Research Online

Reckitt, Helena; Gosling, Lucinda; Robinson, Hilary and Tobin, Amy, eds. 2019. The Art of Feminism: Images that Shaped the Fight for Equality. San Francisco/London: Chronicle Books/Tate Publishing. ISBN 9781849766494 [Edited Book]

Ogg, Kirsty, ed. 2017. Bloomberg New Contemporaries 2017. London: New Contemporaries. ISBN 978-0-9566133-7-0 [Edited Book]

Fusco, Maria and Birkett, Richard, eds. 2012. COSEY COMPLEX Book. Koln: Koenig Books. ISBN 978 3 86335 152 6 [Edited Book]

Sheikh, Simon, ed. 2006. Capital: It Fails Us Now. Berlin: b_books. ISBN 978-3933557698 [Edited Book]

Phillips, Andrea and Miessen, Markus, eds. 2011. Caring Culture: Art, Architecture and the Politics of Public Health. Berlin and Amsterdam: Sternberg Press/SKOR. ISBN 978-1-9341-5-71-9 [Edited Book]

Seymour, Benedict, ed. 2006. The Class of the New. Mute. ISBN 978-0955066474 [Edited Book]

Sheikh, Simon, ed. 1996. Compartments. Copenhagen: Edition Globe. [Edited Book]

Grant, Catherine and Rubin, Patricia, eds. 2012. Creative Writing and Art History. Wiley. ISBN 978-1-4443-5039-5 [Edited Book]

Grant, Catherine and Price, Dorothy, eds. 2020. Decolonizing Art History: A Questionnaire, Art History, 43(1). [Edited Journal]

Seymour, Benedict, ed. 2006. Dis-integrating Multiculturalism, Mute, 2(2). [Edited Journal]

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Coutts, Marion, ed. 2012. English Graphic. London: Frances Lincoln. ISBN 978-0-71123-370-6 [Edited Book]

Grant, Catherine and Random Love, Kate, eds. 2019. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press. ISBN 9781912685134 [Edited Book]

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Yiakoumaki, Nayia; Karaba, Elpida and Cooke, Jacqueline, eds. 2004. FeedBack 0-1. London: FeedBack. [Book]

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Malik, Suhail and Nestler, Gerald, eds. 2016. Finance and Society, Finance and Society, 2(2). 2059-5999 [Edited Journal]

Craighead, Alison; Gilman, Clive; Thomson, Jon and Cook, Sarah, eds. 2001. Flat Earth. Germany: MEWO Kunsthalle and Dundee Contemporary Arts. ISBN 3981627423 [Edited Book]

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Keenan, Thomas; Malik, Suhail and Zolghadr, Tirdad, eds. 2017. The Flood of Rights. Berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College. ISBN 978-3-95679-140-6 [Edited Book]

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Renton, Andrew, ed. 2008. Front of House. London: Parasol unit: foundation for contemporary art. ISBN 978-0-9560247-0-1 [Book]

Malik, Suhail and Avanessian, Armen, eds. 2016. Genealogies of speculation : materialism and subjectivity since structuralism. London and New York: Bloomsbury Academic. ISBN 9781472591678 [Edited Book]

Grant, Catherine and Waxman, Lori, eds. 2011. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect. ISBN 1841503487 [Edited Book]

Ogg, Kirsty, ed. 2010. Goshka Macuga The Nature of the Beast. London: Whitechapel Gallery. ISBN 978-0-85488-180-2 [Edited Book]

Fusco, Maria, ed. 2009. The Happy Hypocrite #4, The Happy Hypocrite, . 1755 473X [Edited Journal]

Fusco, Maria, ed. 2010. The Happy Hypocrite #5, The Happy Hypocrite, . 1755 473X [Edited Journal]

Hao, Sophia Yadong and Schmitz, Edgar, eds. 2016. Hubs and Fictions. On Current Art and Imported Remoteness. Berlin: Sternberg Press. ISBN 9783956790256 [Edited Book]

Noonan-Ganley, Joseph, ed. 2012. Idioglossia: an art writing glossary. London: Art Writing Guild. ISBN 9780957029439 [Edited Book]

Sheikh, Simon, ed. 2005. In the Place of the Public Sphere? Berlin: b_books. [Edited Book]

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Hunt, Ian, ed. 2006. Inclinations. Further writings and interviews by Stuart Morgan. London: Frieze. ISBN 0 95274148 2 [Edited Book]

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Reckitt, Helena and Richter, Dorothee, eds. 2021. Instituting Feminism, OnCurating, (52). 2673-2955 [Edited Journal]

Seymour, Benedict, ed. 2007. It's Not Easy Being Green, Mute, 2(5). [Edited Journal]

Sheikh, Simon; Houmann, Søren; Henckel, Peter Holst and Røssell, Peter, eds. 1994. Ja til Sven Dalsgaard! Copenhagen: Globe/ Art Action. [Edited Book]

Chilver, John and Hunt, Andrew, eds. 2022. Journal of Contemporary Painting, Vol 8:1; Special Issue: ‘Minor Painting’, Journal of Contemporary Painting, 8(1-2). 2052-6695 [Edited Journal]

Sheikh, Simon, ed. 2004. Knut Asdam Speech, Living, Sexualities, Struggle. Fine Arts Unternehmen Books. ISBN 978-3037200032 [Edited Book]

Sheikh, Simon, ed. 2007. Konst, makt och politik, Skriftserien Kairos 12. Stockholm: Raster förlag. [Edited Book]

Seymour, Benedict, ed. 2007. Living in a Bubble: Credit, Debt and Crisis, Mute, 2(6). [Edited Journal]

Reckitt, Helena, ed. The Love Letter Collection: To Represent Them To Themselves, UNSPECIFIED, . [Edited Journal]

Seymour, Benedict, ed. 2007. Man’s Best Friendster?,, Mute, 2(4). [Edited Journal]

Sheikh, Simon; Sander, Katya and Høgsbro Østergaard, Cecilie, eds. 1998. The Meaning of Site. Copenhagen: [Edited Book]

Renton, Andrew, ed. 2015. Michael Bracewell, Jason Brooks: "Perpetual Orgy". London: Black Dog Publishing. ISBN 978-1-910433-55-3 [Edited Book]

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Seita, Sophie and Ort-Dinoor, Yael, eds. 2022. The Minutes, The Minutes of The Hildegard von Bingen Society for Gardening Companions, 1 + 2. [Edited Journal]

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Norton, Barley and Matsumoto, Naomi, eds. 2019. Music as Heritage: Historical and Ethnographic Perspectives. Abingdon: Routledge. ISBN 9781138228047 [Edited Book]

Seymour, Benedict, ed. 2006. Naked Cities - Struggle in the Global Slums, Mute, 2(3). [Edited Journal]

Ogg, Kirsty, ed. 2014. New Contemporaries Moving Image 1968 - 2010. London: New Contemporaries/LUX. [Edited Book]

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Carpenter, Ele, ed. 2016. The Nuclear Culture Source Book. London: Black Dog Publishing. ISBN 9781911164050 [Edited Book]

Hlavajova, Maria; Sheikh, Simon and Winder, Jill, eds. 2011. On Horizons: A Critical Reader on Contemporary Art. Rotterdam and Utrecht: Post Editions and BAK basis voor actuele kunst. ISBN 9789460830372 [Edited Book]

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Bowman, Jason; Malik, Suhail and Phillips, Andrea, eds. 2015. PARSE Journal Issue # 2 The Value of Contemporary Art, PARSE Journal Issue # 2 The Value of Contemporary Art, 2. 2002-0511 [Edited Journal]

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Cox, Christoph; Jaskey, Jenny and Malik, Suhail, eds. 2015. Realism Materialism Art. Annandale-on-Hudson, New York/Berlin: Center for Curatorial Studies, Bard College/Sternberg Press. ISBN 9783956791260 [Edited Book]

Newman, Michael and Bird, Jon, eds. 1999. Rewriting Conceptual Art. London: Reaktion Books. [Edited Book]

Reckitt, Helena, ed. 2014. Sanja Iveković: Unknown Heroine - A Reader. London: Calvert 22. ISBN 9780956962898 [Edited Book]

Ogg, Kirsty, ed. 2011. Shadow Spans; Claire Barclay. London: Whitechapel Gallery. ISBN 978-0-85488-191-8 [Edited Book]

Phillips, Andrea and Erdemci, Fulya, eds. 2012. Social Housing - Housing the Social: Art, Property and Spatial Justice. Berlin and Amsterdam: Sternberg Press/SKOR. ISBN 978-3-943365-17-7 [Edited Book]

Grant, Catherine and Rubin, Patricia, eds. 2011. Special Issue: Creative Writing and Art History, Art History, 34(2). 0141-6790 [Edited Journal]

Newman, Michael and Elkins, James, eds. 2008. The State of Art Criticism. London and New York: Routledge. ISBN 978-0415977876 [Edited Book]

Avanessian, Armen and Malik, Suhail, eds. 2016. The Time Complex: Post-Contemporary. Miami, Florida: [NAME]. ISBN 9780984056606 [Edited Book]

Querol, Nuria, ed. 2022. Transcultural Curation and the Post-COVID World, Journal of Contemporary Chinese Art, 9(3). 2051-7041 [Edited Journal]

Whiles, Annie and Pearson, Mark, eds. 2008. United We Fall. UWF. ISBN 978-0956016409 [Edited Book]

Sheikh, Simon and Sander, Katya, eds. 2001. We are All Normal. London: BLACK DOG UK. ISBN 978-1901033236 [Edited Book]

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Renton, Andrew and Wright, Philip, eds. 2015. Werner Büttner. Coincidence in Splendour: Paintings. London: Black Dog Publishing. ISBN 9781910433751 [Edited Book]

Coutts, Marion, ed. 2004. Whitstable Biennale. Material. ISBN 978-0954788902 [Edited Book]

Gray, Ros and Sheikh, Shela, eds. 2018. The Wretched Earth: Botanical Conflicts and Artistic Interventions, Third Text, 32(2-3). 0952-8822 [Edited Journal]

Seymour, Benedict, ed. 2000. britart.com, britart.com, . [Edited Journal]

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Abad, Pio. 2014. The Collection of Jane Ryan & William Saunders. [Art Object]

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Abad, Pio. 2016. Notes on Decomposition. [Art Object]

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Abad, Pio. 2018. 'Para Site International Conference 2018 - The Collection of Jane Ryan & William Saunders: Reconstruction as Democratic Gesture'. In: Para Site International Conference 2018: What to Let Go?. Tai Kwun - Centre for Heritage and Arts, Hong Kong 22 - 24 November 2018. [Conference or Workshop Item]

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Abad, Pio and Wadsworth Jones, Frances. 2019. The Collection of Jane Ryan and William Saunders. [Art Object]

Abbing, Hans; Lind, Maria; Stapleton, Jamie and Malik, Suhail. 2007. ''New money' discussion panel'. In: Rotterdam dialogues: the periphery complex [symposium]. Witte de With, Rotterdam, Netherlands 8th February 2007. [Conference or Workshop Item]

Acconci, Vito; Coutts, Marion; Norman, Nils; O'Shea, Mick; Rothschild, Eva and Tzaig, Uri. 2001. Vito Acconci/Acconci Studio, PARA-CITIES: Models for Public Spaces. Trouble Shooting. Bristol: Arnolfini. ISBN 0907738664 [Book]

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Adeniji, Anna; Asante, Barby; Lundberg, Anna and Miller, Monica L. 2020. The Grain of her Voice: Nina Simone, Josette Bushell-Mingo and the Intersections between Art, Politics and Race. PARSE(11), ISSN 2002-0953 [Article]

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Agdas, Murat. 2023. Edges of Bodies: Camouflage, Correspondence and the Choreography of Alterity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Alexandra, White; Williams Gamaker, Michelle and Kouneski, Julia. 2017. Concrete Jungle, an exhibition featuring video works curated by Alexandra White.. In: "Concrete Jungle, an exhibition featuring video works curated by Alexandra White.", Annka Kultys Gallery, London, United Kingdom. [Show/Exhibition]

Allsopp, Ric and Kreider, Kristen. 2015. To Step, Leap, Fly. Performance Research, 20(1), pp. 1-3. ISSN 1352-8165 [Article]

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Aloysius, Linda. 2018. Developing Productive Mimesis in the Age of Screened Oppression: Rhetorics of Flattening and Fragmentation in the Making of New Model Army. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Anaya-Morales, Josefina. 2005. Relato II: wandering Tehuanita. [Film/Video]

Anderson, Wendy; Hirst, Nicky; Smith, Terry and Walsh, Bernard. 2003. Remember, Remember The 5th of November. In: "Remember, Remember The 5th of November", Pugh Pugh Gallery, Berlin, Germany. [Show/Exhibition]

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Andreetta, Gianmaria; Beeler, Luca; Universal Frxnd, Public and Wakeford, Nina. 2022. Being a faggot-spaceman, I am awesome.. In: "Stadtgalerie Bern", Stadtgalerie, Bern, Switzerland, 23 September - 29 October 2022. [Show/Exhibition]

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Andrews, Jorella G.; Wakeford, Nina; Kerridge, Tobie and Cameron, Jane. 2023. 'Cross-Departmental Textiles Workshop'. In: Cross Departmental Textiles Workshop. Constance Howard Gallery, Goldsmiths, University of London, United Kingdom 8 March 2023. [Conference or Workshop Item]

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Annelore, Schneider and Williams Gamaker, Michelle. 2016. House of Women premiere at "Video Screening", Artist’s Films at The Swiss Church London. In: "House of Women premiere at "Video Screening", Artist’s Films", The Swiss Church London, United Kingdom. [Show/Exhibition]

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Archer, Michael. 2012. A Céu Aberto [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2010. Eva Rothschild. In: , ed. Eva Rothschild. London: Stuart Shave/Modern Art and Koenig Books, pp. 129-133. ISBN 978-3-86560-910-6 [Book Section]

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Archer, Michael. 2016. 'FGJH'. In: FGJH. Arthouse, United Kingdom December 11, 2016. [Conference or Workshop Item]

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Archer, Michael. 2013. Fata Morgana [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2013. The Figure in the Painting [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2016. 'Gertrude and Ludwig in the House Made of Sugar'. In: Gertrude and Ludwig in the House Made of Sugar. Bread and Jam, United Kingdom May 27, 2016. [Conference or Workshop Item]

Archer, Michael. 2008. Heaven [catalogue essay]. [Exhibition Catalogue]

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Archer, Michael. 2015. Imi Knoebel: Paint Project. In: , ed. Imi Knoebel. London: White Cube, pp. 29-55. ISBN 9781910844021 [Book Section]

Archer, Michael. 2009. It's Like This. In: , ed. Martin Creed. Birmingham, UK: Ikon Gallery, pp. 36-47. ISBN 978-1-904864-45-5 [Book Section]

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Archer, Michael. 2011. Jeff Koons: One Ball Total Equilibrium Tank. London/Cambridge, Mass: Afterall/MIT. ISBN 978-1-84638-079-2 (paperback), 978-1-84638-078-5 (hardback) [Book]

Archer, Michael. 2010. Moon Turned a Fire Red / Der Mond färbte ein Feuer rot. Parkett(87), pp. 104-115. ISSN 0256-0917 [Article]

Archer, Michael. 2008. No Man's Time: Material Fantasies. In: , ed. theanyspacewhatever. New York: Solomon R. Guggenheim Museum, pp. 116-122. ISBN 978-0-89207-377-1 [Book Section]

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Archer, Michael. 2017. 'Numbing Like the Stingray'. In: Too Close to See. LARA, United Kingdom February 25, 2017. [Conference or Workshop Item]

Archer, Michael. 2008. One and the Same. In: , ed. POLITICAL/MINIMAL. Nürnberg: Verlag für moderne Kunst, pp. 127-137. ISBN 978-3-941185-07-4 [Book Section]

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Archer, Michael. 2013. Ripley. SALT.(3), pp. 14-15. [Article]

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Archer, Michael. 2016. Surface Density. In: , ed. Jeff Koons: Now. London: Other Criteria, pp. 6-11. ISBN 9781906967765 [Book Section]

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Asante, Barby. 2020. Coal After Audre. [Film/Video]

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Asante, Barby. 2022. Countless Ways of Knowing: Looking at Images Beyond the Frame as a Practice of Liberatory Pedagogy. Photography and Culture, 15(1), pp. 97-101. ISSN 1751-4517 [Article]

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Asante, Barby. 2017- on going Declaration of Independence. [Project]

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Asante, Barby. 2019. Declaration of Independence. In: "Declaration of Independence", BALTIC Centre for Contemporary Arts, United Kingdom, 23 February – 6 May 2019. [Show/Exhibition]

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Asante, Barby. 2023. Declaration of Independence. In: "O Quilombismo:Of Resisting and Insisting. Of Flight as Fight. Of Other Democratic Egalitarian Political Philosophies", Haus der Kulturen der Welt (HKW), Berlin, Germany, 1 June - 16 September 2023. [Show/Exhibition]

Asante, Barby. 2019. Declaration of Independence - BALTIC Performance. In: "Declaration of Independence Performance", BALTIC Centre for Contemporary Arts, Gateshead, United Kingdom, 24 February 2019. [Performance]

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Asante, Barby. 2023. Declaration of Independence Art on the Underground. In: "Declaration of Independence", Stratford Station, United Kingdom, March 2023 - January 2025. [Show/Exhibition]

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Asante, Barby. 2020. Declaration of Independence Bergen Kunsthall Performance. In: "Declaration of Independence Performance", Bergen Kunsthall, Bergen, Norway, 30 November - 1 December 2-19 and 18 January 2020. [Performance]

Asante, Barby. 2023. Declaration of Independence Performance - Bwa Kayiman: Congressing at the Heart of Liberation. In: "Bwa Kayiman- Congressing at the Heart of Liberation", Haus der Kulturen der Welt (HKW), Berlin, Germany, 12 August 2023. [Performance]

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Asante, Barby. 2023. Declaration of Independence Performance Art on the Underground. In: "Declaration of Independence Performance Stratford Station", Stratford Station, United Kingdom, 17 September 2023. [Performance]

Asante, Barby. 2020. Declaration of Independence Performance Brent Biennale. In: "Declaration of Independence Performance Brent Biennale", Metroland Cultures, United Kingdom, November-December 2020. [Performance]

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Asante, Barby. 2023. Grounding for Group Work Exercise. In: Jemma Egan; Leyla Gatens; Amal Khalaf and Alex Thorp, eds. How We Hold: Rehearsals for Art and Social Change. London: Walter Koenig/Serpentine Gallery. ISBN 9783753305035 [Book Section]

Asante, Barby. 2021. Now is the Time for the Performance to Become a Reality (I can’t do this without you.). In: Jeanne van Heeswijk; Maria Hlavajova and Rachael Rakes, eds. Toward the Not-Yet: Art as Public Practice. Utrecht: BAK, basis voor actuele kunst. ISBN 9780262542500 [Book Section]

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Asante, Barby. 2022. On-doing Undoing. In: "Ecological Futurisms", Amibika P3, United Kingdom, 11 November - 18 November 2022. [Show/Exhibition]

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Asante, Barby. 2023. 'The Politics of Art & Social Change: Rights in Focus Conference 2023'. In: The Politics of Art & Social Change: Rights in Focus Conference 2023. Camberwell College of Arts, United Kingdom 21 - 22 April 2023. [Conference or Workshop Item]

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Asante, Barby. 2022. The Queen and the Black-Eyed Squint Glasgow. In: "Revisiting the work of Black Artists in Scotland through New Collecting", Glasgow Museum of Modern Art, United Kingdom, 12 March - 3 July 2022. [Show/Exhibition]

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Asante, Barby. 2017. The Queen and the Black-Eyed Squint North Kensington. In: "Get Up, Stand Up Now: Generations of Black Creative Pioneers", Somerset House, London, United Kingdom, 12 June – 15 September 2019. [Show/Exhibition]

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Asante, Barby. 2017- on going The Queen and the Black-Eyed Squint. [Project]

Asante, Barby. 2023. Residency, Library of Africa and the African Diaspora. [Professional Activity]

Asante, Barby. 2022. That Bird is Singing Us an Invitation to Meet Our Future: Listening to the Call of Sankofa to Develop Memory Practice Methodologies for Performative Practice. Doctoral thesis, University of Westminster [Thesis]

Asante, Barby. 2021. To Make Love is to Re-create Ourselves Over and Over Again: A Love Poem for Audre. In: "UNTITLED Exhibition Online Launch and Performance: Barby Asante", Kettle's Yard, Cambridge, United Kingdom, 20 July 2021. [Performance]

Asante, Barby. 2023. The Women. They Were Plotting Too: Declaring Our Independence in the Spirit of Sankofa. In: Andrea N. Baldwin and Tonya Haynes, eds. Global Black Feminisms: Cross Border Collaboration through an Ethics of Care. Abingdon: Routledge, pp. 156-179. ISBN 9780367698539 [Book Section]

Asante, Barby and Aaron, Bryant. 2021. '7 minutes and 46 Seconds: Strategic Response and Contemporary Collecting'. In: Black History Year. University of Westminster, United Kingdom 17 March 2021. [Conference or Workshop Item]

Asante, Barby; Akoi Jackson, Bernard; Kaersenhout, Patricia and De Liss, Clementine. 2020. 'Session 3: Art and the Bodily Archive'. In: Decolonizing is a Verb. COMCOL ICOM International Committee for Collecting, Netherlands 21 December 2020. [Conference or Workshop Item]

Asante, Barby; Alhaag, Amal and Pattikawa, Jefftha. 2023. '#2: Dispossesed Archives'. In: This is Film! 2023 Film Heritage in Practice - #2: Dispossesed Archives. Eye Filmmuseum, Netherlands 8 March - 24 May 2023. [Conference or Workshop Item]

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Asante, Barby and Bailey, Giles. 2022. TALKER 10: Barby Asante. Talker(10), ISSN 2632-8496 [Article]

Asante, Barby; Bruce Jones, Eddie; Koram, Kojo; Lansiquot Hama, Rabz and Mason Jordan, Imani. 2020. 'Online Discussion: 'We Will Walk': Black Art, Radical Transformation'. In: 'We Will Walk': Black Art, Radical Transformation. Turner Contemporary, United Kingdom 15 July 2020. [Conference or Workshop Item]

Asante, Barby and Desai, Jemma. 2022. 'Jemma Desai & Barby Asante, 'As We Are Giving We Are Receiving*' | 12 Hour Sit-in Revel'. In: Ignorant Art School - 12 Hour Sit-In Revel. University of Dundee, United Kingdom 25 June 2022. [Conference or Workshop Item]

Asante, Barby and Khalaf, Amal. 2021. 'Rethinking Engagement Workshop'. In: Doing the Work: Rethinking Engagement. Contemporary Arts Society, United Kingdom 6 July 2021. [Conference or Workshop Item]

Asante, Barby; Lansiquot Hama, Rabz and Mason Jordan, Imani. 2020. 'ARTISTS MAKE CHANGE Conversations - Barby Asante & Languid Hands'. In: ARTISTS MAKE CHANGE. Airspace Gallery, United Kingdom May 2020 - May 2021. [Conference or Workshop Item]

Asante, Barby; Lansiquot Hama, Rabz and Mason Jordan, Imani. 2019. Baldwin's Nigger Reloaded II. In: "Get Up, Stand Up Now: Generations of Black Creative Pioneers", Somerset House, London, United Kingdom, 8 July 2019. [Performance]

Asante, Barby; Oriogun Williams, Femi and Taylor, Foluke. 2020. Declaration of Independence Podcasts. [Audio]

Asante, Barby and Rusinovskaya, Maria. 2021. On Declaration of Independence: A Conversation between Barby Asante and Maria Rusinovskaya. In: Arie Altena; Lili Elias and Anne Wolfsberge, eds. Time to Listen, Space to Experiment: Perspectives from Re-Imagine Europe 2017-2021. Amsterdam: Paradiso Press. ISBN 978909035045 [Book Section]

Asante, Barby and Sobers, Shawn. 2023. 'Whose Memorials? with Barby Asante and Shawn Sobers'. In: #ReconstructionWork: Whose Memorials?. Stuart Hall Foundation, United Kingdom 31 May 2023. [Conference or Workshop Item]

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Asante, Barby and Sofronijevic, Jelena. 2023. Declaration of Independence, Barby Asante (2023) (EMPIRE LINES x Art on the Underground). [Audio]

Asante, Barby; Swaby, Nydia A.; Mba Bikoro, Anguezomo and Imotep, Ra Malika. 2021. 'Archival Disorientation'. In: Itinerant Imaginaries. CREAM, University of Westminster, United Kingdom 4 November 2021. [Conference or Workshop Item]

Asante, Barby; Taylor, Foluke; Oriogun Williams, Femi; Jones, Hannah Catherine and Wraye, Seah. 2021. These Shoots Need to Grow: An invocation by Asadua. In: "Sensing The Planet: A gathering on climate justice and the intersections of race, art and ecology, part of the Black Atlantic project", Dartington, United Kingdom, 29–31 October 2021. [Performance]

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Ash, Jesse. 2010. The Figure of Speech: The Politics of Contemporary Chatter. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Ashcroft, Louise. 2018. All Our Lives. In: "All Our Lives", Salisbury Arts Centre, 4th Oct to 10th Nov 2018. [Performance]

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Ashcroft, Louise. 2020. BBC Sounds - The Boring Talks, #52 - Breakfast Cereals. [Broadcast]

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Ashcroft, Louise. 2023. Bird Hut Sperm Bank. In: "Women and Children First festival", Viernulvier, Ghent, Belgium, 1 - 11 March 2023. [Performance]

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Ashcroft, Louise. 2018. Boring Talks #06 - The Argos Catalogue, The Boring Talks - BBC Radio. [Broadcast]

Ashcroft, Louise. 2020. Dead Relevant. [Film/Video]

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Ashcroft, Louise. 2017. I'd Rather Be Shopping. In: "I'd Rather Be Shopping", Arebyte Gallery, London, United Kingdom, 18 August - 20 September 2017. [Show/Exhibition]

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Ashcroft, Louise. 2017. Monsters of the Deep. In: "Coastal Currents Festival 2017", Coastal Currents Festival Hastings, United Kingdom, 2nd Sept - 1st Oct 2017. [Performance]

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Ashcroft, Louise. 2018. On Hold: Call Centres and God. In: "Boring Conference 2018", Conway Hall, United Kingdom, 5th May 2018. [Performance]

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Ashcroft, Louise. 2018. One Hour Holiday. In: "One Hour Holiday", Various, United Kingdom, February, June, and July 2018. [Performance]

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Ashcroft, Louise. 2018. Party Platforms: Deptford X Special Project Commission 2018. In: "Deptford X Festival 2018", 1 Market Yard, Deptford, United Kingdom, Project ran January to September 2018, with exhibition 21st - 30th September 2018. [Show/Exhibition]

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Ashcroft, Louise. 2018. Props. In: "Low Entertainment", Arch 5, United Kingdom, 26th June - 1st July 2018. [Performance]

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Ashcroft, Louise. 2018. Street Racket. [Art Object]

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Ashcroft, Louise. 2018. Talking to a Brick Wall. In: "Talking to a Brick Wall", CCA Goldsmiths, United Kingdom, 23rd September 2018. [Performance]

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Ashcroft, Louise. 2017. Unicorns of Westfield. [Film/Video]

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Ashcroft, Louise. 2013. Unperforming. In: "Unperforming", Artsadmin, United Kingdom, 13th September 2017, 1st March 2018, 10th May 2018. [Performance]

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Ashcroft, Louise. 2021. Uplands: Utopia I.O.U. In: "Uplands: Utopia I.O.U", Bobinska Brownlee Gallery, London, United Kingdom, 22 April - 23 May 2021. [Show/Exhibition]

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Ashcroft, Louise. 2018. Urban Investopedia. [Art Object]

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Ashcroft, Louise. 2019. Whose Croytopia?. In: "Fungus Press Residency: 'Whose Croytopia?'", Turf Projects, Croydon, United Kingdom, 2 February - 2 April 2019. [Show/Exhibition]

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Ashcroft, Louise. 2018. You're the HD to my ADHD. In: "Handle With Care", Wellcome Collection, United Kingdom. [Performance]

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Ashery, Oreet. 2013. Party for Freedom. In: "Artangel Commission", 25 public and private venues across London, United Kingdom. [Performance]

Ashery, Oreet and Sansour, Larissa. 2009. The Novel of Nonel and Vovel. [Artist's Book]

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Ashery, Oreet and Sansour, Larissa. 2009. The Novel of Nonel and Vovel. In: "The Novel of Nonel and Vovel", Iniva, London, United Kingdom, 2009-2011. [Performance]

Atkins, Edward. 2011. A Tumour (In English). [Art Object]

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Atkins, Edward. 2012. Us Dead Talk Love. [Film/Video]

Avanessian, Armen and Malik, Suhail. 2016. Introduction: Speculative Genealogies. In: Suhail Malik and Armen Avanessian, eds. Genealogies of speculation : materialism and subjectivity since structuralism. London and New York: Bloomsbury Academic, pp. 1-26. ISBN 9781472591678 [Book Section]

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Bal, Mieke and Williams Gamaker, Michelle. 2017. Emma and Edward: Love in the Time of Loneliness, Munch Museum, Oslo, Norway. In: "Emma and Edward: Love in the Time of Loneliness, Munch Museum, Oslo, Norway", Munch Museum, Oslo, Norway, 27 January to 17 April, 2017. [Show/Exhibition]

Bal, Mieke and Williams Gamaker, Michelle. 2014. Emotions and Capitalism. In: "Emotions and Capitalism", Vaal Galleri, Estonia, 10-30th January 2014. [Show/Exhibition]

Bal, Mieke and Williams Gamaker, Michelle. 2001. Madame B, Explorations in Emotional Capitalism. In: "Madame B Explorations in Emotional Capitalism", Museum Stuki, Lodz, Poland, January 2014-September 2014. [Show/Exhibition]

Bal, Mieke and Williams Gamaker, Michelle. 2014. Madame B. Explorations in Emotional Capitalism. [Film/Video]

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Baldissera, Lisa. 2021. Person/ne: writing and curating vulnerability in the public sphere. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bance, David; Baldock, Jonathan; Beales, katriona; Closs, Lottie V.; Cummins, Sean; Dargan, Sam; Edwards, Sean; Fisher, Craig; Ford, Dan; Franklin, Simon; Fulton, Lynn; S Gubb, Mark; Mendelson, Zoe; Reynolds, Audrey; Simmonds, Gary; Swann, Debra; Woods, Richard; Annie, Whiles and Zakiewicz, Neil. 2010. Pile. In: "Pile", Chapter gallery, Cardiff, United Kingdom, 19th Nov-Dec 10th 2010 and 4th Feb-20th March 2011. [Show/Exhibition]

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Banfield, Frank. 2004. An investigation of beauty and contemporary painting: Kant, Greenberg and Neuroscience. Doctoral thesis, Goldsmiths, University of London [Thesis]

Barnett, Pennina. 2007. Chohreh Feyzdjou: Tout art est en exil: Pennina Barnett interviews Anne Cadenet. n. paradoxa, international feminist art journal, 20, pp. 83-87. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Collection: Pennina Barnett interviews Wiebke Siem. n. paradoxa, international feminist art journal, 9, pp. 5-14. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Small Gestures and Acts of Grace: an interview with Germaine Koh. Women: a Cultural Review, 13(3), pp. 356-369. ISSN 09574042 [Article]

Barnett, Pennina; Ross, David and Jefferies, Janis K.. 2003. Letter from the Editors. Textile The Journal of Cloth and Culture, 1(1), pp. 1-7. ISSN 14759756 [Article]

Batchelor, David. 2017. Chromatology. In: "Chromatology", Ab Anbar Gallery, Iran, Islamic Republic of, 3 February - 3 March 2017. [Show/Exhibition]

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Batchelor, David. 2000. Chromophobia. London: Reaktion Books. ISBN 9781861890740 [Book]

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Batchelor, David. 2022. Colour Is. In: "Colour Is", Compton Verney, United Kingdom, 25 June - 2 October 2022. [Show/Exhibition]

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Batchelor, David. 2018. Colour Is. In: "Colour Is", Margaret Lawrence Gallery, University of Melbourne, Australia, 27 July - 25 August 2018. [Show/Exhibition]

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Batchelor, David. 2022. Concretos. London: Anomie Publishing. ISBN 9781910221389 [Book]

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Batchelor, David. 2019. David Batchelor and Alfredo Volpi. In: "David Batchelor and Alfredo Volpi", Casa Leme, Sao Paolo, Brazil, 24 April - 29 May 2019. [Show/Exhibition]

Batchelor, David. 2013. Flatlands. [Art Object]

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Batchelor, David. 2018. Homage to Doctor Mirabilis. [Art Object]

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Batchelor, David. 2023. I-Cons and Ex-Cons. In: "I-Cons and Ex-Cons", Kestle Barton, Cornwall, United Kingdom, 25 March - 11 June 2023. [Show/Exhibition]

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Batchelor, David. 2021. Light: Works from Tate's Collection. In: "Light: Works from Tate's Collection", Museum of Art Pudong, Shanghai, China, 2021-2024. [Show/Exhibition]

Batchelor, David. 2014. The Luminous and the Grey. London: Reaktion Books. ISBN 9781780232805 [Book]

Batchelor, David. 2014. Monochrome Archive 1997-2015. In: "Monochrome Archive", Whitechapel Gallery, United Kingdom. [Show/Exhibition]

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Batchelor, David. 2019. My Own Private Bauhaus. In: "My Own Private Bauhaus", Ingleby Gallery, Edinburgh, United Kingdom, 24 July - 28 September 2019. [Show/Exhibition]

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Batchelor, David. 2018. Psychogeometry 2. In: "Psychogeometry 2", Site Eight, RMIT University, Melbourne, Australia, 9 - 24 May 2018. [Show/Exhibition]

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Batchelor, David. 2018. Richard of York Gave Battle In Vain. [Art Object]

Batchelor, David. 2017. Sixty Minute Spectrum. In: "Sixty Minute Spectrum", Hayward Gallery, London, United Kingdom, 22 November 2017 – 25 March 2018. [Show/Exhibition]

Bauer, Diann; Chilver, John; Claxton, Ruth; Dale, Tom; Dawes, Nick; Dawood, Shezad; Gough, Stewart; Herbert, Samuel; Hibbs, Justin; Hopkins, James; Hughs Watts, Julian; Jones, Zebedee; Monroe, Ian; Ritson, Boo; Sanders-Dunnachie, Angus; Smith, Kevin; Richardson, Pamela; Stark, John; Wathen, Richard; White, James; Woolls, Leon; Zakiewicz, Neil and Bolivar, Juan. 2010. Dawnbreakers. In: "Dawnbreakers", John Hansard Gallery, Southampton, United Kingdom, 27 April - 12 June 2010. [Show/Exhibition]

Bauer, Diann; Malik, Suhail and Zuluaga, Natalia. 2019. Operationalizing Real Abstraction: Art and the General Abstract Image. In: Gean Moreno, ed. In the Mind But Not From There: Real Abstraction and Contemporary Art. New York: Verso. ISBN 9781788730693 [Book Section]

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Beasley, Becky. 2023. 'BOOKS & VOICES A Guest Artist Lecture Talk by Becky Beasley'. In: FESTIVAL OF BOOKS & VOICES. PUBLICS, Helsinki, Finland 25 November 2023. [Conference or Workshop Item]

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Beasley, Becky. 2022. 'Disability in British Art research group: Becky Beasley'. In: Disability in British Art research group. Disability Arts Online (Online Meeting), United Kingdom 16 June 2022. [Conference or Workshop Item]

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Beasley, Becky. 2017. A Gentle Man. In: "A Gentle Man", 80WSE Gallery, Steinhart, NYU, United States, 14 June -19 August 2017. [Show/Exhibition]

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Beasley, Becky. 2021. H. S. P. (or Promising Mid-career Woman). In: "H. S. P. (or Promising Mid-career Woman)", Galeria Plan B, Berlin, Germany, 27 November 2021 - 5 February 2022. [Show/Exhibition]

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Beasley, Becky. 2017. Ous. In: "Ous", Towner Art Gallery, Eastbourne, United Kingdom, 29/04-09/07/2017. [Show/Exhibition]

Beasley, Becky. 2015. Sleep is When you Grow. In: "Sleep is When You Grow", SKUC Gallery, Slovenia, 28.8. – 27.9. 2015. [Show/Exhibition]

Beasley, Becky. 2014. A Slight Nausea: An Interior. In: "A Slight Naueas: An Interior", South London Gallery, United Kingdom, January 2014 (four weekends). [Show/Exhibition]

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Beasley, Becky. 2018. Two Plants in Dip. [Artist's Book]

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Bedwell, Simon A.. 2009. Asphalt World. [Project]

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Bedwell, Simon A.. 15 January - 15 February 2009 Asphalt World. [Project]

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Bedwell, Simon A.. 2014. First And Last Men. In: "First And Last Men", Ha Gamle, Stavanger, Norway. [Show/Exhibition]

Bedwell, Simon A.. 2007. The Furnishers. In: "The Furnishers", White Columns, 1/10/2007 - 2/11/2007. [Show/Exhibition]

Bedwell, Simon A.. 2002. Galleon and Other Stories. In: "Galleon and Other Stories", Saatchi Gallery, 7/7/2002 - 12/1/2004. [Show/Exhibition]

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Bedwell, Simon A.. 2010. Heliotrope. In: "Heliotrope", Vulpes vulpes, United Kingdom, 12/06/2010-27/06/2010. [Show/Exhibition]

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Bedwell, Simon A.. 2016. No. In: "No", Piper Keys, London, United Kingdom. [Show/Exhibition]

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Bedwell, Simon A.. 2008. Other People's Projects. In: "Other People's Projects", White Columns, New York, United States, 22/02/08 - 30/03/08. [Show/Exhibition]

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Bedwell, Simon A.. 2009. The Painter of the Hole. In: "Simon Bedwell", MOT International, United Kingdom, 5 September - 3 October 2009. [Show/Exhibition]

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Bedwell, Simon A.. 11 February - 5 September 2009 RANK: Picturing the social order 1516 - 2009. [Project]

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Bedwell, Simon A.. 2010. Royale with Cheese. In: "Royale with Cheese", Aicon gallery, United Kingdom, 06/03/2010-03/04/2010. [Show/Exhibition]

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Bedwell, Simon A.. 2010. SO BE IT:INTERVENTIONS IN PRINTED MATTER. In: "So Be It: Interventions in Printed Matter", Andrew Roth Gallery, New York, United States, April 8– May 7, 2010. [Show/Exhibition]

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Bedwell, Simon A.. 2017. SOCIETY. In: "SOCIETY", Hospitalfield House, Arbroath, United Kingdom, 25 June - 10 July 2017. [Show/Exhibition]

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Bedwell, Simon A.. 2017. Society. In: "Society", Hospitalfield House, Arbroath, United Kingdom. [Show/Exhibition]

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Bedwell, Simon A.. 2006. Untitled (Death). In: "Cabaret", Ramis Barquet gallery, United States, February 17 – March 19, 2011. [Show/Exhibition]

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Bedwell, Simon A.. 2014. Untitled (No Inside). In: "Paradigm Store", Howick Place, London, United Kingdom. [Show/Exhibition]

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Bedwell, Simon A.. 2004. Untitled (The Prelude). In: "WE ARE GRAMMAR", Pratt Manhattan Gallery, New York, United States, 21/2/2011-27/5/2011. [Show/Exhibition]

Bedwell, Simon A.. 2010. Untitled 1, Untitled 2, both acrylic on linen, 2010. In: "Standard Candles", Vulpes Vulpes, United Kingdom, 31 March - 25 April 2010. [Show/Exhibition]

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Bedwell, Simon A.. 2010. Untitled, 2010. In: "La Belle Dame Sans Merci", Vegas Gallery, Vyner Street London, United Kingdom, 03/09/2010 - 03/10/2010. [Show/Exhibition]

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Bedwell, Simon A. and Sutcliffe, Stephen. 2024. Memories of the 5 Administrations. In: "Memories of the 5 Administrations", Beaconsfield Gallery, London, United Kingdom, 15 May - 6 July 2024. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Amelia and Russell, John. 1998. Fax-Back. [Art Object]

Bedwell, Simon A. and Thompson, Milly. 2001. Century City. In: "Century City", Tate Modern, 1/30/2001 - 4/21/2001. [Show/Exhibition]

Bedwell, Simon A. and Thompson, Milly. 2002. John Moores 22 - The Ambassador. In: "John Moores 22 - The Ambassador", The Walker, 9/8/2002 - 12/8/2002. [Show/Exhibition]

Bedwell, Simon A.; Thompson, Milly and Russell, John. 2009. FAX. In: "Fax", The Drawing Center, United States, April 17 - July 23, 2009. [Show/Exhibition]

Bedwell, Simon A.; Thompson, Milly and Russell, John. 2008. LESS IS LESS, MORE IS MORE, THAT'S ALL. In: "Less is less, more is more, that’s all", Bordeaux, France, 13 June - 05 September 2008. [Show/Exhibition]

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Bedwell, Simon A.; Thompson, Milly; Russell, John and Williamson, Andrew. 2010. GRAND NATIONAL: ART FROM BRITAIN. In: "GRAND NATIONAL: ART FROM BRITAIN", Vestfossen Kunstlaboratorium, Vestfossen, Norway. [Show/Exhibition]

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Beech, Amanda. 2003. Heroic Realism: Rhetoric and Violence in Narratives of Justice and Discourses of Decision. Doctoral thesis, Goldsmiths, University of London [Thesis]

Beech, Amanda; Gilbertson, Alice; Jones, Alison; Poole, Matthew and Putler, Viictoria. 2001. Moving, Balls Pond Rd, London. In: "Moving", 72 Balls Pond Rd, London, United Kingdom, 15-29th September. [Show/Exhibition]

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Bhatara, Anjali; Quintin, Eve-Marie; Heaton, Pam F.; Fombonne, Eric and Levitin, Daniel. 2009. Bhatara, A., Quintin, E., Fombonne, E., Heaton, P. & Levitin, D. (2009).The Effects of Music on Social Attribution in Adolescents with Autism Spectrum Disorders. Child Neuropsychology, 13; 1 – 22. Child Neuropsychology, 15(4), pp. 375-396. ISSN 0929-7049 [Article]

Black, Hannah; Daniels, Chris Paul; Dean, Michael; Harrison, Sarah; Kholeif, Omar; Kingstone, Peter; Carter, Claire Makhlouf; Morrison, Laura; O'Hare, Louise; Penney, Bridget; Perks, Sarah; Unsworth, Emma Jane; Walter, John; Wills, Camilla and Wood, Jason. 2015. Transactions of Desire Vol 2: Are you allergic to the 21st century? In: Louise O'Hare and Sarah Perks, eds. Transactions of Desire Vol 2: Are you allergic to the 21st century? 2 Manchester UK: Cornerhouse Publications, pp. 54-68. ISBN 9780992952457 [Book Section]

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Bloomberg, Ramon. 2019. Dronological Power: Remote Control Occupation and the New Epistemo-Technologies of Sovereignty. Doctoral thesis, Goldsmiths, University of London [Thesis]

Blumer, Stéphane and Borges, Sofia. 2023. CARTAZES. In: "CARTAZES", comıtė, Lisbon, Portugal, 3 - 21 July 2023. [Show/Exhibition]

Bonarjee, Dominique Savitri. 2024. Butoh, as Heard by a Dancer. Abingdon: Routledge. ISBN 9780367631192 [Book]

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Bonarjee, Dominique Savitri. 2024. Space of the Nameless. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Bowman, Jason; Malik, Suhail and Phillips, Andrea. 2015. Parse Journal #2: Introduction. Parse #2: The Value of Contemporary Art, 2, pp. 8-6. ISSN 2002-0511 [Article]

Bright, Susan. 2017. Home Truths: Photography and Motherhood. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

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Brkić, Aleksandar. 2010. Teaching Arts Management: Where Did We Lose the Core Ideas? The Journal of Arts Management, Law, and Society, 38(4), pp. 270-280. ISSN 1063-2921 [Article]

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Brossard, Genève. 2017. Sting Like a Butterfly, Float Like a Bee. Vulnerability, Representation, and Vacillation: The Female Boxer in Contemporary Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Brown, Millie. 2020. The fear journey into art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Burns, Laura. 2021. ‘River-Stone-Ceremony’; Towards a Material Poet(h)ics of Nonhuman-human Witnessing. Doctoral thesis, Goldsmiths, University of London [Thesis]

Cain, B.. 2006. Here and Now, Present but not Concrete.. In: "Here and Now, Present but not Concrete.", Museum of Modern Art, 9/10/2006 - 10/6/2006. [Show/Exhibition]

Cain, B.. 2005. Places of Transition (Continental Breakfast). In: "Places of Transition (Continental Breakfast)", Museum of Modern Art, 3/12/2005 - 4/12/2005. [Show/Exhibition]

Cain, B.. 2006. This is what it is like. In: "This is what it is like", Netwerk and Fordham, 5/7/2006 - 6/10/2006. [Show/Exhibition]

Cain, B. and Gerovic, T.. 2006. Near Island: Score for Complex Scene. In: "Near Island: Score for Complex Scene", PM Gallery, 3/26/2006 - 4/20/2006. [Show/Exhibition]

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Caines, Suzanne. 2015. The Interlocutor and the End Men. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Calonje, Teresa. 2024. APPROPRIATING GESTURE: LIVE ART FOR SALE THINKING APPROPRIATION THROUGH THE WORK OF LA RIBOT, TINO SEHGAL AND L. NÓBREGA. Doctoral thesis, Goldsmiths, University of London [Thesis]

Camplin, Bonnie. 2016. Bonnie Camplin. In: "Bonnie Camplin", Camden Arts Centre, United Kingdom, September 2016 - January 2017. [Show/Exhibition]

Camplin, Bonnie. 2014. Bonnie Camplin UbuWeb Artist's Page. [Digital]

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Camplin, Bonnie. 2015. Bonnie Camplin detail of "Patterns" Installation. In: "Turner Prize 2015", Tramway, Glasgow, United Kingdom, 1 October 2015 – 17 January 2016. [Show/Exhibition]

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Camplin, Bonnie. 2016. Bonnie Camplin on her exhibition at Camden Arts Centre, 2016. Camden Arts Centre, London. [Other]

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Camplin, Bonnie. 2015. Bonnie Camplin speaking with reference to her work in the 2015 Turner Prize. [Audio]

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Camplin, Bonnie. 2014. DSV Technology (installed at Liverpool Biennalle 2014). [Film/Video]

Camplin, Bonnie. 2016. Interview with Bonnie Camplin by Morgan Quaintence. [Broadcast]

Camplin, Bonnie. 2015. Link to Caribic/ Athens Matter Residency page. [Digital]

Camplin, Bonnie. 2015. Patterns/The Military Industrial Complex. In: "Turner Prize 2015", Tramway, Glasgow, United Kingdom, 1 October 2015 – 17 January 2016. [Show/Exhibition]

Camplin, Bonnie. 2016. Precog Jamaica. In: "Precog Jamaica", Michael Benevento Gallery, United States, 2016. [Show/Exhibition]

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Camplin, Bonnie. 2016. Talk: Bonnie Camplin, Dr David Luke and Michele Occelli. This is Tomorrow/ youtube, London. [Other]

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Camplin, Bonnie and Pieroni, Paul. 2016. Bonnie Camplin (Camden Arts Centre: September 2016 - January 2017). [Exhibition Catalogue]

Camplin, Bonnie and Simonini, Ross. 2022. Interview with Bonnie Camplin in Art Review magazine. Art Review/ Art Review online, ISSN 1745-9303 [Article]

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Camus, Josefina. 2024. I am the surroundings I inhabit. Situational identity, somatic experience and more-than-human environment.. Doctoral thesis, Goldsmiths, University of London [Thesis]

Carpenter, Ele. 2014. Actinium [Curatorial Project]. In: "Actinium", OYOYO, Japan, 19 July - 3 August 2014. [Show/Exhibition]

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Carpenter, Ele. 2010. Activist Tendencies in Craft. Concept Store #3 Art, Activism and Recuperation., 3, [Article]

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Carpenter, Ele. 2011. Analogous: Digital / Analogue Metaphors. Digitalis Newspaper Catalogue, 0-0. [Article]

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Carpenter, Ele. 2009. Art-Activist Symmetry in the artwork of Oliver Ressler. Ressler.it, [Article]

Carpenter, Ele. 2011. Coal-powered Craft: a past for the future. Journal of Modern Craft, 4(2), pp. 147-160. ISSN 1749-6772 [Article]

Carpenter, Ele. 2008 - 2013 Embroidered Digital Commons. [Project]

Carpenter, Ele. 2016. Embroidered Digital Commons Online artwork. [Digital]

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Carpenter, Ele. 2009. HTML Patchwork, 2007-2009. [Art Object]

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Carpenter, Ele. 2010. Intervention & Revolution, Interview with Gregory Sholette and Nato Thompson. In: Sarah Cook; Beryl Graham; Verina Gfader and Axel Lapp, eds. A Brief History of Working with New Media Art: Conversations with Artists. Sunderland UK / Berlin Germany: The Green Box, pp. 111-127. [Book Section]

Carpenter, Ele. 2016. Kota Takeuchi, Memory Bug. In: "Kota Takeuchi, Memory Bug", Arts Catalyst, United Kingdom, July - August 2016. [Show/Exhibition]

Carpenter, Ele. 2017. Laboratory for Variable Risk Assessment. [Art Object]

Carpenter, Ele. 2009. 'Many:Many Workshop'. In: Micro Makers Faire. Chapter Arts Centre, United Kingdom 22-23 October 2009. [Conference or Workshop Item]

Carpenter, Ele. 2009. 'Mapping Data: Performing Landscape'. In: Mapping Data: Performing Landscape. Umea University, Sweden. [Conference or Workshop Item]

Carpenter, Ele. Ongoing Nuclear Culture. [Project]

Carpenter, Ele. 2009. Open Source Embroidery. In: "Open Source Embroidery Exhibition", BildMuseet, Umea, Sweden, 6 June 2009 - 24 January 2010. [Show/Exhibition]

Carpenter, Ele. 2009. 'Open Source Embroidery at MzTek Unplugged'. In: MzTek. United Kingdom. [Conference or Workshop Item]

Carpenter, Ele. 2012. Open Source Embroidery: Curatorial Facilitation of Material Networks. In: Jessica Hemmings, ed. The Textile Reader. London: Berg, pp. 336-346. ISBN 9781847886347 [Book Section]

Carpenter, Ele. 2007. Open source embroidery website. [Digital]

Carpenter, Ele. 2018. Perpetual Uncertainty - art and radioactivity. In: "Perpetual Uncertainty - art and radioactivity", Malmö Konstmuseum, Sweden, 24 February - 26 August 2018. [Show/Exhibition]

Carpenter, Ele. 2017. '(Post) Nuclear Anthropocene'. In: Various conferences 2015-17. Z33 House of Contemporary Art, Belgium 2015 - 2017. [Conference or Workshop Item]

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Carpenter, Ele. 2011. Shaggy Modernism. In: James Hutchinson, ed. James Hutchinson: works 2007–2011. Sunderland, UK: Art Editions North, pp. 49-51. ISBN 978‐0‐9549119‐9‐7 [Book Section]

Carpenter, Ele. 2016. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity. In: Ryan Bishop and John Beck, eds. Cold War Legacies: Systems, Theories, Aesthetics. Edinburgh: Edinburgh University Press. ISBN 9781474409483 [Book Section]

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Carpenter, Ele. 2016. The Smoke of Nuclear Modernity Drifts through the Anthropocene. In: Helen Grove-White, ed. Power in the Land. Wales: X-10, pp. 17-29. ISBN 978-1-78280-732-2 [Book Section]

Carpenter, Ele. 2011. Social Making. In: Daniel Charny, ed. The Power of Making:The Importance of Being Skilled. London, UK: V&A Museum and Crafts Council, pp. 49-51. ISBN 9781851776535 [Book Section]

Carpenter, Ele. 2009. Stable, A film by Kathleen Herbert. In: "Stable, a film by Kathleen Herbert", Vita Kuben, Sweden, Feb - March 2009. [Show/Exhibition]

Carpenter, Ele. 2009. The Strategic and Tactical Time of Curating. In: , ed. Time at Work: CECAC 2008. 2 Post Media Books, pp. 66-71. [Book Section]

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Carpenter, Ele; Mabb, David; Craighead, Alison; Crowe, Nick; Schuppli, Susan; Takeuchi, Kota and Kobayashi, Erika. 2016. Material Nuclear Culture, Exhibition. In: "Material Nuclear Culture", KARST Gallery, United Kingdom, 17 June - 13 August 2016. [Show/Exhibition]

Carpenter, Ele; Mabb, David; Crowe, Nick; Craighead, Alison; Schuppli, Susan and Weir, Andy. 2016. Perpetual Uncertainty, exhibition. In: "Perpetual Uncertainty", Bildmuseet, Sweden, 2 October 2016 - 16 April 2017. [Show/Exhibition]

Carpenter, Ele and Pickup, Beatrice. 2017. Radioactive Art. [Broadcast]

Carpenter, Ele and Schroeder, Jantine. 2013. Nuclear Culture Symposium Report. Project Report. InSoTec, Belgium. [Report]

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Carter, Claire Makhlouf. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom. [Show/Exhibition]

Carter, Claire Makhlouf. 2015. Are You Allergic to the 21st Century? HOME, Manchester. In: Sarah Perks and Louise O'Hare, eds. Transactions of Desire, Volume ii: Are You Allergic to the 21st Century? ii Manchester: HOME, pp. 55-68. ISBN 9780992952457 [Book Section]

Carter, Claire Makhlouf. 2014. Are You Allergic to the 21st Century? HOME, Manchester. In: "DEMO SAFE", HOME, Manchester, United Kingdom, 14 Nov. - 3 Jan. 2016. [Show/Exhibition]

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Carter, Claire Makhlouf. 2016. 'DEMO BITTER LUCKY DIP'. In: DEMO BITTER LUCKY DIP. Goldsmiths, University of London, United Kingdom 3 February 2016, 29 June 2018. [Conference or Workshop Item]

Carter, Claire Makhlouf. 2020. DEMO CHELSEA#. In: Lee Campbell, ed. Leap into Action: Critical Performative Pedagogies in Art & Design Education. New York: Peter Lang, pp. 127-152. ISBN 9781433166402 [Book Section]

Carter, Claire Makhlouf. 2020. DEMO HORSE HOSPITAL. In: "DEMO HORSEHOSPTIAL", The Horse Hospital, London, United Kingdom, 27 February 2020. [Performance]

Carter, Claire Makhlouf. 2015. DEMO KHAT. [Artist's Book]

Carter, Claire Makhlouf. 2015. DEMO SKOYLES and DEMO RUSSIANLEATHERBUBBLEGUMGIN&TONICPAPERBACKBOOKSBANANAFLAMBÉEARTHWORMSSWIMMINGPOOLS. In: "Birmingham Show", Eastside Projects, United Kingdom, 31/01/2015 to 11/04/2015. [Show/Exhibition]

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Carter, Claire Makhlouf. 2016. Demo Touring Teenagers. In: "Elizabeth Price Curates: In a Dream You Saw a Way To Survive and You Were Full of Joy", The Whitworth, Manchester, United Kingdom, June 2016 - August 2017. [Show/Exhibition]

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Carter, Claire Makhlouf. 2014. SPV Ltd Diep~haven Cross-Channel Project 'Entre Deux/In Between'. In: "SPV Ltd Diep~haven Cross-Channel Project, 'Entre Deux/In Between'", Cross Channel Ferry Dieppe - Newhavan. [Show/Exhibition]

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Carter, Claire Makhlouf and Chapman, Georgie. 2020. DEMO NOTHERE. In: "DEMO NOTHERE", KELDER PROJECTS, United Kingdom, 12 March 2020. [Performance]

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Carter, Claire Makhlouf; Noonan-Ganley, Joseph and Wakeford, Nina. 2022. DEMO PHOENIX. [Art Object]

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Cenini, Marta Silvia. 2011. BRINGING THE WAR HOME:ETHICS AND JUSTICE IN A (POST) FEMINIST DEPICTION OF ABU GHRAIB. Masters thesis, Goldsmiths, University of London [Thesis]

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Chabanon, Eve; Colin, Anna and Planeix-Crocker, Madeleine. 2021. Crossed Perspectives on Collaboration. On Curating(52), pp. 163-171. ISSN 2673-2955 [Article]

Chalklin, Victoria. 2015. All Hail the Fierce Fat Femmes. In: Caroline Walters and Helen Hester, eds. Fat Sex: New Directions in Theory and Activism. London: Ashgate. ISBN 9781472432544 [Book Section]

Chalklin, Victoria. 2016. Obstinate Fatties: fat activism, queer negativity, and the celebration of ‘obesity’. Subjectivity, 9(2), pp. 107-125. ISSN 1755-6341 [Article]

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Chalklin, Victoria and Mulvey, Marianne. 2016. Towards a Performative Trans-Pedagogy: Critical Approaches for Learning and Teaching in Art and Performance. Performance Matters, 2(1), pp. 62-77. ISSN 2369-2537 [Article]

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Chance, Véronique. 2012. Re-presenting the Physical Act: An Exploration of the Physical Presence of the Body through its Screen Representation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Chavez, Lia. 2012. In Radical Form(ation): Bergsonism, Bodies in Process, and Unconscious Vision. Other thesis, Goldsmiths, University of London [Thesis]

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Chew, Kim Liong. 1997. De Xin Ying Shou [Heart and Hand in Accord]' and #Zhou You Dong XI [travelling round the East and West]'. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Child, Danielle; Reckitt, Helena and Richards, Jenny. 2017. Labours of Love: A Conversation on Art, Gender, and Social Reproduction. Third Text, 31(1), pp. 147-168. ISSN 0952-8822 [Article]

Chilver, John. 2014. 6R-K-M5. [Art Object]

Chilver, John. 2016. 6R-K-M8. [Art Object]

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Chilver, John. 2012. 'Art and Number'. In: The New Numeracy. Dept of Sociology, Goldsmiths, London, United Kingdom 17/2/2012. [Conference or Workshop Item]

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Chilver, John. 2018. Banner paintings. [Art Object]

Chilver, John. 2013. Bomberg after Auerbach after Brown. Turps Banana, 13, pp. 4-13. ISSN 1749 3994 [Article]

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Chilver, John. 2013. The Dancers 3. [Art Object]

Chilver, John. 2007. Displacements of Shadow. Art Papers, 31(1), pp. 36-41. ISSN 15249581 [Article]

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Chilver, John. 2017. The Dream's Dream, 2017. [Art Object]

Chilver, John. 2014. Entkoerperte Malerei. In: Gunter Reski and Hans-Juergen Hafner, eds. The Happy Fainting of Painting. Cologne: Verlag der Buchhandlung Walter Koenig, pp. 62-67. ISBN 9783863356705 [Book Section]

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Chilver, John. 2005. Gestural Ethics: Consequences of the Mark in Contemporary Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

Chilver, John. 2015. Glenn Brown October 2013. In: Wendy Chang, ed. Glenn Brown, Rebecca Warren. Vancouver, Canada: Rennie Collection, pp. 9-21. ISBN 978-0-9865961-7-9 [Book Section]

Chilver, John. 2006. 'Group and Gang: The Absent Collective'. Afterall, [Article]

Chilver, John. 2013. HLA213109XA. [Art Object]

Chilver, John. 2012. The Happy Fainting of Painting. In: "The Happy Fainting of Painting", Zwinger Galerie, Berlin, Germany, 3/3/2012-28/4/2012. [Show/Exhibition]

Chilver, John. 2012. If Display Becomes Materiality. In: Edward Whittaker and Alex Landrum, eds. Painting With Architecture in Mind. Bath, UK: Wunderkammer Press, pp. 113-134. ISBN 978-0-9566462-1-7 [Book Section]

Chilver, John. 2016. 'If Surface is the Condition'. In: Surface Values: Locating Conditions. University of Reading, United Kingdom 10/ 06/ 2016. [Conference or Workshop Item]

Chilver, John. 2004. 'James Rosenquist'. Untitled, 32, p. 70. [Article]

Chilver, John. 2001. John Chilver. In: "John Chilver", Casey Kaplan, New York, 9/7/2001 - 10/10/2001. [Show/Exhibition]

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Chilver, John. 2009. John Chilver. In: "John Chilver", Keith Talent Gallery, London, United Kingdom, 17 June - 1 Aug 2009. [Show/Exhibition]

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Chilver, John. 2018. John Chilver at Xero, Kline & Coma. In: "John Chilver at Xero, Kline & Coma", Xero, Kline & Coma, London, United Kingdom, 23 June - 15 July 2018. [Show/Exhibition]

Chilver, John. 2002. Landscape. In: "Landscape", The Saatchi Gallery, 2/22/2002 - 5/17/2002. [Show/Exhibition]

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Chilver, John. 2022. Minor Matters of Major Importance: On the Vicissitudes of Minor Painting. Journal of Contemporary Painting, 8(1-2), pp. 31-44. ISSN 2052-6695 [Article]

Chilver, John. 2010. 'Miss the Start, Miss the End'. In: Space, Time and the Image. APT Gallery, London, United Kingdom 14 May 2010. [Conference or Workshop Item]

Chilver, John. 2007. Morandi with Heidegger. In: E Whittaker and A Landrum, eds. Nonsite to Celebration Park: Essays on Art and the Politics of Space. Bath: Bath Spa University, pp. 85-100. ISBN 9781905200726 [Book Section]

Chilver, John. 2014. Number intersecting with art: three studies. Distinktion: Journal of Social Theory, 15(2), pp. 239-249. ISSN 1600-910X [Article]

Chilver, John. 1999. 'On DJ Simpson', a dialogue with Dave Beech. In: Shahin Alfrassiabi, ed. Beck's Futures 2001 (Art Catalogue). University of Pennsylvania,Institute of Contemporary Art. ISBN 978-1900300315 [Book Section]

Chilver, John. 2008. Painting and Its Strata: Sub, Super, etc. In: , ed. Superstratum. Antwerp: Koraalberg Gallery, pp. 3-5. ISBN 9789079874002 [Book Section]

Chilver, John. 2013. The Postceptual Present. Spike Art Quarterly, pp. 113-115. ISSN 1813 6281 [Article]

Chilver, John. 2016. Reivew of Bridget Riley, The Curve Paintings 1961-2014. Journal of Contemporary Painting, 2(2), pp. 318-321. ISSN 2052-6695 [Article]

Chilver, John. 2004. René Daniëls: with Respect to Disrespect : with Respect to Disrespect. Afterall, 10, pp. 47-53. ISSN 14654253 [Article]

Chilver, John. 2013. Review of Padraig Timoney, 'Fontwell Helix Feely'. Frieze online, [Article]

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Chilver, John. 2018. Richard Norris teaching the remedial class in political economy and sound workshop. [Art Object]

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Chilver, John. 2021. The Scene of Instruction. In: "The Scene of Instruction", Coleman Projects, London, United Kingdom, 18 June - 18 July 2021. [Show/Exhibition]

Chilver, John. 2013. Sequence 328987. [Art Object]

Chilver, John. 2018. 'Transposing Genre, Translating Style'. In: Painting and Transposition. University of Worcester, United Kingdom 6th February 2018. [Conference or Workshop Item]

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Chilver, John. 2013. Tuesdays in August. [Art Object]

Chilver, John. 2004. 'Vertical Acceleration'. Starship, 6, [Article]

Chilver, John. 2015. WLSX7834. [Art Object]

Chilver, John. 2023. The Years of Glenn Brown. In: Hans Werner Holzwarth, ed. Glenn Brown. Cologne: Taschen, pp. 19-270. ISBN 9783836591294 [Book Section]

Chilver, John. 2018. The discursive array: Towards a politics of painting as time–space production. Journal of Contemporary Painting, 4(1), pp. 81-101. ISSN 2052-6695 [Article]

Chilver, John; Afrassiabi, Shahin; Ash, Jesse; Bauer, Diann; Bedwell, Simon A.; Billy, Vanessa; Bolivar, Juan; Burton, Adam; Carneiro da Cunha, Tiago; Coleman and Hogarth, Kim and Jenny; Cumberland, Stuart; Dany, Hans-Christian; Frearson, Annabel; Freee, Freee; Ghazi, Babak; Ghosts Eat Mirrors, Ghosts Eat Mirrors; Glogan, Jeremy; Gottelier, Luke; Gruenfeld, Thomas; Hemsworth, Gerard; Higashionna, Yuichi; Holmes, Emma; Jones, Gareth; Kartscher, Kerstin; Kollectiv, Pil and Galia; Lowe, Brigrid; Macuga, Goshka; Makh, Ellen; Pettitt, Daniel; Reski, Gunter; Rosler, Martha; Schultze, Michael; Sill, Heidi; Simpson, D. J.; Strange, Jack; Stubbs, Michael; Timberlake, John; Verzutti, Erika; Vinitsky, Yonatan and Wright, Carla. 2010. Use and Mention. In: "Use and Mention", Stephen Lawrence Gallery, University of Greenwich, London, United Kingdom, 26 Jan - 26 Feb 2010. [Show/Exhibition]

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Chilver, John; Bedwell, Simon A.; Reski, Gunter and Vinitsky, Yonatan. 2010. Standard Candles. In: "Standard Candles", Vulpes Vulpes, London, United Kingdom, 31 March - 25 April 2010. [Show/Exhibition]

Chilver, John; Graw, Isabelle; Haverkost, Eberhard; Baer, Monika and Reski, Gunter. 2007. 'On Disappearance & Display'. In: , ed. The Worst & The Best: Yearbook 2007/2008. Oslo: KHIO/National Academy of Fine Arts Oslo, pp. 21-23. [Book Section]

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Chilver, John; Lowe, Brighid; Capaldi, Leah; Chaimowicz, Marc Camille; Jeffery, Charlie; Jones, Gareth; Pedraglio, Francesco; Piper, Adrian; Schmuecker, Martina; Slotawa, Florian; Staton, Sarah and Wentworth, Richard. 2012. Parts and Labour (3 Hours Minimum Wage). In: "Parts and Labour (3 Hours Minimum Wage)", Camberwell Space, London, United Kingdom, 1/5/2012-26/5/2012. [Show/Exhibition]

Chilver, John; Lowe, Brighid and Mok, Honggyun. 2014. Parts and Labour (Osan). In: "Parts and Labour (Osan)", Osan Museum of Art, Korea, Republic of, November - December 2014. [Show/Exhibition]

Chilver, John; Malik, Suhail; Harris, Jane; Stubbs, Michael; Cooke, Nigel and Brown, Glenn. 2004. ''Painting as a Technology''. In: ‘Painting, Specifically’. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

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Chilver, John and Pettitt, Daniel. 2023. Coat Heel Throat. In: "Coat Heel Throat", Recent Activity, Birmingham, United Kingdom, 3 November - 2 December 2023. [Show/Exhibition]

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Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018. [Conference or Workshop Item]

Chilver, John and Slotawa, Florian. 2008. Contingency and the Paradox of Composition: Florian Slotawa. Art Papers, 32(5), pp. 32-37. ISSN 1524-9581 [Article]

Chilver, John and Vallotton, Felix. 2009. Felix Vallotton: Genres and Shallow Waters. Turps Banana, 7, pp. 28-35. ISSN 1749-3994 [Article]

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Clark, Simon J.. 2013. Undead Melancholia; from Lost Modernism to Haptic Antagonism. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Clark, Thomas. 2024. Changing What Infrastructure Means: Instituting critical models for curatorial-infrastructural practice, artefacts and imaginaries. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Clarke, Elly. 2023. 'Dragging the Archive: Lecturette by Elly Clarke as delivered at Bishopsgate Institute, 8th June 2023'. In: Dragging the Archive: Kings, Queens and Things. Bishopsgate Institute, London, United Kingdom 8 June 2023. [Conference or Workshop Item]

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Clarke, Elly. 2020. Is my body out of date? The drag of physicality in the digital age. Idea Journal, 17(2), pp. 289-325. ISSN 2208-9217 [Article]

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Clarke, Elly. 2020. An Orgy of Algorithms and Other Desires and Distractions: The Drag of Physicality in a #digitalphysical Hybrid Ecology. In: Susanne Witzgall; Marietta Kesting; Maria Muhle and Jenny Nachtigall, eds. Hybrid Ecologies. Zürich: diaphanes, pp. 167-172. ISBN 9783035804065 [Book Section]

Clarke, Elly and Ballantine, Stephanie. 2021. 'Is My Body Out of Date? The Drag of Physicality in the Digital Age - Episode 4'. In: Summer School for Sexualities, Cultures, and Politics. Belgrade, Serbia 17 - 22 August 2021. [Conference or Workshop Item]

Clarke, Elly; Bejlicic, Vladimir and Victor, Sternweiler. 2020. "Why be in one place?" – in conversation with Elly Clarke and Vladimir Bjeličić on being #Sergina. [Film/Video]

Clarke, Elly and Fischer, Kathryn aka Mad Kate. 2023. «S.W.E.A.T.» (Sex/uality. Work. Extraction. Art. Theatr/ics): with Elly Clarke #18. [Broadcast]

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Clarke, Elly and Hill, Clareese. 2022. MEDITATIVE DRAG/GY SALES PITCH. Rendering Research (Peer Reviewed Newspaper), 11(1), ISSN 2245-7593 [Article]

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Clarke, Elly and Hill, Clareese. 2023. WRITING FROM THE _________________. Studies in Theatre and Performance, 42(3), pp. 338-355. ISSN 1468-2761 [Article]

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Clinton, Paul. 2021. AA Bronson: Revolutionary Asshole. In: Vincent Simon, ed. AA Bronson's House of Shame. Zurich, Switzerland: Editions Patrick Frey. ISBN 9783907236314 [Book Section]

Clinton, Paul. 2018. Activists’s Subversion of ‘I’m Too Sexy To Have AIDS’ Slogan Does Queer History a Disservice. Frieze, ISSN 0962-0672 [Article]

Clinton, Paul. 2018. 'A Class Act', essay, catalogue: Philiip Timischil, Artworks for All Age Groups, Secession, Vienna, 16th November 2018. [Exhibition Catalogue]

Clinton, Paul. 2019. Dissent at the Disco. Frieze, ISSN 0962-0672 [Article]

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Clinton, Paul. 2018. Forbidden to Forbid: A Reader, ed. Paul Clinton, pub. Galerie Balice Hertling/Goswell Road; Forbidden to Forbid, the exhibition, curated by Paul Clinton, Galerie Balice Hertling/Goswell Road, Paris. In: "Forbidden to Forbid", Galerie Balice Hertling, Paris, France, 31 May – 14 July 2018. [Show/Exhibition]

Clinton, Paul. 2019. Homo Ludens. Lismore Castle Arts, IMMA, Dublin. [Other]

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Clinton, Paul. 2019. LIMP: Frustrations in the Circulation of Queer Imagery', curated by Paul Clinton, Galerie Emanuel Layr/Curated.by, Vienna, Austria. In: "LIMP", Galerie Emanuel Layr, Vienna, Austria, 13th September - 31st October 2019. [Show/Exhibition]

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Clinton, Paul. 2019. Militant Desire: Lionel Soukaz and Gay Liberation Today, curated by Paul Clinton at Gasworks and Lux Artist's Moving Image, London. Plus publication.. In: "Militant Desire: Lionel Soukaz and Gay Liberation Today", Gasworks, London, United Kingdom, 29 May - 27 June 2019. [Show/Exhibition]

Clinton, Paul. 2018. Ulrike Ottinger: Ticket of No Return, MOUSSE, June 2018. Mousse Publishing. [Other]

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Clinton, Paul. 2019. Useless Man. In: , ed. Kiss My Genders (exhibition catalogue, Hayward Gallery, 12th June 2019). London, UK: Hayward Publishing, pp. 34-39. ISBN 9781853323645 [Book Section]

Clinton, Paul and Giles, Ian. 2019. ‘Weird Fucks’, Trojan Horse/Rainbow Flag, ed. Ian Giles/Paul Clinton, published: VideoClub, UK; HOME, Manchester; Baltic Gateshead; Gasworks, London.. [Exhibition Catalogue]

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Clout, Lucy. 2014. The Extra's Ever-Moving Lips. [Film/Video]

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Clout, Lucy. 2019. Flatness 2. In: "Flatness", https://flatness.eu/, 2019. [Show/Exhibition]

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Clout, Lucy. 2015. From Our Own Correspondent. [Film/Video]

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Clout, Lucy. 2019. Nurses. [Film/Video]

Clout, Lucy. 2019. Nurses 2. [Film/Video]

