Number of items at this level: 2649.
Art Object
Article
![[img]](/4922/1.hassmallThumbnailVersion/Bhatara_etal1.pdf)
 Preview |
Bhatara, Anjali;
Quintin, Eve-Marie;
Heaton, Pam F.;
Fombonne, Eric and
Levitin, Daniel.
2009.
Bhatara, A., Quintin, E., Fombonne, E., Heaton, P. & Levitin, D. (2009).The Effects of Music on Social Attribution in Adolescents with Autism Spectrum Disorders. Child Neuropsychology, 13; 1 – 22.
Child Neuropsychology, 15(4),
pp. 375-396.
ISSN 0929-7049
[Article]
![[img]](/30831/1.hassmallThumbnailVersion/issue-20-british-art-after-brexit.pdf)
 Preview |
Gaschke, Jenny;
Gould, Sarah;
Perry, Gill;
Ventrella, Francesco;
Lamm, Kimberly;
Davidow, Jackson;
Harbison, Isobel;
Coomasaru, Edwin;
Alexander Cameron, James;
Hart, Imogen;
Fowler, Corinne and
Massouras, Alexander.
2021.
British Art after Brexit.
British Art Studies(20),
ISSN 2058-5462
[Article]
Reckitt, Helena;
Baker Smith, Diana;
Cremona, Cinzia;
Damiani, Giulia;
Džuverović, Lina;
Farinati, Lucia;
Fuller, Sabrina;
Guy, Laura;
Kertudo, Felicie;
Moser, Gabby;
Paiola, Sara;
Revell, Irene;
Sequeira Bras, Patricia;
Tobin, Amy and
Torrell, Ehryn.
2018.
Co-Authoring Values.
Daylight(1),
pp. 10-15.
[Article]
![[img]](/7636/1.hassmallThumbnailVersion/Reading%20Exhibitions_Reading%20Room%20roundtable.pdf)
 Preview |
Reckitt, Helena;
Conlon, Natasha;
Barton, Christina;
Smith, Terry;
French, Blair;
Newby, Kate and
Tamait-Quennell, Megan.
2012.
Roundtable: Reading Exhibitions, ed. Natasha Conlon.
Reading Room: A Journal of Art and Culture, 5,
pp. 150-167.
[Article]
Walsh, Bernard.
2011.
She.
The Yellow Wallpaper – Crafts Council – OnView Online exhibition,
[Article]
Artist's Book
Audio
Book
![[img]](/137/1.hassmallThumbnailVersion/feedback0-1.pdf)
 Preview |
Yiakoumaki, Nayia;
Karaba, Elpida and
Cooke, Jacqueline, eds.
2004.
FeedBack 0-1.
London: FeedBack.
[Book]
Coutts, Marion;
O'Reilly, Sally;
Deary, Vincent;
Wood, Katherine and
Bode, Steven.
2003.
Marion Coutts.
Film & Video Umbrella.
ISBN 978-1904270058
[Book]
![[img]](/4612/1.hassmallThumbnailVersion/Where%20Three%20Dreams%20Cross.pdf)
 Preview |
Gupta, Sunil;
Singh, Radikal;
Nasar, Hammad;
Alam, Shahidul;
Pinney, Christopher;
Gadihoke, Sabeena and
Kapur, Geeta.
2010.
Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh.
London, UK: Whitechapel Gallery, Fotomuseum Winterthur, Steidl.
ISBN 978-0-85488-179-6
[Book]
![[img]](/2967/1.hassmallThumbnailVersion/book_launch_indesign.pdf)
 Preview |
Stehli, Jemima S. and
Hilliard, John.
2009.
Arguments.
Italy: ARTRA and Fine Arts Unternehmen Books.
ISBN ISBN 13: 978-3-03720-014-8
[Book]
Book Section
Archer, Michael.
2010.
Eva Rothschild.
In: , ed.
Eva Rothschild.
London: Stuart Shave/Modern Art and Koenig Books, pp. 129-133.
ISBN 978-3-86560-910-6
[Book Section]
Avanessian, Armen and
Malik, Suhail.
2016.
Introduction: Speculative Genealogies.
In:
Suhail Malik and
Armen Avanessian, eds.
Genealogies of speculation : materialism and subjectivity since structuralism.
London and New York: Bloomsbury Academic, pp. 1-26.
ISBN 9781472591678
[Book Section]
Black, Hannah;
Daniels, Chris Paul;
Dean, Michael;
Harrison, Sarah;
Kholeif, Omar;
Kingstone, Peter;
Carter, Claire Makhlouf;
Morrison, Laura;
O'Hare, Louise;
Penney, Bridget;
Perks, Sarah;
Unsworth, Emma Jane;
Walter, John;
Wills, Camilla and
Wood, Jason.
2015.
Transactions of Desire Vol 2: Are you allergic to the 21st century?
In:
Louise O'Hare and
Sarah Perks, eds.
Transactions of Desire Vol 2: Are you allergic to the 21st century?
2
Manchester UK: Cornerhouse Publications, pp. 54-68.
ISBN 9780992952457
[Book Section]
![[img]](/6739/1.hassmallThumbnailVersion/Carpenter%2C_Shaggy_Modernism%2C_Hutchinson%2C_2011.pdf)
 Preview |
Carpenter, Ele.
2011.
Shaggy Modernism.
In:
James Hutchinson, ed.
James Hutchinson: works 2007–2011.
Sunderland, UK: Art Editions North, pp. 49-51.
ISBN 978‐0‐9549119‐9‐7
[Book Section]
Carpenter, Ele.
2011.
Social Making.
In:
Daniel Charny, ed.
The Power of Making:The Importance of Being Skilled.
London, UK: V&A Museum and Crafts Council, pp. 49-51.
ISBN 9781851776535
[Book Section]
Chilver, John.
2014.
Entkoerperte Malerei.
In:
Gunter Reski and
Hans-Juergen Hafner, eds.
The Happy Fainting of Painting.
Cologne: Verlag der Buchhandlung Walter Koenig, pp. 62-67.
ISBN 9783863356705
[Book Section]
Chilver, John.
2007.
Morandi with Heidegger.
In:
E Whittaker and
A Landrum, eds.
Nonsite to Celebration Park: Essays on Art and the Politics of Space.
Bath: Bath Spa University, pp. 85-100.
ISBN 9781905200726
[Book Section]
Chilver, John;
Graw, Isabelle;
Haverkost, Eberhard;
Baer, Monika and
Reski, Gunter.
2007.
'On Disappearance & Display'.
In: , ed.
The Worst & The Best: Yearbook 2007/2008.
