book]

De Ville, Nicholas. 2002. Les Écoles d'art Britannique [British Art Schools and the Influence of Art Education]. In: , ed. Blast to Freeze L'art Britannique au XXe Siècle [Blast to Freeze: British Art in the 20th Century]. Hatje Cantz, pp. 106-111. ISBN 3775712488 [Book Section]

De Ville, Nicholas. 2001. Malcolm Morley� - Life After Death? Modern Painters, 14(3), pp. 54-58. ISSN 09536698 [Article]

De Ville, Nicholas. 2006. On Falling Down: Writing a Catalogue Essay for Graham Dolphin, Even. In: No named Editor, ed. Thirty Three and a Third. Seventeen, pp. 1-4. ISBN 0955437504 [Book Section]

Dean, Mark. 2010. The Beginning of the End. In: "The Beginning of the End", Beaconsfield, London, United Kingdom, Nov 2010 - 27 Feb 2011. [Show/Exhibition]

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Dean, Mark. 2010. Christian Disco (Terminator). [Film/Video]

Dean, Mark. 2004. Disco Maquette. In: "Disco Maquette", Sketch, 7/23/2004 - 9/11/2004. [Show/Exhibition]

Dean, Mark. 2002. Game On. In: "Game On", Barbican Art Gallery, 5/16/2002 - 9/15/2002. [Show/Exhibition]

Dean, Mark. 2002. The Return of Jackie & Judy (+ Joey). In: "The Return of Jackie & Judy (+ Joey)", Laurent Delaye Gallery, 2/1/2002 - 3/28/2002. [Show/Exhibition]

Dean, Mark. 2005. (Version) for Lightsilver. In: "(Version) for Lightsilver", Beaconsfield, 2/23/2005 - 5/8/2005. [Show/Exhibition]

Dean, Mark; Dean, Tacita; Sierra, Santiago and Wallinger, Mark. 2009. The Enigma of Arrival. In: "The Enigma of Arrival, Leeds Art Gallery, 2009", Leeds Art Gallery, United Kingdom. [Show/Exhibition]

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Desclaux, Vanessa. 2016. Curators: more or less subjects :Spectatorship, passivity and fabulation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Drake, Colin and Mabb, David. 2008. Commodity Form. [Exhibition Catalogue]

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Dyangani Ose, Elvira; Bashar, Shumon; Liber, Cédric and Roelstraete, Dieter. 2015. RECTO VERSO. In: "RECTO VERSO", Fondazione Prada Milan, Italy, 3 December 2015 – 14 February 2016. [Show/Exhibition]

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Eisa, Ali. May 2016 – June 2017 Canvas(s). [Project]

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Ferguson, Nicholas. 2015. Indifference. Art, Liberalism and the Politics of Place. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Fisher, Jennifer and Reckitt, Helena. 2016. Introduction: Affect and Relationality. Journal of Curatorial Studies, 5(1), pp. 1-2. ISSN 2045-5836 [Article]

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Fisher, Jennifer and Reckitt, Helena. 2015. Introduction: Museums and Affect. Journal of Curatorial Studies, 4(3), pp. 1-2. ISSN 2045-5836 [Article]

Fisher, Sam. 2004. The Five Corners of Painting. In: "The Five Corners of Painting", Artconnexion, 2/5/2004 - 2/28/2004. [Show/Exhibition]

Fisher, Sam. 2001. Gymnasium. In: "Gymnasium", Bregenzer Kunstverein, 7/14/2001 - 9/2/2001. [Show/Exhibition]

Fisher, Sam. 2005. Incorrigible Sentimental. In: "Incorrigible Sentimental", Kerlin Gallery, 7/8/2005 - 8/6/2005. [Show/Exhibition]

Fisher, Sam. 2003. 'Virtual Reality and its effect on the Artist'. In: Art, Design and Virtual Reality Symposium. University of Marmara 6/15/2003. [Conference or Workshop Item]

Frearson, Annabel. 2015. Cash, not Rocks! The transformation of cultural value. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Freee, Freee; Whiles, Annie; David, Jo; House, Rachel; Kenning, Dean; Cobb, Nicholas; Robbins, Freddie; Cloth, Jay; Wayman, Mark; Kwan, Gayle Chong; Bishop, Mark (J. M.); Harrison, Ellie and Socialist Choir, Strawberry thieves. 2009. The Peckham Experiment. In: "The Peckham Experiment", Camberwell Space, Camberwell College of Art, United Kingdom, 28th September-7th November 2009. [Show/Exhibition]

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Frost, Lola Audrey. 2007. Negativity in Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

Fusco, Maria. 2009. 'Accelerated History: Is Time Enough? Duration, Location and Accelerated Histories'. In: Motel Out Of The Blue An international symposium on Instant Urbanism, Hospitality and Accelerated History. Het Blauwe Huis, 3 - 9 Aug 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art + Writing Panel Discussion'. In: Art + Writing Panel Discussion. Spike Island, Bristol, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art Publishing in the Contemporary world'. In: Art Publishing in the Contemporary world. NCAD, Dublin, Ireland. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Arts Writing Symposia Day 1: Who is this who is coming?'. In: Arts Writing Symposia. Whitechapel Galler, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 27 March 2010 COSEY COMPLEX. [Project]

Fusco, Maria. 2008. 'Derrida, Doom Knots and the Blank Page'. In: The Aesthetics of Trash: Objects and Obsolescence in Cultural Perspective. University College Dublin, Ireland 4 - 6 Sep 2008. [Conference or Workshop Item]

Fusco, Maria. 2012. Donald. Edinburgh: Collective Gallery. ISBN TBC [Book]

Fusco, Maria. 2009. Don’t say yes – say maybe: fiction writing and art writing. In: , ed. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge: Cambridge Scholars Publishing, pp. 28-37. ISBN 978 1 4438 0532 2 [Book Section]

Fusco, Maria. 2006. The Dream that Kicks; Transdisciplinary Practice in Action. The Artists Information Company. ISBN 090773071X [Book]

Fusco, Maria. 2008. 'Fictionalising Practice and Politics'. In: Art Writing Beyond Criticism. ICA, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2012. Gonda. [Film/Video]

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Fusco, Maria, ed. 2008. The Happy Hypocrite #1, The Happy Hypocrite, 1. 1755 473X [Edited Journal]

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Fusco, Maria, ed. 2008. The Happy Hypocrite #2, The Happy Hypocrite, 2. 1755 473X [Edited Journal]

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Fusco, Maria, ed. 2009. The Happy Hypocrite #3, The Happy Hypocrite, 3. 1755 473X [Edited Journal]

Fusco, Maria. 2009. 'Jeff Koons: Popeye Series'. In: Jeff Koons: Popeye Series. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Judgment and Contemporary Art Criticism: Forum'. In: Judgment and Contemporary Art Criticism. Emily Carr University of Art + Design, Vancouver, Canada 27 - 28 Feb 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Material: Sprache [Language as Material] symposium'. In: Material: Sprache. Kunstuniversitaet Linz, Austria. [Conference or Workshop Item]

Fusco, Maria. 2008. The Mechanical Copula. In: Mark Beasley, ed. Hey Hey Glossolalia. New York: Creative Time. ISBN 9781928570073 [Book Section]

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Fusco, Maria. 2010. The Mechanical Copula. Berlin/New York: Sternberg Press. ISBN 978 1 934105 19 1 [Book]

Fusco, Maria. 2001. Professional is environmental. Amateurism is anti-environmental: Some networks of association in visual arts publishing. In: No Named Editor, ed. Unbound: Art Publishing in Scotland. Fruitmarket Gallery, pp. 34-43. ISBN 0947912045 [Book Section]

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Fusco, Maria. 2008. SPUME. [Digital]

Fusco, Maria. 2010. Say who I am. In: , ed. Judgment and Contemporary Art Criticism. Vancouver, Canada: Fillip and Artspeak. [Book Section]

Fusco, Maria. 2009. 'Three Uses of the Knife: International workshop on art writing and criticism'. In: Three Uses of the Knife. International workshop on art writing and criticism. Contemporary Art Centre, Vilnius, Lithuania. [Conference or Workshop Item]

Fusco, Maria. 2007. Window Strikes. In: K. Henry, ed. Copy Work. Contemporary Art Gallery, pp. 79-92. ISBN 9781897302163 [Book Section]

Fusco, Maria. 2008. ‘The World in your Head’, ‘The World in your Hand’ and ‘The World Tomorrow’. In: R. Klanten and M. Huebner, eds. Fully Booked: Cover Art and Design for Books. Berlin: Gestalten. ISBN 978-3-89955-209-6 [Book Section]

Fusco, Maria. 2008. 'Writing Encounters'. In: WRITING ENCOUNTERS: CURATING THE ENCOUNTER BETWEEN WRITING AND PERFORMANCE. St John University, York, United Kingdom 11 - 13 Sep 2008. [Conference or Workshop Item]

Fusco, Maria. 2009. The incunabulum and the plastic bag. In: , ed. A Manual for the 21st Century Art Institution. Köln and London: Koenig Books and Whitechapel Gallery. ISBN 978 3865606 181 [Book Section]