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Clout, Lucy. 2013. Shrugging Offing. [Film/Video]

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Clout, Lucy. 2018. Solvent Magazine. In: "Solvent Magazine", Gymnasium Gallery, United Kingdom, 1st April 2018 to 24th Spetember 2018. [Show/Exhibition]

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Clout, Lucy. 2019. A Symptom. In: "A Symptom", Cubitt Gallery, United Kingdom, 8 March - 14 April 2019. [Show/Exhibition]

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Clout, Lucy. 2016. Warm Bath. [Film/Video]

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Clout, Lucy. 2016. Warm Bath, Exhibition, Limoncello Galley. In: "Warm Bath", Limoncello Gallery, United Kingdom, 10 March - 16 April 2016. [Show/Exhibition]

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Clout, Lucy. 2015. What Will They See of Me. In: "What Will They See Of Me", Jerwood Space, United Kingdom, 11 March - 26 April 2015. [Show/Exhibition]

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Clout, Lucy. 2020. ZZZ. [Art Object]

Cohen, Revital and Van Balen, Tuur. 2019. Particles (an epilogue)/ Epilogue (a particle). In: Karsten Lund, ed. Unthought Environments. Chicago: Renaissance Society, pp. 144-157. ISBN 9780941548755 [Book Section]

Colin, Anna. 2025. Alternative Pedagogical Spaces: From Utopia to Institutionalization. Berlin and New York: Sternberg Press. ISBN 9781915609670 [Book] (In Press)

Colin, Anna. 2022. Alternative to what? Alternative how? A Study of Multi-Public Educational and Cultural Spaces in England since the Late Nineteenth Century. Doctoral thesis, University of Nottingham [Thesis]

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Colin, Anna. 2023. Chaleur Humaine. In: "Chaleur humaine", FRAC Grand-Large Hauts-de-France, France, 10 June 2023 - 14 January 2024. [Show/Exhibition]

Colin, Anna. 2023. 'Des pratiques pédagogiques, institutionnelles et paysagères critiques'. In: Journées de recherche et de création "Weather Report": Les arts de subsister dans un monde abîmé. ESAD Valence, France 30-31 January 2023. [Conference or Workshop Item]

Colin, Anna. 2022. 'From alternative to permacultural institutions'. In: MFA Art + MFA Curating Lecture Series. Goldsmiths, University of London, United Kingdom 28 November 2022. [Conference or Workshop Item]

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Colin, Anna. 2023. 'Institutional ecosystems, ecosystemic institutions: life cycles, (non-)linear time, and stewardship'. In: Institutional ecosystems, ecosystemic institutions: life cycles, (non-)linear time, and stewardship. Goldsmiths, University of London, United Kingdom 10 July 2023. [Conference or Workshop Item]

Colin, Anna. 2024. 'Multi Public Educational Spaces'. In: CONTRAcurricular. St George's Theatre, Great Yarmouth, United Kingdom 22 March 2024. [Conference or Workshop Item]

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Colin, Anna. 2022. Seeding the Garden: our Place in Lewisham's Green Infrastructure. Other. Goldsmiths, University of London, London. [Report]

Colin, Anna. 2021. Sunken Ecologies. In: "Sunken Ecologies", Sunken Garden, Margate, United Kingdom, 25 September - 10 October 2021. [Show/Exhibition]

Colin, Anna. 2022. Éducation, art, démocratie, communauté. In: Hélène Meisel, ed. L'Art d'apprendre. Une école des créateurs. Metz: Éditions du Centre Pompidou-Metz. ISBN 9782359830651 [Book Section]

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Colin, Anna and Boutonnier, Thierry. 2023. Acting with Trees. In: Angelika Burtscher and Daniele Lupo, eds. As If: 16 Dialogues about Sheep, Black Holes, and Movement. Leipzig: Spector Books, pp. 143-153. ISBN 9783959057523 [Book Section]

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Colin, Anna and Lang, Marine. 2023. ĝardeno paradizo. Résidence Sévignée, France January - October 2023. [Show/Exhibition]

Colin, Anna and Richert, Camille. 2023. Chaleur Humaine. [Exhibition Catalogue]

Comay, Rebecca and Newman, Michael. 2012. Ghostly Medium: James Coleman’s 'Charon'. In: Museo Nacional Centro de Arte Reina Sofía, ed. James Coleman. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 35-52. ISBN 9788480264556 [Book Section]

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Cooke, Jacqueline. 2007. Art ephemera, aka "Ephemeral traces of 'alternative space': the documentation of art events in London 1995-2005, in an art library". Doctoral thesis, Goldsmiths, University of London [Thesis]

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Cooke, Kirsten. 2024. 'Aqueous Humours: Fluid Ground (Fluid Mapping)'. In: London Conference in Critical Thought: Watery Speculations stream. University of Greenwich, United Kingdom 28 - 29 June 2024. [Conference or Workshop Item]

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Cooke, Kirsten. 2023. Damp Bodies: Fluid Ground. In: Louis Mason, ed. GOT DAMP: Avril Corroon. Thamesmead, London: TACO!, pp. 102-113. ISBN 9781838279271 [Book Section]

Cooke, Kirsten. 2023. A Slice of Fluid Ground. Journal of Writing in Creative Practice, 16(2), pp. 199-213. ISSN 1753-5190 [Article]

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Cooke, Kirsten. 2023 - ongoing Steam Works (Wanderscorde Woad Extractor). [Project]

Cooke, Kirsten and Harezlak, Ann. 2023. Transfictioning. In: Beatrice von Bismarck, ed. Archives on Show: Revoicing, Shapeshifting, Displacing – A Curatorial Glossary. Berlin: Archive Books, pp. 49-53. ISBN 9783948212916 [Book Section]

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Cooke, Nigel. 2004. The Ambivalence of the Undead – Entropy, Duality and the Sublime as Perspectives on Contemporary Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Correia Goncalves, Joao Miguel. 2016. Dialectics of the hero: representing subjectivities : On the Possibilities of Contemporary Figurative Sculpture. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Corvette, Michelle Nicole Anderson. 2016. Consuming Colour: A Critical Theory of Colour Concerning the Legality and Implications of Colour in Public Space. Doctoral thesis, Goldsmiths, University of London [Thesis]

Coutts, Marion. 2005. 01. Marion Coutts. In: , ed. Responding to Rome, British Artists in Rome 1995-2005. The British School at Rome. ISBN 978-0904152494 [Book Section]

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Coutts, Marion. 2019. 1d for Abroad. In: "1d for Abroad", Tintype Gallery, United Kingdom, 7 March – 6 April 2019. [Show/Exhibition]

Coutts, Marion. 2014. 33 Artists in 3 Acts, Book Review, The Guardian. The Guardian, [Article]

Coutts, Marion. 1988. 4th International Triennial of Drawing. In: "4th International Triennial of Drawing", Wroclaw, Poland. [Show/Exhibition]

Coutts, Marion. 2015. AGNES MARTIN AND THE GREAT INDOORS. 1843 magazine - The Economist online, [Article]

Coutts, Marion. AICA UK membership. [Professional Activity]

Coutts, Marion. 2017. Aiming or Hitting. In: "Aiming or Hitting", Tintype Gallery 107 Essex Road London N1 2SL, United Kingdom, 10 March – 13 April 2017. [Show/Exhibition]

Coutts, Marion. 2015. 'The Brighton and Sussex Medical School Debate Facing Cancer A Brighton Festival Exclusive'. In: The Brighton and Sussex Medical School Debate - Facing Cancer. Brighton Festival, United Kingdom 24 may 2015. [Conference or Workshop Item]

Coutts, Marion. 2021. 'Care and Waiting'. In: Critical Poetics Summer School 2021: Care Of.... Online, United Kingdom 25 June – 3 July 2021. [Conference or Workshop Item]

Coutts, Marion. 2016. 'The Chronic: Temporality, Care and Health Research'. In: The Chronic: Temporality, Care and Health Research. Birkbeck, United Kingdom 17 March 2016. [Conference or Workshop Item]

Coutts, Marion. 2005. Contribution to Helsinki photography festival 2005. In: Mika Elo; Brett Rogers and Marjatta Tikkanen, eds. To be continued... / jatkuu...: Helsinki Photography Festival 2005. Helsinki: Valokuvataiteilijoiden Liitto ry / Valokuvagalleria Hippolyte & British Council. ISBN 0-86-355-5489 [Book Section]

Coutts, Marion. 2015. Cornell’s Beautiful Bric-a-Brac. 1843 Magazine, [Article]

Coutts, Marion. 2017. Cove Park Literature Residency. [Professional Activity]

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Coutts, Marion. 2002. Cult. In: "Cult", Chisenhale Gallery, United Kingdom, 9/4/2002 - 10/13/2002. [Show/Exhibition]

Coutts, Marion. 2015. THE DARK DREAMS OF GOYA’S WITCHES. 1843 Magazine, [Article]

Coutts, Marion. 2006. Ein Bolzplatz fur die Kunst/ Ball of Fame, Young International Artists. In: "Ein Bolzplatz fur die Kunst/ Ball of Fame, Young International Artists", ex-Vitra Design Museum, Berlin, Germany. [Show/Exhibition]

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Coutts, Marion. 2017. 'Empathy and Ethics at the End of Life Perspectives from the Medical Humanities: workshop'. In: Empathy and Ethics at the End of Life Perspectives from the Medical Humanities. University of Basel, Switzerland. [Conference or Workshop Item]

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Coutts, Marion. 2003. Everglade. In: "Everglade", Firstsite, The Minories: 7 June-3 August 2003 Angel Row Gallery: 14 Jan-28 Feb 2004 2 Princelet St: 1 May-16 May 2004, 6/7/2003 - 5/16/2004. [Show/Exhibition]

Coutts, Marion. 2017. External Examiner: London Metropolitan. [Professional Activity]

Coutts, Marion. 2001. Fair Play. In: , ed. Fair Play. London: Danielle Arnaud. ISBN 09537752-7-5 [Book Section]

Coutts, Marion. 2015. The Feeling of Finishing. 1843 Magazine, [Article]

Coutts, Marion. 1998. Fine Arts 1998-1999, The British School at Rome. Fine Arts 1998-1999, The British School at Rome, [Article]

Coutts, Marion. 2016. 'Fáilte gu Faclan 2016, The Hebridean Book Festival.'. In: Faclan. An Lanntair,, Kenneth Street, Stornoway HS1 2DS, United Kingdom. [Conference or Workshop Item]

Coutts, Marion. 2017. Gathering dust. 1843 magazine, [Article]

Coutts, Marion. 2015. 'Happy Days Beckett Festival'. In: Happy Days: Beckett Festival. Enniskillen, Ireland 23 july - 3 august 2015. [Conference or Workshop Item]

Coutts, Marion. 2017. Hokusai: old man, crazy to paint. 1843 magazine, [Article]

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Coutts, Marion. 2014. The Iceberg [American edition]. New York: Grove Atlantic. ISBN 978-0-8021-2460-9 [Book]

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Coutts, Marion. 2016. The Iceberg [Mandarin edition]. Taiwan: Mobius. ISBN 978-986-91082-6-3 [Book]

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Coutts, Marion. 2014. The Iceberg. London: Atlantic Books. ISBN 9-781782-393504 [Book]

Coutts, Marion. 2015. The Iceberg: A Memoir. London: Atlantic Books. ISBN 9781782393528 [Book]

Coutts, Marion. 2018. The Islands Art Writing Residency. [Professional Activity]

Coutts, Marion. 2016. Little Atoms Special: Marion Coutts and Andrew Solomon. [Audio]

Coutts, Marion. 2015. 'Marion Coutts and Ali Smith: LSE Festival talk'. In: An Eye for Life: Marion Coutts and Ali Smith: LSE Literature Festival. LSE, United Kingdom 24 Feb 2015. [Conference or Workshop Item]

Coutts, Marion. 2015. 'Marion Coutts and Rosie Boycott, Hay Festival'. In: Marion Coutts in conversation with Rosie Boycott. Hay Festival, United Kingdom. [Conference or Workshop Item]

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Coutts, Marion. 2015. Marion Coutts: The Iceberg [podcast for 5x15]. [Audio]

Coutts, Marion. 2015. 'Medicine Unboxed 2015 MORTALITY - ICEBERG - Marion Coutts'. In: Medicine Unboxed: Mortality. Parabola Arts Centre, Cheltenham, United Kingdom 21-22 November 2015. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Modernism’s Chronic Conditions Temporality, Medicine, and Disorders of the Self'. In: Modernism’s Chronic Conditions Temporality, Medicine, and Disorders of the Self. University of Exeter, United Kingdom 17 April 2015. [Conference or Workshop Item]

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Coutts, Marion. 2005. Money. In: "Money", The Tabernacle Trust, Powis Square, 1/15/2005 - 2/26/2005. [Show/Exhibition]

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Coutts, Marion. 2003. Mountain. In: "Mountain", Kettles Yard, 9/27/2003 - 11/2/2003. [Show/Exhibition]

Coutts, Marion. 2015. My Summer with Proust. The Guardian online, [Article]

Coutts, Marion. 2016. NJIDEKA AKUNYILI CROSBY’S SCRAPBOOK. 1843 Magazine, [Article]

Coutts, Marion. 2001. No Evil Star. [Digital]

Coutts, Marion. 2016. PAINTING THE SPIRIT WORLD Hilma af Klint: first avant-garde painter? 1843 Magazine, [Article]

Coutts, Marion. 2016. Picasso's Emotional Weather. 1843 Magazine, [Article]

Coutts, Marion. 2009. Project Biennale. [Project]

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Coutts, Marion. 2008. Reading Columns. [Art Object]

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Coutts, Marion. 2019. 'Sculpture as Fieldwork'. In: Sculpture as Fieldwork. Henry Moore Lecture Theatre, Leeds Art Gallery, United Kingdom 6 July 2019. [Conference or Workshop Item]

Coutts, Marion. 2017. Sound: Stories of Hearing Lost and Found by Bella Bathurst – review The Observer. The Observer, [Article]

Coutts, Marion. 2020. The Spiritual Exercises. [Art Object]

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Coutts, Marion. 2020. StudioAudio. [Audio]

Coutts, Marion. 2017. TILLMANS STOPS YOU IN YOUR TRACKS. 1843 magazine, [Article]

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Coutts, Marion. 2008. Twenty Six Things. [Art Object]

Coutts, Marion. 2011-2012 Until Further Notice, I am Alive. [Project]

Coutts, Marion. 2017. WHEN THE EXHIBITION BECOMES THE ARTWORK. 1843 Magazine, [Article]

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Coutts, Marion. 2021. Where to Stand in the Wind. In: "Where to Stand in the Wind", Fermynwoods Contemporary Art, East Carlton Country Park, United Kingdom, 31 July – 3 October 2021. [Show/Exhibition]

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Coutts, Marion. 2018. Women Power Protest. In: "Women Power Protest", Birmingham Museum and Art Gallery, United Kingdom, 10 November 2018 - 31 March 2019. [Show/Exhibition]

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Coutts, Marion. 2017. Zine. [Exhibition Catalogue]

Coutts, Marion and Baker, Steve. 2003. The Human Zoo, Hatton Gallery, Newcastle: essay by Steve Baker. [Other]

Coutts, Marion and Fisher, Elizabeth. 2005. Marion Coutts, Kettle’s Yard. Kettles Yard Gallery. ISBN 1-904561-13-6 [Book]

Coutts, Marion and Furlong, William. 2003. Audio Arts: Volume 21 No 2. Audio Arts, [Article]

Coutts, Marion and Furlong, William. 2002. Marion Coutts interviewed at The Chisenhale Gallery about her work Cult. [Audio]

Coutts, Marion and Hopkins, David. 2000. essay by David Hopkins. Co-published by Morning Star with City Art Centre, polygon. Paperback with CD. In: Alex Finlay, ed. Without Day. Polygon An Imprint of Birlinn Limited; Pap/Com edition. ISBN 978-0748662777 [Book Section]

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Coutts, Marion and Lubbock, Tom. 2011. Great Works: 50 Paintings Explored. Frances Lincoln, London. [Other]

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Coutts, Marion and Lubbock, Tom. 2012. Introduction. In: Marion Coutts, ed. Until Further Notice, I am Alive. London: Granta, pp. 1-9. ISBN 978-1-84708-531-3 [Book Section]

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Coutts, Marion; O'Reilly, Sally; Deary, Vincent; Wood, Katherine and Bode, Steven. 2003. Marion Coutts. Film & Video Umbrella. ISBN 978-1904270058 [Book]

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Cox, Christoph; Jaskey, Jenny and Malik, Suhail. 2015. 'Introduction'. In: C Cox; J Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College, pp. 15-31. ISBN 978-3-95679-126-0 [Book Section]

Craighead, Alison and Thomson, J.. 2007. BEACON at BFI Southbank. In: "BEACON at BFI Southbank", BFI Southbank, 6/22/2007 - 8/19/2007. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2006. Decorative Newsfeeds. In: "Decorative Newsfeeds", Neuberger Museum of Art, State University of New York, 2/12/2006 - 6/25/2006. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2007. Short Films about Flying. In: "Short Films about Flying", Laboral Museum, Gijon (Spain), 3/30/2007 - 6/30/2007. [Show/Exhibition]

Craighead, Alison and Thomson, J.. 2006. Unprepared Piano. In: "Unprepared Piano", Mejan Labs, Stockholm, 1/26/2006 - 3/5/2006. [Show/Exhibition]

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Craighead, Alison and Thomson, JON. 2011. Thomson & Craighead solo show at Watermael Station and Vénerie Stables Brussels. In: "Thomson & Craighead", Watermael Station & Vénerie Stables, Belgium, 26th of october 2011 to 18th of Decemeber 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2019. 24/7 A Wake-up Call for our Non Stop World. In: "24/7 A wakeup call in a nonstop world", Somerset House, London, United Kingdom, 31 October 2019- 23 February 2020. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. The Academy of Saturn. In: "The Academy of Saturn", Cooley Gallery Portland Oregon, United States, 2/2/18 - 26/4/18. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. The Academy of Saturn. In: "The Academy of Saturn", Cooley Gallery, Reed College, Portland, Oregon, United States, 2/2/18 - 26/4/18. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. Another advertiser's announcement. [Art Object]

Craighead, Alison and Thomson, Jon. 2018. Anytime Now. In: "Anytime Now", TENT, Rotterdam, Netherlands, 19.04.2018- 10.06.2018. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2016. Apocalypse/In words alas drown I (2016 - 2030). [Art Object] (Forthcoming)

Craighead, Alison and Thomson, Jon. 2015. Art in the age of asymmetrical warfare. In: "Art in the age of asymmetrical warfare", Witte de With, United Kingdom, 11/09/2015- 03/01/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2015. 'Artist Use of Open Data'. In: Open Data Institute Summit. BFI, Southbank, London, United Kingdom 03 Nov 2015. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2012. Belief. [Film/Video]

Craighead, Alison and Thomson, Jon. 2015. Big Bang Data. In: "Big Bang Data", Somerset House, United Kingdom, 03/12/2015 - 20/03/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2014. 'Building a temporary index'. In: Panning for Atomic Gold. University of Notre Dame London Global Gateway, United Kingdom 17 May 2014. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2014. 'Building a temporary index (part II)'. In: The Actinium Forum. OYOYO, Sapporo, Japan 27 July 2014. [Conference or Workshop Item]

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Craighead, Alison and Thomson, Jon. 2011. Cloud Sounds. In: "Cloud Sounds", Netherlands Media Art Institute, Amsterdam, Netherlands, 19th February - 29th April 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2017. Control Room. [Art Object]

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Craighead, Alison and Thomson, Jon. 2011. Current: an experiment in collecting digital art. In: "Current: an experiment in collecting digital art", Harris Museum, Preston, United Kingdom, 26 March – 4 June 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2015. Data as Culture 3: Data Anthropologies. In: "Data as Culture 3: Data Anthropologies", Open Data Institute, United Kingdom, 25/03/2015-20/06/2015. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Electronic Superhighway. In: "Electronic Superhighway", Whitechapel Gallery, United Kingdom, 29/01/2016 -05/05/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2011. Gateways, Art and Networked Culture, Tallinn. In: "Gateways", Kumu Art Museum Tallinn, Estonia, 1st of june 2011- sept 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2014. Hello World. [Art Object]

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Craighead, Alison and Thomson, Jon. 2019. Here Not Here. In: "Here Not Here", UCL Student Centre, United Kingdom, Feb 2019 - ongoing. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Humansbeingdigital. In: "Humansbeingdigital", The Lowry, Salford, United Kingdom, 17 November 2017 - 25 February 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. I Want I Want! Art and Technology. In: "I Want I Want! Art and Technology", Birmingham City Art Gallery,, United Kingdom, 01/04/2017 - 01/10/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. I was Raised on The Internet. In: "I Was Raised on the Internet", MCA Chicago, United States, june 23 -oct 14 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. IRIS Home Browse IRIS Publication Detail Glut: Images, Information and Excess. In: "Glut: Images, Information and Excess", Holden Gallery, Manchester, United Kingdom, 16/01/2017 -03/03/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2018. The Internet of Living Things. In: Omar Kholeif, ed. I Was Raised on the Internet. New York: Prestel Publishing. ISBN 9783791358024 [Book Section]

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Craighead, Alison and Thomson, Jon. 2011. LA BIENNALE DE MONTREAL 2011, Centre International d'Art Contemporain de Montreal, Canada.. In: "LA BIENNALE DE MONTREAL 2011", Centre International d'Art Contemporain de Montreal, Canada, 1-31 of May 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. A LIVE PORTRAIT OF TIM BERNERS-LEE (AN EARLY WARNING SYSTEM). In: "National Media Museum, Life Online Galleries", National Media Museum in Bradford, United Kingdom, MARCH 2012- MARCH 2013. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2019. Learning From Deep Time. In: "Learning From Deep Time", NIRAS, Kastelsedijk, Dessel, Belgium, 29 September 2019. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Life Time - Biological Clocks of the Universe. In: "Life Time - Biological Clocks of the Universe", MU, Eindhoven,, Netherlands, 1 December 2017 - 18 February 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2010. London Wall. In: "London Wall", Museum of London, United Kingdom, 28 May to 5 Sep 2010. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. London Wall N4 in 'Being Social', Furtherfield Gallery. In: "Being Social", FurtherField Gallery, McKenzie Pavillion, United Kingdom, Date: Saturday 25 February - Saturday 28 April 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Four: Disrupt / Disorder / Display. In: "Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Four: Disrupt / Disorder / Display", Carroll / Fletcher,, United Kingdom, 17/03/2017 -27/05/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Three: United We Stand. In: "Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Three: United We Stand", Carroll / Fletcher,, United Kingdom, 13/01/2017 -04/03/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2014. Maps DNA and Spam. In: "Maps DNA and Spam", Dundee Contemporary Art, United Kingdom, 18/01/2014-16/03/2014. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. Mirror Neurons. In: "Mirror Neurons", National Glass Centre, Sunderland, United Kingdom, 1st of march 2012 -20th of may 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Monsters of the Machine. In: "Monsters of the Machine", Laboral Centro de Arte y Creación Industrial, Spain, 18/11/2016 -31/08/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2008. The New Normal (Beacon). In: "The New Normal", Artist Space , NY, United States, april 25 2008 - ongoing currenty 2010. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. The New Observatory. In: "The New Observatory", FACT, Liverpool, UK, United Kingdom, 22/06/2017 -02/10/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Nuclear Material Culture. In: "IRIS Home Browse IRIS Publication Detail Nuclear Material Culture", Karst, Plymouth, United Kingdom, 27/04/2016 - 28/05/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Occulture: The Dark Arts. In: "Occulture: The Dark Arts", City Gallery Wellington, New Zealand, 12 August – 19 November 2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. October. In: "Brighton Photo Biennal", Brighton, United Kingdom, 6 October - 4 November 2012. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Party Booby Trap. In: "Party Booby Trap", Carroll / Fletcher,, United Kingdom, 12/04/2016- 25/05/2016. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2018. The Perfume Shop. In: "The Perfume Shop", The Ryder Projects, London, United Kingdom, 30 November 2018 - 2 February 2019. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Perpetual Uncertainty. In: "Perpetual Uncertainty", Bildmuseet, Umeå,, Sweden, 02/10/2016 - 16/04/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Real Time. In: "Real Time", Arts Santa Mònica, Spain, 01/01/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2009. 'Recent works (Lecture)'. In: Impakt. Filmtheater 't Hoogt, Utrecht, Netherlands 15 October 2009. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2017. Recruitment Gone Wrong. [Art Object]

Craighead, Alison and Thomson, Jon. 2015. Right Here Right Now. In: "Right Here Right Now", The Lowry, United Kingdom, 14/11/2015 -28/02/2016. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. Samsung Art Prize. [Professional Activity]

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Craighead, Alison and Thomson, Jon. 2011. Short Film about War at The Recontres Internationales. In: "The Recontres Internationales 2011", Paris, France, NOv 18th -26th 2011. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Slow Violence. In: "Slow Violence", University of Hertfordshire Arts, United Kingdom, 29 November 2017 - 20 January 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Stutterer. In: "Stutterer", The Sanger Institute, Wellcome Genome Campus, Cambridge, United Kingdom, 7 October 2016 -22 January 2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Tecnologies de la violència. In: "Tecnologies de la violència", Arts Santa Monica, Barcelona,, Spain, 18/10/2016-08/01/2017. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2016. Temporary index. [Art Object]

Craighead, Alison and Thomson, Jon. 2014. Thing World (International Triennial of New Media Art. In: "hing World (International Triennial of New Media Art)", National Art Museum of China, China, 11/06/2014 - 06/07/2014. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2017. Thomson & Craighead at Peacock Arts for Look Again Festival. In: "Thomson & Craighead at Peacock Arts for Look Again Festival", Peacock Arts, United Kingdom, 27/04/2017 - 27/05/2017. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2010. Thomson & Craighead, HICA (Highland Institute of Contemporary Art). In: "Thomson & Craighead", HICA, United Kingdom, 20 june - 25 july 2010. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2008. Thomson & Craighead, Moderna Museet, Stockholm. In: "Thomson & Craighead at Studion,", Moderna Museet in Stockholm,, Sweden, 2 - 30 October 2008. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2009. Timecode. In: "Timecode", Dundee Contemporary Arts, United Kingdom, 17 January 2009 - 8 March 2009. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2011. Tomorrow Never Dies. In: "Tomorrow Never Dies", Design Gallery BWA Wroclaw, Poland, sept 8th 2011. [Show/Exhibition]

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Craighead, Alison and Thomson, Jon. 2018. Trace Ingredients. In: "Trace Ingredients", Inverness Museum and Art Gallery, United Kingdom, 22 September -17 November 2018. [Show/Exhibition]

Craighead, Alison and Thomson, Jon. 2012. Vital Spark Award 2011-2012. [Professional Activity]

Craighead, Alison and Thomson, Jon. 2017. Wake me up when it's over. In: "Wake me up when it's over", Young Projects Gallery, West Hollywood, Los Angeles, USA, United States, 27/01/2017 -21/04/2017. [Show/Exhibition]

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Craighead, Alison; Thomson, Jon and Rushton, Steve. 2010. A Short Film About War. [Film/Video]

Crowe, Nick. 1999. The Citizens. [Project]

Crowe, Nick. 2002. Constantly Falling Rocks. In: , ed. Life is Good in Manchester. Trice Publications. [Book Section]

Crowe, Nick. 2008. Contemporary Glass. In: Blanche Craig, ed. Contemporary Glass. London: Black Dog Publishing. ISBN 978-1906155360 [Book Section]

Crowe, Nick. 2003. The Curator Awakes. [Project]

Crowe, Nick. 2015. Digital Art (World of Art). In: Christiane Paul, ed. Digital Art (World of Art). London: Thames & Hudson Ltd. ISBN 978-0500203675 [Book Section]

Crowe, Nick. 2006. The Dream of the Big Fat Pipe. In: , ed. The Artist Handbook. London: Thames and Hudson. [Book Section]

Crowe, Nick. 2003. Internet Art. In: Julian Stallabrass, ed. Internet Art : The Online Clash of Culture and Commerce. Tate Publishing; 1st Trade Paperback edition. ISBN 978-1854373458 [Book Section]

Crowe, Nick. 2006. Nick Crowe, Commemorative Glass. Manchester: Cornerhouse Publications. ISBN 978-0955047800 [Book]

Crowe, Nick. 2000. Parallel Lines. Manchester: Trice Publications. [Book]

Crowe, Nick. 2007. Pavel Büchler’s Loops. In: , ed. Pavel Büchler - Absentmindedwindowgazing Van Abbemuseum 2007. Veenman Publishers. ISBN 978-90-8690-080-0 [Book Section]

Crowe, Nick. 2006. The Reporters of the BBC Website. Berlin: The Green Box. ISBN 978-3908175131 [Book]

Crowe, Nick. 2010. Theorizing Digital Cultural Heritage (Media in Transition). In: Fiona Cameron and Sarah Kenderine, eds. Theorizing Digital Cultural Heritage. Cambridge, Mass: MIT Press. ISBN 978-0262514118 [Book Section]

Crowe, Nick. 2006. Unplanned Articulation. Convergence, 12(2), pp. 137-141. ISSN 1354-8565 [Article]

Crowe, Nick. 2009. We are the Real Time Experiment: 20 Years of FACT. In: Michael Stubbs and Karen Newman, eds. We are the Real Time Experiment. Liverpool University Press. ISBN 978-1846312298 [Book Section]

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Crowe, Nick and Ian, Rawlinson. 2012. Nick Crowe and Ian Rawlinson. In: "The Opera", Salt, Istanbul, Turkey, 18 September 2012 - 25 September 2012. [Show/Exhibition]

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Crowe, Nick and Ian, Rawlinson. 2012. The Opera. In: "The Opera", Plataforma Revolver, Lisbon, Portugal, 15 November 2012 - 31 December 2012. [Show/Exhibition]

Crowe, Nick and Kivland, Sharon. 2006. Their Dark Materials. Manchester: i3 Publications. ISBN 9780954205874 [Book]

Crowe, Nick and O'Reilly, Sally. 2007. Labyrinth: LEO. CSKX Publishing. ISBN 978-0955757501 [Book]

Crowe, Nick and Rawlinson, Ian. 2005. Artist Pages. In: Nick Crinson, ed. Urban Memory, History and Amnesia in the Modern City. London: Routledge. ISBN 978-0415334068 [Book Section]

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Crowe, Nick and Rawlinson, Ian. 2010. Black Hole Hums B Flat. In: "Black Hole Hums B Flat", Duke Street, London, United Kingdom, 11 October 2010 - 14 November 2010. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2012. Concentration in the Age of Distribution. ROUNDTABLE, 1(1), -. [Article]

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Crowe, Nick and Rawlinson, Ian. 2016. Courageous. [Film/Video]

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Crowe, Nick and Rawlinson, Ian. 2010. Dimensions in British Contemporary Art. In: "Dimensions in British Contemporary Art", Dehli, India, 2010 - 2011. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. The Fireworks. In: "The Fireworks", Gallery Kit / Isolation Room, St Louis, United States, 12 January 2011 - 10 February 2011. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. The Fireworks. In: "The Fireworks", Whitworth Art Gallery, Manchester, United Kingdom, 05 February 2011 - 05 June 2011. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. Flights of Fancy. In: "Flights of Fancy", Bablylon Kino, Berlin, Germany, June 2012 - September 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. The Four Horsemen. [Art Object]

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Crowe, Nick and Rawlinson, Ian. 2011. I'll Be Your Mirror. In: "I'll Be Your Mirror", St Louis, United States, 30 September 2011 - 15 April 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Involved, Socially. In: "Involved, Socially", Triple Base Gallery, SF, United States, 7 August 2009 - 9 September 2009. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. Kritische Masse. In: "Kritische Masse", Dresden, Germany, 20 October 2011 - 20 November 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2012. Libretto. [Project]

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Crowe, Nick and Rawlinson, Ian. 2011. Memory of Hope. In: "Memory of Hope", Liverpool, United Kingdom, 5 August 2011 - 3 September 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Mobile Research Station. In: "Mobile Research Station", Skultpuren Park, Berlin, Germany, June 2009. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. The Nail, The Colours, The Mast. In: "The Nail, The Colours, The Mast", Berlin, Germany, 27 April 2012 - 6 May 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2003. Nick Crowe and Ian Rawlinson. Manchester City Art Galleries. ISBN 978-0901673626 [Book]

Crowe, Nick and Rawlinson, Ian. 2007. Nick Crowe and Ian Rawlinson: At 25 Meters: At 25 Metres (FACT). Liverpool University Press. ISBN 978-1846311475 [Book]

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Crowe, Nick and Rawlinson, Ian. 2010. No Sign of Helicopters. In: "No Sign of Helicopters", Ceri Hand Gallery, Liverpool, United Kingdom, 16 September 2010 - 16 October 2010. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. The Northern Art Prize. In: "The Northern Art Prize", Leeds City Art Gallery, United Kingdom, 15 Novmeber 2009 - 20 February 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2010. Re-Make/Re-Model. In: "Re-Make/Re-Model", National Glass Centre, Sunderland, United Kingdom, 14 October 2010 - 27 February 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2010. Save Us (Group Show). In: "Save Us", Christchurch, Macclesfield, United Kingdom, 17 June 2010 - 1 July 2010. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Something out of Nothing. In: "Something out of Nothing", The Invisible Dog, Brooklyn, United States, 3 October 2010 - 31 October 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2017. Song for Armageddon. [Film/Video]

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Crowe, Nick and Rawlinson, Ian. 2015. Song for Coal. [Film/Video]

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Crowe, Nick and Rawlinson, Ian. 2011. Stolen Artifact. In: "Stolen Artifact", Kotti Shop, Berlin, Germany, 25 June 2011 - 9 July 2011. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2009. Stranger Things Art Happening. In: "Stranger Things Art Happening", Aspex Gallery, Portsmouth, United Kingdom, 27 June 2009 - 23 August 2009. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. Synthetic Real. In: "Synthetic Real", London, United Kingdom, 24th November 2011 to 14th January 2012.. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2012. Towards A Free Society. In: "Towards A Free Society", Institute of Jamais Vu, London, United Kingdom, 21 June 2012 - 8 July 2012. [Show/Exhibition]

Crowe, Nick and Rawlinson, Ian. 2010. The Ursynów Community Rope Ladder Workshop. In: "The Knot", UNDEFINED, 30 May - 30 November 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2010. The Ursynów Memorial Ski Lift. In: "The Knot", Warsaw, Poland, 30 May - 30 November 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2010. The Way We Do Art Now. In: "How We Do Art Now", Tanya Leighton Gallery, Berlin, Germany, 1 May 2010 - 5 June 2010. [Show/Exhibition]

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Crowe, Nick and Rawlinson, Ian. 2011. We Are Here to Help the People. In: "We Are Here to Help the People", Whitworth Art Gallery, Manchester, United Kingdom, 9 April 2011. [Performance]

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Cruz, Carla. 2015. Democracy: a (Non) Artistic Intervention?: Attempts to Perform Democracy through Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

Cruz, Juan. 2001. Application for Planning Permit: Proposal to Build a Metaphor. In: "Application for Planning Permit: Proposal to Build a Metaphor", The Melbourne Festival, 10/11/2001 - 11/3/2001. [Show/Exhibition]

Cruz, Juan. 2005. Juan Cruz is translating don Quijote (again). In: "Juan Cruz is translating don Quijote (again)", Peer, 9/16/2005 - 11/6/2005. [Show/Exhibition]

Cruz, Juan. 2001. Portrait of a Sculptor. In: "Portrait of a Sculptor", Matts Gallery, 7/1/2001 - 9/2/2001. [Show/Exhibition]

Cruz, Juan. 2001. Squatters. In: "Squatters", Fundao de Serralves and Witte de With, 6/26/2001 - 9/23/2001. [Show/Exhibition]

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Curiger, Bice and Marchand, Julia. 2016. Yes, These Eyes Are the Windows at the Fondation Vincent van Gogh Arles. In: "Yes, These Eyes Are the Windows at the Fondation Vincent van Gogh Arles february - september 2016", Arles, France, february 2016- september 2016. [Show/Exhibition]

Damiani, Giulia. 2022. Porous Places, Eruptive Bodies: The Feminist Group Le Nemesiache in 1970s and 1980s Naples. Doctoral thesis, Goldsmiths, University of London [Thesis]

Danino, Nina. 2014. Apparitions (2013). [Film/Video]

Danino, Nina. 2010. 'Attending to the Other: Critical Theory and Spiritual Practice'. In: Attending to the Other: Critical Theory and Spiritual Practice. Faculty of Theology, St. Catherine's College, Oxford University, Oxford, United Kingdom 23rd-26th September 2010. [Conference or Workshop Item]

Danino, Nina. 2016. Close up on Nina Danino. In: "Close up on Nina Danino", Close Up cinema, 6 December 2016. [Show/Exhibition]

Danino, Nina. 2010. Communion (2010) 35mm, black and white, silent, 10 mins. [Film/Video]

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Danino, Nina. 2012. Communion (2010) in Comraigh/Sanctuary, Contemporary Visual Art Programme, Mount Stuart, 2012. In: "Contemporary Art Programme", Mount Stuart, Isle of Bute, United Kingdom, 23 June-31 October 2012. [Show/Exhibition]

Danino, Nina. 2016. Communion (2010) in That Which Remains, Mount Stuart Visual Arts Programme. In: "That Which Remains", Mount Stuart, United Kingdom, 13 August -30 October 2016. [Show/Exhibition]

Danino, Nina. 2017. Experimental Film - Feminist and Catholic Readings of my films 2010-2016. Doctoral thesis, University of Westminster [Thesis]

Danino, Nina. 2006. Film, the Body and the Fold. In: J. Hatfield and S. Littman, eds. Experimental Film and Video: An Anthology. John Libbey, pp. 93-101. ISBN 9780861966646 [Book Section]

Danino, Nina. 2019. Filming Women’s Work as Prayer in the Monastery in Jennifer and Sorelle Povere. In: Jane Boyer, ed. Theorem 2018: Doctoral research in the visual arts and design. Cambridge, UK: Ruskin Arts Publications, Anglia Ruskin University, pp. 221-243. ISBN 978-1-912319-00-8 [Book Section]

Danino, Nina. 2012. Films de Nina Danino. In: "Films de Nina Danino", Centro de Arte Contemporaneo, Malaga, Spain, 2 December 2012. [Show/Exhibition]

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Danino, Nina. 1980. First Memory (1980-1981). [Project]

Danino, Nina. 2016. First Memory (1981) Anthology Film Archives, New York. In: "FROM REEL TO REAL: WOMEN, FEMINISM, AND THE LONDON FROM REEL TO REAL: FILM-MAKERS’ CO-OPERATIVE/COLLAPSING THE FRAME/", Anthology Film Archives, United States, 24 October 2016. [Show/Exhibition]

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Danino, Nina. 2010. For the Sake of the Image. In: "For the Sake of the Image", Jerwood Visual Arts, London, United Kingdom, 8 March 2010. [Show/Exhibition]

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Danino, Nina. 2010. From Floor to Sky - British Sculpture and the Studio Experience. In: "From Floor to Sky - British Sculpture and the Studio Experience", Ambika, P3, London, United Kingdom, 5 March-4 April 2010. [Show/Exhibition]

Danino, Nina. 2010. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. In: Peter Kardia; Malcolm Le Grice and Hester Westley, eds. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. London: A&C Black, pp. 58-62. ISBN 9781408114995 [Book Section]

Danino, Nina. 2016. From Reel to Real: Women, Feminism and the Local Film Makers' Co-Operative. In: "From Reel to Real: Women, Feminism and the Local Film Makers' Co-Operative", Tate Modern, United Kingdom, 23-25 September 2016. [Show/Exhibition]

Danino, Nina. 2010. Geography of Proximity. In: "Geography of Proximity", Valletta, Malta, 14 October-15 November 2010. [Show/Exhibition]

Danino, Nina. 2012. Gibraltar-Genoa (2012). [Audio]

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Danino, Nina. 2019. I Die of Sadness Crying For You. [Film/Video]

Danino, Nina. 2016. Jennifer + Q&A with Director. In: "Jennifer + Q&A with Director", Exeter Phoenix, Exeter, 14 December 2016. [Show/Exhibition]

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Danino, Nina. 2015. Jennifer (2015). [Film/Video]

Danino, Nina. 2016. Jennifer (2015) + Sorelle Povere di Santa Chiara (2016) in Alchemy Film and Moving Image Festival, Scottish Borders, 16 April 2016. In: "Alchemy Film and Moving Image Festival", Hawick, United Kingdom, 16 April 2016. [Show/Exhibition]

Danino, Nina. 2017. Jennifer (2015) DVD. Temporal Films. [Other]

Danino, Nina. 2017. Jennifer (2015) Screening + Q&A. In: "CTL: Jennifer + Q&A (N/C 12+)", Glasgow Film Theatre, 30 April 2017. [Show/Exhibition]

Danino, Nina. 2016. Jennifer (2015), Cambridge Film Festival. In: "Jennifer, Strand: Microcinema, Cambridge Film Festival", Cambridge, United Kingdom, 23 October 2016. [Show/Exhibition]

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Danino, Nina. 2012. The Land seen from the Sea. In: ""The Land seen from the Sea"", Genoa, Italy, 2 February -4 May 2012. [Show/Exhibition]

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Danino, Nina. 2010. Little Constellation - a vision of contemporary art in geo-cultural micro areas and small European States. In: "Little Constellation - a vision of contemporary art in geo-cultural areas and small European States", Fabbrica del Vapore, Milan, Italy, 8 March -8 April 2010. [Show/Exhibition]

Danino, Nina. 2012. 'Little Constellation - Workshop Gibraltar'. In: Little Constellation- Workshop Gibraltar. Gibraltar, Gibraltar 7-11 December 2012. [Conference or Workshop Item]

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Danino, Nina. 2010. Little Constellation: Contemporary Art in Geo-cultural Micro-areas and small States of Europe. In: Rita Canarezza and Pier Paolo Coro, eds. LIttle Constellation: Contemporary Art in geo-cultural micro-areas and small States of Europe. Milan, Italy: Mousse Publishing, pp. 82-86. ISBN 9788896501078 [Book Section]

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Danino, Nina. 2023. MARIA. [Film/Video]

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Danino, Nina. 2011. Maya Deren in Context: British Women Filmmakers. In: "Maya Deren in Context: British Women's Filmmaking", BFI Southbank, London, United Kingdom, 9 October 2011. [Show/Exhibition]

Danino, Nina. 2013. Meteorologies (2013) Artists' Book. [Artist's Book]

Danino, Nina. 2013. Meteorologies (2013) Audio. [Audio]

Danino, Nina. 2013. Meteorologies (2013) in Subjective Maps/Disappearances, National Gallery of Iceland (2013). In: "Meteorologies in Subjective Maps/Disappearances,", National Museum of Modern Art, Reykjavík,, Iceland, 17 May - 30 June 2013. [Show/Exhibition]

Danino, Nina. 2013. Nina Danino "...and the figures in the Alameda gardens" solo exhibition. In: ""...and the figures in the Alameda gardens"", The Garrison Library, Gibraltar, 12 November- 4 December 2013. [Show/Exhibition]

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Danino, Nina. 2009. Podcast Interview. [Broadcast]

Danino, Nina. 2020. 'Religion&Art'. In: Religion&Art. Online, United Kingdom 2020-2024 on going. [Conference or Workshop Item]

Danino, Nina. 2015. Roundtable discussion: The Women of the London Filmmaker’s Co-op. Moving Image Review & Art Journal (MIRAJ), 4(1-2), pp. 164-179. ISSN 2045-6298 [Article]

Danino, Nina. 2018. Rupture/Rapture/Jouissance : The Religious Trilogy 1990-1997. LUX DVD with essays by Adrian Rifkin, Louise Gray and Nina Danino. LUX, London. [Other]

Danino, Nina. 1980. Slide–tape: Key Work in the UK since the 1960s. In: "Slide-tape: Key work in the UK since l980s.", Vivid , Birmingham, United Kingdom, 4 October- 30 November 2012. [Show/Exhibition]

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Danino, Nina. 2023. Solitude. [Film/Video]

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Danino, Nina. 2015-2018 Sorelle Povere Di Santa Chiara. [Project]

Danino, Nina. 2015. Sorelle Povere di Santa Chiara (2015) multimedia installation ( video 40 mins, publication of interviews, 6-channel audio installation 13 mins). [Film/Video]

Danino, Nina. 2016. Sorelle Povere di Santa Chiara (2016) 16mm. [Film/Video]

Danino, Nina. 2015. Sorelle Povere di Santa Chiara, multi-media installation 2015 in The Voices of the Sirens , GEMA, Montagu Bastion, Gibraltar. In: "Listen to the Sirens", Gibraltar, Gibraltar, 23 June - 23 August 2015. [Show/Exhibition]

Danino, Nina. 2016. Stabat Mater + Jennifer + Q&A. In: "Stabat Mater + Jennifer + Q&A", ICA, London, United Kingdom, 13 November 2016. [Show/Exhibition]

Danino, Nina. 2007. Stabat Mater - A Nameless Place, Film the Feminine and the Sacred. In: G. Pollock and V. Turvey-Sauron, eds. The Sacred and the Feminine - Imagination and Sexual Difference. I.B.Tauris, p. 288. ISBN 9781845115203 [Book Section]

Danino, Nina. 2008. Subversive Film Festival 2008: Hommage 1968. In: "Subversive Film Festival 2008: Hommage 1968", Zagreb, Croatia, 18 - 24 May 2008. [Show/Exhibition]

Danino, Nina. 2015. Temenos (1997), Cinema Off, Off, Ghent. In: "Nina Danino Temenos GB/FR, 1998, 75', colour & b&w, digital", Cinema Off Off, Belgium, 25 November 2015. [Show/Exhibition]

Danino, Nina. 2008. Temenos (1998), Tatton Park Biennal 2008. In: "Tatton Park Biennal 2008", Tatton Park, United Kingdom, 3 May - 28 Sep 2008. [Show/Exhibition]

Danino, Nina. 2012. Terrace (2012) 1 minute Loop. [Film/Video]

Danino, Nina and Boulton, Jack. 2011. Communion. Stimulus Respond, 2011(Summer), pp. 83-92. [Article]

Danino, Nina; Canezza, Rita; Coro, Pier Paolo; Mangion, Mark and Racanovic, Svetlana. 2012. 'Little Constellation - Gibraltar Workshop'. In: Little Constellation - Workshop Gibraltar. Gibraltar 7-12th December. [Conference or Workshop Item]

Danino, Nina; Coro, Pier Paolo and Canarezza, Rita. 2012. Little Constellation - small States on un-certain stereotypes. Mousse Publsiher, Milan Italy. [Other]

Danino, Nina; De Witt, H.; Gray, L. and Plate, S.. 2005. Visionary Landscapes - The Films of Nina Danino. London: Black Dog Publishing, pp. 1-144. ISBN 1904772072 [Book]

Danino, Nina and Garavaggio, Giovanni. 2011. L'Ospite et L'Instruso. In: "L’Ospite et L'Instruso", Studio Ermanno Cristini, Varese, Italy, 9-30 April 2011. [Show/Exhibition]

Danino, Nina; Joseph-Lester, Jasper; Petresin, Vesna; Laurent, Robert; Crone, Bridget and Zoller, Maxa. 2012. Abstract Image in Future Film and Video Art. Moving Image Review & Art Journal (MIRAJ), 1(2), pp. 79-88. ISSN 2045-6298 [Article]

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Danino, Nina and Maziere, M.. 2002. The Undercut Reader - Critical Writings on Artists' Film and Video, 2002. London: Wallflower Press. ISBN 1903364477 [Book]

Danino, Nina and Maziere, Michael. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal (MIRAJ), 3(2), pp. 236-247. ISSN 2045-6298 [Article]

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Danino, Nina and Syder, Larry. 2010. 'For the Sake of the Image'. In: For the Sake of the Image. Jerwood Visual Arts, London., United Kingdom 8 March 2010. [Conference or Workshop Item]

Danino, Nina and White, Mary. 2012. “Nina Danino: Capturing an aura – the human presence on film”. Cassone - The International Online Journal for Art and Books., [Article]

David, Karen. 2020. The Collector's Room. In: "The Collector's Room", JGM Gallery, London, United Kingdom, 20 March - 14 June 2020. [Show/Exhibition]

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David, Karen. 2020. The Collector's Room. [Exhibition Catalogue]

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Davis, Paul. 2014. Art in Here. In: "The International Teletext Art Festival 2014", Rundfunk Berlin-Brandenburg, Berlin, Germany, 14 August - 14 September 2014. [Show/Exhibition]

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Davis, Paul. 2016. BEIGE Records Visual Archive. In: "Can You Hear Me? Music Labels by Visual Artists", Printed Matter, United States, 19 May - 19 June. [Show/Exhibition]

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Davis, Paul. 2014. Bring Your Own Bobby Brown. In: "AFTER/HOURS/DROP/BOX", Modern Art Oxford, United Kingdom, 2014. [Show/Exhibition]

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Davis, Paul. 2015. Calypso Fugitive. [Audio]

Davis, Paul. 2007. Good Riddance. In: "Good Riddance", MOT International, London, 2/3/2007 - 3/10/2007. [Show/Exhibition]

Davis, Paul. 2007. Intentional Computing. In: "Intentional Computing", Seventeen Gallery, 5/30/2007 - 6/23/2007. [Show/Exhibition]

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Davis, Paul. 2020. Mr One Hundred. In: "Mr One Hundred", Various, United States, 2014 - 2020. [Performance]

Davis, Paul and Arcangel, Cory. 2004. The 2004 Whitney Biennial. In: "The 2004 Whitney Biennial", Whitney Museum of Modern Art, 3/11/2004 - 5/30/2004. [Show/Exhibition]

Davis, Paul and Davidson, E.. 2006. Satellite of Love. In: "Satellite of Love", Witte de With Centre, 1/26/2006 - 3/26/2006. [Show/Exhibition]

Day, P.. 2006. Ibon Aranberri. The Logic of Stories. Afterall, 14, pp. 29-36. ISSN 1846380332 [Article]

Day, P.. 2002. Nostalgia. In: "Nostalgia", Art in General, 9/24/2002 - 2/1/2003. [Show/Exhibition]

Day, P.. 2005. Sin teoría revolucionaria no hay revolucíon: Estrategias política del arte contemporáneo en México [Without Revolutionary Theory There is no Revolution: Political Strategies in Contemporary Art in Mexico]. In: 'Issa Ma Benítez Dueñas, ed. Cronicas del paraiso: Arte contemporaneo y sistema del arte en Mexico. Ephemera Books, pp. 78-89. [Book Section]

Day, P.. 2002. Zero and Zero to the power of one. In: "Zero and Zero to the power of one", Art and Idea, 10/4/2002 - 11/1/2002. [Show/Exhibition]

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De Buck, Isolde and Murdoch, Sadie. 2021. Rhapsody in Blue. In: "Rhapsody in Blue", Villa Les Zéphyrs, Westende, Belgium, 30 October 2021- 18 April 2022. [Show/Exhibition]

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De Ville, Nicholas. 2003. Album: Style and Image in Sleeve Design. Mitchell Beazley. ISBN 1840006056 [Book]

De Ville, Nicholas. 2002. Les Écoles d'art Britannique [British Art Schools and the Influence of Art Education]. In: , ed. Blast to Freeze L'art Britannique au XXe Siècle [Blast to Freeze: British Art in the 20th Century]. Hatje Cantz, pp. 106-111. ISBN 3775712488 [Book Section]

De Ville, Nicholas. 2001. Malcolm Morley� - Life After Death? Modern Painters, 14(3), pp. 54-58. ISSN 09536698 [Article]

De Ville, Nicholas. 2006. On Falling Down: Writing a Catalogue Essay for Graham Dolphin, Even. In: No named Editor, ed. Thirty Three and a Third. Seventeen, pp. 1-4. ISBN 0955437504 [Book Section]

Dean, Mark. 2010. The Beginning of the End. In: "The Beginning of the End", Beaconsfield, London, United Kingdom, Nov 2010 - 27 Feb 2011. [Show/Exhibition]

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Dean, Mark. 2010. Christian Disco (Terminator). [Film/Video]

Dean, Mark. 2004. Disco Maquette. In: "Disco Maquette", Sketch, 7/23/2004 - 9/11/2004. [Show/Exhibition]

Dean, Mark. 2010. Experimental Religion. [Experiment]

Dean, Mark. 2002. Game On. In: "Game On", Barbican Art Gallery, 5/16/2002 - 9/15/2002. [Show/Exhibition]

Dean, Mark. 2009. Paul Hamlyn Foundation Award for Artists (2009). [Professional Activity]

Dean, Mark. 2002. The Return of Jackie & Judy (+ Joey). In: "The Return of Jackie & Judy (+ Joey)", Laurent Delaye Gallery, 2/1/2002 - 3/28/2002. [Show/Exhibition]

Dean, Mark. 2005. (Version) for Lightsilver. In: "(Version) for Lightsilver", Beaconsfield, 2/23/2005 - 5/8/2005. [Show/Exhibition]

Dean, Mark; Dean, Tacita; Sierra, Santiago and Wallinger, Mark. 2009. The Enigma of Arrival. In: "The Enigma of Arrival, Leeds Art Gallery, 2009", Leeds Art Gallery, United Kingdom. [Show/Exhibition]

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Desclaux, Vanessa. 2016. Curators: more or less subjects :Spectatorship, passivity and fabulation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Doussan, Jenny. 2018. Respondent - On Agamben and gesture. [Professional Activity]

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Drake, Colin and Mabb, David. 2008. Commodity Form. [Exhibition Catalogue]

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Dyangani Ose, Elvira; Bashar, Shumon; Liber, Cédric and Roelstraete, Dieter. 2015. RECTO VERSO. In: "RECTO VERSO", Fondazione Prada Milan, Italy, 3 December 2015 – 14 February 2016. [Show/Exhibition]

Dyer, Sonya. 2021. Art Night. In: "Art Night", Somerset House, London, United Kingdom, 13 July 2021. [Show/Exhibition]

Dyer, Sonya. 2015. 'At the Intersections'. In: At the Intersections. Nottingham Contemporary, United Kingdom 10 June 2015. [Conference or Workshop Item]

Dyer, Sonya. 2017. 'Bluecoat 300: Charity, Philanthropy and the Black Atlantic'. In: Bluecoat 300: Charity, Philanthropy and the Black Atlantic. International Slavery Museum, Liverpool, United Kingdom 24 - 25 November 2017. [Conference or Workshop Item]

Dyer, Sonya. 2016. Cindi Mayweather’s Revolutionary Pursuit of Joy. SFRA Review(318), pp. 31-33. ISSN 1068-395X [Article]

Dyer, Sonya. 2018. Claudette Johnson (Review). Frieze(193), p. 181. ISSN 0962-0672 [Article]

Dyer, Sonya. 2017. The Claudia Jones Space Station. In: "The Claudia Jones Space Station", BALTIC Centre for Contemporary Arts & The New Bridge Project, Gateshead, United Kingdom, 16 - 19 November 2017. [Show/Exhibition]

Dyer, Sonya. 2017. Claudia Rankine’s The White Card: Life-affirming Response to ‘Black Death Spectacle’. a-n online, [Article]

Dyer, Sonya. 2021. Cover Image, Foundation: The International Review of Science Fiction, Vol 50.2, Number 139 (Decolonising Science Fiction). Science Fiction Foundation. [Other]

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Dyer, Sonya. 2018. Decolonizing Appearance. In: "Decolonizing Appearance", CAMP / Center for Art on Migration Politics, Copenhagen, Denmark, 21 September 2018 - 30 March 2019. [Show/Exhibition]

Dyer, Sonya. 2022. Directions: Forward. In: "Directions: Forward", KARST, Plymouth, United Kingdom, 14 January – 12 February 2022. [Show/Exhibition]

Dyer, Sonya. 2018. 'Jamboree 2018'. In: Jamboree 2018. Dartington Hall, Totnes, United Kingdom 28 June - 1 July 2018. [Conference or Workshop Item]

Dyer, Sonya. 2022. The London Open 2022. In: "The London Open 2022", Whitechapel Gallery, London, United Kingdom, 30 June - 4 September 2022. [Show/Exhibition]

Dyer, Sonya. 2018. The Many Masks of Michael Jackson: What Does Iconography of the King of Pop Mean in 2018? Frieze, ISSN 0962-0672 [Article]

Dyer, Sonya. 2018. Or, Dark Fecundity. In: "Or, Dark Fecundity", Center for Afrofuturist Studies, Iowa City, United States, 10 November 2018. [Show/Exhibition]

Dyer, Sonya. 2020. 'Past / Future as a form of resistance'. In: Past / Future as a form of resistance. RCA Critical Practice, United Kingdom 27 July 2020. [Conference or Workshop Item]

Dyer, Sonya. 2011. Paul Robeson Research Station. In: "Paul Robeson Research Station", Site Gallery, Sheffield, United Kingdom, 2 - 19 February 2011. [Show/Exhibition]

Dyer, Sonya. 2021. 'RELAY'. In: RELAY. Venice Architecture Biennale, Italy 16 - 17 July 2021. [Conference or Workshop Item]

Dyer, Sonya. 2024. The Ready Room. In: "The Ready Room", Primary, Nottingham, United Kingdom, 26 January - 30 March 2024. [Show/Exhibition] (Forthcoming)

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Dyer, Sonya. 2019. Rewriting the Future. In: "Rewriting the Future", Site Gallery, Sheffield, United Kingdom, 27 September 2019 - 2 February 2020. [Show/Exhibition]

Dyer, Sonya. 2017. Soul of a Nation: Art in the Age of Black Power (Review). Contemporary &, [Article]

Dyer, Sonya. 2021. Temporary Compositions. In: "Temporary Compositions", Gallery 31, Somerset House, London, United Kingdom, 12 November 2021 - 20 March 2022. [Show/Exhibition]

Dyer, Sonya. 2020. The Think Tank: Institution as Performance. In: Laura Cull Ó Maoilearca and Alice Lagaay, eds. The Routledge Companion to Performance Philosophy. Abingdon: Routledge, pp. 272-279. ISBN 9781138495623 [Book Section]

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Dyer, Sonya. 2020. Thirteen Ways Of Looking. In: "Thirteen Ways Of Looking", Herbert Art Gallery & Museum, Coventry, United Kingdom, 2 October - 13 December 2020. [Show/Exhibition]

Dyer, Sonya. 2023. Three Parent Child. In: "Three Parent Child", River Rooms, Somerset House, United Kingdom, 2023. [Show/Exhibition] (Forthcoming)

Dyer, Sonya. 2021. Towards Dark Fecundity - Reimagining Black futures through visual arts practice, science fiction and Greek mythology. Doctoral thesis, Middlesex University [Thesis]

Dyer, Sonya. 2017. Westworld (Review). SFRA Review(319), pp. 25-26. ISSN 1068-395X [Article]

Dyer, Sonya. 2022. Whitstable Biennial. In: "Whitstable Biennial", Horsebridge Arts Centre, Whitstable, United Kingdom, 11 - 19 June 2022. [Show/Exhibition]

Dyer, Sonya and Grubbe, Jeffrey. 2022 Kings X Somerset House Studios, Collaborative Research Fund. [Project]

Dyer, Sonya and Imhof, Barbara. 2022. 'Building Beyond: Space Architecture, Engineering and Design'. In: Building Beyond: Space Architecture, Engineering and Design. Bartlett School of Architecture, UCL, United Kingdom 9 March 2022. [Conference or Workshop Item]

Dyer, Sonya and Imhof, Barbara. 2018. 'Constructing Realities'. In: Constructing Realities. Bartlett School of Architecture, UCL, United Kingdom 18 October 2018. [Conference or Workshop Item]

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Eisa, Ali. May 2016 – June 2017 Canvas(s). [Project]

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Eisa, Ali. 2020. Rights, Visibility and Disability in Cultural Spaces. Discover Society, [Article]

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Eves, Natasha. 2024. Performing Reparative Craft: Oreet Ashery’s Passing through Metal. TEXTILE: Cloth and Culture, 22(3), pp. 571-585. ISSN 1475-9756 [Article]

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Faramawy, Adham. 2022. Daughters of the River. In: "Queer Earth and Liquid Matters", Serpentine Gallery, United Kingdom, 16 - 17 July 2022. [Performance]

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Faramawy, Adham. 2022. Encounters over Several Plants; All Bodies Radiate Light. In: "Encounters over Several Plants; All Bodies Radiate Light", Tate Modern, United Kingdom, 28 October 2022. [Show/Exhibition]

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Faramawy, Adham. 2022. 'Encounters over Several Plants; On Behalf of Seeds'. In: Encounters over Several Plants; On Behalf of Seeds. Tate Modern, United Kingdom 29 October 2022. [Conference or Workshop Item]

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Faramawy, Adham. 2022. I don’t know you like that; The Bodywork of Hospitality. In: "I don’t know you like that; The bodywork of hospitality", Anderson Gallery, University of Buffalo, United States, 10 November 2022 - 12 May 2023. [Show/Exhibition]

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Faramawy, Adham. 2022. A Proposal for a Parakeet’s Garden / Testament. [Film/Video]

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Faramawy, Adham. 2022. Queer Ecoologies. The Courtauld Institute of Art, London. [Other]

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Faramawy, Adham. 2022. The air is subtle, various and sweet (screening). In: "The air is subtle, various, and sweet", Solomon R. Guggenheim Museum, United States, 3 November 2022. [Show/Exhibition]

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Faramawy, Adham. 2021. The air is subtle, various, and sweet (solo exhibition). In: "The air is subtle, various, and sweet", Niru Ratnam Gallery, United Kingdom, 2 September - 2 October 2021. [Show/Exhibition]

Ferguson, Nicholas. 2015. Indifference. Art, Liberalism and the Politics of Place. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Fisher, Jennifer and Reckitt, Helena. 2016. Introduction: Affect and Relationality. Journal of Curatorial Studies, 5(1), pp. 3-4. ISSN 2045-5836 [Article]

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Fisher, Jennifer and Reckitt, Helena. 2015. Introduction: Museums and Affect. Journal of Curatorial Studies, 4(3), pp. 361-362. ISSN 2045-5836 [Article]

Fisher, Sam. 2004. The Five Corners of Painting. In: "The Five Corners of Painting", Artconnexion, 2/5/2004 - 2/28/2004. [Show/Exhibition]

Fisher, Sam. 2001. Gymnasium. In: "Gymnasium", Bregenzer Kunstverein, 7/14/2001 - 9/2/2001. [Show/Exhibition]

Fisher, Sam. 2005. Incorrigible Sentimental. In: "Incorrigible Sentimental", Kerlin Gallery, 7/8/2005 - 8/6/2005. [Show/Exhibition]

Fisher, Sam. 2003. 'Virtual Reality and its effect on the Artist'. In: Art, Design and Virtual Reality Symposium. University of Marmara 6/15/2003. [Conference or Workshop Item]

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Francis, Mary Anne. 2000. The artist as a multifarious agent: an artist's theory of the origin of meaning. Doctoral thesis, Goldsmiths, University of London [Thesis]

Frearson, Annabel. 2015. Cash, not Rocks! The transformation of cultural value. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Freee, Freee; Whiles, Annie; David, Jo; House, Rachel; Kenning, Dean; Cobb, Nicholas; Robbins, Freddie; Cloth, Jay; Wayman, Mark; Kwan, Gayle Chong; Bishop, Mark (J. M.); Harrison, Ellie and Socialist Choir, Strawberry thieves. 2009. The Peckham Experiment. In: "The Peckham Experiment", Camberwell Space, Camberwell College of Art, United Kingdom, 28th September-7th November 2009. [Show/Exhibition]

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Frost, Lola Audrey. 2007. Negativity in Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Fry, Katharine. 2020. House Arrest. Doctoral thesis, Goldsmiths, University of London [Thesis]

Fusco, Maria. 2009. 'Accelerated History: Is Time Enough? Duration, Location and Accelerated Histories'. In: Motel Out Of The Blue An international symposium on Instant Urbanism, Hospitality and Accelerated History. Het Blauwe Huis, 3 - 9 Aug 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art + Writing Panel Discussion'. In: Art + Writing Panel Discussion. Spike Island, Bristol, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art Publishing in the Contemporary world'. In: Art Publishing in the Contemporary world. NCAD, Dublin, Ireland. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Arts Writing Symposia Day 1: Who is this who is coming?'. In: Arts Writing Symposia. Whitechapel Galler, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 27 March 2010 COSEY COMPLEX. [Project]

Fusco, Maria. 2008. 'Derrida, Doom Knots and the Blank Page'. In: The Aesthetics of Trash: Objects and Obsolescence in Cultural Perspective. University College Dublin, Ireland 4 - 6 Sep 2008. [Conference or Workshop Item]

Fusco, Maria. 2012. Donald. Edinburgh: Collective Gallery. ISBN TBC [Book]

Fusco, Maria. 2009. Don’t say yes – say maybe: fiction writing and art writing. In: , ed. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge: Cambridge Scholars Publishing, pp. 28-37. ISBN 978 1 4438 0532 2 [Book Section]

Fusco, Maria. 2006. The Dream that Kicks; Transdisciplinary Practice in Action. The Artists Information Company. ISBN 090773071X [Book]

Fusco, Maria. 2008. 'Fictionalising Practice and Politics'. In: Art Writing Beyond Criticism. ICA, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2012. Gonda. [Film/Video]

Fusco, Maria, ed. 2008. The Happy Hypocrite #1, The Happy Hypocrite, 1. 1755 473X [Edited Journal]

Fusco, Maria, ed. 2008. The Happy Hypocrite #2, The Happy Hypocrite, 2. 1755 473X [Edited Journal]

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Fusco, Maria, ed. 2009. The Happy Hypocrite #3, The Happy Hypocrite, 3. 1755 473X [Edited Journal]

Fusco, Maria. 2009. 'Jeff Koons: Popeye Series'. In: Jeff Koons: Popeye Series. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Judgment and Contemporary Art Criticism: Forum'. In: Judgment and Contemporary Art Criticism. Emily Carr University of Art + Design, Vancouver, Canada 27 - 28 Feb 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Material: Sprache [Language as Material] symposium'. In: Material: Sprache. Kunstuniversitaet Linz, Austria. [Conference or Workshop Item]

Fusco, Maria. 2008. The Mechanical Copula. In: Mark Beasley, ed. Hey Hey Glossolalia. New York: Creative Time. ISBN 9781928570073 [Book Section]

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Fusco, Maria. 2010. The Mechanical Copula. Berlin/New York: Sternberg Press. ISBN 978 1 934105 19 1 [Book]

Fusco, Maria. 2001. Professional is environmental. Amateurism is anti-environmental: Some networks of association in visual arts publishing. In: No Named Editor, ed. Unbound: Art Publishing in Scotland. Fruitmarket Gallery, pp. 34-43. ISBN 0947912045 [Book Section]

Fusco, Maria. 2008. SPUME. [Digital]

Fusco, Maria. 2010. Say who I am. In: , ed. Judgment and Contemporary Art Criticism. Vancouver, Canada: Fillip and Artspeak. [Book Section]

Fusco, Maria. 2009. 'Three Uses of the Knife: International workshop on art writing and criticism'. In: Three Uses of the Knife. International workshop on art writing and criticism. Contemporary Art Centre, Vilnius, Lithuania. [Conference or Workshop Item]

Fusco, Maria. 18-19 June 2009 Who is this who is coming? Arts Writing Symposium. [Project]

Fusco, Maria. 2007. Window Strikes. In: K. Henry, ed. Copy Work. Contemporary Art Gallery, pp. 79-92. ISBN 9781897302163 [Book Section]

Fusco, Maria. 2008. ‘The World in your Head’, ‘The World in your Hand’ and ‘The World Tomorrow’. In: R. Klanten and M. Huebner, eds. Fully Booked: Cover Art and Design for Books. Berlin: Gestalten. ISBN 978-3-89955-209-6 [Book Section]

Fusco, Maria. 2008. 'Writing Encounters'. In: WRITING ENCOUNTERS: CURATING THE ENCOUNTER BETWEEN WRITING AND PERFORMANCE. St John University, York, United Kingdom 11 - 13 Sep 2008. [Conference or Workshop Item]

Fusco, Maria. 2009. The incunabulum and the plastic bag. In: , ed. A Manual for the 21st Century Art Institution. Köln and London: Koenig Books and Whitechapel Gallery. ISBN 978 3865606 181 [Book Section]

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Fusco, Maria and Hunt, Ian, eds. 2004. Put About: A Critical Anthology on Independent Publishing. Book Works. ISBN 187069970X [Edited Book]

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Gallardo, Francisco and Samson, Audrey. 2017. Shrimping under working conditions. In: Helen Pritchard; Eric Snodgrass and Magda Tyżlik-Carver, eds. EXECUTING PRACTICES. (06) Brooklyn, NY: Autonomedia, pp. 253-266. ISBN 9781570273216 [Book Section]

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Ganani-Tomares, Dafna. 2005. Jaffa Bollywood part 2. [Film/Video]

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Ganani-Tomares, Dafna. 2007. Mimesis: Judith Butler, Visual Practice, Tragic Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gapsevicius, Mindaugas. 2016. An Artistic Perspective on Distributed Computer Networks. Creativity in Human-Machine Systems. Other thesis, Goldsmiths, University of London [Thesis]

Garfield, Rachel. 2001. Ali G: Just Who Does He Think He Is. Third Text, 2(54), pp. 63-70. ISSN 09528822 [Article]

Garfield, Rachel. 2011. Avinash Chandra. London: Lund Humphries/Delhi Art Gallery. [Book]

Garfield, Rachel. 2010. For Some Time Now. In: "For Some Time Now", Oranim, Israel, 24 May - 30 June 2010. [Show/Exhibition]

Garfield, Rachel. 2009. A Particular Incoherence: The films of Vivienne Dick. In: Treasa O'Brian, ed. Between Truth and Fiction, The Films of Vivienne Dick. Ireland/UK: Crawford Art Centre and the Lux, London, pp. 39-48. ISBN 0-9548569-8-8 [Book Section]

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Garfield, Rachel. 2011. 'Picturing the 'People of the Book''. In: Picturing the 'People of the Book'. Austin, Texas, United States. [Conference or Workshop Item]

Garfield, Rachel. 2007. Radical Uncertainty and Elegaic Practices. In: No Named Editor, ed. AfterShock. Sainsbury's Centre for the Visual Arts, pp. 87-89. ISBN 9781094600963 [Book Section]

Garfield, Rachel. 2006. Towards a Re-Articulation of Cultural Identity. Third Text, 20(1), pp. 99-108. ISSN 09528822 [Article]

Garfield, Rachel. 2005. You'd Think So Wouldn't You?. In: "You'd Think So Wouldn't You?", University of Hertfordshire Galleries Focal Point Gallery Artsdepot, 9/28/2005 - 5/10/2006. [Show/Exhibition]

Garfield, Rachel. 2008. Zineb Sedira - Biography. New Media Encyclopedia, [Article]

Garfield, Rachel and Wainwright, Leon. 2011. 'Putting the Cosmopolitan to Work: Experimental Film and Video'. In: Cosmopolitan Practice Symposium. MMU, Manchester, United Kingdom. [Conference or Workshop Item]

Garfield, Rachel; Wechsler, James; Betancour, Michael; Craven, David; Harrison, Helen; Kuspit, Donald and Power, Susan. 2008. ‘Questioning Perceptions of Jewish Identity in the work of Ary Stillman’,. In: James Wechsler, ed. Ary Stillman: from Impressionism to Abstract Expressionism. New York: Merrel, pp. 149-163. ISBN ISBN 9781858944333 [Book Section]

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Gaschke, Jenny; Gould, Sarah; Perry, Gill; Ventrella, Francesco; Lamm, Kimberly; Davidow, Jackson; Harbison, Isobel; Coomasaru, Edwin; Alexander Cameron, James; Hart, Imogen; Fowler, Corinne and Massouras, Alexander. 2021. British Art after Brexit. British Art Studies(20), ISSN 2058-5462 [Article]

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Gee, Nicholas. 2012. Trouble in the garden: exploring the ambivalence of public space and private property. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gent, Carl. 2023. The Balls of Alban. In: "They Take It Seriously I Find It Interesting", Badischer Kunstverein, Karlsruhe, Germany. [Performance]

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Gent, Carl. 2023. Fifeldore / Monster-Gate. In: "'Feature'", Cafe Oto, London, United Kingdom, 17 September 2023. [Performance]

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Gent, Carl. 2023. A whistling woman, a crowing hen. In: "A whistling woman, a crowing hen", Deptford X, Lewisham Art House, Deptford, London, United Kingdom, 22 September - 1 October 2023. [Show/Exhibition]

