Items where Division is "Art"

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Art Object

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Abad, Pio. 2016. Notes on Decomposition. [Art Object]

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Abad, Pio and Wadsworth Jones, Frances. 2019. The Collection of Jane Ryan and William Saunders. [Art Object]

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Ashcroft, Louise. 2018. Street Racket. [Art Object]

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Ashcroft, Louise. 2018. Urban Investopedia. [Art Object]

Batchelor, David. 2013. Flatlands. [Art Object]

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Bedwell, Simon A.; Thompson, Amelia and Russell, John. 1998. Fax-Back. [Art Object]

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Carpenter, Ele. 2009. HTML Patchwork, 2007-2009. [Art Object]

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Chilver, John. 2014. 6R-K-M5. [Art Object]

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Chilver, John. 2016. 6R-K-M8. [Art Object]

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Chilver, John. 2018. Banner paintings. [Art Object]

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Chilver, John. 2013. The Dancers 3. [Art Object]

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Chilver, John. 2017. The Dream's Dream, 2017. [Art Object]

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Chilver, John. 2013. HLA213109XA. [Art Object]

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Chilver, John. 2013. Sequence 328987. [Art Object]

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Chilver, John. 2013. Tuesdays in August. [Art Object]

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Chilver, John. 2015. WLSX7834. [Art Object]

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Clout, Lucy. 2020. ZZZ. [Art Object]

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Coutts, Marion. 2008. Reading Columns. [Art Object]

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Coutts, Marion. 2008. Twenty Six Things. [Art Object]

Craighead, Alison and Thomson, Jon. 2012. Another advertiser's announcement. [Art Object]

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Craighead, Alison and Thomson, Jon. 2016. Apocalypse. [Art Object]

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Craighead, Alison and Thomson, Jon. 2017. Control Room. [Art Object]

Craighead, Alison and Thomson, Jon. 2014. Hello World. [Art Object]

Craighead, Alison and Thomson, Jon. 2017. Recruitment Gone Wrong. [Art Object]

Craighead, Alison and Thomson, Jon. 2016. Temporary index. [Art Object]

Crowe, Nick and Rawlinson, Ian. 2009. The Four Horsemen. [Art Object]

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Kerbel, Janice. 2012. Cue. [Art Object]

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Kerbel, Janice. 2011. Kill the Workers!. [Art Object]

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Kerbel, Janice. 2017. Ride Of Life. [Art Object]

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Kerbel, Janice. 2016. Score. [Art Object]

Kreider, Kristen and O'Leary, James. 2017. 13 Points Expanded (Excerpts from the Peacewall Archive). [Art Object] (Submitted)

Kreider, Kristen and O'Leary, James. 2006. Cell. [Art Object]

Kreider, Kristen and O'Leary, James. 2005. The Edge of Emily's Desk. [Art Object]

Kreider, Kristen and O'Leary, James. 2005. Eight Rooms. [Art Object]

Kreider, Kristen and O'Leary, James. 2008. Fall (An Allegory) - video. [Art Object]

Kreider, Kristen and O'Leary, James. 2003. Gesturing Toward the Ellipsis. [Art Object]

Kreider, Kristen and O'Leary, James. 2003. In the Midst. [Art Object]

Kreider, Kristen and O'Leary, James. 2009. Kino Haiku. [Art Object]

Kreider, Kristen and O'Leary, James. 2010. LA Tapped. [Art Object]

Kreider, Kristen and O'Leary, James. 2003. To come this far. To have left .... [Art Object]

Kreider, Kristen and O'Leary, James. 2004. Untitled (for M.). [Art Object]

Kreider, Kristen and O'Leary, James. 2010. Video Shakkei: Post-Performance Drawings. [Art Object]

Kreider, Kristen and O'Leary, James. 2004. s.i.g.n.a.l.. [Art Object]

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Laura, White. 2018. 'White Mud'. [Art Object]

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Mabb, David. 2016. Maid with Two Squares. [Art Object]

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Mabb, David. 2008. Rhythm 69. [Art Object]

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Mabb, David. 2004. Transitional Monument. [Art Object]

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Mabb, David. 2014. beaT bouT. [Art Object]

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Mabb, David. 2019. A pattern of life. [Art Object]

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Reardon, John. 2016. Flat Flat Shiny Cat. [Art Object]

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Salaman, Naomi. 1999. Changed pressmarks of the Private Case in the British Library. [Art Object]

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Schwindt, Grace. 2019. IN SILENCE. [Art Object]

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Schwindt, Grace. 2020. Remembering Home. [Art Object]

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Seers, Lindsay. 2020. Extramission 2 [False Memory]. [Art Object]

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Thompson, Milly. 2016. BOGOF, 2016. [Art Object]

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Thompson, Milly and Jones, Alison. 2016. C21st ART-WORKER. [Art Object]

Walsh, Bernard and Williams, Gerard. 2004. Interior Worlds. [Art Object]

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Walsh, Roxy. 2005. The Signature Quilt. [Art Object]

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Walsh, Roxy and Underwood, Sally. 2014. Annunciation. [Art Object]

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Walsh, Roxy and Underwood, Sally. 2013. Dependent Rational Animals. [Art Object]

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White, Laura. 2012. The Esque Collection. [Art Object]

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White, Laura. 2012. We Can Have It All. [Art Object]

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White, Laura. 2017. Where YOU are sitting. [Art Object]

Article

Allsopp, Ric and Kreider, Kristen. 2015. To Step, Leap, Fly. Performance Research, 20(1), pp. 1-3. ISSN 1352-8165 [Article]

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Archer, Michael. 2010. Moon Turned a Fire Red / Der Mond färbte ein Feuer rot. Parkett(87), pp. 104-115. ISSN 0256-0917 [Article]

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Archer, Michael. 2013. Ripley. SALT.(3), pp. 14-15. [Article]

Barnett, Pennina. 2007. Chohreh Feyzdjou: Tout art est en exil: Pennina Barnett interviews Anne Cadenet. n. paradoxa, international feminist art journal, 20, pp. 83-87. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Collection: Pennina Barnett interviews Wiebke Siem. n. paradoxa, international feminist art journal, 9, pp. 5-14. ISSN 14610434 [Article]

Barnett, Pennina. 2002. Small Gestures and Acts of Grace: an interview with Germaine Koh. Women: a Cultural Review, 13(3), pp. 356-369. ISSN 09574042 [Article]

Barnett, Pennina; Ross, David and Jefferies, Janis K.. 2003. Letter from the Editors. Textile The Journal of Cloth and Culture, 1(1), pp. 1-7. ISSN 14759756 [Article]

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Bhatara, Anjali; Quintin, Eve-Marie; Heaton, Pam F.; Fombonne, Eric and Levitin, Daniel. 2009. Bhatara, A., Quintin, E., Fombonne, E., Heaton, P. & Levitin, D. (2009).The Effects of Music on Social Attribution in Adolescents with Autism Spectrum Disorders. Child Neuropsychology, 13; 1 – 22. Child Neuropsychology, 15(4), pp. 375-396. ISSN 0929-7049 [Article]

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Bowman, Jason; Malik, Suhail and Phillips, Andrea. 2015. Parse Journal #2: Introduction. Parse #2: The Value of Contemporary Art, 2, pp. 8-6. ISSN 2002-0511 [Article]

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Brkić, Aleksandar. 2013. In a Bigger Family. ARTICLE: The Singapore Biennale Review, [Article]

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Brkić, Aleksandar. 2010. Teaching Arts Management: Where Did We Lose the Core Ideas? The Journal of Arts Management, Law, and Society, 38(4), pp. 270-280. ISSN 1063-2921 [Article]

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Carpenter, Ele. 2010. Activist Tendencies in Craft. Concept Store #3 Art, Activism and Recuperation., 3, [Article]

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Carpenter, Ele. 2011. Analogous: Digital / Analogue Metaphors. Digitalis Newspaper Catalogue, 0-0. [Article]

Carpenter, Ele. 2011. Coal-powered Craft: a past for the future. Journal of Modern Craft, 4(2), pp. 147-160. ISSN 1749-6772 [Article]

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Chalklin, Victoria and Mulvey, Marianne. 2016. Towards a Performative Trans-Pedagogy: Critical Approaches for Learning and Teaching in Art and Performance. Performance Matters, 2(1), pp. 62-77. ISSN 2369-2537 [Article]

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Child, Danielle; Reckitt, Helena and Richards, Jenny. 2017. Labours of Love: A Conversation on Art, Gender, and Social Reproduction. Third Text 148, 31(1), pp. 147-168. ISSN 0952-8822 [Article]

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Child, Danielle; Reckitt, Helena and Richards, Jenny. 2017. Labours of Love: A Conversation on Art, Gender, and Social Reproduction. Third Text, 31(1), pp. 147-168. ISSN 0952-8822 [Article]

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Chilver, John. 2013. Bomberg after Auerbach after Brown. Turps Banana, 13, pp. 4-13. ISSN 1749 3994 [Article]

Chilver, John. 2007. Displacements of Shadow. Art Papers, 31(1), pp. 36-41. ISSN 15249581 [Article]

Chilver, John. 2004. 'James Rosenquist'. Untitled, 32, p. 70. [Article]

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Chilver, John. 2014. Number intersecting with art: three studies. Distinktion: Journal of Social Theory, 15(2), pp. 239-249. ISSN 1600-910X [Article]

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Chilver, John. 2013. The Postceptual Present. Spike Art Quarterly, pp. 113-115. ISSN 1813 6281 [Article]

Chilver, John. 2016. Reivew of Bridget Riley, The Curve Paintings 1961-2014. Journal of Contemporary Painting, 2(2), pp. 318-321. ISSN 2052-6695 [Article]

Chilver, John. 2004. 'Vertical Acceleration'. Starship, 6, [Article]

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Chilver, John. 2018. The discursive array: Towards a politics of painting as time–space production. Journal of Contemporary Painting, 4(1), pp. 81-101. ISSN 2052-6695 [Article]

Chilver, John and Slotawa, Florian. 2008. Contingency and the Paradox of Composition: Florian Slotawa. Art Papers, 32(5), pp. 32-37. ISSN 1524-9581 [Article]

Chilver, John and Vallotton, Felix. 2009. Felix Vallotton: Genres and Shallow Waters. Turps Banana, 7, pp. 28-35. ISSN 1749-3994 [Article]

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Clinton, Paul. 2019. Dissent at the Disco. Frieze, ISSN 0962-0672 [Article]

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Coutts, Marion. 2015. AGNES MARTIN AND THE GREAT INDOORS. 1843 magazine - The Economist online, [Article]

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Coutts, Marion. 2015. The Feeling of Finishing. 1843 Magazine, [Article]

Coutts, Marion. 1998. Fine Arts 1998-1999, The British School at Rome. Fine Arts 1998-1999, The British School at Rome, [Article]

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Coutts, Marion. 2017. Gathering dust. 1843 magazine, [Article]

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Coutts, Marion. 2017. Hokusai: old man, crazy to paint. 1843 magazine, [Article]

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Coutts, Marion. 2015. My Summer with Proust. The Guardian online, [Article]

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Coutts, Marion. 2016. Picasso's Emotional Weather. 1843 Magazine, [Article]

Coutts, Marion and Furlong, William. 2003. Audio Arts: Volume 21 No 2. Audio Arts, [Article]

Crowe, Nick. 2006. Unplanned Articulation. Convergence, 12(2), pp. 137-141. ISSN 1354-8565 [Article]

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Crowe, Nick and Rawlinson, Ian. 2012. Concentration in the Age of Distribution. ROUNDTABLE, 1(1), -. [Article]

Danino, Nina. 2015. Roundtable discussion: The Women of the London Filmmaker’s Co-op. Moving Image Review & Art Journal (MIRAJ), 4(1-2), pp. 164-179. ISSN 2045-6298 [Article]

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Danino, Nina and Boulton, Jack. 2011. Communion. Stimulus Respond, 2011(Summer), pp. 83-92. [Article]

Danino, Nina; Joseph-Lester, Jasper; Petresin, Vesna; Laurent, Robert; Crone, Bridget and Zoller, Maxa. 2012. Abstract Image in Future Film and Video Art. Moving Image Review & Art Journal (MIRAJ), 1(2), pp. 79-88. ISSN 2045-6298 [Article]

Danino, Nina and Maziere, Michael. 2014. Roundtable discussion: London Film-makers’ Co-op – the second generation. Moving Image Review & Art Journal (MIRAJ), 3(2), pp. 236-247. ISSN 2045-6298 [Article]

Danino, Nina and White, Mary. 2012. “Nina Danino: Capturing an aura – the human presence on film”. Cassone - The International Online Journal for Art and Books., [Article]

Day, P.. 2006. Ibon Aranberri. The Logic of Stories. Afterall, 14, pp. 29-36. ISSN 1846380332 [Article]

De Ville, Nicholas. 2001. Malcolm Morley� - Life After Death? Modern Painters, 14(3), pp. 54-58. ISSN 09536698 [Article]

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Fisher, Jennifer and Reckitt, Helena. 2016. Introduction: Affect and Relationality. Journal of Curatorial Studies, 5(1), pp. 1-2. ISSN 2045-5836 [Article]

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Fisher, Jennifer and Reckitt, Helena. 2015. Introduction: Museums and Affect. Journal of Curatorial Studies, 4(3), pp. 1-2. ISSN 2045-5836 [Article]

Garfield, Rachel. 2001. Ali G: Just Who Does He Think He Is. Third Text, 2(54), pp. 63-70. ISSN 09528822 [Article]

Garfield, Rachel. 2006. Towards a Re-Articulation of Cultural Identity. Third Text, 20(1), pp. 99-108. ISSN 09528822 [Article]

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Garfield, Rachel. 2008. Zineb Sedira - Biography. New Media Encyclopedia, [Article]

Gordon, Melissa. 2018. Joke Gestures (Make a Mess, Clean it Up). Journal of Contemporary Painting, 4(2), pp. 239-247. ISSN 2052-6695 [Article]

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Graham, Janna; Graziano, Valeria and Kelly, Susan. 2016. The Educational Turn in Art : Rewriting the hidden curriculum. Performance Research, 21(6), pp. 29-35. ISSN 1352-8165 [Article]

Grant, Catherine. 2016. Babak Ghazi. How to Sleep Faster, 7, ISSN 2052-3769 [Article]

Grant, Catherine. 2011. Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. Oxford Art Journal, 34(2), pp. 265-286. ISSN 0142-6540 [Article]

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Grant, Catherine. 2015. Feminism Lives! (Again). Photoworks Annual(22), pp. 196-206. [Article]

Grant, Catherine. 2008. Interview with Hal Foster. Immediations, 2(1), [Article]

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Grant, Catherine. 2019. A Letter Sent, Waiting to be Received: Queer Correspondence, Feminism and Black British Art. Women: A Cultural Review, 30(3), pp. 297-318. ISSN 0957-4042 [Article]

Grant, Catherine. 2000. Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. n.paradoxa: international feminist art journal, 6, pp. 88-92. [Article]

Grant, Catherine. 2002. Private Performances: Editing Performance Photography. Performance Research, 7(1), pp. 34-44. ISSN 1352-8165 [Article]

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Grant, Catherine. 2010. Spiritual America. Words Without Pictures, pp. 193-197. ISSN 978-1-59711-142-3 [Article]

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Grant, Catherine. 2016. A Time of One's Own. Oxford Art Journal, 39(3), pp. 357-376. ISSN 0142-6540 [Article]

Grant, Catherine and Burbridge, Ben. 2012. Photography and Exhibitionism: An Introduction. EitherAnd, [Article]

Gray, Ros. 2010. An Archive of Aspirations. Jornal do Atelier Real, pp. 11-12. [Article]

Gray, Ros. 2003. Chinese Whispers: Variations on Textile. Textile The Journal of Cloth and Culture, 1(2), pp. 158-173. ISSN 14759756 [Article]

Gray, Ros. 2009. ‘Front of House’. Textile The Journal of Cloth and Culture, 7(2), ISSN 14759756 [Article]

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Gray, Ros. 2014. A Lingering Lusotopia: Thinking the Planetary from Angola. Art Margins, 3(1), pp. 3-27. ISSN 2162-2574 [Article]

Gray, Ros. 2002. Lost and Found: A Modicum of Dignity. The Journal of Visual Culture, 1(1), pp. 131-134. ISSN 14704129 [Article]

Gray, Ros and Eshun, Kodwo. 2011. The Militant Image: A Ciné-Geography: Editors’ Introduction. Third Text, 25(1), pp. 1-12. ISSN 0952-8822 [Article]

Hand, Janet. 2007. Art - Write. Journal of Writing in Creative Practice, 1(1), pp. 47-52. ISSN 17535190 [Article]

Hand, Janet. 2005. Sophie Calle's art of following and seduction. Cultural Geographies, 12(4), pp. 463-485. ISSN 14744740 [Article]

Hansen, Rikke and Wilbert, Chris. 2006. Setting the Crime Scene: Jack the Ripper Walks, Tourism, and the Media. Merge: Sound, Thought, Image, 17, pp. 30-34. ISSN 14026570 [Article]

Harper, Andy. 1998. Featured artist in Tank. Tank, 2, [Article]

Harper, Andy. 2002. Review. 'mix', independent art and culture magazine, 27(3), [Article]

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Harris, Mark. 2013. Cinema, Studio, Tools. Proto-Tools 1, pp. 10-17. [Article]

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Harris, Mark. 2016. Intoxicating Painting. Journal of Contemporary Painting, 2(2), pp. 195-218. ISSN 20526695 [Article]

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Harris, Mark. 2015. The Materiality of Water. Aesthetic Investigations, 1(1), pp. 120-128. [Article]

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Harris, Mark. 2017. Turntable Materialities. Seismograf, [Article]

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Hayton, Annette; Haste, Polly and Jones, Alison. 2014. Promoting diversity in creative art education: the case of Fine Art at Goldsmiths, University of London. British Journal of Sociology of Education, 36(8), pp. 1258-1276. ISSN 0142-5692 [Article]

Johnstone, Stephen and Ellard, Graham. 2006. The Bomb Interview: Anthony McCall with Graham Ellard and Stephen Johnstone. Bomb Magazine., 97, pp. 65-75. ISSN 07433204 [Article]

Johnstone, Stephen and Ellard, Graham. 1997. Photographic project. COIL, 4, [Article]

Johnstone, Stephen and Gange, John. 1993. 'Believe Me. Everybody Has Something Pierced in California : A Conversation with Nayland Blake'. New Formations: A Journal of Culture, Theory, Politics, 19, ISSN 0950-2378 [Article]

Jones, Alison. 2004. Interview with Gustav Metzger. Forum for Holocaust Studies, [Article]

Jones, Alison. 2001. ‘Interview with Jemima Stehli’. Everything Magazine(3.4), pp. 32-37. [Article]

Jones, Alison. 1999. 'Jemima Stehli: On all fours naked in high heels - a critical position?'. Women: a cultural review, 10(3), pp. 297-307. ISSN 0957-4042 [Article]

Jones, Alison. 1999. ‘Martha Rosler at Icon Gallery’. Socialist Review, [Article]

Jones, Alison and Bannerman, Margot. 2003. Review of 'Dreams and Conflicts, the Dictatorship of the Viewer', Venice Biennale. Socialist Review, 276, ISSN 0161-1801 [Article]

Kelly, Susan. 2010. Amorph: Etwas Geschieht. Kunstforum International(202), pp. 143-153. ISSN 0177-3674 [Article]

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Kelly, Susan. 2018. ‘What is to be Done?’: Grammars of Organisation. Deleuze and Guattari Studies, 12(2), pp. 147-184. ISSN 2398-9777 [Article]

Kelly, Susan and Morton, Stephen. 2004. Calling up Annie Moore. Public Culture, 16(1), pp. 119-131. ISSN 08992363 [Article]

Kirwan, Richard. 2016. Jasper Johns : Regrets – The Courtauld Gallery London, 12th September – 14th December 2014. Journal of Contemporary Painting, 2(1), pp. 133-155. ISSN 2052-6695 [Article]

Kreider, Kristen. 2015. Material Poetics and the Communication Event. Performance Research, 20(1), pp. 80-89. ISSN 1352-8165 [Article]

Kreider, Kristen and O'Leary, James. 2010. Memento Mori. Performance Research, 15(1), pp. 66-71. ISSN 1352-8165 [Article]

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Kreider, Kristen and O’Leary, James. 2015. Open City’ [artists’ pages]. Performance Research, 20(1), pp. 90-95. ISSN 1352-8165 [Article]

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Le Feuvre, Lisa. 2010. If at First you Don’t Succeed…. Tate etc(18, Sp), pp. 30-37. [Article]

Lomax, Yve. 2009. To Not Happen. Parallax, 15(4), pp. 33-44. ISSN 1353-4645 [Article]

Lord, Catherine and Williams Gamaker, Michelle. 2018. O A R The Oxford Artistic & Practice Based Research Platform Shooting Back in (That's All There Is Issue 3). O A R: The Oxford Artistic and Practice Based Research Platform, 3, ISSN 2399-5092 [Article]

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Mabb, David. 2016. About Two Worlds. Salvage, 3, pp. 177-190. ISSN 2058-6361 [Article]

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Mabb, David. 2013. Commodity as comrade. Ephemera Journal, 13(2), pp. 445-448. ISSN 2052-1499 [Article]

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Mabb, David. 2017. How I came to Morris. Wiliam Morris Society Magazine(Summer), ISSN 2398-1911 [Article]

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Mabb, David. 2020. Kehinde Wiley, The Yellow Wallpaper. Journal of William Morris Studies, XXIII(4), pp. 35-40. ISSN 1756-1353 [Article]

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Mabb, David. 2019. Life and Art at the David Parr House. Journal of William Morris Studies, XXIII(2), pp. 66-73. ISSN 1756-1353 [Article]

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Mabb, David. 2018. May Morris: Art & Life. William Morris Society Magazine, [Article]

Mabb, David. 2009. Notes on the Morris Kitsch Archive. Textile: The Journal of Cloth and Culture, 7(3), [Article]

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Mabb, David. 2016. A Provisional Memorial to Nuclear Disarmament. The Journal of William Morris Studies, XXII(1), pp. 42-53. ISSN 1756-1353 [Article]

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Mabb, David. 2002. Some Introductory Notes On My Morris Works. The Journal of William Morris Studies, 15(1), [Article]

Mabb, David. 2003. Spring, Fine Arts. Spring, Fine Arts, The British School at Rome, [Article]

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Mabb, David. 2017. William Morris and the atomic. Journal of Contemporary Painting, 3(1-2), pp. 22-53. ISSN 2052-6695 [Article]

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Mabb, David; Edwards, Steve and Day, Gail. 2010. ‘What Keeps Mankind Alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics. Historical Materialism, 18(4), pp. 135-171. [Article]

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Malik, Suhail. 2008. Critique as alibi: moral differentiation in the art market. Journal of Visual Art Practice, Special Issue on Critique, 7(3), pp. 283-295. ISSN 14702029 [Article]

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Malik, Suhail. 2016. Dispossed and Watered-Down. Hegemonic Neomaterialism and its Limitations. Springerin: Hefte für Gegennwartskunst, 22(1), pp. 48-50. ISSN 1029-1830 [Article]

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Malik, Suhail. 2011. Educations Sentimental and Unsentimental: Repositioning the Politics of Art and Education. Redhook: Journal of Curatorial Studies, 1, n/a-n/a. [Article]