Oslo: KHIO/National Academy of Fine Arts Oslo, pp. 21-23.
[Book Section]
![[img]](/28853/1.hassmallThumbnailVersion/9781853323645R-287x355.jpg)
 Preview |
Clinton, Paul.
2019.
Useless Man.
In: , ed.
Kiss My Genders (exhibition catalogue, Hayward Gallery, 12th June 2019).
London, UK: Hayward Publishing, pp. 34-39.
ISBN 9781853323645
[Book Section]
Coutts, Marion.
2005.
01. Marion Coutts.
In: , ed.
Responding to Rome, British Artists in Rome 1995-2005.
The British School at Rome.
ISBN 978-0904152494
[Book Section]
![[img]](/7154/1.hassmallThumbnailVersion/until7Feb2012.pdf)
 Preview |
Coutts, Marion and
Lubbock, Tom.
2012.
Introduction.
In:
Marion Coutts, ed.
Until Further Notice, I am Alive.
London: Granta, pp. 1-9.
ISBN 978-1-84708-531-3
[Book Section]
![[img]](/21172/1.hassmallThumbnailVersion/RMA-Intro.pdf)
 Preview |
Cox, Christoph;
Jaskey, Jenny and
Malik, Suhail.
2015.
'Introduction'.
In:
C Cox;
J Jaskey and
Suhail Malik, eds.
Realism Materialism Art.
Berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College, pp. 15-31.
ISBN 978-3-95679-126-0
[Book Section]
Crowe, Nick.
2003.
Internet Art.
In:
Julian Stallabrass, ed.
Internet Art : The Online Clash of Culture and Commerce.
Tate Publishing; 1st Trade Paperback edition.
ISBN 978-1854373458
[Book Section]
Crowe, Nick.
2007.
Pavel Büchler’s Loops.
In: , ed.
Pavel Büchler - Absentmindedwindowgazing Van Abbemuseum 2007.
Veenman Publishers.
ISBN 978-90-8690-080-0
[Book Section]
Crowe, Nick and
Rawlinson, Ian.
2005.
Artist Pages.
In:
Nick Crinson, ed.
Urban Memory, History and Amnesia in the Modern City.
London: Routledge.
ISBN 978-0415334068
[Book Section]
Fusco, Maria.
2010.
Say who I am.
In: , ed.
Judgment and Contemporary Art Criticism.
Vancouver, Canada: Fillip and Artspeak.
[Book Section]
Fusco, Maria.
2007.
Window Strikes.
In:
K. Henry, ed.
Copy Work.
Contemporary Art Gallery, pp. 79-92.
ISBN 9781897302163
[Book Section]
![[img]](/27715/1.hassmallThumbnailVersion/DB06_Executing_Practices_shrimpingChap.pdf)
 Preview |
Gallardo, Francisco and
Samson, Audrey.
2017.
Shrimping under working conditions.
In:
Helen Pritchard;
Eric Snodgrass and
Magda Tyżlik-Carver, eds.
EXECUTING PRACTICES.
(06)
Brooklyn, NY: Autonomedia, pp. 253-266.
ISBN 9781570273216
[Book Section]
Garfield, Rachel;
Wechsler, James;
Betancour, Michael;
Craven, David;
Harrison, Helen;
Kuspit, Donald and
Power, Susan.
2008.
‘Questioning Perceptions of Jewish Identity in the work of Ary Stillman’,.
In:
James Wechsler, ed.
Ary Stillman: from Impressionism to Abstract Expressionism.
New York: Merrel, pp. 149-163.
ISBN ISBN 9781858944333
[Book Section]
![[img]](/21381/1.hassmallThumbnailVersion/GrantReturning%20to%20Riddles.pdf)
 Preview |
Grant, Catherine.
2019.
Returning to Riddles.
In:
Lucy Reynolds, ed.
Women Artists, Feminism and the Moving Image: Contexts and Practices.
London: Bloomsbury Academic.
ISBN 9781784537005
[Book Section]
Grant, Catherine and
Random Love, Kate.
2019.
Fandom as Methodology: Introduction.
In:
Catherine Grant and
Kate Random Love, eds.
Fandom as Methodology: A Sourcebook for Artists and Writers.
London: Goldsmiths Press, pp. 1-20.
ISBN 9781912685134
[Book Section]
Gray, Ros.
2016.
Decolonisation.
In:
Sangeeta Ray and
Harry Schwarz, eds.
The Encyclopedia of Postcolonial Studies.
Wiley-Blackwell.
ISBN 978-1-4443-3498-2
[Book Section]
Gray, Ros.
2010.
Dreaming of Islands.
In: , ed.
Renée Green: Endless Dreams and Time-Based Streams.
San Francisco, CA: Yerba Buena Center for the Arts.
[Book Section]
Gupta, Sunil;
Lewis, Gail and
Williams Gamaker, Michelle.
2019.
Bearing Witness.
In:
Nick Aikens and
Elizabeth Robles, eds.
The Place Is Here: The Work of Black Artists in 1980s Britain.
Berlin: Sternberg Press, pp. 281-291.
ISBN 9783956794667
[Book Section]
Hand, Janet.
2002.
Follow me.
In:
John Gange, ed.
Monograph: Tim Brennan.
Information as Material, pp. 5-79.
ISBN 0953676544
[Book Section]
![[img]](/32974/1.hassmallThumbnailVersion/A.B%20Real%20Life.pdf)
 Preview |
Harbison, Isobel.
2022.
NOT/ MY/ SCENE.
In:
Charles Asprey, ed.
A.B. Real Life.
London: Charles Asprey, pp. 34-39.
ISBN 9781399924894
[Book Section]
Harbison, Isobel.
2022.
Whose time is it anyway?
In:
Christina Kennedy, ed.
The Narrow Gate of the Here-and-Now - IMMA: 30 Years of the Global Contemporary.
Dublin: Irish Museum of Modern Art, pp. 22-30.
ISBN 9781909792272
[Book Section]
Harris, Jane and
Walsh, Bernard.
2004.
Virtuous Dress.
In:
Gavin Carver and
Colin Beardon, eds.
New visions in performance : the impact of digital technologies.
Lisse; Exton, PA: Swets & Zeitlinger Publishers, pp. 139-152.
ISBN 9026519664
[Book Section]
![[img]](/8157/1.hassmallThumbnailVersion/_Pipilotti%20Rist%27s%20Music.pdf)
 Preview |
Harris, Mark.
1999.
Pipilotti Rist's Music.
In: , ed.
Wishing for Synchronicity: Works by Pipilotti Rist.
Houston, Texas: Contemporary Arts Museum Houston, pp. 14-23.