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Gent, Carl and Stupart, Linda. 2024. 'echo / ecco'. In: London Conference in Critical Thought 2024. University of Greenwich, United Kingdom 28 - 29 June 2024. [Conference or Workshop Item]

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German, L. 2024. Falling Tide. [Art Object]

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German, L. 2018. Gentle Bodies. In: "Gentle Bodies", APT Gallery, United Kingdom, 6 May 2018. [Performance]

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German, L. 2022. I must go down to the seas again, to the lonely sea and the sky. [Art Object]

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German, L. 2018. 'Secondary Annual Conference for Art, Craft and Design'. In: Hampshire Secondary Annual Conference for Art, Craft and Design. Southampton City Art Gallery, United Kingdom 19 November 2018. [Conference or Workshop Item]

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German, L. 2017. So the teardrops of my weeping. In: "So the teardrops of my weeping", Red Gallery X New Shoreditch Theatre, United Kingdom, 8 November 2017. [Performance]

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German, L. 2019. Was it for this the clay grew tall?. In: "Was it for this the clay grew tall?", Platform Southwark, United Kingdom, 7 February 2019. [Performance]

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German, L. 2024. The resonant vessel: Grief through clay, voice and the body. In: "Loose Ends", Thames-Side Studios Gallery, 23 February 2024. [Performance]

German, L; Brothers, A and Sochan, S. 2019. Matter(ing). In: "Matter(ing)", Platform Southwark, United Kingdom, 8-24 February 2019. [Show/Exhibition]

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German, L; Brothers, Abigail; Clague, Joshua; Dung Clerget, Hoa; Gileva, Elena; Porter, Laura; Proudfoot, Paloma; Simpson, Alex; Stevenson, Holly and Toma, Melania. 2024. Loose Ends, Group exhibition at Thames-Side Studios Gallery. In: "Loose Ends", Thames-Side Studios Gallery, United Kingdom, 24 February – 10 March 2024. [Show/Exhibition]

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German, L; Hartley, A and Sochan, S. 2020. Losing Touch. In: "Losing Touch", Gerald Moore Gallery, United Kingdom, 14 November 2020 - 30 January 2021. [Show/Exhibition]

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German, L; Hartley, A and Sochan, S. 2021. We Lifted the Earth. In: "We lifted the earth", Gerald Moore Gallery, United Kingdom, 8 October - 11 December 2021. [Show/Exhibition]

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German, L; Librizzi, P; Narby, W and Steel, A. 2017. Dilbings. In: "Dilbings", 48 Poland Street, United Kingdom, 18-20 October 2017. [Show/Exhibition]

German, L and Wilson, H. 2017. S I N K. In: "S I N K", Safehouse 1, Maverick Projects, United Kingdom, 13-16 July 2017. [Show/Exhibition]

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Gluckman, Eliza and Day, Lucy. 2010. The Jolly (Good) Show: Light and shade in contemporary art practice.. In: "The (Jolly) Good show", Collyer Bristow Gallery, London., United Kingdom, 22 September - 1 December 2010. [Show/Exhibition]

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Gongora, Romeo. 2022. Awaken Dreams. Decolonising Participatory Art through Communal Friendship. Doctoral thesis, Goldsmiths, University of London [Thesis]

Gonzalez Suero, Anna. 2022. In a Quick Sketch of a Fetus. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gonçalves, João Miguel Correia. 2010. 'Making problems'. In: CLTAD 5th International Conference. Berlin, Germany 12-13 April 2010. [Conference or Workshop Item]

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Gordon, Melissa. 2016. Derivative Value. In: "derivative value", Overbook Gesellschaft, Germany. [Show/Exhibition]

Gordon, Melissa. 2010. Double Perspective. [Art Object]

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Gordon, Melissa. 2016. Fallible Space. In: "Fallible Space", The Bluecoat, United Kingdom, 23 January - 13 March 2016. [Performance]

Gordon, Melissa. 2017. Female Genius Nightclub. In: "Female Genius Nightclub", Wiels Centre for Contemporary Art, Belgium. [Performance]

Gordon, Melissa. 2018. Joke Gestures (Make a Mess, Clean it Up). Journal of Contemporary Painting, 4(2), pp. 239-247. ISSN 2052-6695 [Article]

Gordon, Melissa. 2013. Material Evidence. In: "Material Evidence", Spike Island, Bristol, United Kingdom, 6 July to 1 September 2013. [Show/Exhibition]

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Gordon, Melissa. 2018. The Mechanics of Fluids. In: "The Mechanics of Fluids", Marianne Bosky Gallery, United States, 21 June - 3 August 2018. [Show/Exhibition]

Gordon, Melissa. 2017. 'On Gesture'. In: On Gesture. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Gordon, Melissa. 2016. Painting Behind Itself. [Artist's Book]

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Gordon, Melissa. 2016. Routine Pleasures. In: "Routine Pleasures", Vleeshal, Netherlands, April - June 2016. [Show/Exhibition]

Gourvil, Olivier. 2009. La Peinture est Presque Abstrait. In: "La Peinture est Presque Abstrait", Transpalette Emmetrop, France, 2009 - 2010. [Show/Exhibition]

Gourvil, Olivier and Geoffroy, Gross. 2009. Instants et Glissements - Dessins de 20 Artisites Contemporains. In: "Instants et Glissements - Dessins de 20 Artistes Contemporains", La Box Ecole Nationale Superieure d'Art de Bourges., France, 5 - 21 November 2009. [Show/Exhibition]

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Graham, Ellard and Johnstone, Stephen. 2015. Anthony McCall: Notebooks and Conversations. Farnham: Lund Humphries. ISBN 9781848221697 [Book]

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Graham, Janna; Graziano, Valeria and Kelly, Susan. 2016. The Educational Turn in Art : Rewriting the hidden curriculum. Performance Research, 21(6), pp. 29-35. ISSN 1352-8165 [Article]

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

Grant, Catherine. 2011. Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. In: Catherine Grant and Lori Waxman, eds. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect Press, pp. 161-186. ISBN 9781841503486 [Book Section]

Grant, Catherine. 2010. Bellmer’s Legs: adolescent pornography and uncanny eroticism in the photographs of Hans Bellmer and Anna Gaskell. Papers of Surrealism, 8, pp. 1-20. [Article]

Grant, Catherine. 2019. Consciousness-Raising and Beyond. [Exhibition Catalogue]

Grant, Catherine. 2014. Des femmes et leurs education. [Exhibition Catalogue]

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Grant, Catherine. 2006. Different Girls: performances of adolescence in contemporary photographic portraits. Doctoral thesis, Courtauld Institute of Art, London [Thesis]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

Grant, Catherine. 2021. Experiments in Art Writing. [Audio]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

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Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

Grant, Catherine. 2019. The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. In: Allyson Mitchell and Cait McKinney, eds. Killjoy's Kastle. Canada: University of British Columbia Press and The Art Gallery of York University Press. ISBN 9780774861571 [Book Section]

Grant, Catherine. 2014. Hidden in Plain Sight: Lisa Castagner’s Hidden Self-Portraits. Source, [Article]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

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Grant, Catherine. 2021. Introduction to "Why Have There Been No Great Women Artists?". In: Linda Nochlin, ed. Why Have There Been No Great Women Artists? London: Thames & Hudson. ISBN 9780500023846 [Book Section]

Grant, Catherine. 2017. Learning and Playing: Re- enacting Feminist Histories. In: Victoria Horne and Lara Perry, eds. Feminism and Art History Now: Radical Critiques of Theory and Practice. London: Bloomsbury. ISBN 9781784533250 [Book Section]

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Grant, Catherine. 2019. A Letter Sent, Waiting to be Received: Queer Correspondence, Feminism and Black British Art. Women: A Cultural Review, 30(3), pp. 297-318. ISSN 0957-4042 [Article]

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2019. More than a schoolgirl crush: Amy Adler and the adolescent fan. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 100-120. ISBN 9781912685134 [Book Section]

Grant, Catherine. 2010. The Performance Space of the Photograph: From the Anti-Photographers to the Directorial Mode. rebus, 5, pp. 1-29. [Article]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

Grant, Catherine. 2009. Reaching for the Moon: replaying feminist art and activism. [Exhibition Catalogue]

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Grant, Catherine. 2022. Responding to Women and Creativity. [Printed Ephemera]

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Grant, Catherine. 2019. Returning to Riddles. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury Academic. ISBN 9781784537005 [Book Section]

Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Grant, Catherine. 2011. ‘A narrative of what wishes what it wishes it to be’: An Introduction to ‘Creative Writing and Art History’. Art History, 34(2), pp. 230-243. ISSN 01416790 [Article]

Grant, Catherine and Burbridge, Ben. 2013. Network Society and the Spectacle: Photography and Exhibitionism. [Digital]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Grant, Catherine and Random Love, Kate. 2019. Fandom as Methodology: Introduction. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 1-20. ISBN 9781912685134 [Book Section]

Gray, Ros. 2005. '‘Algumas experimentações emergentes nas telas em Moçambique’'. In: Encontros – Maputo 2005, Festival of Documentary Films at the Centro Cultural Franco. Moçambicano, Maputo, Mozambique 27 September–4 October 2005. [Conference or Workshop Item]

Gray, Ros. 2010. An Archive of Aspirations. Jornal do Atelier Real, pp. 11-12. [Article]

Gray, Ros. 2024. The Art of Planetary Rewilding. In: Anthony Downey, ed. Nida Sinnokrot: Palestine Is Not a Garden. Berlin: Sternberg Press. ISBN 9783956796302 [Book Section] (In Press)

Gray, Ros. 2003. Chinese Whispers: Variations on Textile. Textile The Journal of Cloth and Culture, 1(2), pp. 158-173. ISSN 14759756 [Article]

Gray, Ros. 2020. Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968-1991. Martlesham: Boydell & Brewer. ISBN 9781847012371 [Book]

Gray, Ros. 2017. Clear Lines of an Internationalist Map: Foreign Filmmakers in Angola at Independence [English translation]. In: Maria do Piçarra and Teresa Castro, eds. (Re)Imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire. Oxford: Peter Lang. ISBN 9781787076396 [Book Section]

Gray, Ros. 2016. Decolonisation. In: Sangeeta Ray and Harry Schwarz, eds. The Encyclopedia of Postcolonial Studies. Wiley-Blackwell. ISBN 978-1-4443-3498-2 [Book Section]

Gray, Ros. 2010. Dreaming of Islands. In: , ed. Renée Green: Endless Dreams and Time-Based Streams. San Francisco, CA: Yerba Buena Center for the Arts. [Book Section]

Gray, Ros. 2022. Everyone on deck! In: Edward Chell, ed. Transports of Delight. ISBN 9781739186104 [Book Section]

Gray, Ros. 2009. ‘Front of House’. Textile The Journal of Cloth and Culture, 7(2), ISSN 14759756 [Article]

Gray, Ros. 2012. Haven’t you heard of internationalism?: The Socialist friendships of Mozambican cinema. In: Lars Lyngsgaard and Fjord Kristensen, eds. Postcommunist Film - Russia, Eastern Europe and World Culture: moving images of postcommunism. Abingdon: Routledge, pp. 53-74. ISBN 9780415671644 [Book Section]

Gray, Ros. 2010. 'Henrique Neves and Clément Darrasse’s ‘Made in.''. In: Henrique Neves and Clément Darrasse’s ‘Made in.'. British Council, Lisbon, Portugal. [Conference or Workshop Item]

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Gray, Ros. 2014. A Lingering Lusotopia: Thinking the Planetary from Angola. Art Margins, 3(1), pp. 3-27. ISSN 2162-2574 [Article]

Gray, Ros. 2015. Linhas Claras num Mapa Internacionalista: Cineastas Estrangeiros em Angola durante a Independência. In: Maria do Carmo Piçarra and Jorge Antonio, eds. Angola - O Nascimento de Uma Nação: O Cinema da Independência. 3 Lisbon: Guerra & Paz. [Book Section]

Gray, Ros. 2002. Lost and Found: A Modicum of Dignity. The Journal of Visual Culture, 1(1), pp. 131-134. ISSN 14704129 [Article]

Gray, Ros. 2012. 'The Militant Image - A Ciné Geography lecture'. In: Cinematic Migrations lecture series, MIT programme in Art, Culture and Technology. MIT, United States. [Conference or Workshop Item]

Gray, Ros. 2003. '‘Momentary Stability’'. In: Warp:Woof – Aurality, Musicality, Textuality, Congress CATH 2003. University of Leeds, United Kingdom 10 – 12 July 2003. [Conference or Workshop Item]

Gray, Ros. 2014. 'O Anticolonialsimo da Imagen Militante in the Próximo Futuro series Novos Poderes'. In: A arte do comum e a produção da cultura: O Anticolonialismo da Imagem Militante à Guerra das Escritas. Gulbenkian Foundation, Portugal. [Conference or Workshop Item]

Gray, Ros. 2023. Reclaiming the Commons: Re-enchanting the Commons. In: Alona Pardo, ed. RE/SISTERS: A Lens on Gender and Ecology. Munich/London: Prestel Verlag in association with Barbican Art Gallery, pp. 249-280. ISBN 9783791379722 [Book Section]

Gray, Ros. 2014. 'The Socialist Friendships of Mozambican Cinema'. In: Red Africa. Calvert 22, United Kingdom. [Conference or Workshop Item]

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Gray, Ros. 2021. Strangling the Parrot. In: , ed. Felon Herb. London: Kelder Press, pp. 21-36. ISBN 9781838199012 [Book Section]

Gray, Ros. 2007. 'Third Cinema: Filming the Revolution in Mozambique'. In: Curating the Postcolonial, conference organised by the Royal College of Art. Goethe Institute, London, United Kingdom. [Conference or Workshop Item]

Gray, Ros. 2016. Você já ouviu falar de internacionalismo? As amizades socialistas do cinema moçambicano [translation]. In: Lucia Monteiro, ed. África(s): Cinema e revolução: As Independências de Angola, Guiné-Bissau e Moçambique em filmes de luta e memória (catálogo de mostra de cinema, realizada no cinema Caixa Belas Artes, São Paulo, de 10 a 23 de novembro de 2016). São Paulo: Caixa Belas Artes. [Book Section]

Gray, Ros. 2021. Vous n'avez jamais entendu parler d'internationalisme?: Les amitiés socialistes du cinéma mozambicain [translation]. In: Maria-Benedita Basto; Françoise Blum; Pierre Guidi; Héloïse Kiriakou; Martin Mourre; Céline Pauthier; Ophélie Rillon; Alexis Roy and Elena Vezzadini, eds. Socialismes africains / Socialismes en Afrique. Paris: Les Éditions de la Maison des sciences de l'homme. ISBN 9782735126989 [Book Section]

Eshun, Kodwo and Gray, Ros, eds. 2011. The Militant Image: A Ciné-Geography, Third Text, 25(1). 0952-8822 [Edited Journal]

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Gray, Ros and Sheikh, Shela. 2018. Editor's Introduction: The Wretched Earth: Botanical Conflicts and Artistic Interventions. Third Text, 32(2-3), pp. 163-175. ISSN 0952-8822 [Article]

Gray, Ros and Sheikh, Shela. 2021. The coloniality of planting: legacies of racism and slavery in the practice of botany. The Architectural Review(1478), ISSN 0003-861X [Article]

Greenhill, Joanna and Walsh, Bernard. 1999. 'Snake in the Grass/Raising Dirt: a conference paper'. In: Disciplines, Fields and Change in Art Practice. UCE, Birmingham, United Kingdom. [Conference or Workshop Item]

Greenhill, Joanne and Walsh, Bernard. 1999. The Snake in the Grass / Raising Dirt. In: Jacquie Swift and John Swift, eds. Disciplines, Fields and Change in Art Education. 1 ARTicle Press. ISBN 1-873352-92-1 [Book Section]

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Gronemeyer, Wiebke. 2015. The Curatorial Complex: Social Dimensions of Knowledge Production. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Gunaratnam, Yasmin and Eisa, Ali. 2024. Foreign bodies: a conversation between Yasmin Gunaratnam and Ali Eisa. Mortality, 29(1), pp. 207-221. ISSN 1357-6275 [Article]

Gupta, Sunil; Lewis, Gail and Williams Gamaker, Michelle. 2019. Bearing Witness. In: Nick Aikens and Elizabeth Robles, eds. The Place Is Here: The Work of Black Artists in 1980s Britain. Berlin: Sternberg Press, pp. 281-291. ISBN 9783956794667 [Book Section]

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Gupta, Sunil; Singh, Radikal; Nasar, Hammad; Alam, Shahidul; Pinney, Christopher; Gadihoke, Sabeena and Kapur, Geeta. 2010. Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh. London, UK: Whitechapel Gallery, Fotomuseum Winterthur, Steidl. ISBN 978-0-85488-179-6 [Book]

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Hahn, Catherine Neville. 2016. The Political House of Art: The South African National Gallery 1930-2009. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hammond, Chris. 2010. 2010. London, United Kingdom January 14th - December 18th 2010. [Show/Exhibition]

Hammond, Chris. 2006. The Alpine Fantasy of Victor B. In: Jeremy Akerman and Eileen Daly, eds. The Alpine Fantasy of Victor B and Other Stories. Serpent's Tail, pp. 165-178. ISBN 978-1852429263 [Book Section]

Hammond, Chris. 2015. Bail Bond [Curatorial Project]. In: "Bail Bond", Mot International London, United Kingdom, 7 July – 26 September 2015. [Show/Exhibition]

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Hammond, Chris. 29 May 2019 - Chris Hammond Gallery. [Project]

Hammond, Chris. 2007. Collaborative Networks. In: Michael Stanley, ed. Person to Person, People to People. Milton Keynes Gallery, pp. 7-9. ISBN 9780955344077 [Book Section]

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Hammond, Chris. 2015. The Funnies [Curatorial Project]. In: "The Funnies", Mot International Brussels, Belgium, 20 November 2015 – 30 January 2016. [Show/Exhibition]

Hammond, Chris. 2004. I am the Wrath of God. In: "I am the Wrath of God", MOT, 8/27/2004 - 10/1/2004. [Show/Exhibition]

Hammond, Chris. Ongoing since 2002 MOT International. [Project]

Hammond, Chris. 2006. Not Quite Ten Years Without Martin Kippenberger. In: "Not Quite Ten Years Without Martin Kippenberger", MOT, 4/1/2006 - 5/6/2006. [Show/Exhibition]

Hammond, Chris. 2007. Propaganda Machine. In: "Propaganda Machine", The Serpentine Gallery, 6/30/2007 - 7/1/2007. [Show/Exhibition]

Hammond, Chris. 2007. Stephen Willats Catalogue, MKG 2007. [Exhibition Catalogue]

Hammond, Chris. 2017. 'The Whitworth Tuesday Talk: Chris Hammond'. In: The Whitworth Tuesday Talk: Chris Hammond. The Whitworth, The University of Manchester, United Kingdom 10 January 2017. [Conference or Workshop Item]

Hammond, Chris. 2009. A Work A Day. In: "A Work A Day", MOT International, United Kingdom, 27 June - 24 July 2009. [Show/Exhibition]

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Hammond, Chris; Barry, Hannah; Hooks, Hannah; Morgan, Elinor and Woolcott, Tyler. 2015. 'Talk: Doing it for yourself – Independent and Artist-led spaces - Media Channel - Zabludowicz Collection'. In: Doing it for yourself – Independent and Artist-led spaces. Zabludowicz Collection, United Kingdom 29 March 2015. [Conference or Workshop Item]

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Hammond, Chris and Beveridge, Gabriele. 2015. Gabriele Beveridge: Mainland [Curatorial Project]. In: "Gabriele Beveridge: Mainland", Mot International Brussels, Belgium, September 11th - October 31st 2015. [Show/Exhibition]

Hammond, Chris and Bodart, Pauline. 2014. ATLAS. In: "ATLAS", Mot International Brussels, Belgium, 13 November – 20 December 2014. [Show/Exhibition]

Hammond, Chris and Bodart, Pauline. 2015. I want to be. Inside Out.. In: "I want to be. Inside Out.", Mot International Brussels, Belgium, 14 March – 11 April 2015. [Show/Exhibition]

Hammond, Chris; Combusyan, Haro; Lissoni, Andrea; Gibson, Beatrice; cook, Ben and Manubens, Anna. 2014. 'Roundtable—Brussels Acquiring film and video: How/What do we own?'. In: Acquiring film and video: How/What do we own?. Art Brussels, Belgium 25 April 2014. [Conference or Workshop Item]

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Hammond, Chris and Danke, Raphael. 2014. Raphael Danke En Belgique. In: "Raphael Danke En Belgique", Mot International Brussels, Belgium, 28 February – 5 April 2014. [Show/Exhibition]

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Hammond, Chris and Dimitrijević, Braco. 2014. Braco Dimitrijević Early London Years. In: "Braco Dimitrijević Early London Years", Mot International London, United Kingdom, 7 February – 22 March 2014. [Show/Exhibition]

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Hammond, Chris and Ding, Liu. 2015. Liu Ding New Man. In: "Liu Ding New Man", Mot International London, United Kingdom, 10 April – 27 June 2015. [Show/Exhibition]

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Hammond, Chris and Hiller, Susan. 2016. Susan Hiller: Aspects of the Self 1972-1985 [Curatorial Project]. In: "Susan Hiller: Aspects of the Self 1972-1985", Mot International Brussels, Belgium, 12 February – 26 March 2016. [Show/Exhibition]

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Hammond, Chris and Lainé, Emmanuelle. 2015. Emmanuelle Lainé [Curatorial Project]. In: "Emmanuelle Lainé", Mot International Brussels, Belgium, 21 November 2015 – 30 January 2016. [Show/Exhibition]

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Hammond, Chris; Lee, Jiyoon and Lee, Seung-Taek. 2014. Seung-Taek Lee. In: "Seung-Taek Lee", Mot International London, United Kingdom, 12 July – 23 August 2014. [Show/Exhibition]

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Hammond, Chris; Lydiate, Henry and Gluzberg, Margarita. 2015. 'The Commercial Dimensions of a Fine Art Practice'. In: The Commercial Dimensions of a Fine Art Practice. RCA, United Kingdom 20th May 2015. [Conference or Workshop Item]

Hammond, Chris; Obrist, Hans Ulrich; Wood, Catherine; Chetwynd, Marvin Gaye and Lydiate, Henry. 2015. 'Contemporary Art Society’s Annual Conference: On Collecting Performance Art'. In: Contemporary Art Society’s Annual Conference: On Collecting Performance Art. Institute of Contemporary Arts, London, United Kingdom 13 February 2015. [Conference or Workshop Item]

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Hammond, Chris and Oppenheim, Dennis. 2014. Dennis Oppenheim: Whirlpool (Eye of the Storm), 1973 [Curatorial Project]. In: "Dennis Oppenheim Whirlpool (Eye of the Storm), 1973", Art Basel, Switzerland, 19-22 June 2014. [Show/Exhibition]

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Hammond, Chris; Oppenheim, Dennis and Oppenheim, Amy. 2014. Dennis Oppenheim. In: "Dennis Oppenheim", Mot International London, United Kingdom, 2 April – 17 May 2014. [Show/Exhibition]

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Hammond, Chris and Palmer, Katrina. 2014. Katrina Palmer Reality Flickers. In: "Katrina Palmer Reality Flickers", Mot International, United Kingdom. [Show/Exhibition]

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Hammond, Chris and Palmer, Katrina. 2019. Katrina Palmer - End Matter. In: "Katrina Palmer - End Matter", Chris Hammond Gallery, United Kingdom, 29 May 2019 - 29 May 2020. [Show/Exhibition]

Hammond, Chris and Pan, Lara. 2014. The First and Last Freedom. In: "The First and Last Freedom", Mot International London, United Kingdom, 9 September – 5 October 2014. [Show/Exhibition]

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Hammond, Chris; Pearlman, Nina; Rouleau, Martine; Pistella, Jenny; Large, Kelly; Charlesworth, JJ; Buck, Louisa; Maheshwari, Maitreyi and Ogg, Kirsty. 2015. 'Collecting the Emerging Symposium'. In: Collecting the Emerging Symposium -Definitions: What does ‘emerging’ mean in relation to artists’ careers and practices?. University College London, United Kingdom 22 - 23 May 2015. [Conference or Workshop Item]

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Hammond, Chris and Price, Elizabeth. 2015. Art Basel Unlimited Elizabeth Price K, 2015 [Curatorial Project]. In: "Art Basel Unlimited Elizabeth Price K, 2015", Art Basel, Switzerland, 18-21 June 2015. [Show/Exhibition]

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Hammond, Chris and Price, Elizabeth. 2014. Elizabeth Price Sleep. In: "Elizabeth Price Sleep", Mot International Brussels, Belgium, 13 September – 31 October 2014. [Show/Exhibition]

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Hammond, Chris and Prouvost, Laure. 2014. Art Basel Unlimited Laure Prouvost Wantee [Curatorial Project]. In: "Art Basel Unlimited Laure Prouvost Wantee", Art Basel, Switzerland, 19-22 June 2014. [Show/Exhibition]

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Hammond, Chris and Prouvost, Laure. 2014. Laure Prouvost The Meeting. In: "Laure Prouvost The Meeting", Mot International Brussels, Belgium, 6 June – 2 August 2014. [Show/Exhibition]

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Hammond, Chris and Rees, Dan. 2015. Dan Rees: Think Local, Act Global [Curatorial Project]. In: "Dan Rees Think Local, Act Global", Mot International Brussels, Belgium, September 10th - November 7th 2015. [Show/Exhibition]

Hammond, Chris and Reid, Clunie. 2009. Clunie Reid. In: "Clunie Reid", MOT International, United Kingdom, 10 October - 14 November 2009. [Show/Exhibition]

Hammond, Chris and Reid, Clunie. 2015. Clunie Reid: Bodies Turn To Ash [Curatorial Project]. In: "Clunie Reid Bodies Turn To Ash", Mot International Brussels, Belgium, 24 Apr 2015 – 30 May 2015. [Show/Exhibition]

Hammond, Chris and Roithmayr, Florian. 2015. Florian Roithmayr SERVICE. In: "Florian Roithmayr SERVICE", Mot International Brussels, Belgium, 17 January 2015 – 7 March 2015. [Show/Exhibition]

Hammond, Chris and Russell, John. 2014. John Russell AQUARIUM PROLETARIUM. In: "John Russell AQUARIUM PROLETARIUM", Mot International London, United Kingdom, 12 December 2014 – 31 January 2015. [Show/Exhibition]

Hammond, Chris and Safavi, Vanessa. 2015. Vanessa Safavi: Airbags (Curatorial Project]. In: "Vanessa Safavi Airbags", Mot International Brussels, Belgium, 4 June – 31 July 2015. [Show/Exhibition]

Hammond, Chris and Senatore, Marinella. 2014. Marinella Senatore FACING CIRCLES. The word community feels good. In: "Marinella Senatore FACING CIRCLES. The word community feels good", Mot International London, United Kingdom, 14 October – 29 November 2014. [Show/Exhibition]

Hammond, Chris and Sighicelli, Elisa. 2014. Elisa Sighicelli. In: "Elisa Sighicelli", Mot International London, United Kingdom, 23 May – 28 June 2014. [Show/Exhibition]

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Hammond, Chris and Toren, Amikam. 2014. Amikam Toren Neither A Teapot Nor A Painting. In: "Amikam Toren Neither A Teapot Nor A Painting", Mot International Brussels, Belgium, 11th January – 22nd February 2014. [Show/Exhibition]

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Hammond, Chris and Toren, Amikam. 2020. Amikam Toren - Floor. In: "Amikam Toren - Floor", Chris Hammond Gallery, United Kingdom, 29 June 2020 - ongoing. [Show/Exhibition]

Hammond, Chris; ULAY, Ulay and Jones, Amelia. 2015. Ulay Retouching Bruises. [Artist's Book]

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Hammond, Chris and Ulay, Ulay. 2015. Ulay: Retouching Bruises (1975) [Curatorial Project]. In: "Ulay: Retouching Bruises (1975)", Art Basel, Switzerland, Jun 18th – 21st 2015. [Show/Exhibition]

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Hammond, Chris and Ulay, [Frank Uwe Laysiepen]. 2016. Ulay: Come On. In: "Ulay: Come On", MOT International Brussels, Belgium, 13 May – 16 July 2016, PV 12 May. [Show/Exhibition]

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Hammond, Chris and Willats, Stephen. 2014. Stephen Willats Concrete Block, drawings and works on paper 1978-2005. In: "Stephen Willats Concrete Block, drawings and works on paper 1978-2005", Mot International Brussels, Belgium, 11 April – 24 May 2014. [Show/Exhibition]

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Hammond, Chris; Woods, Orlagh and Bousted, Donald. 2014. Gallery Films - MOTInternational: Commercial Galleries. [Broadcast]

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Hammond, Chris and Yalter, Nil. 2015. Nil Yalter. In: "Nil Yalter", Mot International London, United Kingdom, 6 February – 28 March 2015. [Show/Exhibition]

Hand, Janet. 2007. Art - Write. Journal of Writing in Creative Practice, 1(1), pp. 47-52. ISSN 17535190 [Article]

Hand, Janet. 2002. Follow me. In: John Gange, ed. Monograph: Tim Brennan. Information as Material, pp. 5-79. ISBN 0953676544 [Book Section]

Hand, Janet. 2001. Intimate Gestures: Proximity as a Deformation of Genre. In: K. Honnef, ed. Melanie Manchot - Love is a Stranger. Prestel Verlag, pp. 24-27. ISBN 9783791325323 [Book Section]

Hand, Janet. 2005. Sophie Calle's art of following and seduction. Cultural Geographies, 12(4), pp. 463-485. ISSN 14744740 [Article]

Hansen, Rikke. 2007. Endpoints, Turning Points. In: , ed. Vendepunkter. Byggeriets Hus, pp. 2-5. ISBN 879915611 [Book Section]

Hansen, Rikke and Wilbert, Chris. 2005. 'Setting the Crime Scene: Aspects of performance in Jack the Ripper guided tourist walks'. In: International Conference for Tourism Studies and Cultural Change: Tourism and Performance: Scripts, stages, and stories. Sheffield Hallam University, United Kingdom 10/1/2005. [Conference or Workshop Item]

Hansen, Rikke and Wilbert, Chris. 2006. Setting the Crime Scene: Jack the Ripper Walks, Tourism, and the Media. Merge: Sound, Thought, Image, 17, pp. 30-34. ISSN 14026570 [Article]

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Harbison, Isobel. 2021. 'Art Criticism and the Pandemic II - Safer Spaces'. In: Safer Spaces. London, United Kingdom May 2021. [Conference or Workshop Item]

Harbison, Isobel. 2022. 'The Derry Film and Video Workshop & distribution beyond the Broadcast Ban'. In: Northern Ireland’s Feminist and Queer Art Histories. The Courtauld Institute of Art, United Kingdom 21 January 2022. [Conference or Workshop Item]

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Harbison, Isobel. 2021. Here to Stay: On the history of Dublin’s Hugh Lane Gallery. Frieze Masters(9), pp. 24-29. [Article]

Harbison, Isobel. 2013. Image Games: Ericka Beckman. In: "Image Games: Ericka Beckman", Tate Modern, London, United Kingdom, 28–29 September 2013. [Show/Exhibition]

Harbison, Isobel. 2019. Image, Performance, Protest. Flash Art, 52(328), pp. 34-41. ISSN 0394-1493 [Article]

Harbison, Isobel. 2022. 'An Inventory of Traces: Rethinking public archives and collections beyond the nation/state'. In: Association for Art History’s 48th Annual Conference. Goldsmiths, University of London/ online, United Kingdom 6 - 8 April 2022. [Conference or Workshop Item]

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Harbison, Isobel. 2022. NOT/ MY/ SCENE. In: Charles Asprey, ed. A.B. Real Life. London: Charles Asprey, pp. 34-39. ISBN 9781399924894 [Book Section]

Harbison, Isobel. 2019. Of saving, of hoarding, of keeping to hand. In: Niamh O'Malley, ed. handle. Dublin: Royal Hibernian Academy, pp. 63-69. ISBN 1903875935 [Book Section]

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Harbison, Isobel. 2021. Or Other, Or Both. Afterall: A Journal of Art, Context and Enquiry, 51, pp. 144-155. ISSN 1465-4253 [Article]

Harbison, Isobel. 2020. Performance after the Pandemic. Apollo: The International Magazine for Collectors, ISSN 0003-6536 [Article]

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Harbison, Isobel. 2019. Performing Image. Cambridge MA: The MIT Press. ISBN 9780262039215 [Book]

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Harbison, Isobel. 2014. Pre-Pop to Post-human: Collage in the digital age. In: "Pre-pop to Post-human: Collage In The Digital Age", Hatton Gallery, Newcastle, United Kingdom, 25 January 2014 - 21 June 2015. [Show/Exhibition]

Harbison, Isobel. 2022. Preserving Citizenry: Derry Film and Video Collective and the quest(ion) for institutions. In: Bridget Crone and Bassam El Baroni, eds. The Edinbugh Companion to Curatorial Futures. Edinburgh: Edinburgh University Press. [Book Section] (Forthcoming)

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Harbison, Isobel. 2015. The Prosumer Complex. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Harbison, Isobel. 2022. Tapes Under the Bed. In: "Tapes Under the Bed", Irish Museum of Modern Art, Ireland, 26 November 2022. [Show/Exhibition]

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Harbison, Isobel. 2022. Try Lizzie Borden: Derry Film and Video Workshop & distribution beyond the Broadcast Ban. Try Lizzie Borden, [Article]

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Harbison, Isobel. 2019. What the Instagram Age Learned from Robert Rauschenberg’s Choreographic Pieces. Frieze(206), pp. 136-137. ISSN 0962-0672 [Article]

Harbison, Isobel. 2022. Whose time is it anyway? In: Christina Kennedy, ed. The Narrow Gate of the Here-and-Now - IMMA: 30 Years of the Global Contemporary. Dublin: Irish Museum of Modern Art, pp. 22-30. ISBN 9781909792272 [Book Section]

Harbison, Isobel. 2018. A bluff, a rock, a hole in the ground. In: Elizabeth Magill and Úna McCarthy, eds. Elizabeth Magill, Headlands. Limerick: Limerick City Gallery of Art, pp. 7-11. ISBN 9780992796914 [Book Section]

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Harper, Andy. 2013. Archaeology in Reverse. In: "Archaeology in Reverse", Newlyn Art Gallery, 6th July to 28th September. [Show/Exhibition]

Harper, Andy. 2007. The Ballad of Mistah Bones. In: "The Ballad of Mistah Bones", Frost and Reed Contemporary, 6/18/2007 - 7/20/2007. [Show/Exhibition]

Harper, Andy. 2006. Broca's Area a painting exhibited at John Moores 24 - Exhibition of Contemporary Painting. In: "Broca's Area a painting exhibited at John Moores 24 - Exhibition of Contemporary Painting", Walker Art Gallery, 9/16/2006 - 11/26/2006. [Show/Exhibition]

Harper, Andy. 2005. Cloud and Vision. [Exhibition Catalogue]

Harper, Andy. 2009. East End Academy, Whitechapel Gallery, London. In: "East End Academy : Painting Edition", Whitechapel Gallery, 9 July-30 August 2009. [Show/Exhibition]

Harper, Andy. 1998. Featured artist in Tank. Tank, 2, [Article]

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Harper, Andy. 2015. The First Humans. In: "The First Humans", Pump House Gallery, London, United Kingdom, January 2015 - April 2016. [Show/Exhibition]

Harper, Andy. 2001. Green Lung. In: "Green Lung", Essex University Gallery, 11/2/2001 - 11/29/2001. [Show/Exhibition]

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Harper, Andy. 2017. Lux Artist Residency and Exhibition. In: "Andy Harper - Lux Art Institute - Artist in Residence", Lux Art Institute, United States, 17 November 2017 - 13 January 2018. [Show/Exhibition]

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Harper, Andy. 2010. An Orrery for Other Worlds. In: "An Orrery for Other Worlds", Aspex Gallery, United Kingdom, 6 Feb - 18 April 2010. [Show/Exhibition]

Harper, Andy. 2021. Parallel Botany. In: "Parallel Botany", Patrick Heide Contemporary Art, London, United Kingdom, 10 September - 9 October 2021. [Show/Exhibition]

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Harper, Andy. 2014. The Pleasure of Thinking. In: "The Pleasure of Thinking", Morgen Contempoarary, Germany, 21 February – 05 April 2014. [Show/Exhibition]

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Harper, Andy. 2019. The Psychology Room. In: "The Psychology Room", Greenfields, Plymouth, United Kingdom. [Show/Exhibition]

Harper, Andy. 2002. Review. 'mix', independent art and culture magazine, 27(3), [Article]

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Harper, Andy. 2016. Sol. In: "Sol", Danese Corey Gallery, New York, United States, 18th Nov to 23rd December 2016. [Show/Exhibition]

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Harper, Andy. 2009. Solo Show at Danese gallery - Andy Harper: New paintings and works on paper. In: "Andy Harper: New paintings and works on paper", Danese Gallery, New York, United States, 16th October - 14th November. [Show/Exhibition]

Harper, Andy. 2006. Toffee Armistice. In: "Toffee Armistice", Lemon Sky Project, 12/6/2006 - 1/24/2007. [Show/Exhibition]

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Harper, Andy. 2011. Towards a New Architecture. In: "Towards a New Architecture", The Page Gallery, Korea, Democratic People's Republic of, 12th May to 12th June 2011. [Show/Exhibition]

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Harper, Andy and Terry, Kate. 2016. Soft Errors. In: "Soft Errors", Patrick Heide Gallery, United Kingdom, 14.01.2016 - 20.02.2016. [Show/Exhibition]

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Harper, Warren. 2024. The Nuclearscapes of the Blackwater Estuary and Foulness Island: Towards an Interscalar Curatorial Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Harris, Jane and Walsh, Bernard. 2004. Virtuous Dress. In: Gavin Carver and Colin Beardon, eds. New visions in performance : the impact of digital technologies. Lisse; Exton, PA: Swets & Zeitlinger Publishers, pp. 139-152. ISBN 9026519664 [Book Section]

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Harris, Mark. 2014. Bad Music Seminar 2. In: "Can You Relate? A Case of Alienation and Closeness", The Showroom, London, United Kingdom, 8 February, 2014. [Performance]

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Harris, Mark. 2014. Bad Music Seminar 3—Sex, Murder, Politics. In: "Kitty Finer presents ‘Another Night at the Horse Hospital’", Horse Hospital, London, United States, 22 April, 2014. [Performance]

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Harris, Mark. 2014. Bad Music Seminar 5—Becoming-Animal. In: "Kitty Finer presents ‘Another Night at the Horse Hospital’", Horse Hospital, London, United Kingdom, 19 December, 2014. [Performance]

Harris, Mark. 2016. Bad Music Seminar—The Sounds of Plants. In: "Uptool–Expanded Art History for Plants", University of Illinois at Chicago—Greenhouse and Plant Research Lab, United States, 11 May, 2016. [Performance]

Harris, Mark. 2016. Cage's Variations II for 5 Turntables. In: "Mini-Micro Cinema 0.5 Begin Anywhere", The Carnegie, Covington, Kentucky, United States, 31 March 2016. [Performance]

Harris, Mark. 2017. 'Calypso Soundscapes: intimate acoustics and defiant language in Kamau Brathwaite and Mighty Sparrow'. In: Caribbean Insecurities, The British Library. The British Library, United Kingdom 25-26 June, 2017. [Conference or Workshop Item]

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Harris, Mark. 2013. Cinema, Studio, Tools. Proto-Tools 1, pp. 10-17. [Article]

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Harris, Mark. 2017. Citoyens—Drawing in a Time of Fear and Lies (Hyperallergic project). [Project]

Harris, Mark. 2011. Countercultural Intoxication: An Aesthetics of Transformation. In: Adam Lerner and Elissa Auther, eds. West of Center: Art and the Counterculture Experiment in America, 1965–1977. Minneapolis: University of Minnesota Press, pp. 324-343. ISBN 978-0-8166-7726-9 [Book Section]

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Harris, Mark. 2016. DIY Punk–A Bad Music Seminar. In: "A Purposeless Play", Wave Pool, Cincinnati, United States, 1 April, 2016. [Performance]

Harris, Mark. 2017. 'The Imagery of Intoxicating Music'. In: Sound-Image Colloquium. University of Greenwich, United Kingdom 10 November-12 November, 2017. [Conference or Workshop Item]

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Harris, Mark. 2016. Intoxicating Painting. Journal of Contemporary Painting, 2(2), pp. 195-218. ISSN 20526695 [Article]

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Harris, Mark. 2017. Livin' In A World Insane. In: "The Nothing That Is", The Carnegie, Covington, Kentucky, United States. [Show/Exhibition]

Harris, Mark. 2018. 'Machine-Gun Sonics and Whispering Tides: How Sound and Language in the work of Kamau Brathwaite and Mighty Sparrow provide an Acoustic Inoculation against Insecurities'. In: Caribbean In/Securities. University of the West Indies, Mona Campus, United States 2017-18. [Conference or Workshop Item]

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Harris, Mark. 2015. The Materiality of Water. Aesthetic Investigations, 1(1), pp. 120-128. [Article]

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Harris, Mark. 2010. Morning Star. In: "Morning Star", Country Club Gallery, Cincinnati, United States, 2010-2012. [Show/Exhibition]

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Harris, Mark. 2015. 'Orpheus in the Artworld'. In: American Society for Aesthetics. Philadelphia, United States 20-21 March, 2015. [Conference or Workshop Item]

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Harris, Mark. 1999. Pipilotti Rist's Music. In: , ed. Wishing for Synchronicity: Works by Pipilotti Rist. Houston, Texas: Contemporary Arts Museum Houston, pp. 14-23. ISBN 978-1-933619-17-0 [Book Section]

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Harris, Mark. 2006. Revolutionary Intoxications: Theory of the Avant-garde in the Aesthetics of Nietzsche and Benjamin. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Harris, Mark. 2017. 'Shimmer'. In: Painters Out of Work. Royal College of Art, United Kingdom 24 February, 2017. [Conference or Workshop Item]

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Harris, Mark. 2014. Sparrow Come Back Home. Wilmington: Delaware Center for the Contemporary Arts. ISBN 0-9785927-6-X [Book]

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Harris, Mark. 2016. Sparrow Come Back Home, ICA London. In: "Sparrow Come Back Home", ICA, United Kingdom, 6 December 2016 - 5 February 2017. [Show/Exhibition]

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Harris, Mark. 2017. Trump's songs–Bad Music Seminar. In: "Colloquium for Unpopular Culture–Bad Music Seminar: Songs from the Heartland", New York University, United States, 5 March, 2017. [Performance]

Harris, Mark. 2017. Turntable Materialities. Seismograf, [Article]

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Harris, Mark. 2016. 'Turntable Materialities'. In: Sound Art Matters. Aarhus University, Denmark 1-4 June, 2016. [Conference or Workshop Item]

Harris, Mark. 2015. untitled (after Robert Mapplethorpe catalogue). In: "After the Moment", Contemporary Arts Center, Cincinnati, United States, 6 November 2015–13 March 2016. [Show/Exhibition]

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Harris, Rebecca M.. 2017. Textuality, Forms of ‘Reading’, and the Encounter of Art. Other thesis, Goldsmiths, University of London [Thesis]

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Hayton, Annette; Haste, Polly and Jones, Alison. 2014. Promoting diversity in creative art education: the case of Fine Art at Goldsmiths, University of London. British Journal of Sociology of Education, 36(8), pp. 1258-1276. ISSN 0142-5692 [Article]

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Helmerdig, Silke. 2016. Fragments, futures, absence and the past: A new approach to photography. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hemsworth, Gerard. 2010. Gerard Hemsworth: Hidden Agenda. In: "Gerard Hemsworth, Hidden Agenda, Solo Exhibition", The Aldrich Contemporary Art Museum, Ridgefield, CT, United States, 21 Jun 2009 - 10 Jan 2010. [Show/Exhibition]

Hemsworth, Gerard. 2005. Gerard Hemsworth: Mushrooms in the Rain. In: "Gerard Hemsworth: Mushrooms in the Rain", Galeria Brito Cimino, 9/28/2005 - 10/27/2005. [Show/Exhibition]

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Hemsworth, Gerard. 2009. Gerard Hemsworth: Now Then. In: "Gerard Hemsworth: Now Then", Galerie Michael Janssen, Berlin, Germany, 16 Jan - 28 Feb 2009. [Show/Exhibition]

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Hemsworth, Gerard. 2009. Gerard Hemsworth: Water into Wine. In: "Gerard Hemsworth, Water into Wine, Solo Exhibition", Thomas Rehbein Gallery, Koeln, Germany, 22 April - 13 June 2009. [Show/Exhibition]

Hemsworth, Gerard. 2002. Painting as a Foreign Language. In: "Painting as a Foreign Language", Centro Brasileiro Britanico, 3/21/2002 - 4/17/2002. [Show/Exhibition]

Hemsworth, Gerard. 2004. Paper Democracy. In: "Paper Democracy", Centro Brasileiro Britanico, 9/23/2004 - 12/30/2004. [Show/Exhibition]

Hemsworth, Gerard. 2002. Sidewinder. In: "Sidewinder", Centre of International Modern Art Gallery, Kolkata 2002/01/15-2002/02/09 Visual Arts Gallery, India Habitat Centre,New Delhi 2002/03/11-2002/03/20 Prince of Wales Museum of Western India, Mumbai 2002/04/09-2002/04/16, 1/15/2002 - 4/16/2002. [Show/Exhibition]

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Hendry, Kirsty and Sagar, Ilona. 2018. Self-Service. [Artist's Book]

Hershman Leeson, Lynn; Stacey, Jackie and Garfield, Rachel. 2010. The Complete Roberta Breitmore. [Professional Activity]

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Hill, Clareese. 2024. The Account – A Real-life Survival Praxis A field manual. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hill, Clareese. 2021. Survival Praxis through Hood Feminism, Negritude and Poetics. Architecture and Culture, 9(2), pp. 238-248. ISSN 2050-7828 [Article]

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Hill, Clareese and Clarke, Elly. 2022. RE:SEARCHING TOGETHER (IN TWO ACTS). A Peer-Reviewed Journal About (APRJA), 11(1), ISSN 2245-7755 [Article]

Hirst, Nicky; Hays, Dan; Wilson, Jane and Louise; Emin, Tracey; Lucas, Sarah and Walsh, Bernard. 2001. The End is Nigh. In: "The End is Nigh", C.S.K.X. Studios, London, United Kingdom, 1-23 March 2001. [Show/Exhibition]

Hirst, Nicky; Leo and Walsh, Bernard. 1992. Busby Babes and Two Soldiers. In: "CSKX Exhibition", Zero Goodsway, Kings Cross, London, United Kingdom. [Show/Exhibition]

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Hlavajova, Maria and Sheikh, Simon, eds. 2017. Former West: Art and the Contemporary After 1989. Cambridge, MA: MIT Press. ISBN 9780262533836 [Edited Book]

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Ho, Yu-Sheng. 2014. On the (Painterly) Interruption of Projected Images: Bodily Engagement as Discontinuous Transition. Masters thesis, Goldsmiths, University of London [Thesis]

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Hodge, Nicky and Walsh, Roxy. 2021. Nicky Hodge, Horse Gossip. [Printed Ephemera]

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Hoechtl, Nina. 2012. If only for the length of a lucha: queer/ing, mask/ing, gender/ing and gesture in lucha libre. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Holmwood, Sigrid Frida. 2021. The Peasant Paints: expanding painting decolonially through planting and pigment-making. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hong, Euyoung. 2013. Constructing an Invisible Territory : An Investigation of the Production of the Sculptural in Relation to Urban Development since the 1980s. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Hong, Young-In. 2011. A Reappraisal of Intuition in the Perception of Urban Space with Particular Reference to Cultural Development in South Korea. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hopgood, Roger. 2017. An Aesthetic Inheritance: Investigating the Picturesque Photograph and its Vantage Point. Doctoral thesis, Goldsmiths, University of London [Thesis]

Hunt, Ian. 2006. Archive of the Now author page for Ian Hunt. [Audio]

Hunt, Ian. 2014. Chance Finds Us. [Exhibition Catalogue]

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Hunt, Ian. 2019. 'Charlotte Smith and the idea of dependence in nature'. In: Nature Writing's Future Pasts: the Land Lines Conference. School of English, University of Leeds, United Kingdom 28 February - 1 March 2019. [Conference or Workshop Item]

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Hunt, Ian. 2014. Christopher Cook: a chance encounter on the way down. [Exhibition Catalogue]

Hunt, Ian. 2017. 'Cultural infrastructure and class differences: a sketch'. In: Cultural Infrastructure. London, United Kingdom. [Conference or Workshop Item]

Hunt, Ian. 2016. 'E.G. Trobridge: Swedenborgian Architect'. In: Swedenborg Birthday Meeting 2016. London, United Kingdom. [Conference or Workshop Item]

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Hunt, Ian. 2016. Four Backdrops/Vier Hintergrúnde. In: Christiane Meyer-Stoll, ed. Charlotte Moth: Travelogue. Vaduz, Liechtenstein: Kunstmuseum Liechtenstein/Snoeck, pp. 21-37. ISBN 978 3 86442 188 4 [Book Section]

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Hunt, Ian. 2006. Green Light. London: Barque Press. ISBN 1 903488 57 5 [Book]

Hunt, Ian. 2015. ISLINGTON ARTS FACTORY: TEXT OF LISTING APPLICATION FOR VERGER’S COTTAGE AND ENTRANCE, BY E.G. TROBRIDGE, SENT TO HISTORIC ENGLAND 23.4.15. Technical Report. [Report] (Submitted)

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Hunt, Ian. 2012. If there's been a way to build it, there'll be a way to destroy it. In: Gavin Everall and Jane Rolo, eds. Again, A Time Machine: from distribution to archive. London: Book Works, pp. 34-41. ISBN 978 1 906012 40 3 [Book Section]

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Hunt, Ian. 2015. Interior Structures. In: Petra Lange-Berndt, ed. Materiality. London and Cambridge, Massachusetts: Whitechapel Gallery/MIT, pp. 134-136. ISBN 978 085488 237 3 [Book Section]

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Hunt, Ian. 2017. Permindar Kaur: Black and Blue. [Exhibition Catalogue]

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Hunt, Ian. 2015. 'Reticence and Resistance in New British Sculpture'. In: Now That's What I Call Sculpture: The 1980s in Retrospect. Warwick Arts Centre, United Kingdom. [Conference or Workshop Item]

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Hunt, Ian. 2017. Review of "Neo-Georgian Architecture 1880-1970: a Reappraisal", eds. Julian Holder and Elizabeth McKellar, Historic England, 2016. Architectural History, 60, pp. 359-361. ISSN 0066-622X [Article]

Hunt, Ian. 2017. Sigrid Holmwood: How to be Creatively Common. [Exhibition Catalogue]

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Hunt, Ian. 2016. Simon Lewty: The SIGNificance of Writing. [Exhibition Catalogue]

Hunt, Ian. 2014. Yuko Shiraishi: Netherworld. [Exhibition Catalogue]

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Hunt, Ian. 2011. A signal box that folds: Lucia Nogueira's sculpture. [Exhibition Catalogue]

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Hunt, Ian; Archer, Michael and White, Laura. 2015. Goldsmiths BA Fine Art 2015. [Exhibition Catalogue]

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Hunt, Ian and Rothschild, Eva. 2017. They Don't Unpack: An interview with Eva Rothschild. In: Patricia Bickers, ed. Talking Art 2: Art Monthly Interviews with Artists Since 2007. London: Ridinghouse and Art Monthly, pp. 85-91. ISBN 9 781909 932 42 5 [Book Section]

Ifekoya, Evan. 2019. Melanin-o-phonic Space or, The Speaker Body As Totem. Arts.Black, [Article]

Ifekoya, Evan. 2018. Ritual Without Belief. In: "Ritual Without Belief", Gasworks, United Kingdom, 2018 -2019. [Show/Exhibition]

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Johnson, Jasmine. 2020. Love. In: "Love", Drawing Room, London, United Kingdom, 9 March - 31 August 2020. [Show/Exhibition]

Johnson, Jasmine. 2018. MORE THAN TWO: 10 JARS. In: "More Than Two: Omnibus", Barbican Centre, United Kingdom. [Performance]

Johnson, Jasmine. 2024. what's safe, what's gross, what's selfish and what's stupid. [Film/Video]

Johnstone, Stephen. 1995. The Alien and the Domestic. Exhibition Catalogue. [Exhibition Catalogue]

Johnstone, Stephen, ed. 2008. The Everyday. London and Cambridge, MA: Whitechapel Gallery/The MIT Press. ISBN 9780262600743 [Edited Book]

Johnstone, Stephen. 1993. 'The Politics of Seduction'. In: Mike Gane, ed. Baudrillard Live: Selected Interviews. London: Routledge, pp. 152-155. ISBN 978-0415070386 [Book Section]

Johnstone, Stephen. 1995. Walter Benjamin’s Panorama. In: Charlotte Pöchhacker, ed. film+arc. graz, 2nd biennale of film und architektur. Graz. ISBN 39500284-1-2 [Book Section]

Johnstone, Stephen and Ellard, Graham. 2006. The Bomb Interview: Anthony McCall with Graham Ellard and Stephen Johnstone. Bomb Magazine., 97, pp. 65-75. ISSN 07433204 [Article]

Johnstone, Stephen and Ellard, Graham. 2013. Everything Made Bronze. [Film/Video]

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Johnstone, Stephen and Ellard, Graham. 2015. For An Open Campus. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 2001. Gymnasion. In: "Gymnasion", Bregenzer Kunstverein, Palais Turn and Taxis, 7/14/2001 - 9/2/2001. [Show/Exhibition]

Johnstone, Stephen and Ellard, Graham. 2009. Machine On Black Ground. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 2006. Motion Path. In: "Motion Path", De La Warr Pavilion, 4/1/2006 - 7/31/2006. [Show/Exhibition]

Johnstone, Stephen and Ellard, Graham. 2008. Motion Path. A Building Films Itself. In: Frank Eckardt, ed. Media and Urban Space: Understanding, Investigating and Approaching Mediacity. 1 Berlin: Frank and Timme. Verlag fur Wissenschaftliche Literatur, Berlin., pp. 181-200. ISBN 978-3-86596-142-6 [Book Section]

Johnstone, Stephen and Ellard, Graham. 2010. Neue Museen. [Film/Video]

Johnstone, Stephen and Ellard, Graham. 1998. Passagen (Electric art) CD-ROM. Ellipsis Architectural Press/Film and Video Umbrella, with assistance from the Arts Council of England. ISBN 9781899858163 [Book]

Johnstone, Stephen and Ellard, Graham. 1995. 'Passagen'. [Exhibition Catalogue]

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Johnstone, Stephen and Ellard, Graham. 2017. The Pavilion: Complex Topography. Folkestone Fringe 2017. [Design]

Johnstone, Stephen and Ellard, Graham. 1997. Photographic project. COIL, 4, [Article]

Johnstone, Stephen and Ellard, Graham. 2009. Proposal for an Unmade Film (Set in The Future). In: "'In Search of the Unknown'", NIMK, Amsterdam, Netherlands. [Show/Exhibition]

Johnstone, Stephen and Ellard, Graham. 2007. Proposal, for an Unmade Film (Set in the Future). [Film/Video]

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Johnstone, Stephen; Ellard, Graham and Thatcher, Tony. 2016. Edge Balance. In: "Edge Balance", Turner Contemporary, Margate, Kent, United Kingdom, Turner Contemporary, July 2016 - Laban studio Theatre, February 2017. [Performance]

Johnstone, Stephen and Gange, John. 1993. 'Believe Me. Everybody Has Something Pierced in California : A Conversation with Nayland Blake'. New Formations: A Journal of Culture, Theory, Politics, 19, ISSN 0950-2378 [Article]

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Johnstone, Stephen and Graham, Ellard. 2010. Things to Come. [Film/Video]

Jones, Alison. 2007. Art can, and must change Peoples' Ideas. In: , ed. Gustav Metzger. Warsaw, Poland: National Gallery of Art Warsaw, Poland and Kunsthalle Lund, Sweden. ISBN 9788389145994 [Book Section]

Jones, Alison. 2006. Bin bags. [Image]

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Jones, Alison. 2005. Episode. In: "Episode", Temporary Contemporary, United Kingdom, 2005-6. [Show/Exhibition]

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Jones, Alison. 2003. Family Business. In: "Family Business", Pitzhanger Manor, London, United Kingdom, 2003. [Show/Exhibition]

Jones, Alison. 2008. Feminista Mistah. In: "Feminista, Mistah", AVA Gallery, UEL, United Kingdom. [Show/Exhibition]

Jones, Alison. 1998. Gustav Metzger at Oxford Mueum of Modern Art. Socialist Review, [Article]

Jones, Alison. 1999. 'Hannah Wilke’s Whore Art'. In: Obscene Powers Conference. John Hansard Gallery, Southampton University, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2004. Interview with Gustav Metzger. Forum for Holocaust Studies, [Article]

Jones, Alison. 2001. ‘Interview with Jemima Stehli’. Everything Magazine(3.4), pp. 32-37. [Article]

Jones, Alison. 1999. 'Jemima Stehli: On all fours naked in high heels - a critical position?'. Women: a cultural review, 10(3), pp. 297-307. ISSN 0957-4042 [Article]

Jones, Alison. 2000. Jemima Stehli’s Ingratiating Objection. Make, pp. 28-30. [Article]

Jones, Alison. 1999. ‘Martha Rosler at Icon Gallery’. Socialist Review, [Article]

Jones, Alison. 1999. '‘On all fours naked in high heels’'. In: Sex and Art Visual Arts Research Group. Goldsmiths College, London, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2000. 'Playing the Prostitute - a trope of 21st Century Alienation'. In: Art and Philosophy Conference. University of Portsmouth, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2008. Subtle Abyss. [Art Object]

Jones, Alison. 2008. Subtle Abyss. In: "Subtle Abyss", Nordisk Kunst Plattform Project Space, Norway, 4th - 27th July 2008. [Show/Exhibition]

Jones, Alison and Bannerman, Margot. 2003. Review of 'Dreams and Conflicts, the Dictatorship of the Viewer', Venice Biennale. Socialist Review, 276, ISSN 0161-1801 [Article]

Jones, Alison and Beech, Amanda. 2013. Alison Jones and Amanda Beech: Audience into Community. [Exhibition Catalogue]

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Jones, Alison; Beech, Amanda and Glass, Kirsten. 2011. The Edge of Luxury. In: "The Edge of Luxury", Fold Gallery, United Kingdom, 2nd September 2011 - 2nd October 2011. [Show/Exhibition]

Jones, Alison and Eggesbø, John Øivind. 2008. 'Alison Jones in conversation with John Øivind Eggesbø'. In: Alison Jones in conversation with John Øivind Eggesbø. Nordisk Kunst Plattform Project Space, Norway July 2008. [Conference or Workshop Item]

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Jones, Alison and Thompson, Milly. 2015. C21ST ART-WORKER 2013-2015. [Art Object]

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Jones, Alison and Thompson, Milly. 2016. C21st RECENT HISTORY, 2016. [Artist's Book]

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Jones, Alison and Thompson, Milly. 2010. Martha Rosler reads Vogue, 2010. In: "Martha Rosler reads Vogue, 2010", Grey Area Gallery, 31 Queens Rd, Brighton, East Sussex, 13th March – 4th April 2010. [Show/Exhibition]

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Jones, Alison and Thompson, Milly. 2012. 'ÉVASION Panel Discussion, 2012'. In: ÉVASION panel discussion. Herbert Art Gallery & Museum, Jordan Well, Coventry CV1 5QP 18 February 2012. [Conference or Workshop Item]

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Jones, Alison and Thompson, Milly. 2012. ÉVASION, 2012. In: "ÉVASION", Lanchester Gallery, The Hub, Jordan Well, Coventry, CV1 5QT, 14 January – 19 February 2012. [Show/Exhibition]

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Jones, Alison and Thompson, Milly. 2012. ÉVASIONISTA, 2012. In: "ÉVASIONISTA", Lanchester Gallery Projects, The Hub, Jordan Well, Coventry, CV1 5QT, 14 January – 19 February 2012. [Performance]

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Jones, Alison and Thompson, Milly. 2012. VUOTO, 2012. [Artist's Book]

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Jones, Alison; Whiles, Annie and Walsh, Bernard. 2011. Invitation. In: "Invitation", York College Gallery, United Kingdom, 10/01/2012 - 9/02/2012. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2004. The Functions of Public Art. In: "The Functions of Public Art", Centre for Contemporary Art, ICA London, Venice Biennale 51, Second Guangzhou Biennale, 4/3/2004 - 1/15/2006. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2006. Have You Heard the One about the Public Sphere?. In: "Have You Heard the One about the Public Sphere?", Hull Time Based Arts, 10/6/2006 - 11/16/2006. [Show/Exhibition]

Jordan, M.; Beech, Dave and Hewitt, Andy. 2006. How to Talk to Public Art. In: "How to Talk to Public Art", The Big Screen, BBC Manchester, 11/10/2006 - 12/1/2006. [Show/Exhibition]

Jordan, M. and Hewitt, A.. 2004. Futurology: The Black Country 2024. In: "Futurology: The Black Country 2024", New Art Gallery Wallsall, 7/30/2004 - 9/12/2004. [Show/Exhibition]

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Joseph-Lester, Jaspar. 2007. Space and illusion: a practical and theoretical investigation into the critical status of illusion in social space. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Joy, Clair. 2010. Contemporary Landscape Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Jozwiak, Jörg. 2014. Meaning and Meaning-Making: An exploration into the importance of creative viewer response for art practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Jung, Julia; Gupa, Dennnis; Hash, Colton; Thoms, Jol; Owens, Dwight; Threlfall, John and Juniper, Kim. 2022. Doubling Down on Wicked Problems: Ocean ArtScience Collaborations for a Sustainable Future. Frontiers in Marine Science, 9, 873990. ISSN 2296-7745 [Article]

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KERBEL, JANICE. 2010. SOLO EXHIBITION of REMARKABLE, Art Now Tate Britain. In: "REMARKABLE: JANICE KERBEL", TATE BRITAIN, ART NOW, United Kingdom, 7 MAY - 15 AUGUST 2010. [Show/Exhibition]

Kahn, Daria; Camplin, Bonnie; Brebenel, Mihaela; Goh, Annie and Shin, Sarah. 2022. 'Cosmic Mothers Panel Discussion at Mimosa House 2022 with Bonnie Camplin and others'. In: Panel Discussion: Cosmic Mothers. Mimosa House, London, United Kingdom 19 January 2022. [Conference or Workshop Item]

Kahn, Daria; Murdoch, Sadie; Partridge, Taqralik and Ades, Dawn. 2022. 'Finissage: The Baroness, panel talk'. In: Finissage: The Baroness. Mimosa House, United Kingdom 15 September 2022. [Conference or Workshop Item]

Kalpaxi, Elisavet. 2012. Narcissism and Narrativity in Photographic Self- portraiture. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kelly, Susan. 2012. Against Critical Content: Transversality and the Micropolitics of the Intervention. In: Altés Arlandis Alberto and Lieberman Oren, eds. Intervention, Duration, Effects. Umeå, Sweden: University of Umeå, ---. ISBN - [Book Section]

Kelly, Susan. 2010. Amorph: Etwas Geschieht. Kunstforum International(202), pp. 143-153. ISSN 0177-3674 [Article]

Kelly, Susan. 2012. Asking, We Walk. In: Peter Lichtenfels and John Rouse, eds. Performance, Politics and Activism. London: Palgrave Macmillan, ---. ISBN - [Book Section]

Kelly, Susan. 2013. ‘But that was my idea!’ Problems of Authorship and Validation in Contemporary Practices of Creative Dissent. Parallax, [Article]

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Kelly, Susan. 2008 - 2010 Carrot Workers Collective/ Precarious Workers Brigade. [Project]

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Kelly, Susan. 2010. The Centrifugal Book of Europe: A Partial Guide to the Micropolitics and Material Conditions of a Project. In: , ed. The Centrifugal Book of Europe. Belfast: Centrifugal, Belfast, pp. 59-73. ISBN 978-0-955-6395-1-7 [Book Section]

Kelly, Susan. 2006. Communities of the Question. In: Will Bradley; Mika Hannula; Cristina Ricupero and Superflex, eds. Self-Organisation/Counter Economic Strategies. Superflex, Sternberg Press, pp. 233-279. ISBN 1933128135 [Book Section]

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Kelly, Susan. 2011-2012 JURISDICTIONS. [Project]

Kelly, Susan. 2003. Lobby, Amorph! 03 Performance Art Biennale. In: "Amorph! 03 Performance Art Biennale,", Finlandia Hall and Harrakka Island, 09/08/2003 - 31/08/2003. [Performance]

Kelly, Susan. 2010. Manufacturing Today. In: "Manufacturing Today", DORA Kulturbunker, Trondheim, Norway, Exhibition: April - May 2010, Project June 2008 - June 2013. [Show/Exhibition]

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Kelly, Susan. 2009. Medium. In: Lynette Hunter and Shannon Rose Riley, eds. Mapping Landscapes in Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave Macmillan, pp. 142-144. ISBN 13-978-0-230-22219-9 [Book Section]

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Kelly, Susan. October 13th - 14th, 2009 Micropolitics Research Group. [Project]

Kelly, Susan. 2017. 'Micropolitics: Practices of Freedom and Rehabilitation'. In: Transpersonal: art and life directives. ICA, London, United Kingdom 25 January 2017. [Conference or Workshop Item]

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Kelly, Susan. 2011. Narratives of Disobedience. In: "Narratives of Disobedience", Künstlerhaus Büchsenhausen, Innsbruck, Austria, 05.11.-02.12.2011. [Show/Exhibition]

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Kelly, Susan. 2019. Nobody But Us. In: "NOBUS", Birkbeck, University of London, School of Law, United Kingdom, 15 March 2019. [Performance]

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Kelly, Susan. 2008. Several Silences. In: "Several Silences", Belfast, Northern Ireland (2010), United Kingdom, 2008-2010. [Show/Exhibition]

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Kelly, Susan. 2012. Space Matters. In: "Space Matters", Neue Galerie, Austria, June 21 - August 4, 2012. [Show/Exhibition]

Kelly, Susan. 2022. 'Turning: a Micropolitical Cartography of Colonial Rehabilitation'. In: Psychosocial Cartographies. Anglo-American University, Prague, Czech Republic 17 - 18 June 2022. [Conference or Workshop Item]

Kelly, Susan. 2013. ‘What does a Question do? Micropolitics and Art Education’. In: Irit Rogoff and Jean-Paul Martinon, eds. The Curatorial: A Philosophy of Curating. London: IB Tauris, pp. 107-112. ISBN 9781780763729 [Book Section]

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Kelly, Susan. 2018. ‘What is to be Done?’: Grammars of Organisation. Deleuze and Guattari Studies, 12(2), pp. 147-184. ISSN 2398-9777 [Article]

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Kelly, Susan; Elfving, Taru; Hewitt, Nicole; Jewesbury, Daniel; O' Beirn, Aisling; Henriksson, Minna; Hamm, Kalle; Boynik, Sezgin and PLATFORMA 9,81, Croatia. 2007-2010 Centrifugal. [Project]

Kelly, Susan and Morton, S.. 2003. What is to be Done? Questions for the 21st Century. In: "What is to be Done? Questions for the 21st Century", The Lenin Museum, 2/22/2003 - 4/21/2003. [Show/Exhibition]

Kelly, Susan and Morton, Stephen. 2004. Calling up Annie Moore. Public Culture, 16(1), pp. 119-131. ISSN 08992363 [Article]

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Kerbel, Janice. 2017. Art and Alphabet. In: "Art and Alphabet", Hamburger Kunsthalle, Germany, 21 July - 29 October 2017. [Show/Exhibition]

Kerbel, Janice. 2009. Ballgame. [Art Object]

Kerbel, Janice. 2018. 'Beautiful World. Where are you?', Liverpool Biennial 2018. In: "Beautiful World Where are you?, 2018 Liverpool Biennial", Liverpool, United Kingdom, 14 July - 28 October 2018. [Show/Exhibition]

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Kerbel, Janice. 2012. Cue. [Art Object]

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Kerbel, Janice. 2014. DOUG Nine songs for six voices. [Printed Ephemera]

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Kerbel, Janice. 2014. Doug. In: "Doug", Jeffrey Room, Mitchell Library Glasgow, United Kingdom, 2014 – 2017. [Performance]

Kerbel, Janice. 2016. Honorary Doctorate Award. [Professional Activity]

Kerbel, Janice. 2018. Janice Kerbel. In: "Janice Kerbel", greengrassi, London, United Kingdom, 27 September – 3 November 2018. [Show/Exhibition]

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Kerbel, Janice. 2012. 'Janice Kerbel', Solo Exhibition Arts Club of Chicago. In: "Janice Kerbel", Arts Club of Chicago, United States, 13 September – 21 December 2012.. [Show/Exhibition]

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Kerbel, Janice. 2011. Kill the Workers!. [Art Object]

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Kerbel, Janice. 2016. 'Le Grand Balcon – Montreal Biennal 2016', Group exhibition. In: "Le Grand Balcon - Montreal Biennial 2016", Musee D'Art Contemporain, Montreal, Canada, 19.10.17-15.01.17. [Show/Exhibition]

Kerbel, Janice. 2018. Live: Collected scripts. London UK: Occasional Papers / The Polygon Gallery / Badischer Kunsterein / University of Toronto Press. ISBN 978-0-9954730-0-3 [Book]

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Kerbel, Janice. 2017. Ride Of Life. [Art Object]

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Kerbel, Janice. 2016. Score. [Art Object]

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Kerbel, Janice. 2018. Sink: Routine for 24 Women. In: "Sink", Western Baths, Glasgow, United Kingdom, 3 August 2018. [Performance]

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Kerbel, Janice. 2017. Slip at Mass MOCA. In: "B6: THE ROBERT W. WILSON BUILDING GRAND OPENING Mass MoCA", MASS MoCA, United States, May 2017–2020. [Show/Exhibition]

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Kerbel, Janice. 2017. 'Space Force Construction', V-AC Foundation Venice Italy. In: "Space Force Construction, VAC Foundation", VAC Foundation, Palazzo delel Zattere, Venice, Italy, 13 May - 25 Aug 2017. [Show/Exhibition]

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Kerbel, Janice. 2015. Turner Prize 2015. In: "Turner Prize 2015", Tramway Glasgow, United Kingdom, 25 Sept 2015 – 18 January 2015. [Show/Exhibition]

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Kerr, Vicki. 2015. Airspace – Zones of Fidelity and Failure. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Khan, Sharlene. 2015. Postcolonial Masquerading: A Critical Analysis of Masquerading Strategies in the Artworks of Contemporary South African Visual Artists Anton Kannemeyer, Tracey Rose, Mary Sibande, Senzeni Marasela and Nandipha Mntambo. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Khanna, Shama and Brathwaite-Shirley, Danielle. 2021. Interview with Danielle Brathwaite-Shirley by Flatness for Feminist Review and Women’s Art Library, April 2021. Feminist Review, 129(1), pp. 109-122. ISSN 0141-7789 [Article]

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Kim, Kyoung. 2018. Mournings and Uncertainties. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kirwan, Richard. 2023. An Artist's Question, July. In: "An Artist's Question, July", British School at Rome Gallery, Italy, July 2023. [Show/Exhibition]

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Kirwan, Richard. 2017. Earth, Wind and Fire. In: "Earth, Wind and Fire", Griffin Gallery, London, United Kingdom, 7 September - 20 October 2017. [Show/Exhibition]

Kirwan, Richard. External Examiner 2D Pathway, Central St Martins, University of the Arts, London. [Professional Activity]

Kirwan, Richard. 2022. External Examiner City & Guilds School of Art London. [Professional Activity]

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Kirwan, Richard. 2018. Flow State. [Art Object]

Kirwan, Richard. 2002. Free love and Modern love. In: "Free love and Modern love", The British School at Rome, 9/17/2002 - 9/21/2002. [Show/Exhibition]

Kirwan, Richard. 2021. 'In conversation – Wolfgang Tillmans & Richard Kirwan'. In: Wolfgang Tilmans in conversation with Richard Kirwan. London, United Kingdom 25 January 2021. [Conference or Workshop Item]

Kirwan, Richard. 2016. Jasper Johns : Regrets – The Courtauld Gallery London, 12th September – 14th December 2014. Journal of Contemporary Painting, 2(1), pp. 133-155. ISSN 2052-6695 [Article]