Malik, Suhail. 2008. Hadassah Emmerich. Review - 32 Jahre Künstlerhaus Bethanien, [Article]

Malik, Suhail. 2006. 'Introduction' and 'Fucking straight death metal' in Special Section of journal. Journal of Visual Culture, Special Section 'The war in Iraq and visual culture', 5(1), pp. 107-112. [Article]

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Malik, Suhail. 2014. The Value of Everything. Texte zur Kunst, 93, pp. 66-79. [Article]

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Malik, Suhail. 2007. A boom without end? Liquidity, critique and the art market. Mute: culture and politics after the net, 2(6), pp. 92-99. ISSN 1356-7748-261 [Article]

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Malik, Suhail and Cox, Christoph. 2016. A Questionnaire on Materialisms. October, 115, pp. 26-28. ISSN 0162-2870 [Article]

Martin, Simon. 2007. This is an artists project…. TANK, 4(9), [Article]

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McAndrew, Clare; Malik, Suhail and Nestler, Gerald. 2016. Plotting the art market: An interview with Clare McAndrew. Finance and Society, 2(2), pp. 151-167. ISSN 2059-5999 [Article]

McCartney, Ella and Hua, Zhu. 2017. A Visual Turn in Translanguaging? Translation and Translanguaging: Investigating Linguistic and Cultural Transformations in Superdiverse Wards in Four UK Cities, [Article]

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McCartney, Ella and Lake, Fiona. 2018. "It was just too much": Exploring the learner’s experience in Fine Art crits. Learning and Teaching in Action, 13(1), pp. 49-68. ISSN 1477-1241 [Article]

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Murdoch, Sadie. 2018. I Can See The Men Hidden In The Forest. Journal of Visual Art Practice, 16(3), pp. 229-239. ISSN 1470-2029 [Article]

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Nestler, Gerald and Malik, Suhail. 2016. Introduction: Art and finance. Finance and Society, 2(2), pp. 94-95. ISSN 2059-5999 [Article]

Newman, Michael. 1985. 'Amikam Toren.'. Art Monthly(91), [Article]

Newman, Michael. 1982. 'Bill Woodrow.'. Art Monthly(53), [Article]

Newman, Michael. 1996. 'Conceptual Art from the 1960s to the 1990s: An Unfinished Project?'. Kunst & Museumjournaal, 7(1/2/3), pp. 95-104. [Article]

Newman, Michael. 2011. 'Dead Mirrors: relics and photographs in Georges Rodenbach’s Bruges-la-Morte'. Photographies, 4(1), pp. 27-43. ISSN 1754-0763 [Article]

Newman, Michael. 2001. The Demotic Art of Gillian Wearing. Parachute(102), ISSN 0318-7020 [Article]

Newman, Michael. 1994. Derrida and the Scene of Drawing. Research in Phenomenology, 24, pp. 218-234. ISSN 0085-5553 [Article]

Newman, Michael. 1985. 'Edward Allington.'. Art Monthly(89), [Article]

Newman, Michael. 1983. 'Georg Baselitz.'. Art Monthly(62), [Article]

Newman, Michael. 1985. 'Helen Chadwick, Mikey Cuddihy and Annette Messager.'. Art Monthly(85), ISSN 0142-6702 [Article]

Newman, Michael. 1985. 'James Coleman.'. Artforum, [Article]

Newman, Michael. 1982. 'Man's Place: Four Works.'. Art and Artists(193), [Article]

Newman, Michael. 1984. 'Nancy Spero.'. Art Monthly(79), [Article]

Newman, Michael. 1988. 'Olivier Richon.'. Camera Austria(25), [Article]

Newman, Michael. 1981. 'Orozco at the Museum of Modern Art, Oxford.'. Burlington Magazine(934), [Article]

Newman, Michael. 1981. 'Rauschenberg Re-evaluated.'. Art Monthly(47), [Article]

Newman, Michael. 1990. 'Review of The Problems of Modernity: Adorno and Benjamin, Edited by Andrew Benjamin.'. The British Journal of Aesthetics, 30(4), pp. 390-392. ISSN 1468-2842 [Article]

Newman, Michael. 1983. 'Richard Prince and the Uncanny.'. Art Monthly(72), [Article]

Newman, Michael. 2003. Tacita Dean: Fictions du temps qui tourne. Les Cahiers du Musée national d’art moderne, 86, pp. 5-21. [Article]

Newman, Michael. 2007. 'Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp'. Oxford Art Journal, 30(1), pp. 81-100. ISSN 0142-6540 [Article]

Noble, Richard. 2004. ‘The Aesthetics of Contingency’. catalogue of David Batchelor: Shiny/Dirty, [Article]

Noble, Richard. 2005. Art Since 1900 : A Review Essay. Art Monthly, ISSN 0142-6702 [Article]

Noble, Richard. 2002. Mona Hatoum: A Living Between. Parachute, 4(108), pp. 178-191. ISSN 03187020 [Article]

Noble, Richard. 2004. Start Making Sense. catalogue essay for Michael Craig-Martin: Surfacing, [Article]

Ogg, Kirsty. 2000. Interview text, Jonathan Monk. Bildung exhibition catalogue, [Article]

Pennell, Jacqueline D.. 2001. Camoflage, The Nehru Centre, London. Leaflet, Jacqueline Pennell and The Contemporary Arts Society 2000, [Article]

Pennell, Jacqueline D.. 2002. The Luck Of The Dice. World Sculpture News, 8(3), [Article]

Phillips, Andrea. 2005. Cultural geographies in practice: Walking and looking. Cultural Geographies, 12(4), pp. 507-513. ISSN 14744740 [Article]

Phillips, Andrea. 2006. Distribution. Performance Research, 11(3), pp. 47-49. ISSN 13528165 [Article]

Phillips, Andrea. 2011. English Pastoral. LOG(23), pp. 78-84. ISSN 1547-4690 [Article]

Phillips, Andrea. 2010. Pavilion Politics. LOG(20), tbd-tbd. ISSN tbd [Article]

Pisac, Andrea and Frank, Miriam. 2007. On Translation. EXILED INK! MAGAZINE, 8, [Article]

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Ramos Martinez, Manuel. 2009. We Are All Spectators. Parallax, 15(3), pp. 124-126. ISSN 1353-4645 [Article]

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Reardon, John. 2018. Conversation about Monument for Chelsea Manning with Professor Rosalyn Deutsche, New York, June 7, 2018. Policy Studies Journal, 3(3), pp. 111-133. ISSN 2476-0390 [Article]

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Reckitt, Helena. 2013. Because the Night: Curating One-Off Nocturnal Events. Art Papers, 37(3), pp. 42-45. ISSN 1524-9581 [Article]

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Reckitt, Helena. 2012. Christoph Büchel, Piccadilly Community Centre. Journal of Curatorial Studies, 1(1), pp. 101-104. ISSN 20455836 [Article]

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Reckitt, Helena. 2019. Feminist acts of resistance and withdrawal in London. Burlington Contemporary, [Article]

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Reckitt, Helena. 2017. Generating Feminisms: Italian Feminisms and the “Now You Can Go” Program. Art Journal, 76(3-4), pp. 101-111. ISSN 0004-3249 [Article]

Reckitt, Helena. 2012. A House Divided: American Art Since 1955. Times Higher Education Supplement, p. 30. [Article]

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Reckitt, Helena. 2015. Mary Daly, Gyn/Ecology. C Magazine(126), pp. 27-29. [Article]

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Reckitt, Helena. 2006. My Fuzzy Valentine: Allyson Mitchell. C Magazine(89), pp. 14-17. ISSN 1480-5472 [Article]

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Reckitt, Helena. 2009. Opening a Closing Door: Feminist and Queer Artists as Historians. Reading Room: A Journal of Art and Culture, pp. 88-103. [Article]

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Reckitt, Helena. 2016. Support Acts: Curating, Caring and Social Reproduction. Journal of Curatorial Studies, 5(1), pp. 6-30. ISSN 2045-5836 [Article]

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Reckitt, Helena. 2011. To Make Time Appear. Art Journal, 70(3), pp. 58-63. [Article]

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Reckitt, Helena. 2010. Touching Animals. C Magazine, 107, pp. 34-39. [Article]

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Reckitt, Helena. 2018. Trust and the Artist-Curator Relationship. C Magazine, ISSN 1480-5472 [Article]

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Reckitt, Helena. 2006. Unusual Suspects: Global Feminisms and WACK! Art and the Feminist Revolution. n.paradoxa, 18, pp. 34-42. ISSN 1461-0434 [Article]

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Reckitt, Helena. 2010. Wendelien van Oldenburgh: The Past is Never Dead. The Past is Never Dead, pp. 2-3. [Article]

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Reckitt, Helena. 2009. Who Was that Woman? C Magazine, 104, pp. 88-103. [Article]

Reckitt, Helena. 2012. Yoko Ono: To the Light. Times Higher Education Supplement, pp. 19-20. [Article]

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Reckitt, Helena. 2006. ---ifesto: Feminist art’s shifting ground. C Magazine(90), pp. 30-34. [Article]

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Reckitt, Helena; Baker Smith, Diana; Cremona, Cinzia; Damiani, Giulia; Džuverović, Lina; Farinati, Lucia; Fuller, Sabrina; Guy, Laura; Kertudo, Felicie; Moser, Gabby; Paiola, Sara; Revell, Irene; Sequeira Bras, Patricia; Tobin, Amy and Torrell, Ehryn. 2018. Co-Authoring Values. Daylight(1), pp. 10-15. [Article]

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Reckitt, Helena; Conlon, Natasha; Barton, Christina; Smith, Terry; French, Blair; Newby, Kate and Tamait-Quennell, Megan. 2012. Roundtable: Reading Exhibitions, ed. Natasha Conlon. Reading Room: A Journal of Art and Culture, 5, pp. 150-167. [Article]

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Reckitt, Helena; Malik, Suhail; Burton, Johanna; Hartjes, Natalie and Markopoulos, Leigh. 2012. Survey on Gender Ratios in Curating Programs. Red Hook, pp. 10-16. [Article]

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Reckitt, Helena and Moser, Gabrielle. 2016. Feminist Tactics of Citation, Annotation, and Translation: Reflections on the Now You Can Go programme. On.Curating: CURATING in feminist thought(29), pp. 42-48. [Article]

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Renton, Andrew. 2019. Passages of Stillness: The Ethics of Landscape and Remembering in Shaun Gladwell’s 1000 Horses. di'van: a journal of accounts(6), pp. 62-87. ISSN 2207-1563 [Article]

Rifkin, Adrian. 2007. Addressing Ekphrasis: A Prolegomenon to the Next. Journal of Classical Philology, 102, pp. 72-82. ISSN 0009837X [Article]

Rifkin, Adrian. 2009. Apart from Sex. Journal of Visual Culture, 8(3), pp. 265-277. [Article]

Rifkin, Adrian. 2005. From Structure to Enigma and Back, Perhaps. Journal of Visual Culture, 4(3), pp. 364-381. ISSN 14704129 [Article]

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Rifkin, Adrian. 2009. Oh I do Like to be Beside the Sea Side. Borderlands, 8(2), [Article]

Rifkin, Adrian. 2007. Wotan Envy. Parallax, 12(4), pp. 26-49. ISSN 1460700X [Article]

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Samson, Audrey. 2015. Erasure, an attempt to surpass datafication. APRJA (A Peer-Reviewed Journal About), 4(1), pp. 44-55. [Article]

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Samson, Audrey and Soon, Winnie. 2015. Network Affordances: Unpredictable parameters of a Hong Kong SPEED SHOW. The Fibreculture Journal(24), [Article]

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Schmitz, Edgar; Vemeir, Katleen and Heiremans, Ronny. 2016. Never Really in Real Time. PARSE Journal, 4, pp. 121-131. ISSN 2002-0511 [Article]

Seers, Lindsay. 2009. Top Ten. Art Forum, [Article]

Seers, Lindsay. 2002. images. Radical Philosophy, 113, pp. 26-30. ISSN 0300-211X [Article]

Seymour, Benedict. 2002. Back to Zero. Mute, 1(21), [Article]

Seymour, Benedict. 2002. Bio-Pics. Mute, 1(23), [Article]

Seymour, Benedict. 2001. Blockbusting the Election. Mute, 1(20), [Article]

Seymour, Benedict. 2000. Coral Maze. Mute, 1(17), [Article]

Seymour, Benedict. 2009. Creativity's Rainbow. MUTE MAGAZINE, 2(14), pp. 100-107. ISSN ISSN 1356-7748-214 [Article]

Seymour, Benedict. 2001. DO THE RIGHT THING! - DIE ANTI-GLOBALISIERUNGS-BEWEGUNG NACH DEM 11. SEPTEMBER. Texte zur kunst, 44, pp. 112-119. ISSN 09409459 [Article]

Seymour, Benedict. 2000. Everything Must Go. Mute, 1(16), [Article]

Seymour, Benedict. 2006. Introduction: Another Green World. Mute, 2(3), pp. 114-119. ISSN 0955066433 [Article]

Seymour, Benedict. 2001. The Last Picture Show. Mute, 1(22), [Article]

Seymour, Benedict. 2006. Mutiny in the Mainstream. Journal of Visual Culture, 5(1), pp. 112-114. ISSN 14704129 [Article]

Seymour, Benedict. 2001. Nationalize This! What Next for Anti-Globalization Protests? Radical Philosophy, 107, pp. 2-5. ISSN 0300-211X [Article]

Seymour, Benedict. 2000. Rabble Rousers. Mute, 1(18), [Article]

Seymour, Benedict. 2000. Review ‘Club Circuits’. Public Art Journal, [Article]

Seymour, Benedict. 2000. Review ‘Wooden Heart’. Art Monthly, 235, [Article]

Seymour, Benedict. 1998. The Situationist City. Mute, 1(11), [Article]

Seymour, Benedict. 2002. When Worlds Collide. Frieze, 65, [Article]

Seymour, Benedict and Iles, Anthony. 2005. The Re-Occupation. Mute, [Article]

Sheikh, Simon. 1997. Baustop, Randstadt. Spex, 11(98), pp. 60-61. [Article]

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Sheikh, Simon. 2016. Biennales and conflict questionnaire. Art and the Public Sphere, 5(2), pp. 137-166. ISSN 2042-793X [Article]

Sheikh, Simon. 1997. Byrummet som forlystelsespark. Øjeblikket, 34, pp. 8-9. [Article]

Sheikh, Simon. 2001. CUDI: A Counter Public. Arsis, 3, pp. 30-31. [Article]

Sheikh, Simon. 1996. The Choice of a New Generation? Siksi, XI(2), pp. 76-77. [Article]

Sheikh, Simon. 2003. Christiania: Netzwerke der Anti-Disziplin. An Architectur, 10, pp. 41-43. [Article]

Sheikh, Simon. 2004. Christiania: Netzwerke der Anti-Disziplin. Malmoe, 21, pp. 22-23. [Article]

Sheikh, Simon. 2003. ‘Christiania: Netzwerke der Anti-Disziplin’. An Architectur, 10, pp. 41-43. [Article]

Sheikh, Simon. 1996. Column. Plum Velvet, 1, [Article]

Sheikh, Simon. 2004. Common Property/Allgemeingut. Springerin, 10(3), pp. 62-63. [Article]

Sheikh, Simon. 2004. ‘Common Property/Allgemeingut’. Springerin, 3, pp. 62-63. [Article]

Sheikh, Simon. 1997. Compartments, why Bother? Xerox, 4, [Article]

Sheikh, Simon. 2003. ‘A Conversation’. Danger Museum Newsletter, 18, [Article]

Sheikh, Simon. 1996. Den sorte kasse i den hvide kube. Øjeblikket, 30, pp. 19-21. [Article]

Sheikh, Simon. 1994. Det Minimale Objekt – Serialitet og Fænomenologi. Passepartout, 2(3), pp. 75-92. [Article]

Sheikh, Simon. 1992. Dette er ikke et kunstværk. North-debat, 21, pp. 15-17. [Article]

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Sheikh, Simon. 2017. From Para to Post: The Rise and Fall of Curatorial Reason. Springerin, XXIII(1, 201), pp. 16-20. [Article]

Sheikh, Simon. 1994. The Grey Area. Film & Video Newsletter 6, pp. 3-4. [Article]

Sheikh, Simon. 1997. ‘Hal Foster: The Return of the Real’. Periskop, 6, pp. 124-125. [Article]

Sheikh, Simon. 2005. How Does It Feel? NIFCA Info, p. 1. [Article]

Sheikh, Simon. 1997. I Los Angeles’ spejlbillede. Øjeblikket, 32/33, pp. 62-64. [Article]

Sheikh, Simon. 1998. Joachim Koester’s Double Vision. World Art, 15, pp. 33-35. ISSN 2150-0894 [Article]

Sheikh, Simon. 1999. Kunstens Sted og Stedets Kunst. Øjeblikket, 39/40, pp. 26-30. [Article]

Sheikh, Simon. 2001. Lisa Strömbeck. Kunstbeeld – tijdschrift voor bildende kunst Nederlands, 5, [Article]

Sheikh, Simon. 1996. Mellemkomster – Bevægelse og fortabelse. Louisiana Revy, 36(3), pp. 70-74. [Article]

Sheikh, Simon. 1993. Multiples: Kopiens Diskurs. edition Campbells Occasionally, 2(3), pp. 8-9. [Article]

Sheikh, Simon. 2009. Objects of Study or Commodification of Knowledge? Remarks on Artistic Research. Art & Research: A Journal of Ideas, Contexts and Methods, 2(2), [Article]

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Sheikh, Simon. 2014. Once upon a time in the west: Or, the rise and fall of the (bourgeois) public sphere, as told by Jürgen Habermas. Art and the Public Sphere, 3(2), pp. 151-160. ISSN 2042-793X [Article]

Sheikh, Simon. 1995. The Other Side: Ann Lislegaard. Index(3/4), pp. 24-29. [Article]

Sheikh, Simon. 2010. The Politics of Art and the Process of Biennalization. Texte Zur Kunst, 80, pp. 112-117. [Article]

Sheikh, Simon. 2009. Positively Counter-Publics Revisited. E-Flux Journal, 5, [Article]

Sheikh, Simon. 2008. Positively East Village Revisited. E-Flux Journal, 1, [Article]

Sheikh, Simon. 2010. Positively Protest Aesthetics Revisited. E-Flux Journal, 20, [Article]

Sheikh, Simon. 2009. Positively Trojan Horses Revisited. E-Flux Journal, 8, [Article]

Sheikh, Simon. 2009. Positively White Cube Revisited. E-Flux Journal, 3, [Article]

Sheikh, Simon. 2008. Room for Thought. Mahkuzine – Journal of Artistic Research, 5, pp. 28-32. [Article]

Sheikh, Simon. 1998. Rumidentifikation og rumanalyse. Øjeblikket, 36/37, pp. 12-15. [Article]

Sheikh, Simon. 2006. ‘Räume für das Denken’. Texte Zur Kunst, 62, pp. 110-121. [Article]

Sheikh, Simon. 1996. Spejlstadier – Om Dan Grahams Pavilloner. Øjeblikket, 28, pp. 28-29. [Article]

Sheikh, Simon. 1997. Strategies of Difference and Differentiation. Atlantica(17), pp. 3-13. [Article]

Sheikh, Simon. 1996. Tilstedeværelse og utilstedelighed. Øjeblikket, 29, pp. 22-27. [Article]

Sheikh, Simon. 1997. ‘Udsigelses magt’. Louisiana Revy, 38(1), pp. 42-43. [Article]

Sheikh, Simon. 1997. ‘Udsigelses magt’. Art Planet, 1, pp. 150-153. [Article]

Sheikh, Simon. 2002. Visioner for kunstpolitikken. Bulletinen, 28, pp. 4-6. [Article]

Sheikh, Simon. 2005. Whatever Happened to Social Democracy - review. Springerin, 11(1), pp. 64-65. [Article]

Sheikh, Simon and Michelsen, Anders. 1999. Kunstudstillingen: En Ny Refleksiv Model. Øjeblikket, 39/40, pp. 53-56. [Article]

Sheikh, Simon and Montmann, Nina. 2003. The Power of Institution(s). NIFCA Info, pp. 4-8. [Article]

Sheikh, Simon and Montmann, Nina. 2003. ‘The Power of Institution(s)’. NIFCA Info, 2, pp. 4-8. [Article]

Sheikh, Simon and Villar, Alex. 2004. A Conversation. Danger Museum Newsletter, 18, [Article]

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Van Balen, Tuur and Cohen, Revital. 2016. Take a Good Lamp. Cultural Politics, 12(3), pp. 332-338. ISSN 1743-2197 [Article]

Walsh, Bernard. 2005. Abstracted Garments. Abstracted Garments: exhibition, [Article]

Walsh, Bernard. 2003. Away. Away: exhibition by Caroline Broadhead, [Article]

Walsh, Bernard. 2012. Bernard Walsh's World Series. Journal of Writing in Creative Practice, 5, ISSN 1753-5190 [Article]

Walsh, Bernard. 2008. Best in Show. Best in Show, [Article]

Walsh, Bernard. 2006. Bloody Mess. Bloody Mess, [Article]

Walsh, Bernard. 2007. Cuckoo. Cuckoo: exhibition by Annie Whiles, [Article]

Walsh, Bernard. 2006. George Henry Longly. George Henry Longly, [Article]

Walsh, Bernard. 2011. She. The Yellow Wallpaper – Crafts Council – OnView Online exhibition, [Article]

Walsh, Bernard. 2007. Something. it's a soft hard world: an exhibition by stephen nelson, pp. 5-9. [Article]

Walsh, Bernard. 2000. A review of Janet Cardiff’s Missing Voice (Case Study B). Public Art Journal, 1(3), pp. 69-71. ISSN 1465-7376 [Article]

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Whiles, Annie; Perou, P and Pilkington, Cathie. 2016. interview in EDICT magazine. EDICT(3), pp. 6-16. [Article]

Williams, Gilda. 2008. Anthony McCall. Artforum, 46(8), p. 380. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Claire Hooper. Artforum, 47(8), pp. 198-199. ISSN 1086-7058 [Article]

Williams, Gilda. 2010. Clunie Reid. Artforum, 48(5), pp. 211-212. ISSN 1086-7058 [Article]

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Williams, Gilda. 2008. Daniel Silver: Openings. Artforum, XLVI(10), pp. 418-419. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Duncan Campbell. Artforum, 47(7), p. 254. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Elizabeth Price. Artforum, 48(1), p. 304. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Front House. Artforum, 47(1), pp. 473-474. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Gary Hume. Artforum, 46(5), p. 291. ISSN 1086-7058 [Article]

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Williams, Gilda. 2016. "'How Embarrassing!': On Maria Lassnig", Tate etc., May 2016. Tate etc.(37), pp. 43-47. ISSN 1743-8853 [Article]

Williams, Gilda. 2010. Ian Kiaer. Artforum, 48(8), p. 206. ISSN 1086-7058 [Article]

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Williams, Gilda. 2010. It Was What It Was: Modern Ruins. Art Monthly, 336, pp. 1-4. [Article]

Williams, Gilda. 2008. Jimmy De Sana. Artforum, 46(10), p. 450. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. John Samson. Artforum, 47(4), p. 312. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Lindsay Seers. Artforum, 47(9), p. 247. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Liverpool Biennial. Artforum, 47(5), pp. 221-222. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. The Otolith Group. Artforum, 48(4), p. 245. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Peter Coffin and Djordje Ozbolt. Artforum, 47(2), p. 394. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. Roger Hiorns. Artforum, 47(4), pp. 311-312. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Tim Shaw. Artforum, 47(6), pp. 203-204. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. Voodoo. Artforum, 47(10), p. 348. ISSN 1086-7058 [Article]