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Fusco, Maria and Hunt, Ian, eds. 2004. Put About: A Critical Anthology on Independent Publishing. Book Works. ISBN 187069970X [Edited Book]

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Gallardo, Francisco and Samson, Audrey. 2017. Shrimping under working conditions. In: Helen Pritchard; Eric Snodgrass and Magda Tyżlik-Carver, eds. EXECUTING PRACTICES. (06) Brooklyn, NY: Autonomedia, pp. 253-266. ISBN 9781570273216 [Book Section]

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Ganani-Tomares, Dafna. 2005. Jaffa Bollywood part 2. [Film/Video]

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Ganani-Tomares, Dafna. 2007. Mimesis: Judith Butler, Visual Practice, Tragic Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Garfield, Rachel. 2001. Ali G: Just Who Does He Think He Is. Third Text, 2(54), pp. 63-70. ISSN 09528822 [Article]

Garfield, Rachel. 2011. Avinash Chandra. London: Lund Humphries/Delhi Art Gallery. [Book]

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Garfield, Rachel. 2010. For Some Time Now. In: "For Some Time Now", Oranim, Israel, 24 May - 30 June 2010. [Show/Exhibition]

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Garfield, Rachel. 2009. A Particular Incoherence: The films of Vivienne Dick. In: Treasa O'Brian, ed. Between Truth and Fiction, The Films of Vivienne Dick. Ireland/UK: Crawford Art Centre and the Lux, London, pp. 39-48. ISBN 0-9548569-8-8 [Book Section]

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Garfield, Rachel. 2011. 'Picturing the 'People of the Book''. In: Picturing the 'People of the Book'. Austin, Texas, United States. [Conference or Workshop Item]

Garfield, Rachel. 2007. Radical Uncertainty and Elegaic Practices. In: No Named Editor, ed. AfterShock. Sainsbury's Centre for the Visual Arts, pp. 87-89. ISBN 9781094600963 [Book Section]

Garfield, Rachel. 2006. Towards a Re-Articulation of Cultural Identity. Third Text, 20(1), pp. 99-108. ISSN 09528822 [Article]

Garfield, Rachel. 2005. You'd Think So Wouldn't You?. In: "You'd Think So Wouldn't You?", University of Hertfordshire Galleries Focal Point Gallery Artsdepot, 9/28/2005 - 5/10/2006. [Show/Exhibition]

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Garfield, Rachel. 2008. Zineb Sedira - Biography. New Media Encyclopedia, [Article]

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Garfield, Rachel and Wainwright, Leon. 2011. 'Putting the Cosmopolitan to Work: Experimental Film and Video'. In: Cosmopolitan Practice Symposium. MMU, Manchester, United Kingdom. [Conference or Workshop Item]

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Garfield, Rachel; Wechsler, James; Betancour, Michael; Craven, David; Harrison, Helen; Kuspit, Donald and Power, Susan. 2008. ‘Questioning Perceptions of Jewish Identity in the work of Ary Stillman’,. In: James Wechsler, ed. Ary Stillman: from Impressionism to Abstract Expressionism. New York: Merrel, pp. 149-163. ISBN ISBN 9781858944333 [Book Section]

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Gee, Nicholas. 2012. Trouble in the garden: exploring the ambivalence of public space and private property. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gluckman, Eliza and Day, Lucy. 2010. The Jolly (Good) Show: Light and shade in contemporary art practice.. In: "The (Jolly) Good show", Collyer Bristow Gallery, London., United Kingdom, 22 September - 1 December 2010. [Show/Exhibition]

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Gonçalves, João Miguel Correia. 2010. 'Making problems'. In: CLTAD 5th International Conference. Berlin, Germany 12-13 April 2010. [Conference or Workshop Item]

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Gordon, Melissa. 2016. Derivative Value. In: "derivative value", Overbook Gesellschaft, Germany. [Show/Exhibition]

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Gordon, Melissa. 2016. Fallible Space. In: "Fallible Space", The Bluecoat, United Kingdom, 23 January - 13 March 2016. [Performance]

Gordon, Melissa. 2017. Female Genius Nightclub. In: "Female Genius Nightclub", Wiels Centre for Contemporary Art, Belgium. [Performance]

Gordon, Melissa. 2018. Joke Gestures (Make a Mess, Clean it Up). Journal of Contemporary Painting, 4(2), pp. 239-247. ISSN 2052-6695 [Article]

Gordon, Melissa. 2013. Material Evidence. In: "Material Evidence", Spike Island, Bristol, United Kingdom, 6 July to 1 September 2013. [Show/Exhibition]

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Gordon, Melissa. 2018. The Mechanics of Fluids. In: "The Mechanics of Fluids", Marianne Bosky Gallery, United States, 21 June - 3 August 2018. [Show/Exhibition]

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Gordon, Melissa. 2017. 'On Gesture'. In: On Gesture. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Gordon, Melissa. 2016. Painting Behind Itself. [Artist's Book]

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Gordon, Melissa. 2016. Routine Pleasures. In: "Routine Pleasures", Vleeshal, Netherlands, April - June 2016. [Show/Exhibition]

Gourvil, Olivier. 2009. La Peinture est Presque Abstrait. In: "La Peinture est Presque Abstrait", Transpalette Emmetrop, France, 2009 - 2010. [Show/Exhibition]

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Gourvil, Olivier and Geoffroy, Gross. 2009. Instants et Glissements - Dessins de 20 Artisites Contemporains. In: "Instants et Glissements - Dessins de 20 Artistes Contemporains", La Box Ecole Nationale Superieure d'Art de Bourges., France, 5 - 21 November 2009. [Show/Exhibition]

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Graham, Ellard and Johnstone, Stephen. 2015. Anthony McCall: Notebooks and Conversations. Farnham: Lund Humphries. ISBN 9781848221697 [Book]

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Graham, Janna; Graziano, Valeria and Kelly, Susan. 2016. The Educational Turn in Art : Rewriting the hidden curriculum. Performance Research, 21(6), pp. 29-35. ISSN 1352-8165 [Article]

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

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Grant, Catherine. 2011. Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. In: Catherine Grant and Lori Waxman, eds. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect Press, pp. 161-186. ISBN 9781841503486 [Book Section]

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Grant, Catherine. 2006. Different Girls: performances of adolescence in contemporary photographic portraits. Doctoral thesis, Courtauld Institute of Art, London [Thesis]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

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Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

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Grant, Catherine. 2019. The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. In: Allyson Mitchell and Cait McKinney, eds. Killjoy's Kastle. Canada: University of British Columbia Press and The Art Gallery of York University Press. ISBN 9780774861571 [Book Section]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

Grant, Catherine. 2017. Learning and Playing: Re- enacting Feminist Histories. In: Victoria Horne and Lara Perry, eds. Feminism and Art History Now: Radical Critiques of Theory and Practice. London: Bloomsbury. ISBN 9781784533250 [Book Section]

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Grant, Catherine. 2019. A Letter Sent, Waiting to be Received: Queer Correspondence, Feminism and Black British Art. Women: A Cultural Review, 30(3), pp. 297-318. ISSN 0957-4042 [Article]

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2019. More than a schoolgirl crush: Amy Adler and the adolescent fan. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 100-120. ISBN 9781912685134 [Book Section]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

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Grant, Catherine. 2019. Returning to Riddles. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury Academic. ISBN 9781784537005 [Book Section]

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Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

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Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Grant, Catherine and Random Love, Kate. 2019. Fandom as Methodology: Introduction. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 1-20. ISBN 9781912685134 [Book Section]

Gray, Ros. 2005. '‘Algumas experimentações emergentes nas telas em Moçambique’'. In: Encontros – Maputo 2005, Festival of Documentary Films at the Centro Cultural Franco. Moçambicano, Maputo, Mozambique 27 September–4 October 2005. [Conference or Workshop Item]

Gray, Ros. 2010. An Archive of Aspirations. Jornal do Atelier Real, pp. 11-12. [Article]

Gray, Ros. 2003. Chinese Whispers: Variations on Textile. Textile The Journal of Cloth and Culture, 1(2), pp. 158-173. ISSN 14759756 [Article]

Gray, Ros. 2017. Clear Lines of an Internationalist Map: Foreign Filmmakers in Angola at Independence [English translation]. In: Maria do Piçarra and Teresa Castro, eds. (Re)Imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire. Oxford: Peter Lang. ISBN 9781787076396 [Book Section]

Gray, Ros. 2016. Decolonisation. In: Sangeeta Ray and Harry Schwarz, eds. The Encyclopedia of Postcolonial Studies. Wiley-Blackwell. ISBN 978-1-4443-3498-2 [Book Section]

Gray, Ros. 2010. Dreaming of Islands. In: , ed. Renée Green: Endless Dreams and Time-Based Streams. San Francisco, CA: Yerba Buena Center for the Arts. [Book Section]

Gray, Ros. 2009. ‘Front of House’. Textile The Journal of Cloth and Culture, 7(2), ISSN 14759756 [Article]