Kirwan, Richard. 2023. Mentorship. [Professional Activity]

Kirwan, Richard. 2007. Modern Manners. In: "Modern Manners", Galerie Hollenbach, 2/12/2007 - 4/10/2007. [Show/Exhibition]

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Kirwan, Richard. 2014. Neue Diptychen. In: "Richard Kirwan – Neue Diptychen", Galerie Hollenbach, Stuttgart, Germany, 27 November 2014 - 6 January 2015. [Show/Exhibition]

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Kirwan, Richard. 2018. Now It Is Permitted. In: "Now It Is Permitted", Lincoln, United Kingdom, July 2018 - August 2019. [Show/Exhibition]

Kirwan, Richard. 2009. Plastic Culture - Legacies of Pop 1986 - 2008. In: "Touring exhibition", Harris Museum & Art Gallery, Preston, United Kingdom, March 2009 - February 2010. [Show/Exhibition]

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Kirwan, Richard. 2020. Prototype for an Illusionistic Screen (2020). [Art Object]

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Kirwan, Richard. 2022. Richard Kirwan - Intelectual Property. In: "Richard Kirwan - Intelectual Property", Lungley Gallery, London, United Kingdom, 18 November 2022 - 14 January 2023. [Show/Exhibition]

Kirwan, Richard. 2010. Richard Kirwan - New Work. In: "Richard Kirwan - New work", Galerie Hollenbach, Stuttgart, Germany. [Show/Exhibition]

Kirwan, Richard. 2001. Surface Tension: New British Painting. In: "Surface Tension: New British Painting", Gallery Holly Snapp, 6/6/2001 - 7/25/2001. [Show/Exhibition]

Kirwan, Richard. 2006. Sweetness and Light. In: "Sweetness and Light", Marksman Gallery, 5/11/2006 - 6/18/2006. [Show/Exhibition]

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Kirwan, Richard and Bolivar, Juan. 2022. Richard Kirwan - Intelectual Property. [Exhibition Catalogue]

Kirwan, Richard; Donkor, Kimathi and Ince-Mitchell, Jerome. 2022. 'Painting Symposium'. In: Painting Symposium. Camberwell College of Arts, UAL, United Kingdom 14 June 2022. [Conference or Workshop Item]

Kirwan, Richard and Oldfield, Simon. 2010. Modern Love. In: "MODERN LOVE", Simon Oldfield Gallery, London, United Kingdom, October 7th - November 13th 2010. [Show/Exhibition]

Kirwan, Richard and Sturgis, Daniel. 2009. Liz Arnold. In: "Liz Arnold", Camden Arts Centre, London, United Kingdom. [Show/Exhibition]

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Klee, Stephen. 2009. Between Mastery and Subjectivization; Jacques Rancière and a Politics of Art without Foundation. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Klega, Michal. 2008. 'Ars lnfirma' Ars Infirma - Aspects of 'auto-poiesis' in Heidegger and Stoic doctrine: An investigation into the incertitude in art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Koester, Joahim and Le Feuvre, Lisa. 2009. Joachim Koester: Poison Protocols and Other Histories Stills, Edinburgh. In: "Joachim Koester: Poison Protocols and Other Histories", Stills, United Kingdom, 6 August – Sunday 25 October 2009. [Show/Exhibition]

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Kollectiv, Galia. 2013. Art in the Age of its Dissolution: Beyond The Democratic Paradox. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kollectiv, Pil. 2013. Art in the Age of its Dissolution: Beyond The Democratic Paradox. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Kosmaoglou, Sophia. 2005. Playing dead: Sophia (Creekside). [Film/Video]

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Kosmaoglou, Sophia. 2012. The self-conscious artist and the politics of art: from institutional critique to underground cinema. Doctoral thesis, Goldsmiths, University of London [Thesis]

Kosuth, Joseph. 2009. An Interpretation of the Title, Nietzsche, Darwin and the Paradox of Content. [Art Object]

Kosuth, Joseph. 2009. The Language of Equilibrium. [Artist's Book]

Kosuth, Joseph. 2008. Located Work (Madrid). [Art Object]

Kosuth, Joseph. 2009. Neither Appearance nor Illusion. [Art Object]

Kosuth, Joseph. 2010. 'Waiting for– (Texts for Nothing)' Samuel Beckett, in play. [Art Object]

Kreider, Kristen. 2003. Fear Pages. London: Unnameable Publications. [Book]

Kreider, Kristen. 2013. Light Vessel Automatic. In: "Light Vessel Automatic", Tate Britain, London, United Kingdom. [Performance]

Kreider, Kristen. 2010. 'Lyrical Encounters: The Material Poetics of Emily Dickinson's Later Manuscript Pages'. In: The Emily Dickinson International Society Conference. Oxford University, United Kingdom 6-8 August 2010. [Conference or Workshop Item]

Kreider, Kristen. 2015. Material Poetics and the Communication Event. Performance Research, 20(1), pp. 80-89. ISSN 1352-8165 [Article]

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Kreider, Kristen. 2013. Poetics and Place: The Architecture of Sign, Subject and Site. London: I.B. Tauris. ISBN 9781780763378 [Book]

Kreider, Kristen. 2009. 'Projecting the Voice: Theresa Hak Kyung Cha's Passages Paysages'. In: Intersections - Association of Art Historians Conference. Manchester Metropolitan University, Manchester, United Kingdom. [Conference or Workshop Item]

Kreider, Kristen. 2010. 'Scrap,' 'Flap,' 'Strip,' 'Stain,' 'Cut': The Material Poetics of Emily Dickinson's Later Manuscript Pages. The Emily Dickinson Journal, 19(2), pp. 67-103. ISSN 1059-6879 [Article]

Kreider, Kristen. 2017. Thirteen Points, Expanded (Lecture Performance). In: "Never the Same: what (else) can art writing do?", Art Commons, Canada, 15-17 September 2017. [Performance]

Kreider, Kristen. 2013. Time, Place and Empathy: The Poetics and Phenomenology of Andrei Tarkovsky's Film Image. Visual Studies, 28(1), pp. 1-16. ISSN 1472-586X [Article]

Kreider, Kristen. 2010. 'Time, Space and Empathy: A Material Poetics of the Film Image'. In: Sexuate Subjects: Politics, Poetics, Ethics. UCL, London, United Kingdom. [Conference or Workshop Item]

Kreider, Kristen. 2010. To forget : Of Air. [Film/Video]

Kreider, Kristen and James, O'Leary. 2019. Prarie/Argo. In: Ryan Bishop and Sunil Manghani, eds. Seeing Degree Zero: Barthes/Burgin and Political Aesthetics. Edinburgh: Edinburgh University Press. ISBN 9781474431415 [Book Section]

Kreider, Kristen and O'Leary, James. 1999. 104 Kilotonne Idea. In: "104 Kilotonne Idea", Bonneville Salt Flats, United States. [Performance]

Kreider, Kristen and O'Leary, James. 2017. 13 Points Expanded (Excerpts from the Peacewall Archive). [Art Object]

Kreider, Kristen and O'Leary, James. 2007. 5 exercises for the voice + 5 more. In: "5 exercises for the voice + 5 more", Woburn Studios, London, United Kingdom. [Performance]

Kreider, Kristen and O'Leary, James. 2008. Alba Lunedi. In: "Alba Lunedì", Santa Caterina Pool, Bagno Vignoni, Italy. [Performance]

Kreider, Kristen and O'Leary, James. 2006. Cell. [Art Object]

Kreider, Kristen and O'Leary, James. 2018. Cifra (Architecture Film Essay). In: "t.b.c.", De La Warr Pavilion, United Kingdom, dates t.b.c.. [Show/Exhibition] (In Press)

Kreider, Kristen and O'Leary, James. 2009. Constructing Atmospheres: A Phenomenology of the Film Image and Its Relation to Place. In: , ed. Proceedings for Architecture and Phenomenology 2 International Conference. Architecture and Phenomenology 2. [Book Section]

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Kreider, Kristen and O'Leary, James. 2013. Edge City. In: "Lisbon Architecture Triennale", Lisbon, Portugal. [Show/Exhibition]

Kreider, Kristen and O'Leary, James. 2005. The Edge of Emily's Desk. [Art Object]

Kreider, Kristen and O'Leary, James. 2005. Eight Rooms. [Art Object]

Kreider, Kristen and O'Leary, James. 2005. Eight Rooms. London: Unnameable Publications. [Book]

Kreider, Kristen and O'Leary, James. 2008. Fall (An Allegory) - live. In: "The Betsey Trotwood poetry event", London, United Kingdom. [Performance]

Kreider, Kristen and O'Leary, James. 2008. Fall (An Allegory) - video. [Art Object]

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Kreider, Kristen and O'Leary, James. 2015. Falling. Isle of Wight: Copy Press. ISBN 978-1909570016 [Book]

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Kreider, Kristen and O'Leary, James. 2018. Field Poetics. London: MA Biblioteque. ISBN 9781910055427 [Book]

Kreider, Kristen and O'Leary, James. 2003. Gesturing Toward the Ellipsis. [Art Object]

Kreider, Kristen and O'Leary, James. 2009. Immolation Triptych - live. In: "Immolation Triptych – live", The Drawing Field, Camberwell College of Arts, London, United Kingdom. [Performance]

Kreider, Kristen and O'Leary, James. 2011. Immolation Triptych - video. [Film/Video]

Kreider, Kristen and O'Leary, James. 2003. In the Midst. [Art Object]

Kreider, Kristen and O'Leary, James. 2009. Kino Haiku. [Art Object]

Kreider, Kristen and O'Leary, James. 2010. LA Tapped. [Art Object]

Kreider, Kristen and O'Leary, James. 2010. Memento Mori. Performance Research, 15(1), pp. 66-71. ISSN 1352-8165 [Article]

Kreider, Kristen and O'Leary, James. 2017. Milk, Confetti, Erratics (Performance Lecture). In: "EDGE— Situated practice in art, architecture and urbanism", Folkestone Triennial, United Kingdom. [Performance]

Kreider, Kristen and O'Leary, James. 2017. Particles of Moisture or Other Substance Suspended in Air and Visible as Clouds: Complexity in Site-Related Creative Practices. In: Phil Sawden and Russell Marshall, eds. Drawing Ambiguity: Beside the Lines of Contemporary Art. London: I.B. Tauris, pp. 67-82. ISBN 9781784530693 [Book Section]

Kreider, Kristen and O'Leary, James. 2005. Termini. [Film/Video]

Kreider, Kristen and O'Leary, James. 2016. Thirteen Points, Expanded (Single Channel Video Installation). In: "Wayfaring", &Model, United Kingdom, 26 April - 4 June 2016. [Show/Exhibition]

Kreider, Kristen and O'Leary, James. 2017. Thirteen Points, Expanded (Three Channel Video Installation). In: "Extratextual", Contemporary Calgary, Canada, 1 September - 21 January 2017. [Show/Exhibition]

Kreider, Kristen and O'Leary, James. 2017. Thirteen Points, Expanded (Video). In: "Film / Making / Space", Royal Academy, United Kingdom, 13 February 2017. [Show/Exhibition]

Kreider, Kristen and O'Leary, James. 2003. To come this far. To have left .... [Art Object]

Kreider, Kristen and O'Leary, James. 2004. Untitled (for M.). [Art Object]

Kreider, Kristen and O'Leary, James. 2010. Video Shakkei. In: "Video Shakkei, Osaka - Nara - Kyoto - Ise, Japan - June-July 2010", Osaka - Nara - Kyoto - Ise, Japan. [Performance]

Kreider, Kristen and O'Leary, James. 2010. Video Shakkei: Event-Space, Performance and Time-Based Drawing. In: , ed. Proceedings for Drawing Out conference at RMIT. Melbourne: RMIT. [Book Section]

Kreider, Kristen and O'Leary, James. 2010. Video Shakkei: Post-Performance Drawings. [Art Object]

Kreider, Kristen and O'Leary, James. 2010. Video Shakkei: Space, Performance, Drawing. [Film/Video]

Kreider, Kristen and O'Leary, James. 2017. Volver a no Saber: Poetry, Architecture and the Beginnings of Open City. In: Jonathan Charley, ed. Routledge Companion to Architecture, Literature and the City. London: Routledge. ISBN 9781472482730 [Book Section]

Kreider, Kristen and O'Leary, James. 2003. Wall: A Dialogue. London, United Kingdom. [Performance]

Kreider, Kristen and O'Leary, James. 2004. s.i.g.n.a.l.. [Art Object]

Kreider, Kristen and Oleary, James. 2018. Thirteen Points, Expanded (Text). In: Emily Orley and Katja Hilevaara, eds. The Creative Critic Writing as/about Practice. London: Routledge. ISBN 9781138674837 [Book Section]

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Kreider, Kristen and O’Leary, James. 2015. Cifra (Performance). In: "Cifra", The Open City, Ritoque, Chile. [Performance]

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Kreider, Kristen and O’Leary, James. 2015. Open City’ [artists’ pages]. Performance Research, 20(1), pp. 90-95. ISSN 1352-8165 [Article]

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Kreider, Kristen and O’Leary, James. 2016. Thirteen Points, Expanded (Video). [Film/Video]

Kreider, Kristen and O’Leary, James. 2016. Thirteen Points, Expanded (Video, edit). In: "Are We Human?: The 3rd Istanbul Design Biennial", Istanbul, Turkey, 22 October - 20 November 2016. [Show/Exhibition]

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L'Heureux, Antoine. 2011. Commitment to A Life: Thinking Beyond Gilles Deleuze and Félix Guattari’s Conceptualization of Art. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lai, Phillip. 2014. Camden Art Centre: Besides (2014). In: "Phillip Lai: Besides", Camden Arts Centre, London, United Kingdom, 11 April – 29 June 2014. [Show/Exhibition]

Lai, Phillip. 1999. Contribution to Bent Aura. In: , ed. Bent aura (STOPSTOP). STOPSTOP. ISBN 978-1902052014 [Book Section]

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Lai, Phillip. 2021. Drunken Sailor (London 2021). In: "Drunken Sailor", Modern Art, London, United Kingdom, 8 July - 21 August 2021. [Show/Exhibition]

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Lai, Phillip. 2023. For Caution (Hong Kong 2023). In: "For Caution", Kiang Malingue, Hong Kong, 9 December 2023 - 27 January 2024. [Show/Exhibition]

Lai, Phillip. 1998. Guest advisor to London Arts (formerly London Arts Board). [Professional Activity]

Lai, Phillip. 2001. 'Guest speaker at Li Yuan Chia exhibition talk'. In: Li Yuan Chia exhibition talk. Camden Arts Centre / London, United Kingdom. [Conference or Workshop Item]

Lai, Phillip. 2005. In The Poem About Love You Don't Write The Word Love. In: "In The Poem About Love You Don't Write The Word Love", CCA, 11/12/2005 - 1/28/2006. [Show/Exhibition]

Lai, Phillip. 2006. John Frumism. In: "John Frumism", Hotel, 6/4/2006 - 7/23/2006. [Show/Exhibition]

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Lai, Phillip. Kenneth Armitage Foundation Fellowship. [Professional Activity]

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Lai, Phillip. 2022. Phillip Lai monograph (2022). [Artist's Book]

Lai, Phillip. 1997. Phillip Lai, The Showroom. [Exhibition Catalogue]

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Lai, Phillip. 2018. Phillip Lai: The Hepworth Prize for Sculpture (Wakefield, 2018). In: "The Hepworth Prize for Sculpture", The Hepworth Wakefield, United Kingdom, 26 October 2018 - 20 January 2019. [Show/Exhibition]

Lai, Phillip. 2017. Phillip Lai: group exhibition (Hong Kong, 2017). In: ""One Second Ago" - Edouard Malingue Gallery", Hong Kong, Hong Kong, 8th July – 26th August 2017. [Show/Exhibition]

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Lai, Phillip. 2022. Phillip Lai: group exhibition (Hong Kong, 2022). In: "SSSSSSSSSCULPTURESQUE", Kiang Malingue, Hong Kong, Hong Kong, 4 June - 13 August 2022. [Show/Exhibition]

Lai, Phillip. 2014. Phillip Lai: group exhibition (London, 2014). In: ""Interior" - Stuart Shave/Modern Art", London, United Kingdom, 18th July – 23rd August 2014. [Show/Exhibition]

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Lai, Phillip. 2014. Phillip Lai: group exhibition (London, 2014). In: "On the Devolution of Culture", Rob Tufnell, London, United Kingdom, 19 September - 25 October 2014. [Show/Exhibition]

Lai, Phillip. 2016. Phillip Lai: group exhibition (London, 2016). In: ""Theories of Modern Art" - Stuart Shave/Modern Art", London, United Kingdom, 19th May – 18th June 2016. [Show/Exhibition]

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Lai, Phillip. 2021. Phillip Lai: group exhibition (London, 2021). In: "Group Show", Modern Art, London, United Kingdom, 25 February - 17 April 2021. [Show/Exhibition]

Lai, Phillip. 2022. Phillip Lai: group exhibition (London, 2022). In: "Testament", Goldsmiths CCA, London, United Kingdom, 21 January - 3 April 2022. [Show/Exhibition]

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Lai, Phillip. 2018. Phillip Lai: group exhibition (Nanjing, China 2018). In: "‘… of…, at…h, at…, in…’", Sifang Art Museum, Nanjing, China, 24 July - 23 September 2018. [Show/Exhibition]

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Lai, Phillip. 1997. Phillip Lai: group exhibition (New York, 1997). In: "New Video from Great Britain", The Museum of Modern Art, New York City, United States, 16 December 1997 - 1 February 1998. [Show/Exhibition]

Lai, Phillip. 2014. Phillip Lai: group exhibition (Nottingham, 2014). In: ""Somewhat Abstract" - Nottingham Contemporary", Nottingham, United Kingdom, 12th April – 29th June 2014. [Show/Exhibition]

Lai, Phillip. 2015. Phillip Lai: group exhibition (Southampton, 2015). In: ""An Intervention" - John Hansard Gallery", Southampton, United Kingdom, 12th May – 27th June 2015. [Show/Exhibition]

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Lai, Phillip. 2019. Phillip Lai: group exhibition (Sydney, 2019). In: "Phillip Lai, Yona Lee, Hany Armanious", Fine Arts, Sydney, Australia, 15 May - 29 June 2019. [Show/Exhibition]

Lai, Phillip. 2016. Phillip Lai: group exhibition (Turin, 2016). In: ""Can I Step On It" - Galleria Franco Noero", Turin, Italy, 30th March – 14th May 2016. [Show/Exhibition]

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Lai, Phillip. 2021. Phillip Lai: group exhibition (Turin, 2021). In: "l'acqua", Galleria Franco Noero, Turin, Italy, 2 March - 9 July 2021. [Show/Exhibition]

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Lai, Phillip. 2022. Phillip Lai: group exhibition (Vienna, 2022). In: "Water Being Washed Away", Galerie Hubert Winter, Vienna, Austria, 10 September - 22 October 2022. [Show/Exhibition]

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Lai, Phillip. 1998. Phillip Lai: group exhibition (various locations, touring 1998-99). In: "Black Box", London, United Kingdom, 1998 - 1999. [Show/Exhibition]

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Lai, Phillip. 2006. Phillip Lai: group exhibition (various locations, touring 2005-2007). In: "In the Poem About Love You Don't Write the word Love", Artists Space, New York City, United States, 16 November - 22 December 2006. [Show/Exhibition]

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Lai, Phillip. 2008. Phillip Lai: solo exhibition (Berlin, 2008). In: "Open Container, Galerie Giti Nourbakhsch", Berlin, Germany, 13 Dec 2008 - 24 Jan 2009. [Show/Exhibition]

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Lai, Phillip. 2009. Phillip Lai: solo exhibition (Glasgow, 2009). In: "Introduction and Jargon", Glasgow, United Kingdom, 5 - 30 May 2009. [Show/Exhibition]

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Lai, Phillip. 2018. Phillip Lai: solo exhibition (Hong Kong, 2018). In: "'In the half life', Edouard Malingue Gallery", Hong Kong, 26 March - 12 May 2018. [Show/Exhibition]

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Lai, Phillip. 2007. Phillip Lai: solo exhibition (London, 2007). In: "Free to meet for coffee sometime soon", Modern Art, London, United Kingdom, 12 January - 11 February 2007. [Show/Exhibition]

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Lai, Phillip. 2009. Phillip Lai: solo exhibition (London, 2009). In: "Phillip Lai, Stuart Shave/Modern Art", London, United Kingdom, 20 Nov - 19 Dec 2009. [Show/Exhibition]

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Lai, Phillip. 2012. Phillip Lai: solo exhibition (London, 2012). In: "Phillip Lai, Stuart Shave/Modern Art", London, United Kingdom, 13 Jan 2012 - 18 Feb 2012. [Show/Exhibition]

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Lai, Phillip. 2016. Phillip Lai: solo exhibition (London, 2016). In: "Phillip Lai, Stuart Shave/Modern Art", London, United Kingdom, 30th June – 6th August 2016. [Show/Exhibition]

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Lai, Phillip. 2007. Phillip Lai: solo exhibition (Turin, 2007). In: "'A metal bar fell on someone's head or something'", Galleria Franco Noero, Turin, Italy, 10 November 2007 - 15 January 2008. [Show/Exhibition]

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Lai, Phillip. 2012. Phillip Lai: solo exhibition (Turin, 2012). In: "Visitor", Turin, Italy, 14 May - 16 June 2012. [Show/Exhibition]

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Lai, Phillip. 2019. Phillip Lai: solo exhibition (Turin, 2019). In: "Phillip Lai, Galleria Franco Noero", Turin, Italy, 29 October 2019 - 15 February 2020. [Show/Exhibition]

Lai, Phillip. 2006. 'Public lecture - Artists Lecture Series'. In: Artists Lecture Series, Arnolfini. Bristol, United Kingdom. [Conference or Workshop Item]

Latham, William. 2007. Mutator 2.. In: "Mutator 2. Willliam Latham and Team Mutator", The National Institute for Medical Research, 11/1/2007 - 12/12/2007. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Alexander and Susan Maris: The Pursuit of Fidelity (a ‘retrospective’). In: "Alexander and Susan Maris: The Pursuit of Fidelity (a ‘retrospective’)", Stills, United Kingdom, August - September 2010. [Show/Exhibition]

Le Feuvre, Lisa. 2010. British Art Show 7: In the Days of the Comet. In: "British Art Show 7: In the Days of the Comet", Nottingham Contemporary, United Kingdom, October 2010 - November 2011. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Donald Smith’s Partial History of Exhibitions 1993-2010. In: "Donald Smith’s Partial History of Exhibitions 1993-2010", Chelsea Space, 12.03.10 - 17.04.10. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Double culpability/double subjectivity: Thomson and Craighead’s A Short Film about War, Animate Projects. Animate, [Article]

Le Feuvre, Lisa. 2010. Failure. London: MIT Press / Whitechapel Gallery. ISBN 978-0-262-51477-4 [Book]

Le Feuvre, Lisa. 2010. From island thought to water thought: Renée Green’s Endless Dreams and Water Between. In: , ed. Renée Green. San Francisco: Yerba Buena Center for the Arts/ DAP. [Book Section]

Le Feuvre, Lisa. 2003. Gordon Matta-Clark: The Space Between. In: "Gordon Matta-Clark: The Space Between", Centre for Contemporary Arts, Glasgow; Architectural Association, London, 1/25/2003 - 5/30/2003. [Show/Exhibition]

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Le Feuvre, Lisa. 2010. If at First you Don’t Succeed…. Tate etc(18, Sp), pp. 30-37. [Article]

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Le Feuvre, Lisa. 2010. Joachim Koester. In: , ed. 100 Video Artists. Barcelona: Exit, pp. 254-257. ISBN 9788493734701 [Book Section]

Le Feuvre, Lisa. 2007. Lawrence Weiner: Inherent in the Rhumb Line. In: "Lawrence Weiner: Inherent in the Rhumb Line", National Maritime Museum, 2/22/2007 - 12/9/2007. [Show/Exhibition]

Le Feuvre, Lisa. 2010. Nothing is written. We all know that. Don’t we. In: , ed. Esther Shalev-Gerz. Paris: Jeu de Paume, pp. 24-35. ISBN 9782849751879 [Book Section]

Le Feuvre, Lisa. 2009. Renée Green: Endless Dreams and Water Between National Maritime Museum, London. In: "Renée Green: Endless Dreams and Water Between", National Maritime Museum, London, United Kingdom. [Show/Exhibition]

Le Feuvre, Lisa. 2009. Sea Change. In: , ed. Zineb Sedira: Under Sky and Over the Sea. Finland: Pori Art Museum, pp. 40-59. ISBN 9789525648188 [Book Section]

Le Feuvre, Lisa. 2006. Simon Faithfull: Ice Blink. In: "Simon Faithfull: Ice Blink", Stills, Edinburgh; Parkers Box, New York; Cell, London, 3/18/2006 - 4/30/2006. [Show/Exhibition]

Le Feuvre, Lisa and Zataari, A.. 2004. Hashem El Madani: Studio Practices. In: "Hashem El Madani: Studio Practices", The Photographers Gallery London, touring to Sfeir-Semler Gallery, Beirut (2005), 10/14/2004 - 11/28/2004. [Show/Exhibition]

Leckey, Mark. 2008. Cinema-in-the-Round. [Film/Video]

Leckey, Mark. 2009. In the Long Tail. In: "Institute of Contemporary Arts", London, United Kingdom. [Performance]

Leckey, Mark. 2011. SEE, WE ASSEMBLE. In: "SEE, WE ASSEMBLE", Serpentine Gallery, London, United Kingdom, 19/05/2011 - 26/06/2011. [Show/Exhibition]

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Leckey, Mark. 2013. The Universal Addressability of Dumb Things. In: "Nottingham Contemporary", Nottingham, United Kingdom. [Show/Exhibition]

Lengerer, Joachim. 2022. Rehearsal Behaviour – Three Activations of Peter Weiss –. Doctoral thesis, Goldsmiths, University of London [Thesis]

Leventon, Rosie and Coutts, Marion. 1991. Rosie Leventon and Marion Coutts: Installation. sculpture. works on paper. In: "Rosie Leventon and Marion Coutts: Installation. sculpture. works on paper", Oriel Gallery and Leeds Polytechnic Gallery, United Kingdom. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2021. Adrift Residency (solo programme). In: "Adrift Residency", Los Angeles Film Forum, United States, 15 - 19 October 2021. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2021. All Thoughts Fly: Monster, Taxonomy, Film. [Artist's Book]

Litvintseva, Sasha and Wagner, Beny. 2023. 'Artist Talk and Screening'. In: Hybrid Forms and Frameworks. University of Virginia, United States 15 February 2023. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2020. Baltic Triennial 14: Intro, The Maze and the Lighthouse. In: "Baltic Triennial 14: Intro, The Maze and the Lighthouse", CAC Vilnius, Lithuania, 22 - 24 July 2020. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2019. Berlin Atonal 2019. In: "Berlin Atonal 2019", Kraftwerk Berlin, Germany, 28 August - 1 September 2019. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2019. Bilateria. [Film/Video]

Litvintseva, Sasha and Wagner, Beny. 2022. Constant. [Film/Video]

Litvintseva, Sasha and Wagner, Beny. 2022. Constant (Festival World Premiere). In: "International Film Festival Rotterdam: Tiger Shorts Competition", Rotterdam, Netherlands, January 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. The Curse of Smooth Operations. In: "IMPAKT Festival 2022", IMPAKT, Utrecht, Netherlands, 2 November 2022 - 8 January 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2020. A Demonstration (Festival World Premiere). In: "Berlin International Film Festival: Berlinale Shorts Competition", Berlin, Germany, February 2020. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2021. A Demonstration (solo exhibition). In: "A Demonstration (solo exhibition)", CIAP, Genk, Belgium, 17 January - 14 March 2021. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2020. A Demonstration. [Film/Video]

Litvintseva, Sasha and Wagner, Beny. 2023. Film Screening: Constant (solo screening). In: "Measurement, modernism and mystics", Hugh Lane Gallery, Dublin, Ireland, 5 May 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. First Look 2022. In: "First Look", Museum of the Moving Image, New York, United States, 17 March 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. In/Visible Measures. In: "In/Visible Measures", Wexner Center for the Arts, Ohio State University, United States, 11 October 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. IndieLisboa 2022. In: "Sylvestre Competition", Lisbon, Portugal, 1 May 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. LIMA Presents: Sasha Litvintseva and Beny Wagner. In: "LIMA Presents: Sasha Litvintseva and Beny Wagner", LAB111, Amsterdam, Netherlands, 23 November 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2023. Living Togetherness. In: "Living Togetherness, Taiwan International Video Art Biennale", Hong-Gah Museum Taipei, Taiwan, Province of China, 4 November 2023 - 28 January 2024. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2023. 'Masterclass Artist Film'. In: Collective Session 4. SoundImageCulture, Brussels, Belgium 19 - 23 June 2023. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2022. 'Materialities of Measure'. In: Dis/Entangling Perspectives in Material Research Lecture Series. Humboldt University of Berlin, Germany 3 January 2022. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2023. The Measure of the World. In: "The Measure of the World", Radius CCA, Delft, Netherlands, 25 February - 14 May 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2021. Monster as Medium: Experiments in Perception in Early Modern Science and Film. e-flux journal(116), ISSN 2164-1625 [Article]

Litvintseva, Sasha and Wagner, Beny. 2022. Monsters and Measures (solo programme). In: "Monsters and Measures", e-flux Screening Room, New York, United States, 27 September 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2021. 'Monsters, Measures, and Movements'. In: [e]Motion: Graduate Conference on Science and Technology of the Arts. Escola das Artes Católica, Porto, Portugal 9 - 11 December 2021. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2021. 'Monstrare: Documenting Beyond the Indexical'. In: Visible Evidence 2021. Frankfurt am Main, Germany 14 - 18 December 2021. [Conference or Workshop Item]

Litvintseva, Sasha and Wagner, Beny. 2023. More-Than-Human Gaze. In: "More-Than-Human Gaze", Museum of Modern Art in Warsaw, Poland, 23 September 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2023. My Want of You Partakes of Me. [Film/Video]

Litvintseva, Sasha and Wagner, Beny. 2019. Never Odd or Even – On Palindromes and Metaphors. In: Mirna Belina, ed. Hereafter. Amsterdam: Sonic Acts Press, pp. 144-155. ISBN 9789082321654 [Book Section]

Litvintseva, Sasha and Wagner, Beny. 2022. Open City Documentary Festival. In: "Open City Documentary Festival", Genesis Cinema, London, United Kingdom, 10 September 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2023. Science, Body, Anatomy. In: "Science, Body, Anatomy", Tate Modern, Starr Cinema, United Kingdom, 25 November 2023. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2024. The Spell of the Sensuous. In: "The Spell of the Sensuous, Sonics Acts Bienniale 2024", W139, Amsterdam, Netherlands, 3 February - 24 March 2024. [Show/Exhibition]

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Litvintseva, Sasha and Wagner, Beny. 2023. This Too is A Map, 12th Seoul Mediacity Biennale. In: "12th Seoul Mediacity Biennale", Seoul Museum of Art, Korea, Republic of, 21 September - 19 November 2023. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2022. Transmediale 2022: This is Not Anarchy, This is Chaos. In: "Transmediale 2022: This is Not Anarchy, This is Chaos", Haus der Kulturen der Welt, Berlin, Germany, 28 - 29 January 2022. [Show/Exhibition]

Litvintseva, Sasha and Wagner, Beny. 2021. Work in Progress. In: "Work in Progress", Queer Art Projects, London, United Kingdom, 15 October 2020 - 15 January 2021. [Show/Exhibition]

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Lloyd, Kirsten; Dimitrakaki, Angela; Perry, Lara; Jefferis, Kerri; Robinson, Hilary; Reckitt, Helena and UNSPECIFIED. 2017. 'Feminist Emergency: The art field'. In: Feminist Emergency: The art field. Birkbeck, University of London, United Kingdom 23 June 2017. [Conference or Workshop Item]

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Lobo, Francisco Sousa. 2016. Crisis of Meaning, Crisis of Form. Doctoral thesis, Goldsmiths, University of London [Thesis]

Lomax, Yve. 2002. A Burning Issue. In: T Horkova; E. Maurer; J. Hofleitner and R. Maurer-Horak, eds. Image/Images - Current Positions in Photography. Passagen Verlag, pp. 73-82. ISBN 385165515X [Book Section]

Lomax, Yve. 2006. On Bringing Education to Life: Notes for Further Thought. In: Irit Rogoff; A. Nollert; B. De Baere; Y. Dziewior; C. Esche and K. Niemann, eds. Academy. Revolver, pp. 223-227. ISBN 3865883036 [Book Section]

Lomax, Yve. 2006. Sounding the Event: Escapades in Dialogue with Matters of Art, Nature and Time. I B Tauris. ISBN 1850436738 [Book]

Lomax, Yve. 2006. Thinking Stillness. In: D. Green and J. Lowry, eds. Stillness and Time: Photography and the Moving Image. Photoworks/Photoforum, pp. 55-63. ISBN 1903796180 [Book Section]

Lomax, Yve. 2009. To Not Happen. Parallax, 15(4), pp. 33-44. ISSN 1353-4645 [Article]

Lord, Catherine and Williams Gamaker, Michelle. 2018. O A R The Oxford Artistic & Practice Based Research Platform Shooting Back in (That's All There Is Issue 3). O A R: The Oxford Artistic and Practice Based Research Platform, 3, ISSN 2399-5092 [Article]

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Lourenco, Sandra. 2018. Performative Interplay: Contemporary art as role model to anti-model of corporate management. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Lowther, Rachel and Reckitt, Helena. 2016. ''F*CK WAR, LET’S MAKE ART''. In: F*CK WAR, LET’S MAKE ART. Glasgow School of Art, United Kingdom 17 February 2016. [Conference or Workshop Item]

Lubbock, Tom; Coutts, Marion and Murray, Peter. 2000. Marion Coutts, Yorkshire Sculpture Park. Yorkshire Sculpture Park. ISBN 978-1871480320 [Book]

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Lubna, Arielle Gem and Mabb, David. 2011. Art and Appropriation – when does artistic freedom become copyright infringement?. [Film/Video]

Ludwig, Katharina. 2024. The Hole: Notes toward an insurrectionary poetics of the wounded text. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Mabb, David. 2016. About Two Worlds. In: "About Two Worlds", Handel Street Projects, United Kingdom, 16 January – 20 February 2016. [Show/Exhibition]

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Mabb, David. 2016. About Two Worlds. Salvage, 3, pp. 177-190. ISSN 2058-6361 [Article]

Mabb, David. 2021. Annotations on Historical Materialism Conference Posters. Folded Life, Talking Textile Politics, [Article]

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Mabb, David. 2014. Announcer. Focal Point Gallery, Southend on Sea, United Kingdom 12th April 2014 -12th July 2014. [Show/Exhibition]

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Mabb, David. 2015. Announcer. In: "Announcer", William Morris Gallery, United Kingdom, 27-June - 27 Sept 2015. [Show/Exhibition]

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Mabb, David. 2016. Announcer. [Digital]

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Mabb, David. 2014. Announcer (broadsheet). [Exhibition Catalogue]

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Mabb, David. 2006. Art into Everyday Life. In: "Art into Everyday Life", Contemporary Art Centre, 1/20/2006 - 3/19/2006. [Show/Exhibition]

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Mabb, David. 2013. Art into Everyday Life. In: Marta Rabikowska, ed. The Everyday of Memory; Between Communism and Post-Communism. Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien.: Peter Lang, pp. 137-146. ISBN ISBN 978-3-0343-0847-2 [Book Section]

Mabb, David. 2003. Art of the Stitch and Sample. In: Polly Leonard, ed. Art of the Stitch and Sample. London: Embroiderers Guild. [Book Section]

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Mabb, David. 2004. Artist Contribution in Transmission: Speaking and Listening Volume 3 Ornament and Utility. In: Emma Cocker; Lesley Sanderson and Sharon Kivlan, eds. Transmission: Speaking and Listening Volume 3 Ornament and Utility. Site Gallery. ISBN 9781899926510 [Book Section]

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Mabb, David. 2004. Arttextiles 3. In: "Arttextiles 3", Bury St Edmunds Art Gallery. [Show/Exhibition]

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Mabb, David. 2012. Bed Peace. In: "Dreamers of Dreams part of Late at Tate", Tate Britain, United Kingdom. [Show/Exhibition]

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Mabb, David. 2014. 'But what does it mean to paint politically?'. In: Painting as Commitment. Firstsite, Colchester, United Kingdom 21 June 2014. [Conference or Workshop Item]

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Mabb, David. 2013. Commodity as comrade. Ephemera Journal, 13(2), pp. 445-448. ISSN 2052-1499 [Article]

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Mabb, David. 2016. Construct 1, Morris, Trellis / Stepanova, Optical. 2003. In: "The Gardener Digs in Another Time", Whitworth Art Gallery, United Kingdom, 23 June - 9 October 2016. [Show/Exhibition]

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Mabb, David. 2019. Construct 63 (Graveside Oration for Rosa Luxemburg: Morris, Golden Lily / Malevich, Suprematist Composition), 2006. [Printed Ephemera]

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Mabb, David. 2020. Construct 69, Morris, Daisy / Stepanova, Optical and Construct 70, Morris & Co. (Dearle) Iris / Stepanova, Optical. In: "Beyond Other Horizons", Iași Palace of Culture, Romania, 1st - 31st March 2020. [Show/Exhibition]

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Mabb, David. 2002. Critical Home Video. [Exhibition Catalogue]

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Mabb, David. 2011. Current (Green Engineering Object). [Printed Ephemera]

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Mabb, David. 2011. David Mabb. In: "Artist of the Day", Flowers, United Kingdom, 29/6/11. [Show/Exhibition]

Mabb, David. 2002. David Mabb. In: , ed. Sidewinder. Calcutta: CIMA Gallery. ISBN 8187977019 [Book Section]

Mabb, David. 2009. 'David Mabb discussing William Morris and the Constructivists. What went wrong?'. In: Constructivism and the Art of Everyday Life. Tate Modern, United Kingdom 28 March 2009. [Conference or Workshop Item]

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Mabb, David. 2021. David Mabb selects The Internationale in 95 languages compiled by MandalorTeSiit.. In: "So the Red Rose", Arkadien Festival, Kunstverein, Ebersberg, Germany, 2021. [Show/Exhibition]

Mabb, David. 2014. 'David Mabb’s on his 'co-creation' with William Morris'. In: Art Talk 2014. University of Hertfordshire, United Kingdom 2014. [Conference or Workshop Item]

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Mabb, David. 2000. The Decorating Business. In: "The Decorating Business", Oakville Gallery, Canada, 7 October – 26 November 2000. [Show/Exhibition]

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Mabb, David. 2023. Dialectical Reversal in About Two Worlds. In: Sarah Horton and Victoria Mitchell, eds. Pattern and Chaos in Art, Science and Everyday Life: Critical Intersections and Creative Practice. Bristol: Intellect, pp. 222-228. ISBN 9781789388718 [Book Section]

Mabb, David. 2024. 'Dialectical Reversal in About Two Worlds'. In: ‘Pattern and Chaos in Art, Science and Everyday Life: Critical Intersections and Creative Practice’ Book Launch. Norwich University of the Arts, United Kingdom 19 March 2024. [Conference or Workshop Item]

Mabb, David. 2011. Elegies to the Third International. [Digital]

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Mabb, David. 2003. A Factory As It Might Be or The Hall Of Flowers. In: "A Factory As It Might Be or The Hall Of Flowers", Art Gallery of Windsor, Canada, 8/9/2003 - 10/5/2003. [Show/Exhibition]

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Mabb, David. 2019. Four Historical Materialism Posters. In: "Songs the Plants Taught Us", Anytime Dept., United States, 30 March - 28 April 2019. [Show/Exhibition]

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Mabb, David. 2012. Fruit Twigs Card. [Design]

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Mabb, David. 2003. Further Up In The Air. In: "Further A Field", Liverpool, United Kingdom. [Show/Exhibition]

Mabb, David. 2004. Furthermore … ‘a book of proposals’: Proposal for The Linosa Close Transitional Monument. [Artist's Book]

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Mabb, David. 2003. The Hall of the Modern. In: "The Hall of the Modern", The Economist Plaza, London, United Kingdom, 1 October -23 November 2003. [Show/Exhibition]

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Mabb, David. 2023. 'Have nothing in your house that you do not know to be useful, or believe to be beautiful'. In: "Sieh einmal die schönen Blumen", Jägerschere gallery for contemporary art, Niederer-Fläming Germany, Germany, 7 May - 11 June 2023. [Show/Exhibition]

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Mabb, David. 2009. "Have nothing in your houses that you do not know to be useful, or believe to be beautiful”. In: ""Have nothing in your house that you do not know to be useful, or believe to be beautiful"", Leo Kamen Gallery, Toronto, Canada, Feb 21 - Mar 21, 2009. [Show/Exhibition]

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Mabb, David. 2024. Haymarket Books, Historical Materialism book series, cover designs.. [Design]

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Mabb, David. 2010. Hijack: Morris Dialectically. In: Phillipa Bennett and Rosie Miles, eds. William Morris in the Twenty-First Century. (20) Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang, pp. 153-166. ISBN 978-3-0343-0106-0 [Book Section]

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Mabb, David. 2018. Historical Materialism (logo and graphics). [Digital]

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Mabb, David. 2019. Historical Materialism Book Series Poster. [Design]

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Mabb, David. 2012. Historical Materialism Conference Poster 2012.. [Design]

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Mabb, David. 2013. Historical Materialism Conference Poster 2013. [Design]

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Mabb, David. 2014. Historical Materialism Conference Poster 2014. [Design]

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Mabb, David. 2015. Historical Materialism Conference Poster 2015. [Design]

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Mabb, David. 2016. Historical Materialism Conference Poster 2016. [Design]

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Mabb, David. 2017. Historical Materialism Conference Poster 2017. [Design]

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Mabb, David. 2018. Historical Materialism Conference Poster 2018. [Design]

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Mabb, David. 2019. Historical Materialism Conference Poster 2019. [Design]

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Mabb, David. 2021. Historical Materialism Conference Poster 2021. [Design]

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Mabb, David. 2022. Historical Materialism Conference Poster 2022. [Design]

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Mabb, David. 2024. Historical Materialism Conference Poster 2024. [Design]

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Mabb, David. 2020. Historical Materialism Conference Posters 2020. [Design]

Mabb, David. 2021. Historical Materialism Conference Posters, London 2012-2022. [Design]

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Mabb, David. 2023. Historical Materialism London Conference Poster 2023. [Design]

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Mabb, David. 2017. How I came to Morris. Wiliam Morris Society Magazine(Summer), ISSN 2398-1911 [Article]

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Mabb, David. 2014. IDEA13 TV: Interview with artist DAVID MABB Focal Point Gallery 11 April 2014. [Film/Video]

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Mabb, David. 2023. Image for Cover for Cover Image Les Monde du Travail. [Printed Ephemera]

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Mabb, David. 2018. Image from Rhythm 69 for Journal of Socialist Studies/Études socialistes. [Digital]

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Mabb, David. 2014. In England's Green and Pleasant Land. In: "Mr and Mrs Andrews", Transition Gallery, 29 November - 21 December 2014. [Show/Exhibition]

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Mabb, David. 2020. In Search of Chairman Mao: 12 Days in Beijing. In: "The Red Mansion Anniversary Art Prize Exhibition.", Royal Academy of Art, United Kingdom, 18—25 Mar 2020 (Closed on the day it opened due to pandemic).. [Show/Exhibition]

Mabb, David. 2004. Inter. In: "Inter", Harris Museum and Art Gallery, London, United Kingdom. [Show/Exhibition]

Mabb, David. 2005. Interview. In: , ed. Pilot: 2. London: Pilot. [Book Section]

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Mabb, David. 2020. Kehinde Wiley, The Yellow Wallpaper. Journal of William Morris Studies, XXIII(4), pp. 35-40. ISSN 1756-1353 [Article]

Mabb, David. 2021. 'The Kelmscott facsimile works and new book cover designs: Dialectical propositions'. In: The Kelmscott Press and Its Legacies. St Bride Foundation, London, United Kingdom 6 November 2021. [Conference or Workshop Item]

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Mabb, David. 2014. Left Helicon Cover. [Printed Ephemera]

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Mabb, David. 2014. 'Legacies of Malevich Symposium: Abstraction then and Now'. In: Legacies of Malevich Abstraction then and Now. Camberwell College of Art, London, United Kingdom 23rd October 2014. [Conference or Workshop Item]

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Mabb, David. 2023. Les Mondes du Travail cover. [Design]

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Mabb, David. 2023. ‘Lietuva’ and ‘The Benetton Shop' from 'Art into Everyday Life’. In: "Outsiders Look at Vilnius", National Gallery of Art, Vilnius, Lithuania, 7 April - 11 June 2023. [Show/Exhibition]

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Mabb, David. 2019. Life and Art at the David Parr House. Journal of William Morris Studies, XXIII(2), pp. 66-73. ISSN 1756-1353 [Article]

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Mabb, David. 2017. Long Live the New! Morris & Co. Hand Printed Wallpapers and K. Malevich’s Suprematism, Thirty Four Drawings, including covers, addendum and afterword. Red Wedge(4), [Article]

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Mabb, David. 2010. Luibov Popova Untitled Textile Design on William Morris Wallpaper for Historical Materialism. [Art Object]

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Mabb, David. 2013. Luibov Popova Untitled Textile Design on William Morris Wallpaper for Historical Materialism. In: "The Difference Loom", Iziko South Africa National Gallery, Annexe, South Africa, 21 August – 27 September 2013. [Show/Exhibition]

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Mabb, David. 2016. Maid with Two Squares. [Art Object]

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Mabb, David. 2018. May Morris: Art & Life. William Morris Society Magazine, [Article]

Mabb, David. 2007. A Miniature Retrospective. [Digital]

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Mabb, David. 2010. The Morris Kitsch Archive. In: "The Morris Kitsch Archive", Delaware Center for Contemporary Art, Wilmington, Delaware, United States, 13/08/10 – 05/12/10. [Show/Exhibition]

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Mabb, David. 2005. Morris in Jaipur: The Work of Art in the Context of Hand-made Reproduction. In: "Morris in Jaipur: The Work of Art in the Context of Hand-made Reproduction", Queens Galley, British Council, 3/18/2005 - 4/9/2005. [Show/Exhibition]

Mabb, David. 2010. Morris/Fruit, Rodchenko/Triple Peaks. In: Gill Saunders, ed. Walls Are Talking: Wallpaper, Art and Culture. Chicago and London: The Whitworth Art Gallery, Manchester and KWS Publishers. [Book Section]

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Mabb, David. 2021. News from SOMEWHERE. The Journal of William Morris Studies, XXIV(1-2), pp. 88-94. ISSN 1756-1353 [Article]

Mabb, David. 2009. Notes on the Morris Kitsch Archive. Textile: The Journal of Cloth and Culture, 7(3), [Article]

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Mabb, David. 2002. Pattern Crazy. In: "Pattern Crazy", Crafts Council Gallery, London, United Kingdom. [Show/Exhibition]

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Mabb, David. 2014. 'Peer Session 45. David Mabb.'. In: David Mabb. Announcer. Focal Point Gallery, United Kingdom 14 June 2014. [Conference or Workshop Item]

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Mabb, David. 2019. Provisional Memorial to Nuclear Disarmament and Placards for Mutinous Submariners. In: "Parade", Former Tourist Information Centre/Broadway Gallery, Letchworth Garden City, United Kingdom, 13 December 2019 - 16 February 2020. [Show/Exhibition]

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Mabb, David. 2016. A Provisional Memorial to Nuclear Disarmament. The Journal of William Morris Studies, XXII(1), pp. 42-53. ISSN 1756-1353 [Article]

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Mabb, David. 2016. A Provisional Memorial to Nuclear Disarmament. [Art Object]

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Mabb, David. 2013. Regime Change Begins at Home. In: "Regime Change Begins at Home", William Morrris Gallery, United Kingdom, 1st May - 28th July 2013. [Show/Exhibition]

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Mabb, David. 2008. Rhythm 69. [Art Object]

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Mabb, David. 2008. Rhythm 69 and A Miniature Retrospective. In: "Rhythm 69 and A Miniature Retrospective", Jugendstilsenteret & KUBE, Alesund, Norway, 31 May - 18 August 2008. [Show/Exhibition]

Mabb, David. 2015. Rhythmus. In: "‘Graphics Interchange Format: 25 Years of Focal Point Gallery", FocalPoint Gallery, United Kingdom, 21 July - 19 September 2015. [Show/Exhibition]

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Mabb, David. 2017. Rise Up!. In: "Rise UP!", Nunns Yard, United Kingdom, 30/05/17 - 06/06/17. [Show/Exhibition]

Mabb, David. 2003. Science Fiction Double Feature. In: "Science Fiction Double Feature", Aas, Birmingham, United Kingdom. [Show/Exhibition]

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Mabb, David. 2017. Self Portrait as the Angel of History. In: "Public View", Bluecoat Gallery, United Kingdom, 4 February - 23 April 2017. [Show/Exhibition]

Mabb, David. 2006. Self-Portrait as Rodchenko (Based on a Photograph by Mikhail Kaufman, David Mabb in William Morris ‘Fruit’ Production Suit, photographed by Robin Forster and copied in paint by Rajendra Sharma). In: "John Moores 24", National Museums Liverpool, United Kingdom, 16 September - 26 November 2006. [Show/Exhibition]

Mabb, David. 2006. The Sneeze. [Exhibition Catalogue]

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Mabb, David. 2002. Some Introductory Notes On My Morris Works. The Journal of William Morris Studies, 15(1), [Article]

Mabb, David. 2003. Spring, Fine Arts. Spring, Fine Arts, The British School at Rome, [Article]

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Mabb, David. 2024. Sweet Briar Leaves (from the painting of the same name by David Mabb, 2001, painted by Rajendra Sharma, 2005). In: "Extempore 24", Tension Fine Art, London, United Kingdom, 22 February - 2 March 2024. [Show/Exhibition]

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Mabb, David. 2020. Three placards: Chernobyl, Ukraine; Ignalina, Lithuania; Astravets, Belarus.. In: "Splitting the Atom", CAC/SMK Centre for Contemporary Art and The Energy & Technology Museum, Lithuania, 18 September – 25 October 2020. [Show/Exhibition]

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Mabb, David. 2004. Transitional Monument. [Art Object]

Mabb, David. 2005. Two series of paintings: Elegies to the Third International and Unrealised Projects Series. In: Dave Beech and Mark Hutchinson, eds. There is Always an Alternative. London: Arts Council. [Book Section]

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Mabb, David. 2019. Unrealised Project. In: "LLAWN (Llandudno Arts Weekend), Murals", Llandudno, United Kingdom, 13-15 September 2019. [Show/Exhibition]

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Mabb, David. 2022. Variant 7, William Morris Colouring Book with Untitled Textile Design by Varvara Stepanova.. In: "Patternicity", ASC Gallery, London, United Kingdom, 2022. [Show/Exhibition]

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Mabb, David. 2015. 'When class-robbery is abolished every man will reap the fruits of his labour'. In: "2nd International Bodrum Biennial “Tolerance - Forbearance”", Bodrum, Turkey, 12 September - 12 November 2015. [Show/Exhibition]

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Mabb, David. 2016. 'William Morris Goes Atomic: A Provisional Memorial to Nuclear Disarmament'. In: William Morris Goes Atomic: A Provisional Memorial to Nuclear Disarmament. William Morris Society, United Kingdom 3 December 2016. [Conference or Workshop Item]

Mabb, David. 2020. William Morris and the Culture Industry: Appropriation, Art, Critique. In: Florence S. Boos, ed. The Routledge Companion to William Morris. New York and Abingdon: Routledge, pp. 227-258. ISBN 9780415347433 [Book Section]

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Mabb, David. 2017. William Morris and the atomic. Journal of Contemporary Painting, 3(1-2), pp. 22-53. ISSN 2052-6695 [Article]

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Mabb, David. 2017. William Morris's Utopianism cover image David Mabb. [Printed Ephemera]

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Mabb, David. 2004. William Morris, "Ministering to the swinish luxury of the rich". In: "William Morris, "Ministering to the swinish luxury of the rich"", Whitworth Art Gallery, University of Manchester, United Kingdom, 4/10/2004 - 12/23/2004. [Show/Exhibition]

Mabb, David. 2019. 'William Morris’ ‘Tudor Rose’ and the Royal Navy'. In: Morris & Co. Interiors A symposium organised by the National Trust. Art Workers Guild, London, United Kingdom 6 November 2019. [Conference or Workshop Item]

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Mabb, David. 2004. Wish You Were Here. In: "Wish You Were Here", Waygood Gallery, Newcastle, United Kingdom. [Show/Exhibition]

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Mabb, David. 2014. beaT bouT. [Art Object]

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Mabb, David. 2019. A pattern of life. [Art Object]

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Mabb, David; Bilton, Joshua; Harvey-Regan, Darren; Moore, Jenny; Ounanian, Steven; Pickering, Kate and Warne Thomas, Charlotte. 2014. Who Thinks the Future?. Lewisham Art House, United Kingdom 26th September - 5th October 2014. [Show/Exhibition]

Mabb, David; Buxey, K.R.; Harris, Mark; Ishige, Yasu; Lai, Adrienne; Lewis, Peter Lloyd; Macrae, Sheena; Maier, Johannes; Wyatt, Angus and Kollectiv, Pil and Galia. 2002. Critical Home Video (Peterborough). [Exhibition Catalogue]

Mabb, David and Carey, Brainard. 2015. David Mabb: Interview with Brainard Carey. [Audio]

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Mabb, David; Edwards, Steve and Arscott, Caroline. 2004. David Mabb, William Morris. Ministering to the Swinish Luxuary of the Rich. [Exhibition Catalogue]

Mabb, David; Edwards, Steve and Day, Gail. 2010. ‘What Keeps Mankind Alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics. Historical Materialism, 18(4), pp. 135-171. [Article]

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Mabb, David; Edwards, Steve; Higgs, Matthew; Périnet, Francine and Fleming, Marnie. 2001. David Mabb: The Decorating Business. [Exhibition Catalogue]

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Mabb, David; Elshamy, Mosa’ab and Collective, Justseeds. 2017. #WorldsUpsideDown. In: "#WorldsUpsideDown", Firstsite, United Kingdom, 11 March 2017 - 2 April 2017. [Show/Exhibition]

Mabb, David and Gibson, Catherine. 2000. Problems of Everyday Life. [Printed Ephemera]

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Mabb, David; Jablonskiene, Lolita and Rees, Simon. 2006. Mabb: Art into Everday Life. [Exhibition Catalogue]

Mabb, David and Kreivytė, Laima. 2006. Menas kasdienybei: dizaino politika Pokalbis su britų menininku Davidu Mabbu. [Digital]

Mabb, David and Malik, Suhail. 2017. Art Teaching: Dialectics of Practice and Theory. In: Peter Sonderen and Marijn de Langen, eds. Theory - Arts - Practices. Arnhem: ArtEZ Press, pp. 69-81. ISBN 978-94-91444-39-5 [Book Section]

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Mabb, David; Parekh, Manisha; Dayanita, Dayanita Singh and Audiobombing Crew. 2011. Serial Pursuit. In: "Serial Pursuits", Nature Morte, Berlin, Germany, December 13, 2011 - January 28, 2012. [Show/Exhibition]

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Mabb, David and Quaintance, Morgan. 2014. 'David Mabb in conversation with Morgan Quaintance'. In: Announcer. Focal Point Gallery, United Kingdom 28 May 2014. [Conference or Workshop Item]

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Mabb, David and Schrat, Henrik. 2013. David Mabb & Henrik Schrat. In: "LoBe", Berlin, Germany. [Show/Exhibition]

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Mabb, David; Syjuco, Stephanie; Slavick, Susanne and Lynn Waddell, Stacy. 2013. Highlights from The Morris Kitsch Archive. In: "Ornament and Crime", Ortega y Gasset Projects, United States, November 2nd – December 15th, 2013. [Show/Exhibition]

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Mabb, David and Walsh, Mary Ruth. 2011. Utopia Ltd. In: "Utopia Ltd", Highlanes Gallery Drogheda, Ireland, 30/04/2011-03/08/2011. [Show/Exhibition]

Mabb, David and et al.. 2007. Dialogues, Biennale of Contemporary Art. In: "Dialogues, Biennale of Contemporary Art, Menage", St Petersburg, Russian Federation. [Show/Exhibition]

Mabb, David and et al.. 2004. Interview. In: , ed. Pilot:1 Q&A by Doriane Laithier. London: Pilot. [Book Section]

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MacDonald, Fiona; Whiles, Annie; Pilkington, Cathie and Ashton, Sean. 2015. Thirteen Blackbirds Look at a Man. [Exhibition Catalogue]

MacGillivray, Carol. 2010. Bolt 2012 - A kinetic sculpture. [Art Object]

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MacKisack, Matthew. 2013. Cancelling Phantasmata: The Fate and Function of the Inner Image. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Maier, Johannes. 2011. Embeddedness as Condition and Strategy in Contemporary Art and Cultural Production. Doctoral thesis, Goldsmiths, University of London [Thesis]

Malik, Suhail. 2007. Art - critique - capital. In: Bridget Crone and Kirsty Ogg, eds. The Showroom annual 2005/6. London: Showroom, p. 38. [Book Section]

Malik, Suhail. 2019. Capitalising Antigentrification. Realty, [Article]

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Malik, Suhail. 2018. ContraContemporary. In: Thijs Lijster, ed. The Future of the New: Artistic Innovation in Times of Social Acceleration. Amsterdam: Valiz, pp. 247-278. ISBN 9789492095589 [Book Section]

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Malik, Suhail. 2008. Critique as alibi: moral differentiation in the art market. Journal of Visual Art Practice, Special Issue on Critique, 7(3), pp. 283-295. ISSN 14702029 [Article]

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Malik, Suhail. 2016. Dispossed and Watered-Down. Hegemonic Neomaterialism and its Limitations. Springerin: Hefte für Gegennwartskunst, 22(1), pp. 48-50. ISSN 1029-1830 [Article]

Malik, Suhail. 2011. Educations Sentimental and Unsentimental: Repositioning the Politics of Art and Education. Redhook: Journal of Curatorial Studies, 1, n/a-n/a. [Article]

Malik, Suhail. 2004. Gewalt. In: "Gewalt", Loushy Art and Editions, 2/19/2004 - 3/19/2004. [Show/Exhibition]

Malik, Suhail. 2008. Hadassah Emmerich. Review - 32 Jahre Künstlerhaus Bethanien, [Article]

Malik, Suhail. 2006. 'Introduction' and 'Fucking straight death metal' in Special Section of journal. Journal of Visual Culture, Special Section 'The war in Iraq and visual culture', 5(1), pp. 107-112. [Article]

Malik, Suhail. 2016. Materialist Reason and its Languages. Part One: Absolute Reason, Absolute Deconstruction. In: Suhail Malik and Armen Avanessian, eds. Genealogies of speculation : materialism and subjectivity since structuralism. London and New York: Bloomsbury Academic, pp. 238-268. ISBN 9781472591678 [Book Section]

Malik, Suhail. 2008. Measure for Measure. In: Juan Bolivar, ed. Geometry Wars. Southampton: John Hansard Gallery, xvii-xxi. ISBN 978 0854328932 [Book Section]

Malik, Suhail. 2007. 'Method without discipline'. In: Inventing methodologies 2: an interdisciplinary workshop on postgraduate practice-based research. Goldsmiths, University of London February 2007. [Conference or Workshop Item]

Malik, Suhail. 2006. On the Compostability of Painting. In: No named editor, ed. Nigel Cooke: Paintings 2001-2006. Koenig Books, pp. 22-32. ISBN 3865600662 [Book Section]

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Malik, Suhail. 2007. 'On the conditions of politics'. In: On the Conditions of Politics conference. Conway Hall, London 28 June 2007. [Conference or Workshop Item]

Malik, Suhail. 2014. The Ontology of Finance: Price, Power, and the Arkhéderivative. In: , ed. Collapse: Philosophical Research and Development. 8 (629) Falmouth: Urbanomic, pp. 629-812. ISBN 978-0-9567750-2-3 [Book Section]

Malik, Suhail. 2002. Painting as Contemporary Art. In: No Named Editor, ed. Painting as a Foreign Language. Centro Brasileiro Britanico, pp. 8-17. ISBN 8588116073 [Book Section]

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Malik, Suhail. 2015. Reason to Destroy Contemporary Art. In: Christoph Cox; Jenny Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin/Annandale-on-Hudson: Sternberg Press / Center for Curatorial Studies Bard College, pp. 185-190. ISBN 9783956791260 [Book Section]

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Malik, Suhail. 2016. The Speculative Time Complex. In: Suhail Malik and Armen Avanessian, eds. The Time Complex: Postcontemporary. Miami, Florida: [NAME], pp. 7-56. ISBN 9780984056616 [Book Section]

Malik, Suhail. 2002. Towards a Socio-Psychologistical Theory of Fatiscism. White Cube. ISBN 0954236335 [Book]

Malik, Suhail. 2008. Untitled. In: Pil and Galia Kollectiv, ed. Institute of Psychoplasmics. London: Pump House Gallery, pp. 30-62. ISBN 978 0 954467 [Book Section]

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Malik, Suhail. 2014. The Value of Everything. Texte zur Kunst, 93, pp. 66-79. [Article]

Malik, Suhail. 2017. When is Contemporary Art? In: Simon Sheikh and Maria Hlavajova, eds. Former West: Art and the Contemporary after 1989. Cambridge, MA: MIT Press. ISBN 9780262533836 [Book Section]

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Malik, Suhail. 2010. You Are Here. In: Bassam el-Baroni; Jeremy Beaudry and Nav Haq, eds. Manifesta 8: The European Biennial of Contemporary Art, Region of Murcia (spain) in dialogue with northern Africa. Milan: Manifesta, pp. 58-61. ISBN 97888 3661697 8 [Book Section]

Malik, Suhail. 2007. A boom without end? Liquidity, critique and the art market. Mute: culture and politics after the net, 2(6), pp. 92-99. ISSN 1356-7748-261 [Article]

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Malik, Suhail; Beech, Amanda; Esche, Charles; Phillips, Andrea; Poole, Matthew and Sassen, Saskia. 2007. 'Discussion panel for Pilot:3'. In: Venice Biennale. Monastery of St Damien and St Cosimo, Venice, Italy Summer 2007. [Conference or Workshop Item]

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Malik, Suhail and Cox, Christoph. 2016. A Questionnaire on Materialisms. October, 115, pp. 26-28. ISSN 0162-2870 [Article]

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Malik, Suhail; Kruk, Vinca and van der Velden, Daniel. 2018. Propaganda Is Now Another Name for Communication Itself: Conversation with Metahaven and Suhail Malik. In: Karen Archey and Gwen Parry, eds. PSYOP. Amsterdam: Stedelijk Musem. ISBN 9783960983620 [Book Section]

Malik, Suhail; Mitchell, Jo; Gaskin, Viviene; Morris, Michael and Bohn, Chris. 2007. 'Discussion panel on Jo Mitchell's 'Concerto for voice and machinery''. In: Panel. ICA, London. [Conference or Workshop Item]

Malik, Suhail and Phillips, Andrea. 2011. The Wrong of Contemporary Art: Aesthetics and Political Indeterminacy. In: Paul Bowman and Richard Stamp, eds. Reading Rancière: Critical Dissensus. London: Continuum, pp. 111-128. ISBN 978 1 4411 9037 6 [Book Section]

Malik, Suhail; Phillips, Andrea and Beech, Amanda. 2007. 'Resistance or invention? Art and global capital assemblage'. In: Local operations. Sackler Centre of Arts Education at the Serpentine Gallery, London, United Kingdom 23 May - 1 July 2007. [Conference or Workshop Item]

Malik, Suhail; Phillips, Andrea and Klee, Steve. 2007. 'Discussion panel on 'Aernout Mik: solo exhibition''. In: Panel discussion. Camden Arts Centre, London, United Kingdom February - April 2007. [Conference or Workshop Item]

Malik, Suhail; Phillips, Andrea and Olfers, Sophie Van. 2007. 'National (Re)Presentation: a four session research project'. In: Four evening discussions. Witte de With, Rotterdam, Netherlands 4-25 October 2007. [Conference or Workshop Item]

Malik, Suhail and Vengrytè, Alberta. 2018. Interview with Suhail Malik. In: Jogintė Bučinskaitė, ed. VDA interviu: Meno Mokykla (En: VD Interviews: Art School). Vilnius, Lithuania: Vilnius Academy of Arts Publishing House, pp. 108-123. ISBN 9786094472985 [Book Section]

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Malik, Suhail and Zolghadr, Tirdad. 2018. Artist As Quarry. In: Tara MacDowell; Aileen Burns and Jonah Lundh, eds. The Artist As... Berlin: Sternberg Press, pp. 49-73. ISBN 978-3-95679-275-5 [Book Section]

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Malik, Suhail and Zolghadr, Tirdad. 2017. Postface. In: Thomas Keenan; Suhail Malik and Tirdad Zolghadr, eds. The Flood of Rights. berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College, pp. 261-275. ISBN 978-3-95679-140-6 [Book Section]

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Marin, Livia. 2011. Rules of Engagement: Trope of Estrangement - A relation between art and consumer object. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Marshall, Michael. 2007. Art, Sensation and the Edges of Thought. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Martin, Julia. 2015. Ecocritical Art in Times of Climate Change: Tracing Ecological Relationships Between Humans and Nonhumans Through the Hyperextension of Objects. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Martin, Simon. 2010. British Art Show 7: In the Days of the Comet. In: "British Art Show 7: In the Days of the Comet", Nottingham,London,Glasgow,Plymouth, United Kingdom, 2010 - 11. [Show/Exhibition]

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Martin, Simon. 2014. The Event Sculpture 2014. In: "The Event Sculpture", Henry Moore Institute, United Kingdom, 10 November 2014 - 8 March 2015. [Show/Exhibition]

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Martin, Simon. 2014. Glasgow International 2014. In: "Untitled", Kelvingrove Art Gallery and Museum, Glasgow, United Kingdom, 4 - 21 April 2014. [Show/Exhibition]

Martin, Simon. 2010. Incidents of Mirror-Travel in Yucatan and Elsewhere. In: Leon Pablo, ed. Incidentes de Viaje Espejo en Yucatan y otros Lugares/Incidents of Mirror-Travel in Yucatan and Elsewhere. Instituto Nacional de Bellas Artes y Literatura. ISBN 978-6076050873 [Book Section]

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Martin, Simon. 2014. Offsite project Focal Point Gallery 2014. In: "Hammer House", Focal Point Gallery, United Kingdom, 12 April 2014 to 12 July 2014. [Show/Exhibition]

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Martin, Simon. 2015. The Parliament of Things 2015. In: "The Parliament of Things", Firstsite Colchester, United Kingdom, 2015. [Show/Exhibition]

Martin, Simon. 2009. Simon Martin. In: "Simon Martin", Chisenhale Gallery, London, United Kingdom, 28th November 2008 – 18th January 2009. [Show/Exhibition]

Martin, Simon. 2013. Simon Martin. In: "Simon Martin", Northern Gallery for Contemporary Art, Sunderland, United Kingdom, 31 January - 3 May 2013. [Show/Exhibition]

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Martin, Simon. 2015. Simon Martin 2015. [Artist's Book]

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Martin, Simon. 2017. Simon Martin, Augustas Serapinas, Bridget Smith Group Exhibition Stanley Picker Gallery 2017. In: "Simon Martin, Augustas Serapinas, Bridget Smith Group Exhibition", Stanley Picker Gallery, United Kingdom, 16 February – 8 April 2017. [Show/Exhibition]

Martin, Simon. 2007. This is an artists project…. TANK, 4(9), [Article]

Martin, Simon. 2012. UR Feeling. In: "UR Feeling", Camden Arts Centre, London, 28 September 2012 - 2 December 2012. [Show/Exhibition]

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Martin, Simon. 2015. UR Feeling 2015. In: "UR Feeling", Camden Arts Centre, London, United Kingdom, 10 April - 21 June 2015. [Show/Exhibition]

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Martinis Roe, Alex and Reckitt, Helena. 2017. 'To Become Two: Alex Martinis Roe in conversation with Helena Reckitt'. In: Alex Martinis Roe in conversation with Helena Reckitt. The Showroom, London, United Kingdom 18 May 2017. [Conference or Workshop Item]

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Mathus Ruiz, Miguel. 2011. Tactility and Opticality in Contemporary Abstract Painting. Other thesis, Goldsmiths, University of London [Thesis]

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McAndrew, Clare; Malik, Suhail and Nestler, Gerald. 2016. Plotting the art market: An interview with Clare McAndrew. Finance and Society, 2(2), pp. 151-167. ISSN 2059-5999 [Article]

McBride, Rita and Gordon, Melissa. 2017. Something Stronger Than Me. In: "Something Stronger Than Me", Wiels Centre for Contemporary Art, Belgium. [Show/Exhibition]

McCartney, Ella. 2017. Consultancy. [Professional Activity]

McCartney, Ella. 2024. 'Encountering Sculpture as Image'. In: Early career research symposium: Modern Sculpture, Essence, and Difference: Reflections on the Work of Constantin Brâncuşi (The Henry Moore Foundation). The Courtauld Institute of Art, London, United Kingdom 26 April 2024. [Conference or Workshop Item]

McCartney, Ella. 2017. Exhibition: Completely Wingless, It Is Often Difficult To Be Widely Distributed. In: "Completely Wingless, It Is Often Difficult To Be Widely Distributed", Five Years Gallery, London, United Kingdom, May 2017. [Show/Exhibition]

McCartney, Ella. 2018. Forms of Address (Group Exhibition). In: "FORMS OF ADDRESS", Laure Genillard, United Kingdom, 1 December 2018 - 2 February 2019. [Show/Exhibition]

McCartney, Ella. 2016. From Image to Movement. In: "From Image to Movement - Beyond Words", Bloomsbury Festival, University College London, United Kingdom, October 2016. [Performance]

McCartney, Ella. 2017. Gender, Identity and Material. In: "Gender, Identity and Material", The Royal Academy of Art, United Kingdom, March 2017. [Show/Exhibition]

McCartney, Ella. 2016. 'InDialogue - Image into Movement'. In: InDialogue International Symposium. Nottingham Contemporary, United Kingdom December 2016. [Conference or Workshop Item]

McCartney, Ella. 2016. 'Interdisciplinary Research : Artist-Researcher Collaborations'. In: Interdisciplinary Research : artist-researcher collaborations. Birkbeck, University of London, United Kingdom May 2016. [Conference or Workshop Item]

McCartney, Ella. 2016. '‘Interpreting Language Through Art’ Panel Discussion'. In: ‘Interpreting Language Through Art’ Panel Discussion. Art Workers Guild, London, United Kingdom 19.10.2016. [Conference or Workshop Item]

McCartney, Ella. 2014. Light, Colour, Object. In: "Light, Colour, Object", Super Dakota Gallery, Bruxelles, Belgium, June 6 – July 12. 2014. [Show/Exhibition]

McCartney, Ella. 2014. Midway through the journey, neither here nor there. In: "Midway through the journey, neither here nor there", B.O.R.G, Hal, Antwerpen BE, Belgium, October - November 2014. [Show/Exhibition]

McCartney, Ella. 2019. Movement as Dialogue. In: "Movement as Dialogue", University of Hong Kong, Hong Kong. [Show/Exhibition]

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McCartney, Ella. 2019. Movement as Translation: Dancers in Dialogue. In: Madeleine Campbell and Ricarda Vidal, eds. Translating across Sensory and Linguistic Borders: Intersemiotic Journeys between Media. Cham, Switzerland: Palgrave Macmillan, pp. 293-309. ISBN 9783319972435 [Book Section]

McCartney, Ella. 2017. Objectified (Group Exhibition). In: "Objectified", CICA Museum, Korea, Republic of, 26 January - 11 February 2017. [Show/Exhibition]

McCartney, Ella. 2016. Objects On The Moon. [Artist's Book]

McCartney, Ella. 2017. On Cold Spring Lane. In: "On Cold Spring Lane", Assembly Point, London, United Kingdom, 05.07.2017 - 05.08.2017. [Show/Exhibition]

McCartney, Ella. 2016. Pavilion. In: "Pavilion", Villa Romana, Florence, Italy, 03.09.2016 - 10.2016. [Show/Exhibition]