Williams, Gilda. 2009. What's That Hanging on My Bicycle? Artforum, 47(10), p. 67. ISSN 1086-7058 [Article]

Williams, Gilda. 2008. William Daniels. Artforum, 46(6), pp. 300-301. ISSN 1086-7058 [Article]

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al-Rifaie, Mohammad Majid; Bishop, Mark (J. M.) and Aber, Ahmed. 2011. Creative or Not? Birds and Ants Draw with Muscle. Proceedings of AISB'11 Computing and Philosophy, pp. 23-30. [Article]

Artist's Book

Ashery, Oreet and Sansour, Larissa. 2009. The Novel of Nonel and Vovel. [Artist's Book]

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Beasley, Becky. 2018. Two Plants in Dip. [Artist's Book]

Carter, Claire. 2015. DEMO KHAT. [Artist's Book]

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Gordon, Melissa. 2016. Painting Behind Itself. [Artist's Book]

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Hammond, Chris; ULAY, Ulay and Jones, Amelia. 2015. Ulay Retouching Bruises. [Artist's Book]

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Jones, Alison and Thompson, Milly. 2016. C21st RECENT HISTORY, 2016. [Artist's Book]

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Jones, Alison and Thompson, Milly. 2012. VUOTO, 2012. [Artist's Book]

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Martin, Simon. 2015. Simon Martin 2015. [Artist's Book]

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Mellor, Dawn. 2017. Sirens. [Artist's Book]

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Murdoch, Sadie. 2016. Omnipulsepunslide.. [Artist's Book]

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Renton, Andrew; Marleen, Inge and David, Powell. 2019. The Neighbourhood of Infinity. [Artist's Book]

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Thompson, Milly. 2008. Opera, 2008. [Artist's Book]

Zaman, Rehana; Le Melle, Taylor and Powell, Rowan. 2019. Tongues. [Artist's Book]

Audio

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Coutts, Marion. 2020. StudioAudio. [Audio]

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Davis, Paul. 2015. Calypso Fugitive. [Audio]

Book

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Yiakoumaki, Nayia; Karaba, Elpida and Cooke, Jacqueline, eds. 2004. FeedBack 0-1. London: FeedBack. [Book]

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Renton, Andrew, ed. 2008. Front of House. London: Parasol unit: foundation for contemporary art. ISBN 978-0-9560247-0-1 [Book]

Acconci, Vito; Coutts, Marion; Norman, Nils; O'Shea, Mick; Rothschild, Eva and Tzaig, Uri. 2001. Vito Acconci/Acconci Studio, PARA-CITIES: Models for Public Spaces. Trouble Shooting. Bristol: Arnolfini. ISBN 0907738664 [Book]

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Archer, Michael. 2011. Jeff Koons: One Ball Total Equilibrium Tank. London/Cambridge, Mass: Afterall/MIT. ISBN 978-1-84638-079-2 (paperback), 978-1-84638-078-5 (hardback) [Book]

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Batchelor, David. 2014. The Luminous and the Grey. London: Reaktion Books. ISBN 9781780232805 [Book]

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Coutts, Marion. 2014. The Iceberg [American edition]. New York: Grove Atlantic. ISBN 978-0-8021-2460-9 [Book]

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Coutts, Marion. 2016. The Iceberg [Mandarin edition]. Taiwan: Mobius. ISBN 978-986-91082-6-3 [Book]

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Coutts, Marion. 2014. The Iceberg. London: Atlantic Books. ISBN 9-781782-393504 [Book]

Coutts, Marion. 2015. The Iceberg: A Memoir. London: Atlantic Books. ISBN 9781782393528 [Book]

Coutts, Marion and Fisher, Elizabeth. 2005. Marion Coutts, Kettle’s Yard. Kettles Yard Gallery. ISBN 1-904561-13-6 [Book]

Coutts, Marion; O'Reilly, Sally; Deary, Vincent; Wood, Katherine and Bode, Steven. 2003. Marion Coutts. Film & Video Umbrella. ISBN 978-1904270058 [Book]

Crowe, Nick. 2006. Nick Crowe, Commemorative Glass. Manchester: Cornerhouse Publications. ISBN 978-0955047800 [Book]

Crowe, Nick. 2000. Parallel Lines. Manchester: Trice Publications. [Book]

Crowe, Nick. 2006. The Reporters of the BBC Website. Berlin: The Green Box. ISBN 978-3908175131 [Book]

Crowe, Nick and Kivland, Sharon. 2006. Their Dark Materials. Manchester: i3 Publications. ISBN 9780954205874 [Book]

Crowe, Nick and O'Reilly, Sally. 2007. Labyrinth: LEO. CSKX Publishing. ISBN 978-0955757501 [Book]

Crowe, Nick and Rawlinson, Ian. 2003. Nick Crowe and Ian Rawlinson. Manchester City Art Galleries. ISBN 978-0901673626 [Book]

Crowe, Nick and Rawlinson, Ian. 2007. Nick Crowe and Ian Rawlinson: At 25 Meters: At 25 Metres (FACT). Liverpool University Press. ISBN 978-1846311475 [Book]

Danino, Nina; De Witt, H.; Gray, L. and Plate, S.. 2005. Visionary Landscapes - The Films of Nina Danino. London: Black Dog Publishing, pp. 1-144. ISBN 1904772072 [Book]

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Danino, Nina and Maziere, M.. 2002. The Undercut Reader - Critical Writings on Artists' Film and Video, 2002. London: Wallflower Press. ISBN 1903364477 [Book]

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De Ville, Nicholas. 2003. Album: Style and Image in Sleeve Design. Mitchell Beazley. ISBN 1840006056 [Book]

Fusco, Maria. 2012. Donald. Edinburgh: Collective Gallery. ISBN TBC [Book]

Fusco, Maria. 2006. The Dream that Kicks; Transdisciplinary Practice in Action. The Artists Information Company. ISBN 090773071X [Book]

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Fusco, Maria. 2010. The Mechanical Copula. Berlin/New York: Sternberg Press. ISBN 978 1 934105 19 1 [Book]

Garfield, Rachel. 2011. Avinash Chandra. London: Lund Humphries/Delhi Art Gallery. [Book]

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Graham, Ellard and Johnstone, Stephen. 2015. Anthony McCall: Notebooks and Conversations. Farnham: Lund Humphries. ISBN 9781848221697 [Book]

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Gupta, Sunil; Singh, Radikal; Nasar, Hammad; Alam, Shahidul; Pinney, Christopher; Gadihoke, Sabeena and Kapur, Geeta. 2010. Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh. London, UK: Whitechapel Gallery, Fotomuseum Winterthur, Steidl. ISBN 978-0-85488-179-6 [Book]

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Harbison, Isobel. 2019. Performing Image. Cambridge MA: The MIT Press. ISBN 9780262039215 [Book]

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Harris, Mark. 2014. Sparrow Come Back Home. Wilmington: Delaware Center for the Contemporary Arts. ISBN 0-9785927-6-X [Book]

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Hunt, Ian. 2006. Green Light. London: Barque Press. ISBN 1 903488 57 5 [Book]

Johnstone, Stephen and Ellard, Graham. 1998. Passagen (Electric art) CD-ROM. Ellipsis Architectural Press/Film and Video Umbrella, with assistance from the Arts Council of England. ISBN 9781899858163 [Book]

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Kerbel, Janice. 2018. Live: Collected scripts. London UK: Occasional Papers / The Polygon Gallery / Badischer Kunsterein / University of Toronto Press. ISBN 978-0-9954730-0-3 [Book]

Kreider, Kristen. 2003. Fear Pages. London: Unnameable Publications. [Book]

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Kreider, Kristen. 2013. Poetics and Place: The Architecture of Sign, Subject and Site. London: I.B. Tauris. ISBN 9781780763378 [Book]

Kreider, Kristen and O'Leary, James. 2005. Eight Rooms. London: Unnameable Publications. [Book]

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Kreider, Kristen and O'Leary, James. 2015. Falling. Isle of Wight: Copy Press. ISBN 978-1909570016 [Book]

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Kreider, Kristen and O'Leary, James. 2018. Field Poetics. London: MA Biblioteque. ISBN 9781910055427 [Book]

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Le Feuvre, Lisa. 2010. Failure. London: MIT Press / Whitechapel Gallery. ISBN 978-0-262-51477-4 [Book]

Lubbock, Tom; Coutts, Marion and Murray, Peter. 2000. Marion Coutts, Yorkshire Sculpture Park. Yorkshire Sculpture Park. ISBN 978-1871480320 [Book]

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Mollona, Massimiliano. 2021. Art/Commons. Anthropology Beyond Capitalism. London: Zed. ISBN 9781786996992 [Book] (In Press)

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Newman, Michael. 2007. Jeff Wall: Works and Collected Writings. Ediciones Poligrafa. ISBN 9788434311312 [Book]

Newman, Michael. 2007. Jeff Wall: Works and Writings. Barcelona: Ediciones Poligrafa. ISBN 978-8434311312 [Book]

Newman, Michael. 2019. Michael Newman - Selected Writings Vol. 1: Artists of the Still and Moving Image. London: Ridinghouse. ISBN 9781905464647 [Book] (Forthcoming)

Newman, Michael. 2006. Richard Prince: Untitled (couple). Afterall Books, MIT Press. ISBN 1846380030 [Book]

Newman, Michael and Price, Seth. 2010. Price, Seth. JRP Ringier. ISBN 978-3-03764-028-9 [Book]

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Nicholas, Cullinan; Andrew, Hunt and Thompson, Milly. 2009. Milly Thompson ‘Savoir Faire’. Southend-on-Sea: Focal Point Gallery. ISBN 978-1-907185-01-4 [Book]

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Noble, Richard. 2009. Utopias. London/New York: Whitechapel/MIT. ISBN 978-26264069-5 [Book]

Pennell, Jacqueline D.. 2007. Museum Van Nagsael. Veenman Publishers. ISBN 978-9086900343 [Book]

Renton, Andrew and Lapa, P.. 2003. Ângela Ferreira: Em Sítio Algum . No Place at All. Museu Nacional de Arte Contemporânea. ISBN 9727761895 [Book]

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Renton, Andrew and Rosenthal, Norman. 2004. Jason Martin. Charta. ISBN 8881584832 [Book]

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Seers, Lindsay. 2014. Artist Novels. Berlin: Sternberg Press. ISBN 978-3-956790-76-8 [Book]

Seers, Lindsay. 2007. Human Camera. Article Press. [Book]

Smith, Kate. 2002. Space Cooks. Space Studios. [Book]

Smith, Kate. 1997. Who could have guessed there’d be so much diversity? London: Matt's Gallery; Catalogue edition. ISBN 978-0907623267 [Book]

Smith, Kate and Joy, Clair. 1995. Postcard book. UNSPECIFIED. [Book]

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Stehli, Jemima S. and Hilliard, John. 2009. Arguments. Italy: ARTRA and Fine Arts Unternehmen Books. ISBN ISBN 13: 978-3-03720-014-8 [Book]

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Walsh, Bernard. 2016. Bring Me Sunshine. London: Ditto Press. ISBN 978-0-9567952-6-7 [Book]

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Walsh, Bernard. 2014. Jack in the Jungle. London: Ditto Press. [Book]

Walsh, Roxy. 1997. Better After Death Catalogue. Wild Pansy Press. ISBN 978-1900687058 [Book]

Walsh, Roxy. 2005. Infallible, In Search of the Real George Eliot. ARTicle Press. ISBN 978-1873352830 [Book]

Walsh, Roxy and Ostrow, Saul. 1996. Wish You Were Beautiful Catalogue. Wild Pansy Press. ISBN 978-1900687010 [Book]

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White, Laura. 2008. Laura White: The Stuff of Images. Manchester, UK: Castlefield Gallery. ISBN 978-0-9559557-1-6 [Book]

Williams, Gilda. 2009. ‘Gothic and Its Legacies’. London: Courtauld Institute. [Book]

Williams, Gilda. 2009. ‘The Gothic’. London: Westminster University. [Book]

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Williams, Gilda. 2014. How to Write about Contemporary Art. London: Thames & Hudson. ISBN 9780500291573 [Book]

Williams, Gilda. 2010. ‘Women and Gothic’ (on Louise Bourgeois). Cambridge: Lucy Cavendish College, Cambridge University. [Book]

Book Section

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Archer, Michael. 2010. Eva Rothschild. In: , ed. Eva Rothschild. London: Stuart Shave/Modern Art and Koenig Books, pp. 129-133. ISBN 978-3-86560-910-6 [Book Section]

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Archer, Michael. 2015. Imi Knoebel: Paint Project. In: , ed. Imi Knoebel. London: White Cube, pp. 29-55. ISBN 9781910844021 [Book Section]

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Archer, Michael. 2009. It's Like This. In: , ed. Martin Creed. Birmingham, UK: Ikon Gallery, pp. 36-47. ISBN 978-1-904864-45-5 [Book Section]

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Archer, Michael. 2008. No Man's Time: Material Fantasies. In: , ed. theanyspacewhatever. New York: Solomon R. Guggenheim Museum, pp. 116-122. ISBN 978-0-89207-377-1 [Book Section]

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Archer, Michael. 2008. One and the Same. In: , ed. POLITICAL/MINIMAL. Nürnberg: Verlag für moderne Kunst, pp. 127-137. ISBN 978-3-941185-07-4 [Book Section]

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Archer, Michael. 2016. Surface Density. In: , ed. Jeff Koons: Now. London: Other Criteria, pp. 6-11. ISBN 9781906967765 [Book Section]

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Avanessian, Armen and Malik, Suhail. 2016. Introduction: Speculative Genealogies. In: Suhail Malik and Armen Avanessian, eds. Genealogies of speculation : materialism and subjectivity since structuralism. London and New York: Bloomsbury Academic, pp. 1-26. ISBN 9781472591678 [Book Section]

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Bauer, Diann; Malik, Suhail and Zuluaga, Natalia. 2019. Operationalizing Real Abstraction: Art and the General Abstract Image. In: Gean Moreno, ed. In the Mind But Not From There: Real Abstraction and Contemporary Art. New York: Verso. ISBN 9781788730693 [Book Section]

Black, Hannah; Daniels, Chris Paul; Dean, Michael; Harrison, Sarah; Kholeif, Omar; Kingstone, Peter; Carter, Claire; Morrison, Laura; O'Hare, Louise; Penney, Bridget; Perks, Sarah; Unsworth, Emma Jane; Walter, John; Wills, Camilla and Wood, Jason. 2015. Transactions of Desire Vol 2: Are you allergic to the 21st century? In: Louise O'Hare and Sarah Perks, eds. Transactions of Desire Vol 2: Are you allergic to the 21st century? 2 Manchester UK: Cornerhouse Publications, pp. 54-68. ISBN 9780992952457 [Book Section]

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Carpenter, Ele. 2010. Intervention & Revolution, Interview with Gregory Sholette and Nato Thompson. In: Sarah Cook; Beryl Graham; Verina Gfader and Axel Lapp, eds. A Brief History of Working with New Media Art: Conversations with Artists. Sunderland UK / Berlin Germany: The Green Box, pp. 111-127. [Book Section]

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Carpenter, Ele. 2012. Open Source Embroidery: Curatorial Facilitation of Material Networks. In: Jessica Hemmings, ed. The Textile Reader. London: Berg, pp. 336-346. ISBN 9781847886347 [Book Section]

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Carpenter, Ele. 2011. Shaggy Modernism. In: James Hutchinson, ed. James Hutchinson: works 2007–2011. Sunderland, UK: Art Editions North, pp. 49-51. ISBN 978‐0‐9549119‐9‐7 [Book Section]

Carpenter, Ele. 2016. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity. In: Ryan Bishop and John Beck, eds. Cold War Legacies: Systems, Theories, Aesthetics. Edinburgh: Edinburgh University Press. ISBN 9781474409483 [Book Section]

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Carpenter, Ele. 2016. The Smoke of Nuclear Modernity Drifts through the Anthropocene. In: Helen Grove-White, ed. Power in the Land. Wales: X-10, pp. 17-29. ISBN 978-1-78280-732-2 [Book Section]

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Carpenter, Ele. 2011. Social Making. In: Daniel Charny, ed. The Power of Making:The Importance of Being Skilled. London, UK: V&A Museum and Crafts Council, pp. 49-51. ISBN 9781851776535 [Book Section]

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Carpenter, Ele. 2009. The Strategic and Tactical Time of Curating. In: , ed. Time at Work: CECAC 2008. 2 Post Media Books, pp. 66-71. [Book Section]

Carter, Makhlouf Carter. 2015. Are You Allergic to the 21st Century? HOME, Manchester. In: Sarah Perks and Louise O'Hare, eds. Transactions of Desire, Volume ii: Are You Allergic to the 21st Century? ii Machester: HOME, pp. 55-68. ISBN 9780992952457 [Book Section]

Chalklin, Victoria. 2015. All Hail the Fierce Fat Femmes. In: Caroline Walters and Helen Hester, eds. Fat Sex: New Directions in Theory and Activism. London: Ashgate. ISBN 9781472432544 [Book Section]

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Chilver, John. 2014. Entkoerperte Malerei. In: Gunter Reski and Hans-Juergen Hafner, eds. The Happy Fainting of Painting. Cologne: Verlag der Buchhandlung Walter Koenig, pp. 62-67. ISBN 9783863356705 [Book Section]

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Chilver, John. 2015. Glenn Brown October 2013. In: Wendy Chang, ed. Glenn Brown, Rebecca Warren. Vancouver, Canada: Rennie Collection, pp. 9-21. ISBN 978-0-9865961-7-9 [Book Section]

Chilver, John. 2012. If Display Becomes Materiality. In: Edward Whittaker and Alex Landrum, eds. Painting With Architecture in Mind. Bath, UK: Wunderkammer Press, pp. 113-134. ISBN 978-0-9566462-1-7 [Book Section]

Chilver, John. 2007. Morandi with Heidegger. In: E Whittaker and A Landrum, eds. Nonsite to Celebration Park: Essays on Art and the Politics of Space. Bath: Bath Spa University, pp. 85-100. ISBN 9781905200726 [Book Section]

Chilver, John. 1999. 'On DJ Simpson', a dialogue with Dave Beech. In: Shahin Alfrassiabi, ed. Beck's Futures 2001 (Art Catalogue). University of Pennsylvania,Institute of Contemporary Art. ISBN 978-1900300315 [Book Section]

Chilver, John. 2008. Painting and Its Strata: Sub, Super, etc. In: , ed. Superstratum. Antwerp: Koraalberg Gallery, pp. 3-5. ISBN 9789079874002 [Book Section]

Chilver, John; Graw, Isabelle; Haverkost, Eberhard; Baer, Monika and Reski, Gunter. 2007. 'On Disappearance & Display'. In: , ed. The Worst & The Best: Yearbook 2007/2008. Oslo: KHIO/National Academy of Fine Arts Oslo, pp. 21-23. [Book Section]

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Clinton, Paul. 2019. AA Bronson: Revolutionary Asshole. In: Vincent Simon, ed. AA Bronson's House of Shame. Zurich, Switzerland: Editions Patrick Frey. [Book Section] (Forthcoming)

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Clinton, Paul. 2019. Useless Man. In: , ed. Kiss My Genders (exhibition catalogue, Hayward Gallery, 12th June 2019). London, UK: Hayward Publishing, pp. 34-39. ISBN 9781853323645 [Book Section]

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Cohen, Revital and Van Balen, Tuur. 2019. Particles (an epilogue)/ Epilogue (a particle). In: Karsten Lund, ed. Unthought Environments. Chicago: Renaissance Society, pp. 144-157. ISBN 9780941548755 [Book Section]

Comay, Rebecca and Newman, Michael. 2012. Ghostly Medium: James Coleman’s 'Charon'. In: Museo Nacional Centro de Arte Reina Sofía, ed. James Coleman. Madrid: Museo Nacional Centro de Arte Reina Sofia, pp. 35-52. ISBN 9788480264556 [Book Section]

Coutts, Marion. 2005. 01. Marion Coutts. In: , ed. Responding to Rome, British Artists in Rome 1995-2005. The British School at Rome. ISBN 978-0904152494 [Book Section]

Coutts, Marion. 2005. Contribution to Helsinki photography festival 2005. In: Mika Elo; Brett Rogers and Marjatta Tikkanen, eds. To be continued... / jatkuu...: Helsinki Photography Festival 2005. Helsinki: Valokuvataiteilijoiden Liitto ry / Valokuvagalleria Hippolyte & British Council. ISBN 0-86-355-5489 [Book Section]

Coutts, Marion. 2001. Fair Play. In: , ed. Fair Play. London: Danielle Arnaud. ISBN 09537752-7-5 [Book Section]

Coutts, Marion and Hopkins, David. 2000. essay by David Hopkins. Co-published by Morning Star with City Art Centre, polygon. Paperback with CD. In: Alex Finlay, ed. Without Day. Polygon An Imprint of Birlinn Limited; Pap/Com edition. ISBN 978-0748662777 [Book Section]

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Coutts, Marion and Lubbock, Tom. 2012. Introduction. In: Marion Coutts, ed. Until Further Notice, I am Alive. London: Granta, pp. 1-9. ISBN 978-1-84708-531-3 [Book Section]

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Cox, Christoph; Jaskey, Jenny and Malik, Suhail. 2015. 'Introduction'. In: C Cox; J Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College, pp. 15-31. ISBN 978-3-95679-126-0 [Book Section]

Craighead, Alison and Thomson, Jon. 2018. The Internet of Living Things. In: Omar Kholeif, ed. I Was Raised on the Internet. New York: Prestel Publishing. ISBN 9783791358024 [Book Section]

Crowe, Nick. 2002. Constantly Falling Rocks. In: , ed. Life is Good in Manchester. Trice Publications. [Book Section]

Crowe, Nick. 2008. Contemporary Glass. In: Blanche Craig, ed. Contemporary Glass. London: Black Dog Publishing. ISBN 978-1906155360 [Book Section]

Crowe, Nick. 2015. Digital Art (World of Art). In: Christiane Paul, ed. Digital Art (World of Art). London: Thames & Hudson Ltd. ISBN 978-0500203675 [Book Section]

Crowe, Nick. 2006. The Dream of the Big Fat Pipe. In: , ed. The Artist Handbook. London: Thames and Hudson. [Book Section]

Crowe, Nick. 2003. Internet Art. In: Julian Stallabrass, ed. Internet Art : The Online Clash of Culture and Commerce. Tate Publishing; 1st Trade Paperback edition. ISBN 978-1854373458 [Book Section]

Crowe, Nick. 2007. Pavel Büchler’s Loops. In: , ed. Pavel Büchler - Absentmindedwindowgazing Van Abbemuseum 2007. Veenman Publishers. ISBN 978-90-8690-080-0 [Book Section]

Crowe, Nick. 2010. Theorizing Digital Cultural Heritage (Media in Transition). In: Fiona Cameron and Sarah Kenderine, eds. Theorizing Digital Cultural Heritage. Cambridge, Mass: MIT Press. ISBN 978-0262514118 [Book Section]