Gray, Ros. 2012. Haven’t you heard of internationalism?: The Socialist friendships of Mozambican cinema. In: Lars Lyngsgaard and Fjord Kristensen, eds. Postcommunist Film - Russia, Eastern Europe and World Culture: moving images of postcommunism. Abingdon: Routledge, pp. 53-74. ISBN 9780415671644 [Book Section]

Gray, Ros. 2010. 'Henrique Neves and Clément Darrasse’s ‘Made in.''. In: Henrique Neves and Clément Darrasse’s ‘Made in.'. British Council, Lisbon, Portugal. [Conference or Workshop Item]

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Gray, Ros. 2014. A Lingering Lusotopia: Thinking the Planetary from Angola. Art Margins, 3(1), pp. 3-27. ISSN 2162-2574 [Article]

Gray, Ros. 2015. Linhas Claras num Mapa Internacionalista: Cineastas Estrangeiros em Angola durante a Independência. In: Maria do Carmo Piçarra and Jorge Antonio, eds. Angola - O Nascimento de Uma Nação: O Cinema da Independência. 3 Lisbon: Guerra & Paz. [Book Section]

Gray, Ros. 2002. Lost and Found: A Modicum of Dignity. The Journal of Visual Culture, 1(1), pp. 131-134. ISSN 14704129 [Article]

Gray, Ros. 2012. 'The Militant Image - A Ciné Geography lecture'. In: Cinematic Migrations lecture series, MIT programme in Art, Culture and Technology. MIT, United States. [Conference or Workshop Item]

Gray, Ros. 2003. '‘Momentary Stability’'. In: Warp:Woof – Aurality, Musicality, Textuality, Congress CATH 2003. University of Leeds, United Kingdom 10 – 12 July 2003. [Conference or Workshop Item]

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Gray, Ros. 2014. 'O Anticolonialsimo da Imagen Militante in the Próximo Futuro series Novos Poderes'. In: A arte do comum e a produção da cultura: O Anticolonialismo da Imagem Militante à Guerra das Escritas. Gulbenkian Foundation, Portugal. [Conference or Workshop Item]

Gray, Ros. 2014. 'The Socialist Friendships of Mozambican Cinema'. In: Red Africa. Calvert 22, United Kingdom. [Conference or Workshop Item]

Gray, Ros. 2007. 'Third Cinema: Filming the Revolution in Mozambique'. In: Curating the Postcolonial, conference organised by the Royal College of Art. Goethe Institute, London, United Kingdom. [Conference or Workshop Item]

Gray, Ros. 2016. Você já ouviu falar de internacionalismo? As amizades socialistas do cinema moçambicano [translation]. In: Lucia Monteiro, ed. África(s): Cinema e revolução: As Independências de Angola, Guiné-Bissau e Moçambique em filmes de luta e memória (catálogo de mostra de cinema, realizada no cinema Caixa Belas Artes, São Paulo, de 10 a 23 de novembro de 2016). São Paulo: Caixa Belas Artes. [Book Section]

Gray, Ros. 2021. Vous n'avez jamais entendu parler d'internationalisme?: Les amitiés socialistes du cinéma mozambicain [translation]. In: Maria-Benedita Basto; Françoise Blum; Pierre Guidi; Héloïse Kiriakou; Martin Mourre; Céline Pauthier; Ophélie Rillon; Alexis Roy and Elena Vezzadini, eds. Socialismes africains / Socialismes en Afrique. Paris: Les Éditions de la Maison des sciences de l'homme. ISBN 9782735126989 [Book Section]

Eshun, Kodwo and Gray, Ros, eds. 2011. The Militant Image: A Ciné-Geography, Third Text, 25(1). 0952-8822 [Edited Journal]

Gray, Ros and Eshun, Kodwo. 2011. The Militant Image: A Ciné-Geography: Editors’ Introduction. Third Text, 25(1), pp. 1-12. ISSN 0952-8822 [Article]

Greenhill, Joanna and Walsh, Bernard. 1999. 'Snake in the Grass/Raising Dirt: a conference paper'. In: Disciplines, Fields and Change in Art Practice. UCE, Birmingham, United Kingdom. [Conference or Workshop Item]

Greenhill, Joanne and Walsh, Bernard. 1999. The Snake in the Grass / Raising Dirt. In: Jacquie Swift and John Swift, eds. Disciplines, Fields and Change in Art Education. 1 ARTicle Press. ISBN 1-873352-92-1 [Book Section]

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Gronemeyer, Wiebke. 2015. The Curatorial Complex: Social Dimensions of Knowledge Production. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gupta, Sunil; Singh, Radikal; Nasar, Hammad; Alam, Shahidul; Pinney, Christopher; Gadihoke, Sabeena and Kapur, Geeta. 2010. Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh. London, UK: Whitechapel Gallery, Fotomuseum Winterthur, Steidl. ISBN 978-0-85488-179-6 [Book]

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Hahn, Catherine Neville. 2016. The Political House of Art: The South African National Gallery 1930-2009. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hammond, Chris. 2010. 2010. London, United Kingdom January 14th - December 18th 2010. [Show/Exhibition]

Hammond, Chris. 2006. The Alpine Fantasy of Victor B. In: Jeremy Akerman and Eileen Daly, eds. The Alpine Fantasy of Victor B and Other Stories. Serpent's Tail, pp. 165-178. ISBN 978-1852429263 [Book Section]

Hammond, Chris. 2015. Bail Bond [Curatorial Project]. In: "Bail Bond", Mot International London, United Kingdom, 7 July – 26 September 2015. [Show/Exhibition]

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Hammond, Chris. 29 May 2019 - Chris Hammond Gallery. [Project]

Hammond, Chris. 2007. Collaborative Networks. In: Michael Stanley, ed. Person to Person, People to People. Milton Keynes Gallery, pp. 7-9. ISBN 9780955344077 [Book Section]

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Hammond, Chris. 2015. The Funnies [Curatorial Project]. In: "The Funnies", Mot International Brussels, Belgium, 20 November 2015 – 30 January 2016. [Show/Exhibition]

Hammond, Chris. 2004. I am the Wrath of God. In: "I am the Wrath of God", MOT, 8/27/2004 - 10/1/2004. [Show/Exhibition]

Hammond, Chris. Ongoing since 2002 MOT International. [Project]

Hammond, Chris. 2006. Not Quite Ten Years Without Martin Kippenberger. In: "Not Quite Ten Years Without Martin Kippenberger", MOT, 4/1/2006 - 5/6/2006. [Show/Exhibition]

Hammond, Chris. 2007. Propaganda Machine. In: "Propaganda Machine", The Serpentine Gallery, 6/30/2007 - 7/1/2007. [Show/Exhibition]

Hammond, Chris. 2017. 'The Whitworth Tuesday Talk: Chris Hammond'. In: The Whitworth Tuesday Talk: Chris Hammond. The Whitworth, The University of Manchester, United Kingdom 10 January 2017. [Conference or Workshop Item]

Hammond, Chris. 2009. A Work A Day. In: "A Work A Day", MOT International, United Kingdom, 27 June - 24 July 2009. [Show/Exhibition]

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Hammond, Chris; Barry, Hannah; Hooks, Hannah; Morgan, Elinor and Woolcott, Tyler. 2015. 'Talk: Doing it for yourself – Independent and Artist-led spaces - Media Channel - Zabludowicz Collection'. In: Doing it for yourself – Independent and Artist-led spaces. Zabludowicz Collection, United Kingdom 29 March 2015. [Conference or Workshop Item]

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Hammond, Chris and Beveridge, Gabriele. 2015. Gabriele Beveridge: Mainland [Curatorial Project]. In: "Gabriele Beveridge: Mainland", Mot International Brussels, Belgium, September 11th - October 31st 2015. [Show/Exhibition]

Hammond, Chris and Bodart, Pauline. 2014. ATLAS. In: "ATLAS", Mot International Brussels, Belgium, 13 November – 20 December 2014. [Show/Exhibition]

Hammond, Chris and Bodart, Pauline. 2015. I want to be. Inside Out.. In: "I want to be. Inside Out.", Mot International Brussels, Belgium, 14 March – 11 April 2015. [Show/Exhibition]

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Hammond, Chris; Combusyan, Haro; Lissoni, Andrea; Gibson, Beatrice; cook, Ben and Manubens, Anna. 2014. 'Roundtable—Brussels Acquiring film and video: How/What do we own?'. In: Acquiring film and video: How/What do we own?. Art Brussels, Belgium 25 April 2014. [Conference or Workshop Item]

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Hammond, Chris and Danke, Raphael. 2014. Raphael Danke En Belgique. In: "Raphael Danke En Belgique", Mot International Brussels, Belgium, 28 February – 5 April 2014. [Show/Exhibition]

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Hammond, Chris and Dimitrijević, Braco. 2014. Braco Dimitrijević Early London Years. In: "Braco Dimitrijević Early London Years", Mot International London, United Kingdom, 7 February – 22 March 2014. [Show/Exhibition]

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Hammond, Chris and Ding, Liu. 2015. Liu Ding New Man. In: "Liu Ding New Man", Mot International London, United Kingdom, 10 April – 27 June 2015. [Show/Exhibition]