McCartney, Ella. 2014. Player’s Ball: Ella McCartney in conversation with Peter Doig and Markus Lupertz. Arena Homme +, [Article]

McCartney, Ella. 2016. Radical Vulnerability. In: "Radical Vulnerability - Felicity Black", Caustic Coastal, Manchester, United Kingdom, 24th September 2016 - 23rd October 2016.. [Show/Exhibition]

McCartney, Ella. 2016. The Science of Imaginary Solutions. In: "The Science of Imaginary Solutions", Breese Little Galler, London, United Kingdom, 10 June - 17 September 2016. [Show/Exhibition]

McCartney, Ella. 2015. Soviet Space Archive: Configuration II. In: "Soviet Space Archive: Configuration II", Calvert 22 Foundation, London, United Kingdom, 10 – 31 October 2015. [Show/Exhibition]

McCartney, Ella. 2014. Tilt: International Artist Residency and Exhibition, The Royal Academy of Art, London. In: "Tilt: International Artist Residency and Exhibition, The Royal Academy, London", The Royal Academy of Art, London, United Kingdom, August - September 2014. [Show/Exhibition]

McCartney, Ella. 2017. To Act To Know To Be. In: "To Act To Know To Be", Lychee One Gallery London, United Kingdom, March 2017 - March 2017. [Show/Exhibition]

McCartney, Ella. 2017. To Act To Know To Be (La La Ra J Ra Ka). [Printed Ephemera]

McCartney, Ella. 2016. To Act, To Know, To Be (Live Performance). In: "To Act, To Know, To Be (Live Performance)", Nottingham Contemporary, United Kingdom, December 2016. [Performance]

McCartney, Ella. 2017. 'Translanguaging: Ella McCartney in conversation with Professor Zhu Hua'. In: Ella McCartney in conversation with Professor Zhu Hua. Birkbeck, University of London, United Kingdom February 2017. [Conference or Workshop Item]

McCartney, Ella. 2018. The sound of running water is completely normal. In: "The Sound of Running Water is Completely Normal", Lily Brooke Gallery, United Kingdom, 23 May - 24 June 2018. [Show/Exhibition]

McCartney, Ella and Hua, Zhu. 2017. A Visual Turn in Translanguaging? Translation and Translanguaging: Investigating Linguistic and Cultural Transformations in Superdiverse Wards in Four UK Cities, [Article]

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McCartney, Ella and Lake, Fiona. 2018. "It was just too much": Exploring the learner’s experience in Fine Art crits. Learning and Teaching in Action, 13(1), pp. 49-68. ISSN 1477-1241 [Article]

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Mellor, Bod. 2014. 'Artist Talk Dawn Mellor'. In: Artist Talk Dawn Mellor. University Of Huddersfield, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2016. 'Artist Talk Dawn Mellor'. In: Artist Talk Dawn Mellor. Reading. [Conference or Workshop Item]

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Mellor, Bod. 2016. 'Artist Talk- Dawn Mellor'. In: Artist Talk- Dawn Mellor. Northumbria University, Newcastle, United Kingdom. [Conference or Workshop Item]

Mellor, Bod. 2014. Collection on Display: Jean-Marc Bustamante, Liz Craft, Sylvie Fleury, Rachel Harrison, Kerstin Kartscher, Dawn Mellor, David Renggli. In: "Collection on Display: Jean-Marc Bustamante, Liz Craft, Sylvie Fleury, Rachel Harrison, Kerstin Kartscher, Dawn Mellor, David Renggli", Migros Museum für Gegenwartskunst., Switzerland. [Show/Exhibition]

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Mellor, Bod. 2017. 'Contemporary Art Lecture Dawn Mellor'. In: Dawn Mellor (Contemporary Art Lecture). SLADE School of Art, London, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2014. “The Crime Was Almost Perfect”. In: "The Crime Was Almost Perfect", Witte de With, Netherlands. [Show/Exhibition]

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Mellor, Bod. 2016. 'Dawn Mellor Artist Talk'. In: Dawn Mellor Artist Talk. The Ruskin School Of Art, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2018. 'Dawn Mellor Artist Talk'. In: Fine Art Lectures: Dawn Mellor. Kensington and Chelsea College, United Kingdom 16th May 2018. [Conference or Workshop Item]

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Mellor, Bod. 2014. 'GRAVITY LECTURES- DAWN MELLOR'. In: Gravity Lecture - Dawn Mellor. Sheffield Hallam University, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2015. International Laundry 2. In: "International Laundry 2", Parisa Kind, Frankfurt, Germany. [Show/Exhibition]

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Mellor, Bod. 2018. 'Janet Leigh' from Vile Affections. In: "Heads Roll", Graves Gallery, Sheffield, United Kingdom, 11 August - 24 November 2018. [Show/Exhibition]

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Mellor, Bod. 2017. Lyric on a Battlefield. In: "Lyric on a Battlefield", Gladstone Gallery, New York, United States. [Show/Exhibition]

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Mellor, Bod. 2016. MALEREI, BÖSE (PAINTING, EVIL). In: "MALEREI, BÖSE (PAINTING, EVIL)", Kunstverein Hamburg, Germany. [Show/Exhibition]

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Mellor, Bod. 2016. 'Malerei, Böse ARTIST TALK'. In: Malerei, Böse, ARTIST TALK. Kunstverein in Hamburg, Germany. [Conference or Workshop Item]

Mellor, Bod. 2019. Michael Jackson : On The Wall (Touring 2). In: "Michael Jackson On The Wall", The Bundeskunsthalle, Bonn, Germany, 22 March - 14 July 2019. [Show/Exhibition]

Mellor, Bod. 2019. Michael Jackson : On The Wall (touring 3). In: "Michael Jackson On The Wall", Espoo Museum of Modern Art,, Finland, 21 August 2019 - 26 January 2020. [Show/Exhibition]

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Mellor, Bod. 2018. Michael Jackson On The Wall. In: "On The Wall", National Portrait Gallery, London, United Kingdom. [Show/Exhibition]

Mellor, Bod. 2018. Michael Jackson: On The Wall (Touring 1). In: "Michael Jackson On The Wall", Grand Palais, France, 23 November 2018 - 14 February 2019. [Show/Exhibition]

Mellor, Bod. 2016. 'OPEN UP YOUR LIPS - Feminist Workshop'. In: OPEN UP YOUR LIPS - Feminist Workshop. Edinburgh University, United Kingdom. [Conference or Workshop Item]

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Mellor, Bod. 2017. The Painting Show Touring Exhibition (2). In: "The Painting Show Touring Exhibition 2", Ireland, Limerick, Limerick City Gallery of Art, Ireland. [Show/Exhibition]

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Mellor, Bod. 2017. The Painting Show Touring Exhibition. In: "The Painting Show Touring Exhibition", Korea, Aram Art Gallery, Goyang Cultural Foundation, Korea, Republic of. [Show/Exhibition]

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Mellor, Bod. 2016. The Painting Show. In: "The Painting Show", Contemporary Art Centre, Vilnius, Lithuania. [Show/Exhibition]

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Mellor, Bod. 2016. 'The Painting Show: artists Dexter Dalwood and Dawn Mellor in conversation with curator Linsey Young'. In: The Painting Show: artists Dexter Dalwood and Dawn Mellor in conversation with curator Linsey Young. Contemporary Art Centre, Vilnius, Lithuania. [Conference or Workshop Item]

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Mellor, Bod. 2014. Queensize Female Artists from the Olbricht Collection. In: "Queensize-Female Artists from the Olbricht Collection", me Collectors Room Berlin, Germany. [Show/Exhibition]

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Mellor, Bod. 2016. Queensize- Vrouwelijke kunstenaars uit de Olbricht Collectie. In: "Quuensize, Vrouwelijke kunstenaars uit de Olbricht Collectie", Museum Arnhem, Netherlands. [Show/Exhibition]

Mellor, Bod. 2018. Radio discussion on forthcoming book 'Sirens' for Printed Matter NY Art Book Fair at MOMA/Ps1 2018. [Broadcast]

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Mellor, Bod. 2017. Sirens. In: "SIRENS", Team Gallery, New York, United States, 9 November - 23 December 2017. [Show/Exhibition]

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Mellor, Bod. 2017. Sirens. [Artist's Book]

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Mellor, Bod. 2014. A Speculum That Shines. In: "a Speculum That Shines", ROWING, United Kingdom. [Show/Exhibition]

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Mellor, Bod. 2016. TIPPY RAMPAGE/ TIPPY RAMPAGE COLLECTIVE/DAWN MELLOR ESTATE/COUNTESS DYKULA/LESBIAN SEAGULL Instagram accounts and a one year long Painting Strike. [Digital]

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Mellor, Bod. 2015. Toys Redux – On Play and Critique. In: "Toys Redux - On Play and Critique", Migros Museum für Gegenwartskunst, Switzerland. [Show/Exhibition]

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Mellor, Bod. 2017. Wilderness Way. In: "Wilderness Way", Middlesbrough Institute of Modern Art Centre Square Middlesbrough, United Kingdom. [Show/Exhibition]

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Mellor, Bod. 2017. The Working Day. In: "The Working Day", Galerie Gregor Staiger, Zurich, Switzerland. [Show/Exhibition]

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Mendelson, Zoë and Williams Gamaker, Michelle. 2017. 'Spectacular Evidence: Theatres of the Observed Mind Dr Michelle Williams Gamaker lecture: Lygia Clark, The House is a Body - Biological Architecture'. In: Spectacular Evidence: Theatres of the Observed Mind Dr Michelle Williams Gamaker lecture:. Artsadmin,Toynbee Studios, London, United Kingdom. [Conference or Workshop Item]

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Meyer, Jon. 2019. Art and Peripheral Digital Activity. Doctoral thesis, Goldsmiths, University of London [Thesis]

Monroe, Ian and Palour, Selma. 2012. Parallel Universe. In: "Parallel Universe", Charlie Dutton Gallery, London, United Kingdom, 1/2/2012-25/2/2012. [Show/Exhibition]

Morris, emma; Watkins, Jonathan and Olde Wolbers, Saskia. 2015. Judging pannel for East Sussex Open, 11 July – 20 September 2015, Towner Art Gallery Eastbourne. [Professional Activity]

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Moser, Gabrielle; Rousseau, Christine and Reckitt, Helena. 2017. 'Wages for Housework—The Canadian Context'. In: Wages for Housework - The Canadian Context. Art Metropole, Toronto, Canada 5 September 2017. [Conference or Workshop Item]

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Murdoch, Sadie. 2018. I Can See The Men Hidden In The Forest. Journal of Visual Art Practice, 16(3), pp. 229-239. ISSN 1470-2029 [Article]

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Murdoch, Sadie. 2016. 'In which direction does research direct the artist?'. In: Workshop Haus Konstruktiv. Museum Haus Konstruktiv, Zürich, Switzerland 23rd March 2016. [Conference or Workshop Item]

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Murdoch, Sadie. 2018. 'Inhabiting the Archive - The Anagrammatic Model: The Body, in Pieces'. In: Inhabiting the Archive - The Anagrammatic Model: The Body, in Pieces. FOMU-Fotomuseum, Belgium March 27, 2018. [Conference or Workshop Item]

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Murdoch, Sadie. 2017. La Grande Horizontale: Between Heaven and Earth. In: "La Grande Horizontale: Between Heaven and Earth", TEFAF Maastricht, Netherlands, 9th-19th March 2017. [Show/Exhibition]

Murdoch, Sadie. 2018. Museo Colección Polo (MCP) in Toledo and Cuenca. In: "Museo Colección Polo (MCP) in Toledo and Cuenca", Convento de Santa Fe, Toledo, Spain, 1 year. [Show/Exhibition]

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Murdoch, Sadie. 2016. Omnipulsepunslide.. [Artist's Book]

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Murdoch, Sadie. 2017. 'Public Lecture, Transmission Lecture series'. In: "Who is an artist?. Sheffield Hallam University, United Kingdom 14th February 2017. [Conference or Workshop Item]

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Murdoch, Sadie. 2017. 'Putting Her in History: Taking the Piss'. In: Putting Her in History: Taking the Piss. Shoreditch House, United Kingdom 30th March 2017. [Conference or Workshop Item]

Murdoch, Sadie. 2024. Research Visit to the Textile Museum of the Fondazione Antonio Ratti (FAR) in Como, Italy. [Professional Activity] (Forthcoming)

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Murdoch, Sadie. 2024. Research Visits to The Silk Museum in Macclesfield, U.K.. [Professional Activity]

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Murdoch, Sadie. 2016. SSS-MM. In: "SSS MM", Zürich, Switzerland, Switzerland, 25 February - 8 May 2016. [Show/Exhibition]

Murdoch, Sadie. 2016. 'She Danced and Cut a Triangle, and a Rectangle, in a Circle, in a Circle'. In: She Danced and Cut a Triangle, and a Rectangle, in a Circle, in a Circle. Museum Haus Konstruktiv, Zürich, Switzerland 23rd March 2016. [Conference or Workshop Item]

Murdoch, Sadie. Silk Shades, Slubbed. [Project] (Forthcoming)

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Murdoch, Sadie. 2015. Too Much of a Good Thing. In: Mo Throp and Maria Walsh, eds. The MAKE Anthology: Reviewing the Past and Looking to the Future of Women’s Art Practice. London: I.B Tauris. ISBN The MAKE Anthology: Reviewing the Past and Looking to the Future of Women’s Art Practice [Book Section]

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Murdoch, Sadie. 2023. Women of the '20s. In: "Women of the '20s", Belmacz Gallery, United Kingdom, 5 October - 22 December 2023. [Show/Exhibition]

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Murdoch, Sadie. 2017. 'Your Eyes are My Hands'. In: Intimacy Unguarded: Gender, the Unconscious and Contemporary Art. Freud Museum, United Kingdom 27th February 2017. [Conference or Workshop Item]

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Murdoch, Sadie and Kahn, Daria. 2022. The Baroness. In: "The Baroness", Mimosa House, London, United Kingdom, 27 May - 17 September 2022. [Show/Exhibition]

Murdoch, Sadie and Mareike, Foecking. 2018. 'The Anagrammatic Model: The Body, in Pieces'. In: Duesseldorf Photo Conference: Photography (No_On) Photography. HSD – Hochschule Düsseldorf, Germany 23. to 24.2.2018. [Conference or Workshop Item]

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Murdoch, Sadie and Muggenburg, Julia. 2021. I dialogue, Kinch. In: "I dialogue, Kinch", Belmacz Gallery, United Kingdom, 16 June - 19 November 2021. [Show/Exhibition]

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Murdoch, Sadie; Schaertlin, Kitty and von Burg, Dominique. 2017. Brexit - Out of the Matrix. In: "Brexit - Out of the Matrix", Palazzo Liestal, Basel, Switzerland, 13th May -25th June 2017. [Show/Exhibition]

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Murdoch, Sadie; Upson, Toby and Zahedi, Abbas. 2021. A Case of Med(dling)tation. In: "A Case of Med(dling)tation", Belmacz Gallery, United Kingdom, 10 July 2021. [Performance]

Nasar, Hammad; Ratnam, Niru; Malik, Amna and Garfield, Rachel. 2010. 'When the Sixties Didn't Swing'. In: UNSPECIFIED. Whitechapel Art Gallery, United Kingdom 30 Sept 2010. [Conference or Workshop Item]

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Nashashibi, Rosalind. 2015. Electrical Gaza. [Film/Video]

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Nashashibi, Rosalind. 2017. Turner Prize 2017, Rosalind Nashashibi, Ferens Art Gallery, Hull. In: "Turner Prize 2017", Ferens art Gallery, United Kingdom, 25/09/17 - 15/01/18. [Show/Exhibition]

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Nashashibi, Rosalind. 2017. Vivian's Garden. [Film/Video]

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Nashashibi, Rosalind. 2017. documenta14, Rosalind Nashashibi, 2017. In: "documenta 14", Various venues Athens, Greece, April - September 2017. [Show/Exhibition]

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Nestler, Gerald and Malik, Suhail. 2016. Introduction: Art and finance. Finance and Society, 2(2), pp. 94-95. ISSN 2059-5999 [Article]

Newman, Michael. 2008. 'Absolute Nonsense'. In: , ed. Un coup de dés: Writing Turned Image: An Alphabet of Pensive Language. Vienna: Generali Foundation, pp. 220-223. ISBN 978-3865605436 [Book Section]

Newman, Michael. 2003. 'Alfred Jensen's Diagrams'. [Exhibition Catalogue]

Newman, Michael. 1985. 'Allegories of the Subject.'. [Exhibition Catalogue]

Newman, Michael. 1985. 'Amikam Toren.'. Art Monthly(91), [Article]

Newman, Michael. 1988. Andrea Fisher (The Showroom, London). Flash Art(142), [Article]

Newman, Michael. 2006. 'Archive, Testimony, and Trace: Uriel Orlow's Housed Memory'. [Exhibition Catalogue]

Newman, Michael. 1977. 'August Sander at the Talbot Rice Arts Centre, Edinburgh.'. Artscribe(8), [Article]

Newman, Michael. 2017. The Ball-Joint and the Anagram: Perversion and Jouissance in Hans Bellmer. In: Diana Caine and Colin Wright, eds. Perversion Now! London: Palgrave Macmillan, pp. 157-168. ISBN 978-3-319-47270-6 [Book Section]

Newman, Michael. 1984. 'The Bankable Sculpture of Julian Opie.'. The Face(45), [Article]

Newman, Michael. 1995. 'Beyond the Lost Object: From Sculpture to Film and Video'. Art Press(202), [Article]

Newman, Michael. 1982. Bill Woodrow. [Exhibition Catalogue]

Newman, Michael. 1982. 'Bill Woodrow.'. Art Monthly(53), [Article]

Newman, Michael. 2012. 'Body as Place: Antony Gormley Outside-In'. In: , ed. Antony Gormley: Model. London: White Cube: [Book Section]

Newman, Michael. 1996. 'Conceptual Art from the 1960s to the 1990s: An Unfinished Project?'. Kunst & Museumjournaal, 7(1/2/3), pp. 95-104. [Article]

Newman, Michael. 1999. Contingency and Rule in the Work of Pierre Bismuth. [Exhibition Catalogue]

Newman, Michael. 1998. 'Contingency and Rule in the Work of Pierre Bismuth,'. Cahiers of Witte de With, 7, [Article]

Newman, Michael. 2002. Cristina Iglesias. [Exhibition Catalogue]

Newman, Michael. 2011. 'Dara Birnbaum: Exploding the Image. In: , ed. Dara Birnbaum: The Dark Matter of Media Light. Munich, Berlin, London, New York: DelMonico Books/Prestel, pp. 51-80. ISBN 978-3791351247 [Book Section]

Newman, Michael. 2011. 'Dead Mirrors: relics and photographs in Georges Rodenbach’s Bruges-la-Morte'. Photographies, 4(1), pp. 27-43. ISSN 1754-0763 [Article]

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Newman, Michael. 2020. Decapitations: the portrait, the anti-portrait … and what comes after? In: Fiona Johnstone and Kirstie Imber, eds. Anti-Portraiture: Challenging the Limits of the Portrait. London: Bloomsbury Visual Arts, pp. 25-68. ISBN 9781784534127 [Book Section]

Newman, Michael. 2001. The Demotic Art of Gillian Wearing. Parachute(102), ISSN 0318-7020 [Article]

Newman, Michael. 1994. Derrida and the Scene of Drawing. Research in Phenomenology, 24, pp. 218-234. ISSN 0085-5553 [Article]

Newman, Michael. 2015. Difference, Rhythm, and the Gaze in Painting (2015). In: Pawel Polit and Jaroslaw Suchan, eds. Władysław Strzemiński: Readability of Images. Lódź: Muzeum Sztuki, pp. 189-200. ISBN 978-83-63820-39-8 [Book Section]

Newman, Michael. 2001. 'Documentation and Memory: On Robert Smithson, Renée Green and Tacita Dean.". [Exhibition Catalogue]

Newman, Michael. 1981. 'Drastic Classicism (Rhys Chatham/Karole Armitage Performance).'. ZG(3), [Article]

Newman, Michael. 2013. 'Drawing Time Tacita Dean's Narratives of Inscription'. Enclave Review, 7, pp. 5-9. [Article]

Newman, Michael. 1985. 'Edward Allington.'. Art Monthly(89), [Article]

Newman, Michael. 1987. 'Edward Allington: 'Gazing at Dislocated Fragments in Museums...''. [Exhibition Catalogue]

Newman, Michael. 1982. Englische Plastik Heute/ British Sculpture Now. [Exhibition Catalogue]

Newman, Michael. 1989. 'Ernesto Tatafiori.'. [Exhibition Catalogue]

Newman, Michael. 2005. Evident Hypotheses: Marco Poloni's Photographic Scripts for Short Films. In: , ed. Shadows Collide with People: Gianni Motti / Shahryar Nashat / Marco Poloni / Ingrid Wildi. Zurich: Edition Fink and Berne. ISBN 978-3906086798 [Book Section]

Newman, Michael. 1985. 'The Face of Things.'. [Exhibition Catalogue]

Newman, Michael. 1986. 'Fallen Haloes: The Hayward Annual.'. Artscribe(58), [Article]

Newman, Michael. 1983. 'Figuren en Objecten: Nieue Beeldhouwkunst in Groot-Britanie/ New Sculpture in Great Britain.'. Museum Journaal, 28(2), [Article]

Newman, Michael. 1998. 'Flesh, Wounds and the Divided Body.'. [Exhibition Catalogue]

Newman, Michael. 2016. Florian Hecker: Chimerization and Form. In: Robin Mackay; Susanne Gaensheimer and Miguel Wandschneider, eds. Florian Hecker: Formulations. Porto/Frankfurt am Main: Culturgest/MMK Museum für Moderne Kunst, pp. 59-90. ISBN 9783960980551 [Book Section]

Newman, Michael. 2005. 'A Fold in Time: Catherine Yass’s Descent'. [Exhibition Catalogue]

Newman, Michael. 1999. 'Form in the Age of the World Picture: A Reading of Panofsky's Perspective as "Symbolic Form",'. In: , ed. La Part de l'Oeil, N° 15-16 : Problème de la Kunstwissenschaft. Brussels: Holger Schmid. ISBN 978-2930174105 [Book Section]

Newman, Michael. 1982. 'Frida Kahlo and Tina Modotti: Identity, Allegory and the Heart.'. Art Monthly(57), [Article]

Newman, Michael. 1982. 'From Concept to Symbol.'. [Exhibition Catalogue]

Newman, Michael. 1985. 'From Inside the Whale: Richard Wilson.'. Artforum, [Article]

Newman, Michael. 1991. From World to Earth: Richard Deacon and the End of Nature. In: , ed. Interpreting Contemporary Art. London: Reaktion, pp. 177-204. ISBN 978-0064302050 [Book Section]

Newman, Michael. 1989. 'From the Fire to the Light: On Richard Wilson's Installations.'. [Exhibition Catalogue]

Newman, Michael. 1983. 'Georg Baselitz.'. Art Monthly(62), [Article]

Newman, Michael. 2004. 'Giuseppe Penone: Sticking to the World—Drawing as Contact'. [Exhibition Catalogue]

Newman, Michael. 1982. 'The Guillotine, the Titanic and Ernesto Tatafiori.'. [Exhibition Catalogue]

Newman, Michael. 1981. 'The Guillotine, the Titanic and Ernesto Tatafiori.'. ZG(2), [Article]

Newman, Michael. 1985. 'Helen Chadwick, Mikey Cuddihy and Annette Messager.'. Art Monthly(85), ISSN 0142-6702 [Article]

Newman, Michael. 1986. Helen Chadwick: The Body as Emblem. Artscribe(60), [Article]

Newman, Michael. 1998. Horizonlessness. [Exhibition Catalogue]

Newman, Michael. 2014. 'I know very well…but all the same': Essays on Artists of the Still and Moving Image. London: Ridinghouse. ISBN 978 1 905464 64 7 [Book]

Newman, Michael. 2010. The Image Beside the Image and the Image Within the Image: Prolegomena to an Approach to the Collages of John Stezaker. Parallax, 16(2), pp. 79-86. ISSN 1353-4645 [Article]

Newman, Michael. 1997. 'Imants Tillers. [Exhibition Catalogue]

Newman, Michael. 1988. 'Immants Tillers: The Artist as Translator.'. [Exhibition Catalogue]

Newman, Michael. 2011. 'Ingrid Calame: Body, Trace, Event'. [Exhibition Catalogue]

Newman, Michael. 1999. Inspiration, Originality and the Passivity of the Subject: A Re-Reading of Genius in Kant's Third Critique. Issues in Contemporary Culture and Aesthetics(9), [Article]

Newman, Michael. 2001. 'Installation and Photography: Matthew Tickle's Idyll.'. [Exhibition Catalogue]

Newman, Michael. 1983. 'Introduction to British Section.'. [Exhibition Catalogue]

Newman, Michael. 1981. 'Jack Goldstein.'. ZG Magazine, London. [Other]

Newman, Michael. 1985. 'James Coleman.'. Artforum, [Article]

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Newman, Michael. 2007. Jeff Wall: Works and Collected Writings. Ediciones Poligrafa. ISBN 9788434311312 [Book]

Newman, Michael. 2007. Jeff Wall: Works and Writings. Barcelona: Ediciones Poligrafa. ISBN 978-8434311312 [Book]

Newman, Michael. 1999. Joe Scanlan's Nesting Bookcases: Duchamp, Design and the Impossibility of Disappearing. In: , ed. Rewriting Conceptual Art. London: Reaktion Books. [Book Section]

Newman, Michael. 1989. 'John Wilkins' Re-marks.'. [Exhibition Catalogue]

Newman, Michael. 2011. 'Joining Hilary Lloyd'. [Exhibition Catalogue]

Newman, Michael. 1983. 'Josef Beuys.'. [Audio]

Newman, Michael. 2005. 'Joëlle Tuerlinckx's Filmwork: Time, Multiplicity, Fold'. [Exhibition Catalogue]

Newman, Michael. 2007. 'Joëlle Tuerlinckx: At the Edge of the Visible'. [Exhibition Catalogue]

Newman, Michael. 1995. 'Knowledge and Enchantment: Jeff Wall's Pictures.'. Flash Art(181), [Article]

Newman, Michael. 1992. La spécificité de la critique et la nécessité de la philosophie. In: , ed. La place du goût dans la production philosophique des concepts et leur destin critique. Archives de la critique dart, pp. 130-158. ISBN 978-2950629302 [Book Section]

Newman, Michael. 1982. 'Leon Golub.'. [Exhibition Catalogue]

Newman, Michael. 1981. 'Londra: Vilmouth, Il Gioco.'. Domus, [Article]

Newman, Michael. 1982. 'Man's Place: Four Works.'. Art and Artists(193), [Article]

Newman, Michael. 1996. 'Marking Time: Memory and Matter in the Work of Avis Newman'. In: , ed. Inside the Visible: Elliptical Traverse of Twentieth Century Art in, of and from the Feminine. Cambridge, Mass. & London: The MIT, pp. 271-279. ISBN 978-0262540810 [Book Section]

Newman, Michael. 2009. 'Marysia Lewandowska: Tender Museum.'. [Other]

Newman, Michael. 2000. 'The Material Turn in the Art of Western Europe and North America in the 1960s.'. [Exhibition Catalogue]

Newman, Michael. 1999. 'McQueen's Materialism.'. [Exhibition Catalogue]

Newman, Michael. 2001. 'Medium and Event in the Work of Tacita Dean.'. [Exhibition Catalogue]

Newman, Michael. 1995. 'Memory and Matter.'. [Exhibition Catalogue]

Newman, Michael. 1991. Mimesis and Abjection in Recent Photowork. In: , ed. Thinking Art: Beyond Traditional Aesthetics. London: ICA Documents, pp. 111-129. ISBN 978-0905263182 [Book Section]

Newman, Michael. 2012. 'Models and Fragments: Ian Kiaer's Studio'. [Exhibition Catalogue]

Newman, Michael. 2009. Moving Image in the Gallery Since the 1990s. In: Stuart Comer, ed. Film and Video Art. London: Tate, pp. 86-121. ISBN 9781854376077 [Book Section]

Newman, Michael. 1986. My House is Your House: Chambres D'amis at Ghent. Artscribe(60), [Article]

Newman, Michael. 1986. Mysteries and Mercenaries: The Venice Biennale 1986. Artscribe(59), [Article]

Newman, Michael. 1984. 'Nancy Spero.'. Art Monthly(79), [Article]

Newman, Michael. 1979. 'The New East Wing of the National Gallery, Washington.'. Arts Review, [Article]

Newman, Michael. 1980. 'New York Exhibitions: Picasso at MOMA.'. Arts Review, [Article]

Newman, Michael. 1991. 'Now and Then.'. [Exhibition Catalogue]

Newman, Michael. 1982. Objects and Figures. [Exhibition Catalogue]

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Newman, Michael. 2017. 'Odradek and the rethinking of political method in the work of art'. In: 4th Biennial Conference of the International Walter Benjamin Society. Worcester College, University of Oxford, United Kingdom 24-27 Sept 2017. [Conference or Workshop Item]

Newman, Michael. 2007. 'Of Shadows, Reflections and Traces: Vera Lutter's Vedute'. [Exhibition Catalogue]

Newman, Michael. 1988. 'Olivier Richon.'. Camera Austria(25), [Article]

Macfarlane, Kate; Newman, Michael; Kivland, Sharon and Mason, Louis, eds. 2021. On Figure/s: Drawing after Bellmer. London: Ma Bibliothèque. ISBN 9781910055779 [Edited Book]

Newman, Michael. 1993. 'Operation Atopia.'. [Exhibition Catalogue]

Newman, Michael. 1981. 'Orozco at the Museum of Modern Art, Oxford.'. Burlington Magazine(934), [Article]

Newman, Michael. 2010. 'The Other Face to Face: Fiona Tan’s The Changeling'. [Exhibition Catalogue]

Newman, Michael. 1987. 'The Pathos of Absence: John Murphy's Inscriptions.'. [Exhibition Catalogue]

Newman, Michael. 1988. Pavel Büchler: Untitled Portraits. [Exhibition Catalogue]

Newman, Michael. 2012. Phenomenality and Materiality in Agnes Martin. In: Lynne Cooke and Karen Kelly, eds. Agnes Martin. New York: Yale University Press and Dia Foundation, pp. 199-227. ISBN 9780300151053 [Book Section]

Newman, Michael. 1985. 'Phobias, Fragments, Recall: Annette Messager, Helen Chadwick and Mikey Cuddihy.'. C Magazine(6), [Article]

Newman, Michael. 2000. 'Photography and Video in the Work of Erwin Wurm.'. [Exhibition Catalogue]

Newman, Michael. 2001. Photography, the Readymade and the Ends of Painting in Gerhard Richter's Photo-Paintings. In: , ed. La Part de l'Oeil, N° 17-18 : Peinture pratique théorique. La Part de l'Oeil. ISBN 978-2930174235 [Book Section]

Newman, Michael. 1986. 'The Postmodern Labyrinth.'. [Exhibition Catalogue]

Newman, Michael. 1981. 'Rauschenberg Re-evaluated.'. Art Monthly(47), [Article]

Newman, Michael. 2014. Reading the Future of Genealogy: Kant, Nietzsche, Plato. In: , ed. Nietzsche and Modern German Thought. London: Routledge, pp. 257-281. ISBN 978-0415755429 [Book Section]

Newman, Michael. 1996. 'Recovering Andre'. In: , ed. Carl Andre and the Sculptural Imagination Vol 2. Oxford: Museum of Modern Art,, pp. 6-10. ISBN 978-1901352009 [Book Section]

Newman, Michael. 2004. Remembering and Repeating: Hanne Darboven's Work. In: Lynne Cooke; Karen Kelly and B. Funcke, eds. Robert Lehman Lectures on Contemporary Art Volume 2. Dia Center for the Arts, pp. 123-154. ISBN 0944521789 [Book Section]

Newman, Michael. 1990. 'Review of The Problems of Modernity: Adorno and Benjamin, Edited by Andrew Benjamin.'. The British Journal of Aesthetics, 30(4), pp. 390-392. ISSN 1468-2842 [Article]

Newman, Michael. 1989. Revising Modernism, Representing Postmodernism. In: , ed. Postmodernism: Institute of Contemporary Arts Documents. London: Free Association Books, pp. 95-154. ISBN 978-1853430787 [Book Section]

Newman, Michael. 1983. 'The Ribbon Around the Bomb: Frida Kahlo and Tina Modotti.'. Art in America, 71(4), [Article]

Newman, Michael. 1983. 'Richard Prince and the Uncanny.'. Art Monthly(72), [Article]

Newman, Michael. 2006. Richard Prince: Untitled (couple). Afterall Books, MIT Press. ISBN 1846380030 [Book]

Newman, Michael. 2003. Salvage. [Exhibition Catalogue]

Newman, Michael. 1995. 'Screen Memories: The Trauma of Time - Michael Newman on Douglas Gordon,'. [Exhibition Catalogue]

Newman, Michael. 2019. Sensation and the Measure of Timbre: Florian Hecker’s Resynthese FAVN Revisiting Mallarmé’s Scene. In: Vanessa Joan Müller, ed. Halluzination, Perspektive, Synthese. Berlin: Sternberg Press, pp. 22-44. ISBN 978-3-95679-471-1 [Book Section]

Newman, Michael. 2000. 'Sensibility, Language and the Trauma of the Other: Emmanuel Levinas from Phenomenology to the Immemorial.'. In: , ed. The Face of the Other and the Trace of God: Essays on the Philosophy of Emmanuel Levinas. New York: Fordham University Press, pp. 90-129. ISBN 978-0823219667 [Book Section]

Newman, Michael. 2010. Seth Price’s Operations in Price, Seth. In: K. Jentjens and A. Nathan-Dorn, eds. Seth Price. Zurich: JRP Ringier. ISBN 978-3-03764-028-9 [Book Section]

Newman, Michael. 1999. Solid Light. [Exhibition Catalogue]

Newman, Michael. 1997. 'Some Notes on Nothing, and the Silence of Works of Art.'. [Exhibition Catalogue]

Newman, Michael. 2007. The Specificity of Criticism and its Need for Philosophy. In: , ed. The State of Art Criticism. London: Routledge, pp. 29-60. ISBN 978-0415977876 [Book Section]

Newman, Michael. 1981. 'Stephen Willats.'. [Other]

Newman, Michael. 2002. Stuart Brisley. [Exhibition Catalogue]

Newman, Michael. 1986. Stuart Brisley at the Third Eye Centre, Glasgow. Artscribe(60), [Article]

Newman, Michael. 2015. Stuart Brisley: Performing the Political Body and Eating Shit. The MAC, Belfast. [Other]

Newman, Michael. 2009. 'Suburban Hospitality'. In: , ed. Can I Come Over to Your House? The First Ten Years of The Suburban, The Suburban and Manawa. Oak Park, IL: WI: Poor Farm Press. [Book Section]

Newman, Michael. 1992. Suffering from Reminiscences. In: , ed. Postmodernism and the Re-reading of Modernity. Manchester: Manchester University Press, pp. 84-114. ISBN 978-0719037450 [Book Section]

Newman, Michael. 2003. Tacita Dean: Fictions du temps qui tourne. Les Cahiers du Musée national d’art moderne, 86, pp. 5-21. [Article]

Newman, Michael. 1997. 'Three Ends of Art: Approaching Didier Vermeiren's Sculpture,'. Art and Design, [Article]

Newman, Michael. 2007. 'Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp'. Oxford Art Journal, 30(1), pp. 81-100. ISSN 0142-6540 [Article]

Newman, Michael. 1996. The Trace of Trauma: Blindness, Memory and the Gaze in Derrida and Blanchot. In: , ed. Maurice Blanchot: The Demand of Writing. London: Routledge, pp. 153-173. ISBN 978-0415125963 [Book Section]

Newman, Michael. 2003. The Traces and Marks of Drawing. In: Catherine De Zegher, ed. The Stages of Drawing: Gesture and Act. Tate Publishing and The Drawing Centre, pp. 93-108. ISBN 1854374885 [Book Section]

Newman, Michael. 1995. 'The True Appearance of Jeff Wall's Pictures.'. [Exhibition Catalogue]

Newman, Michael. 1980. 'Two Travelling Exhibitions: Barnett Newman and Marsden Hartley.'. Arts Review, [Article]

Newman, Michael. 1988. 'Undecidable Objects.'. [Exhibition Catalogue]

Newman, Michael. 1982. 'Venice: Aperto 82 and Collazione Inglese.'. Art Monthly(59), [Article]

Newman, Michael. 1986. Vision as Metaphor: Towards a Fragmentary History. In: , ed. The Mirror And the Lamp. Edinburgh and London: The Fruitmarket Gallery and ICA, pp. 6-46. [Book Section]

Newman, Michael. 2008. 'What Makes It Hold Together: Jaki Irvine's Acknowledgments'. In: , ed. The Square Root of Minus One is Plus or Minus i: Jaki Irvine: Assembled Works 1993-2008. Milan: Charta; Sligo: Model Arts and Niland Gallery, pp. 69-147. ISBN 978-8881587025 [Book Section]

Newman, Michael and Comay, Rebecca. 2012. Ghostly Medium: James Coleman’s Charon (MIT Project). [Exhibition Catalogue]

Newman, Michael; Lee, Pamela; Elkins, James; Hudson, Suzanne and Getsy, David. 2013. Seminar. In: , ed. New Games: Postmodernism After Contemporary Art. London: Routledge, pp. 217-244. ISBN 978-0415988803 [Book Section]

Newman, Michael and Millar, Jeremy. 2004. 'Interrupting the Pan: Marine Hugonnier’s Ariana'. [Exhibition Catalogue]

Newman, Michael and Price, Seth. 2010. Price, Seth. JRP Ringier. ISBN 978-3-03764-028-9 [Book]

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Nicholas, Cullinan; Andrew, Hunt and Thompson, Milly. 2009. Milly Thompson ‘Savoir Faire’. Southend-on-Sea: Focal Point Gallery. ISBN 978-1-907185-01-4 [Book]

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Niederberger, Christina. 2009. The Quest for Heimat: Discourses on Kitsch in the Realm of Art Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Nimarkoh, Virginia. 2006. Shadow Boxing: Governmentality, Performativity & Critique in Contemporary Art Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Noble, Richard. 2000. ‘Access for All, Freedom for the Few’. In: , ed. Art for All?: Their Policies and Our Culture. London: Peer. ISBN 978-0953977208 [Book Section]

Noble, Richard. 2004. ‘The Aesthetics of Contingency’. catalogue of David Batchelor: Shiny/Dirty, [Article]

Noble, Richard. 2005. Art Since 1900 : A Review Essay. Art Monthly, ISSN 0142-6702 [Article]

Noble, Richard. 1995. ‘Freedom and Containment’. In: , ed. Jana Sterbak: Velleitas. Barcelona: Fundacio Antoni Tapies. ISBN 978-8488786067 [Book Section]

Noble, Richard. 2005. Imagining the Political: Some Provisional Thoughts on Art and Politics. In: , ed. The Showroom Annual 2003/04. London: The Showroom. ISBN 978-0954236236 [Book Section]

Noble, Richard. 2005. The Meaning of What Remains. In: Eckhard Schneider, ed. Rachel Whiteread: Walls, Doors, Floors and Stairs. Kunsthaus Bregenz, pp. 66-94. ISBN 388375935X [Book Section]

Noble, Richard. 2002. Mona Hatoum: A Living Between. Parachute, 4(108), pp. 178-191. ISSN 03187020 [Article]

Noble, Richard. 2004. Start Making Sense. catalogue essay for Michael Craig-Martin: Surfacing, [Article]

Noble, Richard. 2003. ‘Tierra de pájaros / Birdland’. In: , ed. Hannah Collins. La calle/The Street. Malaga: CAC Málaga. ISBN 978-8436159073 [Book Section]

Noble, Richard. 2007. The Utopian Body. In: Michael Mack, ed. Antony Gormley. Steidl/Mack, pp. 11-51. ISBN 9783865210296 [Book Section]

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Noble, Richard. 2009. Utopias. London/New York: Whitechapel/MIT. ISBN 978-26264069-5 [Book]

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Noble, Richard. 2009. The lure of utopia. [Exhibition Catalogue]

Noble, Richard and Blazwick, Iwona. 1999. ‘The Phenomenology of Play’. In: , ed. Annie Ratti. Como and Milan: Centre for Contemporary Art. [Book Section]

Noble, Richard; Fang, H.; Gormley, Antony and Haier, Z.. 2003. An Anthropoetics of Space: Antony Gormleys Field. In: R. Riley, ed. Asian Field. British Council, pp. 190-201. ISBN 0863555101 [Book Section]

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Noonan-Ganley, Joseph. 2021. Bed Text. Mirror Lamp Press(4), pp. 42-52. [Article]

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Noonan-Ganley, Joseph. 2019. The Cesspool of Rapture. [Artist's Book]

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Noonan-Ganley, Joseph. 2017. The Cesspool of Rapture. [Art Object]

Noonan-Ganley, Joseph. 2020. Deflexion. In: Richard Porter, ed. A Queer Anthology of Wilderness. London: Pilot Press. [Book Section]

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Noonan-Ganley, Joseph. 2016. Femme Fabrications. [Art Object]

Noonan-Ganley, Joseph. 2021. I Gave Them To All The Guys In The Room. In: Maria Fusco and Lizzie Homersham, eds. The Happy Hypocrite – Without Reduction. London: Book Works. ISBN 9781912570102 [Book Section]

Noonan-Ganley, Joseph. 2019. My Library. In: Chris Dreier; Gary Farrelly and Carl Haase, eds. ECII - The European Conference of Institutional Ideators. Berlin: Fantôme. ISBN 9783940999467 [Book Section]

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Noonan-Ganley, Joseph. 2022. Our Bed. [Art Object]

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Noonan-Ganley, Joseph. 2021. Our Prop Mud. NERO Magazine, [Article]

Noorizadeh, Bahar. 2023. Weirder than Sci-fi: Speculative Practice in Art and Finance. Doctoral thesis, Goldsmiths, University of London [Thesis]

Ogg, Kirsty. 2015. 'Archive: In the Making'. In: Archive: In the Making. Nottingham Contemporary, Nottingham, United Kingdom 3 October 2015. [Conference or Workshop Item]

Ogg, Kirsty. 2010. Bethan Huws; Capelgwyn. In: "Bethan Huws; Capelgwyn", Whitechapel Gallery, London, United Kingdom, 29 January - 18 March 2011. [Show/Exhibition]

Ogg, Kirsty. 2010. The Bloomberg Commission: Claire Barclay: Shadow Spans. In: "The Bloomberg Commission: Claire Barclay: Shadow Spans", Whitechapel Gallery, London, United Kingdom, May 2010 - May 2011. [Show/Exhibition]

Ogg, Kirsty. 2014. Bloomberg New Contemporaries 2014. [Exhibition Catalogue]

Ogg, Kirsty. 2014. Bloomberg New Contemporaries 2014. In: "Bloomberg New Contemporaries 2014", World Museum, Liverpool, United Kingdom, 19 September – 26 October 2014 and 26 November – 25 January 2015. [Show/Exhibition]

Ogg, Kirsty. 2015. Bloomberg New Contemporaries 2015. In: "Bloomberg New Contemporaries 2015", One Thorseby Street, Nottingham, United Kingdom, 17 September – 31 October 2015 and 25 November to 24 January 2016. [Show/Exhibition]

Ogg, Kirsty. 2015. Bloomberg New Contemporaries 2015 exhibition publication. [Exhibition Catalogue]

Ogg, Kirsty. 2016. Bloomberg New Contemporaries 2016. [Exhibition Catalogue]

Ogg, Kirsty. 2016. Bloomberg New Contemporaries 2016. In: "Bloomberg New Contemporaries 2016", Bluecoat, Liverpool, United Kingdom, 9 July – 16 October 2016 and 23 November 2016 to 22 January 2017. [Show/Exhibition]

Ogg, Kirsty. 2017. Bloomberg New Contemporaries 2017. [Exhibition Catalogue]

Ogg, Kirsty. 2018. Bloomberg New Contemporaries 2018. [Exhibition Catalogue]

Ogg, Kirsty. 2018. Bloomberg New Contemporaries 2018. In: "Bloomberg New Contemporaries 2017", Liverpool John Moores University, United Kingdom, 14 July - 9 September 2018 and 5 December - 24 February 2019. [Show/Exhibition]

Ogg, Kirsty. 2019. Bloomberg New Contemporaries 2019. In: "Bloomberg New Contemporaries 2019", Leeds Art Gallery, United Kingdom, 14 September - 17 November 2019 and 6 December 2019 - 23 February 2020. [Show/Exhibition]

Ogg, Kirsty. 2021. Bloomberg New Contemporaries 2021. In: "Bloomberg New Contemporaries 2021", Firstsite, Colchester, United Kingdom, 25 September - 28 November 2021 and 10 December 2021 - 20 February 2022. [Show/Exhibition]

Ogg, Kirsty. 2022. Bloomberg New Contemporaries 2022. In: "Bloomberg New Contemporaries 2022", Humber Street Gallery, United Kingdom, 23 September - 27 November 2022 and 9 December 2022 - 12 March 2023. [Show/Exhibition]

Ogg, Kirsty. 2013. Contemporary Art Society Displays. In: "Contemporary Art Society Displays", Whitechapel Gallery, London, United Kingdom, 17 September 2013 – 31 August 2014. [Show/Exhibition]

Ogg, Kirsty. 2016. 'Emerging Practices: Ensuring Development and Sustainability'. In: Emerging Practices: Ensuring Development and Sustainability. Bluecoat, Liverpool, United Kingdom 30 September 2016. [Conference or Workshop Item]

Ogg, Kirsty. 2005. External Examiner BA Fine Art. [Professional Activity]

Ogg, Kirsty. 2006. External Examiner, BA Sculpture & Environmental Art. [Professional Activity]

Ogg, Kirsty. 2018. External Examiner, Curating Contemporary Art MA, Royal College of Art 2018-'20. [Professional Activity]

Ogg, Kirsty. 2010. External Examiner, MA Fine Art. [Professional Activity]

Ogg, Kirsty. 2021. External Examiner, MLitt Curatorial Practice Contemporary Art, Glasgow School of Art 2022-'25. [Professional Activity]

Ogg, Kirsty. 2013. Gerard Byrne A state of neutral pleasure. [Exhibition Catalogue]

Ogg, Kirsty. 2013. Gerard Byrne: A state of neutral pleasure. In: "Gerard Byrne: A state of neutral pleasure", Whitechapel Gallery, London, United Kingdom, 17 January – 8 March 2013 and September – December 2013. [Show/Exhibition]

Ogg, Kirsty. 2017. 'IRL to URL'. In: IRL to URL. Baltic, Gateshead, United Kingdom 24 November 2017 - 25 November 2017. [Conference or Workshop Item]

Ogg, Kirsty. 2014. Image Object. In: "Image Object", Artuner, United Kingdom, 2 December 2014. [Show/Exhibition]

Ogg, Kirsty. 2000. Interview text, Jonathan Monk. Bildung exhibition catalogue, [Article]

Ogg, Kirsty. 2013. Karl Blossfeldt. In: "Karl Blossfeldt", Whitechapel Gallery, London, United Kingdom, 16 April – 14 June 2013. [Show/Exhibition]

Ogg, Kirsty. 20 March - 30 May 2010 The Nature of the Beast: Meetings Archive;. [Project]

Ogg, Kirsty. 2015. 'New Contemporaries 1949 to Now'. In: New Contemporaries 1949 to Now. ICA, London, United Kingdom 26 November 2015. [Conference or Workshop Item]

Ogg, Kirsty. 2019. 'New Contemporaries 70th Anniversary Two-Day Conference in collaboration with The Courtauld Institute of Art'. In: New Contemporaries 70th Anniversary Two-Day Conference. The Courtauld Institute of Art, United Kingdom 25 - 26 October 2019. [Conference or Workshop Item]

Ogg, Kirsty. 2013. The Spirit of Utopia. In: "The Spirit of Utopia", Whitechapel Gallery, London, United Kingdom, 5 July – 5 Sept 2013. [Show/Exhibition]

Ogg, Kirsty. 2024. Strategic and Development Support. [Professional Activity]

Ogg, Kirsty. 2024. 'What Can Contemporary Curatorial and Institutional Practices Learn From Pre-18th Century Egalitarian Pirate Communities?'. In: Vice-Chancellor's Lecture Series. Norwich University of the Arts, United Kingdom 9 May 2024. [Conference or Workshop Item]

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Ogg, Kirsty. 2010. Where Three Dreams Cross: 150 Years of Photography from India Pakistan and Bangladesh. In: "Where Three Dreams Cross: 150 Years of Photography from India Pakistan and Bangladesh", Whitechapel Gallery, London, United Kingdom, 21 Jan - 11 April 2010, 12 June- 22 August 2010. [Show/Exhibition]

Ogg, Kirsty. 2008. A show of many parts, each part more spectacular and elaborate than the last. In: "A show of many parts, each part more spectacular and elaborate than the last City Gallery, Leicester", City Gallery, Leicester, United Kingdom, 12 September – 29 October 2008. [Show/Exhibition]

Ogg, Kirsty; Britton Newell, Laurie; Fowler, Lilah; Ford, Jayday and Rothschild, Eva. 2022. 'Craft-Tech: Panel Discussion'. In: Craft-Tech: Panel Discussion. Online, United Kingdom 10 February 2022. [Conference or Workshop Item]

Ogg, Kirsty; Browning, Jude; Cunningham, Lucy Rose; Dooley, Freya; Harvey, Malachy; Hermitt, Leo; Lewis, Ruby and Thurston, Nick. 2019. New Writing with New Contemporaries. In: "New Writing with New Contemporaries", Leeds Art Gallery, United Kingdom, 9 November 2019 and 25 January 2020. [Performance]

Ogg, Kirsty; Campbell, Duncan; Greenan, Althea; Gupta, Sunil and Melvin, Jo. 2021. 'Archives & Identities: Panel Discussion'. In: Archives & Identities: Panel Discussion. Online, United Kingdom 3 March 2021. [Conference or Workshop Item]

Ogg, Kirsty; Capaldi, Leah; Collier, Mike and MacLennan, Alistair. 2019. 'The emergence and evolving agency of performance practice in New Contemporaries'. In: New Contemporaries 70th Anniversary Two-Day Conference. The Courtauld Institute of Art, United Kingdom 25 October 2019. [Conference or Workshop Item]

Ogg, Kirsty; Cullinan, Charlotte; Richards, Jeanine; Kane, Alan and Craighead, Alison. 2019. 'Collaborative and participatory practices as an agent of autonomy'. In: New Contemporaries 70th Anniversary Two-Day Conference. The Courtauld Institute of Art, United Kingdom 26 October 2019. [Conference or Workshop Item]

Ogg, Kirsty; Faramawy, Adham; Perks, Sarah and Quaintance, Morgan. 2020. 'BNC2020 Digital Platform Panel Discussion'. In: BNC2020 Digital Platform Panel Discussion. Online, United Kingdom 1 October 2020. [Conference or Workshop Item]

Ogg, Kirsty; Hart, Emma; Nelson, Mike; Silver, Daniel; Uddoh, Rosa; Locke, Lana and Perez Evan, Rafael. 2019. 'Identity, Making & Materials Symposium'. In: Identity, Making & Materials. Leeds Art Gallery, United Kingdom 30 October 2019. [Conference or Workshop Item]

Ogg, Kirsty; Jones, Rachel; Martin, Russell and Pennick, Ellie. 2022. 'Springboard (The Opportunities and Challenges on the Other Side of Graduation)'. In: Springboard (The Opportunities and Challenges on the Other Side of Graduation). Freelands Foundation, United Kingdom 19 November 2022. [Conference or Workshop Item]

Ogg, Kirsty and McCormack, Séamus. 2019. Bloomberg New Contemporaries 2019. London: New Contemporaries. ISBN 9780956613394 [Book]

Ogg, Kirsty; McCormack, Séamus; Locke, Hew; Shani, Tai and Williams Gamaker, Michelle. 2021. Bloomberg New Contemporaries 2021 Digital Platform. [Digital]

Ogg, Kirsty; McCormack, Séamus; Richards, James; Ryan, Veronica and Xa, Zadie. 2022. Bloomberg New Contemporaries 2022 Digital Platform. [Digital]

Ogg, Kirsty; McCormack, Séamus; da Cunha, Alexandre; Hamilton, Anthea; Sterling, Linder and Quaintance, Morgan. 2020. Bloomberg New Contemporaries 2020 Digital Platform. [Digital]

Ogg, Kirsty; Walsh, Victoria; Dibosa, David; Cranfield, Ben; Phillips, Andrea; Wade, Gavin and Solitt, Lucy Rose. 2022. 'British Art Network Conference 2022. Day 2 Panel: Curating in the Contemporary: the art school, museum, and the academy'. In: BAN Annual Conference 2022. Royal College of Art, United Kingdom 17 November 2022. [Conference or Workshop Item]

Ogg, Kirsty; Watts, Jonathan P; Clayton, Kaavous; Devonshire, Julia; Exton, Maddie; Gardener, Phil and Leaman, Lawrence. 2024. 'Artist-Centred Methodologies (Or A Recent History of Artist-Led Activity In Norwich'. In: EASTinternational: Unpacking the Archive. Norwich University of the Arts, United Kingdom 13 January 2024. [Conference or Workshop Item]

Ogg, Kirsty; Williams, Gilda; Thurston, Nick; Scourti, Erica; Wooldridge, Duncan; Palmer, Katrina; Di Franco, Karen; Montserrat, Jade; McCreadie, Luke and Quaintance, Morgan. 2019. 'Writing Into Practice Symposium'. In: Writing Into Practice Symposium. Camberwell College of Arts, United Kingdom 9 February 2019. [Conference or Workshop Item]

Ogg, Kirsty; da Cunha, Alexandre; Hamilton, Anthea and Sterling, Linder. 2021. Bloomberg New Contemporaries 2020. In: "Bloomberg New Contemporaries 2020", South London Gallery, United Kingdom, 19 May - 6 June 2021. [Show/Exhibition]

Olde Wolbers, Saskia. 2020. Beating around the Bush #6. In: "Beating around the Bush #6", The Bonnefanton, Maastrict, Netherlands, 6 March 2020 - 2 February 2021. [Show/Exhibition]

Olde Wolbers, Saskia. 2020. Brewers Towner International. In: "Brewers Towner International", Towner Eastbourne, United Kingdom, 6 October 2020 - 11 April 2021. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Citrus North, easy! upstream. In: "Citrus North, easy! upstream", Munich, Germany, 20 October - 16 November 2018. [Show/Exhibition]

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Olde Wolbers, Saskia. 2019. The Collection, Highlights for a Future. In: "The Collection, Highlights for a Future", S.M.A.K, Gent, Belgium, 16 March - 29 September 2019. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. From the Collection, Out of Time (collection display). In: "From the Collection, Out of Time", S.M.A.K, Gent, Belgium, 2 June - 21 October 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Gallery Collection. In: "Gallery Collection", Ota Fine Arts Shanghai, China, 20 January - 18 March 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2014. Interloper shown at The Surface of The World : Architecture and The Moving Image, MCAD , Manila, Philippines. In: "The Surface of The World : Architecture and The Moving Image, MCAD , Manila, Philippines", The Museum of Contemporary Art and Design (MCAD) Manila,, Philippines, 06 June to 31 October 2014. [Show/Exhibition]

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Olde Wolbers, Saskia. 2020. Kino der Kunst, Forbidden Beauty. In: "Kino der Kunst 2020, Forbidden Beauty", Munich, Germany, 27 October - 1 November 2020. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Known Unknowns. In: "Known Unknowns", Saatchi Gallery, London, United Kingdom, 21 March - 9 September 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2019. NON DUAL x QDQ: DREAM STATE. In: "NON DUAL x QDQ: DREAM STATE", Hoxton Cabin, London, United Kingdom. [Show/Exhibition]

Olde Wolbers, Saskia. 2017. Pan O' Rama 2017 ( 2 min excerpt 4K) 4 screen version. [Film/Video]

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Olde Wolbers, Saskia. 2017. Pan O’ Rama, 360 BRNDWR 4 ( public art work). In: "Pan O’ Rama, 360 BRNDWR 4 ( public art work)", Maastricht, Netherlands, 23 September 2017 - 30 June 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2011. Pareidolia. [Film/Video]

Olde Wolbers, Saskia. 2011. Pareidolia, 2011. [Film/Video]

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Olde Wolbers, Saskia. 2014. Pareidolia, Art Unlimited, Basel, Switzerland. In: "Pareidolia, Art Unlimited, Basel, Switzerland", Basel, Switzerland, june 2014. [Show/Exhibition]

Olde Wolbers, Saskia. 2017. Pfui – Pish, Pshaw / Prr (excerpt) 2017. [Film/Video]

Olde Wolbers, Saskia. 2017. Pfui – Pish, Pshaw / Prr shown at Offshore: artists explore the sea, Ferens Art Gallery and Hull Maritime Museum. In: "Offshore: artists explore the sea", Ferens Art Gallery and Hull Maritime Museum, United Kingdom, 1 April - 28 August 2017. [Show/Exhibition]

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Olde Wolbers, Saskia. 2017. Pfui – Pish, Pshaw / Prr shown in Paratoxic Paradoxes, Benaki Museum Athens. In: "Paratoxic Paradoxes", Benaki Museum, Greece, 22 March – 21 May 2017. [Show/Exhibition]

Olde Wolbers, Saskia. 2017. Pfui – Pish, Pshaw / Prr, Saskia Olde Wolbers, 2017 two channel video HD 20 min, PCAI. [Film/Video]

Olde Wolbers, Saskia. 2018. Phantom Limb: Art beyond Escher. In: "Phantom Limb: Art beyond Escher", Fries Museum, Leeuwarden, Netherlands, 26 January 2028 - 6 January 2019. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Resilient Futures. In: "Resilient Futures", Thessaloniki Centre Contemporary Arts, Greece, 28 June - 23 September 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Telling Tales, Liao Jiekai and Saskia Olde Wolbers. In: "Telling Tales, Liao Jiekai and Saskia Olde Wolbers", Ota Fine Arts, Shanghai, China, 12 May - 1 July 2018. [Show/Exhibition]

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Olde Wolbers, Saskia. 2014. Unmade, Anne Lindberg & Saskia Olde Wolbers, Contemporary Art Center, Cincinnati, USA. In: "Unmade, Anne Lindberg & Saskia Olde Wolbers", Contemporary Art Center, Cincinnati, USA, United States, October 10, 2014 through March 22, 2015. [Show/Exhibition]

Olde Wolbers, Saskia. 2019. Unreliable Biographers. In: "Unreliable Biographers", Van Gogh House London, United Kingdom, 1 June - 7 July 2019. [Show/Exhibition]

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Olde Wolbers, Saskia. 2023. Unreliable Biographers, Van Gogh House, Zundert, in collaboration with Fraser Muggeridge Studios. In: "Unreliable Biographers", Vincent van GoghHuis, Zundert, Netherlands, 16 September - 26 December 2023. [Show/Exhibition]

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Olde Wolbers, Saskia. 2018. Why Art?. In: "Why Art?", Kunsthalle Weishaupt, Ulm, Germany, 5 May - 7 October 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2018. Women's Work: Art from Southwark Collections. In: "Women's Work: Art from Southwark Collections", Morley Gallery, Morley College, London, United Kingdom, 10 November - 21 December 2018. [Show/Exhibition]

Olde Wolbers, Saskia. 2015. Yes, These Eyes are the Windows, 2015. [Film/Video]

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Olde Wolbers, Saskia. 2014. Yes, These Eyes are the Windows, The Artangel installation 2014. In: "Yes, These Eyes are the Windows 2014", Hackford Road London, Artangel, United Kingdom, April / June 2014. [Show/Exhibition]

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Olde Wolbers, Saskia. 2015. Yes, these Eyes are the Windows. [Film/Video]

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Olde Wolbers, Saskia. 2016. Yes, these Eyes are the Windows, various screenings and exhibitions. In: "Yes, these Eyes are the Windows, Art Amsterdam, IDFA", EYE film museum amsterdam, Netherlands, 2015-2016. [Show/Exhibition]

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Olde Wolbers, Saskia and UNSPECIFIED. 2014. Trailer shown at; Contemporary Art Society: Twixt Two Worlds at the Whitechapel Gallery. In: "Contemporary Art Society: Twixt Two Worlds at the Whitechapel Gallery and Towner Art Gallery Eastbourne", Whitechapel Gallery, London, United Kingdom, 10 June – 31 August 2014. [Show/Exhibition]

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Olde Wolbers, Saskia; Curiger, Bice; Marchand, Julia and Hudek, Antony. 2016. Yes, These Eyes Are the Windows, catalogue. [Exhibition Catalogue]

O’Neill, Paul; Rito, Carolina; Baroni, Bassam El; Sagar, Ilona; Krysa, Joasia; El Broul, Dahlia and Miltiadis, Constantinos. 2022. 'Publics curatorial agency - Shape Helsinki Symposium'. In: Open Up and Shape Helsinki Symposium. Helsinki, United Kingdom 9 – 10 June 2022. [Conference or Workshop Item]

Park, Joo Yeon. 2017. Poussière/Bones: On Literary Self-translatability. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Parlour, Selma. 2013. Depicting Limits: Syntax, Abstraction and Space in Contemporary Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Paxson, Pat. 2004. Reflections on and Refractions in Painting Practices. UNSPECIFIED thesis, Goldsmiths, University of London [Thesis]

Pennell, Jacqueline D.. 1997. 20/20. [Exhibition Catalogue]

Pennell, Jacqueline D.. 2006. 2step. In: "2step", Kunstnernes Hus, 5/12/2006 - 6/25/2006. [Show/Exhibition]

Pennell, Jacqueline D.. 2001. Camoflage, The Nehru Centre, London. Leaflet, Jacqueline Pennell and The Contemporary Arts Society 2000, [Article]

Pennell, Jacqueline D.. 2003. Crooked Light. In: "Crooked Light", Royal West of England Academy, 6/29/2003 - 7/26/2003. [Show/Exhibition]

Pennell, Jacqueline D.. 1995. Experience. In: , ed. Experience: Challenging Visual Indifference Through New Sensory Experience. Booth-Clibborn Editions. ISBN 978-1873968208 [Book Section]

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Pennell, Jacqueline D.. 2015. Floating House. In: "Sydenham Arts Artist Trail", Sydenham, United Kingdom, 4-12 July 2015. [Show/Exhibition]

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Pennell, Jacqueline D.. 2016. Floating Pond. In: "Sydenham Arts Artist Trail", Dacres Wood Nature Reserve, United Kingdom, 02-10 July 2016. [Show/Exhibition]

Pennell, Jacqueline D.. 1992. Four European Artists, Crawford Municipal Art Gallery. In: "Four European Artists, Crawford Municipal Art Gallery", Crawford Municipal Art Gallery, Ireland. [Show/Exhibition]

Pennell, Jacqueline D.. 1998. The Glass Border, Danielle Arnaud Gallery. In: , ed. Opening Lines: New Contexts for Artists' Projects. London: London Arts Board. ISBN 978-0947784379 [Book Section]

Pennell, Jacqueline D.. 2003. The Greatest Show on Earth. In: "The Greatest Show on Earth", The Metropole Galleries, 1/18/2003 - 3/2/2003. [Show/Exhibition]

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Pennell, Jacqueline D.. 2017. Insect Trail. In: "Sydenham Arts Artist Trail", Grow Mayow Community Gardens, 8-16 July 2017. [Show/Exhibition]

Pennell, Jacqueline D.. 2001. Jacqueline Pennell, profile by Robert Preece. Sculpture, [Article]

Pennell, Jacqueline D.. 2005. Les Merveilles Du Monde. In: "Les Merveilles Du Monde", Musee des Beaux Arts Dunkerque, 6/26/2005 - 10/16/2005. [Show/Exhibition]

Pennell, Jacqueline D.. 1991. The Light Show. In: "The Light Show", Walsall Museum and Art Gallery, United Kingdom. [Show/Exhibition]

Pennell, Jacqueline D.. 2002. The Luck Of The Dice. World Sculpture News, 8(3), [Article]

Pennell, Jacqueline D.. 2007. Museum Van Nagsael. Veenman Publishers. ISBN 978-9086900343 [Book]

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Pennell, Jacqueline D.. 2014. Perfect Day. In: "Symbiosis", Goldsmiths, United Kingdom, 11 December 2014. [Show/Exhibition]

Pennell, Jacqueline D.. 1996. Rear Window, Mirror, Mirror, Rear Window. In: , ed. Mirror Mirror. ISBN 978-0952104063 [Book Section]

Pennell, Jacqueline D.. 2001. Small narratives: Unreal Presence. SMART Papers, [Article]

Pennell, Jacqueline D.. 1997. Solo, Urban Eye. In: , ed. text on Jacqueline Pennell by Kathy Kubicki. ISBN 1 90156000 7 [Book Section]

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Pennell, Jacqueline D.. 2016. Touch Me, Feel Me. In: "Drive Thru", Q Park, Cavendish Sq, London, United Kingdom, 05-09 October 2016. [Show/Exhibition]

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Pennell, Jacqueline D.. 2011. UNEARTHED. In: "UNEARTHED", Warton House, Yardley’s former offices in Stratford High Street, London, United Kingdom, 1994 - 2011. [Show/Exhibition]

Pennell, Jacqueline D.. 1996. Works Perfectly, Rear Window. In: "Rear Window", Sara Lane Studios, Stanway Street, London, United Kingdom, 19 July – 15 September 1996. [Show/Exhibition]

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Pettican, anneke; Mojsiewicz, Kristin and Lewis, Chara. 2015. Folds in Time: Artists' Responses to the Temporal and the Uncanny.. In: "Folds in Time: Artists' Responses to the Temporal and the Uncanny.", Freud Museum London, United Kingdom, 4th july 2015. [Show/Exhibition]

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Peña, Jillian. 2013. Performing the Multiple : Dancing a Differently Configured Subjectivity. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Pfenningstorff, Barbara. 2014. Aesthetics of Immanence. Doctoral thesis, Goldsmiths, University of London [Thesis]

Phillips, Andrea. 2008. '1907... After the party: panel discussion'. In: Venice Architecture Biennale. Giardini, Venice, Italy. [Conference or Workshop Item]

Phillips, Andrea. 2009. 'Aesthetics of Democracy'. In: Building Democracy. Platform Garanti, Istanbul, Turkey. [Conference or Workshop Item]

Phillips, Andrea. 2008. 'Ambivalent Ruins roundtable'. In: ambivalent ruins: anniversaries in art education. Graduate School of Creative Arts and Media, Dublin, Ireland. [Conference or Workshop Item]

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Phillips, Andrea. 2013. Art Work. In: Jason Bowman, ed. Esther Shalev-Gerz: The Contemporary Art of Trusting Uncertainties and Unfolding Dialogues. Stockholm: Art & Theory, pp. 239-253. ISBN 9789198087475 [Book Section]

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Phillips, Andrea. 2012. Art and Housing: The Private Connection. In: Andrea Phillips and Fulya Erdemci, eds. Social Housing-Housing the Social: Art, Property and Spatial Justice. 2 (2) Berlin/Amsterdam: Sternberg Press/SKOR, not known-not known. ISBN 978-3-943365-17-7 [Book Section]

Phillips, Andrea. 2015. Art as Property. In: Angela Dimitrakaki and Kirsten Lloyd, eds. Economy: Art, Production and the Subject in the 21st Century. 11 Liverpool: Liverpool University Press. ISBN 9781781381380 [Book Section]

Phillips, Andrea. 2010. Art building, architecture building, curating politics. In: Dorian Wiszniewski, ed. Florence: Curating the City. Edinburgh: Edinburgh College of Art, pp. 20-25. ISBN 978-0-9559706-0-5 [Book Section]

Phillips, Andrea. 2009. Beyond Attendance. In: , ed. Sarah Morris: Beijing. Cologne: Walther Konig. ISBN 978-86560-6646-4 [Book Section]

Phillips, Andrea. 2009. The Body of a Building: Exquisite Corpse at Curating Architecture. In: Nikolaus Hirsch; Philippe Misselwitz; Markus Miessen and Matthias Gorlich, eds. Institution Building: Artists, Curators, Architects in the Struggle for Institutional Space. Berlin and New York: Sternberg Press, pp. 52-71. ISBN 978-1-933128-54-2 [Book Section]

Phillips, Andrea. 2009. Building Democracy. In: , ed. Public Art: Architecture and Participation. Seoul: SAMUSO, pp. 1-10. ISBN ISBN: 978-89-93535-02-0 [Book Section]

Phillips, Andrea. 2009. Building Democracy. In: Celine Condorelli; Gavin Wade and James Langdon, eds. Support Structures. Berlin: Sternberg Press, pp. 88-132. ISBN 978-1-933128-45-0 [Book Section]

Phillips, Andrea. 2005. Cultural geographies in practice: Walking and looking. Cultural Geographies, 12(4), pp. 507-513. ISSN 14744740 [Article]

Phillips, Andrea. 2008. Curating architecture: Office Kersten Geers, David Van Severen. In: Moritz Kung, ed. 1907... After the Party: Office Kersten Geers David Van Severen Belgian Pavilion Venice 2008. Antwep: De Singel. [Book Section]

Phillips, Andrea. 2007. 'Democratic Affect: Architecture in the Museum'. In: Defining Space. University College Dublin, Ireland. [Conference or Workshop Item]

Phillips, Andrea. 2006. Distribution. Performance Research, 11(3), pp. 47-49. ISSN 13528165 [Article]

Phillips, Andrea. 2009. 'Doing Democracy 3'. In: Platform 2009. Ganju/Seoul, Korea, Republic of. [Conference or Workshop Item]

Phillips, Andrea. 2010. Education Aesthetics. In: Mick Wilson and Paul O'Neill, eds. Curating and the Educational Turn. Amsterdam: De Appel/Open Editions. ISBN 978-0-949004-18-5 [Book Section]

Phillips, Andrea. 2011. Education Aesthetics. In: Felicity Allen, ed. On Education. Cambridge, Mass./London: MIT/Whitechapel, not known-not known. ISBN 978-0-262-51636-5 [Book Section]

Phillips, Andrea. 2011. English Pastoral. LOG(23), pp. 78-84. ISSN 1547-4690 [Article]

Phillips, Andrea. 2014. How To Work Together. [Digital]

Phillips, Andrea. 2009. Improvisation Rights. In: Kate McFarlane, ed. Cornelius Cardew: Play for Today. London: The Drawing Room. ISBN 978-0-9558299-1-8 [Book Section]

Phillips, Andrea. 2013. Istanbul Biennial 2013. In: "Istanbul Biennial", Istanbul, Turkey. [Show/Exhibition]

Phillips, Andrea. 2010. 'Jacques Ranciere: the how of emancipation'. In: Big ideas: Jacques Ranciere: the how of emancipation. Whitechapel Gallery, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2009. 'The Knight's Move: Andrea Phillips'. In: The Knight's Move: Andrea Phillips. Stroom, Den Haag, Netherlands. [Conference or Workshop Item]

Phillips, Andrea. 2012. List. In: Celia Lury and Nina Wakeford, eds. Inventive Methods. London: Routledge, Taylor & Francis, not known-not known. ISBN 978-0-415-57481-5 [Book Section]

Phillips, Andrea. 2012. 'Love not Money?'. In: Contemporary Art and its Commercial Markets: A Report on Current Conditions and Future Scenarios. Tensta Konsthall, Stockholm, Sweden. [Conference or Workshop Item]

Phillips, Andrea. 2011. Making It Up: Aesthetic Arrangements in the Barents Region. In: Hilde Methi and Kristin Tarnesvik, eds. Hotel Polar Capital. Kirkenes: Sami Art Festival, pp. 55-68. ISBN 978-82-998333-4-9 [Book Section]

Phillips, Andrea. 2012. 'Object - subject - public - space'. In: Portrait of Space. Portrait of Space, Dublin, Ireland. [Conference or Workshop Item]

Phillips, Andrea. 2008. Objects, Props, Assemblages. In: Kirsty Ogg, ed. Showroom Annual: Props, Events, Encounters: the Performance of New Sculpture. London: The Showroom. ISBN 0-9542362-6-2 [Book Section]

Phillips, Andrea. 2011. 'Objects, Props, Assemblages' Performed. In: Tirdad Zolghdhar; Freya Chou and Hongjohn Lin, eds. Actors Explain Biennials in Mandarin. Taipei: Taipei Museum of Fine Arts, pp. 54-60. ISBN 978-986-02-6866-9 [Book Section]