Crowe, Nick. 2009. We are the Real Time Experiment: 20 Years of FACT. In: Michael Stubbs and Karen Newman, eds. We are the Real Time Experiment. Liverpool University Press. ISBN 978-1846312298 [Book Section]

Crowe, Nick and Rawlinson, Ian. 2005. Artist Pages. In: Nick Crinson, ed. Urban Memory, History and Amnesia in the Modern City. London: Routledge. ISBN 978-0415334068 [Book Section]

Danino, Nina. 2006. Film, the Body and the Fold. In: J. Hatfield and S. Littman, eds. Experimental Film and Video: An Anthology. John Libbey, pp. 93-101. ISBN 9780861966646 [Book Section]

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Danino, Nina. 2019. Filming Women’s Work as Prayer in the Monastery in Jennifer and Sorelle Povere. In: Jane Boyer, ed. Theorem 2018: Doctoral research in the visual arts and design. Cambridge, UK: Ruskin Arts Publications, Anglia Ruskin University, pp. 221-243. ISBN 978-1-912319-00-8 [Book Section]

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Danino, Nina. 2010. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. In: Peter Kardia; Malcolm Le Grice and Hester Westley, eds. From Floor to Sky -The Experience of Art School and the teaching of Peter Kardia. London: A&C Black, pp. 58-62. ISBN 9781408114995 [Book Section]

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Danino, Nina. 2010. Little Constellation: Contemporary Art in Geo-cultural Micro-areas and small States of Europe. In: Rita Canarezza and Pier Paolo Coro, eds. LIttle Constellation: Contemporary Art in geo-cultural micro-areas and small States of Europe. Milan, Italy: Mousse Publishing, pp. 82-86. ISBN 9788896501078 [Book Section]

Danino, Nina. 2007. Stabat Mater - A Nameless Place, Film the Feminine and the Sacred. In: G. Pollock and V. Turvey-Sauron, eds. The Sacred and the Feminine - Imagination and Sexual Difference. I.B.Tauris, p. 288. ISBN 9781845115203 [Book Section]

Day, P.. 2005. Sin teoría revolucionaria no hay revolucíon: Estrategias política del arte contemporáneo en México [Without Revolutionary Theory There is no Revolution: Political Strategies in Contemporary Art in Mexico]. In: 'Issa Ma Benítez Dueñas, ed. Cronicas del paraiso: Arte contemporaneo y sistema del arte en Mexico. Ephemera Books, pp. 78-89. [Book Section]

De Ville, Nicholas. 2002. Les Écoles d'art Britannique [British Art Schools and the Influence of Art Education]. In: , ed. Blast to Freeze L'art Britannique au XXe Siècle [Blast to Freeze: British Art in the 20th Century]. Hatje Cantz, pp. 106-111. ISBN 3775712488 [Book Section]

De Ville, Nicholas. 2006. On Falling Down: Writing a Catalogue Essay for Graham Dolphin, Even. In: No named Editor, ed. Thirty Three and a Third. Seventeen, pp. 1-4. ISBN 0955437504 [Book Section]

Fusco, Maria. 2009. Don’t say yes – say maybe: fiction writing and art writing. In: , ed. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge: Cambridge Scholars Publishing, pp. 28-37. ISBN 978 1 4438 0532 2 [Book Section]

Fusco, Maria. 2008. The Mechanical Copula. In: Mark Beasley, ed. Hey Hey Glossolalia. New York: Creative Time. ISBN 9781928570073 [Book Section]

Fusco, Maria. 2001. Professional is environmental. Amateurism is anti-environmental: Some networks of association in visual arts publishing. In: No Named Editor, ed. Unbound: Art Publishing in Scotland. Fruitmarket Gallery, pp. 34-43. ISBN 0947912045 [Book Section]

Fusco, Maria. 2010. Say who I am. In: , ed. Judgment and Contemporary Art Criticism. Vancouver, Canada: Fillip and Artspeak. [Book Section]

Fusco, Maria. 2007. Window Strikes. In: K. Henry, ed. Copy Work. Contemporary Art Gallery, pp. 79-92. ISBN 9781897302163 [Book Section]

Fusco, Maria. 2008. ‘The World in your Head’, ‘The World in your Hand’ and ‘The World Tomorrow’. In: R. Klanten and M. Huebner, eds. Fully Booked: Cover Art and Design for Books. Berlin: Gestalten. ISBN 978-3-89955-209-6 [Book Section]

Fusco, Maria. 2009. The incunabulum and the plastic bag. In: , ed. A Manual for the 21st Century Art Institution. Köln and London: Koenig Books and Whitechapel Gallery. ISBN 978 3865606 181 [Book Section]

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Gallardo, Francisco and Samson, Audrey. 2017. Shrimping under working conditions. In: Helen Pritchard; Eric Snodgrass and Magda Tyżlik-Carver, eds. EXECUTING PRACTICES. (06) Brooklyn, NY: Autonomedia, pp. 253-266. ISBN 9781570273216 [Book Section]

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Garfield, Rachel. 2009. A Particular Incoherence: The films of Vivienne Dick. In: Treasa O'Brian, ed. Between Truth and Fiction, The Films of Vivienne Dick. Ireland/UK: Crawford Art Centre and the Lux, London, pp. 39-48. ISBN 0-9548569-8-8 [Book Section]

Garfield, Rachel. 2007. Radical Uncertainty and Elegaic Practices. In: No Named Editor, ed. AfterShock. Sainsbury's Centre for the Visual Arts, pp. 87-89. ISBN 9781094600963 [Book Section]

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Garfield, Rachel; Wechsler, James; Betancour, Michael; Craven, David; Harrison, Helen; Kuspit, Donald and Power, Susan. 2008. ‘Questioning Perceptions of Jewish Identity in the work of Ary Stillman’,. In: James Wechsler, ed. Ary Stillman: from Impressionism to Abstract Expressionism. New York: Merrel, pp. 149-163. ISBN ISBN 9781858944333 [Book Section]

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Grant, Catherine. 2011. Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. In: Catherine Grant and Lori Waxman, eds. Girls! Girls! Girls! in Contemporary Art. Bristol: Intellect Press, pp. 161-186. ISBN 9781841503486 [Book Section]

Grant, Catherine. 2013. The Effort of Perfection: Performing Adolescence. In: Jo Longhurst, ed. On Perfection: An Artists’ Symposium. Intellect. ISBN 9781841507101 [Book Section]

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Grant, Catherine. 2019. The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. In: Allyson Mitchell and Cait McKinney, eds. Killjoy's Kastle. Canada: University of British Columbia Press and The Art Gallery of York University Press. ISBN 9780774861571 [Book Section]

Grant, Catherine. 2017. Learning and Playing: Re- enacting Feminist Histories. In: Victoria Horne and Lara Perry, eds. Feminism and Art History Now: Radical Critiques of Theory and Practice. London: Bloomsbury. ISBN 9781784533250 [Book Section]

Grant, Catherine. 2008. Lisa Castagner. In: Filippo Maggia, ed. New Photography in Britain. Skira. ISBN 978-8861305434 [Book Section]

Grant, Catherine. 2019. More than a schoolgirl crush: Amy Adler and the adolescent fan. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 100-120. ISBN 9781912685134 [Book Section]

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Grant, Catherine. 2019. Returning to Riddles. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London: Bloomsbury Academic. ISBN 9781784537005 [Book Section]

Grant, Catherine. 2008. The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. In: Alexandra M. Kokoli, ed. Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing, pp. 159-176. ISBN 9781847184054 [Book Section]

Grant, Catherine and Random Love, Kate. 2019. Fandom as Methodology: Introduction. In: Catherine Grant and Kate Random Love, eds. Fandom as Methodology: A Sourcebook for Artists and Writers. London: Goldsmiths Press, pp. 1-20. ISBN 9781912685134 [Book Section]

Gray, Ros. 2017. Clear Lines of an Internationalist Map: Foreign Filmmakers in Angola at Independence [English translation]. In: Maria do Piçarra and Teresa Castro, eds. (Re)Imagining African Independence: Film, Visual Arts and the Fall of the Portuguese Empire. Oxford: Peter Lang. ISBN 9781787076396 [Book Section]

Gray, Ros. 2016. Decolonisation. In: Sangeeta Ray and Harry Schwarz, eds. The Encyclopedia of Postcolonial Studies. Wiley-Blackwell. ISBN 978-1-4443-3498-2 [Book Section]

Gray, Ros. 2010. Dreaming of Islands. In: , ed. Renée Green: Endless Dreams and Time-Based Streams. San Francisco, CA: Yerba Buena Center for the Arts. [Book Section]

Gray, Ros. 2012. Haven’t you heard of internationalism?: The Socialist friendships of Mozambican cinema. In: Lars Lyngsgaard and Fjord Kristensen, eds. Postcommunist Film - Russia, Eastern Europe and World Culture: moving images of postcommunism. Abingdon: Routledge, pp. 53-74. ISBN 9780415671644 [Book Section]

Gray, Ros. 2015. Linhas Claras num Mapa Internacionalista: Cineastas Estrangeiros em Angola durante a Independência. In: Maria do Carmo Piçarra and Jorge Antonio, eds. Angola - O Nascimento de Uma Nação: O Cinema da Independência. 3 Lisbon: Guerra & Paz. [Book Section]

Gray, Ros. 2016. Você já ouviu falar de internacionalismo? As amizades socialistas do cinema moçambicano [translation]. In: Lucia Monteiro, ed. África(s): Cinema e revolução: As Independências de Angola, Guiné-Bissau e Moçambique em filmes de luta e memória (catálogo de mostra de cinema, realizada no cinema Caixa Belas Artes, São Paulo, de 10 a 23 de novembro de 2016). São Paulo: Caixa Belas Artes. [Book Section]

Gray, Ros. 2021. Vous n'avez jamais entendu parler d'internationalisme?: Les amitiés socialistes du cinéma mozambicain [translation]. In: Maria-Benedita Basto; Françoise Blum; Pierre Guidi; Héloïse Kiriakou; Martin Mourre; Céline Pauthier; Ophélie Rillon; Alexis Roy and Elena Vezzadini, eds. Socialismes africains / Socialismes en Afrique. Paris: Les Éditions de la Maison des sciences de l'homme. ISBN 9782735126989 [Book Section]

Greenhill, Joanne and Walsh, Bernard. 1999. The Snake in the Grass / Raising Dirt. In: Jacquie Swift and John Swift, eds. Disciplines, Fields and Change in Art Education. 1 ARTicle Press. ISBN 1-873352-92-1 [Book Section]

Hammond, Chris. 2006. The Alpine Fantasy of Victor B. In: Jeremy Akerman and Eileen Daly, eds. The Alpine Fantasy of Victor B and Other Stories. Serpent's Tail, pp. 165-178. ISBN 978-1852429263 [Book Section]

Hammond, Chris. 2007. Collaborative Networks. In: Michael Stanley, ed. Person to Person, People to People. Milton Keynes Gallery, pp. 7-9. ISBN 9780955344077 [Book Section]

Hand, Janet. 2002. Follow me. In: John Gange, ed. Monograph: Tim Brennan. Information as Material, pp. 5-79. ISBN 0953676544 [Book Section]

Hand, Janet. 2001. Intimate Gestures: Proximity as a Deformation of Genre. In: K. Honnef, ed. Melanie Manchot - Love is a Stranger. Prestel Verlag, pp. 24-27. ISBN 9783791325323 [Book Section]

Hansen, Rikke. 2007. Endpoints, Turning Points. In: , ed. Vendepunkter. Byggeriets Hus, pp. 2-5. ISBN 879915611 [Book Section]

Harris, Jane and Walsh, Bernard. 2004. Virtuous Dress. In: Gavin Carver and Colin Beardon, eds. New visions in performance : the impact of digital technologies. Lisse; Exton, PA: Swets & Zeitlinger Publishers, pp. 139-152. ISBN 9026519664 [Book Section]

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Harris, Mark. 2011. Countercultural Intoxication: An Aesthetics of Transformation. In: Adam Lerner and Elissa Auther, eds. West of Center: Art and the Counterculture Experiment in America, 1965–1977. Minneapolis: University of Minnesota Press, pp. 324-343. ISBN 978-0-8166-7726-9 [Book Section]

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Harris, Mark. 1999. Pipilotti Rist's Music. In: , ed. Wishing for Synchronicity: Works by Pipilotti Rist. Houston, Texas: Contemporary Arts Museum Houston, pp. 14-23. ISBN 978-1-933619-17-0 [Book Section]

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Hunt, Ian. 2016. Four Backdrops/Vier Hintergrúnde. In: Christiane Meyer-Stoll, ed. Charlotte Moth: Travelogue. Vaduz, Liechtenstein: Kunstmuseum Liechtenstein/Snoeck, pp. 21-37. ISBN 978 3 86442 188 4 [Book Section]

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Hunt, Ian. 2012. If there's been a way to build it, there'll be a way to destroy it. In: Gavin Everall and Jane Rolo, eds. Again, A Time Machine: from distribution to archive. London: Book Works, pp. 34-41. ISBN 978 1 906012 40 3 [Book Section]

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Hunt, Ian. 2015. Interior Structures. In: Petra Lange-Berndt, ed. Materiality. London and Cambridge, Massachusetts: Whitechapel Gallery/MIT, pp. 134-136. ISBN 978 085488 237 3 [Book Section]

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Hunt, Ian and Rothschild, Eva. 2017. They Don't Unpack: An interview with Eva Rothschild. In: Patricia Bickers, ed. Talking Art 2: Art Monthly Interviews with Artists Since 2007. London: Ridinghouse and Art Monthly, pp. 85-91. ISBN 9 781909 932 42 5 [Book Section]

Johnstone, Stephen. 1993. 'The Politics of Seduction'. In: Mike Gane, ed. Baudrillard Live: Selected Interviews. London: Routledge, pp. 152-155. ISBN 978-0415070386 [Book Section]

Johnstone, Stephen. 1995. Walter Benjamin’s Panorama. In: Charlotte Pöchhacker, ed. film+arc. graz, 2nd biennale of film und architektur. Graz. ISBN 39500284-1-2 [Book Section]

Johnstone, Stephen and Ellard, Graham. 2008. Motion Path. A Building Films Itself. In: Frank Eckardt, ed. Media and Urban Space: Understanding, Investigating and Approaching Mediacity. 1 Berlin: Frank and Timme. Verlag fur Wissenschaftliche Literatur, Berlin., pp. 181-200. ISBN 978-3-86596-142-6 [Book Section]

Jones, Alison. 2007. Art can, and must change Peoples' Ideas. In: , ed. Gustav Metzger. Warsaw, Poland: National Gallery of Art Warsaw, Poland and Kunsthalle Lund, Sweden. ISBN 9788389145994 [Book Section]

Kelly, Susan. 2012. Against Critical Content: Transversality and the Micropolitics of the Intervention. In: Altés Arlandis Alberto and Lieberman Oren, eds. Intervention, Duration, Effects. Umeå, Sweden: University of Umeå, ---. ISBN - [Book Section]

Kelly, Susan. 2012. Asking, We Walk. In: Peter Lichtenfels and John Rouse, eds. Performance, Politics and Activism. London: Palgrave Macmillan, ---. ISBN - [Book Section]

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Kelly, Susan. 2010. The Centrifugal Book of Europe: A Partial Guide to the Micropolitics and Material Conditions of a Project. In: , ed. The Centrifugal Book of Europe. Belfast: Centrifugal, Belfast, pp. 59-73. ISBN 978-0-955-6395-1-7 [Book Section]

Kelly, Susan. 2006. Communities of the Question. In: Will Bradley; Mika Hannula; Cristina Ricupero and Superflex, eds. Self-Organisation/Counter Economic Strategies. Superflex, Sternberg Press, pp. 233-279. ISBN 1933128135 [Book Section]

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Kelly, Susan. 2009. Medium. In: Lynette Hunter and Shannon Rose Riley, eds. Mapping Landscapes in Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave Macmillan, pp. 142-144. ISBN 13-978-0-230-22219-9 [Book Section]

Kelly, Susan. 2013. ‘What does a Question do? Micropolitics and Art Education’. In: Irit Rogoff and Jean-Paul Martinon, eds. The Curatorial: A Philosophy of Curating. London: IB Tauris, pp. 107-112. ISBN 9781780763729 [Book Section]

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Kreider, Kristen and James, O'Leary. 2019. Prarie/Argo. In: Ryan Bishop and Sunil Manghani, eds. Seeing Degree Zero: Barthes/Burgin and Political Aesthetics. Edinburgh: Edinburgh University Press. ISBN 9781474431415 [Book Section]

Kreider, Kristen and O'Leary, James. 2009. Constructing Atmospheres: A Phenomenology of the Film Image and Its Relation to Place. In: , ed. Proceedings for Architecture and Phenomenology 2 International Conference. Architecture and Phenomenology 2. [Book Section]

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Kreider, Kristen and O'Leary, James. 2017. Particles of Moisture or Other Substance Suspended in Air and Visible as Clouds: Complexity in Site-Related Creative Practices. In: Phil Sawden and Russell Marshall, eds. Drawing Ambiguity: Beside the Lines of Contemporary Art. London: I.B. Tauris, pp. 67-82. ISBN 9781784530693 [Book Section]

Kreider, Kristen and O'Leary, James. 2010. Video Shakkei: Event-Space, Performance and Time-Based Drawing. In: , ed. Proceedings for Drawing Out conference at RMIT. Melbourne: RMIT. [Book Section]

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Kreider, Kristen and O'Leary, James. 2017. Volver a no Saber: Poetry, Architecture and the Beginnings of Open City. In: Jonathan Charley, ed. Routledge Companion to Architecture, Literature and the City. London: Routledge. ISBN 9781472482730 [Book Section]

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Kreider, Kristen and Oleary, James. 2018. Thirteen Points, Expanded (Text). In: Emily Orley and Katja Hilevaara, eds. The Creative Critic Writing as/about Practice. London: Routledge. ISBN 9781138674837 [Book Section]

Lai, Phillip. 1999. Contribution to Bent Aura. In: , ed. Bent aura (STOPSTOP). STOPSTOP. ISBN 978-1902052014 [Book Section]

Le Feuvre, Lisa. 2010. From island thought to water thought: Renée Green’s Endless Dreams and Water Between. In: , ed. Renée Green. San Francisco: Yerba Buena Center for the Arts/ DAP. [Book Section]

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Le Feuvre, Lisa. 2010. Joachim Koester. In: , ed. 100 Video Artists. Barcelona: Exit, pp. 254-257. ISBN 9788493734701 [Book Section]

Le Feuvre, Lisa. 2010. Nothing is written. We all know that. Don’t we. In: , ed. Esther Shalev-Gerz. Paris: Jeu de Paume, pp. 24-35. ISBN 9782849751879 [Book Section]

Le Feuvre, Lisa. 2009. Sea Change. In: , ed. Zineb Sedira: Under Sky and Over the Sea. Finland: Pori Art Museum, pp. 40-59. ISBN 9789525648188 [Book Section]

Lomax, Yve. 2002. A Burning Issue. In: T Horkova; E. Maurer; J. Hofleitner and R. Maurer-Horak, eds. Image/Images - Current Positions in Photography. Passagen Verlag, pp. 73-82. ISBN 385165515X [Book Section]

Lomax, Yve. 2006. On Bringing Education to Life: Notes for Further Thought. In: Irit Rogoff; A. Nollert; B. De Baere; Y. Dziewior; C. Esche and K. Niemann, eds. Academy. Revolver, pp. 223-227. ISBN 3865883036 [Book Section]

Lomax, Yve. 2006. Thinking Stillness. In: D. Green and J. Lowry, eds. Stillness and Time: Photography and the Moving Image. Photoworks/Photoforum, pp. 55-63. ISBN 1903796180 [Book Section]

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Mabb, David. 2013. Art into Everday Life. In: Marta Rabikowska, ed. The Everyday of Memory; Between Communism and Post-Communism. Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien.: Peter Lang, pp. 137-146. ISBN ISBN 978-3-0343-0847-2 [Book Section]

Mabb, David. 2003. Art of the Stitch and Sample. In: Polly Leonard, ed. Art of the Stitch and Sample. London: Embroiderers Guild. [Book Section]

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Mabb, David. 2004. Artist Contribution in Transmission: Speaking and Listening Volume 3 Ornament and Utility. In: Emma Cocker; Lesley Sanderson and Sharon Kivlan, eds. Transmission: Speaking and Listening Volume 3 Ornament and Utility. Site Gallery. ISBN 9781899926510 [Book Section]

Mabb, David. 2002. David Mabb. In: , ed. Sidewinder. Calcutta: CIMA Gallery. ISBN 8187977019 [Book Section]

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Mabb, David. 2010. Hijack: Morris Dialectically. In: Phillipa Bennett and Rosie Miles, eds. William Morris in the Twenty-First Century. (20) Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang, pp. 153-166. ISBN 978-3-0343-0106-0 [Book Section]

Mabb, David. 2005. Interview. In: , ed. Pilot: 2. London: Pilot. [Book Section]

Mabb, David. 2010. Morris/Fruit, Rodchenko/Triple Peaks. In: Gill Saunders, ed. Walls Are Talking: Wallpaper, Art and Culture. Chicago and London: The Whitworth Art Gallery, Manchester and KWS Publishers. [Book Section]

Mabb, David. 2005. Two series of paintings: Elegies to the Third International and Unrealised Projects Series. In: Dave Beech and Mark Hutchinson, eds. There is Always an Alternative. London: Arts Council. [Book Section]

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Mabb, David and Malik, Suhail. 2017. Art Teaching: Dialectics of Practice and Theory. In: Peter Sonderen and Marijn de Langen, eds. Theory - Arts - Practices. Arnhem: ArtEZ Press, pp. 69-81. ISBN 978-94-91444-39-5 [Book Section]

Mabb, David and et al.. 2004. Interview. In: , ed. Pilot:1 Q&A by Doriane Laithier. London: Pilot. [Book Section]

Malik, Suhail. 2007. Art - critique - capital. In: Bridget Crone and Kirsty Ogg, eds. The Showroom annual 2005/6. London: Showroom, p. 38. [Book Section]

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Malik, Suhail. 2018. ContraContemporary. In: Thijs Lijster, ed. The Future of the New: Artistic Innovation in Times of Social Acceleration. Amsterdam: Valiz, pp. 247-278. ISBN 9789492095589 [Book Section]

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Malik, Suhail. 2016. Materialist Reason and its Languages. Part One: Absolute Reason, Absolute Deconstruction. In: Suhail Malik and Armen Avanessian, eds. Genealogies of speculation : materialism and subjectivity since structuralism. London and New York: Bloomsbury Academic, pp. 238-268. ISBN 9781472591678 [Book Section]

Malik, Suhail. 2008. Measure for Measure. In: Juan Bolivar, ed. Geometry Wars. Southampton: John Hansard Gallery, xvii-xxi. ISBN 978 0854328932 [Book Section]

Malik, Suhail. 2006. On the Compostability of Painting. In: No named editor, ed. Nigel Cooke: Paintings 2001-2006. Koenig Books, pp. 22-32. ISBN 3865600662 [Book Section]

Malik, Suhail. 2014. The Ontology of Finance: Price, Power, and the Arkhéderivative. In: , ed. Collapse: Philosophical Research and Development. 8 (629) Falmouth: Urbanomic, pp. 629-812. ISBN 978-0-9567750-2-3 [Book Section]

Malik, Suhail. 2002. Painting as Contemporary Art. In: No Named Editor, ed. Painting as a Foreign Language. Centro Brasileiro Britanico, pp. 8-17. ISBN 8588116073 [Book Section]