ISBN 978-1-933619-17-0
[Book Section]
Hunt, Ian.
2016.
Four Backdrops/Vier Hintergrúnde.
In:
Christiane Meyer-Stoll, ed.
Charlotte Moth: Travelogue.
Vaduz, Liechtenstein: Kunstmuseum Liechtenstein/Snoeck, pp. 21-37.
ISBN 978 3 86442 188 4
[Book Section]
![[img]](/21698/1.hassmallThumbnailVersion/Materiality.jpg)
 Preview |
Hunt, Ian.
2015.
Interior Structures.
In:
Petra Lange-Berndt, ed.
Materiality.
London and Cambridge, Massachusetts: Whitechapel Gallery/MIT, pp. 134-136.
ISBN 978 085488 237 3
[Book Section]
Johnstone, Stephen and
Ellard, Graham.
2008.
Motion Path. A Building Films Itself.
In:
Frank Eckardt, ed.
Media and Urban Space: Understanding, Investigating and Approaching Mediacity.
1
Berlin: Frank and Timme. Verlag fur Wissenschaftliche Literatur, Berlin., pp. 181-200.
ISBN 978-3-86596-142-6
[Book Section]
Kelly, Susan.
2012.
Asking, We Walk.
In:
Peter Lichtenfels and
John Rouse, eds.
Performance, Politics and Activism.
London: Palgrave Macmillan, ---.
ISBN -
[Book Section]
Kelly, Susan.
2006.
Communities of the Question.
In:
Will Bradley;
Mika Hannula;
Cristina Ricupero and
Superflex, eds.
Self-Organisation/Counter Economic Strategies.
Superflex, Sternberg Press, pp. 233-279.
ISBN 1933128135
[Book Section]
![[img]](/3101/1.hassmallThumbnailVersion/mapping_performance.JPG)
 Preview |
Kelly, Susan.
2009.
Medium.
In:
Lynette Hunter and
Shannon Rose Riley, eds.
Mapping Landscapes in Performance as Research: Scholarly Acts and Creative Cartographies.
New York: Palgrave Macmillan, pp. 142-144.
ISBN 13-978-0-230-22219-9
[Book Section]
Kreider, Kristen and
James, O'Leary.
2019.
Prarie/Argo.
In:
Ryan Bishop and
Sunil Manghani, eds.
Seeing Degree Zero: Barthes/Burgin and Political Aesthetics.
Edinburgh: Edinburgh University Press.
ISBN 9781474431415
[Book Section]
Le Feuvre, Lisa.
2009.
Sea Change.
In: , ed.
Zineb Sedira: Under Sky and Over the Sea.
Finland: Pori Art Museum, pp. 40-59.
ISBN 9789525648188
[Book Section]
Lomax, Yve.
2002.
A Burning Issue.
In:
T Horkova;
E. Maurer;
J. Hofleitner and
R. Maurer-Horak, eds.
Image/Images - Current Positions in Photography.
Passagen Verlag, pp. 73-82.
ISBN 385165515X
[Book Section]
Lomax, Yve.
2006.
Thinking Stillness.
In:
D. Green and
J. Lowry, eds.
Stillness and Time: Photography and the Moving Image.
Photoworks/Photoforum, pp. 55-63.
ISBN 1903796180
[Book Section]
Mabb, David.
2013.
Art into Everyday Life.
In:
Marta Rabikowska, ed.
The Everyday of Memory; Between Communism and Post-Communism.
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien.: Peter Lang, pp. 137-146.
ISBN ISBN 978-3-0343-0847-2
[Book Section]
![[img]](/3737/1.hassmallThumbnailVersion/William_morris_in_the_20C.tiff)
 Preview |
Mabb, David.
2010.
Hijack: Morris Dialectically.
In:
Phillipa Bennett and
Rosie Miles, eds.
William Morris in the Twenty-First Century.
(20)
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang, pp. 153-166.
ISBN 978-3-0343-0106-0
[Book Section]
Mabb, David and
et al..
2004.
Interview.
In: , ed.
Pilot:1 Q&A by Doriane Laithier.
London: Pilot.
[Book Section]
![[img]](/24242/1.hassmallThumbnailVersion/ContraContemp-FINAL.pdf)
 Preview |
Malik, Suhail.
2018.
ContraContemporary.
In:
Thijs Lijster, ed.
The Future of the New: Artistic Innovation in Times of Social Acceleration.
Amsterdam: Valiz, pp. 247-278.
ISBN 9789492095589
[Book Section]
![[img]](/21173/1.hassmallThumbnailVersion/RMA-malik.pdf)
 Preview |
Malik, Suhail.
2015.
Reason to Destroy Contemporary Art.
In:
Christoph Cox;
Jenny Jaskey and
Suhail Malik, eds.
Realism Materialism Art.
Berlin/Annandale-on-Hudson: Sternberg Press / Center for Curatorial Studies Bard College, pp. 185-190.
ISBN 9783956791260
[Book Section]
Malik, Suhail.
2008.
Untitled.
In:
Pil and Galia Kollectiv, ed.
Institute of Psychoplasmics.
London: Pump House Gallery, pp. 30-62.
ISBN 978 0 954467
[Book Section]
Malik, Suhail.
2017.
When is Contemporary Art?
In:
Simon Sheikh and
Maria Hlavajova, eds.
Former West: Art and the Contemporary after 1989.
Cambridge, MA: MIT Press.
ISBN 9780262533836
[Book Section]
![[img]](/7089/1.hassmallThumbnailVersion/You_Are_Here-Manifesta_8-malik.pdf)
 Preview |
Malik, Suhail.
2010.
You Are Here.
In:
Bassam el-Baroni;
Jeremy Beaudry and
Nav Haq, eds.
Manifesta 8: The European Biennial of Contemporary Art, Region of Murcia (spain) in dialogue with northern Africa.
Milan: Manifesta, pp. 58-61.
ISBN 97888 3661697 8
[Book Section]
Malik, Suhail and
Vengrytè, Alberta.
2018.
Interview with Suhail Malik.
In:
Jogintė Bučinskaitė, ed.
VDA interviu: Meno Mokykla (En: VD Interviews: Art School).
Vilnius, Lithuania: Vilnius Academy of Arts Publishing House, pp. 108-123.
ISBN 9786094472985
[Book Section]
![[img]](/24241/1.hassmallThumbnailVersion/ArtistAs-MalikZolghadr.pdf)
 Preview |
Malik, Suhail and
Zolghadr, Tirdad.
2018.
Artist As Quarry.
In:
Tara MacDowell;
Aileen Burns and
Jonah Lundh, eds.