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Hammond, Chris and Hiller, Susan. 2016. Susan Hiller: Aspects of the Self 1972-1985 [Curatorial Project]. In: "Susan Hiller: Aspects of the Self 1972-1985", Mot International Brussels, Belgium, 12 February – 26 March 2016. [Show/Exhibition]

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Hammond, Chris and Lainé, Emmanuelle. 2015. Emmanuelle Lainé [Curatorial Project]. In: "Emmanuelle Lainé", Mot International Brussels, Belgium, 21 November 2015 – 30 January 2016. [Show/Exhibition]

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Hammond, Chris; Lee, Jiyoon and Lee, Seung-Taek. 2014. Seung-Taek Lee. In: "Seung-Taek Lee", Mot International London, United Kingdom, 12 July – 23 August 2014. [Show/Exhibition]

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Hammond, Chris; Lydiate, Henry and Gluzberg, Margarita. 2015. 'The Commercial Dimensions of a Fine Art Practice'. In: The Commercial Dimensions of a Fine Art Practice. RCA, United Kingdom 20th May 2015. [Conference or Workshop Item]

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Hammond, Chris; Obrist, Hans Ulrich; Wood, Catherine; Chetwynd, Marvin Gaye and Lydiate, Henry. 2015. 'Contemporary Art Society’s Annual Conference: On Collecting Performance Art'. In: Contemporary Art Society’s Annual Conference: On Collecting Performance Art. Institute of Contemporary Arts, London, United Kingdom 13 February 2015. [Conference or Workshop Item]

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Hammond, Chris and Oppenheim, Dennis. 2014. Dennis Oppenheim: Whirlpool (Eye of the Storm), 1973 [Curatorial Project]. In: "Dennis Oppenheim Whirlpool (Eye of the Storm), 1973", Art Basel, Switzerland, 19-22 June 2014. [Show/Exhibition]

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Hammond, Chris; Oppenheim, Dennis and Oppenheim, Amy. 2014. Dennis Oppenheim. In: "Dennis Oppenheim", Mot International London, United Kingdom, 2 April – 17 May 2014. [Show/Exhibition]

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Hammond, Chris and Palmer, Katrina. 2014. Katrina Palmer Reality Flickers. In: "Katrina Palmer Reality Flickers", Mot International, United Kingdom. [Show/Exhibition]

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Hammond, Chris and Palmer, Katrina. 2019. Katrina Palmer - End Matter. In: "Katrina Palmer - End Matter", Chris Hammond Gallery, United Kingdom, 29 May 2019 - 29 May 2020. [Show/Exhibition]

Hammond, Chris and Pan, Lara. 2014. The First and Last Freedom. In: "The First and Last Freedom", Mot International London, United Kingdom, 9 September – 5 October 2014. [Show/Exhibition]

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Hammond, Chris; Pearlman, Nina; Rouleau, Martine; Pistella, Jenny; Large, Kelly; Charlesworth, JJ; Buck, Louisa; Maheshwari, Maitreyi and Ogg, Kirsty. 2015. 'Collecting the Emerging Symposium'. In: Collecting the Emerging Symposium -Definitions: What does ‘emerging’ mean in relation to artists’ careers and practices?. University College London, United Kingdom 22 - 23 May 2015. [Conference or Workshop Item]

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Hammond, Chris and Price, Elizabeth. 2015. Art Basel Unlimited Elizabeth Price K, 2015 [Curatorial Project]. In: "Art Basel Unlimited Elizabeth Price K, 2015", Art Basel, Switzerland, 18-21 June 2015. [Show/Exhibition]

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Hammond, Chris and Price, Elizabeth. 2014. Elizabeth Price Sleep. In: "Elizabeth Price Sleep", Mot International Brussels, Belgium, 13 September – 31 October 2014. [Show/Exhibition]

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Hammond, Chris and Prouvost, Laure. 2014. Art Basel Unlimited Laure Prouvost Wantee [Curatorial Project]. In: "Art Basel Unlimited Laure Prouvost Wantee", Art Basel, Switzerland, 19-22 June 2014. [Show/Exhibition]

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Hammond, Chris and Prouvost, Laure. 2014. Laure Prouvost The Meeting. In: "Laure Prouvost The Meeting", Mot International Brussels, Belgium, 6 June – 2 August 2014. [Show/Exhibition]

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Hammond, Chris and Rees, Dan. 2015. Dan Rees: Think Local, Act Global [Curatorial Project]. In: "Dan Rees Think Local, Act Global", Mot International Brussels, Belgium, September 10th - November 7th 2015. [Show/Exhibition]

Hammond, Chris and Reid, Clunie. 2009. Clunie Reid. In: "Clunie Reid", MOT International, United Kingdom, 10 October - 14 November 2009. [Show/Exhibition]

Hammond, Chris and Reid, Clunie. 2015. Clunie Reid: Bodies Turn To Ash [Curatorial Project]. In: "Clunie Reid Bodies Turn To Ash", Mot International Brussels, Belgium, 24 Apr 2015 – 30 May 2015. [Show/Exhibition]

Hammond, Chris and Roithmayr, Florian. 2015. Florian Roithmayr SERVICE. In: "Florian Roithmayr SERVICE", Mot International Brussels, Belgium, 17 January 2015 – 7 March 2015. [Show/Exhibition]

Hammond, Chris and Russell, John. 2014. John Russell AQUARIUM PROLETARIUM. In: "John Russell AQUARIUM PROLETARIUM", Mot International London, United Kingdom, 12 December 2014 – 31 January 2015. [Show/Exhibition]

Hammond, Chris and Safavi, Vanessa. 2015. Vanessa Safavi: Airbags (Curatorial Project]. In: "Vanessa Safavi Airbags", Mot International Brussels, Belgium, 4 June – 31 July 2015. [Show/Exhibition]

Hammond, Chris and Senatore, Marinella. 2014. Marinella Senatore FACING CIRCLES. The word community feels good. In: "Marinella Senatore FACING CIRCLES. The word community feels good", Mot International London, United Kingdom, 14 October – 29 November 2014. [Show/Exhibition]

Hammond, Chris and Sighicelli, Elisa. 2014. Elisa Sighicelli. In: "Elisa Sighicelli", Mot International London, United Kingdom, 23 May – 28 June 2014. [Show/Exhibition]

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Hammond, Chris and Toren, Amikam. 2014. Amikam Toren Neither A Teapot Nor A Painting. In: "Amikam Toren Neither A Teapot Nor A Painting", Mot International Brussels, Belgium, 11th January – 22nd February 2014. [Show/Exhibition]

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Hammond, Chris and Toren, Amikam. 2020. Amikam Toren - Floor. In: "Amikam Toren - Floor", Chris Hammond Gallery, United Kingdom, 29 June 2020 - ongoing. [Show/Exhibition]

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Hammond, Chris; ULAY, Ulay and Jones, Amelia. 2015. Ulay Retouching Bruises. [Artist's Book]

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Hammond, Chris and Ulay, Ulay. 2015. Ulay: Retouching Bruises (1975) [Curatorial Project]. In: "Ulay: Retouching Bruises (1975)", Art Basel, Switzerland, Jun 18th – 21st 2015. [Show/Exhibition]

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Hammond, Chris and Ulay, [Frank Uwe Laysiepen]. 2016. Ulay: Come On. In: "Ulay: Come On", MOT International Brussels, Belgium, 13 May – 16 July 2016, PV 12 May. [Show/Exhibition]

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Hammond, Chris and Willats, Stephen. 2014. Stephen Willats Concrete Block, drawings and works on paper 1978-2005. In: "Stephen Willats Concrete Block, drawings and works on paper 1978-2005", Mot International Brussels, Belgium, 11 April – 24 May 2014. [Show/Exhibition]

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Hammond, Chris; Woods, Orlagh and Bousted, Donald. 2014. Gallery Films - MOTInternational: Commercial Galleries. [Broadcast]

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Hammond, Chris and Yalter, Nil. 2015. Nil Yalter. In: "Nil Yalter", Mot International London, United Kingdom, 6 February – 28 March 2015. [Show/Exhibition]

Hand, Janet. 2007. Art - Write. Journal of Writing in Creative Practice, 1(1), pp. 47-52. ISSN 17535190 [Article]

Hand, Janet. 2002. Follow me. In: John Gange, ed. Monograph: Tim Brennan. Information as Material, pp. 5-79. ISBN 0953676544 [Book Section]

Hand, Janet. 2001. Intimate Gestures: Proximity as a Deformation of Genre. In: K. Honnef, ed. Melanie Manchot - Love is a Stranger. Prestel Verlag, pp. 24-27. ISBN 9783791325323 [Book Section]

Hand, Janet. 2005. Sophie Calle's art of following and seduction. Cultural Geographies, 12(4), pp. 463-485. ISSN 14744740 [Article]

Hansen, Rikke. 2007. Endpoints, Turning Points. In: , ed. Vendepunkter. Byggeriets Hus, pp. 2-5. ISBN 879915611 [Book Section]