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Malik, Suhail. 2015. Reason to Destroy Contemporary Art. In: Christoph Cox; Jenny Jaskey and Suhail Malik, eds. Realism Materialism Art. Berlin/Annandale-on-Hudson: Sternberg Press / Center for Curatorial Studies Bard College, pp. 185-190. ISBN 9783956791260 [Book Section]

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Malik, Suhail. 2016. The Speculative Time Complex. In: Suhail Malik and Armen Avanessian, eds. The Time Complex: Postcontemporary. Miami, Florida: [NAME], pp. 7-56. ISBN 9780984056616 [Book Section]

Malik, Suhail. 2008. Untitled. In: Pil and Galia Kollectiv, ed. Institute of Psychoplasmics. London: Pump House Gallery, pp. 30-62. ISBN 978 0 954467 [Book Section]

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Malik, Suhail. 2017. When is Contemporary Art? In: Simon Sheikh and Maria Hlavajova, eds. Former West: Art and the Contemporary after 1989. Cambridge, MA: MIT Press. ISBN 9780262533836 [Book Section]

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Malik, Suhail. 2010. You Are Here. In: Bassam el-Baroni; Jeremy Beaudry and Nav Haq, eds. Manifesta 8: The European Biennial of Contemporary Art, Region of Murcia (spain) in dialogue with northern Africa. Milan: Manifesta, pp. 58-61. ISBN 97888 3661697 8 [Book Section]

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Malik, Suhail; Kruk, Vinca and van der Velden, Daniel. 2018. Propaganda Is Now Another Name for Communication Itself: Conversation with Metahaven and Suhail Malik. In: Karen Archey and Gwen Parry, eds. PSYOP. Amsterdam: Stedelijk Musem. ISBN 9783960983620 [Book Section]

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Malik, Suhail and Phillips, Andrea. 2011. The Wrong of Contemporary Art: Aesthetics and Political Indeterminacy. In: Paul Bowman and Richard Stamp, eds. Reading Rancière: Critical Dissensus. London: Continuum, pp. 111-128. ISBN 978 1 4411 9037 6 [Book Section]

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Malik, Suhail and Vengrytè, Alberta. 2018. Interview with Suhail Malik. In: Jogintė Bučinskaitė, ed. VDA interviu: Meno Mokykla (En: VD Interviews: Art School). Vilnius, Lithuania: Vilnius Academy of Arts Publishing House, pp. 108-123. ISBN 9786094472985 [Book Section]

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Malik, Suhail and Zolghadr, Tirdad. 2018. Artist As Quarry. In: Tara MacDowell; Aileen Burns and Jonah Lundh, eds. The Artist As... Berlin: Sternberg Press, pp. 49-73. ISBN 978-3-95679-275-5 [Book Section]

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Malik, Suhail and Zolghadr, Tirdad. 2017. Postface. In: Thomas Keenan; Suhail Malik and Tirdad Zolghadr, eds. The Flood of Rights. berlin / Annandale on Hudson, New York: Sternberg Press / Center for Curatorial Studies Bard College, pp. 261-275. ISBN 978-3-95679-140-6 [Book Section]

Martin, Simon. 2010. Incidents of Mirror-Travel in Yucatan and Elsewhere. In: Leon Pablo, ed. Incidentes de Viaje Espejo en Yucatan y otros Lugares/Incidents of Mirror-Travel in Yucatan and Elsewhere. Instituto Nacional de Bellas Artes y Literatura. ISBN 978-6076050873 [Book Section]

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McCartney, Ella. 2018. Movement as Translation: Dancers in Dialogue. In: Madeleine Campbell and Ricarda Vidal, eds. Translating across Sensory and Linguistic Borders: Intersemiotic Journeys between Media. Cham, Switzerland: Palgrave Macmillan, pp. 293-309. ISBN 9783319972435 [Book Section]

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Murdoch, Sadie. 2015. Too Much of a Good Thing. In: Mo Throp and Maria Walsh, eds. The MAKE Anthology: Reviewing the Past and Looking to the Future of Women’s Art Practice. London: I.B Tauris. ISBN The MAKE Anthology: Reviewing the Past and Looking to the Future of Women’s Art Practice [Book Section]

Newman, Michael. 2008. 'Absolute Nonsense'. In: , ed. Un coup de dés: Writing Turned Image: An Alphabet of Pensive Language. Vienna: Generali Foundation, pp. 220-223. ISBN 978-3865605436 [Book Section]

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Newman, Michael. 2017. The Ball-Joint and the Anagram: Perversion and Jouissance in Hans Bellmer. In: Diana Caine and Colin Wright, eds. Perversion Now! London: Palgrave Macmillan, pp. 157-168. ISBN 978-3-319-47270-6 [Book Section]

Newman, Michael. 2012. 'Body as Place: Antony Gormley Outside-In'. In: , ed. Antony Gormley: Model. London: White Cube: UNSPECIFIED. [Book Section]

Newman, Michael. 2011. 'Dara Birnbaum: Exploding the Image. In: , ed. Dara Birnbaum: The Dark Matter of Media Light. Munich, Berlin, London, New York: DelMonico Books/Prestel, pp. 51-80. ISBN 978-3791351247 [Book Section]

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Newman, Michael. 2020. Decapitations: the portrait, the anti-portrait … and what comes after? In: Fiona Johnstone and Kirstie Imber, eds. Anti-Portraiture: Challenging the Limits of the Portrait. London: Bloomsbury Visual Arts, pp. 25-68. ISBN 9781784534127 [Book Section]

Newman, Michael. 2005. Evident Hypotheses: Marco Poloni's Photographic Scripts for Short Films. In: , ed. Shadows Collide with People: Gianni Motti / Shahryar Nashat / Marco Poloni / Ingrid Wildi. Zurich: Edition Fink and Berne. ISBN 978-3906086798 [Book Section]

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Newman, Michael. 2016. Florian Hecker: Chimerization and Form. In: Robin Mackay; Susanne Gaensheimer and Miguel Wandschneider, eds. Florian Hecker: Formulations. Porto/Frankfurt am Main: Culturgest/MMK Museum für Moderne Kunst, pp. 59-90. ISBN 9783960980551 [Book Section]

Newman, Michael. 1999. 'Form in the Age of the World Picture: A Reading of Panofsky's Perspective as "Symbolic Form",'. In: , ed. La Part de l'Oeil, N° 15-16 : Problème de la Kunstwissenschaft. Brussels: Holger Schmid. ISBN 978-2930174105 [Book Section]

Newman, Michael. 1991. From World to Earth: Richard Deacon and the End of Nature. In: , ed. Interpreting Contemporary Art. London: Reaktion, pp. 177-204. ISBN 978-0064302050 [Book Section]

Newman, Michael. 1999. Joe Scanlan's Nesting Bookcases: Duchamp, Design and the Impossibility of Disappearing. In: , ed. Rewriting Conceptual Art. London: Reaktion Books. [Book Section]

Newman, Michael. 1992. La spécificité de la critique et la nécessité de la philosophie. In: , ed. La place du goût dans la production philosophique des concepts et leur destin critique. Archives de la critique dart, pp. 130-158. ISBN 978-2950629302 [Book Section]

Newman, Michael. 1996. 'Marking Time: Memory and Matter in the Work of Avis Newman'. In: , ed. Inside the Visible: Elliptical Traverse of Twentieth Century Art in, of and from the Feminine. Cambridge, Mass. & London: The MIT, pp. 271-279. ISBN 978-0262540810 [Book Section]

Newman, Michael. 1991. Mimesis and Abjection in Recent Photowork. In: , ed. Thinking Art: Beyond Traditional Aesthetics. London: ICA Documents, pp. 111-129. ISBN 978-0905263182 [Book Section]

Newman, Michael. 2009. Moving Image in the Gallery Since the 1990s. In: Stuart Comer, ed. Film and Video Art. London: Tate, pp. 86-121. ISBN 9781854376077 [Book Section]

Newman, Michael. 2012. Phenomenality and Materiality in Agnes Martin. In: Lynne Cooke and Karen Kelly, eds. Agnes Martin. New York: Yale University Press and Dia Foundation, pp. 199-227. ISBN 9780300151053 [Book Section]

Newman, Michael. 2001. Photography, the Readymade and the Ends of Painting in Gerhard Richter's Photo-Paintings. In: , ed. La Part de l'Oeil, N° 17-18 : Peinture pratique théorique. La Part de l'Oeil. ISBN 978-2930174235 [Book Section]

Newman, Michael. 2014. Reading the Future of Genealogy: Kant, Nietzsche, Plato. In: , ed. Nietzsche and Modern German Thought. London: Routledge, pp. 257-281. ISBN 978-0415755429 [Book Section]

Newman, Michael. 1996. 'Recovering Andre'. In: , ed. Carl Andre and the Sculptural Imagination Vol 2. Oxford: Museum of Modern Art,, pp. 6-10. ISBN 978-1901352009 [Book Section]

Newman, Michael. 2004. Remembering and Repeating: Hanne Darboven's Work. In: Lynne Cooke; Karen Kelly and B. Funcke, eds. Robert Lehman Lectures on Contemporary Art Volume 2. Dia Center for the Arts, pp. 123-154. ISBN 0944521789 [Book Section]

Newman, Michael. 1989. Revising Modernism, Representing Postmodernism. In: , ed. Postmodernism: Institute of Contemporary Arts Documents. London: Free Association Books, pp. 95-154. ISBN 978-1853430787 [Book Section]

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Newman, Michael. 2019. Sensation and the Measure of Timbre: Florian Hecker’s Resynthese FAVN Revisiting Mallarmé’s Scene. In: Vanessa Joan Müller, ed. Halluzination, Perspektive, Synthese. Berlin: Sternberg Press, pp. 22-44. ISBN 978-3-95679-471-1 [Book Section]

Newman, Michael. 2000. 'Sensibility, Language and the Trauma of the Other: Emmanuel Levinas from Phenomenology to the Immemorial.'. In: , ed. The Face of the Other and the Trace of God: Essays on the Philosophy of Emmanuel Levinas. New York: Fordham University Press, pp. 90-129. ISBN 978-0823219667 [Book Section]

Newman, Michael. 2010. Seth Price’s Operations in Price, Seth. In: K. Jentjens and A. Nathan-Dorn, eds. Seth Price. Zurich: JRP Ringier. ISBN 978-3-03764-028-9 [Book Section]

Newman, Michael. 2007. The Specificity of Criticism and its Need for Philosophy. In: , ed. The State of Art Criticism. London: Routledge, pp. 29-60. ISBN 978-0415977876 [Book Section]

Newman, Michael. 2009. 'Suburban Hospitality'. In: , ed. Can I Come Over to Your House? The First Ten Years of The Suburban, The Suburban and Manawa. Oak Park, IL: WI: Poor Farm Press. [Book Section]

Newman, Michael. 1992. Suffering from Reminiscences. In: , ed. Postmodernism and the Re-reading of Modernity. Manchester: Manchester University Press, pp. 84-114. ISBN 978-0719037450 [Book Section]

Newman, Michael. 1996. The Trace of Trauma: Blindness, Memory and the Gaze in Derrida and Blanchot. In: , ed. Maurice Blanchot: The Demand of Writing. London: Routledge, pp. 153-173. ISBN 978-0415125963 [Book Section]

Newman, Michael. 2003. The Traces and Marks of Drawing. In: Catherine De Zegher, ed. The Stages of Drawing: Gesture and Act. Tate Publishing and The Drawing Centre, pp. 93-108. ISBN 1854374885 [Book Section]

Newman, Michael. 1986. Vision as Metaphor: Towards a Fragmentary History. In: , ed. The Mirror And the Lamp. Edinburgh and London: The Fruitmarket Gallery and ICA, pp. 6-46. [Book Section]

Newman, Michael. 2008. 'What Makes It Hold Together: Jaki Irvine's Acknowledgments'. In: , ed. The Square Root of Minus One is Plus or Minus i: Jaki Irvine: Assembled Works 1993-2008. Milan: Charta; Sligo: Model Arts and Niland Gallery, pp. 69-147. ISBN 978-8881587025 [Book Section]

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Newman, Michael O. 2015. Difference, Rhythm, and the Gaze in Painting. In: Pawel Polit and Jaroslaw Suchan, eds. Władysław Strzemiński: Readability of Images. Lódź: Muzeum Sztuki, pp. 189-200. ISBN 978-83-63820-39-8 [Book Section]

Newman, Michael; Lee, Pamela; Elkins, James; Hudson, Suzanne and Getsy, David. 2013. Seminar. In: , ed. New Games: Postmodernism After Contemporary Art. London: Routledge, pp. 217-244. ISBN 978-0415988803 [Book Section]

Noble, Richard. 2000. ‘Access for All, Freedom for the Few’. In: , ed. Art for All?: Their Policies and Our Culture. London: Peer. ISBN 978-0953977208 [Book Section]

Noble, Richard. 1995. ‘Freedom and Containment’. In: , ed. Jana Sterbak: Velleitas. Barcelona: Fundacio Antoni Tapies. ISBN 978-8488786067 [Book Section]

Noble, Richard. 2005. Imagining the Political: Some Provisional Thoughts on Art and Politics. In: , ed. The Showroom Annual 2003/04. London: The Showroom. ISBN 978-0954236236 [Book Section]

Noble, Richard. 2005. The Meaning of What Remains. In: Eckhard Schneider, ed. Rachel Whiteread: Walls, Doors, Floors and Stairs. Kunsthaus Bregenz, pp. 66-94. ISBN 388375935X [Book Section]

Noble, Richard. 2003. ‘Tierra de pájaros / Birdland’. In: , ed. Hannah Collins. La calle/The Street. Malaga: CAC Málaga. ISBN 978-8436159073 [Book Section]

Noble, Richard. 2007. The Utopian Body. In: Michael Mack, ed. Antony Gormley. Steidl/Mack, pp. 11-51. ISBN 9783865210296 [Book Section]

Noble, Richard and Blazwick, Iwona. 1999. ‘The Phenomenology of Play’. In: , ed. Annie Ratti. Como and Milan: Centre for Contemporary Art. [Book Section]

Noble, Richard; Fang, H.; Gormley, Antony and Haier, Z.. 2003. An Anthropoetics of Space: Antony Gormleys Field. In: R. Riley, ed. Asian Field. British Council, pp. 190-201. ISBN 0863555101 [Book Section]

Pennell, Jacqueline D.. 1995. Experience. In: , ed. Experience: Challenging Visual Indifference Through New Sensory Experience. Booth-Clibborn Editions. ISBN 978-1873968208 [Book Section]

Pennell, Jacqueline D.. 1998. The Glass Border, Danielle Arnaud Gallery. In: , ed. Opening Lines: New Contexts for Artists' Projects. London: London Arts Board. ISBN 978-0947784379 [Book Section]

Pennell, Jacqueline D.. 1996. Rear Window, Mirror, Mirror, Rear Window. In: , ed. Mirror Mirror. UNSPECIFIED. ISBN 978-0952104063 [Book Section]

Pennell, Jacqueline D.. 1997. Solo, Urban Eye. In: , ed. text on Jacqueline Pennell by Kathy Kubicki. UNSPECIFIED. ISBN 1 90156000 7 [Book Section]

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Phillips, Andrea. 2013. Art Work. In: Jason Bowman, ed. Esther Shalev-Gerz: The Contemporary Art of Trusting Uncertainties and Unfolding Dialogues. Stockholm: Art & Theory, pp. 239-253. ISBN 9789198087475 [Book Section]

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Phillips, Andrea. 2012. Art and Housing: The Private Connection. In: Andrea Phillips and Fulya Erdemci, eds. Social Housing-Housing the Social: Art, Property and Spatial Justice. 2 (2) Berlin/Amsterdam: Sternberg Press/SKOR, not known-not known. ISBN 978-3-943365-17-7 [Book Section]

Phillips, Andrea. 2015. Art as Property. In: Angela Dimitrakaki and Kirsten Lloyd, eds. Economy: Art, Production and the Subject in the 21st Century. 11 Liverpool: Liverpool University Press. ISBN 9781781381380 [Book Section]

Phillips, Andrea. 2010. Art building, architecture building, curating politics. In: Dorian Wiszniewski, ed. Florence: Curating the City. Edinburgh: Edinburgh College of Art, pp. 20-25. ISBN 978-0-9559706-0-5 [Book Section]

Phillips, Andrea. 2009. Beyond Attendance. In: UNSPECIFIED, ed. Sarah Morris: Beijing. Cologne: Walther Konig. ISBN 978-86560-6646-4 [Book Section]

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Phillips, Andrea. 2009. The Body of a Building: Exquisite Corpse at Curating Architecture. In: Nikolaus Hirsch; Philippe Misselwitz; Markus Miessen and Matthias Gorlich, eds. Institution Building: Artists, Curators, Architects in the Struggle for Institutional Space. Berlin and New York: Sternberg Press, pp. 52-71. ISBN 978-1-933128-54-2 [Book Section]

Phillips, Andrea. 2009. Building Democracy. In: , ed. Public Art: Architecture and Participation. Seoul: SAMUSO, pp. 1-10. ISBN ISBN: 978-89-93535-02-0 [Book Section]

Phillips, Andrea. 2009. Building Democracy. In: Celine Condorelli; Gavin Wade and James Langdon, eds. Support Structures. Berlin: Sternberg Press, pp. 88-132. ISBN 978-1-933128-45-0 [Book Section]

Phillips, Andrea. 2008. Curating architecture: Office Kersten Geers, David Van Severen. In: Moritz Kung, ed. 1907... After the Party: Office Kersten Geers David Van Severen Belgian Pavilion Venice 2008. Antwep: De Singel. [Book Section]

Phillips, Andrea. 2010. Education Aesthetics. In: Mick Wilson and Paul O'Neill, eds. Curating and the Educational Turn. Amsterdam: De Appel/Open Editions. ISBN 978-0-949004-18-5 [Book Section]

Phillips, Andrea. 2011. Education Aesthetics. In: Felicity Allen, ed. On Education. Cambridge, Mass./London: MIT/Whitechapel, not known-not known. ISBN 978-0-262-51636-5 [Book Section]

Phillips, Andrea. 2009. Improvisation Rights. In: Kate McFarlane, ed. Cornelius Cardew: Play for Today. London: The Drawing Room. ISBN 978-0-9558299-1-8 [Book Section]

Phillips, Andrea. 2012. List. In: Celia Lury and Nina Wakeford, eds. Inventive Methods. London: Routledge, Taylor & Francis, not known-not known. ISBN 978-0-415-57481-5 [Book Section]

Phillips, Andrea. 2011. Making It Up: Aesthetic Arrangements in the Barents Region. In: Hilde Methi and Kristin Tarnesvik, eds. Hotel Polar Capital. Kirkenes: Sami Art Festival, pp. 55-68. ISBN 978-82-998333-4-9 [Book Section]

Phillips, Andrea. 2008. Objects, Props, Assemblages. In: Kirsty Ogg, ed. Showroom Annual: Props, Events, Encounters: the Performance of New Sculpture. London: The Showroom. ISBN 0-9542362-6-2 [Book Section]

Phillips, Andrea. 2011. 'Objects, Props, Assemblages' Performed. In: Tirdad Zolghdhar; Freya Chou and Hongjohn Lin, eds. Actors Explain Biennials in Mandarin. Taipei: Taipei Museum of Fine Arts, pp. 54-60. ISBN 978-986-02-6866-9 [Book Section]

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Phillips, Andrea. 2013. Public Space [Crossed Out]. In: Michael Elmgreen; Dragset Ingar; Eva Kraus and Nan Mellinger, eds. A Space Called Public. Munich: Walter Koenig, pp. 248-259. ISBN 9783863354398 [Book Section]

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Phillips, Andrea. 2014. Remaking the Art Centre. In: Emily Pethick; Binna Choi and Maria Lind, eds. Cluster - Dialectionary. Berlin: Sternberg Press, pp. 4-18. ISBN 9783956790607 [Book Section]

Phillips, Andrea. 2011. A Short Plan for Art Institutions Post-participation. In: Markus Miessen and Valerie Kolowratnik, eds. Waking Up from the Nightmare of Participation. Utecht: Expodium, pp. 268-274. ISBN 978-94-90474-00-3 [Book Section]

Phillips, Andrea. 2006. Slipping away from Citizenship. In: Sally Tallant and Louise Coysh, eds. Dis-assembly. Serpentine Gallery, pp. 14-21. ISBN 1905190115 [Book Section]

Phillips, Andrea. 2006. Spirits, Ghosts, Atmospheres of Capital. In: Bridget Crone, ed. The Showroom Annual 2005/6. The Showroom Annual (London: The Showroom), pp. 44-47. ISBN 0954236254 [Book Section]

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Phillips, Andrea. 2011. Too Careful: Contemporary Art's Public Making. In: Andrea Phillips and Markus Miessen, eds. Caring Culture: Art, Architecture and the Politics of Public Health. 1 (1) Berlin/Amsterdam: Sternberg Press/SKOR, pp. 35-56. ISBN 978-1-9341-5-71-9 [Book Section]

Phillips, Andrea. 2011. Why Practice-based PhDs are Political. In: Jose Quaresma; Fernando Dias and Juan Guadix, eds. Investigacao em Arte e Design Fendas no Metodo e na Criacao. Lisbon: CIEBA, pp. 69-80. ISBN 978-989-8300-15-7 [Book Section]

Phillips, Andrea and Malik, Suhail. 2012. Tainted Love: Art’s Ethos and Capitalization. In: Maria Lind and Olav Velthuis, eds. Art and its Commercial Markets: A Report on Current Changes and with Scenarios for the Future. Berlin/Stockholm: Sternberg Press/Tensta Konsthall, pp. 209-240. ISBN 978-1-934105-99-3 [Book Section]

Phillips, Andrea and Malik, Suhail. 2011. The wrong of contemporary art: aesthetics and political indeterminacy. In: Paul Bowman and Richard Stamp, eds. Reading Rancière. London: Continuum, tbd-tbd. ISBN 978-1441137814 [Book Section]

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Pinsky, Michael and Reckitt, Helena. 2014. A conversation between Michael Pinsky and Helena Reckitt. In: Mei Huang, ed. Michael Pinsky Survey. Chengdu, China: Museum of Contemporary Art, Chengdu, Edition Xin Dong Cheng. ISBN 978-2-915823-23-3 [Book Section]

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Reckitt, Helena. 2014. Between Mirrors. In: Sarah Pucill, ed. Magic Mirror (DVD). London: LUX, pp. 1-17. ISBN 9780992884017 [Book Section]

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Reckitt, Helena. 2007. Boy's Life. In: Nigel Prince, ed. Stephen Shearer. Birmingham, UK, and Toronto, Canada: Ikon and The Power Plant. ISBN 978-1-90486432-5 [Book Section]

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Reckitt, Helena. 2013. Forgotten Relations: Feminist Artists and Relational Aesthetics. In: Angela Dimitrakaki and Lara Perry, eds. Politics in a Glass: Case Feminism, Exhibition Cultures and Curatorial Transgressions. 7 Liverpool: Liverpool University Press, pp. 131-156. ISBN 9781846318931 [Book Section]

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Reckitt, Helena. 2012. GENDER ALARM!: Queer Feminist Exhibitions in a ‘Year of Feminist Art’. In: Leila Pourtavaf, ed. Féminismes Électriques. Montreal: La Centrale Galerie Powerhouse, pp. 26-41. ISBN 978-2-89091-321-9 [Book Section]