The Artist As...
Berlin: Sternberg Press, pp. 49-73.
ISBN 978-3-95679-275-5
[Book Section]
Malik, Suhail and
Zolghadr, Tirdad.
2017.
Postface.
In:
Thomas Keenan;
Suhail Malik and
Tirdad Zolghadr, eds.
The Flood of Rights.
berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College, pp. 261-275.
ISBN 978-3-95679-140-6
[Book Section]
![[img]](/21517/1.hassmallThumbnailVersion/Too%20Much%20of%20a%20Good%20Thing.pdf)
 Preview |
Murdoch, Sadie.
2015.
Too Much of a Good Thing.
In:
Mo Throp and
Maria Walsh, eds.
The MAKE Anthology: Reviewing the Past and Looking to the Future of Women’s Art Practice.
London: I.B Tauris.
ISBN The MAKE Anthology: Reviewing the Past and Looking to the Future of Women’s Art Practice
[Book Section]
Newman, Michael.
2008.
'Absolute Nonsense'.
In: , ed.
Un coup de dés: Writing Turned Image: An Alphabet of Pensive Language.
Vienna: Generali Foundation, pp. 220-223.
ISBN 978-3865605436
[Book Section]
Newman, Michael.
2016.
Florian Hecker: Chimerization and Form.
In:
Robin Mackay;
Susanne Gaensheimer and
Miguel Wandschneider, eds.
Florian Hecker: Formulations.
Porto/Frankfurt am Main: Culturgest/MMK Museum für Moderne Kunst, pp. 59-90.
ISBN 9783960980551
[Book Section]
Newman, Michael.
1996.
'Recovering Andre'.
In: , ed.
Carl Andre and the Sculptural Imagination Vol 2.
Oxford: Museum of Modern Art,, pp. 6-10.
ISBN 978-1901352009
[Book Section]
Newman, Michael.
2009.
'Suburban Hospitality'.
In: , ed.
Can I Come Over to Your House? The First Ten Years of The Suburban, The Suburban and Manawa.
Oak Park, IL: WI: Poor Farm Press.
[Book Section]
Newman, Michael;
Lee, Pamela;
Elkins, James;
Hudson, Suzanne and
Getsy, David.
2013.
Seminar.
In: , ed.
New Games: Postmodernism After Contemporary Art.
London: Routledge, pp. 217-244.
ISBN 978-0415988803
[Book Section]
Noonan-Ganley, Joseph.
2019.
My Library.
In:
Chris Dreier;
Gary Farrelly and
Carl Haase, eds.
ECII - The European Conference of Institutional Ideators.
Berlin: Fantôme.
ISBN 9783940999467
[Book Section]
Pennell, Jacqueline D..
1995.
Experience.
In: , ed.
Experience: Challenging Visual Indifference Through New Sensory Experience.
Booth-Clibborn Editions.
ISBN 978-1873968208
[Book Section]
![[img]](/10445/1.hassmallThumbnailVersion/Art-Work%20APhillips.pdf)
 Preview |
Phillips, Andrea.
2013.
Art Work.
In:
Jason Bowman, ed.
Esther Shalev-Gerz: The Contemporary Art of Trusting Uncertainties and Unfolding Dialogues.
Stockholm: Art & Theory, pp. 239-253.
ISBN 9789198087475
[Book Section]
![[img]](/6855/1.hassmallThumbnailVersion/Phillips%20Art%20and%20Housing%20The%20Private%20Connection.pdf)
 Preview |
Phillips, Andrea.
2012.
Art and Housing: The Private Connection.
In:
Andrea Phillips and
Fulya Erdemci, eds.
Social Housing-Housing the Social: Art, Property and Spatial Justice.
2
(2)
Berlin/Amsterdam: Sternberg Press/SKOR, not known-not known.
ISBN 978-3-943365-17-7
[Book Section]
Phillips, Andrea.
2015.
Art as Property.
In:
Angela Dimitrakaki and
Kirsten Lloyd, eds.
Economy: Art, Production and the Subject in the 21st Century.
11
Liverpool: Liverpool University Press.
ISBN 9781781381380
[Book Section]
Phillips, Andrea.
2009.
Building Democracy.
In:
Celine Condorelli;
Gavin Wade and
James Langdon, eds.
Support Structures.
Berlin: Sternberg Press, pp. 88-132.
ISBN 978-1-933128-45-0
[Book Section]
Phillips, Andrea.
2010.
Education Aesthetics.
In:
Mick Wilson and
Paul O'Neill, eds.
Curating and the Educational Turn.
Amsterdam: De Appel/Open Editions.
ISBN 978-0-949004-18-5
[Book Section]
Phillips, Andrea.
2012.
List.
In:
Celia Lury and
Nina Wakeford, eds.
Inventive Methods.
London: Routledge, Taylor & Francis, not known-not known.
ISBN 978-0-415-57481-5
[Book Section]
![[img]](/10444/1.hassmallThumbnailVersion/PublicSpace%20APhillips001.pdf)
 Preview |
Phillips, Andrea.
2013.
Public Space [Crossed Out].
In:
Michael Elmgreen;
Dragset Ingar;
Eva Kraus and
Nan Mellinger, eds.
A Space Called Public.
Munich: Walter Koenig, pp. 248-259.
ISBN 9783863354398
[Book Section]
![[img]](/20152/1.hassmallThumbnailVersion/Boy%27s%20Life_Helena%20Reckitt.pdf)
 Preview |
Reckitt, Helena.
2007.
Boy's Life.
In:
Nigel Prince, ed.
Stephen Shearer.
Birmingham, UK, and Toronto, Canada: Ikon and The Power Plant.
ISBN 978-1-90486432-5
[Book Section]
![[img]](/7619/1.hassmallThumbnailVersion/Gerard%20Byrne_Like%20a%20Man_Helena%20Reckitt.pdf)
 Preview |
Reckitt, Helena.
2013.
Gerard Byrne: Like a Man.
In:
Kirsty Ogg, ed.
Gerard Byrne: A State of Neutral Pleasure.
London and Stockholm: The Whitechapel Gallery, pp. 36-51.
ISBN 978-0-85488-212-0
[Book Section]
Reckitt, Helena;
Baker Smith, Diana;
Cremona, Cinzia;
Damiani, Giulia;
Džuverović, Lina;
Farinati, Lucia;
Fuller, Sabrina;
Gibbs, Rose;
Guy, Laura;
Kertudo, Felicie;
Moser, Gabby;
Paiola, Sara;
Revell, Irene;
Sequeira Bras, Patricia;
Tobin, Amy and
Torrell, Ehryn.