Hansen, Rikke and Wilbert, Chris. 2005. 'Setting the Crime Scene: Aspects of performance in Jack the Ripper guided tourist walks'. In: International Conference for Tourism Studies and Cultural Change: Tourism and Performance: Scripts, stages, and stories. Sheffield Hallam University, United Kingdom 10/1/2005. [Conference or Workshop Item]

Hansen, Rikke and Wilbert, Chris. 2006. Setting the Crime Scene: Jack the Ripper Walks, Tourism, and the Media. Merge: Sound, Thought, Image, 17, pp. 30-34. ISSN 14026570 [Article]

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Harbison, Isobel. 2019. Performing Image. Cambridge MA: The MIT Press. ISBN 9780262039215 [Book]

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Harbison, Isobel. 2015. The Prosumer Complex. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Harper, Andy. 2013. Archaeology in Reverse. In: "Archaeology in Reverse", Newlyn Art Gallery, 6th July to 28th September. [Show/Exhibition]

Harper, Andy. 2007. The Ballad of Mistah Bones. In: "The Ballad of Mistah Bones", Frost and Reed Contemporary, 6/18/2007 - 7/20/2007. [Show/Exhibition]

Harper, Andy. 2006. Broca's Area a painting exhibited at John Moores 24 - Exhibition of Contemporary Painting. In: "Broca's Area a painting exhibited at John Moores 24 - Exhibition of Contemporary Painting", Walker Art Gallery, 9/16/2006 - 11/26/2006. [Show/Exhibition]

Harper, Andy. 2005. Cloud and Vision. [Exhibition Catalogue]

Harper, Andy. 2009. East End Academy, Whitechapel Gallery, London. In: "East End Academy : Painting Edition", Whitechapel Gallery, 9 July-30 August 2009. [Show/Exhibition]

Harper, Andy. 1998. Featured artist in Tank. Tank, 2, [Article]

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Harper, Andy. 2015. The First Humans. In: "The First Humans", Pump House Gallery, London, United Kingdom, January 2015 - April 2016. [Show/Exhibition]

Harper, Andy. 2001. Green Lung. In: "Green Lung", Essex University Gallery, 11/2/2001 - 11/29/2001. [Show/Exhibition]

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Harper, Andy. 2017. Lux Artist Residency and Exhibition. In: "Andy Harper - Lux Art Institute - Artist in Residence", Lux Art Institute, United States, 17 November 2017 - 13 January 2018. [Show/Exhibition]

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Harper, Andy. 2010. An Orrery for Other Worlds. In: "An Orrery for Other Worlds", Aspex Gallery, United Kingdom, 6 Feb - 18 April 2010. [Show/Exhibition]

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Harper, Andy. 2014. The Pleasure of Thinking. In: "The Pleasure of Thinking", Morgen Contempoarary, Germany, 21 February – 05 April 2014. [Show/Exhibition]

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Harper, Andy. 2019. The Psychology Room. In: "The Psychology Room", Greenfields, Plymouth, United Kingdom. [Show/Exhibition]

Harper, Andy. 2002. Review. 'mix', independent art and culture magazine, 27(3), [Article]

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Harper, Andy. 2016. Sol. In: "Sol", Danese Corey Gallery, New York, United States, 18th Nov to 23rd December 2016. [Show/Exhibition]

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Harper, Andy. 2009. Solo Show at Danese gallery - Andy Harper: New paintings and works on paper. In: "Andy Harper: New paintings and works on paper", Danese Gallery, New York, United States, 16th October - 14th November. [Show/Exhibition]

Harper, Andy. 2006. Toffee Armistice. In: "Toffee Armistice", Lemon Sky Project, 12/6/2006 - 1/24/2007. [Show/Exhibition]

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Harper, Andy. 2011. Towards a New Architecture. In: "Towards a New Architecture", The Page Gallery, Korea, Democratic People's Republic of, 12th May to 12th June 2011. [Show/Exhibition]

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Harper, Andy and Terry, Kate. 2016. Soft Errors. In: "Soft Errors", Patrick Heide Gallery, United Kingdom, 14.01.2016 - 20.02.2016. [Show/Exhibition]

Harris, Jane and Walsh, Bernard. 2004. Virtuous Dress. In: Gavin Carver and Colin Beardon, eds. New visions in performance : the impact of digital technologies. Lisse; Exton, PA: Swets & Zeitlinger Publishers, pp. 139-152. ISBN 9026519664 [Book Section]

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Harris, Mark. 2014. Bad Music Seminar 2. In: "Can You Relate? A Case of Alienation and Closeness", The Showroom, London, United Kingdom, 8 February, 2014. [Performance]

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Harris, Mark. 2014. Bad Music Seminar 3—Sex, Murder, Politics. In: "Kitty Finer presents ‘Another Night at the Horse Hospital’", Horse Hospital, London, United States, 22 April, 2014. [Performance]

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Harris, Mark. 2014. Bad Music Seminar 5—Becoming-Animal. In: "Kitty Finer presents ‘Another Night at the Horse Hospital’", Horse Hospital, London, United Kingdom, 19 December, 2014. [Performance]

Harris, Mark. 2016. Bad Music Seminar—The Sounds of Plants. In: "Uptool–Expanded Art History for Plants", University of Illinois at Chicago—Greenhouse and Plant Research Lab, United States, 11 May, 2016. [Performance]

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Harris, Mark. 2016. Cage's Variations II for 5 Turntables. In: "Mini-Micro Cinema 0.5 Begin Anywhere", The Carnegie, Covington, Kentucky, United States, 31 March 2016. [Performance]

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Harris, Mark. 2017. 'Calypso Soundscapes: intimate acoustics and defiant language in Kamau Brathwaite and Mighty Sparrow'. In: Caribbean Insecurities, The British Library. The British Library, United Kingdom 25-26 June, 2017. [Conference or Workshop Item]

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Harris, Mark. 2013. Cinema, Studio, Tools. Proto-Tools 1, pp. 10-17. [Article]

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Harris, Mark. 2011. Countercultural Intoxication: An Aesthetics of Transformation. In: Adam Lerner and Elissa Auther, eds. West of Center: Art and the Counterculture Experiment in America, 1965–1977. Minneapolis: University of Minnesota Press, pp. 324-343. ISBN 978-0-8166-7726-9 [Book Section]

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Harris, Mark. 2016. DIY Punk–A Bad Music Seminar. In: "A Purposeless Play", Wave Pool, Cincinnati, United States, 1 April, 2016. [Performance]

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Harris, Mark. 2017. 'The Imagery of Intoxicating Music'. In: Sound-Image Colloquium. University of Greenwich, United Kingdom 10 November-12 November, 2017. [Conference or Workshop Item]

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Harris, Mark. 2016. Intoxicating Painting. Journal of Contemporary Painting, 2(2), pp. 195-218. ISSN 20526695 [Article]

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Harris, Mark. 2017. Livin' In A World Insane. In: "The Nothing That Is", The Carnegie, Covington, Kentucky, United States. [Show/Exhibition]

Harris, Mark. 2018. 'Machine-Gun Sonics and Whispering Tides: How Sound and Language in the work of Kamau Brathwaite and Mighty Sparrow provide an Acoustic Inoculation against Insecurities'. In: Caribbean In/Securities. University of the West Indies, Mona Campus, United States 2017-18. [Conference or Workshop Item]

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Harris, Mark. 2015. The Materiality of Water. Aesthetic Investigations, 1(1), pp. 120-128. [Article]

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Harris, Mark. 2010. Morning Star. In: "Morning Star", Country Club Gallery, Cincinnati, United States, 2010-2012. [Show/Exhibition]

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Harris, Mark. 2015. 'Orpheus in the Artworld'. In: American Society for Aesthetics. Philadelphia, United States 20-21 March, 2015. [Conference or Workshop Item]

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Harris, Mark. 1999. Pipilotti Rist's Music. In: , ed. Wishing for Synchronicity: Works by Pipilotti Rist. Houston, Texas: Contemporary Arts Museum Houston, pp. 14-23. ISBN 978-1-933619-17-0 [Book Section]

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Harris, Mark. 2017. 'Shimmer'. In: Painters Out of Work. Royal College of Art, United Kingdom 24 February, 2017. [Conference or Workshop Item]

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Harris, Mark. 2014. Sparrow Come Back Home. Wilmington: Delaware Center for the Contemporary Arts. ISBN 0-9785927-6-X [Book]

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Harris, Mark. 2016. Sparrow Come Back Home, ICA London. In: "Sparrow Come Back Home", ICA, United Kingdom, 6 December 2016 - 5 February 2017. [Show/Exhibition]

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Harris, Mark. 2017. Trump's songs–Bad Music Seminar. In: "Colloquium for Unpopular Culture–Bad Music Seminar: Songs from the Heartland", New York University, United States, 5 March, 2017. [Performance]

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Harris, Mark. 2017. Turntable Materialities. Seismograf, [Article]

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Harris, Mark. 2016. 'Turntable Materialities'. In: Sound Art Matters. Aarhus University, Denmark 1-4 June, 2016. [Conference or Workshop Item]

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Harris, Mark. 2015. untitled (after Robert Mapplethorpe catalogue). In: "After the Moment", Contemporary Arts Center, Cincinnati, United States, 6 November 2015–13 March 2016. [Show/Exhibition]