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Reckitt, Helena. 2013. Gerard Byrne: Like a Man. In: Kirsty Ogg, ed. Gerard Byrne: A State of Neutral Pleasure. London and Stockholm: The Whitechapel Gallery, pp. 36-51. ISBN 978-0-85488-212-0 [Book Section]

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Reckitt, Helena. 2019. Inside Job: Learning, Collaboration, and Queer Feminist Contagion in Killjoy’s Kastle. In: Allyson Mitchell and Cait McKinney, eds. Inside Killjoy's Kastle: Dykey Ghosts, Feminist Monsters, and Other Lesbian Hauntings. Vancouver and Toronto, Canada: The University of British Columbia Press and The Art Gallery of York University, pp. 1-22. ISBN 9780774861571 [Book Section]

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Reckitt, Helena. 2018. Introduction: Being Seen, The Politics of Visibility in Feminist Art. In: Helena Reckitt; Hilary Robinson; Amy Tobin and Luci Gosling, eds. The Art of Feminism. San Francisco/London: Chronicle Books/Tate Publishing. [Book Section]

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Reckitt, Helena. 2008. Neither to Criticize Nor Glorify: Paul Shambroom's Studied Objectivity. In: Diane Mullin, ed. Paul Shambroom Picturing Power. Minneapolis: Weisman Art Museum, University of Minnesota, Minneapolis, pp. 32-45. ISBN 9781933045757 [Book Section]

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Reckitt, Helena. 2021. Productive Refusals. In: Edward Ball, ed. Old Land, New Waters. London: Freelands Foundation, pp. 134-139. [Book Section]

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Reckitt, Helena. 2017. Suzy Lake: Standing Her Ground. In: , ed. Suzy Lake. Steidl. [Book Section]

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Reckitt, Helena. 2016. Troubling Canons: Curating and Exhibiting Women’s and Feminist Art, A Roundtable Discussion. In: Ruth E Iskin, ed. Re-envisioning the Contemporary Art Canon: Perspectives in a Global World. New York, NY, and Abingdon, UK: Routledge. ISBN 9781138192683 [Book Section]

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Reckitt, Helena; Baker Smith, Diana; Cremona, Cinzia; Damiani, Giulia; Džuverović, Lina; Farinati, Lucia; Fuller, Sabrina; Gibbs, Rose; Guy, Laura; Kertudo, Felicie; Moser, Gabby; Paiola, Sara; Revell, Irene; Sequeira Bras, Patricia; Tobin, Amy and Torrell, Ehryn. 2019. Transmitting Feminisms. In: Sofia Lemos and Alexandra Balona, eds. Metabolic Rifts Reader. Berlin/Lisbon: Atlas Projectos, pp. 143-162. ISBN 9789892093116 [Book Section]

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Reckitt, Helena; Logue, Deidre and Mitchell, Allyson. 2015. Not at the beginning and not at the end: A Conversation among Deidre Logue, Allyson Mitchell and Helena Reckitt. In: Amelia Jones and Erin Silver, eds. Otherwise: Imagining Queer Feminist Art Histories. Manchester: Manchester University Press, pp. 356-370. ISBN 978-0-7190-9641-9 [Book Section]

Renton, Andrew. 2002. “Aesthetics of the Seamless (Norman Bryson, Mark Gisbourne, Sharon Morris, Andrew Renton, Irit Rogoff)”. In: , ed. Concepts on the Move (Lier & Boog). Amsterdam and New York: Editions Rodopi B.V., pp. 81-92. ISBN 978-9042012691 [Book Section]

Renton, Andrew. 2002. Andrew Renton and Sacha Craddock in Conversation. In: , ed. The Producers: Contemporary Curators in Conversation. Gateshead and Newcastle: Baltic and University of Newcastle, pp. 9-46. ISBN 978-1903655139 [Book Section]

Renton, Andrew. 2007. Another Memory of the Old Home. In: , ed. Ângela Ferreira: Maison Tropicale. Lisbon: Institutos das Artes & Ministério da Cultura, pp. 60-77. ISBN 978-972-99322-8-1 [Book Section]

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Renton, Andrew. 2015. “Architecture’s Ideology: Antony Gormley’s Ethics of Spacing”. In: Peter Fischer; Simone King and Rosalind Horne, eds. Antony Gormley: Expansion Field. Berlin: Hatje Cantz, pp. 189-205. ISBN 978-3-7757-3931-3 [Book Section]

Renton, Andrew. 2003. “Ben Kodesh l’Kodesh” (“...Between what is holy and what is holy”). In: Andrew Renton, ed. Borders of Sanctity in Art, Society and Jewish Thought. Jerusalem: Keter Publishing with Adi Foundation, pp. 146-149. ISBN 965-07-1172-4 [Book Section]

Renton, Andrew. 2010. Bergotte's Vermeer and other Histories. In: Wouter Davidts, ed. Crack: Koen van den Broek. Amsterdam: Valiz, Amsterdam; S.M.A.K., Ghent; Lannoo, Tielt, pp. 62-71. ISBN 978 90 78088 41 7 [Book Section]

Renton, Andrew. 2002. “Bethan Huws”. In: , ed. 100 Reviews Backwards. Verlag der Buchhandlung Walther Konig, p. 65. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2002. “Browser: a Second Visit to the Archive”. In: , ed. Potential: Ongoing Archive. Amsterdam and Southampton: Artimo Foundation Breda, pp. 60-65. ISBN 978-9075380484 [Book Section]

Renton, Andrew. 2005. Complications of Absence: Ignasi Aballí and the Constrained Object. In: , ed. 0-24 h. Barcelona: Museo De Arte Contemporáneo De Barcelona = Museu D'art Contemporani De Barcelona, pp. 117-130. ISBN 978-8489771147 [Book Section]

Renton, Andrew. 2014. "The Contested Space of Curating". In: Viktor Misiano and Nataša Petrešin-Bachelez, eds. The Manifesta Journal Reader. St Petersberg: Arca, pp. 76-84. ISBN 978-5-91208-176-7 [Book Section]

Renton, Andrew. 2003. “Conversation between Jonathan Callan, Edward Allington, and Andrew Renton, 4th November 2002, Deptford, London”. In: , ed. Jonathan Callan: Interference. Walsall: New Art Gallery Walsall, pp. 68-71. ISBN 978-0946652662 [Book Section]

Renton, Andrew. 2002. Correspondence. In: , ed. Ghada Amer. London: Gagosian Gallery, pp. 7-19. ISBN 978-1880154755 [Book Section]

Renton, Andrew. 2002. “Disappearing, Dislodging and Logging Off in B.C.”. In: , ed. The Beachcombers. London: Drawing Room, pp. 11-16. [Book Section]

Renton, Andrew. 2005. Don’t think you knew you were in this song: How Ziggy Sang Susan. In: , ed. SUSAN PHILIPSZ. Malmo Konsthall, pp. 46-65. ISBN 978-9177041061 [Book Section]

Renton, Andrew. 2002. “Douglas Gordon, 24 Hour Psycho”. In: , ed. 100 Reviews Backwards. Verlag der Buchhandlung Walther Konig, p. 56. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2002. Five Pieces for A.M. In: , ed. Nothing is Sudden – Arbeiten mit Licht. Köln: StadtRevue Verlag, pp. 10-21. [Book Section]

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Renton, Andrew. 2017. “Forms of Practice: Curating in the Academy”. In: Jens Hoffmann, ed. The Exhibitionist: the First Six Years. New York: Artbook, pp. 275-281. ISBN 978-1-942884-12-5 [Book Section]

Renton, Andrew. 2003. Holding Centre. In: , ed. I Only Want You to Love ME. Brighton: Photoworks, pp. 100-103. ISBN 978-1903796092 [Book Section]

Renton, Andrew. 2006. I saw and know what I saw…: Linder as Witness. In: , ed. Linder: Works 1976-2006. Zurich: JRP Ringier, pp. 128-137. ISBN 3-905701-60-x [Book Section]

Renton, Andrew. 2002. “Ian Davenport, Gary Hume, Michael Landy” and “East Country Yard Show”. In: , ed. 100 Reviews: Backwards. Verlag der Buchhandlung Walther Konig, pp. 40-48. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2007. In Lieu of the Face. In: , ed. Portrait, Landscape, Process, Monochrome. London: Alexia Goethe Gallery, pp. 6-13. ISBN 978-1906463007 [Book Section]

Renton, Andrew. 2002. “Modern Medicine”. In: , ed. 100 Reviews: Backwards. Verlag der Buchhandlung Walther Konig, p. 87. ISBN 978-3883756493 [Book Section]

Renton, Andrew. 2005. Mushrooms in the Rain: Gerard Hemsworth and the Deceptive Perspective. In: , ed. Gerard Hemsworth, Mushrooms In The Rain (exhibition catalogue). São Paulo: Galeria Brito Cimino, pp. 4-6. [Book Section]

Renton, Andrew. 2007. Only you can make this world seem right. In: , ed. Jesper Just - Film Works: Film Works 2001-2007. Rotterdam: Witte de With Centre for Contemporary Art, pp. 82-99. ISBN 978-9073362734 [Book Section]

Renton, Andrew. 2008. Painting Less Subject: Detached Indices and Red Herrings (for K.C.). In: Ben Tufnell, ed. Keith Coventry: Vanishing Certainties. Painting and Sculpture 1992 - 2009. London: Haunch of Venison, pp. 32-33. ISBN 972-1-905620-37-1 [Book Section]

Renton, Andrew. 2005. Prescription Material: You are what you eat. In: , ed. Marc Quinn: Chemical Life Support. London: White Cube, pp. 2-5. ISBN 978-0954650186 [Book Section]

Renton, Andrew. 2006. “Public and Private Collecting”. In: , ed. Frieze Projects: Artists' Commissions and Talks: Artists Commissions and Talks 2003-2005. London: Frieze, pp. 137-145. ISBN 978-0955320101 [Book Section]

Renton, Andrew. 2006. “Space Girl and the Strange Case of Being in Two Places at the Same Time”. In: , ed. Sophie Von Hellermann: Judgement Day. London: Koenig Books, pp. 162-167. ISBN 978-3865600578 [Book Section]

Renton, Andrew. 2009. Ten Fragments (for I.K.). In: Elena Volpato, ed. Ian Kiaer: What Where. Turin: Archive Books, pp. 43-47. [Book Section]

Renton, Andrew. 2007. Threshold and its Shadow (for YS). In: , ed. Yehudit Sasportas. Der israelische Pavillon auf der Biennale Venedig. Israeli Pavilion 52nd Biennale Vezezia and Dumont, pp. 39-61. ISBN 978-3832177737 [Book Section]

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Renton, Andrew. 2015. “Unconditional Welcome: An Ethics of Passage in Le Jardin hospitalier of Jyll Bradley” (“Un accueil inconditionnel : L’éthique du passage dans Le Jardin hospitalier de Jyll Bradley”). In: Amanda Crabtree, ed. Le Jardin hospitalier: une oeuvre de Jyll Bradley. Dijon: Les presses du réel, pp. 12-24. ISBN 978-2-84066-786-5 [Book Section]

Renton, Andrew. 2006. ’Unknown Content’:Diminished Return. In: , ed. (Re)volver, Lisbon: Plataforma Revolver. UNSPECIFIED, pp. 32-42. [Book Section]

Renton, Andrew. 2005. Walking through Wall: Catherine Yass’s Politics of Unseeing. In: , ed. Catherine Yass: Filmography. Fundacio Antoni Tapies, pp. 72-89. ISBN 978-8489152731 [Book Section]

Renton, Andrew. 2005. West. In: , ed. The Journey: Dietmar Lutz. London: emilyTsingou Gallery, pp. 23-39. ISBN 978-0953245826 [Book Section]

Renton, Andrew. 2006. You are still here…. In: , ed. Mona Hatoum: Hot Spot. White Cube. [Book Section]

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Renton, Andrew. 2019. hobbypopMUSEUM on Main Street. In: , ed. hoppypopMUSEUM: Saved Images. Berlin: DISTANZ Verlag/Dortmunder Kunstverein, pp. 11-20. ISBN 9783954762729 [Book Section]

Renton, Andrew. 2008. “‘…so begin always again and again’: Syntactical Spaces, Indebted Figures in the Work of Muntean/Rosenblum”. In: , ed. Muntean/Rosenblum: Make Death Listen. Zurich: JRP Editions, pp. 92-93. ISBN 978-3905701982 [Book Section]

Renton, Andrew; Gillick, Liam; Paley, Maureen; Furlong, William; Cooke, Lynne and Schubert, Karsten. 2014. “Technique Anglaise: Current Trends in British Art”. In: John Slyce and Phoebe Adler, eds. Contemporary Art in the United Kingdom. London: Black Dog Publishing, pp. 162-173. ISBN 978 1 907317 68 2 [Book Section]

Renton, Andrew and Temin, Kathy. 2009. Running Past a Richard Serra: Kathy Temin and Andrew Renton in Conversation. In: Sue Cramer, ed. Kathy Temin. Melbourne, Australia: Heide Museum of Modern Art, pp. 73-79. ISBN 9781921330124 [Book Section]

Renton, Andrew and White, Laura. 2008. Broken Surface: Belated Forms. In: Laura White, ed. Laura White: the Stuff of Images. Manchester: Castlefield Gallery, unpaginated. ISBN 978-0-9559557-1-6 [Book Section]

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Renton, Andrew and von Poehl, Charlotte. 2014. “Random Different: Andrew Renton and Charlotte von Poehl in Conversation”. In: , ed. Charlotte von Poehl: Harlequins. Ystad: Ystads Konstmuseum, pp. 47-61. ISBN 91-87258-75-7 [Book Section]

Rifkin, Adrian; Berry, Chris and Lok, Susan Pui San. 2009. Altius, Lentius. In: Adrian Rifkin, ed. Faster, Higher. London: Film and Video Umbrella, pp. 40-50. ISBN 978-1-904270-29-4 [Book Section]

Robertson, Selina; Wood, Sarah; Reckitt, Helena and Reynolds, Lucy. 2019. Club des Femmes, Helena Reckitt: An interview on International Women’s Day 2017. In: Lucy Reynolds, ed. Women Artists, Feminism and the Moving Image: Contexts and Practices. London, UK: IB Tauris. ISBN 9781784537005 [Book Section]

Rogoff, Irit. 2018. Becoming Research. In: Choi Jina and Helen Jungyeon Ku, eds. The Curatorial in Parallax. Seoul, Republic of Korea: National Museum of Modern and Contemporary Art, Korea, pp. 39-52. ISBN 9788963031972 [Book Section]

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Samson, Audrey. 2019. Digital data funerals. In: Tamara Kohn; Martin Gibbs; Bjorn Nansen and Luke van Ryn, eds. Residues of Death. Routledge, pp. 91-106. ISBN 9780429456404 [Book Section]

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Samson, Audrey. 2017. Erasure. In: Helen Pritchard; Eric Snodgrass and Magda Tyżlik-Carver, eds. EXECUTING PRACTICES. (06) Brooklyn, NY: Autonomedia, pp. 143-154. ISBN 9781570273216 [Book Section]

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Samson, Audrey and Gallardo, Francisco. 2018. Commercial extinction: The exhaustion of exhaustion. In: Daniel Fernandez Pascual and Alon Schwabe, eds. The Empire Remains Shop. New York: Columbia University Press, pp. 109-119. ISBN 9781941332375 [Book Section]

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Samson, Audrey; Muldtofte, Lea; Soon, Winnie; Snodgrass, Eric and Gallardo, Francisco. 2018. Execution. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 141-145. ISBN 9781350030244 [Book Section]

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Samson, Audrey and Tobias Schäfer, Mirko. 2018. Static Glow. In: Rosi Braidotti and Maria Hlavajova, eds. Posthuman Glossary. London: Bloomsbury Academic, pp. 407-411. ISBN 9781350030244 [Book Section]

Schmitz, Edgar. 2010. Some Turn and Some Don't (On Set-Ups). In: Paul o'Neill and Mick Wilson, eds. Curating and the Educational Turn. London/ Amsterdam: Open Editions/ de Appel. ISBN 978-0-949004-18-5 [Book Section]

Schmitz, Edgar. 2010. Traps Against Capture. In: Simon D. O'Sullivan and Stephen Zepke, eds. Deleuze and Contemporary Art. Edinburgh: Edinburgh University Press, pp. 208-224. ISBN 978-0748638383 [Book Section]

Schmitz, Edgar. 2010. Which Way to Heaven? In: Lisa Le Feuvre, ed. Failure. Whitechapel/ MIT. ISBN 978-0-262-51477-4 [Book Section]

Seers, Lindsay. 2011. Aften Posten. In: , ed. Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS. UNSPECIFIED, pp. 6-7. [Book Section]

Seers, Lindsay. 2016. The Exform. In: Nicolas Bourriaud, ed. The Exform. UK EBK: Verso, p. 61. ISBN 978-1-78478-381-5 [Book Section]

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Seers, Lindsay. 2017. In the Vineyard of Art. In: Michael Denholm, ed. In the Vineyard of Art, the story of Art and Tasmania. 4 Tasmania: Carlton Street Press, pp. 132-165. ISBN 978-0-9751684-8-6 [Book Section]

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Seers, Lindsay. 2017. Jouer Contre Les Appareils. In: Marc Lenot, ed. Jouer Contre Les Appareils. France: Collection Argentique |Éditions Photosynthèses, pp. 190-192. ISBN 979-10-95822-04-2 [Book Section]

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Seers, Lindsay. 2017. Lindsay Seers. In: Kaoukji Natalie; Kassell Lauren and Maziere Michael, eds. Casebooks: Work Towards an Exhibition at Ambika P3. UK: University of Westminster, pp. 54-60. ISBN 9780993398674 [Book Section]

Seers, Lindsay. 2007. My Camera Life. In: , ed. Human Camera. Article Press. ISBN 978-1-873352-64-9 [Book Section]

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Seymour, Benedict. 2014. Art and the Utopia of (Non-)Reproduction. In: John Chilver and Brighid Lowe, eds. Manual: Parts and Labour. Osan: Gwak Sang-wook, Osan Culture Foundation, pp. 22-23. ISBN 978-89-968948-2-8 [Book Section]

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Seymour, Benedict. 2013. Primer. In: David Riff; Ekaterina Degott and Jill Winder, eds. Monday Begins on Saturday. Berlin: Sternberg Press, pp. 123-163. ISBN 978-3-943365-74-0 [Book Section]

Seymour, Benedict. 2006. Text and images of regeneration mapping project in Else/where: Mapping — New Cartographies of Networks and Territories. In: Janet Abrams and Peter Hall, eds. Else/where: Mapping — New Cartographies of Networks and Territories. University of Minnesota Press. ISBN 978-0972969628 [Book Section]

Sheikh, Simon. 2010. Aesthetic Subjects in Urban Spaces – Some Remarks on the Films of Knut Åsdam. In: , ed. Knut Asdam: The Long Gaze, the Short Gaze. Berlin/New York: Sternberg Press, pp. 190-205. ISBN 978-1934105283 [Book Section]

Sheikh, Simon. 2005. Anstelle der öffentlichkeit? Oder: Die Welt in Fragmenten. In: Gerald Raunig and Ulf Wuggenig, eds. Publicum – Theorien der öffentlichkeit. Vienna: Turia + Kant, pp. 80-88. [Book Section]

Sheikh, Simon. 2000. ‘The Art World Between Fragmentation and Globalization’. In: , ed. Encuentro de Teoria y Critica. Bienal De La Habana, pp. 104-106. [Book Section]

Sheikh, Simon. 2010. The Art of Imagination. In: Marie Nerland, ed. An Anthology for the 25th Anniversary of BIT Teatergarasjen. Oslo: BIT Teatergarasjen, pp. 47-51. ISBN 978-8299667845 [Book Section]

Sheikh, Simon. 2013. ‘Articulation: On the Position of the Curator’. In: Ann Demester; Edna van Duyn and Hendrik Folkerts, eds. The Shadowfiles 3 - Curatorial Education. Amsterdam: Appel. ISBN 978-9073501782 [Book Section]

Sheikh, Simon. 2011. Avant-garde Citizens. Double Agents, and Model Workers. In: Ellen Blumenstein, ed. Under Deconstruction: Libia Castro & Olafur Olafsson. Berlin: Sternberg Press, pp. 27-33. ISBN 9781934105443 [Book Section]

Sheikh, Simon. 2006. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: , ed. : Framework 5. Helsinki: UNSPECIFIED, pp. 104-106. [Book Section]

Sheikh, Simon. 2007. Battle Lines are Being Drawn – The Cultural Politics of Identity in Denmark. In: Minna Henriksson and Sezgin Boynik, eds. Contemporary Art and Nationalism. Critical Reader. Pristhina: University of Kosovo, pp. 56-60. ISBN 978-9951874403 [Book Section]

Sheikh, Simon. 1995. Behaviour and Destruction: The Video Works of Søren Martinsen. In: , ed. Land, Lipski, Martinsen, Videos. Copenhagen: Galleri Nicolai Wallner. [Book Section]

Sheikh, Simon. 2001. ‘Between Thought and Expression – Notes on Leif Kath’s Work Between Form and Formlessness’. In: Leif Kath, ed. Leif Kath. New York: DCA Gallery, pp. 5-9. [Book Section]

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Sheikh, Simon. 2012. Burning From the Inside – New Institutionalism Revisited. In: Beatrice von Bismarck; Jörn Schafaff and Thomas Weski, eds. Cultures of the Curatorial. Berlin, Germany: Sternberg Press, pp. 361-373. ISBN 9781934105979 [Book Section]

Sheikh, Simon. 2001. ‘CUDI – en mod-offentlighed?’. In: , ed. CUDI – Center for Urbanitet, Dialog og Information. Odense: Kunsthallen Brandts Klædefabrik. [Book Section]

Sheikh, Simon. 1997. Caught in the Crossfire. In: , ed. Claus Carstensen: Crossover. Arken Museum of Modern Art, pp. 28-31. [Book Section]

Sheikh, Simon. 2004. Christiania: Networks of Anti-Discipline. In: , ed. Territories: The Frontiers of Utopia and Other facts on the Ground, catalogue. Malmö: Malmö Konsthall, pp. 29-30. [Book Section]

Sheikh, Simon. 1999. Christiania: Netzwerke der Anti-Disziplin’ / ‘Christiania: Networks of Anti-Discipline. In: , ed. 45. Internationale Kurzfilmtage Oberhausen Festival Katalog 1999. UNSPECIFIED, pp. 89-93. [Book Section]

Sheikh, Simon. 1999. Close-Up, Face Off – Contemporary Art, Film and Fragmentation. In: , ed. Close-Ups – Contemporary Art and Carl Th. Dreyer. NIFCA & Nikolaj, Copenhagen Contemporary Art Center, pp. 93-96. [Book Section]

Sheikh, Simon. 2011. Constitutive Effects: The Techniques of the Curator. In: Zoya Kocur, ed. Global Visual Cultures. Oxford: Wiley-Blackwell, pp. 48-56. ISBN 978-1405169202 [Book Section]

Sheikh, Simon. 2007. ‘Constitutive Effects: The Techniques of the Curator’. In: Paul O'Neill, ed. CURATING SUBJECTS. Amsterdam: De Appel, pp. 174-185. [Book Section]