2019.
Transmitting Feminisms.
In:
Sofia Lemos and
Alexandra Balona, eds.
Metabolic Rifts Reader.
Berlin/Lisbon: Atlas Projectos, pp. 143-162.
ISBN 9789892093116
[Book Section]
Renton, Andrew.
2002.
“Bethan Huws”.
In: , ed.
100 Reviews Backwards.
Verlag der Buchhandlung Walther Konig, p. 65.
ISBN 978-3883756493
[Book Section]
Renton, Andrew.
2003.
Holding Centre.
In: , ed.
I Only Want You to Love ME.
Brighton: Photoworks, pp. 100-103.
ISBN 978-1903796092
[Book Section]
Renton, Andrew.
2007.
In Lieu of the Face.
In: , ed.
Portrait, Landscape, Process, Monochrome.
London: Alexia Goethe Gallery, pp. 6-13.
ISBN 978-1906463007
[Book Section]
Renton, Andrew.
2005.
West.
In: , ed.
The Journey: Dietmar Lutz.
London: emilyTsingou Gallery, pp. 23-39.
ISBN 978-0953245826
[Book Section]
Reupke, Rachel.
2019.
Lean In.
In:
Hannelore Paflik-Huber, ed.
Künstlerhaus Stuttgart 40 Jahre 1978–2018.
Stuttgart: av edition.
ISBN 9783899862874
[Book Section]
Rifkin, Adrian;
Berry, Chris and
Lok, Susan Pui San.
2009.
Altius, Lentius.
In:
Adrian Rifkin, ed.
Faster, Higher.
London: Film and Video Umbrella, pp. 40-50.
ISBN 978-1-904270-29-4
[Book Section]
Rogoff, Irit.
2018.
Becoming Research.
In:
Choi Jina and
Helen Jungyeon Ku, eds.
The Curatorial in Parallax.
Seoul, Republic of Korea: National Museum of Modern and Contemporary Art, Korea, pp. 39-52.
ISBN 9788963031972
[Book Section]
Sagar, Ilona.
2021.
An Anatomy of Maintenance.
In:
Gemma Blackshaw and
Sharon Kivland, eds.
Care(less) - a supplement to On Care.
London: Ma Bibliothèque, pp. 74-80.
ISBN 9781910055861
[Book Section]
Sagar, Ilona and
Walker, Adam.
2021.
Forward.
In:
Gemma Blackshaw, ed.
I care by....
London: Research Communiqués: RCA Fine Arts and Humanities, Royal College of Art., pp. 9-18.
ISBN 9781838354336
[Book Section]
Samson, Audrey.
2019.
Digital data funerals.
In:
Tamara Kohn;
Martin Gibbs;
Bjorn Nansen and
Luke van Ryn, eds.
Residues of Death.
Routledge, pp. 91-106.
ISBN 9780429456404
[Book Section]
![[img]](/27717/1.hassmallThumbnailVersion/DB06_ErasureChapter.pdf)
 Preview |
Samson, Audrey.
2017.
Erasure.
In:
Helen Pritchard;
Eric Snodgrass and
Magda Tyżlik-Carver, eds.
EXECUTING PRACTICES.
(06)
Brooklyn, NY: Autonomedia, pp. 143-154.
ISBN 9781570273216
[Book Section]
![[img]](/27720/1.hassmallThumbnailVersion/Execution_Posthuman-glossary_2017.pdf)
 Preview |
Samson, Audrey;
Muldtofte, Lea;
Soon, Winnie;
Snodgrass, Eric and
Gallardo, Francisco.
2018.
Execution.
In:
Rosi Braidotti and
Maria Hlavajova, eds.
Posthuman Glossary.
London: Bloomsbury Academic, pp. 141-145.
ISBN 9781350030244
[Book Section]
![[img]](/27542/1.hassmallThumbnailVersion/Schaefer-Samson_Static-Glow_final.pdf)
 Preview |
Samson, Audrey and
Tobias Schäfer, Mirko.
2018.
Static Glow.
In:
Rosi Braidotti and
Maria Hlavajova, eds.
Posthuman Glossary.
London: Bloomsbury Academic, pp. 407-411.
ISBN 9781350030244
[Book Section]
Schmitz, Edgar.
2010.
Traps Against Capture.
In:
Simon D. O'Sullivan and
Stephen Zepke, eds.
Deleuze and Contemporary Art.
Edinburgh: Edinburgh University Press, pp. 208-224.
ISBN 978-0748638383
[Book Section]
Seers, Lindsay.
2011.
Aften Posten.
In: , ed.
Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS.
, pp. 6-7
[Book Section]
Seers, Lindsay.
2016.
The Exform.
In:
Nicolas Bourriaud, ed.
The Exform.
UK EBK: Verso, p. 61.
ISBN 978-1-78478-381-5
[Book Section]
![[img]](/24865/1.hassmallThumbnailVersion/vineyard868sm.jpg)
 Preview |
Seers, Lindsay.
2017.
In the Vineyard of Art.
In:
Michael Denholm, ed.
In the Vineyard of Art, the story of Art and Tasmania.
4
Tasmania: Carlton Street Press, pp. 132-165.
ISBN 978-0-9751684-8-6
[Book Section]
![[img]](/24862/1.hassmallThumbnailVersion/marclenot866.jpg)
 Preview |
Seers, Lindsay.
2017.
Jouer Contre Les Appareils.
In:
Marc Lenot, ed.
Jouer Contre Les Appareils.
France: Collection Argentique |Éditions Photosynthèses, pp. 190-192.
ISBN 979-10-95822-04-2
[Book Section]
Seers, Lindsay.
2017.
Lindsay Seers.
In:
Kaoukji Natalie;
Kassell Lauren and
Maziere Michael, eds.
Casebooks: Work Towards an Exhibition at Ambika P3.
UK: University of Westminster, pp. 54-60.
ISBN 9780993398674
[Book Section]
![[img]](/24312/1.hassmallThumbnailVersion/monday_begins_on_saturday_bergen_364.jpg)
 Preview |
Seymour, Benedict.
2013.
Primer.
In:
David Riff;
Ekaterina Degott and
Jill Winder, eds.
Monday Begins on Saturday.
Berlin: Sternberg Press, pp. 123-163.
ISBN 978-3-943365-74-0
[Book Section]
Sheikh, Simon.
2010.
The Art of Imagination.
In:
Marie Nerland, ed.
An Anthology for the 25th Anniversary of BIT Teatergarasjen.
Oslo: BIT Teatergarasjen, pp. 47-51.
ISBN 978-8299667845
[Book Section]
Sheikh, Simon.