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Harris, Rebecca M.. 2017. Textuality, Forms of ‘Reading’, and the Encounter of Art. Other thesis, Goldsmiths, University of London [Thesis]

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Hayton, Annette; Haste, Polly and Jones, Alison. 2014. Promoting diversity in creative art education: the case of Fine Art at Goldsmiths, University of London. British Journal of Sociology of Education, 36(8), pp. 1258-1276. ISSN 0142-5692 [Article]

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Helmerdig, Silke. 2016. Fragments, futures, absence and the past: A new approach to photography. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hemsworth, Gerard. 2010. Gerard Hemsworth: Hidden Agenda. In: "Gerard Hemsworth, Hidden Agenda, Solo Exhibition", The Aldrich Contemporary Art Museum, Ridgefield, CT, United States, 21 Jun 2009 - 10 Jan 2010. [Show/Exhibition]

Hemsworth, Gerard. 2005. Gerard Hemsworth: Mushrooms in the Rain. In: "Gerard Hemsworth: Mushrooms in the Rain", Galeria Brito Cimino, 9/28/2005 - 10/27/2005. [Show/Exhibition]

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Hemsworth, Gerard. 2009. Gerard Hemsworth: Now Then. In: "Gerard Hemsworth: Now Then", Galerie Michael Janssen, Berlin, Germany, 16 Jan - 28 Feb 2009. [Show/Exhibition]

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Hemsworth, Gerard. 2009. Gerard Hemsworth: Water into Wine. In: "Gerard Hemsworth, Water into Wine, Solo Exhibition", Thomas Rehbein Gallery, Koeln, Germany, 22 April - 13 June 2009. [Show/Exhibition]

Hemsworth, Gerard. 2002. Painting as a Foreign Language. In: "Painting as a Foreign Language", Centro Brasileiro Britanico, 3/21/2002 - 4/17/2002. [Show/Exhibition]

Hemsworth, Gerard. 2004. Paper Democracy. In: "Paper Democracy", Centro Brasileiro Britanico, 9/23/2004 - 12/30/2004. [Show/Exhibition]

Hemsworth, Gerard. 2002. Sidewinder. In: "Sidewinder", Centre of International Modern Art Gallery, Kolkata 2002/01/15-2002/02/09 Visual Arts Gallery, India Habitat Centre,New Delhi 2002/03/11-2002/03/20 Prince of Wales Museum of Western India, Mumbai 2002/04/09-2002/04/16, 1/15/2002 - 4/16/2002. [Show/Exhibition]

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Hershman Leeson, Lynn; Stacey, Jackie and Garfield, Rachel. 2010. The Complete Roberta Breitmore. [Professional Activity]

Hirst, Nicky; Hays, Dan; Wilson, Jane and Louise; Emin, Tracey; Lucas, Sarah and Walsh, Bernard. 2001. The End is Nigh. In: "The End is Nigh", C.S.K.X. Studios, London, United Kingdom, 1-23 March 2001. [Show/Exhibition]

Hirst, Nicky; Leo and Walsh, Bernard. 1992. Busby Babes and Two Soldiers. In: "CSKX Exhibition", Zero Goodsway, Kings Cross, London, United Kingdom. [Show/Exhibition]

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Hlavajova, Maria and Sheikh, Simon, eds. 2017. Former West: Art and the Contemporary After 1989. Cambridge, MA: MIT Press. ISBN 9780262533836 [Edited Book]

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Hoechtl, Nina. 2012. If only for the length of a lucha: queer/ing, mask/ing, gender/ing and gesture in lucha libre. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hunt, Ian. 2014. Chance Finds Us. [Exhibition Catalogue]

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Hunt, Ian. 2019. 'Charlotte Smith and the idea of dependence in nature'. In: Nature Writing's Future Pasts: the Land Lines Conference. School of English, University of Leeds, United Kingdom 28 February - 1 March 2019. [Conference or Workshop Item]

Hunt, Ian. 2017. 'Cultural infrastructure and class differences: a sketch'. In: Cultural Infrastructure. London, United Kingdom. [Conference or Workshop Item]

Hunt, Ian. 2016. 'E.G. Trobridge: Swedenborgian Architect'. In: Swedenborg Birthday Meeting 2016. London, United Kingdom. [Conference or Workshop Item]

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Hunt, Ian. 2016. Four Backdrops/Vier Hintergrúnde. In: Christiane Meyer-Stoll, ed. Charlotte Moth: Travelogue. Vaduz, Liechtenstein: Kunstmuseum Liechtenstein/Snoeck, pp. 21-37. ISBN 978 3 86442 188 4 [Book Section]

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Hunt, Ian. 2006. Green Light. London: Barque Press. ISBN 1 903488 57 5 [Book]

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Hunt, Ian. 2012. If there's been a way to build it, there'll be a way to destroy it. In: Gavin Everall and Jane Rolo, eds. Again, A Time Machine: from distribution to archive. London: Book Works, pp. 34-41. ISBN 978 1 906012 40 3 [Book Section]

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Hunt, Ian. 2015. Interior Structures. In: Petra Lange-Berndt, ed. Materiality. London and Cambridge, Massachusetts: Whitechapel Gallery/MIT, pp. 134-136. ISBN 978 085488 237 3 [Book Section]

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Hunt, Ian. 2017. Permindar Kaur: Black and Blue. [Exhibition Catalogue]

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Hunt, Ian. 2015. 'Reticence and Resistance in New British Sculpture'. In: Now That's What I Call Sculpture: The 1980s in Retrospect. Warwick Arts Centre, United Kingdom. [Conference or Workshop Item]

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Hunt, Ian. 2016. Simon Lewty: The SIGNificance of Writing. [Exhibition Catalogue]

Hunt, Ian. 2014. Yuko Shiraishi: Netherworld. [Exhibition Catalogue]

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Hunt, Ian; Archer, Michael and White, Laura. 2015. Goldsmiths BA Fine Art 2015. [Exhibition Catalogue]

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Hunt, Ian and Rothschild, Eva. 2017. They Don't Unpack: An interview with Eva Rothschild. In: Patricia Bickers, ed. Talking Art 2: Art Monthly Interviews with Artists Since 2007. London: Ridinghouse and Art Monthly, pp. 85-91. ISBN 9 781909 932 42 5 [Book Section]

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Ifekoya, Evan. 2018. Ritual Without Belief. In: "Ritual Without Belief", Gasworks, United Kingdom, 2018 -2019. [Show/Exhibition]

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Jemima, Stehli. 2016. Caméra(Auto)Contrôle 2016. In: "Caméra(Auto)Contrôle", Centre de la Photographie, Switzerland. [Show/Exhibition]

Johnstone, Stephen, ed. 2008. The Everyday. London and Cambridge, MA: Whitechapel Gallery/The MIT Press. ISBN 9780262600743 [Edited Book]

Johnstone, Stephen. 1993. 'The Politics of Seduction'. In: Mike Gane, ed. Baudrillard Live: Selected Interviews. London: Routledge, pp. 152-155. ISBN 978-0415070386 [Book Section]

Johnstone, Stephen. 1995. Walter Benjamin’s Panorama. In: Charlotte Pöchhacker, ed. film+arc. graz, 2nd biennale of film und architektur. Graz. ISBN 39500284-1-2 [Book Section]

Johnstone, Stephen and Ellard, Graham. 2006. The Bomb Interview: Anthony McCall with Graham Ellard and Stephen Johnstone. Bomb Magazine., 97, pp. 65-75. ISSN 07433204 [Article]

Johnstone, Stephen and Ellard, Graham. 2013. Everything Made Bronze. [Film/Video]

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Johnstone, Stephen and Ellard, Graham. 2015. For An Open Campus. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 2001. Gymnasion. In: "Gymnasion", Bregenzer Kunstverein, Palais Turn and Taxis, 7/14/2001 - 9/2/2001. [Show/Exhibition]

Johnstone, Stephen and Ellard, Graham. 2009. Machine On Black Ground. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 2006. Motion Path. In: "Motion Path", De La Warr Pavilion, 4/1/2006 - 7/31/2006. [Show/Exhibition]

Johnstone, Stephen and Ellard, Graham. 2008. Motion Path. A Building Films Itself. In: Frank Eckardt, ed. Media and Urban Space: Understanding, Investigating and Approaching Mediacity. 1 Berlin: Frank and Timme. Verlag fur Wissenschaftliche Literatur, Berlin., pp. 181-200. ISBN 978-3-86596-142-6 [Book Section]

Johnstone, Stephen and Ellard, Graham. 2010. Neue Museen. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 1998. Passagen (Electric art) CD-ROM. Ellipsis Architectural Press/Film and Video Umbrella, with assistance from the Arts Council of England. ISBN 9781899858163 [Book]

Johnstone, Stephen and Ellard, Graham. 1995. 'Passagen'. [Exhibition Catalogue]

Johnstone, Stephen and Ellard, Graham. 1997. Photographic project. COIL, 4, [Article]