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Sheikh, Simon. 2017. A Contemporary Observatory for the City. In: Kate Gray, ed. Towards a City Observatory – Constellations of art, collaboration and locality. Edinburgh: Collective, pp. 12-18. ISBN 978-1-873653-18-0 [Book Section]

Sheikh, Simon. 2005. A Conversation. In: , ed. Gregor Neuerer – A Stolen Moment, catalogue. Innsbruck: Kunstpavillon der Tiroler Künstlerschaft, pp. 35-40. [Book Section]

Sheikh, Simon. 2007. Correcting the Principles of Correction (its Facilities and Discourses). In: , ed. Crime and Punishment, catalogue. Tallinn: Tallinn Kunstihoone, pp. 64-67. [Book Section]

Sheikh, Simon. 2003. Counter-Public Works: Remapping Public Space. In: , ed. Printed Project 1. Dublin: UNSPECIFIED, pp. 37-42. [Book Section]

Sheikh, Simon. 2003. ‘Counter-Public Works: Remapping Public Space’. In: , ed. Printed Project 1. Dublin: UNSPECIFIED, pp. 37-42. [Book Section]

Sheikh, Simon. 1998. ‘Der bedauernswerte Entertainer – das Typen Repertoire von Peter Land’ / ‘The Sorry Entertainer – the Typecasting of Peter Land’. In: , ed. Come Closer. Köln: Liechensteinische Staatliche Kunstsammlung / Octagon, pp. 86-89. [Book Section]

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: Joahim Koester, ed. Joachim Koester Werke 1992 - 2001 - Different Stories, Different Places: 28.2 - 14.4.2002. Nürnberg: Kunsthalle Nürnberg, pp. 26-50. [Book Section]

Sheikh, Simon. 2002. ‘Double Vision – The Drama Documents of Joachim Koester’. In: , ed. Oito relatos nórdicos. , Centro Galego de Arte Contemporánea, Santiago de Compostel, pp. 88-102. [Book Section]

Sheikh, Simon. 2002. ‘Efterskrift’. In: Brian O'Doherty, ed. I den hvide kube (in Danish). Copenhagen: Rævens Sorte Bilbiotek,, pp. 125-131. ISBN 978-8773781852 [Book Section]

Sheikh, Simon. 1995. The Empty Stage. In: , ed. Lars Mathisen: Safe Condition, Live Play Act. Malmö Konstmuseum, pp. 2-16. [Book Section]

Sheikh, Simon. 2008. The End of an Idea. In: Mel Jordan and Malcolm Miles, eds. Art and Theory After Socialism. Bristol: University of Chicago Press, pp. 67-75. ISBN 978-1841502113 [Book Section]

Sheikh, Simon. 2007. Exhibition as Medium. In: Rael Artel and Airi Triisberg, eds. Public Preparation. Tallinn: UNSPECIFIED, pp. 56-62. [Book Section]

Sheikh, Simon. 2009. Exhibition-Making and the Political Imaginary. In: , ed. Malmö Art Academy yearbook. UNSPECIFIED. [Book Section]

Sheikh, Simon. 1995. Hin hlidin. In: , ed. Sólgin / Addicted. Iceland: Slunkaris, pp. 5-7. [Book Section]

Sheikh, Simon. 2002. Identification of a Woman. In: , ed. Ann Lislegaard – Eyes Wide Open. Copenhagen: The National museum of Photography. [Book Section]

Sheikh, Simon. 2007. Identification of a Woman. In: , ed. Ann Lislegaard – Science Fiction and Other Worlds. Oslo: Astrup Fearnley Museum of Modern Art, pp. 76-82. [Book Section]

Sheikh, Simon. 2004. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin / Complex Berlin. Verlag Buchhandlung Walter König: Verlag Buchhandlung Walter König, pp. 148-160. [Book Section]

Sheikh, Simon. 1999. Imagining Berlin – Some Attempts at Entries into a City Space. In: Ute Meta Bauer, ed. Komplex Berlin (Complex Berlin) : 3rd Berlin Biennale for Contemporary Art. Koln: Verlag der Buchhandlung Walther Konig, pp. 148-160. ISBN 978-3883757889 [Book Section]

Sheikh, Simon. 2007. In Dreams Begin Responsibilites – Notes on Art, Horizons, and the Imaginary. In: Dorothee Bienert, ed. Don’t Worry – Be Curious! Frankfurt/Main: Revolver, pp. 33-36. ISBN 978-3865883872 [Book Section]

Sheikh, Simon. 2002. In the Place of the Public Sphere. In: Stephan Dilemuth, ed. The Academy and the Corporate Public. Köln: Permanent Verlag, pp. 218-221. [Book Section]

Sheikh, Simon. 2008. In the Place of the Public Sphere? Or, The World in Fragments. In: , ed. Public Good. UNSPECIFIED, pp. 46-55. [Book Section]

Sheikh, Simon. 2009. In the Place of the Public Sphere? Or, The World in Fragments. In: Claire Doherty, ed. Situation. Cambridge, Mass.: MIT Press, pp. 137-141. [Book Section]

Sheikh, Simon. 2012. ‘Instituting the Institution’. In: Joao Mourao and Luis Silva, eds. Performing the Institution(al), Volume 2. Lisbon: Kunsthalle Lissabon, pp. 90-103. [Book Section]

Sheikh, Simon. 2010. ‘Letter to Jane’. In: Paul O'Neill and Mick Wilson, eds. Pedagogical Subjects. London: Open Editions, pp. 61-75. [Book Section]

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Sheikh, Simon. 2015. A Long Walk to the Land of the People: Contemporary Art in the Spectre of Spectatorship. In: Maria Hlalvajova and Ranjit Hoskote, eds. Future Publics. Amsterdam: Valiz, pp. 230-261. ISBN 978-90-78088-94-3 [Book Section]

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Sheikh, Simon. 2017. The Magmas: On Institutions and Instituting. In: Paul O'Neill; Lucy Steeds and Mick Wilson, eds. How Institutions think: Between Contemporary Art and Curatorial Discourse. Cambridge, MA: MIT Press, pp. 126-131. ISBN 978-0-262-53432-1 [Book Section]

Sheikh, Simon. 2007. Maria Eichhorn: The Aesthetics of Administration and the Administration of Aesthetics. In: , ed. Untitled 43. London: UNSPECIFIED, pp. 38-43. [Book Section]

Sheikh, Simon. 1999. ‘Melting in Time 1995’. In: , ed. Kirsten Justesen: Re Kollektion. Aalborg: Nordjyllands Kunstmuseum, p. 44. [Book Section]

Sheikh, Simon. 2008. No lugar da Esfera Pública? In: , ed. Urbania 3. UNSPECIFIED, pp. 127-135. [Book Section]

Sheikh, Simon. 2002. ‘Notes on Amel Ibrahimovic’s Field of Dreams’. In: Amel Ibrahimovic, ed. u.m.a.s.p. Helsinki: NICFA. [Book Section]

Sheikh, Simon. 2003. Number One and Number Two and Point Zero: Jean-Luc Godard between Film, Video and Art. In: Gareth James and Florian Zeyfang, eds. I said I love. That is the promise – The tvideo politics of Jean-Luc Godard. Berlin: b_books, pp. 124-163. [Book Section]

Sheikh, Simon. 2003. ‘Number One and Number Two and Point Zero: Jean-Luc Godard between Film, Video and Art’. In: Gareth James and Florian Zeyfang, eds. I Said I Love. That is the Promise: The TVideo-politics of Jean-Luc Godard /Die TVideo-Politik des Jean-Luc Godard. Berlin: b_books, pp. 124-163. ISBN 978-3933557315 [Book Section]

Sheikh, Simon. 2009. Once Upon a Time in the West. In: , ed. Passengers. Warsaw: In Situ. [Book Section]

Sheikh, Simon. 2007. Oplæg. In: Katya Sander, ed. Produktion af handlingsrum. Arhus: Det Jyske Kunstakademi, pp. 30-39. [Book Section]

Sheikh, Simon. 2007. The Production of Knowledge – An Introduction to Critical Studies. In: Katarina Stenbeck, ed. There’s Gonna Be Some Trouble – The Five Year Rooseum Book. Malmö, pp. 218-225. [Book Section]

Sheikh, Simon. 1996. The Production of Space. In: , ed. Frans Jacobi, Imagine. Copenhagen: Space Poetry. [Book Section]

Sheikh, Simon. 2006. Public Spheres and the Functions of Progressive Art Institutions. In: Vanessa Muller and Nikolaus Schafhausen, eds. Under Construction – Perspectives on Institutional Practice. Köln: Verlag der Buchhandlung Walther König, pp. 192-194. [Book Section]

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Sheikh, Simon. 2008. Publics and Post-Publics: The Production of the Social. In: Jorinde Seijdel, ed. Art as a Public Issue: how art and its institutions reinvent the public dimension. 14 Rotterdam: NAi Publishers, pp. 28-36. ISBN 9789056624354 [Book Section]

Sheikh, Simon. 2005. Representation, Contestation and Power: the Artist as Public Intellectual. In: Inára Drulle, ed. Artists as Producers. Transformation of Public Space. Riga: Latvian Centre for Contemporary Art, pp. 39-42. [Book Section]

Sheikh, Simon. 2006. Representation, Contestation and Power: the Artist as Public Intellectual. In: Sarah Pierce, ed. The Paraeducation Department. Belfast: Interface. [Book Section]

Sheikh, Simon. 2007. Revolution in the Head, or, Free Your Mind and Your Ass Will Follow’. In: Maja Fowkes and Reuben Fowkes, eds. Revolution is Not a Garden Party. Manchester: MIRIAD, pp. 52-55. ISBN 978-1905476121 [Book Section]

Sheikh, Simon. 2007. Scattered (War) Opposition. In: Johanna Billing; Maria Lind and Lars Nilsson, eds. Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices. London: Black Dog Publishing, pp. 108-110. [Book Section]

Sheikh, Simon. 2007. ‘Scattered (War) Opposition’. In: Johanna Billing; Maria Lind and Lars Nilsson, eds. Taking the Matter into Common Hands. London: Black Dog Publishing, pp. 108-110. ISBN 978-1906155186 [Book Section]

Sheikh, Simon. 1995. Self / Non-Self – Subjectivity Beyond the Open Canvas. In: , ed. I Confess. Copenhagen: Nikolaj – Copenhagen Contemporary Art Center. [Book Section]

Sheikh, Simon. 2003. ‘[Shift]Work’. In: , ed. The Project, catalogue. Tallinn: Tallinn Kunstihoone, pp. 10-13. [Book Section]

Sheikh, Simon. 2003. ‘[Shift]Work’. In: , ed. The Project. Tallinn: Tallinn Kunstihoone, pp. 10-13. [Book Section]

Sheikh, Simon. 1998. Site Specificity: From the Margins to the Social. In: Katya Sander; Simon Sheikh and Cecilie Høgsbro Østergaard, eds. The Meaning of Site. Copenhagen: Ø, pp. 70-95. [Book Section]

Sheikh, Simon. 2000. Site Specificity: From the Margins to the Social. In: Gardar Eide Einarsson and Eivind Slettemeas, eds. Offshore. Bergen: KHiB, pp. 8-15. [Book Section]

Sheikh, Simon. 1998. Social-specific Strategies – The Interactive Work of Olafur Gislason. In: , ed. Places in Gothenburg. Gothenburg City: UNSPECIFIED. [Book Section]

Sheikh, Simon. 2002. Space Fellow Travellers. In: Peter Weibel, ed. Olafur Eliasson: Surroundings Surrounded. Cambridge, Mass: MIT Press, pp. 566-571. ISBN 978-0262731485 [Book Section]

Sheikh, Simon. 1999. ‘Spillets Regler. Bemærkninger om kunstobjektet, kunstrummet og kunstscenen’. In: Hans Dam Christensen; Anders Michelsen and Jacob Wamberg, eds. Kunstteori. Copenhagen: Borgen, pp. 361-382. ISBN 978-8721011277 [Book Section]

Sheikh, Simon. 2010. ‘The State We are In, Or, What a State We are In! Notes on the State of a Global Artworld, its Subjects and Circulations’. In: Lex ter Braak; Lilet Breddels and Steven van Teeseling, eds. 6(0) Ways… Framing Cultural Diversity. Amsterdam: NAi Publishers. ISBN 978-9056626921 [Book Section]

Sheikh, Simon. 1994. Subjektet, Objektet og Sven Dalsgaard. In: Soren Houmann; Simon Sheikh; Peter Holst Henckel and Peter Rossell, eds. Ja til Sven Dalsgaard! Copenhagen: Edition Globe/ Art Action, pp. 8-11. ISBN 978-8790040086 [Book Section]

Sheikh, Simon. 2008. Talk Value: Cultural Industry and the Knowledge Economy. In: Maria Hlavajova; Jill Winder and Binna Choi, eds. Concerning Knowledge Production. Utrecht: BAK, pp. 182-197. [Book Section]

Sheikh, Simon. 2013. ‘Towards the Exhibition as Research’. In: Paul O'Neill and Mick Wilson, eds. Curating Research. London: Open Editions. ISBN 978-0949004031 [Book Section]

Sheikh, Simon. 2006. The Trouble with Institutions, or, Art and its Publics. In: Nina Möntmann, ed. Art and its Institutions. London: Black Dog Publishing, pp. 142-149. [Book Section]

Sheikh, Simon. 2007. The Trouble with Institutions, or, Art and its Publics. In: , ed. Dreamlands Burn. Budapest: Múcsarnok, pp. 42-47. [Book Section]

Sheikh, Simon. 2004. Uundgåeligt eksploderende plastik – Andy Warhol og the Velvet Underground (og Nico). In: Klaus Lyngaard and Henrik Queitsch, eds. Loaded. København: Informations Forlag, pp. 47-55. [Book Section]

Sheikh, Simon. 2004. ‘Uundgåeligt eksploderende plastik – Andy Warhol og the Velvet Underground (og Nico)’. In: Klaus Lyngaard and Henrik Queitsch, eds. Loaded. København: Informations Forlag, pp. 47-55. [Book Section]

Sheikh, Simon. 2011. ‘What Remains? – Chto Delat?, Post-Communism and Art’. In: Johan Holten, ed. What Is To Be Done? – Survey of the Works of the Russian Collective Chto Delat? Cologne: Verlag der Buchhandlung Walther König, pp. 56-65. [Book Section]

Sheikh, Simon. 2007. What are the Challenges of Teaching Critical Discourse. In: Nikolaus Schafhausen and Julia Moritz, eds. The Question of the Day. Berlin/New York: Sternberg Press, p. 90. [Book Section]

Sheikh, Simon and Hunt, Ashley. 2006. Creating Publics. In: Tara Byrne, ed. Cork Caucus: on art, possibility & democracy. Frankfurt A.M.: Revolver, pp. 321-327. [Book Section]

Sheikh, Simon and Jakobsen, Jakob. 2003. Spredt (krigs)modstand. In: Kristina Ask, ed. Re/aktion. Copenhagen: UNSPECIFIED, p. 16. [Book Section]

Sheikh, Simon and Jakobsen, Jakob. 2003. ‘Spredt (krigs)modstand’. In: Kristina Ask, ed. Re/aktion. Copenhagen: UNSPECIFIED, p. 16. [Book Section]

Sheikh, Simon and Koester, Joahim. 1993. Tingenes Blik. In: Mette Thelle, ed. Vilhelm Lundstrøm. Copenhagen: Charlottenborg, pp. 105-111. [Book Section]

Sheikh, Simon and Mathisen, Lars. 2000. ‘Fucking Naust – Notes on Art, Locality, Tourism, and so on’. In: , ed. Naust. Bergen: Øygarden, pp. 4-7. [Book Section]

Smith, Kate. 1995. Care and Control, Swelling Grounds. In: , ed. UNSPECIFIED UNSPECIFIED. [Book Section]

Smith, Kate. 1992. The Phone Box, Art in Telephone Boxes. In: , ed. The Phone Box, Art in Telephone Boxes. Virginia Nimarkoh. [Book Section]

Smith, Kate. 1992. chapter 21, Masculinity, Politics and Art. In: John Roberts, ed. Selected Errors, Writings on Art and Politics. Pluto Press, pp. 253-263. ISBN 978-0745304977 [Book Section]

Smith, Kate. 1999. unknown. In: , ed. Art & Outrage: Provocation, Controversy and the Visual Arts. Pluto Press, pp. 155-159. ISBN 978-0745313542 [Book Section]

Smith, Kate. 2002. unknown. In: , ed. City Racing: The Life and Times of an Artist Run Gallery 1988-1998. UNSPECIFIED, pp. 5-31. [Book Section]

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Stehli, Jemima S.. 2017. Hypersexual City: The Provocation of Soft-Core Urbanism 2017. In: Nicole Kalms, ed. Hypersexual City: The Provocation of Soft-Core Urbanism. London: Routledge. ISBN 9781472475725 [Book Section]

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Stehli, Jemima S.. 2018. Madam & Eve Women Portraying Women. In: Liz Rideal and Kathleen Soriano, eds. Madam & Eve Women Portraying Women. UK: Laurence King. ISBN 9781786271563 [Book Section]

Stehli, Jemima S.. 2014. Photography Today. In: Mark Durden, ed. Photography Today. Phaidon. ISBN 9780714845630 [Book Section]

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Van Balen, Tuur and Cohen, Revital. 2016. MINE. In: Boris Ondreička and Nadim Samman, eds. Rare Earth. Berlin: Sternberg Press, pp. 54-61. ISBN 978-3-95679-144-4 [Book Section]

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Van Balen, Tuur and Cohen, Revital. 2018. Synthetic Blood on Leopard Skin. In: Daniel Fernandez Pascual; Alon Schwabe and Jesse Connuck, eds. The Empire Remains Shop / Cooking Sections. New York: Columbia Books on Architecture and the City, pp. 75-90. ISBN 9781941332375 [Book Section]

Walsh, Bernard. 2005. Arrangement on a Shelf. In: , ed. Collect. The Crafts Council, pp. 30-31. [Book Section]

Walsh, Bernard. 2009. Bibliography 2 (Artists, Writers, Photographers). In: Kathryn Faulkner, ed. Bibliography 2 (Artists, Writers, Photographers). UK: Kathryn Faulkner 2009, pp. 60-61. [Book Section]

Walsh, Bernard. 2014. 'Loughton to Lambourne End' by Yuki Nishimura. In: Leila Pereira, ed. Loughton to Lambourne; publication, including essays by Bernard Walsh, and Keef Winter, photographs by Leila Pereira. Allotrope Press. [Book Section]

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Walsh, Bernard. 2012. Supermarket. In: Jon Vogt Engerland, ed. Erosion. Stockholm, Sweden: Hostel Gallery, pp. 45-47. [Book Section]

Walsh, Bernard. 1999. Take Place. In: Andrew Cross; Simon Grennan and Nicola Stephenson, eds. Public Sightings: The Public Art Programme of the UK Year of Photograpy and Electronic Image. PHOTOARTS 2000 (Photo 98), pp. 1-127. ISBN 0953571106 [Book Section]

Walsh, Bernard. 2003. The Withered Bough. In: , ed. Scenery. Venice: Nuova Icona, pp. 6-14. ISBN 8887632197 [Book Section]

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Walsh, Bernard. 2012. The Withered Bough. In: Jon Vogt Engerland, ed. Erosion. Stockholm, Sweden: Hostel Gallery, pp. 42-45. [Book Section]

Walsh, Bernard and Harris, Jane. 2004. Sorcerers' Apprentice: reactive forms of body and cloth in performance. In: Gavin Carver and Colin Beardon, eds. New Visions in Performance, The Impact of Digital Technologies. Sets & Zeutlinger, pp. 139-152. ISBN 9026519664 [Book Section]

Walsh, Roxy. 2002. Illustrated discussion. In: , ed. SPEAKING AND LISTENING. UNSPECIFIED, pp. 104-114. ISBN 978-0863399862 [Book Section]

Walsh, Roxy. 2005. The Signature Quilt. In: , ed. Towards Understanding Community: People and Places. AIAA. ISBN 978-0230542648 [Book Section]

Walsh, Roxy. 1996. Speak To You Later Catalogue. In: , ed. Speak To You Later Catalogue. UNSPECIFIED. [Book Section]

White, Laura. 1999. Everything you do counts here. In: , ed. Everything You Do Counts Here: Laura White at the Margaret Harvey Gallery. University of Hertfordshire,Faculty of Art & Design. ISBN 978-1898543350 [Book Section]

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Williams, Gilda. 2016. 'Breaking Up is Hard to Do: Men Women and Punctuation in Warhol's Novel a'', afterword to a: a novel, an erased novel by poet Derek Beaulieu. In: Derek Beaulieu, ed. a: a novel. Paris: Jean Boite Editions, pp. 460-478. ISBN 978-2-36568-019-6 [Book Section]

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Williams, Gilda. 2010. Catherine Yass. In: , ed. 100 Video Artists. Madrid: Exit Publicaciones, pp. 438-441. ISBN 978-84-937347-0-1 [Book Section]

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Williams, Gilda. 2010. Jonathan Wateridge: Being Seen, In Between. In: Gilda Williams, ed. Jonathan Wateridge: Another Place. London: All Visual Arts, pp. 22-37. ISBN 978-1-907164-02-6 [Book Section]

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Williams, Gilda. 2011. Towards a 21st Century Definition of Gothic Art. In: , ed. Monstrous Media/Spectral Subjects. Lancaster University. [Book Section]

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Williams, Gilda; Kramer, Fritz W.; Falkenberg, Harald; Wiebel, Peter and Slyce, John. 2016. 'Werner Buttner's Paintings: From 'Werner' to 'Art' and Back Again. In: Andrew Renton, ed. Werner Buttner: Coincidence in Splendour. London: Black Dog, pp. 175-180. ISBN 978-1-910433-75-1 [Book Section]

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Williams, Gilda and Mille, Daria. 2016. 'Werner Buttner's Collages: From A to T (and Back Again)'. In: Andrew Renton, ed. Werner Buttner: My Looting Eye. London: Black Dog, pp. 7-11. ISBN 978-1-910433-83-6 [Book Section]

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al-Rifaie, Mohammad Majid; Aber, Ahmed and Bishop, Mark (J. M.). 2012. Cooperation of Nature and Physiologically Inspired Mechanism in Visualisation. In: Anna Ursyn, ed. Biologically-Inspired Computing for the Arts: Scientific Data through Graphics. USA: IGI Global, pp. 31-58. ISBN 978-1-466-60942-6 [Book Section]

Broadcast

Carpenter, Ele and Pickup, Beatrice. 2017. Radioactive Art. [Broadcast]

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Danino, Nina. 2009. Podcast Interview. [Broadcast]

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Hammond, Chris; Woods, Orlagh and Bousted, Donald. 2014. Gallery Films - MOTInternational: Commercial Galleries. [Broadcast]

Conference or Workshop Item

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Abad, Pio. 2018. 'Para Site International Conference 2018 - The Collection of Jane Ryan & William Saunders: Reconstruction as Democratic Gesture'. In: Para Site International Conference 2018: What to Let Go?. Tai Kwun - Centre for Heritage and Arts, Hong Kong 22 - 24 November 2018. [Conference or Workshop Item]

Abbing, Hans; Lind, Maria; Stapleton, Jamie and Malik, Suhail. 2007. ''New money' discussion panel'. In: Rotterdam dialogues: the periphery complex [symposium]. Witte de With, Rotterdam, Netherlands 8th February 2007. [Conference or Workshop Item]