Phillips, Andrea. 2009. 'PLAY FOR TODAY: Cornelius Cardew conference'. In: Play for Today: Cornelius Cardew Conference. ICA, London, United Kingdom 21 - 22 Nov 2009. [Conference or Workshop Item]

Phillips, Andrea. 2009. 'Panel Discussion: The London Perambulator'. In: The London Perambulator. Whitechapel Galler, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2007. 'Park Nights: Pavilion Politics'. In: Park Nights. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2007. 'Pavilion Politics'. In: Pavilion Politics. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Phillips, Andrea. 2010. Pavilion Politics. LOG(20), tbd-tbd. ISSN tbd [Article]

Phillips, Andrea. 2009. 'The Politics of Practice-based Research'. In: UNSPECIFIED. Konstfack, Stockholm, Sweden. [Conference or Workshop Item]

Phillips, Andrea. 2012. 'Public Education'. In: Cultures of Capitalism IV. Whitechapel Gallery, London, United Kingdom. [Conference or Workshop Item]

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Phillips, Andrea. 2013. Public Space [Crossed Out]. In: Michael Elmgreen; Dragset Ingar; Eva Kraus and Nan Mellinger, eds. A Space Called Public. Munich: Walter Koenig, pp. 248-259. ISBN 9783863354398 [Book Section]

Phillips, Andrea. 2014. Remaking the Art Centre. In: Emily Pethick; Binna Choi and Maria Lind, eds. Cluster - Dialectionary. Berlin: Sternberg Press, pp. 4-18. ISBN 9783956790607 [Book Section]

Phillips, Andrea. 2009. 'Sarah Morris'. In: Vortrag zu Sarah Morris. Museum of Modern Art, Frankfurt, Germany. [Conference or Workshop Item]

Phillips, Andrea. 2011. A Short Plan for Art Institutions Post-participation. In: Markus Miessen and Valerie Kolowratnik, eds. Waking Up from the Nightmare of Participation. Utecht: Expodium, pp. 268-274. ISBN 978-94-90474-00-3 [Book Section]

Phillips, Andrea. 2006. Slipping away from Citizenship. In: Sally Tallant and Louise Coysh, eds. Dis-assembly. Serpentine Gallery, pp. 14-21. ISBN 1905190115 [Book Section]

Phillips, Andrea. 2009. 'Special Aesthetic Zones'. In: Barents Region conference. Barents Cultural Centre, Kirkenes, Norway 19-23 February 2009. [Conference or Workshop Item]

Phillips, Andrea. 2006. Spirits, Ghosts, Atmospheres of Capital. In: Bridget Crone, ed. The Showroom Annual 2005/6. The Showroom Annual (London: The Showroom), pp. 44-47. ISBN 0954236254 [Book Section]

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Phillips, Andrea. 2011. Too Careful: Contemporary Art's Public Making. In: Andrea Phillips and Markus Miessen, eds. Caring Culture: Art, Architecture and the Politics of Public Health. 1 (1) Berlin/Amsterdam: Sternberg Press/SKOR, pp. 35-56. ISBN 978-1-9341-5-71-9 [Book Section]

Phillips, Andrea. 2008. 'Transnational Images'. In: Contemporary Landscape Photography. Bergen Art Academy, Bergen, Norway. [Conference or Workshop Item]

Phillips, Andrea. 2013. Users and Abusers. [Digital]

Phillips, Andrea. 2011. Why Practice-based PhDs are Political. In: Jose Quaresma; Fernando Dias and Juan Guadix, eds. Investigacao em Arte e Design Fendas no Metodo e na Criacao. Lisbon: CIEBA, pp. 69-80. ISBN 978-989-8300-15-7 [Book Section]

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Phillips, Andrea and Cruz, Carla. 2014. Tagore, Pedagogy and Contemporary Visual Cultures, Workshop 1 - London November 2013.. [Dataset]

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Phillips, Andrea and Cruz, Carla. 2014. Tagore, Pedagogy and Contemporary Visual Cultures, Workshop 2 - Santiniketan, India 2014. [Dataset]

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Phillips, Andrea and Cruz, Carla. 2014. Tagore, Pedagogy and Contemporary Visual Cultures, Workshop 3 - London March 2014 - Iniva and Tagore Centre. [Dataset]

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Phillips, Andrea and Cruz, Carla. 2014. Tagore, Pedagogy and Contemporary Visual Cultures, Workshop 4 - Berlin April 2014. [Dataset]

Phillips, Andrea and Erdemci, Fulya. 2009-2014 Actors, Agents and Attendants. [Project]

Phillips, Andrea and Malik, Suhail. 2012. Tainted Love: Art’s Ethos and Capitalization. In: Maria Lind and Olav Velthuis, eds. Art and its Commercial Markets: A Report on Current Changes and with Scenarios for the Future. Berlin/Stockholm: Sternberg Press/Tensta Konsthall, pp. 209-240. ISBN 978-1-934105-99-3 [Book Section]

Phillips, Andrea and Malik, Suhail. 2011. The wrong of contemporary art: aesthetics and political indeterminacy. In: Paul Bowman and Richard Stamp, eds. Reading Rancière. London: Continuum, tbd-tbd. ISBN 978-1441137814 [Book Section]

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Phillips, Andrea; Renton, Andrew; Le Feuvre, Lisa and Schmitz, Edgar. Jan 2007 - Jan 2009 Curating Architecture. [Project]

Phillips, Andrea and Schmitz, Edgar. 2008. Curating Architecture. In: "Curating Architecture", The Showroom, London, United Kingdom. [Show/Exhibition]

Phillips, Andrea and Watson, Grant. 23 Nov 2013-23 August 2014 Tagore Pedagogy and Visual Cultures. [Project]

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Phillipson, Heather; Cammock, Helen; Nisbet, Helen; Di Franco, Karen and Reckitt, Helena. 2017. 'Hot Lines'. In: Hot Lines. The Drawing Room, London, United Kingdom 3 July 2017. [Conference or Workshop Item]

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Pickering, Gail. 2014. Assembly: A survey of recent artists’ film and video in Britain 2008-2013. In: "Assembly: A survey of recent artists’ film and video in Britain 2008-2013", Tate Britain, United Kingdom, 23 November 2013 – 31 March 2014. [Show/Exhibition]

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Pickering, Gail. 2008. Brutalist Premolition. In: "Nought to Sixty - Solo Exhibition", ICA, United Kingdom, 5 May - 2 Nov 2008. [Show/Exhibition]

Pickering, Gail. 2008. Brutalist Premolition: A Stage Play. In: "Brutalist Premolition", Arnolfini, United Kingdom, 4 November 2008. [Performance]

Pickering, Gail. 2007. Dissident Sunset. In: "Dissident Sunset", RLBQ Gallery, 41 Rue Tapis Verte, 9/12/2007 - 11/11/2007. [Show/Exhibition]

Pickering, Gail. 2007. Hungary and Other Economies. In: "Hungary and Other Economies", Jousse Entreprise Gallery, 24 Rue Louise Weiss, 3/17/2007 - 4/13/2007. [Show/Exhibition]

Pickering, Gail. 2016. I blink my eyes to keep the time [for Random Acts]. [Film/Video]

Pickering, Gail. 2015. The Jarman Award 2015. In: "Film London Jarman Award 2015", Whitechapel Gallery, London, United Kingdom, 29 September to 22 November 2015. [Show/Exhibition]

Pickering, Gail. 2013. Karaoke [for Random Acts]. [Film/Video]

Pickering, Gail. 2014. Karaoke [two-channel video installation]. [Art Object]

Pickering, Gail. 2014. Mirror Speech [Solo Exhibition]. In: "Gail Pickering Solo Exhibition Mirror Speech", BALTIC Centre for Contemporary Art, Gateshead, United Kingdom, 31 October 2014 - 11 January 2015. [Show/Exhibition]

Pickering, Gail. 2014. Near Real Time [single-screen]. [Film/Video]

Pickering, Gail. 2014. Near Real Time [three-channel video installation]. [Art Object]

Pickering, Gail. 2012. Not Yet No Longer. In: "Not Yet No Longer", Institute of Contemporary Arts, London, United Kingdom, 26 May 2012; 20 Oct 2012. [Performance]

Pickering, Gail. 2004. PraDal. In: "PraDal", Matts Gallery, 42-44 Copperfield Road, 2/13/2004 - 3/30/2004. [Show/Exhibition]

Pickering, Gail. 2013. Random Acts, Karaoke. [Broadcast]

Pickering, Gail. 2010. SIXTY SIX SIGNS OF NEON - Episodes 2010-11. In: "British Art Show 7", Nottingham Contemporary, United Kingdom, 23 Oct 2010 - 4 Dec 2011. [Show/Exhibition]

Pickering, Gail. 2014. She was a Visitor [installation]. [Art Object]

Pickering, Gail. 2015. She was a Visitor [performance]. In: "She was a Visitor", BALTIC Centre for Contemporary Art, Gateshead, United Kingdom, 11 January 2015. [Performance]

Pickering, Gail. 2001. Youthquake. In: "Youthquake", W139 Gallery, Warmoesstraat 139, 11/3/2001 - 12/2/2001. [Show/Exhibition]

Pickering, Gail. 2008. Zulu Speaking in Radical Tongues. [Art Object]

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Pickering, Kate. 2023. Lakewood Megachurch: Bodily Dis/Orientations in a Climate of Belief. Doctoral thesis, Goldsmiths, University of London [Thesis]

Pinsky, Michael and Reckitt, Helena. 2014. A conversation between Michael Pinsky and Helena Reckitt. In: Mei Huang, ed. Michael Pinsky Survey. Chengdu, China: Museum of Contemporary Art, Chengdu, Edition Xin Dong Cheng. ISBN 978-2-915823-23-3 [Book Section]

Pisac, Andrea and Frank, Miriam. 2007. On Translation. EXILED INK! MAGAZINE, 8, [Article]

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Pollard, Alexander James. 2017. A Genealogy of Bad Painting: Legacies, Soft Objects and Networks. Other thesis, Goldsmiths, University of London [Thesis]

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Ponton, Anita. 2005. Vertigo (the technophenomenological body in performance). UNSPECIFIED thesis, Goldsmiths, University of London [Thesis]

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Pope, Miranda. 2017. From Deathly Repetitions to Transversal Co-dependences: Rethinking the Ecological as Tools for Radical Re-organisation of the Curatorial. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Precarious Workers Brigade, (PWB); Baskakova, Tatiana; Bradfield, Marsha; Graziano, Valeria; Eysler, Adriana; Hope, Sophie; Kern, Margareta; Farinati, Lucia; Firth, Claudia; Mirza, Noor; Weghmann, Vera; Graham, Janna and Kelly, Susan, eds. 2017. Training for Exploitation?: Politicising Employability and Reclaiming Education by Precarious Workers Brigade. Foreword: Silvia Federici. London: Journal of Aesthetics & Protest Press. ISBN 9780615590110 [Edited Book]

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Querol, Nuria. 2020. India at the Venice Biennale: Collateral Events From and Beyond the Nation. Journal of Curatorial Studies, 9(1), pp. 70-89. ISSN 2045-5836 [Article]

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Querol, Nuria. 2022. Transcultural Curation and the Post-COVID World. Journal of Contemporary Chinese Art, 9(3), pp. 261-268. ISSN 2051-7041 [Article]

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Ramos Martinez, Manuel. 2009. We Are All Spectators. Parallax, 15(3), pp. 124-126. ISSN 1353-4645 [Article]

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Ranković, Katarina. 2023. Scripting for Agency. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Reardon, John. 2018. Conversation about Monument for Chelsea Manning with Professor Rosalyn Deutsche, New York, June 7, 2018. Policy Studies Journal, 3(3), pp. 111-133. ISSN 2476-0390 [Article]

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Reardon, John. 2016. Flat Flat Shiny Cat. [Art Object]

Rebecca, Beasley. 2012. The Outside. In: "Tate Britain", London, United Kingdom, 7 April–2 September 2012. [Show/Exhibition]

Reckitt, Helena. 2018. 'Acts of Support: Contradictions of Curating and Care'. In: Metabolic Rifts. Campo Alegre Theatre Café-Teatro, Porto, Portugal 28 April 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2010. Adaptation: Between Species. In: "Adaptation: Between Species", The Power Plant, Toronto, Canada, 19 June - 12 August, 2010. [Show/Exhibition]

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Reckitt, Helena. 2010. Adaptation: Between Species. [Exhibition Catalogue]

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Reckitt, Helena. 2017. 'Affect and Relationality Workshop Discussion'. In: Affect and Exhibitions. Hrafnseyri, The Westfjords of Iceland, Iceland 26 August 2017. [Conference or Workshop Item]

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Reckitt, Helena. 2024. 'After Gretchen Hupfel: Mourning & Merging, Recovery & Return'. In: Re-Evaluation in Feminism(s) and Contemporary Art. Middlesex University, United Kingdom 13 September 2024. [Conference or Workshop Item]

Reckitt, Helena. 2008. 'Back to the Front: Critical Curatorial Panel'. In: CREATING RESISTANCE: Arts Practice/ Political Praxis. University of British Columbia, Vancouver, Canada 24 October 2008. [Conference or Workshop Item]

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Reckitt, Helena. 2013. Because the Night: Curating One-Off Nocturnal Events. Art Papers, 37(3), pp. 42-45. ISSN 1524-9581 [Article]

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Reckitt, Helena. 2018. 'Being Visible at the ICA'. In: From Critical Studies to Public Programming: Public Knowledge at the Post-Democratic Impasse. Goldsmiths, University of London, United Kingdom 18 May 2018. [Conference or Workshop Item]

Reckitt, Helena. 2014. 'Being Visible: Feminism, Art and the Internet'. In: Being Visible: Feminism, Art and the Internet. Institute of Contemporary Arts, London, United Kingdom 10 January 2014. [Conference or Workshop Item]

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Reckitt, Helena. 2014. Between Mirrors. In: Sarah Pucill, ed. Magic Mirror (DVD). London: LUX, pp. 1-17. ISBN 9780992884017 [Book Section]

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Reckitt, Helena. 2007. Boy's Life. In: Nigel Prince, ed. Stephen Shearer. Birmingham, UK, and Toronto, Canada: Ikon and The Power Plant. ISBN 978-1-90486432-5 [Book Section]

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Reckitt, Helena. 2009. Carey Young: Counter Offer. In: "Carey Young: Counter Offer", The Power Plant, Toronto, Canada, 14 March - 18 May 2009. [Show/Exhibition]

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Reckitt, Helena. 2012. Christoph Büchel, Piccadilly Community Centre. Journal of Curatorial Studies, 1(1), pp. 101-104. ISSN 20455836 [Article]

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Reckitt, Helena. 2016. 'Citation, Annotation,Translation: Reflections on Italian Feminisms and the Now You Can Go programme'. In: Curating in Feminist Thought. Migros Museum fuer Gegenwartskunst, Zurich, Switzerland 6-7 May 2016. [Conference or Workshop Item]

Reckitt, Helena. 2012. 'Civil Partnerships? Queer and feminist curating'. In: Civil Partnerships? Queer and Feminist Curating. Tate Modern, United Kingdom 19 May 2012. [Conference or Workshop Item]

Reckitt, Helena. 2011. Clark Collection Critic/Curator-in-Residence, Department of Art History, Victoria University, New Zealand. [Professional Activity]

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Reckitt, Helena. 2020. 'Collective Learning in the Feminist Duration Reading Group'. In: The Independent summit, FRIENDSHIP | SOLIDARITY | ALLIANCES. MAXXI Museum, Rome, Italy 24 – 25 January 2020. [Conference or Workshop Item]

Reckitt, Helena. 2012. Committee Member, Women's Art Library. [Professional Activity]

Reckitt, Helena. 2018. 'Curating Feminist Legacies: Italian Feminisms and the Now You Can Go Programme'. In: Unveiling Hidden Discourses: 1968. Warwick University, United Kingdom 19th May 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2021. 'Curating and Care: Possibilities and Limits'. In: Aesthetic Agency – please engage me!,. SMK, Copenhagen, Denmark 29 September 2021. [Conference or Workshop Item]

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Reckitt, Helena. 2017. 'Curating and Caring: Three-Part Workshop'. In: Habits of Care. University of Toronto, Canada 9-23 September 2017. [Conference or Workshop Item]

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Reckitt, Helena. 2020. 'Curating and/as Care'. In: New Alphabet School #4 Caring. Haus der Kulturen der Welt, Berlin, Germany 12 June 2020. [Conference or Workshop Item]

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Reckitt, Helena. 2011. Curatorial Writing Award / Prix des Textes de Conservation, Ontario Association of Art Galleries. [Professional Activity]

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Reckitt, Helena. 'The Curious Curator'. In: Resilient Communities. Italian Pavilion, Biennale of Architecture, La Biennale di Venezia, Italy 9 November 2021. [Conference or Workshop Item]

Reckitt, Helena. 2014. 'Do You Wish To Direct Me? Contemporary artists under the influence of feminism'. In: Dialogues on Conflict - Feminist Perspectives and Art Practice. University of Wales, Trinity Saint David, Swansea, United Kingdom 16 May 2014. [Conference or Workshop Item]

Reckitt, Helena. 2008. 'Domesticity: Feminist Art and the Idea of the Home'. In: Domesticity: Feminist Art and the Idea of the Home. Ulrich Museum, Wichita, Kansas, United States 7 February 2008. [Conference or Workshop Item]

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Reckitt, Helena. 2009. Down and Dirty With Valérie Blass, Catalogue Essay. [Exhibition Catalogue]

Reckitt, Helena. 2014. 'Drama in the Gallery'. In: Drama in the Gallery. Institute of Contemporary Arts, London, United Kingdom 5 December 2014. [Conference or Workshop Item]

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Reckitt, Helena. 2019. 'Durational Feminisms: Collectivity, Support and Intergenerational Exchange'. In: Re-Writing the Canon?. Courtauld Institute, London, United Kingdom 14 May 2019. [Conference or Workshop Item]

Reckitt, Helena. 2011. ‘Enacting Others: Politics of Identity in Eleanor Antin, Nikki S Lee, Adrian Piper and Anna Deveare Smith’, by Cherise Smith. Times Higher Education Supplement, p. 25. [Article]

Reckitt, Helena. 2023. External Examiner, MFA Art. [Professional Activity]

Reckitt, Helena. 2021. External Examiner, MFA Programme, Ruskin School of Art, Oxford University. [Professional Activity]

Reckitt, Helena. 2023. External Examiner: MA Art and Project Management, Birmingham City University. [Professional Activity]

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Reckitt, Helena. 2021. 'Feminist Curating and Care: Possibilities and Limits'. In: FEINART LECTURE. Online 2 December 2021. [Conference or Workshop Item]

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Reckitt, Helena. 2015. Feminist Duration Reading Group. [Professional Activity]

Reckitt, Helena. 2015 - 2021 Feminist Duration Reading Group. [Project]

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Reckitt, Helena. 2016. 'Feminist Durations: Reflections on Italian Feminisms, Disidentification, and the 'Now You Can Go' programme'. In: Work, Strike and Self-Abolition: Feminist Perspectives on the Act of Creating Freedom. La Monnaie, Paris, France 1 October 2016. [Conference or Workshop Item]

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Reckitt, Helena. 2016. 'Feminist Durations: Reflections on Italian Feminisms, Human Strike, and the Now You Can Go programme'. In: Critical Soiree, part of Oreet Ashery’s Revisiting Genesis. Stanley Picker Gallery, Kingston University, London, United Kingdom 21 May 2016. [Conference or Workshop Item]

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Reckitt, Helena. 2006. 'Feminist Legacies and Potentials in Contemporary Art Practice'. In: Part 2: Feminist Legacies and Potentials in Contemporary Art Practice. de Balie, Amsterdam, Netherlands 16 November 2006. [Conference or Workshop Item]

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Reckitt, Helena. 2012. 'Feminist Perspectives in Art Productions and Theories of Art'. In: Feminist Perspectives in Art Productions and Theories of Art. Bilbao, Spain 5, 6, 7 October 2012. [Conference or Workshop Item]

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Reckitt, Helena. 2018. 'The Feminist Practice of Affidamento (Entrustment)'. In: Affidamento – Creating Feminist Solidarity in Art and Curating. Migros Museum, Zurich, Switzerland 15 June 2018 - 16 June 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2019. Feminist acts of resistance and withdrawal in London. Burlington Contemporary, [Article]

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Reckitt, Helena. 2013. Flux Night: Free Association. In: "Flux Night: Free Association", Flux Projects, Atlanta, United States, 5 October 2013. [Show/Exhibition]

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Reckitt, Helena. 2013. Forgotten Relations: Feminist Artists and Relational Aesthetics. In: Angela Dimitrakaki and Lara Perry, eds. Politics in a Glass: Case Feminism, Exhibition Cultures and Curatorial Transgressions. 7 Liverpool: Liverpool University Press, pp. 131-156. ISBN 9781846318931 [Book Section]

Reckitt, Helena. 2021. 'Friendship and Feminist Organising: The Feminist Duration Reading Group as a structure of reciprocal learning and support'. In: O My Friends, There Is No Friend. Hdk-Valand, Gothenburg, Sweden 12 July 2021. [Conference or Workshop Item]

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Reckitt, Helena. 2023. From Coping to Curious: Unlearning and Reimagining Curatorial Habits of Care. In: Elke Krasny and Lara Perry, eds. Curating with Care. Abingdon: Routledge, pp. 169-182. ISBN 9781032069913 [Book Section]

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Reckitt, Helena. 2012. GENDER ALARM!: Queer Feminist Exhibitions in a ‘Year of Feminist Art’. In: Leila Pourtavaf, ed. Féminismes Électriques. Montreal: La Centrale Galerie Powerhouse, pp. 26-41. ISBN 978-2-89091-321-9 [Book Section]

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Reckitt, Helena. 2018. 'Gallery Walk Through: Still I Rise, Feminisms Gender Resistance'. In: Still I Rise. Nottingham, United Kingdom 31 October 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2017. Generating Feminisms: Italian Feminisms and the “Now You Can Go” Program. Art Journal, 76(3-4), pp. 101-111. ISSN 0004-3249 [Article]

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Reckitt, Helena. 2013. Gerard Byrne: Like a Man. In: Kirsty Ogg, ed. Gerard Byrne: A State of Neutral Pleasure. London and Stockholm: The Whitechapel Gallery, pp. 36-51. ISBN 978-0-85488-212-0 [Book Section]

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Reckitt, Helena. 2014. Getting Rid of Ourselves. In: "Getting Rid of Ourselves", OCAD U Onsite Gallery, Canada, July 16 2014 - October 11 2014. [Show/Exhibition]

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Reckitt, Helena. 2014. Getting Rid of Ourselves, Catalogue Essay. [Exhibition Catalogue]

Reckitt, Helena. 2013. 'Getting Rid of Yourself'. In: Socially Engaged Practice: Ethics, Aesthetics, Politics or Economics?. Centre for Contemporary Art, Glasgow, United Kingdom 2 March 2013. [Conference or Workshop Item]

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Reckitt, Helena. 2017. 'Giving it Time: Thoughts on the Feminist Duration Reading Group'. In: Giving it Time: Thoughts on the Feminist Duration Reading Group. Calgary Contemporary, Canada 16 September 2017. [Conference or Workshop Item]

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Reckitt, Helena. 2024. 'Gossip Girl: Collective and Anonymous Authorship as a Tool of Rumour, Kinship, and Calling Out'. In: The lost-and-found: revising art stories in search of potential changes. Art Academy of Latvia, Riga, Latvia 6-7 June 2024. [Conference or Workshop Item]

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Reckitt, Helena. 2017. Habits of Care. In: "Habits of Care", Blackwood Gallery, University of Toronto, Canada, 11-30 September 2017. [Show/Exhibition]

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Reckitt, Helena. 2017. Habits of Care Exhibition Essay. [Exhibition Catalogue]

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Reckitt, Helena. 2012. Helena Reckitt on Once More With Feeling. [Audio]

Reckitt, Helena. 2012. A House Divided: American Art Since 1955. Times Higher Education Supplement, p. 30. [Article]

Reckitt, Helena. 2019. Inside Job: Learning, Collaboration, and Queer Feminist Contagion in Killjoy’s Kastle. In: Allyson Mitchell and Cait McKinney, eds. Inside Killjoy's Kastle: Dykey Ghosts, Feminist Monsters, and Other Lesbian Hauntings. Vancouver and Toronto, Canada: The University of British Columbia Press and The Art Gallery of York University, pp. 1-22. ISBN 9780774861571 [Book Section]

Reckitt, Helena. 2016. 'Introduction to Feminist Art'. In: Introduction to Feminist Art. Frieze Academy, London, United Kingdom 2 November 2017. [Conference or Workshop Item]

Reckitt, Helena. 2018. Introduction: Being Seen, The Politics of Visibility in Feminist Art. In: Helena Reckitt; Hilary Robinson; Amy Tobin and Luci Gosling, eds. The Art of Feminism. San Francisco/London: Chronicle Books/Tate Publishing. [Book Section]

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Reckitt, Helena. 2010. Joachim Koester: Hypnagogia. In: "Joachim Koester: Hypnagogia", The Power Plant, Toronto, Canada, 26 March - 24 May, 2010. [Show/Exhibition]

Reckitt, Helena. 2013. 'Joan & Martin Goldfarb Summer Institute, Unexpected Encounters: Sexual Difference and Art Now'. In: Joan & Martin Goldfarb Summer Institute, Unexpected Encounters: Sexual Difference and Art Now. York University, School of Art & Art History, Canada May 12 2014. [Conference or Workshop Item]

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Reckitt, Helena. 2012. Katherine Taylor: Heavy Weather. [Exhibition Catalogue]

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Reckitt, Helena. 2012. Keren Cytter: Based on a True Story. In: "Keren Cytter: Based on a True Story", Oakville Galleries, Ontario, Canada, 14 April – 10 June 2012. [Show/Exhibition]

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Reckitt, Helena. 2023. 'Listening and Narrating Selves: Feminist tools of teaching, curating and coappearance'. In: Feminists Pedagogy Into and Out of the Art School panel, as part of On Not Knowing: How Artists Teach. Glasgow School of Art, United Kingdom 10 June 2023. [Conference or Workshop Item]

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Reckitt, Helena. 2008. Manon de Boer. In: "Manon de Boer", The Power Plant, Toronto, Canada, 20 September - 23 November, 2008. [Show/Exhibition]

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Reckitt, Helena. 2016. 'Margaret Harrison: Accumulations Exhibition closing event'. In: Margaret Harrison: Accumulations Exhibition closing event. MIMA, Middlesborough, United Kingdom 23 January 2016. [Conference or Workshop Item]

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Reckitt, Helena. 2015. Mary Daly, Gyn/Ecology. C Magazine(126), pp. 27-29. [Article]

Reckitt, Helena. 2018. 'Material Matters'. In: Material Matters. The Drawing Room, London, United Kingdom 22 October 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2006. My Fuzzy Valentine: Allyson Mitchell. C Magazine(89), pp. 14-17. ISSN 1480-5472 [Article]

Reckitt, Helena. 2008. Neither to Criticize Nor Glorify: Paul Shambroom's Studied Objectivity. In: Diane Mullin, ed. Paul Shambroom Picturing Power. Minneapolis: Weisman Art Museum, University of Minnesota, Minneapolis, pp. 32-45. ISBN 9781933045757 [Book Section]

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Reckitt, Helena. 2017. 'New Institutionalities #2 Feminist curating; an active network?'. In: New Institutionalities #2 Feminist curating; an active network?. Nottingham Contemporary, United Kingdom 13 July 2017. [Conference or Workshop Item]

Reckitt, Helena. 2023. Nicole Gets It. In: Mark Godfrey and Monika Bayer-Wermuth, eds. Nicole Eisenman: What Happened? London: Whitechapel Gallery and Museum Brandhorst, pp. 68-69. ISBN 9780854883127 [Book Section]

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Reckitt, Helena. 2008. Not Quite How I Remember It. In: "Not Quite How I Remember It", The Power Plant, Toronto, Canada, 7 June - 1 September, 2008. [Show/Exhibition]

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Reckitt, Helena. 2008. Not Quite How I Remember It, Catalogue Essay. [Exhibition Catalogue]

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Reckitt, Helena. 2009. Nothing to Declare: Current Sculpture from Canada. In: "Nothing to Declare", The Power Plant, Toronto, Canada, 11 December 2009 - 7 March 2010. [Show/Exhibition]

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Reckitt, Helena. 2015. 'Now Can We Go? Refusal and labour in the art world'. In: Labours of Love, Works of Passion: The social (re)production of art workers from industrialisation to globalisation. AAH2016: Annual Art Historians Conference, Edinburgh, United Kingdom 7-9 April 2016. [Conference or Workshop Item]

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Reckitt, Helena. 2012. Once More With Feeling, Nuit Blanche. In: "Nuit Blanche: Once More With Feeling", Toronto, Canada, 30 September 2012. [Show/Exhibition]

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Reckitt, Helena. 2009. Opening a Closing Door: Feminist and Queer Artists as Historians. Reading Room: A Journal of Art and Culture, pp. 88-103. [Article]

Reckitt, Helena. 2010. 'Performing Publics, Panel on Artists’ Re-enactment'. In: Performing Publics: Artists' Re-enactments. Performance Studies International, Ontario College of Art and Design, Toronto, Canada 9 - 13 June 2010. [Conference or Workshop Item]

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Reckitt, Helena. 2021. Productive Refusals. In: Edward Ball, ed. Old Land, New Waters. London: Freelands Foundation, pp. 134-139. [Book Section]

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Reckitt, Helena. 2019. 'Productive Refusals Workshop'. In: Freelands Artist Programme Symposium. Site Gallery, Sheffield, United Kingdom 19 June 2019. [Conference or Workshop Item]

Reckitt, Helena. 2011. 'Rehearsal'. In: Rehearsal. Adam Auditorium, City Gallery Wellington, New Zealand 17 August 2011. [Conference or Workshop Item]

Reckitt, Helena. 2020. Selection Committee, Women's Art Library, Art in the Archive Bursary: Glitching the Archive, 2020. [Professional Activity]

Reckitt, Helena. 2013. Selection Committee, Women's Art Library/Feminist Review, Art in the Archive Award, 2013. [Professional Activity]

Reckitt, Helena. 2018. Selection Committee, Women's Art Library/Feminist Review, Art in the Archive: Thriving through everyday acts of resistance, 2018. [Professional Activity]

Reckitt, Helena. 2015. Selection Committee: Women's Art Library, Art in the Archive: Kill The Archivist!, 2015. [Professional Activity]

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Reckitt, Helena. 2019. 'Seminar with Olivia Plender'. In: PhD Seminar with Olivia Plender. Tensta Konsthall, Stockholm, Sweden 27 May 2019. [Conference or Workshop Item]

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Reckitt, Helena. 2017. 'Starting From the Self to Depart From the Self'. In: Starting from the Self in Order to Depart from the Self. Nottingham Contemporary, Nottingham, United Kingdom 11 July 2017. [Conference or Workshop Item]

Reckitt, Helena. 2008. Stop Making Sense: Felix Gmelin in conversation with Helena Reckitt. SWITCH, pp. 10-14. [Article]

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Reckitt, Helena. 2016. Support Acts: Curating, Caring and Social Reproduction. Journal of Curatorial Studies, 5(1), pp. 6-30. ISSN 2045-5836 [Article]

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Reckitt, Helena. 2017. Suzy Lake: Standing Her Ground. In: , ed. Suzy Lake. Steidl. [Book Section]

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Reckitt, Helena. 2020. Taking (Back) Care. In: Sharon Kivland and Rebecca Jagoe, eds. On Care. London: ma bibliotheque, pp. 196-202. ISBN 978-1-910055-71-7 [Book Section]

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Reckitt, Helena. 2022. 'Taking Care: Revaluation of Practices and Ethics of Care'. In: This Time We Talk About Gender/Cette fois, parlons du genre: DCA - the French national network for contemporary art centres. Online, France 10 May 2022. [Conference or Workshop Item]

Reckitt, Helena. 2023. That Sparkly Feeling: Collective Learning and Exchange in the Feminist Duration Reading Group. In: Lisa Baldissera, ed. Person/ne. Vancouver, Canada: Griffin Art Projects. [Book Section] (In Press)

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Reckitt, Helena. 2011. To Make Time Appear. Art Journal, 70(3), pp. 58-63. [Article]

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Reckitt, Helena. 2010. Touching Animals. C Magazine, 107, pp. 34-39. [Article]

Reckitt, Helena. 2013. 'The Trouble With Artist Collectives'. In: The Trouble With Artist Collectives. Institute of Contemporary Arts, London, United Kingdom 17 April 2013. [Conference or Workshop Item]

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Reckitt, Helena. 2016. Troubling Canons: Curating and Exhibiting Women’s and Feminist Art, A Roundtable Discussion. In: Ruth E Iskin, ed. Re-envisioning the Contemporary Art Canon: Perspectives in a Global World. New York, NY, and Abingdon, UK: Routledge. ISBN 9781138192683 [Book Section]

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Reckitt, Helena. 2018. Trust and the Artist-Curator Relationship. C Magazine, ISSN 1480-5472 [Article]

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Reckitt, Helena. 2006. Unusual Suspects: Global Feminisms and WACK! Art and the Feminist Revolution. n.paradoxa, 18, pp. 34-42. ISSN 1461-0434 [Article]

Reckitt, Helena. 2008. 'Vancouver and its Feminisms'. In: Vancouver and its Feminisms. Vancouver Art Gallery, Vancouver, Canada 25 October 2008. [Conference or Workshop Item]

Reckitt, Helena. 2010. Wendelien van Oldenburgh: The Past is Never Dead. The Past is Never Dead, pp. 2-3. [Article]

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Reckitt, Helena. 2004. What Business Are You In?. In: "What Business Are You In?", Atlanta Contemporary Art Centre, GA, United States, 29 January - 26 March 2005. [Show/Exhibition]

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Reckitt, Helena. 2009. Who Was that Woman? C Magazine, 104, pp. 88-103. [Article]

Reckitt, Helena. 2012. Yoko Ono: To the Light. Times Higher Education Supplement, pp. 19-20. [Article]

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Reckitt, Helena. 2006. ---ifesto: Feminist art’s shifting ground. C Magazine(90), pp. 30-34. [Article]

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Reckitt, Helena. 2018. '~in waves~ intensive residency of feminist curating'. In: part 12: ~in waves~ intensive residency of feminist curating. Hanaholmen – the Swedish-Finnish Cultural Centre, Hanasaarenranta 5, 02100 Espoo, Finland 26-30 November 2018. [Conference or Workshop Item]

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Reckitt, Helena. 2018. 'in-waves: curatorial intensive in feminist curating'. In: in-waves intensive on feminist curating. Hanaholmen, Swedish-Finnish Cultural Centre, Helsinki, Finland 26 - 29 November 2018. [Conference or Workshop Item]

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Reckitt, Helena; Ahmed, Sara; Phillipson, Heather; Waidner, Isabel and Calver, Julia. 2014. 'Experimental Feminisms'. In: Experimental Feminisms. Centre for Feminist Research, Goldsmiths, United Kingdom 6 June 2014. [Conference or Workshop Item]

Reckitt, Helena; Ashery, Oreet; Vasey, George and Wilson, Stephen. 2019. 'Dying Under Your Eyes, Discussion'. In: Dying Before Your Eyes, Screening & Discussion. Wellcome Collection, Londono, United Kingdom 10 October 2019. [Conference or Workshop Item]

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Reckitt, Helena; Baker Smith, Diana; Cremona, Cinzia; Damiani, Giulia; Džuverović, Lina; Farinati, Lucia; Fuller, Sabrina; Gibbs, Rose; Guy, Laura; Kertudo, Felicie; Moser, Gabby; Paiola, Sara; Revell, Irene; Sequeira Bras, Patricia; Tobin, Amy and Torrell, Ehryn. 2019. Transmitting Feminisms. In: Sofia Lemos and Alexandra Balona, eds. Metabolic Rifts Reader. Berlin/Lisbon: Atlas Projectos, pp. 143-162. ISBN 9789892093116 [Book Section]

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Reckitt, Helena; Baker Smith, Diana; Cremona, Cinzia; Damiani, Giulia; Džuverović, Lina; Farinati, Lucia; Fuller, Sabrina; Guy, Laura; Kertudo, Felicie; Moser, Gabby; Paiola, Sara; Revell, Irene; Sequeira Bras, Patricia; Tobin, Amy and Torrell, Ehryn. 2018. Co-Authoring Values. Daylight(1), pp. 10-15. [Article]

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Reckitt, Helena and Bartana, Yael. 2007. Yael Bartana, Ritual. In: "Yael Bartana, Ritual", The Power Plant, Toronto, Canada, 1 March - 22 April 2007. [Show/Exhibition]

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Reckitt, Helena and Berrebi, Sophie. 2022. 'Seventy Years of The Second Sex: A conversation between Sophie Berrebi and Helena Reckitt'. In: Seventy Years of The Second Sex: A Conversation between Sophie Berrebi and Helena Reckitt. Hauser & Wirth, Zurich, Switzerland 7 May 2022. [Conference or Workshop Item]

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Reckitt, Helena; Blackman, Lisa; Wakeford, Nina and Fisher, Jennifer. 2016. 'Affect and Curating: Feeling the Curatorial'. In: Affect and Curating: Feeling the Curatorial. Whitechapel Gallery, London, United Kingdom 19 January 2017. [Conference or Workshop Item]

Reckitt, Helena; Blackwell, Adrian and Various, others. 2010. 'Love is a force that acts as the productive motor of every emancipatory politics'. In: Love is a force that acts as the productive motor of every emancipatory politics. JMB Gallery, University of Toronto, Toronto, Canada 18 March 2010. [Conference or Workshop Item]

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Reckitt, Helena; Bollettenari, Angelica; Casalini, Giulia; Georgiou, Diana; Guy, Laura; Revell, Irene and Tobin, Amy. 1-13 December 2015 Now You Can Go. [Project]

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Reckitt, Helena; Bosold, Birgit; Hofmann, Vera and Boskamp, Ulrike. 2021. 'Year of the Women* / Jahr der Frau Curatorial Conversation'. In: Year of the Women* / Jahr der Frau Booklet Releases. Online, Germany 23 June 2021. [Conference or Workshop Item]

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Reckitt, Helena; Bramich, Beth; Clements, Leah and Katrin, Lock. 2023. 'What do we mean when we talk about care?'. In: Women in Revolt Conference. Tate Britain, United Kingdom 22-23 March 2024. [Conference or Workshop Item]

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Reckitt, Helena and Bryan-Wilson, Julia. 2017. 'Fray: Art and Textile Politics, Julia Bryan-Wilson and Helena Reckitt in conversation'. In: Fray: Art and Sexual Politics. Courtauld Institute, London, United Kingdom 24 November 2017. [Conference or Workshop Item]

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Reckitt, Helena and Burke, Gregory. 2007. Auto Emotion: Autobiography, Emotion and Self-fashioning. In: "Auto Emotion", The Power PLant, Toronto, Canada, 18 May - 19 August 2007. [Show/Exhibition]

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Reckitt, Helena and Cervantes, Susana Vargas. 2016. 'Seminar and Workshop: Queering Curatorial Practice'. In: Queering Curatorial Practice. Delfina Foundation, United Kingdom 10 March 016. [Conference or Workshop Item]

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Reckitt, Helena and Condorelli, Céline. 2016. 'Céline Condorelli in conversation with Helena Reckitt'. In: Céline Condorelli in conversation with Helena Reckitt. LUMA Foundation, Arles, France 25 February 2016. [Conference or Workshop Item]

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Reckitt, Helena; Conlon, Natasha; Barton, Christina; Smith, Terry; French, Blair; Newby, Kate and Tamait-Quennell, Megan. 2012. Roundtable: Reading Exhibitions, ed. Natasha Conlon. Reading Room: A Journal of Art and Culture, 5, pp. 150-167. [Article]

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Reckitt, Helena and Davies, Jon. 2010. Ryan Trecartin: Any Ever. In: "Ryan Trecartin: Any Ever", The Power Plant, Toronto, Canada, The Power Plant: 26 March - 24 May, 2010; LA MOCA: 18 July - 17 October, 2010; MOCA Miami: 24 June - 4 September, 2011; MoMA/PS1: June 19, 2011—September 3, 2011. [Show/Exhibition]

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Reckitt, Helena; Dunster, Flora; Siwisa, Kefiloe and Tobin, Amy. 2018. 'Soft Covers: Queer Feminist Publishing'. In: Strange Perfume LGBTQIA book fair. South London Gallery, London, United Kingdom 26 May 2018. [Conference or Workshop Item]

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Reckitt, Helena and Epp-Buller, Rachel. 2020. 'Curator Conversation: Rachel Epp Buller and Helena Reckitt'. In: Curator Conversation: Rachel Epp Buller and Helena Reckitt. Salina Art Centre, Kansas, United States 11 December 2020. [Conference or Workshop Item]

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Reckitt, Helena; Fletcher, Harrell; Bastos, Augusto; Brandt, Thomas; Frey, Sean; Jickling, Hannah; Kobayashi, Alison SM; O'Donnell, Darren; Reed, Helen; Reid, Kerri; Shaw, Kristin; Swintak, Swintak; Tanaka, Maiko; Wah, Amy and Wielonda, Karen. 2008. Harrell Fletcher: Born out of Pleasure. In: "Harrell Fletcher: Born out of Pleasure", The Power Plant, Toronto, Canada. [Show/Exhibition]

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Reckitt, Helena and Fuller, Sabrina. 2021. Nothing Worth Doing is Done Alone: On Friendship and Feminist Organising. [Audio]

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Reckitt, Helena; Fuller, Sabrina and Dunster, Flora. 2020. 'Masculinities: Feminist Duration Reading Group'. In: Masculinities. Barbican Art Gallery and online, London, United Kingdom 5 March – 17 October 2020. [Conference or Workshop Item]

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Reckitt, Helena; Fuller, Sabrina and Torrell, Ehryn. 2023. 'Drawing for Our Lives'. In: Drawing for Our Lives. Drawing Room, London, United Kingdom 26 March 2024. [Conference or Workshop Item]

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Reckitt, Helena; Fuller, Sabrina; Zhihan, Dot Jia and Iohe, Taey. 2023. 'Collectivity & Care'. In: Collectivity & Care. Eastside Projects, Birmingham, United Kingdom 10 May 2023. [Conference or Workshop Item]

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Reckitt, Helena; Joyce, Julie and Locke, Hew. 2004. Hew Locke: House of Cards. In: "Hew Locke: House of Cards", Atlanta Contemporary Art Center, Atlanta, GA, United States, November 13 2004 – January 8 2005. [Show/Exhibition]

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Reckitt, Helena; Krish, Jessie; Narkevičius, Adomas and Fuller, Sabrina. 2023. CEED (Central & East European Diasporas) Feminisms. In: "CEED Feminisms", Cell Project Space, London, United Kingdom, 4 May 2023 - 20 March 2024. [Show/Exhibition]

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Reckitt, Helena and Kwan, Will. 2008. Will Kwan: A Littoral Reconstruction. In: "Will Kwan: A Littoral Reconstruction", The Power Plant, Toronto, Canada, 11 May 2008. [Show/Exhibition]

Reckitt, Helena and LGBT, Network. 2013. 'My Queer Museum'. In: My Queer Museum. Victoria & Albert Museum, London, United Kingdom 15 March 2013. [Conference or Workshop Item]

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Reckitt, Helena; Logue, Deidre and Mitchell, Allyson. 2015. Not at the beginning and not at the end: A Conversation among Deidre Logue, Allyson Mitchell and Helena Reckitt. In: Amelia Jones and Erin Silver, eds. Otherwise: Imagining Queer Feminist Art Histories. Manchester: Manchester University Press, pp. 356-370. ISBN 978-0-7190-9641-9 [Book Section]

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Reckitt, Helena; Majewska-Guede, Karolina and Cruz, Carla. 2023. 'Writing and Thinking Together about Affective Labour and Collectivity'. In: The lost-and-found: revising art stories in search of potential changes. Universidade Nova de Lisboa, Portugal 6-7 December 2023. [Conference or Workshop Item]

Reckitt, Helena; Malik, Suhail; Burton, Johanna; Hartjes, Natalie and Markopoulos, Leigh. 2012. Survey on Gender Ratios in Curating Programs. Red Hook, pp. 10-16. [Article]

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Reckitt, Helena; Malik, Suhail; Yuile, Laura; Kulendran Thomas, Christopher; Kulesh, Leslie; Cameron, Angus; Pil & Galia, Kollectiv; DKUK, DKUK; Pollard, Alexander James and Luke, Kristin. 2015. 'Capitalist Artist Scum #1 and #2'. In: FORUM: Capitalist Artist Scum. Open School East, London, United Kingdom 24 September 2015-11 November 2015. [Conference or Workshop Item]

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Reckitt, Helena and Martinis Roe, Alex. 2016. 'Productive Refusals'. In: To Become Two. Casco,Office for Art, Design & Theory, Utrecht, Netherlands 20 November 2016 - 2017. [Conference or Workshop Item]

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Reckitt, Helena and Martinis Roe, Alex. 2018. Proposition 7, Productive Refusals. In: Alex Martinis Roe, ed. To Become Two: Propositions for Feminist Collective Practice. Berlin: Archive Books, pp. 199-201. ISBN 9783943620580 [Book Section]

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Reckitt, Helena and Martinis Roe, Alex. 2021. Relationality in Feminist Collective Practice. On Curating(52), ISSN 2673-2955 [Article]

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Reckitt, Helena; Martinson, Erik and Aarne, Nella. 2016. 'Queer Futures and World-Building'. In: Queer Futures and World-Building. Goldsmiths, University of London, United Kingdom 3 May 2016. [Conference or Workshop Item]

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Reckitt, Helena; McCormack, Chris; van Noord, Gerrie and Džuverović, Lina. 2022. 'The Third Hand —Claire, Bernadette and Friends'. In: And Others: The Gendered Politics and Practices of Art Collectives, Panel Four: ‘The Third Hand’—Claire, Bernadette and Friends. Birkbeck, University of London, and online, United Kingdom 1 December 2022. [Conference or Workshop Item]

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Reckitt, Helena and Moser, Gabrielle. 2023. 'Against Structurelessness: the resonance of 1970s and 1980s feminisms on current collective work'. In: College Art Association 112th Annual Conference, Panel 'Group Work: Art and Feminism'. Chicago, United States 14 February 2024. [Conference or Workshop Item]

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Reckitt, Helena and Moser, Gabrielle. 2019. Feminist Research Trip to Milan. [Professional Activity]

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Reckitt, Helena and Moser, Gabrielle. 2016. Feminist Tactics of Citation, Annotation, and Translation: Reflections on the Now You Can Go programme. On.Curating: CURATING in feminist thought(29), pp. 42-48. [Article]

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Reckitt, Helena and Moser, Gabrielle. 2024. 'Strong Feelings and Partly-Healed Arguments: Building Reciprocity and Negotiating Differences in Contemporary Feminist Groups'. In: Wild thoughts - for a feminist psychoanalysis-to-come. Site for Contemporary Psychoanalysis, Birkbeck, University of London, United Kingdom 21-22 June 2024. [Conference or Workshop Item]

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Reckitt, Helena; Moser, Gabrielle; Damiani, Giulia and Carnevale, Fulvia. 2022. 'Listening and Narrating Selves: on self-narration within relational contexts'. In: Listening and Narrating Selves. Nuova Accademia di Belle Arti (NABA) Rome, live-streamed to Milan, Italy 19-20 April 2023. [Conference or Workshop Item]

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Reckitt, Helena; Moser, Gabrielle; Damiani, Giulia and Parent, Vanessa. 2022. Resonance and Transmission. In: "fORUM: Resonance and Transmission", Mercer Union, Toronto and online, Canada, 7 October - 17 November 2022. [Show/Exhibition]

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Reckitt, Helena; Mullin, Diane and Scoates, Christopher. 2009. Paul Shambroom: Picturing Power. In: "Paul Shambroom: Picturing Power", Weisman Art Museum- University. of Minnesota, United States, 1 April 2008 - 5 April 2009. [Show/Exhibition]

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Reckitt, Helena; Murthy, Prema and Oliveri, Michael. 2004. Prema Murthy, Space Invaders ; Michael Oliveri, Fast Food, Hydrocarbons and Waves in Outer Space. In: "Michael Oliveri and Prema Murthy", Atlanta Contemporary Art Center, Atlanta, GA, United States, 19 June - 7 August 2004. [Show/Exhibition]

Reckitt, Helena and Ndritu, Grace. 2019. '(Un)Learning Habits of Care'. In: (Un)Learning Habits of Care Workshop. Studio Voltaire, London, United Kingdom 19-22 September 2019. [Conference or Workshop Item]

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Reckitt, Helena and Phillips, Andrea. 2015. 'Feminist Duration in Art and Curating'. In: Feminist Duration in Art and Curating. Goldsmiths, University of London, United Kingdom 16-17 March 2015. [Conference or Workshop Item]

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Reckitt, Helena and Pucill, Sarah. 2015. 'Helena Reckitt in Conversation with Sarah Pucill'. In: Helena Reckitt in conversation with Sarah Pucill. Nunnery Gallery, United Kingdom 29 April 2015. [Conference or Workshop Item]

Reckitt, Helena; Rhodes, Richard; Zeppetelli, John and Moore, Gareth. 2008. 'Delicate: Art and Post-Millennial Culture'. In: Delicate: Art and Post-Millennial Culture. Art Gallery of Ontario, Toronto, Canada 20 September 2008. [Conference or Workshop Item]

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Reckitt, Helena; Shani, Tai and Sin, Victoria. 2019. 'Unknown: discussion'. In: Unknown screening. Danielle Arnaud Gallery, London, United Kingdom 15 February 2019. [Conference or Workshop Item]

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Reckitt, Helena and Shaw, Christine. 2019. 'Taking (Back) Care Workshop'. In: Taking (Back) Care Workshop. Cité internationale des arts, Paris, France 17 May 2019. [Conference or Workshop Item]

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Reckitt, Helena; Shaw, Christine; Wilkinson, Jayne and Rage, Raju. 2017. 'Curating and Care'. In: Care Crisis, Care Corrective: An Open Forum on Cultural Work. Blackwood Gallery, University of Toronto, Canada 23 September 2017. [Conference or Workshop Item]

Reckitt, Helena; Trecartin, Ryan and Davies, Jon. 2010. 'International Lecture Series: Ryan Trecartin in conversation with Jon Davies and Helena Reckitt'. In: International Lecture Series: Ryan Trecartin. The Drake Hotel, Toronto, Canada 23 March 2010. [Conference or Workshop Item]

Reckitt, Helena and White, Ian. 2009. 'Talk to the Pie 6: 43 After 66, Ian White and Helena Reckitt'. In: Talk to the Pie 6: 43 After 66, Ian White and Helena Reckitt. Gladstone Hotel, Toronto, Canada 10 April 2009. [Conference or Workshop Item]

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Reckitt, Helena; Williams Gamaker, Michelle; Gosling, Lucinda; Al-Mashouk, Tamara and Karamani, Sofia. 2019. 'The Art of Feminism'. In: The Art of Feminism, Tate Late. Tate Britain, London, United Kingdom 7 June 2019. [Conference or Workshop Item]

Renton, Andrew. 2002. “Aesthetics of the Seamless (Norman Bryson, Mark Gisbourne, Sharon Morris, Andrew Renton, Irit Rogoff)”. In: , ed. Concepts on the Move (Lier & Boog). Amsterdam and New York: Editions Rodopi B.V., pp. 81-92. ISBN 978-9042012691 [Book Section]

Renton, Andrew. 2002. Andrew Renton and Sacha Craddock in Conversation. In: , ed. The Producers: Contemporary Curators in Conversation. Gateshead and Newcastle: Baltic and University of Newcastle, pp. 9-46. ISBN 978-1903655139 [Book Section]

Renton, Andrew. 2007. Another Memory of the Old Home. In: , ed. Ângela Ferreira: Maison Tropicale. Lisbon: Institutos das Artes & Ministério da Cultura, pp. 60-77. ISBN 978-972-99322-8-1 [Book Section]

Renton, Andrew. 2015. “Architecture’s Ideology: Antony Gormley’s Ethics of Spacing”. In: Peter Fischer; Simone King and Rosalind Horne, eds. Antony Gormley: Expansion Field. Berlin: Hatje Cantz, pp. 189-205. ISBN 978-3-7757-3931-3 [Book Section]

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Renton, Andrew. 2008. Art TLV 08: Open Plan Living. In: "Art TLV: Open Plan Living", Helena Rubenstein Pavilion, Museum of Tel Aviv and others, Israel, 27 September 2008 - October 18 2008. [Show/Exhibition]

Renton, Andrew. 2003. “Ben Kodesh l’Kodesh” (“...Between what is holy and what is holy”). In: Andrew Renton, ed. Borders of Sanctity in Art, Society and Jewish Thought. Jerusalem: Keter Publishing with Adi Foundation, pp. 146-149. ISBN 965-07-1172-4 [Book Section]

Renton, Andrew. 2010. Bergotte's Vermeer and other Histories. In: Wouter Davidts, ed. Crack: Koen van den Broek. Amsterdam: Valiz, Amsterdam; S.M.A.K., Ghent; Lannoo, Tielt, pp. 62-71. ISBN 978 90 78088 41 7 [Book Section]

Renton, Andrew. 2002. “Bethan Huws”. In: , ed. 100 Reviews Backwards. Verlag der Buchhandlung Walther Konig, p. 65. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2002. “Browser: a Second Visit to the Archive”. In: , ed. Potential: Ongoing Archive. Amsterdam and Southampton: Artimo Foundation Breda, pp. 60-65. ISBN 978-9075380484 [Book Section]

Renton, Andrew. 2005. Complications of Absence: Ignasi Aballí and the Constrained Object. In: , ed. 0-24 h. Barcelona: Museo De Arte Contemporáneo De Barcelona = Museu D'art Contemporani De Barcelona, pp. 117-130. ISBN 978-8489771147 [Book Section]

Renton, Andrew. 2014. "The Contested Space of Curating". In: Viktor Misiano and Nataša Petrešin-Bachelez, eds. The Manifesta Journal Reader. St Petersberg: Arca, pp. 76-84. ISBN 978-5-91208-176-7 [Book Section]

Renton, Andrew. 2003. “Conversation between Jonathan Callan, Edward Allington, and Andrew Renton, 4th November 2002, Deptford, London”. In: , ed. Jonathan Callan: Interference. Walsall: New Art Gallery Walsall, pp. 68-71. ISBN 978-0946652662 [Book Section]

Renton, Andrew. 2002. Correspondence. In: , ed. Ghada Amer. London: Gagosian Gallery, pp. 7-19. ISBN 978-1880154755 [Book Section]

Renton, Andrew. 2002. “Disappearing, Dislodging and Logging Off in B.C.”. In: , ed. The Beachcombers. London: Drawing Room, pp. 11-16. [Book Section]

Renton, Andrew. 2005. Don’t think you knew you were in this song: How Ziggy Sang Susan. In: , ed. SUSAN PHILIPSZ. Malmo Konsthall, pp. 46-65. ISBN 978-9177041061 [Book Section]

Renton, Andrew. 2002. “Douglas Gordon, 24 Hour Psycho”. In: , ed. 100 Reviews Backwards. Verlag der Buchhandlung Walther Konig, p. 56. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2002. Five Pieces for A.M. In: , ed. Nothing is Sudden – Arbeiten mit Licht. Köln: StadtRevue Verlag, pp. 10-21. [Book Section]

Renton, Andrew. 2017. “Forms of Practice: Curating in the Academy”. In: Jens Hoffmann, ed. The Exhibitionist: the First Six Years. New York: Artbook, pp. 275-281. ISBN 978-1-942884-12-5 [Book Section]

Renton, Andrew. 2003. Holding Centre. In: , ed. I Only Want You to Love ME. Brighton: Photoworks, pp. 100-103. ISBN 978-1903796092 [Book Section]

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Renton, Andrew. 2015. "I Never Thought I'd See You Again: Painting History". In: ""I Never Thought I'd See You Again: Painting History"", Marlborough Contemporary, United Kingdom, 20 January - 27 February 2015. [Show/Exhibition]

Renton, Andrew. 2006. I saw and know what I saw…: Linder as Witness. In: , ed. Linder: Works 1976-2006. Zurich: JRP Ringier, pp. 128-137. ISBN 3-905701-60-x [Book Section]

Renton, Andrew. 2002. “Ian Davenport, Gary Hume, Michael Landy” and “East Country Yard Show”. In: , ed. 100 Reviews: Backwards. Verlag der Buchhandlung Walther Konig, pp. 40-48. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2007. In Lieu of the Face. In: , ed. Portrait, Landscape, Process, Monochrome. London: Alexia Goethe Gallery, pp. 6-13. ISBN 978-1906463007 [Book Section]

Renton, Andrew. 2002. “Modern Medicine”. In: , ed. 100 Reviews: Backwards. Verlag der Buchhandlung Walther Konig, p. 87. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2005. Mushrooms in the Rain: Gerard Hemsworth and the Deceptive Perspective. In: , ed. Gerard Hemsworth, Mushrooms In The Rain (exhibition catalogue). São Paulo: Galeria Brito Cimino, pp. 4-6. [Book Section]

Renton, Andrew. 2007. Only you can make this world seem right. In: , ed. Jesper Just - Film Works: Film Works 2001-2007. Rotterdam: Witte de With Centre for Contemporary Art, pp. 82-99. ISBN 978-9073362734 [Book Section]

Renton, Andrew. 2008. Painting Less Subject: Detached Indices and Red Herrings (for K.C.). In: Ben Tufnell, ed. Keith Coventry: Vanishing Certainties. Painting and Sculpture 1992 - 2009. London: Haunch of Venison, pp. 32-33. ISBN 972-1-905620-37-1 [Book Section]

Renton, Andrew. 2019. Passages of Stillness: The Ethics of Landscape and Remembering in Shaun Gladwell’s 1000 Horses. di'van: a journal of accounts(6), pp. 62-87. ISSN 2207-1563 [Article]

Renton, Andrew. 2005. Prescription Material: You are what you eat. In: , ed. Marc Quinn: Chemical Life Support. London: White Cube, pp. 2-5. ISBN 978-0954650186 [Book Section]

Renton, Andrew. 2006. “Public and Private Collecting”. In: , ed. Frieze Projects: Artists' Commissions and Talks: Artists Commissions and Talks 2003-2005. London: Frieze, pp. 137-145. ISBN 978-0955320101 [Book Section]

Renton, Andrew. 2006. “Space Girl and the Strange Case of Being in Two Places at the Same Time”. In: , ed. Sophie Von Hellermann: Judgement Day. London: Koenig Books, pp. 162-167. ISBN 978-3865600578 [Book Section]

Renton, Andrew. 2006. Stay forever and ever and ever. In: "Stay forever and ever and ever", South London Gallery, 5/2/2006 - 6/24/2006. [Show/Exhibition]

Renton, Andrew. 2009. Ten Fragments (for I.K.). In: Elena Volpato, ed. Ian Kiaer: What Where. Turin: Archive Books, pp. 43-47. [Book Section]

Renton, Andrew. 2007. Threshold and its Shadow (for YS). In: , ed. Yehudit Sasportas. Der israelische Pavillon auf der Biennale Venedig. Israeli Pavilion 52nd Biennale Vezezia and Dumont, pp. 39-61. ISBN 978-3832177737 [Book Section]

Renton, Andrew. 2015. “Unconditional Welcome: An Ethics of Passage in Le Jardin hospitalier of Jyll Bradley” (“Un accueil inconditionnel : L’éthique du passage dans Le Jardin hospitalier de Jyll Bradley”). In: Amanda Crabtree, ed. Le Jardin hospitalier: une oeuvre de Jyll Bradley. Dijon: Les presses du réel, pp. 12-24. ISBN 978-2-84066-786-5 [Book Section]

Renton, Andrew. 2006. ’Unknown Content’:Diminished Return. In: , ed. (Re)volver, Lisbon: Plataforma Revolver. , pp. 32-42 [Book Section]

Renton, Andrew. 2005. Walking through Wall: Catherine Yass’s Politics of Unseeing. In: , ed. Catherine Yass: Filmography. Fundacio Antoni Tapies, pp. 72-89. ISBN 978-8489152731 [Book Section]

Renton, Andrew. 2015 Werner Büttner. Coincidence in Splendour: Paintings and My Looting Eye: Collages. [Project]

Renton, Andrew. 2005. West. In: , ed. The Journey: Dietmar Lutz. London: emilyTsingou Gallery, pp. 23-39. ISBN 978-0953245826 [Book Section]

Renton, Andrew. 2006. You are still here…. In: , ed. Mona Hatoum: Hot Spot. White Cube. [Book Section]

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Renton, Andrew. 2019. hobbypopMUSEUM on Main Street. In: , ed. hoppypopMUSEUM: Saved Images. Berlin: DISTANZ Verlag/Dortmunder Kunstverein, pp. 11-20. ISBN 9783954762729 [Book Section]

Renton, Andrew. 2008. “‘…so begin always again and again’: Syntactical Spaces, Indebted Figures in the Work of Muntean/Rosenblum”. In: , ed. Muntean/Rosenblum: Make Death Listen. Zurich: JRP Editions, pp. 92-93. ISBN 978-3905701982 [Book Section]

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Renton, Andrew and Brooks, Jason. 2015. Jason Brooks: 'Origins'. In: "Origins", Marlborough Contemporary, United Kingdom, 10 June 18 July 2015. [Show/Exhibition]

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Renton, Andrew and Brzezanska, Agnieszka. 2015. Agnieszka Brzeżańska: 'This all occurs quickly, with ease, grace and joy'. In: "This all occurs quickly, with ease, grace and joy", Marlborough Contemporary, United Kingdom, 18 September – 31 October 2015. [Show/Exhibition]

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Renton, Andrew and Büttner, Werner. 2015. Werner Büttner: 'The Marking of the Abyss'. In: "The Marking of ther Abyss", Marlborough Contemporary, United Kingdom, 4 March – 18 April 2015. [Show/Exhibition]

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Renton, Andrew; Corrales, Marcos; Jubelin, Narelle and Ferreira, Angela. 2008. Front of House. In: "Front of House, London", Parasol Unit, United Kingdom, 16 April - 29 May 2008. [Show/Exhibition]

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Renton, Andrew and Ferreira, Ángela. 2015. Ângela Ferreira: 'Talk Tower for Ingrid Jonker'. In: "Talk Tower for Ingrid Jonker", Marlborough Contemporary, United Kingdom, 5 August - 5 September 2015. [Show/Exhibition]

Renton, Andrew; Gillick, Liam; Paley, Maureen; Furlong, William; Cooke, Lynne and Schubert, Karsten. 2014. “Technique Anglaise: Current Trends in British Art”. In: John Slyce and Phoebe Adler, eds. Contemporary Art in the United Kingdom. London: Black Dog Publishing, pp. 162-173. ISBN 978 1 907317 68 2 [Book Section]

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Renton, Andrew and Golden, Pamela. 2014. Pamela Golden. "Good Morning! Mr. Williams.". In: "Good Morning! Mr. Williams.", Marlborough Contemporary, United Kingdom, 15 Jan to 15 Feb 2014. [Show/Exhibition]

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Renton, Andrew and Golden, Pamela. 2015. Pamela Golden: 'Charlie Don’t Surf'. In: "Charlie Don’t Surf", Marlborough Contemporary, United Kingdom, 11 November - 30 December. [Show/Exhibition]

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Renton, Andrew and Gussin, Graham. 2014. Graham Gussin: FORSAKENFOCUSVERTIGOPREDICTION. In: "FORSAKENFOCUSVERTIGOPREDICTION", Marlborough Contemporary, United Kingdom, 7 Mar to 12 April 2014. [Show/Exhibition]

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Renton, Andrew and Hernández, Diango. 2015. Diango Hernández: 'The Book of Waves'. In: "The Book of Waves", Marlborough Contemporary, United Kingdom, 29 April – 5 June 2015. [Show/Exhibition]

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Renton, Andrew and Jubelin, Narelle. 2016. Narelle Jubelin: 'Flamenco Primitivo'. In: "Flamenco Primitivo", Marlborough Contemporary, United Kingdom, 5 February – 12 March 2016. [Show/Exhibition]

Renton, Andrew and Jubelin, Narelle. 2002. Shumakom ("No place"). In: "Shumakom ("No place")", Beit Ha'omanim (Artists' House), Jerusalem, 5/1/2002 - 6/1/2002. [Show/Exhibition]

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Renton, Andrew and Kavanagh, Laurence. 2016. Laurence Kavanagh: 'March'. In: "'March'", Marlborough Contemporary, United Kingdom, 11 May - 18 June 2016. [Show/Exhibition]

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Renton, Andrew and Kavanagh, Laurence. 2014. Laurence Kavanagh: 'May'. In: "Laurence Kavanagh: 'May'", Marlborough Contemporary, United Kingdom, 7 May–20 June 2014. [Show/Exhibition]

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Renton, Andrew and Landau, Sigalit. 2014. Sigalit Landau: 'Knafeh'. In: "Knafeh", Marlborough Contemporary, United Kingdom, 17 September – 1 November 2014. [Show/Exhibition]

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Renton, Andrew and Landau, Sigalit. 2016. Sigalit Landau: 'Salt Bride'. In: "Salt Bride", Marlborough Contemporary, United Kingdom, 26 July - 17 September 2016. [Show/Exhibition]

Renton, Andrew and Lapa, P.. 2003. Ângela Ferreira: Em Sítio Algum . No Place at All. Museu Nacional de Arte Contemporânea. ISBN 9727761895 [Book]

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Renton, Andrew; Marleen, Inge and David, Powell. 2019. The Neighbourhood of Infinity. [Artist's Book]

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Renton, Andrew and Onofre, João. 2014. João Onofre: 'Tacet'. In: "Tacet", Marlborough Contemporary, United Kingdom, 18 November 2014 – 10 January 2015. [Show/Exhibition]

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Renton, Andrew and Patterson, Grear. 2016. Grear Patterson: True Romance. In: "True Romance", Marlborough Contemporary, United Kingdom, 24 June - 23 July 2016. [Show/Exhibition]

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Renton, Andrew and Roberts, Charlie. 2016. Charlie Roberts: Juicy. In: "Juicy", Marlborough Contemporary, United Kingdom, 24 Nov 2016 - 8 January 2017. [Show/Exhibition]

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Renton, Andrew and Rosenthal, Norman. 2004. Jason Martin. Charta. ISBN 8881584832 [Book]

Renton, Andrew and Temin, Kathy. 2009. Running Past a Richard Serra: Kathy Temin and Andrew Renton in Conversation. In: Sue Cramer, ed. Kathy Temin. Melbourne, Australia: Heide Museum of Modern Art, pp. 73-79. ISBN 9781921330124 [Book Section]

Renton, Andrew and White, Laura. 2008. Broken Surface: Belated Forms. In: Laura White, ed. Laura White: the Stuff of Images. Manchester: Castlefield Gallery, unpaginated. ISBN 978-0-9559557-1-6 [Book Section]

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Renton, Andrew and Whittlesea, Ian. 2014. Ian Whittlesea: A Breathing Bulb. In: "A Breathing Bulb", Marlborough Contemprary, United Kingdom, 6 August - 6 September 2014. [Show/Exhibition]

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Renton, Andrew and Wright, Philip, eds. 2015. Werner Büttner. My Looting Eye: Collages. London: Back Dog Publishing. ISBN 9781910433836 [Edited Book]

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Renton, Andrew and van den Broek, Koen. 2014. Koen van den Broek: Cut Away the Snoopy. In: "Cut Away the Snoopy", Marlborough Contemporary, United Kingdom, 25 June – 2 August 2014. [Show/Exhibition]

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Renton, Andrew; van den Broek, Koen and Verhoeven, Thibaut. 2010. Koen van den Broek: Curbs and Cracks. In: "Curbs and Cracks", Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, 28 January to 10 May 2010. [Show/Exhibition]

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Renton, Andrew and von Poehl, Charlotte. 2014. “Random Different: Andrew Renton and Charlotte von Poehl in Conversation”. In: , ed. Charlotte von Poehl: Harlequins. Ystad: Ystads Konstmuseum, pp. 47-61. ISBN 91-87258-75-7 [Book Section]

Reupke, Rachel. 2020. Intermission (St George and the Dragon). [Film/Video]

Reupke, Rachel. 2019. Kennington Shaft. [Film/Video]

Reupke, Rachel. 2019. Lean In. In: Hannelore Paflik-Huber, ed. Künstlerhaus Stuttgart 40 Jahre 1978–2018. Stuttgart: av edition. ISBN 9783899862874 [Book Section]

Reupke, Rachel. 2015. Letter of Complaint. [Film/Video]

Reupke, Rachel. 2021. Questionnaire. [Film/Video]

Rifkin, Adrian. 2007. Addressing Ekphrasis: A Prolegomenon to the Next. Journal of Classical Philology, 102, pp. 72-82. ISSN 0009837X [Article]

Rifkin, Adrian. 2009. Apart from Sex. Journal of Visual Culture, 8(3), pp. 265-277. [Article]

Rifkin, Adrian. 2005. From Structure to Enigma and Back, Perhaps. Journal of Visual Culture, 4(3), pp. 364-381. ISSN 14704129 [Article]

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Rifkin, Adrian. 2009. Oh I do Like to be Beside the Sea Side. Borderlands, 8(2), [Article]

Rifkin, Adrian. 2007. Wotan Envy. Parallax, 12(4), pp. 26-49. ISSN 1460700X [Article]

Rifkin, Adrian; Berry, Chris and Lok, Susan Pui San. 2009. Altius, Lentius. In: Adrian Rifkin, ed. Faster, Higher. London: Film and Video Umbrella, pp. 40-50. ISBN 978-1-904270-29-4 [Book Section]

Robertson, Selina; Wood, Sarah; Reckitt, Helena and Reynolds, Lucy. 2019. Club des Femmes, Helena Reckitt: An interview on International Women’s Day 2017. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London, UK: IB Tauris. ISBN 9781784537005 [Book Section]

Rogoff, Irit. 2018. Becoming Research. In: Choi Jina and Helen Jungyeon Ku, eds. The Curatorial in Parallax. Seoul, Republic of Korea: National Museum of Modern and Contemporary Art, Korea, pp. 39-52. ISBN 9788963031972 [Book Section]

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Rosamond, Emily. 2016. 'Algorithmic Witnesses'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily. 2016. Economies of Character (or, Character in the Age of Big Data). Doctoral thesis, Goldsmiths, University of London [Thesis]

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Rosamond, Emily. 2017. 'Reputation Power'. In: Goldsmiths MFA Lecture Series. Goldsmiths, United Kingdom. [Conference or Workshop Item]

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Rosamond, Emily; Cnaani, Ofri; Heathfield, Adrian and Clarke, Elly. 2023. 'Dragging Affordances'. In: Choreographic Devices. Institute of Contemporary Arts, London, United Kingdom 17 June 2023. [Conference or Workshop Item]

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Rourke, Daniel. 2019. The Practice of Posthumanism: Five Paradigmatic Figures for Human Mutation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Rova, Marina. 2020. PhD Upgrade Examiner, Goldsmiths, University of London. [Professional Activity]

Sagar, Ilona. 2021. An Anatomy of Maintenance. In: Gemma Blackshaw and Sharon Kivland, eds. Care(less) - a supplement to On Care. London: Ma Bibliothèque, pp. 74-80. ISBN 9781910055861 [Book Section]

Sagar, Ilona. 2024. 'Art & the Critical Medical Humanities: Confabulations X Health & Care at the RCA'. In: Art & the Critical Medical Humanities: Confabulations X Health & Care at the RCA. Royal College of Art, United Kingdom 19 - 21 June 2024. [Conference or Workshop Item] (Forthcoming)

Sagar, Ilona. 2024. 'Artist Talk Ilona Sagar'. In: Wednesday Artist Lectures. University of Reading, Department of Art, United Kingdom 28 February 2024. [Conference or Workshop Item]

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Sagar, Ilona. 2024. 바이오스코프, 물질의 아나토미: 일로나 사가 Bioscope, Anatomy of the Matter: Ilona Sagar. In: "Seoul International New Media Festival (NeMaf) 2024", Seoul, Korea, Republic of, 1 August 2024. [Show/Exhibition]

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Sagar, Ilona. 2022. The Body Blow. [Film/Video]

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Sagar, Ilona. 2022. The Body Blow. In: "Radio Ballads", Serpentine Galleries, London, United Kingdom, 31 March – 29 May 2022. [Show/Exhibition]

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Sagar, Ilona. 2018. Correspondence O. [Film/Video]