Johnstone, Stephen and Ellard, Graham. 2009. Proposal for an Unmade Film (Set in The Future). In: "'In Search of the Unknown'", NIMK, Amsterdam, Netherlands. [Show/Exhibition]

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Johnstone, Stephen; Ellard, Graham and Thatcher, Tony. 2016. Edge Balance. In: "Edge Balance", Turner Contemporary, Margate, Kent, United Kingdom, Turner Contemporary, July 2016 - Laban studio Theatre, February 2017. [Performance]

Johnstone, Stephen and Gange, John. 1993. 'Believe Me. Everybody Has Something Pierced in California : A Conversation with Nayland Blake'. New Formations: A Journal of Culture, Theory, Politics, 19, ISSN 0950-2378 [Article]

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Johnstone, Stephen and Graham, Ellard. 2010. Things to Come. [Film/Video]

Jones, Alison. 2007. Art can, and must change Peoples' Ideas. In: , ed. Gustav Metzger. Warsaw, Poland: National Gallery of Art Warsaw, Poland and Kunsthalle Lund, Sweden. ISBN 9788389145994 [Book Section]

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Jones, Alison. 2006. Bin bags. [Image]

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Jones, Alison. 2005. Episode. In: "Episode", Temporary Contemporary, United Kingdom, 2005-6. [Show/Exhibition]

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Jones, Alison. 2003. Family Business. In: "Family Business", Pitzhanger Manor, London, United Kingdom, 2003. [Show/Exhibition]

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Jones, Alison. 2008. Feminista Mistah. In: "Feminista, Mistah", AVA Gallery, UEL, United Kingdom. [Show/Exhibition]

Jones, Alison. 1999. 'Hannah Wilke’s Whore Art'. In: Obscene Powers Conference. John Hansard Gallery, Southampton University, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2004. Interview with Gustav Metzger. Forum for Holocaust Studies, [Article]

Jones, Alison. 2001. ‘Interview with Jemima Stehli’. Everything Magazine(3.4), pp. 32-37. [Article]

Jones, Alison. 1999. 'Jemima Stehli: On all fours naked in high heels - a critical position?'. Women: a cultural review, 10(3), pp. 297-307. ISSN 0957-4042 [Article]

Jones, Alison. 1999. ‘Martha Rosler at Icon Gallery’. Socialist Review, [Article]

Jones, Alison. 1999. '‘On all fours naked in high heels’'. In: Sex and Art Visual Arts Research Group. Goldsmiths College, London, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2000. 'Playing the Prostitute - a trope of 21st Century Alienation'. In: Art and Philosophy Conference. University of Portsmouth, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2008. Subtle Abyss. In: "Subtle Abyss", Nordisk Kunst Plattform Project Space, Norway, 4th - 27th July 2008. [Show/Exhibition]

Jones, Alison and Bannerman, Margot. 2003. Review of 'Dreams and Conflicts, the Dictatorship of the Viewer', Venice Biennale. Socialist Review, 276, ISSN 0161-1801 [Article]

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Jones, Alison and Beech, Amanda. 2013. Alison Jones and Amanda Beech: Audience into Community. [Exhibition Catalogue]

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Jones, Alison; Beech, Amanda and Glass, Kirsten. 2011. The Edge of Luxury. In: "The Edge of Luxury", Fold Gallery, United Kingdom, 2nd September 2011 - 2nd October 2011. [Show/Exhibition]

Jones, Alison and Eggesbø, John Øivind. 2008. 'Alison Jones in conversation with John Øivind Eggesbø'. In: Alison Jones in conversation with John Øivind Eggesbø. Nordisk Kunst Plattform Project Space, Norway July 2008. [Conference or Workshop Item]

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Jones, Alison and Thompson, Milly. 2016. C21st RECENT HISTORY, 2016. [Artist's Book]

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Jones, Alison and Thompson, Milly. 2010. Martha Rosler reads Vogue, 2010. In: "Martha Rosler reads Vogue, 2010", Grey Area Gallery, 31 Queens Rd, Brighton, East Sussex, 13th March – 4th April 2010. [Show/Exhibition]

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Jones, Alison and Thompson, Milly. 2012. 'ÉVASION Panel Discussion, 2012'. In: ÉVASION panel discussion. Herbert Art Gallery & Museum, Jordan Well, Coventry CV1 5QP 18 February 2012. [Conference or Workshop Item]

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Jones, Alison and Thompson, Milly. 2012. ÉVASION, 2012. In: "ÉVASION", Lanchester Gallery, The Hub, Jordan Well, Coventry, CV1 5QT, 14 January – 19 February 2012. [Show/Exhibition]

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Jones, Alison and Thompson, Milly. 2012. ÉVASIONISTA, 2012. In: "ÉVASIONISTA", Lanchester Gallery Projects, The Hub, Jordan Well, Coventry, CV1 5QT, 14 January – 19 February 2012. [Performance]

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Jones, Alison and Thompson, Milly. 2012. VUOTO, 2012. [Artist's Book]

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Jones, Alison; Whiles, Annie and Walsh, Bernard. 2011. Invitation. In: "Invitation", York College Gallery, United Kingdom, 10/01/2012 - 9/02/2012. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2004. The Functions of Public Art. In: "The Functions of Public Art", Centre for Contemporary Art, ICA London, Venice Biennale 51, Second Guangzhou Biennale, 4/3/2004 - 1/15/2006. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2006. Have You Heard the One about the Public Sphere?. In: "Have You Heard the One about the Public Sphere?", Hull Time Based Arts, 10/6/2006 - 11/16/2006. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2006. How to Talk to Public Art. In: "How to Talk to Public Art", The Big Screen, BBC Manchester, 11/10/2006 - 12/1/2006. [Show/Exhibition]

Jordan, M. and Hewitt, A.. 2004. Futurology: The Black Country 2024. In: "Futurology: The Black Country 2024", New Art Gallery Wallsall, 7/30/2004 - 9/12/2004. [Show/Exhibition]

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Joy, Clair. 2010. Contemporary Landscape Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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KERBEL, JANICE. 2010. SOLO EXHIBITION of REMARKABLE, Art Now Tate Britain. In: "REMARKABLE: JANICE KERBEL", TATE BRITAIN, ART NOW, United Kingdom, 7 MAY - 15 AUGUST 2010. [Show/Exhibition]

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Kalpaxi, Elisavet. 2012. Narcissism and Narrativity in Photographic Self- portraiture. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kelly, Susan. 2012. Against Critical Content: Transversality and the Micropolitics of the Intervention. In: Altés Arlandis Alberto and Lieberman Oren, eds. Intervention, Duration, Effects. Umeå, Sweden: University of Umeå, ---. ISBN - [Book Section]

Kelly, Susan. 2010. Amorph: Etwas Geschieht. Kunstforum International(202), pp. 143-153. ISSN 0177-3674 [Article]

Kelly, Susan. 2012. Asking, We Walk. In: Peter Lichtenfels and John Rouse, eds. Performance, Politics and Activism. London: Palgrave Macmillan, ---. ISBN - [Book Section]

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Kelly, Susan. 2010. The Centrifugal Book of Europe: A Partial Guide to the Micropolitics and Material Conditions of a Project. In: , ed. The Centrifugal Book of Europe. Belfast: Centrifugal, Belfast, pp. 59-73. ISBN 978-0-955-6395-1-7 [Book Section]

Kelly, Susan. 2006. Communities of the Question. In: Will Bradley; Mika Hannula; Cristina Ricupero and Superflex, eds. Self-Organisation/Counter Economic Strategies. Superflex, Sternberg Press, pp. 233-279. ISBN 1933128135 [Book Section]

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Kelly, Susan. 2011-2012 JURISDICTIONS. [Project]

Kelly, Susan. 2003. Lobby, Amorph! 03 Performance Art Biennale. In: "Amorph! 03 Performance Art Biennale,", Finlandia Hall and Harrakka Island, 09/08/2003 - 31/08/2003. [Performance]

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Kelly, Susan. 2010. Manufacturing Today. In: "Manufacturing Today", DORA Kulturbunker, Trondheim, Norway, Exhibition: April - May 2010, Project June 2008 - June 2013. [Show/Exhibition]

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Kelly, Susan. 2009. Medium. In: Lynette Hunter and Shannon Rose Riley, eds. Mapping Landscapes in Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave Macmillan, pp. 142-144. ISBN 13-978-0-230-22219-9 [Book Section]

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Kelly, Susan. October 13th - 14th, 2009 Micropolitics Research Group. [Project]

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Kelly, Susan. 2011. Narratives of Disobedience. In: "Narratives of Disobedience", Künstlerhaus Büchsenhausen, Innsbruck, Austria, 05.11.-02.12.2011. [Show/Exhibition]

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Kelly, Susan. 2008. Several Silences. In: "Several Silences", Belfast, Northern Ireland (2010), United Kingdom, 2008-2010. [Show/Exhibition]

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Kelly, Susan. 2012. Space Matters. In: "Space Matters", Neue Galerie, Austria, June 21 - August 4, 2012. [Show/Exhibition]