2005.
A Conversation.
In: , ed.
Gregor Neuerer – A Stolen Moment, catalogue.
Innsbruck: Kunstpavillon der Tiroler Künstlerschaft, pp. 35-40.
[Book Section]
Sheikh, Simon.
2002.
‘Efterskrift’.
In:
Brian O'Doherty, ed.
I den hvide kube (in Danish).
Copenhagen: Rævens Sorte Bilbiotek,, pp. 125-131.
ISBN 978-8773781852
[Book Section]
Sheikh, Simon.
2008.
The End of an Idea.
In:
Mel Jordan and
Malcolm Miles, eds.
Art and Theory After Socialism.
Bristol: University of Chicago Press, pp. 67-75.
ISBN 978-1841502113
[Book Section]
Sheikh, Simon.
2007.
Oplæg.
In:
Katya Sander, ed.
Produktion af handlingsrum.
Arhus: Det Jyske Kunstakademi, pp. 30-39.
[Book Section]
Sheikh, Simon.
2007.
Scattered (War) Opposition.
In:
Johanna Billing;
Maria Lind and
Lars Nilsson, eds.
Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices.
London: Black Dog Publishing, pp. 108-110.
[Book Section]
Sheikh, Simon.
2007.
‘Scattered (War) Opposition’.
In:
Johanna Billing;
Maria Lind and
Lars Nilsson, eds.
Taking the Matter into Common Hands.
London: Black Dog Publishing, pp. 108-110.
ISBN 978-1906155186
[Book Section]
Sheikh, Simon.
2002.
Space Fellow Travellers.
In:
Peter Weibel, ed.
Olafur Eliasson: Surroundings Surrounded.
Cambridge, Mass: MIT Press, pp. 566-571.
ISBN 978-0262731485
[Book Section]
Sheikh, Simon and
Hunt, Ashley.
2006.
Creating Publics.
In:
Tara Byrne, ed.
Cork Caucus: on art, possibility & democracy.
Frankfurt A.M.: Revolver, pp. 321-327.
[Book Section]
Sheikh, Simon and
Koester, Joahim.
1993.
Tingenes Blik.
In:
Mette Thelle, ed.
Vilhelm Lundstrøm.
Copenhagen: Charlottenborg, pp. 105-111.
[Book Section]
Smith, Kate.
1999.
unknown.
In: , ed.
Art & Outrage: Provocation, Controversy and the Visual Arts.
Pluto Press, pp. 155-159.
ISBN 978-0745313542
[Book Section]
Smith, Kate.
2002.
unknown.
In: , ed.
City Racing: The Life and Times of an Artist Run Gallery 1988-1998.
, pp. 5-31
[Book Section]
Van Balen, Tuur and
Cohen, Revital.
2016.
MINE.
In:
Boris Ondreička and
Nadim Samman, eds.
Rare Earth.
Berlin: Sternberg Press, pp. 54-61.
ISBN 978-3-95679-144-4
[Book Section]
Van Balen, Tuur and
Cohen, Revital.
2018.
Synthetic Blood on Leopard Skin.
In:
Daniel Fernandez Pascual;
Alon Schwabe and
Jesse Connuck, eds.
The Empire Remains Shop / Cooking Sections.
New York: Columbia Books on Architecture and the City, pp. 75-90.
ISBN 9781941332375
[Book Section]
![[img]](/6896/1.hassmallThumbnailVersion/erosion.pdf)
 Preview |
Walsh, Bernard.
2012.
Supermarket.
In:
Jon Vogt Engerland, ed.
Erosion.
Stockholm, Sweden: Hostel Gallery, pp. 45-47.
[Book Section]
Walsh, Bernard.
1999.
Take Place.
In:
Andrew Cross;
Simon Grennan and
Nicola Stephenson, eds.
Public Sightings: The Public Art Programme of the UK Year of Photograpy and Electronic Image.
PHOTOARTS 2000 (Photo 98), pp. 1-127.
ISBN 0953571106
[Book Section]
White, Laura.
1999.
Everything you do counts here.
In: , ed.
Everything You Do Counts Here: Laura White at the Margaret Harvey Gallery.
University of Hertfordshire,Faculty of Art & Design.
ISBN 978-1898543350
[Book Section]
![[img]](/3296/2.hassmallThumbnailVersion/ART_Williams_2010a.pdf)
 Preview |
Williams, Gilda.
2010.
Catherine Yass.
In: , ed.
100 Video Artists.
Madrid: Exit Publicaciones, pp. 438-441.
ISBN 978-84-937347-0-1
[Book Section]
Broadcast
Conference or Workshop Item
Abbing, Hans;
Lind, Maria;
Stapleton, Jamie and
Malik, Suhail.
2007.
''New money' discussion panel'.
In:
Rotterdam dialogues: the periphery complex [symposium]. Witte de With, Rotterdam, Netherlands 8th February 2007.
[Conference or Workshop Item]
![[img]](/21486/1.hassmallThumbnailVersion/FGJH%20-%20performance%20text.pdf)
 Preview |
Archer, Michael.
2016.
'FGJH'.
In:
FGJH. Arthouse, United Kingdom December 11, 2016.
[Conference or Workshop Item]
Chilver, John.
2012.
'Art and Number'.
In:
The New Numeracy. Dept of Sociology, Goldsmiths, London, United Kingdom 17/2/2012.
[Conference or Workshop Item]
Coutts, Marion.
2021.
'Care and Waiting'.
In:
Critical Poetics Summer School 2021: Care Of.... Online, United Kingdom 25 June – 3 July 2021.