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Sagar, Ilona. 2018. Correspondence O. In: "Living with Buildings", Wellcome Collection, London, United Kingdom, 4 October 2018 – 3 March 2019. [Show/Exhibition]

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Sagar, Ilona. 2017. Correspondence O. In: "Correspondence O", South London Gallery, United Kingdom, 13 December 2017 - 25 February 2018. [Show/Exhibition]

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Sagar, Ilona. 2021. Create, Capture, Organise, Pluralise. In: "Create, Capture, Organise, Pluralise", Somerset House, London, United Kingdom, 1 July - 31 October 2021. [Show/Exhibition]

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Sagar, Ilona. 2019. Deep Structure. [Film/Video]

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Sagar, Ilona. 2019. Deep Structure. In: "Deep Structure", S1 Artspace Sheffield, United Kingdom, 11 October - 14 December 2019. [Show/Exhibition]

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Sagar, Ilona. 2022. 'Environmental Dis-ease. Co-productions of Toxic Politics'. In: Environmental Dis-ease. Co-productions of Toxic Politics. University of Vienna, Department of Social and Cultural Anthropology, Austria 25 October 2022. [Conference or Workshop Item]

Sagar, Ilona. 2021. Giving Bodies Back to Data Image Makers, Bricolage, and Reinvention in Magnetic Resonance Technology. MIT Press, Cambridge, Massachusetts. [Other]

Sagar, Ilona. 2023. How We Hold: Rehearsals for Art and Social Change. In: Jemma Egan; Layla Gatens; Elizabeth Graham; Amal Khalaf and Alex Thorp, eds. How We Hold: Rehearsals for Art and Social Change. London: Walter Koenig/Serpentine Gallery. ISBN 9783753 305035 [Book Section]

Sagar, Ilona. 2024. 'On mediated encounters in social, political and experiential spaces through interdisciplinary arts practice'. In: On mediated encounters in social, political and experiential spaces through interdisciplinary arts practice.. Information Experience Design, Royal College of Art, United Kingdom. [Conference or Workshop Item]

Sagar, Ilona. 2024. The Radio Ballads. In: Amal Khalaf; Elizabeth Graham; Layla Gatens and Ilona Sagar, eds. The Radio Ballads. [Book Section] (Forthcoming)

Sagar, Ilona. 2018. Research in Film Awards (RIFA) Winner. [Professional Activity]

Sagar, Ilona. 2024. Stanley Picker Fellowship. [Professional Activity]

Sagar, Ilona and Casini, Silvia. 2025. Ilona Sagar and Silvia Casini: Dialogues. In: Fiona Johnstone and Ilona Sagar, eds. Confabulations: Art Practice, Art History, Critical Medical Humanities. London: Bloomsbury Academic. [Book Section] (Forthcoming)

Sagar, Ilona and Gunning, Lucy. 2013. Being Without Walls: Art Licks Weekend. In: Holly Willats, ed. Being Without Walls: Art Licks Weekend. Ludlow: Jerwood Foundation. [Book Section]

Sagar, Ilona and Sweeney, Josephine. 2023. 'Infrastructural bodies: The Living Structures of Bodies, Buildings and Archives'. In: Latent legacies: the afterlives of asbestos. University of Cambridge, Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), United Kingdom 2 November 2023. [Conference or Workshop Item]

Sagar, Ilona; Sweetapple, Kate and Kasunic, Jacqui. 2023. 'Encountering Archives'. In: Encountering Archives. Goldsmiths, University of London, United Kingdom 29 - 30 November 2023. [Conference or Workshop Item]

Sagar, Ilona and Walker, Adam. 2021. Forward. In: Gemma Blackshaw, ed. I care by.... London: Research Communiqués: RCA Fine Arts and Humanities, Royal College of Art., pp. 9-18. ISBN 9781838354336 [Book Section]

Sagar, Ilona and Walker, Adam. 2021. 'Glasgow School of Art Friday Event: Care'. In: Glasgow School of Art Friday Event: Care. Glasgow School of Art, United Kingdom 15 October 2021. [Conference or Workshop Item]

Sagar, Ilona; Whorrall-Campbell, Grace; Spencer-Davidson, Dylan; Rigole, Jasper and Bergstrom-Katz, Sasha. 2024. 'Psy-disciplines on Film: Research, Reenactment and Documentation. Max Planck Institute'. In: Psy-disciplines on Film: Research, Reenactment and Documentation. Berlin, Germany 11 July 2024. [Conference or Workshop Item]

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Salaman, Naomi. 1999. Changed pressmarks of the Private Case in the British Library. [Art Object]

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Salaman, Naomi. 2008. Looking Back at the Life Room; Revisiting Pevsner’s 'Academies of Art Past and Present', to Reconsider the Illustrations and Construct Photographs Representing the Curriculum. Doctoral thesis, Goldsmiths, University of London [Thesis]

Samson, Audrey. 2022. Critical Raw Materials Podcast Series by FRAUD. [Audio]

Samson, Audrey. 2019. Digital data funerals. In: Tamara Kohn; Martin Gibbs; Bjorn Nansen and Luke van Ryn, eds. Residues of Death. Routledge, pp. 91-106. ISBN 9780429456404 [Book Section]

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Samson, Audrey. 2017. Erasure. In: Helen Pritchard; Eric Snodgrass and Magda Tyżlik-Carver, eds. EXECUTING PRACTICES. (06) Brooklyn, NY: Autonomedia, pp. 143-154. ISBN 9781570273216 [Book Section]

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Samson, Audrey. 2015. Erasure, an attempt to surpass datafication. APRJA (A Peer-Reviewed Journal About), 4(1), pp. 44-55. [Article]

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Samson, Audrey. 2015. Goodnight Sweetheart; A digital data funeral. [Art Object]

Samson, Audrey. 2021. Partnerships; or how to reap without sowing. In: Mariana Pestana; Sumitra Upham and Billie Muraben, eds. Empathy Revisited: Designs for more than one. Eindhoven: Onomatopee, pp. 215-226. ISBN 9789493148598 [Book Section]

Samson, Audrey and Gallardo, Francisco. 2018. Commercial extinction: The exhaustion of exhaustion. In: Daniel Fernandez Pascual and Alon Schwabe, eds. The Empire Remains Shop. New York: Columbia University Press, pp. 109-119. ISBN 9781941332375 [Book Section]

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Samson, Audrey and Gallardo, Francisco. 2017. 'Let them eat cake!'. In: 2017 ACM SIGCHI Conference on Creativity and Cognition. Singapore, Singapore 27-30 June 2017. [Conference or Workshop Item]

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Samson, Audrey; Muldtofte, Lea; Soon, Winnie; Snodgrass, Eric and Gallardo, Francisco. 2018. Execution. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 141-145. ISBN 9781350030244 [Book Section]

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Samson, Audrey and Soon, Winnie. 2015. Network Affordances: Unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal(24), [Article]

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Samson, Audrey and Tobias Schäfer, Mirko. 2018. Static Glow. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 407-411. ISBN 9781350030244 [Book Section]

Schmitz, Edgar. 2025. Ambient attitudes. On contingency, treason and humour. Zürich/ Berlin: on_curating press. [Book] (Forthcoming)

Schmitz, Edgar. 2017. CHOREOGRAPHIC 1-5. In: "CHOREOGRAPHIC 1-5", Research Pavilion, 57th Venice Biennale, Italy, 26-29 June 2017. [Show/Exhibition]

Schmitz, Edgar. 2010. Some Turn and Some Don't (On Set-Ups). In: Paul o'Neill and Mick Wilson, eds. Curating and the Educational Turn. London/ Amsterdam: Open Editions/ de Appel. ISBN 978-0-949004-18-5 [Book Section]

Schmitz, Edgar. 2010. Soundtrack. In: "British Art Show 7. In The Days of the Comet", Nottingham Contemporary, New Art Exchange, Castle Museum, Nottingham, United Kingdom, October 2010 - December 2011. [Show/Exhibition]

Schmitz, Edgar. 2012. Surplus Cameo Decor. In: "Surplus Cameo Decor", Cooper Gallery, Duncan of Jordanstone College of Art & Design, Dundee, United Kingdom, 18 October - 14 December 2012. [Show/Exhibition]

Schmitz, Edgar. 2015. Surplus Cameo Decor: sindanao 2. In: "Surplus Cameo Decor: sindanao 2", Shanghai Himalayas Museum, China, 28.6.-9.8.2015. [Show/Exhibition]

Schmitz, Edgar. 2010. Traps Against Capture. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 208-224. ISBN 978-0748638383 [Book Section]

Schmitz, Edgar. 2010. Which Way to Heaven? In: Lisa Le Feuvre, ed. Failure. Whitechapel/ MIT. ISBN 978-0-262-51477-4 [Book Section]

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Schmitz, Edgar; Vemeir, Katleen and Heiremans, Ronny. 2016. Never Really in Real Time. PARSE Journal, 4, pp. 121-131. ISSN 2002-0511 [Article]

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Schwindt, Grace. 2018. The Birder. [Film/Video]

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Schwindt, Grace. 2018. The Boxer. In: "An Evening of Performances", O2 Forum Kentish Town, United Kingdom, 2 October 2018. [Performance]

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Schwindt, Grace. July 2023 - July 2024 / period in Belgium: December 2023 and January 2024 and July 2024 A Cold Stone. [Project] (Forthcoming)

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Schwindt, Grace. 2022. Defiant Bodies. [Exhibition Catalogue] (Forthcoming)

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Schwindt, Grace. 2022. Defiant Bodies. In: "Defiant Bodies", Kunstmuseum St. Gallen, Switzerland, 17 September 2022 – 5 February 2023. [Show/Exhibition]

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Schwindt, Grace. 2019. Five Surfaces All White. [Film/Video]

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Schwindt, Grace. 2019. Five Surfaces All White. In: "Five Surfaces All White", Centre for Contemporary Arts Glasgow, United Kingdom, 6 September - 13 October 2019. [Show/Exhibition]

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Schwindt, Grace. 2016. Group exhibition: Ensemble sin órganos (Ensemble without organs) at Centro de Arte Contemporáneo Wifredo Lam. In: "Group exhibition: Ensemble sin órganos (Ensemble without organs)", Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba, July 7–24, 2016. [Show/Exhibition]

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Schwindt, Grace. 2019. IN SILENCE. [Art Object]

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Schwindt, Grace. 2019. In Silence. In: "In Silence", Rozenstraat - a rose is a rose is a rose gallery, Netherlands, 19 May - 27 July 2019. [Show/Exhibition]

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Schwindt, Grace. 2015. Little Birds and a Demon - a Still Life. [Art Object]

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Schwindt, Grace. 2019. The Mariner: a painted ship upon a painted ocean. [Art Object]

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Schwindt, Grace. 2014. Only a Free Individual Can Create a Free Society, 2014. [Art Object]

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Schwindt, Grace. 2017. Opera and Steel. In: "Performatik, Brussels and Something Raw Festival, Amsterdam", Kaaitheatre, Belgium, 2017 and 2018. [Performance]

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Schwindt, Grace. 2020. Remembering Home. [Art Object]

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Schwindt, Grace. July 2023 - September 2024 / period in New York: September - November 2023 and August - beginning of September 2024 Silent Archive. [Project] (Forthcoming)

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Schwindt, Grace. 2018. Silent Dance. UNDEFINED. [Show/Exhibition]

Schwindt, Grace. 2015. Solo Exhibition: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts. In: "Solo Exhibition: Run a Home, Build a Town, Lead a Revolution. An Exhibition in Three Acts", MARCO - Museum of Contemporary Arts, Vigo, Spain. [Show/Exhibition]

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Schwindt, Grace. 2014. Solo exhibition: Only a Free Individual Can Create a Free Society at Badischer Kunstverein, Karlsruhe, Germany. In: "Solo exhibition: Only a Free Individual Can Create a Free Society", Badischer Kunstverein, Karlsruhe, Germany. [Show/Exhibition]

Schwindt, Grace. 2012. Tenant. [Film/Video]

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Schwindt, Grace. 2022. Your Movement.mov. In: "Your Movement", Kunsthal Gent, Belgium, 27 May — 28 August 2022. [Show/Exhibition]

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Seers, Lindsay. 2018. 2052 Selves. In: "A Woman's Place", Knole, Seven Oaks National Trust Property, United Kingdom, 17th May - 4th November 2018. [Show/Exhibition]

Seers, Lindsay. 2010. 3 minute wonders. [Film/Video]

Seers, Lindsay. 2011. Aften Posten. In: , ed. Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS. , pp. 6-7 [Book Section]

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Seers, Lindsay. 2014. Artist Novels. Berlin: Sternberg Press. ISBN 978-3-956790-76-8 [Book]

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Seers, Lindsay. 2015. Circassian Beauty. In: "Doug Fishbone’s Leisure Land Golf", Venice Biennale, Italy, 6th May – 26th July 2015| 2nd April - 19th June 2016 l 2nd July - Sunday 4th September 2016. [Show/Exhibition]

Seers, Lindsay. 2011. Cyclops [Monocular]. In: "'Promising in Kabelvåg' – Seers' 'Cyclops [Monocular]' at the Lofoten International Art Festival (LIAF)", Lofoten International Art Festival (LIAF), Norway, 10/09/2011. [Show/Exhibition]

Seers, Lindsay. 2011. Dis-covery. [Exhibition Catalogue]

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Seers, Lindsay. 2018. Entangled2 (Theatre II). In: "Fleeting Exits", Sursock Museum, Lebanon, 13th July - 8th October 2018. [Show/Exhibition]

Seers, Lindsay. 2018. Every Thought There Ever Was. In: "Every Thought There Ever Was", Focal Point Gallery, United Kingdom, 2018 - 2020. [Show/Exhibition]

Seers, Lindsay. 2016. The Exform. In: Nicolas Bourriaud, ed. The Exform. UK EBK: Verso, p. 61. ISBN 978-1-78478-381-5 [Book Section]

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Seers, Lindsay. 2020. Extramission 2 [False Memory]. [Art Object]

Seers, Lindsay. 2009. Extramission 6 (Black Maria). In: "Extramission 6 (Black Maria)", Tate Collection, London, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2009. Extramission 6, Tate Collection. In: "Extramission 6, Tate Collection", London, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2005. Eyes of Others. In: "Eyes of Others", Gallery of Photography, 10/27/2005 - 11/27/2005. [Show/Exhibition]

Seers, Lindsay. 2007. Human Camera. Article Press. [Book]

Seers, Lindsay. 2005. I saw the Light. In: "I saw the Light", Gasworks Gallery, 9/22/2005 - 10/30/2005. [Show/Exhibition]

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Seers, Lindsay. 2017. In the Vineyard of Art. In: Michael Denholm, ed. In the Vineyard of Art, the story of Art and Tasmania. 4 Tasmania: Carlton Street Press, pp. 132-165. ISBN 978-0-9751684-8-6 [Book Section]

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Seers, Lindsay. 2015. It has to be this way. In: "Reads Like A Book", Poland. [Show/Exhibition]

Seers, Lindsay. 2010. It has to be this way 1.5. In: "It has to be this way", Matt's Gallery, London, United Kingdom. [Show/Exhibition]

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Seers, Lindsay. 2010. It has to be this way². In: "It has to be this way²", National Gallery Denmark, Denmark, 21 May 2010 - 12 June 2011. [Show/Exhibition]

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Seers, Lindsay. 2017. Jouer Contre Les Appareils. In: Marc Lenot, ed. Jouer Contre Les Appareils. France: Collection Argentique |Éditions Photosynthèses, pp. 190-192. ISBN 979-10-95822-04-2 [Book Section]

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Seers, Lindsay. 2017. Lindsay Seers. In: Kaoukji Natalie; Kassell Lauren and Maziere Michael, eds. Casebooks: Work Towards an Exhibition at Ambika P3. UK: University of Westminster, pp. 54-60. ISBN 9780993398674 [Book Section]

Seers, Lindsay. 2016. Lindsay Seers in the Arts Council Collection. In: "Arts Council Collection", Online. [Show/Exhibition]

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Seers, Lindsay. 2017. Mental Metal. In: "Casebooks", Ambika P3, United Kingdom, 17th March - 23rd April 2017. [Show/Exhibition]

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Seers, Lindsay. 2017. Mental Metal 2. In: "Art Night", Andaz Hotel Masonic Temple, United Kingdom, 1st and 2nd July 2017. [Show/Exhibition]

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Seers, Lindsay. 2014. Monocular5. In: "Top of the World", Karasjok, Norway, 14th June 2014 - 20th July 2014. [Show/Exhibition]

Seers, Lindsay. 2007. My Camera Life. In: , ed. Human Camera. Article Press. ISBN 978-1-873352-64-9 [Book Section]

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Seers, Lindsay. 2012. Nowhere Less Now. In: "Nowhere Less Now", Tin Tabernacle, Kilburn, London, United Kingdom, September 2012 - November 2019. [Show/Exhibition]

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Seers, Lindsay. 2014. Nowhere Less Now 4. In: "Mirror City", Hayward Gallery, United Kingdom, 14th October 2014 - 4th January 2015. [Show/Exhibition]

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Seers, Lindsay. 2015. Nowhere Less Now 5. In: "Seeing Round Corners", Turner Contemporary, Margate, United Kingdom, 20 May - 25 September 2016. [Show/Exhibition]

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Seers, Lindsay. 2016. Nowhere Less Now 7. In: "Nowhere Less Now 7", Glynn Vivian Art Gallery, Swansea, United Kingdom, 15th October 2016 - 15th March 2017. [Show/Exhibition]

Seers, Lindsay. 2011. The Projectionist, David Balzer. Eye Weekly, [Article]

Seers, Lindsay. 2011. Reconstructing the Past. In: "Lindsay Seers' Photographic Narrative", UNDEFINED, May/June 2011. [Show/Exhibition]

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Seers, Lindsay. 2016. Sailor's Bill, Candy Cannibal (Circassian Beauties), Dumby. In: "Objects Do Things", Centre For Contemporary Art Ujazdowsky Castle, Poland, 26th February - 31st July 2016. [Show/Exhibition]

Seers, Lindsay. 2004. Sphere Catalogue. [Exhibition Catalogue]

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Seers, Lindsay. 2017. Suffering. In: "Suffering", MONA, Australia, 10th June 2017 - 30th April 2018. [Show/Exhibition]

Seers, Lindsay. 2007. Swallowing Black Maria. In: "Swallowing Black Maria", Smart Project Space, 7/14/2007 - 8/18/2007. [Show/Exhibition]

Seers, Lindsay. 2005. There is Always an Alternative. [Exhibition Catalogue]

Seers, Lindsay. 2009. Top Ten. Art Forum, [Article]

Seers, Lindsay. 2008. The Trilogy. In: "The Trilogy", Rugby Art Gallery & Museum, United Kingdom. [Show/Exhibition]

Seers, Lindsay. 2006. The Truth was always there. In: "The Truth was always there", The Collection, 9/23/2006 - 1/21/2007. [Show/Exhibition]

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Seers, Lindsay. 2019. Vanishing Twin (Tetragametic Chimerism). In: "Vanishing Twin (Tetragametic Chimerism)", Fotogalleriet, Norway, 22 January - 2 March 2019. [Show/Exhibition]

Seers, Lindsay. 2005. Wunderkammer. [Exhibition Catalogue]

Seers, Lindsay. 2002. images. Radical Philosophy, 113, pp. 26-30. ISSN 0300-211X [Article]

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Seers, Lindsay and Sargent, Keith. 2020. Nowhere Less Now3 [Flying Saucer]. In: "Nowhere Less Now 3_ Flying Saucer", Flying Saucer, United Arab Emirates, 26 September – 26 December 2020. [Show/Exhibition]

Seita, Sophie. 2024. Artist in Residence at Brown University. [Professional Activity]

Seita, Sophie. 2023. Cloudiness. In: "Crossing Borders", Millbank Tower, London, United Kingdom, 2 - 5 November 2023. [Show/Exhibition]

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Seita, Sophie. 2020 – ongoing The Hildegard von Bingen Society for Gardening Companions. [Project]

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Seita, Sophie. 2023. 'A Laboratory of Sensations': Listening for Texture. OEI: Aural Poetics, 98-99, pp. 125-139. ISSN 1404-5095 [Article]

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Seita, Sophie. 2023. Lessons of Decal. London: the87press. ISBN 9781739393908 [Book]

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Seita, Sophie. 2024. Lessons of Decal (Language as Repertoire). Performance Research, 29(1), pp. 66-69. ISSN 1352-8165 [Article]

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Seita, Sophie. 2016-2019 MY LITTLE ENLIGHTENMENT PLAYS. [Project]

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Seita, Sophie. 2021. My Lazy Laboratory. Rupert Journal, 1, [Article]

Seita, Sophie. 2022. Playing with Knowledge: On Lecture Performances. TDR/The Drama Review, 66(3), pp. 78-95. ISSN 1054-2043 [Article]

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Seita, Sophie. 2019. Provisional Avant-Gardes: Little Magazine Communities from Dada to Digital. Stanford, California: Stanford University Press. ISBN 9781503608719 [Book]

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Seita, Sophie. 2022. Reading the Rock. In: "Reading the Rock", Hoxton253, United Kingdom, 26 February 2022. [Performance]

Seita, Sophie. 2023. "A Score for Verbs (Unpacking my Performance Library)". [Professional Activity]

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Seita, Sophie. 2023. Swimming in the Muddy Waters of Language (A Score for Verbs). In: "Mud: The Urgency of the Arts", Royal College of Art, United Kingdom, 30 March 2023. [Performance]

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Seita, Sophie. 2022. There's no way I can know it, the object, or the body. In: "There's no way I can know it, the object, or the body", Hoxton253, United Kingdom, 4-26 February 2022. [Show/Exhibition]

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Seita, Sophie. 2017. Thinking the unprintable in contemporary post-digital publishing. Chicago Review, 60/61(4/1), pp. 175-194. ISSN 0009-3696 [Article]

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Seita, Sophie. 2017. Tom Raworth's Little Magazines: Outburst, Before Your Very Eyes!, and Infolio. Critical Quarterly, 59(2), pp. 11-33. ISSN 0011-1562 [Article]

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Seita, Sophie. 2024. Too good to be entirely true (A coda on the pleasure of archives and avant-garde publishing). Textual Practice, 38(6), pp. 1012-1017. ISSN 0950-236X [Article]

Seita, Sophie. Werner Düttmann Fellowship at Akademie der Künste Berlin. [Professional Activity]

Seita, Sophie. 2023. withwithwith. In: "Pretty Doomed", Ugly Duck, London, United Kingdom, 12 - 15 October 2023. [Show/Exhibition]

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Seita, Sophie and Clayton, Kate. 2023. Pearl & Theory Make Compost (2020). In: , ed. EMERGENCY INDEX: AN ANNUAL DOCUMENT OF PERFORMANCE PRACTICE, VOL. 10. Brooklyn: Ugly Duckling Presse. ISBN 9781946604101 [Book Section]

Seita, Sophie; Ergul, Seda and Yount, Reylon. 2023. Listening Session: Seeing Through Flames: Hildegard’s Musical Garden. Nottingham Contemporary, Nottingham. [Other]

Seita, Sophie and Seda, Ergul. 2023. 'Listening to the Environment, from a Queer Perspective'. In: October Digbeth First Friday. Grand Union, Birmingham, United Kingdom 6 October 2023. [Conference or Workshop Item]

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Seita, Sophie and Woo, Naomi. Beethoven Was a Lesbian. In: "Beethoven Was a Lesbian", Cafe OTO, United Kingdom, 2019-2022. [Performance]

Seita, Sophie and Woo, Naomi. 2019. Beethoven Was a Lesbian. In: "Beethoven Was a Lesbian", Café Oto, United Kingdom, 2019-2023. [Performance]

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Seita, Sophie and Woo, Naomi. 2023. bingenTV. In: "bingenTV", Mimosa House, United Kingdom, 27 October – 8 December 2023. [Show/Exhibition]

Seymour, Benedict. 2005. ‘ASBO as agent’. In: "TOTAL ASBO show", Pogo Cafe,, United Kingdom. [Show/Exhibition]

Seymour, Benedict. 2004. An Architecture of Play: A Survey of London's Adventure Playgrounds by Nils Norman, review. Mutella newsletter, [Article]

Seymour, Benedict. 2014. Art and the Utopia of (Non-)Reproduction. In: John Chilver and Brighid Lowe, eds. Manual: Parts and Labour. Osan: Gwak Sang-wook, Osan Culture Foundation, pp. 22-23. ISBN 978-89-968948-2-8 [Book Section]

Seymour, Benedict. 2002. Back to Zero. Mute, 1(21), [Article]

Seymour, Benedict. 2001. The Battle of Seattle. Log, [Article]

Seymour, Benedict. 2002. Bio-Pics. Mute, 1(23), [Article]

Seymour, Benedict. 2001. Blockbusting the Election. Mute, 1(20), [Article]

Seymour, Benedict. 2000. Coral Maze. Mute, 1(17), [Article]

Seymour, Benedict. 2005. Create and/or Be Damned. Mute, [Article]

Seymour, Benedict. 2009. Creativity's Rainbow. MUTE MAGAZINE, 2(14), pp. 100-107. ISSN ISSN 1356-7748-214 [Article]

Seymour, Benedict. 2001. DO THE RIGHT THING! - DIE ANTI-GLOBALISIERUNGS-BEWEGUNG NACH DEM 11. SEPTEMBER. Texte zur kunst, 44, pp. 112-119. ISSN 09409459 [Article]

Seymour, Benedict. 2017. Dead the Ends. [Film/Video]

Seymour, Benedict. 2005. Drawings for ‘Underneath the Knowledge Commons’. Mute, 2(1), [Article]

Seymour, Benedict. 2006. Drowning by Numbers: The Non-Reproduction of New Orleans. Mute, [Article]

Seymour, Benedict. 2000. Everything Must Go. Mute, 1(16), [Article]

Seymour, Benedict. 2006. Free Speech as Shibboleth: on the Danish Cartoons. Mute, 2(2), [Article]

Seymour, Benedict. 2006. Introduction: Another Green World. Mute, 2(3), pp. 114-119. ISSN 0955066433 [Article]

Seymour, Benedict. 2003. The Involuntary Victims of the Aztecs. Mute, [Article]

Seymour, Benedict. 2001. The Last Picture Show. Mute, 1(22), [Article]

Seymour, Benedict. 2007. The London Particular. [Film/Video]

Seymour, Benedict, ed. 2010. Mute Magazine Vol 2 #15, MUTE MAGAZINE, 2(15). 1356-7748-215 [Edited Journal]

Seymour, Benedict. 2006. Mutiny in the Mainstream. Journal of Visual Culture, 5(1), pp. 112-114. ISSN 14704129 [Article]

Seymour, Benedict. 2001. Nationalize This! What Next for Anti-Globalization Protests? Radical Philosophy, 107, pp. 2-5. ISSN 0300-211X [Article]

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Seymour, Benedict. 2013. Primer. In: David Riff; Ekaterina Degott and Jill Winder, eds. Monday Begins on Saturday. Berlin: Sternberg Press, pp. 123-163. ISBN 978-3-943365-74-0 [Book Section]

Seymour, Benedict. 2010. 'Principio Potosí. Modernidad y la llamada acumulación originaria.'. In: Principio Potosí. Modernidad y la llamada acumulación originaria. Reina Sofia, United Kingdom. [Conference or Workshop Item]

Seymour, Benedict. 2000. Rabble Rousers. Mute, 1(18), [Article]

Seymour, Benedict. 2002. Real Politik versus Real Fantasy (Review of the Tate Modern's Border Crossing seminar). Mute, [Article]

Seymour, Benedict. 1999. ‘Rehabilitating the Subject’ – review of The Ticklish Subject by Slavoj Zizek,. Mute, 1(13), [Article]

Seymour, Benedict. 2001. Review Chad McCail, Laurent Delaye Gallery. Frieze, 57, [Article]

Seymour, Benedict. 1999. Review Henry Bond, Emily Tsingou. Frieze, 54, [Article]

Seymour, Benedict. 2001. Review Jeremy Deadman, Five Years. Frieze, 56, [Article]

Seymour, Benedict. 2002. Review of Bart Wells Gang, Bart Wells Institute. Frieze, 66, [Article]

Seymour, Benedict. 2000. Review ‘Club Circuits’. Public Art Journal, [Article]

Seymour, Benedict. 2000. Review ‘Wooden Heart’. Art Monthly, 235, [Article]

Seymour, Benedict. 2004. ‘Shoreditch: from Shit to Gold – a photo essay’. Greenpepper magazine, [Article]

Seymour, Benedict. 1998. The Situationist City. Mute, 1(11), [Article]

Seymour, Benedict. 2006. Text and images of regeneration mapping project in Else/where: Mapping — New Cartographies of Networks and Territories. In: Janet Abrams and Peter Hall, eds. Else/where: Mapping — New Cartographies of Networks and Territories. University of Minnesota Press. ISBN 978-0972969628 [Book Section]

Seymour, Benedict. 2001. Two or Three Things I Know About Her. Mute, 1(19), [Article]

Seymour, Benedict. 2002. When Worlds Collide. Frieze, 65, [Article]

Seymour, Benedict. 2007. The occupation. [Film/Video]

Seymour, Benedict and Iles, Anthony. 2005. The Re-Occupation. Mute, [Article]

Seymour, Benedict and Kimble, Lucy. 2003. SPECIAL PROJECT: Fear Death by Water (The Regeneration Siege in Central Hackney). Mute, 1(26), [Article]

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Seymour, Benedict and Noel-Tod, Matthew. 2014. Can Dialectics Break Gravity? (2014). [Film/Video]

Sheikh, Shela and Gray, Ros. 2020. The Coloniality of Planting. [Audio]

Sheikh, Simon. 1999. 2nd International Performance Festival. NU, p. 80. [Article]

Sheikh, Simon. 2010. Aesthetic Subjects in Urban Spaces – Some Remarks on the Films of Knut Åsdam. In: , ed. Knut Asdam: The Long Gaze, the Short Gaze. Berlin/New York: Sternberg Press, pp. 190-205. ISBN 978-1934105283 [Book Section]

Sheikh, Simon. 2005. Anstelle der öffentlichkeit? Oder: Die Welt in Fragmenten. In: Gerald Raunig and Ulf Wuggenig, eds. Publicum – Theorien der öffentlichkeit. Vienna: Turia + Kant, pp. 80-88. [Book Section]

Sheikh, Simon. 2000. ‘The Art World Between Fragmentation and Globalization’. In: , ed. Encuentro de Teoria y Critica. Bienal De La Habana, pp. 104-106. [Book Section]

Sheikh, Simon. 2010. The Art of Imagination. In: Marie Nerland, ed. An Anthology for the 25th Anniversary of BIT Teatergarasjen. Oslo: BIT Teatergarasjen, pp. 47-51. ISBN 978-8299667845 [Book Section]

Sheikh, Simon. 2013. ‘Articulation: On the Position of the Curator’. In: Ann Demester; Edna van Duyn and Hendrik Folkerts, eds. The Shadowfiles 3 - Curatorial Education. Amsterdam: Appel. ISBN 978-9073501782 [Book Section]

Sheikh, Simon. 2011. Avant-garde Citizens. Double Agents, and Model Workers. In: Ellen Blumenstein, ed. Under Deconstruction: Libia Castro & Olafur Olafsson. Berlin: Sternberg Press, pp. 27-33. ISBN 9781934105443 [Book Section]

Sheikh, Simon. 2006. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: , ed. : Framework 5. Helsinki: , pp. 104-106 [Book Section]

Sheikh, Simon. 2007. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: Minna Henriksson and Sezgin Boynik, eds. Contemporary Art and Nationalism. Critical Reader. Pristhina: University of Kosovo, pp. 56-60. ISBN 978-9951874403 [Book Section]

Sheikh, Simon. 1997. Baustop, Randstadt. Spex, 11(98), pp. 60-61. [Article]

Sheikh, Simon. 1995. Behaviour and Destruction: The Video Works of Søren Martinsen. In: , ed. Land, Lipski, Martinsen, Videos. Copenhagen: Galleri Nicolai Wallner. [Book Section]

Sheikh, Simon. 2001. ‘Between Thought and Expression – Notes on Leif Kath’s Work Between Form and Formlessness’. In: Leif Kath, ed. Leif Kath. New York: DCA Gallery, pp. 5-9. [Book Section]

Sheikh, Simon. 2016. Biennales and conflict questionnaire. Art and the Public Sphere, 5(2), pp. 137-166. ISSN 2042-793X [Article]

Sheikh, Simon. 2012. Burning From the Inside – New Institutionalism Revisited. In: Beatrice von Bismarck; Jörn Schafaff and Thomas Weski, eds. Cultures of the Curatorial. Berlin, Germany: Sternberg Press, pp. 361-373. ISBN 9781934105979 [Book Section]

Sheikh, Simon. 1997. Byrummet som forlystelsespark. Øjeblikket, 34, pp. 8-9. [Article]

Sheikh, Simon. 2001. ‘CUDI – en mod-offentlighed?’. In: , ed. CUDI – Center for Urbanitet, Dialog og Information. Odense: Kunsthallen Brandts Klædefabrik. [Book Section]

Sheikh, Simon. 2001. CUDI: A Counter Public. Arsis, 3, pp. 30-31. [Article]

Sheikh, Simon. 1997. Caught in the Crossfire. In: , ed. Claus Carstensen: Crossover. Arken Museum of Modern Art, pp. 28-31. [Book Section]

Sheikh, Simon. 1996. The Choice of a New Generation? Siksi, XI(2), pp. 76-77. [Article]

Sheikh, Simon. 2004. Christiania: Networks of Anti-Discipline. In: , ed. Territories: The Frontiers of Utopia and Other facts on the Ground, catalogue. Malmö: Malmö Konsthall, pp. 29-30. [Book Section]

Sheikh, Simon. 2003. Christiania: Netzwerke der Anti-Disziplin. An Architectur, 10, pp. 41-43. [Article]

Sheikh, Simon. 2004. Christiania: Netzwerke der Anti-Disziplin. Malmoe, 21, pp. 22-23. [Article]

Sheikh, Simon. 2003. ‘Christiania: Netzwerke der Anti-Disziplin’. An Architectur, 10, pp. 41-43. [Article]

Sheikh, Simon. 2004. ‘Christiania: Netzwerke der Anti-Disziplin’. Malmoe, 21, pp. 22-23. [Article]

Sheikh, Simon. 1999. Christiania: Netzwerke der Anti-Disziplin’ / ‘Christiania: Networks of Anti-Discipline. In: , ed. 45. Internationale Kurzfilmtage Oberhausen Festival Katalog 1999. , pp. 89-93 [Book Section]

Sheikh, Simon. 1999. Close-Up, Face Off – Contemporary Art, Film and Fragmentation. In: , ed. Close-Ups – Contemporary Art and Carl Th. Dreyer. NIFCA & Nikolaj, Copenhagen Contemporary Art Center, pp. 93-96. [Book Section]

Sheikh, Simon. 1996. Column. Plum Velvet, 1, [Article]

Sheikh, Simon. 2004. Common Property/Allgemeingut. Springerin, 10(3), pp. 62-63. [Article]

Sheikh, Simon. 2004. ‘Common Property/Allgemeingut’. Springerin, 3, pp. 62-63. [Article]

Sheikh, Simon. 1997. Compartments, why Bother? Xerox, 4, [Article]

Sheikh, Simon. 2000. ‘The Concept of DIY as a Mode of Cultural Production’. Valdez, 4, pp. 144-147. [Article]

Sheikh, Simon. 1996. Conditions of the Gaze: An index to the installation of Joachim Koester. Index, 3/4, pp. 66-71. [Article]

Sheikh, Simon. 2011. Constitutive Effects: The Techniques of the Curator. In: Zoya Kocur, ed. Global Visual Cultures. Oxford: Wiley-Blackwell, pp. 48-56. ISBN 978-1405169202 [Book Section]

Sheikh, Simon. 2007. ‘Constitutive Effects: The Techniques of the Curator’. In: Paul O'Neill, ed. CURATING SUBJECTS. Amsterdam: De Appel, pp. 174-185. [Book Section]

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Sheikh, Simon. 2017. A Contemporary Observatory for the City. In: Kate Gray, ed. Towards a City Observatory – Constellations of art, collaboration and locality. Edinburgh: Collective, pp. 12-18. ISBN 978-1-873653-18-0 [Book Section]

Sheikh, Simon. 2005. A Conversation. In: , ed. Gregor Neuerer – A Stolen Moment, catalogue. Innsbruck: Kunstpavillon der Tiroler Künstlerschaft, pp. 35-40. [Book Section]

Sheikh, Simon. 2003. ‘A Conversation’. Danger Museum Newsletter, 18, [Article]

Sheikh, Simon. 2007. Correcting the Principles of Correction (its Facilities and Discourses). In: , ed. Crime and Punishment, catalogue. Tallinn: Tallinn Kunstihoone, pp. 64-67. [Book Section]

Sheikh, Simon. 2003. Counter-Public Works: Remapping Public Space. In: , ed. Printed Project 1. Dublin: , pp. 37-42 [Book Section]

Sheikh, Simon. 2003. ‘Counter-Public Works: Remapping Public Space’. In: , ed. Printed Project 1. Dublin: , pp. 37-42 [Book Section]

Sheikh, Simon. 1996. Den sorte kasse i den hvide kube. Øjeblikket, 30, pp. 19-21. [Article]

Sheikh, Simon. 1998. ‘Der bedauernswerte Entertainer – das Typen Repertoire von Peter Land’ / ‘The Sorry Entertainer – the Typecasting of Peter Land’. In: , ed. Come Closer. Köln: Liechensteinische Staatliche Kunstsammlung / Octagon, pp. 86-89. [Book Section]

Sheikh, Simon. 1994. Det Minimale Objekt – Serialitet og Fænomenologi. Passepartout, 2(3), pp. 75-92. [Article]

Sheikh, Simon. 1992. Dette er ikke et kunstværk. North-debat, 21, pp. 15-17. [Article]

Sheikh, Simon. 2012. Die Währung umstellen – Zur Problematik von Wert und Kritik in der Kunst. Springerin, 2, pp. 18-22. [Article]

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: Joahim Koester, ed. Joachim Koester Werke 1992 - 2001 - Different Stories, Different Places: 28.2 - 14.4.2002. Nürnberg: Kunsthalle Nürnberg, pp. 26-50. [Book Section]

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: , ed. Oito relatos nórdicos. , Centro Galego de Arte Contemporánea, Santiago de Compostel, pp. 88-102. [Book Section]

Sheikh, Simon. 2002. ‘Efterskrift’. In: Brian O'Doherty, ed. I den hvide kube (in Danish). Copenhagen: Rævens Sorte Bilbiotek,, pp. 125-131. ISBN 978-8773781852 [Book Section]

Sheikh, Simon. 1995. The Empty Stage. In: , ed. Lars Mathisen: Safe Condition, Live Play Act. Malmö Konstmuseum, pp. 2-16. [Book Section]

Sheikh, Simon. 2008. The End of an Idea. In: Mel Jordan and Malcolm Miles, eds. Art and Theory After Socialism. Bristol: University of Chicago Press, pp. 67-75. ISBN 978-1841502113 [Book Section]

Sheikh, Simon. 1993. Exclusion. In: "Exclusion", Consul, Århus, Denmark. [Show/Exhibition]

Sheikh, Simon. 2007. Exhibition as Medium. In: Rael Artel and Airi Triisberg, eds. Public Preparation. Tallinn: , pp. 56-62 [Book Section]

Sheikh, Simon. 2009. Exhibition-Making and the Political Imaginary. In: , ed. Malmö Art Academy yearbook. [Book Section]

Sheikh, Simon. 2003. F for Fake... Om signaturer, pseudonymer, auteur-rollen og kunstproduktion. Apparatur, 7, pp. 13-17. [Article]

Sheikh, Simon. 2003. ‘F for Fake... Om signaturer, pseudonymer, auteur-rollen og kunstproduktion’. Apparatur, 7, pp. 13-17. [Article]

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Sheikh, Simon. 2017. From Para to Post: The Rise and Fall of Curatorial Reason. Springerin, XXIII(1, 201), pp. 16-20. [Article]

Sheikh, Simon. 1994. The Grey Area. Film & Video Newsletter 6, pp. 3-4. [Article]

Sheikh, Simon. 1997. ‘Hal Foster: The Return of the Real’. Periskop, 6, pp. 124-125. [Article]

Sheikh, Simon. 1996. ‘Hemmelig Kunst – Bemærkninger om gallerirummets diskrete charme’. Passepartout, 4(7), pp. 17-32. [Article]

Sheikh, Simon. 1995. Hin hlidin. In: , ed. Sólgin / Addicted. Iceland: Slunkaris, pp. 5-7. [Book Section]

Sheikh, Simon. 2005. How Does It Feel? NIFCA Info, p. 1. [Article]

Sheikh, Simon. 1997. I Los Angeles’ spejlbillede. Øjeblikket, 32/33, pp. 62-64. [Article]

Sheikh, Simon. 2002. Identification of a Woman. In: , ed. Ann Lislegaard – Eyes Wide Open. Copenhagen: The National museum of Photography. [Book Section]

Sheikh, Simon. 2007. Identification of a Woman. In: , ed. Ann Lislegaard – Science Fiction and Other Worlds. Oslo: Astrup Fearnley Museum of Modern Art, pp. 76-82. [Book Section]

Sheikh, Simon. 2004. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin / Complex Berlin. Verlag Buchhandlung Walter König: Verlag Buchhandlung Walter König, pp. 148-160. [Book Section]

Sheikh, Simon. 1999. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin (Complex Berlin) : 3rd Berlin Biennale for Contemporary Art. Koln: Verlag der Buchhandlung Walther Konig, pp. 148-160. ISBN 978-3883757889 [Book Section]

Sheikh, Simon. 2007. In Dreams Begin Responsibilites – Notes on Art, Horizons, and the Imaginary. In: Dorothee Bienert, ed. Don’t Worry – Be Curious! Frankfurt/Main: Revolver, pp. 33-36. ISBN 978-3865883872 [Book Section]

Sheikh, Simon. 2002. In the Place of the Public Sphere. In: Stephan Dilemuth, ed. The Academy and the Corporate Public. Köln: Permanent Verlag, pp. 218-221. [Book Section]

Sheikh, Simon. 2008. In the Place of the Public Sphere? Or, The World in Fragments. In: , ed. Public Good. , pp. 46-55 [Book Section]

Sheikh, Simon. 2009. In the Place of the Public Sphere? Or, The World in Fragments. In: Claire Doherty, ed. Situation. Cambridge, Mass.: MIT Press, pp. 137-141. [Book Section]

Sheikh, Simon. 2012. ‘Instituting the Institution’. In: Joao Mourao and Luis Silva, eds. Performing the Institution(al), Volume 2. Lisbon: Kunsthalle Lissabon, pp. 90-103. [Book Section]

Sheikh, Simon. 1998. Joachim Koester’s Double Vision. World Art, 15, pp. 33-35. ISSN 2150-0894 [Article]

Sheikh, Simon. 2004. Kaspar Bonnén vs. Simon Sheikh: Debat om signaturer. Apparatur 8, pp. 99-102. [Article]

Sheikh, Simon. 1999. Kunstens Sted og Stedets Kunst. Øjeblikket, 39/40, pp. 26-30. [Article]

Sheikh, Simon. 2010. ‘Letter to Jane’. In: Paul O'Neill and Mick Wilson, eds. Pedagogical Subjects. London: Open Editions, pp. 61-75. [Book Section]

Sheikh, Simon. 2001. Lisa Strömbeck. Kunstbeeld – tijdschrift voor bildende kunst Nederlands, 5, [Article]

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Sheikh, Simon. 2015. A Long Walk to the Land of the People: Contemporary Art in the Spectre of Spectatorship. In: Maria Hlalvajova and Ranjit Hoskote, eds. Future Publics. Amsterdam: Valiz, pp. 230-261. ISBN 978-90-78088-94-3 [Book Section]

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Sheikh, Simon. 2017. The Magmas: On Institutions and Instituting. In: Paul O'Neill; Lucy Steeds and Mick Wilson, eds. How Institutions think: Between Contemporary Art and Curatorial Discourse. Cambridge, MA: MIT Press, pp. 126-131. ISBN 978-0-262-53432-1 [Book Section]

Sheikh, Simon. 2007. Maria Eichhorn: The Aesthetics of Administration and the Administration of Aesthetics. In: , ed. Untitled 43. London: , pp. 38-43 [Book Section]

Sheikh, Simon. 2009. Marks of Distinction, Vectors of Possibility – Questions for the Biennial. OPEN 16, pp. 68-79. [Article]

Sheikh, Simon. 1996. Mellemkomster – Bevægelse og fortabelse. Louisiana Revy, 36(3), pp. 70-74. [Article]

Sheikh, Simon. 1999. ‘Melting in Time 1995’. In: , ed. Kirsten Justesen: Re Kollektion. Aalborg: Nordjyllands Kunstmuseum, p. 44. [Book Section]

Sheikh, Simon. 1993. Multiples: Kopiens Diskurs. edition Campbells Occasionally, 2(3), pp. 8-9. [Article]

Sheikh, Simon. 2008. No lugar da Esfera Pública? In: , ed. Urbania 3. , pp. 127-135 [Book Section]

Sheikh, Simon. 2011. None of the Above: From Hybridity to Hyphenation. The Artist as Model Subject, and the Biennial Model as Apparatus of Subjectivity. Humboldt # 156/104, [Article]

Sheikh, Simon. 2002. ‘Notes on Amel Ibrahimovic’s Field of Dreams’. In: Amel Ibrahimovic, ed. u.m.a.s.p. Helsinki: NICFA. [Book Section]

Sheikh, Simon. 2006. Notes on Institutional Critique. Transform, [Article]

Sheikh, Simon. 2003. Number One and Number Two and Point Zero: Jean-Luc Godard between Film, Video and Art. In: Gareth James and Florian Zeyfang, eds. I said I love. That is the promise – The tvideo politics of Jean-Luc Godard. Berlin: b_books, pp. 124-163. [Book Section]

Sheikh, Simon. 2003. ‘Number One and Number Two and Point Zero: Jean-Luc Godard between Film, Video and Art’. In: Gareth James and Florian Zeyfang, eds. I Said I Love. That is the Promise: The TVideo-politics of Jean-Luc Godard /Die TVideo-Politik des Jean-Luc Godard. Berlin: b_books, pp. 124-163. ISBN 978-3933557315 [Book Section]

Sheikh, Simon. 2009. Objects of Study or Commodification of Knowledge? Remarks on Artistic Research. Art & Research: A Journal of Ideas, Contexts and Methods, 2(2), [Article]

Sheikh, Simon. 2011. ‘On the Standard of Standards, or, Curating and Canonization’. Manifesta Journal, 11, pp. 13-18. [Article]

Sheikh, Simon. 2009. Once Upon a Time in the West. In: , ed. Passengers. Warsaw: In Situ. [Book Section]

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Sheikh, Simon. 2014. Once upon a time in the west: Or, the rise and fall of the (bourgeois) public sphere, as told by Jürgen Habermas. Art and the Public Sphere, 3(2), pp. 151-160. ISSN 2042-793X [Article]

Sheikh, Simon. 2007. Oplæg. In: Katya Sander, ed. Produktion af handlingsrum. Arhus: Det Jyske Kunstakademi, pp. 30-39. [Book Section]

Sheikh, Simon. 1995. The Other Side: Ann Lislegaard. Index(3/4), pp. 24-29. [Article]

Sheikh, Simon. 2004. Planes of Immanence, or the Form of Ideas: Notes on the (anti-)Monuments of Thomas Hirschhorn. Afterall, 9, pp. 91-98. [Article]

Sheikh, Simon. 2004. ‘Planes of Immanence, or the Form of Ideas: Notes on the (anti-)Monuments of Thomas Hirschhorn’. Afterall, 9, pp. 91-98. [Article]

Sheikh, Simon. 2010. The Politics of Art and the Process of Biennalization. Texte Zur Kunst, 80, pp. 112-117. [Article]

Sheikh, Simon. 2009. Positively Counter-Publics Revisited. E-Flux Journal, 5, [Article]

Sheikh, Simon. 2008. Positively East Village Revisited. E-Flux Journal, 1, [Article]

Sheikh, Simon. 2010. Positively Protest Aesthetics Revisited. E-Flux Journal, 20, [Article]

Sheikh, Simon. 2011. Positively Representation of Banking Revisited. E-Flux Journal, 24, [Article]

Sheikh, Simon. 2009. Positively Trojan Horses Revisited. E-Flux Journal, 8, [Article]

Sheikh, Simon. 2009. Positively White Cube Revisited. E-Flux Journal, 3, [Article]

Sheikh, Simon. 2007. The Production of Knowledge – An Introduction to Critical Studies. In: Katarina Stenbeck, ed. There’s Gonna Be Some Trouble – The Five Year Rooseum Book. Malmö, pp. 218-225. [Book Section]

Sheikh, Simon. 1996. The Production of Space. In: , ed. Frans Jacobi, Imagine. Copenhagen: Space Poetry. [Book Section]

Sheikh, Simon. 2006. Public Spheres and the Functions of Progressive Art Institutions. In: Vanessa Muller and Nikolaus Schafhausen, eds. Under Construction – Perspectives on Institutional Practice. Köln: Verlag der Buchhandlung Walther König, pp. 192-194. [Book Section]

Sheikh, Simon. 2008. Publics and Post-Publics: The Production of the Social. In: Jorinde Seijdel, ed. Art as a Public Issue: how art and its institutions reinvent the public dimension. 14 Rotterdam: NAi Publishers, pp. 28-36. ISBN 9789056624354 [Book Section]

Sheikh, Simon. 2005. Random Precision – Re-Representing Berlin. [Exhibition Catalogue]

Sheikh, Simon. 1994. The Reality of Future. In: "Zukunft Versus No More Reality", Galleri Nicolai Wallner. [Show/Exhibition]

Sheikh, Simon. 2009. ‘The Representation of Banking, Banking on Representation: Reflections on John Strauss’ ‘Transparency’ and its Reframing’. In: , ed. Printed Project. Dublin: , pp. 47-49 [Book Section]

Sheikh, Simon. 2005. Representation, Contestation and Power: the Artist as Public Intellectual. In: Inára Drulle, ed. Artists as Producers. Transformation of Public Space. Riga: Latvian Centre for Contemporary Art, pp. 39-42. [Book Section]

Sheikh, Simon. 2006. Representation, Contestation and Power: the Artist as Public Intellectual. In: Sarah Pierce, ed. The Paraeducation Department. Belfast: Interface. [Book Section]

Sheikh, Simon. 2007. Revolution in the Head, or, Free Your Mind and Your Ass Will Follow’. In: Maja Fowkes and Reuben Fowkes, eds. Revolution is Not a Garden Party. Manchester: MIRIAD, pp. 52-55. ISBN 978-1905476121 [Book Section]

Sheikh, Simon. 2008. Room for Thought. Mahkuzine – Journal of Artistic Research, 5, pp. 28-32. [Article]

Sheikh, Simon. 1998. Rumidentifikation og rumanalyse. Øjeblikket, 36/37, pp. 12-15. [Article]

Sheikh, Simon. 2006. ‘Räume für das Denken’. Texte Zur Kunst, 62, pp. 110-121. [Article]

Sheikh, Simon. 2007. Scattered (War) Opposition. In: Johanna Billing; Maria Lind and Lars Nilsson, eds. Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices. London: Black Dog Publishing, pp. 108-110. [Book Section]

Sheikh, Simon. 2007. ‘Scattered (War) Opposition’. In: Johanna Billing; Maria Lind and Lars Nilsson, eds. Taking the Matter into Common Hands. London: Black Dog Publishing, pp. 108-110. ISBN 978-1906155186 [Book Section]

Sheikh, Simon. 1995. Self / Non-Self – Subjectivity Beyond the Open Canvas. In: , ed. I Confess. Copenhagen: Nikolaj – Copenhagen Contemporary Art Center. [Book Section]

Sheikh, Simon. 2003. ‘[Shift]Work’. In: , ed. The Project, catalogue. Tallinn: Tallinn Kunstihoone, pp. 10-13. [Book Section]

Sheikh, Simon. 2003. ‘[Shift]Work’. In: , ed. The Project. Tallinn: Tallinn Kunstihoone, pp. 10-13. [Book Section]

Sheikh, Simon. 1998. Site Specificity: From the Margins to the Social. In: Katya Sander; Simon Sheikh and Cecilie Høgsbro Østergaard, eds. The Meaning of Site. Copenhagen: Ø, pp. 70-95. [Book Section]

Sheikh, Simon. 2000. Site Specificity: From the Margins to the Social. In: Gardar Eide Einarsson and Eivind Slettemeas, eds. Offshore. Bergen: KHiB, pp. 8-15. [Book Section]

Sheikh, Simon. 1998. Social-specific Strategies – The Interactive Work of Olafur Gislason. In: , ed. Places in Gothenburg. Gothenburg City: [Book Section]

Sheikh, Simon. 2002. Space Fellow Travellers. In: Peter Weibel, ed. Olafur Eliasson: Surroundings Surrounded. Cambridge, Mass: MIT Press, pp. 566-571. ISBN 978-0262731485 [Book Section]

Sheikh, Simon. 1996. Spejlstadier – Om Dan Grahams Pavilloner. Øjeblikket, 28, pp. 28-29. [Article]

Sheikh, Simon. 1999. ‘Spillets Regler. Bemærkninger om kunstobjektet, kunstrummet og kunstscenen’. In: Hans Dam Christensen; Anders Michelsen and Jacob Wamberg, eds. Kunstteori. Copenhagen: Borgen, pp. 361-382. ISBN 978-8721011277 [Book Section]

Sheikh, Simon. 1994. Stain of the Real. [Exhibition Catalogue]

Sheikh, Simon. 2010. ‘The State We are In, Or, What a State We are In! Notes on the State of a Global Artworld, its Subjects and Circulations’. In: Lex ter Braak; Lilet Breddels and Steven van Teeseling, eds. 6(0) Ways… Framing Cultural Diversity. Amsterdam: NAi Publishers. ISBN 978-9056626921 [Book Section]

Sheikh, Simon. 1997. Strategies of Difference and Differentiation. Atlantica(17), pp. 3-13. [Article]

Sheikh, Simon. 1994. Subjektet, Objektet og Sven Dalsgaard. In: Soren Houmann; Simon Sheikh; Peter Holst Henckel and Peter Rossell, eds. Ja til Sven Dalsgaard! Copenhagen: Edition Globe/ Art Action, pp. 8-11. ISBN 978-8790040086 [Book Section]

Sheikh, Simon. 2008. Talk Value: Cultural Industry and the Knowledge Economy. In: Maria Hlavajova; Jill Winder and Binna Choi, eds. Concerning Knowledge Production. Utrecht: BAK, pp. 182-197. [Book Section]

Sheikh, Simon. 2012. ‘Theoretisch chinesisch – Über die hypothetischen Archive in der Austellung ”Taiping Tiangua – A History of Possible Encounters”’. Springerin, 4, pp. 30-33. [Article]

Sheikh, Simon. 1996. Tilstedeværelse og utilstedelighed. Øjeblikket, 29, pp. 22-27. [Article]

Sheikh, Simon. 2013. ‘Towards the Exhibition as Research’. In: Paul O'Neill and Mick Wilson, eds. Curating Research. London: Open Editions. ISBN 978-0949004031 [Book Section]

Sheikh, Simon. 2006. The Trouble with Institutions, or, Art and its Publics. In: Nina Möntmann, ed. Art and its Institutions. London: Black Dog Publishing, pp. 142-149. [Book Section]

Sheikh, Simon. 2007. The Trouble with Institutions, or, Art and its Publics. In: , ed. Dreamlands Burn. Budapest: Múcsarnok, pp. 42-47. [Book Section]

Sheikh, Simon. 1999. ‘Udenfor eller indefra? Noter om internationalisme og provinsialisme I nyere dansk kunst med særligt henblik på receptionen af den såkaldte 90erkunst I forhold til den såkaldte 80erkunst’. Månedsskrift for kunst og kunstrelateret materiale, 53, [Article]

Sheikh, Simon. 1997. ‘Udsigelses magt’. Louisiana Revy, 38(1), pp. 42-43. [Article]

Sheikh, Simon. 1997. ‘Udsigelses magt’. Art Planet, 1, pp. 150-153. [Article]

Sheikh, Simon. 2002. Under Deconstruction, Notes on Under Construction, Mainstreaming and Marginalization in the Changing Welfare States of the Nordic Countries. In: Marita Muukkonen, ed. Under [De]Construction. Helskinki: NIFCA, pp. 85-92. [Book Section]

Sheikh, Simon. 2004. Uundgåeligt eksploderende plastik – Andy Warhol og the Velvet Underground (og Nico). In: Klaus Lyngaard and Henrik Queitsch, eds. Loaded. København: Informations Forlag, pp. 47-55. [Book Section]

Sheikh, Simon. 2004. ‘Uundgåeligt eksploderende plastik – Andy Warhol og the Velvet Underground (og Nico)’. In: Klaus Lyngaard and Henrik Queitsch, eds. Loaded. København: Informations Forlag, pp. 47-55. [Book Section]

Sheikh, Simon. 2010. Vectors of the Possible. In: "Vectors of the Possible", Utrecht, Netherlands, 12 September - 28 November 2010. [Show/Exhibition]

Sheikh, Simon. 2002. Visioner for kunstpolitikken. Bulletinen, 28, pp. 4-6. [Article]

Sheikh, Simon. 2006. A War of Words, A Review of Muhammadgate. Translate, [Article]

Sheikh, Simon. 2011. ‘What Remains? – Chto Delat?, Post-Communism and Art’. In: Johan Holten, ed. What Is To Be Done? – Survey of the Works of the Russian Collective Chto Delat? Cologne: Verlag der Buchhandlung Walther König, pp. 56-65. [Book Section]

Sheikh, Simon. 2007. What are the Challenges of Teaching Critical Discourse. In: Nikolaus Schafhausen and Julia Moritz, eds. The Question of the Day. Berlin/New York: Sternberg Press, p. 90. [Book Section]

Sheikh, Simon. 2005. Whatever Happened to Social Democracy - review. Springerin, 11(1), pp. 64-65. [Article]

Sheikh, Simon. 2004. öffentlichkeit und die Aufgaben der ‘progressiven’ Kunstinstitutionen. Kulturisse, pp. 7-8. [Article]

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Sheikh, Simon. 2021. The roads of rage and ruin: contemporary art and its publics after the global. Journal of Aesthetics & Culture, 13(1), 2010335. ISSN 2000-4214 [Article]

Sheikh, Simon and Hlalvajova, Maria. 2011. On Horizons. In: "Vectors of the Possible", BAK – basis voor actuele kunst, Utrecht, Netherlands, 2010-11. [Show/Exhibition]

Sheikh, Simon and Hunt, Ashley. 2006. Creating Publics. In: Tara Byrne, ed. Cork Caucus: on art, possibility & democracy. Frankfurt A.M.: Revolver, pp. 321-327. [Book Section]

Sheikh, Simon and Jakobsen, Jakob. 2003. Spredt (krigs)modstand. In: Kristina Ask, ed. Re/aktion. Copenhagen: , p. 16 [Book Section]

Sheikh, Simon and Jakobsen, Jakob. 2003. ‘Spredt (krigs)modstand’. In: Kristina Ask, ed. Re/aktion. Copenhagen: , p. 16 [Book Section]

Sheikh, Simon and Koester, Joahim. 1995. Authority and Incident: A Conversation with Michael Joo. [Exhibition Catalogue]

Sheikh, Simon and Koester, Joahim. 1993. Tingenes Blik. In: Mette Thelle, ed. Vilhelm Lundstrøm. Copenhagen: Charlottenborg, pp. 105-111. [Book Section]

Sheikh, Simon and Mathisen, Lars. 2000. ‘Fucking Naust – Notes on Art, Locality, Tourism, and so on’. In: , ed. Naust. Bergen: Øygarden, pp. 4-7. [Book Section]

Sheikh, Simon and Michelsen, Anders. 1999. Kunstudstillingen: En Ny Refleksiv Model. Øjeblikket, 39/40, pp. 53-56. [Article]

Sheikh, Simon and Montmann, Nina. 2003. The Power of Institution(s). NIFCA Info, pp. 4-8. [Article]

Sheikh, Simon and Montmann, Nina. 2003. ‘The Power of Institution(s)’. NIFCA Info, 2, pp. 4-8. [Article]

Sheikh, Simon and Villar, Alex. 2004. A Conversation. Danger Museum Newsletter, 18, [Article]

Simpson, Martyn and Watson, David. R. 2018. Why Patterns?. [Exhibition Catalogue]

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Sleigh-Johnson, Sophie. 2022. Marsh Hermeneutics: Performing Sites of Disorientation. Doctoral thesis, Goldsmiths, University of London [Thesis]

Smith, Kate. 1990. 1990 Mario Flecha, gallery catalogue. UNDEFINED. [Show/Exhibition]

Smith, Kate. 1991. The Archeology of Silence. [Exhibition Catalogue]

Smith, Kate. 1992. Brit Art. [Exhibition Catalogue]

Smith, Kate. 1995. Care and Control, Swelling Grounds. In: , ed. UNSPECIFIED [Book Section]

Smith, Kate. 2002. Catalogue produced by Waygood Gallery. [Exhibition Catalogue]

Smith, Kate. 2002. Critical home. [Film/Video]

Smith, Kate. 2005. Currently Under Development. In: "Currently Under Development", MOCA London, 12/11/2005 - 1/21/2006. [Show/Exhibition]

Smith, Kate. 1996. Discreet Charm. [Exhibition Catalogue]

Smith, Kate. 2003. Dorgicsebormuveszet, Videowineart & Dorgicsewineart. In: "Dorgicsebormuveszet, Videowineart & Dorgicsewineart", Mucsarnok Kunsthalle, Pantlika Wine House, 3/21/2003 - 6/1/2003. [Show/Exhibition]

Smith, Kate. 1994. Europa 94. [Exhibition Catalogue]

Smith, Kate. 1995. Exotic Excursions. In: "Exotic Excursions, exhibition catalogue", UNDEFINED. [Show/Exhibition]

Smith, Kate. 2002. Helen Baker and Kate Smith. In: "Helen Baker and Kate Smith", Waygood Gallery, 9/26/2002 - 10/26/2002. [Show/Exhibition]

Smith, Kate. 1993. Hotel des Voyageurs. [Exhibition Catalogue]

Smith, Kate. 1995. Image centrefold. [Image]

Smith, Kate. 1989. Image/text centrefold. [Image]

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Smith, Kate. 2008. The Lady a Merlin. In: "Machinic Alliances", Danielle Arnaud, London, United Kingdom, 4 July-10 Aug 2008. [Show/Exhibition]

Smith, Kate. 2008. The Lady a Merlin. In: "Machinic Alliances", Danielle Arnaud, United Kingdom, 4 July-10 Aug 2008. [Show/Exhibition]

Smith, Kate. 1991. Louder Than Words. [Exhibition Catalogue]

Smith, Kate. 2008. Lullaby. In: "Ug Kor Tars", Millennium Szalon, Budapest, Hungary, 20 March, 2008 - unknown. [Show/Exhibition]

Smith, Kate. 1999. Mutant. [Exhibition Catalogue]

Smith, Kate. 2008. No title. In: "Second Sex Dinner", The Banqueting Hall, Chelsea College of Art and Design, United Kingdom. [Performance]

Smith, Kate. 1992. The Phone Box, Art in Telephone Boxes. In: , ed. The Phone Box, Art in Telephone Boxes. Virginia Nimarkoh. [Book Section]

Smith, Kate. 2008. Smoking Paraphernalia. [Image]

Smith, Kate. 2002. Space Cooks. Space Studios. [Book]

Smith, Kate. 2001. Tenable. In: "Tenable", Newlyn Art Gallery, 6/18/2001 - 7/14/2001. [Show/Exhibition]

Smith, Kate. 1996. Two photographs for A.D. [Image]

Smith, Kate. 2009. Who could have guessed there'd be so much diversity?. In: "Past Present", Nunnington Hall, United Kingdom, 18 Sept-1 Nov 2009. [Show/Exhibition]

Smith, Kate. 1997. Who could have guessed there’d be so much diversity? London: Matt's Gallery; Catalogue edition. ISBN 978-0907623267 [Book]

Smith, Kate. 2012. Work in Progress. In: "Kate Smith", Gallery North, United Kingdom, 9 January 2012-27 January2012. [Show/Exhibition]

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Smith, Kate. 2012. Work in Progress. In: "Kate Smith", Gallery North, United Kingdom, 9 January 2012-27 January 2012. [Show/Exhibition]

Smith, Kate. 2003. catalogue. [Exhibition Catalogue]

Smith, Kate. 1992. chapter 21, Masculinity, Politics and Art. In: John Roberts, ed. Selected Errors, Writings on Art and Politics. Pluto Press, pp. 253-263. ISBN 978-0745304977 [Book Section]

Smith, Kate. 1999. unknown. In: , ed. Art & Outrage: Provocation, Controversy and the Visual Arts. Pluto Press, pp. 155-159. ISBN 978-0745313542 [Book Section]

Smith, Kate. 2002. unknown. In: , ed. City Racing: The Life and Times of an Artist Run Gallery 1988-1998. , pp. 5-31 [Book Section]

Smith, Kate and Joy, Clair. 1995. Postcard book. [Book]

Smith, Kate; Love, Kate and Roberts, John. 1988. The Invisible Man. [Exhibition Catalogue]

Smith, Kate and Wallis, Simon. 1999. Physical Evidence. [Exhibition Catalogue]

Spiak, John and Garfield, Rachel. 2009. I'm Keeping An Eye On You. In: "I'm Keeping an Eye On You - exhibition", Arizona State University Museum, United States, Sept. 19 - Dec. 12, 2009. [Show/Exhibition]

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Sprio, Margherita. 2004. Screening Italians - Identity, Memory and Sexuality in Migrant Italian Film and Culture Perspective. Doctoral thesis, Goldsmiths, University of London [Thesis]

Stacey, Timothy. 2017. Liberalism in search of vision: responding to the lost connection between lifestyle and policy with Christians on the Left as a case study. Radical Orthodoxy: Theology, Philosophy, Politics, 3(2), pp. 50-77. [Article]

Stehli, Jemima S.. 2020. AUGUST Jemima Stehli. In: "AUGUST Jemima Stehli", 1961 Projects, Singapore, 18 January - 15 March 2020. [Show/Exhibition]

Stehli, Jemima S.. 2018. Alla Ricerca dell’Aura(lato A) 2018. In: "Alla Ricerca dell’Aura(lato A)", Galleria Reginale d’Arte Contemporanea, Spazzapan, Grasdisca d’Isonzo, Italy. [Show/Exhibition]

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Stehli, Jemima S.. 2016. Caméra(Auto)Contrôle 2016. In: "Caméra(Auto)Contrôle", Centre de la Photographie, Switzerland. [Show/Exhibition]

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Stehli, Jemima S.. 2014. Endears me, yet remains. In: "Endears me yet remians", Focal Point Gallery, United Kingdom, 21 January - 29 March 2014. [Show/Exhibition]

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Stehli, Jemima S.. 2010. HUMAN. In: "HUMAN", Musee d'Art Moderne et d'Art Contemporain, France, June 12th-October 31st. [Show/Exhibition]

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Stehli, Jemima S.. 2017. Hypersexual City: The Provocation of Soft-Core Urbanism 2017. In: Nicole Kalms, ed. Hypersexual City: The Provocation of Soft-Core Urbanism. London: Routledge. ISBN 9781472475725 [Book Section]

Stehli, Jemima S.. 2004. Jemima Stehli. In: "Jemima Stehli", Centro de Arte Visuais, 2/16/2004 - 3/21/2004. [Show/Exhibition]

Stehli, Jemima S.. 2003. Jemima Stehli. In: "Jemima Stehli", Lisson Gallery, 3/20/2003 - 5/3/2003. [Show/Exhibition]

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Stehli, Jemima S.. 2016. La Fine Del Nouvo 2016 The End of a New. In: "La Fine Del Nouvo", Udine Gallery, Italy. [Show/Exhibition]

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Stehli, Jemima S.. 2010. Large Perspex 2008. In: "No Soul for Sale", Starr Auditorium, Tate Modern, United Kingdom. [Show/Exhibition]

Stehli, Jemima S.. 2018. Madam & Eve Women Portraying Women. In: Liz Rideal and Kathleen Soriano, eds. Madam & Eve Women Portraying Women. UK: Laurence King. ISBN 9781786271563 [Book Section]

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Stehli, Jemima S.. 2015. Me, Myself and I Louis Zoeller Bickett, Julius Deutschbauer, Jemima Stehli 2015. In: "Me, Myself and I", Eugen Lendl, Galerie, Austria. [Show/Exhibition]

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Stehli, Jemima S.. 2016. Performing for the Camera 2016. In: "Performing for the Camera 2016", Tate Modern, United Kingdom. [Show/Exhibition]

Stehli, Jemima S.. 2007. Photo Performance 23, 27, 30, 31. In: "Photo Performance 23, 27, 30, 31", Lisboa 20, 5/24/2007 - 7/22/2007. [Show/Exhibition]

Stehli, Jemima S.. 2014. Photography Today. In: Mark Durden, ed. Photography Today. Phaidon. ISBN 9780714845630 [Book Section]

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Stehli, Jemima S.. 2009. She looked back. In: "She Looked Back", Ze Do Bois, Lisbon, Portugal, 27 Nove,ber 2009. [Performance]

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Stehli, Jemima S.. 2009. She looked back. In: "She Looked back", Galeria Miguel Nabinho, Portugal, September 25th-November 7th. [Show/Exhibition]

Stehli, Jemima S.. 2021. Show Me Yours…(The Politics of Aesthetics). [Exhibition Catalogue]

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Stehli, Jemima S.. 2010. TURN IT ROUND Shela, Makoto, Gaza, Rui, Lucie, Helio, Lewis, Dan. In: "TURN IT ROUND Shela, Makoto, Gaza, Rui, Lucie, Helio, Lewis, Dan", ARTRA, Italy, 10th May-11th June. [Show/Exhibition]

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Stehli, Jemima S.. 2022. Unhappiness is Treason 2, Superficial Authenticity:Politics at the Surface curated by Hamish Morrow. In: "Unhappiness is Treason 2, Superficial Authenticity:Politics at the Surface", Filet, United Kingdom, 15-16 July 2022. [Show/Exhibition]

Stehli, Jemima S.. 2003. mm Studio. In: "mm Studio", Contemporary Art Gallery, 5/9/2003 - 6/29/2003. [Show/Exhibition]

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Stehli, Jemima S. and Hilliard, John. 2009. Arguments. Italy: ARTRA and Fine Arts Unternehmen Books. ISBN ISBN 13: 978-3-03720-014-8 [Book]

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Stewart, Nicholas. 2013. Abstraction and Comedy. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Strøbech, Thomas Skade-Rasmussen. 2012. Fictioneering Rogues, or The End of the Artist. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Stubbs, Michael. 2003. Digital Embodiment in Contemporary Abstract Painting. Doctoral thesis, Goldsmiths, University of London [Thesis]

Stupart, Linda. 2017. Becoming Object: Positioning a Feminist Art Practice. Doctoral thesis, Goldsmiths, University of London [Thesis]

Sturgis, Daniel. 2005. Abstract Logic. In: "Abstract Logic", 3 Degrees West, The Wordsworth Trust, 4/23/2005 - 8/24/2005. [Show/Exhibition]

Sturgis, Daniel. 2005. Daniel Buren Voile Toile/Toile Voile. In: "Daniel Buren Voile Toile/Toile Voile", 3 Degrees West, The Wordsworth Trust, 7/2/2005 - 10/31/2005. [Show/Exhibition]

Sturgis, Daniel. 2005. High Repose. In: "High Repose", Cynthia Broan Gallery, 10/11/2005 - 11/5/2005. [Show/Exhibition]

Sturgis, Daniel. 2004. New Works. In: "New Works", The Apartment Gallery, Athens, 9/30/2004 - 11/12/2004. [Show/Exhibition]

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Sturgis, Daniel and Murdoch, Sadie. 2019. Bauhaus: Utopia in Crisis. In: "Bauhaus: Utopia in Crisis", Camberwell Space, UAL, United Kingdom, 16 September - 9 November 2019. [Show/Exhibition]

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Sturgis, Daniel; Wendler, Katharina and Murdoch, Sadie. 2021. Utopia in Crisis. In: "Utopia in Crisis", Bauhaus-Universität Weimar, Germany, 26 May - 7 June 2021. [Show/Exhibition]