Kelly, Susan. 2013. ‘What does a Question do? Micropolitics and Art Education’. In: Irit Rogoff and Jean-Paul Martinon, eds. The Curatorial: A Philosophy of Curating. London: IB Tauris, pp. 107-112. ISBN 9781780763729 [Book Section]

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Kelly, Susan. 2018. ‘What is to be Done?’: Grammars of Organisation. Deleuze and Guattari Studies, 12(2), pp. 147-184. ISSN 2398-9777 [Article]

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Kelly, Susan; Elfving, Taru; Hewitt, Nicole; Jewesbury, Daniel; O' Beirn, Aisling; Henriksson, Minna; Hamm, Kalle; Boynik, Sezgin and PLATFORMA 9,81, Croatia. 2007-2010 Centrifugal. [Project]

Kelly, Susan and Morton, S.. 2003. What is to be Done? Questions for the 21st Century. In: "What is to be Done? Questions for the 21st Century", The Lenin Museum, 2/22/2003 - 4/21/2003. [Show/Exhibition]

Kelly, Susan and Morton, Stephen. 2004. Calling up Annie Moore. Public Culture, 16(1), pp. 119-131. ISSN 08992363 [Article]

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Kerbel, Janice. 2017. Art and Alphabet. In: "Art and Alphabet", Hamburger Kunsthalle, Germany, 21 July - 29 October 2017. [Show/Exhibition]

Kerbel, Janice. 2018. 'Beautiful World. Where are you?', Liverpool Biennial 2018. In: "Beautiful World Where are you?, 2018 Liverpool Biennial", Liverpool, United Kingdom, 14 July - 28 October 2018. [Show/Exhibition]

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Kerbel, Janice. 2012. Cue. [Art Object]

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Kerbel, Janice. 2014. DOUG Nine songs for six voices. [Printed Ephemera]

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Kerbel, Janice. 2014. Doug. In: "Doug", Jeffrey Room, Mitchell Library Glasgow, United Kingdom, 2014 – 2017. [Performance]

Kerbel, Janice. 2016. Honorary Doctorate Award. [Professional Activity]

Kerbel, Janice. 2018. Janice Kerbel. In: "Janice Kerbel", greengrassi, London, United Kingdom, 27 September – 3 November 2018. [Show/Exhibition]

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Kerbel, Janice. 2012. 'Janice Kerbel', Solo Exhibition Arts Club of Chicago. In: "Janice Kerbel", Arts Club of Chicago, United States, 13 September – 21 December 2012.. [Show/Exhibition]

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Kerbel, Janice. 2011. Kill the Workers!. [Art Object]

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Kerbel, Janice. 2016. 'Le Grand Balcon – Montreal Biennal 2016', Group exhibition. In: "Le Grand Balcon - Montreal Biennial 2016", Musee D'Art Contemporain, Montreal, Canada, 19.10.17-15.01.17. [Show/Exhibition]

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Kerbel, Janice. 2018. Live: Collected scripts. London UK: Occasional Papers / The Polygon Gallery / Badischer Kunsterein / University of Toronto Press. ISBN 978-0-9954730-0-3 [Book]

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Kerbel, Janice. 2017. Ride Of Life. [Art Object]

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Kerbel, Janice. 2016. Score. [Art Object]

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Kerbel, Janice. 2018. Sink: Routine for 24 Women. In: "Sink", Western Baths, Glasgow, United Kingdom, 3 August 2018. [Performance]

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Kerbel, Janice. 2017. Slip at Mass MOCA. In: "B6: THE ROBERT W. WILSON BUILDING GRAND OPENING Mass MoCA", MASS MoCA, United States, May 2017–2020. [Show/Exhibition]

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Kerbel, Janice. 2017. 'Space Force Construction', V-AC Foundation Venice Italy. In: "Space Force Construction, VAC Foundation", VAC Foundation, Palazzo delel Zattere, Venice, Italy, 13 May - 25 Aug 2017. [Show/Exhibition]

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Kerbel, Janice. 2015. Turner Prize 2015. In: "Turner Prize 2015", Tramway Glasgow, United Kingdom, 25 Sept 2015 – 18 January 2015. [Show/Exhibition]

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Kerr, Vicki. 2015. Airspace – Zones of Fidelity and Failure. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kim, Kyoung. 2018. Mournings and Uncertainties. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kirwan, Richard. 2017. Earth, Wind and Fire. In: "Earth, Wind and Fire", Griffin Gallery, London, United Kingdom, 7 September - 20 October 2017. [Show/Exhibition]

Kirwan, Richard. 2002. Free love and Modern love. In: "Free love and Modern love", The British School at Rome, 9/17/2002 - 9/21/2002. [Show/Exhibition]

Kirwan, Richard. 2016. Jasper Johns : Regrets – The Courtauld Gallery London, 12th September – 14th December 2014. Journal of Contemporary Painting, 2(1), pp. 133-155. ISSN 2052-6695 [Article]

Kirwan, Richard. 2007. Modern Manners. In: "Modern Manners", Galerie Hollenbach, 2/12/2007 - 4/10/2007. [Show/Exhibition]

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Kirwan, Richard. 2014. Neue Diptychen. In: "Richard Kirwan – Neue Diptychen", Galerie Hollenbach, Stuttgart, Germany, 27 November 2014 - 6 January 2015. [Show/Exhibition]

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Kirwan, Richard. 2018. Now It Is Permitted. In: "Now It Is Permitted", Lincoln, United Kingdom, July 2018 - August 2019. [Show/Exhibition]

Kirwan, Richard. 2009. Plastic Culture - Legacies of Pop 1986 - 2008. In: "Touring exhibition", Harris Museum & Art Gallery, Preston, United Kingdom, March 2009 - February 2010. [Show/Exhibition]

Kirwan, Richard. 2010. Richard Kirwan - New Work. In: "Richard Kirwan - New work", Galerie Hollenbach, Stuttgart, Germany. [Show/Exhibition]

Kirwan, Richard. 2001. Surface Tension: New British Painting. In: "Surface Tension: New British Painting", Gallery Holly Snapp, 6/6/2001 - 7/25/2001. [Show/Exhibition]

Kirwan, Richard. 2006. Sweetness and Light. In: "Sweetness and Light", Marksman Gallery, 5/11/2006 - 6/18/2006. [Show/Exhibition]

Kirwan, Richard and Oldfield, Simon. 2010. Modern Love. In: "MODERN LOVE", Simon Oldfield Gallery, London, United Kingdom, October 7th - November 13th 2010. [Show/Exhibition]

Kirwan, Richard and Sturgis, Daniel. 2009. Liz Arnold. In: "Liz Arnold", Camden Arts Centre, London, United Kingdom. [Show/Exhibition]

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Klee, Stephen. 2009. Between Mastery and Subjectivization; Jacques Rancière and a Politics of Art without Foundation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Koester, Joahim and Le Feuvre, Lisa. 2009. Joachim Koester: Poison Protocols and Other Histories Stills, Edinburgh. In: "Joachim Koester: Poison Protocols and Other Histories", Stills, United Kingdom, 6 August – Sunday 25 October 2009. [Show/Exhibition]

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Kollectiv, Galia. 2013. Art in the Age of its Dissolution: Beyond The Democratic Paradox. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kollectiv, Pil. 2013. Art in the Age of its Dissolution: Beyond The Democratic Paradox. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kosmaoglou, Sophia. 2005. Playing dead: Sophia (Creekside). [Film/Video]

Kreider, Kristen. 2003. Fear Pages. London: Unnameable Publications. [Book]

Kreider, Kristen. 2013. Light Vessel Automatic. In: "Light Vessel Automatic", Tate Britain, London, United Kingdom. [Performance]

Kreider, Kristen. 2010. 'Lyrical Encounters: The Material Poetics of Emily Dickinson's Later Manuscript Pages'. In: The Emily Dickinson International Society Conference. Oxford University, United Kingdom 6-8 August 2010. [Conference or Workshop Item]

Kreider, Kristen. 2015. Material Poetics and the Communication Event. Performance Research, 20(1), pp. 80-89. ISSN 1352-8165 [Article]

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Kreider, Kristen. 2013. Poetics and Place: The Architecture of Sign, Subject and Site. London: I.B. Tauris. ISBN 9781780763378 [Book]

Kreider, Kristen. 2009. 'Projecting the Voice: Theresa Hak Kyung Cha's Passages Paysages'. In: Intersections - Association of Art Historians Conference. Manchester Metropolitan University, Manchester, United Kingdom. [Conference or Workshop Item]

Kreider, Kristen. 2017. Thirteen Points, Expanded (Lecture Performance). In: "Never the Same: what (else) can art writing do?", Art Commons, Canada, 15-17 September 2017. [Performance]

Kreider, Kristen. 2010. 'Time, Space and Empathy: A Material Poetics of the Film Image'. In: Sexuate Subjects: Politics, Poetics, Ethics. UCL, London, United Kingdom. [Conference or Workshop Item]

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Kreider, Kristen and James, O'Leary. 2019. Prarie/Argo. In: Ryan Bishop and Sunil Manghani, eds. Seeing Degree Zero: Barthes/Burgin and Political Aesthetics. Edinburgh: Edinburgh University Press. ISBN 9781474