[Conference or Workshop Item]
![[img]](/27734/1/The%20Collection%20of%20Jand%20Ryan%20%26%20William%20Saunders%20postcards%201.jpg)
![[img]](/27734/2/The%20Collection%20of%20Jand%20Ryan%20%26%20William%20Saunders%20postcards%206.jpg)
![[img]](/27735/1/Notes%20on%20Decomposition%202.JPG)
![[img]](/27735/2/Notes%20on%20Decomposition%205.jpg)
![[img]](/27733/1/190819_Pio%20Abad%2000553.jpg)
![[img]](/27733/2/Pio%20Abad%20%26%20Frances%20WJ%205.jpg)
![[img]](/24531/1/IMG_3552.jpg)
![[img]](/24529/1/Urban%20investopedia.jpeg)
![[img]](/2933/1/low_resFax-Back_%28Modern_Art_Inc%29.jpg)
![[img]](/21519/1/E.Carpenter%2CLaboratory%20for%20Variable%20Risk%2C%202012.jpg)
![[img]](/24800/1/JC_RN-2018a.jpg)
![[img]](/24800/2/JC_ER-2018a.jpg)
![[img]](/21459/1/Chilver_dancers3.jpg)
![[img]](/24305/1/_DSC2217-Edit.jpg)
![[img]](/24309/1/JC_RN-2018a.jpg)
![[img]](/21414/1/Chilver_2013_04.jpg)
![[img]](/29777/1/zzz%20hand%2004.jpg)
![[img]](/3040/2/Reading%20Column%20for%20book%20final.jpg)
![[img]](/3036/3/Twenty_Six_Things_2.jpg)
![[img]](/20857/1/apocalypse.jpg)
![[img]](/20857/2/apocalypse3.jpg)
![[img]](/27961/1/controlroom01.jpg)
![[img]](/27961/2/controlroom03.jpg)
![[img]](/27814/1/NuclearCultureSourceBook.jpg)
![[img]](/27814/6/T%26C%20Party%20Booby%20Trap%2015.jpg)
![[img]](/2994/1/Subtle_Abyss_cover.JPG)
![[img]](/2994/2/Subtle_Abyss_p1%2B2.JPG)
![[img]](/18632/1/1%20C1.png)
![[img]](/18632/2/2%20C1.jpg)
![[img]](/style/images/fileicons/audio.png)
![[img]](/21585/1/CUE_installation_ArtsClubChicago.jpg)
![[img]](/21585/2/CUE_installation_i8%20Reykjavik.jpg)
![[img]](/3393/1/02_INSTALL_KTW.jpg)
![[img]](/3393/2/KTWcues-06.jpg)
![[img]](/21590/1/1_Score_Blast_CJG_2015.jpg)
![[img]](/21590/2/2_Score_Fall_CJG_2015.jpg)
![[img]](/24087/1/The%20Precious%20clay.jpg)
![[img]](/24087/21/Screen%20Shot%202018-09-08%20at%2012.27.50.png)
![[img]](/5733/6/David%20Mabb%20HM2.jpg)
![[img]](/5733/7/David%20Mabb%20HM4.jpg)
![[img]](/16379/1/1.jpg)
![[img]](/16379/2/2.jpg)
![[img]](/23957/1/David%20Mabb%201.jpg)
![[img]](/23957/2/David%20Mabb%202.jpg)
![[img]](/2682/54/Mark-Blower-140429-Focal-Point-Gallery-0174.jpg)
![[img]](/2682/1/Rhythm_69.jpg)
![[img]](/13288/1/Front%20elevation.jpg)
![[img]](/13288/2/Back%20elevation.jpg)
![[img]](/10081/17/beaT%20bouT%20AP1.jpg)
![[img]](/10081/11/beaT%20bouT%20AP2.jpg)
![[img]](/28063/1/David%20Mabb%2C%20A%20pattern%20of%20life%20-%201%2C.jpg)
![[img]](/28063/2/David%20Mabb%2C%20A%20pattern%20of%20life%20-%206.jpg)
![[img]](/10110/1/bolt-picture.png)
![[img]](/32628/1/Untitled.jpg)
![[img]](/32628/2/new1.jpg.webp)
![[img]](/32630/1/1edit.jpg)
![[img]](/32630/2/12.jpg)
![[img]](/32609/1/E58A1310-2.jpg)
![[img]](/32609/2/E58A1228.jpg)
![[img]](/24836/1/ART-GAIL-PICKERING-KARAOKE-%5BINSTALLATION%5D-1.jpg)
![[img]](/24836/2/ART-GAIL-PICKERING-KARAOKE-%5BINSTALLATION%5D-2.jpg)
![[img]](/24351/1/ART-GAIL-PICKERING-2014-NEAR%20REAL%20TIME%20%5BINSTALLATION%5D.jpg)
![[img]](/24351/7/ART-GAIL-PICKERING-NEAR%20REAL%20TIME%20%5BINSTALLATION%5D-2.jpg)
![[img]](/23158/1/ART-GAIL-PICKERING-2014-SHE%20WAS%20A%20VISITOR%20%5BINSTALLATION%5D-1.jpg)
![[img]](/23158/2/ART-GAIL-PICKERING-2014-SHE%20WAS%20A%20VISITOR%20%5BINSTALLATION%5D-2.jpg)
![[img]](/6941/1/zulu_6937.jpg)
![[img]](/6941/2/zulu_6968.jpg)
![[img]](/19934/1/Web_invitation_768x1084.gif)
![[img]](/235/1/ART-Salaman1999a1_GRO.jpg)
![[img]](/235/2/ART-Salaman1999a2_GRO.jpg)
![[img]](/29440/1/1_CleUSB.png)
![[img]](/29876/1/03.ROZENSTRAAT%2059A%20-GRACE%20SCHWINDT%202019-PH.GJ.vanROOIJ.jpg)
![[img]](/29876/2/04.ROZENSTRAAT%2059A%20-GRACE%20SCHWINDT%202019-PH.GJ.vanROOIJ.jpg)
![[img]](/19539/6/01.jpg)
![[img]](/27728/1/Bloody%20Sun_1_complete.JPG)
![[img]](/27728/2/Bloody%20Sun_4_complete.JPG)
![[img]](/27797/26/A%20Rose%20and%20Four%20Windows%201%20new.JPG)
![[img]](/27797/27/A%20Rose%20and%20Four%20Windows%202.JPG)
![[img]](/29738/1/Extramission2_RAGM_2.jpg)
![[img]](/29738/2/RUGBY_2020_A.jpg)
![[img]](/18614/3/Forumyes640.jpg)
![[img]](/18614/4/Forumyesback640.jpg)
![[img]](/18615/1/save-the-library-poster900.jpg)
![[img]](/18615/2/save_forum640.jpg)
![[img]](/19148/8/covres1700.jpg)
![[img]](/19148/7/covres900.jpg)
![[img]](/32990/1/75Watt-1.jpg)
![[img]](/32990/2/Revital%20Cohen%20%26%20Tuur%20Van%20Balen%20-%2075%20Watt%20-%20still%202.jpg)
![[img]](/31073/1/Screen%20Shot%202022-01-04%20at%2008.49.58.png)