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Archer, Michael. 2016. 'FGJH'. In: FGJH. Arthouse, United Kingdom December 11, 2016. [Conference or Workshop Item]

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Archer, Michael. 2016. 'Gertrude and Ludwig in the House Made of Sugar'. In: Gertrude and Ludwig in the House Made of Sugar. Bread and Jam, United Kingdom May 27, 2016. [Conference or Workshop Item]

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Archer, Michael. 2017. 'Numbing Like the Stingray'. In: Too Close to See. LARA, United Kingdom February 25, 2017. [Conference or Workshop Item]

Carpenter, Ele. 2009. 'Many:Many Workshop'. In: Micro Makers Faire. Chapter Arts Centre, United Kingdom 22-23 October 2009. [Conference or Workshop Item]

Carpenter, Ele. 2009. 'Mapping Data: Performing Landscape'. In: Mapping Data: Performing Landscape. Umea University, Sweden. [Conference or Workshop Item]

Carpenter, Ele. 2009. 'Open Source Embroidery at MzTek Unplugged'. In: MzTek. United Kingdom. [Conference or Workshop Item]

Carpenter, Ele. 2017. '(Post) Nuclear Anthropocene'. In: Various conferences 2015-17. Z33 House of Contemporary Art, Belgium 2015 - 2017. [Conference or Workshop Item]

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Carter, Claire Makhlouf. 2016. 'DEMO BITTER LUCKY DIP'. In: DEMO BITTER LUCKY DIP. Goldsmiths, University of London, United Kingdom 3 February 2016, 29 June 2018. [Conference or Workshop Item]

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Chilver, John. 2012. 'Art and Number'. In: The New Numeracy. Dept of Sociology, Goldsmiths, London, United Kingdom 17/2/2012. [Conference or Workshop Item]

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Chilver, John. 2016. 'If Surface is the Condition'. In: Surface Values: Locating Conditions. University of Reading, United Kingdom 10/ 06/ 2016. [Conference or Workshop Item]

Chilver, John. 2010. 'Miss the Start, Miss the End'. In: Space, Time and the Image. APT Gallery, London, United Kingdom 14 May 2010. [Conference or Workshop Item]

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Chilver, John. 2018. 'Transposing Genre, Translating Style'. In: Painting and Transposition. University of Worcester, United Kingdom 6th February 2018. [Conference or Workshop Item]

Chilver, John; Malik, Suhail; Harris, Jane; Stubbs, Michael; Cooke, Nigel and Brown, Glenn. 2004. ''Painting as a Technology''. In: ‘Painting, Specifically’. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

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Chilver, John and Rosamond, Emily. 2018. 'John Chilver in conversation with Emily Rosamond'. In: John Chilver in conversation with Emily Rosamond. Xero, Kline and Coma, London, United Kingdom 22 July, 2018. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'The Brighton and Sussex Medical School Debate Facing Cancer A Brighton Festival Exclusive'. In: The Brighton and Sussex Medical School Debate - Facing Cancer. Brighton Festival, United Kingdom 24 may 2015. [Conference or Workshop Item]

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Coutts, Marion. 2016. 'The Chronic: Temporality, Care and Health Research'. In: The Chronic: Temporality, Care and Health Research. Birkbeck, United Kingdom 17 March 2016. [Conference or Workshop Item]

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Coutts, Marion. 2017. 'Empathy and Ethics at the End of Life Perspectives from the Medical Humanities: workshop'. In: Empathy and Ethics at the End of Life Perspectives from the Medical Humanities. University of Basel, Switzerland. [Conference or Workshop Item]

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Coutts, Marion. 2016. 'Fáilte gu Faclan 2016, The Hebridean Book Festival.'. In: Faclan. An Lanntair,, Kenneth Street, Stornoway HS1 2DS, United Kingdom. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Happy Days Beckett Festival'. In: Happy Days: Beckett Festival. Enniskillen, Ireland 23 july - 3 august 2015. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Marion Coutts and Ali Smith: LSE Festival talk'. In: An Eye for Life: Marion Coutts and Ali Smith: LSE Literature Festival. LSE, United Kingdom 24 Feb 2015. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Marion Coutts and Rosie Boycott, Hay Festival'. In: Marion Coutts in conversation with Rosie Boycott. Hay Festival, United Kingdom. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Medicine Unboxed 2015 MORTALITY - ICEBERG - Marion Coutts'. In: Medicine Unboxed: Mortality. Parabola Arts Centre, Cheltenham, United Kingdom 21-22 November 2015. [Conference or Workshop Item]

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Coutts, Marion. 2015. 'Modernism’s Chronic Conditions Temporality, Medicine, and Disorders of the Self'. In: Modernism’s Chronic Conditions Temporality, Medicine, and Disorders of the Self. University of Exeter, United Kingdom 17 April 2015. [Conference or Workshop Item]

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Coutts, Marion. 2019. 'Sculpture as Fieldwork'. In: Sculpture as Fieldwork. Henry Moore Lecture Theatre, Leeds Art Gallery, United Kingdom 6 July 2019. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2015. 'Artist Use of Open Data'. In: Open Data Institute Summit. BFI, Southbank, London, United Kingdom 03 Nov 2015. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2014. 'Building a temporary index'. In: Panning for Atomic Gold. University of Notre Dame London Global Gateway, United Kingdom 17 May 2014. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2014. 'Building a temporary index (part II)'. In: The Actinium Forum. OYOYO, Sapporo, Japan 27 July 2014. [Conference or Workshop Item]

Craighead, Alison and Thomson, Jon. 2009. 'Recent works (Lecture)'. In: Impakt. Filmtheater 't Hoogt, Utrecht, Netherlands 15 October 2009. [Conference or Workshop Item]

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Danino, Nina. 2010. 'Attending to the Other: Critical Theory and Spiritual Practice'. In: Attending to the Other: Critical Theory and Spiritual Practice. Faculty of Theology, St. Catherine's College, Oxford University, Oxford, United Kingdom 23rd-26th September 2010. [Conference or Workshop Item]

Danino, Nina. 2012. 'Little Constellation - Workshop Gibraltar'. In: Little Constellation- Workshop Gibraltar. Gibraltar, Gibraltar 7-11 December 2012. [Conference or Workshop Item]

Danino, Nina; Canezza, Rita; Coro, Pier Paolo; Mangion, Mark and Racanovic, Svetlana. 2012. 'Little Constellation - Gibraltar Workshop'. In: Little Constellation - Workshop Gibraltar. Gibraltar 7-12th December. [Conference or Workshop Item]

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Danino, Nina and Syder, Larry. 2010. 'For the Sake of the Image'. In: For the Sake of the Image. Jerwood Visual Arts, London., United Kingdom 8 March 2010. [Conference or Workshop Item]

Fisher, Sam. 2003. 'Virtual Reality and its effect on the Artist'. In: Art, Design and Virtual Reality Symposium. University of Marmara 6/15/2003. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Accelerated History: Is Time Enough? Duration, Location and Accelerated Histories'. In: Motel Out Of The Blue An international symposium on Instant Urbanism, Hospitality and Accelerated History. Het Blauwe Huis, 3 - 9 Aug 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art + Writing Panel Discussion'. In: Art + Writing Panel Discussion. Spike Island, Bristol, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Art Publishing in the Contemporary world'. In: Art Publishing in the Contemporary world. NCAD, Dublin, Ireland. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Arts Writing Symposia Day 1: Who is this who is coming?'. In: Arts Writing Symposia. Whitechapel Galler, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2008. 'Derrida, Doom Knots and the Blank Page'. In: The Aesthetics of Trash: Objects and Obsolescence in Cultural Perspective. University College Dublin, Ireland 4 - 6 Sep 2008. [Conference or Workshop Item]

Fusco, Maria. 2008. 'Fictionalising Practice and Politics'. In: Art Writing Beyond Criticism. ICA, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Jeff Koons: Popeye Series'. In: Jeff Koons: Popeye Series. Serpentine Gallery, London, United Kingdom. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Judgment and Contemporary Art Criticism: Forum'. In: Judgment and Contemporary Art Criticism. Emily Carr University of Art + Design, Vancouver, Canada 27 - 28 Feb 2009. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Material: Sprache [Language as Material] symposium'. In: Material: Sprache. Kunstuniversitaet Linz, Austria. [Conference or Workshop Item]

Fusco, Maria. 2009. 'Three Uses of the Knife: International workshop on art writing and criticism'. In: Three Uses of the Knife. International workshop on art writing and criticism. Contemporary Art Centre, Vilnius, Lithuania. [Conference or Workshop Item]

Fusco, Maria. 2008. 'Writing Encounters'. In: WRITING ENCOUNTERS: CURATING THE ENCOUNTER BETWEEN WRITING AND PERFORMANCE. St John University, York, United Kingdom 11 - 13 Sep 2008. [Conference or Workshop Item]

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Garfield, Rachel. 2011. 'Picturing the 'People of the Book''. In: Picturing the 'People of the Book'. Austin, Texas, United States. [Conference or Workshop Item]

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Garfield, Rachel and Wainwright, Leon. 2011. 'Putting the Cosmopolitan to Work: Experimental Film and Video'. In: Cosmopolitan Practice Symposium. MMU, Manchester, United Kingdom. [Conference or Workshop Item]

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Gonçalves, João Miguel Correia. 2010. 'Making problems'. In: CLTAD 5th International Conference. Berlin, Germany 12-13 April 2010. [Conference or Workshop Item]

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Gordon, Melissa. 2017. 'On Gesture'. In: On Gesture. Goldsmiths, United Kingdom. [Conference or Workshop Item]

Gray, Ros. 2005. '‘Algumas experimentações emergentes nas telas em Moçambique’'. In: Encontros – Maputo 2005, Festival of Documentary Films at the Centro Cultural Franco. Moçambicano, Maputo, Mozambique 27 September–4 October 2005. [Conference or Workshop Item]

Gray, Ros. 2010. 'Henrique Neves and Clément Darrasse’s ‘Made in.''. In: Henrique Neves and Clément Darrasse’s ‘Made in.'. British Council, Lisbon, Portugal. [Conference or Workshop Item]

Gray, Ros. 2012. 'The Militant Image - A Ciné Geography lecture'. In: Cinematic Migrations lecture series, MIT programme in Art, Culture and Technology. MIT, United States. [Conference or Workshop Item]

Gray, Ros. 2003. '‘Momentary Stability’'. In: Warp:Woof – Aurality, Musicality, Textuality, Congress CATH 2003. University of Leeds, United Kingdom 10 – 12 July 2003. [Conference or Workshop Item]

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Gray, Ros. 2014. 'O Anticolonialsimo da Imagen Militante in the Próximo Futuro series Novos Poderes'. In: A arte do comum e a produção da cultura: O Anticolonialismo da Imagem Militante à Guerra das Escritas. Gulbenkian Foundation, Portugal. [Conference or Workshop Item]

Gray, Ros. 2014. 'The Socialist Friendships of Mozambican Cinema'. In: Red Africa. Calvert 22, United Kingdom. [Conference or Workshop Item]

Gray, Ros. 2007. 'Third Cinema: Filming the Revolution in Mozambique'. In: Curating the Postcolonial, conference organised by the Royal College of Art. Goethe Institute, London, United Kingdom. [Conference or Workshop Item]

Greenhill, Joanna and Walsh, Bernard. 1999. 'Snake in the Grass/Raising Dirt: a conference paper'. In: Disciplines, Fields and Change in Art Practice. UCE, Birmingham, United Kingdom. [Conference or Workshop Item]

Hammond, Chris. 2017. 'The Whitworth Tuesday Talk: Chris Hammond'. In: The Whitworth Tuesday Talk: Chris Hammond. The Whitworth, The University of Manchester, United Kingdom 10 January 2017. [Conference or Workshop Item]

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Hammond, Chris; Barry, Hannah; Hooks, Hannah; Morgan, Elinor and Woolcott, Tyler. 2015. 'Talk: Doing it for yourself – Independent and Artist-led spaces - Media Channel - Zabludowicz Collection'. In: Doing it for yourself – Independent and Artist-led spaces. Zabludowicz Collection, United Kingdom 29 March 2015. [Conference or Workshop Item]

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Hammond, Chris; Combusyan, Haro; Lissoni, Andrea; Gibson, Beatrice; cook, Ben and Manubens, Anna. 2014. 'Roundtable—Brussels Acquiring film and video: How/What do we own?'. In: Acquiring film and video: How/What do we own?. Art Brussels, Belgium 25 April 2014. [Conference or Workshop Item]

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Hammond, Chris; Lydiate, Henry and Gluzberg, Margarita. 2015. 'The Commercial Dimensions of a Fine Art Practice'. In: The Commercial Dimensions of a Fine Art Practice. RCA, United Kingdom 20th May 2015. [Conference or Workshop Item]

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Hammond, Chris; Obrist, Hans Ulrich; Wood, Catherine; Chetwynd, Marvin Gaye and Lydiate, Henry. 2015. 'Contemporary Art Society’s Annual Conference: On Collecting Performance Art'. In: Contemporary Art Society’s Annual Conference: On Collecting Performance Art. Institute of Contemporary Arts, London, United Kingdom 13 February 2015. [Conference or Workshop Item]

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Hammond, Chris; Pearlman, Nina; Rouleau, Martine; Pistella, Jenny; Large, Kelly; Charlesworth, JJ; Buck, Louisa; Maheshwari, Maitreyi and Ogg, Kirsty. 2015. 'Collecting the Emerging Symposium'. In: Collecting the Emerging Symposium -Definitions: What does ‘emerging’ mean in relation to artists’ careers and practices?. University College London, United Kingdom 22 - 23 May 2015. [Conference or Workshop Item]

Hansen, Rikke and Wilbert, Chris. 2005. 'Setting the Crime Scene: Aspects of performance in Jack the Ripper guided tourist walks'. In: International Conference for Tourism Studies and Cultural Change: Tourism and Performance: Scripts, stages, and stories. Sheffield Hallam University, United Kingdom 10/1/2005. [Conference or Workshop Item]

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Harris, Mark. 2017. 'Calypso Soundscapes: intimate acoustics and defiant language in Kamau Brathwaite and Mighty Sparrow'. In: Caribbean Insecurities, The British Library. The British Library, United Kingdom 25-26 June, 2017. [Conference or Workshop Item]

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Harris, Mark. 2017. 'The Imagery of Intoxicating Music'. In: Sound-Image Colloquium. University of Greenwich, United Kingdom 10 November-12 November, 2017. [Conference or Workshop Item]

Harris, Mark. 2018. 'Machine-Gun Sonics and Whispering Tides: How Sound and Language in the work of Kamau Brathwaite and Mighty Sparrow provide an Acoustic Inoculation against Insecurities'. In: Caribbean In/Securities. University of the West Indies, Mona Campus, United States 2017-18. [Conference or Workshop Item]

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Harris, Mark. 2015. 'Orpheus in the Artworld'. In: American Society for Aesthetics. Philadelphia, United States 20-21 March, 2015. [Conference or Workshop Item]

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Harris, Mark. 2017. 'Shimmer'. In: Painters Out of Work. Royal College of Art, United Kingdom 24 February, 2017. [Conference or Workshop Item]

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Harris, Mark. 2016. 'Turntable Materialities'. In: Sound Art Matters. Aarhus University, Denmark 1-4 June, 2016. [Conference or Workshop Item]

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Hunt, Ian. 2019. 'Charlotte Smith and the idea of dependence in nature'. In: Nature Writing's Future Pasts: the Land Lines Conference. School of English, University of Leeds, United Kingdom 28 February - 1 March 2019. [Conference or Workshop Item]

Hunt, Ian. 2017. 'Cultural infrastructure and class differences: a sketch'. In: Cultural Infrastructure. London, United Kingdom. [Conference or Workshop Item]

Hunt, Ian. 2016. 'E.G. Trobridge: Swedenborgian Architect'. In: Swedenborg Birthday Meeting 2016. London, United Kingdom. [Conference or Workshop Item]

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Hunt, Ian. 2015. 'Reticence and Resistance in New British Sculpture'. In: Now That's What I Call Sculpture: The 1980s in Retrospect. Warwick Arts Centre, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 1999. 'Hannah Wilke’s Whore Art'. In: Obscene Powers Conference. John Hansard Gallery, Southampton University, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 1999. '‘On all fours naked in high heels’'. In: Sex and Art Visual Arts Research Group. Goldsmiths College, London, United Kingdom. [Conference or Workshop Item]

Jones, Alison. 2000. 'Playing the Prostitute - a trope of 21st Century Alienation'. In: Art and Philosophy Conference. University of Portsmouth, United Kingdom. [Conference or Workshop Item]

Jones, Alison and Eggesbø, John Øivind. 2008. 'Alison Jones in conversation with John Øivind Eggesbø'. In: Alison Jones in conversation with John Øivind Eggesbø. Nordisk Kunst Plattform Project Space, Norway July 2008. [Conference or Workshop Item]

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Jones, Alison and Thompson, Milly. 2012. 'ÉVASION Panel Discussion, 2012'. In: ÉVASION panel discussion. Herbert Art Gallery & Museum, Jordan Well, Coventry CV1 5QP 18 February 2012. [Conference or Workshop Item]

Kreider, Kristen. 2010. 'Lyrical Encounters: The Material Poetics of Emily Dickinson's Later Manuscript Pages'. In: The Emily Dickinson International Society Conference. Oxford University, United Kingdom 6-8 August 2010. [Conference or Workshop Item]

Kreider, Kristen. 2009. 'Projecting the Voice: Theresa Hak Kyung Cha's Passages Paysages'. In: Intersections - Association of Art Historians Conference. Manchester Metropolitan University, Manchester, United Kingdom. [Conference or Workshop Item]

Kreider, Kristen. 2010. 'Time, Space and Empathy: A Material Poetics of the Film Image'. In: Sexuate Subjects: Politics, Poetics, Ethics. UCL, London, United Kingdom. [Conference or Workshop Item]

Lai, Phillip. 2001. 'Guest speaker at Li Yuan Chia exhibition talk'. In: Li Yuan Chia exhibition talk. Camden Arts Centre / London, United Kingdom. [Conference or Workshop Item]

Lai, Phillip. 2006. 'Public lecture - Artists Lecture Series'. In: Artists Lecture Series, Arnolfini. Bristol, United Kingdom. [Conference or Workshop Item]

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Lloyd, Kirsten; Dimitrakaki, Angela; Perry, Lara; Jefferis, Kerri; Robinson, Hilary; Reckitt, Helena and UNSPECIFIED. 2017. 'Feminist Emergency: The art field'. In: Feminist Emergency: The art field. Birkbeck, University of London, United Kingdom 23 June 2017. [Conference or Workshop Item]

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Lowther, Rachel and Reckitt, Helena. 2016. ''F*CK WAR, LET’S MAKE ART''. In: F*CK WAR, LET’S MAKE ART. Glasgow School of Art, United Kingdom 17 February 2016. [Conference or Workshop Item]

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Mabb, David. 2014. 'But what does it mean to paint politically?'. In: Painting as Commitment. Firstsite, Colchester, United Kingdom 21 June 2014. [Conference or Workshop Item]

Mabb, David. 2009. 'David Mabb discussing William Morris and the Constructivists. What went wrong?'. In: Constructivism and the Art of Everyday Life. Tate Modern, United Kingdom 28 March 2009. [Conference or Workshop Item]

Mabb, David. 2014. 'David Mabb’s on his 'co-creation' with William Morris'. In: Art Talk 2014. University of Hertfordshire, United Kingdom 2014. [Conference or Workshop Item]

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Mabb, David. 2014. 'Legacies of Malevich Symposium: Abstraction then and Now'. In: Legacies of Malevich Abstraction then and Now. Camberwell College of Art, London, United Kingdom 23rd October 2014. [Conference or Workshop Item]

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Mabb, David. 2014. 'Peer Session 45. David Mabb.'. In: David Mabb. Announcer. Focal Point Gallery, United Kingdom 14 June 2014. [Conference or Workshop Item]

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Mabb, David. 2016. 'William Morris Goes Atomic: A Provisional Memorial to Nuclear Disarmament'. In: William Morris Goes Atomic: A Provisional Memorial to Nuclear Disarmament. William Morris Society, United Kingdom 3 December 2016. [Conference or Workshop Item]

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Mabb, David and Quaintance, Morgan. 2014. 'David Mabb in conversation with Morgan Quaintance'. In: Announcer. Focal Point Gallery, United Kingdom 28 May 2014. [Conference or Workshop Item]

Malik, Suhail. 2007. 'Method without discipline'. In: Inventing methodologies 2: an interdisciplinary workshop on postgraduate practice-based research. Goldsmiths, University of London February 2007. [Conference or Workshop Item]

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Malik, Suhail. 2007. 'On the conditions of politics'. In: On the Conditions of Politics conference. Conway Hall, London 28 June 2007. [Conference or Workshop Item]

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Malik, Suhail; Beech, Amanda; Esche, Charles; Phillips, Andrea; Poole, Matthew and Sassen, Saskia. 2007. 'Discussion panel for Pilot:3'. In: Venice Biennale. Monastery of St Damien and St Cosimo, Venice, Italy Summer 2007. [Conference or Workshop Item]

Malik, Suhail; Mitchell, Jo; Gaskin, Viviene; Morris, Michael and Bohn, Chris. 2007. 'Discussion panel on Jo Mitchell's 'Concerto for voice and machinery''. In: Panel. ICA, London. [Conference or Workshop Item]

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Malik, Suhail; Phillips, Andrea and Beech, Amanda. 2007. 'Resistance or invention? Art and global capital assemblage'. In: Local operations. Sackler Centre of Arts Education at the Serpentine Gallery, London, United Kingdom 23 May - 1 July 2007. [Conference or Workshop Item]

Malik, Suhail; Phillips, Andrea and Klee, Steve. 2007. 'Discussion panel on 'Aernout Mik: solo exhibition''. In: Panel discussion. Camden Arts Centre, London, United Kingdom February - April 2007. [Conference or Workshop Item]

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Malik, Suhail; Phillips, Andrea and Olfers, Sophie Van. 2007. 'National (Re)Presentation: a four session research project'. In: Four evening discussions. Witte de With, Rotterdam, Netherlands 4-25 October 2007. [Conference or Workshop Item]

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Martinis Roe, Alex and Reckitt, Helena. 2017. 'To Become Two: Alex Martinis Roe in conversation with Helena Reckitt'. In: Alex Martinis Roe in conversation with Helena Reckitt. The Showroom, London, United Kingdom 18 May 2017. [Conference or Workshop Item]

McCartney, Ella. 2016. 'InDialogue - Image into Movement'. In: InDialogue International Symposium. Nottingham Contemporary, United Kingdom December 2016. [Conference or Workshop Item]

McCartney, Ella. 2016. 'Interdisciplinary Research : Artist-Researcher Collaborations'. In: Interdisciplinary Research : artist-researcher collaborations. Birkbeck, University of London, United Kingdom May 2016. [Conference or Workshop Item]

McCartney, Ella. 2016. '‘Interpreting Language Through Art’ Panel Discussion'. In: ‘Interpreting Language Through Art’ Panel Discussion. Art Workers Guild, London, United Kingdom 19.10.2016. [Conference or Workshop Item]

McCartney, Ella. 2017. 'Translanguaging: Ella McCartney in conversation with Professor Zhu Hua'. In: Ella McCartney in conversation with Professor Zhu Hua. Birkbeck, University of London, United Kingdom February 2017. [Conference or Workshop Item]