Tan, Chooc Ly. 2022. ATMOSPHERES. In: "Atmospheres, Photo London 2022", Somerset House, London, United Kingdom, 12 - 15 May 2022. [Show/Exhibition]

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Tan, Chooc Ly. 2017. Acidulated Stellar Mix. In: "Acidulated Stellar Mix", Performance as Publishing, London, United Kingdom, 2017 - 2019. [Performance]

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Tan, Chooc Ly. 2024. Chinabot w/ Chooc Ly on Radio Alhara - 28.03.24. [Audio]

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Tan, Chooc Ly. 2023. 'Chooc Ly Tan, artist's talk'. In: Slade Contemporary Art Lectures 2022-2023. Slade School of Fine Art, UCL, United Kingdom 17 May 2023. [Conference or Workshop Item]

Tan, Chooc Ly. 2023. 'Chooc Ly Tan, artist's talk'. In: Artist’s talk, Chelsea College of Arts. Chelsea College of Arts, University of the Arts London, United Kingdom 2023. [Conference or Workshop Item]

Tan, Chooc Ly. 2022. 'Chooc Ly Tan, artist's talk'. In: Chooc Ly Tan, artist's talk. Rosso Fashion & Arts Education, Shanghai, China. [Conference or Workshop Item]

Tan, Chooc Ly. 2023. Climate Crisis >> Art Action Takeover. In: "Climate Crisis >> Art Action Takeover", Whitechapel Gallery, London, United Kingdom, 2 March 2023. [Performance]

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Tan, Chooc Ly. 2023. Coeur Bioluminescent. [Composition]

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Tan, Chooc Ly. 2018. Crepuscular Dreams of (Dis-) Alienation, 2018. [Film/Video]

Tan, Chooc Ly. 2023. Crepuscular Dreams of (Dis-) Alienation, in “SOUNDS FROM THE SECOND FLOOR”. In: "Celestial Festival 2023", Alte Münze, Berlin, Germany, 27 - 28 May 2023. [Show/Exhibition]

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Tan, Chooc Ly. 2024. Décalé. In: "Décalé", The Yard Theatre, London, United Kingdom, 18 April 2024. [Show/Exhibition]

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Tan, Chooc Ly. 2022. Décalé 6. In: "Décalé 6", Space 289, London, United Kingdom, 18 June 2022. [Show/Exhibition]

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Tan, Chooc Ly. 2023. Décalé X 144. In: "Décalé X 144", The Yard Theatre, London, United Kingdom, 1 June 2023. [Show/Exhibition]

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Tan, Chooc Ly. 2022. Décalé x Chinabot. In: "Décalé x Chinabot", The Yard Theatre, London, United Kingdom, 25 November 2022. [Show/Exhibition]

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Tan, Chooc Ly. 2022. EASTERN MARGINS with GGI on NTS (feat. LARASATI & CHOOC LY) - 4th February 2022. [Audio]

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Tan, Chooc Ly. 2023. Earth Friction: Geological Forces_Forced Nature. In: "Sudden Beams 2: Extraction", Near Now, Nottingham, United Kingdom. [Show/Exhibition]

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Tan, Chooc Ly. 2022. Exaltation Onirique. [Composition]

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Tan, Chooc Ly. 2023. LUNAR LATE: YEAR OF THE QUEER RABBIT. In: "LUNAR LATE: YEAR OF THE QUEER RABBIT", Matchstick Piehouse, London, United Kingdom, 20 January 2023. [Show/Exhibition]

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Tan, Chooc Ly. 2021. Label of the Month: Chinabot. Resident Advisor. [Other]

Tan, Chooc Ly. 2021. Looking into People’s Eyes. Ying Xiang 映象, 1, [Article]

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Tan, Chooc Ly. 2023. Monsoon Temperament (AV performance). In: "Wandering Salon, unthaitled", Heizhaus Uferstudios, Berlin, Germany, 8 October 2023. [Performance]

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Tan, Chooc Ly. 2023. ONY w/ CHOOC LY 22.03.23 on NTS radio. [Audio]

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Tan, Chooc Ly. 2021. On The Offbeat, 2021. [Film/Video]

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Tan, Chooc Ly. 2022. On The Offbeat, in Defying Dreams film screening. In: "PAF Festival 2022", Olomouc, Czech Republic, 30 November - 4 December 2022. [Show/Exhibition]

Tan, Chooc Ly. 2022. On The Offbeat, in Sonic Statement Film screening. In: "Celestial Festival 2022", Berlin, Germany, 14 - 15 May 2022. [Show/Exhibition]

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Tan, Chooc Ly. 2019. Rêve, Rave et Révolution, 2019. [Art Object]

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Tan, Chooc Ly. 2021. Synaptic Island - Resonance FM - with Chooc Ly "Sea U in Space" - 6.11.2021. [Audio]

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Tan, Chooc Ly. 2023. We Teleport And Dance. In: "Cities of the Night: The Royal College of Art at RIBA (2023 London Festival of Architecture)", RIBA, London, United Kingdom, 1 June - 29 July 2023. [Show/Exhibition]

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Tan, Chooc Ly. 2023. YOU MAKE ME FEEL (performance). In: "THE VOICES OF A TEMPEST | ACT III", Somerset House Studios, London, United Kingdom, 18 March 2023. [Performance]

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Tan, Chooc Ly; Cheuk-Yin Li, Eva; Allison, Yarli; Chow,, Whiskey and Lam, June. 2023. 'Panel: “Decolonising Queer Artistic Space and Practice: Critical Dialogue with Asia-Art-Activism”'. In: Decolonising Queer Artistic Space and Practice: Critical Dialogue with Asia-Art-Activism. Online, United Kingdom 31 May 2023. [Conference or Workshop Item]

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Tan, Chooc Ly and Nalin Kumar, Rishi. 2013. YES / NO NO/YES. London: Flat Time House. [Book]

Tan, Chooc Ly and Utamachote, Sarnt. 2022. 'Sonic Statements'. In: Sonic Statements, Celestial Festival. Celestial Festival, Berlin 14 - 15 May 2022. [Conference or Workshop Item]

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Taylor, Susan G.. 2009. Absence makes the heart grow fonder. Improvisation. In: "Absence makes the heart grow fonder", The Apartment, United Kingdom, 08 - 29 March 2009. [Performance]

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Taylor, Susan G.. 2009. Prescence. [Project]

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Taylor, Susan G.. 2009. Props. In: "Abscence Makes the Heart Grow Fonder", The Apartment, United Kingdom, 8 March - 29 March 2009. [Performance]

Taylor, Susan G.. 2003. Susan Taylor, Innuendo and Between Ourselves: Local Economy. In: "Susan Taylor, Innuendo and Between Ourselves: Local Economy", Hungarian Academy of Fine Arts at Tihany, Hungary, 10/4/2003 - 10/5/2003. [Show/Exhibition]

Taylor, Susan G.. 2004. Susan Taylor, Staged. In: "Susan Taylor, Staged", Barcsay Gallery, Budapest, Hungary, 11/29/2004 - 12/17/2004. [Show/Exhibition]

Taylor, Susan G.. 2001. Susan Taylor, Zoochie Lore Microphone and Computer Works. [Audio]

Taylor, Susan G.. 2012. The X in Te t. [Art Object]

Taylor, Susan G. and Medeiros, Flavia Mueller. 2006. Susan Taylor and Flavia Mueller Medeiros, This is Not A Collaboration. In: "Susan Taylor and Flavia Mueller Medeiros, This is Not A Collaboration", Unit 2 Gallery, London, 5/9/2006 - 6/2/2006. [Show/Exhibition]

Thompsett, Dolly. 2005. Artlab, Dolly Thompsett. In: "Artlab, Dolly Thompsett", Ritter Zamet, 6/3/2005 - 7/23/2005. [Show/Exhibition]

Thompsett, Dolly. 2007. Dolly Thompsett, New Paintings. In: "Dolly Thompsett, New Paintings", Fred, 4/7/2007 - 5/6/2007. [Show/Exhibition]

Thompsett, Dolly. 2005. Morpho Eugenia. In: "Morpho Eugenia", Galeria D'arte Moderna e Contemporanea, 8/6/2005 - 10/6/2005. [Show/Exhibition]

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Thompsett, Dolly. 2007. The Persistence of Religious Iconography in the Secular Imagery of Filmic Culture - A Study of an Artist's Source Material. Doctoral thesis, Goldsmiths, University of London [Thesis]

Thompsett, Dolly. 2005. When I lived in Modern Times. In: "When I lived in Modern Times", Northern Gallery of Contemporary Art, 9/16/2005 - 11/12/2005. [Show/Exhibition]

Thompson, Kelly. 2006. About Jacquard, and 3rd European Triennial Textile and Fibre Art. In: "About Jacquard, and 3rd European Triennial Textile and Fibre Art", Montreal Centre for Contemporary Textiles, and the Museum of Decorative Arts and Design, 10/2/2006 - 11/2/2006. [Show/Exhibition]

Thompson, Kelly. 2007. Fiberart International 2007. In: "Fiberart International 2007", Pittsburgh, Pennsylvania, 4/13/2007 - 6/23/2008. [Show/Exhibition]

Thompson, Kelly. 2001. Kelly Thompson: Locus Operandi. In: "Kelly Thompson: Locus Operandi", Dunedin Public Art Gallery, 2/10/2001 - 4/15/2001. [Show/Exhibition]

Thompson, Kelly and Barton, Margo. 2004. 'A Conversation: virtual and actual spaces, textile practices in an era of new technologies'. In: the space between: textiles, art, design, fashion. Curtin University of Technology, Australia 15-17 April 2004. [Conference or Workshop Item]

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Thompson, Milly. 2018. ‘Akerman Daly – Artist in Residence 2017/18 & associated commissions’. In: "Akerman Daly 'Resident Artist' 2017/18", online, 01 Jan 2017 - 01 April 2018. [Show/Exhibition]

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Thompson, Milly. 2016. BOGOF, 2016. [Art Object]

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Thompson, Milly. 2019. Chips and Egg, 2019. In: "Chips and Egg", The Sunday Painter Gallery, United Kingdom, 15 November - 21 December 2019. [Show/Exhibition]

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Thompson, Milly. 2016. Cougar. In: "Cougar", Westminster Waste, United Kingdom, 21 October - 7 November 2016. [Show/Exhibition]

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Thompson, Milly. 2017. Dik Piks. In: "Dik Piks", Lady BeckUnit 22c, Mabgate, Leeds, LS9 7DZ, United Kingdom, July 2017. [Show/Exhibition]

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Thompson, Milly. 2013. INTRECCIOMIRAGE, 2013. In: "INTRECCIOMIRAGE", 43 Inverness Street, 2013. [Show/Exhibition]

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Thompson, Milly. 2008. Late Entry, 2008. In: "Late Entry", Peer Uk, United Kingdom, 12 March – 26 April 2008. [Show/Exhibition]

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Thompson, Milly. 2012. Les Biennale, 2012. In: "Les Biennale", 187 Wilton Street, Glasgow, April 2012. [Show/Exhibition]

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Thompson, Milly. 2017. Merchandise & Accessories. In: "Merchandise & Accessories", London, United Kingdom, 15 Jul - 15 Oct 2017. [Show/Exhibition]

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Thompson, Milly. 2019. Milly Thompson, 2019. In: "Milly Thompson, 2019", Freehouse, London, March - April 2019. [Show/Exhibition]

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Thompson, Milly. 2019. The Moon, The Sea & The Matriarch, 2019. In: "The Moon, The Sea & The Matriarch", Timespan Cultural Institution, Helmsdale, Scotland, United Kingdom, 5 July - 29 September 2019. [Show/Exhibition]

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Thompson, Milly. 2011. Nothing is Forever, 2010. In: "Nothing is Forever", South London Gallery, United Kingdom, 25 June - 19 September 2010. [Show/Exhibition]

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Thompson, Milly. 2008. Opera, 2008. [Artist's Book]

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Thompson, Milly. 2011. Posters for Pleasure, 2011-12. In: "Posters for Pleasure", I-land, Herefordshire, United Kingdom, August and August 2012. [Show/Exhibition]

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Thompson, Milly. 2010. Quixotic Sausage Scenario, 2010. In: "Quixotic Sausage Scenario", Hamburg, Germany. [Show/Exhibition]

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Thompson, Milly. 2013. Ritual Volcanic, 2013. In: "Ritual Volcanic", 5 St Margarets Place Glasgow G1 5JY, 2013. [Show/Exhibition]

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Thompson, Milly. 2011. Saucisson Chiffonaire, 2011. In: "Saucisson Chiffonaire", Caribic Residency Kunsthalle, Portugal, May 2011. [Show/Exhibition]

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Thompson, Milly. 2009. Save Southend-on-Sea Central Library, 2009. [Art Object]

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Thompson, Milly. 2009. 'Savoir Faire' catalogue, 2009. [Exhibition Catalogue]

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Thompson, Milly. 2009. Savoir Faire, 2009. In: "Savoir Faire", Focal Point Gallery, Southend on sea, United Kingdom, 4 July to 15 August 2009. [Show/Exhibition]

Thompson, Milly. 2002. Still Life. In: "Still Life", MUSEUM OF CONTEMPORARY ART, NITEROI, 11/7/2002 - 12/20/2005. [Show/Exhibition]

Thompson, Milly. 2011. millythompson.co.uk. [Digital]

Thompson, Milly and Bedwell, Simon A.. 2003. BANK; Milly Thompson and Simon Bedwell. In: "BANK; Milly Thompson and Simon Bedwell", Store Gallery, 6/30/2003 - 7/31/2003. [Show/Exhibition]

Thompson, Milly and Bedwell, Simon A.. 2010. Rude Britannia: British Comic Art. In: "Rude Britannia: British Comic Art", Tate Britain, United Kingdom, 9 June – 5 September 2010. [Show/Exhibition]

Thompson, Milly and Bedwell, Simon A.. 2010. So be it: interventions in printed matter. In: "So be it: interventions in printed matter", Andrew Roth, NYC, United States, April 8– May 7, 2010. [Show/Exhibition]

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Thompson, Milly and Jones, Alison. 2016. C21st ART-WORKER. [Art Object]

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Thompson, Milly and O'Reilly, Sally. 2020. Villa Sylvia, 2020. In: "The Open Arms", The Open Arms. [Show/Exhibition]

Thoms, Jol. 2021. Diffractive Aesthetics & Holographic Literacies: Transcoding the Gigaton Volume Detector [A Diffracted Photo-Essay]. In: Kai Merten, ed. Diffractive Reading: New Materialism, Theory, Critique. Lanham, Maryland: Rowman & Littlefield Publishers, pp. 235-248. ISBN 9781786613967 [Book Section]

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Thoms, Jol and Engelmann, Sasha. 2017. Intra-acting with the IceCube Neutrino Observatory; or, how the technosphere may come to matter. The Anthropocene Review, 4(2), pp. 81-91. ISSN 2053-0196 [Article]

Thomson, Jon and Craighead, Alison. 2017. Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Two: Observations. In: "Looking at one thing and thinking of something else (An Exhibition in Four Parts) Part Two: Observations", Carroll / Fletcher,, United Kingdom, 02/12/2017 - End date: 22/12/2017. [Show/Exhibition]

Thomson, Jon and Craighead, Alison. 2016. 'The Story'. In: The Story. The Conway Hall, United Kingdom 19 Feb 2016. [Conference or Workshop Item]

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Thorstenberg Ribas, Cristina. 2017. Research Processes, Knowledge Production and Processual Creativity: Schizoanalytic Cartographies in Brazil. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Timberlake, John. 2012. The Sapphic Sublime of Frederick Sommer. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Van Balen, Tuur and Cohen, Revital. 2013. 75 Watt. [Art Object]

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Van Balen, Tuur and Cohen, Revital. 2021. Heavens. [Film/Video]

Van Balen, Tuur and Cohen, Revital. 2016. MINE. In: Boris Ondreička and Nadim Samman, eds. Rare Earth. Berlin: Sternberg Press, pp. 54-61. ISBN 978-3-95679-144-4 [Book Section]

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Van Balen, Tuur and Cohen, Revital. 2022. Not What I Meant But Anyway. [Artist's Book]

Van Balen, Tuur and Cohen, Revital. 2018. Synthetic Blood on Leopard Skin. In: Daniel Fernandez Pascual; Alon Schwabe and Jesse Connuck, eds. The Empire Remains Shop / Cooking Sections. New York: Columbia Books on Architecture and the City, pp. 75-90. ISBN 9781941332375 [Book Section]

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Van Balen, Tuur and Cohen, Revital. 2016. Take a Good Lamp. Cultural Politics, 12(3), pp. 332-338. ISSN 1743-2197 [Article]

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Van Balen, Tuur; Cohen, Revital and Li, Christina. 2020. Palms Palms Palms. In: "Palms Palms Palms", Hasselt, Belgium, 4 October 2020 - 31 January 2021. [Show/Exhibition]

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Vargas, Chris E; Zhihan, Dot Jia; Reckitt, Helena; Prowse, Jamila; Sadzinski, Sylvia; Iohe, Taey and Hofmann, Vera. 2022. Interdependent unlearning(s) and caring for disruption: A queer-feminist collective writing session on curatorial experiences and desires for instituting otherwise. The Year of the Women / Jahr der Frau, [Article]

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Varvantakis, Christos; Nolas, Sevasti-Melissa and Aruldoss, Vinnarasan. 2019. Photography, Politics and Childhood: Exploring children’s multimodal relations with the public sphere. Visual Studies, 34(3), pp. 266-280. ISSN 1472-586X [Article]

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Vasey, George and Graham, Dan. 2009. Between my finger and my thumb. In: "Between my finger and my thumb", Schwartz Gallery, London., United Kingdom, 10th July - 2nd August 2009. [Show/Exhibition]

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Vasseur, Roman. 2018. I am The Sun And Cannot Be Gazed Upon Fixedly: Art And The Spectral Power Of The Derivative. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Vinebaum, Lisa. 2010. Body of the Nation - Corporeality, Territory, Performance: Palestine and Israel. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Voegelin, Salomé. 2004. Practising Timespace-Collage: Art as Material Complex. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Voelcker, Becca. 2023. Climate, Capital, and Colonialism: A Congolese Perspective. Journal of Climate Resilience & Climate Justice, 1, pp. 55-65. ISSN 2832-4641 [Article]

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Voelcker, Becca. 2023. Cultivating Hinterland: What Lies Behind Agnes Denes’ Wheatfield? In: Pamila Gupta; Sarah Nuttall; Esther Peeren and Hanneke Stuit, eds. Planetary Hinterlands: Extraction, Abandonment and Care. Cham, Switzerland: Palgrave Macmillan, pp. 51-63. ISBN 9783031242427 [Book Section]

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Voelcker, Becca. 2021. Field Work: Ogawa Productions as Farmer-Filmmakers. The Moving Image Review & Art Journal (MIRAJ), 10(1-2), pp. 50-71. ISSN 2045-6298 [Article]

Voelcker, Becca. 2022. Filming-gardening in the neoliberal age: ambivalences in the life and work of Anne Charlotte Robertson. Screen, 63(1), pp. 68-91. ISSN 0036-9543 [Article]

Voelcker, Becca. 2021. Landscape Theory in Post-War Japanese Cinema: Fūkeiron in Adachi Masao’s A.K.A. Serial Killer. In: Ludovic Cortade and Guillaume Soulez, eds. Penser l’espace avec le cinéma et la littérature. 10 New York: Peter Lang. ISBN 9781433176289 [Book Section]

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Vráblíková, Lenka. 2024. 'Živná půda ekofeminismu [Cultivating Ecofeminisms]'. In: Public programme series accompanying exhibition 'Pěstovat plevel, sklízet vichřici' at Galerie Hraničář, Czech Republic (5 October 2023 - 9 February 2024). Online, Czech Republic. [Conference or Workshop Item]

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Vráblíková, Lenka and Kubelová, Lenka. 2024. Gardening Ecofeminisms. Sympozium jako živná půda [Gardening Ecofeminisms: Symposium as a culture medium]. In: Kateřina Vídenová and Amálie Bulandrová, eds. Kafkárna / Dům a Zahrada [Kafkárna /House and Garden]. Prague: UMPRUM, pp. 289-295. [Book Section]

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Vráblíková, Lenka and Mitchell, Elspeth. 2024. Learning Collaboration with Fungi: A guided walk in the forest (facilitator version). [Printed Ephemera]

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Vráblíková, Lenka and Mitchell, Elspeth. 2024. Learning Collaboration with Fungi: A guided walk in the forest (student version). [Printed Ephemera]

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Vráblíková, Lenka and Mitchell, Elspeth. 2023. 'What Myco-futures? Mycorrhizal Encounters against racist cis-heteropatriarchy'. In: Democracies in Flux: LGBTI= struggles, feminist politics, and anti-gender contestations. Campus Condorcet, Paris, France 29 - 30 June 2023. [Conference or Workshop Item]

Wagner, Beny. 2022. 'Artist Talk'. In: Artist Talk. Royal College of Art, London, United Kingdom March 2022. [Conference or Workshop Item]

Wagner, Beny. 2021. 'Becoming Plasmatic: From Cells to Cel Animation'. In: Liquidity, Flows, Circulation: The Cultural Logic of Environmentalization. Leuphana University Lüneburg, Germany 22 - 23 April 2021. [Conference or Workshop Item]

Wagner, Beny. 2021. Coal Mine in the Canary. [Film/Video]

Wagner, Beny. 2023. Eat the Camera, Feed the Screen. e-flux journal(133), ISSN 2164-1625 [Article]

Wagner, Beny. 2024. 'Masterclass Artist Film'. In: MFA Creative Documentary by Practice. UCL, United Kingdom March 2024. [Conference or Workshop Item]

Wagner, Beny. 2018. Outside. [Film/Video]

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Wagner, Beny. 2018. Outside / Eye Farm (solo exhibition). In: "Outside / Eye Farm (solo exhibition)", Kunstfort bij Vijfhuizen, Netherlands, 8 April - 1 July 2018. [Show/Exhibition]

Wagner, Beny. 2023. The Perceiving Agent. The Posthumanist(2), pp. 74-79. ISSN 2753-3360 [Article]

Wagner, Beny. 2022. Plasmaticness and the Boundaries of Human Perception. In: Mathias Denecke; Holger Kuhn and Milan Stürmer, eds. Liquidity, Flows, Circulation: The Cultural Logic of Environmentalization. Zurich: Diaphanes, pp. 203-218. ISBN 9783035805369 [Book Section]

Wagner, Beny. 2022. 'Post-Industrial Metabolism and the Discorrelated Moving Image'. In: PGR Seminar Series. Southampton Institute for Arts and Humanities, United Kingdom 23 February 2022. [Conference or Workshop Item]

Wagner, Beny. 2018. State of Statelessness. In: "State of Statelessness", ISELP, Brussels, Belgium, 12 May - 7 July 2018. [Show/Exhibition]

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Wagner, Beny. 2017. like the deserts miss the rain (solo exhibition). In: "like the deserts miss the rain", Rongwrong, Amsterdam, Netherlands, 28 April - 28 May 2017. [Show/Exhibition]

Wagner, Beny and Litvintseva, Sasha. 2023. Ars Electronica 2023. In: "(Co)Owning More-than-Truth", POSTCITY Linz, Austria, 6 - 10 September 2023. [Show/Exhibition]

Wagner, Beny and Litvintseva, Sasha. 2024. 'Artist Talk'. In: Artist Talk. ArtEZ University of the Arts, Arnhem, Netherlands March 2024. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2023. 'Artist Talk and Screening'. In: Artist Talk. Karlsruhe University of Arts and Design (HfG), Germany May 2023. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2024. 'Artist Talk and Screening'. In: Artist Talk. Kingston School of Art, Department of Film & Photography, United Kingdom January 2024. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2024. 'Artist Talk and Screening'. In: Artist Talk and Screening. Architectural Association School of Architecture, London, United Kingdom February 2024. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2022. 'Artist Talk and Screening'. In: CML Lab Days. Basel Academy of Art and Design FHNW, Switzerland 12 December 2022. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2024. 'Masterclass Artist Film'. In: DOX:ACADEMY. CPH:DOX 2024, Denmark March 2024. [Conference or Workshop Item]

Wagner, Beny and Litvintseva, Sasha. 2024. My Want of You Partakes of Me (Festival World Premiere). In: "CPH:DOX New:Vision Competition", Cinemateket, Copenhagen, Denmark, 18 March 2024. [Show/Exhibition]

Wagner, Beny and Litvintseva, Sasha. 2024. Two Hundred Years of Total Conversion. Ecoes(6), ISSN 2772-5685 [Article]

Wagner, Beny; Litvintseva, Sasha; Holl, Ute and Mircean, Mihnea. 2022. 'The Personal Equation: Measurement Moving image, Body and Environment'. In: IMPAKT Festival 2022. Het Huis Utrecht, Netherlands 5 November 2022. [Conference or Workshop Item]

Wagner, Beny; Litvintseva, Sasha; Wang, Yuyan and Umansky, Valentine. 2024. 'Materializing the Immaterial: Film as Seeing and Sensing'. In: CPH:DOX Conference. Kunsthal Charlottenborg, Copenhagen, Denmark 18 - 22 March 2024. [Conference or Workshop Item]

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Wakeford, Nina. 2014. 484 14th Street. In: "484 14th Street", Almanac Projects, London, United Kingdom, 10 July – 10 August 2014. [Show/Exhibition]

Wakeford, Nina. 2023. Above this new tunnel the Market Tavern once stood. Grey concrete outside. Cherry red, dark, sexy, cruisy, inside.. In: "Blueprints of Hope", Octogan Gallery, UCL, United Kingdom, 31 May 2023. [Performance]

Wakeford, Nina. 2019 Art on the Underground: Our Pink Depot. [Project]

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Wakeford, Nina. 2019. Here We Played 'Children of the Revolution’. In: "'Here We Played Children of the Revolution’", RCA Riverlight, London, United Kingdom, 26 January – 3 February 2019. [Show/Exhibition]

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Wakeford, Nina. 2018. Invitation to Forms: Performance and installation. In: "Glasgow International 2018", The Mitchell Library, Glasgow, United Kingdom, 20 April - 7 May 2018. [Show/Exhibition]

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Wakeford, Nina. 2019. Live Performance. In: "Our Pink Depot", Matt's Gallery, London, United Kingdom, 28 November 2019. [Performance]

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Wakeford, Nina. 2019. Our Pink Depot: The Gay Underground FLO-N202- 236000000-TRK-MST-00002-SAY-HELLO- WAVE-GOODBYE-KEN-NIE-BPS. [Artist's Book]

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Wakeford, Nina. 2022. Out in Stevenage. In: "Out in Stevenage", Stevenage Museum, United Kingdom, 24 February -12 March 2022. [Show/Exhibition]

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Wakeford, Nina. 2019. Posters for the Northern Line. [Art Object]

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Wakeford, Nina. 2017. This Was Our Calling Card. In: "Maximum Overdrive", Southend, United Kingdom. [Show/Exhibition]

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Wakeford, Nina. 2018. Tunnel performance. In: "Our Pink Depot", London, United Kingdom. [Performance]

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Wakeford, Nina. 2019. We Will Replace All Men With Machines. In: "Life Rewired Season", Barbican, London, United Kingdom, 9 – 17 March 2019. [Show/Exhibition]

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Wakeford, Nina. 2020. We Will Replace All Men With Machines (manifesto statement). [Art Object]

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Wakeford, Nina. 2018. ‘What is important about this reality is that it hurts, makes noises, smells. That it bleeps or falls on the floor’. In: "‘What is important about this reality is that it hurts, makes noises, smells. That it bleeps or falls on the floor’", PAKT, Netherlands, July 2018. [Performance]

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Wakeford, Nina. 2019. The Worker Poets, Political Repression: Weakness of memory, in search of a revolutionary future. In: "In the Open or in Stealth. The Unruly Presence of an Intimate Future", MACBA, Barcelona, Spain. [Performance]

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Wakeford, Nina. 2017. 'an apprenticeship in queer I believe it was'. In: "BFI Flare: London LGBT Film Festival", BFI Southbank, London, United Kingdom, 18 March 2017. [Show/Exhibition]

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Wakeford, Nina. 2020. 'on being allergic to onions'... we read Susan Leigh Star. In: "Genders: Shaping and Breaking the Binary", Science Gallery, London, United Kingdom, 13 February - 28 June 2020. [Show/Exhibition]

Walsh, Bernard. 2005. Abstracted Garments. Abstracted Garments: exhibition, [Article]

Walsh, Bernard. 2005. Arrangement on a Shelf. In: , ed. Collect. The Crafts Council, pp. 30-31. [Book Section]

Walsh, Bernard. 2003. Away. Away: exhibition by Caroline Broadhead, [Article]

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Walsh, Bernard. 2017. BERNARD WALSH - In God We Trust?. In: "Cabaret 2", The Old Nun's Head, London, United Kingdom, 19 February 2017. [Performance]

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Walsh, Bernard. 2024. Battenberg: Art of Performance. In: "Battenberg: Art of Performance", University of East London Way Out East Gallery, London, United Kingdom, 27 November - 11 December 2023. [Show/Exhibition]

Walsh, Bernard. 2012. Bernard Walsh's World Series. Journal of Writing in Creative Practice, 5, ISSN 1753-5190 [Article]

Walsh, Bernard. 2008. Best in Show. Best in Show, [Article]

Walsh, Bernard. 2009. Bibliography 2 (Artists, Writers, Photographers). In: Kathryn Faulkner, ed. Bibliography 2 (Artists, Writers, Photographers). UK: Kathryn Faulkner 2009, pp. 60-61. [Book Section]

Walsh, Bernard. 2006. Bloody Mess. Bloody Mess, [Article]

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Walsh, Bernard. 2016. Bring Me Sunshine. London: Ditto Press. ISBN 978-0-9567952-6-7 [Book]

Walsh, Bernard. 2011. Catalogue Essay. [Article]

Walsh, Bernard. 2007. Cuckoo. Cuckoo: exhibition by Annie Whiles, [Article]

Walsh, Bernard. 1996. Dancing Davids. In: "C.S.M. Post-graduate Print and Photo Media Degree Show", Central St Martins School of Art, London, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 2002. Eros: photomontage. In: "Artists Editions", Camden Arts Centre, London, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 2003. 'Every Now and Then'. In: Writing In The Context Of Art. Tate Britain, London, United Kingdom. [Conference or Workshop Item]

Walsh, Bernard. 2006. George Henry Longly. George Henry Longly, [Article]

Walsh, Bernard. 2023. Is this a dagger? A reason why Art is not a subject that should be taught. HH ArtSpaces, Goa, India, India 14 March 2023. [Performance]

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Walsh, Bernard. 2023. Is this a dagger? A reason why Art is not a subject that should be taught. Deptford Town Hall, London, United Kingdom 1 April 2023. [Performance]

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Walsh, Bernard. 2023. Is this a dagger? A reason why Art is not a subject that should be taught. In: "The Legal Stage", Lambeth County Court, London, United Kingdom, 21 January 2023. [Performance]

Walsh, Bernard. 1999. It's What She Would Have Wanted. In: "It's What She Would Have Wanted", Three Mills Film Studios, London, United Kingdom, 4 - 13 December 1999. [Show/Exhibition]

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Walsh, Bernard. 2014. Jack in the Jungle. London: Ditto Press. [Book]

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Walsh, Bernard. 2024. A Lecture by Bernard Walsh. In: "The Salon of Doubt 2", The Art Workers' Guild, United Kingdom, 11 June 2024. [Performance]

Walsh, Bernard. 2014. 'Loughton to Lambourne End' by Yuki Nishimura. In: Leila Pereira, ed. Loughton to Lambourne; publication, including essays by Bernard Walsh, and Keef Winter, photographs by Leila Pereira. Allotrope Press. [Book Section]

Walsh, Bernard. 2000. 'Majesty: a conference paper'. In: Where is the Centre?. Westfalischer Kunstverein, Muenster, Germany. [Conference or Workshop Item]

Walsh, Bernard. 2012. No title. In: "VILLA 1: THIS HOUSE IS A TRIADIC FASCIST AND MADE OF INDUSTRY GLASS", The George and Dragon, Blackheath, London, United Kingdom, 24 February 2012. [Performance]

Walsh, Bernard. 1997. On the Blink, Turnaround, Kids and Twins. In: "C.S.M. M.A. Fine Art Show", Central St Martins School of Art, London, United Kingdom. [Show/Exhibition]

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Walsh, Bernard. 2016. Reading/Book Launch. In: "Bring Me Sunshine Reading/Book Launch", Camden Arts Centre, United Kingdom, 5 March 2015. [Performance]

Walsh, Bernard. 2002. Review of Michael Landy’s Breakdown and John Freyer’s allmylifeforsale.com. Public Art Journal, 1(6), ISSN 1465-7376 [Article]

Walsh, Bernard. 2011. She. The Yellow Wallpaper – Crafts Council – OnView Online exhibition, [Article]

Walsh, Bernard. 2007. Something. it's a soft hard world: an exhibition by stephen nelson, pp. 5-9. [Article]

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Walsh, Bernard. 2012. Supermarket. In: Jon Vogt Engerland, ed. Erosion. Stockholm, Sweden: Hostel Gallery, pp. 45-47. [Book Section]

Walsh, Bernard. 1999. Take Place. In: Andrew Cross; Simon Grennan and Nicola Stephenson, eds. Public Sightings: The Public Art Programme of the UK Year of Photograpy and Electronic Image. PHOTOARTS 2000 (Photo 98), pp. 1-127. ISBN 0953571106 [Book Section]

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Walsh, Bernard. 2000. Trafalgar Square. In: "Bernard Walsh website", bernardwalsh.co.uk, United Kingdom, Website launched March 2016. [Performance]

Walsh, Bernard. 2000. Trafalgar Square, Majesty. In: "Real Places", Westfaelischer Kunstverein, Muenster, Germany, 26 May - 2 July 2000. [Show/Exhibition]

Walsh, Bernard. 2004. Virtuous Dress: video installation. In: "Fashion and Modernity", CSM, London, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 1993. The Wedding. In: "Annual Exhibition", Manchester City Art Gallery, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 1997. 'What Do You Do?'. In: Eight Technologies of Otherness. ICA, London, United Kingdom. [Conference or Workshop Item]

Walsh, Bernard. 2002. What do you do. In: "Some More Videos", Pugh Pugh Gallery, Berlin, Germany. [Show/Exhibition]

Walsh, Bernard. 1998. What do you do?: video. In: "Pandemonium: London Festival of Moving Images", The Lux Centre, Hoxton Square, London, United Kingdom. [Show/Exhibition]

Walsh, Bernard. 2003. The Withered Bough. In: , ed. Scenery. Venice: Nuova Icona, pp. 6-14. ISBN 8887632197 [Book Section]

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Walsh, Bernard. 2012. The Withered Bough. In: Jon Vogt Engerland, ed. Erosion. Stockholm, Sweden: Hostel Gallery, pp. 42-45. [Book Section]

Walsh, Bernard. 2011. 'World Series'. In: Sixth International Conference on the Arts in Society. Academy of Sciences and Humanities, Berlin, Germany 9-11 May 2011. [Conference or Workshop Item]

Walsh, Bernard. 2010. '“You talkin’ to me”'. In: The International Image Conference. University of California, Los Angeles, United States 2-3 December 2010. [Conference or Workshop Item]

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Walsh, Bernard. 2023. blink and you will miss it: Safe House 1, Peckham, London. In: "blink and you will miss it", Safehouse 1, Peckham, London, United Kingdom, 15 -18 September 2023. [Show/Exhibition]

Walsh, Bernard. 2000. A review of Janet Cardiff’s Missing Voice (Case Study B). Public Art Journal, 1(3), pp. 69-71. ISSN 1465-7376 [Article]

Walsh, Bernard. a rose is a rose. In: "a rose is a rose", Finch Cafe, London, United Kingdom, 4 May 2024. [Performance]

Walsh, Bernard and Greenhill, Joanna. 1998. 'The Alternative Tool/No Man is an Island'. In: Making into Writing. University of Plymouth, Exeter, United Kingdom. [Conference or Workshop Item]

Walsh, Bernard and Harris, Jane. 2004. Sorcerers' Apprentice: reactive forms of body and cloth in performance. In: Gavin Carver and Colin Beardon, eds. New Visions in Performance, The Impact of Digital Technologies. Sets & Zeutlinger, pp. 139-152. ISBN 9026519664 [Book Section]

Walsh, Bernard and Harris, Jane. 2004. 'Virt(u)ous Dress'. In: The Space Between. Perth, Australia 5/1/2004. [Conference or Workshop Item]

Walsh, Bernard and Williams, Gerard. 2004. Interior Worlds. [Art Object]

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Walsh, Roxy. 2024. Ash, Beech, Coll. [Art Object]

Walsh, Roxy. 1997. Better After Death Catalogue. Wild Pansy Press. ISBN 978-1900687058 [Book]

Walsh, Roxy. 2005. Catrin Huber Catalogue essay. [Exhibition Catalogue]

Walsh, Roxy. External examiner for MA Painting, Royal College of Art. [Professional Activity]

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Walsh, Roxy. 2007. Felix Culpa. In: "Felix Culpa", Domobaal Gallery + Touring, United Kingdom, 2006-2007. [Show/Exhibition]

Walsh, Roxy, ed. 2006. Felix Culpa Solo Catalogue. ISBN 978-1873352540 [Edited Book]

Walsh, Roxy. 2002. Illustrated discussion. In: , ed. SPEAKING AND LISTENING. , pp. 104-114 ISBN 978-0863399862 [Book Section]

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Walsh, Roxy. 2003 - 2005 Infallible, In Search of the Real George Eliot. [Project]

Walsh, Roxy. 2005. Infallible, In Search of the Real George Eliot. ARTicle Press. ISBN 978-1873352830 [Book]

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Walsh, Roxy. 2009. The Other Side. In: "The Other Side", Crypt Gallery, United Kingdom, 8th - 17th May 2009. [Show/Exhibition]

Walsh, Roxy. 1994. R.S.V.P.Drawings of Daphne, 10 block-printed hand-finished cards. [Article]

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Walsh, Roxy. 2012. Roxy Walsh: The Lady Watercolourist. In: "The Lady Watercolourist", The MAC Belfast, United Kingdom, 14/09/12 - 13/10/12. [Show/Exhibition]

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Walsh, Roxy. 2011. Second Sex. In: "Second Sex", Galerie Peter Zimmermann, Mannheim, Germany, Jan 14th - Feb 12th 2011. [Show/Exhibition]

Walsh, Roxy. 2005. Sense of Place. [Exhibition Catalogue]

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Walsh, Roxy. 2005. The Signature Quilt. [Art Object]

Walsh, Roxy. 2005. The Signature Quilt. In: , ed. Towards Understanding Community: People and Places. AIAA. ISBN 978-0230542648 [Book Section]

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Walsh, Roxy. 2009. Small Moments of Fantastic Things. In: "Small Moments of Fantastic Things", Galerie Antje Wachs, Germany, 19th September - 31st October 2009. [Show/Exhibition]

Walsh, Roxy. 1996. Speak To You Later Catalogue. In: , ed. Speak To You Later Catalogue. [Book Section]

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Walsh, Roxy; Currier, Janet; Hodge, Nicky and Millar, Jane. 2020. Fuzzy Objects: Amitié. [Exhibition Catalogue]

Walsh, Roxy and Ostrow, Saul. 1996. Wish You Were Beautiful Catalogue. Wild Pansy Press. ISBN 978-1900687010 [Book]

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Walsh, Roxy and Underwood, Sally. 2014. Annunciation. [Art Object]

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Walsh, Roxy and Underwood, Sally. 2013. Dependent Rational Animals. [Art Object]

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Walsh, Roxy and Underwood, Sally. 2012. IGLOO. In: "IGLOO, Sally Underwood and Roxy Walsh", Fishmarket At.. Grosvenor Centre, Northampton, United Kingdom, 16th July 2012 - ongoing. [Show/Exhibition]

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Walsh, Roxy and Underwood, Sally. 2015. Outwith. In: "Without", Art Exchange, University of Essex, United Kingdom, January - February 2015. [Show/Exhibition]

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Walsh, Roxy and Underwood, Sally. 2015. Without. In: "Without", Chandelier Projects, April - May 2015. [Show/Exhibition]

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Walsh, Roxy; Underwood, Sally; Enright, Anne; Moore, Sanna and Tuomivaara, Jakko. 2013. Dependent Rational Animals [Catalogue]. [Artist's Book]

Wang, Victor and Kirwan, Richard. 2021. 'Landless Art Histories – Why London is Also Part of Asia'. In: Landless Art Histories – Why London is Also Part of Asia. Royal Academy Schools, London, United Kingdom 24 March 2021. [Conference or Workshop Item]

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Wehner, Klaus. 2012. On posing: notes on imageness. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Weinberg, Lee. 2015. Curating Immateriality: In Search for Spaces of The Curatorial. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Weir, Andy. 2020. Radiological Deep Time Aesthetics. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Weizman, Ines; Muggenburg, Julia; Madejska, Agata; Mattes, Hanna; Murdoch, Sadie; Porat, Ronit; Wachsmuth, Anna; Curtis, Penelope and Garfield, Rachel. 2023. 'Jazz The Known: Artistic Experiments on Women of the ’20s'. In: Jazz The Known: Artistic Experiments on Women of the ’20s. Goethe-Institut London, United Kingdom 13 October 2023. [Conference or Workshop Item]

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Whiles, Annie. 2011. Beggars Belief. In: "Beggars Belief", Danielle Arnaud, London, United Kingdom, 8th April-15th May 2011. [Show/Exhibition]

Whiles, Annie. 2005. CLOUD AND VISION. In: "Cloud and vision", Museum of Garden History, Lambeth, 7/10/2005 - 9/5/2005. [Show/Exhibition]

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Whiles, Annie. 2008. Contemporary Textiles, the Fabric of Fine Art. [Art Object]

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Whiles, Annie. 2020. Lets Not Talk About It. [Artist's Book]

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Whiles, Annie. 2020. The Listening Thing. In: "The Listening Thing", Matt's Gallery, London, United Kingdom, 24 September - 31 October 2020. [Show/Exhibition]

Whiles, Annie. 2006. METROPOLIS RISE: NEW ART FROM LONDON. In: "METROPOLIS RISE: NEW ART FROM LONDON", CQL Design Centre,200060 Shanghai and Dashanzi 798 Art District, Chaoyang, Beijing, 4/30/2006 - 5/14/2006. [Show/Exhibition]

Whiles, Annie. 2004. Marks in space. In: "Marks in space", Usher Gallery, Lincoln, 6/8/2004 - 10/15/2004. [Show/Exhibition]

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Whiles, Annie. 2018. Moondog. In: "Moondog", Danielle Arnaud Contemporary art, United Kingdom, 9th November - 9th December 2018. [Show/Exhibition]

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Whiles, Annie. 2015. One of The Gapers. [Artist's Book]

Whiles, Annie. 2007. SOLO EXHIBITION CUCKOO. In: "SOLO EXHIBITION CUCKOO", Danielle Arnaud Gallery Kennington, 3/9/2007 - 10/15/2007. [Show/Exhibition]

Whiles, Annie. 2011. solo show 2011 Danielle Arnaud Gallery, London. In: "solo show Annie Whiles", Danielle Arnaud Gallery, london, United Kingdom, 6th April -may 21st 2011. [Show/Exhibition]

Whiles, Annie. 2025. working title 'Doorway Guardians'. [Art Object] (Forthcoming)

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Whiles, Annie; Bunuel, Luis; Dali, Salvador; Prouvost, Laure; Blandy, David; Wolbers, Saskia Olde; Colboune, Louise; Lye, Len; Emin, Tracy; Rist, Pipilotti; Forsyth, Iain; Pollard, Jane; Helliwell, Tim; Cave, Nick and Le Grice, Malcolm. 2008. Latitude 2012 Big Screen Film Gallery. In: "Latitude Big Screen and Film Gallery 2012", Latitude Festival, Henham Park, Southwold, United Kingdom, 13-15th July 2012. [Show/Exhibition]

Whiles, Annie and Crowe, Nick. 2012 Stanley Spencer project. [Project]

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Whiles, Annie; Harrison, Antonia and Young, James. 2008. The Fabric of Myth. In: "Fabric of Myth", Compton Verney, United Kingdom, 21 June-7 September 2008. [Show/Exhibition]

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Whiles, Annie; Jones, Alison and Walsh, Bernard. 2012. Invitation. In: "Invitation", York College Gallery, United Kingdom, 10th January-9th February 2012. [Show/Exhibition]

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Whiles, Annie and Pearson, Mark. 2008. United We Fall. In: "United We fall", Standpoint Gallery, United Kingdom, 23 May 2008-21 June 2008. [Show/Exhibition]

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Whiles, Annie; Perou, P and Pilkington, Cathie. 2016. interview in EDICT magazine. EDICT(3), pp. 6-16. [Article]

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White, Laura. 2011. All Hail. In: "All Hail", Angus-Hughes Gallery, London., United Kingdom, 16th April - 8th May. [Show/Exhibition]

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White, Laura. 2023. Ampersand Foundation Fellowship. [Professional Activity]

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White, Laura. 2010. Anxious Glory. In: "Anxious Glory", Collective Gallery, United Kingdom, 22 December 2010 - 6 January 2011. [Show/Exhibition]

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White, Laura. 2018. As Much about Forgetting. In: "As Much about Forgetting (Dissonant Heritage)", Viborg Kunsthal, Denmark, 2017-2018. [Show/Exhibition]

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White, Laura. 2024. Baroque Sprawl. [Art Object]

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White, Laura. 2019. The Clever Girl Painter. In: "The Clever Girl Painter", Tintype, London, United Kingdom, 1 May – 1 June 2019. [Show/Exhibition]

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White, Laura. 2014. A Colorful World.. In: "A Colorful World.", Nanjing International Art Exhibition, Nanjing, China., China. [Show/Exhibition]

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White, Laura. 2016. Cruel and Tender. In: "Cruel and Tender", Vacuous Gallery, United Kingdom, 25th Aug - 11th Sept 2016. [Show/Exhibition]

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White, Laura. 2015-2017 DIWO (Doing it with others). [Project]

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White, Laura. 2023. Disobedient Bodies. [Art Object]

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White, Laura. 2017. Double agents and great refusers. In: "Double agents and great refusers", The Agency Gallery, London, United Kingdom, 1 November - 15 December 2017. [Show/Exhibition]

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White, Laura. 2009. The Earth Not a Globe 2.. In: "The Earth Not a Globe 2", Rokeby Gallery, London, United Kingdom, 7th August – 1st October 2009. [Show/Exhibition]

White, Laura. 2003. Eloge de l’immobilite et du silence. [Exhibition Catalogue]

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White, Laura. 2012. The Esque Collection. [Art Object]

White, Laura. 1999. Everything you do counts here. In: , ed. Everything You Do Counts Here: Laura White at the Margaret Harvey Gallery. University of Hertfordshire,Faculty of Art & Design. ISBN 978-1898543350 [Book Section]

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White, Laura. 2016. The Flat Pack Session. In: "The Flat Pack Session", Delta House Studios, London., United Kingdom. [Show/Exhibition]

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White, Laura. 2011. For living, for loving, for loathing.. In: "Laura White: For living, for loving, for loathing.", Pollen, France, 4 February - 4 March 2011. [Show/Exhibition]

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White, Laura. 2011. Gilding the Lily. In: "Gilding the Lily", Transition Gallery, London, United Kingdom, 19 March - 10 April 2011. [Show/Exhibition]

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White, Laura. 2009. Hues and Sickly Saturations: Review of Abby Manock’s ‘Counters’ by Laura White. Gallery Publication, [Article]

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White, Laura. 2008. If I had a monkey I wouldn’t need a TV. In: "Touring Solo Exhibition", Castlefield Gallery, Manchester., United Kingdom, November 2008 - 15th March 2009. [Show/Exhibition]

White, Laura. 2000. In-Side: Laura White and RAIR Experimental. [Exhibition Catalogue]

White, Laura. 2006. Into the Cold Light. In: "Into the Cold Light", Transition Gallery, 9/2/2006 - 9/24/2006. [Show/Exhibition]

White, Laura. 2006. Laura White: New Work. In: "Laura White: New Work", Firstsite Gallery, 2/10/2006 - 3/8/2006. [Show/Exhibition]

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White, Laura. 2023. Laura White: Pasta Baroque. MASS Sculpture Magazine(2), pp. 72-78. ISSN 2754-5881 [Article]

White, Laura. 2005. Laura White: Projects at Christ Church. [Exhibition Catalogue]

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White, Laura. 2009. Laura White: Scratching Walls and Sticky Decor. In: "Chromodomo at the Wall House #2, Groningen, Netherlands", The Wall House #2 A.J. Lutulistraat 17, 9728 WT Groningen, the Netherlands., Netherlands, 20 September - 18 October 2009. [Show/Exhibition]

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White, Laura. 2008. Laura White: The Stuff of Images. Manchester, UK: Castlefield Gallery. ISBN 978-0-9559557-1-6 [Book]

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White, Laura. 2017. 'MARs Materiality'. In: MARs Materiality. Goldsmtihs College., United Kingdom 14th Nov - 6th Dec 2017. [Conference or Workshop Item]

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White, Laura. 2014. Morphisisation. In: "Entanglement", A.P.T London, United Kingdom, 7th Aug - 17th Aug 2014. [Show/Exhibition]

White, Laura. 2007. Multicomplexificationalities. [Exhibition Catalogue]

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White, Laura. 2016. NOLAS. In: "NOLAS", Studio 5, Cubitt studio and Gallery, London., United Kingdom. [Show/Exhibition]

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White, Laura. 2023. On the Meaning of 'Gossip'. In: "On he Meaning of 'Gossip'", British School at Rome, Italy, 31 May – 23 June 2023. [Show/Exhibition]

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White, Laura. 2012. The Perfect Nude. In: "The Perfect Nude.", Wimbledon College of Art, London, United Kingdom, January - June 2012. [Show/Exhibition]

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White, Laura. 2022. Pollute Volute at HS Projects. In: "Pollute Volute", HS Projects, United Kingdom, 27 June - 9 December 2022. [Show/Exhibition]

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White, Laura. 2008. STUFF. In: "The Wharf Road Project: Don’t Open this Door if You Can’t Close it", The Wenlock Building, 50-60 Wharf Road, London N1 7RN, United Kingdom, 4 – 19 October 2008,. [Show/Exhibition]

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White, Laura. 2009. Sandarbh UK International Artist Residency Program Belper Derbyshire. N/A. [Other]

White, Laura. 2006. 'Seeing Through Objects'. In: Firstsite@the minories art gallery. UNDEFINED. [Conference or Workshop Item]

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White, Laura. 2023. Shaping Food: from hand to mouth. Palazzo delle Esposizioni, Rome, Rome. [Other]

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White, Laura. 2012. Sinopticon. In: "Sinopticon. Touring Exhibition (more venues to be confirmed)", Saltram House, Plymouth, United Kingdom, April 2012 - August 2013. [Show/Exhibition]

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White, Laura. 2011. Small Scale Survival. In: "Small Scale Survival", Aid and Abet, Cambridge, United Kingdom, 8 April - 7 May 2011. [Show/Exhibition]

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White, Laura. 2017. The Superorganism. In: "Group show (title not known yet)", Galleri Box, Sweden, 10th Nov - 10th Dec 2017. [Show/Exhibition]

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White, Laura. 2017. TENDERFOOT. [Digital]

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White, Laura. 2024. Unleashed. [Art Object]

White, Laura. 2007. Unnatural Histories. [Exhibition Catalogue]

White, Laura. 2005. Urban Formalism. In: "Urban Formalism", Cortex Athletico, Museum of Contemporary Art, 6/23/2005 - 8/23/2005. [Show/Exhibition]

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White, Laura. 2016. WAYFARING. In: "WAYFARING", &model, United Kingdom, 28th April - 4th June 2016. [Show/Exhibition]

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White, Laura. 2012. We Can Have It All. [Art Object]

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White, Laura. 2017. Where YOU are sitting. [Art Object]

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White, Laura. 2018. 'White Mud'. [Art Object]

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White, Laura; Allan, Dominic and Pratt, Robert. 2011. White Pratt from Luton. In: "White Pratt from Luton.", 34 Toynebee Street, London., United Kingdom, 7th July - 24th July 2011. [Show/Exhibition]

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White, Laura and Fillingham, Peter. 2012. The Shapes Game: its hard to take your eyes off it.. In: "The Shapes Game: its hard to take your eyes off it.", Carter Presents, London., United Kingdom, 17th March - 21 April. [Show/Exhibition]

White, Laura and Livingstone, R.. 2006. Beauty and the Beast. In: "Beauty and the Beast", Fieldgate Gallery, 9/8/2006 - 10/1/2006. [Show/Exhibition]

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White, Laura; Mitchell, John and Bassant, McKenzie. 2010. Object as subject. In: "Object as subject", Stephen Lawrence Gallery, The University of Greenwich, London., United Kingdom, April 15th - May 14th 2010. [Show/Exhibition]

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White, Laura; Williams Gamaker, Michelle and Kreider, Kristen. 2016. Wayfaring. In: "Wayfaring", &Model, Leeds, United Kingdom, 29 April 2016 – 4 June 2016. [Show/Exhibition]

Wilk, Elvia; Litvintseva, Sasha and Wagner, Beny. 2024. 'My Want of You Partakes of Me'. In: The Spell of the Sensuous Symposium. Stedelijk Museum Amsterdam, Netherlands 25 February 2024. [Conference or Workshop Item]

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Williams Gamaker, Michelle. 2021. The Bang Straws. In: "Anachronic Chronicles: Voyages Inside/Out Asia, 65th BFI London Film Festival", ICA, London, United Kingdom, 16 October 2021. [Show/Exhibition]

Williams Gamaker, Michelle. 2017. Brown Queers (2017) at Scottish Queer Film Festival: SQIFF Shorts: Regen(d)eration. In: "Brown Queers (2017) at Scottish Queer Film Festival: SQIFF Shorts: Regen(d)eration", Old Leith Theatre, Edinburgh, United Kingdom, 2 June 2017. [Show/Exhibition]

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Williams Gamaker, Michelle. 2017. Brown Queers screened at Leeds Queer Film Festival. In: "Brown Queers screened at Leeds Queer Film Festival", Leeds Queer Film Festival, Leeds, United Kingdom, 24th - 26th March 2017. [Show/Exhibition]

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Williams Gamaker, Michelle. 2021. Dissolution Trilogy. In: "I Multiply Each Day", Gus Fisher Gallery, Auckland, New Zealand, 4 December 2021 - 2 April 2022. [Show/Exhibition]

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Williams Gamaker, Michelle. 2019. Distant Relative Michelle Williams Gamaker. In: "Distant Relative Michelle Williams Gamaker", Tintype Gallery, United Kingdom, 12 September - 19 October 2019. [Show/Exhibition]

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Williams Gamaker, Michelle. 2020. The Effectiveness of Symbols: Psychogeographic Explorations of the Body. In: Monika Ankele and Benoît Majerus, eds. Material Cultures of Psychiatry. Bielefeld, Germany: transcript Verlag, pp. 282-295. ISBN 9783837647884 [Book Section]

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Williams Gamaker, Michelle. 2017. House of Women (2017) single-channel video, 16mm film transferred to digital. In: "Internationale Kurzfilmtage, Winterthur Switzerland 22nd edition", Internationale Kurzfilmtage Winterthur, 23rd edition, Switzerland, 2017-2022. [Show/Exhibition]

Williams Gamaker, Michelle. 2017. House of Women (2017) single-channel video, 16mm transferred to digital at l'Alternativa 2017 - 24th Barcelona Independent Film Festival Centre for Contemporary Culture of Barcelona. In: "l'Alternativa 2017 - 24th Barcelona Independent Film Festival", Centre for Contemporary Culture of Barcelona, Spain, 13th-19th November 2017. [Show/Exhibition]

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Williams Gamaker, Michelle. 2017. House of Women (2017) single-channel video, 16mm transferred to digital at the Internationale Kurzfilmtage Winterthur, The Short Film Festival of Switzerland. In: "Internationale Kurzfilmtage Winterthur, The Short Film Festival of Switzerland", Winterthur, Switzerland, 7–12 November 2017. [Show/Exhibition]

Williams Gamaker, Michelle. 2015. The Making. In: "The Making", The Agency, London, United Kingdom. [Show/Exhibition]

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Williams Gamaker, Michelle. 2017. 'Michelle Williams Gamaker Artist's Talk, and film screenings for Video Vortex XI, Video in Flux: Art, Activism & Archives, a collateral event of the Koch-Muzirisi Bienniale 2016'. In: Michelle Williams Gamaker Artist's Talk,. Video Vortex, Hotel 18, Fort Kochi, India 23-25 Feburary 2017. [Conference or Workshop Item]

Williams Gamaker, Michelle. 2016. 'Michelle Williams Gamaker in conversation, Artsadmin'. In: Michelle Williams Gamaker in conversation, Artsadmin. Artsadmin,Toynbee Studios, London, United Kingdom. [Conference or Workshop Item]

Williams Gamaker, Michelle. 2020. On Fictional Activism: Exploring The Film Trilogy Dissolution (2019). In: Katy Deepwell, ed. Feminist Art Activisms and Artivisms. Amsterdam: Valiz, pp. 40-53. ISBN 9789492095725 [Book Section]

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Williams Gamaker, Michelle. 2023. Our Mountains Are Painted on Glass at South London Gallery March-June 2023, Dundee Contemporary Arts December 2023-March 2024, The Bluecoat Gallery, Liverpool (May-June 2024). In: "Our Mountains Are Painted on Glass", South London Gallery, United Kingdom, 2023 - 2024. [Show/Exhibition]

Williams Gamaker, Michelle. 2023. A Particular Reality (APR): Developing a Nuanced Pedagogical Methodology in Practice-Based Higher Education Courses. In: Katy Deepwell, ed. De-/Anti-/Post-colonial Feminisms in Contemporary Art and Textile Craft. London: KT press, pp. 137-157. ISBN 9780992693473 [Book Section]

Williams Gamaker, Michelle. 2016. Precarity (with Mieke Bal) Arts and Technology Research Lab, Dublin, Ireland. In: "Precarity (with Mieke Bal) Arts and Technology Research Lab, Dublin, Ireland", Arts and Technology Research Lab, Dublin, Ireland. [Show/Exhibition]

Williams Gamaker, Michelle. 2022. Springfield Eternal (2022), Hospital Rooms public commission, Springfield Hospital, Tooting. [Art Object]

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Williams Gamaker, Michelle. 2023. Thieves (2023). [Film/Video]

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Williams Gamaker, Michelle and Bal, Mieke. 2014. Cause and Effect, VIVA Festival, Malta. In: "Cause and Effect, VIVA Festival, Malta", Valetta ,St James Cavelier, Malta, 1st September - 5th November. [Show/Exhibition]

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Williams Gamaker, Michelle and Bal, Mieke. 2017. Madame B Museum Aboa Vetus & Ars Nova, Turku (Finland). In: "Madame B Museum Aboa Vetus & Ars Nova", Turku, Finland, 9 March - 28 May 2017. [Show/Exhibition]

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Williams Gamaker, Michelle and Bal, Mieke. 2014. Madame B: Exploraciones en el Capitalismo Emocional. In: "Madame B: Exploraciones en el Capitalismo Emocional", Sala U, Universidad Nacional de Colombia, Sede Medellín, Colombia, 22 May - 30 June 2014. [Show/Exhibition]

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Williams Gamaker, Michelle and Bal, Mieke. 2014. 'Madame B: Quotation as Performance Michelle Williams Gamaker & Mieke Bal Keynote Lecture'. In: Madame B: Quotation as Performance Michelle Williams Gamaker & Mieke Bal Keynote Lecture. Konstrundan, Aland, Finland. [Conference or Workshop Item]

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Williams Gamaker, Michelle and Bal, Mieke. 2014. "Madame B: When Love Fails Us", Museum Bärengasse, Zürich, Switzerland. In: ""Madame B: When Love Fails Us", Museum Bärengasse, Zürich, Switzerland", Museum Bärengasse,, Switzerland. [Show/Exhibition]

Williams Gamaker, Michelle and Bal, Mieke. 2015. Precarity (with Mieke Bal) in The Importance of Being a (Moving) Image, The National Gallery, Prague (curated by Adam Budak). In: "Precarity (with Mieke Bal) in The Importance of Being a (Moving) Image, (curated by Adam Budak)", The National Gallery, Prague, Czech Republic, 20th February - 24th May. [Show/Exhibition]

Williams Gamaker, Michelle and Kouneski, Julia. 2014. Scaling Copan (video work) “the future of architecture and urbanism” Jai + Jai Gallery, Los Angeles. [Film/Video]

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Williams Gamaker, Michelle and Mieke, Bal. 2014. Madame B: Explorations in Emotional Capitalism. In: "Madame B: Explorations in Emotional Capitalism", Eckerö Post och Tullhus, Åland, Finland, 4 May - 10 June 2014. [Show/Exhibition]

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Williams Gamaker, Michelle and Mieke, Bal. 2014. Madame B: Explorations in Emotional Capitalism. In: "Madame B: Explorations in Emotional Capitalism", Gallery of the Sydney College of the Arts, Australia, 1 - 30 August 2014. [Show/Exhibition]

Williams Gamaker, Michelle; Wee, Cecilia and Montserrat, Jade. 2020. We need collectivity against structural and institutional racism in the cultural sector. ArtsProfessional, [Article]

Williams, Gilda. 2008. Anthony McCall. Artforum, 46(8), p. 380. ISSN 1086-7058 [Article]

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Williams, Gilda. 2015. 'Are We Post-Critical?', book review, 'Bad New Days: Art in an Emergency, by Hal Foster', frieze blog. frieze blog, ISSN 0962-0672 [Article]

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Williams, Gilda. 2014. ''Art writing in the Second Machine Age: from Andy Warhol to Kenneth Goldsmith' -- How to Write about Contemporary Art, talks and workshops'. In: Art-Writing conferences and workshops. London, United Kingdom 2014–2016. [Conference or Workshop Item]

Williams, Gilda. 2015. 'Bad New Days: Art in a State of Emergency' [Book review]. Frieze, [Article]

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Williams, Gilda. 2016. 'Breaking Up is Hard to Do: Men Women and Punctuation in Warhol's Novel a'', afterword to a: a novel, an erased novel by poet Derek Beaulieu. In: Derek Beaulieu, ed. a: a novel. Paris: Jean Boite Editions, pp. 460-478. ISBN 978-2-36568-019-6 [Book Section]

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Williams, Gilda. 2010. Catherine Yass. In: , ed. 100 Video Artists. Madrid: Exit Publicaciones, pp. 438-441. ISBN 978-84-937347-0-1 [Book Section]

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Williams, Gilda. 2015. 'Christian Marclay: A Mouthful of Imagery'. [Exhibition Catalogue]

Williams, Gilda. 2009. Claire Hooper. Artforum, 47(8), pp. 198-199. ISSN 1086-7058 [Article]

Williams, Gilda. 2010. Clunie Reid. Artforum, 48(5), pp. 211-212. ISSN 1086-7058 [Article]

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Williams, Gilda. 2008. Daniel Silver: Openings. Artforum, XLVI(10), pp. 418-419. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. 'Defining Contemporary Gothic Art in the 21st Century'. In: 9th Biennial International Gothic Association Conference. University of Lancaster, United Kingdom. [Conference or Workshop Item]

Williams, Gilda. 2009. Duncan Campbell. Artforum, 47(7), p. 254. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Elizabeth Price. Artforum, 48(1), p. 304. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Front House. Artforum, 47(1), pp. 473-474. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Gary Hume. Artforum, 46(5), p. 291. ISSN 1086-7058 [Article]

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Williams, Gilda. 2015. 'Gathering Force: Line, Edge, and Colour in the Drawings of Anne Truitt'. [Exhibition Catalogue]

Williams, Gilda. 2010. Giorgio Sadotti: Live at Milton Keynes. [Exhibition Catalogue]

Williams, Gilda. 2009. ‘Gothic and Its Legacies’. London: Courtauld Institute. [Book]

Williams, Gilda. 2008. 'The Gothic'. In: ‘The Gothic’, keynote speaker, curatorial programme. Leeds Metropolitan University, United Kingdom. [Conference or Workshop Item]

Williams, Gilda. 2009. ‘The Gothic’. London: Westminster University. [Book]

Williams, Gilda. 2008. '‘The Gothic’'. In: The Gothic. Royal College of Art, London, United Kingdom. [Conference or Workshop Item]

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Williams, Gilda. 2015. 'Hannah Collins: Emotional Cartography'. [Exhibition Catalogue]

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Williams, Gilda. 2016. "'How Embarrassing!': On Maria Lassnig", Tate etc., May 2016. Tate etc.(37), pp. 43-47. ISSN 1743-8853 [Article]

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Williams, Gilda. 2014. How to Write about Contemporary Art. London: Thames & Hudson. ISBN 9780500291573 [Book]

Williams, Gilda. 2010. Ian Kiaer. Artforum, 48(8), p. 206. ISSN 1086-7058 [Article]

Williams, Gilda. 2010. It Was What It Was: Modern Ruins. Art Monthly, 336, pp. 1-4. [Article]

Williams, Gilda. 2008. Jimmy De Sana. Artforum, 46(10), p. 450. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. John Samson. Artforum, 47(4), p. 312. ISSN 1086-7058 [Article]

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Williams, Gilda. 2010. Jonathan Wateridge: Being Seen, In Between. In: Gilda Williams, ed. Jonathan Wateridge: Another Place. London: All Visual Arts, pp. 22-37. ISBN 978-1-907164-02-6 [Book Section]

Williams, Gilda. 2009. Lindsay Seers. Artforum, 47(9), p. 247. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Liverpool Biennial. Artforum, 47(5), pp. 221-222. ISSN 1086-7058 [Article]

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Williams, Gilda. 2009. 'Making Monsters: Gothic Processes and Themes in Contemporary Art'. In: Lecture. University of Westminster, London, United Kingdom. [Conference or Workshop Item]

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Williams, Gilda, ed. 2016. On&By Andy Warhol. London/Cambridge, Massachusetts: Whitechapel Gallery/MIT. ISBN 9780262528689 [Edited Book]

Williams, Gilda. 2009. The Otolith Group. Artforum, 48(4), p. 245. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Peter Coffin and Djordje Ozbolt. Artforum, 47(2), p. 394. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Roger Hiorns. Artforum, 47(4), pp. 311-312. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Symposium for ‘Dark Glamour: Gothic Fashion’. New York: FIT. [Book]

Williams, Gilda. 2009. Tim Shaw. Artforum, 47(6), pp. 203-204. ISSN 1086-7058 [Article]

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Williams, Gilda. 2011. Towards a 21st Century Definition of Gothic Art. In: , ed. Monstrous Media/Spectral Subjects. Lancaster University. [Book Section]

Williams, Gilda. 2009. Voodoo. Artforum, 47(10), p. 348. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. What's That Hanging on My Bicycle? Artforum, 47(10), p. 67. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. William Daniels. Artforum, 46(6), pp. 300-301. ISSN 1086-7058 [Article]

Williams, Gilda. 2010. ‘Women and Gothic’ (on Louise Bourgeois). Cambridge: Lucy Cavendish College, Cambridge University. [Book]

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Williams, Gilda. 2015. "Write On: On Today's Art Writing Explosion and the Tyranny of the Artist's Statement'. Art Monthly(384), pp. 1-4. ISSN 0142-6702 [Article]

Williams, Gilda. 2015. Write On: On Today's Art Writing Explosion, and the Tyranny of the Artist's Statement. Art Monthly, 348, pp. 11-14. ISSN 0142 6702 [Article]

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Williams, Gilda; Kramer, Fritz W.; Falkenberg, Harald; Wiebel, Peter and Slyce, John. 2016. 'Werner Buttner's Paintings: From 'Werner' to 'Art' and Back Again. In: Andrew Renton, ed. Werner Buttner: Coincidence in Splendour. London: Black Dog, pp. 175-180. ISBN 978-1-910433-75-1 [Book Section]

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Williams, Gilda and Mille, Daria. 2016. 'Werner Buttner's Collages: From A to T (and Back Again)'. In: Andrew Renton, ed. Werner Buttner: My Looting Eye. London: Black Dog, pp. 7-11. ISBN 978-1-910433-83-6 [Book Section]

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Yiakoumaki, Nayia. 2009. Curating Archives, Archiving Curating. Doctoral thesis, Goldsmiths, University of London [Thesis]

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Zaman, Rehana. 2021. Alternative Economies. [Film/Video]

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Zaman, Rehana. 2021. Artists Film International: Rehana Zaman: Sharla, Shabana, Sojourner, Selena. In: "Artists Film International: Rehana Zaman, Sharla, Shabana, Sojourner, Selena", Whitechapel Gallery, London, United Kingdom, 2 February 2021 - 30 January 2022. [Show/Exhibition]

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Zaman, Rehana. 2021. British Art Show 9. In: "British Art Show 9", Hayward Gallery Touring, United Kingdom, 10 July 2021 - 23 December 2022. [Show/Exhibition]

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Zaman, Rehana. 2021. Donut/Phalanx. In: "ICA Miami Digital Commissions 2020–21: …what endures…", Institute of Contemporary Art, Miami, United States, 30 November 2021 - 27 March 2022. [Show/Exhibition]

Zaman, Rehana. 2019. Get Up, Stand Up Now - This is England Film Series presents Sharla Shabana Sojourner Selena. In: "Get Up, Stand Up Now - This is England Film Series", London, United Kingdom, 12 June - 8 August 2019. [Show/Exhibition]

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Zaman, Rehana. 2018. How Does an Invisible Boy Disappear. In: "How Does an Invisible Boy Disappear Liverpool Biennial 2018", Liverpool, United Kingdom, 14 July - 28 October 2018. [Show/Exhibition]

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Zaman, Rehana. 2018. How Does an Invisible Boy Disappear Kochi Muziris Biennale 2018. In: "How Does an Invisible Boy Disappear Kochi Muziris Biennale 2018", Kochi, India. [Show/Exhibition]

Zaman, Rehana. 2018. How Does an Invisible Boy Disappear?. In: "Berwick Film & Media Arts Festival 2018", Berwick-upon-Tweed, United Kingdom, 20 - 23 September 2018. [Show/Exhibition]

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Zaman, Rehana. 2018. How Does an Invisible Boy Disappear?. [Film/Video]

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Zaman, Rehana. 2013. I,I,I,I and I. [Film/Video]

Zaman, Rehana. 2019. The Jarman Award 2019 tour. In: "12th Film London Jarman Award", Whitechapel Gallery, London, United Kingdom, 26 September 2019 - 8 December 2019. [Show/Exhibition]

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Zaman, Rehana. 2021. Jupiter in Aries, Moon in Virgo, Trinity Square Video & Scotiabank Contact Photography Festival (Apr – July 2021). In: "Jupiter in Aries, Moon in Virgo", Trinity Square Video, Canada, 3 April - 17 July 2021. [Show/Exhibition]

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Zaman, Rehana. 2019. Radical Intimacies. In: "Radical Intimacies", Outburst Queer Arts Festival and Golden Thread Gallery, Belfast, United Kingdom, 7 November 2019 - 25 June 2021. [Show/Exhibition]

Zaman, Rehana. 2019. The Range. In: "The Range, A group exhibition curated by Rehana Zaman", Eastside Projects, Birmingham, United Kingdom, 26 January - 27th April 2019. [Show/Exhibition]

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Zaman, Rehana. 2021. Sala-jardín-bar: The Things We Make. In: "The Things We Make", Lodos Gallery, Mexico City, Mexico, 21 August – 18 September 2021. [Show/Exhibition]

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Zaman, Rehana. 2016. Sharla Shabana Sojourner Selena. [Film/Video]

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Zaman, Rehana. 2017. Solo Exhibition Material Art Fair, Mexico City. In: "Solo Exhibition Rehana Zaman at Material Art Fair 2017", Mexico City, Mexico, February 2017. [Show/Exhibition]

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Zaman, Rehana. 2016. Solo Exhibition, Tell me the story Of all these things, Tenderpixel, 2016 - 2017. In: "Solo Exhibition, Tell me the story Of all these Things, Tenderpixel, 2016", London, United Kingdom, 30 November 2016 - 28th January 2017. [Show/Exhibition]

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Zaman, Rehana. 2014. Some Women Other Women and all the Bittermen. [Film/Video]

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Zaman, Rehana. 2020. Songs From a Forgotten Past. In: "Songs From a Forgotten Past", Instituto Tomie Ohtake, São Paulo, Brazil, 21 January 2020 - 30 May 2021. [Show/Exhibition]

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