![[img]](/31073/2/Screen%20Shot%202022-01-04%20at%2008.50.07.png)
![[img]](/31057/1/S-O_4a_LazniaCCA_Adigard-Salter_ph-Pawel-Jozwiak-crop.jpg)
![[img]](/21156/1/110%20-%20Pink%2BPanel.jpg)
![[img]](/21156/2/111%20-%20All%20From%20Left.jpg)
![[img]](/7983/1/Whole_bench.jpg)
![[img]](/7983/2/The_back2.jpg)
![[img]](/4681/1/15.jpg)
![[img]](/4681/2/16.jpg)
![[img]](/25330/1/photo%202%20%281%29.jpg)
![[img]](/25330/2/IMG_4372.jpg)
![[img]](/8872/1/We%20Can%20Have%20It%20All%204.jpg)
![[img]](/8872/2/We%20Can%20Have%20It%20All%205.jpg)
![[img]](/20936/1/WYAS%201.jpg)
![[img]](/20936/2/WYAS%202.jpg)
![[img]](/style/images/fileicons/text.png)
![[img]](/style/images/fileicons/other.png)
![[img]](/8090/7/Cover.jpg)
![[img]](/20483/1/JCP%20cover.jpg)
![[img]](/21648/1/Fig1.jpg)
![[img]](/21648/2/Fig2.jpg)
![[img]](/25242/1/ARC-BB-cover-5.jpg)
![[img]](/18633/1/AJ%26MTC21STRC%201.jpg)
![[img]](/18633/2/AJ%26MTC21STRC%202.jpg)
![[img]](/18627/1/1%20vuoto.png)
![[img]](/18627/2/2%20VUOTO.png)
![[img]](/2993/1/Lai%20Book%201.jpg)
![[img]](/2993/2/Lai%20Book%202.jpg)
![[img]](/24542/1/Book_01.jpg)
![[img]](/24542/2/Book_02.jpg)
![[img]](/21581/1/13edf6a2-11d0-4ef5-841c-46627a7b0136.jpg)
![[img]](/21497/7/IMG_1084.JPG)
![[img]](/32604/2/IMG_4930.JPG)
![[img]](/32604/3/IMG_4922.JPG)
![[img]](/18657/1/bookpeer2550.jpg)
![[img]](/18657/2/bookpeer3550.jpg)
![[img]](/32986/1/nwimba-cover.jpg)
![[img]](/32986/2/Revital%20Cohen%20%26%20Tuur%20Van%20Balen%20-%20nwimba%201200-141.jpg)
![[img]](/29424/1/Screenshot%202019-11-01%20at%2017.34.36.png)
![[img]](/21334/1/overlay%3Fsrc0%3Dhttps%253A%252F%252Fi.vimeocdn.com%252Fvideo%252F534406811_1280x720.jpg%26src1%3Dhttps%253A%252F%252Ff.vimeocdn.com%252Fimages_v6%252Fshare%252Fplay_icon_overlay.png){kind=icon}
![[img]](/style/images/fileicons/video.png)
![[img]](/21102/2/516941950_1280x720.jpg)
![[img]](/29772/1/Studio%20Audio%20Landscape%20Image.jpg)
![[img]](/29060/1/calypso%2Bfugitave%2B2.jpg)
![[img]](/24727/1/The_Luminous_and_the_Grey.jpg)
![[img]](/21077/1/Iceberg%20US%20cover.jpg)
![[img]](/21151/1/Chinese.JPG)
![[img]](/21068/1/iceberg%20cover.JPG)
![[img]](/922/1/55.jpeg)
![[img]](/917/1/86.jpeg)
![[img]](/6974/1/mechanical.jpg)
![[img]](/21423/1/McCall.2014-Contents_trim.jpg)
![[img]](/21423/2/McCall.2014-cover_trim.jpg)
![[img]](/27363/1/PI%20cover.jpg)
![[img]](/21197/1/9781780763378.jpg)
![[img]](/21192/1/Falling.jpeg)
![[img]](/21685/1/field%20poetics%20coveronly-final.jpg)
![[img]](/918/1/jeff-wall-works-and-collected-writings-1.jpg)
![[img]](/2945/3/ART_Thompson_SavoirFaire.jpg)
![[img]](/915/1/11.jpg)
![[img]](/24863/1/artist%20novels867sm.jpg)
![[img]](/11508/1/jack.jog.jpg)
![[img]](/2892/1/LW_Cover_NEW_VIEW.jpg)
![[img]](/2892/2/HIT_LW1.jpg)
![[img]](/21354/1/sample%2C%20HTWACA%2C%20Williams.jpg)
![[img]](/28853/1/9781853323645R-287x355.jpg)
![[img]](/6930/1/Art_nina_danino_2010.jpg)
![[img]](/6930/6/ph01.png)
![[img]](/21562/1/charlotte-moth-travelogue-01-0eae96b4987cddebc770de2af5b654e5-800x534.jpg)
![[img]](/21516/1/Again%20A%20Time%20Machine.jpg)
![[img]](/21698/1/Materiality.jpg)
![[img]](/25477/1/vis-close.jpg)
![[img]](/3084/1/cover-web.jpg)
![[img]](/3101/1/mapping_performance.JPG)
![[img]](/7930/1/Art%20into%20Everyday%20Life%201.jpg)
![[img]](/21164/6/Flood_of_Rights_cover_364.jpg)
![[img]](/7617/1/Fem%20Elec.png)
![[img]](/20022/2/Suzy%20Lake_Screen%20Shot%20Catalogue_Steidl_2.png)
![[img]](/26227/1/Screenshot%202019-04-11%20at%2012.42.14.png)
![[img]](/26227/2/Screenshot%202019-04-11%20at%2012.42.39.png)
![[img]](/24865/1/vineyard868sm.jpg)
![[img]](/24862/1/marclenot866.jpg)
![[img]](/24858/1/casebooks517.jpg)
![[img]](/24312/1/monday_begins_on_saturday_bergen_364.jpg)
![[img]](/24578/1/Fee%20for%20the%20shoes%20Jemima%20Stehli.jpg)
![[img]](/style/images/fileicons/image.png)
![[img]](/21367/6/158143-33494079ab1e4a08a36e1e6ec7d35d55.jpeg)
![[img]](/21493/6/werner_large.jpg)
![[img]](/21496/6/loot1_large.jpeg)
![[img]](/31128/1/p06bgkph.jpg)
![[img]](/24526/1/p06bgkph.jpg)
![[img]](/27739/1/overlay%3Fsrc0%3Dhttps%253A%252F%252Fi.vimeocdn.com%252Fvideo%252F761290603_1280x720.jpg%26src1%3Dhttps%253A%252F%252Ff.vimeocdn.com%252Fimages_v6%252Fshare%252Fplay_icon_overlay.png){kind=icon}
![[img]](/21484/6/D14A1323.JPG)
![[img]](/32821/1/The%20air%20is%20subtle%2C%20various%20and%20sweet%2C%20video%2C%2035%20minutes%2C%20Adham%20Faramawy%2C%202020-21%20%285%29.jpg)
